summaryrefslogtreecommitdiff
path: root/old/65653-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/65653-0.txt')
-rw-r--r--old/65653-0.txt14153
1 files changed, 0 insertions, 14153 deletions
diff --git a/old/65653-0.txt b/old/65653-0.txt
deleted file mode 100644
index c4673c8..0000000
--- a/old/65653-0.txt
+++ /dev/null
@@ -1,14153 +0,0 @@
-The Project Gutenberg eBook of Memorials of Old Lincolnshire, by E. Mansel
-Sympson
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Memorials of Old Lincolnshire
-
-Editor: E. Mansel Sympson
-
-Release Date: June 20, 2021 [eBook #65653]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Tim Lindell and the Online Distributed Proofreading Team at
- https://www.pgdp.net (This file was produced from images
- generously made available by The Internet Archive/Canadian
- Libraries)
-
-*** START OF THE PROJECT GUTENBERG EBOOK MEMORIALS OF OLD LINCOLNSHIRE ***
-
-
-
-
-
- MEMORIALS OF THE COUNTIES OF ENGLAND
-
- General Editor:
- REV. P. H. DITCHFIELD, M.A., F.S.A., F.R.S.L., F.R.H.
-
- MEMORIALS OF
- OLD LINCOLNSHIRE
-
-[Illustration]
-
-
-
-
-[Illustration: LINCOLN CATHEDRAL, EVENING.
-
- _E. R. Taylor pinx._ _Andre & Sleigh Sc._]
-
-
-
-
- MEMORIALS OF
- OLD LINCOLNSHIRE
-
- EDITED BY
- E. MANSEL SYMPSON, M.A., M.D.
- _Author of “Lincoln” (Ancient Cities)
- Co-Editor of “Lincolnshire Notes and Queries”_
-
- WITH MANY ILLUSTRATIONS
-
- [Illustration]
-
- LONDON
- GEORGE ALLEN & SONS, RUSKIN HOUSE
- RATHBONE PLACE
- 1911
-
- [_All Rights Reserved_]
-
- Printed by BALLANTYNE, HANSON & CO.
- At the Ballantyne Press, Edinburgh
-
-
-
-
-TO THE RIGHT HONOURABLE EARL BROWNLOW LORD-LIEUTENANT OF LINCOLNSHIRE
-
-THIS VOLUME IS DEDICATED BY KIND PERMISSION
-
-
-
-
-PREFACE
-
-
-Lincolnshire, perhaps, is known most widely as the second largest
-county in England, as pre-eminent in agriculture and stock-breeding on
-wold, heath, marsh, and fen, as well to the fore in the manufacture of
-agricultural and other machinery, as possessing the largest fishing-port
-in Europe (Grimsby), and as being associated with “The Handicap.”
-
-But, apart from all these, she can boast of very many attractions for the
-traveller and the antiquary. Flat and low though her shores may be, yet
-there is a fascination in the great extent of “yellow sands”; and there
-is a recompense for the level plain of marsh or fen in the vast expanse
-of sky, where “The incomparable pomp of eve, And the cold glories of the
-dawn,” are seen at their finest.
-
-And the views are wonderful: from Alkborough, over the junction of
-the Trent, the Ouse, and the Humber; from Lincoln, over the plateau
-eastwards to the wolds, or westwards over the valley of the Trent to the
-Nottinghamshire and Derbyshire hills; or eastwards, from the edge of the
-“high wold,” over the great plain
-
- “That sweeps with all its autumn bowers,
- And crowded farms and lessening towers,
- To mingle with the bounding main.”
-
-The county possesses the birthplaces of Newton, Tennyson, Henry of
-Bolingbroke, Archbishop Whitgift, and John Wesley. She has produced
-explorers like Franklin, and heroes of romance and reality like Sir John
-Bolles (the hero of the Spanish Lady ballad) and Captain John Smith of
-Willoughby (who was rescued by Pocahontas). St. Botolph, St. Guthlac,
-and St. Gilbert of Sempringham were all Lincolnshire in origin and life,
-and the latter founded the only monastic order (that of the Gilbertines)
-which originated in this country.
-
-The monastic institutions of this county have had to be passed by in this
-volume. Although there are no vast or splendid remains (if Thornton Abbey
-gate-house and Crowland be excepted) above ground, still the excavations
-of the Rev. C. G. Laing at Bardney Abbey have proved how large and
-beautiful one at least of those buildings was.
-
-The city of Lincoln, again, demanding a volume to itself, has not been
-dealt with here, save in so far as it appears in Roman times.
-
-The greatest and noblest “memorial” of all is, of course, the mighty
-Minster, superb in its architecture and in its situation, with its great
-roll of bishops from St. Hugh and Grosseteste to Christopher Wordsworth
-and the much beloved, most saintly, Edward King. But this subject could
-not be treated of piecemeal, and has been deliberately omitted.
-
-But Lincolnshire is particularly rich in splendid and interesting
-churches, and much will be found in this volume to justify these epithets.
-
-Stamford, Boston, and Grantham all have had full justice done to them,
-while Tattershall Castle may well serve as a specimen of the best
-domestic building of the time of King Henry VI., as Doddington does of
-“the spacious times of great Elizabeth.”
-
-The history of the county has been interesting, and at times very
-important. The wars of King Stephen, the battle of “Lincoln Fair,” the
-Lincolnshire rising in 1470, and the second insurrection in 1536 at the
-suppression of the monasteries, have had to be passed over; but the
-_pre_-historic facts, those of the Roman rule, and of the great Civil War
-will be found.
-
-To the Rev. P. H. Ditchfield, the General Editor of this series, and to
-the Rev. G. E. Jeans, whose knowledge of Lincolnshire is unequalled, for
-much kind help and advice; to all my contributors, and to all who have
-given photographs or illustrations, I desire to tender my most sincere
-thanks.
-
- E. MANSEL SYMPSON.
-
- DELORAINE COURT, LINCOLN, _November 1910_.
-
-NOTE.—As the County of Lincoln possesses no heraldic bearings, the Lord
-Bishop has kindly permitted the use of the coat-of-arms of the See of
-Lincoln to be used on the cover of this volume.
-
-
-
-
-CONTENTS
-
-
- Prehistoric Lincolnshire By Rev. A. HUNT, M.A. 1
-
- The Romans in Lincolnshire By Rev. E. H. R. TATHAM, M.A. 24
-
- Saxon Churches of Lincolnshire By A. HAMILTON THOMPSON, M.A. 53
-
- Kirkstead Chapel By C. HODGSON FOWLER, F.S.A. 81
-
- South Lincolnshire Churches By W. E. FOSTER, F.S.A. 85
-
- The Church of St. Andrew, Heckington By W. G. WATKINS, A.R.I.B.A. 114
-
- Boston and its Church By G. S. W. JEBB, M.A. 120
-
- The Town and Church of Grantham By A. HAMILTON THOMPSON, M.A. 131
-
- Stamford By V. B. CROWTHER-BEYNON, 162
- M.A., F.S.A.
-
- Tattershall Castle and Church By the EDITOR 179
-
- The Sepulchral Brasses of Lincolnshire By REV. G. E. JEANS, 198
- M.A., F.S.A.
-
- Mediæval Rood-Screens and Rood-Lofts
- in Lincolnshire Churches By the EDITOR 206
-
- Lincolnshire and the Great Civil War By Rev. E. H. R. TATHAM, M.A. 249
-
- Doddington Hall By Rev. R. E. G. COLE, M.A. 280
-
- Lincolnshire Families By Rev. CANON MADDISON, 309
- M.A., F.S.A.
-
- Spalding Gentlemen’s Society By MARTEN PERRY, M.D. 319
-
- INDEX 341
-
-
-
-
-LIST OF ILLUSTRATIONS
-
-
- Lincoln from the South-East (Evening) _Frontispiece_
- (_From a water-colour drawing by E. R. Taylor_)
-
- FACING PAGE
-
- St. Peter’s Church, Barton-on-Humber (from S.W.) 54
- (_From a photograph by C. C. Hodges_)
-
- St. Mary’s Church, Stow (Interior, looking S.E.) 58
- (_From a photograph by C. C. Hodges_)
-
- St. Margaret’s Church, Marton (Tower before restoration) 78
- (_From a photograph by C. C. Hodges_)
-
- All Saints’ Church, Holbeach (Nave, looking W.) 86
- (_From a photograph by T. M. Foster_)
-
- St. Mary and St. Nicholas Church, Spalding (Nave, looking N.E.) 86
- (_From a photograph by T. M. Foster_)
-
- All Saints’ Church, Moulton (Nave, looking E.) 100
- (_From a photograph by T. M. Foster_)
-
- All Saints’ Church, Moulton (South Aisle, looking N.W.) 100
- (_From a photograph by T. M. Foster_)
-
- St. Andrew’s Church, Heckington (Plan) 116
- (_From a drawing by W. G. Watkins_)
-
- St. Andrew’s Church, Heckington (South Transept and Porch) 118
- (_From a photograph by H. W. Hitchcock_)
-
- St. Andrew’s Church, Heckington (from the E.) 120
- (_From a photograph by H. W. Hitchcock_)
-
- St. Botolph’s Church, Boston 126
- (_From a photograph by G. Hadley & Son_)
-
- Angel Hotel, Grantham 138
- (_From a photograph by G. W. Wilson_)
-
- St. Wulfran’s Church, Grantham (Plan) 146
- (_Drawn by H. Thompson_)
-
- St. Wulfran’s Church, Grantham (North Porch) 150
- (_From a photograph by Emary_)
-
- Stamford (from the Meadows) 164
- (_From a photograph by Nicholls_)
-
- Stamford, St. Mary’s Church and Hill 170
- (_From a photograph by Nicholls_)
-
- Stamford, Screen in Browne’s Hospital 172
- (_From a photograph by Nicholls_)
-
- Tattershall Castle (from the S.W.) 188
- (_From a photograph by G. Hadley & Son_)
-
- Tattershall, Holy Trinity Church (from S.E.) 196
- (_From a photograph by G. Hadley & Son_)
-
- Brass of Matilda, Lady Willoughby de Eresby 200
- (_From a photograph by F. E. Harrison from rubbing by W. Scorer_)
-
- Brass of John and Alice Lyndewode 204
- (_From a photograph by F. E. Harrison from rubbing by W. Scorer_)
-
- Crowland Abbey, Rood-Screen from the East 218
- (_From a photograph by Aymer Vallance_)
-
- Lincoln Minster, Pulpitum from the East 222
- (_From a photograph by G. Hadley & Son_)
-
- Holy Trinity Church, Tattershall, Pulpitum from the East 228
- (_From a photograph by G. Hadley & Son_)
-
- St. Denis’ Church, Sleaford, Rood-Screen 231
- (_From a drawing by the late Herbert Kirk_)
-
- St. Edith’s Church, Cotes-by-Stow, Rood-Screen and Loft from the
- Nave 236
- (_From a photograph by G. Hadley & Son_)
-
- St. Mary’s Church, Winthorpe, Rood-Screen and Chantry Screen 238
- (_From a photograph by Aymer Vallance_)
-
- St. Peter and St. Paul’s Church, Middle Rasen, Rood-Screen 246
- (_From a photograph by G. Hadley & Son_)
-
- Doddington Hall (from S.E.) 284
- (_From a photograph given by R. E. G. Cole_)
-
- Doddington Hall, Long Gallery 300
- (_From a photograph by W. J. Smith_)
-
- Doddington Hall, Dining-Room 306
- (_From a photograph by W. J. Smith_)
-
-
-
-
-ERRATA
-
-
- Page 106, line 4, _for_ “Norman capital” _read_ “Norman pier.”
-
- ” 108, paragraph 6, should read—“This church probably had its origin
- from the Abbey of Castle Acre—aided by the laity.”
-
- ” 109, line 1, _for_ “St. Mary Magdalene’s, Gedney,” _read_ “St.
- Mary’s, Gedney.”
-
- ” 180, line 28, _for_ “1220” _read_ “1201.”
-
-
-
-
-PREHISTORIC LINCOLNSHIRE
-
-BY THE REV. ALFRED HUNT, M.A.
-
-
-That part of England which we now know as Lincolnshire passed through
-great changes in its surface before the advent of mankind.
-
-The rocks which lie beneath the surface soil in this county are all made
-by deposit, for several thousand feet in thickness, and are what are
-called stratified rocks. They indicate the fact that in past periods
-of time Lincolnshire was all under a great sea. Occasionally in the
-limestone rocks are found small branches or pieces of trees, as well as
-great quantities of fossils of many kinds. The fact that oak and silver
-birch twigs are found inside the limestone shows that trees were growing
-elsewhere when the rocks were being laid down by the action of water in
-Lincolnshire.
-
-Beneath the limestone are found thick beds of red sandstone, while still
-deeper down, over 3000 feet below the surface, lie beds of coal in the
-north-western part of the county—indicating vast changes in the land
-since what is now coal was first formed.
-
-After the deposit or formation of these thick beds of rock, the land
-seems to have been raised above the surface of the sea, to be in turn
-covered with vast sheets of ice, called glaciers.
-
-These glaciers extended all over Lincolnshire and up into North Britain
-above Aberdeen in the one case, and joined another vast glacier
-stretching right across what is now called the North Sea to land which is
-known to-day as Norway.
-
-These glaciers carried on their surface blocks of rock of many kinds,
-some of an igneous nature, and as the glaciers moved slowly the fragments
-of rock were carried many miles from their original source. As the ice
-melted, these blocks of rock fell to the ground, and are now found all
-over Lincolnshire.
-
-The time when these glaciers of Britain melted away is given by Lord
-Avebury[1] as about fifty thousand years ago, but they “may have lingered
-among the mountains, and occupied some of the valleys down to a much more
-recent period.”
-
-The deepest borings in Lincolnshire have not yet reached the fiery or
-igneous rocks _in situ_, except in the Isle of Axholme; therefore those
-fragments of igneous rocks found on the surface, or in the soil, or
-in glacial clays, indicate that they have been transported from their
-original source, which, in certain instances, is as far distant as Norway.
-
-Since the melting of the most recent glacier, other great changes
-have taken place in the surface of the land, owing to elevations and
-depressions, and the action of rain, frost, and denudation over wide
-areas.
-
-A vast forest (now submerged) formerly existed right along the edge of
-the east coast of Lincolnshire; at specially low tides it is seen exposed
-at Chapel St. Leonards, Ingoldmells, and other places on the East Coast.
-
-When the Romans came to Britain, and began their conquest or occupation
-of Lincolnshire, A.D. 50, they found extensive portions in the south-east
-of the county covered by great meres stretching many miles in extent.
-In the south-western part of the county were extensive forests; in the
-north-western part of the county was the island, now called the Isle of
-Axholme; but during the Roman occupation, and for centuries afterwards,
-were vast sheets of fresh water, with here and there an island or islet
-standing out above the surrounding meres. On the eastern side of the
-county, along the sea-board, the Romans built extensive banks or sea
-walls.
-
-Prior to the Roman occupation of Lincolnshire, a race or different races
-of people lived in the land we now know as the county of Lincolnshire;
-and it is of this period that we write regarding the earliest known races
-of mankind in the county.
-
-The different races of mankind in the Prehistoric Ages or Periods have
-been tabulated as—
-
- 1. The Eolithic Man, or Dawn of the Stone Age.
- 2. The Paleolithic Man, or the Old Stone Age, subdivided by
- Professor Dawkins as (_a_) The River Drift Man and (_b_)
- Cave Man.[2]
- 3. The Neolithic Man, or New Stone Age.
- 4. The Pygmy Man.
- 5. The Bronze Age, subdivided as Early and Late Bronze Periods.
- 6. The Prehistoric Iron Age.
- 7. The Iron Age of the Roman Period.
-
-We will deal with each of these races separately as they concern
-Lincolnshire.
-
-
-THE EOLITHIC PERIOD
-
-Of this period no traces of the work of mankind have been found in the
-county of Lincolnshire.
-
-It is a period which some experts strongly affirm show traces of the work
-of man in other more southern parts of Britain; so far as our experience
-by definite research has extended, we are not satisfied with the evidence
-offered, and prefer to keep an open mind.
-
-
-THE PALEOLITHIC PERIOD, OR OLD STONE AGE
-
-Many thousands of specimens of man’s work in this period or age have been
-found in Southern England—that is, as we define it south of a line drawn
-from the Severn to the Wash—but none of these old rough stone weapons
-have been found _in situ_ in Lincolnshire. From the facts presented by
-geology and a careful study of the county, it would appear that, while
-Paleolithic Man existed in the south of England, north of an imaginary
-line from the Wash to the Severn no traces of mankind have been found
-relating to the Paleolithic Period. It is probable that the great
-glaciers covered what is now known as Lincolnshire and Northern Britain
-in that period, and formed an inaccessible barrier to the progress of
-mankind.
-
-
-THE RIVER DRIFT PERIOD AND THE PERIOD OF CAVE MAN
-
-In these ages or periods, mankind found a home in the caves of North
-Yorkshire, at Kirkdale and on both sides of Cresswell Craggs, the
-boundary line between Nottinghamshire and Derbyshire. Quite recently[3]
-discoveries have been made at Upper Langwith, also on the borders of
-the two counties, Nottinghamshire and Derbyshire, showing unmistakable
-signs of Cave Man dwellings and handiwork. While these places are not
-far geographically from Lincolnshire, yet, to be accurate, no trace of
-Cave Man or River Drift Man has been found in what is now the county of
-Lincolnshire.[4]
-
-
-THE NEOLITHIC PERIOD
-
-It is in this period we first find traces of mankind in Lincolnshire.
-Various burial places and many finds of implements show how widely
-Neolithic Man spread over and occupied the county.
-
-These implements are described as stone axes, spear-heads, lance-heads,
-arrow-heads, scrapers, gouges, chisels, pot-boilers, knives, borers,
-graving tools, hammer stones, whetstones, polishers, sink stones, anvil
-stones. A list of the places where these “finds” have been recorded is as
-follows:—
-
- *Alkborough.
- Barlings.
- *Billinghay.
- Branston.
- Brigg.
- Broughton.
- *Burwell.
- *Bully Hill.
- Caythorpe.
- Claxby, near Alford (flint flakes).
- Cold Harbour.
- *Cold Hanworth.
- Crowle.
- Coningsby Warren.
- Coxey Hills, near Louth.
- Doddington.
- Donington-on-Bain.
- Elkington, South.
- Fiskerton.
- Fotherby.
- Friskney.
- Ferriby, South.
- Gonerby.
- Gonerby, Little.
- *Haxey.
- Healing (arrow-head).
- Horncastle.
- Hubbard’s Hills, Louth.
- Irby.
- *Isle of Axholme.
- Keal, West (arrow-heads).
- Kelstern.
- Kirkstead (axe-head).
- Kirton-in-Lindsey.
- *Legbourn.
- *Lincoln.
- *Lynwode.
- *Mablethorpe.
- Maidenwell.
- Manton.
- Messingham.
- Newport, Lincoln.
- Nocton (axe-head).
- Ponton, Great.
- Potterhanworth.
- Reepham.
- *Ruckland.
- *Salmonby.
- Saxilby.
- *Scawby.
- *Scunthorpe (arrow-heads).
- Sleaford.
- Spalding (spear-head).
- Stewton.
- *Stow.
- Tathwell.
- Tetford (arrow-heads).
- Welton, by Lincoln (whetstone).
- Wragby.
- Woodhall.
- *Witham River.
-
-Those marked with an asterisk (*) are to be seen in the County Museum at
-Lincoln.
-
-Many of these implements are excellent specimens of the art and skill of
-the Neolithic workers in stone. For the purpose for which they were made,
-they seem to have served well.
-
-The axe-heads have been (in some cases) made to be used with wood handles
-formed out of the branches of trees. In the course of ages the handles
-have perished, but the stone implement remains.
-
-Often people unacquainted with the subject of stone implements ask, “How
-do these stone implements differ from stone forms of natural shape?”
-There are several points for students to notice about “Worked Stone
-Implements.” The points to be noticed with the Old Stone or Paleolithic
-Implements are as follows:—
-
- 1. The Flat Top, where the blow was struck to separate the
- implement from the flint nodule.
- 2. The Bulb of Percussion caused by the blow.
- 3. The Conchoidal Fracture or shell-like flake.
- 4. The Flaking off at the back.
- 5. The Dorsal Ridge or Ridges.
- 6. The Secondary Working, round the edges.
- 7. The Patina or Skin, the result of exposure to the weather.
-
-In the characteristics of the New Stone Implements, or Neolithic Stones,
-which are found in Lincolnshire, the points to be noticed are—
-
- 1. The Definite Shaping of the Stone.
- 2. The Worked Edges of the Implement.
- 3. The Piercing or Socketing of the Stone.
- 4. The Patination of the Implement.
-
-
-THE NEOLITHIC BOATS
-
-Several boats made out of the trunks of trees have been found in the
-county—
-
- Two at Lincoln.
- One at Scotter.
- Two at Castlethorpe, near Brigg.
-
-One of the two boats found at Castlethorpe was an exceptionally fine
-specimen of the Neolithic boat craft. In length it was 45 feet, and 5½
-feet wide inside, made out of an oak tree trunk. Within the boat was
-found a very fine polished stone axe-head.
-
-The interior of the boat showed that it had probably been charred, and
-scraped or chopped out with a stone hatchet.
-
-The boat is now transferred from Brigg to the Hull Museum.
-
-
-POTTERY OF THE NEOLITHIC PERIOD
-
-Very little pottery of this period has been found in the county.
-
-One very good specimen of a jar or vase, broken in pieces, was found
-by Mr. S. Maudson Grant on the sea-coast, outside the Roman Bank at
-Ingoldmells.
-
-This specimen is now deposited in the Lincoln Museum.
-
-
-NEOLITHIC BURIAL PLACES
-
-The burial places of early man in Lincolnshire must have been very
-numerous, judging from the remains we still have surviving to this day.
-These people were buried in barrows or large mounds of earth, which are
-called “Tumuli.”
-
-In Lincolnshire the barrows are of two classes, called Long Barrows and
-Round Barrows.
-
-The Long Barrow is the oldest form of interment, and belonged to the
-race of people called Dolicho-cephalic, or long-headed people. Sir John
-Lubbock says: “The Long Barrows are like the Gang-graben of Scandinavia,
-in which the dead are buried and not burnt.”
-
-It is in the _Long_ Barrows that we find this Neolithic race of people
-buried their dead in Lincolnshire.
-
-One of the Long Barrows still exists at Swinhope, near Grimsby, and there
-are others in different parts of the county.
-
-In a map of Lincolnshire, published about 1570, by Saxton, the position
-of some of the barrows was indicated. From that map we have compiled the
-following list, but the list includes both kinds of barrow, long and
-round—there being no indication on the map to distinguish the one form of
-barrow from the other:—
-
- Aukborough, 2.
- Ashby.
- Barkstone.
- Barnetby.
- Barrow, 2.
- Barton.
- Belton.
- Binbrook.
- Bonby.
- Boothby Graffoe.
- Bottesford, 2.
- Blyborough.
- Branston, 3.
- Braceby.
- Burton-upon-Stather, 2.
- Caburn.
- Carlton, North.
- Caythorpe.
- Clixby.
- Coleby.
- Coleby, near West Halton, 4.
- Cranwell.
- Croxby.
- Croxton.
- Cuxwold, 2.
- Dunston, 2.
- Ferriby, 2.
- Fillingham.
- Frodingham, 2.
- Fulbeck.
- Glentworth.
- Grange de Lings, 2.
- Grantham, 2.
- Harmston.
- Hatcliffe, 2.
- Haydour.
- Hemswell, 2.
- Horkstow, 2.
- Howsham.
- Hybaldstow, 2.
- Ingham.
- Kirmond le Mire.
- Limber, 2.
- Londonthorpe, 2.
- Manby.
- Manton, 2.
- Mere Hospital, 2.
- Messingham.
- Metheringham.
- Navenby, 2.
- Nettleham.
- Normanby.
- Normanton.
- Rauceby, 2.
- Redbourne.
- Riby.
- Riseholme.
- Rothwell.
- Ropsley.
- Rowston.
- Saxby.
- Scampton.
- Scawby.
- Scopwick.
- Scotter, 2.
- Scotton, 2.
- Searby.
- Southorp.
- Spridlington.
- Stainton le Vale.
- Thoresway, 2.
- Thornton, 3.
- Ulceby.
- Waddington, 2.
- Walesby.
- Walcot.
- Welby.
- Welton.
- Welton le Wold, 2.
- Willoughton.
- Wootton.
- Worlaby, 3.
- Wrawby.
- Wyham.
-
-The custom of raising a mound over the place where the dead are buried is
-very ancient, widespread, and continuous to the present day: examples are
-to be seen in Egypt, India, America, and Britain. In its simple form it
-is seen in the village churchyard, in its greatest development it is seen
-in the magnificent pyramids of Egypt.
-
-In the Long Barrows no metal implements are found unless they have been
-used for what are called “secondary interments.”
-
-The date of these Long Barrows is variously stated; Canon Greenwell says,
-“probably 1000 B.C., but may be much earlier”; others say they were
-probably made 3000 B.C. or 5000 years ago. The definite date cannot be
-given, but only probabilities stated.
-
-It is in this Neolithic Age that the bodies of the dead were placed in a
-cist or stone box; that is, large stones were placed round the body, and
-on these upright stones was fixed a covering stone.
-
-One such system of burial was found at Rothwell, near Caistor, and
-another at Dunholme.
-
-In nearly every case of burial of this kind, which is called
-_Inhumation_, the body has been placed facing the sun in a contracted
-position; that is, with the knees drawn up to the chin and lying on
-its side. Some specialists think this position indicates the sleeping
-attitude, others think it points to the fact that as the child entered
-into life in a contracted position, so the dead body was similarly placed
-for departure from life, with the possibility of entering into a new life
-after death.
-
-Frequently by the side of the dead body were placed the weapons that he
-used when living—axe-heads, arrow-heads, knives, and spear-heads.
-
-
-LIFE OF THE NEOLITHIC PEOPLE
-
-Naturally we may ask how did these people live? The answer undoubtedly is
-by hunting, fishing, and fowling. They appear to have had large flocks of
-sheep, goats, and cattle, and possessed dug-out canoes or boats.
-
-Their dwelling places were probably hut circles, but no remains of these
-have so far been found in the county of Lincolnshire.
-
-Their care of the dead would lead us to suppose that, by comparison with
-similar practices in other parts of the world, they believed in a future
-state or future life.
-
-Who were the Neolithic people?
-
-This question has been asked by many, and the answer given by Professor
-Boyd Dawkins[5] and others is that they were Iberians, and are
-represented at the present time by the surviving Basque peoples of the
-Western Pyrenees, on the borders of Spain and France.
-
-“By a chain of reasoning, purely zoological, we arrive at the important
-conclusion that the Neolithic inhabitants of the British Isles belong to
-the same non-Aryan section of mankind as the Basques, and that in ancient
-times they were spread through Spain as far south as the Pillars of
-Hercules, and as far to the north-east as Germany and Denmark.”
-
-
-THE PYGMY RACE OF MAN IN LINCOLNSHIRE
-
-One of the most recent discoveries regarding Prehistoric Man in
-Lincolnshire is the finding of some thousands of diminutive flint
-implements at Scunthorpe, Manton Common, and Scotton, in North
-Lincolnshire. At the suggestion of the writer of this article, Mr. E. E.
-Brown made a careful search at Scunthorpe in A.D. 1900, and found some
-thirty or forty specimens.
-
-Since then the Rev. Reginald Gatty, the Rev. Alfred Hunt, and others have
-found hundreds of specimens at Scunthorpe.
-
-The Pygmy Flints are of various forms and sizes. Similar forms and
-shapes have been found in Lancashire, Yorkshire, Bedfordshire, Suffolk,
-Sussex, and elsewhere in England. On the Continent similar forms of Pygmy
-Flints have been found in Belgium, France, and Germany. They have also
-been found in Egypt, Palestine, North and Central Africa, and in great
-numbers on the Vindhya Mountains, India.
-
-The bodies or bones of these Pygmy people have been found at Sohâgi Ghât,
-on the Vindhya Mountains, in Germany, and at Bungay, Suffolk, quite
-recently, by Mr. H. A. Dutt, of Lowestoft.[6]
-
-The Pygmy Flints all show points characteristic of the work of man:—
-
- 1. The Bulb of Percussion.
- 2. The Conchoidal Fractures running down the flint.
- 3. The Dorsal Ridges on the back of the flint.
- 4. The Secondary Working along one edge.
- 5. The Patina or Skin, the result of weathering.
-
-Their shapes have been described as—
-
- Crescent-shaped.
- Triangular or Scalene.
- Arrow-head.
- Round-headed and pointed.
- Chisel-shaped.
- Trapezoid or Rhomboidal.
- Flint knives with serrated edges.
-
-They are figured in the _British Museum Handbook to the Stone Age_, on p.
-110, Fig. 132.
-
-They are beautifully made, and show extraordinary keen sight in those
-who made them—frequently one side only shows secondary working, and the
-chipping is so finely done that often twenty and thirty different chips
-have been made on a fine thin edge of flint in the length of half an inch.
-
-The question has been asked, how may we know Pygmy Flints are the work of
-mankind? Practically by the same method that we know other flint or stone
-implements are the handiwork of man. Examine these Pygmy Flints closely,
-and you will be able to trace—
-
- 1. The Bulb of Percussion, showing where the blow was struck to
- separate the flake from the flint nodule.
- 2. The Conchoidal Fracture running down the length of the flint.
- 3. The Dorsal Ridges on the back of the flint.
- 4. The Secondary Working along one edge.
- 5. The Patina or Skin, the result of weathering or exposure.
-
-These distinct characteristics prove these flints are no haphazard
-flakings from a flint core.
-
-When you can pick up these Pygmy Flints, and show all these
-peculiarities, you are able to convince reasonable men that they are the
-work of a race of people, who, with keen vision and clever handiwork,
-were able to make tools which have outlived their own age and race by
-many thousands of years.
-
-
-SIMILARITY IN DESIGN
-
-One point of great interest in these widely scattered Pygmy Flints is the
-great similarity in design. So much is this similarity carried out that,
-if you place a Scunthorpe specimen beside one found on the Vindhya Hills
-in India, it is almost impossible to say which is from the one place and
-which is from the other.
-
-This similarity in design has led many specialists to think that the
-Pygmy Flints of Scunthorpe are the work of a migrating people, who passed
-over from India through Asia and Europe to Britain. Amongst those who
-accept this theory are Dr. Gatty and Vincent A. Smith, M.A., of the
-Indian Civil Service, one of the greatest specialists we have on this
-subject.
-
-
-WHAT WAS THE USE OF THESE PYGMY FLINTS?
-
-Various conjectures have been made as to the use of these small flint
-implements. They must have been made for human daily use and need.
-
-_Arrow Points_ are easily accounted for as used in hunting—being, it
-is supposed, fastened to wood shafts; which is still the practice of
-Australian savages.
-
-_Fishing Hooks_ is another very natural suggestion for some of the forms;
-when fixed with sinew or gut, the triangular form makes a specially
-suitable hook to catch in the throat of fish.
-
-_Knives_ is undoubtedly another use to which some specimens are adapted;
-the clear cut edge would, even after the lapse of thousands of years, cut
-flesh of animals at the present time.
-
-_Boring Tools_, for making holes to sew skins together for clothing
-purposes, is also a natural theory for other specimens of these Pygmy
-Flints.
-
-_Chisels_ for scraping and shaping wood handles or hafts of their tools
-is also another suggestion, which is highly probable from the shape of
-the flints with a square cutting edge.
-
-_Skin Scrapers_ is still another use for which some specimens of the
-implements may have been made by these people who lived by the chase;
-while it is also possible that other shapes were mounted in wood frames
-and used as saws, sickles, and harpoons, as shown in _British Museum
-Handbook_, Fig. 118.
-
-Some of them may have been used for tattooing, as has been suggested, but
-certainly not a great proportion of the many thousands that have been
-found.
-
-
-BY WHAT CLASS OF PEOPLE WERE THESE IMPLEMENTS MADE?
-
-To begin with, these small implements were made by people with _keen
-vision_, the minute character of their work being more easily seen and
-appreciated under a magnifying glass than with the naked eye of an
-ordinary observer.
-
-They were also _clever designers_, as the persistent shapes of these
-implements show. It is not to an ordinary person an easy matter to chip
-out a piece of flint in the shape of these samples; the same figures or
-shapes are repeated in hundreds of instances.
-
-Again, they were _careful workers_, as is seen by the way in which these
-flint implements are made. To-day men would have to exercise almost the
-care of a jeweller if they wished to make implements equal in shape and
-accuracy to those found on the Scunthorpe Floor, made by these Pygmy
-workers.
-
-They knew how to _make_ a _fire_, as many fragments of charcoal have been
-found on the floors of their dwelling places.
-
-As regards _their clothing_, I am inclined to the idea that they clothed
-themselves but slightly, and what clothing they had was made of the skins
-of animals taken in the chase.
-
-
-PYGMY SITES, STATIONS, OR DWELLING PLACES
-
-One very interesting feature regarding Pygmy stations, sites, or dwelling
-places where these Flints are found is their close association with a
-_Peat Floor_. Monsieur de Pierpoint says: “He collected some thousands
-of Pygmy Flints on the high plateaux above the Meuse. Formerly a thick
-forest covered these mountains, and in that district the small flints
-are mostly found near springs and away from the east winds.” Both at
-Scunthorpe and on the hills of the Pennine Range, it is on or in the Peat
-that these diminutive Flints are discovered. Dr. Colley March found them
-in a bed of Peat 6 feet deep, in certain cases 10 feet deep, and at an
-altitude of 1350 feet above sea-level. Dr. Gatty found them at Scunthorpe
-on the top of the Peat and below the wind-blown sand 200 feet above
-sea-level.
-
-It was on the Peat that I and my friends, the Rev. R. N. Matthews, of
-Tetney, in the year 1900, and the Rev. Samuel Wild, of Dunholme, found
-numerous examples as recently as the spring of 1907. Dr. Gatty found
-as many as 200 implements on the floor of one habitation. These facts
-lead me to the belief that the natural conditions or surroundings of
-Scunthorpe have completely changed since the time of the deposit of these
-implements.
-
-I believe that the natural conditions at Scunthorpe were very much like
-the conditions at the Ituri Forest of North Africa at the present day,
-where we see a Peat deposit in progress; that the Pygmies lived in a
-warmer atmosphere at Scunthorpe than now exists in England; and that
-these people lived in communities in small huts, such as may be seen now
-among these living survivals of Pygmy people. They were in fact _Forest
-Dwellers_.
-
-No pottery has been found with the Pygmy Flints in Lincolnshire, but a
-class of rude hand-made pottery has been found with the Indian Pygmy
-Flints, and entire skeletons of the Pygmy people have been found both
-in India and Germany. In India they dwelt in caves and rock shelters,
-but at Scunthorpe we have no trace of caves or rock shelters; therefore
-hut circles seem to be the only alternative to fall back upon as their
-dwelling places in Lincolnshire.
-
-
-TO WHAT PERIOD IN THE STONE AGE MUST WE ATTRIBUTE THE PYGMY RACE OF
-MANKIND?
-
-Here we have a problem that puzzles many at the present time. Mr. Read,
-of the British Museum, suggests a Neolithic Age or Bronze Period, while
-Mr. Vincent Smith does not agree with that, but inclines to the belief
-that they are to be placed at the end of the Paleolithic Age. Dr. Colley
-March calls it the Early Neolithic Floor of East Lancashire.
-
-One thing is certain, we do not find any smooth or polished stone
-implements on the Pygmy Floor. Another thing is equally true, we do not
-find Pygmy Flints associated with Bronze or Copper implements, so that
-they were not metal workers.
-
-The suggestion has been thrown out that the Pygmies were a weak race
-who were overcome by Neolithic Man. This may be true, but we have the
-authority of Herodotus, 2000 years ago, and modern travellers like Dr.
-Wollaston of 1907, pointing out that the Pygmies were, and are at the
-present time, rather a fighting race of people. After considering all the
-evidence obtainable, I am inclined to think that the Pygmy Race must be
-placed in the Messeolithic or Middle Stone Age.
-
-It is true that at one period “there were giants on the earth in those
-days,” so also it is true that there were dwarfs on the earth in other
-days. Was this race the Iberic race?
-
-It is ably argued by Mr. W. J. Knowles, Vice-President of the Royal
-Society of Antiquaries of Ireland, that Neolithic Man is the descendant
-of Paleolithic Man.
-
-The question before ethnologists to-day is: How was this transition
-effected? Was it through a Messeolithic Age?
-
-Because there are no references to the Pygmy Flint Age in the standard
-books of thirty years ago on Prehistoric Man, such as those of Boyd
-Dawkins, Canon Greenwell, Sir John Evans and Mr. Mortimer of Driffield,
-some few people are prepared to question the reality of what are called
-Pygmy Flints.
-
-To begin with, each of these authors referred to have within the last
-few years become thorough believers in Pygmy Flints as the product of
-mankind. This is shown by their speeches at the recent meetings of the
-British Association at York and elsewhere.
-
-Then let the doubtful person concerning Pygmy Flints turn to recent works
-on Prehistoric Man, such as Mr. Charles H. Read’s _Handbook or Guide to
-the Stone Age_, in the British Museum, published 1902, to Prof. Windle’s
-book on _Remains of Prehistoric Age in England_, published 1904, to the
-articles by Vincent A. Smith, late of India Civil Service, to Dr. Gatty,
-and other works, he will then, I think, if open to conviction, be ready
-to admit there is more evidence for a Pygmy race than he anticipated.
-
-
-HISTORICAL REFERENCE TO THE PYGMY RACES OF MANKIND
-
-If we go back to the ancients, we have the authority of Herodotus, Book
-II., Chapter 33, page 51, that “the Nasamonians were captured and carried
-off by the Pygmy Tribe and led across extensive marshes, and finally came
-to a town where all the men were the height of their conductors and black
-complexioned under the middle height.”
-
-Homer’s _Iliad_, Book III., line 9, refers to Pygmy nations.
-
-Aristotle calls them Troglodytal—which would seem to indicate that they
-were Cave Dwellers in that age. Homer and Aristotle both place them near
-the sources of the Nile.
-
-Pliny, Book VI., 19, and Philostratus, _Vit. Apoll._, Tz. III., 47, and
-others, place them in India, where, in modern days, many thousands of
-Pygmy Flints have been found.
-
-The representation of Pygmy people is frequently met with on Greek vases
-and Egyptian pottery.
-
-After two thousand years of literary silence about Pygmy people, modern
-travellers like Captain Harrison have brought over from the Ituri Forest
-Pygmy people, and exhibited them in all parts of England.
-
-
-SMALL DARK-COLOURED PEOPLE UNDER THE MIDDLE HEIGHT
-
-Major Powell Cotton, in the year 1907, gives his experience of life
-among the Pygmies of the Congo Forest, and describes them as “small
-dark-coloured people under the middle height.”
-
-Dr. A. F. R. Wollaston, also in 1907, returned to civilisation through
-the Congo Forest and the volcanic region of Mfumbiro, and says the tops
-of the extinct volcanoes are covered with dense bamboo and inhabited by a
-Pygmy race.
-
-In Central Mexico we have relics of a Pygmy people, the dried head of one
-being offered in Mr. Steven’s London auction room this year (1907).
-
-The last surviving Aztecs, a very diminutive people, we remember to have
-seen exhibited in Manchester thirty years ago.
-
-All these instances point to diminutive or Pygmy races of men scattered
-over the world.
-
-As the literature on this subject is so limited, we venture to name the
-authorities quoted:—
-
- Herodotus.
- Pliny.
- Homer.
- Philostratus.
- Aristotle.
- British Museum, _Guide to Stone Age_, by C. H. Read, Esq.
- Dr. Colley March, of Rochdale.
- W. H. Sutcliffe, Esq., of Littleborough, Lancashire.
- The Rev. Reginald A. Gatty, LL.B., of Hooton Roberts, Doncaster.
- Dr. Sturge, formerly of Nice, now of Mildenhall, Cambridge.
- The late A. C. Carlleyle, Esq., of the Archæological Survey of India.
- M. de Pierpoint, of Brussels.
- M. Thieullen, of Paris.
- Sir John Evans.
- Professor Boyd Dawkins.
- Professor Windle, of Birmingham.
- Major Powell Cotton.
- Dr. A. F. R. Wollaston.
- Vincent A. Smith, Esq., M.A.
-
-
-THE BRONZE AGE IN LINCOLNSHIRE
-
-The earliest appearance of bronze in Britain is put down at 2000 B.C.
-
-As we have already stated this period is divided into Early and Late
-Periods by specialists.
-
-Specimens of both periods have been found in many parts of the county,
-and so far as we have been able to trace them, we have compiled the
-following list of places where they have been discovered:—
-
- Anwick.
- Barton-on-Humber.
- Billinghay.
- Boston, B.M.
- *Branston, B.M.
- Brigg.
- Broughton.
- Burringham.
- Caythorpe.
- Caenby.
- Crosby.
- Crowle.
- Crowland.
- Elsham.
- Fleet.
- Flixborough.
- Fiskerton.
- Gainsborough.
- Halton, West, B.M.
- *Haxey, B.M.
- Horncastle, B.M.
- Kelsey, South.
- Kyme, South.
- Langton.
- Leasingham.
- *Lincoln.
- *Nettleham.
- Newport, Lincoln.
- Owersby, North.
- *Reepham.
- Roxby, B.M.
- Scothorne.
- Scunthorpe, B.M.
- Sleaford.
- Toynton, B.M.
- Washingborough.
- Winghale, B.M.
- Winterton.
- Winteringham.
- Wrawby.
- *Witham River.
-
-Those marked with an asterisk (*) are to be seen in the County Museum
-at Lincoln. Those marked B.M. are in the British Museum.
-
-The objects found include swords, celts (socketed and unsocketed),
-arrow-heads, spear-heads, palstaves, adzes, knives, daggers, circular
-shields, armlets, bracelets, bridle bits, trumpet, horse trappings
-(probably a peytrel at Caenby).
-
-These show progress in the art of man from rude plane castings to what
-may be called high art in decoration, as shown in the very elaborate
-shield from the river Witham, and now in the British Museum, figured in
-their catalogue to the Early Iron Age on page 90.
-
-It is to this period that we must attribute many of the very fine pieces
-of pottery belonging to Mr. H. Preston, now deposited at the Lincoln
-Museum. It consists of cinerary urns, drinking cups, food vessels,
-incense cups, and other forms of vessels.
-
-The places where this early class of pottery has been found in the
-county, so far as we have been able to compile it, is as follows:—
-
- *Billinghay.
- Caythorpe.
- Denton.
- Donnington.
- *Dunston.
- Ferriby, South.
- Heighington.
- Horncastle.
- Kirton in Lindsey.
- Lincoln.
- Manton.
- Normanton.
- *Potterhanworth.
- Scotter.
- Willingham, North.
- Woolsthorpe.
-
-Those marked with an asterisk (*) are to be seen in the County Museum
-at Lincoln.
-
-All this pottery is made of burnt clay in an open fire.
-
-
-CLOTHING OF THE PEOPLE IN THE BRONZE AGE
-
-In the one instance where a body has been found with clothing at Haxey in
-the Isle of Axholme, it was that of a woman dressed in skins with sandals
-on her feet. Cæsar’s statement in Book V., paragraph 147, describes the
-Celts or Britons as wearing skins on their bodies for clothing, and the
-parts of the body not covered with skins being painted in order to render
-themselves more terrible in battle.
-
-
-BRONZE AGE BURIALS
-
-We have already referred to two classes of barrows or burial places. One
-is described as a long barrow, the other as a round barrow.
-
-It is in this latter class of burial place that the people of the Bronze
-Age buried their dead.
-
-The round barrows belong to another race of people who existed in
-Lincolnshire, and are described as Brachy-cephalic or round-headed people.
-
-In these burial places bronze implements have sometimes been found, and
-occasionally stone implements, showing that the Stone Age overlapped or
-ran into the Bronze Period.
-
-Incompleteness of the circle in the barrow points to design.
-
-An alphabetical list of the places where in recent times the round barrow
-existed is as follows:—
-
- Barrow.
- Bardney.
- Brigg.
- Burgh.
- Burgh-on-Bain.
- Burnham.
- Bully Hills, 6.
- Claxby by Alford.
- Cockerington.
- Cleasham.
- Donington-on-Bain.
- Falkingham.
- Gainsborough.
- Halton, West.
- Haugham.
- Horncastle.
- Ingoldsby.
- Kelstern.
- Langton by Spilsby, 3.
- Revesby.
- Riseholme.
- Spellow Hills.
- Temple Bruer, 2.
- Wainfleet, 2.
- Walcot.
- Well near Alford, 3.
- Welton in the Marsh.
- Wold Newton, 20 urns.
-
-The barrow was considered to be the habitation of the spirits of the dead.
-
-In the Bronze Age often the body was burnt wholly or in parts. Sometimes
-the ashes were collected and placed in an urn. This burning of the body
-seems to have been one of their sacred rites of burial. In nearly every
-case where the body has been burnt, holes seem to have been bored or
-drilled into the ground underneath the body. Sometimes these were stake
-holes, but the wood has perished. In these barrows was buried the chief
-of the clan or tribe.
-
-A plate picture of the different kinds of skulls of the Dolicho-cephalic
-and the Brachy-cephalic people appears in the _British Museum Handbook to
-the Antiquities of the Bronze Age_, page 20.
-
-It is considered very probable that the round-headed people were the
-conquerors of the long-headed race.
-
-
-ENTRENCHMENTS OF THE IRON AGE
-
-It is to this age we must refer the making of the lines of entrenchments
-in various parts of the county at Honington, Ingoldsby, Kingerby, Hoe
-Hill, Fulletby, and other places.
-
-The Bronze Age people are generally called Celts, and have been
-subdivided by Professor Rhys as Goidelic and Brythonic races—the older
-race being the Goidels and the later race Brythons.
-
- “Both races spoke a language that belonged to the Aryan or
- Indo-European family, but had certain peculiarities that point
- to racial divergence.”—C. H. READ.
-
-It is to the Bronze Age Professor Boyd Dawkins would attribute the
-erection of the great stone circles, such as Stonehenge, Avebury,
-and other places, but of these stone circles no remnants exist in
-Lincolnshire.
-
-
-THE PREHISTORIC IRON AGE, 400 B.C.
-
-Traces of the occupation of Lincolnshire in this period are to be found
-in the pre-Roman smelting furnaces for iron in various parts of the
-county at Manton and elsewhere.
-
-Certain iron spear-heads, daggers,[7] sheaths,[8] and swords[9] of bronze
-from the river Witham are also attributed to this period. The art of
-enamelling the surface of metal appears in the Prehistoric Iron Age, and
-its chief centre seems to have been the British Isles.
-
-The shield found in the river Witham is put down to this period in
-the _British Museum Handbook_, pages 87 to 92. It is one of the most
-beautiful specimens of inlaid work yet discovered.
-
- “With the introduction of iron a change in the burial customs
- took place in Britain. Cremation was carried on, but the dead
- were frequently interred at full length in a stone chamber, or
- shallow pit, along with various articles used in daily life.”
-
-Doubtless there are many “finds” of stone and bronze and iron implements
-from Lincolnshire in private collections that are not described in any
-book or catalogue extant.
-
-It is only by personal knowledge, and by contributing that knowledge
-to a common centre, that anything like a correct record can be made
-for the benefit of students and futurity of the Prehistoric Period in
-Lincolnshire.
-
-With the coming of the Romans, B.C. 55 and 47 A.D., we enter on the
-Historic Iron Age, which is outside the scope of this article. As regards
-the Roman occupation of Lincoln, A.D. 50, we have written elsewhere.[10]
-
-
-
-
-THE ROMANS IN LINCOLNSHIRE
-
-BY THE REV. E. H. R. TATHAM, M.A.
-
-
-Roman Lincolnshire has no written history. There is not a line in any
-extant ancient writer describing the progress of a Roman army within its
-limits. Yet that wonderful people have left indelible marks of their
-presence in the county, not merely, as elsewhere, in a few fortifications
-connected by military roads, but in the systematic reclamation of a whole
-district. The details remaining to us of their conquest of the island
-apply principally to the south-east, the north, and the north-west. And
-yet the marshy plain of the Lincolnshire coast must have been then, as it
-proved in later times, an ideal refuge for native tribes at last driven
-to bay. Bounded on the east by the sea and on the south by impassable
-fens—subject in parts to submersion by the sea—the county was only
-accessible to a southern invader on its south-west side, through the
-forest which then covered Kesteven. But the Roman conqueror was seldom
-daunted by natural obstacles; and some further explanation is needed of
-the fact that, in the earlier stages of the conquest, his efforts seem
-constantly deflected to the west. Some have fancied that the Romans
-recognised their most implacable enemies in the Druids, and that these
-priestly fanatics retreated westward before them until they were finally
-exterminated by Paulinus in their stronghold of Mona (Anglesey). A
-simpler hypothesis is that, like the Regni in Sussex and the Brigantes in
-Yorkshire, the inhabitants of our county at first propitiated the enemy
-by alliance and by giving hostages for good conduct.
-
-The tribe which, according to Ptolemy (about A.D. 120), then occupied the
-counties of Lincoln, Leicester, and Nottingham, was the Coritani. If, as
-some have supposed, this tribe was a branch of the Eceni, it would almost
-certainly have been involved in the rebellion of Boudicca (A.D. 61).
-Yet for at least ten years we hear of no further expedition undertaken
-in this direction. If, on the other hand, the tribe was subject to or
-allied with its powerful northern neighbour, the Brigantes, it may
-possibly have been included in the compact which, before the year A.D.
-50, was made by that tribe with the invader. Professor Rhys conjectures,
-rather hesitatingly,[11] that the Coritani may have been a remnant of the
-pre-Celtic population, and that their submission may have synchronised
-with the conquest of the warlike tribes of the southern midlands, to whom
-they had been subject.
-
-Anyhow there is no positive indication that before A.D. 70 the Roman
-forces had penetrated into the eastern counties beyond the southern shore
-of the Wash. Some have fancied that the Coritani were subdued by Ostorius
-(A.D. 50-55), or Paulinus (A.D. 57-62). But the line of advance taken by
-both generals was to the north-west, along Watling Street, rather than
-due north; and Ostorius in particular is said to have established a chain
-of fortified camps—doubtless to secure his communications—from the Nene
-to the Severn. But when Petilius Cerealis assumed the command in the year
-A.D. 71, the peace with the Brigantes was broken, and Tacitus represents
-that the ensuing campaigns, of which he only says that “there were many
-battles and some not bloodless,” lasted the four years of this command.
-As his father-in-law, Agricola, was then in command of the Twentieth
-Legion, Tacitus must have known the facts, and may have reserved a full
-account of them for his _Histories_, but the portion of the work which
-deals with this war has not survived.
-
-We do not know what were the headquarters of the Roman governors from
-A.D. 61 to 71, but they were almost certainly south of the Wash. An
-advance, therefore, against the Brigantes of Yorkshire must have brought
-them along the western branch of Ermine Street to Lincoln, as any good
-map will show. To the west they had the difficult country of the Peak,
-to the east the dreaded Fenland, and there is no direct road through
-Nottinghamshire to York. Starting from Durobrivæ (Castor)—which was
-perhaps the most easterly fort on the Nene, and as such occupied by the
-Ninth Legion in A.D. 61—and taking the line of road afterwards laid down,
-the army would at first bend to the north-west to avoid the immediate
-neighbourhood of the fens. Along this road, still traceable, and called
-in parts the “High Dyke,” there are camps at Casterton, Easton, and
-Ancaster, the last of which subsequently became an important station. At
-length, after traversing the high ground of the Cliff, the army would
-appear on the ridge of Canwick, facing the “Lincoln Gap.” On the crest
-of the opposite hill, from which they were separated by a flooded valley
-then reached by the tide, lay a strong British “oppidum.” It would be
-no light matter to take such a position by storm, but taken it was,
-whether by force or through a timely surrender. When once occupied, this
-stronghold would be turned into a military earthwork and used as a base
-of operations against the Brigantes, thus becoming the nucleus of the
-subsequent city. The advance into Yorkshire, if supported by a fleet,
-may have been made from the north gate of the camp by the direct line
-of Ermine Street to Winteringham on the Humber, for the Ouse was then
-navigable as far as York. But it seems more likely that this was a land
-expedition, and that the earliest road was that which leaves the main
-Ermine Street four miles north of Lincoln, and under its present name
-of Tillbridge Lane points direct to Littleborough on the Notts bank of
-the Trent. Here a camp would be formed, which developed later into the
-walled station Segelocum; here also was a ford which could soon be made
-available for the passage of an army. The banks were sloped away so as to
-make the descent easy to a raised causeway—paved with stones and held up
-by strong stakes driven into the bed of the river. This causeway, which
-was 18 feet wide, existed till 1820, when, owing to the obstruction it
-caused to navigation in dry seasons, it had to be removed; but part of
-the paved descent can still be seen on the farther bank. The reason why
-the road from Lincoln to this ford was not more direct is that it avoided
-the low land, then subject, as will be shown, to constant flooding from
-the Trent.
-
-It was perhaps not till the governorship of Agricola (A.D. 78-85), when
-the country between the Humber and the Tyne was completely subdued,
-that Lindum became an important fortress. In his _Life of Agricola_
-Tacitus names a provokingly small number of places in Britain; but he
-states that that general, in the second year of his command, “erected
-garrisons and fortresses among those tribes which had hitherto considered
-themselves a match for Rome.”[12] His, therefore, may have been the
-vigilant eye, which first discerned the strategic value of Lindum;
-but possibly it was Hadrian, or one of his commanders, who elevated
-it to the rank of a “colony.” This term was applied under the Empire
-to a settlement of veterans, which was held to form an integral part
-of Rome, and whose government was a copy in miniature of that of the
-capital. Each colony had its senate or “curia,” and annually elected two
-“duumviri,” corresponding to the consuls. A portion of the neighbouring
-land was assigned to each soldier, and the men were sometimes allowed,
-for a time at least, to retain their arms. If we may trust the “Ravenna”
-list of towns, the only “coloniæ” in Britain were Colchester, Lincoln,
-and Gloucester, and this was perhaps the order of their foundation.
-These colonies formed in themselves so strong a nucleus of Roman
-civilisation that they were seldom or never made garrison towns. The
-three headquarters of the legions—York, Chester, and Caerleon—were not
-colonies;[13] and there is no trace of a colony among the military
-stations on Hadrian’s Wall. The small number of these towns in Britain,
-and their intimate connection with Rome, indicate the great importance
-of Lindum. Another proof of this is the fact that the Foss Way, which,
-at least in part, is a work of the second century, seems to have been
-constructed with the express object of creating easy communication
-between Lincoln and the thickly-settled district of the south-west. No
-other town, except London, York, Colchester, and perhaps Cirencester, was
-connected with so many highways of the first class.
-
-The existing remains of Lindum, though unfortunately much defaced by
-continuous occupation, fully corroborate this view. In the third and
-fourth centuries it was a kind of twin-city—the original “colonia,” about
-37 acres in extent, occupying the brow of the hill, while the lower
-town, a sort of “annex” to the first, descended its slopes to the banks
-of the Witham. The original town must have been of great strength. Its
-northern and southern walls were about a quarter of a mile in length,
-and were each pierced by a gate—probably a double gate—through which
-the Ermine Street passed and bisected the city. The eastern and western
-walls were a little shorter—about 420 yards—and each had a gate in the
-centre, also probably double, with guard-rooms on each side of the
-central space. The walls were 10 feet thick and over 20 feet in height.
-Though obviously repaired at various times, it is likely that they were
-erected at the foundation of the colony, as the recent destruction of the
-unwalled Camulodunum would be a stern warning to the first colonists.
-A few fragments exist, none in a perfect state; but the inner face of
-the northern (now strangely called “Newport”) gate is still entire,
-though half buried in the soil, and is a unique monument of Roman rule
-in Britain. It consists of a central arch about 16 feet wide, which had
-two posterns, of which the eastern, though built over, still remains; the
-other was destroyed about a century ago. The gate was formerly supposed
-to have been single; but it stands 20 feet back from the neighbouring
-fragments of the wall; and an old engraving, here reproduced,[14] shows
-the remains of two arches on its northern side. Such double gates are a
-frequent feature in the stations on Hadrian’s Wall. The south and east
-gates were still standing at the end of the seventeenth century, at
-least in part. But the former, which was near the brink of Steep Hill,
-was pulled down soon after, though its eastern postern can still be seen
-within a house; while the latter, which stood just east of the Deanery,
-was only demolished in 1763. The western gate was accidentally discovered
-in 1836, buried beneath the high mound of the Castle. The arch was
-uncovered, and found to be of the same age as Newport; but it collapsed
-a few days later from the weight of the superincumbent earth, though
-fortunately not till the sketch of it here shown had been taken. From
-this it appears to have been exposed nearly as low as Newport without
-discovering posterns, which may have been absent from this gate, because
-no military road passed through it. Yet there were signs of a return
-wall, which indicate that the gate was double. The western wall followed
-the line of the Castle rampart and beyond it to the waterworks reservoir;
-the eastern passed under the chapter-house and the eastern transepts of
-the Minster.
-
-The Forum was in the north-western quarter of the town, for the bases
-(and part of the shafts) of nineteen fine columns were found between 1878
-and 1897 in Bailgate, standing in a line north and south, and fronting
-the course of Ermine Street. Of these five are double and one triple,
-and the space of 16 feet between two of the double columns—the sixth and
-seventh from the south—doubtless represents the street between the east
-and west gates; it is exactly in the line, and the side pavements were
-found much worn by the foot traffic. The building on the south side of
-this entrance to the Forum is thought to have been a temple; that on
-the north was probably a basilica, and a part of its northern wall—now
-called the Mint Wall—is still standing some 25 feet above-ground. It is
-70 feet long and 3½ feet thick, and is formed of stone and of six courses
-of triple bonding tiles, with intervals of 5 feet between the upper
-courses. This building is supposed, from the red tint of the columns
-and the charred remains found at their base, to have been destroyed
-by fire. Along the centre of the city, parallel with Ermine Street,
-has been found a large main sewer, with branches running into it from
-right and left. The city was supplied with water by underground pipes
-from two springs—one on the hill outside the western wall, the other
-three-quarters of a mile away, on the Nettleham Road. From the latter the
-water was conducted, by pipes cemented together, into a neatly bricked
-well, called the Blind Well, which once existed a few yards north of the
-Assembly Rooms, but has now been filled up.
-
-But the most interesting discovery in this quarter was that of the
-milestone dedicated to the Emperor Victorinus (one of the Thirty
-Tyrants), which was unearthed in 1879, and is now to be seen in the
-Lincoln Museum. It was found probably on its original site, where the
-cross street entered the Forum from Ermine Street. Victorinus held the
-supreme power in Gaul for little more than a year, so that the erection
-of this stone can be placed with certainty in A.D. 266-7.[15] This
-discovery confirms the reading “Segelocum” in the _Antonine Itinerary_,
-and also the distance there given. Some have thought that Carausius, the
-“Menapian admiral,” who seized the reins of power in Britain twenty years
-later under Diocletian, resided for some time in Lincoln. For this there
-is not much evidence. His coins, of which there are 300 known types, are
-common not in Lincolnshire only, but in all parts of England; and he
-is more likely to have established himself in London or near the south
-coast. But it is possible that the northern wall of Lindum, in which
-some of his coins have been found, was repaired in his time or a little
-later. Less than half a mile north of Newport Arch are to be seen remains
-of an earthen rampart, with a fosse on the northern side extending about
-350 yards east and west, and with entrenchments running from the corners
-at right angles towards the city. Stukeley imagined that these were the
-defences of the British “oppidum”; but their shape and the practical
-certainty that the Britons would choose the edge of the hill leave little
-doubt that they are Roman outworks, possibly enclosing a northern suburb.
-
-But the natural direction for the enlargement of the city would be the
-southern slope of the hill towards the river; and at some period—perhaps
-in the third or fourth century—the eastern and western walls were
-prolonged until they met a transverse wall, 50 yards from the river, at
-about the centre of which is the mediæval gate called the “Stone-bow.”
-Leaving the south-east corner of the original wall at the Cantilupe
-Chantry, the prolonged east wall descended the hill between the Vicar’s
-Court and the Bishop’s Palace (where part of it still exists), through
-the Temple Gardens, with the “Were Dyke” as its fosse, to the junction of
-Silver Street and Broadgate, where was a gateway, called Clasket Gate.
-Thence it was continued to a bastion, once called the Tower Garth, on the
-south side of St. Swithin’s Square. From this point the southern wall,
-which was lately uncovered in several places, extended to the “Stone-bow”
-and along Guildhall Street and Newland to its south-west corner at
-the (so-called) “Lucy” Tower, whence it ascended Motherby Hill to the
-western end of the original south wall at the corner of the Castle. This
-later town would be nearly double the size of the original colony, and
-the whole twin-city must have covered an area as large as that of Roman
-Colchester (108 acres). The walling of the lower city points to a sense
-of insecurity, but whether this arose from native disaffection or from
-a fear of foreign invasion there is no evidence to show. It probably
-contained no official buildings, and few important remains have come to
-light within it, but a hypocaust was found in 1782 near the top of High
-Street.
-
-Space would fail us in enumerating the many lesser articles of interest
-discovered in Lincoln. Seven tessellated pavements have been found, all
-in the upper city; a perfect Roman altar, with inscription, came to light
-in 1884 on the site of St. Swithin’s Tower; and at least six sepulchral
-slabs have been unearthed, three of which were in memory of soldiers of
-the Ninth (Spanish) Legion—perhaps an indication that to this legion,
-which is not mentioned after Trajan’s reign, lands were assigned at the
-foundation of the colony. Traces of interments have been found bordering
-the roads on the north, east, and south of the city; those beyond the
-east gate seem to be the most numerous, and in one case the remains were
-enclosed in a large burial-chamber. In the immediate neighbourhood of the
-city were villas of some size. At Canwick Church there is a tessellated
-pavement, two feet below the floor-level, extending the whole length of
-the nave; and at Greetwell, a mile and a half to the east, a substantial
-residence was discovered, with many rooms and corridors, and with
-pavements of artistic design.
-
-In the three centuries between Ptolemy, who first mentions the city,
-and the abandonment of Britain by Rome, Lindum is named but once—in the
-_Antonine Itinerary_. But it seems likely that Adelfius, one of the
-three British prelates at the Council of Arles, was its bishop in 314.[16]
-
-With regard to the roads radiating from Lindum, it will be convenient
-to deal first with those to the north. From Newport Gate, Ermine Street
-continues to the Humber for thirty miles in a direct line—absolutely
-straight, indeed, for five-sixths of the distance. Mr. Codrington
-assumes without reason that this road was earlier than that already
-mentioned, which crossed the Trent and passed by way of Doncaster and
-Castleford to York.[17] Present appearances certainly justify his view,
-for the latter road now seems merely a branch of the former. But this
-may not always have been the case. Originally the first four miles may
-have been nearer the edge of the high ground through Burton and North
-Carlton into Tillbridge Lane; but when the direct Ermine Street was
-constructed this portion would not be repaired, and therefore would be
-completely disused, as the increase in distance by the new road would be
-trifling. It is a curious fact that the only section of Ermine Street
-between London and the Humber included in the _Antonine Itinerary_ is
-that between Lincoln and Godmanchester; the route from Lincoln to York
-in two Iters (V. and VIII.) is by the Doncaster road, which is longer
-than Ermine Street by several miles if York were the objective, but which
-rather points directly to Isurium—supposed by some to have been the
-Brigantian capital.[18] The presumption should surely be that the shorter
-route, which involved the crossing of a broad estuary, would be a later
-construction of more settled times. In the parish of Scampton, adjoining
-the Doncaster road, and about a mile and a half north-west of the point
-where it branches from Ermine Street, was discovered in 1795 a large
-Roman villa, with forty rooms and thirteen tessellated pavements—one
-of a very beautiful design. The whole building covered a space 70 yards
-square, and included two courtyards, thus differing somewhat in plan from
-the great villas of the south-west.
-
-Ermine Street from Lincoln to the Humber is one of the finest of Roman
-highways—clearly traceable to-day for almost the whole distance. In a
-stretch of thirty miles there must have been a middle station, which
-was certainly in Hibaldstow; but since remains have been found here on
-both sides of the great “Way,” its exact site is uncertain. At the farm
-of Gainsthorpe, about 200 yards to the west, is a remarkable cluster of
-ruined habitations, which has never been properly explored: excavation
-here, and in a large camp a little to the north on the east side of
-Ermine Street, promises to yield fruitful results. From this point there
-would naturally be a by-road to Caistor, ten miles due east across the
-Ancholme valley, but no traces of it are on record. A pavement has been
-found in Hibaldstow, and two more at Storton in Scawby—the next parish
-to the north. The line of the road passes through Broughton, three
-miles west of Brigg, where various remains have been discovered; and
-the country round it, as it approaches the Humber, abounded in rural
-residences of the better class. At Roxby, a mile and a half to the west,
-a good pavement was found in 1709; and about forty years later, three
-more of very superior design were discovered below the Cliff House in
-Winterton, one of which had a bust of Ceres in the centre. A fourth near
-the same spot, with a figure of Apollo, was unearthed in 1797; and in a
-garden at Horkstow, more than three miles east of this site, was found
-a pavement with three compartments, in which are depicted the Fates,
-Orpheus playing the lyre to the animals, and a chariot race. Among the
-remains found at Winterton are many coins, spear-heads, a brass eagle,
-and a potter’s kiln; while another kiln was found at Santon in Appleby,
-a few miles to the south. This district—as also the chalk ridges of the
-Eastern Wolds—seems to have been favourable for the manufacture of the
-coarse grey and stone-coloured pottery, so common on Roman sites in the
-county. The Ermine Street ended at a promontory overlooking the Humber
-in the parish of Winteringham, below which was an ancient haven called
-Flashmire, now silted up. This point is a little east of the Roman
-“station” of Brough on the opposite shore, so that boats could make the
-crossing of under two miles with the inflowing tide. In the dry summer of
-1826, when the water was low, a paved causeway or jetty—like that leading
-to the Trent at Littleborough—was exposed on both the Lincolnshire and
-Yorkshire banks. Stukeley says that, when the “station” at Winteringham
-was ploughed up in 1700, extensive remains were found—as of stone
-foundations, pavements, and streets made of gravel and sea-sand. About
-four miles south-west of this point, and half-way to the Roman Camp at
-Barton, lies South Ferriby. Here is an ancient well-spring, near which
-at various times interesting articles have been found—some, perhaps,
-votive offerings to the local goddess of the spring. These objects, now
-principally in the Hull Museum, include cinerary urns of all kinds,
-fireplaces, coins, and a remarkable collection of bronze _fibulæ_—many
-harp-shaped (two with the Gaulish maker’s name, “Aucissa”) and others
-flat, with the disc in the shape of a fish or sandal. From Winteringham
-there may have been a branch-way to Barton—seven miles to the east. At
-Alkborough, about four miles westward, there is a strong camp, about
-one hundred yards square, overlooking the junction of the Trent and
-the Humber. Its Roman origin is disputed, and the area has never been
-carefully excavated.
-
-Returning once more to Lincoln, we find at least one road leaving the
-east gate of the city, which is nearly identical with the present
-Wragby road. This was in line with the Foss Way, but was of much less
-importance. At Claybridge, about seven miles from Lincoln, a by-way
-branches off south-eastwards to the fort at Horncastle; while another,
-called Horncastle Lane, which is probably Roman, bends westward to the
-junction of Ermine Street and Tillbridge Lane. The main way continues
-north-eastward through Ludford and Ludborough to the coast, where it
-ends at some remains of saltworks in the parish of Grainthorpe. Its
-easterly part used to be known as “Salters’ Lane,” and it crosses the
-“High Street” from Horncastle to Caistor at Ludford. It is possible
-that this route and a branch-way from Ermine Street were the only roads
-from Lincoln to Caistor; at least no traces of a road, or even of Roman
-remains, are known to me on the direct line between the east gate and
-Caistor.
-
-No road of any importance seems to have left Lincoln by the west gate;
-and the reason for this is to be found in the physical features of
-the neighbourhood at the time of the Roman occupation. The part of
-Lincolnshire north of the Witham is still called “Lindsey”—a name which
-indicates by its final syllable that, when it was given, the district was
-practically surrounded by water. On all sides but the south it is so to
-this day—viz. by the sea on the east, by the Humber on the north, and by
-the Trent on the west. In the Roman period—and indeed for many centuries
-after—the Witham was tidal as far as the narrow “Gap” between Lincoln and
-the opposite high land of Kesteven. Geologists tell us that this “Gap,”
-now intersected by the Witham, was in pre-glacial ages scooped out by
-the Trent, the course of which from Newark was then north-east instead
-of north; and that after that river had been “captured” by the Humber
-(_i.e._ diverted into its present bed by the opening of a longitudinal
-valley from the north) it would always tend to revert to its original
-course in time of flood. The result of this constant flooding was the
-formation of a large mere, extending from the western end of the Gap
-as far north as Brampton, beyond which the east bank of the Trent was
-too high for the water to escape. The first syllable of Lindum no doubt
-represents the Celtic word, which was applied to this large sheet of
-water. Faint remains of it can still be seen in the small pool of
-Brayford—just below the south gate of the lower city. The flood-water
-came through five openings in a low range of sandhills between Spaldford
-and Brampton; and the first work of the Roman engineers was to build
-banks across these openings, and so shut out the water of the Trent. The
-southernmost opening at Spaldford—the most dangerous because the highest
-up the valley—was closed by a bank from 12 to 15 feet high and a mile and
-a half in length.
-
-Through the marsh which was left when the water disappeared the Romans
-constructed a navigable canal, now called the Fossdyke, between the
-Witham and the Trent. Its original course at the western end was,
-according to Stukeley, more direct than at present—joining the Trent
-not, as now, at Torksey, but about two miles farther south. From its
-bed was dredged up in 1774 a small bronze statue of Mars, with a Latin
-inscription. At Lincoln itself the Sincil Dyke, a drain of the “Slaker”
-type—to ease off the water in time of flood—was constructed connecting
-the upper and lower ends of the loop which is made by the Witham in order
-to pass through the Gap. These operations certainly took place at a very
-early period of the Roman occupation of Lincoln. For until they were made
-effective, it would be impossible to lay the line of the Foss Way between
-Lincoln and Leicester; and we know from a milestone discovered on that
-road three miles north of Leicester, and dedicated to Hadrian in A.D. 120
-(when he was in Britain), that the eastern part of the Foss Way—doubtless
-the earliest made in order to connect Lincoln with Watling Street—was
-being laid down in the first quarter of the second century. In the valley
-below Lincoln, Ermine Street and the Foss Way, which were united for the
-crossing, traversed the marshes of the Gap on a pile-foundation.
-
-But the chief anxiety of a Roman general, who would secure the submission
-or tranquillity of this part of Britain, must have been the condition
-of the Fen district along the lower reaches of the Witham, and beyond
-it to the south. If the Coritani had to be subdued by force of arms,
-as we have supposed, their subjugation must have been a long business.
-Moreover, the Romans were experienced agriculturists, and must have
-guessed the value of the rich fenland east and south-east of their
-colony. On that side there was doubtless an even larger mere than on
-the west—caused partly by the flood-water which had overflowed the Gap,
-partly by streams from the high land of Kesteven; and this sheet of
-water must have risen considerably in height during the spring-tides.
-In this mere for many miles the stream of the Witham must have been
-barely discernible. Below it the district of Holland was a vast morass,
-liable to inundation both by the sea and by the rivers—then of much
-larger volume than now—which fell into the Wash. It is not likely that
-this district was largely settled by the natives before the Romans came,
-and the British antiquities found are few; but it was a natural refuge
-for the disaffected—as was shown later during the Danish and Norman
-invasions. Herodian says[19] of the campaign in Scotland in 209 that the
-Emperor Severus made passage for his troops over the fens, where, “from
-the frequent overflowing of the ocean, the inhabitants will swim and
-walk, though up to their middle in water.”
-
-The engineering skill needed to cope with this situation was very great;
-and if proof be required that the Romans exercised it, the answer is
-sufficient that neither before nor for a thousand years after this
-period was there a central organisation strong enough to carry out such
-operations. The work had to be of two kinds—draining, to carry off
-the flood-water and void the rainfall coming from the high land, and
-embanking, to shut out the sea. In the former the Romans acted upon
-sound principles, which were often neglected in after times. They used
-the natural rivers as arterial drains, and led the subsidiary drains
-into them. History records that they executed similar works in other
-parts of the Empire. The Pontine marshes and the Lombard valley of the
-Po were drained under the Republic. The Emperors Claudius and Hadrian
-began and completed a canal between the Fucine Lake and the Liris. In
-the Low Countries, Drusus, in 12 B.C., drew a channel connecting Lake
-Flevo (Zuyder Zee) and the Rhine; and in A.D. 47 Corbulo made a canal,
-twenty-three miles in length, between the Rhine and the Meuse. Eleven
-years later a project for uniting the Saone and the Moselle, and thus
-completing a waterway from the Mediterranean to the North Sea, was only
-not attempted from fear of the jealousy of Nero. If a full account was
-ever written of the Roman settlement of Britain, the operations now to be
-described must have filled a large place in it.
-
-The present channel of the Witham from Lincoln to Boston is much too
-straight to have ever been the course of a natural stream. From Chapel
-Hill just below Dogdyke, where there was a tidal creek, the river was
-canalised to Boston as late as 1761; but there is no record in historical
-times of such an operation in the twenty miles from Lincoln to Dogdyke.
-In order to drain the lower mere described above, a channel was cut
-along the high land for that distance, and the upper waters of the river
-directed into it. In very early (perhaps in Roman) times there was
-another branch of the Witham due east from Dogdyke through the upper fen
-to Wainfleet, where it received the Steeping, and thence into the sea
-near Gibraltar Point. Very probably it was the draining of the district
-near Lincoln which hastened the silting up of this ancient channel. But
-at no time can it have been, as some have fancied,[20] the principal
-outfall of the river, for it is much farther from the sea, and could not
-have been tidal, like the other, for the whole distance.
-
-The most remarkable monument of Roman engineering in the Fens is the
-catchwater drain called the Cardyke (_Brit._ “fen-dyke”), which leaves
-the Witham at Washingborough about three miles from Lincoln, and then
-for eighteen miles takes a southerly course parallel to that river at
-distances varying from two to five miles from it. The primary object may
-have been to intercept the water of the numerous streams coming from the
-Kesteven uplands; but it was doubtless intended to be navigable, as its
-width at the water-level was 50 feet, and at its bottom 30 feet. On both
-sides was a raised bank, flattened at the top to serve the purpose of a
-road, and still in some places crowned with a modern road. In the parish
-of Heckington, nine miles due west of Boston, it makes a sharp turn to
-the south-west, and then skirts the western border of the Fen for over
-thirty miles, till, after a course of fifty-six miles, it joins the river
-Nene, half a mile south-east of Peterborough, and about five miles below
-the Roman town of Durobrivæ (Castor). In some parts the Cardyke has been
-obliterated, and in many it is now a mere ditch; but its whole course
-can be exactly traced, and for a few miles it is still used as a drain.
-The last eight miles are beyond the borders of our county; but within
-those borders Roman remains have been found in at least ten parishes
-through which it passes. No vestiges can be found of the seven forts
-alleged by Stukeley to have been raised along its course, but there is a
-camp at North Kyme, within a short distance. Even with the aid of forced
-labour—partly, perhaps, imported from the Continent—such a work must have
-taken many years to construct; and it may have been in progress during a
-great part of the century between Trajan and Severus (A.D. 100-210). Its
-long course, parallel to the canalised channel of the Witham, suggests
-that its northern portion was first undertaken to assist in draining the
-mere south-east of Lincoln. But when this object was accomplished, and
-the immense work was taken in hand of embanking the shores of the Wash,
-the canal would gradually be extended southward in order to provide an
-inland waterway past Lincoln, by the Fossdyke, the Trent, and the Ouse,
-to the northern capital at York. This measure could hardly have been
-contemplated until the Holland Fen was sufficiently dry to admit of
-causeways being made across it into Lindsey on the north and Norfolk on
-the east.
-
-The seabanks in Holland and East Lindsey, which are now called the “Roman
-Banks,” extend by a most circuitous route for about a hundred and fifty
-miles from Wisbech nearly to Grimsby. Tradition ascribes them to the
-Romans; and as their bases are deeply buried in silt, they are evidently
-of pre-Norman origin. Mr. Skertchly has estimated that at least eleven
-million tons of material must have been used in their construction. His
-collaborator, Mr. Miller,[21] suggests that this stupendous work may
-have been partly executed before the Roman invasion. But as this idea
-rests upon two very uncertain conjectures—(1) that the Coritani were
-Germans from the Low Countries with a knowledge of embanking, and (2)
-that they may have learnt engineering from the Greek colonies in Gaul,
-it may be dismissed as improbable. The tribal natives, whatever their
-state of civilisation, could hardly do more than provide a core of clay,
-upon which the banks of blown sand could gradually form. It has been
-well pointed out that the Roman Banks are not works of such a kind as
-could be carried out in portions, and spread over a number of years.[22]
-“The enclosure of a large tract covered by the spring-tides is a work
-that requires great vigour, and must be carried on continuously, or the
-earth put into the bank during one set of tides will be washed away
-again.” That is to say, it is a work which would require a strong, and
-even despotic, central authority. In the fen south of Boston there is
-a succession of about twenty tumuli, called the Fen Mounds, which are
-all within about three miles of the ancient banks, and some of which
-are called “toot” (or “look-out”) hills. They have been supposed to
-be British,[23] but only one of this southern series is crowned with
-a circular entrenchment, and it seems much more likely that they were
-raised to protect the bankmakers from a surprise attack.
-
-The Romans do not seem to have reaped much fruit from their labours,
-except perhaps in the complete pacification of the district. Holland
-affords but few traces of their settlement, except in pottery and coins
-found along the line of the banks, as at Holbeach, Fleet, Heckington,
-and Swineshead. There was an important oblong camp on the Witham at
-Redstone Gowt, about a furlong south of Boston, where remains have been
-found. Its importance was due to the two circumstances that here was a
-ferry in connection with the road called the Saltway into the Midlands,
-and that at this point a canal, now called the Old Hammond Beck, took
-over some of the Witham water due west round the end of Bicker Haven to
-Swineshead, and thence, taking a sharp curve, after a southerly course
-of thirteen miles, fell into the river Glen at Pinchbeck. This canal was
-here parallel to the Cardyke at distances of from four to six miles.
-It could not have been made until the seabank had been thrown up all
-round Bicker Haven to keep out the tides. The course of these banks show
-the enormous amount of land near the Wash—about 64,000 acres—that has
-since been gained by accretion. The Wash, called by Ptolemy “Metaris
-Æstuarium,” was a bay with an entrance some two miles narrower than at
-present, into which fell the waters of four tidal rivers—the Ouse, the
-Nene, the Welland, and the Witham. The Seabank, starting from Wisbech on
-the Nene estuary, proceeds north for about ten miles, and then curves
-round west to the Welland estuary below Spalding. But about eight miles
-farther south is another westerly bank, parallel to the first, from
-Cowbit to Tydd St. Mary. This bank, called “Ravenbank,” was probably used
-as a road from Ermine Street into Norfolk, and south of it, between the
-Welland and the Nene, are three entrenchments, a few miles apart, where
-Roman remains have been found. About Spalding, where the Westlode—an
-ancient drain now filled up—fell into the Welland, the Seabank turns
-north to Surfleet, and then, running west, north, and east to encircle
-Bicker Haven, reaches the Witham at Redstone Gowt. From this point it
-can be traced north to Wainfleet, and thence, with intervals, to beyond
-the entrance to the Humber opposite Spurn Point. Its character varies
-considerably in different places. Between Boston and Skegness it often
-appears too broad to be artificial; but in general it is only a few yards
-wide, at an elevation of from 10 to 20 feet, and is frequently used as a
-modern road.
-
-Some of these banks were doubtless used also by the Romans as roads, not
-for wheeled vehicles, but for pack horses in connection with the salt
-industry. The Romans were well acquainted with the manufacture of salt by
-evaporating sea water in pans or reservoirs prepared for the purpose. The
-flat coasts of Lincolnshire are especially favourable to this industry.
-Remains of such pans can still be detected on Bicker Haven, which is many
-miles from the present sea-shore; but the principal saltworks appear
-to have been at Wainfleet St. Mary, just outside the Roman Bank. If
-Ptolemy’s “Salinæ” is to be placed in Lincolnshire, as some suppose, no
-spot is so likely as Wainfleet. There was an ancient road into the Fen
-called the Saltway, or Bridge End Causeway, which crossed the Cardyke
-between Swaton and Bridge End. It is found on both sides of Bicker Haven,
-which must have been crossed by a ferry, and thence it points north-east
-through Frampton and Wyberton to Redstone Gowt and the Seabank beyond
-the Witham. If this be a Roman way—and remains found along its course in
-Kesteven seem to prove the fact—it probably belonged to the late Roman
-period, after the seabanks round the Wash had been completed. But the
-Wainfleet saltworks may have been developed much earlier, and the salt
-conveyed by road through Lindsey to Horncastle and Lincoln. Oysters were
-another commodity that could be procured from the Boston Deeps, though
-they were not of so fine a quality as those from the Richborough beds,
-which delighted the epicures of Rome.
-
-One immediate result of the draining and embanking of the Fens would be
-the more complete occupation of the forest or heath district of Kesteven.
-That district was intersected by two branches of Ermine Street, which
-both start from Castor, and may have united at Lincoln. The eastern
-branch, which enters the county at West Deeping and runs along the high
-land parallel to the Cardyke for over twenty miles, is the shorter in
-actual distance; but it was not the main route, and the branch-ways from
-it across the Fen indicate that it was the later in date. South of Bourn,
-where was a camp close to the Cardyke, it is known in parts as Langdyke,
-High Street, and King Street; between Bourn and Sleaford it is generally
-called Mareham Lane. There was a by-way from it at Morton, which has been
-traced to the western branch at Great Ponton; and at Threckingham it is
-crossed from the east by the Saltway just mentioned. On each side of the
-latter way, about four miles west of Threckingham, tessellated pavements
-have been found at Haceby and Aisby; and after crossing the western
-branch at Cold Harbour,[24] near Grantham, the Saltway passes south-west
-into Leicestershire. At a ford near Sleaford, where coins and much
-pottery indicate that there was some kind of station, the eastern branch
-is within six miles of the western at Ancaster; and there was doubtless
-a cross-road between them, as interments have been found at Rauceby and
-coins at Bully Wells.
-
-Ancaster, on the western branch of the Ermine Street, is one of those
-sites which, from a military camp on a main southern route, rose to be
-a small town, with a population probably engaged in agriculture. It is
-now generally identified with Causennæ, the station next to Lincoln in
-the fifth Iter of the _Itinerary_; but its distance from the colony is
-only fourteen miles instead of the twenty-six there given. No traces of
-walls are now visible above-ground, and even Leland, nearly four hundred
-years ago, spoke doubtfully as to their existence; but since his time
-their foundations have been met with on the north and west sides. The
-boundaries of the station, which was nearly square, and was surrounded by
-a fosse 50 feet wide and 10 feet deep, can still be distinctly seen; and
-it was defended at the corners by circular towers, the outlines of which
-on the north-west and south-east are well defined. The area enclosed is
-about six acres; and the course of Ermine Street, which intersects it,
-is near the western boundary. This suggests that the town was extended,
-before the erection of its walls, up the slope towards the east. Its
-position, on much lower ground than the heights around, was probably
-chosen partly to provide shelter from the bleak winds of the heath,
-partly for the sake of two springs which are close to its northern and
-southern limits. From a description of the place in 1579, it appears that
-pavements and “arches” had then been discovered within it; but a large
-part of the area, called the “Castle Close,” has long been under grass.
-It needs no practised eye to detect that there are foundations beneath
-the uneven turf, and systematic excavation might yield discoveries of
-much interest. An immense quantity of coins were found in Stukeley’s
-time not only within the area but about the surrounding hills. But the
-most remarkable object—unearthed in the churchyard in 1831—was a small
-sculptured group of the three _Deæ Matres_, seated in a _sella_ carved
-upon a plinth, with a column and a little incense altar on the base in
-front of them. Statues of these “Protecting Mothers”—who were provincial
-rather than Roman deities—have been found at the Wall stations of Chester
-and Birdoswald; there, however, the figures are separate, and not ranged
-in a single _sella_. The cemetery of Causennæ seems to have been just
-outside the southern gate, while north of the village has been found a
-potter’s kiln and a small milliary with an inscription to Constantine
-the Great. The latter was not on its original site, and its base had been
-broken off.[25] On a high hill in Honington, about two miles south-west
-of Ancaster, is a small British camp, with a triple vallum almost
-circular, enclosing about an acre and a quarter. This was doubtless
-occupied by the Romans, for two urns full of coins have been found within
-it. There was probably a cross-road west of Ancaster, communicating with
-the Foss Way at East Bridgford (Margidunum) in Nottinghamshire. Coins and
-pottery have been found at Foston and Allington along the direct line;
-and the Sewstern grass lane, locally supposed to be Roman, joins it from
-the south-east.
-
-The eastern branch of Ermine Street can be traced for about four miles
-north of Sleaford, but its subsequent course is unknown. At or near
-Sleaford it threw off a branch-way, which passes through Ewerby and North
-Kyme (where it crosses the Cardyke), and points towards Tattershall and
-Horncastle. At North Kyme, where two bronze leaf-shaped swords have been
-found, is a small camp with a double vallum, and two more are on record
-in Tattershall Park. These entrenchments are in a position to protect
-the draining operations in the upper fen. Nine miles to the north is
-Horncastle (in mediæval documents always written Horncastre), which was
-a _castellum_, or walled fort, built in the angle (Saxon “Hyrn”) formed
-by two streams, the Bane and the Waring. The Celtic name of the chief
-stream is responsible for its identification with the “Banovallum” of
-the anonymous Ravennas. A few detached portions of the wall can still be
-seen, showing its area to have been about four and a half acres, with
-its longer sides (about 200 yards in length) on the north and south. The
-masonry is rude, but probably only the core remains, the facing-stones
-having been removed for building purposes in later ages. The only remains
-known to have been found are coins, pottery, and some leaden coffins
-outside the walls. This fort may have been built in the first century if
-coins are any indication of date, for among a large number, covering the
-whole Roman period, about ten belong to that century. If so, it may have
-been purely military in origin—built in order to overawe the natives of
-the Southern Wolds, and so serving the same object as Caistor among those
-of the north.
-
-But towards the end of the third century, when the Pax Romana had long
-been established, there arose a new enemy—the Saxon sea-rovers—against
-whom new measures had to be taken. The first British fleet, which was
-formed under the leadership of Carausius, had such success against them
-that its commander seized the supreme power, and for a time maintained
-the independence of the island. But after the continental Empire resumed
-its sway in _A.D._ 296, this fleet was allowed to melt away; and a new
-land organisation was established, described in the _Notitia Imperii_,
-which split up the military command into three divisions, and placed
-them under the Prætorian Præfect of Gaul. By this arrangement, which
-may have originated in Constantine’s jealousy of his subordinates, the
-military force was chiefly massed in the two districts most exposed to
-invasion—the northern province, under the Duke of the Britains, whose
-headquarters were at York, and the south-eastern littoral, under the
-Count of the Saxon Shore. The central and western parts of the island,
-being much less exposed to danger, were defended only by a few squadrons
-of cavalry under the Count of the Britains, who had no legion under his
-command. It has generally been assumed that the northern province was
-bounded on the south by the Humber.[26] But if the “Saxon Shore” ended,
-as seems likely, at the eastern side of the Wash, such a division would
-result in leaving a long stretch of Lincolnshire Marsh, the flat shores
-of which were peculiarly exposed to invasion, outside the control of
-both the commanders, who had to defend the east coast. This district
-would thus be the “Achilles’ heel” of the whole system. Personally I
-am convinced that the northern province extended to the Wash, and that
-its southern boundary, which perhaps was ill-defined, was, roughly,
-the river Nene and Watling Street from High Cross (Venonæ) to Chester.
-It was essential for security that both banks of the Humber should be
-under one command; and it is hardly conceivable that Lincoln and York,
-whose connection by road and water was so intimate, were in different
-provinces. But though there was apparently no walled fortress on the
-hilly shore between the Tyne and the Humber, the exposed coast of Lindsey
-would naturally need some defence of the kind; and direct communication
-would, of course, be established between the northern province and the
-forces on the Saxon Shore.
-
-Such communication, I believe, already existed before the _Notitia_
-system was set up. The Peddar’s Way, “one of the best preserved Roman
-roads in East Anglia,”[27] can be traced to-day for 45 miles from the
-borders of Suffolk (starting no doubt from Colchester) to Holme-on-Sea,
-at the eastern headland of the Wash. This spot is four miles west of
-Brancaster, the northernmost fort on the Saxon Shore, and the presumption
-therefore is that it was laid down before that fort was built. Pointing
-from the opposite promontory of the Wash (which would have to be crossed
-by a boat journey of perhaps ten miles) an undoubted Roman road passes by
-Burgh into the Wolds, and communicates directly through Caistor with the
-Humber, and by branch-ways with Lincoln and York. The town of Wainfleet
-(All Saints), some six miles west of this promontory, is often said to
-have been the Roman haven for the Lindsey coast; but it is singularly
-poor in Roman remains, and its supposed name of “Vainona” is an invention
-of the eighteenth century. The road just mentioned is difficult to
-follow in the Marsh east of Burgh, but there are signs of it outside
-the Roman Bank west and south of Skegness. Here, according to tradition
-related by Leland, stood a walled haven town “with a castle,” which was
-destroyed by the sea not long before his time; and the shifting sandbanks
-of “The Knock” now covering it must have been the promontory which gave
-to Skegness its name. Mediæval documents mention _the site_ of this
-“castle,” but are silent as to its owner; we may therefore infer that
-it was the ruins of a Roman _castellum_, which in other instances, both
-in our county and elsewhere, is called a “castle.” Such a conjecture is
-incapable of absolute proof; but as Peddar’s Way ends in no walled fort,
-there would naturally be one on the opposite coast. The coincidence is
-at least curious that the two _Notitia_ forts of Branodunum (Brancaster)
-and Præsidium (which has been placed in our county) were both garrisoned
-by a body of Dalmatian cavalry, whose native shores were marshy tracts
-indented by deep bays.
-
-Just beyond Burgh—where coins are found, though the station must have
-been small—the Lindsey road takes to the Wolds, and traverses the high
-ridge overlooking the Marsh, its straight course for five miles (two only
-on a modern road) being unmistakable. Coins and pottery have been found
-in the adjacent parishes of Welton, Willoughby, Well, and Claxby, in the
-last-named parish chiefly in a well-marked camp overhanging a stream,
-which here issues from the chalk. At the highest point in the district,
-where this “way” separates the parishes of Ulceby and Dexthorpe, there
-was some kind of station or “mansio,” roofed with flanged tiles, in a
-field where the plough annually turns up many coins and other remains.
-From South Ormsby the road follows the Blue Stone Heath Road (probably
-British in origin) along a winding ridge and through a camp, now
-scarcely traceable, below which, in Worlaby, have been found the walls
-of a building containing Samian pottery and a quantity of charred corn.
-Either here or at Ulceby a branch-way may have left this road direct for
-Horncastle and Tillbridge Lane; its course is not certain, but cinerary
-urns have been found at Ashby Puerorum, about half-way. At Ludford the
-main “via” crosses Salters’ Lane from Lincoln, and becomes merged in the
-“High Street” from Horncastle for nine miles to Caistor, and beyond it
-for fifteen miles, by Yarborough Camp, to Barton or South Ferriby.[28]
-Near this road have been found tessellated pavements at Walesby, Claxby,
-and Bigby. At Barton there are remains of an earthwork called the “Castle
-Dike,” but much of it has been washed away by the Humber. Another road,
-long known as Barton “Street,” leaves the first about a mile south of
-this camp, and passes through or near to Louth; its subsequent course is
-uncertain, but there are various camps in the Marsh district which may
-have been connected by it.
-
-Caistor, which stands on a tongue or spur half a mile west of
-“High Street,” is a very interesting spot. Its position is one of
-great strength, and suggests a British origin, as it has all the
-characteristics of a “promontory fortress.” It was surrounded by a wall,
-strengthened at intervals by turrets or bastions, one of which remains in
-ruins on the south side of the churchyard; there is also a considerable
-fragment of the western wall in the garden of Grove Cottage. The exact
-area of the station is difficult to estimate, as the north and east walls
-have disappeared; but it was perhaps ten or twelve acres. There are two
-fine springs issuing from the rock on the south side of the fortress.
-In the churchyard, which is entirely within the area, Roman coins and
-pottery are constantly found, but stone foundations seem absent, and the
-fine ornamental ware is scarce. In early records the site is often termed
-Than—or Thwang—Castre, probably from the tongue of land on which it
-stands, and from this name Geoffrey of Monmouth ascribes its building[29]
-to Hengist, according to the legend by which that mythical chieftain
-encompassed an area granted him with “thongs” of ox-hide. The same
-story is told of other “Tong Castles” in Shropshire and Kent, and seems
-borrowed from Virgil’s account of the foundation of Carthage.
-
-The occupation of our county by the Romans appears to have been more
-thorough than is sometimes supposed. Only in the north-west corner—the
-Isle of Axholme—which was then marshy and exposed to the Trent floods,
-are traces of their presence wanting. Much more doubtless remains to
-be discovered, for Eastern Lindsey is still comparatively unexplored.
-The district seems to have been, as now, largely agricultural; and the
-finding of over twenty villa sites in Kesteven and Lindsey indicates
-that the wealthier class of landowners resided on their estates. This
-circumstance points to a long period of peace, which may have lasted more
-than a century—from about A.D. 170. During that time the road system
-would be completed, and the industries of potters and saltworkers, so
-characteristic of our county, gradually developed. But a time came
-when the Pictish and Saxon marauders must have made great havoc in a
-district which had a long sea-front, and was but slightly protected
-by walled towns. In the year 368 these two sources of trouble united
-to overwhelm the province like an invading flood. The northern tribes
-broke across the Wall of Hadrian, and in concert with the sea-rovers,
-who had defeated and slain the Count of the Saxon Shore, advanced their
-plundering hosts to the very gates of London. By a series of victories,
-Theodosius, the ablest of the imperial generals, gave the province
-a short breathing-space. But the weight of taxation imposed by an
-over-centralised government was gradually crushing the provincials; and
-discontent gave an opening for the revolt of various usurpers in the
-last days of the Roman rule. When the legions were finally withdrawn in
-A.D. 410, the country districts became unsafe. Traces of fire in the
-ruined villas of Scampton, Worlaby, and other places betray the work of
-a ruthless, uncivilised foe. The owners may have escaped to the towns,
-or even, if wealthy, have reached the Continent. But their industry was
-doomed, and many miles of cultivated land must have passed back into mere
-prairie. The banks and drains were neglected, and much of the fenland,
-so laboriously won, returned to its former flooded state. If we could
-recover the story of one large town, such as Lincoln, in the fifth and
-sixth centuries, many a dark problem would be solved. In the absence of
-such records, the withdrawal of the Roman legions and officials is like
-the ringing down of a thick curtain upon the drama of British history in
-the ancient world.
-
-
-
-
-SAXON CHURCHES IN LINCOLNSHIRE
-
-BY A. HAMILTON THOMPSON, M.A.
-
-
-Lincolnshire is more rich than any other English county in churches
-which, if few are indisputably of a date earlier than the Norman
-conquest, retain traces of an architecture whose character at any rate
-is of a distinctly pre-Norman type. The county has nothing to show, it
-is true, of that early work, associated with the first century of Saxon
-and Anglian Christianity, which gives so unique an interest to the
-church architecture of certain districts in Kent and Northumbria. The
-neighbouring shire of Northampton possesses in Brixworth a monument whose
-importance overshadows that of Stow, and in Barnack and Earl’s Barton
-buildings which are, in point of detail, a match for Barton-on-Humber;
-while many who might hesitate to grant the pre-Conquest origin of
-Bracebridge, could hardly deny it to the Northamptonshire church of
-Wittering. The missionary visit of St. Paulinus has left but one
-trace, in the dedication to St. “Paul” of a church in Lincoln, of the
-connection of Lindsey with the religious life of Northumbria. That
-distinction on which Lincolnshire has prided itself, the possession
-of a Saxon cathedral at Stow, not hidden away in the foundations of a
-later building, but still in use as a parish church, begins to lose its
-value as the historical evidence on which it depends is more carefully
-examined. With the exception of Stow and St. Peter’s at Barton, the Saxon
-monuments of Lincolnshire are humble and unpretentious in character,
-without any very definitely architectural features; and he would be a
-bold man who should assert positively, on the little evidence which we
-have to show for their date, that they were built in days of Saxon rule.
-Equally bold was the assertion of Professor Freeman with regard to the
-two towers in the southern suburb of Lincoln, that native workmen built
-them while the Minster was rising in the style of the conquerors on the
-hill above.[30] Such positiveness is rebuked by the discovery that this
-picturesque statement was founded on evidence referring to churches in
-a different part of the city.[31] Avoiding either extreme, we may say,
-in our present state of knowledge, that most of the so-called Saxon
-churches of Lincolnshire represent a late state of Saxon art, open to
-Norman influence, but preserving a distinctly national tradition. Some of
-these monuments are undoubtedly later than the Conquest: of others, and
-perhaps of the majority, it may be said that, though a post-Conquest date
-is possible, yet the character of the work is of a kind that might be
-expected rather before the Conquest than after, and belongs at any rate
-to a type of art prior to the general spread of Norman influence. Thus
-the epithet “Saxon” may fairly be given to such buildings, even though,
-in point of date, they may belong to the Norman period.
-
-[Illustration: ST. PETER’S CHURCH, BARTON-ON-HUMBER.]
-
-Of the pre-Norman date of the lowest stages of the tower and of the
-western forebuilding of St. Peter’s at Barton-on-Humber there can be
-no doubt, as we shall presently see. And at Barton the chief point of
-interest comes into view, in which these churches are of most importance
-to the architectural student. At the end of the tenth century, a date
-which may perhaps be claimed without extravagance for the Barton church,
-the parish church plan in England was a matter of experiment. The
-basilican plan with aisles had never been popular beyond a few larger
-churches: Lincolnshire does not furnish us with a single instance of
-the nave with aisles or of the apsidal sanctuary, which, with certain
-modifications, are features of some Saxon plans. The simple plan of
-aisleless nave and rectangular chancel, which had been adopted probably
-in most Saxon churches, had been complicated by the introduction of
-the tower into the scheme. The tower was for the present the uncertain
-factor whose place in the plan the Lincolnshire builders, and those
-of other counties with them, were trying to determine; and it is the
-position of the tower which gives Lincolnshire Saxon ground-plans their
-peculiar importance. We may be doubtful about the place of towers like
-Earl’s Barton and Barnack in the plan: they may have been merely western
-appendages to churches which have now been entirely replaced by later
-buildings, or they may have been the church itself, with its walls raised
-into a lofty tower, at once a place for bells and a look-out in time
-of danger. There can be no such doubt at Barton-on-Humber. In our own
-day the tower and its western annexe stand at the west end of a large
-late Gothic church; but, at a restoration in 1898, the foundations of
-an eastern annexe, very similar in size and shape to the western, were
-discovered, showing beyond all doubt that the tower formed the main
-body of the church, standing between a chancel and what may have been
-a baptistery—rooms for the altar and the font—of almost equal size.
-The tower was broader than its adjunct: two entrances remain, one on
-the north, the other on the south, opposite each other, and towards
-the western end of either wall. Mr. Hodgson Fowler, who discovered the
-foundations of the chancel, also discovered other foundations, presumably
-of Saxon date, to the east of the tower, which seem to suggest that a
-larger building with an elongated plan was in contemplation, but was
-superseded by a compact plan which found itself centralised in the space
-allotted to the tower.[32]
-
-A somewhat similar plan occurs at Broughton, a village some four miles
-west of Brigg, and close to the line of Roman road which led from
-Lincoln to the Humber. Here the fabric has none of those distinctively
-Saxon features which are found at Barton; it is almost certainly a
-work of later date. The eastern wall of the tower, as at Barton, has
-been absorbed in the breadth of an aisled nave of a later period; but
-the eastern quoins are still visible, continuing to the ground, and
-indicating that the tower was once broader than the portion of the
-building east of it. That this eastern building, moreover, was small,
-and that the bulk of the congregation occupied the space west of it, is
-suggested by the fact that, as in many later chancel arches, decorative
-treatment—too rude here to be taken very seriously as architectural
-membering, in spite of its efforts—is confined to the western face of
-the arch by which the chancel was approached from the tower-space.
-Here, then, we have once more the tower-space forming the main area for
-worship, with a small chancel to the east. At Broughton, however, instead
-of the corresponding western annexe which we find at Barton, there is a
-large three-quarter-circular projection, containing a newel staircase
-which leads to the belfry stage of the tower; and, instead of the two
-doorways at Barton, there is only one, this time in the south wall. The
-western projection at Broughton is often ridiculously called a western
-apse. It is, and always was, a turret for a staircase. Three other such
-turrets exist. One, at Brixworth in Northamptonshire, was added in front
-of an earlier western doorway, when the original porch of the basilican
-church was heightened into a tower. Another, at Brigstock in the same
-county, forms an integral part of a western tower with strongly Saxon
-features; its staircase was always of wood, as may have been originally
-the case at Broughton.[33] The third instance is in Lincolnshire, at
-Hough-on-the-Hill, seven or eight miles north of Grantham. Here the stair
-turret is part of a western tower of more than probably pre-Conquest
-date, and of proportions as ample as those of Earl’s Barton; and one is
-tempted to discover a parallel to Broughton, and another quasi-parallel
-to Barton-on-Humber. But the face which the tower presents to the
-church behind it is singularly blank; and it remains to be seen whether
-there lie hid, beneath the plaster, quoins, like those at Broughton, to
-indicate the existence of a chancel whose foundations may still be buried
-beneath the western floor of the nave.
-
-At Barton and Broughton, and possibly at Hough, we are face to face with
-a small compact plan—at Barton definitely centralised in the tower-space,
-at Broughton without the same centralisation, but with the main body of
-the church still gathered beneath the tower. In these cases, when we
-speak of the tower and the tower-space, we must regard the tower simply
-as an upward continuation of the body of the church. The congregation has
-not found shelter on the ground-floor of a tower: the tower is the upper
-storey or storeys of their church. However, in the two further instances
-of towers not western which Lincolnshire affords us, the tower-space must
-probably be regarded as a feature in the plan distinct from the main body
-of the building; it is not a church on which a tower has risen, but a
-space which is there because a tower forms a definite part of the design.
-Waith Church, a few miles south of Grimsby, is for the most part a modern
-Gothic building, with an entirely modern plan.[34] But between the
-chancel and nave, and flanked by a south transept, rises a tower of a
-type very familiar to travellers in Lincolnshire, but here alone seen in
-a central position. Its position must always, however, have been between
-eastern and western out-buildings; for its eastern and western walls
-are pierced by low arches of equal height and width, very different in
-proportion from the ordinary western doorway and tower arch. There seems
-to have been no entrance in either of the side walls. In all probability,
-then, we have here, not a definitely centralised plan, but a tower-space
-intervening between a nave and chancel. Of the relative dimensions of
-these to the tower-space it is impossible to speak: we have no remains
-to guide us. Again, this tower may have been simply an elevation of
-the eastern portions of the nave walls, as in those cases to which the
-term “axial” has been given; or, as in some Norman churches, it may
-have projected north and south of the adjacent nave and chancel. In the
-last case, we should have the ground-plan of Barton-on-Humber, with its
-centralised character probably destroyed by the elongation of its western
-annexe. The nave and the tower-space become independent divisions of the
-plan.
-
-[Illustration: ST. MARY’S CHURCH, STOW, LOOKING EAST.]
-
-The Saxon church of Stow survives only in part; and to assert that the
-present fabric, which is largely of the later part of the eleventh and
-the earlier part of the twelfth century, is a rebuilding of the older
-church on its original scale, would be to assert what we do not know.
-However, the church was planned on a scale somewhat more imposing than
-was usual in Saxon times; and enough of the older work is left in the
-transepts to assure us that they, at any rate, covered their present site
-from the date of its foundation. Their length and general proportions
-postulate a nave to match; and we may assume, without much doubt, that
-the present Norman nave rose upon Saxon foundations. The chancel may have
-been enlarged to its present dimensions by Norman builders; this is, at
-least, more likely than that the Saxon chancel was equally spacious. The
-visitor to Stow about the time of the Conquest would have seen nave,
-chancel, and transepts, as indeed the visitor to-day may see them,
-grouped round a central tower, which rose straight from the ground in
-their midst, independent of their buttressing aid. The quoins of the
-tower go down to the ground; the arches which connect the tower-space
-and the adjacent arms of the building are, as it were, piercings in the
-tower walls rather than the actual substructure on which the tower walls
-rested.[35] The tower-space at Stow is thus in some measure a central
-area, the focus of the plan; and a vivid imagination might conjure up in
-this instance the Barton-on-Humber plan reproduced on a larger scale,
-and converted into a Greek cross by the addition of transepts. But it is
-more probable that here, as at Waith, the tower-space is shifted slightly
-to one side of the centre of the plan, and, while keeping much of its
-dignity in the general scheme, is no longer the main body of the building.
-
-In most English churches the most convenient plan from the earliest
-times has been the oblong nave and practically square chancel, divided
-by an arch which, to our modern ideas, has sometimes been inconveniently
-narrow, but without the intervening tower-space, which became in so
-many later churches an obstruction to the unity of worship in chancel
-and nave. We have seen Lincolnshire builders experimenting with that
-new-found addition to the plan, the tower, packing their nave into its
-ground-floor, trying what can be done with a central area, abandoning—we
-speak of probabilities—the complete symmetry of the centralised plan,
-and finally wedging the tower in between the arms of the building, as an
-effective focus for the church as seen in elevation. The difficulties,
-the inconvenience, the uncertain conditions, of centralised or
-quasi-centralised planning, are now in most cases abandoned: the builders
-frankly remove their tower-space to the west end of their plan. Upon it
-rises a bell-tower, which may on occasion be used as a look-out tower
-in time of disturbance, or even—though this seems very doubtful—as a
-place of refuge for the inhabitants of the township. In most instances
-the tower-space will be entered by a western doorway, and will be the
-porch of the church, just as, at Brixworth or at Monkwearmouth, in other
-counties, the original porch has become the substructure of the tower.
-The porch will lead into the nave of the church, oblong and aisleless;
-and, in the east wall of the nave, an arch will give access to a small
-rectangular chancel. This is the normal Lincolnshire, and indeed the
-normal English plan; and this plan powerfully affects the architecture
-of the Norman and Gothic periods of English art. The centralised plan
-may survive in beautiful forms, and will always be the more interesting,
-owing to its greater capacity for variation; but the western tower of
-the Saxon period, and the elongated plan associated with it, will be the
-standard of planning congenial to the larger number of English masons.
-
-It is unnecessary to particularise between the various churches of Saxon
-origin in Lincolnshire which have western towers. There are many, and
-the number may be stated rather variously. The present writer, excluding
-Hough and Broughton, which, as we have seen, may be treated more suitably
-with centralised plans, counts some thirty towers in part or wholly of
-the distinctively Saxon type.[36] Some of these, as he already has said,
-evidently were built at a date later than the Conquest. Of no one of them
-would he courageously assert, on the mere evidence of plan and details,
-that it was built actually and beyond doubt before the Conquest. But that
-they were built by the hands of Saxon workmen, and that they represent a
-definitely Saxon tradition, are hypotheses which, if they do not offer
-themselves to a very clear proof, may at any rate be enunciated as highly
-probable.
-
-The consideration of the dimensions of these towers on plan may be left
-to the discussion of their relative dates, with which this chapter
-will conclude. Having noted variations of plan, we must now look at
-architectural details. Of those peculiarities of technique which are
-most readily recognised as Saxon, St. Peter’s, at Barton-on-Humber, is
-a nearly unique example in Lincolnshire, and its value is still higher,
-in that the upper stage of the tower presents features of a rather
-different kind, more typical of Lincolnshire, but less specially and
-exclusively Saxon than those of the lower stages. The tower is divided
-by two string-courses into three stages, the middle stage low and squat,
-the lowest stage much the tallest of the three, and subdivided into
-two parts, an upper and lower, by external decorative arcading. This
-subdivided stage represents the body of the church; the middle stage
-probably represents the original bell-chamber; and both these stages,
-together with the small western annexe, have definite “long-and-short”
-quoining. The “short” stones, as usual, back into the rubble-work, of
-which the tower is built; but their protruding faces are cut away flush
-with the rubble, and are hidden beneath the plaster which covers the
-whole surface of the tower. The decorative arcading, however, already
-alluded to, is formed by irregular strips of dressed stone projecting
-from the surface, the heads of which, formed by small horizontal
-impost-blocks, are connected in the lower stage by semicircular strips.
-On the crown of each of these rude arches rests the foot of one of the
-upright strips of the upper stage, which are connected similarly by
-strips of triangular form, the apices of which touch the under side of
-the string-course between the lower and the middle stage. The surface of
-the lower stage is thus cut up into two series of tall arcaded panels.
-The bottom part of one of the lower panels is pierced on the north and
-south sides of the tower by a doorway with rounded head. The upright,
-dividing two of the upper panels on each of these sides, is partly cut
-away to make room for a double window-opening with rounded heads, the
-opening being divided by a small piece of wall faced, at the level of
-the outer wall, with a baluster-shaft. These windows lighted the body
-of the church, the inner roof of which came at this point. The middle
-stage keeps the “long-and-short” quoining, but the strip-work has here
-given place to an unpanelled plastered surface, broken only by a double
-window-opening, similar in construction to that in the stage below, but
-with triangular instead of semicircular heads. Like the middle stage of
-the tower, the western annexe of the church has no strip-work on its
-walls, but has “long-and-short” work at its angles. It is lighted by a
-semicircular-headed opening in each of the north and south walls, and
-in the west wall by two circular openings set one above the other. All
-these openings are splayed outwards as well as inwards. The eastern wall
-of the tower can be seen from the inside of the present church, with its
-“long-and-short” quoining perfect to the ground, and with breaks in the
-masonry where the eastern annexe originally joined it. The arch which
-pierces it on the ground-floor—the chancel arch of the Saxon church—is
-very plainly treated with dressed jambs, impost-blocks, and voussoirs,
-but without any moulding. In the wall above is a single opening of
-considerable width, with rounded head, rather massive jamb-stones, and
-thin, flat impost-blocks. Above this comes the double opening of the
-belfry stage, which would have stood clear of the roof of the Saxon
-chancel.[37]
-
-Turning from these features of the original church walls, its western
-annexe, and its belfry stage, to the uppermost stage of the tower, we
-are met by a striking difference. We already have seen the strip-work of
-the lowest stage disappear. Here the “long-and-short” work is gone as
-well, and the quoining is of small oblong stones set on one another at
-right angles, so that each of the adjacent faces of the wall is in bond
-with every other of the quoins. The window-openings are still double,
-and have rounded heads, but they are taller than those below, and are
-divided, not by slabs of wall with baluster facings, but by slender
-rounded shafts set in the middle of the thickness of the wall, with heads
-corbelled out so as to form rude capitals, and to support through-stone
-impost-blocks, corresponding to those at the head of the jambs on either
-side. Of the absence of splay, inner or outer, to the openings we can
-say nothing; the double splay has occurred only in the western annexe.
-But the disappearance of “long-and-short” work, that most unmistakable
-of purely Saxon details, and the introduction of a new type of double
-opening, are significant of a change of style which has come over the
-Saxon building art since the church and tower began to rise.
-
-Thus, at Barton-on-Humber, we have two different types of Saxon
-work—that very peculiar form, with its tendency to panel decoration
-with strip-framing, which produces its highest decorative effect at
-Earl’s Barton, side by side with a more staid, less fantastic manner
-of building, which is without architectural ambition, uses decoration
-very sparingly, but can achieve very pleasant effects of proportion
-within its modest limits. This second style, as it may be called, is
-emphatically the style favoured by Lincolnshire builders. Of the first
-style, Barton-on-Humber is the only really conspicuous example in the
-county.[38] Strip-work decorations, not uncommon in the Saxon work of
-the South Midlands and South of England, of Mercia and Wessex, is quite
-the exception within the belt of Danish influence. It appears here and
-there as a kind of frame to arches and their jambs, or to the heads of
-window-openings. The best examples of its use in this connection anywhere
-in England are to be found in the jambs of the noble tower arches at
-Stow, where a semicircular shaft is carried down the face of the wall
-close to the angle of the jambs, and is accompanied by a flat strip
-of stone at a few inches distance. Both shaft and strip are finished
-off by rough corbels a little above the floor level.[39] But Stow is an
-exceptional church. As a rule, we find the strip-frame retained purely
-as a flat hood-mould to doorways and windows, without a trace of that
-individuality of style which distinguishes it at Stow, and preserving a
-still more distant kinship to the work at Barton.
-
-“Long-and-short” work pursues a more hardy existence. Quoining was
-necessary, and the “long-and-short” method was at once serviceable and
-fairly ornamental. So, while strip-work, a merely decorative arrangement
-of pilasters without constructive use, went its way, “long-and-short”
-quoining remained. We come across it chiefly at the angles of naves,
-which in several cases have been left almost untouched, when aisles of a
-later date have been added. St. Mary-le-Wigford and St. Peter-at-Gowts
-at Lincoln are cases in point. Bracebridge is an excellent example,
-for here all four angles of the nave can be traced. Cranwell, near
-Sleaford, and Ropsley, near Grantham, are other unmistakable instances.
-But here we must beware. The critic is too common who, assuming that
-a piece of wall is Saxon in character, immediately jumps to the
-conclusion that its quoining must be “long-and-short.” If the quoins
-are not arranged in a regular series of pieces alternately vertical and
-horizontal, then the work is not “long-and-short” work. If one or two
-stones thus arranged occur in the middle of irregular or of the common
-“small-stone” quoining, we are not justified in speaking of the fabric
-as showing “long-and-short” work. If the quoining shows a merely rough
-general resemblance to the “long-and-short” arrangement, it is not
-“long-and-short” work, but work of a quite haphazard type.
-
-This brings us to one of the leading features which distinguish the
-towers so characteristic of Saxon work in Lincolnshire. We may study
-their angles to our heart’s content, and discover “long-and-short” work
-with the eye of faith, but we shall actually see it in only one instance,
-and there in the jambs of a western doorway of the tower, rather than
-in the quoining of the tower itself. In this instance, at Rothwell,
-near Caistor, the south-west quoining of the adjacent church has been
-left standing, like a small rectangular buttress, against the junction
-of the twelfth century nave and south aisle. It is formed of irregular
-stones, but such “long-and-short” work as there is, is confined to the
-tower. This is an exception. At the Lincoln churches and Bracebridge,
-where we have noticed “long-and-short” quoining at the nave angles, the
-quoining of the tower is of small stones; and this is universally the
-case. If we go northwards, by Marton, Heapham, Springthorpe, Corringham,
-Harpswell, and Glentworth, to Winterton and Alkborough; if we cross the
-Ancholme to Worlaby, and then go by Barton-on-Humber to Clee, Scartho,
-Holton-le-Clay, Waith, and Laceby; if we traverse the Wolds by Swallow,
-Cuxwold, Rothwell, and Cabourn to Caistor and Nettleton, and, descending
-by way of Hainton to Lincoln, make our way along the South Cliff to
-Branston, Harmston, and Coleby; if we go as far south as Boothby Pagnell,
-Little Bytham, and Thurlby-by-Bourn, and finish our journey in the
-midst of the parts of Holland at Great Hale, the only genuine piece of
-“long-and-short” work we shall have found in a western tower is that at
-Rothwell. It is true that this journey will have included more than one
-doubtful member of the family, and some of its genuine members which
-have lost, under the hand of the restorer, most of their appearance of
-age; but its result will be the establishment of the general rule that
-the Saxon tower-builder in Lincolnshire did not avail himself of the
-“long-and-short” method of quoining.
-
-It will hardly need this journey to be convinced of his preference for
-the double window-opening, divided by the mid-wall shaft. This declares
-itself patently in the well-known towers at Lincoln; and all the
-towers mentioned above still have, or probably have had, such windows.
-Sometimes, as at Nettleton or Coleby, the belfry stage has been entirely
-renewed in the later Gothic period. Sometimes, as at Winterton or
-Alkborough, the tower has simply been heightened, and the Saxon belfry
-stage has become an intermediate storey. Sometimes, as at Cuxwold, the
-top of the tower has been lopped off altogether, or, as at Swallow,
-has been replaced by a modern stage in a rather incongruous style. In
-every case the original existence of the “mid-wall shaft” window cannot
-be reasonably doubted. The form of such openings as remain is very
-much the same. Its main outlines have been seen in the uppermost stage
-of the tower at Barton: two adjacent openings, with dressed jambs and
-voussoirs flush with the general surface of the wall, with rounded arches
-springing from through-stone impost-blocks, and received at their meeting
-by another such block, which rests on the mid-wall shaft itself. These
-openings pierce the wall without any splay. They have no strip-framing,
-and seldom, if ever, any attempt at hood-moulding. Although, as has been
-hinted, some beauty of form may be claimed for them, they are as simply
-constructed a type of arched opening as could well be devised. Their
-proportions are sometimes rather elegant; and, when they are set round
-a small upper stage, divided by a projecting string-course or off-set
-from the unbuttressed and sometimes slightly tapering length of the lower
-stage, their effect is always striking.
-
-The architectural value of these towers, so simple in their principles
-of construction, so insignificant in their height, is less than their
-historical interest. Saxon builders had little architectural knowledge
-or skill; and buildings like Stow impress us more by their height and
-mass of wall than by any very striking architectural feature. The work
-at Barton-on-Humber is curious and interesting building: it is not
-architecture. In the Lincolnshire towers, a step is taken in the right
-direction by the avoidance of merely decorative surface-ornament. The
-tower asks for judgment on its own merits. Where it is divided by offsets
-into two or three stages, the result is satisfactory; although, if the
-belfry stage is of much the same area as the stage below, the tower
-looks top-heavy. This certainly is the case of St. Mary-le-Wigford. At
-St. Peter-at-Gowts, a small upper stage is set firmly and squarely upon
-a long and tapering lower one; and there is no finer tower in the whole
-series. The third type, where there is no off-set—the much-restored tower
-of Springthorpe is now, if it was not always, in this state—is merely
-insignificant.
-
-The treatment of openings in these towers, other than the mid-wall
-shaft windows, is open to few variations. Western doorways are low and
-narrow: large stones are used in the jambs; and, though the heads are
-arched, the actual opening is covered by a flat lintel. The roughest
-of these openings is in the tower at Winterton, where the head of the
-doorway is formed by a huge stone, cut with a segmental curve on its
-under side to give the effect of an arch. Flat rectangular hood-mouldings
-of small projection sometimes follow the curve of the doorway arch and
-meet the extreme edge of the impost-block. At Clee, one of the best
-towers of the group, such a hood-moulding bounds a doorway head of two
-orders of voussoirs, the lower slightly recessed beneath the upper;
-but such refinements are rare. A similar recessing of a lower band of
-voussoirs occurs in the tower arches at Clee and Scartho, but in no case
-is it accompanied by any attempt at moulding the arch or recessing the
-jambs to match. An edge-roll was worked very tentatively at Nettleton
-along part of an unmoulded tower-arch, but was abandoned when about
-half completed. An ambitious and unique attempt at recessing, in the
-chancel arch at Broughton (now the arch from the tower into the nave),
-remains as a monument of the failure of the Saxon mason in his search
-for means of architectural expression. Both orders of the arch spring
-from an undivided impost-block, and the shafts, which should bear, and
-are intended to correspond to, the inner order, are stranded on either
-side of the back of the opening, with their heads left bare and their
-function denied them. As a rule, in doorways and tower arches, the mason
-was content with a plain unmoulded arch, springing from projecting
-impost-blocks on the top of jambs, the dressings of which are simply the
-quoins of a rubble wall. He varied the proportions of his tower arches,
-giving them great height, breadth, and dignity at St. Peter-at-Gowts,
-building them tall and narrow at Clee, Scartho, and Holton-le-Clay,
-or with rather less elevation and rather more breadth at Rothwell and
-Cabourn, frequently allowing them, as at Cuxwold or Alkborough, to remain
-low and rather broad in proportion. These variations of the tower arch
-constitute one of the most interesting features of this type of building:
-they introduce an element of individual design, and the loftier form of
-arch often produces by its mere size an effect which is not due to any
-obvious architectural virtue.
-
-The lesser windows of the towers are usually small and narrow, with an
-inner splay. Their outer openings are often flanked by very large dressed
-stones: their rounded heads are seldom arched—there is a good arched
-window head in the south wall of the tower at Coleby—but are more often
-cut in the under side of a lintel; and sometimes this cut, exceeding a
-semicircle, produces the “key-hole” form of opening. At Rothwell there
-is in each wall of the tower, below the “mid-wall” windows, a small
-rectangular opening with a wide inner splay: a somewhat similar opening
-pierces the wall above the west door at Nettleton.
-
-In the masonry of these towers two striking features are apparent.
-One is the disappearance of that “through-stone” treatment of dressed
-masonry, which is an undoubted characteristic of early Saxon work.
-A little doorway in the west wall of the north transept at Stow has
-voussoirs and jamb-stones, each of which faces the whole thickness of
-the wall. But the jambs below the tower arches are faced with double or
-triple, not single stones. And while it is rare to find a tower arch
-or doorway of this style formed of a core of rubble between facings of
-dressed stone, yet there are few in which the facing stones do not become
-less closely set together, and wide rubble fillings do not take the
-place of neat and close jointing. The other feature is the appearance of
-“herring-bone” masonry. This may be seen in some profusion at Broughton,
-and in a striking and unusual form at Marton; and, although it is not
-general, it occurs in other places.
-
-Modifications in the tower plan are almost confined to an increase of
-dimensions which, in some members of the group—notably Caistor—is rather
-remarkable. One tower alone—Great Hale—introduces a newel staircase
-into an angle of the fabric; and this is almost absurdly unsuited to
-the probable size of those who had to climb it. We have seen that, at
-Hough and Broughton, nearly circular excrescences were formed to hold
-stairs on the west side of the towers. As a rule, we may believe that
-the upper floors of the towers were approached by ladders. It may be
-noted that in Lincolnshire there are very few of those openings above
-the tower arch, which are often quoted to prove the use of the tower as
-a place of habitation, and probably led to a landing and wooden stair
-communicating with the interior of the church. There are such, as at
-St. Peter-at-Gowts, Winterton, and Broughton; but they are exceptional,
-and the probable plan of Broughton makes it possible that, as at
-Barton-on-Humber, the opening was merely a piercing in the wall between
-nave and chancel.
-
-But if there is little variation in plan, there is, as has been noted,
-even in the simplest towers, some degree of variation in detail.
-There are cases, moreover, in which the tendency to variation takes
-the direction of increased ornamental treatment. Instances are quite
-common in which the heads of the mid-wall shafts, bulging to support
-their impost-blocks, have been carved into the form of capitals—plain
-cubical or cushion-blocks, as at Winterton or Clee; rough suggestions of
-classical volutes and foliage, as at Glentworth or Scartho; varied forms
-of fruit and leafage, as at Bracebridge; or delicate and cleverly cut
-relief work, as at St. Peter-at-Gowts. And these capitals are not the
-only features which show the tendency. At Alkborough ornamental material
-has been transferred from some deserted Roman villa in the neighbourhood:
-a cornice from an entablature has been cut up, used as imposts, and
-turned upside down to form plinths for the jambs of the tower arch. But
-at Branston, south of Lincoln, the builders have not borrowed ornament.
-Like the masons at Broughton with their abortive recessed arch, they have
-tried to copy what they have heard of, what some of them at any rate have
-seen, and have covered the lower part of the west wall of their tower
-with arcaded panelling, with rounded arches and cushion capitals. This,
-and the central doorway with shafting and rudely foliated capitals, have
-been inspired from a source quite distinct from that which brought into
-being the strip-work panelling of Barton-on-Humber.
-
-We are at once impelled to ask what this source is. And this question
-brings us to the consideration of two final questions, which are
-complementary to one another. What influences from the Christian
-architecture of other countries were felt by Lincolnshire masons? Is
-there any element of progress to be traced in the Saxon buildings of
-the county? In short, to combine the two questions into one, can any
-chronological sequence be traced in these buildings, by comparing them
-with the work of Romanesque builders in other countries?
-
-We already have allowed the term “Saxon” to them, on the understanding
-that a pre-Conquest date is not implied thereby, but merely the fact that
-their style is different from that of buildings to which we give the term
-“Norman.” It may also be premised that, in considering their relative
-date, we have to deal cautiously and tentatively with a series of
-probabilities. We must also put legend aside. A hardy tradition, resting
-on no authentic basis, but engraved on a brass tablet within the church,
-points to certain traces of fire in the church of Stow as evidence of its
-burning by the Danes in 870. If this were true, and if the lower walls
-of the tower, as they exist to-day, were the tower walls of the Saxon
-cathedral of Sidnaceaster, we should be able to point to a church of the
-ninth century, if not earlier, which would probably have supplied an
-architectural standard to the diocese. However, we have nothing but the
-size of the church and an unfounded, if time-honoured, assumption to give
-it claim to cathedral rank. The very name of Sidnaceaster was probably
-invented in post-Conquest times, by some one who misread the signature
-of one of the bishops of Lindsey to the decrees of a Saxon council.[40]
-And, finally, the authentic history of the church of Stow does not begin
-till about the year 1040, when Eadnoth, Bishop of Dorchester, with the
-powerful assistance of Earl Leofric and his wife Godiva, set a band
-of religious men on the site hallowed by memories of the miraculous
-sojourn of St. Etheldreda on her flight from York to Ely. All that lies
-behind 1040 in connection with this church is pure romance. When Bishop
-Rémi later in the century restored St. Mary’s Minster at Stow, what he
-probably did was to complete Eadnoth’s ambitious beginnings, on a worthy
-scale, out of reverence for St. Etheldreda, and not out of sentimental
-feeling for an old cathedral church which he had superseded for all time
-by his new church at Lincoln. If a small archdeaconry in the Norman
-diocese of Lincoln, corresponding to the original district of Lindsey,
-took its name from Stow, we must not consider this as admitting the old
-cathedral dignity of Stow. The size of Eadnoth’s and Rémi’s church made
-it the most prominent building in the archdeaconry: no more convenient or
-suitable name could be supplied to the district.[41]
-
-1040, then, is a recognised date to which we can refer the earliest work
-at Stow. We know, too, that a church was founded at Alkborough in 1052,
-and the work in the western tower there, with its triangular-headed
-belfry windows, may be claimed for that date or not long after. These
-are practically the only two pieces of dated evidence on which we can
-rely, for we have already seen that the evidence as to Coleswegen’s
-churches at Lincoln does not apply to existing buildings.[42] Stow, as
-we have seen, retains strip-framing to the tower jambs on a large scale:
-“long-and-short” work occurs in the north transept doorway and in the
-jambs of a window opening in the south transept: through-stone masonry
-is used in the north transept doorway, but abandoned in the tower arch
-jambs. Alkborough has none of these characteristics. We are thus at
-liberty to assume a gradual cessation of purely Saxon technique between
-1040 and 1052.
-
-Further, at Barton-on-Humber, although we have no documentary evidence
-to guide us, it is obvious that the tower is of two styles. The uppermost
-stage forms an addition to the original design in a somewhat more
-simple style. An interval of date between the stages is certain: the
-length of that interval would be hard to ascertain. But the fantastic
-strip-panelling and “long-and-short” work of the lower stages of the
-tower belong to the height of a fashion in architecture which is seen
-gradually disappearing at Stow. The strip-framing and “long-and-short”
-work at Stow are of a different and less purely decorative type: we are
-not surprised when in the upper stage of the tower at Barton, or in
-the tower at Alkborough, they disappear altogether. So far, then, this
-statement of progress is justifiable. The lower stages of the tower at
-Barton are obviously earlier than the upper stage. The upper stage has
-affinities of detail with the tower at Alkborough, and clearly belongs
-to much the same or a slightly later period. The tower at Alkborough
-is at least twelve years later than the only trustworthy date for the
-early work at Stow. And, as we have just seen, the work at Stow, in
-its selection and treatment of elements which had been used at Barton
-in careless profusion, is probably later in date than the earlier
-portion of Barton. With Barton may be grouped, from the character of its
-“long-and-short” quoining and the window-openings of its stair turret,
-the interesting tower at Hough-on-the-Hill. With Stow we may group,
-at any rate provisionally, those fabrics which have “long-and-short”
-quoining of a substantial type, flush with the surface of the wall,
-instead of projecting in rather thin strips beyond it—this will include,
-as we have noticed, some naves of churches. With Alkborough and the
-upper stage at Barton can be combined church towers generally, Hough
-alone excepted, and work of a partly Saxon character, like that at
-Stragglethorpe, not far from Hough. The “long-and-short” work in Rothwell
-tower is so small in quantity that it can hardly be treated as an
-exception to the third group.
-
-Professor Baldwin Brown, in his valuable monograph on Saxon
-ecclesiastical architecture, has provided strong arguments for the
-influence of Teutonic Romanesque architecture on our Saxon builders.[43]
-It has long been the fashion to suppose that the decorative detail at
-Barton-on-Humber and other kindred churches is an imitation of timber
-construction in stone; the rudeness of treatment makes the supposition
-excusable. But we can hardly grant that Saxon builders could have
-imitated a system of construction which was not at any rate general till
-a much later date; and it is much more likely that the work at Barton is
-copied roughly and clumsily from a type of decorative work which, in the
-tenth and early eleventh centuries, was common in the Rhenish provinces
-and in the districts of Northern Italy architecturally related to them.
-It is unquestionable that the double opening with mid-wall shaft found
-its origin in the same provinces. Northern Italy doubtless exercised its
-influence on Germany; Germany, in turn, influenced the Saxon masons. In
-three other cases at least German influence is more than probable. It is
-certainly responsible for the double-splayed window-opening; it probably
-affected the simple type of capital which was developed into the cushion
-capital of later days; the unfaced rubble masonry and thin walling of
-Saxon churches are found commonly in early Romanesque German churches,
-and are the antithesis of the faced rubble and thick walling of Normandy
-and the Romanesque buildings of France; while the position of the western
-tower in the Saxon plan is a further German feature.
-
-On the details of English intercourse with Germany it is unnecessary
-to dwell. There is plenty of evidence to show that a close connection
-existed between the two countries, which cannot but have had influence on
-the progress of art in England. That progress must have been practically
-at a standstill during the long epoch of Danish invasion. The date
-at which we may most reasonably expect an architectural revival to be
-general is that period, the last thirty to forty years of the tenth
-century, when so many monasteries were rebuilt or newly founded, and the
-monastic life re-established. This revival was strongly influenced by
-the monasteries of the Netherlands, which lay in the direct current of
-architectural progress between Germany proper and England. To this date
-at earliest, then, may be assigned the earliest parts of the church at
-Barton-on-Humber, and possibly the tower at Hough. We cannot go further
-back without deserting probability. At the same time, if we limit this
-work to the latter half of the tenth century on the one hand, we are not
-precluded from allowing that it may be later. Barton-on-Humber lay in the
-very path of the Danish invaders who established their power in England
-between 1002 and 1014. The base of operations of the heathen Swegen was
-at Gainsborough; there he died, and there he was said, though wrongly, to
-have been buried. The older parts of the church at Barton show no sign
-of the ruin which we might expect to have thus befallen them. Perhaps
-the church was left roofless by Swegen, but restored and completed, with
-the upper stage added to the tower, towards the middle or after the
-middle of the eleventh century. But it is also equally probable that the
-whole lower structure may be a rebuilding under the Christian Canute of
-a church ruined by his father; and that, after an intermediate stage
-in which the church may have taken the form shown by Professor Baldwin
-Brown, the tower was heightened by a storey.
-
-The oldest Saxon fabrics in Lincolnshire need not, therefore, be earlier
-than the eleventh century. It will be noticed that of these Barton gives
-us a centralised plan, while Hough presents a plan which certainly is not
-in keeping with that of the usual western tower. The head of the second
-group, Stow, is another experiment in “central” planning. The remaining
-anomalies of plan, Broughton and Waith, belong, in the matter of
-technique, to the third group, in which the western tower predominates
-overwhelmingly. The German features of the third group already have been
-described. But they are less marked than those of earlier groups, and the
-buildings are open to influences, especially decorative influences, of
-quite another kind.
-
-Towers like those of St. Mary-le-Wigford and St. Peter-at-Gowts, or of
-Bracebridge, may be regarded, on the strength of their different quoining
-and their lack of any bond with the fabric behind, as final additions to
-churches which, in point of date, we have provisionally classified with
-Stow. Not infrequently, the tower and church were built together without
-afterthought, as at Winterton, where the ends of the nave walls still
-remain in bond with the tower, enclosed within the spacious church of the
-twelfth, thirteenth, and fourteenth centuries. If we attempt to classify
-these towers chronologically, however, we may try several standards. The
-relative height and width of the tower arch affords no criterion; this
-seems to be varied at the fancy of local masons. Again, rude attempts
-at moulding, like that at Nettleton, tell us nothing; the moulded tower
-arch at Corringham is so out of keeping with the tower itself that it
-can hardly be part of the original design; the wide arch at Harmston
-is clearly a reconstruction achieved comparatively late in the twelfth
-century. But the absence of through-stone masonry, the approach to the
-system of rubble core and dressed facing, indicate a growing assimilation
-to “Norman” methods. The tower at Waith has a facing of rough ashlar,
-which is found in no other Lincolnshire tower of the type. Another
-tell-tale sign is the appearance of herring-bone work, which Norman
-builders used freely in the walling of their earlier castles, and
-builders of the pre-Conquest period certainly used little, if at all. The
-“herring-bone” masonry of the tower at Marton is identical in style with
-that in the curtain-wall of Tamworth Castle.
-
-Can these novelties have come into use before the Conquest? If so, we
-must presuppose a growing acquaintance with building methods as pursued
-in Normandy. This is not improbable. Norman influence was felt in English
-life during the reign of Edward the Confessor,[44] and imitations of
-Norman, as at an earlier date of German, technique are not beyond
-reasonable imagination. But it must be acknowledged that, while we are
-fain to discover the germ of Anglo-Norman art in these simple monuments,
-the constructive, purely architectural quality, which is the essence of
-that art as manifested at Durham or in the west front of Lincoln, is
-totally absent from them. That essential quality is not a home growth,
-but a foreign importation. The chief element of structural transition in
-these towers is to be found in their growing spaciousness. Areas which
-are on an average oblongs of some 10 feet 5 inches long by 10 feet 8
-inches broad grow at Caistor to 15½ by 17½ feet, and at Harpswell to
-about 15 by 16 feet. With the growth of the area the wall thickens,
-thus affording a contrast to towers like Hough, where the large area is
-enclosed by thin walls. The eastern wall of the tower at Alkborough is
-less than 2½ feet thick; the average thickness of such walls is about
-3 feet 7 inches. At Caistor the wall is 5¾ feet thick. One cannot fail
-to recognise that the slender tower of Saxon type, while keeping its
-unbuttressed character and its “mid-wall” arches, is spreading out into
-the ordinary broad and heavy Norman tower.
-
-In the capitals of the mid-wall shafts a decided step is being taken
-in the same direction. The plain “cubical” type may be regarded as
-following a course of natural development at home which found conspicuous
-perfection in the architecture of the Norman period. But in other
-examples, and those fairly numerous, the end aimed at is clearly that
-reminiscence of the Corinthian capital which is familiar to those who
-have visited the abbey churches at Caen, with its upper volutes and its
-lower band of acanthus. The best examples of this are at Scartho and at
-St. Peter-at-Gowts, where the effort, if somewhat crude, is still to some
-extent achieved. The effort is again seen in the capitals at Great Hale,
-in which the general outline is that of the “cubical” cap, with volutes
-carved on the flat upper part, and the carved under surface reeded so
-as to give a suggestion of the band of acanthus. At Bracebridge, again,
-in capitals of the “cubical” type, volutes and rather unusual forms of
-conventional foliage appear; and in other cases, as at Glentworth, the
-volute is used without much skill, but with some variety of design.
-The unfinished form in which the sculpture is sometimes left suggests
-forcibly that it was added after the capitals were in position. Indeed,
-if this were not the case, defenders of the pre-Conquest date of these
-towers would have to give up their position altogether. Unless we imagine
-that English artists used their memories to reproduce classical capitals
-which few of them are likely to have seen, we cannot imagine these
-capitals coming into existence otherwise than under Norman influence, and
-Norman influence after the Conquest. The most successful imitations of
-early Norman capitals are at Harpswell, where, as we have observed, the
-measurements of the tower are of a Norman and not of a Saxon type. At
-Caistor, unfortunately, the original belfry windows are gone, so that we
-cannot form any judgment as to the character of their capitals.
-
-[Illustration: ST. MARGARET’S CHURCH TOWER, MARTON (BEFORE RESTORATION).]
-
-When any attempt, then, is made to demonstrate the transitional character
-of these towers, to form them into a link between Saxon and Norman work,
-we may acknowledge at once that they have an abiding influence on the
-plan of the parish church. Were it not for the tradition handed down from
-the Saxon period, the towers of Boston, Grantham, Louth, or Heckington
-might be in all kinds of different situations with regard to their
-respective churches. But of influence upon Anglo-Norman construction,
-upon architecture properly speaking, they had none. There is no seed in
-them of that marvellous development of stone vaulting which, under Norman
-hands in England, was to set in motion the full artistic energy of the
-Middle Ages. If, again, we look at the lesser matter of architectural
-detail, we must confess that the appearance of detail of a semi-Norman
-kind in them shows little capacity for shaping foreign ornament and
-adapting it to individual ends. All that we see is inaccurate copying.
-The life, the independence of thought and aim, the power of adaptation,
-the force of structural genius, which characterise the works of a
-transitional period, are all to seek. Yet, in spite of these drawbacks,
-on which men enlightened by contact with Norman art cannot have been
-slow to comment, the survival of the Saxon type of tower in Lincolnshire
-till quite late in the Norman period is a remarkable fact. The tower of
-Branston Church is of the traditional Saxon form and of much the usual
-Saxon proportions. The arcades in its western face on either side of the
-main entrance have unmoulded arches flush with the rubble surface of
-the tower, small shafts standing on high plinths of ashlar work which
-form the surface of the lowest five or six feet of the wall, and double
-cushion-caps, such as occur in more than one Lincolnshire tower. So far
-the workman does not commit himself as to the date of his work: its
-character is not inconceivably that which a mason more skilled than usual
-might have given to his work before the Conquest. But the high archway of
-the intervening entrance, with its edge-roll, its lesser mouldings, and
-its hood, its jamb-shafts with their voluted capitals, is unmistakably
-a copy—rough, but not inaccurate—of the lesser archways which flank the
-western doorways of the Norman west front at Lincoln, and occur again
-on the returned sides of the Norman wall. This doorway is no insertion:
-it is the builder’s chosen enrichment to his tower. No one will presume
-to argue that Rémi’s masons at Lincoln went for the model of their
-archways to a clever piece of work which some local artist had achieved
-at a small local church; and, this argument apart, the earliest date for
-the tower at Branston must be about 1092. Possibly after this date few
-towers of such slender and pronounced Saxon proportions were built in
-Lincolnshire, but the old form persisted. The western tower of Boothby
-Pagnell cannot, in its present condition, have been built before 1150:
-it is probably some years later. Like Caistor and Harpswell, it is broad
-in dimensions, and the walls are thick; but it keeps the unbuttressed
-form, and the window with mid-wall shaft. This late survival of a type of
-building which has impressed its features but little on subsequent forms
-of architecture testifies to its close association with the life of the
-county, and to the reluctance of the masons to abandon a feature which
-was a familiar sign of the religious activity of the countryside.
-
-
-
-
-KIRKSTEAD CHAPEL
-
-BY C. HODGSON FOWLER, F.S.A.
-
-
-Within a few hundred yards of the line of the outside wall of the
-once-important Cistercian Abbey of Kirkstead, founded in 1139, stands an
-extremely beautiful chapel of the purest Early English work, the special
-use of which is not known, but which was probably for the use of pilgrims
-to the Abbey and was probably served from it.
-
-It now stands solitary and desolate, greatly out of repair, with its
-north and south walls much out of the perpendicular, and its vaulting
-consequently twisted and its beautiful lines disturbed.
-
-That the settlement of its walls is not all of recent date is shown by
-the heavy fifteenth or sixteenth century buttress built against its north
-wall, but undoubtedly its dilapidation has seriously increased of late
-years.
-
-The chapel is a simple oblong in plan, measuring inside the walls 43 feet
-6 inches in length by 19 feet 6 inches in width, with side walls 2 feet 8
-inches, and east and west walls about 3 feet 2 inches thick.
-
-It is divided on plan into three bays by vaulting inside and by
-buttresses outside; and divided horizontally in two parts by strings
-running round the building externally and internally. The height from the
-floor to the inside string is 6 feet, and from the floor to the crown of
-the vaulting 21 feet.
-
-Both east and west gables have been taken down, and the whole building is
-now covered by a low-pitched roof hipped at each end, with a poor modern
-bell-cote of perhaps about the beginning of the eighteenth century.
-
-At the east end is a triplet of unequal lancets, with well-moulded arches
-internally and double-shafted jambs, the shafts having carved caps and
-well-moulded bases, the outer shafts also being banded. The centre light
-is 8 feet 9 inches high and 1 foot 2 inches wide, the side ones being 7
-feet high and 9 inches wide.
-
-The exterior of the west end is extremely effective, a richly moulded
-doorway under the outer string, which is here raised to a height of 11
-feet 10 inches, having above it a very well designed composition of three
-arches, all well moulded, the outer two being blank and the centre one
-containing a deeply-recessed vesica window about 5 feet 2 inches high and
-2 feet 6 inches in diameter.
-
-The two side walls have each six lancets, each about 8 feet high and 9
-inches wide, all with shafted jambs internally having carved caps and
-moulded bases, but plain splayed arches.
-
-Near the west end of the north wall is a second doorway—now walled up—and
-in the north-west angle a doorway leading into a stair turret.
-
-The vaulting is quadripartite in the centre and western bays, but
-sexpartite in the eastern one. The ribs spring from carved and moulded
-corbels, themselves springing from the string round the building. The
-vaulting ribs are about 9 inches thick, well moulded with a centre and
-two side rolls and deep hollows between, the transom ribs having the
-hollows filled with acutely pointed dog-tooth moulding, the diagonal ribs
-being without it. The springing of these ribs is about 10 inches above
-the corbels. There is no ridge rib, but there are well-carved bosses at
-the intersection of the diagonal ribs, the centre and western ones being
-all foliage, the eastern one foliage, with the _Agnus Dei_ in the centre.
-
-Externally the building is divided into bays by rather flat buttresses of
-about 1 foot 6 inches projection, running up into a corbel table on the
-two side walls. The corbels are simply chamfered, and carry an equally
-simple cornice.
-
-At the north-west angle the two buttresses are of rather greater
-projection and of considerable width, giving space inside them for the
-staircase mentioned before.
-
-The west doorway is an excellent example of good Lincolnshire
-thirteenth-century work, the arches well moulded and enriched with
-dog-tooth, the jambs having one attached and two detached shafts with
-well-carved capitals.
-
-The carving of these and all the other capitals in the chapel is of the
-stiff “celery” stalk foliage so common in Lincolnshire work, and all,
-equally with the mouldings, refined and evidently the work of high-class
-masons and carvers.
-
-Internally there are no ancient features beyond those already mentioned,
-except a very simple triangular-headed piscina in the eastern bay of the
-south wall. The projecting part of its basin has been broken off, but two
-grooves for a wooden shelf remain.
-
-The chapel, being a donative without restriction, was used as a
-Presbyterian chapel from 1720 to 1812, and was then filled up with pews,
-and a pulpit of Jacobean character, apparently previously in the chapel,
-was erected in front of the east window.
-
-Most fortunately, however, in thus fitting up the chapel, the joiner
-incorporated in the pews two pieces of an Early English screen, of an
-exceedingly interesting description, and which no doubt originally cut
-off the eastern bay from the body of the chapel. These two pieces are
-each about 6 feet long, and consist of an open arcade, the upper part
-of the screen, each having six trefoil-headed openings, the heads being
-cut out of boards only ⅞ inch thick and rudely pinned on to uprights 2⅞
-inches square worked into octagonal shafts 1¾ inch in diameter, with
-moulded caps and bases. The whole work is somewhat rude in execution, but
-is an extremely valuable specimen of early woodwork.
-
-The only other object of interest in the chapel is an effigy of Purbeck
-marble of a knight, now set up against the south wall. This is thought
-to represent Robert, the second Lord Tattershall, who died _c._ 1212. He
-is in a hauberk of banded mail, the earliest of the five known examples,
-and wears the cylindrical helmet, with convex top, having two bands
-crossing in front.
-
-For many of these particulars I am indebted to drawings by Mr. J. Nixon
-and Mr. A. Hartshorne in the _Spring Garden Sketch Book_.
-
-
-
-
-SOME SOUTH LINCOLNSHIRE CHURCHES
-
-BY W. E. FOSTER, F.S.A.
-
-
-In no part of Lincolnshire—a county famous for its ecclesiastical
-buildings—can so interesting a group of churches be found as that between
-Pinchbeck and Sutton St. Mary—a distance of about fifteen miles.
-
-First we have the village church of Pinchbeck, next the Church of St.
-Mary and St. Nicholas, Spalding—always the church of the town; then the
-interesting village church of St. Mary’s, Weston; then within a mile
-the village church of All Saints, Moulton; then within another mile
-the village church of St. Mary’s, Whaplode; then we have the beautiful
-Church of All Saints, Holbeach, always a town church; then we have the
-two village churches of Fleet and St. Mary’s, Gedney; and lastly, the
-interesting town church of Sutton St. Mary.
-
-Any stranger visiting the district must be struck with the size and
-magnificence of the village churches of Pinchbeck, Moulton, Whaplode, and
-Gedney, which have always been out of all proportion to the requirements
-of the inhabitants of those various places. It was not the needs of
-the people that prompted the erecting of these four beautiful village
-shrines; but the church-building rivalry that existed between the two
-wealthy abbeys of Croyland and Spalding.
-
-These four village churches, all within twelve miles, as the crow flies,
-are probably unequalled in the kingdom, and are lasting monuments of the
-energy and zeal of the two local abbeys in providing places of worship
-in the villages over which they had sway.
-
-
-SPALDING
-
-The first church to which we will direct our attention is that of St.
-Mary and St. Nicholas, Spalding.
-
-This church owes its origin to a dispute between the prior and monks of
-Spalding and the town’s people, about the year 1280. The history of the
-foundation of this edifice is supplied by the records of the priory.
-
-It appears that about the dawn of the fourteenth century there were
-two parish churches for the town of Spalding, which were on the west
-side of the river Welland. One, the Holy Rood, stood on the south side
-of the present market place—on the priory walls, about the spot where
-the Stamford and Spalding Bank premises are erected; the other St.
-Mary, Stokes, which also stood on the priory wall, but nearer the river
-Welland and to the High Bridge, that crosses that river. The bells of
-these churches not only disturbed the prior and his monks, but the two
-buildings being in such a dilapidated condition, the parishioners flocked
-to the abbey church, near by, to the great inconvenience of the inmates
-of the monastery. William Littleport, who was then the prior, came to
-an agreement with the townsmen about the year 1283, and obtained leave
-to pull down the two churches, which were probably small buildings with
-Norman style of architecture. With contributions from the townsmen, he
-agreed to erect a new church for the parish on the east side of the river
-Welland, and in the year 1284 he laid the foundation-stone of the present
-church. The land on which it stands was then the burial ground for the
-town, and part of the mortuary chapel that was then standing was worked
-into the new building, and forms part of the south and east walls of the
-chancel of the present church.
-
-[Illustration: SPALDING CHURCH NAVE, LOOKING NORTH-EAST.
-
-HOLBEACH CHURCH NAVE, LOOKING WEST.]
-
-When the church was restored in the year 1866, foundations of an earlier
-building than the present one were discovered beneath the level of the
-floor of the nave—extending westward from the chancel to midway of the
-great arches of the transepts. The lines of these foundations were at
-right angles with the east wall of the chancel, which is not square with
-the present chancel walls, and is of much ruder worked masonry.
-
-Most of the churches in the district, when restored, have revealed the
-carved stone work of earlier edifices, which had been freely used by the
-builders when either enlarging or rebuilding the churches. This is not to
-be wondered at, considering the difficulty the builders had in getting
-the stone from the district of Stamford—for from that neighbourhood
-nearly the whole of the stone came that was used in erecting the churches
-the subject of this article. It must have been costly even in those
-days, when labour was cheap. It had to be quarried in the “Uplands,”
-and floated on small flat-bottomed boats during the winter months down
-the shallow rivers to the various churches—for the roads were well nigh
-impassable for such traffic—dressed by the masons on the spot in the dark
-season of the year—and built into its place in the summer months, when
-the stone would be dry and so able to resist the winter frosts. Their
-work was slow, but it was good and sure.
-
-The present church, of which the abbey and prior were the patrons,
-was dedicated to the same saints as the abbey, and was erected in the
-Geometrical style of architecture of a severe character, considering
-the date it was built—for at that time that style of architecture was
-dying out, and was not so severe in its character—but in this district,
-styles of architecture did not give place to the new till much later than
-elsewhere in England and on the Continent.
-
-The dimensions of this early church are easily defined in the present
-building externally by the original buttresses on the west end of
-the nave, the north and south ends of the transepts, the south-east
-buttresses of the nave, and the south wall of the chancel, which had been
-built upon the earlier chapel foundations as previously mentioned, and
-the angle buttresses at the east end of the chancel; and visitors should
-notice that in building on the old foundations, the east wall of the
-chancel is not at right angles to the two other walls of the building—the
-northern wall is upwards of two feet longer than that on the southern
-side.
-
-Such was the early church at Spalding, with probably a campanile or small
-tower at the west end of the north aisle. At the restoration in 1866 the
-foundations at that corner of the building were on examination found
-to be more solid and capable of bearing a much greater weight than the
-rest of the building. That a campanile or tower formed part of the early
-church—and in the Early English style of architecture—is confirmed by the
-fact that Early English base mouldings and windows are worked into the
-present tower, as well as ledger stones of Perpendicular date and some
-whole stone coffins.
-
-In relation to this tower it is interesting to record that in 1401 there
-was another dispute between the townsmen and the prior in relation to the
-bells, and it was probably in consequence of that dispute the present
-tower was erected and the bells hung in the same.
-
-During the Curvilinear Period the south aisle, the south outer aisle, and
-the present tower were added, with Thomas à Becket’s Chapel at the east
-end of the south outer aisle. This chapel was used for a great number of
-years as the Grammar School.
-
-This Curvilinear tower was not originally intended to carry a spire,
-but one was at a subsequent period added, which so severely tried the
-strength of the tower that at the time of the Restoration it was in so
-dangerous a condition that the bells could not be rung.
-
-In the Rectilinear Period the church was further enlarged, and the
-following were added:—
-
- The present North Aisle.
- Outer North Aisle.
- North Porch.
- One Buttress on the South Outer Aisle.
- Two Buttresses on south side of Chancel.
- South Porch.
- North-east Buttress of North Transept.
- Stairs to Rood-loft.
-
-The Parish Church of Spalding presents an excellent example of how the
-architects of the period transformed an Early Geometrical church into a
-Rectilinear one.
-
-Originally the nave and transepts were of one uniform height throughout,
-as were also the roofs, plates, clerestory-range, arches, capitals, and
-bases respectively. The pillars of the nave were heightened about 6
-feet about the year 1450, when the arches were reset and the clerestory
-rebuilt and the present windows inserted.
-
-The tower (Perpendicular) should be compared with that of All Saints’,
-Moulton, another church built by the Spalding monks. It is surmounted by
-lofty pinnacles and flying buttresses connecting them with a crocketed
-spire rising to the height of 153 feet. It is placed at the west end of
-the south outer aisle.
-
-Mr. Sharpe, in his _Lincoln Excursion_, 1871, says: “The tower and
-spire rank among the finest in the country.” And writing on the church,
-he says: “Although its separate features have no great merit, it
-presents one of the most striking interiors to be seen in any parish
-church; due in a great measure to the variety and irregularity of its
-different parts, and the many singularities of designs, to which the
-various alterations of form have given rise, as well as to the excellent
-restoration it has received.
-
-“The Chapel of St. Thomas à Becket is a curious building, the windows of
-which have tracery of an unusual kind, in which both right and flowing
-lines are introduced.
-
-“The north porch is an important structure of somewhat late in the
-Rectilineal Period, with a groined fan-tracery roof and parvise over it.”
-
-Owing to the proximity of the priory, the rich and influential persons
-who had died before the demolition of monasteries were buried in the
-convent church. The parish church was most ably restored by the late Sir
-Gilbert Scott in 1866. The high pews and galleries were removed. The
-organ was erected in a new chapel built on the north side of the chancel.
-The west window of the nave was filled with new tracery, and the whole
-of the windows filled with stained glass. The roofs were thoroughly
-overhauled, and new pews erected.
-
-
-WESTON ST. MARY
-
-The next church of which we have to treat is the village church of St.
-Mary’s, Weston, another of the Spalding Priory churches. The parish of
-Weston formed part of the at one time large Manor of Spalding and its
-members, of which the Priors of Spalding were lords; and all records
-point to the able and philanthropic way the monks treated the places
-within their jurisdiction. With respect to the mode in which they treated
-Pinchbeck, and the means by which they built that fine village church,
-the existing records of the monastery give a most interesting account.
-That Weston Church was restored under the able direction of the then
-vicar, the late Rev. Canon Edward Moore, F.S.A., is sufficient guarantee
-that it was a thorough, though conservative, restoration, and those who
-visit the church will be ready to testify that as a model of a village
-church Weston St. Mary would hold a very high place.
-
-That the present is not the first church at Weston we have proof, for
-about the year 1135 Thomas de Multon, who was the chief tenant of the
-Prior of Spalding, and resided at his castle at Moulton, whilst attending
-the funeral of his father in the Abbey Church of Spalding, gave to the
-monks, in the presence of his family, the Abbot of Croyland, and many
-others, the church at Weston. Weston was in his manor of Moulton. The
-gift was confirmed in the presence of the Chapter of the Priory of
-Spalding, and also by Thomas de Multon depositing his clasped knife on
-the high altar of the Abbey Church. This Thomas was the father of Lambert
-de Multon, who, with his wife Matilda, was buried in Weston Church;
-and there is still in the north-west corner of the north transept his
-sepulchral slab which formerly had two effigies. Lambert doubtless was a
-benefactor to the church, and so acquired the honour of sepulture within
-its walls.
-
-In the early part of the thirteenth century (during the reign of King
-John), and whilst John, a Spaniard, was the Prior of Spalding, a fine
-was levied between him and Lord Thomas de Multon for the advowson of the
-Church of Weston, and, judging by the architecture, it was about this
-time the monks began the building of the present church.
-
-With the exception of the transepts and tower, the whole of this
-pretty church belongs to the earliest part of the Lancet Period. The
-two transepts belong to the Geometrical Period, and the tower to the
-Rectilinear Period of architecture. The student may compare the nave of
-this church with advantage with the earlier nave of Moulton, another of
-the Spalding Priory churches—it seems as if the same workmen had been
-engaged on both buildings. The nave has five compartments of pointed
-pier arches of two orders, of which the first only is moulded, resting
-on light clustered piers consisting of circular and polygonal shafts
-surrounded by four light detached shafts. The piers are low and the
-shafts not banded. The pier capitals present a series of carved work of
-the earliest Lancet foliage, and are very stiff, but are more free and
-of far more advanced character than those at Moulton. The chancel arch
-of two orders is an excellent example of the early work of the Lancet
-Period. The clerestories should be compared with those at Whaplode, Long
-Sutton, and Moulton, which show the gradual change from the Norman to the
-Transitional and the Transitional to the Lancet styles of architecture.
-This church illustrates how the Transitional ideas in regard to moulding,
-&c., show themselves in this early example of Lancet work.
-
-The chancel has single lancet windows and slender buttresses of the early
-part of the period, and should be compared with the two buttresses at the
-east end of the south aisle of Moulton Church.
-
-The font is an interesting one, and is of the same date as the nave.
-The tower, which is the lowest in the district, does not call for
-observation. The south porch is a very good specimen of the period, and
-will repay careful inspection.
-
-
-ALL SAINTS’, MOULTON
-
-Old though this splendid village church is, it is not the first church
-the parish possessed, for there was an earlier one which it is believed
-stood on the north side of the main road leading from Spalding to
-Holbeach, in the same manner as the Church of Weston now does. The site
-of this early church was near the present “Bell Inn.” When the turnpike
-was made in 1761, a great number of human bones were dug up and the
-foundations of buildings were discovered. The impression then was that
-the site of an ancient church and burial ground had been disclosed.
-This church was probably a small Saxon building. Domesday Survey does
-not record any church at Moulton. That need not cause any surprise, as
-it was no part of the commissioners’ duty to make a return of churches.
-It is true some are mentioned, but in the majority of cases, even where
-churches were known to have existed, there is no mention of them in the
-Survey.
-
-The Priory of Spalding was founded a few years previously to the Norman
-Conquest (_cir._ 1051) by Thorold the Sheriff, and was liberally endowed
-by him and Lady Lucy, who married Ivo Tail-bois, nephew to the Conqueror.
-Through her family Spalding Priory became possessed of the manor of
-Spalding, and the owners of the advowson of Moulton Church.
-
-Cole, in his priceless MSS. now in the British Museum, states:—
-
- “Be it known that the right of advowson of the Church of
- Moulton was acquired by the Prior and Convent with the manor
- of Spalding ... and they always held it without strife or
- controversy.”
-
-The Priory supplied priests to officiate in the early church at Moulton.
-
-The following charter of Robert, Bishop of Lincoln (1094-1123), is
-interesting:—
-
- “To all the faithful in Christ and to the sons of the Holy
- Mother Church Robert, by the grace of God Bishop of Lincoln,
- greeting. We provide for the Church of God usefully when
- we assign its benefices to fitting persons for pious uses.
- Therefore, for religion’s sake, and fully trusting to the
- honesty of our beloved sons H⸺ [Cole states it was Herbert]
- the Prior and the monks of Spalding, we concede and confirm to
- them for a perpetual alms the churches of Spalding, Pinchbeck,
- Multon, and Hautebarge with all their appendages, viz. to the
- Church of St. Nicholas and the monks serving God there to hold
- for their own use, for the support of the Poor, of guests, and
- the infirm; and we corroborate the same by the attestation
- of our seal; save and excepting in all things the right and
- dignity of the Church of Lincoln. Witness: Henry of Huntingdon,
- archdeacon, &c.”
-
-Cole, speaking of this charter, says: “The Prior and Convent appointed
-the vicars temporal in the said churches according to their will for
-seven or eight years, or for any other time at their pleasure.”
-
-By the 4th and 5th parts of the Register of Spalding Priory, now in the
-British Museum, we learn the great sway the monastery had over “their
-vill of Multon”:—
-
- “The tenants of the Prior in Multone on account of their
- contracts and misdemeanors struck and committed in the fee
- of the Prior assemble at the Court of the Prior in Spalding.
- Likewise the Prior in his said Court of Spalding has control
- over the bakers and brewers and the vendors of bread and ale
- in his fee in Multone. Likewise the residents in the fee of
- the Prior at Multone are in frankpledge to the Prior in the
- same Court of Spalding, and came there for the purpose of
- making view of frankpledge and their amendation. Likewise the
- gallows of the Prior of Spalding in Spalding serve for those
- condemned in his Court of Spalding, taken in his fee of Multone
- and convicted of felony in his Court of Spalding. Likewise
- the right of patronage of the Church of Multone belongs to the
- manor of the Prior of Spalding in Spalding.”
-
-Such was the position of affairs at Moulton when the monks at Spalding
-in the twelfth century began building the present Parish Church of All
-Saints.
-
-During Prior John’s time (_circa_ 1175-1190) we next learn something
-concerning the church at Moulton. Coles in his MSS. gives some curious
-articles offered by the rector and patrons of the Church of Moulton
-against Thomas de Multon, “a great man in these parts,” and head tenant
-of the monastery, “showing the ill-feeling and jealousy which had sprung
-up between the ecclesiastical and lay lords as well as the anxiety of the
-monastery to secure the aid of the parishioners in building the present
-church, and pointing out their duties to their ‘Mother Church.’”
-
- “Articles offered against Thomas de Multon by the Prior and
- Convent of Spalding, Rectors, and Patrons of Multon, and by the
- Vicar of the same.
-
- “In the first place, it is offered against the said Sir Thomas
- that he has a certain chapel unlawfully erected in his manor,
- and causes divine service to be there celebrated without the
- consent and will of the said prior and convent and of the
- vicar, and without the authority of any superior person, to the
- danger of his soul, and to the no small prejudice and injury
- of the said prior and convent and the vicar of the parish
- church of Multon. Likewise, that the chaplains celebrating
- in the same, by the power and authority of the said Sir
- Thomas, receive the parishioners of Multon, not only at the
- Sacraments, but also at the Sacraments of the Church, contrary
- to the injunction of the holy canons, to the danger of his
- soul, &c. (as above). Likewise, that his chaplains aforesaid,
- by the power and authority of the said Sir Thomas, unjustly
- appropriate to themselves, and carry away for their own use,
- to convert to their own pleasure, the oblations made in the
- said chapel, and also other offerings which by right belong
- to the parish church aforesaid. On which account the said
- chaplains are also _ipso facto_ suspended from the celebration
- of the divine offices, and are irregular in like manner when
- celebrating the divine offices, yea, rather profaning them.
- Which said chaplains the said Sir Thomas, contrary to the law
- of God and justice, sustains and defends in the wickedness
- of such iniquity and manifest error, to the prejudice and
- subversion of the rights of the parish church of Multon, to
- the danger of his soul, &c. (as above). Likewise, since it
- pertains to parish rights, that all the parishioners ought,
- at least on Sundays and Feast-days, to attend their parish
- church devoutly, there to attend to the prayers diligently,
- to listen to the divine offices and other salutary admonitions
- which are wholesomely made for the information of the people;
- nevertheless the same Sir Thomas has hitherto refused, with
- contempt, to attend his parish church at Multon aforesaid,
- whilst he remains there, or in any way to acknowledge it by
- his personal presence, and still unduly, to the danger of his
- soul, &c. (as above). Likewise, that since the parishioners,
- according to ecclesiastical discipline, ought on Sundays and
- Feast-days, as aforesaid, to come to the parish church not
- alone to pray there, and hear the divine offices, but also
- that they might be present together, anxious and attentive to
- the Declaration of the Feasts and of the Bans, to the mandates
- of the Church and their superiors, and to the executions and
- injunctions there made by the ministers of the church as the
- custom is, for the information of the people and the salvation
- of their souls, and that they might reverently and devoutly
- fulfil such injunctions and instructions to the utmost of their
- power; nevertheless the said Sir Thomas and others of the
- parish of Multon, by the authority only of the said Sir Thomas,
- and by occasion of the said chapel, under-estimating and
- despising their own parish church, assemble in the aforesaid
- chapel on the said Sundays and Feast-days to hear mass there
- only, entirely regardless of the salutary admonitions of their
- mother church, and all injunctions and informations of the
- same, like sons degenerate towards their mother, which is
- horrible, to the manifest danger of his soul, and of the souls
- of many others, and to the prejudice of the parish church, &c.
- Likewise, that by his own authority, and by occasion of the
- said chapel, he differs from the community of the parishioners
- of Multon, and strives to avoid parochial law and subjection,
- in that although he is a parishioner there he will not receive
- the holy bread, like as others his parishioners devoutly and
- thankfully receive it, chiefly because he is not the patron
- of the said church, neither does he admit the clerk bearer of
- the holy water, which is disgraceful in such a lord, since
- even the poor villeins of the parish, and the miserable women
- likewise, cherishing their household-god, receive it gratefully
- and kindly; the duty of which said clerk was first of all
- devised for the common convenience of the parishioners, and
- thus far laudably approved, and, from time immemorial, has been
- generally observed.
-
- “Likewise that, since all the parishioners are bound by
- parochial law to contribute to the building of the parish
- church, and to acknowledge and sustain it, like as sons a
- mother, the same Sir Thomas, although a parishioner of the
- church of Multon, and a son of the same, among others greater
- and more powerful, has refused to contribute any part of
- his goods towards the building of the church, and refuses
- unlawfully, because by no special law is he free from this kind
- of duty, to the danger of his soul, &c. (as above).
-
- “Likewise, since it belongs to the church of Multon and to
- its ministers to make citations through the parish, and
- corrections, for the most part enjoined by the mandate and
- authority of superiors, the said Sir Thomas, wishing to
- exempt his chapel aforesaid, and by reason of the said chapel
- the whole of his manor of Multon, does not permit any one
- of his family, by reason of any compact or contract, to be
- cited within the boundaries of the said manor, nor otherwise
- justified according to the form of the Church, but as well
- he as others of his family, under his authority and power,
- waywardly resist and intolerably rebel, lest they should be
- cited and corrected, as well for the cruel injuries oftentimes
- brought upon the ministers of the said church, as also for
- mortal threats, so that the ministers of the said church dare
- not approach the manor of Multon aforesaid for the purpose of
- making any citation or execution on the part of the church,
- neither can they do so without danger of death, or pain of
- body; on which account many sins committed by the said family
- are left unpunished, and ample opportunity for sinning is
- afforded by the said Thomas, whilst he cherishes and defends
- such persons in sin and error, contrary to the state of the
- Church, and the reverence of God and the Church, and likewise
- to the notorious detriment of his soul and of the souls of
- many others, and to the prejudice and injury of the church of
- Multon, and of the said prior and convent and of the vicar.
-
- “But the said prior and convent and the vicar protest that,
- if the said Sir Thomas has, for himself, any special right,
- by reason of which he can duly claim such rights, or defend
- himself in the premises, and be in any way exempt from
- parochial right, that such right and judgment being shown in
- due form, or inasmuch as he shall show that he is lawfully
- protected by special privilege with regard to any article in
- the premises, they will be so far ready to yield to these
- oppositions, and to cease from their pursuit in this matter,
- and to dismiss him in peace commended to the Lord.”
-
-The Prior of Spalding, powerful though he was, had formidable opponents
-in the Multon family, who not only had the Pope, who had given Sir Thomas
-licence for his chapel, on their side, but also the temporal power of
-the State. So great was the Multon influence, that the Prior was glad
-to come to terms with the “head tenant,” and a composition was signed
-by the parties in the Church of Weston, on Wednesday next before the
-Circumcision of our Lord in the year 1259.
-
- “Composition between the Prior of Spalding and Sir Thomas de
- Multon, in a suit moved between them, regarding the minor
- tenths and an annual rent.
-
- “Memorandum, that in the presence of Sir (dominus) John Prior
- of Spalding, on the one part, and Thomas de Multon, on the
- other part, in the Church of Weston, on Wednesday next before
- the Circumcision of our Lord, in the year MCCLIX., to treat
- of peace between the parties aforesaid, conceded and agreed
- upon by the will of both, in a suit moved in the Court of
- Christianity, regarding the minor tenths, namely, hunting in
- the park of Multon, herbage of the garden, cut wood, dovecots,
- butter, domestic geese, fisheries; and in a suit moved in the
- Court of our lord the King, regarding an annual rent of 60s.,
- peace was renewed in the manner following, the mediators being
- Master Alexander, Rector of the Church of Swineshead, at that
- time Official of the Lord Archdeacon of Lincoln, Sir James de
- Bussi, parson of Skirbeck, Master William de Walpol, Sir John
- de Grethford, Vicar of Multon, Gilbert de Cheile, and others,
- namely, that the said Thomas shall pay the tenth of milk at
- the tenth day, or cheese, with all the collected cream (cum
- tota pinquedine coagulatim) at the will of the Lord Prior,
- and the right shoulder of venison (bestiæ suæ venationis).
- In like manner he shall pay the tenth of domestic fowl, and
- of his dovecot, fully and wholly without contradiction. But
- the Lord Prior has remitted to the said Thomas the tenths of
- the fish-ponds. Moreover the petition regarding the tenths
- of garden herbage and of cut wood shall cease between the
- aforesaid parties, until the tenths of this nature shall be
- generally paid. Moreover the said Thomas has agreed to the
- payment of the said annual rent of 60s. to the Lord Prior at
- the proper terms, and with his glove has invested the same in
- the hands of the said Prior, and has mortgaged the arrears of
- three years, namely nine pounds; nevertheless the said Lord
- Prior, at the instance of common friends, has remitted to
- the said Thomas the half of those nine pounds. And the said
- mediators are witnesses of this peace.
-
- “Robert, Sub-prior of Spalding; John de Tid; John, monk of
- Spalding; Master Henry de Edinham, clerk; William de Cletham,
- clerk; officials, &c., and many others being present, seeing
- and hearing. In testimony whereof the seal of the office
- aforesaid is affixed.”
-
-Cole gives an interesting composition between the Prior of Spalding and
-the vicar of Moulton regarding a pension; likewise regarding portion of
-the vicarage.
-
-One cannot but think with the erection of All Saints’, Moulton, began
-the church-building rivalry between the two neighbouring monasteries of
-Croyland and Spalding, which lasted until the dissolution of the greater
-abbeys. Croyland had built the Norman portion of the present church of
-Whaplode. Then Spalding Priory, about 1175, began the present Church of
-Moulton, the nave of which would be considerably larger than the Norman
-nave of Whaplode, and though Moulton nave is built in the Transitional
-Period, in a great number of its details it resembles Whaplode; for you
-have at Whaplode four shafted compound piers, while at Moulton you have
-the four shafts arranged round a central column forming part of the solid
-masonry, still all engaged and forming a solid pier of coursed masonry;
-next you have a further development of the idea—four larger and four
-smaller shafts placed alternately, but still engaged, almost immediately
-followed by the disengaged shafts of the Lancet Period, as at St. Mary’s,
-Weston.
-
-The pier bases are similar to those at Whaplode, though they show the
-slight advance art had made, but at Moulton you will find a circular
-bench round the base. The Croyland monks, when they saw the church at
-Moulton was finer than theirs at Whaplode, not to be outdone by the
-younger monastery, lengthened the nave of Whaplode; and though Spalding
-long afterwards added a bay to the nave at Moulton, that at Whaplode is
-still the longest and narrowest nave in the district.
-
-The capitals of Transitional work at Moulton are interesting—the stiff
-engaged leaves are all inclined one way, and follow one another round the
-necks of the capitals.
-
-Mr. Sharpe says—
-
- “In the pier capitals of the eastern part of the nave of
- Whaplode and the nave of Moulton churches we see the early
- efforts of the artists of the period to produce relief and to
- disengage the flowers and the leaf from the surface to which
- it was attached. The strong resemblance of the ornamentation
- of the capitals in these two churches leaves no doubt that
- the Transitional portion of the nave at Whaplode and the nave
- at Moulton are contemporaneous work, the same artists having
- probably been employed on the carved work of the naves.”
-
-At Moulton an arch at one time apparently sprung from the westernmost
-pair of pillars, across the nave, from the engaged pillar rising through
-the capital of the nave pillar. There is a strong buttress at the back
-of each of these pillars, which are continued to the clerestory, and
-can be seen from the outside. There probably was a tower or campanile
-standing between the two pillars, which was pulled down probably in the
-Rectilinear Period, when the present tower was erected—one bay further to
-the west. The northern clerestory, which is Transitional and earlier than
-that of the south side, may be compared with that of Whaplode. The south
-clerestory is Late Transitional. In the Rectilinear Period, in 1400, the
-windows of the clerestories were altered and the present roof was built.
-
-The aisles, originally only 10 feet wide, were in about 1310 widened
-to 17 feet, the south aisle being first done. Some of the original
-Transitional buttresses were re-used (the eastern and smaller ones), as
-was also the fine south Transitional doorway. The north aisle was done
-about 1320-25, and the original Transitional doorway was re-used. When
-the tower and spire were built about 1380, the aisles were lengthened,
-like the nave. Sharpe writes on the tower and spire: “Their relative
-proportions may be pronounced faultless.... The tower and spire may be
-taken as the most perfect realisation of the Rectilinear form of this
-noble addition to the English parish church to be found anywhere.”
-
-The walls of the tower appear to have settled as the work progressed,
-but the architects of those days were equal to the emergency, and so
-rectified the work as the building progressed, and so well was it done
-that the tower has kept its perpendicular for five centuries. The spire
-is 6 feet 8 inches at base, and the stone 6 inches thick.
-
-The chancel was rebuilt late in the fourteenth or early in the fifteenth
-century, but the chancel arch is post-Reformation work. The east window
-and the organ chamber are new. The sedilia were reset in the fourteenth
-century. In the north wall is a mutilated sepulchre or founder’s tomb;
-also there is a blocked-up vestry door of the same period. The vestry and
-room over it have long since disappeared. The rood-screen, which has been
-recently very well restored, is of the same date as the chancel, and is
-by far the best specimen of a rood-screen in the district.
-
-The church was restored in 1867-8, when (_inter alia_) the organ was
-removed from the gallery at the west end and placed in the new organ
-chamber. There were also placed in the church a new font, pulpit,
-reading desk, and seating, mullions placed in the aisles’ windows, roofs
-repaired, gallery at west end of nave removed, and new windows in the
-chancel. There were formerly several chapels with altars in the church,
-the last vestiges of which were removed at the restoration in 1867-8.
-
-Members of the Multon, Welby, Wigtoft, and Kyme families rest in the
-church, as well as the body of John Horrox, the founder of the Moulton
-Grammar Schools. Unfortunately at the restoration the sepulchral slabs
-were removed to “fit in better,” and at the present time are not over the
-bodies of those whose memory they perpetuate.
-
-
-ST. MARY’S, WHAPLODE
-
-This church is not only the oldest in the district, but, in spite of the
-lamentable condition to which it has been reduced by the ill-usage and
-neglect in bygone days, it is one of the most instructive and interesting
-to the architectural student in South Lincolnshire.
-
- “The Parish of Whaplode, prior to the Conquest, was under the
- jurisdiction of the convent of Croyland, the abbot of which,
- from the earliest times, was lord of the principal manor. It
- was proved at a trial before the Bishop of Lincoln in 1447,
- the abbot “held the principal demesne rights in Whaplode, and
- had there besides the fee of the church markets, fairs, wastes
- and warren, right of pillory, as also the assize of bread and
- beer,” though it is recorded that the abbot’s rights were
- disputed, and that Ralph Mershe (abbot from 1253-1281), at
- great expense, and after long suits at law, gained the manor
- of Gedney and the _church_ at Whaplode. This seems strange,
- as every record from the earliest times connects the abbot of
- Croyland with the patronage of Whaplode Church, and that the
- convent used to supply chaplains to do duty. In addition to the
- Croyland records, there are the public records, for we find
- that the abbot, in Henry III.’s reign, in 1245, had a grant
- of a weekly market on Saturday, and a fair on the Assumption
- of the Blessed Virgin and six days afterwards, and that this
- grant was confirmed by Edward I.; besides which we have the
- ecclesiastical documents in the Bishop’s Register at Lincoln,
- showing that the abbot presented to the church in 1239, 1246,
- 1250, 1251. The abbot won the day, and Croyland abbots held the
- presentation to the living until the Dissolution in the reign
- of Henry VIII.”
-
-[Illustration: MOULTON CHURCH SOUTH AISLE, LOOKING NORTH-WEST.
-
-MOULTON CHURCH NAVE, LOOKING EAST.]
-
-The monks of Croyland were the builders of Whaplode’s two churches,
-though doubtless largely aided by the laity, as we have seen was the case
-at Moulton. Unfortunately the records of Croyland do not give the same
-amount of information in reference to the building of their churches as
-do those of Spalding Priory in reference to theirs.
-
-There is no trace of the building of any earlier church at Whaplode than
-the present one, and we are unaware of any remains of earlier work being
-found when the church was restored, about the middle of last century.
-
-The earliest part of the present church is the chancel arch and the four
-eastmost compartments of the nave, which were built about 1125, in the
-Norman style of architecture. It is greatly to the credit of King William
-I. and the invaders and their descendants, that no sooner had they got
-this island into a settled state than they began building cathedrals,
-monasteries, and parish churches all over the kingdom. Croyland was the
-first to inaugurate the church-building move in this district, and if
-they had completed the church as evidently originally designed by the
-Norman architect, it would have been a very fine specimen of the period.
-
-Before the work was resumed at Whaplode, in the Transitional Period,
-the masons had been busy at work on the present churches of Moulton and
-Sutton St. Mary. The monks of Croyland, about forty or fifty years after
-they had built the Norman portion of the nave, erected the westernmost
-portion in the Transitional style (1145-1190), and which made the nave
-110 feet long and 19 feet wide, the longest and narrowest nave in the
-Elloc division of Lincolnshire.
-
-The Norman chancel arch is only 13 feet wide and very low, which gives
-the east end of the nave a very heavy appearance.
-
-The smallness of the Norman arch seems to have claimed the attention of
-the architects at a very early date. They cut away the large semicircular
-shafts which carried the soffit of the arch and worked in a Transitional
-corbel to make the opening wider.
-
-One cannot but think that the Norman columns of the nave were intended to
-carry a far heavier structure than was ever placed on them, and that the
-architects altered their plans even before the arches had been erected.
-The clerestory is partly Norman, and the rest, with the west front,
-Transitional.
-
-The west front has been terribly mutilated, but happily sufficient
-remains to guide the architect to its perfect restoration; fortunately
-it has not been so badly ill-treated as the chancel, which is a standing
-disgrace, and is as bad a form of Churchwarden’s style as can well be
-conceived. There is even here, however, enough of the original work left
-to guide the architect in its restoration, if only funds were forthcoming
-from the rectors, who are trustees of a public school.
-
-One regrets it is not possible in an article of this nature to enter into
-the details of the Norman-Transitional work at Whaplode, or compare it
-with the work of the same period in the churches at Sutton St. Mary and
-Moulton. To the student a visit to the three churches is very instructive.
-
-As at Moulton Church, where the tower with its spire wins the admiration
-of all visitors, so does the tower of Whaplode. It is curiously placed,
-and with what object one is at a loss to understand.
-
-Mr. Sharpe, writing on the tower, states—
-
- “The very striking south-west tower, standing in an unusual
- position on the south side of the eastmost compartment of the
- south aisle, must have been commenced immediately after the
- completion of the nave. In its four stages in height, of which
- the three lowest belong to the original design, though carried
- out in a manner which leads us to conclude that the first
- stage, which carries a zigzag in its pointed arcade, was the
- only one completed before the close of the Transitional Period,
- the arcades of the two upper stages exhibiting an almost pure
- Lancet treatment in their details.
-
- “The fourth stage, with its embattled parapet, added in the
- Curvilinear Period, gives an appropriate finish to this elegant
- design.”
-
-Richard de Gravesend, Bishop of Lincoln, gave the following charter to
-Croyland in the year 1268:—
-
- “To all faithful Christians by whom this writing may be read,
- Richard, by Divine permission Bishop of Lincoln, sendeth
- health in the Lord. We will that you should by this present
- writing know; that, whereas our beloved children in Christ,
- the religious persons, the Abbot and Convent of Croyland, have
- long since obtained the grateful consent and assent of our
- predecessor, the blessed Hugh, of famous and revered memory, as
- also of his Holiness Honorius, some time chief bishop of the
- Roman Church, likewise confirming the same of the church of
- Whaplode, whereof they were and are the patrons, to have it to
- their own proper use in manner as in this instrument is more
- fully contained.
-
- “We, at their devout and frequent petitions that we would
- favourably, more graciously in the premises, grant them our
- assent and consent to the permission and favour done them by
- our said predecessor, the consideration of their order inducing
- thereto, having due regard to the special devotion of the said
- religious persons, and their sincere love in the Lord towards
- our venerable church at Lincoln, and the Bishop thereof, being
- more readily inclined to grant their petitions and requests,
- as therefore in the monastery of Croyland the weightiness of
- religion and observance of their order for the sake of sanctity
- and principally in favour of hospitality, which are known to
- flourish in that monastery, and which do and ought to render
- it esteemed by all men, remembering that favour should not
- be denied to such requesting it, of the assent and grateful
- consent concerning of our beloved children in Christ of William
- Lessington, in respect of Divine Piety, and especially for
- enlarging the duty of Divine worship therein, have given,
- granted, and by this our present Charter have confirmed, to
- the monastery of Croyland, and to the monks there together
- serving God, the church of Quaplode (Whaplode), in which they
- obtain the right of patronage, to be possessed to and for
- their own proper uses for ever, the rent and profits of which
- church they may indeed convert to their use, and without any
- impediment; for the future have power lawfully so to convert
- the same, a competent portion thereof being still reserved
- for the vicar perpetually serving the same church, wherein we
- likewise ordain and establish the Vicarage out of the profits
- of the said church for the support of him and his ministers,
- and the charges thereof as we have thought fit by our episcopal
- authority, thus to distinguish the portions of the said abbot
- and convent and the vicar before mentioned by them to us and
- our successors to be presented whenever the said vicarage shall
- happen to be vacant, that they, the said abbot and convent, may
- have the whole tithe of sheaves of the said church of Whaplode,
- with all demesne lands, and its rights and appendants to the
- said church any way belonging, and all the tithe of flax and
- hemp purely and absolutely. Moreover, that they may have and
- quietly take or receive the whole tithe of wool and lambs
- arising from the whole parish (to wit) as consisting in fleeces
- of wool and bodies of lambs, but that the vicar for the time
- being successively to us and our successor to be presented by
- the said abbot and convent to the vicarage aforesaid shall,
- by reason thereof, by this our ordinances for ever hereafter
- take and have the whole altarage absolutely and indisputably,
- in whatever name conceived, and in whatsoever it doth and may
- consist. The tithes of sheaves, flax, hemp, wool, and lambs,
- and also the whole demesne land with its rights and appendants,
- as is before said (only excepted), the said vicar shall have
- and take the whole tithe of hay of the whole parish entirely
- and without any diminution, and without impediments of the said
- abbot and convent. He shall, moreover, have the redemption of
- wool and of lambs wheresoever in the parish from the number
- of five and so counting downwards, to wit where according to
- the custom of the place to the tenth of the fleeces and of the
- lambs it cannot by any means amount to every kind of tithe as
- well as of wool as of lambs beyond the number of five, arising
- by counting upwards to the aforesaid custom, remaining wholly
- in the power of the before-named abbot and convent, as is
- before mentioned.
-
- “Whereupon we strictly forbid any deceit or fraud to be by any
- one done under pain of the greater sentence; but we ordain
- that the before-named abbot and convent do provide for the
- Vicars for the place and time successively to be instituted a
- competent mansion in a convenient place at first by them the
- said abbot and convent, to be erected and competently built for
- the first Vicar who shall be instituted next after the cession
- or decease of Simon, now Vicar of the church of Whaplode,
- thenceforward to be repaired or new built on the same spot as
- by accidental cause, necessity, or age requiring it ought to be.
-
- “We moreover ordain that the first and every Vicar by the
- bishop to be instituted after the cession or decease of the
- said Simon for the time being do sustain and allow ordinary
- episcopal and archidiaconal charges due and accustomed, and
- that they take care of and keep in repair and find books,
- vestments, and other necessary ecclesiastical ornaments, and
- repair the chancel of the church when it wants repairs at their
- costs, and also provide and sustain all ministers necessary for
- serving the vicarage before treated.
-
- “Now we will and ordain that this our ordinance have force
- for ever in all and singular the above said articles, saving
- in all things the episcopal customs and dignity of the church
- of Lincoln, that therefore full credit may be given to this
- our present ordinance, and that a perpetual security may be
- provided for the said abbot and convent and the vicars for the
- time to come. We have caused this instrument to be corroborated
- with the sanction of our seal. Done in the month of January
- in the year of our Lord Christ’s incarnation 1268, and the
- eleventh year of our consecration.”
-
-The original Norman chancel was destroyed about the year 1320, when a new
-chancel was built, of which little now remains, worked into the present
-one, and one bay of the north wall, with a pillar, a part of the east-end
-wall, and the jambs of the arch at the east end of the north aisle.
-
-The Transitional aisles were taken down, and the present ones, with the
-north transept, were erected about 1420. At the same time the clerestory
-was heightened, and the present windows were inserted. Fortunately the
-builders did not destroy the Transitional work.
-
-When the wider aisles of Whaplode were erected, the builders, as at
-Moulton, preserved the original Transitional south doorway and re-erected
-it, and also the west doorway, which was erected in 1180, and is, with
-the two doorways at Moulton, the oldest in the district.
-
-The north and south porches are post-Reformation.
-
-The roof of the nave, now being repaired, is a good example of the
-Rectilinear Period.
-
-The font is a creditable imitation of a Norman one, but is of
-post-Reformation work.
-
-The area of this church is so great that only the eastern portions of the
-nave (the Norman portion) and aisles are fitted with open seats; the rest
-of the church is entirely open, which gives it a cathedral appearance.
-There is a fine seventeenth-century monument to Sir Antony Irby and his
-wife, ancestors of the Right Hon. Lord Boston. There were formerly three
-chapels in the church. Colonel Holles, when he visited the church about
-1641, found memorials to the families of Fitzwalter, Littlebury, Rye,
-Beke, Quaplod, Venables, Kyrketon, Haultoft, Walpole, Pulvertoft, Welby,
-Ogle, and others.
-
-
-ALL SAINTS’, HOLBEACH
-
-Of this large and beautiful church little need be written. It is a
-fine Curvilinear building, though merging into Rectilinear in the
-tower and spire. It belongs to the latter part of the period, and is
-the only church in the neighbourhood which is built in one style of
-architecture. The work of erecting the edifice was practically continuous
-from beginning to finish. It was built in the reigns of Edward III. and
-Richard II., probably between 1340 and 1380.
-
-The present church is not the first church at Holbeach—one would be
-inclined to believe it was the third; the first would be a small Saxon
-church, and the second a small Norman one, but a more substantial
-structure than the first.
-
-With regard to the earlier church or churches at Holbeach, we have
-considerable documentary evidence, although we find few if any of their
-remains in the present church, unless the Norman capital which lies on
-the floor at the south-east corner of the nave, and some few of the very
-numerous corbel heads at the terminations of the hood-moulds of the
-clerestory windows, which are grotesque and rude enough to have been the
-production of Norman workmen, formed parts of the earlier Norman church.
-
-There is no mention of a church at Holbeach in the Domesday Survey, but
-Pope Alexander in 1177 addressed a deed to Spalding Abbey confirming the
-possessions of the Priory (in this district), and amongst them we find it
-held “the Church of Holbeach with all pertaining unto it.”
-
-Again, in 1189, we find Thomas de Multon, Lord of Holbeach, and others,
-who conspired against the Abbot of Croyland, meeting in the Church of
-Holbeach.
-
-In 1194, on the morrow of the Holy Trinity, a settlement was arrived
-at between Fulco d’Oiri, who claimed the advowson of the Church of All
-Saints, Holbeach, and the Chapel of St. Peter in Holbeach; and he made
-over the advowson to Conan, fil Elie de Holbeche, and his heirs for 21s.
-rent in Holbeche, and for one “calcaria de aurata” (a pair of gilt spurs)
-at Easter for all services.
-
-The advowson of Holbeach, prior to the Bishop of Lincoln acquiring the
-same, had belonged to the Multon family, a member of whom in King Henry
-III.’s reign had a grant of a weekly market and also fairs at Holbeach.
-The various legal suits brought to recover the advowson of Holbeach
-are most interesting reading, and are given in Macdonald’s _History of
-Holbeach_, a work well worth consulting.
-
-In 1332, however, the church had a new patron—Henry, Bishop of Lincoln.
-By deed dated at Stone, in the county of Northampton, “on the nearest
-Wednesday after the feast of St. Martin,” the Bishop, in the sixth year
-of the reign of Edward III. (1332), William de Harcourt, Knt., for the
-sum of £500, made over to Henry, by divine permission Bishop of Lincoln,
-the advowson of the Church of Holbeach; and in the Lincoln Register there
-is a charter given in 1332 by William de Harcourt, Knight, appointing two
-attorneys to put the Bishop in possession of Holbeach Church.
-
-The Pope in 1334 despatched a papal bull to the Bishops of Hereford, Ely,
-and Durham, directing that the Church of Holbeach, the patronage of which
-the Bishop of Lincoln had lately acquired, should be appropriated to the
-see of Lincoln.
-
-On 5th February 1334, 7 Edward III. (dated at Nettleham), the Bishop of
-Lincoln granted a charter to Dominus Thomas de ... appointing him his
-(the Bishop’s) attorney to receive seisin of the Church at Holbeach.
-
-In 1335 a licence was granted to William de Goseberkyrk, the newly
-appointed Vicar of Holbeach, to hear confessions in reserved cases.
-
-It appears that almost directly the Bishop of Lincoln obtained possession
-of the advowson, and had placed his nominee into the vicarage, he at once
-set about building the present church at Holbeach, which then excelled
-the two neighbouring churches of Moulton and Whaplode. This doubtless led
-the monks of Spalding and Croyland to enlarge their respective churches,
-and rekindled the church-building energy of the twelfth and thirteenth
-centuries.
-
-The visitor will not fail to notice the north porch. In appearance it is
-more in keeping for a baronial castle than a church porch. It is no part
-of the original design or building, and was added years afterwards. It
-was flanked at the north-east and south-east angles with massive circular
-towers, one of which leads to the parvise above, and the other appears to
-have been used as a cell or porter’s lodge.
-
-Previously to being erected at Holbeach it had, we believe, formed part
-of the manorial castle of the Multon family at Moulton. A mere glance
-at the structure will show it was never designed for an ecclesiastical
-building. It was probably removed from Moulton when the castle fell into
-decay in the fifteenth century. The Multon family had died out for want
-of males, and their property had been divided among co-heiresses.
-
-The south porch and door are part of the original building; the door is a
-beautiful example of the woodwork of the period. The font is also a good
-example of the period.
-
-The church has been well restored in recent years, and several painted
-glass windows have been inserted. The work of restoration commenced when
-the late Rev. Arthur Brook was the vicar, and has been continued in
-the time of the present vicar, the Rev. Canon Hemmans. The church well
-deserves a visit.
-
-There is a fine altar tomb to the memory of Sir Humphrey Littlebury,
-and when about the year 1640 Colonel Holles visited the church he
-found armorial bearings and inscriptions to members of the families of
-Littlebury, Kirketon, Calow, Welby, Leyke, and others.
-
-There are chimes in the tower, erected in 1776 by Edward Arnold of St.
-Neots, and a fine ring of eight bells.
-
-
-ST. MARY MAGDALENE, FLEET
-
-This church was built in the Curvilinear Period; it is chiefly notable
-for its detached south-west tower with spire, which, though of no great
-size, are well-proportioned and of good design. The spire is perfectly
-plain. There are some well-carved corbel heads serving as supports to the
-timbers of the roof.
-
-This church has its origin from the laity, most probably from members of
-the Multon family, who were lords of the manor, or from the Fitzwalters
-and Haringtons, who divided the Multon family properties through marrying
-the co-heiresses of that family.
-
-The church has been wisely and well restored.
-
-
-ST. MARY MAGDALENE’S, GEDNEY
-
-This church, like Holbeach, is a beautiful fabric, and many think the
-clerestory is the finest in the district. The history of the church is
-written in stone—the tower gives it.
-
- “Of the original building,” writes Mr. Sharpe, “nothing but the
- lower part of the west tower now remains. It is not improbable,
- however, that the pair of double lancet openings, now forming a
- lower storey of the present cell chamber, was the belfry-stage
- of the original tower; and that three different roofs, of
- which the weatherings still remain on its east wall, have at
- different times abutted against it. If this be so, the history
- of this church and its three principal changes of form are
- written on this wall. The first roof, the ridge of which was
- below the sill of these lancet windows, covered a low church
- of the Lancet or Transitional Period. The second roof was
- that of the more pretentious Curvilinear nave, when the whole
- church received a new character, a lofty ground storey and
- spacious side aisles. The third roof, rising high up into these
- lancet windows, marks the epoch when the handsome Rectilinear
- clerestory was added and the tower raised another stage, in
- preparation for a lofty spire that was never executed.”
-
-In the Curvilinear Period the spacious chancel, with its large plain
-three-light windows, was erected. The ground storey of the nave and the
-side aisles were shortly afterwards built. The south doorway is of good
-workmanship for a village church of this period. The twelve three-light
-clerestory windows are of the Rectilinear Period, as are also the
-battlemented parapet and pinnacles, also the upper storey of the tower.
-
-The south porch and parvise are of this period, as is also the nave roof
-and the small square-headed window—low side window in the south wall of
-the chancel.
-
-On the south door, which is a fine specimen of the period, is this
-inscription—
-
- PAX XTI SIT HUIC DOMUI ET
- OMNIBUS HABITANTIBUS IN EA
- HIC REQUIES NOSTRA.
-
-The east window of the north aisle contains old stained glass. The church
-is now undergoing restoration, but as there are some of the original
-oaken open benches still in the church, the restorers should have no
-difficulty in putting in suitable woodwork.
-
-Dr. Stukeley, the Holbeach antiquary of the eighteenth century, states:
-“This church was built by the abbots of Croyland, who had a stately house
-on the north side of it and vast possessions in the parish. The upper
-part of the tower is of the same date as the church, but built upon older
-work; both were no doubt built by the abbots—assisted by charitable
-donations. In the chancel window is a religious in his habits.”
-
-In the account of Holbeach Church we saw how Fulko de Oiri in 1194 parted
-with the advowson of Holbeach, and there is little doubt that he had the
-advowson of the church at Gedney, though Croyland had a manor in that
-parish.
-
-As stated in the account of Whaplode Church (1253-1281), Ralph Mershe,
-the Abbot of Croyland, at great expense and after long suits at law,
-gained the _manor_ of Gedney and the church at Whaplode, but it does not
-follow he had, at the time, the advowson of Gedney—on the contrary, the
-following pedigrees from the Plea Roll of 7 Edw. III. and 8 Edw. III.
-clearly show he had not:—
-
-
-PLEA ROLLS (_De Banco_, Easter, 7 Edw. III.).
-
- Lincoln—
-
- James de Ros sues the Abbot of Croyland for the advowson of the
- Church of Gedeneye (Gedney).
-
- Falk de Oyry, _temp._ Henry III.
- |
- Emecina.
- |
- Giles de Gousille, 35 Henry III.
- |
- Peter.
- |
- Ralph.
- |
- Ralph.
- |
- Margaret = Philip le Despenser.
-
-
-In the following year, in the suit in _Coram Rege_, Hilary, 8 Edw. III.:—
-
- Lincoln—
-
- The King sues James de Roos for the next presentation to the
- Church of Gedeneye, which he claimed as guardian of Ralph de
- Goushill.
-
- Fulk D’Oyry, _temp._ Henry III.
- |
- Emytine.
- |
- Giles de Goushill, 35 Henry III.
- |
- Peter.
- |
- Ralph.
- |
- Ralph under age in charge of the King.
-
-
-There is in the Lincoln Will Registry the will of a Philip Goushill of
-Gedney, dated in the year 1401.
-
-Eleanor de Clare, who was the granddaughter of Edward I. by his wife
-Eleanor of Castile, married Ralph le Despenser, who was hung in 1326, and
-their fourth son Philip, who died in 1313, married Margaret, daughter
-and heiress of Ralph le Goushill; and when Colonel Holles visited Gedney
-Church about 1640 he found the arms and monuments to the families of
-Despensers, Roos, Clare, D’Oyry, Goushill, Welbys, and others.
-
-Doubtless Stukeley is correct in stating the Curvilinear church of Gedney
-was built under the direction and influence of Croyland, aided by the
-laity; but one should be disposed to consider the earlier churches were
-not built by the monks of Croyland. However, it is too long a subject to
-discuss in this article.
-
-
-SUTTON ST. MARY
-
-We have, in our accounts of the churches of Moulton, Whaplode, and
-Weston, frequently referred to the fabric of the Church of Sutton St.
-Mary and to the interesting Transitional work it contains.
-
-The origin of the church is clearly shown by a charter, given at the
-close of the twelfth century (about 1180), by which the site was conveyed
-to the monastery of Castle Acre in Norfolk.
-
- “Know all men present and to come, that I, William son of
- Erneis, by the permission of Nicholaa, my wife, give and grant
- and by this my charter confirm, to God and S. Mary of Acre and
- the monks serving God, three acres in Sutton, in the field
- which is called ‘the old fenland,’ near a road, to build a
- parish church, as a free and perpetual gift for the salvation
- of my soul and of Nicholaa, my wife, and for the soul of my
- father, Robert son of Erneis, and the soul of my mother, and
- for the souls of all my ancestors, and for the soul of Richard
- de Haia, and for the souls of all his ancestors. And I desire
- that the previous wooden church of the same town, as soon as
- the said new church is built, be taken away, and the bodies
- there buried be carried into the burial ground of the new
- church and there reinterred, and the old burial ground utterly
- destroyed.
-
- “Witnesses: John the Chaplain, Doun Bardolph, Radulph Travers,
- and others.”
-
-It appears that Robert de Haia, about half a century previously, had come
-into possession of the manor of Sutton, in Holland, through his wife, and
-had built the small church referred to in the charter.
-
-It is probably through Nicholaa that the monks of Castle Acre were
-enabled to find the funds to build the Transitional-Lancet work in the
-present church, as she was a large benefactress to the abbey.
-
-John of Gaunt possessed the manor of Sutton through marriage with Blanche
-of Lancaster, but whether he contributed to the funds for enlarging the
-church there is no evidence to show, but one may assume the lords of the
-large manor of Sutton aided the monks.
-
-The Guild of St. Thomas of Canterbury, founded in the reign of Henry IV.,
-had a chapel in the church, in which masses were said for the souls of
-Henry IV., his Queen, and John of Gaunt.
-
-Viewing the church from the exterior, one sees no signs of any part of
-the early Transitional church—the Rectilinear work completely covers it;
-but on entering we at once observe the interesting early Transitional
-work of the nave and lower clerestory.
-
-The seven compartments of the nave (ground and clerestory) remain nearly
-perfect, but in a somewhat altered condition, for the nave walls and roof
-having been raised, and higher aisles added, the Transitional clerestory
-now only serves as a blind storey to the later Rectilinear superstructure.
-
-The piers and pier arches should be compared with those at Whaplode,
-Moulton, and Weston, with which they make an instructive lesson.
-
-The tower and spire are quite early Lancet work. Mr. Sharpe remarks:—
-
- “Unquestionably one of the earliest and most remarkable
- designs of the Lancet Period in the kingdom—scarcely clear of
- Transitional influence, erected indeed at the very commencement
- of the period, and standing originally completely clear of the
- church on four noble arches, crowned, moreover, by a lofty
- wooden lead-covered spire flanked by four similar wooden
- lead-covered pinnacles—it must have been, at the time it was
- erected, one of the most striking structures in the country.
-
- “It is especially valuable to us as conveying an idea of the
- manner in which many of the towers of our cathedrals and parish
- churches of this period, now deprived of their spires, were
- originally finished; and it is remarkable as one of the very
- few which, having escaped fire and decay, remains still in its
- original position.”
-
-The westmost part of the south aisle, with its windows, is of the
-Curvilinear Period, so is the small building at the north-east corner of
-the chancel.
-
-In the following period (the Rectilinear) are the lofty side aisles and
-the north and south porches.
-
-The font is the original Norman one, though it has been new-worked.
-
-
-
-
-THE CHURCH OF ST. ANDREW, HECKINGTON
-
-BY W. G. WATKINS, A.R.I.B.A.
-
-
-Five miles east from the market town of Sleaford, just where the rolling
-uplands dip down into the great fen stretching out to Boston and the
-Wash, lies the village of Heckington; it is mentioned in Domesday as
-Heckintune, where one Gilbert de Gaunt held land, and there was a priest
-and a church. This same Gilbert de Gaunt had accompanied William the
-Conqueror to England, and for his services was rewarded with large grants
-of land in this and many other counties; he rebuilt the Abbey of Bardney,
-on the banks of the river Witham, about nine miles from Lincoln; richly
-endowed it; and was there buried in 1094, leaving his son Walter to
-further enrich the abbey, amongst other endowments, with all the tithe
-of corn and hay of his land in Heckington. In 1345 it is recorded that
-Roger de Barrowe, the then Abbot of Bardney, obtained a royal licence to
-appropriate the Church of Heckington; and it is interesting to note that,
-among other tomb slabs revealed by the excavation of the abbey church
-in 1909, was that of this same Roger de Barrowe, while the foundations
-of the choir and transept showed that they were part of the same Norman
-church which the piety of Gilbert de Gaunt had raised.
-
-At the time Roger de Barrowe was obtaining his licence one of those waves
-of building activity that swept over certain localities in the Middle
-Ages seems to have reached the district round Heckington. The naves of
-Sleaford, Silk Willoughby, Billingboro, Swayton, and Helpringham, and
-the whole Church of Ewerby, were rising white from the masons’ chisel in
-the new and graceful Curvilinear style; but it was at Heckington that
-this local school, through the resources of the rich and powerful abbey,
-were able to crown their work by one of the finest and most complete
-parish churches to be found in this or any other one period. The exact
-date at which the work was commenced is uncertain, but it appears that
-closely subsequent to the appropriation of the church by the abbey in
-1345 the old fabric was swept away, and the foundations of the new
-structure laid. Richard de Potesgrave, presented to the living by King
-Edward in 1307, was the then vicar; his effigy lies under an arched
-recess on the north side of the chancel, the usual position for the
-founder’s tomb, and an inscription, now lost, recorded that he built the
-chancel of the church in honour of the Blessed Mary, St. Andrew, and All
-Saints, which may not necessarily mean that he provided the funds, but
-that the work was done under his care, just as we say that Bishop Hugh
-built the choir of Lincoln Cathedral.
-
-Except in the great Perpendicular structures of East Anglia, it is
-comparatively rare to find a parish church built at one effort, in one
-style, and untouched by subsequent accretions, as at Heckington—so rare,
-in fact, that the picturesqueness and irregularity arising from the
-association of various styles and dates in the majority of our churches
-has almost come to be looked upon as an essential part of our Gothic
-architecture, and one of its leading characteristics; and though it is
-true that the mediæval builder excelled in the charming _naïveté_ with
-which he superimposed his own work upon and adapted it to that of his
-predecessors, yet when the opportunity occurred of starting _de novo_, he
-built with dignity and symmetry, and devoid of intentional irregularity
-or straining after what we call picturesqueness. So at Heckington
-Church we find a perfectly symmetrical and dignified plan of apparently
-orthodox cruciform type, and with a western tower; while a more critical
-examination shows that the transepts are not in their usual position
-immediately west of the chancel, but separated therefrom by a short bay
-of aisleless nave, being, as a matter of fact, not really transepts at
-all, but attached chapels. And their position is therefore logical, for
-here the tower is, very properly for a small parish church, at the west
-end, while the true cruciform plan demands, nay requires it, on the
-crossing.
-
-How well this apparent eccentricity and departure from the orthodox
-was justified by results is shown as the church is approached from the
-south-west, whence the nave may be seen continuing through and past the
-transepts, which are kept on a lower level than the nave, and thus break
-up the structure into a beautiful piece of grouping, without in any way
-detracting from its apparent length.
-
-The tower and spire, 97 feet high to the parapet, and 182 feet to the top
-of the vane, is an interesting example of the transition stage between
-the early broach spire and the pinnacle and flying buttress treatment
-of the Perpendicular Period; for here are both pinnacles and broaches,
-the former hexagonal in plan, and attached to the broaches by gablets,
-through which openings are pierced, forming a continuous walk behind
-the parapet. The pinnacles are too high and the general grouping at the
-base of the spire too heavy for its height, and it seems likely that the
-architect used the proportions he had been accustomed to in a broached
-spire and parapetless tower as at the neighbouring Church of Ewerby
-(possibly by the same hand), and failed to allow for the shortening
-effect of the parapet and pinnacles. The outline of the spire has no
-“entasis” or swelling to counteract the drooping effect of the converging
-straight lines, but the same result has been achieved by the gablets of
-the eight “lucarnes,” or spire lights, which add bulk, and at the same
-time break the continuity of the outline; at Ewerby, which has no spire
-lights, the entasis is distinctly noticeable. Sometimes this refinement
-was carried to excess, as at Leadenham in this county, where the result
-has been to produce a grotesque resemblance to a sugar-loaf. No doubt
-the elaborate crocketing of the angles of later spires was another
-expedient to the same end.
-
-[Illustration: _St Andrews Church. Heckington. Lincolnshire._
-
-Ground Plan.]
-
-In the flowing tracery and foliage of the south porch gable are three
-interesting shields—Edward the Confessor, a cross patonce between five
-martlets; St. Edmund, three crowns two and one; and the royal arms of
-England, three lions passant gardant. The figure in the apex of the gable
-is missing, but, from the adoring angels on either side, it was probably
-that of the Virgin and Child. The whole of the south side is a perfect
-example of Curvilinear art; the flowing lines of the window tracery and
-pierced parapets, buttresses with niches and pinnacles enriched with
-foliage and carvings of vigorous yet refined workmanship, the bold and
-lofty staircase turrets at the east end of the nave, all disposed in
-perfect harmony and proportion, and tied together by the admirable group
-of mouldings sweeping round the base. Here is English Gothic at its
-zenith—vigorous, yet refined; luxuriant, yet restrained. The priests’
-door on the south side of the chancel cuts rather clumsily into the jamb
-and sill of the window, owing to lack of space between the latter and
-the adjoining buttress. The writer recollects a church in Suffolk where
-a similar difficulty had been surmounted by throwing the buttress clear
-of the wall on a flying arch and placing the door beneath it—a pretty
-instance of the manner in which the mediæval builder created a virtue out
-of a necessity. The east end is perhaps the most pleasing part of the
-exterior—admirably proportioned, vigorous, and graceful, the seven-light
-window one of the finest in the whole country; were this the only portion
-of the church left to us, it would yet have proclaimed the unknown
-architect a master of his craft.
-
-The interior is at first disappointing; the arches only chamfered, not a
-moulding or a piece of carving visible; rood-screen, pews, pulpit, and
-every scrap of old woodwork swept away. But walk into the chancel, turn
-to the north wall, where Roger de Potesgrave, in eucharistic vestments,
-lies under an arched recess, and a little farther east appears a mass
-of tracery and sculpture, like an elaborate aumbry; it is the Easter
-Sepulchre, perhaps the richest in England, except one of the same date
-at Hawton, near Newark. Below, in canopied niches, sleep four Roman
-soldiers; next, the sepulchre itself, a small recess, with figures of the
-three women and the attendant angels, and above this the risen Christ
-attended by adoring angels. For richness and delicacy of execution it is
-beyond praise. Easter sepulchres in stone (often they were of wood, and
-have been swept away) were designed as a permanent receptacle for the
-celebration of a rite marking the advent and holiness of Easter. On Good
-Friday the consecrated host was deposited in the sepulchre, where it was
-continually watched until Easter morning, when it was again placed on
-the altar. In the articles of inquiry issued by Cranmer in 1547 one is,
-“Whether they had upon Good Friday last past the sepulchre with their
-lights, having the sacrament therein?” On the south side of the chancel
-are fine sedilia in three compartments, in design and execution equal
-to the Easter Sepulchre; the seats are covered by groining and trefoil
-arches with gables, above which are sculptured Our Lord, the Blessed
-Virgin, SS. Barbara and Katherine, and St. Michael; the cornice bears
-figures of angels crowning the saints below and swinging censers. A
-recent writer on English mediæval figure sculpture says: “The stone of
-these pieces is the Lincoln and Ancaster oolite, and they are insertions
-in the body of the building, so they are probably importations from the
-Lincoln or Stamford workshops. Of coarser texture than the carvings of
-clunch at Ely, they have less freedom and incisive cutting, but their
-composition has the same quality of decorative story-telling.”
-
-[Illustration: ST. ANDREW’S, HECKINGTON, SOUTH TRANSEPT AND PORCH.]
-
-From the north wall of the chancel several steps lead up into the vestry,
-which has a double piscina, and below which is a vaulted undercroft,
-known as the “scaup” (skull) house. The south transept, known as the
-Winkill Aisle, from the local family who were probably benefactors to
-the church, has sedilia and a double piscina.
-
-The architectural features of the church are beautifully illustrated by a
-series of forty plates in Bowman and Crowther’s _Churches of the Middle
-Ages_, but the full story of its connection with the Abbey of Bardney
-still waits investigation from the patient historian, and would probably
-prove of great interest.
-
-[Illustration: ST. ANDREW’S CHURCH, HECKINGTON, EAST END.]
-
-
-
-
-BOSTON CHURCH
-
-BY G. S. W. JEBB, M.A.
-
-
-HISTORY
-
-Botulf (_i.e._ Ruling Wolf) is said by Bede to have been born in the
-seventh century of a gentle Saxon family, and to have studied with his
-brother Adulf on the Continent. On his return (Adulf remaining to preside
-over a monastery at Utrecht, and becoming Bishop of Maestricht), Botulf
-begged permission of Ethelmund, King of East Anglia, to found a monastery
-in some retired and desolate spot, and chose Icanho (Ox Island) beside
-the Witham, probably the site of Boston. At Icanho he died on 17th June
-655. The monks’ huts were burnt by the Danes in 870, but the relics of
-the saint had been safely translated, part to Ely, and part to Thorney,
-and the site of Boston was in later Saxon times included in the wapontak
-of Skirbeck. After the Norman Conquest the greater part of the parish of
-Skirbeck, with its two churches, one of which presumably stood on the
-site of Boston Church, was granted as part of the honour of Richmond in
-Yorkshire to Alan Rufus, who, shortly before his death in 1089, obtained
-the ordination of the rectory of Boston, and granted the patronage to the
-Benedictine Abbey of St. Mary at York, the monks of Boston constituting
-a priory of that abbey, and the church, which was probably of wood,
-apparently serving both the parish and the priory. A new church of stone
-was built at once. It consisted of a nave 25 feet by 60 feet, with aisles
-each 12 feet wide, a chancel, and a western tower 9 feet square; the
-floor level was about 4 feet below the present floor. The foundations
-were exposed in the restoration, 1851-53. The priory buildings were on
-the north side of the church. In 1309, when the fervour excited by the
-preaching of the friars was still felt, and the prosperity of the town
-was at its height, the pious gratitude of the burghers led them to begin
-the present magnificent church, the foundation-stone being laid on the
-Monday after St. John Baptist’s Day by Dame Margaret Tilney, assisted
-by Richard Stephenson, merchant, and John Truesdale, the rector. This
-church originally consisted of a nave of seven bays with aisles, a
-chancel originally of three bays, and a south porch. In the Perpendicular
-Period the chancel was lengthened by two bays, when Fleming, formerly
-rector of Boston, was Bishop of Lincoln; and the magnificent tower was
-added outside the former west window. A chamber was also added over the
-porch, and there were six subsidiary chapels (all but one of which have
-now been destroyed), besides, at least, two others (those of St. Mary
-and SS. Peter and Paul) at the east ends of the south and north aisles
-respectively, screened off within the church itself. The whole was
-probably completed about 1500; as it now stands the church is, in cubical
-content, the largest purely parish church in the kingdom, and is only
-surpassed in floor area (20,270 square feet) by those of St. Michael,
-Coventry (24,015 square feet), and of Yarmouth (23,265 square feet).
-
-In 1480 the Knights Hospitallers, who had a commandery in the parish,
-founded by the De Multons about 1230, purchased the advowson from St.
-Mary’s Abbey, and made the parish church their collegiate church. They
-also obtained an appropriation of the rectory, and a vicarage was
-ordained. The Knights maintained a college of ten priests, living in a
-house in Wormgate (_i.e._ Withamgate). The old church of the Knights was
-deserted, and was eventually pulled down in 1626, the material being used
-to repair St. Botulf’s. After the sale of the advowson the priory became
-of small importance, and was dissolved in 1536. The Order of the Knights
-was dissolved in 1540, and its possessions confiscated by King Henry
-VIII., who, in 1545, sold the endowment of the rectory and the patronage
-of the vicarage to the newly-created corporation of Boston, subject,
-however, to the payment of the vicar’s stipend, and to the duty of
-repairing the chancel. At the Reformation the screens were broken away,
-and the church despoiled of its furniture and decoration.
-
-During the great rebellion it was used as a cavalry stable, the horses
-being tethered to iron rings fixed in the pillars. The Antipædobaptists
-then had a congregation in Boston (which was revived and endowed in 1756,
-and is still flourishing), and were influential in the neighbourhood;
-this led to the destruction of the mediæval fonts in Boston and many
-of the neighbouring churches. The brasses also were torn up, and what
-remained of the stained glass and stone imagery was broken, and the
-chapels and other buildings encircling the church were gradually removed
-during the seventeenth and early eighteenth centuries.
-
-On the resumption of the Church services at the Restoration of Charles
-II., some slight attempts at improvement were made, a new font and
-reredos and a beautiful pulpit and altar rails being provided. Towards
-the end of the eighteenth century the present ceiling was put up. The
-original ceiling of the nave was a flat wooden one, doubtless elaborately
-carved and gilded, nailed on the under surface of fifteen huge beams
-which cross the church between each pair of clerestory windows. The
-ceiling seems to have been injured by fire, and the beams themselves
-became rotten at the ends, and tended to sag in the centre, and were
-therefore supported by uprights nailed against the wall with trusses
-at an angle of 45°; these uprights and trusses were then concealed by
-panelling which was made to resemble the springers of a sham vault,
-and was painted a dirty yellow. The lean-to roofs of the aisles were
-similarly concealed by sham vaulting, and the chancel, hitherto covered
-with a semi-octagonal roof, divided by boldly moulded ribs into panels,
-had a sort of sham tunnel vault at a much lower level, so low, indeed, as
-to have to be tilted upwards to bring it above the crown of the chancel
-arch. An organ was provided and placed in the chancel arch, having in
-front of it a gallery supported on oaken columns (now in the Roman
-church in Boston). The western portion of the church was shut off by a
-high screen with wrought-iron gates, and the remaining portion of the
-nave arranged with the pulpit in the centre, and square pews gradually
-sloping upwards so as to be level with the sills of the windows. The
-chancel was used only for the quarterly communion. In 1835 the Municipal
-Reform Act vested the patronage in the Bishop of the diocese, who twice
-collated under this Act, but the corporation was permitted to sell, and
-in 1853 did sell, the advowson to Mr. Ingram; he devised it to his widow;
-she, in turn, devised it to Sir E. Watkin, her second husband, whose
-representatives in 1906 conveyed it to the Bishop of Lincoln in right of
-his see. The restoration of the church was begun in the middle of the
-nineteenth century, about £11,000 being spent under the direction of Sir
-G. Gilbert Scott. The fabric was put in good repair generally, the stone
-vaulting of the tower was inserted, a new font was erected, the pews were
-replaced by oaken benches, the organ placed in a chamber to the north
-of the chancel, the east window provided with new tracery and filled
-with poor stained glass, a new altar table with a good red frontal,
-and some new plate, were purchased, and canopies, copied from Lincoln
-Cathedral, were added to the stalls; provision was also made for lighting
-and warming the church. An offering from the Bostonians of America was
-devoted to restoring the sole remaining chapel, which is situated on the
-western side of the south porch. The church was re-dedicated in 1853.
-
-Since then there have been a few slight improvements; six of the sixteen
-windows in the aisle have had stained glass inserted, and it is generally
-good. The chapel has had three of its windows fitted with stained
-glass, and has been furnished with an altar and reredos, and a screen
-separating it from the church provided; two additional frontals have been
-given for the high altar, and it is backed by an elaborate, though as yet
-incomplete, reredos of carved oak, designed by Weatherley. The church is
-still much disfigured by the ugly ceiling, and has a cold unfurnished
-look, to remedy which screens, stained glass, and colour decoration would
-be required; unfortunately, the church is so large that nothing can be
-done which does not involve a considerable expenditure.
-
-
-GENERAL DESCRIPTION
-
-The church consists of a nave of seven bays 150 feet long and 44 feet
-broad, north and south aisles each 28 feet broad, a chancel of five bays
-87 feet long, a western tower (making the total length 293 feet), a south
-porch with chamber over it, and a chapel 18 feet by 40 feet immediately
-to the west of the porch. All the nave and aisles windows, except the
-four at the ends of the aisles, have decorated tracery, two designs (one
-of them a very poor one) being alternated throughout; the three western
-bays of the chancel have also decorated tracery. The four end windows of
-the aisles, the west window of the chapel, and the four windows in the
-eastern bays of the chancel are Perpendicular. The great east window has
-modern tracery, copied from the east window of Carlisle Cathedral. The
-three south windows of the chapel have reticulated tracery. The tower
-is vaulted at a height of 157 feet. Below the vaulting are the door,
-three great windows (west, north, and south), and above them four pairs
-of windows with ogee heads; between the two sets of windows the walls
-are pierced by an interior passage. Above the vaulting is a ringing
-chamber, and over that the belfry surrounded by an exterior passage.
-Access to this is gained by two staircases, the lower portions of which
-are no part of the tower, but are contained in turrets, which were the
-principal decoration of the west front before the tower was built. The
-belfry contains the clock and a peal of twelve bells, on which tunes are
-played by machinery every three hours. The bells are dated as follows:
-1 and 2, 1785; 3, 1772; 4, 1710; 5, 1617; 6, 1758; 8, 1867; and the
-remaining four, 1897. The roof of the tower rests on the transoms of the
-four great belfry windows, the upper part being hollow. On the top of
-the square tower stands the octagonal lantern, which appears never to
-have been finished. The total height is 280 feet. The furniture is not
-very noticeable, except the series of sixty-four _misericorde_ stalls in
-the chancel. The altar is a modern one, 12 feet long. There are a modern
-brass eagle lectern, a very poor litany desk, and the base of a poor
-modern screen; the renaissance pulpit, with its sounding board recently
-restored, is one of the best pieces of furniture. The font was designed
-by Pugin, and is as satisfactory as could be expected; the benches are
-clumsy and raised on platforms, and the alleys except the central one
-have been filled with unnecessary benches, and so appear unduly cramped,
-but there is a good open space at the west end. At present the base of
-the tower is used as a vestry, but the erection of a new vestry opening
-from the chancel is in contemplation. An organ is mentioned as having
-been in existence in 1480, but it was destroyed in 1590; a new organ was
-begun in 1713 by Schmidt, and it has since been continually repaired
-and added to; there are now 2378 pipes. It is rather buried in an organ
-chamber built out on the north side of the chancel, and has a poor
-monotonous case dating from the last restoration.
-
-
-MONUMENTS
-
-The oldest monument in the church is one dated 1340, a black marble slab
-in memory of Wisselus Smalenburg, citizen and merchant of Münster. It
-was originally in the Church of the Franciscan Friars, but was buried
-on the destruction of that church, then built for about a hundred
-years into the wall of a cottage, and eventually was placed in Boston
-Church, near the west end of the north aisle, in 1897. There are two
-good fifteenth-century altar tombs in recesses in the south aisle: one
-of a Knight Hospitaller in full armour, the other of a lady; both are
-unidentified. They were originally in the Knights’ Church, and, when
-that was pulled down in 1626, were moved to Boston Church, but have only
-been in their present position since 1853, when the lady’s tomb had the
-arms of Tilney carved upon it, though without any idea that she really
-belonged to the Tilney family. On each side of the altar is a black
-marble slab with brass; that on the north being in memory of Walter
-Peascod and his wife; that on the south in memory of Richard Strensal,
-rector from about 1375 to his death in 1408. He is vested in surplice,
-almuce, and cope, the orphrey of the cope being adorned with figures of
-the Apostles under canopies. Both these were originally in the Chapel of
-SS. Peter and Paul. Towards the west end are some slabs which have no
-doubt been engraved with figures, the faces and hands joined in prayer
-being now filled in with concrete. The monuments generally seem to have
-had their places much shifted in the restoration in the middle of the
-nineteenth century.
-
-
-ENDOWMENTS
-
-The parish was originally endowed with tithes (which are now represented
-by farms allotted in lieu thereof on the enclosure of the fens) and
-glebe. On the ordination of the vicarage in 1480, the vicar was allowed
-the use of the rectory house (pulled down in 1750, and now represented
-by a house built in 1870), and also had a stipend of £33, 6s. 8d. (fifty
-marks), charged upon the endowments of the rectory: he also receives
-from the Governors of Boston Grammar School an annual income of £266,
-13s. 4d., representing the provision made by Philip and Mary when they
-restored to the Corporation of Boston the ancient endowments of the trade
-guilds, out of which the Grammar School and the assistant clergy had been
-supported. These endowments had been confiscated in 1552, under Edward
-VI., by William Parr, Marquis of Northampton, who subsequently took part
-in the attempt to set Lady Jane Grey on the throne: the vicar also has
-a fen allotment and various small modern endowments which, allowing £75
-for fees, bring up the income to about £400 per annum net. Provision is
-also made under the charter of Philip and Mary for a second priest—the
-lecturer—who receives £250 per annum from the Governors of the Grammar
-School, and interest on £200 (Falkner’s Legacy), which latter sum is
-in the hands of the Corporation. The Mayor’s Chaplaincy, founded in
-1557 by Henry Fox, has an endowment of about £160 per annum, managed by
-the Boston Charity Trustees. There is a modern endowment of about £45
-per annum, given by the Misses Gee, for the curate of St. James’; the
-Ecclesiastical Commission allow two sums of £60 each towards the stipends
-of the fourth and fifth priests; and there are other small endowments
-for the choir, the fabric and the poor, which bring up the total income
-from endowments in connection with the church to about £1000 per annum.
-It is impossible to exactly distinguish the rectory endowments from the
-other lands held by the Corporation, but, roughly, their value may be
-taken at £1200 per annum. About £2000 per annum is raised by voluntary
-subscription in connection with the church.
-
-[Illustration: BOSTON CHURCH.]
-
-
-RECTORS AND VICARS
-
-1228. John Romanus. His legitimacy was doubtful, and he had to obtain
-a papal dispensation before holding the benefice. He was Canon and
-first Sub-Dean of York Minster, and afterwards Treasurer and Archdeacon
-of Richmond. He was the father of the Archbishop of York of the same
-name. He died in 1256 at an advanced age. It is not known who was his
-successor in the rectory.
-
-1309. John Truesdale, as rector, laid the foundation of the present
-church.
-
- Henry de Hemmyngburgh, afterwards Sub-Dean of Lincoln.
-
-1316. Mr. John Barett.
-
-1362. William de Sandford.
-
- John Strensal, rector in 1378 and 1381.
-
-1408. Richard Fleming, afterwards Bishop of Lincoln and
-Archbishop-designate of York.
-
-1425. John Ickworth.
-
-1431. Richard Layot.
-
-1448. John Marshall.
-
-1462. Roger Cheshire.
-
-1482. William Smyth, the first vicar, presented by the Knights of St.
-John. All the rectors had been presented by St. Mary’s Abbey. He was
-prebendary of Heyther in Lincoln Cathedral. He was buried in Boston
-Church, but his brass, mentioned by Colonel Holles and by Browne Willis,
-is not now visible.
-
-1505. William Gunays, died at Boston.
-
-1505. Robert Wylburfos, died at Boston.
-
-1512. John Tynemouth, Bishop of Argos, buried in Boston Church.
-
-1524. John Mabledon, D.D., a brother of the Order of St. John. He
-resigned on a pension of £6, 13s. 4d. per annum.
-
-1536. Brian Sandford, probably an opponent of the changes which had
-already begun when he was instituted. In 1552, when the church was being
-spoiled of its plate and furniture, the Corporation order communication
-to be had with Vicar Sandford for surrendering his benefice.
-
-1554. Robert Richardson, whose tenure of office just coincided with the
-reign of Queen Mary. He would be the first of eighteen vicars presented
-by the Corporation of Boston.
-
-1559. William Fiske, preferred to Moulton vicarage.
-
-1561. William Holland.
-
-1583. Lewis Evans.
-
-1584. James Worshippe, M.A., formerly Mayor’s Chaplain.
-
-1592. William Armstead.
-
-1594. Samuel Wright, B.D.; he resigned.
-
-1599. Thomas Wooll, M.A., a Nonconformist. He was presented at the
-Archdeacon’s visitation in 1606 “that he weareth not the surplice; it
-hath been tendered to him, and he sitteth upon it.” He was preferred in
-1612 to the rectory of Skirbeck.
-
-1612. John Cotton, M.A.: after twenty years of nonconformity he found
-it necessary to resign his benefice, and flee to America to avoid
-prosecution. In compliment to him and other refugees the settlement of
-Trimountain had its name changed to Boston. He died there in 1652.
-
-1633. Anthony Tuckney, D.D., a Nonconformist, Mayor’s Chaplain from 1629,
-Master of Emmanuel College in 1644, Trinity College in 1653, and Regius
-Professor of Divinity in 1655 at Cambridge, and therefore non-resident.
-From 1651 the Corporation paid Banks Anderson (who had since 1643 been
-minister at Holbeach) £70 per annum to minister in the church; but as he
-was an antipædobaptist, a separate minister had to be hired to administer
-holy baptism. Anderson was one of the elders summoned by Cromwell to
-his Independent Convention at the Savoy in 1658. About the time of his
-arrival in Boston, a great witch-hunting campaign took place. On the
-Restoration he formed an Independent congregation; he died in 1668, and
-was buried in the church. Tuckney resigned his vicarage in 1660, and his
-other preferments in 1662. He died in 1670.
-
-1660. Obadiah Howe, D.D., a Puritan, previously successively in charge of
-Stickney and Gedney. His brass is in the chapel.
-
-1683. Henry Morland, M.A., previously Lecturer. He died at Boston.
-
-1702. Edward Kelsall, M.A., previously Master of the Grammar School. He
-died at Boston.
-
-1719. Samuel Coddington, M.A., also previously Master of the Grammar
-School. He died at Boston.
-
-1732. John Rigby, M.A., also previously Master of the Grammar School. He
-died at Boston.
-
-1746. John Calthrop, M.A., also Vicar of Kirkton, and a prebendary
-of Lincoln Cathedral. He represented the clergy of the diocese in
-Convocation. He was buried at Gosberton, of which place he was a native.
-
-1785. Samuel Partridge, M.A. He also held the rectory of the south
-mediety of Leverton till 1797, and was also Vicar of Wigtoft and of
-Quadring.
-
-1817. Bartholomew Goe, B.A.
-
-1838. John Furness Ogle, M.A., collated by the Bishop of Lincoln under
-the provisions of the Municipal Reform Act, 1835. He died at Boston.
-
-1851. George Beatson Blenkin, M.A., a prebendary of Lincoln Cathedral,
-under whom the church was restored. He died at Boston.
-
-1892. John Stephenson, M.A., a prebendary of Lincoln Cathedral. He
-resigned.
-
-1905. Reginald Thomas Heygate, M.A., a prebendary of Lincoln Cathedral.
-
-
-
-
-THE TOWN AND CHURCH OF GRANTHAM
-
-BY A. HAMILTON THOMPSON, M.A.
-
-
-Grantham is still, and long has been, a name familiar to travellers
-between the north and south of England. Only a few miles west of the
-old Roman road from London to York, it lies directly in the course of
-the more modern road, and for more than fifty years has been one of the
-principal halting-places on a great railway system. The traveller from
-the south, who has left the Fenland behind him some ten miles north of
-Peterborough, and has for another ten miles or so ascended the valley of
-a stream whose waters eventually find their way into the Welland near the
-Wash, passes through a short tunnel, and rapidly descends into the Witham
-valley. On his left hand the Witham winds through pleasant meadows, with
-the noble tower of Great Ponton Church on its farther bank. The stream
-passes under the railway near the ford by which the traveller approached
-Grantham during the greater part of its history, leaving the Roman road
-not far west of Somerby for the by-road known as the Saltway. The smoke
-of engineering works begins to fill the air; and the tower of Spittlegate
-Church, close to the line, and, farther away, the rather attenuated tower
-and cupola of the Town Hall, promise little historical or architectural
-interest. But if he looks a little beyond his immediate surroundings
-he will see that beyond this industrial and modern suburb there lies a
-more inviting town, with a huge tower and spire and the body of a great
-church mounting high above its red-tiled roofs, with a pretty background
-of tree-crowned ridge, with the parks of Belton and Syston closing the
-view to the north-east, and to the north-west the line of the North Road
-as it cuts its way up Gonerby Hill.
-
-Grantham is sometimes said to take its name from the river, one name of
-which, as of the Cam at Cambridge, may have been the Grant. The Witham,
-which rises across the border of Rutland some miles to the south, and
-flows northward from Grantham, approaching the Trent near Newark, and
-turning aside to take its own course to the sea by Lincoln and Boston,
-widened into a small lake or marsh as it drew near to Grantham. The
-first settlement of Grantham must have been dictated by the sight of a
-potentially fertile valley. It grew up, so far as we know, neither round
-an abbey nor beneath a castle, but as a community of agriculturists. The
-church, which grew to such proportions in its midst, grew probably with
-the prosperity of the town; while of the castle, which stood on the east
-side of the town, between it and the river, we know nothing but the name.
-Grantham was not one of those fortified river towns, like Stamford and
-Nottingham, which played a part in the campaigns of Edward the Elder and
-his sister. And its first definite appearance in history is the entry in
-Domesday Book, where it is numbered with the King’s possessions. It had
-belonged to Edith, Queen of Edward the Confessor; and included within
-it there was a right of jurisdiction, granted by a nun named Ælswith to
-Peterborough Abbey, and now held by Colegrim. The Queen had a hall in
-the demesne, and the church and its property are mentioned. The history
-of the manor and soke of Grantham is somewhat complicated, and a full
-account of it is beyond the scope of this article.[45] When Edward I.’s
-commissioners visited the town in 1275, to inquire by what warrant lands
-were held there and privileges exercised, the jurors gave an account
-of the descent of the lordship, which indicates that the Norman kings,
-like their successors, treated the manor and soke as grants to be held
-in dower by their wives or daughters.[46] They said that Maud “regina
-et heres Anglie”—obviously Henry I.’s daughter, the Empress—enfeoffed
-William de Tancarville, hereditary chamberlain of the duchy of Normandy,
-of Grantham and the whole soke, to be held of her in chief, apparently
-by service of ten knights’ fees, as he sub-enfeoffed this number of
-knights. The chamberlain’s grandson, Ralph, took part in the rebellion of
-Normandy against John, and forfeited the possession. John then gave the
-town with the soke to William, Earl of Warenne, on whose death in 1240
-his widow, Maud, a daughter of William Marshal, Earl of Pembroke, was
-allowed to remain in seisin. At her death, however, in 1249, Henry III.
-resumed the property, claiming that the Earl had held it only while the
-King was pleased to suffer him; and in 1254, when Prince Edward married
-Eleanor of Castile, it was granted to him, the claims of John, the then
-Earl Warenne, being overlooked.[47] Edward, however, a few years later
-gave the town and soke to the Earl, to be held of him by the service of
-four knights. The grant was confirmed by a royal charter, in which Henry
-III. laid stress on the principle that the manor was inalienable from the
-crown. The lordship and manor seem to have been in different hands from
-the later part of the reign of Henry II. to this period; but under Prince
-Edward and Earl John they seem to have been reunited.[48]
-
-Earl John died in 1304, and the lordship escheated to the Crown. It was
-then granted to Aymer de Valence, Earl of Pembroke, who held it till
-his death in 1324.[49] Edward II. then granted it, or part of it—for
-here again there seems to have been a temporary divorcement of the
-lordship from the manor—to John, Earl Warenne, the younger.[50] But he
-first took care to preclude John from claiming it as his hereditary
-right by requiring him to quit-claim it to the Crown: this done, he
-allowed the grant. In 1338, shortly before John’s death, Edward III.
-gave the reversion of part of the tenement to William de Bohun, Earl
-of Northampton,[51] after whose death (1360) his son Humphrey was
-allowed to hold it. In 1363, the castle and town were granted to Edmund
-of Langley.[52] The manor was possibly retained by the young Earl of
-Northampton, and the grant of castle and town seems not to have included
-the soke. In 1399, the manor reverted to the Crown, by the attainder of
-its holder, the Earl of Northumberland, and was granted to Edmund of
-Langley. The soke also, on the death of Sir Robert Byron, passed into
-Edmund’s hands.[53] Edmund died in 1402; and castle and town, with
-manor and soke, were granted to his son Edward, Duke of York, who died
-at Agincourt. In 1420 they were given in dower to Katharine of France on
-her marriage. Edward IV., in 1461, granted the lordship with the manor to
-his mother Cicely, Duchess of York: his grant included the inn called “le
-George.”[54] On her death, the manor with its appurtenances was settled
-on her granddaughter, Elizabeth of York; and from that time till the time
-of William III., save for an alienation to private owners during the
-Commonwealth, it was regarded as Crown property, and held in dower by
-the Queen-Consort for the time being. The Earls of Rutland were stewards
-of the manor. William III., in 1696, alienated it to the first Earl of
-Portland, and since then it has remained in private hands, though not in
-the same family.
-
-Other proprietors also held property, and had certain forms of
-jurisdiction in the town. The traveller who entered it from the south in
-the year 1300, after crossing the Salters’ Ford and passing the leper
-hospital which about this time began to give its name to the suburb of
-Spittlegate, might have seen, on the wide space outside the town, near
-the modern Town Hall, the cross which within the last few years the
-King of England had built to mark the southward progress of his wife’s
-funeral procession.[55] On his right hand, on and near the modern St.
-Peter’s Hill, were the lands of the abbey of Peterborough, which had
-been granted to it by Ælswith before the Conquest, and by Colegrim
-afterwards, and had been confirmed to it by royal charter.[56] On this
-land probably stood the Church of St. Peter, of which too little is
-known to justify definite statement.[57] Near the church he would see
-the opening of Castlegate, east of which lay the Castle, the visible
-symbol of the royal lordship. He would keep straight on along the higher
-ground. Passing along High Street, he might already see here and there
-a handsome house of Ancaster stone, such as he certainly would see in
-forty or fifty years’ time. It is doubtful whether the inn, afterwards
-known as the “George,” was built yet: it is probable that the little
-guild chapel which stood on the same side of the street till late in
-the eighteenth century belonged to a later period. Farther on, on the
-opposite side, stood the “Angel Inn,” on the property of the Knights
-Templars of Temple Bruer. Within the next decade the Order of the Temple
-would be no more; and their property here, as elsewhere, would—at any
-rate, it seems likely—be granted to the Knights of St. John of Jerusalem
-in England. The gateway of the “Angel,” as we know it to-day, was not
-built till more than half a century later: the rest of the street
-front is of a still later date. Opposite the “Angel” was the opening,
-afterwards known as Coal Hill, leading to the market-place—if, indeed,
-the market-place was divided from the High Street then as now. On the
-west side of the market-place was the house of the Grey Friars, on the
-property known later as the Grange, and for some time, in accordance
-with the modern genius for confounding monks with friars, as Cistercian
-Place. It is possible that the Franciscans, who appeared in Grantham
-about 1290, may have come from the house of their order at Bury St.
-Edmunds, and that the Benedictine abbey of Bury may have allowed them to
-settle on the property which it had received in frankalmoin from William
-de Tancarville, and had been allowed to retain after the forfeiture of
-the Tancarville estates.[58] In 1318 Richard Kellawe, Bishop of Durham,
-allowed the Friars to convey water to their house from springs on his
-land at Gonerby; and the conduit, built in 1579, which is to be seen
-on the west side of the market-place, is the successor of the conduit
-of the Friars. But it is probable that already, in 1300, the chief of
-the four ancient wells from which Grantham took its supply was in the
-centre of the market: it may already have been roofed over, and the dyers
-may already have begun to spread their goods on market-days beneath
-the projecting eaves of the roof. At the “Angel” the traveller would
-be sure to find wool-merchants travelling from fair to fair, or the
-King’s buyers come to transact business with the rising wool-merchants
-of the town.[59] North of the “Angel,” the High Street was continued,
-under the name of Watergate, down the slope of the hill which led to the
-watering-place at the bridge over the Mowbeck, the little stream which,
-flowing down the Harlaxton valley, met the Witham below the town. Our
-traveller would leave this on his left: a narrow lane, now Vine Street,
-used till 1705 merely as a foot-path to the church, would take him to the
-head of Swinegate, the road along which the town swine were driven daily
-to spend the day on Manthorpe Moor. Here possibly markets had been held
-till within the last quarter of a century; and here, till 1645, stood
-the old Apple Cross, the High Cross of Grantham. But the space had been
-encroached upon by the westward extension of the church;[60] so that
-Grantham lost that magnificent combination of church and market-square
-which is the unrivalled distinction of its neighbour Newark. What the
-town had lost, however, the church had gained in architectural beauty;
-and in the year 1300 the west front, much as we now see it, had been
-finished, and the scaffolding was probably being removed from a spire
-which at that time was unsurpassed in England. The spire of the mother
-church of Salisbury was not to be completed for many years: the spire
-of Newark was not taken in hand till the second quarter of the century.
-More than a century later, Grantham spire would be surpassed in height
-and grace of proportion by the great lantern-tower at Boston: two hundred
-years later, the spire of Louth would challenge both. But in beauty of
-detail, whatever may be their advantages in design, neither Louth nor
-Boston can compare with Grantham; and in this respect the one steeple in
-England which has ever surpassed it is the “Broad” Tower of Lincoln. Yet
-even this was not yet completed for another ten or eleven years, so that
-for the moment the spire of Grantham stood without an equal.
-
-The space by the Apple Cross was then, we may suppose, less impeded by
-houses than at present; and south and south-east of the churchyard were
-the outer works of the Castle, whose memory was long preserved in Castle
-Dyke, the lower part of Castlegate. But of the Castle itself, as has been
-said, little is known.[61] Only once in its history, and then apparently
-when the Castle existed no longer, was Grantham prominent as a military
-centre. The Kings of England, its nominal lords, must all have passed
-through Grantham in their progresses. Edward I. was often there.[62]
-Edward IV. came through the town at the head of the procession which
-brought the body of his father from Pontefract Priory to the College of
-Fotheringhay. Charles I. was there at least three times, on his way to
-Scotland in 1633, and again in 1640 and 1641. On none of these occasions
-do we hear of the Castle. And when, on the 19th of October 1483, Richard
-III. sealed the death-warrant of the Duke of Buckingham here, causing the
-Great Seal to be brought for that purpose post-haste from London, he did
-it, not in the Castle, but “in a chamber called the King’s Chamber in
-the Angel Inn”—the chamber whose outer wall, and at any rate one window,
-may be seen above the gateway of the “Angel.” The Castle may have risen
-in Norman times, possibly on the site of Queen Edith’s hall, the face
-of which, however, would have been completely altered by the new Norman
-earthworks. But, if this were so, the most that we hear of it is a casual
-mention here and there, and its survival in one or two local names.
-
-[Illustration: ANGEL HOTEL, GRANTHAM.]
-
-The visit of Richard III. to Grantham was marked by his grant of a
-charter to the Corporation of the town, which exempted them from the
-authority of the Sheriff of Lincolnshire in the execution and return
-of writs, making the Alderman and his twelve Comburgesses magistrates
-within the town and soke, and giving them a prison in the town. A charter
-had been granted to the Alderman and Burgesses by Richard II. in 1377;
-and Richard III.’s charter was probably an extension of the privileges
-granted by a charter of Edward IV. in 1463. From 1463 Grantham dates its
-existence as a corporate borough, the recognition of its Merchant Guild,
-and the right of sending two burgesses to Parliament. Its Alderman was
-elected by the Comburgesses annually in the church, the Corpus Christi
-chapel of the chancel being used, as time went on, for that purpose.[63]
-Probably the members of Parliament were at first elected in the church:
-their election later on took place in the Grammar School, until in 1765
-Corpus Christi College at Oxford, as trustee of the foundation, objected
-to the damage done on these occasions. It was then decided to transfer
-parliamentary elections to the church or the Guildhall. Grantham lost
-one of its members in 1832, but still returns one. James II. converted
-the Alderman into a Mayor by a charter of 1685. In April 1688, however,
-a _Quo warranto_ summons was served on the Mayor; and in the following
-November the Corporation, taking advantage of the banished King’s
-proclamation which restored such bodies to their ancient rights, reverted
-to their old state. Their later constitution included an Alderman, twelve
-senior and twelve junior Comburgesses. For these the Municipal Reform Act
-of 1835 substituted a Mayor, four Aldermen, and twelve Councillors.
-
-We have seen the connection of the church with the civic life of the
-town; and it is to the church and its history that we now turn. In 1085
-it formed part of the royal manor, and the right of presentation to it
-belonged then and for some time after to the King. The parish of Grantham
-was then probably conterminous with the soke. The churches at Houghton,
-which corresponds to the modern parish of Spittlegate, Londonthorpe, and
-in the outlying member of the soke at Braceby, were regarded as chapels
-of Grantham from early times. The extent of the mediæval parish is fairly
-represented by the report of Henry VIII.’s commissioners in 1535-6. They
-found the vicar of the northern mediety of Grantham holding as part
-of his charge North Gonerby and Londonthorpe; while South Gonerby and
-Braceby were in charge of the vicar of the southern mediety. Belton and
-Sapperton, also members of the soke, formed independent parishes from
-an early date: one can scarcely doubt that the alienation of property
-there to religious houses was followed quickly by the alienation of
-the townships from their mother church and the building of churches of
-their own, to which their new lords presented.[64] In 1091 the lands and
-endowments of the Church of Grantham were granted to St. Osmund, who gave
-them to his new cathedral at Old Sarum. The presentation still remained
-with the Crown. If we may trust the shaky memories of the jurors of
-1275, with whose statements the justices apparently were satisfied,
-the Empress Maud granted the advowson and right of presentation to
-the Church of Sarum.[65] From that time it became a prebendal church
-of the Cathedral of Sarum, divided into medieties, whose rectors, the
-prebendaries of North and South Grantham, impropriated the endowments
-already granted, and claimed some jurisdiction within their prebends.
-The church was probably served by chaplains, until Hugh of Wells,
-Bishop of Lincoln, whose energy in providing regular incumbents and
-stipends for the impropriated benefices of his diocese, has a memorial
-in the priceless rolls of institutions and charters belonging to his
-episcopate, and in his book of ordinations of vicarages, arranged for the
-presentation and institution of regularly paid vicars. The first vicar
-of North Grantham was instituted on September 23, 1223; the first vicar
-of South Grantham about two years later.[66] It is not at all unlikely
-that many of these vicars were careless about residence, and that their
-duties were often delegated to the chantry priests, whose number grew in
-the fourteenth and fifteenth centuries: we know that, in the seventeenth
-century, the care of the parish was left often, if not habitually, to
-one of the two incumbents. But each of the two prebendaries in Salisbury
-presented his own nominee on a vacancy in his particular vicarage till
-1713, when, on the voidance of the vicarage of North Grantham by death,
-Mr. John Harrison, the south vicar, was instituted also to the other
-mediety. There are still prebendaries of North and South Grantham in
-Salisbury, who presented to the vicarage until 1870; but their connection
-with the prebendal church is now severed save in name, and, while the
-impropriation has passed into other hands, the vicar is collated by the
-Bishop of Lincoln.
-
-On its first connection with the Cathedral of Sarum the church was much
-smaller than it is now. As we stand beneath the tower and look along
-the nave, we shall see that the second pillar east of the tower in both
-arcades is a pier composed of a broad mass of wall with a respond on
-either side; and, coming nearer, we shall see that the western respond is
-much later in character than the eastern. Across the space between these
-composite piers, covering their site, and extending a little farther
-to north and south, came the west front of the twelfth-century church,
-possibly even that of the church mentioned in 1085.[67] It had no aisles;
-its side walls stood a little outside the line of the present arcades,
-where their foundations still exist. Of its connection with the chancel
-we can say nothing, but high up in the north wall of the chancel there is
-“herring-bone” masonry; there is “Norman” tooling on the stones in the
-wall below the east window, and in the south wall it is possible that
-some of the masonry is of the same date. If the chancel was originally of
-its present length, it was as long as the nave—a most unusual proportion
-in Norman times; but the nave may have extended farther east, or there
-may have been a tower between nave and chancel. If so, the tower was
-possibly built either as a continuation upward of the eastern parts
-of the nave walls, or straight from the ground without transepts. The
-imposing provisions for a rood-screen in the fourteenth and fifteenth
-centuries removed all possible traces of the earlier arrangement.
-
-About 1180, or a few years later, aisles were added to the nave. To
-this work belong the two eastern responds already mentioned, and the
-three beautiful clustered columns on either side between them and the
-chancel-screen. These columns are of that type, in which the shafts,
-although approaching the detachment and individual emphasis of each
-member which are the great features of early Gothic art, have not yet
-wholly broken away from their absorption by the main mass of stonework.
-That mass, however, has acquired grace and slenderness without losing
-strength; the pier, adequate to the weight it has to bear, has taken
-the place of the shafted mass of wall, the bearing power of which was
-out of proportion to its real function. The carving of the capitals,
-too, marks the Transitional character of the work. The respond of the
-north arcade has a carved capital of distinctly late Norman character.
-As we go eastward, this conventional arabesque sculpture disappears, and
-foliage, at first here and there, then altogether, takes its place.[68]
-The carving of the capitals of the south arcade was evidently begun
-after the north arcade was completed, and only one of them was finished.
-These piers were connected by semicircular arches, the lower voussoirs
-of which were in some cases retained as springing-points for the pointed
-arches which we see at present. These later arches, with their acute
-points, led to the blocking of the round-headed clerestory windows, the
-openings of one or two of which may be traced in the wall above. This new
-arcade was not built, as was so common, by taking the old church walls
-gradually to pieces and building piers and arches in specially made
-gaps and breaches; but the older walls seem to have been taken down,
-and the arcades built, as has been noted, slightly within their line.
-The east responds of the arcade are gone altogether, owing to the later
-widening of the eastern bay; and of the aisles which were now added to
-the church it is difficult to premise anything but this, that they were
-in all likelihood about half as broad as the present aisles, if as much,
-and were covered by lean-to roofs, abutting on the nave walls below the
-clerestory. The earlier chancel, and, if there was one, the central tower
-(a little to the east of centre), were probably left unaltered.
-
-In this state the church remained until the last quarter of the
-thirteenth century, a building handsome and interesting, but not
-specially remarkable for size, and without any peculiar or unique
-feature. Its western doorway may have opened straight upon what was then,
-it appears, the market-place of the town. The commercial prosperity of
-the place, its trade in wool, were growing; and we are justified in
-supposing that the merchants of the town took their part in the great
-extension of their parish church. This extension was no mere result of
-the fact that Grantham was a lordship belonging to the Crown; nor, we may
-be sure, did the Dean and Chapter of Salisbury undertake the gratuitous
-task of enlarging to nearly double its size a church which represented to
-them a portion of their income, and would certainly never occur to them
-in the light of a cherished possession demanding expensive care. But to
-the men of the town it was a cherished possession; and the greater part
-of the cost was doubtless supplied by merchants, the fathers and kinsfolk
-of the Haryngtons and Saltebys who founded chantries in the next century
-within its walls. But the mother church at Salisbury helped to supply
-at any rate some of the ideas to which the townsmen’s money-gifts gave
-shape. Her chapter-house was finished somewhere between 1270 and 1280,
-and the cusped circles in the heads of the windows of the north aisle at
-Grantham, the shafted mullions with plainly moulded caps and bases, are
-accurate reminiscences of its simple and beautiful geometrical tracery.
-Lincoln, too, where, in 1280, the great eastern chapel—the so-called
-“Angel Quire,” built to contain St. Hugh’s shrine—had been consecrated,
-supplied its share: the west window of the north aisle at Grantham is an
-ingenious adaptation to six lights, with a slight improvement, of the
-eight-light east window at Lincoln. These, however, are merely details
-by which the work at Grantham may be assigned to the year 1280 or a
-little later. The design of the masons included a western extension of
-the church, accompanied by a widening of the aisles, and, with this, the
-building of a western tower.
-
-In setting out their plan, they remembered what had been done at Newark
-some fifty years before. There a western tower had been begun, standing
-free of the aisles on three sides; but, as the work advanced, the
-builders had determined to bring their aisles westward flush with the
-west wall of the tower, and had pierced arches, as an afterthought, in
-its north and south walls. The work at Newark was temporarily stopped,
-and, when it went on again, Grantham led the way with one splendid
-effort. The Grantham builders apparently began work with their north
-aisle. It was on a vast scale, and spaced with so little regard to the
-spacing of the columns of the nave that the north doorway, instead of
-opening against an interval between columns, has a column and part of an
-interval opposite it.[69] The earlier north aisle was totally enclosed by
-this new work, which not merely stretched three bays to the westward—the
-third of these bays, which roughly corresponds to the internal space
-occupied by the tower and its piers, being nearly as wide as the other
-two together—but also was extended a bay eastward, so that it encroached
-on the chancel wall, or, it may be, on the space hitherto occupied by
-the tower. From the walls of the aisle the builders probably passed to
-the lower courses of the tower piers, the arches from the tower into
-the new aisles, and the western doorway,[70] and then joined the tower
-piers to the west angles of the older nave by two arches on each side,
-with intermediate columns whose form was evidently suggested by that of
-the earlier columns east of them. If this hint was taken from the older
-work, the imitation did not extend to the rounded arches. The new arches
-were sharply pointed, and, to give uniformity to the connected work,
-new pointed arches were built up in place of the old rounded ones. This
-obviously was done by removing just as much of the upper wall of the nave
-as was necessary, and blocking the clerestory. No clerestory seems to
-have formed part of the new design. As part of this task, the chancel was
-connected by an arch with the eastern part of the new aisle, and the old
-west front and north aisle walls were removed.
-
-[Illustration: PLAN OF GRANTHAM CHURCH.]
-
-We need not dwell on the beauty of this work, which touches exactly the
-Transition from the first to the second period of English Gothic, on the
-north doorway, with its array of mouldings and shafts, on the details
-of the windows, the grotesque carvings of the eaves, the boldness and
-cleanness of the outlines of buttresses and base-courses. The next work
-was the completion of the steeple, and this was done well, but apparently
-with some rapidity, about the year 1300. There is, perhaps, a slight
-indecision of design in the small stages of arcading and “smocking” above
-the west window; and the west window itself, with its mullions crossing
-in the head, is more effective from the point of view of its parade of
-“ball-flower” than from that of design; but there can be no question as
-to the beauty of the twin two-light windows above the “smocking” stage,
-or to the character which the belfry-lights, with their strongly defined
-central mullion, their crocketed triangular hoods, and the statued niches
-in the spandrils they form with the parapet, give to the tower.[71] Nor
-can there be anything but admiration for the great angle-buttresses,
-rising from their niched lower stages by a series of sloping offsets into
-four tall crocketed pinnacles round the base of the spire; nor for the
-method by which the diagonal sides of the spire, which rises from within
-a plain parapet, are connected by broaches with the pinnacled angles
-of the tower: nor for the crocketing, plain in detail but elaborate in
-effect, and the three ranges of lights of the spire itself. The top was
-rebuilt in 1664, probably a few feet lower than it had been. It was
-struck by lightning in 1797, and repaired rather timorously.[72]
-
-The south aisle was already set out on a scale little less than that
-of the north aisle, and probably it was completed as far as a point
-corresponding to the east end of the nave, soon after the completion of
-the spire. This work was done more hastily, and with less consistent
-magnificence than that of the north aisle; but it has been so much
-restored that it is difficult to realise its appearance when it was
-built. The masonry, however, is of a poorer kind, and seems to indicate
-that funds were not so easily forthcoming as before. The south doorway
-and the outer doorway of the porch are thirteenth-century structures,
-removed from their original positions to corresponding places in relation
-to the new aisle. The windows, where they are original, show the design
-of crossing mullions which we have noticed in the west window of the
-tower, but the shafts used in some of them seem to be re-used from
-windows in the older south aisle.
-
-Whether this aisle was closed by some temporary arrangement at the
-east end, or whether an east wall was ever built, we cannot tell; no
-foundations of such a wall exist, so far as is known. Work, at any rate,
-seems to have stopped about 1310-20. It was not long before it was
-resumed, but the resumption was gradual. Three great works belong to the
-next stage—the building of the south chapel of the chancel and the crypt
-beneath, the rebuilding and northward extension of the north porch, and
-the building of the rood-screen. Both the south chapel and the extended
-porch were the result of the foundation of guilds and the multiplication
-of chantry services.[73] The south chapel itself, extending the whole
-length of the chancel, and connected with it by an arcade of four bays
-cut in its south wall, was probably the chapel of the chantry of St.
-Mary, founded by William Gunthorp. Richard Salteby, whose canopied tomb
-is in the south wall of the nave, immediately east of the south porch,
-founded the chantry of St. John the Baptist, whose services were probably
-performed at an altar near the southern staircase to the roof. This
-altar may have stood at first against the east wall of the aisle; later,
-it would have stood against the screen across the entrance of the Lady
-Chapel. Of the position of the other fourteenth-century chantries we know
-little; but one helpful document, enrolled among the public records,
-tells us of some of the altars and services in the church in 1349, and,
-in particular, of the altar in the rood-loft (_in solario coram magna
-cruce in medio ecclesie_), at which a chaplain said mass daily “after the
-first stroke of the bell which is called Daybelle”—the bell which still
-rings at five o’clock every morning from Lady Day to Michaelmas.[74] The
-crypt below the Lady Chapel, divided into an eastern and western portion,
-and approached by two doors on the outside of the church, may have
-contained other chantry chapels; but the western portion was possibly
-used as a bone-hole.
-
-[Illustration: NORTH PORCH, GRANTHAM CHURCH (ST. WOLFRAN’S).]
-
-The church, in addition to chantry foundations, contained valuable
-relics, among which were portions of the bodies of the patron saints of
-the church, St. Wulfran, Archbishop of Sens, missionary to Friesland, and
-monk of Fontenelle,[75] and of St. Symphorian, the martyr of Autun. It
-is highly probable that, as time went on, these relics were preserved in
-the eastern crypt; the beautiful staircase, with its elaborate doorway,
-by which this crypt in the fifteenth century was connected with the
-chancel, had evidently some special purpose. But it is almost certain
-that, on such days as the 15th of October, the feast of the translation
-of St. Wulfran, when people flocked into the town for what is now known
-as the Onion Fair, the relics would be exhibited to the devout visitors
-from the chamber above the north porch, through the small traceried
-window above the north door. This chamber was approached by staircases in
-the outer pinnacles of the north porch. Its construction seems to have
-been the _raison d’être_ of the rebuilding of which we have spoken; the
-whole lower storey, the inner porch, the open way in the middle, left
-to give room to church processions, the outer porch, were vaulted over,
-and, to admit of this vaulting, the pediment of the north doorway was
-ruthlessly mutilated. Those who have discovered in this upper chamber
-the vicarage of North Grantham will find in it rather a chapel where the
-relics belonging to the church were kept and exposed to the faithful, and
-in the two staircases (an expensive provision for so small a vicarage) a
-way of entrance and of exit for those who wished to visit the shrine and
-seek contact with its treasure.[76] The floor and the vaulting beneath it
-have now been removed, and the destruction which it caused to the north
-doorway is only too clearly visible. The date of the chamber above the
-south porch, in its present state, is rather uncertain; the little window
-looking into the church, which points to its use as a watching-chamber,
-is of the fifteenth century.
-
-The Lady Chapel is one of the most perplexing portions of the church: the
-masonry of its walls and the early fourteenth-century tracery of one of
-its windows suggest that, if there was a more than temporary wall at the
-east end of the south aisle, its materials were re-used here. The arcade
-and the tracery of the remaining windows, almost disagreeably fantastic
-in its exaggerated curves, point to an advanced period in the fourteenth
-century for its completion, and show signs of that failing force which
-was an immediate result of the Black Death. We may assign the ten years
-between 1350 and 1360 to this work. The circular buttress-turrets at the
-east end are very like those which flank the north porch at Holbeach
-Church in South Lincolnshire, a building of much the same date. When this
-work was finished, only one thing remained to be done to give the church
-the form of a regular aisled parallelogram. This was the building of a
-north chapel to the chancel, a continuation eastward of the great north
-aisle. As we have seen, the eastern bay of that aisle already opened
-into the chancel. The lengthening was not taken in hand until a century
-and a quarter after the Lady Chapel was built; and, in the interval, one
-important piece of work was achieved, the widening and heightening of
-the eastern bay of the nave on either side, evidently to give dignity
-to the rood-screen and loft. It is not at all unlikely that there may
-have been a chancel arch up to this time, perhaps with twelfth-century
-jambs supporting a pointed arch, like those which had been added to the
-nave arcades. If so, it was now cut away: the responds of the arcades on
-either side were destroyed, and from the wall-face thus mutilated—the
-recklessly hacked surface may be seen by opening a hinged panel in the
-side of the modern screen—wide and lofty arches were thrown across to
-single dwarf-shafts resting on the abaci of the twelfth-century piers to
-the west. Thus unimpeded space was obtained for the screen with its loft,
-and the great rood on its beam above. The character of the work is later
-than 1350; and the screen to which the document of 1349 refers probably
-underwent some alteration, or was now replaced by a new one, the central
-portion of which was certainly of stone.[77] Of fifteenth-century work
-is the crypt door, with its solid panelled screen on the south of the
-chancel; a window of much the same date was inserted in the south aisle,
-just east of the south doorway of the nave. In the latter half of the
-century the east wall of the north aisle was removed; the north wall of
-the chancel was pierced with three wide arches with slender responds and
-intermediate piers, poor in design and detail; and the north chancel
-chapel, with its large Perpendicular windows, was built. This was known
-as the “Corpus Christi Quire.” This has been repeatedly referred to the
-munificence of Richard Foxe, Bishop of Winchester, a great benefactor
-of Grantham Grammar School and the founder of Corpus Christi College at
-Oxford. Foxe certainly was one of the trustees for the foundation of a
-chantry in Grantham Church, served by two priests, one of whom was to be
-the grammar schoolmaster; but the chief founder of the Corpus Christi
-chantry was a certain John Orston, whose name also occurs as founder of
-the Trinity chantry. This foundation (1392) was nearly a century earlier
-than the actual building of the “Corpus Christi Quire.” We have seen how
-the chapel was the scene of the election of aldermen. For many years the
-records of the borough were preserved in the eastern crypt, in a great
-wooden chest with three locks. Foxe’s emblem of the pelican is said to
-occur on the lower side of the bowl of the octagonal font. However, the
-font, with its sculptured panels of events in the life of our Lord, is
-probably earlier than Foxe’s day; and the pelican is, of course, a common
-emblem of the Blessed Sacrament.
-
-Early in the sixteenth century the present vestry, a long room at right
-angles to the western bay of the north chancel chapel, was built as a
-chantry chapel by a wealthy family named Hall. It is now entered through
-the arch which formerly stood above the founder’s tomb; the small
-doorway at the side has been blocked. This building abutted against one
-of the pinnacled turrets by which the roof was approached, and blocked
-its entrances. This was the last structural alteration to the church
-during the Middle Ages. The great building, served by its two vicars
-and at least eight chantry priests—to say nothing of the chaplain,
-whose stipend bound him to read the Gospel as deacon at the daily mass
-at the high altar—stood, at the beginning of the sixteenth century, in
-something like its cathedral-like seclusion of to-day. The vicars had
-their houses on either side of the church; the chantry priest of St. Mary
-lived in a house whose site is now absorbed by the south-west corner of
-the churchyard. The houses of the other members of what was now called
-the College were either round the church or not far away. A house called
-the Chantry House stood in Watergate till the middle of the nineteenth
-century; it was then removed and entirely rebuilt in Belton village,
-where the date 1470 may be seen above one of the old windows, which was
-preserved in the rebuilding. East of the church was the mansion of the
-Halls, where Margaret Tudor, daughter of Henry VII., stayed in 1503, on
-her way to Scotland to become the wife of James IV. A handsome house
-of the later seventeenth century stands on the site; the pretty little
-thirteenth-century doorway in the garden wall may possibly have belonged
-to the church; its mouldings agree with those of the south doorway and
-some of the jamb-shafts of the windows of the south aisle, which are
-obviously remains of work of this period. On the north side of the
-churchyard still stands the sixteenth-century Grammar School, founded
-with the aid of Bishop Foxe in 1528, and endowed by Edward VI. in 1553
-with the possessions of the Trinity and Lady chantries. Foxe was born at
-Ropsley, in the hilly country south of Grantham. From Woolsthorpe, in
-the same district, but further west, came the most famous pupil of the
-school, Sir Isaac Newton. Among its earliest scholars was William Cecil,
-a native of Bourn, afterwards famous as Lord Burghley; and a third name,
-this time of a native of Grantham itself, is that of the metaphysician,
-Henry More, the head of the school of Cambridge Platonists. Colley Cibber
-was also educated here, an interesting if not altogether illustrious
-pupil. The schoolroom was used till within the last few years. Since then
-handsome school buildings have been completed on the opposite side of the
-headmaster’s house, in the dip through which the Mowbeck used to flow
-visibly, and the old schoolroom has been fitted up as a school chapel.
-
-Henry VIII. numbered Grantham among those sees which he intended to
-found. Not till lately has a suffragan bishop in the diocese of Lincoln
-taken the title of Bishop of Grantham. The dissolution of the chantries
-put an end to the “College,” and the vicars of the “prebendary church”
-in post-Reformation times had to be content with very small stipends.
-Puritanism raised its head in Grantham formidably, as in most parts of
-Lincolnshire; and the Corporation, though in the main orthodox, had, in
-1620, established a weekly lecture in the church on Tuesday, to which
-they invited the most eloquent clergy of the neighbourhood. The preacher
-afterwards attended a Corporation dinner, and was allowed a pint of sack.
-These lectures, although doubtless intended to afford a substitute for
-irregular prophesying, also gave opportunities to lecturers of a Puritan
-cast of thought. Preaching was evidently regarded at Grantham as of
-more importance than the decency of ritual. The communion-table stood
-in the middle of the chancel without a rail round it, and was treated
-without reverence. Peter Titley, instituted to the south vicarage in
-1625, removed it, set it altar-wise against the east wall, and railed
-it in. Unhappily, the Alderman of Grantham in 1627 was a Puritan, and
-Titley had made himself unpopular by inhibiting the lecturers. Attending
-the church in state, the Alderman ordered his mace-bearers to remove
-the altar to its old position. A free fight followed, and Alderman
-and Vicar appealed to Bishop Williams. The Bishop delayed a final
-decision; and, a few days later, the Alderman, followed by the Vicar,
-rode off to seek a personal interview at Buckden. Williams, although
-he had expressed approval of Titley’s action, and after Titley’s death
-officiated at the altar itself, acted with some partiality towards the
-Puritans. His answer to the Vicar, which he sent through the hands of
-the inhibited lecturers, raised a controversy beyond Grantham; and the
-war of pamphlets, in which Heylyn, Prynne, Burton, and others took part,
-became a matter of other than local history. Titley seems to have held
-his own, and the altar was still against the east wall after his death
-in 1633.[78] During Titley’s incumbency some additions were made to the
-church. Possibly the east window, of a very plain Perpendicular type,
-resting on a fourteenth-century sill, was inserted at this time.[79]
-A clerestory was added to the chancel about 1628, when the roofs of
-the church were lowered; and it is much to be regretted that this
-was destroyed at a nineteenth-century restoration, in that spirit of
-iconoclasm which imagines that, by destroying post-mediæval masonry and
-furniture, it is restoring churches to their “original state.” In 1640
-the Chancellor of the diocese presented the church with an organ; but
-although the Corporation approved, the Puritans opposed the gift for the
-time successfully.[80] The organ was erected, but probably was not used;
-and the great event of the year was the re-hanging of the bells and the
-blocking up of the ground floor of the tower by a wooden ringers’ gallery.
-
-Three times between 1601 and 1640 had plague visited the town; and early
-in 1643 came the scourge of civil war. The Royalists were the first to
-occupy the town, their troops being quartered in the tithe-barn of the
-prebendaries, to the south-east of the churchyard, and close to the site
-of the Castle. In spite of a temporary repulse, they held Grantham
-till May 22, 1643, when Cromwell won his first battle on a field to the
-north of the town. “Belton fight” was followed by the battle of Winceby,
-in October. The year before the Corporation plate had been seized by
-order of Parliament, but was fortunately restored to the town. This
-year Fairfax demanded a vote of £300 from the Corporation, who did as
-they were told; but the town refused to pay, and the Alderman and some
-of the Comburgesses were sent to Nottingham Castle. Released in 1644,
-they formed a Royalist faction in and outside the town, corresponding
-with the garrison at Belvoir, and taking part in the guerilla warfare
-of the countryside. But in 1646 came the end of the war. Belvoir and
-Newark castles were surrendered, and their fortifications slighted.
-Under Puritan rule the Royalist burgesses were deprived of their rights;
-but the town returned to something of its old quiet and prosperity. The
-woodwork of the church had been destroyed by the soldiers during the
-Civil War, who used it for fuel, and probably the state of the building
-was rather dreary. When in 1648 an Alderman was elected in church, the
-deprived Royalists took the occasion to brawl. The weekly lectures
-were restored in 1646, and, somewhat earlier, the poorly paid vicars
-had their stipends augmented by the sequestration of the Salisbury
-prebends. In spite of this, one of the vicars found it more agreeable
-to his conscience to be non-resident. In 1651, the Mercers’ Company,
-trustees of an investment left by Lady Campden to form the endowment of
-two lectureships, one of which was to be in Lincolnshire, granted the
-moiety to Grantham. The Campden Lecture is still preached on Wednesday
-morning in every week; and yearly by the provisions of another endowment,
-chargeable on the “Angel Inn,” a sermon is preached against the sin of
-drunkenness. Of course, after 1646, the colour of the lectures in Church
-were strictly Puritan; but the ejected parsons of Boothby Pagnell and
-Barrowby, Dr. Sanderson and Dr. Hurst, were living in Grantham; and
-their spotless life and example seem to have won the respect of all.
-Sanderson became Bishop of Lincoln at the Restoration. It was during the
-Commonwealth period, from 1651 to 1656, that Isaac Newton was at school
-in Grantham, lodging with one Mr. Clarke, and experimenting with an
-amateur sundial and with models of horsemills and windmills.
-
-After the Restoration the history of Grantham is that of any quiet
-country town, until the coming of the railway and the establishment
-of the engineering works. The most startling event in its story was
-the pulling down of the Market Cross by Mr. John Manners, then lord
-of the manor, in 1779. He was compelled to restore it by _mandamus_
-the following year. The ecclesiastical history of the town is equally
-peaceful. The church was invaded by galleries and box-pews; the
-rood-screen, if it had not already gone, was taken down; the western part
-of the nave was left unused, and glass screens to shut out the draught
-closed in the eastern bays of the nave and the chancel. The ringing
-gallery, which blocked up the lower part of the tower, was removed
-in 1752; and, though one cannot regret the opening out of the noble
-western arch, it is probable that other woodwork in the church might
-have been better spared. The encumbrances of the building were removed
-during the nineteenth century. Something was done at a restoration which
-took place in 1851, during the incumbency of Mr. William Potchett. The
-western part of the south aisle was re-roofed, and the present tracery
-of the west window of the aisle seems to have been put in. Part of a
-fund left in 1795 for the beautifying of the church was applied in 1853
-to filling the west window of the north aisle with stained glass of a
-painful brilliance, and the staining of the other two windows of the
-west front took place between 1852 and 1855. Under Mr. George Maddison,
-vicar from 1856 to 1874, Sir Gilbert Scott thoroughly restored the whole
-building. This restoration, completed in October 1868, gave us the church
-substantially in its present state. While the chancel clerestory was
-removed, an act of compensation was performed in the recusping of the
-tracery in the windows of the north aisle. Eight years later followed the
-restoration of the north porch. Since then, the church has received many
-beautiful gifts—Sir Gilbert Scott’s chancel-screen; Mr. G. F. Bodley’s
-reredos, which has been heightened of late years to conceal the east
-window and add a gradine to the altar; Mr. Kempe’s stained glass; and,
-latest of all, the restored reredos in the crypt, the lofty font-cover,
-the organ-case, and the restoration of Hall’s chapel, which are the work
-of Mr. W. T. Tapper.
-
-One thing remains to be noted in connection with the church—its two
-libraries. The second of these is of no special interest. It was given
-to the church in 1764 by Dr. John Newcome, Dean of Rochester, and Master
-of St. John’s College, Cambridge, and placed within rails at the east
-end of the south aisle. It was then removed to Hall’s chapel in 1806,
-and found a third home at the west end of the south aisle towards the
-end of the century. It has been removed again within recent years. The
-other library was given in 1598 by Francis Trigg, vicar of Welbourn, and
-was housed in the room over the south porch, which seems to have been
-repaired, if not rebuilt, about this time. The books, bound for the most
-part in stout oak boards, are set, as in mediæval libraries, with their
-leaves outwards, and are chained to rings on an iron rod in front of each
-shelf. The collection includes some early printed books of the fifteenth
-century, and editions of Fathers and mediæval theologians. The library
-was intended for the use of the vicars; and in 1642 one Edward Skipworth
-left a small endowment to supply it with firewood in winter, that the
-vicars might prosecute their studies. Gifts were made to it from time to
-time. Henry More presented his writings to it, and Dr. Sanderson gave it
-one of the few copies of Philip II.’s _Polyglot_, printed at Antwerp,
-which had escaped destruction by sea. Of the eight volumes, only two and
-a fragment remain. A verger is said to have been found lighting a fire
-with some of the leaves. Fortunately, the full value of the library is
-now appreciated; and, if it does not attract many earnest students, it is
-at any rate regarded with intelligent curiosity.[81]
-
-With the gift of Francis Trigg, “_Welborne quondam Concionator
-amans_,” we leave Grantham. No longer the small market town, whose
-City Fathers never stirred in the streets without their gowns, the
-Alderman distinguished by his tippet with its gold clasps, but a busy
-manufacturing and railway town, with growing suburbs and a population of
-from 20,000 to 30,000, it yet keeps something of its country aspect. The
-trees at the back of the church and along the North Road, the splendid
-chestnut in Finkin Street, close to the middle of the town, the easy
-escape from the houses to the slopes of the Harrowby Hills, or the
-canal path to Harlaxton, make it a pleasant place to see or stay in,
-and compensate for the bleak features of its approach from the south.
-Though no one could claim for its surroundings the privilege of startling
-beauty, yet there is no more smiling a piece of country in the English
-Midlands than that of which it is the centre. Cut off from the Fenland
-flats on the east by a long table-land with a gradual eastward slope,
-and on the south by the broken country towards Bourn and Stamford,
-it has on the north the long line of pretty villages which mark the
-road to Lincoln, and on the west the vale of Belvoir, overhung by the
-wooded escarpments of the Leicestershire Wolds. It is the centre of a
-country which possesses some of the most beautiful village churches and
-the noblest houses in England. Due north of the town is Belton House,
-where Wren’s gifts of moderation in proportion and of masterly internal
-spacing are at their best; and just beyond is Syston, high on the brow
-of a hill, and gazing across the intervening ridges at Belvoir. Between
-Grantham and Belvoir are the great modern houses of Harlaxton and Denton.
-Harlaxton, a palace in size, is set on a terrace at the end of a straight
-drive which dips down from the Melton road and then rises gradually
-towards the house, and is backed by a view of wood and hill. And on the
-south, not comparing with these in size, are the beautiful little houses
-which the wool merchants of these parts built for themselves—Anthony
-Ellys’ house at Great Ponton, and Thomas Coney’s high stone mansion at
-Bassingthorpe, and, farther on, the larger hall which Richard Thimelby
-built in 1510 at Irnham. These are all within no long distance from
-the town, and all, except Belvoir, within the county. For those whose
-acquaintance with Lincolnshire is limited to its legendary reputation
-of flatness, fogginess, and, if one may use the word, fenniness, there
-could be no better object-lesson than the climb along the lane from Great
-Ponton to Bassingthorpe, or the walk from Harlaxton to Grantham, with the
-great spire of St. Wulfran’s framed, like the vignette on the title-page
-of a book, within the arches formed by the intervening trees.
-
-
-
-
-STAMFORD
-
-BY V. B. CROWTHER-BEYNON, M.A., F.S.A.
-
-
-Of the picturesque and interesting old towns in which the county of
-Lincoln is so rich, it may be questioned whether any can excel, or even
-equal, Stamford. Though unable to claim a life-long acquaintance with
-this delightful, old-world borough, the present writer confesses to have
-quickly fallen a victim to her charm, a feeling which time has only
-served to increase.
-
-Possessing, as she does, such strong claims to the attention and
-appreciation of the historian, the antiquary and the artist, it is small
-wonder that Stamford has provided the theme for a large number of printed
-publications, ranging from Butcher’s _Survey of Stamford_ (1646) down to
-handbooks issued as recently as 1907 and 1908. Chief among these must be
-reckoned Francis Peck’s monumental _Academia tertia Anglicana, or the
-Antiquarian Annals of Stamford_, a most exhaustive, albeit a somewhat
-wordy and diffuse work, issued in 1727. The present brief account of
-Stamford makes no pretension to originality, and represents merely a
-compilation drawn from the many excellent works which have already been
-contributed by other and abler hands, and to the authors of which the
-writer desires to acknowledge his indebtedness.[82]
-
-Situated on the banks of the river Welland, which divides the town into
-two unequal portions and which here forms the boundary between the
-counties of Lincoln and Northampton, Stamford presents the peculiarity
-of a town which is in two counties, in two dioceses (Lincoln and
-Peterborough), and under two civil jurisdictions, though the municipal
-borough includes the greater part of both portions of the town.
-
-In a volume whose scope is confined to the county of Lincoln, it may
-savour of trespass to deal with the Northamptonshire portion of Stamford;
-it is, however, hardly practicable to give an intelligible account of the
-history of the place without some reference to “Stamford Baron” (as the
-part south of the Welland has been designated since the middle of the
-fifteenth century),[83] though every endeavour will be made to introduce
-as little extraneous matter as possible.
-
-The remote history of Stamford is enveloped in a veil of romance which
-present-day knowledge has perforce torn rudely away. The establishment
-here of a British University in 863 B.C. by a British prince, Bladud,
-seems to rest solely on the statement of Merlin of Caledonia, writing in
-the sixth or early in the seventh century A.D., and the fable need not
-detain us further.
-
-When we come to the period of the Roman occupation, we might, in view of
-the fact that the great military road, Erming or Ermine Street, crosses
-the Welland close to the present town, expect to find evidences of a
-considerable Roman settlement at this important point of the road. It
-is somewhat surprising, therefore, that, with the exception of some
-comparatively insignificant discoveries to the west, between Stamford
-and Tinwell, nothing has at present come to light which can be said to
-point to the existence of a settlement in Roman times on the site of
-the present Stamford. Possibly the proximity to the south and north,
-respectively, of the important stations of Durobrivæ (Castor) and
-Causennæ[84](Ancaster) may have rendered it unnecessary to establish
-another and intermediate station. At any rate the fact remains that we
-cannot adduce any proof of the existence of a settlement or village here
-till Saxon times, and it is probable, therefore, that the name Stamford
-or Stanford (a name of Saxon origin, from _stan_, stone, and _ford_) is
-the first and only one which the place has borne. The name doubtless
-had reference to the ford by which, before the erection of a bridge
-substantial enough for horse traffic, communication between the two sides
-of the Welland was maintained; and though we find, as is commonly the
-case with place-names, many variations of spelling, such as Staunford,
-Staunforth, Staundforde, &c., the name has remained substantially the
-same.
-
-The earliest contemporary reference to Stamford is found in a charter of
-Wolfere, King of Mercia, dated 664, wherein “all that part of the town
-of Staunforde ... beyond the bridge,” is stated to belong to the Abbey
-of Medeshamstede (Peterborough).[85] It appears, therefore, that even
-at this early date the town occupied both sides of the river, and was,
-we may fairly suppose, a place of some size. A few years before this,
-namely, in 658 (if we may believe the testimony of Prior Wessington of
-Durham, writing in the fifteenth century),[86] was founded the earliest
-religious house in the Stamford district. This was St. Leonard’s Priory,
-erected by Wilfrid, the friend of Oswy, King of Northumbria, and
-afterwards Bishop of York. Wilfrid bestowed this new foundation upon the
-monastery of Lindisfarne, where he had received his education, and on
-the removal of the monks from Lindisfarne to Durham, the Priory of St.
-Leonard, Stamford, became a dependency of Durham. The site of this priory
-(of which more anon) is about a quarter of a mile eastward of the present
-town.
-
-[Illustration: STAMFORD, FROM THE MEADOWS.]
-
-The ninth century was a period of stress in this part of England, and
-Stamford was called upon to furnish a contingent of young fighters to
-defend the country against the marauding Danes. The Danes, however,
-proved too strong, and Stamford soon fell under the foreign yoke and was
-joined with Lincoln, Leicester, Derby and Nottingham to form the Danish
-“Five Burghs.”
-
-Space will not permit us to narrate the varying fortunes of the opposing
-forces—English and Danes—in the almost incessant struggles which marked
-the period preceding the Norman Conquest—struggles in which Stamford was
-held sometimes by one party, sometimes by the other, and not infrequently
-was in the hands of both, when the river formed the dividing line between
-the rival camps.
-
-In the year 972 Eadgar granted, or, it may be, confirmed to the Abbey of
-Peterborough the privilege of coining money at Stamford, but the exact
-position of the mint in the southern part of the town cannot now be
-determined. It is an interesting and significant fact that coins of the
-Stamford mint have been met with in considerable numbers in hoards found
-in Scandinavia.[87]
-
-The fortification on the north bank of the Welland was doubtless
-originally a Danish earthwork, an English stronghold being erected by
-Alfred in opposition on the south side, near the present Midland Railway
-Station. When the Danes had secured a foothold they seem to have replaced
-their earthen defences by stone walls which encircled their settlement.
-At the present day considerable portions of the Stamford town walls are
-in existence, though these have obviously been reconstructed from time to
-time, and nothing earlier than Norman work can be positively identified
-in the portions still remaining. Perhaps the most striking vestige now
-to be seen is a round bastion on the west side of the town, near Rutland
-Terrace. Speed’s map of Stamford (1600) shows eleven towers in the line
-of the walls, together with seven principal gates and two posterns. The
-southern town does not appear to have ever been defended by walls, though
-it had five fortified gates.[88] All the gates in both sections of the
-town have now been demolished, the last (St. George’s Gate) as lately as
-1806. The water-mill, situated near the Castle, was originally built by
-Edward the Confessor, and is still known as the King’s Mill, though the
-present structure is of the eighteenth century.
-
-Soon after the Conquest the Danish castle was replaced by a substantial
-Norman building, and the site is still marked by an Early English gate
-and a portion of the arcaded wall of a chamber which was subsequently
-used as a manor court. At present the Castle site is occupied by an iron
-foundry, and it is among the buildings, sheds and heaps of scrap iron
-connected therewith, that the visitor has to search for what remains of
-the old mediæval stronghold. It seems a sad pity that a spot of such
-historic interest and picturesque position should ever have been allowed
-to fall into the state of unsightly neglect which characterises it to-day.
-
-The dawn of the twelfth century saw the beginning of the long era of
-building in and around Stamford, the visible results of which have
-rendered the town so famous among generations of ecclesiologists and
-students of architecture. St. Leonard’s Priory, already mentioned, which
-had suffered severely during the Danish incursions, was rebuilt at this
-time, and, judging by the remains of the nave of the Priory Church (which
-is all that now remains), must have been a noble edifice. The west
-front, the portion latest in date (_c._ 1190) of the existing fabric,
-is one of the finest examples of its kind in the country. In the centre
-of the lowest stage is a blocked doorway surmounted by a round arch of
-four highly enriched orders. The arch is supported by groups of elegant
-detached shafts, terminating in foliage caps of Early English character
-and exquisite workmanship. On either side of this central door is another
-smaller recess of similar character. Above, in the second stage, is
-an arcade of seven round-headed arches with chevron ornament, three
-being open and four blocked; while over this again, in the gable, is a
-vesica-shaped moulded recess. Sad to relate, this beautiful old building
-is now doing duty as a cart-shed!
-
-Stamford is not rich to-day in architecture of the Norman style, and
-St. Leonard’s Priory, a small portion of what remains of St. Paul’s
-Church (now used as part of the Grammar School premises), an arch on
-the west side of St. Mary’s Hill, known as the “Pack-horse Arch,” and
-a few fragments of the original Hospital of SS. John and Thomas (now
-incorporated in Lord Burghley’s Bedehouse at the south extremity of the
-bridge), are perhaps all that we can assign to this period. We must not,
-however, conclude from this that Stamford was ill equipped with churches
-and religious foundations in the twelfth century. All Saints’, Water
-Street, on the south side of the river, was erected in 1066, but has
-now entirely disappeared, while the original church on the site of the
-present St. Martin’s was begun in 1133. All Saints’ College (attached
-to Crowland Abbey) and St. Mary’s Benedictine Nunnery, founded in 1109
-and 1120 respectively; St. Giles’ Lazar House (1150); the House of the
-Holy Sepulchre and Chapel of St. Mary Magdalene (of about the same date
-and with some remains still visible in a private residence known as “The
-Hermitage,” close to the George Hotel); St. Michael’s Priory (1156); the
-Hospital of St. John the Baptist and St. Thomas of Canterbury (1170);
-and a cell (_c._ 1200) of Peterborough Abbey, in Burghley Park (traces
-of which are said to remain in the kitchens of Burghley House)—form
-a list which, though incomplete, abundantly attests to the religious
-activity which existed here at this time. All the above were in the
-Northamptonshire part of the town. Of those on the north side, there
-is documentary evidence that the Church of “All Saints in the Mercat”
-(_i.e._ Market), so called to distinguish it from All Saints’, Water
-Street, was in existence in 1170, while we may assert, on architectural
-grounds, that the Church of St. Paul was also erected in the twelfth
-century. Among buildings of slightly later date we may mention the
-Hospital of St. Leger (1208), near St. Paul’s Church; St. Mary’s Priory,
-Newstead, for Austinian Canons, founded in 1230 and situated about a
-mile eastward of the town; and the Friary of SS. Mary and Nicholas, for
-Dominicans (1230), on the south side of St. Leonard’s Street—of all of
-which houses no traces now remain.
-
-Of the Franciscan or Black Friary (_c._ 1250), near St. Paul’s Gate on
-the eastern side of the town, a small postern gate may still be seen;
-and of the Carmelite or White Friary (1260), situated a little to the
-north-east of the preceding, the picturesque gateway which now gives
-access to the grounds of the Stamford Infirmary but which is of later
-date (_c._ 1350), is one of the architectural features of the town.
-In 1292 the Gilbertine Canons of Sempringham, a community which has
-a special interest as being the only order originating in England,
-founded a Hall in St. Peter’s Street, on the west side of the town, a
-few remains of which are still visible; and in 1335 an Austinian Friary
-was established not far from the same spot, of which a fragment or two
-remain, built into an almshouse hard by. The list here given, which,
-it is to be feared, is somewhat in the nature of a catalogue, cannot
-fail to establish the fact that Stamford was an important centre of
-religious life during this period, an assertion which receives additional
-corroboration when we examine further the records of the church-building
-in the town.
-
-Although Stamford can never have covered what we should now consider
-a large area, she possessed as many as sixteen churches, a number now
-reduced to six; and if those which remain may stand as a fair sample of
-the whole, Stamford, in her halcyon days, must have been able to furnish
-a veritable feast of architectural beauty. Of some of the churches which
-no longer exist little is recorded, as, for example, All Saints’, Water
-Street (already mentioned), St. Stephen’s, St. Thomas’, St. Michael’s
-Cornstall, St. Mary’s Bennewerk (_i.e._ within the “works” or walls),
-and Holy Trinity. These were all destroyed in 1461 under circumstances
-to be noticed hereafter. St. Clement’s (near Clement’s Gate, now known
-as Scotgate), St. Peter’s (situated on St. Peter’s Hill, and originally
-belonging to Hambleton, Rutland), and St. Andrew’s (in Broad Street),
-were removed under an Act of Parliament in 1553. The parishes belonging
-to both the above groups of vanished churches were subsequently
-apportioned to one or other of the surviving parish churches.
-
-Perhaps this will be a convenient place at which to offer a few
-remarks—necessarily very brief and inadequate—concerning the churches
-which are still in existence, since no account of Stamford could be
-deemed complete which did not include some notice, however imperfect, of
-what many would deem her chief glory—namely, her Gothic architecture.
-
-As a recent writer[89] has pointed out, it is essential that the student
-of the Stamford churches should bear in mind that the memorable year
-1461, when the town was laid waste by the Lancastrian army, witnessed the
-partial or complete destruction of every church in the place; and that
-when the work of restoration began, the materials were re-used so far as
-was found possible, portions of those churches which it was decided not
-to rebuild being in all probability worked into the fabric of those of
-which the restoration was taken in hand. When we bear this fact in mind,
-certain features found in some of the churches can be explained which
-would otherwise be most difficult to account for.
-
-_St. Mary’s Church_ occupies a striking position at the top of the
-hill leading from the Welland Bridge to the centre of the town. The
-thirteenth-century tower, surmounted by a beautiful fourteenth-century
-spire of the broach type, forms what many would consider Stamford’s
-fairest architectural possession. The arcading on the belfry and the
-elegant tracery in the spire lights are among the many exquisite
-features of this part of the building. The nave appears to have been
-rebuilt in the Perpendicular Period, though the material is largely of
-thirteenth-century date. The chancel is in the Early English style, while
-the chapel on the north side, of fifteenth-century work, contains a fine
-contemporary wooden roof which still preserves its original gilding and
-decoration.
-
-_All Saints’ Church_ is favoured by its open situation, having in this
-respect a great advantage over the majority of the Stamford churches.
-Though alluded to in a document of the twelfth century, as stated above,
-no portion of the present fabric can be assigned to a date earlier than
-the thirteenth century. Of the latter period are the nave and chancel
-arcades and the remarkable arcading on the outside of the south and east
-walls. The pillars of the south nave arcade are singularly beautiful,
-having foliage caps surmounting banded, detached shafts. This church,
-moreover, is rich in monumental brasses, one of which commemorates
-William Browne (the restorer of this church in the fifteenth century) and
-his wife. Of this William Browne we shall have occasion to speak when we
-describe “Browne’s Hospital.”
-
-_St. John’s Church_ is a strikingly uniform Perpendicular building, and
-affords an admirable example of the style. It contains a well-preserved
-oak screen as well as a good specimen of a timber roof, which retains
-some of its original colouring and has carved figures of angels under the
-principals. In the windows are some remains of fine old glass.
-
-[Illustration: ST. MARY’S CHURCH AND HALL, STAMFORD.]
-
-_St. George’s Church_ exemplifies better than any other what has been
-said concerning the restoration of the Stamford churches after the 1461
-havoc. Without this explanation a visitor would be sorely puzzled on
-beholding a series of nave columns, each consisting of an Early English
-base supporting an octagonal drum of Decorated date, above which is an
-Early English cylindrical section, surmounted in its turn by another
-octagonal portion and a cap, both of Decorated style. The church once
-possessed a series of windows containing representations of King Edward
-III. and the first Knights of the Garter, but unfortunately this glass,
-which would have been of inestimable value and interest at the present
-time, was destroyed during the Parliamentary wars.
-
-_St. Michael’s Church_ is quite modern (consecrated in 1836), though it
-occupies the site of an eleventh or twelfth century building. It contains
-but little of interest to the ecclesiologist.
-
-A portion (the south aisle) of the _Church of St. Paul_ survives, and has
-been used since the sixteenth century as a class-room in connection with
-the Grammar School. It is a curious and somewhat puzzling building, being
-partly of thirteenth-century date, but having on the south wall a Norman
-corbel-table. It also contains fragments of later date, a piscina and a
-small heart shrine.
-
-So far all the churches we have been considering are on the Lincolnshire
-side of the river, but for the sake of completeness a word or two must
-be said of the _Church of St. Martin_ in the Northamptonshire part of
-the town, though this is strictly outside our subject. It is mainly
-a fifteenth-century structure, though there are traces of the older
-building which is known to have existed on this site. Some of the windows
-contain some fine old glass which was brought here from Tattershall
-Church and elsewhere; but perhaps the chief interest of the church to the
-visitor is afforded by the series of tombs of the Cecil family, including
-those of the great Elizabethan statesman, Lord Burghley, and of his
-father and mother, as well as a very pretentious Italian marble monument
-commemorating John, Earl of Exeter (_ob._ 1700), and his wife Anne. An
-opportunity occurs here to correct an error which has found its way, by
-repeated copyings, into almost all the printed accounts of this church,
-to the effect that William Laud, who became Archbishop of Canterbury,
-was once curate of St. Martin’s, Stamford, whereas the parish which
-can in reality claim this distinction is Stanford (formerly known as
-Stanford-on-Avon), near the borders of Warwickshire. Both places being in
-the same county and diocese, the mistake is a not unnatural one.[90]
-
-Before we pass from the consideration of Stamford’s architectural
-features, we must briefly notice another class of institutions with which
-the borough is exceptionally well endowed, namely, almshouses; and chief
-among these is Browne’s Hospital or Bedehouse, founded towards the end
-of the fifteenth century by that William Browne whose name has already
-been mentioned as the rebuilder of All Saints’ Church. He was a wealthy
-merchant of the Staple of Calais, born of an old Stamford family, and
-was himself six times Mayor of the borough. The Bedehouse is under the
-care of a Warden and Confrater, and accommodates ten men and two women.
-The residential part of the establishment was rebuilt in 1870, but the
-old dormitory (no longer so used), with the audit-room over it, the
-cloisters, and the small chapel communicating with both, and extending
-upwards to the full height of the building, remain as they were. The
-oak screen, through which the chapel is entered from the west, is an
-exquisite example of woodwork of the best Perpendicular Period, and
-the windows of the chapel and audit-room contain some very beautiful
-contemporary glass. The Bedehouse, moreover, possesses some fine and
-valuable furniture and fittings, including a very curious almsbox
-discovered in a wall during the 1870 restoration.
-
-[Illustration: CHAPEL SCREEN, BROWNE’S HOSPITAL, STAMFORD.]
-
-Hopkins’ Hospital, founded in 1770, contains in one of its walls a
-gargoyle and part of a window, the only remaining fragments of the
-Austinian Friary which stood close by.
-
-Lord Burghley’s Bedehouse was founded by the great Lord Treasurer in
-1597. It occupies the site of the old Hospital of St. John and St. Thomas
-at the south end of the town bridge.
-
-Fryer’s Almshouses, Truesdale’s Hospital, Snowden’s Hospital (or St.
-John’s Callis), Williamson’s Hospital, and St. Peter’s Hospital (or All
-Saints’ Callis), of which a mere enumeration must suffice, combine to
-make a formidable list of such charitable institutions, which speaks
-well for the philanthropy and public spirit of past generations of
-Stamfordians.
-
-After this somewhat lengthy architectural digression it is time to
-resume the thread of Stamford’s general history where we left it at the
-beginning of the church-building period. In 1206 the manorial rights of
-Stamford were conveyed by the King to the Norman noble, William, Earl
-Warren, whose name figures largely in the early history of the town. He
-made considerable additions to the castle, and, according to tradition,
-was responsible for instituting the famous “bull running” in the river
-meadows below the Castle, which became a popular annual celebration.
-The story goes that Earl Warren observed one day in the water meadows
-an infuriated bull, which made its way into the town, scattering and
-attacking in its wild career those of the inhabitants who were unlucky
-enough to come in its way. The spectacle appears to have appealed to
-Warren’s sporting instincts, and he thereupon made over the meadow to
-the butchers of the town on condition that they provided a bull annually
-on 13th November for a repetition of the pastime. It was not until 1839,
-after a keen struggle between the public and the authorities lasting for
-several years, that this ignoble “sport” was suppressed.
-
-Earl Warren’s arms (checquy argent and azure), impaling the royal arms of
-England, are borne by the borough of Stamford to this day, as can be seen
-by a glance at the shield on the front of the Town Hall on St. Mary’s
-Hill.
-
-In 1256 Henry III. granted the first charter to the town, and we may,
-perhaps, pause here for a moment to consider the municipal history of the
-borough, which has been a long and honourable one. Edward IV., in the
-first year of his reign, bestowed a second charter on the town by which
-the chief alderman was raised to a position of exceptional privilege and
-responsibility, being within his jurisdiction the immediate lieutenant of
-the King. The next charter dates from the reign of Charles II., and in
-this the chief alderman is for the first time styled “Mayor.” The last
-charter was granted by James II. The early archives of Stamford perished,
-like so many other valuable possessions, in the Lancastrian onslaught
-upon the town in 1461, but the subsequent municipal deeds and documents,
-including the 1461 charter, have been carefully preserved. The Stamford
-corporation, moreover, possess exceptionally fine regalia, including a
-small and very beautiful silver mace believed to be of the time of Edward
-IV., a larger mace dated 1660, and a third of majestic size presented in
-1678. The last, which bears the initials of King Charles II., was given
-by Charles Bertie, who was one of the members representing Stamford in
-Parliament. He also presented the corporation with a valuable silver
-punch-bowl, capable of containing five gallons. Two additional silver
-cups were the gifts of other donors in 1650 and 1658.
-
-In 1266 a situation arose in connection with Stamford which forms a
-curious chapter in her annals. Following on the revocation by Henry III.
-of a licence under which a number of students from Oxford and Cambridge
-had established themselves at Northampton, a migration of these young men
-to Stamford took place, and their numbers being increased by a further
-secession from Oxford in 1333, there grew up in the town a species of
-rudimentary university which at length incurred the jealousy of the
-older universities. Both parties appealed to the King, with the result
-that the Stamfordians were ordered to disperse. It was not, however, till
-some of the more recalcitrant of the students had been removed in custody
-to Oxford that the royal mandate could effect its purpose. It is believed
-that up to comparatively recent years the undergraduates of Oxford and
-Cambridge were called upon to register a definite undertaking that they
-would abstain from studying at Stamford. The scene of this episode in
-Stamford’s history was on the south side of St. Paul’s Street, the site
-being now occupied by a girls’ school, still known as Brazenose, and
-standing where the old Brazenose College of the Oxford seceders formerly
-stood until demolished in 1668. The famous Brazenose knocker, which the
-Oxonians are said to have carried with them from their Oxford hall,
-remained behind at Stamford until late in the nineteenth century, when
-the authorities of Brazenose College, Oxford, purchased the premises and
-bore the precious relic in triumph back to its original home on the banks
-of the Isis.
-
-In 1293 Queen Eleanor’s body rested here on its way from Harby to
-Westminster, and a cross (of which nothing now remains to mark the site)
-was erected on the western side of the town, near St. Clement’s Gate, as
-was done at each point where the cortège halted on its journey.
-
-In 1363 the Castle and manor of Stamford were given by Edward III. to
-his son Edward, Duke of York. The connection thus established naturally
-led the inhabitants to espouse the Yorkist cause in the Wars of the
-Roses which followed in the next century, and they thus brought upon
-themselves the calamities which have already been referred to in dealing
-with the churches in the town. In 1461 the Lancastrian army, marching
-towards St. Albans under Sir Andrew Trollope, attacked, captured and
-well nigh demolished the town, at the same time destroying all the
-municipal archives. Ten years later, however, occurred what is known as
-the “Lincolnshire Rising,” which ended in the defeat of the Lancastrians
-near Empingham, a few miles north of Stamford.[91] In this fight the
-Stamfordians by their courage earned for themselves such distinction that
-King Edward IV. marked his appreciation of their services by granting
-permission for the royal lions to be placed on the coat-of-arms of
-Stamford side by side with the arms of Earl Warren.
-
-Of the events of the next half century we will only mention the
-re-establishment and re-endowment of the old Grammar School (which is
-known to have been in existence for over two centuries previously) by
-William Radcliffe in 1530, the benefits of whose munificence are enjoyed
-to this day by the boys of the town and district.
-
-The latter half of the sixteenth century witnessed the dissolution of
-the monasteries under Henry VIII. This event in a town which, as we
-have seen, contained religious foundations of nearly every order then
-in existence, must have wrought an overwhelming upheaval, and as we
-contemplate the situation we are forced to realise that, to a great
-extent, Stamford’s glory had departed.
-
-In Elizabeth’s reign began the rise of the Cecil family, whose fortunes
-have since been so closely bound up with Stamford.
-
-Richard Cecil, the father of the great Lord Treasurer, obtained
-possession of the manor of Burghley in 1528, and, after adding
-considerably to the estates, died in 1552, and was buried in St.
-Margaret’s Church, Westminster. His more famous son William, afterwards
-first Lord Burghley, was born at Bourne, and received part of his
-education at Stamford Grammar School, proceeding thence to St. John’s
-College, Cambridge. He rose to be a statesman of eminence under Edward
-VI., but his name is, of course, more intimately associated with the
-reign of Elizabeth. The Queen on more than one occasion visited Stamford,
-and the room, with its furniture, which she occupied at Burghley House
-is still shown to visitors. The Lord Treasurer was a great benefactor to
-Stamford, of which he was made lord of the manor by his royal mistress.
-It is, perhaps, hardly necessary to state that both branches of the Cecil
-family, now represented by the Marquises of Exeter and Salisbury, trace
-their descent from the Elizabethan statesman.
-
-In 1565 William Cecil employed John Thorpe to design “Burghley House by
-Stamford town,” which remains one of the stateliest of England’s stately
-homes. Seeing, however, that it stands in Northamptonshire, it is not
-intended to deal at length with the building or the wealth of artistic
-treasures which it contains.
-
-The troubles of the Civil War did not leave Stamford untouched, and
-Cromwell’s iconoclastic followers have left their mark on many a church
-and monument, while Burghley House underwent a siege in 1643.
-
-It is said that Stamford can claim to have been the last place to shelter
-King Charles I. as a free man; for, after spending a night at a house
-on Barnhill as the guest of a Mr. Wolph, he passed out under cover of
-darkness accompanied by two friends, and made his way to the headquarters
-of the Scottish army near Newark, only to be basely sold by them to the
-enemy immediately afterwards. The gateway by which the King departed
-still exists, but was considerably altered by the well-known antiquary,
-Dr. Stukeley, who occupied the premises in the eighteenth century. From
-the close of the Civil War, Stamford has enjoyed a period of unbroken
-peace and quiet prosperity. Before the advent of railways the town was
-an important posting station from its position on the Great North Road.
-The immense range of stabling at the back of the famous old “George Inn”
-sufficiently testifies to the amount of coaching and posting traffic
-which passed through Stamford during the period in which these were the
-recognised methods of travelling. The fact that the main line of the
-Great Northern Railway was taken through Peterborough, instead of through
-Stamford as was first contemplated, resulted in the latter town being
-left for a time somewhat in a back-water, though at the present time the
-railway facilities are admirable. The rapidly increasing use of motor
-vehicles seems likely to revive to some extent the conditions of the
-old coaching days; but, like many another venerable and historic town,
-Stamford seems to have wrapped herself in an atmosphere of dignified
-repose which even the clamorous passage through her main streets of a
-stream of turbulent automobiles appears powerless to disturb.
-
-In bringing these memories of old Stamford to a close, the writer
-is only too conscious that he has been able to do but scant justice
-to his subject. If, however, any reader be tempted hereby to visit
-this fascinating old town and thus to supply by his own observation
-and research all that in these pages is lacking of historical and
-topographical description, assuredly he will not be disappointed.
-
-
-
-
-TATTERSHALL CASTLE AND CHURCH
-
-BY THE EDITOR
-
-
-The ancient castles of this country, almost without exception, are full
-of interest to all sorts and conditions of men and women. The remote
-antiquity of the rude hill-top fortresses of Cornwall, Wiltshire,
-and Wales; the huge earthworks of Old Sarum; the story of a gallant
-defence like Newark; the close association with history of the Tower of
-London, and with the magic of romance like Conisboro’, Kenilworth, and
-Carlisle, find devotees for each. Often, too, castles are among the most
-picturesque objects of picturesque scenery, as Manor Bier, Dunolly, and
-Tantallon may testify; while to the archæologist they present a world of
-interest as their plans, their builders, and their history are discussed,
-occasionally with a wordy vigour which recalls the fights their walls
-have witnessed.
-
-Few indeed of these attractions can be claimed for Tattershall. A huge
-square pile of perhaps the most admirable mediæval brickwork in the
-kingdom (its only real rival being Hurstmonceaux), it can scarcely be
-called picturesque; its military history is of the slightest, and its
-plan and general arrangements are fairly well known. Still, from the
-great architectural charm of its construction and the many and various
-noble families who have been concerned in its building and possession, no
-“Memorials of old Lincolnshire” would be complete without some notice of
-its history.
-
-The word Tattershall is defined by Mr. Streatfield as meaning the house
-or hall of Teitr, a Scandinavian name, signifying blithe or gay, thus
-showing that before the Norman Conquest there probably was a Norse or
-Danish dwelling on this spot.
-
-But in Domesday it only appears as Thorp (now Tattershall Thorpe, a
-hamlet half a mile away on the road to Kirkstead). This manor was
-given by William the Conqueror to one of his attendant knights called
-Eudo, son of Spirewic. His son, Hugh Fitz-Eudo, who was also called Le
-Breton, erected the neighbouring Cistercian Abbey of Kirkstead in 1139.
-A small fragment, part of the south transept apparently, alone is left,
-reminding one of the stately remains at Kirkstall and Roche, by its
-unadorned simplicity of style, which distinguished the early buildings
-of the Cistercian, itself a reformed branch of the Benedictine Order.
-The chapel (_Capella extra portas_, as it is termed), a few yards south
-of the abbey ruins, is described elsewhere in this volume, and is a
-most delightful and dainty specimen of Early English architecture. It
-contains the earliest wooden screen work (after that in the loft above
-the altar at Compton, Surrey) in the kingdom, and a Purbeck marble figure
-of an armed knight, which with its barrel helmet with perforations for
-the eyes, no breathing holes, the general character of the armour,
-and the foliage beneath the head, is dated somewhat between the years
-1200 and 1225, and is most probably the effigy of Robert de Tatesale
-and Kirkstead (a grandson of Hugh le Breton) who died in 1212. In 1220
-he obtained from King John, by present of a well-trained goshawk, a
-licence for a market on Fridays for Tattershall. The cross still exists,
-with arms of Tattershall and Cromwell on it. His son, also a Robert,
-obtained a licence from King Henry III. in 1230 to erect a castle of
-stone in Tattershall:—“Pro Roberto de Tatteshale—Rex concessit Roberto de
-Tatteshale quod libere et sine impedimento unam domum de petra et calce
-firmari faciat apud manerium de Tatteshal: et mandatum est vice comiti
-Linc. per literas clauses quod ipsam dictam domum firmare permittat
-sicut praedictum est. Teste ut supra.”—(Patent Roll, fifteenth year of
-the reign of King Henry III. m. 2.) Nine years afterwards he obtained
-the same King’s leave to embattle this house (“quod possit kernellare
-mansum suum.”—Patent Roll, 23 Henry III. m. 12). No remains of this
-castle are known to exist now; it seems doubtful whether some portions
-may not have endured into the early years of the last century, but this
-point will be more fully dealt with later on. If this were not so, then
-probably the first castle—as far as regards its masonry at least, for
-the mounds and moats are remnants of its original fortifications—was
-entirely swept away when the second castle was rising on its site in
-all its whilom magnificence. The third Robert de Tattershall married
-Mabel, eldest sister and co-heir of Hugh de Albini, fifth Earl of
-Sussex and Arundel, and his grandson, the fifth Robert, was summoned
-to Parliament in 1297 as the first Baron de Tateshale, and died in the
-following year. His son, the sixth Robert, died in 1303, and the seventh
-Robert in 1305, without any children. So that three aunts—Emma, who
-married Adam de Cailli, and died in 1306; Joan, who married Robert de
-Driby, and died in 1330; and Isabella, who married Sir John de Orreby,
-became co-heirs. Tattershall seems to have become part of the share
-of the second one, Joan. By her marriage with Robert de Driby she had
-four children—Simon (died in 1323), Robert, John, and Alice. The third
-son, Sir John de Kirketon (Kirton in Holland), apparently acquired and
-held, from certainly 1334 till his death in 1367, the castle and manor
-of Tattershall. And in Kirton there is still an entrance-gate which has
-on it the arms of Tattershall quartered with those of Cromwell, showing
-that this connection was kept up after his death. Owing to the deaths of
-her brothers without leaving any children the Tattershall property came
-through the family of Bernak by the marriage of Alice with Sir William
-de Bernak (who died in 1339), and she herself died in 1341. Their eldest
-son, Sir John de Bernak, had married Joan, sister and eldest co-heiress
-of Robert Marmion, second Baron of Winteringham. This is another link
-between Lincolnshire and this noble family besides Scrivelsby, which,
-with “Tamworth tower and town,” had been granted to Robert de Marmion,
-Lord of Fontenoy, by William the Conqueror, and the parish of Coningsby,
-only a mile away from Tattershall, was Marmion property also. Sir John de
-Bernak and his wife had two sons—John who died in youth, William who died
-in 1359—and a daughter, Maud or Matilda. Consequently the reversion of
-the Tattershall property came in 1367 to her and her husband, Sir Ralph
-Cromwell. As pointed out above, the property being in possession of Sir
-John de Kirketon till this year 1367, the Bernaks can never have actually
-possessed it, though, curiously enough, William, brother and heir of
-John, son of John Bernak, has the barony of Tateshale (put wrongfully
-in Norfolk) twice attributed to him in an inquisition post-mortem in
-1360, the thirty-fourth year of King Edward III. The family of Cromwell
-seems to have been settled in the villages of Cromwell and Lambley in
-Nottinghamshire, a few miles north-east of Nottingham, from about the
-year 1166; but I know of no connection between this family and those of
-Thomas Cromwell, the “Malleus monachorum,” and of Oliver Cromwell, the
-Protector. The Cromwells had already, in the thirteenth century, been
-allied with the family of Marmion, as the fourth Ralph Cromwell married
-Mazera, second daughter and co-heiress of Philip de Marmion. The ninth
-Ralph Cromwell, knight (son of Sir Ralph Cromwell and Amicia de Beler,
-daughter and heiress of Roger de Beler, co. Leicester), who married
-Maud Bernak, was summoned to Parliament as Baron Cromwell in 1375 and
-1398, in which year he died, his widow surviving till the year 1419. The
-second Ralph, Lord Cromwell of Tattershall, died in 1416. His son, also
-Ralph, was Lord Treasurer of England from 1433-1443, a peer of great
-wealth and influence, and the builder of the existing castle and church
-of Tattershall. Another building of his in stone (no doubt because it
-was easy to procure, as brick was at Tattershall) has been described
-and illustrated in a previous volume of this series, _i.e._ Wingfield
-Manor House, Derbyshire. He also held the appointment in 1435 (after
-the death of the Duke of Bedford, Regent of France, at Paris) of Master
-of the Mews, and Falconer to the King. He married Margaret, daughter of
-John, Baron Deincourt, and his wife Joan, daughter and heiress of Lord
-Grey de Rotherfield, also connected with the family of Marmion. Lord
-Cromwell died in 1455 (his wife having predeceased him in 1454), and left
-no family. They both were buried in Tattershall Church. Consequently, his
-two nieces, daughters of his sister Maud (who had married Sir Richard
-Stanhope of Rampton, Notts, and who had died in 1455), became his
-co-heiresses. Of these Maud married, first, the distinguished soldier,
-Robert, sixth Lord Willoughby d’Eresby, who died in 1452, having had no
-children by her; next, Sir Thomas Nevile, third son of Richard, first
-Earl of Salisbury, who was killed at the battle of Wakefield in 1460,
-also leaving no family; and thirdly, Sir Gervase Clifton, of Clifton,
-Notts, who was killed at Tewkesbury in 1471. Maud herself died in 1497
-and was buried in Tattershall Church. Joan married Sir Humphrey Bouchier,
-third son of the first Earl of Essex, who was summoned to Parliament
-(_jure uxoris_) in 1461 as Baron Cromwell, and who was killed at the
-battle of Barnet in 1471. She married, secondly, Sir Robert Ratcliffe,
-and died in 1472, leaving no children. She also was buried in Tattershall
-Church.
-
-According to the poet Skelton, King Edward IV. possessed Tattershall, as
-he makes him say—
-
- “I made the Tower strong—I wist not why—
- Knew not for whom, I purchased Tattersall;”
-
-and his badge, the falcon and fetterlock, may be seen in the east window
-of the church.
-
-The property, being forfeited to the Crown, was bestowed in 1487, by
-King Henry VII., on his mother Margaret, Countess of Richmond. King
-Henry VIII. granted it, in 1520, to Charles Brandon, Duke of Suffolk,
-upon his marriage with Mary, the King’s sister. In default of heirs,
-it again reverted to the King. In 1551 King Edward VI. granted the
-castle and manor to Edward Fines, Lord Clinton, who was created Earl of
-Lincoln in 1572. His great-grandson, Theophilus, fourth Earl, in 1649
-petitioned Parliament for compensation for the damage done to Tattershall
-Castle during the civil war. Tradition has assigned the dismantling and
-unroofing of the castle to the time just after the battle of Winceby,
-near Horncastle, in 1643, and W. A. Nicholson[92] has recorded several
-inscriptions on its walls, of the years 1642, 1644, 1645, and 1648,
-showing that it probably was not in good keeping about that period. It
-continued in the possession of the male line of the Earls of Lincoln
-till the year 1692, when Bridget (only daughter and heiress of Hugh
-Boscawen by Margaret his wife, fifth daughter and eventually co-heiress
-of Theophilus Clinton, Earl of Lincoln) married Hugh Fortescue of Wear
-Gifford, North Devon (one of the most charming manor houses imaginable),
-an ancestor of the present noble proprietor, the Earl Fortescue.
-
-We may now turn our attention to the past and present state of this once
-magnificent residence. It was built, as mentioned above, by Ralph, the
-third Baron Cromwell, of whom William of Worcester speaks as follows in
-his _Itinerary_: “The Lord Treasurer expended in building the principal
-and other towers of his Castle of Tattershall above four thousand marks;
-his household there consisted of above a hundred persons, and his suite
-when he rode to London commonly of one hundred and twenty horsemen,
-and his annual expenditure was about five thousand pounds.” The date
-of the castle’s erection can be told, within a very few years, by the
-heraldry which is its most prevalent ornament. There is the coat of arms
-of Tattershall (chequy _or_ and _gu._, a chief _erm._), which might be
-used by any lord of Tattershall since heraldry began; of Driby (_arg._ 3
-cinquefoils _gu._, a canton _gu._), which would date from the reign of
-King Henry III.; those of Bernak (_erm._ a fesse _gu._) and of Cromwell
-(_arg._ a chief _gu._ over all a bend _az._), from the reign of King
-Richard II. (the first shield in the fireplace on the ground floor, i.e.
-_gu._ 10 annulets _or_, has been supposed to be an early shield of the
-Cromwell family), but the shields of Cromwell and Tattershall impaling
-Deincourt (_az._ a fesse dancetté between 10 billets _or_) show that not
-until after Lord Cromwell’s marriage with Margaret Deincourt could the
-castle have been thus decorated, and, as there were no children of that
-marriage, there could be no such union of arms after their deaths. Also,
-the very frequent repetition of the Purse (with its double bags and the
-motto, “N’aj je le droit?”), the badge of office, marks the period of
-building as coinciding with that of Lord Cromwell’s tenure of the Lord
-Treasurership, _i.e._ from 1433 to 1443. It is an interesting thought
-for Lincolnshire folk that very probably a celebrated Lincolnshire man,
-William Patten of Wainfleet, Bishop of Winchester, was the architect
-of these “bricky towers”; the school at Wainfleet, also in brick, is
-another token of his architectural skill in this material, as his work at
-Winchester Cathedral and at Magdalen College, Oxford, testified in stone.
-He was a great architect, a personal friend of Lord Cromwell’s, and was
-one of his executors (another one being, curiously enough, Chief-Justice
-Sir John Fortescue, an ancestor of the present proprietor); the
-neighbouring church of Tattershall being unfinished at Lord Cromwell’s
-death, William of Wainfleet helped to complete it, having probably
-designed it also.
-
-The plan of a mediæval castle was, generally speaking, as follows: There
-was an outer wall surrounded by a ditch, over which a drawbridge would
-give access to the main entrance. Then separated from the first by a
-second ditch would be the second (the inner) wall. Both walls would be
-strengthened by towers at suitable points. Within this inner ward, as
-the space inside the inner wall was termed, the chief living rooms—the
-barracks, so to speak—would stand. Finally, there would be the donjon
-or keep, the strongest of the castle buildings, frequently erected on a
-mound, and capable itself of withstanding for some time a hostile attack
-even though the rest of the castle was in the enemy’s hands.
-
-Tattershall Castle was defended by an incomplete outer moat, which,
-starting from the north-east angle of the area, went along the north
-and west sides, and communicated with the river Bain; there is still
-some water in portions of this ditch. It probably was carried eastwards
-so as to enclose the church, but there is a noticeable dip in the
-ground on the eastern side of the castle area, which is probably the
-same moat defending that portion of the castle. From a plate of the
-castle published by Buck in 1727 (which is in the writer’s possession),
-much knowledge can be gathered of the arrangements and buildings of
-Tattershall at that date. The inner moat was complete, and the outer wall
-which surrounded it, for the most part of brick, is in fair condition;
-it was supplied with water from the outer moat by a culvert piercing the
-outer bank and wall about the middle of the north side, which is plainly
-visible, and around which the bank is faced with stone. This, according
-to Buck, was protected by a strong and tall tower over it. On the east
-side of the moat may be seen a blocked up arch, which was connected with
-the outer moat at that point, and ran eastwards beneath the church to
-that part of the moat. The main entrance to the castle was evidently a
-little north of this arch, much in the line of the present pathway, for
-Buck plants a large gateway with two towers and portcullis here, on the
-inner side of the inner moat. Just outside and to the eastwards is a
-brick building of two storeys, and of exactly similar work to that of the
-rest of the castle. This house, which was probably used for guard-rooms,
-had at the north-west angle a turret staircase, and the only door on the
-ground floor was originally on the southern end, opening on to a terrace
-wall which defended this part of the castle. The outer wall was about
-twelve feet high (judging from the mark where it joined the house), with
-arched recesses and loopholes, and over all a platform with a crenellated
-parapet. A brick turret was at the south end of it, and the ruins of
-this and the drain into the moat are still visible. On the south side of
-the inner moat can be seen some stone corbels in the brick-facing wall,
-which were evidently to support a drawbridge. On the west side of the
-outer wall is a large brick one-storeyed building (with little arched
-cupboards or recesses in the walls, as will be found elsewhere), probably
-a guard-room, and the ruins of a strong tower farther to the north and
-east, on the edge of the outer moat.
-
-On the south of the inner court is a large piece of ground, elevated
-and surrounded by a stone wall, except on its eastern side; this was
-probably an adjunct of the original castle, and was used for tilting and
-other exercises. It was approached doubtless by the drawbridge already
-mentioned. Eastward it joins a still larger portion of ground on the
-south of the church—the castle garden or pleasaunce. This is walled in
-partially with brick, and has had two doorways in the south side. In
-the spandrils of one were the coats of arms of Cromwell and Tattershall
-quarterly, and that of Deincourt.
-
-The inner ward now is nearly flat, and contains no buildings save the
-great tower or keep, having unfortunately been levelled about 1790.
-Besides the entrance-gate already mentioned, we find from Buck’s view
-that in 1727 there still existed the eastern portion of the chapel,
-showing an apse of which two perpendicular windows were visible, and a
-great part of the dining-hall, which had a fine bay window and five other
-windows. To the left of the keep, and in the left foreground, are some
-buildings which very possibly were the remains of the castle of King
-Henry III.’s date.
-
-Next we come to the chief feature of the place, the so-called Castle,
-which in reality was only the representative of the keep of earlier days.
-The inner ward wall joined it at the north-east and south-east towers,
-where the marks are plainly visible; the north, west and south sides were
-defended by the outer moat. It is 87 feet long by 69 feet wide, and the
-parapet of its angle turrets is no less than 112 feet above the level
-of the ground at its base. It is almost entirely constructed of small
-red bricks, traditionally supposed to have been brought from Flanders,
-though there is no reason why they should not have been made in the
-county. The walls externally have patterns, chequers, and lozenges in
-blue-black bricks upon their surface, and the groining of brick in the
-upper rooms is most delicately moulded, and may well serve as a lesson
-to us, even in this twentieth century, in artistic workmanship. On this
-work still exists considerable traces of pink plaster with red lines, to
-imitate brickwork—a curious case of carrying coals to Newcastle! Local
-stone (Ancaster probably) is used for the windows (which retain most
-of their tracery and mullions, except those of the ground floor), the
-machicolations, the battlements (in one place cement has been used for
-repairs), and the very admirably executed chimney-pieces, which will
-receive special attention later on. There are brick relieving arches
-over all the windows, doorways, and fireplaces in the castle. The large
-windows, which are more evident on the west, the exposed side, than
-on that facing the inner ward, show that the great change in warfare
-was in progress—that “villainous saltpetre” was altering the type of
-fortification from a massive tall keep like Rochester or Conisboro’, or
-the Edwardian castles of Harlech or Conway, to low-walled earthworks,
-such as those which still surround Berwick, and which were erected in the
-“spacious times of great Elizabeth”; also, these windows show that the
-nobleman’s castle was changing into the nobleman’s palace or mansion, of
-which, again, the Elizabethan buildings, such as Longleat, Hatfield, and
-Haddon Hall, are the finest examples.
-
-[Illustration: TATTERSHALL CASTLE, FROM THE SOUTH-WEST.]
-
-The basement storey contains a large central room, with a very flat
-arched ceiling, a room in each of the towers, except the south-eastern
-one (which contains the staircase), and a room in the thickness of the
-eastern wall, which has similar arched recesses in its north and south
-walls to those already described. There has been a well in the centre of
-this basement area. A staircase leads down to the central room from the
-outside of the east wall.
-
-There seem to have been no less than forty-eight separate apartments,
-four of these being very large (about 38 feet long by 22 feet wide and 17
-feet high), and occupying the centre of the building one over another.
-
-That on the ground-floor may have been the common hall or hall of
-entrance; it is entered by a door in the east wall, and has four large
-windows, which have lost their tracery and mullions, two in the western
-side, and one at each end, and an exceedingly fine stone fireplace in the
-eastern wall. Its arch is of ogee shape, well moulded, much flattened,
-the ogee ending in a finial above the upper battlemented edge, which has
-small pilasters with capitals at each end. The heraldic decoration is as
-follows, reading from left to right:—Cromwell (ancient?), the treasurer’s
-purse, a lion rampant (for D’Albini), treasurer’s purse, Marmion,
-Bernak, treasurer’s purse, Cromwell and Tattershall impaling Deincourt,
-treasurer’s purse, Cromwell and Tattershall quarterly. In the lower line
-come treasurer’s purse, barry of ten (if Cailli, it should be barry of
-eight; it is sometimes assigned to Clifton, but it does not agree with
-the shield of Clifton of Buckenham[93] who married Elizabeth, sister of
-the second Baron Cromwell, or of Clifton of Clifton,[94] Maud Stanhope’s
-third husband), treasurer’s purse, Deincourt, Driby, treasurer’s purse,
-Grey of Rotherfield, and treasurer’s purse. In the middle, beneath the
-point of the ogee, is the shield of Cromwell, much defaced.
-
-The room on the first floor might have been the hall of state or the
-audience chamber. Approach to it is gained by a newel staircase, the
-steps being stone, in the south-east turret, which begins a few feet
-above the level of the ground, and ends at the fourth storey, the
-ground-floor large room having had an entrance, now blocked up, from
-its south-east corner into this staircase. The hand rail, continuous
-and ingeniously moulded in stone, flush with the wall, is noticeable. A
-similar one, but slightly projecting, is in the staircase of the Alnwick
-Tower in the Bishop’s Palace, Lincoln; another in the staircase to the
-crypt in Grantham Church; and another, of much later date, in Kirby Hall.
-
-The large room on this storey has three windows with excellent
-Perpendicular tracery, and the two western ones have the recess ribbed
-and vaulted; there is no window opening through to the north, as a
-chamber has been constructed in the thickness of the wall. The fireplace,
-which is in the east wall, has a well-moulded depressed arch, with
-amusing grotesques in the spandrils on either side and at the side of
-the circles, reminding one of the hard-working creations of Dicky Doyle
-on the cover of _Punch_. The pilasters and battlemented top are much
-the same as in the lower fireplace, but its chief ornament is a row of
-heraldic shields and badges in circles across its front. First comes the
-familiar purse, then Tattershall, St. George and the Dragon, Cromwell
-and Tattershall impaling Deincourt, Cromwell and Tattershall quarterly,
-on a shield couché, with two savage men as supporters, on an esquire’s
-helmet a cap of maintenance inflamed. Next comes a representation under
-an embattled arch of a lion being rent asunder by a man, a feat which
-was related of Hugh de Nevile, who served in the Crusades under King
-Richard I. It does not seem quite clear why this achievement of a Nevile
-should appear here, though, as we have seen, Maud Stanhope married a
-Nevile as her second husband. Then comes a lion rampant for D’Albini,
-and the treasurer’s purse. The spaces between the roundels above are
-occupied with shields of Bernak, Driby, Cromwell (one defaced), Cromwell,
-Tattershall, and Deincourt below, with the treasurer’s purse. About the
-end of the eighteenth century this fireplace was bricked up and opened
-at the back, to be used for the room in the eastern wall, where dwelt
-a pensioner, whose duty it was to be in readiness to light a cresset
-beacon-fire on the south-east tower in case of invasion.
-
-The large room on the second floor was perhaps the state bedroom, and has
-three beautiful windows; a chamber in the thickness of the south wall
-preventing a similar window in that wall. The fireplace is of much the
-same general character as the last one, but has the spandrils filled with
-foliage, and the place of the roundels is taken by ten panels, ornamented
-with foliated tracery, making altogether an exceedingly delicate
-architectural composition. Alternating with the treasurer’s purse are
-the shields of Bernak, Deincourt, Driby, Cromwell, and Tattershall. In
-the thickness of the eastern wall of this floor is a beautifully vaulted
-gallery, 38 feet in length, vaulted in five compartments, with diagonal
-ribs of brickwork; on the connecting bosses are the shields of Driby,
-Tattershall, Deincourt, and Cromwell. It is lit by three fine mullioned
-and traceried windows.
-
-The large room on the third floor has very similar windows to the
-others, and the fireplace also is very like that in the floor beneath;
-but the treasurer’s purse has invaded the spandrils, and the shields
-of Deincourt, Driby—one broken and defaced—Cromwell, and Bernak being
-separated by small treasurer’s purses, are enclosed in eleven dainty
-panels, with different tracery. On this floor in the eastern wall are
-two rooms even more richly vaulted than the gallery below, the spandrils
-being filled in with quatrefoils of moulded brickwork, enriched with the
-shields of Tattershall, Cromwell, Deincourt, and D’Albini (or Beler).
-
-The floors of these great rooms were constructed of timber, and
-plastered; each floor resting on four great massive girders of oak, the
-upper one having a lead roof. Till a few years ago there were still
-four beams remaining _in situ_, but after the castle was struck by
-lightning, and one beam was thrown down, the others were taken down to
-avoid the chances of any accident. The lightning seems to have struck
-the north-east tower (which alone had kept its conical roof), and jumped
-across to the western wall, where it tore out the external footings of
-one window on each floor, till it reached the ground.
-
-A very noticeable feature of Tattershall Castle is the covered gallery,
-well supplied with loopholes, which runs from turret to turret, partly
-projecting over the machicolations of the walls, having had above a
-parapeted and embattled platform. These galleries upon the machicolations
-are not uncommon in the châteaux of France. Visitors to the region of
-the Loire will remember good instances of this feature in Langeais,
-Azay-le-Rideau, and de L’Islette. A small staircase in the thickness of
-the wall of the south-eastern turret continues from the large circular
-staircase to the top of the turret. The turrets are battlemented, and
-have brick-arched machicolations. They were in Buck’s time apparently
-all roofed in with conical spirelets, terminating in fleurs-de-lys.
-All these roofs now are gone. In these turrets are fireplaces, for, no
-doubt, partly, the warder’s comfort, but also, possibly, for providing a
-prompt supply of boiling oil or lead “or something humorous” wherewith
-to discomfort the adversary beneath. And both in turrets and elsewhere
-in the buildings the necessary garde-robes may be found. The chimney
-stacks, on the east side particularly, must have added to the appearance
-of the tower, as they were originally considerably higher than they are
-now. Excepting the lightning stroke few modern events connected with the
-castle have been more interesting than the fall of a lad of nine years
-old, on June the 2nd, 1879, from the top wall of the keep to the floor
-inside, a distance of 76 feet. He came off with a dislocated hip and
-other bruises; but, like Joan of Arc’s 60 feet leap from Beaurevoir, “by
-some miracle broke no bone in (his) body.”
-
-It might be mentioned that the fireplaces, which have been rather
-minutely described, are believed to have been carefully studied by Pugin
-when he was engaged in designing the internal decoration and fittings of
-the Houses of Parliament. About four miles north of Tattershall are the
-remains of another tower—Tower-le-Moor—of the same date, construction,
-and materials as Tattershall Castle. It was probably built by Lord
-Cromwell as a hunting-box, and was about 60 feet high. Only one angle of
-it exists now; considerably more is seen in Buck’s print of it in 1727.
-
-Since this article was written, the property has been sold to Mr. Albert
-Ball, J.P., of Nottingham, who is, I believe, quite sensible of the great
-value to the nation of his new possession.
-
-
-TATTERSHALL CHURCH
-
-There are no indications existing at Tattershall of any earlier church
-than the present one, at least above ground—for foundations have been
-discovered beneath the south transept floor, which have no apparent
-connection with the church as it now is—except perhaps the font, which,
-as far as its base and stem is concerned, is of Decorated (_i.e._
-fourteenth century) date. That there was an earlier church is certain
-for the following reasons. In 1323 Joan de Driby wished to assign,
-amongst other items, “the advowsons of the Church of the said Manor
-of Tatreshale, &c., to Gilbert de Bernak, parson of the Church of
-Tatishale,” &c. “The said church is worth twenty marks by the year.”
-Also on the choir steps is the brass of a former steward of Ralph, Lord
-Cromwell, _i.e._ Hugh de Gondeby, who died in 1411. And in the will of
-the founder, Ralph, Lord Cromwell (of whom there has been much to say in
-recording the history of the castle), dated 1451, it is directed that he
-was to be buried in the middle of the choir of Tattershall Collegiate
-Church, until the said church is rebuilt, and then to be removed and
-buried in the middle of the new church, but so that no impediment be
-placed in the way of going in or going out to those ministering around
-the divine offices in the aforesaid choir. And in Bishop Alnwick’s
-visitation of his cathedral in 1440[95] there is mention made of the
-erection of the parish church into a collegiate one by the Treasurer of
-England. The present building was, in part at least, erected by Ralph,
-third Lord Cromwell, as a collegiate church dedicated in honour of the
-Holy Trinity. He obtained a licence from the Crown in 1439 to endow it
-for the support of seven priests, one of whom was to be the warden, six
-secular clerks, and six choristers, and he also founded almshouses for
-thirteen poor persons of either sex, to be under the supervision of the
-warden of the college. The chaplains were to maintain divine service
-perpetually, to pray for the King, alive or dead, and for the souls of
-the founder, and of his grandmother, Dame Matilda Cromwell.
-
-In 1519 Bishop Atwater visited Tattershall, and remarked that the
-choristers were only taught to sing, whereas they ought also to be
-instructed in grammar, and he noticed that the chaplains were in the
-habit of dressing like laymen, so he ordered them in future to dress as
-priests, according to their statutes. The seal of the college represented
-the Trinity in a canopied niche, beneath being a shield of arms, Cromwell
-and Tattershall quarterly. The college was dissolved in 1545, and was
-granted to Charles Brandon, Duke of Suffolk, the King’s brother-in-law,
-to whom the adjacent castle and manor had come in 1520. The buildings
-of this college, which were on the south side of the church, have
-disappeared. The almshouses, on the north side of the church, are
-probably on their original site.
-
-The church, which is situated about eighty yards east of the castle, is a
-large and very spacious cruciform structure of stone (probably Ancaster,
-which has weathered well, and looks in many places as though it had been
-worked a year or two ago), consisting of nave, with aisles, choir, north
-and south transepts, a north porch, doorways in the west and north aisle
-of nave, south transept, and door in choir, and western tower. There have
-been cloisters on the south side of the choir to which this door gives
-entrance, and two porches corresponding to that existing on the north
-side, and the other at the south end of the south transept.
-
-It is 180 feet long, the transepts together are 100 feet in length,
-the nave 60 feet wide, the chancel 26 feet, and the transepts 20 feet.
-Over the entrance to the north porch is a niche for a statue, below a
-handsome cross, and above a shield, with the coat of arms of William of
-Wainfleet, Bishop of Winchester, to whom some part of the architectural
-design of the castle has been attributed (he is supposed to have finished
-this church after the founder’s death), _i.e._ fusilly ermine and sable,
-and on a chief sable, three lilies slipped. Over the south porch was a
-similar shield according to Holles; in the windows above both porches
-was the inscription: “Orate pro anima Radulphi nuper domini de Cromwell
-et Tateshall, Thesaurarii Anglie et fundatoris hujus Collegii.” On the
-west side of the door of the north porch is a holy water stoup. Over
-the east window of the choir is another niche, probably for the Holy
-Trinity. The tower has a fine square-headed western doorway beneath a
-band of panels containing blank shields, a five-light window above,
-then a small square-headed light, and three-light belfry windows. The
-parapet is now plain, with crocketed angle pinnacles, which end, below
-the parapet, in double angular buttresses, a feature not uncommon in
-Perpendicular towers, but not much to be admired—especially here, as it
-makes the tower look rather low and squat. There is a staircase in the
-south-west angle of the tower, leading also on to the aisle roof. At the
-junction of the choir and south transept is a circular turret, in which
-is a staircase from the pulpitum or choir screen, up to the transept
-and nave roofs: it has been higher, and probably was used, as in so many
-other Lincolnshire churches, as a Sanctus bell-turret. The first great
-impression gained on entering the chancel is its exceeding lightsomeness,
-the window surface is very extensive, compared with the wall space, and
-unfortunately, except in the east window, all the coloured glass is gone.
-This came about in 1759, from the then Lord Fortescue giving the then
-Earl of Exeter the glass from the windows to put in St. Martin’s Church,
-Stamford,[96] on condition that the Tattershall windows should be glazed
-with plain glass. This condition was not observed for many years, and
-the interior of the church, particularly of the choir, suffered terribly
-from exposure and neglect. The windows of the nave and transepts, of
-four bays, are of good design, as is the clerestory range over nave and
-transepts, of three lights, but the north and south transept end windows
-are very fine, and of almost identical pattern with those in King’s
-College Chapel, Cambridge, except that the latter have five bays, and
-Tattershall six, and at Tattershall, throughout all the windows, there is
-a complete absence of cusps.
-
-[Illustration: “PULPITUM” OF TATTERSHALL COLLEGIATE CHURCH, FROM THE
-EAST.]
-
-The small amount of painted glass that was left has been collected
-together in the east window of the choir, where can be recognised the
-Treasurer’s badge, and the shield of Tattershall, &c. A few remains exist
-of the stalls, which were dated 1424, in an inscription on them, and
-their stone quatrefoiled base (similar to that of the stalls in Lincoln
-Minster) is now placed in the nave. There are fine sedilia and a piscina
-in the south wall of the choir, and angels on the corbels of its roof,
-holding shields with instruments of the Passion on them. There are two
-interesting wooden pulpits, and a portion of a cornice of wood along
-the top of the wall in the nave above the south aisle windows. In the
-north transept are now carefully fixed the series of fine monumental
-brasses—one to Ralph, Lord Treasurer Cromwell (the founder of the
-church), and his wife; to William Moor, second Provost of the College; to
-Joan, Lady Cromwell; to Matilda, Lady Willoughby de Eresby; to another
-Provost of the College, possibly John Gyger; to William Symson, chaplain
-of Edward Hevyn, who was steward to the Countess of Richmond, and who
-founded a chantry in this transept, where is a piscina (as there is also
-in the south transept). A small brass to the memory of Hugh de Gondeby,
-1411, is in the centre of the choir pavement. The fine and interesting
-choir screen and loft (pulpitum) is dealt with at length in another
-chapter by the writer.
-
-
-
-
-THE SEPULCHRAL BRASSES OF LINCOLNSHIRE
-
-BY THE REV. G.E. JEANS, M.A., F.S.A.
-
-
-I propose in this paper to establish the point that Lincolnshire has
-not hitherto been given sufficient credit among antiquaries in general
-for its share in the great national treasure of monumental brasses.
-Brasses are in themselves among the most beautiful and the most durable
-of monumental records. They can reproduce details of armour and costume
-with a delicacy which is scarcely possible in the most sumptuous stone
-or marble monuments. The great majority are of such convenient size
-that they can be rubbed on a single large sheet of paper; and, unlike
-altar-tombs, can be studied all at once. And furthermore, for these and
-other reasons, brasses have long attracted a special body of devotees
-among antiquaries, some of whom will rub and record a brass with loving
-zeal, while they will hardly look at the church which contains it, or
-at any of its other records in tomb or window. Thus it may be that our
-brasses have been better examined and figured than any other form of
-monumental effigy.
-
-Nevertheless, I may claim to have shown in my list of Lincolnshire
-brasses, republished from _Lincolnshire Notes and Queries_, that a good
-deal still remained unexplored in this and, therefore, probably in
-other counties. Brass-lovers (no convenient single name has yet been
-invented) have naturally turned to the counties where brasses are to be
-found in almost every church, such as Norfolk, Suffolk, and Kent, or the
-northern and eastern ring of London; and the best of these have been
-splendidly illustrated in different forms by J.S. Cotman, the artist
-(1819), Mr. E.M. Beloe, the Rev. E. Farrer, W.D. Belcher, and others.
-None but casual single illustrations of the Lincolnshire brasses have
-been published. But I should think that none of those who saw Mr. William
-Scorer’s magnificent collection of rubbings of them, at the meeting of
-the Archæological Institute at Lincoln in July 1909, could doubt the
-claim of Lincolnshire to a much higher place than has been generally
-granted hitherto among the counties of brasses. The great long series
-in Boston Church, and the glorious, though fearfully maltreated, one in
-Tattershall Church were seen on that occasion _in situ_, and there is
-another great display in the county at All Saints’, Stamford, besides the
-many instances of one noble brass, or sometimes two, as at Spilsby and
-Gunby St. Peter’s. One of the most learned and accurate brass-lovers I
-have ever met, the late Rev. C. G. R. Birch, told me that in his opinion
-Lincolnshire, in the proportion of _valuable_ brasses to the whole number
-remaining, stood perhaps first among the counties.
-
- * * * * *
-
-I will now place the brasses under different categories to show how well
-Lincolnshire would come out in a County Championship in almost every
-class.
-
-First would come the _series_, say of not less than six, in a single
-church. These are of course rare everywhere. Even in a county so
-overflowing with brasses as Norfolk, only about half-a-dozen churches
-would be able to qualify. Lincolnshire, as I have just said, has three.
-That in Tattershall Church is beyond all doubt one of the finest series
-in England, in spite of its heartrending maltreatment. There are seven
-brasses here, of which no less than four are of the first rank, namely,
-the great one of Lord Treasurer Cromwell, those of his two nieces—Joan,
-Lady Cromwell, and Matilda, Lady Willoughby d’Eresby—and the brass of a
-Provost of the College. Besides these there are two interesting brasses
-of priests and one of a civilian, 1411. Every brass in this noble set
-deserves study.
-
-Next comes Boston, which, as being almost the greatest of English ports
-in the fourteenth and fifteenth centuries, having a special connection
-with the Low Countries, and being one of the great centres of merchant
-guilds, must at one time have been among the richest in England in
-this kind of memorial. Here there are no less than seventeen brasses,
-including what are little more than fragments, ten of which are effigies
-or the remains of figure brasses. Two of these, those of Walter Pescod
-and his wife and the unnamed priest of about 1400, are of the first rank,
-and exceedingly valuable for the figures of saints in the canopy shafts
-of the former and the orphreys of the latter.
-
-All Saints’, Stamford, has eight brasses, six of which are with effigies,
-one very fine and all interesting.
-
-We turn now to the _earliest_ brasses, which are of course very valuable.
-The first period in most books is taken to be the reigns of the first
-two Edwards, 1272-1327; and of this period there are only nineteen
-or perhaps twenty in all England, of which Lincolnshire has two, at
-Buslingthorpe and Croft. Everybody knows that the premier brass is Sir
-John d’Aubernoun’s at Stoke d’Abernon, Surrey, because that is dated
-1277. But the extremely interesting half effigy of Sir Richard de
-Boselyngthorp, unfortunately not dated, is certainly not much later than
-Sir John d’Aubernoun, and, as I suggested and Mr. Macklin agrees, may be
-even a little earlier. Buslingthorpe is a very remote church, and there
-is no rectory house near, so it is to be hoped that some special care is
-taken about this precious monument. The one at Croft is somewhat similar,
-but is generally regarded as from ten to twenty years later.
-
-Taking now the classes of people who are represented in effigies, we may
-regard them as mainly coming under five heads—knights or noblemen in
-armour, priests, ladies, merchants, or judges. How does the county come
-out in these?
-
-[Illustration: BRASS OF MATILDA, LADY WILLOUGHBY DE ERESBY (1460?), IN
-TATTERSHALL CHURCH.]
-
-In _Knights_ there is a fairly representative sequence. Beginning with
-the Buslingthorpe and Croft brasses just mentioned, we have then Sir
-Henry Redford at Broughton, and Sir Andrew Luttrell at Irnham (fourteenth
-century); Lord Willoughby at Spilsby; and others at Laughton, Gunby,
-Covenham St. Bartholomew, South Kelsey, and Holbeach (early fifteenth);
-Robert Hayton at Theddlethorpe (1424); the grand brass of Lord Cromwell
-at Tattershall (1455); Henry Rochforth at Stoke Rochford (1470); Sir
-William Skypwyth at South Ormsby (1482); and several of the sixteenth
-century, as at Norton Disney, Ashby Puerorum (two), Horncastle,
-Harrington, and Hainton (a tabard).
-
-In _Priests_ the list is only moderate, but it is headed by the fine
-one at Boston in the sacrarium (_c._ 1400), and the grand late one of a
-Provost at Tattershall, whom I take to be John Gyger (_c._ 1510). There
-are two other priests at Tattershall—William Moor (1456) and William
-Symson (1519). Another interesting brass of a priest is that of William
-de Lound (_c._ 1370) at Althorpe in the Isle of Axholme. This was covered
-up by coats of paint daubed over the altar-tomb on which it was set, so
-that it was only discovered at the restoration of the church. The brass
-of a priest in cope (_c._ 1490), at Fiskerton, is interesting as having
-been lost, but fortunately re-discovered by Bishop Trollope in a shop at
-Lincoln. The rest are unimportant.
-
-In _Ladies_ the county would claim high rank if it were only for the
-beautiful brasses of Lord Cromwell’s nieces and co-heiresses, Joan,
-Lady Cromwell, and Matilda, Lady Willoughby d’Eresby. Lady Cromwell’s
-effigy, with long flowing hair kept back by a jewelled bandeau (which
-looks as if the brass had been engraved before she was married), I regard
-as the most graceful figure on a brass in all England. Both are fine
-studies of dress. Their date cannot be accurately fixed, since they are
-certainly earlier than 1497, the year of Lady Willoughby’s death; but
-in my list, in _Lincolnshire Notes and Queries_, I have given reasons
-for believing that they were engraved between 1460 and 1480. The next
-finest is of another Lady Willoughby, Margery, who died in 1391; it
-is in the Willoughby Aisle, now kept locked, in Spilsby Church. There
-is another effigy of a lady with flowing hair, Elizabeth FitzWilliam,
-1522, at Mablethorpe. A fine figure of a lady, _c._ 1400, was discovered
-at Gedney in 1890. She was probably of the Roos family, who held the
-manor. She wears the nebular head-dress, with hair flowing from under
-it. The only other lady with costume of much interest is one, probably
-a Skypwyth, at South Ormsby. Ladies represented with their husbands are
-seldom very elaborately treated as to their costume. About 1480 they had
-the “butterfly” head-dress, which one would suppose must have been as
-annoying to their husbands and brothers as the modern lady’s gigantic hat.
-
-Turning now to _Civilians_, Lincolnshire has several brasses of great
-merchants, though more might be expected in what was in the Middle
-Ages one of the chief trading counties with the Continent. The finest
-of these probably was the great brass of Walter Pescod, 1398, now in
-the sacrarium of Boston Church, though it has lost the wife’s effigy
-altogether, the feet of the merchant himself, the inscription (happily
-recorded by Gervase Holles), and part of the superb canopy. For a study
-of saints in the smaller figures it is, though out of its true place,
-now happily placed for comparison with the contemporary priest on the
-other side of the altar. The next important brass of a merchant is that
-of William Browne, the founder of the great hospital at Stamford, in All
-Saints’ Church there, where there are others of the same family also.
-Simon Seman the vintner, standing on two wine-casks, in St. Mary’s,
-Barton-on-Humber; and the two Lyndewodes, father and brother of the
-author of _Provinciale_, at Lynwode. And if judges are to be counted with
-civilians, the interesting brass of William de Lodyngton, Justice of the
-King’s Bench of Common Pleas, in the rebuilt church of Gunby, close to
-Burgh station, must not be omitted.
-
-Now let us turn our attention to peculiar types of brasses, and see how
-we stand in these. I will take three interesting types—cross brasses,
-palimpsests, and brasses of local workmanship.
-
-The _Cross_ is not, I should say, a type that one would wish to be
-largely extended, as it seems to sacrifice the main object of the brass;
-but that it is capable of much grace is shown by the beautiful though
-mutilated cross at Grainthorpe, which stands on a rock in the sea, with
-carefully drawn fishes of five kinds swimming round it.
-
-Of _Palimpsests_, or brasses used a second time, there is one of the most
-interesting in England at Norton Disney. This brass of the Disney family
-is notable as a very late instance (_c._ 1580) of armour. The reverse
-is the larger part of a plate with a long Dutch inscription relating to
-the founding of a chantry with daily mass in a now destroyed church at
-Middelburg in 1518. No doubt the brass was soon stolen, together with
-the endowment of the mass, in the Reformation. But the interest does not
-end here. Not many years ago it was found that the whole of this brass
-is in England, the smaller portion having been used again for one of
-the Dauntesay family, also _c._ 1580, at West Lavington in Wiltshire.
-There are several others, including one at Boston, with a lady on each
-face, and one of Sir Lionel Dymoke at Horncastle, which has a Flemish
-inscription on the reverse.
-
-_Provincial workmanship_ needs, of course, a good deal of technical
-knowledge to detect. The immense majority of English brasses were made
-by London artists, and the only provincial schools seem to have been in
-Lincolnshire and Yorkshire. One small mark usually found in provincial
-work is mentioned by Haines, namely, that the hands are held apart, one
-on each side of the breast, as in Lord Willoughby’s brass at Spilsby.
-
-I must here mention two very singular brasses to be found in the county.
-I do not know of any instance of bodily infirmity commemorated except in
-the curious brass of William Palmer, 1520, at Ingoldmells. He has beside
-him a “stilt” or crutch, and in the inscription he is called, “William
-Palmer wyth yᵉ stylt.”
-
-The brass at Edenham is—or rather was, for it is now taken into the
-church for safety—quite startling, being formerly on the west face of the
-tower, forty feet from the ground. It is of an archbishop, and when the
-Lincolnshire Architectural Society went to Edenham in 1888, and the brass
-was there described by Bishop Trollope, I remember that much amusement
-was caused by the episcopal figure looking so much like a rough portrait
-of the good bishop himself. It may, however, be taken as certain that
-this is not a sepulchral brass, but part of a representation of the giver
-of the tower, _c._ 1500, since the rivets of another brass, the donor
-kneeling, can be detected on the other side of the west window lower
-down. It must then be of a saint, and so may be assumed to be St. Thomas
-of Canterbury. It is, however, well worth mention here.
-
-Lastly, I turn to the inscriptions. There are many rather curious ones
-dotted about the county, but they are mostly too long to be worth
-transcribing in full. I will give, therefore, two only, from Wrangle and
-Lusby.
-
-At Wrangle, on the tomb of John Reed, a merchant of the Staple of Calais,
-and his wife, is a marginal inscription running round a large slab, which
-has been broken in parts, but was copied by Marratt. The introduction of
-the verse part is curiously abrupt, and seems to need some link. It runs:
-“_They for man when yᵉ [winde blows make the mill grin]de. and ev. on thy
-own soule have thou [a minde. that thou givest w]yth thy hande that shalt
-thou finde. and yᵗ thou levys thy executors comys far behinde. do for
-your slefe whill yᵉ have space. to pray ihu of m̅cy and grace i̅ heuen to
-haue a place._”
-
-[Illustration: JOHN LYNDEWODE AND HIS WIFE ALICE (1419) IN LYNWOOD
-CHURCH.]
-
-In the tiny church of Lusby, close to the battlefield of Winceby, there
-is a small brass plate on a slab which bears, as far as I can make it
-out, the date 1555. It has a pretty little inscription in verse as a
-dialogue between a wife and a husband. It runs:
-
- “_My flesh in hope doth rest and slepe_
- _In earth here to remayne._
- _My spirit to Christ I gyve to kepe_
- _Till I do rise agayne._”
-
- “_And I wyth you in hope agre,_
- _Though I yet here abyde._
- _In full purpose if Goddes will be_
- _To ly down by your syde._”
-
-I hope now that I have sufficiently proved my point as to the great
-value and interest of the Lincolnshire brasses. Mr. Macklin in his small
-work, _Monumental Brasses_, made a kind of tripos for the counties, in
-which Lincolnshire, though taking honours, only won a third class. In
-his larger and greatly improved book, _The Brasses of England_, in “The
-Antiquary’s Library,” this list disappears, and I should be surprised
-if he would not now raise the county to his second class. At any rate,
-some twenty brasses of great importance or fine workmanship, together
-with many rare or even unique instances of particular types, are amply
-sufficient to establish a claim to considerable distinction.
-
-
-
-
-ON MEDIÆVAL ROOD-SCREENS AND ROOD-LOFTS IN LINCOLNSHIRE CHURCHES
-
-BY THE EDITOR
-
-
-In many times and in many places religious men have loved to veil or
-screen off those parts of their House of God which they considered more
-particularly sacred, from the “profanum vulgus.” The veil of the Jewish
-Temple, the veil which stretched across the Saxon chancel arch, the
-chancel-screens from the earliest days of Gothic to our own in the Church
-of England, the “Jubé” in France, Belgium, and Germany, the “screens and
-ambones” of Italy, and the “Iconostasis” of the Greek Church (different
-in position though it be), all testify to the widespread character of
-this custom. The very word “chancel” itself is derived from the Latin
-_cancelli_—a lattice-work or screen.
-
-In the decrees of the Second Council of Tours, A.D. 557, “lay persons
-were not to enter the chancel, which is divided off by screens, except to
-partake of the sacrament of the altar.” A complete screen extended all
-round the choir later on. Eusebius describes the choir of the Church of
-the Apostles, erected by Constantine at Constantinople, as enclosed by
-screens or trellis work, marvellously wrought: “Interiorem ædis partem
-undique in ambitum circumductam, reticulato opere ex aere et auro affabre
-facto convestivit.”[97] Professor Willis describes the screen of old
-St. Peter’s at Rome as follows (and an engraving of it is also given by
-Pugin): “In front of the steps (to the altar) were placed twelve columns
-of Parian marble, arranged in two rows; these were of spiral form and
-decorated with sculpture of vine leaves: the bases were connected by
-lattice-work of metal or by walls of marble breast-high. The entrance was
-between the central pillars, where the _cancelli_ or lattices were formed
-into doors. Above these columns were laid beams or entablatures upon
-which were placed images, candelabra, and other decorations; and indeed
-the successive Popes seem to have lavished every species of decoration in
-gold, silver, and marble work upon this enclosure and the crypt below.
-The entire height, measured to the top of the entablature, was about 30
-feet; the columns, with the connecting lattices and entablatures, formed,
-in fact, the screen of the chancel.”[98] At San Clemente, at Rome, the
-chancel is divided off by a screen wall all round, being 4 feet 6 inches
-high; each ambo, or reading-desk for Epistle or Gospel, is in the middle
-of the north and south walls and faces east. Between this choir and the
-sanctuary is a cross wall of marble, 6 feet high, with an opening in
-the centre. These existing screens are probably due to Adrian I., and
-date from the year 790, but they are almost certainly on the original
-lines.[99] At Giotto’s Chapel of the Arena, Padua, the chancel is formed
-by marble screens on each side of the nave, leaving a broad entrance-way
-between them, and enclosing about one-third of its length. Against the
-west sides of these screens are altars, each with a small carved marble
-reredos; whilst on the east are steps leading to the two ambones: that on
-the north being a book-rest, carved in marble, and fixed with its face to
-the east; that on the south of iron, and turning upon a pivot.
-
-Thus even in Saxon times the choir of Canterbury, which extended into
-the nave, was enclosed by a breast-high wall. And Gervase tells us of
-the choir of Conrad (A.D. 1130), “that at the bases of the pillars there
-was a wall built of marble slabs, which, surrounding the choir and
-presbytery, divided the body of the church from its sides called aisles.”
-The same choir of Canterbury is now enclosed by the very beautiful screen
-built by Prior d’Estria. Rochester again has a solid stone wall round its
-choir, and the same is the case at _Lincoln_ (though never a monastery).
-“The choir, as a rule, was occupied,” says Dr. Jessopp, “exclusively by
-the monks or nuns of the monastery. The servants, work-people, and casual
-visitors who came to worship were not admitted into the choir; _they_
-were supposed to be present only on sufferance. The church was built for
-the use of the monks: it was their private place of worship.” And, as
-we shall see presently, the screens were still more solid where there
-happened to be a parish church in the nave.
-
-Pugin, in his well-known work on the subject of rood-screens, points
-out another reason for these walled-in choirs (besides the one just
-mentioned), _i.e._ that they shut off in some degree the cold draughts
-of air from the monks during their frequent and lengthy services in
-buildings which at that time (and for many a century to come) were
-not warmed at all. Later still the cathedrals, other than monastic,
-like _Lincoln_, and collegiate churches like Southwell, followed suit
-in separating off the choir from the nave. In all these cases, as a
-rule, the screen was solid, but when the same movement spread to parish
-churches, the chancel was divided off by a screen of open work, there
-being no need for the N. and S. screens, as a rule (though Newark has
-them), so that the congregation—here regarded as an integral part of the
-worshippers—might see the altar and all the ceremonial. In such Saxon
-churches as have retained their Saxon chancel arches, these are very
-narrow, and originally in all probability were closed by a veil, more
-or less completely. This is alluded to in an Anglo-Saxon Pontifical,
-“extenso velo inter eos (_i.e._ clericos) et populum,” and by Durandus
-(who was Bishop of Mende, a small city in the Lozère district of France
-from 1286 to 1296), “interponatur velum aut murus inter clerum et
-populum.” Later, when the use of the veil ceased, and these chancel
-arches were felt to be, through their narrowness, a great obstruction to
-the view from the nave into the choir, openings were made on each side to
-partially circumvent this difficulty. At _Bracebridge_, near Lincoln, for
-example, the chancel arch, exceedingly narrow (being only 5 feet wide),
-is of Saxon date and has a round-headed opening—a hagioscope—on either
-side.
-
-The Lenten veil (a remnant of former use), which was hung across the
-chancel between the screen and the altar, is alluded to in _Lincoln
-Cathedral Statutes_, “velum pendere ante altare,” and at _Leverton_, as
-“the veil of the temple hanging between the choir and the altar in Lent.”
-At _Heckington_ and _Claypole_ still remain the hooks used for this
-purpose.
-
-But besides separating the clergy and laity, the western portion of the
-screens, where they were solid, or the upper part where they were open,
-served to support, or was in close relation to, a horizontal beam—the
-rood-beam—which stretched across the chancel arch, and itself supported
-the rood. This, of course, was a crucifix, and, as Fuller says, “when
-perfectly made and with all the appurtenances thereof, had not only the
-image of Our Saviour extended upon it, but the figures of the Virgin Mary
-and St. John” (the former on the north at Our Saviour’s right hand, the
-latter on the south side and so at His left).
-
-It may be mentioned here that roods carved in stone have been found on
-the outside of Saxon churches. Thus, on the west side of the porch at
-_Branston_, near Lincoln, are the remains of such a sculpture under a
-three-headed arch; also at _Marton by Stow_ a Saxon crucifix rudely
-carved in stone was found during the restoration in 1892, and another
-existed at Headbourn Worthy, Hants.
-
-A Saxon or Runic cross was found in the north aisle in restoring
-_Colsterworth Church_; and at _Barton on Humber_ (St. Peter’s), over the
-inside of the eastern arch of the tower, is a stone slab with a face
-carved in the upper part of it.
-
-These roods of wood or metal were apparently early introduced into
-churches, with or without the screens as mentioned before: “A.D. MXXIII.
-Kanutus Rex dedit ecclesiæ Christi in Doroberniæ” (vel Duroverniæ =
-Canterbury), “portum de Sandwico cum corona sua aurea quæ adhuc servatur
-in capite crucis majoris in navi ejusdem ecclesiæ.”
-
-Stigand again, who was buried at Winchester in 1069, according to
-John of Exeter: “Magnam crucem ex argento cum ymaginibus argenteis in
-pulpito ecclesiæ contulit.” Aldred, the last Saxon Archbishop of York
-(1060-1069), erected “Supra ostium chori pulpitum aere, aere auro,
-argento auro, mirabili opere Teutonico exornavit,” in Beverley Minster.
-Mention is made of a black marble crucifix at Waltham in the time of
-Canute, and the rood at Battle Abbey is spoken of as existing in 1095.
-Gervase, in describing Lanfranc’s cathedral at Canterbury (1174), says:
-“A screen with a loft (_pulpitum_) separated in a manner the aforesaid
-tower” (the central one) “from the nave, and had in the middle and on the
-side towards the nave the altar of the Holy Cross. Above the loft, and
-placed across the church, was the beam, which sustained a great cross” (a
-crucifix almost certainly), “two cherubim, and the images of St. Mary and
-St. John the Apostle.”
-
-Occasionally, as at Chipping Ongar, we find indications of a rood-beam
-having been placed across the _east_ end of the chancel, immediately
-above the altar, and, of course, carrying on it the rood. At _Stow_, in
-the chancel, in the jambs of the side windows north and south of the
-altar space, there was a fracture and displacement of the mouldings
-exactly in the same place in each, no doubt to support a beam for the
-crucifix.
-
-In some cases these altar-screens were double walled, with a kind of
-platform or gallery on the top, whereon the sacred relics could be
-displayed, while the space between the walls served as a sacristy or
-feretory. At _Lincoln Minster_, for instance, the original reredos-screen
-was double, with a long narrow space, serving as a sacristy, between
-the two screens lighted by the quatrefoils, still open in the back
-screen wall, with aumbries, &c., in the walls, and a newel-stair at the
-north-west corner leading to the tabernacle above. A similar arrangement,
-according to the late Precentor Venables, of a narrow slip sacristy
-behind the reredos may be seen at St. Nicholas’, Great Yarmouth, and at
-Llantwit in South Wales. A somewhat similar example exists at Beverley
-Minster; at the back (_i.e._ eastwards) of the altar-screen is a
-platform, reached by a stair at the north end, and supported by three
-elegant arches on shafts, with a vaulted roof, an excellent specimen of
-Decorated work. At York Minster, again, there was a double screen—
-
- “The wooden screen behind the high altar of the same work as
- the rest of the quire, surmounted with triangular coats-of-arms
- containing each a rose, &c., of the common form, supported
- behind by angels. It was handsomely painted and gilt. It had a
- door at each end which opened into a place behind the altar,
- where antiently the archbishops used to robe themselves at the
- time of their enthronization, and thence proceeded to the high
- altar, where they were invested with the pall. On the top of
- this screen was a gallery for musick.... By the taking away
- of this the altar was carried back one arch to a stone screen
- behind it of excellent Gothick architecture.”
-
-Professor Willis believed that this was the place where the portable
-feretrum or shrine of St. William was kept. At Winchester Cathedral,
-behind the high altar (the beautiful altar-screen of which will be
-mentioned presently), is a raised platform in the feretory, cut off from
-the choir by the reredos-screen, with originally an arcade in front of
-it, making a platform of about 10 feet broad. This probably sustained
-the shrine of St. Swithun, and also those of SS. Birinus, Edda, and
-Ethelwold. The eastern face is ornamented with tabernacles of Decorated
-work, and the floor under the platform is carried by a small vault, to
-which entrance is gained below the range of tabernacles. This vault is
-supposed to be the “Holy Hole” of the records.
-
-An altar-screen with rood, &c., is to be seen in an illustration of the
-hearse of Abbot Islip in Westminster Abbey. At St. Cross, Nuremberg, a
-rood with St. Mary and St. John and several angels, contained in very
-fine and lofty tabernacle work, surmounts a carving of the Deposition
-by Veit Stoss, which is protected by triple doors, with paintings by
-Wohlgemuth, over the high altar. This may also have been the case at
-Chichester, as in the years 1276 tapers are mentioned: “Supra trabem
-pictam supportantem crucifixi imaginem viii ejusdem ponderis.” In the
-Laudable Customs of Hereford, in the twelfth century, there is an
-allusion to the beam in “Missa accenduntur xiii cerei supra trabem”; and,
-on great feasts, “iv ante majus altare quinque in basinis xiij super
-trabem et vij super candelabra.” Joceline de Brakelond tells us that
-at Bury St. Edmunds, in the Abbey Church, there was a “Crux que erat
-super magnum altare, et Mariola et Johannes, quas imagines Stigandus
-archiepiscopus magno pondere auri et argenti ornaverat, et Sancto Ædmundo
-dederat.” The following quotations from the Liber Niger of _Lincoln
-Minster_ (about the year 1236) refer to this in all probability: “Item
-in eisdem festis invenire, xvi cereos supra trabem secus altare,” &c.
-“Omnes prescripti cerei exceptis cereis super candelabrum ereum et trabem
-secus altare,” &c. “Item in principalibus festis debent ponere xvj cereos
-parvos super trabem secus altare et illuminare et extinguere et in
-depositione habere unum illorum quem voluerint.”
-
-Then on the choir-screen top, whether of wood or stone, there was
-a gallery—the rood-loft which came into general existence in the
-fourteenth, although as we have seen it was mentioned in the eleventh
-century, and in parish churches often the only evidence left of this
-rood-loft’s existence is the stone staircase of approach.
-
-The _names_ of the rood-loft are various: Holy Loft, Candlebeam, Pulpitum
-(Englished as poulpete, &c.), Rood Soller or Soler (the latter a word
-used by Chaucer, who speaks of the “Soler Hall at Cantebrige”; it is
-interesting to note that there is still a _Garret_ Hostel Lane and
-Bridge there). In Norfolk it was called the Perk or Perch; in France,
-the Jubé; in Germany, the Letter; and in Wales, Lloft y Grog. The screen
-itself has been termed the trelyse, as in Mr. Gibbon’s _Early Lincoln
-Wills_ we find one R. Bradley bequeathing 3s. 4d. for “gilding of the
-trelyse.” Also it was termed spur or spere, as J. H. Parker gives us in
-a contract for a rood-loft at Merton College Chapel, _c._ 1486, “with
-speres and lynterns for two awters.”
-
-As there is a great difference between the solid stone screens of
-cathedral, monastic, and collegiate churches, and the light wood ones of
-parish churches, both in material, design, and uses, it will be well to
-describe each class separately.
-
-The solid chancel-screens of cathedrals, abbeys, and collegiate churches
-have first to be considered. They may conveniently and naturally be
-divided into two classes, of both of which _Lincolnshire_, in spite of
-much ambonoclastic energy, can still show examples.
-
-_Those cathedrals which were originally monastic, and those monastic
-churches which had parochial naves._—In these (and it will be seen
-later, more especially in the Cistercian foundations), there were two
-solid stone screens, of which one was at the east end of the nave, with
-an altar, the Jesus altar, or Holy Cross altar, or parish altar, in the
-midst of its western front, and a door on either side. This was the
-rood-screen, and would have the rood with its belongings on its loft or
-on a transverse beam a little above it. (Mention will be made presently
-of the parish rood-screen and loft which was still further westwards.)
-Between the two screens was an interval, generally of one bay, which,
-among the Cistercians, was allotted to the inmates of the infirmary, the
-sick, old, and infirm. At Norwich Cathedral this interspace is the Chapel
-of Our Lady of Pity; the same was probably the case at Peterborough,
-where an altar is named, “of Our Ladies Lamentation,” and at Durham.
-
-Passing through the interval we should come to the second screen, also
-of stone, and with a loft. On this would be the organ, and there would
-be a projecting feature eastwards from which the Gospels, Epistles,
-and Lessons might be read, or portions of the service chanted. A brief
-extract from The Rites of Durham,[100] followed by a citation of
-examples, some of which are destroyed and some fortunately extant, will
-make this arrangement, I hope, quite clear. After speaking of “the pair
-of organs over the quire dore” in the eastern screen, the writer says:—
-
- “There” (_i.e._ in the same loft) “was also a Lanterne of
- wood, like unto a Pulpit, standing and adjoyning to the Wood
- Organs over the Quire door, where they had wont to sing the
- nine Lessons in the old time on principal dayes, standinge with
- their faces towards the high Altar” (pp. 27-28).
-
-Then, with regard to the western screen, his account runs as follows:—
-
- “In the Body of the Church, betwixt two of the highest Pillars
- supporting, and holding up the West side of the Lantern,
- over against the Quire door, there was an Altar, called
- _Jesus_-Altar,” &c. “And on the backside of that saide Altar
- there was a fair high stone Wall: and at either end of the
- Wall there was a door, which was lock’d every night, called
- the two Rood-doors, for the Procession to go and come in at;
- and betwixt those two doors was _Jesus_-Altar placed, as is
- aforesaid” (p. 54).
-
-This altar was protected by a screen “of wainscot,” and had a “table” or
-triptych over it:—
-
- “There was also, in the height of the said Wall, from pillar
- to pillar, the whole story and Passion of our Lord wrought in
- stone, most curiously and most finely gilt. And also above
- the said Story and Passion, was all the whole story and the
- Pictures of the twelve Apostles,” &c. “And on the height above
- all the foresaid story from Pillar to Pillar, was set up a
- border very artificially wrought in stone with mervellous
- fine colours, very curiously and excellent finely gilt, with
- branches and flowers,” &c. “And also above the height of all,
- upon the Wall, did stand the goodliest and most famous Rood
- that was in all this land, with the Picture of _Mary_ on the
- one side of our Saviour and the Picture of _John_ on the other,
- with two splendent and glistering Arch-angels, one on the one
- side of _Mary_ and the other on the other side of _John_,” &c.
- “Also on the backside of the said Rood before the quire door
- there was a loft,” &c. (pp. 56-57).
-
-This arrangement is scarcely mentioned by writers on foreign
-rood-screens, though Pugin gives a hint of it in his description of the
-Domkirche—the Cathedral—of Lübeck, which has a central altar and side
-doors, whereof he has given a plate, and two bays to the westward of this
-screen there is a rood-beam supporting the rood. There is an iron screen
-also, with central altar and side doors, in Freiburg, Switzerland.
-
-In England this double screen seems to have been most characteristic
-of Cistercian churches. Thus, at _Louth Park Abbey_ there was a stone
-screen, called the pulpitum, at the west end of the choir, extending
-across the nave, whereon stood the organs, &c. In the middle of the
-screen was the choir door or lower entrance (_inferior introitus_). The
-bay west of the pulpitum (which was sometimes of considerable thickness,
-with an altar on either side the quire door, as at Jervaulx) was open,
-and formed the retro-quire, where those who were extra-chorum for a time
-(_e.g._ the _minuti_, _i.e._ those who had been let blood), and such of
-the infirm as could attend, might hear the services.
-
-West of this bay was a second screen pierced with doors at either end,
-and having an altar in the middle against its western side. On top of
-this screen was the rood-loft, with the great rood and its attendant
-images. A bay westward was a low fence screen (the wainscot screen
-alluded to in the above quotation from The Rites of Durham), and the
-remainder of the nave was fitted up for the conversi or working brothers.
-At Fountains, J. T. Micklethwaite noted the same arrangement. At Bolton,
-in Yorkshire, where the nave is in actual use as the parish church, the
-altar stands precisely in the position of this Jesus or parish altar;
-the piscina may be seen close at hand in the south wall, and the Late
-Perpendicular oak screen, once in front of the altar, is now at the west
-end.
-
-Where there was a parish service in the nave of a conventual church, the
-nave was more or less completely shut off from the choir. The parish
-altar then would stand, as first mentioned in the case of Bolton, against
-the east wall of the nave, and consequently there would be a parish
-rood-screen and rood-loft still farther down the nave, so as to cut off
-a chancel, so to speak, for the parish service. At _Freiston Priory_
-(although this eastern separating wall of the nave is modern, the choir
-having perished), the altar is approximately in the position of the
-people’s altar, and the staircase to the rood-loft, and the traces of
-the rood-screen (which exists in a neighbouring parish church—that of
-_Fishtoft_), show that three bays of the nave were cut off by it. Almost
-exactly the same arrangement exists at Dunster, where the choir was
-ordered, in 1499, to be used exclusively by the monks, and the nave to be
-appropriated to the parishioners. A coëval rood-screen extends across the
-nave, cutting off two eastern bays, with a rood-stair in the south aisle,
-showing its present position to be the original one.
-
-At Edington Priory Church, Wiltshire, a new altar has been erected in the
-position of the original parish one against the screen. At Westminster
-Abbey the choir runs far into the nave (cutting off the five eastern
-bays), and is separated from it by a high and deep screen of which the
-inner stonework dates from the thirteenth century, but the fronting is
-modern. One bay west was the rood-screen; below it, on the floor of the
-nave, was the Jesus altar, at which mass was said in presence of the
-people. Above, in the rood-loft, was a second Jesus altar, from which, on
-certain days, the Epistles and Gospels were read.
-
-Also, as everywhere in churches before the Reformation, there were
-altars in connection with the rood-screens and rood-lofts. For instance,
-in 1400, Lady Johanna, late wife of Sir Donald de Hesilrigg, bequeaths
-“To the convent of the house of Gysburgh, in Clyveland, one vestment of
-camaca to serve in the pulpit there, and one chalice of silver gilt.”
-At _Grantham_ Parish Church, where there was a stone rood-screen, we
-know, from a mention in the Patent Rolls, that there was an altar in the
-rood-loft. In York Minster there was an altar in the loft before the
-image of the Saviour, on the south side of the church, for two chaplains,
-founded in 1475-6 by Richard Andrew, Dean of York.[101] In the same place
-an inventory is given, of the date 1543, of the belongings of the “altar
-of the name of Jhesu in the rudde loft.”
-
-At Norwich Cathedral the pulpitum still exists as the organ loft (with
-a staircase north and south from central passage to loft), between the
-twelfth piers of the nave (from the west end), the space between these
-and the eleventh is taken up by the Chapel of Our Lady of Pity—the
-ante-choir. Between the eleventh piers is Bishop Le Hart’s screen, with
-central door and an altar on either side, that on the north dedicated to
-St. William, that on the south to St. Mary. Further west, between the
-tenth piers, was probably a wooden screen, and either on this or above
-Bishop Le Hart’s screen the rood would be placed.
-
-An early screen at St. Albans, built by Abbot Richard, 1097-1119, is
-described as a wall of stone finished with a wooden capping, the altar
-being raised in the centre towards the nave. The present screen, called
-St. Cuthbert’s, cuts off three bays of the nave westwards of the lantern.
-In the centre is the altar of the Holy Cross, with a door on each side
-opening into the choir eastwards. If the rood-beam and figures were not
-supported by the screen, they must have been probably westwards of it
-(_eastwards_ in Murray’s _Cathedrals_), and supported by their own screen
-perhaps.
-
-The only instance in _Lincolnshire_ of a screen of the kind just
-described exists in _Crowland Abbey_. Here the north aisle of the nave
-seems to have been used for the parish church (as it is now) from early
-times, but the arrangement in the nave is the same as that mentioned
-above, though I know of no remains of any eastern screen having been
-discovered. The splendid western Norman arch of the central tower is
-screened across below by a solid wall, pierced by two side doors, and
-on the west side there is a space betwixt them for the altar. Also, on
-this side, there is a band of panelling of sunk quatrefoils, extending
-right across the screen a little above the doors (a wooden reredos and
-panelling probably filling up the plain portions of this wall); while
-the eastern face of the screen is ornamented with a panelled band of
-quatrefoils alternating with shields, and the rest of the surface is
-covered with panelled tracery of Perpendicular date. The doorways on this
-side are four-centred, with square-headed mouldings above, the spandrils
-being filled in with foliage. This screen most likely was built by
-William de _Croyland_, who was master of the works from 1392 to 1417. In
-1539, probably the whole arch was built up solid, with a square-headed
-two-light window in the middle, so as to allow the nave to be used as the
-parish church when the choir and the rest of the abbey was pulled down.
-The roof of the nave fell in about 1688, after which the north aisle
-would again be used as the parish church. It is interesting to recall
-the fact that at Leominster a new north aisle was built to serve as the
-parish church, and so also at Blyth.
-
-This central position of the altar, with a doorway on either side, was
-a general arrangement in the Jubés of Germany, of which Pugin’s plates
-of those in Münster Cathedral, the Domkirche and the Hospital, Lübeck,
-the Dom at Hildersheim, and that at Gelnhausen may serve as specimens.
-G. E. Street gave a sketch of a choir-screen with central altar on its
-western front, and a door in either side, at Zamora Cathedral (_Gothic
-Architecture in Spain_, p. 92). And a rood-screen at Wechelburg, Saxony,
-with crucifix, SS. Mary and John, central western altar, and side doors,
-is figured in Fergusson’s _Handbook of Architecture_, vol. ii. p. 583.
-
-[Illustration: CROWLAND ABBEY ROOD-SCREEN, FROM THE EAST.]
-
-In all Norman cathedrals, probably, the choir extended westwards
-across the transepts into the structural nave. Consequently in any
-later erection of screens to mark the entrance into the choir, this
-ancient line of demarcation would be followed. The late Professor Willis
-remarks of the screen already alluded to at Canterbury, as described by
-Gervase, “that it may have remained, though in an altered form, to the
-Reformation. One of Winchelsey’s statutes (dated 1298) expressly commands
-that the two small doors under the great loft between the body of the
-church and the choir, which are near the altar under the Great Cross,
-shall remain.” Thus also at Chichester, Bishop Arundel’s Oratory (which
-was pulled down in 1859) stood across the western arch of the central
-tower. At Winchester, the rood-screen was in the second bay of the nave.
-At St. Albans, St. Cuthbert’s altar-screen is three bays down the nave,
-and at Norwich Bishop Le Hart’s screen (when complete with a vaulted
-extension westwards, and a screen still farther, whereon the rood-beam
-would be placed) takes in three bays of the nave. At Westminster four
-bays, at Gloucester one bay, were included in the choir: at Peterborough
-the organ-screen enclosed the first bay of the nave, and there was a
-second screen as at Norwich, one bay farther west. The choir of the monks
-at Ely extended westwards beyond the central tower, and after that had
-fallen, beyond the octagon to the second pier of the nave. At Furness
-Abbey the pulpitum doubtless occupied a bay between the third pair of
-piers in the nave. At _Crowland_, as has been stated above, the existing
-stone screen is across the western side of the lantern. All these, except
-Chichester, belonged to the Benedictine Order. At Kirkstall Abbey, a
-Cistercian house, the plan, as it existed in the twelfth century, shows
-the extension of the choir into two bays of the nave, and at Roche Abbey,
-also Cistercian, there are traces of the rood-screen, three bays down the
-nave (with central door and two side altars), no other screen being found
-save a wooden one in the same line across the north aisle.
-
-In several of the cathedrals on the “old foundation” there is only one
-screen which—as abroad—has served for rood-screens, the rood either being
-on or above it. _Lincoln_, York, Ripon, Wells, and Southwell are all
-furnished with screens of this kind, which have no trace of altars on
-their western front. I am rather doubtful whether there may not have been
-altars on each side of the western doorway of the screen at Southwell.
-
-At _Lincoln_ the solid stone screen stretches across the entrance to
-the choir between the eastern piers of the central crossing, being
-thus in length about 42 feet and in depth from east to west about 12
-feet 6 inches. Its height from the floor of the nave to the top of
-the parapet is 17 feet. The western front of the screen consists of a
-central canopied archway having four recessed tabernacles with rich
-ogee canopied arches, grained continuously on each side, separated by
-detached buttressed piers. The wall behind is covered with diaper work,
-and subdivided by a shelf enriched with leafage below. There are still
-remains of colour and gilding. Three steps lead up to the doorway, from
-which a passage, with flat ceiling and skeleton vaulting (reminding one
-of similar work in the screen at Southwell) gives entrance into the
-choir. On the left, _i.e._ on the north side of this passage, opening by
-double doors, which have some excellent examples of original ironwork
-upon them, is a broad staircase leading to the loft above. Just at the
-entrance to the staircase is the door, on the west side, of a dark recess
-with an aumbry. The staircase has also a flat ceiling and skeleton
-rib-vaulting, and has, on emerging above, a corbel table charmingly
-carved with rich foliage, forming a kind of edge to the hatchway, on
-three sides. On the south, or right-hand side, of the central passage is
-a small room, with solid vaulting, lighted by a square window looking
-into the south choir aisle, guarded by the original iron bars.
-
-On the south side also of the screen, there is a second stair leading to
-the loft, formed in the thickness of the screen wall of the first bay of
-the south choir aisle, lighted by a pierced quatrefoil, and approached
-by a small ogee-headed archway, to be reached by a short step-ladder.
-This, it has been stated, was for the use of the custodian of the choir,
-and from its smallness could never have been used by priests arrayed
-in canonicals. The eastern side of the screen is formed by the return
-stalls, and over the entrance there is a projection of half polygonal
-shape, and of much the same date as the choir-stalls themselves. It
-is noteworthy that the eastern doorway in the stone screen has a deep
-moulding running round the arch, with traces of colour as a finishing
-touch, evidently intended to be seen, before the woodwork of the stalls
-was placed in front of it. I may here mention that the date of the stone
-screen has been generally considered to be about 1320, and that of John
-of Welbourn’s choir-stalls about 1380. This projection is coved, and
-some of the ribs run down to the doorway, but it is curiously and mainly
-supported by horizontal beams running westward from the projection for
-half their length over the floor of the loft, and being bolted through
-that floor at their western ends. Four uprights pass downwards from the
-floor of the projection, two of them to the floor of the choir, which two
-are stopped by responds at each side of the stone archway. On reaching
-the loft, there is a broad seat of stone extending the whole length
-of the loft on the western side, above that a broad band of elegant
-diaper-work, surmounted by a parapet pierced with trefoils alternately
-erect and inverted, and finished with a battlemented cresting.
-
-The eastern face of the screen is guarded by a coped wall of about the
-same height as that just mentioned, _i.e._ about 4 feet. In the middle,
-for about 8 feet, this wall is cut away down to the level of the floor of
-the projection over the eastern doorway, in order to give access to that
-floor. As already mentioned, the joists of this floor (the floor-boarding
-probably only dates from 1826) lead backwards, _i.e._ westwards, over
-a beam laid in the wall north and south, and in their completed state
-would form a half octagonal platform. On each side of the break in the
-parapet wall were found, in the course of the alterations in the organ
-and organ case (in 1897-98), three stone steps. They are broken across,
-and removed towards the middle of the space, but they have evidently
-formed part of a half octagon, as the stone floor of the loft within
-this mark, made by completing the figure, is of a different colour to
-that outside. These steps, then, have obviously led up to the complete
-polygon, half within the projection and half westwards of it, over the
-floor of the loft. These fragmentary steps were noticed to have been much
-worn with use. The interior of the projection, apparently, is original
-work, and it is interesting to find in Wild’s plate, published in 1819
-before the changes in the organ, that it is boarded round and finished
-with a plain moulding. J. J. Smith, the late clerk of the works at the
-Minster, was satisfied that there was a desk running round the inside of
-this projection.
-
-[Illustration: “PULPITUM” OF LINCOLN MINSTER, FROM THE EAST.]
-
-Canon Christopher Wordsworth, in the Introduction to the second part
-of the _Lincoln Cathedral Statutes_, says that there was a rood altar
-(Sanctæ Crucis) under the lantern, either on the screen over the door,
-or before the entrance of the choir. He also adds, “there was, _circa_
-1520-1536, a ‘Jhesus Mass,’ but whether this involved a special Jesus
-altar I cannot say.” And again, “Holy Rood or altar of St. Cross, which
-may have stood on the choir-screen.” An altar with this title appears to
-have existed in the time of Matthew Paris, _circa_ 1250, as he says that
-Remigius was buried in front of it; “in prospectu altaris Sanctæ Crucis”
-are Giraldus Cambrensis’ own words. Therefore, as the Minster was partly
-used as the Parish Church of St. Mary Magdalene, on whose site it was
-built, and a presbyter was deputed by the Dean and Chapter to minister
-sacraments and sacramentals to the parishioners, “in certo loco ipsius
-ecclesiæ Cathedralis,” till Oliver Sutton erected the church on its
-present site in Exchequer Gate, it is probable that there was a Jesus
-altar for parochial purposes and a rood-screen across the western piers
-of the lantern, or even farther west in the nave. In this connection,
-the description of the rood-screen at the entrance to the choir given in
-the _Metrical Life of St. Hugh_, will be of much interest. It was almost
-certainly written between the years 1220 and 1235:—
-
- “_De crucifixo, et tabulâ aureâ in introitu chori._
-
- Introitumque chori majestas aurea pingit;
- Et proprie propriâ crucifixus imagine Christi
- Exprimitur, vitæque suæ progressus ad unguem
- Insinuatur ibi. Nec solum crux vel imago
- Immo columnarum sex, lignorumque duorum
- Ampla superficies, obrizo fulgurat auro.”
-
-On which my friend, the late Precentor Venables, remarked, “The meaning
-is not free from obscurity, but we see that the rood-screen consisted
-of six pillars—three, we may suppose, either side the entrance to the
-choir—supporting two beams, on which stood the crucifix, the whole being
-gilt.”
-
-This, then, may have been the screen on which the rood stood. Abroad,
-as can be seen at the present day (_e.g._ at Louvain St. Pierre), it
-frequently stands upon the screen itself. In other cases it may be
-supported by a beam above the screen. At Canterbury Cathedral, in
-Lanfranc’s time, we learn from Gervase that “above the loft, and placed
-across the church, was the beam which sustained the great cross, two
-cherubim, and the images of St. Mary and St. John the Apostle.” In later
-times it probably stood on the existing arch (built by Prior Goldstone
-II. about 1495 to 1517) inserted under the western arch of the central
-tower. At Exeter Cathedral the rood stood on a separate bar of iron, high
-above the screen, and was erected in 1324, after the screen was finished.
-The rests for it, cut out of the narrow arches on either side, were
-brought into view recently. At Nuremberg the same arrangement prevails,
-or prevailed. At Winchester Cathedral the second easternmost bay of the
-nave from the chancel-screen was occupied by a rood-loft, on which stood
-the “magna crux cum duabus imaginibus sc. Mariæ et Johannis et illas cum
-trabe vestitas auro et argento copiose,” &c., made and set up by Bishop
-Stigand, who was buried at Winchester in 1069. At Glastonbury Abbey we
-read of William de Taunton, Abbot (1322-1335), making the “front of the
-choir, with the curious stone images, where the crucifix stood.” Also
-at St. Edmondsbury, in the earliest part of the thirteenth century,
-Hugh the Sacrist “pulpitum in ecclesiæ ædificavit, magna cruce erecta,”
-showing the close connection between the rood and the loft. At Worcester
-Cathedral there are stone brackets for the rood-beam on the western
-pillars of the lantern, 28 feet from the floor of the nave. There seem to
-be no traces of rood or rood-beam in _Lincoln Minster_.
-
-In the Hereford Consuetudines, one of the duties of the Thesaurarius
-was to keep three lamps burning day and night, one of which was “in
-pulpito ante crucem.” The same officer was ordered in the Liber Niger
-of _Lincoln_, “Minutam etiam candelam invenire in choro et in pulpito
-et alibi in ecclesia quandocumque necesse fuerit,” the Eastern use
-differing from the Western on the score of economy! There seems to be
-no reasonable doubt that the pulpitum and platform already described
-was the one from which the Gospel and Epistle were read or intoned,
-and other portions of the pre-Reformation services sung or said. Dr.
-Hopkins[102] says: “For the accommodation of the singing monks there was
-a projecting gallery or pulpit, as it was sometimes termed, standing out
-from the centre of the east front of the rood-loft, near to the organ.”
-The author of The Rites of Durham speaks of “the pair of organs over the
-Quire dore” in the eastern screen. No doubt there were variations in
-what was read, sung, or chanted from the rood-loft in different dioceses
-and different cathedrals. According to Wild, at High Mass, as soon as
-the reading of the Epistle by the sub-deacon was ended (at the altar,
-we may presume) the deacon, leaving the altar, preceded by the crucifix
-and taper-bearers, and holding the book of the Gospels conspicuously
-elevated in his hands, walked slowly and processionally along the south
-side of the choir (while the choristers sang the _graduale_) to the steps
-leading to the rood-loft, where, being arrived and kneeling under the
-great crucifix usually erected there, he addressed the bishop or priest
-in these words, “Jube, Domine, benedicere,” to which the officiating
-clergyman answered, “Evangelium Domini Nostri Jesu Christi,” or some
-other benediction. And then the deacon would read the Gospel from the
-rood-loft and would return to the altar. From this custom, especially in
-France, the gallery over the screen obtained the name of Jubé. The Liber
-Niger, or Statutes of _Lincoln Cathedral_, have the following directions
-for this use:—
-
- “Vnde incepto _Jube domine benedicere_ none leccionis dabit
- ille benediccionem qui propinquior fuerit dignitate. et iste
- modus seruetur omni tempore nisi ita sit quod omnes canonici
- sint absentes. tunc suus clericus incipiet _Jube_ et cetera et
- ipsemet lector dicat benediccionem. Deinde leget” (p. 372).
-
-Also we find the following references to the use of the rood-loft:—
-
- “_Gloria_, ergo incepto; Eat principalis subdiaconus in
- pulpitum per dexteram partem chori subdiacono (secundario)
- librum portante precedente, Vnde si contingat leccionem aliquam
- precedere sicut in natali Domini siue in septimana Pentecostes
- iiijᵒʳ temporum; secundus subdiaconus leget, et sacerdos cum
- suis ministris dicet _epistolam_. et _Gradale_ et _Alleluia_
- et _Sequenciam_ et hijs dictis eat ad suum sedile et ibi dicet
- oraciones. Lecta epistola in pulpito recedet subdiaconus
- principalis ex sinistra parte chori socio suo prenotato
- precedente et librum portante,” &c. (p. 377).
-
-The following passage has against it in the margin:—
-
- “_De modo eundi ad euangelium in magno pulpito._ Et preparent
- se omnes ministri altaris ad eundum pro euangelio lecturo
- scilicet iij diaconi et iij subdiaconi Principalibus diacono
- et subdiacono textus portantibus et ij turiferarij et ij
- ceroferarij et ij clerici pueri ferentes cruces et hij omnes
- per chorum exeant Set in eundo ad euangelium diaconi ire
- debent ex parte dextra chori precedentibus vno turiferario
- et ceroferario et vna cruce et subdiaconi ex sinistra
- precedentibus vno thuriferario et ceroferario cum cruce, Vnde
- incepto evangelio stabunt coram diaconis subdiaconi omnes et
- clerici cruces portantes principali subdiacono portante textum
- ante pectus Lecto evangelio ibunt ad altare modo contrario quia
- diaconi ibunt ex parte sinistra et subdiaconi ex parte dextra.
- Vnde semper quando aliquis vel aliqui venient in pulpitum
- magnum ad legendum euangelium siue epistolam siue exposicionem;
- venient in dextra et recedant in sinistra et dabit sacerdoti
- euangelium ad osculandum,” &c. (p. 379).
-
-Again—
-
- “Completorium pulsatur” in a given way. “Vnde sciendum quod
- quando iij cantant ad lectrinam in choro siue in magno
- pulpito.... Nota quod quandocumque canonicus leget siue cantet
- in magno pulpito siue in choro sequetur eum ministrando
- vicarius siue clericus in habitu nigro nisi chorus capis
- induatur sericis” (p. 382).
-
-Later, _i.e._ in 1236, there are directions for the choir to face the
-altar whilst the Gospel is being read at the altar, we may presume, for
-the next sentence runs thus: “Et dum legitur in pulpito debet chorus se
-convertere ad lectorem euangelij donec euangelium perlegatur.”
-
-There seems to be little doubt that the principal organ (if the church
-possessed more than one) was frequently placed on the rood-loft, or
-“pulpitum,” and the smaller one in the choir. There was an organ as
-late as Hollar’s time over the “Den” in the fourth bay of the north
-side of the choir at _Lincoln_. By the extracts already quoted from The
-Rites of Durham, there was evidently one pair of organs (meaning one
-complete organ) on the north side of the choir, and another pair on the
-pulpitum there, and from Henry VI.’s “owne avyse” we learn that it was
-expressly ordered that the Eton College rood-loft should likewise serve
-as an organ-gallery. Among the many interesting items in the accounts of
-_Louth_ steeple, dating from 1501-1518, is this:—
-
- “For setting up the Flemish organ in the rood-loft by four days xx_d._”
-
-So that the present position of several of our cathedral organs (which
-is fully justified by convenience and æsthetic satisfaction as being
-thoroughly Gothic) is only a survival of a very tolerably ancient
-practice. Playing the organ (“cuilibet cantancium organum, trahenti
-organa”) is mentioned in the Black Book, already quoted from, in 1322.
-Canon Christopher Wordsworth[103] considers that the terms _organizacio_,
-_organizare_, apply apparently to vocal music at the lectern in choir at
-the end of evensong and lauds. Canon Maddison mentions that one of the
-vicars received a fee as late as 1536 for playing the organ at the “Jesus
-Mass.” On the 10th September 1442, an order for 5 marcs from the fabrick
-chest was made for new organs in the great choir, to be constructed by
-one Arnold, “organer,” of Norwich, in the best manner possible. On 14th
-October (of the same year, I think), Robert Patryngton is commissioned
-to find with all speed “a scientific man” who has skill to make the new
-organs in Lincoln choir. The organ, which was remodelled and enlarged in
-1897-8, was the work of Allen, the case being designed by the late E. J.
-Willson in the year 1826.
-
-A word or two must suffice to describe the side screens of the choir,
-which separate it from the north and south choir aisles. Very probably,
-in addition to other uses, these screen-walls were built to connect
-together the piers of the choir arcades, at least in the three western
-bays, and so help to take off some of the thrust produced by the central
-tower, and were constructed after its fall. The north screen-wall has
-an arcade or triple shafts, ornamented with dog-tooth, and with twisted
-bosses like the rounded head of a drill or a coil of rope at the
-springing of the arches. The fourth bay eastwards is of later date, the
-capitals much under-cut, and the corbels at the apex of the string-course
-having birds among natural foliage. The fourth bay on the south side is
-very similar; the next has later work inserted again, for the shrine of
-Little St. Hugh, the second bay being like the northern three, and the
-first taken up with the staircase for the constable of the close, and
-a square grated window lighting the room in the organ-loft, already
-described. Only those who have seen the magnificent sculptured work on
-the side screens of the choir of Chartres, Amiens, and Notre Dame can
-appreciate what _can_ be done in decorating these screens.
-
-The last stone screen to be described is in _Tattershall Collegiate
-Church_, founded in 1439 by Ralph, Lord Cromwell, Lord Treasurer of
-England.
-
-The pulpitum, or choir screen, is of stone, and is situated between the
-eastern piers of the crossing. It is approached by a broad stone step,
-wider at the southern than at the northern end. It is a solid screen-wall
-with a central passage, having on the north side a staircase leading to
-the loft above, and on the south side a door to a small room (in the same
-position as in the _Lincoln Minster_ screen), lit by three quatrefoils
-into the nave. The western face of the screen consists of three recesses,
-with wide ogee-headed arches, cusped internally, and ending in finials
-which run straight up to the cornice of the loft and are there cut off.
-There is a string-course at the apex of the arches; the intervening
-spaces are filled with shallow panels, having arched and cusped heads.
-The northern and southern ends of the screen are chamfered off, and there
-are traces of some pedestal and tabernacle work in the broken stonework
-about the height of the string-course, and again below the spring of the
-arches. The whole of this west front is finished off with a cresting of
-Tudor flowers. The central doorway takes up one of the recesses, the oak
-doors being mainly original, though great hooks for hinges still exist in
-the stonework behind them. The other two recesses exhibit very evident
-manifestations of having once contained altars, there being small pillar
-piscinæ in the south side of each recess, and marks of where the altar
-slabs were fitted to the work behind. They were in the same position as
-those at Bishop Le Hart’s screen at Norwich, at the beautiful screen in
-Glasgow Cathedral, at Eton College, at the eastward screen of Gloucester
-Cathedral, and at Roche Abbey. Altars in the same position still exist
-abroad, as at Lierre, Aerschot, Dixmude, and Brou. At Louvain (St.
-Pierre) the side arches have, unfortunately, been opened out, and the
-altars removed, and the same process has been gone through with the side
-arches at Exeter Cathedral.
-
-[Illustration: HOLY TRINITY CHURCH, TATTERSHALL.]
-
-On the eastern side of the screen at _Tattershall_, facing the chancel,
-is a doorway with a four-centred arch, square-headed above, with the
-spandrils filled in with the Tudor rose. Above the doorway, as at
-_Lincoln_, only here in stone, is a projecting three-sided feature
-ornamented with a band of panelling which extends across the whole width
-of the screen, and is similar to those already described on the western
-side. Below the band the screen-wall is blank, no doubt for the canopied
-stalls, of which there are some fragments as well as the stone bases left
-in the church. The upper edge of this front of the screen is finished off
-with Tudor flowers, which, however, are not pierced through completely as
-they were on the nave side. The loft is protected on each face, east and
-west, by a solid wall, 4 feet 7 inches in height, with a coped projecting
-portion behind the Tudor cresting on the west side. In the projection
-into the chancel there are two stone book-rests, one in the middle, 2
-feet long by 1 foot 3 inches high, occupying the space behind the three
-middle Tudor flowers; it is 3 feet 7 inches from the floor, and has a
-ledge about 1½ inches wide at the lower edge to hold the book safely. The
-second one faces north-east, and occupies the space behind the two outer
-Tudor flowers; it is a couple of inches less in length. An example of
-much the same kind—a stone book-rest—can still be seen at the east side
-of the loft of the Jubé in the monastic church of Valleria at Sion, in
-the Rhone valley.
-
-The rood-beam and rood probably stood across the chancel arch, above the
-loft, as there are marks on both pillars of considerable damage about two
-feet below the capitals.
-
-From the south end of the loft a doorway gives access to a turret
-staircase leading up to the roof; the turret has evidently been higher,
-and has probably served as the bell turret for the _Sanctus_ bell. The
-date of the screen has been supposed to be settled by an inscription
-recorded by Holles:—
-
- ORATE PRO ANIMA ROBERTI DE WHALLEY HUJUS COLLEGII, QUI HOC OPUS
- FIERI FECIT ANNO DOMINI MCCCCCXXVIII, CUJUS ANIMA PROPICIETUR
- DEUS. AMEN.
-
-He seems to have been buried beneath its archway.[104] But the work
-is evidently contemporaneous with the rest of the church, as shown
-especially by the staircase turret, and there is no trace whatever of
-any Renaissance feeling. Probably the inscription refers rather to some
-decoration, colour or the like, on the screen. It is curious that this
-screen possesses the only instance of cusped arches in the church.
-
-
-PARISH CHANCEL-SCREENS
-
-Simple—as the beginnings of all artistic work are—are the earliest
-chancel-screens of this country, and the progress from simple forms
-to the very rich and complex ones of the Perpendicular Period is as
-evident in wooden screen-work as it is in the history of tracery in
-stone. Probably the earliest wooden screen-work in the country exists
-in the Church of St. Nicholas, Compton, Surrey. The eastern end of this
-church, of Late Norman date, is in two storeys, the lower one forming
-the sanctuary, vaulted, and opening to the west with a rich Late Norman
-semicircular arch. Railing off the upper floor above this arch is a
-screen, consisting of a series of semicircular arches springing from
-cylindrical or octagonal shafts, with moulded bases and caps, almost
-certainly of twelfth-century date, and thus coëval with the Late Norman
-or Transitional portions of the church. In the exquisite little chapel at
-_Kirkstead_ is the earliest wooden screen-work in the county (and, saving
-Compton, in the country), which has probably been the upper portion of
-a choir-screen, in the back of two pews. It is composed altogether of
-thirteen bays, divided equally between the seats. Each bay consists of
-a lancet-headed trefoil supported by octagonal pillars with moulded
-capitals and bases. The total height of the work is 2 feet 9 inches,
-and it consists of oak throughout. This screen was considered by the
-late Bishop of Nottingham to be coëval with the chapel itself—_i.e._ to
-have been made about the first quarter of the thirteenth century. In
-Rochester Cathedral is (or was) some screen-work of the same date and
-character. In Thurcaston Church, Leicestershire, is a screen consisting
-of plain panel-work in the lower part, and of a series of open arches
-above, trefoiled in the heads, and springing from slender cylindrical
-shafts, with moulded bases and caps, being almost identical (save in
-having cylindrical pillars) with the example from _Kirkstead_. In Stanton
-Harcourt Church, Oxfordshire, is a very similar screen, only with
-circular annulated pillars; this is considered to be forty or fifty years
-later in date—_i.e._ about 1260, about the same date as the screen at St.
-Andrew’s, Chinnor, in the same county.
-
-[Illustration: ROOD-SCREEN AND BASE OF LOFT, SLEAFORD CHURCH (ST.
-DENIS’).]
-
-The screens of Decorated and Perpendicular date may be taken together
-in general description, more especially as the essential feature of
-_Lincolnshire_ screens—an ogee arch—appears in both and in nearly every
-instance.
-
-Firstly, then, a beam runs transversely and horizontally across from
-pillar to pillar of the chancel arch, or in front thereof, sometimes
-supported by corbels at either end, as has been the case at _Heckington_
-and _Wellingore_. This may or may not be the rood-beam (_i.e._ the beam
-on which the rood stood). In some cases the rood-beam was quite separate
-from and independent of the screen, as at _Claypole_, where there are
-corbels for it on each side of and high up on the chancel arch; at
-_Legbourne_, where the same arrangement is made, and in the _Morning
-Chapel, Lincoln Minster_. At _Blyton_ the rood-beam remains above the
-chancel arch; above the upper side of the beam the wall is recessed,
-probably to allow of a boarded and panelled background to the rood and
-the other two figures. Further support to this beam (of the screen)
-is afforded by a number of stout uprights from the floor (where is
-sometimes a horizontal wooden or a stone base) to the rood-beam, dividing
-the screen into bays, varying in number with the size of the screen,
-whereof the middle one is generally the largest, though at _Frampton_,
-_Stixwould_, _Mumby_, _Middle Rasen_, _Lusby_, and _Miningsby_ it is of
-the same size as the others.
-
-The middle bay is as 13 to 11, for example, at _Cotes_, as 2 to 1 at
-_East Kirkby_, as nearly 5 to 4 at _Moulton_, as 3½ to 2 at _Bratoft_,
-and as 3 to 2 at _Thorpe St. Peter’s_. These uprights are often formed
-into small pillars in the front, and occasionally on the eastward aspect
-also, or, in more Perpendicular work, they are fashioned as slender
-buttresses, _Cotes_ and _Sleaford_ giving examples of the former, while
-_East Kirkby_ does so of the latter method. From these uprights, at about
-two-thirds of their height, spring more or less pointed arches, with
-their apices at the beam or just below it. Generally, the lower third of
-the screen is composed of solid panelling, sunk and with foliated and
-traceried heads; though at _Barrow-on-Humber_, at _Spalding_, and at
-_Alford_ the panels are perforated, probably this is not original. Along
-the upper border of these panels often runs a scroll or vignette of open
-work, as at _Winthorpe_ and at _East Kirkby_, and of Tudor flowers at
-_Croft_, while it is embattled at _Westborough_ and _Yarburgh_.
-
-From the middle of the transom (if it may be so termed), which runs
-along from upright to upright, below the open portion of the screen, in
-a number of Lincolnshire examples, arises a mullion up to the spring of
-the arch, and there divides into two ogee arches, as at _Theddlethorpe_,
-_Saltfleetby_ (_All Saints’_), _Mumby_, _Ulceby_ (_St. Nicholas_), and
-_Marsh Chapel_. In some of these cases the mullion divides up into two
-pointed arches above the ogees, and at _Middle Rasen_, where there are
-three ogees and two mullions in each bay, the arches intersect and are
-carried through the spandrils, which are now open (probably an effect of
-restoration). In other instances the mullion divides up into two almost
-semicircular arches, which form the lower and outer portion of a large
-ogee, as at _Cotes_, _Denton_, _Stixwould_, _Scrivelsby_, _Miningsby_,
-_Swineshead_, _Scotter_, and _Folkingham_. At _St. Peter’s, Barton_,
-there are two of these ogees in each bay. At _Swineshead_, _Leverton_,
-and _Friskney_, these arches beneath the ogees are more pointed in
-character. At _Miningsby_, on the west front of the mullions, are slender
-round pillars rising from the transom up to the point of the ogee, and
-there finishing in tiny crocketed pinnacles, capped by a finial. At
-_Claypole_ and _Althorpe_ the arrangement is much the same as at _Cotes_,
-but the mullions are absent; whether this is original or not seems
-uncertain. There are no traces of them on the transom of either screen.
-At _Cotes_ and elsewhere the quatrefoil space between the heads of the
-arches and the upper part of the ogee is filled by a shield. Another
-form, which seems like a development of the _Claypole_ scheme (although
-it almost certainly is much earlier in date), has no mullions, and no
-inner halves of the arches; from their outer halves springs an ogee,
-making an outline which has been called—not inaptly—the fleur-de-lis
-form. An excellent example of this is given by the _East Kirkby_ screen.
-
-Where there is no central mullion, the ogee simply springs from the
-uprights and terminates in a finial at the rood-beam, as at _Sleaford_,
-_Ewerby_, _Saxilby_, _Moulton_, _Winthorpe_, _Croft_, and _Fishtoft_, and
-in thirteen other instances. The same arrangement is found at _Spalding_,
-but the ogee is very depressed, and so the finial ends much lower than in
-the screens just mentioned. At _Bratoft_ there is an almost semicircular
-arch beneath the ogee, freely cusped internally, somewhat the same as at
-_Thorpe St. Peter’s_, _All Saints’_, _Benington_ (where the upper edge of
-the arch forming the base of the ogee is embattled), and _Addlethorpe_
-(tower arch screen). These ogees are profusely crocketed, generally, of
-course, owing to their date, with the square-shaped leaves which mark the
-Perpendicular Period, and they are also more or less elaborately cusped
-internally. Special notice should be taken of the crockets at _Thorpe
-St. Peter’s_ and at _Burgh_ (now across tower arch), which represents
-pelicans in various attitudes.
-
-The middle bay partakes of the character of the lateral ones, though it
-is usually so different in width. Thus at _Cotes_ it has a flattened
-wider ogee, with the descending mullion cut off; at _Alford_ (where
-there are no mullions), a flattened wider ogee, with a depressed arch
-under it; at _Miningsby_ (where all the bays are of the same width) the
-inner halves of the sub-arches disappear as well as the central mullion;
-at _Denton_, a flattened wider ogee; and at _Swineshead_, a larger and
-taller ogee. At _Lusby_ the central bay ogee is identical with those
-of the sides; the same is true of _Stixwould_, with the absence of the
-descending mullion—also, in a different style, of _Mumby_; while at
-_Theddlethorpe_, _Saltfleetby_, and _Moulton_, this bay has a depressed
-arch with three ogees on it, the last named being also remarkable for
-having “a series of five shallow hoods or canopies groined in miniature
-underneath, to simulate vaulting.”[105] At _Barton_ there are two ogees,
-at _Middle Rasen_ three. At _Sleaford_ and _Ewerby_ there is the same
-kind of arch, with two ogees upon it, but in the centre the vaulting
-continues downward to a cap and shaft, which ends on the arch; also at
-_Spalding_, only without the ogees.
-
-At _Claypole_ and _Althorpe_ the central shaft is carried down much below
-the spring of the ogees, and ends on a four-centred arch. _East Kirkby_
-has two ogees on an ogival arch beneath. At _Saxilby_ the central feature
-takes the form of a round-headed arch in a square-headed bay with the
-spandrils filled with circles, surmounted by seven small bays, each
-containing a crocketed ogee terminating in a finial. At _Barrow_ there is
-a pointed arch, with pierced spandrils. At _Benniworth_ there is a large
-ogee with curious tracery over it (? modern), entirely different from the
-lateral bays. At _Ewerby_, already mentioned, this bay has on the inner
-side of each ogee a beautiful wheel; on the outer side a fine network of
-tracery. At _Folkingham_ the centre arch is carved and crocketed with
-grapes and vine-leaf ornament. At _Scrivelsby_, between two ogees is a
-large wheel of tracery, with two smaller ones filling in the spaces on
-each side.
-
-All screens probably had a door or doors, though but few of these are
-left in Lincolnshire. At _Westborough_ the original doors exist; they are
-square-headed, with tracery above and panelling below, similar to that
-of the side bays. _Cotes_, _Spalding_, _Theddlethorpe_, _East Kirkby_,
-_Moulton_, _Helpringham_, _Thorpe St. Peter’s_, and _Barton_ still retain
-their doors, but only the lower panels are left.
-
-Also slender buttresses have been mentioned above, as being moulded out
-of the uprights. Occasionally there were to the front (western face) of
-these uprights, especially on each side of the central doorway, flying
-buttresses with crocketed attachments. Remains of these are still to
-be seen at _East Kirkby_, _Moulton_, _Fishtoft_, _Thorpe St. Peter’s_,
-_Bratoft_, _Croft_, _Legbourne_, _Crowland_, and _Mumby_. At _Grimoldby_,
-where the lower half of the screen exists, two buttresses project some
-way westward and are well panelled. The extreme form of these, where the
-upright part of the buttresses was fashioned into a candlestand, may be
-exemplified by Ranworth screen (Norfolk), where the buttresses, panelled
-as to their lower two-thirds, separate the central passage from an altar
-on either side.
-
-The intervening spaces between the ogee and the confining arch will be
-filled in with delicate tracery, varying of course in style with the
-age and locality of each particular screen. Whatever the faults of
-Perpendicular work may be in stone, the repetition of similar forms,
-the richness of the detailed ornament, and the lightness of the tracery
-make Perpendicular _wooden_ screens, more perhaps than any others, the
-best representatives of the _Cancelli_ (lattice-work), and very valuable
-portions of the furniture of a church.
-
-In some churches, as at Laughton-en-le-Morthen, there was a low _stone_
-screen, buttressed, which would carry a lighter screen of wood. Instances
-of a similar arrangement may be seen at Nantwich and _Morton-by-Bourne_,
-and there is a preparation for it at _Wellingore_ and _Boston_.
-
-If the 200 churches mentioned in Mr. E. Peacock’s English Church
-Furniture be taken as a fair sample of _Lincolnshire_ churches, as they
-well may be, almost every one possessed a rood-loft, which may now be
-described.
-
-Westwards generally (but eastwards only at Worstead) from the beam,
-which often forms a kind of breast summer to the gallery about to be
-described, would extend a platform of varying width (at Selattyn in
-Shropshire it is 10 feet wide, usually about 4 feet), supported by a
-coved cornice, ornamented by ribs which intersect sometimes in a very
-complicated pattern, as at _Sleaford_, and with—as vignette—a band of
-carving, such as vine-leaf and grape, along the front. On very many
-screens, which have lost their gallery, traces can be seen where the ribs
-and springers for its support have been attached. The eastern portion
-of the gallery remains at _East Kirkby_, starting from the top of the
-screen, and being coved independently thereof. From both sides—east and
-west (or only one _west_)—of this platform would rise up a panelled
-screen, which sometimes, as at Upper Sheringham, consisted of open work.
-This gallery—the rood-loft—would be approached by one or more staircases
-in the piers of the chancel arch or in the north or south walls of the
-aisles. There are two of these staircases at _Boston_, _Sleaford_, and
-_Grantham_, while _Spalding_, _Heckington_, and most of the other
-churches in the county have but one.
-
-[Illustration: ROOD-SCREEN AND LOFT, ST. EDITH’S CHURCH, COTES-BY-STOW.]
-
-The only complete mediæval rood-loft in the county is in the little
-church of _Cotes by Stow_. It has been carefully repaired, with foliated
-and traceried panels, and a vignette of grapes and vine-leaves along
-the lower border. The central projection is interesting and original,
-and here is evidently not for the crucifix, as that would be fixed at
-the eastern side of the loft. A similar projection will be seen at
-_Sleaford_, and probably both were used for preaching. They are exactly
-reversed in position from those at _Lincoln Minster_ and _Tattershall_,
-and from that mentioned in the contract for the rood-loft at Great St.
-Mary’s, Cambridge, in 1521, “wyth a pulpete into the mydds of ye quyer.”
-
-There are several screens which yet retain the hang-over, making the
-floor of the rood-loft. The reason for this at _Sleaford_ is given in Mr.
-Peacock’s book: “Itm̅—the rode lofte taken downe all save the florthe
-wc̅h remayneth standing wc̅h we cannot take doune for yt is a waie
-frome one house to another so yt̅ we have noe passadge but that waie to
-ytt”—which may mean from chapel to chapel, or from aisle roof to aisle
-roof.
-
-A few varieties of screens, with or without lofts, may most conveniently
-be noticed here before dealing at greater length with the rood-loft
-and its accessories. Screens are met with which most certainly have
-had rood-lofts, the evidence of which is the existence of remains of
-the springers or ribs for the coved support of the loft on one or both
-sides of the screen, and the rough framework above, whence the rood-loft
-floor has been stripped. But no trace can be found in the church either
-of rood-loft staircase, doors thereto, or of corbels to support the
-rood-loft. Also the screen may not fit its place. Of course, in some
-instances, the rood-loft staircase may have been entirely concealed or
-taken away. But it is almost certain in other instances that the screen
-is not in its original church. Most probably an example of this is the
-_Ewerby_ screen, which is too wide for the chancel, and has evident
-traces of having had a rood-loft. This screen has in all likelihood
-come from the neighbouring priory of _Haverholme_. Very likely the same
-applies to the wooden screen in the north aisle of _Crowland Abbey_;
-it does not fit (has been removed eastwards within this century), has
-evidence of having had a rood-loft, and there are no signs of anything
-of the kind in that part of the church. It may have been the rood-screen
-in the nave, or the very one mentioned, of the year 1413, below. And at
-_Cadney_, near _Brigg_, is a screen said to have come from _Newstead on
-Ancholme_.
-
-In other churches, on the contrary, we may find abundant evidence in
-the shape of rood-loft staircase and doors, and corbels, for the former
-existence of a rood-loft. The screen, too, may seem quite to fill its
-position and not show any trace of having had a rood-loft on it, and this
-not merely from having had the coving neatly removed (as may possibly
-have been the case in some churches), but by the style altogether of
-the upper portion of the screen. There is no coving, and therefore no
-pointed arch over the ogee between each upright, forming consequently a
-square-headed aperture instead of a pointed one.
-
-[Illustration: ROOD-SCREEN, ST. MARY’S CHURCH, WINTHORPE.]
-
-At _Winthorpe_, for example, there is no trace of a loft on the existing
-screen, while some four feet or so westwards are putlog holes and
-corbels for the front of the rood-loft, as well as a complete rood-loft
-staircase on the north side of the chancel. _Grainsby_, _Friskney_, and
-_Leverton_ are instances of similar treatment. The explanation is that
-the rood-loft has been made on the same plan as that at Upper Sheringham
-in Norfolk. Here a screen of the square-headed kind described, and with
-good Perpendicular tracery, fills the chancel arch to about the height
-of ten feet. Four or five feet westwards of this screen extends the
-rood-loft, not supported apparently by the screen, but just touching it.
-Two uprights support the front of the loft, with the spandrils filled on
-the north side with a pelican, on the south with a dragon. The gallery,
-which has an elegant open traceried front, runs across in front of the
-chancel arch and is reached by a staircase in the north wall. Much the
-same arrangement has been at East Budleigh. A feature of minor interest
-in Sheringham is the diversity of tracery; thus in the rood-loft seven
-and a half bays have the same, while three more are quite different, and
-in the screen the number of differences is still more marked.
-
-There are also some screens which show no trace on their westward face of
-a rood-loft, and yet have or have had one. Of these, Worstead may stand
-for an example.
-
-Again, occasionally a screen is found, certainly old, certainly in its
-original position, and yet with no signs on it or in the church of any
-rood-loft at all. It is fair to suppose in these cases that there never
-has been a rood-loft, but that the screen itself has carried the rood.
-Such a screen was the one at _Salmonby_, now removed, and the existing
-elegant Perpendicular ones at _Wickenby_ and _Scrivelsby_. At West
-Tarring and Broadwater (Sussex) the low screens bristle with spikes,
-probably contemporaneous, which show that there never was any upper
-tracery or loft. Also we can have a rood-loft alone, without a screen, as
-seems to have been the case at Avebury (Wilts). A superb example of this
-kind abroad still exists in the Church of St. Etienne du Mont, Paris, of
-sixteenth-century date, with two spiral staircases.
-
-To return to the rood-loft staircases, which, and the doorways to them,
-are met with constantly, over one hundred instances being found in
-_Lincolnshire_ alone. Usually, of course, they cut through more ancient
-work, as at _Stow_, where a Saxon pier has been cut through (the Saxon
-piers of the eastern tower arch are likewise cut and channelled to allow
-of the insertion of the beams of a rood-loft); at _Normanton_, where a
-Transitional arch has been cut into; at _Frieston_, where the third pier
-from the west of the Norman north arcade of the nave has been replaced
-by a square mass of stonework containing the rood-loft stairs, with a
-Perpendicular rebate for the parish rood-screen; or as at _Whaplode_,
-where the fine Norman chancel arch has been cut across for the rood-loft,
-to which a Tudor staircase gave access.
-
-It will have appeared from the quotations already given that at
-Canterbury, Winchester, and Beverley there were rood-lofts (_pulpita_) as
-early as the eleventh century. At Peterborough Cathedral, too, we learn
-that there was a new rood-loft set up by Abbot Benedict before 1193. At
-_Sibsey_ (St. Margaret’s) there is a Norman nave and aisle arcades, with
-lofty circular pillars, square abaci and scalloped cushioned capitals.
-The easternmost arch of the south arcade is narrower than the others, to
-admit of a turret staircase formerly giving access to the rood-loft, and
-its respond has some later detail than the others. The rood-loft doorway
-at _Colsterworth_ is among the earliest known. It has an abacus on which
-the nail-head ornament exists. This was probably the original rood-loft
-entrance, which was subsequently altered when the Perpendicular chancel
-arch was erected, as this must have partly blocked up the entrance. The
-builders therefore destroyed the right side of the original doorway and
-made a side entrance. At East Shefford Church (Berks), in the north wall,
-are two Early English windows for lighting the rood-loft, the entrance
-to the staircase for which still remains. At St. Nicholas, _Skirbeck_,
-the nave is of Early English date, and in consequence of the rood-loft
-staircase, the north arcade has narrower bays than the southern. At
-_Bratoft_, the aisle arcade, of Decorated date, has the easternmost arch
-much narrower than any of the others to allow of the rood-loft staircase.
-The little staircase at _Cotes_ is in the thickness of the south wall.
-The entrance doorway is moulded in wood, and near the top a tiny
-two-light window, cut in alabaster, lights the stair. At _St. Lawrence_,
-_Sedgebrook_, the rood-loft apparently was carried across the aisles,
-as was the case at _Corby_ and _Carlton Scroop_ (and at _Grantham_);
-and access to it was supplied by a newel staircase on the south side
-of the church in a turret, in which a sancte-bell formerly hung. This
-arrangement of a staircase turret leading on to the nave or aisle roof,
-and ending in a sancte-bell cot, was obviously convenient, and is not
-very infrequent. Probably this was the case at _Grantham_, where the
-octagonal turrets finish in a spirelet, at _Leake_, at _Fishtoft_,
-at _Swineshead_, at _Langtoft_, at _Helpringham_, _Quadring_, and at
-_Tattershall_, though in the last-named the turret-stair begins from
-the stone rood-loft. Leverington Church (Cambs) has a rood-loft turret
-crowned with a spirelet at the south-east angle of the nave, which forms
-a sancte-bell cot and still retains its bell. At _Sleaford_ there are
-two rood-loft stairs in the north and south piers of the chancel arch,
-and running up with the northern one is a separate staircase leading on
-to the aisle roof. No rood-loft turrets, as far as I have been able to
-ascertain, date back previous to the thirteenth century. Curiously, at
-St. Antony in Kirrier, Cornwall, there is only an _external_ doorway to
-the rood-loft staircase.
-
-Another convenient position for the sancte-bell cot was at the apex of
-the eastern gable of the nave, and the earliest example of this form
-seems to be a Norman one at Bledington Church in Gloucestershire. In
-_Tallington Church_ there still hangs a bell (probably original) in this
-position; and Seamer Church, near Scarborough, still possesses both
-bell and gable sancte-bell cot. At _Welbourn_ is a pretty hanging bell
-cot corbelled out beneath an excellent gable cross. _Tydd St. Mary’s_
-is another instance of both features, while _Gedney_, _Claypole_,
-_Winthorpe_, _Boston_, _Aslackby_, _Sibsey_, and _Spalding_ have the
-gable bell cot alone. _Butterwick_ has a gable bell cot as well as a
-rood-loft turret (of good circular brickwork), as have also _Benington_
-and _Wrangle_. _Holbeach_ has had two gable sancte-bell cots, the first
-dating from 1453; this was replaced at a remarkably late date—that of the
-Laudian revival, I suppose, in 1629. As well as the sancte-bells which
-have been already mentioned, at _Aslackby_ is a small bell (unhung in
-the tower), dated 1611, which is thought to be the sanctus-bell. _St.
-Mary’s, Sutterton_, is a small bell of thirteenth-century date, inscribed
-in Lombardic lettering, “Symon de Hotfelde me fecit.” _St. Peter and St.
-Paul, Algarkirk_, has also probably a sancte-bell, as well as _Bicker_,
-_Ingoldmells_, _East Halton_, _Sutterton_, _Hacconby_, _Great Hale_, and
-_North Witham_.
-
-To return to the rood-loft: on it (or above it) would stand the great
-rood, often with the ends of the cross finished with heads or emblems of
-the Four Evangelists. Occasionally the crucifix would be sustained partly
-by chains from the roof, as can be seen abroad—_e.g._ at Louvain—to this
-day. In the crown of the chancel arch of _Boston Parish Church_ are the
-sockets for the two chains to support the rood, and at _Billinghay_ a
-central mark for a hook. On either side of the rood would be an image of
-St. Mary the Virgin and St. John the Evangelist.[106]
-
-Not infrequently the whole of the chancel arch was boarded up, and the
-rood, with attendant figures, stood in front of this, or were painted on
-it. Just above and behind (_i.e._ eastwards of) the rood-loft at _Cotes_
-the chancel roof is shut off by oak boarding. On each side figures can be
-dimly discerned, that on the north having a nimbus, and scattered over
-the boarding are flowers with leaves, most probably meant for lilies.
-There is a large blank space in the middle, against which, no doubt, the
-crucifix was fastened. And it is interesting to note that at “Thorpe
-in parochie de Heythar” (_Culverthorpe_, near _Haydor_, probably), in
-April 1555, the churchwardens state: “Itm̅ we had noe Roode nor other
-Imageis but that were painted on the wall, and thei are defaced and
-put oute,” &c.[107] Besides the rood and the images of St. Mary and
-St. John, which are mentioned in almost every one of the 200 parishes
-in Mr. Peacock’s book as having been destroyed in 1566, often as “the
-Rode Marie and John with all other Imageis of papistrie,” there are
-specific references in several cases to other images and tabernacles on
-the rood-loft. Their fate seemed to be almost invariably to be burnt.
-Thus at “_Asbye juxa Sleford_—Imprimis o̅r Images of the Rood Mary and
-Jhon w̅th all other Images burned Ao̅ iijᵒ Elizabeth.” At _Belton_, in
-_Axholme_ (after mentioning the rood Mary and John), “Itm̅ one Rood-loft
-with a tabernacle whearin Imageis stood;” at _Folkingham_, “The Images
-belonging to the same roode-loft as the Image called the roode Marie and
-John w̅th an other other (_sic_) Image called St. Andrewe (vppon the w̅ch
-the parish church of ffolkinghm̅ drewe his name).” At _Corbie_, besides
-the customary three, there was “the Image of St. Johnne the Evang ...
-of the churche.” At _Gretford_, again, “roode w̅t marie and Johne and
-the Image of saincte martine the Patrone.” At _Kelby_, a “picture of St.
-Peter” occurs in the same connection. At _North Witham_, after mentioning
-the “roode Marie and Johnne,” there are also specified “iij Images of ye
-rood-lofte.” It will be noted that some of these extra figures are of
-the patron saints of the various churches. In the rood-loft staircase of
-_Anwick Church_ was found a statue of the Virgin and Child, with traces
-of colour on it.
-
-All wooden screens (and probably all the stone ones also) were almost
-certainly coloured and gilt. The receding parts, or cavettos, of the
-mouldings are darkened with red or blue, the more prominent white, with
-often a small diaper. Round mouldings have spiral or wavy lines to show
-that the feature was circular. The most prominent parts were gilt, as
-were carved capitals. Gold, too, was often used as star or diaper on a
-blue or red ground. The mouldings are sometimes all blue and green, while
-the hollows are red foliage gilt on red ground, with all recessed parts
-red. A will leaving money to gilding the trelyse has already been given;
-Sir Richard Bozon, who died 25th March 1524, bequeathed 20s. towards the
-gilding of the rood-loft at _All Saints’, arrowby_. Thus, on _Lincoln
-Minster_ screen can still be seen traces of colour, and a little scarlet
-blue and gold on cavettos and on crockets on that at _Saltfleetby All
-Saints’_. At _South Somercotes_ the round mouldings are in spirals and
-black and gold, the spandrils of the panelling white or gold, alternate
-cavettos green and red, crockets gilt. In the portions of the screen
-at _Billinghay_ the Tudor roses in the spandrils are coloured red and
-blue. At _Addlethorpe_ the cavettos are red, finials and crockets gilt
-(in the north chantry chapel screen the cavettos are red and blue). At
-_Croft_ the border of the panels is spirally in blue and gold, and the
-square flowers along the top are gilt. At _Crowland_ the pillars of the
-uprights are spirally black and white, the ogees ending in finials gilt,
-and the cusping of the lower panels also gilt. In the beautiful screen at
-_Alford_ the cavettos are red, and the leaves in the spandril gilt.
-
-But, as well as the lavish decoration of the rood-screen and loft,
-which has just been described, there was very frequently some special
-colouring and embellishment of those parts of the church in more
-immediate proximity to it. The roof of the nave often has the eastern
-bay alone painted, as at Rainham (Kent), or that part more gorgeous
-than the rest, as at Southwold, where all the roof seems to have been
-coloured; but the eastern bay of the nave above the rood-loft has been
-most highly decorated with angels, with scrolls, and the implements of
-the Passion. In a very large number of churches was a representation of
-“The Doom,” or “Day of Judgment,” the most frequent place for this being
-over the chancel arch. “The final separation of the Church Triumphant
-from everything that defileth was almost invariably represented by
-the Great Doom painted in fresco over the rood-screen.” At Trinity
-Church, Coventry, and many other places mentioned by Keyser, this
-still exists.[108] Over the chancel arch in _Caythorpe Church_ is a
-rude representation of the Last Judgment, with the Archangel Michael
-weighing souls, and at _Swaton_ were paintings above and on each side
-of the chancel arch of scenes from the life of our Lord. “The Doom”
-also appears on a set of panels above the chancel arch at Mitcheldean,
-Gloucestershire, and at St. Michael’s, St. Albans; the Day of Judgment,
-with the crucified Saviour in the centre, is partly over the chancel
-arch and partly on a panel filling in the head of the arch. A somewhat
-similar condition has been noticed above at _Cotes_, and over the
-rood-loft in Snetterton Church, Norfolk, is a defaced panel-painting of
-the Day of Judgment. (Pugin gives a view of a similar arrangement at
-Arnes, near Bergen, now destroyed, I believe.) The most notable of these
-is the one at Wenhaston, Suffolk, discovered in 1892. This piece of
-panelling blocked off the chancel (there being no chancel-arch) above the
-rood-beam, and measured 17 feet 3 inches by 8 feet 6 inches. The position
-of the crucifix is clearly seen, and the spaces left for the figures of
-St. Mary and St. John on either side. In the triforium at Gloucester
-Cathedral is preserved another “Doom” on panel.
-
-Along the upper edge of the rood-screen or rood-loft would be placed
-basins and spikes for candles, which would be lighted on special
-occasions. Hence comes the name of “candlebeam,” as before mentioned,
-and Gibbons[109] has given seven wills which illustrate this: _e.g._
-Thomas Hadstoke leaves “To the Crucifix light in the Roode-lofte xx_d._
-in Hycchyn church,” Thomas Buck to the “Rode lighte viij_d._ in Dorney
-Church,” William Gybbons to “the rode light” in Hamilden Church, and
-Thomas Fissher of Wooborn,“To thre lightes upon the rode beame vj_d._”
-(probably one for the rood and one each for St. Mary and St. John). Also,
-in the continuation of that history of _Crowland_ which passes by the
-name of Ingulph’s, we read as follows (1413): “In the Chapel of the
-blessed Mary, which had been previously prepared on the south side of
-the church, he (Brother Simon Eresby) most devoutly erected at his own
-expense two perks, which were becomingly prepared for the arrangement of
-the wax tapers thereon, together with a screen of considerable height,
-which terminated the said chapel below.” By the royal injunctions of
-1538, no candles, tapers, or images of wax were thenceforth to be set
-before any image or picture, “but onelie the light that commonly goeth
-about the crosse of the church by the rood-loft,” &c.
-
-[Illustration: ROOD-SCREEN, ST. PETER’S CHURCH, MIDDLE RASEN.]
-
-Then, in connection with the parish church rood-screen and rood-loft,
-there was an altar or altars. A favourite position for these, when the
-width of the church allowed, was on either side of the central door of
-the screen, against the western face of the screen. Those at Ranworth
-have been mentioned already; at Patricio, in South Wales, are two stone
-altars, one placed on each side (beneath the rood-loft) of the entrance
-into the chancel, westward of and against the screen supporting the
-loft. On either side of the entrance into the apse of Peterchurch,
-Herefordshire, is a stone altar—probably the rood-screen altars; on the
-western side of the stone screen of St. Mary Berkeley, on the north,
-an altar to St. Mary the Virgin, the piscina of which remains; on the
-south, one to St. Andrew. At _Limber Magna_ the steps to the rood-loft
-are quite perfect, and exactly under where the rood-loft was placed there
-is on both sides the trace of what looks like a piscina, but no marks
-of any altar-slab have been discovered. At _St. James’, Castle Bytham_,
-at the restoration in 1900, were found at the east end of the nave, on
-either side of the chancel arch, remains of shallow, semi-circular-headed
-recesses, bearing traces of coloured decoration, forming the reredoses of
-the two small altars. At _Winthorpe_, close to the rood-screen, on the
-south side, is an aumbry, most probably for use in connection with an
-altar on the western front of the screen. Below the rood-loft staircase
-at _Colsterworth_ is a little aumbry. In the base of a pier close by the
-rood-loft staircase at _Barkston_ is a small hollow, possibly intended as
-a piscina or stoup for the service of a rood-altar. Mention has been made
-of an altar on the rood-loft of the perished screen at _Grantham_. At
-_Frampton_ a beautiful little quatrefoil window, just under the roof at
-the south end of the rood-loft, has been opened out, as well as a hole in
-the wall beneath it, probably for an office book.
-
-The fate of the roods and rood-lofts has been mentioned above; since
-those days much damage has been done to the screens which were left, by
-actual destruction, accident, ignorance, and neglect. Fortunately, in the
-last thirty years opinion has got educated somewhat, and many of the old
-screens have been restored, repaired, and (where necessary) replaced,
-while new ones, designed by the first architects of the day, are
-furnishing our churches. “Le bon temps viendra” for screens, and indeed
-has already come in part.
-
- * * * * *
-
-In domestic chapels of any size it is not unusual to find a chancel
-screen, as at The Mote, Ightham, figured by J. H. Parker. Also, in not
-a few instances, the western part of the chapel thus shut off has been
-divided into two storeys, the upper chamber being for the use of the
-lord and his family, the lower one for the domestics. This arrangement,
-according to J. H. Parker, continued to be usual in the fifteenth
-century, and even later, as at East Hendred, Berks, at Studley Priory
-and at Godstow Nunnery, in Oxfordshire. The chapel at Markenfield Hall,
-Yorkshire, has also been an example of the same. At East Hendred, the
-screen to both upper and lower chambers still exists; at Berkeley Castle
-the screen in front of the upper chamber is original, though altered,
-that of the lower one is modern. Here, as not infrequently, there is
-a fireplace in the upper chamber. At Chibburn, Northumberland, and at
-Trecarrel House, Cornwall, the same arrangement has prevailed. “In
-Hawarden Castle, Flintshire (said the same authority), the chapel is very
-small, and must have been merely a private oratory, or, as seems more
-probable, the chancel or sacrarium only, separated by a screen from the
-principal chamber in the keep, and with also a ‘squint’ or opening from
-the passage in the thickness of the wall, to enable persons thus placed
-to see the elevation of the Host.”
-
-In the _Chancery at Lincoln_, at the north end of what was the Hall
-(pulled down by Chancellor Maundeville in 1714), are three pointed
-doorways of fourteenth-century date, the easternmost of which leads to
-the buttery, the western one to the cellars, while the middle one leads
-up a flight of steps with a timber-framed plaster partition on each
-side, and at the top of these stairs a door on the right hand (easterly,
-therefore) leads into a room which almost certainly was the chapel. On
-the eastern side of the partition is a screen of three double bays, open
-from the middle upwards, with contemporary ironwork. In the opposite side
-of the partition are two double loops, all being probably, according to
-the late E. J. Willson, of Henry VIII.’s date.
-
-In hospitals also, a somewhat similar arrangement obtained, the chapel
-being equal in height to two storeys, and separated from a room above
-and below by a screen. These rooms were dormitories, so that the sick
-could, as it were, attend service while they were in bed. In _Browne’s
-Hospital at Stamford_, the chapel is open to the roof, and on the ground
-floor it is separated at the west, from a common room once a dormitory,
-by a handsome oak screen with doors groined over on both sides. There
-are returned stalls on the east side thereof. In the ancient hospital at
-Chichester, the chapel consists of a sacrarium only, and is separated
-from the hall or principal chamber by an open screen with a curtain. In
-the almshouses, Sherborne, Dorset, is or has been a similar arrangement.
-
- * * * * *
-
-NOTE.—Considerations of space, unfortunately, have prevented any allusion
-to Chantry Chapel Screens.
-
-
-
-
-LINCOLNSHIRE AND THE GREAT CIVIL WAR
-
-BY REV. EDWARD H. R. TATHAM, M.A.
-
-
-In three successive centuries Lincolnshire has been the scene of civil
-disturbances, which were closely connected with the general history of
-the country. The rebellion against Edward IV. headed by Sir Robert Welles
-of Belleau, the “Lincolnshire Captain,” was closed by the defeat of his
-force of 30,000 men on March 12, 1470, near Empingham in Rutland. The
-rising at Louth and Horncastle, which followed on the dissolution of
-the monasteries in 1536, was quelled within a fortnight; and the only
-lives lost were those of officials who were killed by the mob, and of
-the mob-leaders, who were promptly executed. But in the Great Civil War
-of the seventeenth century, Lincolnshire played a great part, though in
-ordinary English histories, and even in Clarendon, the struggle within
-its borders is passed over lightly. It was the debatable ground between
-the Royalism of the North and the stern Puritanism of the Eastern
-Association. “From the summer of 1643 to the summer of 1644,” says Lord
-Morley,[110] “the power of the northern army and the fate of London and
-the Parliamentary cause turned upon Lincolnshire, the borderland between
-Yorkshire and the stubborn counties to the south-east.” Here, in the
-first two years of the war, Cromwell found a favourable training-ground
-for his invincible Ironsides.
-
-Before the war actually began, the temper of this county, as of some
-others, was rather hesitating and uncertain. It is doubtful whether,
-out of the twelve members for the shire and its boroughs, the proportion
-of ten to two against the King truly represented the popular feeling.
-Under the then existing system an altogether unfair preponderance was
-given to the towns, which returned ten out of the twelve members; and in
-London and the eastern towns Puritanism was for the moment all-powerful.
-The Militia Ordinance of Parliament, which brought matters to a crisis,
-and was doubtless an encroachment on the King’s prerogative, raised a
-constitutional question that few could understand. In March 1642, when
-the dispute on this point had reached an acute stage, a deputation
-from the Lincolnshire gentry in sympathy with the Parliament presented
-a petition to the King at Newark on his journey north, in which the
-question of the moment is not even mentioned. This petition simply prayed
-the King to reside near his Parliament and listen to their counsels; and
-in view of their determination to wield the power of the sword, it is
-not surprising that the King in his reply, delivered at York, asserted
-that Lincolnshire had been misled, and that he was being driven from
-his Parliament. The city of Lincoln, though it returned two reforming
-members, was probably not so Puritan as the other boroughs. It has been
-well pointed out[111] that a large number of the county gentry, many
-of whom were Royalists, then possessed houses in Lincoln; and their
-opinions would naturally be reflected among the tradesmen, who benefited
-by their presence. At this time the two sides were evenly matched
-among the members of the City Council; but the Mayor, John Beck, was
-a Parliamentarian, though his father, Robert, who preceded him in the
-office, belonged to the opposite camp.
-
-A crisis was reached in April, when Sir John Hotham, the Governor of
-Hull, refused the King admittance to the town. In Lincoln, which had
-much trade with Hull, the King’s attempt upon that place was not viewed
-with favour; and on April 27, Parliament appointed a committee of the
-county members of both Houses (on which of course no Royalist sat) to
-carry out the Militia Ordinance in Lincolnshire. Francis, Lord Willoughby
-of Parham, a young noble of under thirty, with Presbyterian sympathies,
-had just been appointed Lord-Lieutenant of the county, and proceeded,
-with an alacrity which might well arouse the King’s suspicions, to call
-up the militia for training. He summoned the constables to meet him at
-Lincoln on May 31, and render an account of the arms in their district,
-and all but two or three responded; but he complains that the King’s
-proclamation forbidding the muster had been “officiously fixed” upon
-the door of the inn where the committee met. On June 6 he arranged to
-review the militia from Lincoln and the adjoining villages; and on
-the same morning received a letter by express messenger from the King
-at York, dated two days before, charging him upon his allegiance to
-take no further action, and warning him that if he did so, he would be
-proceeded against as a disturber of the public peace. Lord Willoughby’s
-answer, which he penned on the spot, is a curious mixture of humility
-and defiance. He alleges the opinions of certain eminent lawyers (which
-they afterwards disavowed) in favour of the legality of the ordinance,
-and trusts that, if he has offended, his “want of years” may excuse his
-“want of judgment.” “Nothing,” he says, “hath yet passed by my commands
-here, or ever shall, but what shall tend to the preservation of the
-peace of your kingdom.” And yet, within three months, he had accepted
-the command of a troop of horse in the Parliamentary army. The Mayor and
-Corporation attended the Lincoln muster; and about eighty of the hundred
-members of the trained band appeared. When the constable was asked to
-explain the absence of the remainder, he gave the excuse that they durst
-not venture down hill owing to the prevalence of plague in the lower
-city. The committee, however, attributed their non-appearance to the
-influence of the Royalist Recorder, Mr. Charles Dalison. Volunteers
-were obtained to supply their place; and at Boston the Lord-Lieutenant
-was met on arrival by 100 well-armed volunteers, who showed that they
-had profited by their self-imposed training. But other musters were
-not to pass off without incident. Lord Willoughby had taken the strong
-measure of removing William Booth of Killingholme from the command of a
-company in the Caistor contingent on account of his Royalist views. But
-Booth, though related to the Lord-Lieutenant, was not disposed to take
-his supersession tamely. On the day of the muster at Caistor he read the
-King’s proclamation against the ordinance to the soldiers at a tavern,
-and dissuaded them from showing their arms. He also said openly that
-things would never go on well “while King Pym governed,” and expressed
-a hope that King and Parliament would be separated. For this conduct he
-was put under arrest, and taken to Louth in custody. On his appearance
-before the committee next day at Horncastle, he was dismissed upon
-making submission; but he drew up a petition to the King, supported by
-an affidavit, protesting against the whole proceeding as illegal; and
-the King’s reply promised him full satisfaction if his statements were
-true. This petition was brought to the notice of the Commons by Sir
-Christopher Wray, one of the members for Grimsby, who disputed some of
-its allegations; and on his evidence, and that of others present at
-Caistor, the House found that Captain Booth “had abused His Majesty” with
-a petition that was “false, scandalous, and malicious.” This incident,
-though it had no further consequences, shows that a situation, in which
-King and Parliament were contradicting each other in rival proclamations,
-was rapidly becoming impossible.
-
-Other events of the same fateful month of June illustrate this still more
-plainly. The King had appointed Robert Earl of Lindsey Lord-Lieutenant
-of the county, and directed the High Sheriff, Sir Edward Heron, not to
-suffer any stores of ammunition to pass out of his custody without an
-order from himself or Lord Lindsey. The latter ignored the direction
-of Parliament to bring in his patent of Lieutenancy, and was forthwith
-declared by the Lords a public enemy, and orders were issued for his
-apprehension (June 8). The Lincoln magazine, which lay in the outer
-Exchequer Gate opposite the Castle, was in the custody of the Mayor, and
-he, upon request, handed the key to Lord Willoughby, who placed a guard
-over it. The Mayor was at once summoned by the King to York to account
-for this, and for his refusal to read the King’s proclamation. The royal
-messenger was promptly put under arrest, and sent with the Mayor under
-a military escort to Parliament. But on reaching Grantham the messenger
-persuaded the Mayor to change his mind; they escaped from the guard and
-proceeded to York, where on June 17 the Mayor made his submission to
-the King. He received pardon on condition that he at once returned to
-Lincoln and published the proclamation, which he did. It does not appear
-whether Parliament called him to account for this; but on July 5 they
-made an order restraining the publication of royal proclamations, and on
-the 7th they declared that the King might not require the attendance of
-any of his subjects except such as were bound to him by special service.
-The King’s reply to this was to order the arrest of two Lincoln Aldermen
-for exercising the militia, and they were actually taken in custody to
-Beverley, but afterwards released under Habeas Corpus. Meanwhile, on June
-19, Lord Willoughby reported to Parliament that he had completed his
-inspection of the county militia, at which “very few or none” failed to
-appear. He reports them deficient in arms, but this defect he proposed
-to supply from the magazine at Hull. With his report he forwarded a copy
-of an address signed by “many thousand hands” of the gentry freeholders,
-&c., of Lincolnshire; it was of a rather colourless complexion, but
-protested against any separation of King and Parliament. On the 24th he
-received fresh orders from the King to desist from his proceedings “as
-he would answer the contrary at his utmost peril.” In forwarding this
-letter to Parliament Lord Willoughby complains that a certain captain
-from York (Edward Middlemore of Lusby) is trying to “aliene” the hearts
-of the county from Parliament, assuring the people that His Majesty would
-shortly come among them.
-
-This report proved true, though Charles’s decision was somewhat sudden.
-After visiting Newark on July 12, he arrived at Lincoln on Wednesday,
-July 13, with the Prince of Wales, the Earl of Lindsey, and a numerous
-suite. His progress for the last four miles along the road was “a
-throng,” and the people rent the air with “peals of shouts and vocal
-acclamations,” such as “A King, a King!” The attendant gentry drew
-their swords, and the clergy, who attended to the number of two or
-three hundred, redoubled their gratulatory salutations with “_Vivat
-Rex!_” The Mayor and Corporation, with their Recorder and the trained
-bands, came out to meet the Sovereign, so that in the opinion of the
-local pamphleteer, “Wednesday was the funeral of the new militia.” In
-some large open space, which is not specified, Mr. Charles Dalison, the
-Recorder, made a speech of welcome to the King, in which he alluded to
-his promise to defend the established Protestant religion, and offered,
-on his own behalf and that of the civic body, their “persons, estates,
-and fortune.” The King in his reply, which was read by Sir John Monson,
-states as the object of his coming to assure the people of his intention
-to defend their religion, laws, and liberties, and to certify them that
-the pretended Militia Ordinance is unwarranted by his authority. If any
-should presume to execute it, he should treat them as actual rebels and
-in arms against himself. He speaks most bitterly of the action of Sir
-John Hotham in excluding him from Hull, but bids the people still their
-fear that their county will be the seat of war. “The seat of war will be
-only where persons rise in rebellion against me; that will not, I hope,
-be here, and then you shall be sure of my protection.” For that end he
-announces that he has appointed Commissioners of Array for the county,
-and promises to “live and die” in defence of their religion, and the just
-privilege and freedom of Parliament.
-
-The King’s Commission of Array included a number of the loyal knights and
-gentry who had assembled to greet him—its principal members being the
-Earl of Lindsey and his son Montagu Lord Willoughby D’Eresby (already a
-baron in his own right), the Earl of Newcastle, Sir Francis Fane, and
-Sir Peregrine Bertie. On Thursday, July 14, a body of the gentry, headed
-by Lord Willoughby D’Eresby, sought an audience of the King, who was
-probably staying at Deloraine Court, and requested permission to form a
-regiment of horse within the county in support of his cause. In reply the
-King renewed his protest that he only desired their assistance in defence
-of their “religion, laws, interests, and the just rights of Parliament.”
-On the withdrawal of the deputation a written undertaking was drawn up,
-in which it was declared that Parliament, having put the kingdom “into a
-posture of war,” had given occasion to the signatories of the document
-to furnish a number of horse “for the defence of His Majesty’s person,
-the true Protestant religion, and the just rights of Parliament against
-all opposition whatsoever.” These horse were to be disposed of within the
-county for three months from the 20th July. The document was signed by
-seventy-five persons, who volunteered to contribute 172 horses; but the
-regiment was ultimately to consist of 400. Among the signatories were the
-Dean, Dr. Topham, promising four horses, the Precentor and the Chancellor
-three each, and the Archdeacon two. There were to be four captains of
-troops, who were probably Sir Peregrine Bertie, Dr. Farmery, Chancellor
-of the diocese, Mr. John Hussey, and the City Recorder, now Sir Charles
-Dalison, for on this visit the King conferred upon him the honour of
-knighthood.[112] On Friday, the 15th, the King left for York by way of
-Beverley, where he had arranged to meet a deputation from the two Houses.
-
-But before his departure his chief supporters had met to decide on the
-terms of a petition to Parliament, which was described as from the
-baronets, knights, &c., of Lincolnshire. Among other suggestions it
-proposes—(1) That Hull be given up to the King; (2) that all forces be
-disbanded and the Militia Ordinance waived; (3) that Parliament issue
-no orders without the King’s consent; (4) that Church government as
-it stands be put in execution and a national synod summoned; (5) that
-the licentiousness of press and pulpit be restrained and tumultuous
-assemblies forbidden; and (6) that Parliament adjourn to some other
-place where the King can come. The signatories especially desire the
-retention of “the Protestant religion as now established among us.” This
-petition, it seems, was, after general discussion, drafted by the two
-lawyers, Sir John Monson and Sir Charles Dalison. Its proposals, although
-they have been described as “more bold and audacious than had hitherto
-been ventured upon by any county,”[113] differ little, except in being
-more moderate, from the conditions laid down by the King at Beverley
-the following week in replying to the two Houses. It was addressed to
-the House of Commons, and ought, of course, to have been presented by a
-member; but the only county member available, Mr. Gervase Holles, M.P.
-for Grimsby, had recently been “disabled” from sitting, and therefore
-the petition was addressed to the Speaker, and sent up by one of the
-serving-men of the High Sheriff. On Monday, July 18, the Speaker informed
-the House that he had received a letter from the Sheriff of Lincolnshire,
-enclosing a petition “of a very strange nature and language,” from divers
-gentlemen, “most of whom were papists.” This description, unless the
-term was then considered applicable to all members of the Church of
-England, was, in face of the wording of the petition, a flagrant abuse of
-language. A special committee was appointed the same day to consider the
-petition, and on the 21st reported that it was “false, scandalous, and
-malicious, and a high breach of the privilege of Parliament.” The High
-Sheriff was ordered to be sent for as a delinquent, and as he did not
-appear, a warrant for his arrest was issued on August 30.
-
-Before the King left Lincoln, he had directed the Sheriff to search for
-concealed arms and to make himself master of all the county magazines.
-The Lincoln magazine had been secured by Lord Willoughby of Parham, who
-had wisely removed it before the King came. In many cases the local
-magazines were in the charge of the county gentry; and two of these—Sir
-Philip Tyrwhit of Stainfield and Sir William Pelham of Brocklesby—had
-declined to deliver them up to Lord Willoughby according to Parliament’s
-injunctions. The Sheriff now proceeded by warrant to search the houses
-of members of Parliament opposed to the King; and a store of muskets was
-seized at the house of Sir Edward Ayscough at South Kelsey and sent to
-the Bishop’s Palace. A warrant was also issued to seize Captain Lister of
-Coleby, who had accepted a commission in the Parliament’s forces; and he
-was taken by a troop of horse, who forced an entrance into his house, to
-the King at Nottingham. Shortly after, while the Sheriff was engaged in
-conveying a magazine to Lincoln, he was himself arrested by a superior
-force under Sir Anthony Irby, M.P. for Boston, and carried to London,
-where, being examined at the bar of the House on October 8 as to his late
-proceedings and his part in the petition, he was committed to the Tower
-on the charge of high treason. Here he remained for over three years,
-being unable to pay the fine of £2000 which was imposed upon him; but in
-1645 he obtained his liberty under an exchange of prisoners.
-
-If the Sheriff was arrested near the end of September (the date is
-uncertain), his taking a magazine to Lincoln would imply that the city
-remained Royalist for over two months after the King’s visit. Clarendon
-says that Charles passed through it once more about August 20, two
-days before he set up his standard at Nottingham, and that he helped
-himself to some of the arms of the Lincoln trained bands. Apparently the
-increasing certainty of war was doing much to cool the ardour of some
-of his supporters. The force which he had raised on his first visit was
-limited, no doubt by the stipulations of the more cautious, to three
-months’ service, and that only within the county. But his more eager
-partisans saw from the first that this would be useless, and presented
-a petition to him at York that Lincolnshire might co-operate with other
-counties in his support. This petition was published as a tract with a
-view to committing the subscribers of the undertaking to more extended
-service; but it was answered by a counter-tract,[114] in which the writer
-pleads the necessity for the formation of a regiment (1) to keep order in
-a time of slack government; (2) to protect the sea-coast against foreign
-invasion; and (3) to ward off incursions from soldiers in neighbouring
-counties. He states that Sir John Hotham’s Hull garrison had already
-committed acts of violence in the north of the county; but protests that
-those like-minded with himself were not “malignant, either against the
-King or Parliament.” A similar tract[115] of the same month expresses the
-views of those who, like the Corporation of Lincoln, after supporting
-the measures of Parliament, joined in the acclamations of welcome to the
-King. It declares that the commonalty of the county would “march with
-the King” and loyally obey his just commands; but if he should command
-them to “put anything in execution against the Parliament,” they would
-not only forbear themselves, but “hazard their lives” in opposing him.
-Of the reservations of these sitters on the fence Charles, at the time
-of his two visits, probably knew nothing; and when his presence was
-withdrawn, this party gradually gained the upper hand. We do not know
-the exact date of Lincoln’s second change of mind. While the King was in
-the neighbourhood, Lord Willoughby and his friends were content to lie
-low; but at the Michaelmas election of Mayor, that office was filled by
-William Marshall, a strong Parliamentarian, who probably carried the city
-with him.
-
-The fen country about Boston was most devoted to the cause of Parliament.
-Even at the end of July a band of volunteers was diligently training in
-the fields near Boston; and that town, so “eminent in disloyalty,”[116]
-sent reinforcements to Sir John Hotham at Hull. On August 29 the Boston
-troops seized a Royalist sloop, which had put into a creek near Skegness
-with arms and stores—Sir William Ballingdon and ten other Cavaliers who
-were in charge being taken. The King’s party threatened revenge upon
-Boston, and King’s Lynn sent over for its defence five pieces of ordnance
-and 1000 volunteers, but no attempt was made upon the town. A month later
-(September 30) Lord Willoughby received orders from Parliament to arrest
-and bring to London sixteen of the Royalist gentry, who are described as
-“divers Popish and ill-affected persons, who have armed and assembled
-themselves within the city and county of Lincoln.” Of these all but three
-had been signatories of the Lincoln Petition in July; but many of them
-were out of reach, having armed their dependants and joined the King’s
-forces. Lord Willoughby was directed to disarm all “Popish recusants”; he
-was also to requisition tents, waggons, horses, &c., from all “dangerous
-and ill-affected persons, as well clergymen as others,” who had sent
-money and stores for the King. The Lord-Lieutenant’s exertions kept him
-so long in the county that he was too late for the battle of Edgehill
-(Sunday, October 23), in which he should have commanded a troop of horse.
-The general of the King’s army was at first a Lincolnshire peer, the
-Earl of Lindsey; but as Charles foolishly exempted Prince Rupert and the
-cavalry from his orders, he declined the position, telling his friends
-that he would lead his own regiment “and there find his death.” His
-forecast was too true, for he was mortally wounded and died the next day.
-A Lincolnshire knight, Sir Gervase Scrope of Cockerington, who commanded
-a troop by his side, received sixteen wounds and was left for dead upon
-the field from Sunday afternoon to Tuesday evening, when he was found by
-his son, tended by the famous Dr. William Harvey, and conveyed to Oxford,
-where he wonderfully recovered.
-
-During the winter following this indecisive battle, the air was full of
-rumours of peace; but neither side was disposed to yield upon the real
-points at issue. On January 9, 1643, Parliament appointed Lord Willoughby
-Sergeant-Major-General for the county, and ordered the removal of the
-prisoners in Lincoln Castle to the Bishop’s Palace for greater security,
-placing the Castle in the keeping of the Earl of Lincoln. Early in the
-year a stand was made for the King in the heart of the Parliament’s
-country. The men of Crowland, who were royal tenants, set to work in
-January to fortify their watery stronghold. They were undeterred by a
-friendly warning sent them by Mr. Ram, the Puritan minister at Spalding;
-and, being unmolested for two months, they made a raid on March 25 upon
-the defenceless town of Spalding, and carried off their censor and two
-or three more as prisoners to Crowland. Mr. Ram, in his account of the
-proceedings, shows much ill-feeling towards his captors, and not without
-reason if his statements can be trusted. When the prisoners were
-brought into the place, all the people were gathered together to triumph
-over them, “which put me in mind of Samson’s entertainment when he was
-taken by the Philistines.” Mr. Ram has to admit that their “usage was
-indifferent good” during their five weeks’ imprisonment, but complains
-of some “insolencies” that were offered them. The chief officers of the
-garrison were Captain Stiles and a Captain Cromwell (one of Oliver’s
-cousins); but Parson Stiles of Crowland, a very zealous Royalist, himself
-held command on the western front. On April 13 some Parliamentary forces
-beleaguered the place, and the prisoners were carried to the point of
-attack and pinioned in the line of fire. This is said to have happened
-more than once, but they were not hit, although the bullets flew fast
-about their ears. Many of the garrison were armed with “hassock knives,
-long scythes, and such-like fennish weapons”; and a “great water, broad
-and deep,” surrounded the works, except where it was crossed by three
-approaches or banks. On the failure of the first attack, the besiegers
-retired; and the garrison assembled in the Abbey Church to return thanks
-for their success. But on April 25 a much larger force appeared under the
-command of Colonels King, Dodson, and Oliver Cromwell, and attacked the
-town on three sides. Heavy rains, which made the place unapproachable,
-delayed their success for the moment; but the assault was renewed on the
-27th, and next day the garrison laid down their arms. It was scarcely
-worthy of Mr. Ram to accuse his foes of using “poisoned bullets”; no
-charge of the kind seems to have been preferred against the leaders, who
-“were clapt in prison” at Ipswich, Colchester, and other places.
-
-Near the western border of the county the important fortress of Newark
-was held by Sir John Digby for the King; and it proved a thorn in
-the side of Parliament throughout the struggle. Early in February a
-combined attack upon it was made by the forces of Notts, Derbyshire,
-and Lincolnshire; and, according to Mrs. Hutchinson,[117] this was only
-foiled by the suspiciously half-hearted conduct of one Ballard, who
-commanded the Lincolnshire contingent of 1000 men. He refused to follow
-up the first successes of the besiegers, and ordered a retreat when
-the other two counties were anxious to attack. We may perhaps see here
-an indication of the unwillingness of the Lincolnshire troops to take
-service beyond the borders of the county. Encouraged by this success,
-the Newark garrison, about a month later, decided to take the offensive.
-Among their number were some troops of horse commanded by Colonel
-Charles Cavendish, a brave cavalry officer and a general favourite. On
-March 22 he appeared before Grantham, which yielded to his summons; he
-took 360 prisoners (with officers) and three loads of ammunition. This
-exploit opened the way into the county for the King’s Commissioners of
-Array, who had spent an inactive winter at Newark. On April 4, with a
-military escort, they left that place for Stamford, and held another
-session on April 11 at Grantham. Here, while business was proceeding, a
-“rebel” force was reported to be approaching, and Colonel Cavendish drew
-out his troops and faced them half a mile from the town with the river
-between. The enemy, who had 800 horse and 200 dragoons (a kind of mounted
-infantry) were in superior strength; but Cavendish, leaving three troops
-to cover the town, crossed the Witham by a neighbouring bridge and forced
-the enemy to retreat. On Ancaster Heath, five miles from Grantham, they
-made a stand, dismounting their dragoons and drawing up the horse in
-three divisions. But on Cavendish charging with his best cavalry, the
-dragoons threw down their arms and begged for quarter. Thereupon the
-horse took to flight, and were pursued for six miles, over 300 prisoners
-with twelve officers being taken. The Royalist pamphleteer[118] says
-that they were commanded by Captain Hotham (son of Sir John), who had
-arrived at Lincoln the previous day from Yorkshire with four troops of
-“grey-coats,” and had boasted that he would surprise Grantham and capture
-the King’s Commission. If this were so, it can hardly be true (as stated)
-that Lord Willoughby of Parham was present and escaped only by the
-speed of his horse; for, as his rank was higher than Hotham’s, he would
-necessarily have been in command.
-
-This skirmish probably had two important results. It hastened the arrival
-of Cromwell in West Lincolnshire, and it impelled Hotham, whose influence
-over his father was unbounded, to meditate treachery to the Parliament.
-On May 3 Cromwell, who had been scheming for a combined movement with
-Lord Grey of Groby and others against Newark, wrote from Stamford to
-the Lincoln Committee, entreating them to send their forces for that
-purpose to rendezvous at Grantham. But his efforts were fruitless. Lord
-Grey was anxious to protect Leicester, and the Lincoln troops were slow
-to move. Early in May Colonel Cavendish gained another small success
-near Grantham, surprising the “rebels” in their quarters and taking
-many prisoners; but within a week he suffered a reverse at the hands of
-Cromwell and his newly-trained cavalry, though they had but twelve troops
-to his twenty-five. The encounter took place on the Grantham and Newark
-road, and is thus described by Cromwell himself:—
-
- “After we had stood a little above musket-shot, the one body
- from the other, and the dragoons had fired on both sides for
- the space of half an hour or more, they not advancing towards
- us, we agreed to charge them. And advancing the body after
- many shots on both sides, we came on with our troops at a
- pretty round trot—they standing firm to receive us, and our
- men charging fiercely upon them, by God’s providence they were
- immediately routed and ran all away, and we had the execution
- of them two or three miles. We took forty-five prisoners ...
- and rescued many prisoners whom they had lately taken of ours,
- and we took four or five of their colours.”[119]
-
-One consequence of this fight seems to have been that Grantham, whose
-real sympathy had been shown by its electing two of the stoutest Puritan
-members, returned to its allegiance to Parliament. With some of the
-wisdom that is born of the event, Dr. Gardiner says that “the whole
-fortune of the Civil War was in this nameless skirmish.”[120] But the
-statement of a biographer of Cromwell,[121] in magnifying the victory,
-that “never again did the Newarkers range the country with impunity,” is
-plainly false. The “wasps’ nest” itself remained unattacked; and a month
-later (June 11) we find Cavendish and his men in Mid-Lincolnshire taking
-toll of the household stuff, deer, and cattle of Sir William Armyne, one
-of the Grantham members, and “damnifying him” to the extent of £500.[122]
-In the same month they had a brush with the enemy at Louth, where the
-parish register records the burial of “three strangers, being souldgeres
-slaine at a scrimish”; and perhaps this was the occasion when Sir Charles
-Bolle of Thorpe Hall, an ardent Cavalier, only escaped capture by hiding
-under the bridge near the gaol, over which the Roundhead troopers
-galloped in search of him.
-
-Cromwell remained only about a fortnight near Grantham, and was then
-ordered to Nottingham to concert measures with the Midland commanders
-for the support of the Fairfaxes, who were hard pressed by the Earl of
-Newcastle in Yorkshire. He found a concealed traitor in the camp. Within
-four days of his defeat at Ancaster (April 15), young Captain Hotham
-had opened a correspondence with Newcastle, in the course of which he
-volunteered to betray Hull and Lincoln to the King. But he seems to have
-been a bad conspirator. When the news arrived of a small success of
-Sir T. Fairfax at Wakefield, he persuaded the other commanders to send
-Fairfax a message that their help would not now be needed. He began to
-correspond directly with the Queen, who arrived at Newark on June 16;
-but Cromwell and Colonel Hutchinson, who had long suspected him, procured
-an order for his arrest (June 18). He was committed to a guard for
-conveyance to London, but on the way succeeded in escaping to Lincoln,
-where he evidently had supporters, and whence he wrote to the Speaker to
-complain that Cromwell had employed an Anabaptist against him. On June
-27 the Queen wrote to the King that she was delaying two days for the
-fulfilment of “young Hotham’s” promise to render up Hull and Lincoln;
-but, before the two days were over, the conspirator and his father were
-both arrested at Hull and sent up by sea to London, where they were
-executed on Tower Hill early the next year. Three days later (July 2) the
-attempt upon Lincoln was made, and completely failed. Two brothers named
-Purefoy, agents of the Hothams, introduced sixty Cavaliers disguised as
-“market-folk” into the city, where they were concealed in the Deanery.
-In the nick of time a letter from the Mayor of Hull caused the arrest of
-the Purefoys, but their accomplices sallied out and endeavoured to secure
-the magazine. However, the discharge of a cannon by an inexperienced
-countryman killed some of them, and the rest were dispersed or taken.
-
-In the month then opening events followed thick and fast. On the last
-day of June the Fairfaxes were badly beaten at Adwalton Moor; and on
-July 4 Sir Thomas, whose wife had fallen into the enemy’s hands, arrived
-at Barton-on-Humber, hotly pursued and with the enemy in sight, but
-fortunately found a vessel to convey him into Hull. The way now lay
-open for the advance of Newcastle’s large force of over 6000 men into
-Lincolnshire. The town of Gainsborough, which was moderately fortified,
-had been occupied by the Earl of Kingston for the King. This nobleman
-had long hesitated which side to choose, and in the winter had openly
-declared that, when he joined either party, “let a cannon-ball divide me
-between them!” He had but just descended on the royal side of the fence,
-when Lord Willoughby of Parham, whose home was at Knaith, three miles
-from Gainsborough, surprised the town with a small force on July 20, and
-made him prisoner, though he fought till his house was in flames around
-him. Being a person of importance, he was at once put on board a pinnace
-and sent down the Trent to Hull for safe custody. On the way the boat was
-challenged by a Royalist party of horse; and upon his showing himself on
-deck, “a cannon-bullet,” in Mrs. Hutchinson’s words, “divided him in the
-middle, according to his own unhappy imprecation.”[123] Lord Willoughby’s
-position, however, was none too secure, for he was threatened not only
-by the advance of Newcastle, but by a strong body of the Newark troopers
-under Colonel Cavendish. Orders were therefore at once sent to Sir John
-Meldrum at Nottingham and to Cromwell in South Lincolnshire to join
-forces and advance to the relief of Gainsborough. Cromwell had just been
-gaining fresh laurels. He had forced a body of Cavaliers, who had taken
-Stamford, to retreat into Burleigh House, and there, after a single day’s
-siege (July 19), he received their unconditional surrender, and sent
-them under guard to be interned at Cambridge. A week later (July 26), by
-executing a forced march from Stamford, he joined the Nottingham troops
-at Grantham the same day, and a body from Lincoln at North Scarle on
-Thursday, and on Friday (28th) he encountered at Lea the mounted troops
-under Cavendish. Thereupon ensued a cavalry action, which, as described
-by himself,[124] severely tested the mettle of his newly-trained troops.
-The fight took place on a sandy plateau, overlooking a marshy tract of
-low land called the Humble Car. Up the steep ascent to the plateau,
-which was riddled with rabbit holes, and had to be gained in face of the
-enemy, the Lincolners led the van. After a hand-to-hand contest with
-the advanced guard, Cromwell routed them; but seeing a large body of
-horse under Cavendish in reserve, he kept back part of his men from the
-pursuit, and on Cavendish routing the Lincolners, charged him in the rear
-and forced him down the steep into a quagmire, where Captain James Berry
-slew him “with a thrust under his short ribs.” This description of the
-end of the dashing young leader does not sound too chivalrous, and to his
-own side his loss was great. His body was conveyed to Newark, where he
-was universally lamented.
-
-After bringing a store of powder into Gainsborough, Cromwell drew out
-his force to reconnoitre from an adjoining hill, and suddenly found
-himself faced by the whole army of Newcastle. His foot regained the town
-with some loss; and the retreat of his few squadrons of horse, which
-were holding the enemy, was accomplished in masterly fashion by Major
-Whalley. As Cromwell’s horse could be of no service behind defensive
-works, he at once drew them off and retreated with such speed that his
-letter of the following Monday (31st) was dated from Huntingdon. After
-his departure Lord Willoughby made but a faint show of resistance, and
-surrendered the town on Sunday, the 30th. He had liberty to withdraw his
-men, but they were first disarmed—contrary, as he alleged, to the terms
-of surrender, though it is difficult to believe that such terms would be
-accepted by a far superior force. The Royalist prisoners, on being set
-free, began to plunder the town, in which they were joined by Newcastle’s
-soldiers against the express orders of their commander, who soon drew
-off his army, leaving Colonel St. George as governor of the place. Lord
-Willoughby retreated on Lincoln; but he decided that the defences of the
-city were too slight for successful resistance, and so retired to Boston,
-whence he wrote despairingly to Cromwell:—
-
- “Since the business of Gainsborough the hearts of our men
- have been so deaded that we have lost most of them by running
- away.... If the enemy get this town, which is now very weak for
- defence for want of men, I believe they will not be long out of
- Norfolk and Suffolk.”
-
-On receiving this letter Cromwell withdrew his cavalry from Stamford, and
-made Peterborough his headquarters; but he stationed some companies of
-foot at Spalding as a support to Boston. Lincoln was very soon occupied
-by the Cavaliers, who appointed Sir William Widdrington of Blankney
-governor, and made Richard Somerby mayor in place of Marshall. The
-troopers are said to have plundered the city, and tried to seize Mr.
-Reyner, the Sunday lecturer in St. Peter at Arches, but he escaped by the
-vestry window.
-
-At this juncture, if Newcastle could have thrown his whole force upon
-the Associated Counties in concert with an advance of the King from the
-West after the capture of Bristol (July 26), the issue of the war might
-have been different. But his Yorkshire levies objected to leaving Hull
-unsubdued in their rear. So, after dallying unaccountably during August,
-he laid siege to that town on September 2—a fatal error, for it was
-impossible to reduce it by blockade, as the Parliament commanded the sea.
-On land, however, they were in woeful plight. The town of King’s Lynn, in
-the very heart of the Association, revolted against them in August; and
-the Earl of Manchester, newly appointed General of the Eastern Army, laid
-siege to it and took it on September 16. But all the commanders were in
-dire straits for money; and the reasons for adding Lincolnshire to the
-six Associated Counties by an ordinance of September 20 were probably in
-part financial. The weekly assessment for the county was fixed at £812,
-10s., though in the following year this was raised to £1218. The cruelty
-of such a tax upon Royalists, who were perhaps secretly supplying the
-King with funds and yet had to pay this tax or suffer sequestration of
-their estates, is evident enough. Those landlords who were absent with
-the King did not escape, for the money was exacted from their tenants who
-were to deduct it from the rent. The ordinance was to be administered by
-a county committee sitting either at Lincoln or Boston, and consisting
-at first of 70, afterwards of 105 members. But the practical work was
-done by a “standing committee,” which might meet anywhere—five to be a
-quorum and fresh members to be summoned every fortnight.
-
-At the date of this ordinance the hold of Parliament on the county was
-most insecure. But a change was at hand. News had come from Hull that
-the cavalry of Sir Thomas Fairfax was useless within the walls, and that
-their horses were dying from the brackish water. It was determined to
-bring this body of twenty-one troops across the Humber into Lincolnshire;
-and Cromwell, with Lord Willoughby, executed a daring march through the
-Wolds, then infested with Newarkers, to Barton, whither some of the
-cavalry were transported on September 18. But it seems to have been
-thought inadvisable to bring across the whole body in full view of the
-besieging army. On the 23rd both commanders were in Hull, bringing
-powder and provision for the garrison; and on the 26th the greater part
-of the cavalry were put on shipboard and landed, apparently the same
-evening, at Saltfleet Haven. At this old-world seaport there still
-stands a manor-house, then the property of Lord Lindsey, but somehow—by
-sequestration or otherwise—at the disposal of his kinsman of Parham,
-where Cromwell and Fairfax passed the night with their host. It is
-full of ancient furniture, and “Cromwell’s bed” is still pointed out
-to the credulous. With the dawn the troops were on the move, and had
-some difficulty in eluding a force of 5000 Cavaliers, who endeavoured
-to intercept them. At Louth, where Cromwell is said to have slept on
-the 27th, he would be joined by the contingent from Barton; and here,
-perhaps, a few troops were detached with Fairfax for scouting purposes
-round Horncastle. On the 28th Cromwell was in Boston, “weeping” that
-there was no money for his soldiers, and pushed on to Lynn to hasten the
-advance of Manchester and his infantry.
-
-On Monday, October 9, that commander drew out from Boston; and his
-advanced guard of foot, under Major Knight, summoned Bolingbroke Castle,
-but received for answer that “bugbear words must not win castles and
-should not make them quit the place.” That night the foot was quartered
-in three detachments at Stickney, Stickford, and Bolingbroke; and in the
-morning preparations were made to mount a mortar on Bolingbroke church
-tower, which would have rendered the castle untenable. During the day its
-defenders fired upon their assailants to some purpose, for some of the
-latter were killed, and Quartermaster Vermuyden, son of the famous Dutch
-engineer, was bruised by a shot. The cavalry, whose troops were scattered
-throughout the neighbouring villages, were ordered by Manchester to
-rendezvous at Horncastle; but Fairfax, who commanded that way, had his
-outposts at Thimbleby and Edlington driven in. The former troop tried to
-get into Horncastle, but found it barricaded by the Royalists; and on
-their joining Fairfax at Kirkby, whither Manchester rode that day, the
-first order was countermanded, and the rendezvous fixed at Kirkby and
-Bolingbroke. On Wednesday the 11th, the foot was drawn up at the latter
-place; but the horse under Fairfax and Cromwell—who was unwilling to
-fight on account of the hard duty of the last few days—advanced two miles
-through Asgarby to the higher ground at Winceby, five miles south-east
-of Horncastle. The Cavaliers, under Sir John Henderson, arrived at
-the same point from Horncastle by the hill road through High Toynton,
-their object being the relief of the besieged castle; and it is said
-that neither party expected to meet its opponents so soon. The King’s
-troops had seventy-four colours of horse and twenty-one of dragoons,
-with some infantry in the rear; and the “rebel” horse were as numerous,
-though their companies were fewer. The passwords for the two sides are
-variously given as for the King “Cavendish” and “Newcastle,” and for
-the Parliament “Religion” and “Truth and Peace.”[125] The armies met on
-a high plateau—one of the highest points of the Southern Wolds; on the
-north-east was a deep ravine, now called the Ramshaw, which prevented
-the free manœuvring of the Royalist cavalry. A strategist like Cromwell
-would see his advantage at a glance; and about midday, with the vanguard
-singing their battle-psalm, he charged the Royalist left wing under
-Henderson, after their dragoons had fired the first volley. He was
-received, however, with a second, which killed the horse under him; and
-as he rose to his feet he was knocked down by Sir Ingram Hopton,[126]
-who called to him to yield. But his assailant was speedily killed in
-the rush, while he himself secured another horse from a trooper. The
-fight had lasted about half-an-hour, when the Royalist right and centre
-under Sir W. Saville were seized with panic at a charge from Fairfax,
-and broke in flight. The disadvantage of the ground was now apparent.
-The Royalist horse were driven back upon the foot, which had no room
-to deploy and let them pass; and tradition says that at the boundary
-between Winceby and Scrafield—along what is still known as “Slash Lane”—a
-closed gate intercepted their headlong flight, and here the Roundhead
-troopers, pressing upon the confused multitude, did terrible execution.
-Their victory was complete; and the pursuit was continued, in spite
-of the tired horses, beyond Horncastle. Eight hundred prisoners were
-taken, and the number of the dead, some of whom were drowned in crossing
-the fens, is variously placed between 500 and 1000. The Parliament’s
-loss was trifling, and included but a single officer. The affair was
-entirely a cavalry action, for Manchester’s foot was not engaged, and
-the Royalist infantry seem to have run away without striking a blow. If
-the scythes now displayed on the walls of Horncastle Church were carried,
-as tradition says, by some of the foot at Winceby, it seems that many of
-them were peasant levies, indifferently armed.
-
-The consequences of the victory, for the moment at least, were
-far-reaching. A Puritan chronicler[127] could truthfully exclaim:
-“Yorkshire is discouraged, Lincolnshire is delivered, Cambridge is
-secured.” On the very day of Winceby some of Newcastle’s forts at Hull
-were captured by the garrison; and the following day he raised the siege
-and retreated to York. On the 20th Lincoln capitulated to Manchester, who
-soon after laid siege to Gainsborough.[128] Manchester did his best by
-persuasion to win back the county to Parliament; and a number of Royalist
-gentry changed sides from a rumour that the King was bringing over an
-army of native Irish. The scare of “Popery” was always the Parliament’s
-strongest card. Their own alliance at this time with the equally foreign
-Scots, which really changed the fortune of the war, aroused no such
-feeling. Late in the year a force of 800 Danes, sent by the King’s
-uncle, Christian IV., landed on the Lincolnshire coast, and met with a
-warmer reception than their pirate forefathers. The trained bands were
-called out, and killed about fifty of them, forcing the rest back upon
-their ships. Winter set in early, and there was much snow in November.
-The force besieging Gainsborough suffered much privation; and an Essex
-officer among them writes:[129] “Our lying in the field hath lost us more
-men than have been taken away either by the sword or bullet.” He adds
-that at the time of writing he had only two shillings, and his troop was
-without money, even for shoeing their horses, repairing saddles, &c. The
-perseverance of Fairfax, who was in command, was at length rewarded by
-the surrender of the town on December 20.
-
-In the following month (January 1644), the Newark people addressed
-a “remonstrance” to the King on the condition of Lincolnshire. They
-represented that the whole county “is now in possession of the Rebels,”
-mentioning in particular “that seditious town of Boston,” and urged
-that, unless a diversion was made by his Majesty’s troops elsewhere,
-the whole force of the county, which was “above 5000 foot and twenty
-troops of horse,” would be “poured down” upon them. About the same time
-a hot dispute arose in Parliament about the Lincolnshire command. Lord
-Willoughby had much resented his supersession by the Earl of Manchester,
-which in his opinion lacked the authority of Parliament. Cromwell, as
-usual, was ready with the first blow. He moved that Lord Willoughby cease
-to be Major-General in Lincolnshire, as he had abandoned Gainsborough
-and Lincoln in the summer without necessity, and had permitted loose
-and profane conduct among his soldiers. These charges caused much
-ill-feeling. Sir Christopher Wray warmly defended Willoughby, who
-challenged Manchester to a duel; and three of Wray’s sons went so far as
-to cudgel one of the Earl’s officers. Cromwell’s motion, however, was
-carried; and with much difficulty Willoughby was induced to serve under
-Manchester. With the Lincolnshire levies he appears to have taken part
-in the siege of Newark in March; and, according to Mrs. Hutchinson, the
-brilliant feat of Prince Rupert in relieving the place and capturing
-most of the besieging force (March 22), was only rendered possible by
-the cowardly flight of the Lincoln men. This exploit caused such a panic
-that within three days Lincoln, Sleaford, and even distant Crowland
-were abandoned by their garrisons, and the defences of Gainsborough were
-dismantled. In his remonstrance to the House of Lords on April 8 the Earl
-of Essex himself used the words—“Lincolnshire is lost.” Two days before,
-however, Crowland had been recovered; and in three weeks Manchester and
-Cromwell were advancing against Lincoln. On May 3, with his army drawn
-up at Canwick, Manchester summoned the city by trumpet, and, on being
-denied, sent two regiments of foot against it, while Cromwell with 2000
-cavalry held in check a relieving force. The garrison were expelled from
-the lower town and retreated into the Castle, after attempting to set
-fire to many houses. The assault on the Castle, which was delayed two
-days by heavy rain, took place on Monday, the 6th; and the infantry came
-on with such ardour that, despite the slippery state of the hill, the
-works were taken in a quarter of an hour. The Royalist loss was 900 in
-killed and prisoners—the latter including the governor, Sir Francis Fane,
-and Sir Charles Dalison. The upper town, having been taken by storm,
-was given over to the soldiers for pillage. It was on this occasion
-that the Cathedral suffered most at the hands of Puritanism. Pleading a
-recent ordinance of Parliament, the troopers tore up all the sepulchral
-brasses, damaged the carvings, and smashed the painted windows. If we
-are to believe “Aulicus,” the Oxford newswriter, whose statements are
-disputed, they even stabled their horses in the nave. Other churches were
-much injured in the assault. St. Swithin’s was destroyed by fire; St.
-Martin’s and St. Michael’s were much damaged by cannon; and St. Botolph’s
-fell down two years later through the injuries which it now received. Two
-extra-mural churches, St. Nicholas’ and St. Peter’s Eastgate, had already
-been demolished by Lord Willoughby’s order as interfering with the city’s
-defences.
-
-The whole county had now been reoccupied for the Parliament; and
-Manchester, throwing a bridge across the Trent at Gainsborough, marched
-with the army of the Eastern Association to besiege Newcastle in York.
-The victory of Marston Moor on July 2 decided the fate of the North
-and East of England. But in the next few weeks the King gained marked
-successes in the West; and on the return of Manchester to Lincoln
-on August 6, there were divided counsels among the Parliamentary
-commanders, which developed later into an open breach between Cromwell
-and Manchester. For four weeks the latter lay inactive at Lincoln, though
-Cromwell vehemently urged him to besiege Newark. When at length he moved
-southwards on September 4, the Newark garrison resumed their activity,
-and appeared before Sir Robert Carr’s fortified house at Sleaford, the
-defenders of which had to retire upon Lincoln. On October 5 a force of
-500 Cavaliers captured and taxed Stamford; and perhaps it was part of
-the same band which, a day or two later, once more occupied Crowland for
-the King. This daring move brought the Fen men out in strength, though
-at the time the pay of the Boston garrison was four months in arrear;
-and by October 12 a force of 4000 men of the trained bands, under Sir
-T. Fairfax and Fleetwood, had assembled to block up the watery citadel.
-But rain fell in torrents, and most of the besiegers had to be sent back
-to their counties, although the approaches to Crowland were carefully
-guarded. On October 29, the water having subsided, a closer investment
-became possible; and a body of horse under Colonel Hacker was detached
-to confront a relieving force from Newark. The two bodies came into
-collision at Denton, when, in Colonel Hacker’s words, his men “shouted
-as if the skies would have fallen” and fell upon the enemy, who fled,
-leaving 400 prisoners. Three weeks later another attempt at relief was
-frustrated by a Royalist repulse near Grantham; and on November 6 an
-ordinance of Parliament provided for the erection of three forts against
-Crowland at a cost of £600. In the first week of December the famished
-garrison of 275 men, whose besiegers had been subsisting comfortably on
-fish and wild fowl, were allowed to march off to Newark without their
-arms.
-
-The campaign of 1645 was almost wholly unfavourable to the King. When
-the two armies faced each other at Naseby on June 14, for the decisive
-struggle, Colonel Rossiter, with the Lincolnshire troops, arrived just
-in time to take part in Cromwell’s charge on the Royalist left wing. The
-King retreated eastward after his defeat; but in August he was again
-approaching the Associated Counties with an army of about 3000 men. In
-that month the Newarkers made two raids upon Stamford, and carried off
-some of their opponents; and on the 23rd the King himself passed through
-the town. But his cause was declining rapidly; and on April 27, 1646, he
-left Oxford in disguise to take refuge with the Scots before Newark. The
-night of May 3—his last as a free man—he passed at Stamford in the house
-of Mr. Wolph; and with the surrender of Newark by his command on May 6,
-two days after he reached the Scots, the first Civil War ended.
-
-In the second Civil War of 1648 Lincolnshire took little part. Early
-in June an attempt was made by Michael Hudson, rector of Uffington—the
-chaplain who had guided the King in disguise through the eastern
-counties—to raise a Royalist force. Accompanied by Stiles, the Crowland
-parson, he occupied Woodcroft House, near Stamford, where he was soon
-besieged. On the surrender of the place he was denied quarter, and,
-having been thrown into the moat, was “barbarously knocked on the
-head.” A more serious rising took place at the end of the month. A body
-of Cavaliers from Pontefract, 600 strong, entered the Isle of Axholme
-and pushed on to Lincoln, where they doubtless hoped to find arms and
-ammunition, but the magazine had been removed to Hull. After plundering
-the houses of the chief Parliamentarians, they attacked the Bishop’s
-Palace, whither the little garrison of a hundred had retired, and
-reduced it in three hours; they then wrecked and burnt the building,
-leaving it in ruins. But their commander, Sir Philip Monkton, found it
-impossible to hold the town, and on July 4 his force was defeated and
-dispersed near Nottingham by Colonel Rossiter, who commanded for the
-Parliament in Lincolnshire.
-
-At the outset of the struggle the feeling of Lindsey inclined towards
-the King; but the insecurity produced by the constant forays from Newark
-turned the balance the other way. Holland and Kesteven, especially the
-fen district, supported the Parliament. The nobility and gentry were
-about evenly divided. Of the two chief peers, Montagu Bertie, second Earl
-of Lindsey, followed the King through all his misfortunes, and was one of
-the few who attended his funeral; Theophilus Clinton, Earl of Lincoln,
-who held Tattershall Castle for the Parliament throughout the war,
-changed sides, like Lord Willoughby, in 1647, and with him was impeached
-and thrown into the Tower, when the Independents gained the upper hand.
-Of the principal county families (besides those already mentioned),
-the Dymokes, Heneages, Husseys, Nevilles, Skipwiths, and Thorolds were
-for the King; the Brownlows, Fitzwilliams, Massingberds, Nelthorpes,
-Trollopes, and Whichcotes for the Parliament; and the Andersons,
-Cholmeleys, Harringtons, Listers, and Pelhams were divided. According to
-one list,[130] the number of persons in the county compounding for their
-estates was 180, and the total amount of their compositions was £80,800.
-This, however, does not include the sums set aside for the maintenance of
-ministers in parishes where the compounder possessed an impropriation.
-In some instances where the composition-fine could not be paid in full,
-the estates were either let or sold outright to some supporter of the
-Parliament at a ruinous loss. This happened to the estates of the Earl
-of Lindsey near Alford; his mansion and lands at Belleau were sold below
-their value to Sir Harry Vane the younger, who was residing there in
-1655, when he was sent for by Cromwell and imprisoned in Carisbrooke
-Castle. Nor was it only persons of influence and large holders of
-property who were subject to fine. Anthony Gurley of the Close, Lincoln,
-had to pay £1, which was assessed upon “his books and apparel.” Sutton
-Dalton, who had some landed property, was fined £100 for spending only
-two days in Newark garrison. Sir William Clarke, of North Scarle, used
-to go to Newark on market-days, and for this offence was imprisoned
-for six months and had to pay £21. Of the seven Associated Counties,
-Lincolnshire, which had suffered the most heavily by the war, contributed
-to the Treasury by far the greatest sum in fines inflicted upon Royalist
-estates.
-
-The Church history of the county would require a separate chapter;
-but much of the material has been lost beyond recall. When Walker was
-compiling his “Sufferings of the Clergy,” in Anne’s reign, he could
-not get proper returns from Lincolnshire; and the number of ejected
-clergy which he gives (37) must be far below the true figure. Bishop and
-Dean-and-Chapter had been abolished in November 1643, and the cathedral
-was served by a Sunday-lecturer, who, though he may have been episcopally
-ordained, yet in sympathy, like Hudibras,
-
- “Was Presbyterian true blue.”
-
-In 1644 the Earl of Manchester, who presided over a commission for
-purging the Association of “scandalous” ministers, appointed committees
-for the separate counties; but the minutes of the Lincolnshire Committee
-have not survived; perhaps they were not kept; for the business was done
-by sub-committees of five, who would not allow the accused clergyman
-to be present “lest it should discourage the witnesses,” and made him
-pay even for a copy of the depositions. The clergy of Stamford were all
-deprived for Royalism; and when Paul Prestland, the rector of Market
-Deeping, fled to avoid arrest, his wife and children had to spend many
-months first in a barn and then in the belfry of the church. Thomas
-Gibson, vicar of Horncastle, a man of exemplary piety, was imprisoned
-five times, once spending four months in Tattershall Castle, and on his
-release had to maintain himself by teaching. Several clergy were ejected
-simply for going to His Majesty’s garrisons; against one, the rector of
-Hykeham, it was even made a charge that he had by him many copies of the
-Oxford “Aulicus” gazette. Some were deprived for using the prayer book,
-or complying strictly with its directions; the rector of Hareby lost his
-living for “preaching but seldom, and not being above half-an-hour in
-the pulpit, and having no books.” Though many of the clergy must have
-taken the Covenant, there is little trace that the Presbyterian “Classis”
-system was ever adopted within the county. In fact, the ease with which
-Anglicanism was restored, after eighteen years of persecution, is strong
-proof that even the most Puritan districts were weary of ecclesiastical
-chaos.
-
-
-
-
-DODDINGTON HALL
-
-BY REV. R. E. G. COLE, M.A.
-
-
-Some six miles to the south-west of Lincoln, well within view of
-the great Minster on its sovereign hill, but on the very border of
-Nottinghamshire, stands the little village of Doddington, otherwise
-Doddington-Pigot, situated on the slightly rising ground which here
-forms the watershed between the valleys of the Witham and the Trent. Its
-most notable feature is the Elizabethan mansion, known as Doddington
-Hall, which is the more prominent, inasmuch as it is not secluded in
-any surrounding park, but stands guarded only by its own picturesque
-gate-house, in close and friendly proximity to church, and rectory, and
-village.
-
-Needless to say, the place had a long history before the present Hall
-was built. Already at the time of the Domesday Survey it had its church
-and priest, and its manor had been given by Ailric, its owner in Edward
-the Confessor’s reign, as an endowment to the newly built Abbey of
-Westminster. Mention is especially made of the woodland, which still is
-such a feature of the place, and which then formed an unbroken tract, a
-mile and a half in length, and half a mile in breadth. No other property
-was held by the Abbey in Lincolnshire, and doubtless the distance
-made its personal management by the Abbot and convent difficult and
-inconvenient. At all events, from very early times the manor was held
-under them, for a fee-farm rent of £12 per annum, by the knightly family
-of Pigot, whose long tenure, lasting for some ten generations, attached
-their name to that of the place, to distinguish it from the several
-other parishes so-called. Even so, difficulties at times arose; and
-in 1303 the Abbot had to make complaint in the King’s courts that Sir
-Baldwin Pigot had failed to render the customary rents and services, and
-that when he caused his beasts at Doddington to be seized, the knight
-and his men had rescued them and assaulted the Abbot’s servants. As a
-rule, however, this fixed rent of £12 continued to be paid by successive
-tenants to the monastery until the Dissolution. It then passed into
-possession of the Crown; in 1661 it was sold with other Crown rents by
-Charles II. to Sir Edmund Turnor, and from his direct descendant it was
-redeemed by the late owner of Doddington in 1860, after a continuous
-payment of some 700 years.
-
-It is not our purpose here, however, to trace the early history of the
-place. It will be sufficient to say that as early as 1194 John Pigot
-asserted against the Abbot his right to hold not only the manor, but
-the advowson of the rectory, the patronage of which has remained to
-his successors down to the present day. Another Sir John Pigot in 1275
-claimed to have not only right of free chase and warren in his woods
-at Doddington, but also his own gallows there—a right which he pleaded
-that his ancestors had exercised for a hundred years past. The last of
-the family, yet another Sir John Pigot, was High Sheriff of Lincolnshire
-in 1433, and died without surviving issue in 1450. His widow not only
-retained possession of the estate, in spite of two remarriages, but
-contrived to sell the reversion of it after her death to her neighbour,
-Sir Thomas Burgh, Knt.
-
-Sir Thomas Burgh, who was summoned to Parliament in 1487, and in the same
-year was created K.G., became the owner of Doddington in 1473, and the
-inheritance of it continued in his family for some 110 years. Their chief
-Lincolnshire manor place, however, was at the Old Hall, Gainsborough, and
-Doddington was an outlying possession with which they had little personal
-connection. We cannot wonder, therefore, that when Thomas, 5th Baron
-Burgh, also K.G., fell into difficulties, chiefly owing to the burdens
-entailed by his honourable offices as Governor of Brill and Lord Deputy
-of Ireland under the thrifty Queen Elizabeth, Doddington was the first of
-his estates sold to meet his expenses.
-
-This was in 1586, and the purchaser was John Savile, Esq., son of
-Sir Robert Savile, of Howley, co. York. At this time he was M.P. for
-Lincoln, and doubtless found it convenient to have a residence in the
-neighbourhood; and as John Savile of Doddington he held the office of
-High Sheriff of Lincolnshire in 1590. Later he became “the famous Sir
-John Savile,” who was several times Knight of the Shire for Yorkshire,
-and was created Lord Savile of Pontefract in 1628. His son Thomas, born
-at Doddington in 1590, became Comptroller and Treasurer of the Household
-to Charles I., and was created Earl of Sussex in 1644.
-
-In 1593 Mr. Savile, having ceased to represent Lincoln, sold his
-Doddington estate. It was bought by Thomas Tailor, gent., who for many
-years had been Registrar to the Bishops of Lincoln, and whose neat
-handwriting may still be seen in the diocesan registers, dating from
-at least 1570. His residence hitherto had been in the parish of St.
-Martin, Lincoln, in which his two wives and others of his family were
-buried. The first of these wives was a daughter of Sir William Hansard,
-of South Kelsey, Knt.; the second a daughter of Martin Hollingworth,
-Mayor of Lincoln in 1560. Evidently the office of Episcopal Registrar
-was a lucrative one, for it appears by the inquisition taken after his
-death that, besides Doddington, he had purchased five other Lincolnshire
-manors, with messuages and lands in other parishes to the extent of
-nearly 10,000 acres.
-
-Whatever the ancient manor-house at Doddington may have been like—and it
-had at least served as a residence for one of Mr. Savile’s position—we
-must suppose that it had become out of date, and not suited for the
-requirements of a man of Thomas Tailor’s wealth. And if we wish to see
-what sort of mansion was considered suitable, when Elizabeth was Queen,
-as the residence of a man of means, wishing to retire and set up as a
-country gentleman, we may find one in the present Hall, which remains
-in all essentials in its original state as it was built by him between
-the years 1593, when he purchased the estate, and 1607, when he died.
-Probably the date 1600 on a leaden plate at the top of the central
-cupola, marks the year of its completion.
-
-Its site, closely adjoining the parish church, was doubtless that of
-the former manor-house. The principal entrance is on the east, through
-a three-gabled gate-house, two storeys high, standing back from the
-public road. Coped walls of brick connect this gate-house with the Hall
-itself, and enclose a quadrangle, which appears in 1700 as an open grassy
-court, but is now well-nigh filled by four stately cedars of Lebanon. A
-similarly walled quadrangle on the west is laid out as a flower garden.
-Between these courts is placed the house itself, facing east and west,
-and rising in three storeys to the height of 52 feet, surmounted by a
-plain parapet and flat roof of lead, from which rise three octagonal
-turrets of brick, capped with leaden cupolas. Roughly speaking, its
-ground plan is of that E-shape, fancifully said to represent the initial
-letter of the great Queen’s name, with projecting wings at either end,
-and a smaller projection in the centre, the lowest storey of which forms
-an entrance porch on either side. Its extreme length from north to south
-is 160 feet, and its greatest breadth at the wings is 75 feet. The house,
-as well as the gate-house and connecting walls, is built of brick,
-with stone groins, string-courses and coping, and has large square,
-stone-mullioned windows. Many of the small-sized bricks, made in fields
-close by, and of unsifted clay, are over-burnt and black; these are built
-in alternately with the others, or in parts are arranged so as to form a
-diamond pattern.
-
-We may be permitted here to quote the description of the house as given
-by such an authority on the architecture of the period as Mr. Gotch.
-“Twelve years later,” he says, than Barlborough in Derbyshire, “we get
-Doddington in Lincolnshire (1595), a plan which reverts to the type of
-Montacute. It has the usual characteristics of the simplest kind—wings
-one room thick—the entrance at the end of the hall, leading on the
-left to the buttery, pantry, and kitchens; the parlour at the head of
-the hall, and the principal staircase adjacent. Here, however, as at
-Montacute, the hall is only one storey in height; it has a room above
-it, the great chamber, and on the top floor the gallery extends over the
-whole central part from wing to wing.
-
-“There is an entrance court in front of the house, enclosed by a wall. It
-is approached through one of the quaint gate-houses of the time, which
-were a reminiscence of a more turbulent state of society, when it was
-necessary for all who went to the house to do so under the porter’s eye,
-but which in the calmer times of Elizabeth were occupied by some of the
-numerous functionaries who ministered to the pleasures of the rich. The
-detail at Doddington is of the plainest, the only attempt at richness
-being round the front door. The windows are of reasonable size, the
-strings are narrow, and are all of the same quasi-classic profile. The
-parapet is perfectly plain, and the roof is without gables, the sky-line
-being broken, as at Barlborough, with turrets, formed by carrying up
-the porch and the two projections in the internal angles of the front.
-The house is an example of a plain and businesslike type, which may be
-accounted for by the fact that it was built for a business man, one
-Thomas Tailor, Registrar to the Bishop of Lincoln.”[131]
-
-[Illustration: DODDINGTON HALL.]
-
-What style Thomas Tailor kept up in his stately mansion we cannot tell,
-but that he had not impaired his fortune in the building of it is
-evident from his will, proved at Lincoln, 30th November 1607, in which
-he disposes of considerable sums of money, while the inquisition taken
-after his death sets forth in detail his numerous landed estates. Though
-his two wives and most of his children had been buried at St. Martin’s
-Church, Lincoln, he willed his “bodie to be buried in the parishe church
-of Doddington.” He was buried there on 26th November 1607, as we learn
-from the transcript of a former parish register, though there is nothing
-to mark the place.
-
-He was succeeded by his only son, a second Thomas Tailor, born at Lincoln
-in 1580, who seems to have been a somewhat eccentric character, if we may
-judge from the following stories related of him, which were taken down
-from the mouth of an old inhabitant of Doddington:—“Tommy Tailor once
-told his steward who was going to Lincoln to market to bring him a goose.
-On his return he asked about it, and the man told him they were so dear
-he had not got one. So Tommy shut him up in a room with a lot of money on
-the table, and kept him there two days, asking him when he came out if he
-had now discovered that the use of money was to buy what one wanted, not
-to keep to look at. Another day he met a woman on the road carrying some
-butter; he asked what it was a pound. The woman told him, and he bought
-it of her, taking it and putting it on the branch of a tree. She walked
-on, but soon turned back to take it away. However, he was lying in wait,
-and pounced on her just as she had taken it down, and said he had bought
-and paid for it, and he should put it where he liked. Another person
-on whom he played the same kind of trick took away the chicken he had
-bought, threw his money at him, and called him _an owd fule_. He kept his
-money in a great chest, and hid it away, and, unfortunately, died very
-suddenly of smallpox before he explained where he had put it.” Some have
-fancied that his ghost still walks the Hall in anxiety for his hidden
-money; and it was commonly believed of a late owner of Doddington, who
-was fond of employing his leisure in working in the woods, that he was in
-search of “Tommy Tailor’s _chist_.”
-
-As Thomas Tailor of Doddington-Pigot, he held the office of High Sheriff
-of Lincolnshire in 1620, and in the visitation of the county in 1634 he
-signs the short pedigree of his family, comprising only two generations.
-It was, perhaps, a mark of his eccentricity that, though he had served
-as High Sheriff, he had not cared to apply for a grant of arms, and the
-herald has appended to the pedigree a note: “He had been high shreife,
-but had no coate.” It is doubtful whether he had ever married; but, at
-all events, he left no issue, and in his nuncupative will, declared 13th
-December 1652, he acknowledges his niece, Elizabeth, Lady Hussey, to be
-his heiress.
-
-Thomas Tailor had lived through all the stress of the Civil War, without
-either himself or his house having apparently been affected by it. In
-the course of it Lincoln had been twice besieged and taken; Cromwell’s
-forces had encamped on the neighbouring moor of North Scarle, and must
-have passed within sight of Doddington as they marched thence to defeat
-the Royalists at Gainsborough. The house and parish must have been well
-within reach of the Parliamentary forces at Lincoln, as well as of the
-King’s troops at Newark, who on one occasion extended their forays past
-it as far as Kettlethorpe, and on another burnt the very similar hall of
-the Jermyn family at Torksey, which was garrisoned by the Parliamentary
-troops. Yet he and his estates seem to have escaped unscathed. It was far
-otherwise with the family into whose possession Doddington now passed.
-
-Elizabeth, Lady Hussey, who now inherited it, was the only child of the
-first Thomas Tailor’s daughter, Jane, by her marriage with George Anton,
-Esq., Recorder of Lincoln, 1598-1612, and M.P. for that city in 1588 and
-1592. She married Sir Edward Hussey, of Honington, Knt. and Bart., and so
-added Doddington to the possessions of that distinguished Lincolnshire
-family. Sir Edward, her husband, was eldest son of Sir Charles Hussey,
-of Honington, Knt., and grandson of Sir Robert Hussey, who was a younger
-brother of John, Lord Hussey of Sleaford, beheaded by Henry VIII. for his
-supposed complicity in the Lincolnshire rising of 1536. He was already a
-knight at the time of his father’s death in 1609, having received that
-honour at Whitehall in 1608, and shortly afterwards, on 29th June 1611,
-he was advanced to the dignity of baronet. The original bond, cancelled
-by being cut into shreds, by which he bound himself to furnish £1095 by
-three yearly instalments for the maintenance of thirty foot soldiers in
-Ireland for three years, is still preserved at the Hall. He was High
-Sheriff in 1618 and 1637, and Knight of the Shire in the Parliament
-summoned to meet at Westminster, 13th April 1640. When the Civil War
-broke out he exerted himself zealously on the Royalist side as one of
-the King’s Commissioners of Array; and in 1642, when the loyal gentry
-of Lincolnshire resolved to provide horses for the King’s service, Sir
-Edward undertook to supply six, his brother Sir Charles Hussey, of
-Dunholme, providing two. Later he and his brother and other Lincolnshire
-loyalists assembled at Newark for its defence, and there Sir Charles
-Hussey died. Shortly before its surrender by the King’s order in 1646,
-we find Sir Edward at Honington endeavouring to make his peace with
-the Parliament. He was very aged and infirm, he says; he had taken the
-Covenant; his estates had been sequestered; and he asks that his wife may
-be allowed to compound for him. In spite of his pleading, the great fine
-of £10,200 was imposed. This was finally reduced to £8750, of which £4500
-was raised and paid in December 1647, and three months later Sir Edward
-Hussey died. His eldest son, Thomas Hussey, some time M.P. for Grantham,
-had predeceased him in 1641; the next brother, Captain John Hussey, had
-been slain in the fight with the Parliamentary troops at Gainsborough in
-1643. It was left to his widow, and to his eldest son’s widow, Rhoda, now
-remarried to Ferdinando, 2nd Baron Fairfax, to clear the impoverished
-estates, and to raise the remainder of the fine, which was finally paid
-off in 1650. For this purpose Lady Hussey had to sell her jointure, and
-it must have been a relief to her when, on her uncle’s death at the end
-of 1652, she inherited Doddington and his other estates. She enjoyed
-them, however, for no more than six years, dying early in 1658.
-
-She was succeeded in the ownership of Doddington by her grandson, Sir
-Thomas Hussey, Bart., born in 1639, whose long minority, with the
-addition of his grandmother’s inheritance, must have done much to repair
-the shattered fortunes of the family. At the Restoration we find him,
-with his mother, Lady Fairfax, then a second time a widow, living at
-Doddington, and contributing, himself £60, and Lady Fairfax £30, towards
-a loan for the restored King.
-
-In 1662, 20th February, the marriage took place at Great St. Helen’s,
-London, of “Sir Thomas Hussey, Bart. of Doddington, bach., and Sarah
-Langham, aged twenty-one, daughter of Sir John Langham, Knt. and Bart.,
-of Cottesbroke, Northants.” Portraits of Sir Thomas and Lady Hussey still
-look down on the gallery of their former home; and what the house itself
-resembled in their time we may see from the engraving of it, which was
-executed by John Kip, after a drawing by Leonard Knyff, _c._ 1700. It
-represents the Hall and gate-house much as they are at present, with an
-open grassy court between. Gardens formally laid out, and orchards of
-young trees in rows, surround the house; but we cannot tell how much of
-this is due to the artist’s imagination.
-
-Sir Thomas Hussey was High Sheriff of Lincolnshire in 1668, and Knight
-of the Shire 1681-95. As such he took a prominent part in the reception
-of a new charter granted to the city by Charles II. in 1685. On this
-occasion Sir Thomas Hussey, driving in, we must suppose, from Doddington,
-was met at the entrance of Lincoln by the Mayor and Corporation, who
-received the new charter from him on the green against St. Katharine’s.
-After this Sir Thomas, with the Mayor and aldermen, walked up the city
-to the Guildhall, with bands playing and bells ringing, and the conduits
-running claret wine, that all might drink the King’s and the Duke of
-York’s health. At the Guildhall the charter was read publicly by the
-town-clerk, Mr. Original Peart, and the ceremony terminated with a great
-dinner at the Mayor’s, and more drinking of healths. Towards the charges
-of renewing the charter, the Bishop of Lincoln gave £20, and Sir Thomas
-Hussey and three other gentlemen £10 a-piece.
-
-Sir Thomas Hussey died 19th December 1706, and was buried, as his wife
-and many children who died young had been, in the vault of the Hussey
-family in Honington Church. There his monument, with his bust in marble,
-may still be seen; but it is in their house of Doddington that the
-portraits of himself and Dame Sarah, his wife, and their three surviving
-daughters have been preserved. The church, too, possesses a memorial of
-him, in the shape of a handsome silver paten and flagon, bearing his
-coat-of-arms, and the date 1707. His niece Rhoda, daughter of his sister,
-Rhoda Hussey, by her marriage with John Amcotts, of Aisthorpe, Esq., had
-already presented to the church a silver alms-dish in 1671, engraved with
-the Amcotts arms. As he left no male issue, his baronetcy passed to his
-cousin, Sir Edward Hussey, of Caythorpe, who already held the baronetcy
-conferred by Charles II. on his father in 1661.
-
-His three surviving daughters became co-heiresses of his estates. The
-eldest of these was Rebecca Hussey, who “after a life spent principally
-in devotion and acts of charity, died unmarried, 21st August 1714.” She
-took care that her charities should not end with her life. Two at least
-of these—Rebecca Hussey’s Book Charity, and Rebecca Hussey’s Charity for
-the Relief of Poor Debtors—have kept her name in remembrance down to the
-present day. The latter was paid for many years out of the Doddington
-estate, but is now represented by an invested sum of £3192. The youngest
-was Elizabeth, who in 1714 married Richard, son and heir of Sir William
-Ellys, of Nocton, Bart., sometime M.P. for Grantham, but who died
-childless in 1724, and is commemorated with her mother and sister Rebecca
-on a monument in Honington Church.
-
-Between these came Sarah, who had been already married at the age of
-twenty-two, at St. Margaret’s, Westminster, in 1700, during her father’s
-lifetime, to Robert Apreece, Esq., of Washingley, co. Hunts. In a
-partition of their father’s estates between her and her sister Elizabeth,
-in 1717, Honington had fallen to her share, but under her sister’s
-will in 1724 she became possessed of Doddington also for her life,
-with remainder to her son and daughter as tenants in common. Her son,
-Thomas Apreece, inherited Washingley and Honington, and was the father
-of Sir Thomas Hussey-Apreece, created a baronet in 1782. But Mrs. Sarah
-Apreece bought up her son’s contingent share of Doddington, and by her
-will, dated 1747, she settled the whole estate on her daughter Rhoda,
-the wife of Captain Francis Blake-Delaval, R.N., the owner of the great
-Northumbrian estates of Seaton-Delaval, Ford Castle, and Dissington. It
-was evidently her wish to secure the continuance of her father’s name
-and estate, for she strictly entailed Doddington on the second son of
-her daughter’s marriage, enjoining that he should take the name and
-arms of Hussey, and resign Doddington to his next brother, if he should
-succeed to his father’s estates. We are told that amongst their many
-seats Captain and Mrs. Blake-Delaval resided chiefly at Seaton-Delaval
-and at Doddington, and we may well believe that it was to Mrs. Delaval’s
-affection for her family, and her desire to perpetuate their memory in
-the house that was her own inheritance, that we owe the many family
-groups of her children, which seem to have been designed for the places
-they occupy on its walls.
-
-She died in 1759, leaving a numerous and distinguished family of eight
-sons and four daughters, remarkable for their good looks and talents,
-which made them of note in the society of the day. Especially was this
-the case with the eldest son, Sir Francis Blake-Delaval, K.B., who
-inherited his father’s great estates in Northumberland, and made himself
-conspicuous in the annals of the time for his wit and gallantry, his
-reckless extravagance and dissipation. He, however, was not otherwise
-connected with Doddington than as a visitor to the house, to which
-he brought his theatrical friend Foote in 1752, and where his own
-full-length figure, painted by Sir Joshua Reynolds, may still be seen.
-We are more concerned with his next brother, on whom Doddington had
-been entailed. This was John Delaval, born in 1728, who, in accordance
-with Mrs. Apreece’s will, assumed the name of Hussey on his mother’s
-death in 1759, and became successively Sir John Hussey-Delaval, Bart.,
-in 1761, Baron Delaval of Redford in the peerage of Ireland in 1783,
-and Baron Delaval of Seaton-Delaval in the peerage of Great Britain in
-1786. He represented Berwick in Parliament from 1754 to his elevation
-to the British peerage. In 1750 he had married Susannah, widow of John
-Potter, Esq., Under-Secretary of State for Ireland; she was his first
-cousin, her mother having been Margaret Delaval, his father’s sister.
-The young couple at once made Doddington their country residence, John
-Delaval acting as virtual owner of the mansion and estate, both of which
-showed signs of energetic management and lavish expenditure. New marble
-mantelpieces were bought for the more important rooms of the hall in
-1760, and to the same date we may ascribe the classic broken architraves
-with which they and many of the doors are surmounted. The present
-great staircase was put up in 1761, and the long gallery refloored at a
-cost of £500, under the direction of Mr. Lumby, the surveyor of Lincoln
-Cathedral. At the same time the enclosure of the moorlands on the estate
-was vigorously carried on, many thousand plants of quick being purchased
-for enclosure, and labourers continuously employed in dyking and fencing
-and paring sods. Another improvement was the formation of a hop-garden of
-twenty-six acres in the parish—the only one, it is said, in Lincolnshire.
-In this Lady Delaval took especial interest, and part of it was known as
-My Lady’s Acre. In 1770, on the death of his eldest daughter Rhoda at the
-age of eighteen, he undertook the restoration of the church, adding to it
-the present south aisle and west tower, and giving it the shape which it
-retains to-day. He showed his good taste, when church architecture was
-at its lowest ebb, by copying, though unskilfully, in his additions the
-fourteenth century work which remained in the older part.
-
-In 1771, however, his eldest brother, Sir F. B. Delaval, died, and Sir
-John Hussey-Delaval succeeded to the great Northumberland estates.
-According to the settlement, Doddington ought to have passed from him
-to his next brother, Edward Hussey-Delaval, Esq., but a compromise was
-agreed to by which he retained possession of Doddington on condition of
-paying his brother an annuity of £400. A consideration for this mentioned
-in the deed is that he found the mansion and offices in a very ruinous
-and decayed condition, and had laid out upwards of £17,000 in building
-farm-houses, planting timber, making fences, and draining and enclosing
-the moors.
-
-Naturally, with his accession to these more important estates, his
-interest in Doddington declined. The restoration of the church, begun
-so energetically in 1770, was not completed till 1775. On Sunday, 18th
-June 1775, the church was reopened in the presence of 800 people, the
-Sub-dean of Lincoln, the Rev. Robert Dowbiggin, taking the chief part
-in the ceremony. By that time, however, Sir John’s only son was dying
-at Bristol, and none of the family were present. In their absence, the
-rector, the Rev. R. P. Hurton, entertained at dinner at the Hall “thirty
-gentlemen and ladies of the first fashion in the county, including the
-Champion of England, both Neviles (_i.e._ of Thorney and of Wellingore),
-Mr. Amcotts (of Kettlethorpe), &c.” Refreshments were liberally provided
-for the other less distinguished guests.
-
-The very first funeral that took place in the newly-opened church was
-that of Sir John’s only son and heir, John Hussey-Delaval, who died at
-the Hotwells, Bristol, on 7th July 1775, in the twentieth year of his
-age. On Sunday, 15th July, his body, in charge of a Bristol undertaker,
-arrived at Newark, where it was met by Mr. Portes, the Doddington
-steward. Next morning they left at ten o’clock, and were met between
-Newark and Collingham by all the servants in black hat-bands and gloves.
-Within half a mile of Doddington they were met by the labourers, six
-of whom in black cloaks, hat-bands, and scarves, acted as bearers. On
-arrival at Doddington at 2 P.M. the body was laid in the White Hall till
-5 P.M. Again none of the family were present, but the rector and Mrs.
-Hurton, with eight others, followed next the body. Then came the tenantry
-and a large concourse of people. We learn that “there was a very good
-collation and great plenty of victuals, with a very well furnished table
-in the Low Paper Parlour, where Mr. Hurton and the other clergymen and
-several more dined. The tenants dined in the steward’s room: 4 bottles
-of rum, 4 of brandy, 18 of white and 18 of port wine were consumed, and
-there was ale enough in the cellar.” The charge of the Bristol undertaker
-was £203, 8s. 9d., “besides the local bills, some £43 more.” His father
-began to build a handsome mausoleum in the grounds at Seaton-Delaval, but
-this was never used, and his body, with that of his sister Sophia, Mrs.
-Jadis, who died in 1793, still remains in the vault beneath the church,
-in which the only memorial of him consists of the blackened walls which
-were so coloured for his funeral.
-
-In the cellars of the Hall there is still some ale which was brewed at
-the time of young John Delaval’s birth, 26th May 1756, and was bottled in
-order to be drunk at that coming of age which never took place. Some of
-the bottles bear the Apreece arms; others a stamp with the name of Sir J.
-H. Delaval, Bart., or the initials J.H.D.
-
-After his son’s death Lord Delaval, as he shortly after became, not being
-on good terms with Edward Delaval, his brother and next male heir, cut
-down all the timber at Doddington that would fetch any money. In the
-engraving of the Hall in Sir Thomas Hussey’s time we may see a row of
-young elms standing along the churchyard wall. An old man, employed as a
-carpenter on the estate, who died, aged 95, in 1858, recollected cutting
-these down. It blew hard at the time, and Lord Delaval looked out of a
-window of the gate-house, and gave directions how they should fall. They
-were then very large, beautiful trees, and the wood quite sound and red.
-He recollected also fine oaks all over the lordship, but all were cut
-down for bark and “kids.” This is fully confirmed by the estate accounts
-of 1775 and the following years, and is the reason why there are no very
-old trees on the estate, those now in the extensive woods having grown up
-since Lord Delaval’s time.
-
-On June 3, 1780, Lord Delaval’s youngest daughter, Sarah Hussey-Delaval,
-then only sixteen, was married by special licence at Grosvenor House,
-her father’s London residence, to George Carpenter, second Earl of
-Tyrconnel. He is said to have been the handsomest man of his time, while
-she is spoken of as “the wild and beautiful Countess of Tyrconnel,” and
-as “the lovely Lady Tyrconnel, who had hair of such luxuriance that when
-she rode, it floated upon the saddle.” The following month they visited
-Doddington. “I am delighted,” writes Lord Tyrconnel, “with Doddington; it
-has an air of grandeur and solitude about it which pleases me extremely;
-it is a cruel hardship upon it that you should have two other places
-which you prefer to it. We have this evening been to Lady Delaval’s hop
-ground. We had such a game of Blindman’s Buff in the Hall: Mr. and Mrs.
-Hurton and Mrs. Grant were of the party.”
-
-An elder daughter, Frances, had married in 1778 John Fenton-Cawthorne,
-Esq., of Wyerside, co. Lanc., who represented Lincoln in Parliament
-from 1784 to 1793. Lord Delaval exerted his interest actively in his
-favour, and we hear of Lincoln freemen being entertained at dinner at
-Doddington, while his steward’s letters to his lordship treat frequently
-of electioneering matters at Lincoln, of Mr. Cawthorne’s visits there at
-the time of the races, of his dining with the Hunting Club and “at what
-they call the Lunitick Club,” and with the aldermen on the day of the
-Mayor’s election, of his distribution of coals among the freemen, and of
-the three rival candidates in 1790 walking the streets with their colours
-flying.
-
-Another of Lord Delaval’s daughters, Elizabeth, was married 21st May
-1781, to George, Baron Audley. This marriage also was by special licence
-at her father’s town house, which at this time was in Hanover Square. The
-rector of Doddington, Mr. Hurton, of whom we have already spoken, went up
-to London to perform the ceremony. Lady Audley only lived till 11th July
-1785.
-
-Lord Delaval himself died at Seaton-Delaval, 17th May 1808, at the age of
-eighty, being found dead in his chair in the breakfast-room. His remains
-were conveyed in state from the north, and interred in the family vault
-which he had made in St. Paul’s Chapel in Westminster Abbey, in which
-his wife Susannah Lady Delaval had already been buried in 1783, and his
-favourite daughter, Sarah Hussey, Countess of Tyrconnel, in 1800. The
-_Gentleman’s Magazine_ of the day makes mention of “the great funeral
-pomp and splendour” of his interment: this may well have been the case,
-as the cost of it was no less than £2300. No other monuments, however,
-than plain flat stones, with short inscriptions and almost obliterated
-coats-of-arms, mark the place of their burial; while above them hang the
-tattered banners, begrimed with the London dirt of a hundred years, on
-which the arms of Delaval, Blake, and Carpenter (Tyrconnel) may still be
-distinguished. At Doddington his only memorial is the hatchment in the
-church, which was fixed to the front of the Hall on his death.
-
-He bequeathed Ford Castle to his granddaughter, Lady Susannah Hussey
-Carpenter, the only surviving child of his favourite daughter Sarah,
-Lady Tyrconnel, whose marriage in 1805 to Henry de la Poer Beresford,
-2nd Marquis of Waterford, brought it to that family, in whose possession
-it has continued nearly to the present day. Doddington, however, with
-Seaton-Delaval and other entailed estates, descended to his next brother,
-Edward Hussey-Delaval, the only survivor of that band of eight brothers
-on whom Doddington had been successively settled, and not one of whom
-left a son to succeed him. As a young man he had been a Fellow-Commoner,
-and afterwards a Fellow of Pembroke College, Cambridge. Here he was a
-contemporary and friend of the poet Gray, who makes frequent mention of
-him in his letters. Later he established himself in a house which he
-had built for himself on his own plan and designs on a piece of ground
-leased to him by the Crown in Parliament Place. Its site is now covered
-by the Houses of Parliament, but two views of it taken from opposite
-points, painted by his friend G. Arnold, A.R.A., now hang in the Library
-at Doddington, and show its gardens running down to the river-side,
-with Westminster Bridge in the near distance. Here he devoted himself
-to philosophical and chemical pursuits, being a Fellow of the Royal and
-other learned societies, both home and foreign, and gaining their gold
-medals and other honours by his various papers and treatises published in
-their Transactions, or as independent works. Late in life he had married,
-and had an only daughter.
-
-He was in his eightieth year when he succeeded to the family estates,
-and seems to have concentrated all his care and interest on Doddington,
-buying up, as far as possible, the reversionary interests of his sisters
-in it, so as to leave it to his wife and daughter. During the years
-1809-12 the whole of the mullioned windows of the Hall were repaired
-by him, new stonework and glass being inserted where required. The
-Great Fishpond was laid out and its banks planted in 1811, and all the
-detached buildings in the Hall yard—laundry and brew-house, stable and
-coach-house—were rebuilt in 1814 and 1815. An expert was employed by him
-to survey and restore the woods, which Lord Delaval had so devastated
-that no timber could be supplied from the estate. Various articles of
-furniture, pictures, and ornaments were brought here from Seaton-Delaval.
-A survey and valuation of the estate made in 1812 states that the
-mansion-house and buildings are in excellent repair.
-
-After six years’ ownership Mr. Delaval died, at the age of eighty-five,
-the last legitimate male heir of his ancient family. His death took
-place at his house in Parliament Place, 14th August 1814, and he too
-was buried in Westminster Abbey, not in the family vault, but in the
-nave among the philosophers, the place being simply marked by the name
-E. H. DELAVAL, cut on one of the stones of the pavement. In Doddington
-Church, which was repaired at his expense in 1810, his hatchment hangs
-side by side with that of his brother. Many portraits of him remain at
-the Hall representing him either in the family groups, or as a young man
-in his gold-tufted college cap, or seated with a greyhound by his side,
-or in middle age with the artificial jewels of his making, or as a
-white-haired old man of eighty-five sitting at the window of his house
-overlooking the Thames.
-
-Seaton-Delaval and his other entailed estates devolved on his nephew, Sir
-Jacob Astley, Bart., son of his eldest sister Rhoda, by whose descendants
-they are still possessed. But he had bought up the greater part of the
-reversionary interests in Doddington, so as to settle them on his wife
-and daughter. The latter had married in 1805 James Gunman, Esq., who was
-possessed of considerable property in the neighbourhood of Dover and
-Coventry, and who was the last of a family singularly devoted to the sea,
-which had produced a succession of noted naval captains. The fact that
-he died without issue, leaving all his property to his wife, and the
-subsequent destruction of his Dover mansion owing to the extension of the
-town, has added a fresh strain of interest to the Elizabethan Hall, by
-the removal to it of the journals and other memorials of several of these
-seamen, including the portrait of Captain Christopher Gunman, the first
-of the line, who was captain of the yacht of the Duke of York, afterwards
-James II., as well as pictures of the yacht itself, and of the sea-fights
-with the Dutch in which he was engaged.
-
-By the wills of Mrs. Gunman, who died in 1825, and of her mother, Mrs.
-Hussey-Delaval, who survived till 1829, all their property was left to
-their friend, Lieut.-Colonel George Ralph Payne Jarvis, who had served
-in the Peninsular War and in the expedition to Walcheren. He came into
-residence at the Hall in 1829, and bought up the remaining portions of
-the estate, which is now in the possession of his grandson, George Eden
-Jarvis, Esq., J.P. and D.L.
-
-Having thus sketched the history of its successive owners, let us enter
-the house itself. We shall find it still peopled with their memories,
-their portraits looking down on the rooms in which so much of their
-lives was passed. Passing through the triple-gabled gate-house which
-forms the main entrance, we find ourselves in the east garden or fore
-court, now well-nigh filled with four stately cedars of Lebanon. These
-might seem coëval with the house itself, but in fact they are coëval
-only with the latest family of its owners, having been planted here
-about 1829. Fronting us is the central porch on which more elaboration
-has been bestowed than on any other part of the building. This admits
-us directly into the hall, a room 53 feet in length by 22 feet in
-breadth, filling up the whole width of the body of the house. Originally
-its floor was plaster, and from this and the general whiteness of its
-walls and furniture it was known as the White Hall. But in 1861 it was
-refloored with oak grown on the estate, and furnished with more regard
-to comfort and suitableness as a general sitting-room for the family. At
-one end hangs a fine picture by Guido of the Angel appearing to Hagar
-and Ishmael in the wilderness, its purchase and presence here being due
-to Mr. Edward Hussey-Delaval’s artistic tastes. The marble mantelpiece
-is one of those bought by Lord Delaval in 1761, and over it are ranged
-steel caps and helmets; and among these an iron branks or scold’s bridle,
-with a projecting spike before the mouth, used as a punishment for
-scolding women. Near it is another grim relic of the past—the headpiece
-of the irons in which a man, commonly known as Tom Otter, was gibbeted
-on Saxilby Moor in 1806 for the murder of his wife. Here, too, we may
-see several of the oak carvings, framed as pictures, and remarkable for
-their depth of cutting and multiplicity of figures, that were executed by
-Colonel Jarvis in his later life.
-
-Passing out of the hall into the northern wing, we enter on the left the
-dining-room, panelled in oak, now freed from the white paint with which
-it was formerly coated. Over the marble mantelpiece is a portrait of
-the late owner of the house, G. K. Jarvis, Esq., painted by Lutyens in
-1868. Opposite are the portraits of Mr. Edward Hussey-Delaval with the
-artificial gems of which we have already spoken, and of his daughter
-Sarah, afterwards Mrs. Gunman, the latter painted by Sir Thomas Lawrence.
-Amongst other pictures hanging here are a three-quarter length likeness
-of James I. in a quaint drab suit; and a small one of Prince Henry, his
-eldest son. At the end of the room the square mirror with deeply carved
-gilt frame was brought from the residence of the Gunman family at Dover,
-and hung formerly in the _Anne_, the royal yacht of the Duke of York,
-by whom it was presented to Captain Christopher Gunman in 1671. Near it
-is a portrait on panel of the Infanta Donna Maria, “_ætatis suæ_ 19,
-1617,” daughter of Philip III., the Princess on whose account Charles I.
-made his adventurous expedition to Spain. The massive oak table below
-was originally a plain table in the servants’ hall, but was fashioned by
-Colonel Jarvis’s skill in carving into a handsome side-board. It shows
-the size of the oaks that grew on the estate before Lord Delaval cut them
-down.
-
-Opposite the dining-room, at the east end of the wing, is the Library,
-formerly known as the Green Parlour. Here may be seen an oil painting of
-the Duke of York’s yacht, which Captain Gunman commanded from 1670 to
-1675. Here, too, hang the pair of landscapes representing views up and
-down the Thames, taken from Mr. Delaval’s house in Parliament Place. They
-were painted by his friend G. Arnold, A.R.A., the figures of Mr. Delaval
-seated in the one, and of Mrs. Delaval and their daughter in the other,
-being put in by G. F. Joseph, A.R.A., who painted the full-length picture
-of Mrs. Delaval in a similar red velvet dress, which is now in the Long
-Gallery.
-
-[Illustration: THE LONG GALLERY, DODDINGTON HALL.]
-
-Between these two rooms the main staircase is carried in a projection of
-the house on the north, a broad flight to the first landing, returning in
-narrower flights on either side to the first floor. Its plain banisters
-and heavy mahogany rail show that it is of later date than the house,
-and, in fact, it was put up by Lord Delaval in 1761. On the landing on
-either side are portraits of Mr. Edward Hussey-Delaval, and of his
-daughter, Mrs. Gunman. The former, taken in 1813, represents him at the
-age of eighty-five as a white-haired old man, seated at the window of his
-house in Parliament Place, looking out on the Thames, with St. Paul’s in
-the distance, and on the table before him many of his scientific works,
-including his report on the best means of preserving St. Paul’s from
-lightning, and its translation into Italian in 1779, which was done by
-the order and at the expense of the Emperor Joseph II. Following the
-returns of the staircase, we have on the one side portraits of Rhoda
-Apreece, the heiress of Doddington, as a girl with a goldfinch, and
-in later life as Mrs. Rhoda Blake-Delaval. Next beyond is the seated
-figure of her aunt Elizabeth, youngest daughter of Sir Thomas Hussey,
-and wife of Richard Ellys, Esq. of Nocton (died 1724), painted by Sir
-Godfrey Kneller, probably the picture of her “sister Betty,” bequeathed
-by Rebecca Hussey to her niece, Rhoda Apreece, in 1714. On the opposite
-flight of stairs are ranged portraits of Colonel G. R. P. Jarvis, to whom
-Mrs. Gunman left the Doddington estate in 1825; of George Eden Jarvis,
-Esq., his grandson, and its present owner; of Martha Lowth (_b._ 1710,
-_d._ 1796), sister of Bishop Lowth, as a girl, and of her future husband,
-Dr. Robert Eden (_b._ 1702, _d._ 1759), Archdeacon of Winchester.
-
-On the landing between these flights of stairs is one of the most
-pleasing pictures in the house, representing a family group of the
-three youngest sons and three youngest daughters of Francis and Rhoda
-Blake-Delaval. We may notice that the heads have been painted separately
-and inserted in the canvas. These were painted by the eldest sister,
-Rhoda, who married Edward, afterwards Sir Edward Astley, Bart., while
-the background and figures and draperies were added by Van Hacken,
-a celebrated painter of the day. The seated figure of the boy with
-portfolio is George, and the two with musical instruments are Henry and
-Ralph, who were twins, and so alike as scarcely to be known apart. These
-three died young, Henry only surviving till 1760, when he was killed in
-India. Of the daughters, the standing figure is Ann, afterwards the wife
-of Sir William Stanhope, K.B.; the next Elizabeth, who died young; and
-the least Sarah, afterwards Countess of Mexborough, who died the last
-survivor of her generation of the family, at the age of eighty, in 1821.
-
-From this landing we enter the drawing-room, which is on the first
-floor, above the hall and of the same dimensions with it, with windows
-opening to the east and west. Here on all sides are portraits of the
-Delaval family. Over the mantel itself is the portrait of Mrs. Rhoda
-Blake-Delaval, with a corresponding one of her husband, Captain Francis
-Blake-Delaval, opposite. Another picture of her at full length, seated,
-painted by Arthur Pond, occupies the south part of the eastern wall,
-while the two ends of the room are filled with groups by the same artist,
-one of four, the other of seven figures of her sons and daughters;
-the taller lady in the centre is said to have been a cousin. Similar
-pictures exist also at Seaton-Delaval. On either side of the fireplace
-are full-length seated figures, also painted by Pond, of the second of
-these sons, John Hussey-Delaval, Lord Delaval, who inherited Doddington
-from his mother in 1759, and died in 1808, and of his wife Susannah,
-Lady Delaval, who died in 1783. The remaining space on the east wall is
-occupied by the likeness of the eldest son, Sir Francis Blake-Delaval,
-K.B., by Sir Joshua Reynolds, who has represented him in his red
-Volunteer uniform, standing musket in hand on the French coast, with
-villages burning in the background. Similar portraits of him are found
-at Seaton-Delaval, and Methley Park, Yorkshire, and at Ford Castle, and
-it has been engraved in a series of portraits by Sir Joshua Reynolds,
-published in 1865. Over the doorways are four smaller portraits, one
-representing Edward Hussey-Delaval, in his tufted college cap; and a
-second, the eldest sister, Rhoda, Mrs. Astley; whilst a third, if it
-is rightly said to represent Lady Tyrconnel, is the only one of Lord
-Delaval’s children now at Doddington.
-
-Beyond the drawing-room on the south is a bedroom which still retains its
-ancient tapestry. On it are depicted scenes from the Trojan War, but with
-its former bright colours sadly faded. To the picture of a dog over the
-door the following story is attached. It belonged to Mr. Henry Stone, of
-the adjoining parish of Skellingthorpe, and it is said to have pulled his
-master three times away from a tree under which he had taken shelter from
-a thunderstorm. At the third time the tree was struck by lightning, and a
-pheasant pictured on it was killed. Mr. Stone died in 1693, leaving his
-estate at Skellingthorpe of more than 3000 acres to Christ’s Hospital,
-London. He was buried just inside the churchyard at Skellingthorpe, and
-his dog, it is said, close to him, just outside the consecrated ground.
-
-Returning through the drawing-room to the north wing, we find two other
-bedrooms with their original tapestry hangings. One is known as the Holly
-Room, from the great holly tree on which its windows open; the other as
-the Tiger Room, from the wild beasts depicted on its Flemish tapestry,
-dating from about 1600. This has retained more of its original bright
-colouring than the other, which is of English manufacture, made probably
-at Mortlake, _temp._ Charles I., in the costume of whose time the figures
-on it are represented. In the Holly Room the ancient crewel work of the
-bed hangings deserves attention; while the lofty four-post bedstead in
-the Tiger Room, upholstered in crimson damask, is said to have been that
-occupied by Henry Frederick, Duke of Cumberland, when entertained by Lord
-Delaval at Seaton-Delaval in 1771. A quaint picture over the mantelpiece
-represents Nebuchadnezzar in his state of degradation grazing among the
-beasts.
-
-Mounting thence to the third storey, we find on the uppermost landing
-another portrait of Mr. Edward Hussey-Delaval, as a young man, seated,
-with a greyhound by his side—one doubtless of the breed for which
-Seaton-Delaval was famous in his brother Sir Francis’s time. On either
-side the bedrooms, above those just described, retain their original
-plaster floors. In one is the portrait of Admiral Sir Ralph Delaval,
-“coasting admiral in the time of Charles II.,” painted in armour, with
-flowing wig, who died in 1691. In the same room a naval picture, brought
-from the Gunman mansion at Dover, represents the royal yacht, the _Anne_,
-Captain Christopher Gunman, passing the Castle of Kronenborg at Elsinore,
-without striking topsails, and receiving the cannon-fire of the castle,
-as recorded by Captain Gunman’s log-book under 23rd September 1670. Yet
-another represents the wreck of Sir Cloudesley Shovel in his flagship,
-the _Association_, on the Scilly Isles, on the night of 22nd October
-1707. This also was brought from Dover, Captain James Gunman, R.N.,
-having been with the fleet in command of the _Weasel_ sloop, but happily
-escaping the wreck.
-
-Here we enter the Long Gallery, 96 feet long by 22 feet wide. It has two
-fireplaces, and windows only on the western side, and fills the whole
-centre of the house, extending over the drawing-room and two bedrooms
-beyond. As we enter let us turn, and, beginning at the north-west
-corner, let us note the more interesting pictures in their order. This
-white-haired old man, painted on panel, in blue coat and buff sword-belt,
-is said to represent John, Lord Hussey of Sleaford, beheaded at Lincoln
-in 1537 for complicity in the Lincolnshire rising. Occupying the centre
-of this northern end of the gallery is the full-length figure of Captain
-Christopher Gunman, in a rich costume. In the background is represented
-the royal yacht, of which he was captain, as well as of several ships of
-war. We may notice the empty sleeve of his left arm, which he lost in an
-engagement with the Dutch, while in command of the _Orange_ frigate,
-3rd August 1666. A picture of this sea-fight with two Dutch men-of-war
-is in one of the bedrooms. Higher up on this same wall is the portrait
-of Thomas Tailor, registrar to the Bishops of Lincoln, who bought
-Doddington in 1593, and built the hall before his death in 1607. He is
-characteristically represented as dressed in brown, with wide lawn collar
-and cuffs, seated at a table with a pen in his hand and an official
-document before him. On either side, over the doors, are the portraits
-of Sir Thomas Hussey, the second baronet, who died 1706, and of Sarah
-(Langham) Lady Hussey, his wife, who died 1697.
-
-Turning now to the long eastern wall, and passing pictures of Lady
-Frances Howard, by Sir Peter Lely, and of Charles XII. of Sweden,
-perhaps by David Kraft, we come to the full-length figure of Mrs. Sarah
-Hussey-Delaval, died 1829, the wife of Edward Hussey-Delaval, Esq. It
-was painted in 1815 by G. F. Joseph, A.R.A., who has represented her in
-a crimson velvet dress, with a macaw by her side. Next to her is the
-likeness of Rebecca Hussey, daughter of Sir Thomas Hussey, Bart., painted
-by Sir Godfrey Kneller. She died unmarried in 1714, but her name is still
-well known as the foundress of Rebecca Hussey’s Charities. The boy, in
-a red dress trimmed with silver, is shown by the coat-of-arms to have
-been a son of Sir John Delaval, of Dissington, who died 1632, by his
-second wife, Elizabeth, daughter of Sir George Selby, whom he married in
-1612. Passing the central door which opens into the little room in the
-projection over the entrance porch, we have yet another portrait of Mrs.
-Rhoda Blake-Delaval, died 1759, a duplicate of which is at Ford Castle.
-Near her is one of Charles I., and beyond these, as a companion picture
-to that of Rebecca Hussey, also painted by Sir Godfrey Kneller, the
-full-length likeness of her sister Sarah, daughter of Sir Thomas Hussey,
-Bart., and wife of Robert Apreece, Esq. She was born at Doddington in
-1672, and died 1749, having become the sole heiress of her father’s
-estates after her sisters’ death. The next picture in all probability
-represents Mary of Modena, the Queen of James II. Beyond it, the lady in
-black is Ann Hussey-Delaval, sister of John, Lord Delaval, and of Edward
-Hussey-Delaval. We have seen her before as a girl in the family groups,
-but she is here represented in the character of the _Fair Penitent_,
-which she acted with other members of the family, and Edward, Duke of
-York, at their private theatre at Westminster in 1767. She married in
-1759, at the age of twenty-two, Sir William Stanhope, next brother
-to the Earl of Chesterfield, who was fifty-seven; and Horace Walpole
-writes of the match: “I assure you her face will introduce no plebeian
-charms into the faces of the Stanhopes.” Naturally the ill-assorted
-marriage turned out badly, and in 1763 Horace Walpole writes again to his
-correspondent in Paris: “We sent you Sir William Stanhope and my lady,
-a fond couple; you have returned them to us very different. When they
-came to Blackheath, he got out of the chariot to go to his brother, Lord
-Chesterfield’s, made her a low bow, and said, ‘Madame, I hope I shall
-never see your face again.’ She replied, ‘Sir, I will take all the pains
-I can, you never shall.’” She had been brought up by her grandmother,
-Mrs. Apreece, of Honington and Doddington, and a share of Doddington had
-been settled upon her, but she sold her reversion of it to her brother
-Edward in 1810.
-
-[Illustration: DINING-ROOM, DODDINGTON HALL.]
-
-Filling the centre of the south end of the gallery is the striking
-picture by Sir Joshua Reynolds, in 1762, of Lord and Lady Pollington,
-later Earl and Countess of Mexborough, in their coronation robes, with
-their son and heir, John Savile, afterwards second Earl, as a child,
-between them. She was the youngest of the Delaval family, and is
-represented as a girl in the family groups below. She married in 1760
-John Savile, Lord Pollington, created Earl of Mexborough in 1765, and
-died in 1821, the last survivor of that generation of her family. The
-child is represented as reaching up to the coronet which his mother is
-holding in her hand; and the story is told “that when Reynolds began to
-paint this picture he tried the effect of setting the coronet on her
-head, but being dissatisfied with the effect he placed it in her hand. It
-was shown to the little boy, and he was offered a choice of the crown or
-an apple. He preferred the former, and within a year inherited it on his
-father’s death.” In fact, however, his father did not die till 1778, when
-his son was seventeen, and the anecdote can only be reconciled with dates
-by supposing it to refer to the child’s succession to the courtesy title
-of Pollington, when his father became Earl in 1765.
-
-If we pass out at the southern end of the Long Gallery, the well-like
-back staircase, carried up from the bottom to the top of the house in a
-projection of the southern wing, will bring us through the southernmost
-gazebo on to the flat-leaded roof, on which the two other gazeboes open.
-Here is plainly seen the ground-plan of the house; and by looking over
-the parapet we may observe the squared leaden spout-heads, most of them
-bearing the initials and the Ram’s Head crest of Sir John Hussey-Delaval,
-with the date 1765. A few bear the date 1733, thus going back to the
-ownership of Mrs. Apreece. Close in front of the Hall, encouraged by its
-shelter, a broad-leafed magnolia has out-topped the Hall itself, while in
-the north-west corner stands the great holly, measuring 12 feet round the
-hole, but with half its massive head now split off by a great storm, 24th
-March 1895. Tradition says that it once saved the life of a young lady
-who was pursued to the roof by a too ardent admirer, and who jumped into
-it from the roof to escape his embraces.
-
-Round the mansion lie its old-fashioned walled gardens, and on the
-north the orchard with a picturesque group of three gnarled old Spanish
-chestnuts. Eastward the eye rests on Lincoln, with its houses climbing
-the steep, crowned by the triple towers of the Minster; and in the nearer
-foreground are the massive oak-woods of Doddington and Skellingthorpe,
-the immemorial breeding-place of herons. To the westward the hills of
-Nottinghamshire rise across the Trent, the hidden course of whose stream
-is marked only by the clumps of trees at Spalford Bank and Marnham
-Ferry. Amid such surroundings the great house has stood for full three
-hundred years, and has sheltered generation after generation of those
-whose portraits now adorn its walls. Here to all appearance it may stand
-for three hundred years to come, if only it escapes that doom of fire
-to which Seaton-Delaval itself and so many other ancient mansions have
-fallen a prey.
-
-
-
-
-LINCOLNSHIRE FAMILIES
-
-BY REV. CANON MADDISON, M.A., F.S.A.
-
-
-It is quite impossible within the limits of a short paper to give an
-exhaustive account of the Lincolnshire Families. They can be classified
-as—1st, Baronial; 2nd, Knightly; 3rd, Gentle.
-
-With the baronial, which includes such names as Darcy, Kyme, de Roos,
-Trehampton, &c., I do not concern myself. Their pedigrees are given, for
-the most part, in works of reference. Of the great baronial families I do
-not think a single one exists at the present day in the male line. The
-Neviles now seated in Lincolnshire belong to the Nottinghamshire branch
-of that great family. The Lincolnshire Neviles, which have been a puzzle
-to genealogists, have long since been extinct.
-
-Perhaps the Watertons may be taken as an almost solitary instance of the
-survival of a family which held a very high position in the county in the
-twelfth century. The great Lincolnshire estates, it is true, passed to
-the Welles family in the fifteenth century, but a junior branch continued
-at Walton in Yorkshire down to recent times. Walton has been sold, but
-the late Mr. Edmund Waterton became possessed of property in St. James
-Deeping, where the original manor of Waterton was, and was “of Waterton
-Deeping.” Still, although descended from this ancient race, his line,
-for many hundreds of years, was connected rather with Yorkshire than
-Lincolnshire.
-
-But the Langtons, of Langton by Spilsby, are an instance, quite unique in
-this county, of a family retaining possession of the manor and advowson
-of their estate from the thirteenth century. They seem to have held a
-higher position then than they did in later times. Strange to say, no
-Langton was Sheriff of the county till 1612.
-
-The Thorolds must be content to give up the legend of being descended
-from a Saxon sheriff. It is surely enough to be able to say they hold
-property which came to them from a Lincolnshire heiress in the fourteenth
-century, and led them to leave Yorkshire for Marston in Lincolnshire.
-
-The Heneages have held Hainton since the early part of the fifteenth
-century, and there is no doubt they were connected with it long before.
-What, however, is doubtful is whether their position was quite so high
-as a pedigree drawn up in the eighteenth century gives them. The really
-great person at Hainton in 1398 was Lord de la Warr, who was lord of the
-manor, and who in his will, proved 1st August 1398, directs that Edward
-of the Hill and John Heneage should immediately after his death hold
-conjointly his manors of Hainton for the term of their lives, and then
-that the reversion of the said manors should be sold, and the proceeds
-distributed among the poor. He also leaves 100 marks to John Heneage
-for a certain mansion within his (Lord de la Warr’s) demesne. He leaves
-Richard Wolmer his manor of Albryghton for life, and makes him, John
-Heneage and others, executors. When we find the Heneages afterwards in
-possession of the manor of Hainton, and the Wolmers of the manor of
-Bloxholm (also de la Warr property) it is not unreasonable to suppose
-that they became possessors by purchase. The Wolmers have long since
-passed away.
-
-The Massingberds held land in Sutterton as early as the reign of Edward
-I., but moved to Burgh, Gunby, and Bratoft later on, having married a
-succession of heiresses. The estates have passed by marriage to cadets of
-the Langton and Mundy families, and the present rector of Ormsby, who has
-been the historian of his parish and family, is the heir male.
-
-The Dymokes of Scrivelsby came originally in the fourteenth century from
-Gloucestershire. Every one knows their peculiar tenure of that manor
-which carries with it the right of the Championship. Every one, however,
-does not know the strange vicissitudes of the family—how that before
-the death of the old Champion, Lewis Dymoke, in 1760, he had to choose
-between two branches of his family as his heirs; the one in trade in
-London, the other in the ranks of the yeomanry in Lincolnshire. He chose
-the former, which was really the junior of the two, and yet, after more
-than a century, it became extinct, and the yeoman branch holds Scrivelsby.
-
-The Smyths of Elkington hold an estate which they acquired in the
-fifteenth century. The pedigree has not been fully worked out, but it
-would seem that they originally were what their name implies—“Johannes
-Faber,” being “John the Smith.”
-
-The Cracrofts of Hackthorn are a genuine old Lincolnshire race. They
-held in early times the manor of Cracroft Hall in Hogsthorpe. Warinus de
-Cracroft is witness in a deed of the early twelfth century. This manor
-passed away late in the sixteenth century, but a junior branch held land
-in Burgh in the marsh at the beginning of that period, and by a fortunate
-marriage with an heiress of the Grantham family became possessed about
-1616 of the present estate of Hackthorn. Robert Cracroft had a licence
-for an oratory in his house of Cracroft in 1345. The family was once one
-of the most widely spread in Lincolnshire, but it is now seldom to be
-found.
-
-The Welbys of Denton cannot prove their descent from the Moulton Welbys,
-though there is very strong reason for thinking it probable. They own
-Welby, but it was acquired by purchase.
-
-Any one who has read Lady Elizabeth Cust’s admirably written _Records of
-the Cust Family_ cannot fail to be struck with the facts she has gleaned
-from the muniments at Belton. A yeoman race, connected with Pinchbeck
-for six centuries, holding estates with title-deeds dating from 1479,
-and which was not “armigerous” till the seventeenth century, is now
-represented by Earl Brownlow, the direct male descendant.
-
-What of the Irbys? They undoubtedly are extant, represented by Lord
-Boston, although he is not resident in the county. They begin to rise
-in position about the middle of the sixteenth century in the person
-of a lawyer who accumulated property round Boston. If they really are
-traceable to an Irby of Irby, they would rank among the oldest families;
-but the Visitation Pedigree of 1562 is not altogether satisfactory, and
-needs proof.
-
-The Monsons were at Market Rasen as early as 1378. They, like so many
-other families of the age, became large landowners in the fifteenth
-century, having accumulated wealth by being merchants of the Staple
-of Calais. Lord Monson holds estates which have descended to him from
-the early part of the sixteenth century. The old original property at
-Owersby, near Market Rasen, was sold in 1834.
-
-The Whichcotes came from Shropshire in the fifteenth century. They were
-“of that ilk” in the county, and what brought them to Lincolnshire
-was the marriage of John Whichcote with an heiress of the Tyrwhits of
-Harpswell. The present head of the family, Sir George Whichcote, still
-possesses Harpswell, though he resides at Aswarby, near Sleaford. His
-great-great-grandfather, Sir Christopher, married the heiress of the
-elder line, and united the estates of Harpswell and Aswarby.
-
-The Maddisons came from the district of Weardale, in Durham, where
-they held a manor under the Bishop, by the marriage of a cadet with a
-Lincolnshire heiress of the Angevine family in 1452. They, like the
-Monsons, invested money, made by being merchants of the Staple of Calais,
-in Lincolnshire land. The estates acquired in this way passed out of the
-family, through co-heiresses of the elder line, in 1672. The junior line
-has still male representatives, and a remnant of the estates, bought by
-Sir Ralph Maddison in the reign of James I., still remains with them.
-
-Lord Lindsey is the direct male descendant of Richard Bertie, the
-fortunate Sussex gentleman who wooed and won the heiress of the
-Willoughbys, the Duchess of Suffolk. The Alingtons of Swinhope are
-a cadet branch of the Alingtons of Horsheath, Colambridge, who were
-ennobled in the seventeenth century, and are represented in the female
-line by Lord Alington. They settled in Lincolnshire in the reign of
-Elizabeth, and retain a portion of the property then acquired.
-
-The Andersons are now represented by Lord Yarborough, the male line at
-Lea having terminated with the death of the late Sir Charles Anderson.
-The family was virtually founded by the Lord Chief-Justice in Queen
-Elizabeth’s reign, who presided at the trial of Mary Queen of Scots.
-Francis Anderson of Manby, a gentleman of moderate estate, married Mary
-Pelham, who was born at Brocklesby in 1671. Her brother, Charles Pelham,
-the last of his race, selected as his heir, in 1763, her descendant
-Charles Anderson, who took the name of Pelham in addition, and was raised
-to the peerage. The name of Anderson has been dropped by the present Earl
-and his brothers.
-
-Up to this point I have been considering only those families who are
-extant in the male line, and retain in some degree the estates acquired
-by their ancestors, from the twelfth to the sixteenth centuries. The
-seventeenth century brought in a decidedly changed condition of things.
-Changes had indeed taken place before, for the Wars of the Roses and the
-suppression of the monasteries had caused a vast quantity of land to
-change hands; but nothing shows the effect of this economic convulsion
-more clearly than a comparison of the Visitations of Lincoln in 1562
-and 1592 with that of 1634. The number of families that had sprung up
-from the yeoman and mercantile classes is very remarkable. Then came the
-Commonwealth families—those who had taken the side of the Parliament in
-the Civil War, and had bought up the estates of “malignants” at an easy
-price.
-
-A glance at the lists of sheriffs in the sixteenth century serves to
-show who were the leading families. The Ayscoughs, Dymokes, and Tyrwhits
-occur most frequently. The Copledikes had begun to decline in importance
-during the latter half of the century, owing no doubt to litigation; and
-the Skipwiths of South Ormsby by no means filled the same position they
-had done in the fourteenth and fifteenth centuries. A change was taking
-place. The Monsons and Heneages were rising in importance. Families
-of comparatively humble rank in the preceding century had acquired
-land on easy terms after the suppression of the monasteries, when the
-land-market was glutted with monastic property. Towards the close of
-Elizabeth’s reign we see the Trollopes beginning to come forward and
-purchase land; Casewick was bought from the Evingtons in 1621. In 1642
-a baronetcy was granted, and in recent times a peerage—_i.e._ Kesteven.
-The Listers, formerly of Burwell, still survive in the male line. They
-came into Lincolnshire in the seventeenth century. So also do the
-Scropes of Cockerington. Their connection with Lincolnshire is not of
-much older date, but in point of splendour of ancestry they are in the
-first rank. The present Mr. Scrope of Danby, in Yorkshire, still owns
-Cockerington, though it is no longer a place of residence. The Cholmeleys
-of Easton and Norton Place are also still represented in the male line.
-They, of course, are really a Cheshire family, but came into this
-county in the sixteenth century. The Fanes of Fulbeck, a cadet branch
-of the Westmoreland family, hold the estates they acquired early in the
-seventeenth century.
-
-Up to this point I have considered families which are still extant in
-the male line and connected with the county. It would take far too much
-space if justice were done to the numerous families now represented in
-the female line—such as the Skipwiths, Ayscoughs, Wrays, Saundersons,
-Copledikes, St. Pauls, Meres, Fitzwilliams, Granthams, Armynes,
-Angevines, Amcotts, Asfordbys, Billesbys, Husseys, Ogles, Tournays, and
-many others. It may be enough to say that in the fifteenth century the
-Skipwiths, Copledikes, and Tyrwhits took the lead in county matters,
-at any rate in the Lindsey division; while in the Isle of Axholme
-the Sheffields, who became eventually Dukes of Buckinghamshire, were
-paramount. The Skipwiths and Copledikes dwindled down to extinction in
-the seventeenth century, and the Tyrwhits in the eighteenth, so far as
-Lincolnshire is concerned, though Skipwiths and Tyrwhits still hold
-baronetcies, but in other counties.
-
-The Monsons, Heneages, and Wrays came into prominence in the sixteenth
-century. The seventeenth witnessed the Civil War, which rivalled the
-Wars of the Roses in its effects on families and their estates. A
-new class sprang up as the old families succumbed to the fines and
-sequestrations which befell them as a consequence of being on the Royal,
-_i.e._ the losing side. On turning to the list of High Sheriffs after the
-Restoration this is very evident. In 1670 Thomas Browne of Saltfleetby,
-of a family which was distinctly a yeoman one before the Commonwealth,
-served that office. The names of Lodington, Hatcher, Rothwell, Toller,
-all belong to families which had only recently risen from the ranks of
-the yeomanry.
-
-With the eighteenth century the same change may be observed. Henry
-Andrews, High Sheriff in 1728, was of a family which had grown rich in
-trade. Joseph Banks of Revesby, High Sheriff in 1736, was a successful
-attorney; so also was Coney Tunnard in 1737; while St. John Wells, in
-spite of his aristocratic Christian name, had been a tanner. Richard
-Popplewell in 1740 belonged to an Isle of Axholme family of no high
-standing; so also Henry Herring in 1744. To multiply more instances would
-be needless.
-
-But the eighteenth century witnessed also a change almost as striking
-as that produced by a convulsion like the Civil War; and this was the
-formation of a great estate on the North Lincolnshire Wolds which
-engulfed a number of manors belonging to impoverished families sinking
-under the weight of mortgages and incumbrances. In 1763 Charles Pelham
-of Brocklesby died childless, leaving his estates, which during his long
-life had been greatly increased, to his great-nephew Charles Anderson of
-Manby, who was then a child. During his minority the trustees bought up,
-by degrees, what at last constituted a magnificent property, greater than
-that of any other family in Lincolnshire. But this was not done without
-the inevitable disappearance of many families of the lesser gentry.
-
-It has often been noted as a disastrous circumstance that the
-yeomanry, as a class, has vanished out of the country, and certainly
-the contemplation of the long list of those under that category, who
-contributed towards the defence of the country against the Spanish Armada
-in 1588, gives rise to many reflections and regrets. It may also be a
-subject of reflection how many of what might be called the lesser gentry
-have also ceased to exist. Here and there a small manor-house, now turned
-into a farmhouse, attests the previous habitation of an ancient family
-which never perhaps rose to the rank of what is now called a county
-family, but which had been in the county a great deal longer than many
-who were much higher in the social state. The name of Newcomen suggests,
-of course, the idea of a “Newcomer,” but the race under the name of “le
-Newcomen” were in Lincolnshire as early as the twelfth century. They
-never rose to be High Sheriffs, nor were any knighted, but they put out
-several branches which all possessed landed estates, and sent to Ireland
-a branch which was graced with a Baronetcy and Viscountcy. Not one of
-these branches is now to be found. The very name in Lincolnshire is
-almost extinct.
-
-In writing the above paper one is conscious of not having by any means
-done justice to the subject. To give an exhaustive list of all the old
-families in this county, and to trace their fortunes, would be absolutely
-beyond the scope of this paper. All that can be done is to give a
-sketch of those families which still survive in the male line after the
-vicissitudes of several centuries. They are not numerous. Others, such as
-the Turnors of Stoke Rochford, the Sibthorps of Canwick, the Nelthorpes
-of Scawby, came in with the Commonwealth. A multitude sprang up in the
-eighteenth century, and have been largely recruited in the nineteenth.
-It may be questioned whether Gervase Holles would recognise many of the
-names which would meet his eye in the lists of magistrates. It is still
-more open to question whether a herald of 1562 would not “respite for
-further proof” a good deal of modern heraldry. To bear another man’s
-coat-of-arms because you happen to be of the same name would scarcely
-pass muster with a sixteenth century herald, but it is an innocent
-appropriation by no means uncommon at the present day.
-
-I may add a word on the subject of the extinction of old mediæval
-families. Are they really extinct? Names are found among the peasantry
-which at first sight suggest a negative to that question, but I have
-never yet met with an authentic instance of such descent. The one that
-occurs to me as most probable is that of the Bushey family. Families of
-that name were at Leverton, Leake, and Friskney three hundred years ago,
-and doubtless there are descendants in the male line. The name Bushey is
-identical with Bussy; in fact, the pronunciation of the name at the time
-of the execution of Sir John Bussy, Richard II.’s favourite, in 1398, was
-undoubtedly Bushey, as the punning rhymes made upon it by writers of
-that day testify, _e.g._—
-
- “Ther is a _busch_ that is forgrow,
- Crop hit welle and hold it lowe,
- Or elles it wolle be wilde.”
-
-There is therefore some ground for supposing that these yeoman families
-may have descended from cadet branches of this race which held so high a
-position in the fourteenth and fifteenth centuries, though positive proof
-is wanting.
-
-It would be extremely interesting to trace, if possible, the descent of
-such families, but the difficulties are very great. The absence of wills
-of yeoman families prior to the fifteenth century is one great obstacle;
-the dearth of documents in that century is another.
-
-
-
-
-SPALDING GENTLEMEN’S SOCIETY
-
-BY MARTEN PERRY, M.D.
-
- “_If thou hast gathered nothing in thy youth, how canst thou
- find anything in thy age?_” (Motto on title-page of 1st vol. of
- S.G.S. Minutes.)
-
-
-At the very commencement of the eighteenth century, a number of gentlemen
-interested in antiquarian pursuits were in the habit of meeting weekly
-in London at various coffee-houses in the vicinity of the Temple. At one
-of these places Maurice Johnson was introduced by John Gay, the poet, to
-Pope, Addison, Steele, and other learned men. The _Tatler_ was here read
-and discussed, but one of the principal subjects for discussion seems to
-have been the resuscitation of the London Society of Antiquaries. It was
-then agreed that, so soon as sufficient funds should be obtained, a start
-should be made. Among other arrangements, Maurice Johnson was designated
-its first librarian.
-
-Johnson, however, having completed his studies, and been admitted a
-member of the Inner Temple, removed to his native town of Spalding.
-
-Born in this town (baptized June 26, 1688), a member of a very
-influential family in Lincolnshire, he soon met with several professional
-and other appointments. These led him into the society of many eminent
-men. He also continued in touch with his friends in London, and retained
-his love for antiquarian pursuits.
-
-In 1709 he took up his residence in Spalding, and the same year married
-Elizabeth, daughter of Joseph Ambler, and granddaughter of Anthony
-Oldfield, who was lineally descended from Sir Thomas Gresham. He,
-perforce, exchanged the society of the wits at Buttons’ Coffee-house and
-of antiquaries at the Temple ’Change, for the ordinary society of a small
-country town. So great, however, was his love of learning and science
-that he at once entertained the bold design of establishing a literary
-society in the very heart of the Fens of Lincolnshire. It was, as he
-very truly said, “an endeavour new and untried before.” Those to whom he
-looked for assistance “were unaccustomed to such a mode of spending an
-evening.” He took care not to alarm the country gentlemen by premature
-mention of antiquities, but endeavoured to allure them into the more
-flowery paths of literature.
-
-The _Tatler_ came into service; it was read at a coffee-house in the
-Abbey Yard to some friends who were induced to meet him there.
-
- “These papers being universally approved as both instructive
- and entertaining, they order’d ’em to be sent down thither when
- they were read every Post-day, generally aloud to the whole
- company, who could sit and talk over the subject afterwards.
- This insensibly drew the men of sense and letters into a
- sociable way of conversing, and continued ye next yeare,
- 1710, until the publisher desisted to their great regret,
- whose thoughts being by this means bent towards their own
- improvement in knowledge, they again in like manner heard some
- of the _Tatlers_ read over, and now and then, a Poem, Letter,
- or Essay upon some subject in polite literature; and it being
- hapily suggested that as they take care to have these papers
- kept together, it would be well worth their while to take into
- consideration the state of the Parochial Library, where there
- were some valuable editions of the best authors in no very
- good condicon, and they did accordingly agree to contribute
- towards the repairing of the old and adding new books to it.
- But being by ye two worst enemies to understanding, Ignorance
- & Indolence, prevented doing much for it, they turned their
- beneficial intention towards the royal and ffree Grammar
- School, in which there was at that time a large but empty
- desk capable of being made a press or class on wᶜʰ ye one
- only solitary volume then belonging to the school lay (viz.)
- ‘Langius Polyanthæa,’ bestowed upon it by Sir John Oldfield,
- Bart., some years before, & to this these Gentlemen did now
- voluntarily add several other Authors in Gram̅atical, Critical,
- or Classic learning, wᶜʰ was to ye great pleasure & convenience
- of the worthy Master.”
-
-The use of both these Libraries was, however, reserved for the members of
-the Society.
-
-According to the Society’s book-plate, which was engraved by George
-Vertue, after a design submitted to him by Maurice Johnson, the date of
-the institution of the Society is 1710. This date is also frequently
-referred to by the founder as that of its institution.
-
-In March 1711, the _Spectator_ came out, and was duly read here as the
-_Tatter_ had been.
-
- “From the time of its first foundation in 1709,” says Johnson,
- “it was only a meeting at a coffee-house upon trial, how such
- a designe might succeed, to the time when it was fixed upon
- yᵉ rules signed and subscribed in 1712. Yet I constantly kept
- every paper communicated to the company, and read and left
- there, tho’ these being for the most, part printed papers no
- minutes were made thereof. Upon the proposal being signed or
- subscribed, I attempted taking minutes, that some account
- might appear to be serviceable for conducting this good design
- and assisting other gentlemen, my acquaintance and friends in
- Lincoln City, Peterborough, Stamford, Boston, Oundle, Wisbech,
- and elsewhere, to institute and promote the like design and
- hold correspondence with us. In some places this succeeded.”
-
-Proposals for the carrying on of the Society having been submitted on
-November 3, 1712, the same were on that day agreed to, and the Rev.
-Stephen Lyon, minister of Spalding and rector of Mereworth, in Kent, was
-elected the first president. On January 5, 1712/3, Mr. William Ambler
-was, on the proposal of Mr. Lyon, elected to succeed him; and, it having
-been proposed to elect a secretary “to minute their proceedings, and keep
-all papers, &c., in good order for the furtherance of their laudable
-design,” the Society elected to that post Mr. Maurice Johnson, “who very
-willingly accepted that office.” At the meeting held on 2nd February
-the Rev. John Wareing, headmaster of the Grammar School, was elected
-president for the month of February; but, he being much indisposed, Mr.
-Johnson, senr., was on the 25th elected president for a month. The Rev.
-S. Lyon was again chosen to act as president from 25th March, but on the
-30th of the same month it was decided that, as so frequent a change was
-not beneficial to the Society, the president should remain in office
-“_quam diu se bene gesserit_.”
-
-This year the _Lay Monk_ and _Memoirs of Literature_ were taken in. A
-resolution was also passed for the admission of extra-regular or honorary
-members, to the number of fourteen, each of whom was to give to the
-library of the church a book or books to the value of one pound.
-
-In 1715-16 a little room in the old part of the parsonage-house was
-fitted up, and by favour of the Rev. Timothy Neve (subsequently
-Prebendary of Lincoln and of Peterborough, and Archdeacon of Huntingdon),
-who hired that part, the Society met there at the usual times, until the
-number of members having increased they were obliged to find a larger
-room, and agreed to take one in the “Markett-stead.”
-
- “The Society, having resumed their intention of advancing the
- Parochial Library, effected it with vigour answerable to their
- strength; and the books belonging to it were by these gentlemen
- removed from a damp, little, and inconvenient room, with a
- chimney difficult of access, and deposited in the Vestry.”
-
-After the death of the Rev. John Wareing, the Society purchased from his
-widow the very valuable collection of books which he had formed, and
-divided them between the libraries at the church and Grammar School.
-
-Papers called the _Englishman_, _Guardian_, _Entertainers_, and _Lovers_
-were taken in, and (so long as they meddled not with politics) were read;
-as were also the _Honest Gentleman_ and the _Spyes_, so far as they were
-non-political.
-
-At first the various acts and regulations of the Society were recorded on
-odd sheets of paper of various sizes and shapes. These were subsequently
-bound together and entitled “the first book of Minutes or the Institution
-Book.” Subsequently other volumes of minutes were duly kept; the sixth
-volume being in use at the time of the death of the founder. The entries
-in these books are chiefly by Maurice Johnson, and the illustrations are
-numerous, and several of them beautifully coloured by him. Each is bound
-in vellum, and has a book-plate engraved by Vertue. A motto, differing in
-each case, is affixed to each of the first four volumes. They form some
-of the most valued works belonging to the Society.
-
-The varied nature of the communications received by the Society is
-indicated by the earliest of those recorded in the Institution Book.
-Thus, on November 10, 1712, there is a sketch of “The forme of a Tomb in
-the Cemetery of the Cathedral Church in Peterborough, in the County of
-Northᵗᵒⁿ on the south side near the choir, with yᵉ inscription thereon—
-
- ✠ AI̅A IOHANNIS DE SC̅O IVONIS QND̅M P̅ORIS Ꝑ MIÃM DI̅ IN PACE
- REC̅ESCAT. MDXII.
-
- Anima Johannis de Sancto Ivone Quandam Prioris per
- Misericordiam Dei. In pace requiescat. M.D.xij.”
-
-At the next meeting, held on 17th November, Mr. Maurice Johnson
-communicated to the Society “2 copies of Verses from the Revᵈ Mr.
-Francis Curtis, the one an Epistle from a Gentleman at Eaton to his Fʳᵈ
-at Cambridge, in Latine Hexametre and Pentametre; the other in English
-upon the D. of Marlborough’s goeing for Germany, where he commanded the
-Allyd army agᵗ the French and their allies.” He also gave a list of
-materials for painting in miniature, &c., collected from the directions
-of Albert Dürer and others, with the method of preparing them. The next
-week’s proceedings were of great interest. A Spalding halfpenny of 1667,
-showing a view of the old Town Hall, was exhibited by the secretary. The
-Rev. J. Wareing gave a “Description of a Journey to Bath, and of the
-Antiquities and Natural Curiosities of the City of Bath, in several Latin
-Epistles, attended with Drawings.” Next followed the “Exhibition of an
-Impression in Wax of a Brass Seal of Elizabeth Lady, Dutchess of Severki,
-in Poland.” This shows the figure of a lady seated on a side-saddle,
-with a hawk perched on her left hand, and a lure in her right hand.
-Thereupon followed a dissertation on hawking, on ladies’ habits, and
-on side-saddles, with reference to their introduction into England in
-1382, by Queen Anne (daughter of Charles II. of Bohemia and Emperor of
-Germany), the wife of our King Richard II. Lastly comes “Inscriptum
-Picturæ Reverendi Martyrologistæ et S.T.P. Dni Johannis Foxij, Anno
-Domini 1509. Ætatis 70, penes Johan. L. Toley. Armiger apud Boston, ubi
-idem doctiss. Autor natus fuit.”
-
-The admission of regular members was very strictly guarded.
-
- “Persons proposed to be elected and admitted members, whose
- names, titles, degrees, and places of residence must be
- certified in writing by the regular member proposing them, with
- any two other members signifying also their assent thereto,
- must be minuted, notified, and put up by the Secretary at the
- two next succeeding meetings, and be balloted on the third.
- The proposer to be answerable for the donation of a guinea,
- or to that value, and for the first 12 months payment of such
- person or persons proposed, if a resident and elected member,
- at 12d. a month; saving all noblemen and gentlemen invited
- by the Society to become members, and of all foreigners,
- for the honour of the institution and carrying on a learned
- correspondence.”
-
-It is evident that the Society was now in a most flourishing condition,
-and had obtained a position seldom, if ever, equalled by any Society in
-a provincial town. Extraneous assistance was, however, needed to sustain
-the interests of its members and maintain its prosperity. Papers were
-contributed, valuable books given, and interesting letters written by
-many who were not resident in the neighbourhood. These donations are
-still preserved with religious care. Some of the communications, _e.g._
-from such men as Roger and Samuel Gale, Stukeley, the Earl of Oxford, Sir
-John Clarke, and others are of considerable interest. Four portfolios of
-drawings and engravings, several ancient manuscripts as well as books
-of reference, and many books printed in the fifteenth, sixteenth, and
-seventeenth centuries are still in the library. A commencement was also
-made towards forming a museum.
-
-The Society annually added to its list of members the names of some of
-the most learned men of the day. Amongst these we find Sir Isaac Newton,
-Sir Hans Sloane, Edward Harley (Earl of Oxford), Roger and Samuel Gale,
-Dr. Stukeley, Beaupré Bell, Dr. Jurin, Dr. Mortimer (Sec. R.S.), Dr.
-Massey, Archdeacon Neve, Joseph Banks (father of Sir Joseph Banks),
-Samuel Wesley, Rev. Dr. Desaguliers (mathematician, a noted Freemason),
-Dr. Richard Bentley (at that time Master of Spalding Grammar School,
-but soon afterwards preferred to the Mastership of Trinity College,
-Cambridge), William Bogdani, George Vertue, R. Collins and Samuel Buck
-(the engravers), Lord Coleraine (Pres. Soc. Ant.), Dr. Dodd, Emanuel
-Mendez da Costa, Charles Jennings (Solyman the Magnificent), Dosithæus
-(Archimandrite, Abbot of the Monastery of Pantocrateras on Mount Athos),
-Martin Folkes (the numismatist), Captain John Perry (engineer to the
-Czar, Peter the Great, but about that time engaged in the drainage of
-Deeping Fen), Archdeacon Sharp, Rev. Richard Southgate, Thomas Sympson
-(of Lincoln), Chancellor Taylor, Browne Willis, John Grundy (engineer),
-and many others of eminence, who are too numerous to mention separately.
-
-The attention of the Society was not confined to antiquities, but
-was also given to discoveries in natural history, to literature, to
-chemistry, to paintings, sculpture, mathematics, music, and, in fact,
-anything worthy the attention of cultured men of that period. It had
-a valuable collection of electrical apparatus. It possessed a physic
-garden. “We deal,” says Johnson to Archdeacon Neve in 1745-46, “in all
-the arts and sciences, and exclude nothing from our conversation but
-politics, which would throw us all into confusion and disorder.”
-
-Antiquarian pursuits, however, are shown by the minute books to have
-been the favourite study. Scarcely a single meeting was held at which
-some antique specimen was not exhibited, or an address given on some
-antiquarian subject. Not only were papers concerning the monastic
-remains of the district and the architecture of its churches eminently
-interesting, but the secretary had inherited from his ancestor, Sir
-Richard Ogle, several manuscripts which had formerly belonged to the
-mitred Priory of Spalding. He had access also to many other documents
-in public and private collections. From these and other sources he was
-able to produce a history of the Priory, with an account of each Lord
-Prior in succession. This account was entered _in extenso_ in the minute
-books. It is also recorded that he wrote an account of his native town.
-He exhibited charters of the Priory and various documents belonging to
-other places. He had an ample collection of ancient coins, some of which,
-judging by the illustrations in the minute books, were of considerable
-value. These were at times shown to the members, and his remarks thereon
-must have been of great interest. He wrote an essay on the Mint at
-Lincoln, which was published. He also wrote a lengthy account of the
-coins of Carausius and Allectus, which is in MS. in the keeping of the
-Society, as are also many other of his dissertations.
-
-Encouraged by Mr. Secretary Addison, and Captain (afterwards Sir
-Richard Steele), Maurice Johnson prepared “a true, succinct, historical
-account of the Royal Society, as also of the restoration of our
-Antiquarian Society of London. These documents were obtained from him
-by Dr. Mortimer, under the assured promise of publishing them, and so
-introducing the better and fuller knowledge of us to the learned world,
-in a dedication, preface, or preamble to some volume of the Philosophical
-Transactions, wherein he proposed to give an account of all the Societies
-of Great Britain and Ireland, restored, re-established, or founded
-since the Royal Society.” It appears that the Society of Antiquaries
-was pleased with this account (and desired a copy of it), as was also
-the Royal Society. Dr. Mortimer, however, never published the account,
-and Maurice Johnson was unable to obtain the paper back again, though
-he several times applied for its return both personally and through his
-friends.
-
-Another member who contributed much towards the success of the Society
-was Dr. William Stukeley. A native of Holbeach, he became a member of
-Corpus Christi College, Cambridge, graduated M.B. in 1709, commenced
-to practice medicine at Boston in 1710, was admitted F.R.S. in 1717,
-graduated M.D., Cantab., in 1719, and became F.R.C.P., London, in 1720.
-Dr. Stukeley removed to Grantham in 1725; he then forsook the medical
-profession, and was ordained in 1729. He became vicar of All Saints’,
-Stamford, with St. Peter’s attached, in 1730. We find his name as one of
-the founders of the Egyptian Society in 1741, and in 1747 he accepted
-the rectory of St. George’s, Queen’s Square, London, on the presentation
-of the Duke of Montagu. The Society still possesses some forty of his
-communications, nearly all being illustrated. In this collection are a
-set of drawings of the figures on the west front of Croyland Abbey, and
-of the triangular bridge. These are now of value as showing the state of
-those structures in the year 1746. When in London in 1740 to 1750, he
-used to go to the meetings of the Royal Society, and on his return in
-the evening he wrote down what he could remember of the debates. In this
-manner he filled five small volumes, which were sent down to Spalding.
-These volumes were bound in vellum, and are still carefully preserved.
-
-Stukeley’s publications were very numerous, and they contain many
-references to this Society. His _Itinerarium Curiosum_ is dedicated to
-Maurice Johnson, to whom he was much indebted for assistance in composing
-his _Medallic History of Marcus Aurelius Valerius Carausius_.
-
-Browne Willis, Roger Gale, and Beaupré Bell wrote many letters and
-essays which were read at the weekly meetings. George Vertue, among
-many other benefactions, presented to the Society a copy of “_Justes
-at Westmʳ_, the 12th of Febʳ., by the KING, my Lord of DEVON, Sir Tho.
-Knyvet, and Edw. Nevill, Aᵒ 1ᵒ H. viij.” It was long unknown who was
-the engraver, but the S.G.S. minute books prove that it was the work of
-Vertue himself. John Grundy, jun., engineer for the Deeping Fen drainage,
-drew the map of Spalding, surrounded by views of twelve ancient buildings
-in the neighbourhood of the town, which still adorns the Society’s room.
-This map has been since engraved, and even reproduced, by a firm at
-Chicago, to illustrate a volume on the family of Spalding in America.
-Dr. Bolton, of Boston, gave some engravings of Albrecht Dürer, Heinrich
-Aldegreve, and Callot, which were purchased by him in Holland.
-
-Imitation being the most sincere form of flattery, other societies
-were formed upon the same model at Stamford, Boston, Peterborough,
-Oundle, and Wisbech. At Lincoln, Worcester, Doncaster, and Dublin
-similar institutions also arose. Most of these soon became extinct. The
-Peterborough Society, established by Archdeacon Neve, lived sufficiently
-long to enable it to complete two or more volumes of minutes, becoming
-known as the Peterborough Book Society in 1810. It has now ceased to
-exist. The Brazenose Society at Stamford, established by Dr. Stukeley,
-did not long prosper, and an effort to revive it some time afterwards
-appears to have completely failed. Of the other societies little, if
-anything, is known. The Gentlemen’s Society at Spalding is probably the
-only survivor.
-
-The esteem in which this Society was held is proved, not only by a number
-of letters written by leading men of the day, notably by Kortholt (Epist.
-ad Kappium de Soc. Ant. Lond. Lips. 1730, p. 6), but also by the action
-of the Royal Society who, by order of the president, showed its approval
-by sending their Transactions. The Society of Antiquaries also ordered
-all their works, “as published,” to be sent by their Directors. They also
-exchanged their papers, after having been read in London, for those read
-at Spalding. On the minutes of the Society of Antiquaries are recorded
-several of these communications, but the minute books of the Gentlemen’s
-Society show that a still larger number were sent up.
-
-To the end of his life (obiit Feb. 7ᵒ, sepult. Feb. 11ᵒ, 1755, as
-recorded in the Register at Spalding Parish Church) Maurice Johnson
-continued to be the mainstay of this Society. As long as he lived the
-Society flourished. The greater part of the communications were made by
-him, or obtained through his activity. The minute books were chiefly his
-penmanship, and the beautiful illustrations therein mainly his handiwork.
-To the library he gave many of its most valuable books, and the museum
-owed much to his liberality. Even to the very last he showed his love for
-the Society, by providing in his will an endowment for the chaplain of
-Wykeham, who was, previous to his appointment, to undertake the duties of
-librarian and take charge of its _supellex literaria_.
-
-Before his death Johnson, with reference to the state of this Society,
-observed in a letter to his friend Gale, “realms and all communities
-have their periods.” Nevertheless, as Gale in return assured him, “the
-_supellex literaria_ of the Society still remains a glorious monument of
-the public spirit and learning of its founder, and the record of a noble
-attempt, which otherwise would scarcely be credited by posterity.”
-
-After Johnson’s decease a change comes over the scene; the Society
-continued to meet every week, and the accounts were duly kept, but the
-minute book ceased to be used, little was added to the library or museum,
-and the Physic Garden was given up. It is not, however, to be supposed
-that the objects for which the Society was established were entirely
-neglected. The “Books of Accompts” contain several instances of money
-having been spent for the purchase of books, &c., but its activity
-decidedly slackened.
-
-A further evidence that the Society was not defunct is shown by the
-following extract from the will of Mr. Michael Cox, an apothecary and the
-“Operator” to the Society:—
-
- “I do hereby order that neither my said wife nor the said John
- Motson, or his heirs, nor the person or persons to whom they
- shall sell the same estates, shall have power to discharge or
- eject the Gentlemen of the Literary Society in Spalding from
- the occupation of the room they now hold of me, with whatever
- Liberty’s they now enjoy ... they continuing well, duly and
- faithfully to pay the Annual Rent of Five pounds and to occupy
- the same as and for a Literary Society room only.”
-
-This room remained in the occupation of the Society until, in the year
-1878, the Improvement Commissioners, being anxious to widen the street
-near the High Bridge, made an offer of £100 for its interest therein.
-This sum was accepted, and the contents of the library and museum were
-removed to a room in Double Street until the trustees of the Johnson
-Hospital, which had recently been erected, offered the use of the
-Board-room and other accommodation at a small rental.
-
-The “Books of Accompts” above referred to are three in number. Each
-volume is bound in parchment and is 16 inches high by 6½ inches wide.
-They are ruled by hand, and have on each page a debit and credit
-account side by side. The entries therein are very conclusive as to the
-continuity of the Society, as they contain the weekly expenditures and
-annual contributions of the members. The election of new members and
-of the officers of the Society are recorded, although omissions are
-evidently numerous. In order to show that the original objects of the
-Society were not overlooked, the following items, taken at different
-periods, will suffice:—
-
-On August 21, 1760, a payment is made to Mr. E. Kingston for experiments
-in electricity. On June 11, 1761, a reflecting telescope is paid for. On
-December 24, 1767, seven guineas are given for an electrical machine.
-On December 27, 1789, there is an entry of payment for repairs to the
-telescope. On January 1, 1805, an order is made to have the books,
-manuscripts, prints, &c., catalogued. This order was carried out, and
-several copies of “A Catalogue of the Spalding Gentlemen’s Society, by T.
-Albin, 1808,” still exist. On January 1, 1811, is the last entry in the
-account books. This is a revised set of “Rules and Regulations,” wherein
-the following items are noticeable:—
-
- “All books, maps, prints, papers, medals, curiosities,
- furniture, &c., already in the possession of the Society, or
- which may hereafter be purchased by or be bequeathed to them,
- shall be considered the joint property of all the existing
- members, and no person shall claim a separate right to them.”
-
-(Needless to say, this rule remains unrepealed.) At the same meeting a
-sub-librarian was appointed and his duties defined; regulations were
-made as to the issue of books to the members; ladies were to be admitted
-to the Society, but were not to have votes; and minutes were to be
-entered in a book to be provided for that purpose. These minutes were
-signed by the Rev. Maurice Johnson as president, and by fifteen other
-members. Possibly this new book was never procured, as from this time
-neither minutes nor accounts are anywhere to be found, until 1828, when
-the entry of minutes was resumed in the old book (vol. vi.), and this
-book continued in use up to the 15th July 1889, when another volume was
-commenced.
-
-On the 18th of February 1828, Dr. Maurice Johnson resigned the office of
-president, and the Rev. Dr. William Moore was elected to succeed him. The
-Rev. J. H. Marsden, then an assistant curate of Spalding, was appointed
-librarian and secretary. At that time the number of members was only
-fifteen, but seven others were admitted at the same meeting.
-
-At the next meeting, on February 25, the secretary was requested “to
-examine the Society’s records in order to ascertain the terms upon which
-certain books were deposited in the church and school.” He gave in his
-report on March 3, and the members present were unanimously of opinion
-“that the books appear to have been a free gift.” At this meeting a
-committee was appointed for the purpose of examining and arranging the
-museum.
-
-From this time the election of members and the gifts of books to the
-library are duly recorded. The meetings, however, do not appear to
-have been held regularly, but all the entries refer to the work of the
-Society—_e.g._ on 25th July 1838, “examined Mr. Grundy’s plan of the town
-of Spalding, the same being in a state of dilapidation, and resolved that
-it will be advisable to obtain a lithographic fac-simile.” This order was
-duly carried out, and copies were sold at fifteen shillings each. It was
-then arranged that the meetings should be held quarterly.
-
-On 14th June 1848, Sir Charles Anderson wrote asking permission to
-have the minute books sent to Lincoln for inspection at the meeting
-of the Archæological Institute which was then being arranged. This
-request was complied with, and accompanied by a paper entitled “The
-Gentlemen’s Society at Spalding: Its Origin and Progress.” This paper
-was subsequently printed by the Institute, and afterwards reprinted as a
-pamphlet by Pickering in 1851. After the meeting, Mr. Albert Way wrote as
-follows:—
-
- “WONHAM, REIGATE, _August 19, 1848_.
-
- “DEAR SIR,—I have the honor to convey to you, and to request
- you to communicate to the Gentlemen composing the Spalding
- Society, the hearty thanks of the Central Committee of the
- Institute for the kindness with which you have been pleased
- to transmit the memorials of the Society to Lincoln for the
- gratification of our members during the late meeting. I hope
- that these precious documents have safely reached you: they
- were committed to the custody of Mr. Swan’s clerk in the
- absence of that gentleman.
-
- “The Committee request me also to express their acknowledgment
- and thanks for your interesting and valuable notice of the
- Society of Spalding, and the character of its early labors
- in the field of Archæology. The Committee would hail with
- the utmost satisfaction the re-establishment in full vigor
- of such a Society in your County for the examination and
- preservation of historical memorials and ancient monuments or
- antiquities. They would hope that the names of Maurice Johnson
- and his contemporaries might yet form the watchword to rally
- round the Gentlemen of Spalding all those who cherish the
- memory of ancient times in your County, so rich in historical
- recollections and examples illustrative of ancient usages or
- arts. The Committee would most thankfully have esteemed your
- kindness had it been compatible with the safe custody of the
- valuable memorials of the Spalding Society sent to Lincoln, to
- permit any more detail’d examination of them than was feasible
- at that time, or had it been practicable to select any portion
- of their curious contents which might have been given in the
- Lincoln volume about to be published. The memoir, however,
- which we owe to your kindness and hope you will permit me to
- publish in that volume, will excite curiosity regarding the
- labors of the Antiquaries of Spalding, which we would hope
- you may feel disposed, on some future occasion, to gratify by
- further notices and extracts.—I have the honor to be, Dear Sir,
- your obliged and obedient Servant,
-
- ALBERT WAY, _Hon. Sec._
-
- “The Rev. Dr. MOORE.”
-
-The minute book contains reference to, or has copies of correspondence
-with, several other antiquaries of note. Amongst them occur the names of
-Pishey Thompson, the author of the “History of Boston”; Admiral Smyth,
-author of “A Descriptive Catalogue of a Cabinet of Roman Coins, belonging
-to His Grace the Duke of Northumberland”; William Hopkinson of Stamford;
-John Yonge Akerman, Secretary to the Society of Antiquaries; Rev. A.
-Poole, &c.
-
-Several valuable books were given to the Society, and papers on local
-antiquities and other subjects read by the members of the Society, and
-entered _in extenso_ by Canon Moore, who also wrote memoirs of some of
-the members, viz.: John Richard Carter, Maurice Johnson of Blundeston
-(the fifth in lineal descent from the founder), Dr. W. Moore, and Dr.
-Cammack.
-
-A vacancy having occurred in the presidency by the death of Dr. Moore
-in 1867, Thomas Cammack, F.R.C.P., was appointed to that office, which
-he retained until his death. On November 22, 1872, Canon Edward Moore,
-F.S.A., was chosen president. He was eminent as an architect, the
-restorer of the fine Parish Churches of Spalding, and of Weston St.
-Mary, and the preserver of the west front of Crowland Abbey. The three
-Churches of St. John Baptist, St. Paul, and St. Peter, Spalding, were
-built under his auspices, as was also the new Grammar School and the
-Johnson Hospital. Canon Moore was well versed in archæology, and added
-much to the minute books of S.G.S. He died on 13th May 1889.
-
-Between the years 1828 and 1889, although the meetings were held at
-infrequent and varying intervals, much interest must have been taken
-in the Society. The valuable papers read by Canon Moore, Dr. Cammack,
-Rev. R. Hollis, and others, and the communications from such men as
-Bishop Trollope, Matthew Bloxham, and Professor Marsden show that the
-Society still retained a considerable amount of energy. In addition to
-those whose names appear above, the list of members of this period gives
-those of Joseph Banks of Revesby (father of Sir Joseph Banks); Bertie,
-Lord Brownlow; Yarrard, the miniature painter; Count Montalembert, Lord
-Boston, Sir Gilbert Scott, T. J. Pettigrew, F.R.S.; J. J. Howard, Joseph
-Toynbee, F.R.S.; J. Russell Jackson, &c.
-
-On July 15, 1889, the few remaining members met in the library, then
-situate in Double Street, and decided that an earnest effort should be
-made to revivify the Society. A president was elected, and a committee
-appointed to consider the rules and report thereon. A paper, _In
-Memoriam_ Canon Edward Moore, was read. Several articles were exhibited
-and some donations made.
-
-The next meeting was held on September 30 following, when the rules
-drawn up by the committee were adopted. A treasurer, a librarian, and a
-secretary were elected. A paper on “Numismatics” was read and some books
-were presented for the library.
-
-Thus, again, working order was re-established; and from that date
-quarterly meetings have been held without a single intermission. At these
-meetings one or more papers have been read, gifts and purchases of books
-and specimens announced, and articles of interest exhibited.
-
-For some years past the quarterly meetings have been supplemented by
-monthly ones, and at these also useful work has been accomplished. Summer
-excursions to places of antiquarian interest have also been organised.
-
-Since 1889 many hundreds of volumes have been added to the library and
-the donations to the museum have been of considerable value.
-
-The Society of Antiquaries of London continues to show its interest
-in the Spalding Gentlemen’s Society, by presenting annually its
-_Proceedings_ and _Archæologia_.
-
-The Society has purchased several valuable books at auction and other
-sales, _e.g._ from the late Joseph Philips, Esq., Colonel Moore, T. H.
-Brogden, Esq., and especially from Mrs. M. Johnson, widow of Maurice
-Johnson, Esq., of Ayscoughfee Hall and Blundeston, Suffolk. Most of these
-last-named works formerly belonged to our founder and have his book-plate
-inside the cover. The following extract from a Spalding newspaper will
-show their value:—
-
-“LIBRARY OF MAURICE JOHNSON, Esq., F.S.A.—As the sale of this library
-by public auction has been a subject of considerable interest in the
-town, on account of the intimate connection of its original owner with
-Ayscoughfee Hall, we are pleased to learn from Dr. Perry that the
-Spalding Gentlemen’s Society, which was instituted by Maurice Johnson
-in the year 1710, has been able to secure the following books and
-manuscripts which formerly belonged to their venerated founder, in
-addition to the large number of similar works which have been in the
-possession of the Society from the beginning of the last century. Most
-of the books are in a very satisfactory state, and the officers of the
-Society will have pleasure in showing them to any one interested in book
-lore. The works are:—
-
- Sir Lawrence Myntling’s Court Book, containing calendars of
- the bond tenants, constitutions, orders, customs, &c., of the
- Priory of Spalding. MS., _circ._ 1455. This book was also
- formerly in possession of Sir Richard Ogle.
-
- Registrum Brevium, Statuta Vetera, Summaria legis. MS., _circ._
- A.D. 1300.
-
- Middlecot’s Exchequer Records of Lincoln Holland, &c. MS.
-
- Rental in Comitate Lincoln, by various writers. MS.
-
- Catalogus Librorum Societatis Generos; Spalding, by Maurice
- Johnson. MS.
-
- Of Sewers in Lincoln—Johnson’s collection.
-
- Statute of Sewers, principally MS., collected by Maurice
- Johnson. This contains Callis’ original manuscript, signed by
- himself.
-
- Pleas of the Crown, together with a large treatise of the
- Clergy, by M. Johnson. MS.
-
- Rerum Anglicarum Scriptorum Veterum. Quorum Ingulphus nunc
- primum integer, ceteri nunc primum prodeunt. Oxoniæ (1684).
-
- A Survey of the Cathedrals of Lincoln, Ely, Oxford, and
- Peterborough, by Browne Willis. S.G.S.S. (1730).
-
- Harrington’s History of Croyland, translated by Sir Thomas
- Lambert. MS.
-
- Roberti de Avesbury Historia de Mirabilis Gestis Edwardi III.
- Oxonii (1720).
-
- Mariani Scoti Chronica; cum Martini Poloni Historia (1559).
-
- Aristotelis de Reip bene administrandæ Ratione Libri Octo. cum
- commentariis domini Richardi Ogle Equitis Aurati (1567).
-
- Antiquitates Rutupinæ, auctore Joanne Battely. Oxoniæ (1711).
-
- Chronicon Saxonicum et MSS. Codicibus nunc primum integrum ac
- Latinum fecit Edmundus Gibson, Episc. Lincoln. Interleaved and
- containing many MS. observations by M. Johnson, F.S.A. (Oxon.
- 1692).
-
- Fines inter Abbes de Burgo et de Croyland, VII. Regis Johannis
- (A.D. 1205); Ibid. inter Croyland et Burgo XXXI. Henrici
- Filii Johannis (A.D. 1247); et conventio inter iidem Abbes.
- Manuscript on vellum (13th century).
-
- Tracts, viz.: Lewis’ Antiquity and use of Seals (1740); Sale
- Catalogue of the collection of Statues, &c., of Edward (Harley)
- Earl of Oxford, S.G.S.S.; Sale Catalogue of Coins of the same
- (1741-42); Marmor Sandvicense cum Commentario et Notis Tayleri,
- folding plates (1743); Sannazerius, The Oziers, translated by
- Beaupré Bell, S.G.S.S. (1724); The First and Second Satires
- of the Second Book of Horace, by Alexander Pope (1st Edition)
- (this was given by Pope, who was a member of the S.G.S., to his
- friend Maurice Johnson, 1734); Solomon, de Mundi Vanitate, by
- Matthew Prior (1735).
-
- Another book of Tracts, containing Croyland’s Chronicle,
- compiled from the Charters, &c., by Sir John Harrington,
- Knight, in Latin, and translated into English by Sir Thomas
- Lambard, Knight, with additions by Maurice Johnson, Steward of
- the Manor of Crowland; Speeches by King Charles I. and others
- (1640); The Bedford Level Act (1662); Deeping Fenn Act (1664);
- The Allotment made out of the Fenns, by John Johnson and
- Timothy Tubbs, 1ᵒ July 1669.
-
- Madox Thomas—History and Antiquities of the Exchequer of the
- Kings of England (1711).”
-
-Gifts of books have been made by the Rev. A. W. G. Moore, Rev. E. Adrian
-Woodruffe-Peacock, Rev. R. Hollis, Rev. J. Conway Walter, Rev. Dr.
-Astley, Rev. Canon Hemmans, Rev. James Penny, Rev. H. Larken, Rev. H.
-Kenelm Smith, Canon Atkinson, W. E. Foster, Esq., W. H. Wheeler, Esq.,
-H. Peet, Esq., A. K. Maples, Esq., G. L. Nussey, Esq., The President,
-S. H. Perry, Esq., and others. The donation of “Sir Laurence Myntling’s
-Court Book of the Priory of Spalding” (MS., _circ._ 1455) by Alexander
-Peckover, Esq. (now Lord Peckover of Wisbech.), deserves special mention.
-His Majesty’s Stationery Office has given a large number of the Master of
-Rolls Series.
-
-The books in the Grammar School library have been returned to S.G.S., as
-the Headmaster found they were becoming more and more dilapidated. Those
-books which were given to the Church library by S.G.S. have also been
-sent back for greater security. The other books in the Church library
-were removed to the Parsonage.
-
-To the museum have been added various specimens, including coins, tokens,
-seals, casts, pottery, glass, ironwork, &c., of dates from the Roman
-period downwards.
-
-The number of members has considerably increased, and their interest in
-the work and well-being of the Society is manifest.
-
-The names of the present officers of the Society, and dates of their
-election, are as under:—
-
- _President_—MARTEN PERRY, M.D., F.R. Numismatic
- Society, M.R. Archæological Inst., &c. _elected_ 1889
- _Treasurer_—HAROLD STANLEY MAPLES, Esq. ” 1889
- _Librarian_—Rev. E. M. TWEED, M.A. ” 1895
- _Hon. Sec._—ASHLEY K. MAPLES, Esq. ” 1899
- _Hon. Operator_—E. M. M. SMITH, Esq. ” 1907
-
-In consequence of the additions made to the library and the museum, and
-with a special view of celebrating its bicentenary, it was resolved that
-an effort be made to secure a permanent home for the Society, and with
-that object in view an urgent appeal was issued to the members in 1908.
-As a result a sum of £1150 was received. An appeal to non-members was
-made in the spring of 1909, with the result of a further addition being
-made to the funds.
-
-During the present year (1910) the members have made additional
-contributions. The Society has purchased a site, and commenced the
-erection of a structure to serve as a library, museum, caretaker’s
-residence, &c. The foundation stones were laid on July 9, 1910, by
-Everard Green, Esq., F.S.A., Rouge Dragon; Major Wingfield; Alderman F.
-Howard, High Sheriff of Lincolnshire; M. Perry, M.D.; E. M. E. Welby,
-Esq.; H. S. Maples, Esq.; Edward Gentle, Esq.; W. S. Royce, Esq.; E. E.
-E. Welby-Everard, Esq.; A. K. Maples, Esq.; G. L. Nussey, Esq.; Rev. S.
-Yates; Dr. S. H. Perry; and Rev. P. L. Hooson. The building is dedicated
-to the memory of the worthy founder of the Society.
-
-
-POSTSCRIPT
-
-The following quotation from the _Publications of the Surtees Society_,
-vol. lxxvi. p. 321, gives Dr. Stukeley’s opinion of the value of the work
-done by Maurice Johnson:—
-
- “20th February 1755.—At the Antiquarian Society I gave them
- Samuel Gale’s MS. of Cornu Ulphi, with the Latin translation by
- himself, and the copper plate of a Runic inscription relating
- to it, which they might print if they thought fit. I gave them
- an account of Maurice Johnson’s death, and the eulogium I wrote
- of him that morning, in the following terms: On Saturday,
- 8th February 1755, dyed Maurice Johnson, Esq., of Spalding,
- Lincolnshire, Councellor at Law, a fluent orator, and of
- eminence in that profession, but to an extravagant acquisition
- of riches which he ever had in his power, he preferred the
- serene sweets of a country life, learned leisure, study, and
- contemplation. He is one of the last of the founders of the
- Antiquarian Society, London, begun in the year 1717, the
- only survivors being Brown Willis, Esq., and Dr. Stukeley.
- What is singular in Mr. Johnson’s praise is that he is the
- founder of the Literary Society in Spalding, which memorable
- transaction happened on 3rd November 1712. This Society,
- through his unwearied endeavors, interest, and applications
- of every kind, by his infinite labors in writing, collecting,
- methodizing indexes, and the like, has now subsisted in great
- reputation for these 40 years, and excited such a spirit of
- learning and curiosity in that level part of Lincolnshire,
- called South Holland, as probably will never be extinguished.
- By this means they have got an excellent library, and all
- conveniences for their weekly meeting, have established a most
- extensive correspondence even to both Indies; are very exact
- in answering all communications; have made vast collections
- of MSS. letters, written historys, coins, medals, antiquities
- of every denomination; fossils, all kinds of natural and
- artificial curiosities, drawings, surveys, prints and the like.
- They keep exact minutes of everything that appears before
- them, have members in every branch of knowledge, try useful
- experiments and improvements tending to the common benefit or
- entertainment of mankind. Mr. Johnson was a great lover of
- gardening and planting, had an admirable collection of flowers,
- flowering shrubs, fruit-trees, exotics, an excellent cabinet
- of medals, in which he had great knowledge and judgment. Many
- years ago, particularly, he made large collections of memoirs
- of the history of Carausius, which he sent to me last summer,
- and is still in my custody, as a generous assistance in my work
- on that head, together with all his coins of that emperor, and
- one coin especially, which he always took to be Carausius’
- son, of which I give a sketch. The face is like that of the
- young Tetricus, but singular in this, that the legend begins
- with Cæsar, the name Silvanvs, or whatever else, obliterated,
- which is the more to be regretted. Mr. Beaupré Bell, a young
- gentleman of most excellent learning and knowledge in medals,
- now dead, to the great loss of science, was confident that the
- coin belongs to Carausius’ son. In general, the antiquities
- of the great mitred Priory of Spalding, and of this part of
- Lincolnshire, are for ever obliged to Mr. Johnson’s care and
- diligence, being rescued and preserved from oblivion thereby.
- Thus much I thought proper to commemorate concerning the just
- eulogium of my friend and countryman.”
-
-
-
-
-FOOTNOTES
-
-
-[1] _Scenery of England_, p. 85.
-
-[2] Professor Boyd Dawkins, _Early Man in Britain_, p. 224 and ff.
-
-[3] March 1909, by Rev. E. H. Mullins.
-
-[4] Since the above was written, a fine specimen of River Drift Man’s
-handiwork has been found by the author in the River Trent Gravels, June
-21, 1910.
-
-[5] _Early Man in Britain_, p. 315.
-
-[6] _Nature_ for December 1907, p. 103.
-
-[7] _Early Man in Britain_, by Boyd Dawkins, p. 434.
-
-[8] Kemble’s _Horæ Ferales_, pl. 17.
-
-[9] _Celtic Art_, by Bowdly Allen, p. 77.
-
-[10] Introduction to _The History of Lincolnshire_, “Pike’s Series.”
-
-[11] _Celtic Britain_, pp. 30, 288.
-
-[12] _Vit. Agric._ c. 20.
-
-[13] “Richard of Cirencester” says that there were nine colonies in
-Britain, including Chester and Caerleon; and the statement is still often
-repeated, though no confidence can be placed in it.
-
-[14] The date is unknown, but the original must be older than the
-eighteenth century, as neither T. Sympson nor Stukeley speaks of a double
-gate.
-
-[15] Another milestone of his reign has been discovered in Wales, and
-his coins are not uncommon; so we have here fresh proof that the Gallic
-usurpers in the time of Gallienus were acknowledged in Britain.
-
-[16] His see is given as Colonia “Londinensium,” and the reading
-“Lindensium” is the best hitherto suggested for a word that is evidently
-corrupt.
-
-[17] _Roman Roads in Britain_, p. 384.
-
-[18] It is once called in the _Itinerary_ “Isubrigantum.”
-
-[19] Herodian, iii. c. 14.
-
-[20] _The Fenland, Past and Present._ By S. H. Miller and S. B. J.
-Skertchly, p. 181.
-
-[21] Skertchly, _op. cit._, p. 142, and Miller, p. 28 and pp. 43-54.
-
-[22] W. H. Wheeler, _Fens of South Lincolnshire_, p. 7.
-
-[23] Miller, _op. cit._, p. 47.
-
-[24] Of the name of “Cold Harbour,” which is generally associated with
-ruined buildings near Roman roads, there are at least ten instances in
-the county, and probably more. Five of these are in or near the Wolds of
-East Lindsey.
-
-[25] The statue, altar, and milliary can still be seen at Ancaster
-Vicarage.
-
-[26] This view has survived the discredit now attaching to the forged
-_Itinerary_ of “Richard of Cirencester,” in which alone is found the
-positive statement that this province was beyond the Humber.
-
-[27] So it is termed by Mr. Codrington in his _Roman Roads in Britain_,
-p. 225.
-
-[28] Mr. R. Brown, jun., F.S.A., in his _Earlier History of
-Barton-on-Humber_, vol. i. p. 12, supposes that this road kept to the
-heights, leaving Yarborough to the east, and ended at South Ferriby. But
-if the Barton earthwork be really Roman, as Yarborough unquestionably is,
-a road connecting both with Caistor seems not unlikely.
-
-[29] Geoffrey gives its British name as “Caer Corrie”—strangely corrupted
-by Camden into “Caer Egarry.” The name suggests a connection with the
-Coritani; but it occurs only in this mass of fantastic legend.
-
-[30] E. A. Freeman, _English Towns and Districts_, 1883, pp. 210, 211.
-
-[31] The Church of St. Peter “ad Fontem,” which Picot, son of Coleswegen,
-gave to St. Mary’s Abbey at York (see notice of grant _ap._ Dugdale,
-_Mon. Angl._, ed. Caley, &c., 1846, vol. iii. p. 549), was in the eastern
-suburb of the city. Here, then, we must place that “wasta terra” which
-King William gave to Coleswegen, and the two churches which Coleswegen
-endowed there (_Domesday Book_, Lincolnshire _fac-simile_, f. 2_b_).
-
-[32] See plan of Barton-on-Humber and conjectural elevation of the
-original building, _ap._ Baldwin Brown, _Arts in Early England_, 1903,
-vol. ii. p. 210. An account of Broughton, with views of the tower arch,
-follows, pp. 211 _sqq._
-
-[33] The wooden stair at Brigstock has been replaced by a ladder, but
-the holes for the stair-logs remain in the inner wall of the turret. The
-stone stair at Broughton has been supposed to be an afterthought of the
-builders, but the present writer is very doubtful about this.
-
-[34] An illustration and description of this tower will be found in
-_Assoc. Archit. Societies’ Reports_, vol. xxix., 1907, p. 70, at the end
-of an article in which the present writer has collected the results of
-his observation of towers in the neighbourhood of Grimsby and Caistor.
-
-[35] The present belfry stage of the tower is of the fifteenth century,
-and is built on piers and arches placed against the inner face of the
-older tower walls. For plan of the older tower, see Baldwin Brown, _op.
-cit._, ii. 240.
-
-[36] Twenty-six is the exact number of towers which may be said to be
-unquestionable members of the group. But the number may be raised by the
-inclusion of a few more possible examples.
-
-[37] The roof-line, visible on the eastern wall of the tower, is that of
-the mediæval church before the addition of the clerestory.
-
-[38] Hough-on-the-Hill, as noted later, is the only example in which the
-details of the quoining really approximate to those at Barton; but at
-Hough there is no strip-work.
-
-[39] A kindred example of strip-framing finished off in this way is the
-north doorway at Laughton-en-le-Morthen, near Rotherham. At Skipwith,
-near Selby, the tower arch has strip-framing. Both these churches lie
-within the area to which the Lincolnshire group may be said to belong.
-The present writer has dealt briefly with the Yorkshire churches in this
-area in an article on “The Village Churches of Yorkshire,” in _Memorials
-of Old Yorkshire_.
-
-[40] Historical evidence which points to this conclusion has been
-summarised by Dr. Mansel Sympson (“Where was Sidnaceaster?”—_Assoc.
-Archit. Soc. Reports_, vol. xxviii., 1905, pp. 87 _sqq._). A charter
-of Edward the Confessor, preserved at Peterborough, which contains the
-grant of the church, &c., at Fiskerton to the Abbey of Peterborough, is
-witnessed by several bishops and nobles, including Wulfwig, Bishop of
-Lindsey, who signs himself “Lincolie episcopus.” The charter, however,
-appears to be a copy of the original, in which “Lincolie” may have been
-written by error for “Lindisse.” But, if “Lincolie” is right, the use
-of the title by a bishop whose see was at Dorchester-on-Thames points
-to the fact that he looked on Lincoln as his true episcopal city.
-And the conviction of the present writer, on other grounds, is that
-“Sidnaceaster,” whose site was unknown even to writers of the Norman
-period, is simply a careless MS. corruption of “Lindaceaster,” or some
-allied Saxon form of “Lindum Colonia.”
-
-[41] The old archdeaconry of Stow comprised the deaneries (now subdivided
-to some degree) of Aslackhoe, Corringham, Lawres, and Manlake—in fact,
-the original district of Lindsey, east of Trent and west of Ancholme.
-
-[42] The dedicatory inscription on the tower of St. Mary-le-Wigford,
-while clearly pointing to its English origin, must not be taken as
-indicative of any positive date.
-
-[43] Baldwin Brown, _op. cit._, vol. ii. chap. ii.
-
-[44] See the article on this subject by Dr. J. H. Round, _Feudal
-England_, pp. 317 _sqq._ How far the influence of Normans in England
-before the Conquest may have affected work in masonry is a point which
-may be left to the judgment of the individual reader. The foreigners who
-threw up their own characteristic earthworks at the “Pentecost’s Castle”
-and “Richard’s Castle” of the Chronicle cannot be certainly credited with
-any influence outside their own branch of work; and the appearance of
-“Norman” technique at Westminster does not imply its general acceptance
-in the provinces.
-
-[45] There is a concise account of the lords of Grantham in the Rev. B.
-Street’s _Historical Notes on Grantham and on Grantham Church_. To this
-book the writer is indebted for much of the historical matter of the
-present chapter, but has carefully checked it by his own research, adding
-where necessary references not noticed or imperfectly given by Street and
-his eighteenth-century predecessor, Edmund Turnor, author of the _History
-of Grantham_. Much research into the mediæval history of the town is
-still necessary.
-
-[46] _Rotuli Hundredorum_ (Record Commission), vol. ii. pp. 259, 288. The
-jurors, who suffered from bad memories, called the original grantee Ralph
-instead of William.
-
-[47] See Street, _Notes on Grantham_, pp. 30, 31. The facts and dates
-given there are not wholly consonant with history, and the names and
-relationships of the owners of the manor are entirely wrong, Ranulf de
-Blundeville, Earl of Chester, being confused with Ranulf de Glanville,
-and the descendants of his sister Mabel with those of his sister Maud.
-
-[48] Patent Rolls, 37-8 Henry III., pt. i., m. 8 (1253-4, 14 February,
-Bazas): grant to Edward of Stamford and Graham [Grantham] with its honour
-(cf. ibid., m. 3, 1254, 14 April, Meilhan); ibid., pt. ii., m. 8 (1254,
-26 August, Bordeaux): notification supplementary to assignment in dower
-to Eleanor. They had been assigned to her 1254, 20 July, at St. Macaire
-(ibid., m. 10).
-
-[49] See Close Rolls, 18 Edw. II., m. 12 (1324-5, 18 March, Westminster):
-order to deliver goods of Aymer de Valence to his executors, towns of
-Stamford and Graham [Grantham], &c., excepted; ibid., 19 Edw. II., m. 31
-(1325, 28 July): escheat of manor.
-
-[50] Patent Rolls, 19 Edw. II., pt. ii., m. 8 (1326, 17 May): grant;
-Close Rolls, 19 Edw. II., m. 4 (1326, 29 May): order to deliver; ibid.,
-m. 3_d_ (1326, 7 May): enrolment of release on quit-claim.
-
-[51] Patent Rolls, 12 Edw. III., pt. ii., m. 22 (1338, 20 June).
-
-[52] The date is given on the strength of Street’s notes; but Street adds
-that the grant was made on the marriage of Edmund with Isabel of Castile,
-which did not take place till 1372. Possibly the grant was made in 1373.
-
-[53] In 1402 Edmund, Duke of York, was said to hold Grantham immediately
-of the King, warrant unknown (Subs. Rolls, box 106, No. 105, &c., ap.
-_Inquisitions and Assessments relating to Feudal Aids_, vol. iii., 1904,
-p. 252).
-
-[54] Patent Rolls, 1 Edw. IV., pt. iv., m. 1 (1461, 1 June).
-
-[55] It may be noted that the authority for the existence of this cross
-is no earlier than Weever’s _Ancient Funerall Monuments_ (1631). There is
-some reason for supposing that the funeral procession travelled by way
-of Newark and the old road, known as Sewstern Lane, and did not touch
-Grantham. The cross destroyed at Grantham in the seventeenth century, and
-known as the Queen’s Cross, was not necessarily an “Eleanor” cross.
-
-[56] Charter Rolls, 11 Henry III., pt. i., m. 20 (1226-7, 17 March,
-Westminster): grant to abbey and convent of lands which they hold in
-the town of Graham, and manses and land which Colegrim granted. For
-privileges claimed by the abbey see _Placita de Quo Warranto_ (Record
-Commission), p. 394, col. 2.
-
-[57] This was a chapel to the parish church of St. Wulfran, mentioned in
-the interesting _inspeximus_ and confirmation of the agreement between
-the Abbot and Convent of Vaudey and Roger de Wolsthorp and Richard de
-Saltby (1349, 16 October; Pat. Rolls, 23 Edw. III., pt. iii., m. 22) as
-the Chapel of St. Peter in the south street (_in australi vico_) of the
-town.
-
-[58] There is a document relating to the Friars Minors of Grantham, Close
-Rolls, 19 Edw. II., m. 11 (1325-6, 6 March, Leicester).
-
-[59] Grantham lay on the way to Boston, the great port for the export of
-wool. Allusions to the connection with Boston are common: see, _e.g._,
-Patent Rolls, 42 Henry III., m. 9_d_, where the mayor and bailiffs of
-various Lincolnshire towns, including (the bailiff of) “Graham,” are
-ordered to provide carts at the King’s cost to carry the King’s wines
-from Boston Fair to Chester. It will be remembered how at a later date
-local merchants, members of the Staple of Calais, built their houses in
-villages near the town.
-
-[60] This was Mr. Street’s idea, and it seems fairly probable.
-
-[61] It is mentioned in the grant to Prince Edward from Bazas (see note
-1, p. 134), and is said to be mentioned in the grant to Edmund of Langley.
-
-[62] _e.g._ on 30th and 31st August 1291 (Pat. Rolls, 19 Edw. I., mm. 7,
-6).
-
-[63] Street, _Notes_, pp. 121, 122, quotes the earliest minutes of this
-ceremony from the Corporation Records (21 October 1634).
-
-[64] The Abbot and Convent of St. Mary at York presented to Belton; the
-Abbot and Convent of Croyland to Sapperton.
-
-[65] _Rot. Hund._, Edw. I., vol. i. p. 290, col. 2.
-
-[66] The institution of Bononius, on the presentation of William de
-Yngoldesby, canon of Salisbury, to the vicarage of the prebend of [North]
-Grantham, occurs in Bishop Hugh of Wells’ roll for Lincoln Archdeaconry,
-m. 3. The last entry but one on the same membrane is the institution of
-Richard de Newerc, chaplain, on the presentation of Geoffrey de Boclond,
-canon of the south prebend of Grantham, to the vicarage of that prebend.
-Brief definitions of the vicarages follow each entry: the vicarage of
-South Grantham is said to consist in a moiety of the altarage of Grantham
-and Gonerby, and in all the fruits of the altars of Horton (Houghton)
-and Bresteby (Braceby). Each vicar had to pay a pension of 100 shillings
-yearly to his prebendary.
-
-[67] A very full account of Grantham Church, by the late Bishop (then
-Archdeacon) Trollope, compiled for the Lincoln Diocesan Architectural
-Society’s meeting at Grantham in 1867, is printed in _Assoc. Arch. Soc.
-Reports_, vol. xi. pp. 1-12. Sir Gilbert Scott’s brief summary of its
-architectural history will be found in the same publication, vol. xiii.
-pp. 28-35. Turnor’s _History of Grantham_ and Street’s _Notes_ contain
-accounts of the building; and a small pamphlet by the Rev. D. Woodroffe,
-called _Half-an-Hour in Grantham Church_, may also be mentioned. The
-present writer, while mentioning these, has been led in some instances by
-his own study of the building to somewhat different conclusions.
-
-[68] The carving is allied to that of the capitals in the Castle Hall at
-Oakham and in Twyford Church, Leicestershire, but is somewhat smaller in
-scale and less bold in outline. The foliage of some of the capitals was
-much mutilated by the introduction of galleries in the eighteenth century.
-
-[69] No doubt the builders intended to rebuild the nave arcades in
-conformity with this new spacing. The design, however, was abandoned.
-
-[70] The study of Newark Church is a necessary complement to the study
-of Grantham. From what happened there in and after 1313, probably as a
-result of the great extension at Grantham, we may gather that, as an
-initial part of such an extension, the lower courses of the new walls
-were first built, and that then the masons, beginning at the east end
-of one aisle, worked westwards, and left the other aisle, in which they
-worked eastwards, to the last. This would account for some differences in
-the masonry of the upper and lower parts of the walls of the south aisle.
-
-[71] The top stage of the tower was probably added as an afterthought,
-and not designed until the stage below had been completed.
-
-[72] A mill-stone was placed on the top, and the new vane mortised into
-it.
-
-[73] The chantry returns of Edward VI.’s commissioners (Roll 33, Nos.
-91-96) enumerate the chantries of the Holy Trinity, founded by John de
-Orston; Corpus Christi, by the same John and others; St. Mary, by William
-Gunthorp and others; St. John Baptist, by Richard Saltbie and others;
-St. Peter, by Robert Stonesbie; and Curteys’ Chantry, by the executors
-of Richard Curteis for two priests. No. 97 is a return relating to the
-endowment known as the “Deacon’s Land”; and No. 113 is the certificate
-of the Guild of the Name of Jesus, which held its services in Grantham
-Church. These chantries, with the exception of “Curteys Chantry,” were
-all of fourteenth century origin; and their foundation took place between
-1346 and 1362. The early history of the Guild is obscure, until the
-endowment of a chaplain by the will of Robert Pacie of Barkston in 1494.
-Seven returns of Grantham guilds, in pursuance of the Act of 12 Richard
-II. (1388) appear among the Chancery Guild Certificates (Nos. 109-115).
-
-[74] For the reference, see note 1, p. 136. The document deals with the
-endowment and appointment of three chaplains, one at the altar in the
-rood-loft; another in St. Peter’s Chapel in the South Street; and a third
-in the chapel of St. Thomas the Martyr in the churchyard. Their duties
-are carefully detailed; and the Abbot and Convent of Vaudey, in return
-for benefits conferred on them by the founders of the chantries (Roger de
-Wolsthorp and Richard de Saltby), charge themselves with the maintenance
-of the chaplains. St. Peter’s Chapel, mentioned here, was, as already
-noted, distinct from the parish church; and the chantry of St. Peter (see
-note 1, p. 149) may have been endowed in this building, and not in St.
-Wulfran’s. It is possible that the Haryngtons, whose tomb is in the south
-aisle, west of the doorway, may have been founders or co-founders of a
-chantry there, the position of the chapel of which may be indicated by
-the bell-cot at the west end of the aisle. The licence for the foundation
-of the chantries at the Holy Trinity and Corpus Christi altars bears date
-18 August 1392; and on the same date William Gunthorp and others had
-licence to alienate land, &c., in augmentation of the chantries of St.
-John Baptist and St. Mary (Patent Rolls, 16 Rich. II., part i., mm. 13,
-12).
-
-[75] Evidence of the existence of relics of St. Wulfran here is given by
-a churchwarden’s minute in 1565: “Item, a sylver and copper shryne called
-seint Wulfrane shryne was sold, and bought with the pryce thereof a
-silver pott full gilt and an ewer of sylver for the mystification of the
-holye and most sacred supper of owre lorde Jhesus Christ, called the holy
-comunyon” (Peacock, _Monuments of Superstition_, p. 88, quoted in Bishop
-Trollope’s account, _u.s._).
-
-[76] Colonel Welby suggests that the niches, of which traces remain in
-the east wall of the outer part of the north porch, were intended for a
-holy-water stoup and almsbox at the foot of the stair. They have also
-been supposed to indicate the presence of an altar in this part of the
-porch; but this is less probable.
-
-[77] The foundation-wall of the screen was discovered in the nineteenth
-century across the entrance to the chancel. No similar walls existed
-across the aisles. This points to the probability that the screen was
-built after the cessation of work in the south aisle of the nave, and
-before the building of the south chapel of the chancel (_i.e._ between
-1320 and 1360). No screen could thus be continued across the south
-aisle, as the wall came in the way; and a light wooden screen would be
-sufficient for the single bay of the north aisle east of the nave. At
-the same time the evidence of the wide eastern bay of the nave points to
-some enlargement or rebuilding of the screen, or at any rate to a desire
-to free the rood and its beam of the eastern wall of the nave, against
-which they had not improbably been placed up to this time. The dislike of
-chancel arches in districts where elaborate screens are common will be
-remembered.
-
-[78] A paper by Precentor Venables (_Assoc. Arch. Soc. Reports_, vol.
-xiii. pp. 46 _sqq._) summarises the history of the controversy, and
-explains the part which Bishop Williams took in it more satisfactorily
-than other accounts within the writer’s knowledge.
-
-[79] This, in 1662, was filled with armorial glass, as we learn from
-Gervase Holles’ notes on the heraldry of Grantham Church, in the Harleian
-MSS.
-
-[80] A memorandum relating to the erection of the organ and position of
-the altar in 1640, containing a copy of a petition to Parliament from the
-Corporation against Puritan objections, is printed from the Corporation
-Records at the end of Precentor Venables’ article (see note 1, above).
-
-[81] There is an interesting account of the history and contents of
-the library, by the late Canon Hector Nelson, in the _Lincoln Diocesan
-Magazine_ for December 1893 and March and April 1894. Canon Nelson is
-responsible for the catalogue of the library.
-
-[82] Particularly to the Rev. S. C. Tickell, author of a _Guide to
-Old Stamford_ (1907), and Henry Walker, author of _Stamford with its
-Surroundings_ (Homeland Handbooks), 1908.
-
-[83] Having been granted as a _barony_ to the Abbot of Peterborough.
-
-[84] The conjectural identification, which appears in several accounts,
-of Causennæ or Gausennæ with Great Casterton (a village two miles north
-of Stamford and the site of a Roman camp) will not bear the test of
-comparison with the distances given in the Fifth Antonine Itinerary.
-
-[85] Mackenzie Walcot, _Memorials of Stamford_, p. 2.
-
-[86] There is some little uncertainty whether the “Stanforth” mentioned
-by Wessington can be positively identified with the Lincolnshire
-Stamford. Cf. _Vict. Cty. Hist. of Lincs._, vol. ii.
-
-[87] Cf. _Vict. Hist. Northants_, vol. i. p. 256.
-
-[88] Peck.
-
-[89] E. W. Lovegrove, M.A., in the chapter on “The Churches of Stamford,”
-in the “Homeland” _Handbook to Stamford_, by H. Walker (1908), from whose
-admirable notes on the architecture of Stamford much of the present
-account has been taken.
-
-[90] For this information the writer is indebted to the Rev. E. A. Irons,
-rector of North Luffenham, who has long made a special study of the
-records of the diocese and district.
-
-[91] An interesting account of this fight, and the circumstances which
-led up to and followed it, is to be found in an article entitled “An
-Unnoticed Battle” in _Rutland Magazine_, vol. i. p. 186 _et seq._
-
-[92] Lincolnshire Topographical Society, 1843.
-
-[93] Chequée _or_ and _gu._, over all a bend _erm._
-
-[94] _Sa._ semée with cinquefoils _arg._, a lion rampant _arg._
-
-[95] _Lincoln Cathedral Statutes_, vol. ii. p. 447.
-
-[96] According to Gough (Camden’s _Britannia_) the stained glass of the
-church was taken out in 1737 to save the vicar wearing spectacles!
-
-[97] _Chancel Screens_, A. Welby Pugin, p. 14.
-
-[98] Pugin, p. 22.
-
-[99] See plan and view in Gally Knight.
-
-[100] Published by J. D. of Kidwelly, MDCLXXII.
-
-[101] _York Fabric Rolls_ (Surtees Society), p. 300-1.
-
-[102] _Archæological Journal_, vol. xlv. p. 429.
-
-[103] In the _Lincoln Diocesan Magazine_, 1895.
-
-[104] In this respect resembling Chaucer’s Wife of Bath’s third husband,
-who “lith y grave under the rode-beme,” and an Alderman H. Philyp, who
-wished “to be buried in the Church of Seynt Petres, in the Baylly of
-Oxford, under the Rode.”—A. Gibbons, _Early Lincoln Wills_, pp. 87-8.
-
-[105] Aymer Vallance, “Rood-Screen of Moulton Church,” _Archæological
-Journal_, vol. lxvi. p. 264.
-
-[106] At _Grimoldby_, _Addlethorpe_, and _Winthorpe_ still exist the
-pulley holes for working the lights in front of the rood-screen,
-according to “A. V.,” _Church Times_, July 29, 1910.
-
-[107] _English Church Furniture_, E. Peacock, 1866, p. 151.
-
-[108] Mason and Webb, _Durandus’ Symbolism of Churches_, p. civ. ed. 1893.
-
-[109] _Early Lincoln Wills_, A. Gibbons. The bequests seem to begin
-early in the fifteenth century. There is only one instance (Jas. Burton,
-of _Horncastle_, 1536, to the Rood light xij_d._) in Canon Maddison’s
-collection of _Lincolnshire_ wills of the sixteenth century.
-
-[110] _Oliver Cromwell_, p. 141.
-
-[111] J. G. Williams, _Linc. Notes and Queries_, vol. viii. p. 101.
-
-[112] On this occasion, probably, the Lincoln Corporation received from
-the King’s hands its third sword.—Williams, _Linc. Notes and Queries_,
-viii. p. 155.
-
-[113] J. G. Williams, _Linc. Notes and Queries_, viii. p. 140.
-
-[114] _True Intelligence from Lincolnshire, presented to the view and
-consideration of the peaceably-minded_, 15th August 1642.
-
-[115] _Joyful Intelligence from Lincolnshire_, quoted in _Linc. Notes and
-Queries_, viii. p. 154.
-
-[116] Clarendon’s _History of the Rebellion_, book v.
-
-[117] _Memoirs of Colonel Hutchinson_, ed. 1892, pp. 143-45.
-
-[118] _Relation of a Fight in the County of Lincoln_, &c., 1643.
-
-[119] Carlyle, _Letters of Cromwell_, Part II. x.
-
-[120] _Great Civil War_, i. p. 143.
-
-[121] A. Paterson, _Oliver Cromwell: his Life and Character_, p. 51.
-
-[122] Calendar of MSS. of the House of Lords, vii. App. i., quoted in
-_Victoria History of Lincolnshire_, vol. ii. p. 282.
-
-[123] _Memoirs of Colonel Hutchinson_, pp. 150, 154.
-
-[124] Carlyle, Part II. p. 123 (to the Committee of the Associated
-Counties).
-
-[125] Possibly, as suggested in the _Victoria History of Lincolnshire_
-(vol. ii. pp. 284-85), the first password in each case was for Tuesday,
-the second for Wednesday.
-
-[126] He was younger brother of Ralph, Lord Hopton, the Royalist
-commander in the West. Cromwell is said to have visited Horncastle after
-the battle to see that the body of this “brave gentleman,” as he styled
-him, was fitly interred. It is possible that he owed his life to Hopton’s
-forbearance at a critical moment.
-
-[127] Scottish Dove, E. 75, 24.
-
-[128] Mr. E. Peacock, F.S.A. (_Lincs. Architectural Society’s Reports_,
-vol. viii. p. 265), thinks that no move was made against Gainsborough
-till after the capture of the fort at Burton-on-Stather on December 18.
-But the letter of the Essex soldier (below) disproves this; and I suggest
-that a force from Lincoln invested the place till it was compelled to
-retire by the severity of the weather.
-
-[129] Barrington MSS. quoted in Kingston’s _East Anglia and the Civil
-War_, p. 147.
-
-[130] In Oldfield’s _Wainfleet and Candleshoe_, Appendix No. 6, pp.
-12-16. The list is not complete, for the names of Sir John Monson and
-others are omitted.
-
-[131] J. A. Gotch, _Early Renaissance Architecture in England_,
-1500-1625, pp. 69, 70.
-
-
-
-
-INDEX
-
-
- Abbey, Crowland, 217-219, 238
-
- ⸺ Croyland, 85, 327
-
- ⸺ of Bardney, 114, 119
-
- ⸺ of Kirkstead, Cistercian, 81, 84, 180
-
- ⸺ Peterborough, 132, 135
-
- ⸺ Spalding, 85
-
- Addison, 319
-
- Adelfius, 32
-
- Aisby, tessellated pavement at, 44
-
- Aldred, last Saxon Archbishop of York, 210
-
- Alington of Swinhope family, 313
-
- Alkborough church, 72, 73
-
- All Saints’ Church, Stamford, 167, 170
-
- “All Saints in the Mercat” Church, 167
-
- All Saints’, Stamford, brasses in, 199, 200
-
- Alnwick tower, Lincoln, 190
-
- Alnwick’s visitation, Bishop, 194
-
- Altar tomb of Sir Humphrey Littlebury, 108
-
- ⸺ with inscription, Roman, 32
-
- Altars, rood-screen, 246
-
- Ambler, William, 321
-
- Ancaster, 44
-
- ⸺ Heath, 262
-
- ⸺ Roman camp at, 26
-
- Anderson family, 313
-
- “Angel Inn,” Grantham, 136, 137, 139, 157
-
- “Angel Quire,” Lincoln, 145
-
- Apple Cross, Grantham, 137, 138, 158
-
- Archbishop of Sens, St. Wulfran, 150
-
- Arrow points, flint, 12
-
- Atwater, Bishop, 194
-
- Austinian Priory, Newstead, 168
-
- Axholme, Isle of, 2, 51, 276, 315
-
- Aymer de Valence, Earl of Pembroke, 134
-
- Ayscough, Sir Edward, 257
-
- Ayscoughfee Hall, 335
-
-
- Bardney, Abbey of, 114, 119
-
- Barrowe, Abbot of Bardney, Roger de, 114
-
- Barrows, Long, 7, 9, 20, 21
-
- ⸺ Round, 7, 9, 20, 21
-
- Barton, carved stone slab, 210
-
- Barton-on-Humber, 265
-
- Barton, St. Peter’s Church, 53-56, 61, 63, 65-67, 69, 70
-
- ⸺ “Street,” 50
-
- Bassingthorpe, 161
-
- Bede, 120
-
- Bedehouse, Stamford, Lord Burghley’s, 167, 173
-
- Bell, Beaupré, 327
-
- Belton fight, 157
-
- Belvoir Castle, 157
-
- ⸺ vale of, 160
-
- Benedictine Nunnery, St. Mary’s, 167
-
- Bertie, Richard, 313
-
- ⸺ Sir Peregrine, 255
-
- Bishop Alnwick’s visitation, 194
-
- ⸺ Atwater, 194
-
- ⸺ of Grantham, 155
-
- ⸺ of Lincoln, Fleming, 121
-
- ⸺ ⸺ Hugh of Wells, 141
-
- ⸺ ⸺ Sanderson, 158, 159
-
- ⸺ of Winchester, 185, 195
-
- ⸺ ⸺ Richard Foxe, 153, 154
-
- ⸺ Trollope, 142
-
- ⸺ Williams, 155
-
- Black Death, 151
-
- Bladud, 163
-
- Blake-Delaval, Francis, 290
-
- Blyton rood-beam, 232
-
- Bolingbroke Castle, 270
-
- Book-plate, Spalding Society’s, 321
-
- Books at Grantham, chained, 159
-
- Boring tools, flint, 13
-
- Boston, 259
-
- ⸺ Church, 120-130
-
- ⸺ ⸺ brasses in, 199, 200
-
- ⸺ “seditious town of,” 273
-
- ⸺ tower, 78
-
- Botulf, 120
-
- Bourn, 160
-
- ⸺ birthplace of William Cecil, 154, 176
-
- Bracebridge, 64, 65, 69, 70, 76, 78
-
- ⸺ chancel arch, 209
-
- Branston stone rood, 209
-
- ⸺ tower, 79, 80
-
- Brass of Hugh de Gondeby, Tattershall, 193
-
- ⸺ of “William Palmer wyth ye stylt,” 204
-
- Brasses in Tattershall Church, 197-200
-
- ⸺ of civilians, 202
-
- ⸺ of knights, 201
-
- ⸺ of ladies, 201, 202
-
- ⸺ of priests, 201
-
- ⸺ provincial, 203
-
- ⸺ sepulchral, 198-205
-
- Brazenose knocker at Stamford, 175
-
- ⸺ school, Stamford, 175
-
- Brigantian capital, 33
-
- Broad Tower, Lincoln, 138
-
- Bronze Age, 3, 18-21
-
- ⸺ burials, 20
-
- ⸺ pottery, 19, 20
-
- Broughton chancel arch, 68
-
- ⸺ tower, 56, 67-69, 75
-
- Brown, Professor Baldwin, 74, 75
-
- Browne, founder of Stamford Hospital, William, 202
-
- Browne’s Hospital, Stamford, 172, 248
-
- “Bull running,” Stamford, 173
-
- Burgh, 49
-
- ⸺ Sir Thomas, 281
-
- Burghley House, 177
-
- ⸺ Lord, William Cecil, 154, 176
-
- Burton, 156
-
- Bushey family, 317, 318
-
- Butcher’s _Survey of Stamford_, 162
-
-
- Caistor, 34, 50, 77
-
- Camp at North Kyme, Roman, 40
-
- ⸺ Redstone Gowt, Roman, 42
-
- Campden Lecture, Grantham, 157
-
- Camps, Roman, 26
-
- Camulodunum, 28
-
- “Candlebeam,” 244
-
- Canons of Sempringham, Gilbertine, 168
-
- Canterbury, choir of, 207, 208
-
- Canwick Church, 32
-
- Capitulation of Lincoln, 272
-
- Cardyke, 39, 40, 42-44
-
- Carmelite Friary, Stamford, 168
-
- Casterton, Roman Camp at, 26
-
- “Castle Dike,” Barton, 50
-
- ⸺ Grantham, 138, 139, 156
-
- ⸺ Lincoln, 29, 274
-
- ⸺ Stamford, 165, 166, 175
-
- ⸺ Tattershall, 179-193, 277
-
- Cavendish, Colonel Charles, 262
-
- Cecil family, 176, 177
-
- ⸺ ⸺ tombs, Stamford, 171, 172
-
- “Celery” stalk foliage, Kirkstead Chapel, 83
-
- Chained books at Grantham, 159
-
- Chancel-screens, parish, 230-248
-
- ⸺ solid, 213
-
- Chancery at Lincoln, 248
-
- Chantry House, Grantham, 154
-
- Chapel, Kirkstead, 81-84
-
- ⸺ of St. Mary, Boston, 121
-
- ⸺ of St. Mary Magdalene, 167
-
- ⸺ of SS. Peter and Paul, Boston, 121
-
- Charles I. arrives at Lincoln, 254
-
- ⸺ at Grantham, 138
-
- ⸺ at Stamford, 177
-
- Charter, 1268, Croyland, 102-104
-
- ⸺ Grantham, 139
-
- ⸺ of Wolfere, King of Mercia, 164
-
- ⸺ Stamford, 174
-
- Chisels, flint, 13
-
- Cholmeleys of Easton and Norton Place, 314
-
- Church, Alkborough, 72, 73
-
- ⸺ at Stow, Saxon, 53, 58, 59, 63, 71
-
- ⸺ St. Paul’s, Lincoln, 53
-
- ⸺ St. Peter’s, Barton, 53, 54-56, 61, 63, 65-67, 69, 70, 72-75
-
- Churches of Stamford, 168-172
-
- ⸺ some South Lincolnshire, 85-113
-
- Cibber, Colley, 154
-
- Cinerary urns, 50
-
- Cistercian Abbey of Kirkstead, 180
-
- Civil war, 156, 177
-
- ⸺ ⸺ Lincolnshire and the, 249-279
-
- Claypole, Lenten veil at, 209
-
- ⸺ screen, 231
-
- Clee tower, 67, 70
-
- Coleswegan, 54, 72
-
- College, All Saints’, Stamford, 167
-
- Colsterworth, rood-loft doorway at, 240
-
- ⸺ Saxon cross, 209
-
- Commission of Array, 255, 262
-
- Complete mediæval rood-loft, 237
-
- Coney, Thomas, 161
-
- Copledike family, 315
-
- Coritani tribe, 25, 38, 41
-
- Corringham moulded tower arch, 76
-
- Cot, position of sancte-bell, 241
-
- Cotes-by-Stow, complete mediæval rood-loft, 237
-
- Count of the Saxon Shore, 47, 51
-
- Cox, Michael, 330
-
- Cracroft of Hackthorn family, 311
-
- Cranwell, 64
-
- Cromwell, Baron, 182
-
- ⸺ family of, 182
-
- ⸺ Oliver, 182, 261, 263-266, 273
-
- ⸺ Ralph, 182
-
- Cross brasses, 203
-
- Cross, Grantham High, 137, 138, 158
-
- ⸺ Queen’s, Grantham, 135
-
- Crowland Abbey, 217-219, 238
-
- ⸺ occupied for the King, 275
-
- ⸺ royal tenants of, 260
-
- Croyland Abbey, 85, 327
-
- ⸺ Charter, 1268, 102-104
-
- Curious inscriptions, 204, 205
-
- Cust family, 311, 312
-
-
- Danish “Five Burghs,” 165
-
- Decorated font, Tattershall Church, 193
-
- Description of Tattershall Castle, 186-193
-
- Doddington Hall, 280-308
-
- Domesday Book, entry of Grantham in, 132
-
- Doors, screen, 235
-
- Doorway, Kirkstead Chapel, 83
-
- Double window-opening, 63, 66
-
- Durham, The Rites of, 214, 226
-
- Dwelling places, pygmy, 14, 15
-
- Dymoke of Scrivelsby family, 311
-
-
- Earliest wooden screen-work, Kirkstead, 231
-
- Earliest wooden screen-work, 180
-
- Early English screen, Kirkstead Chapel, 83
-
- _Early Lincoln Wills_, 245
-
- Easter Sepulchre, Heckington, 118
-
- Easton, Roman camp at, 26
-
- Edenham, brass at, 204
-
- Edward I. at Grantham, 138
-
- Effigy of Robert de Tatesale and Kirkstead, 180
-
- ⸺ of Sir Richard de Boselyngthorp, 200
-
- ⸺ Purbeck marble, Kirkstead Chapel, 83
-
- Eleanor Cross, Stamford, 175
-
- Ellys, Anthony, 161
-
- Empingham, defeat of Lancastrians at, 176
-
- Endowments of Boston Church, 126, 127
-
- Entrenchments of Iron Age, 21, 22
-
- Eolithic period, 3
-
- Ermine Street, 26, 28, 30, 33-37, 42, 44-46, 163
-
- Essential feature of Lincolnshire screens—ogee arch an, 231
-
- Ethelmund, king of East Anglia, 120
-
- Eudo, son of Spirewic, 180
-
- Ewerby Church, 115, 116
-
- ⸺ screen, 238
-
-
- Fairfax, Sir Thomas, 265, 269
-
- Families, Lincolnshire, 309-318
-
- ⸺ principal county, 277-318
-
- Fane of Fulbeck family, 314
-
- Fenland flats, 160
-
- Fen mounds, Boston, 41
-
- Fens, Roman engineering in the, 39
-
- Fireplace, Tattershall Castle, stone, 189-191
-
- First Charter, Stamford’s, 174
-
- Fishing hooks, flint, 13
-
- Fishtoft Church, 216
-
- “Five Burghs,” Danish, 165
-
- Fleet, Church of St. Mary Magdalene, 85, 108
-
- Fleming, Bishop of Lincoln, 121
-
- Flints, pygmy, 11-14
-
- Flying buttresses of screens, 235
-
- Font, Grantham, 153
-
- Forest dwellers, 15
-
- Fortescue of Wear Gifford, Hugh, 184
-
- Fossdyke, 37
-
- Foss Way, 28, 35, 37
-
- Foxe, Bishop of Winchester, Richard, 153, 154
-
- Franciscans, 136
-
- Freiston Priory, 216
-
- Friary of SS. Mary and Nicholas, Stamford, 168
-
- ⸺ Stamford, Carmelite, 168
-
- ⸺ ⸺ Franciscan, 168
-
- Furnaces, pre-Roman smelting, 22
-
-
- Gainsborough, occupation of, 265
-
- Gainsthorpe, 34
-
- Gale, Roger, 327, 329
-
- Galleries, upon the machicolations, Tattershall, 192
-
- Gaunt, Gilbert de, 114
-
- Gay, John, 319
-
- Gedney, Church of St. Mary Magdalene, 85, 109-111
-
- General description of Boston Church, 124, 125
-
- Gentlemen’s Society, Spalding, 319-339
-
- Geoffrey of Monmouth, 51
-
- Gilbertine Canons of Sempringham, 168
-
- Grammar School, Grantham, 153
-
- ⸺ ⸺ Stamford, 176
-
- Grantham Church, 190, 217
-
- ⸺ Cromwell at, 264
-
- ⸺ High Cross, 137, 138, 158
-
- ⸺ tower, 78
-
- ⸺ town and church of, 131-161
-
- Great Casterton, 163
-
- ⸺ Ponton, 161
-
- ⸺ ⸺ Church, 131
-
- Greetwell, Roman residence at, 32
-
- Gresham, Sir Thomas, 319
-
- Grey Friars, 136, 137
-
- Gunman, James, 298
-
-
- Haceby, tessellated pavement at, 44
-
- Hand rail, Tattershall Castle, stone, 190
-
- Harlaxton, 160
-
- Harrowby hills, 160
-
- Harvey, Sir William, 260
-
- Haryngtons, 144
-
- Heckington, Church of St. Andrew, 114-119
-
- ⸺ Lenten veil at, 209
-
- ⸺ screen, 231
-
- ⸺ tower, 78
-
- Heneage family, 315
-
- ⸺ of Hainton family, 310
-
- “Herring-bone” masonry at Marton, 69, 76
-
- ⸺ masonry, Grantham, 142
-
- Heylyn, 156
-
- High Cross, Grantham, 137, 138, 158
-
- History of Boston Church, 120-124
-
- _History of Holbeach_, Macdonald’s, 106
-
- Holbeach, Church of All Saints’, 85, 105-108, 110
-
- ⸺ Church, 152
-
- Holland, 38, 41, 42
-
- Hopkin’s Hospital, Stamford, 173
-
- Horncastle, 35, 46
-
- Hospital, Browne’s, Stamford, 172, 218
-
- ⸺ of St. Leger, 168
-
- ⸺ of SS. John and Thomas, Stamford, 167, 173
-
- Hough-on-the-Hill, 57, 73, 75
-
- Houghton Church, 140
-
- House of the Holy Sepulchre, 167
-
- Hugh of Wells, Bishop of Lincoln, 141
-
- Hussey, Rebecca, 289
-
- ⸺ Sir Edward, 287, 289
-
- ⸺ Sir Thomas, 288
-
- ⸺ Thomas, 287
-
- Hussey-Apreece, Sir Thomas, 290
-
- Hussey-Delaval, Edward, 296
-
- Hussey-Delaval, Sir John, 291
-
-
- Icanho (Ox Island), 120
-
- Images on the rood-loft, 243
-
- Infirmary, Stamford, 168
-
- Inscriptions, curious, 204-205
-
- Irby family, 312
-
- ⸺ Sir Anthony, 257
-
- Irnham, 161
-
- Iron Age, entrenchments of the, 21, 22
-
-
- Jarvis, George Eden, 298
-
- ⸺ George Ralph Payne, 298
-
- Jessopp, Dr., 208
-
- Johnson, Maurice, 319, 321, 323, 329, 331, 335
-
- Jubé, 225
-
-
- Kesteven forest, 24
-
- ⸺ Roman villa sites in, 51
-
- Kirby Hall, 190
-
- Kirkstead Abbey, 81-84
-
- ⸺ Cistercian Abbey of, 180
-
- Kirton, 181
-
- Knights Hospitallers, 121
-
- Knives, flint, 13
-
-
- Lady Chapel, Grantham, 151, 152
-
- Langton of Langton by Spilsby family, 309, 310
-
- Leland, 45, 49
-
- Leverton, Lenten veil at, 209
-
- Liber Niger, or Statutes of Lincoln Cathedral, 225
-
- Libraries, Grantham Church, 159
-
- ⸺ Spalding, 320, 322
-
- Licence to erect Tattershall Castle, 180, 181
-
- Lincoln, 160
-
- ⸺ Alnwick tower, 190
-
- ⸺ “Angel Quire,” 145
-
- ⸺ Broad tower, 138
-
- ⸺ capitulation of, 272
-
- ⸺ Castle, 29, 274
-
- ⸺ chancery at, 248
-
- ⸺ choir screen at, 208
-
- ⸺ diocese of, 155, 163
-
- _Lincoln Excursion_, Sharpe’s, 89, 102, 109, 113
-
- Lincoln, Fleming, Bishop of, 121
-
- “Lincoln Gap,” 26, 36
-
- Lincoln, Hugh of Wells, Bishop of, 141
-
- ⸺ Lord Clinton, Earl of, 184
-
- ⸺ Minster, reredos-screen, 211
-
- ⸺ Petition, 259
-
- ⸺ St. Hugh’s shrine, 145
-
- ⸺ St. Paul’s Church, 53
-
- ⸺ Sanderson, Bishop of, 158, 159
-
- ⸺ stone screen, 220-23, 227, 228
-
- ⸺ tessellated pavements found in, 32
-
- ⸺ Theophilus Clinton, Earl of, 277
-
- _Lincoln Wills, Early_, 245
-
- “Lincolnshire Rising,” 175
-
- Lindsey, 36, 41, 48, 49, 51, 71
-
- ⸺ Lord, 313
-
- ⸺ Montagu Bertie, Earl of, 277
-
- ⸺ Robert, Earl of, 252, 269
-
- ⸺ Roman villa sites in, 51
-
- Lindum, 27, 28, 31-33, 36
-
- List of places where Barrows have been found, 8
-
- ⸺ ⸺ where Bronze Age specimens have been found, 19
-
- ⸺ ⸺ where Neolithic implements have been found, 5
-
- Littlebury, altar tomb of Sir Humphrey, 108
-
- “Long and short” quoining, 61-65, 73
-
- Long Barrows, 7-9, 20, 21
-
- Lord Treasurer, Ralph Cromwell, 182, 184, 193
-
- Louth tower, 78
-
- Lyndewodes, brasses of the two, 202
-
- Lyon, Rev. Stephen, 321
-
-
- Maddison family, 312
-
- Manchester and Cromwell advance against Lincoln, 274
-
- Manton Common, pygmy flints found at, 10
-
- Market Cross, Grantham, 137, 138, 158
-
- Marton by Stow, Saxon stone rood, 209
-
- Marton, “herring-bone” masonry at, 69, 76
-
- Massingberd family, 310
-
- Maud, Empress, 141
-
- Mediæval rood-screens and rood-lofts, 206-248
-
- Merlin of Caledonia, 163
-
- Middle bay of screens, 234
-
- Mid-wall shaft, 66, 70
-
- Milestone, Victorinus, 30
-
- Minster, 54
-
- Mint, Stamford, 165
-
- Monson family, 312, 315
-
- _Monumental Brasses_, Macklin’s, 205
-
- Monumental brasses, Tattershall Church, 197, 199, 200
-
- Monuments in Boston Church, 125-126
-
- More, Henry, metaphysician, 154, 159
-
- Moulton, Church of All Saints, 85, 89, 91, 92-100, 102, 103, 105,
- 107, 111, 113
-
-
- Names of the rood-loft, 212, 213
-
- Nelson, Canon Hector, 160
-
- Nelthorp of Scawby family, 317
-
- Neolithic boats found in Lincolnshire, 6
-
- ⸺ burial places, 4, 7-9
-
- ⸺ implements, 5
-
- ⸺ period, 3
-
- ⸺ pottery, 7
-
- Neve, Rev. Timothy, 322, 328
-
- Newark Castle, 157
-
- ⸺ “remonstrance,” 273
-
- ⸺ siege of, 273
-
- Newcome, Dr. John, 159
-
- Newcomen family, 316, 317
-
- Newel staircase, Tattershall Castle, 190
-
- “Newport” arch, 29, 31
-
- Newton, Sir Isaac, 154, 158
-
- Nicholson, W. A., 184
-
- North Kyme, Roman camp at, 40
-
- Nunnery, St. Mary’s Benedictine, 167
-
-
- Onion fair, 150
-
- Organ, playing the, 227
-
-
- Paleolithic period, 3
-
- Palimpsests, 203
-
- Parish chancel-screens, 230-248
-
- Patten of Wainfleet, William, 185, 195
-
- Pavement at Aisby, tessellated, 44
-
- ⸺ at Haceby, tessellated, 44
-
- Pavements found in Lincoln, tessellated, 32
-
- Peck, Francis, 162, 166
-
- Peddar’s Way, 48
-
- Pelham of Brocklesby, Sir William, 257
-
- Perpendicular tower, Spalding Parish Church, 89
-
- Peterborough Abbey, 132, 135
-
- ⸺ Cromwell’s headquarters at, 268
-
- ⸺ diocese of, 163
-
- Picot, son of Coleswegan, 54
-
- Pigot, knightly family of, 280, 281
-
- Pinchbeck Church, 85
-
- Piscina, Heckington, 118, 119
-
- ⸺ Kirkstead Chapel, 83
-
- Plan of Spalding, Grundy’s, 332
-
- ⸺ of Tattershall Castle, 186
-
- _Polyglot_, Philip II.’s, 159
-
- Pope, 319
-
- Potesgrave, Richard de, 115, 117
-
- Pottery, Bronze Age, 19, 20
-
- ⸺ of the Neolithic period, 7
-
- Prehistoric Iron Age, 3, 22, 23
-
- Priory Church, Stamford, 166
-
- ⸺ Freiston, 216
-
- ⸺ of Spalding, 326
-
- ⸺ St. Leonard’s, Stamford, 164, 166, 167
-
- ⸺ St. Mary’s, Newstead, 168
-
- ⸺ St. Michael’s, Stamford, 167
-
- “Protecting Mothers,” statues of, 45
-
- Prynne, 156
-
- Pulpitum, Tattershall stone, 228-230
-
- Pygmy period, 3, 10-18
-
- ⸺ race of man in Lincolnshire, 10-18
-
- ⸺ races, 17
-
- ⸺ sites, stations or dwelling-places, 14, 15
-
-
- Queen’s Cross, Grantham, 135
-
- Quoining, “long and short,” 61-65
-
-
- Rectors and Vicars of Boston Church, 127-130
-
- Redstone Gowt, oblong camp at, 42
-
- Regalia, Stamford, 174
-
- Reredos-screen, Lincoln Minster, 211
-
- Restoration of Boston Church, 123
-
- Richard III. at Grantham, 139
-
- Rites of Durham, The, 214, 226
-
- Roman altar, with inscription, 32
-
- “Roman Banks,” 41
-
- ⸺ camp at North Kyme, 40
-
- ⸺ ⸺ at Redstone Gowt, 42
-
- ⸺ camps, 26
-
- ⸺ engineering in the Fens, 39
-
- ⸺ occupation, 2
-
- ⸺ occupation of Stamford, 163
-
- ⸺ period, 3
-
- ⸺ remains at Winterton, 34
-
- ⸺ residence at Greetwell, 32
-
- ⸺ salt works, 43, 51
-
- ⸺ sea-walls, 3
-
- ⸺ sepulchral slabs, 32
-
- ⸺ villa at Scampton, 33
-
- ⸺ villa sites in Kesteven and Lindsey, 51
-
- Romans in Lincolnshire, 24-52
-
- Rood-beam above the altar, 210
-
- Rood-loft, complete mediæval, 237
-
- ⸺ staircases, 239
-
- ⸺ turret, with spirelet, 241
-
- Rood-screen, Grantham, 158
-
- Rood-screens and rood-lofts, mediæval, 206-248
-
- Roods carved in stone, 209
-
- ⸺ metal or wood, 210
-
- Ropsley, 64
-
- ⸺ birthplace of Bishop Foxe, 154
-
- Rothwell tower, 65, 68, 73
-
- Round Barrows, 7, 9, 20, 21
-
-
- St. George’s Church, Stamford, 171
-
- St. Giles’ Lazar House, Stamford, 167
-
- St. Hugh’s shrine, Lincoln, 145
-
- St. John’s Church, Stamford, 170
-
- St. Leonard’s Priory, Stamford, 164, 166, 167
-
- St. Martin’s Church, Stamford, 167, 171, 196
-
- St. Mary-le-Wigford, 64, 67, 72, 76
-
- St. Mary’s Benedictine Nunnery, 167
-
- ⸺ Church, Stamford, 170
-
- ⸺ Minster, Stow, 72
-
- ⸺ Priory, Newstead, 168
-
- St. Michael’s Church, Stamford, 171
-
- ⸺ Priory, Stamford, 167
-
- St. Osmund, 140
-
- St. Paul’s Church, Lincoln, 53
-
- ⸺ ⸺ Stamford, 167, 171
-
- St. Peter-at-Gowts, 64, 67, 69, 70, 76, 78
-
- St. Peter’s Church, Barton, 53, 54-56, 61, 63, 65-70, 72-75
-
- St. Wulfran, Archbishop of Sens, 150
-
- Saltebys, 144
-
- Salters Ford, 135
-
- Saltfleet Haven, 269
-
- Saltworks, Roman, 43, 51
-
- Samian pottery, 49
-
- Sancte bell cot, position of, 241
-
- Sanderson, Bishop of Lincoln, 158, 159
-
- Sarum, Church of, 141
-
- Savile, Sir John, 282
-
- Saxon cathedral at Sidnaceaster, 71
-
- ⸺ chancel arches, 208
-
- ⸺ churches in Lincolnshire, 53-80
-
- ⸺ tower, Barton, 55
-
- ⸺ towers, 65
-
- Scampton, Roman villa at, 33
-
- Scartho, 78
-
- Scott, Sir Gilbert, 158
-
- Scotton, pygmy flints found at, 10
-
- Screen, Crowland Abbey, 217, 218, 238
-
- Screen, Early English, Kirkstead Chapel, 83
-
- Screen of old St. Peter’s, description of, 206, 207
-
- Screen, Tattershall stone choir, 228-230
-
- Screens, ogee arch an essential feature of Lincolnshire, 231
-
- Scrope of Cockerington family, 314
-
- ⸺ ⸺ Sir Gervase, 260
-
- Scunthorpe, pygmy dwelling-places at, 15
-
- ⸺ pygmy flints found at, 10, 12
-
- Sedilia, Heckington, 118, 119
-
- Sepulchral slabs, Roman, 32
-
- Sepulchre, Heckington Easter, 118
-
- Sheffield family, 315
-
- Shrine, Lincoln, St. Hugh’s, 145
-
- Sibsey, St. Margaret’s, 240
-
- Sibthorp of Canwick family, 317
-
- Sidnaceaster, Saxon cathedral at, 71
-
- Siege of Newark, 273
-
- Sites, pygmy, 14, 15
-
- Skegness, 49
-
- Skin scrapers, flint, 13
-
- Skipwith family, 315
-
- Skipworth, Edward, 159
-
- Skirbeck wapentake, 120
-
- Sleaford, 46
-
- Smyth of Elkington family, 311
-
- Society, Spalding Gentlemen’s, 319-339
-
- Solid chancel-screens, 213
-
- Spalding, 42
-
- ⸺ Abbey, 85
-
- ⸺ Church of St. Mary and St. Nicholas, 85, 86-90
-
- ⸺ raid upon, 260
-
- Spire, Grantham, 138, 161
-
- Spittlegate Church, 131, 140
-
- Springthorpe tower, 67
-
- Staircases, rood-loft, 239
-
- Stamford, 160, 162-178
-
- “Stamford Baron,” 163
-
- _Stamford, Survey of_, Butcher’s, 162
-
- Stations, pygmy, 14, 15
-
- Statues of “Protecting Mothers,” 45
-
- Steele, 319
-
- Stone of Skellingthorpe, Henry, 303
-
- Stone rood-screen at Grantham, 217
-
- ⸺ screen, Lincoln, 220-223, 227, 228
-
- Stow rood-beam, 210
-
- ⸺ Saxon church, 53-59, 63, 71
-
- ⸺ tower, 67, 69, 75, 76
-
- Strip-work decorations, 63, 70
-
- Stukeley, Dr. William, 40, 45, 111, 177, 327, 328
-
- Sutton St. Mary, Church of, 85, 102, 103, 111-113
-
- Swinhope, Long Barrow at, 7
-
- Syston, 160
-
-
- Tailor, Thomas, 282-286
-
- Tatesale and Kirkstead, effigy of Robert de, 180
-
- Tateshale, first Baron de, 181
-
- Tattershall Castle, 179-193, 277
-
- ⸺ Church, 171, 193-197
-
- ⸺ stone screen, 228-230
-
- Tessellated pavement at Aisby, 44
-
- ⸺ ⸺ at Haceby, 44
-
- ⸺ pavements found in Lincoln, 32
-
- Thimelby, Richard, 161
-
- Thorold family, 310
-
- Tickell, Rev. S. C., 162
-
- Tinwell, 163
-
- Titley, Peter, 155
-
- Tombs, Stamford, Cecil family, 171, 172
-
- Tower arches, variations of, 68, 69
-
- Tower, Boston, 78
-
- ⸺ Branston, 79, 80
-
- ⸺ Broughton, 56, 67-69, 75
-
- ⸺ Clee, 67, 70
-
- ⸺ Grantham, 78
-
- ⸺ Heckington, 78
-
- Tower-le-Moor, 193
-
- Tower, Louth, 78
-
- ⸺ Perpendicular, Spalding Parish Church, 89
-
- ⸺ Rothwell, 65, 68, 73
-
- ⸺ Springthorpe, 67
-
- ⸺ Stow, 67, 69, 75, 76
-
- ⸺ Waith, 57, 58, 75, 76
-
- ⸺ Winterton, 67, 69, 70, 76
-
- Towers, Saxon, 65
-
- ⸺ Stamford, 165
-
- Transitional capitals, Grantham, 143
-
- Trigg, Francis, 159, 160
-
- Trollope, Bishop, 142
-
- ⸺ family, 314
-
- Turnor of Stoke Rochford family, 317
-
- Tyrconnel, Countess of, 294
-
- Tyrwhit family, 315
-
- Tyrwhit of Stainfield, Sir Philip, 257
-
-
- Variations of tower arches, 68, 69
-
- Vertue, George, 328
-
- Vicars and Rectors of Boston Church, 127-130
-
- Victorinus milestone, 30
-
-
- Wainfleet saltworks, 43
-
- Waith Church, 57, 58, 75, 76
-
- Walker, Henry, 162
-
- Wareing, Rev. John, 321-323
-
- Warren, William, Earl, 173
-
- Wash, 42
-
- Waterton family, 309
-
- Watling Street, 25, 37
-
- Weapons, prehistoric Iron Age, 22
-
- Welby of Denton family, 311
-
- Welland, 162, 164
-
- Wellingore screen, 231
-
- Wells, ancient, 137
-
- Weston, Church of St. Mary, 85, 90-92, 111, 113
-
- Whaplode, Church of St. Mary, 85, 91, 100-105, 107, 110, 111, 113
-
- Whichcote family, 312
-
- Williams, Bishop, 155
-
- Willoughby of Parham, Francis, Lord, 251, 252, 257, 259, 263, 266,
- 269, 273, 277
-
- Willis, Browne, 327
-
- _Wills, Early Lincoln_, 245
-
- Winceby, fight, 270, 271
-
- Winchester, Bishop of, 185
-
- Wingfield Manor House, 183
-
- Winteringham “station,” 35
-
- Winterton, Roman remains at, 34
-
- ⸺ tower, 67, 69, 70, 76
-
- Winthorpe screen, 238
-
- Witham, 28, 39
-
- Wolfere, King of Mercia, 164
-
- Wooden screen, Crowland Abbey, 238
-
- ⸺ screen-work, Kirkstead, earliest, 231
-
- Woolsthorpe, birthplace of Sir Isaac Newton, 154
-
- Wray family, 315
-
- ⸺ Sir Christopher, 273
-
- Wren, 160
-
-
- Printed by BALLANTYNE, HANSON & CO.
- Edinburgh & London
-
-
-
-
-Selections from George Allen & Sons’ List
-
-
-MEMORIALS OF THE COUNTIES OF ENGLAND
-
-GENERAL EDITOR
-
-REV. P. H. DITCHFIELD M.A., F.S.A., F.R.S.L., F.R.HIST.S.
-
-_Beautifully Illustrated. Demy 8vo, cloth extra, gilt top. Price 15s. net
-each._
-
-
-Memorials of Old Oxfordshire.
-
-Edited by the Rev. P. H. DITCHFIELD, M.A., F.S.A. Dedicated by kind
-permission to the Right Hon. the Earl of Jersey, G.C.B., G.C.M.G.
-
-“This beautiful book contains an exhaustive history of ‘the wondrous
-Oxford,’ to which so many distinguished scholars and politicians look
-back with affection. We must refer the reader to the volume itself ...
-and only wish that we had space to quote extracts from its interesting
-pages.”—_Spectator._
-
-
-Memorials of Old Devonshire.
-
-Edited by F. J. SNELL, M.A. Dedicated by kind permission to the Right
-Hon. Viscount Ebrington.
-
-“A fascinating volume, which will be prized by thoughtful Devonians
-wherever they may be found ... richly illustrated, some rare engravings
-being represented.”—_North Devon Journal._
-
-
-Memorials of Old Herefordshire.
-
-Edited by the Rev. COMPTON READE, M.A. Dedicated by kind permission to
-Sir John G. Cotterell, Bart.
-
-“Another of these interesting volumes like the ‘Memorials of Old
-Devonshire,’ which we noted a week or two ago, containing miscellaneous
-papers on the history, topography, and families of the county by
-competent writers, with photographs and other illustrations.”—_Times._
-
-
-Memorials of Old Hertfordshire.
-
-Edited by PERCY CROSS STANDING. Dedicated by kind permission to the Right
-Hon. the Earl of Clarendon, G.C.B.
-
-“The book, which contains some magnificent illustrations, will be warmly
-welcomed by all lovers of our county and its entertaining history.”—_West
-Herts and Watford Observer._
-
-
-Memorials of Old Hampshire.
-
-Edited by the Rev. G. E. JEANS, M.A., F.S.A. Dedicated by kind permission
-to His Grace the Duke of Wellington, K.G.
-
-“‘Memorials of the Counties of England’ is worthily carried on in this
-interesting and readable volume.”—_Scotsman._
-
-
-Memorials of Old Somerset.
-
-Edited by F. J. SNELL, M.A. Dedicated by kind permission to the Most Hon.
-the Marquis of Bath.
-
-“In these pages, as in a mirror, the whole life of the county, legendary,
-romantic, historical, comes into view, for in truth the book is written
-with a happy union of knowledge and enthusiasm—a fine bit of glowing
-mosaic put together by fifteen writers into a realistic picture of the
-county.”—_Standard._
-
-
-Memorials of Old Wiltshire.
-
-Edited by ALICE DRYDEN.
-
-“The admirable series of County Memorials ... will, it is safe to
-say, include no volume of greater interest than that devoted to
-Wiltshire.”—_Daily Telegraph._
-
-
-Memorials of Old Shropshire.
-
-Edited by the Rev. THOMAS AUDEN, M.A., F.S.A.
-
-“Quite the best volume which has appeared so far in a series that has
-throughout maintained a very high level.”—_Tribune._
-
-
-Memorials of Old Kent.
-
-Edited by the Rev. P. H. DITCHFIELD, M.A., F.S. A., and GEORGE
-CLINCH, F.G.S. Dedicated by special permission to the Right Hon. Lord
-Northbourne, F.S.A.
-
-“A very delightful addition to a delightful series. Kent, rich in honour
-and tradition as in beauty, is a fruitful subject of which the various
-contributors have taken full advantage, archæology, topography, and
-gossip being pleasantly combined to produce a volume both attractive and
-valuable.”—_Standard._
-
-
-Memorials of Old Derbyshire.
-
-Edited by the Rev. J. CHARLES COX, LL.D., F.S.A. Dedicated by kind
-permission to His Grace the Duke of Devonshire, K.G.
-
-“A valuable addition to our county history, and will possess a
-peculiar fascination for all who devote their attention to historical,
-archæological, or antiquarian research, and probably to a much wider
-circle.”—_Derbyshire Advertiser._
-
-
-Memorials of Old Dorset.
-
-Edited by the Rev. THOMAS PERKINS, M.A., and the Rev. HERBERT PENTIN,
-M.A. Dedicated by kind permission to the Right Hon. Lord Eustace Cecil,
-F.R.G.S.
-
-“The volume, in fine, forms a noteworthy accession to the valuable series
-of books in which it appears.”—_Scotsman._
-
-
-Memorials of Old Warwickshire.
-
-Edited by ALICE DRYDEN.
-
-“Worthy of an honoured place on our shelves. It is also one of the
-best, if not the best, volume in a series of exceptional interest and
-usefulness.”—_Birmingham Gazette._
-
-
-Memorials of Old Norfolk.
-
-Edited by the Rev. H. J. DUKINFIELD ASTLEY, M.A., Litt.D., F.R.Hist.S.
-Dedicated by kind permission to the Right Hon. Viscount Coke, C.M.G.,
-C.V.O.
-
-“This latest contribution to the history and archæology of Norfolk
-deserves a foremost place among local works.... The tasteful binding,
-good print, and paper are everything that can be desired.”—_Eastern Daily
-Press._
-
-
-Memorials of Old Essex.
-
-Edited by A. CLIFTON KELWAY, F.R.Hist.S. Dedicated by kind permission to
-the Right Hon. the Earl of Warwick.
-
-“Will be one of the most essential volumes in the library of every man
-and woman who has an interest in the county.”—_Southend Telegraph._
-
-
-Memorials of Old Suffolk.
-
-Edited by VINCENT B. REDSTONE, F.R.Hist.S. Dedicated by kind permission
-to the Right Hon. Sir W. Brampton Gurdon.
-
-“Will be found one of the most comprehensive works dealing with our
-county.”—_Bury and Norwich Post._
-
-
-Memorials of Old London.
-
-Edited by the Rev. P. H. DITCHFIELD, M.A., F.S.A. Dedicated to Sir John
-Charles Bell, Bart., late Lord Mayor of London. Two vols. Price =25s.=
-net.
-
-“They are handsomely produced, and the history of London as it is
-unfolded in them is as fascinating as any romance.”—_Bookman._
-
-
-Memorials of Old Lancashire.
-
-Edited by Lieut.-Colonel FISHWICK, F.S.A., and the Rev. P. H. DITCHFIELD,
-M.A., F.S.A. Two vols. Price =25s.= net.
-
-“These fascinating volumes, re-picturing a vanished past, will long
-afford keen pleasure.”—_Manchester City Press._
-
-
-Memorials of Old Middlesex.
-
-Edited by J. TAVENOR-PERRY.
-
-“Closely packed with well-digested studies of the local monuments and
-archæological remains.”—_Scotsman._
-
-
-Memorials of Old Sussex.
-
-Edited by PERCY D. MUNDY. Dedicated to the Most Hon. the Marquess of
-Abergavenny, K.G.
-
-“There is hardly a page which will not gratify the lover of the
-county.”—_Antiquary._
-
-
-Memorials of Old Yorkshire.
-
-Edited by T. M. FALLOW, M.A., F.S.A. Dedicated to Sir George J. Armytage,
-Bart., F.S.A.
-
-“The book well maintains the high standard so conspicuously illustrated
-in the many previous volumes.”—_Bookseller._
-
-
-Memorials of Old Staffordshire.
-
-Edited by the Rev. W. BERESFORD. Dedicated to Right Rev. the Hon.
-Augustus Legge, D.D., Lord Bishop of Lichfield.
-
-“Complete and most useful history of ancient Staffordshire, full of
-interest and sound information.”—_Morning Post._
-
-
-Memorials of Old Cheshire.
-
-Edited by the VEN. THE ARCHDEACON OF CHESTER and the Rev. P. H.
-DITCHFIELD, M.A., F.S.A. Dedicated to His Grace the Duke of Westminster,
-G.C.V.O.
-
-“Very interesting and popular work of considerable merit.”—_Spectator._
-
-“The book is packed with information.”—_Pall Mall Gazette._
-
-
-Memorials of Old Durham.
-
-Edited by HENRY R. LEIGHTON, F.R.Hist.S.
-
-
-Memorials of Old Leicestershire.
-
-Edited by ALICE DRYDEN.
-
-
-Memorials of Old Lincolnshire.
-
-Edited by E. MANSEL SYMPSON, M.A., M.D.
-
-
-Memorials of Old Surrey.
-
-Edited by the Rev. J. CHARLES COX, LL.D., F.S.A.
-
-
-_The following volumes are in preparation_:—
-
-
-Memorials of Old Gloucestershire.
-
-Edited by the Rev. P. H. DITCHFIELD, M.A., F.S.A.
-
-
-Memorials of Old Worcestershire.
-
-Edited by F. B. ANDREWS, F.R.I.B.A.
-
-
-Memorials of Old Nottinghamshire.
-
-Edited by P. W. P. PHILLIMORE, M.A., B.C.L.
-
-
-Memorials of North Wales.
-
-Edited by E. ALFRED JONES.
-
-
-Memorials of Old Berkshire.
-
-Edited by the Rev. P. H. DITCHFIELD, M.A., F.S.A.
-
-
-Memorials of Old Monmouthshire.
-
-Edited by Colonel BRADNEY, F.S.A., and J. KYRLE FLETCHER.
-
-
-Dinanderie: A History and Description of Mediæval Art Work in Copper,
-Brass, and Bronze.
-
-By J. TAVENOR-PERRY. With 1 Photogravure, 48 Full-page Illustrations,
-and 71 Drawings in the Text. Crown 4to, Specially Designed Cloth Cover,
-=21s.= net.
-
-Dinanderie was the name used to denote the various articles used for
-ecclesiastical purposes with which the name of Dinant on the Meuse was so
-intimately associated.
-
-No attempt has hitherto been made to describe adequately the art of the
-Coppersmith, although our Museums and the Continental Church Treasuries
-abound in beautiful examples of the work.
-
-
-Country Cottages and Homes for Small and Large Estates.
-
-Illustrated in a Series of 53 Designs and Examples of Executed Works,
-with Plans Reproduced from the Original Drawings, including 3 in Colour,
-and Descriptive Text. By R. A. BRIGGS, Architect, F.R.I.B.A., Soane
-Medallist; Author of “Bungalows and Country Residences.” Demy 4to, cloth,
-=10s. 6d.= net.
-
-
-Venice in the Thirteenth and Fourteenth Centuries. From the Conquest of
-Constantinople to the Accession of Michele Steno, A.D. 1204-1400.
-
-By F. C. HODGSON, M.A., Fellow of King’s College, Cambridge. 664 pages,
-21 Full-page Illustrations, Crown 8vo, cloth, =10s. 6d.= net.
-
-This volume is the result of several years’ research, and is a
-continuation of the Author’s previous work entitled “Early History of
-Venice.”
-
-
-Egypt and the Egyptians: Their History, Antiquities, Language, Religion,
-and Influence over Palestine and Neighbouring Countries.
-
-By the Rev. J. O. BEVAN, M.A. With Preface by Sir GEORGE DARWIN. 336
-pages, Crown 8vo, cloth, =5s.= net.
-
-“We can recommend this compact volume to any who wish to obtain a general
-knowledge of the subject.”—_Westminster Gazette._
-
-
-THE BRITISH EMPIRE
-
-The aim of this new series of books is to give the public at home and
-in the Colonies an absolutely trustworthy, authentic, and up-to-date
-description of British interests, resources, and life throughout the
-Empire, which, with its great problems of government, self-defence,
-finance, trade, and the representation of the coloured races, forms
-a subject of at least as great and live value as any of the subjects
-studied at school and university.
-
-_Large Crown 8vo, Cloth, gilt top, with Map, 6s. net per Vol._
-
-
-Yesterday and To-Day in Canada.
-
-By HIS GRACE THE DUKE OF ARGYLL.
-
-
-Modern India.
-
-By Sir J. D. REES, K.C.I.E., C.V.O., M.P. Sometime Additional Member of
-the Governor-General of India’s Council.
-
-
-South Africa.
-
-By the Right Hon. JOHN XAVIER MERRIMAN of Cape Colony.
-
-
-_Other Volumes in Preparation_
-
-
-COUNTY CHURCHES
-
-General Editor: REV. J. CHARLES COX, LL.D., F.S.A.
-
-_Foolscap 8vo, Cloth, 2s. 6d. per vol. net; each Volume Illustrated with
-Half-tone and Line Illustrations_
-
-A new series of small handy guides to all the Churches in each of the
-Counties of England. All written by expert authors, drawing attention
-to the main Architectural features, and to the Fonts, Pulpits, Screens,
-Stalls, Benches, Sedilia, Lectern, Chests, Effigies in Brass and Stone,
-and other Monuments. The initial date of the Registers will also be given.
-
-The following volumes will be published immediately:—
-
-
-Norfolk.
-
-(Two Vols., 3s. each, 6s. net). By J. CHARLES COX LL.D., F.S.A.
-
-
-Surrey.
-
-By J. E. MORRIS, B.A.
-
-
-Sussex.
-
-By P. M. JOHNSTON, F.R.I.B.A., F.S.A.
-
-
-Isle of Wight.
-
-By J. CHARLES COX, LL.D., F.S.A.
-
-
-Cambridge.
-
-By C. H. EVELYN-WHITE, F.S.A.
-
-_Other Volumes are being arranged_
-
-
-Old English Gold Plate.
-
-By E. ALFRED JONES. With numerous Illustrations of existing specimens
-from the collections belonging to His Majesty the King, the Dukes of
-Devonshire, Newcastle, Norfolk, Portland, and Rutland, the Marquis of
-Ormonde, the Earls of Craven, Derby, and Yarborough, Earl Spencer, Lord
-Fitzhardinge, Lord Waleran, Mr. Leopold de Rothschild, the Colleges of
-Oxford and Cambridge, &c. Royal 4to, buckram, gilt top. Price =21s.= net.
-
-“Pictures, descriptions, and introduction make a book that must rank
-high in the estimation of students of its subject, and of the few
-who are well off enough to be collectors in this Corinthian field of
-luxury.”—_Scotsman._
-
-
-Longton Hall Porcelain.
-
-Being further information relating to this interesting fabrique, by
-the late WILLIAM BEMROSE, F.S.A., author of “Bow, Chelsea, and Derby
-Porcelain.” Illustrated with 27 Coloured Art Plates, 21 Collotype Plates,
-and numerous line and half-tone Illustrations in the text. Bound in
-handsome “Longton-blue” cloth cover, suitably designed. Price =42s.= net.
-
-“This magnificent work on the famous Longton Hall ware will be
-indispensable to the collector.”—_Bookman._
-
-
-Old English Silver and Sheffield Plate, The Values of, from the Fifteenth
-to the Nineteenth Centuries.
-
-By J. W. CALDICOTT. Edited by J. STARKIE GARDNER, F.S.A. 3000 Selected
-Auction Sale Records; 1600 Separate Valuations; 660 Articles. Illustrated
-with 87 Collotype Plates. 300 pages. Royal 4to, buckram. Price =42s.= net.
-
-“A most comprehensive and abundantly illustrated volume.... Enables even
-the most inexperienced to form a fair opinion of the value either of a
-single article or a collection, while as a reference and reminder it must
-prove of great value to an advanced student.”—_Daily Telegraph._
-
-
-Old English Porcelain and its Manufactures, History of.
-
-With an Artistic, Industrial, and Critical Appreciation of their
-Productions. By M. L. SOLON, the well-known Potter-Artist and Collector.
-In one handsome volume. Royal 8vo, well printed in clear type on good
-paper, and beautifully illustrated with 20 full-page Coloured Collotype
-and Photo-Chromotype Plates and 48 Collotype Plates on Tint. Artistically
-bound. Price =52s. 6d.= net.
-
-“Mr. Solon writes not only with the authority of the master of
-technique, but likewise with that of the accomplished artist, whose
-exquisite creations command the admiration of the connoisseurs of
-to-day.”—_Athenæum._
-
-
-Manx Crosses; or The Inscribed and Sculptured Monuments of the Isle of
-Man, from about the end of the Fifth to the beginning of the Thirteenth
-Century.
-
-By P. M. C. KERMODE, F.S.A.Scot., &c. The illustrations are from drawings
-specially prepared by the Author, founded upon rubbings, and carefully
-compared with photographs and with the stones themselves. In one handsome
-Quarto Volume 11⅛ in. by 8⅝ in., printed on Van Gelder hand-made paper,
-bound in full buckram, gilt top, with special design on the side. Price
-=63s.= net. The edition is limited to 400 copies.
-
-“We have now a complete account of the subject in this very handsome
-volume, which Manx patriotism, assisted by the appreciation of the public
-in general, will, we hope, make a success.”—_Spectator._
-
-
-Derbyshire Charters in Public and Private Libraries and Muniment Rooms.
-
-Compiled, with Preface and Indexes, for Sir Henry Howe Bemrose, Kt., by
-ISAAC HERBERT JEAYES, Assistant Keeper in the Department of MSS., British
-Museum. Royal 8vo, cloth, gilt top. Price =42s.= net.
-
-“The book must always prove of high value to investigators in its own
-recondite field of research, and would form a suitable addition to any
-historical library.”—_Scotsman._
-
-
-Dorset Manor Houses, with their Literary and Historical Associations.
-
-By SIDNEY HEATH, with a fore-word by R. Bosworth Smith, of Bingham’s
-Melcombe. Illustrated with 40 drawings by the Author, in addition to
-numerous rubbings of Sepulchral Brasses by W. de C. Prideaux, reproduced
-by permission of the Dorset Natural History and Antiquarian Field Club.
-Dedicated by kind permission to the Most Hon. the Marquis of Salisbury.
-Royal 4to, cloth, bevelled edges. Price =30s.= net.
-
-“Dorset is rich in old-world manor houses; and in this large, attractive
-volume twenty are dealt with in pleasant descriptive and antiquarian
-chapters.”—_Times._
-
-
-How to Write the History of a Parish.
-
-By the Rev. J. CHARLES COX, LL.D., F.S.A. An Outline Guide to
-Topographical Records, Manuscripts, and Books. Revised and Enlarged,
-Fifth Edition. Crown 8vo, cloth, =3s. 6d.= net.
-
-
-Church Plate of the Diocese of Bangor.
-
-By E. ALFRED JONES. With Illustrations of about one hundred pieces of Old
-Plate, including a pre-Reformation Silver Chalice, hitherto unknown. Demy
-4to, buckram. Price =21s.= net.
-
-“This handsome volume is the most interesting book on Church Plate
-hitherto issued.”—_Athenæum._
-
-
-Church Plate of the Isle of Man.
-
-By E. ALFRED JONES. With many Illustrations, including a pre-Reformation
-Silver Chalice and Paten, an Elizabethan Beaker, and other important
-pieces. Crown 4to, buckram. Price =10s. 6d.= net.
-
-“A beautifully illustrated descriptive account of the many specimens of
-Ecclesiastical Plate to be found in the Island.”—_Manchester Courier._
-
-
-Cathedral Church and See of Essex.
-
-By the Rev. J. CHARLES COX, LL.D., F.S.A. This book contains an outline
-story of the founding of Christianity in the Kingdom of the East Saxons
-in the seventh century, and the history of the Church in Essex. Crown
-8vo, with many illustrations. Paper covers, =1s. 6d.= net; cloth gilt,
-=2s.= net.
-
-“To Churchmen generally the little book before us should prove especially
-interesting.”—_Church Family Newspaper._
-
-
-Garden Cities in Theory and Practice.
-
-By A. R. SENNETT, A.M.I.C.E., &c. Large crown 8vo. Two vols.,
-attractively bound in cloth, with 400 Plates, Plans, and Illustrations.
-Price =21s.= net.
-
-“... What Mr. Sennett has to say here deserves, and no doubt will
-command, the careful consideration of those who govern the future
-fortunes of the Garden City.”—_Bookseller._
-
-
-Corporation Plate and Insignia of Office of the Cities and Towns of
-England and Wales.
-
-By the late LLEWELLYNN JEWITT, F.S.A. Edited and completed with large
-additions by W. H. ST. JOHN HOPE, M.A. Fully illustrated, 2 vols., crown
-4to, buckram, =42s.= net. Large paper, 2 vols., royal 4to, =63s.= net.
-
-“It is difficult to praise too highly the careful research and accurate
-information throughout these two handsome quartos.”—_Athenæum._
-
-
-_Completion of the Great Edition of Ruskin_
-
-The whole of Ruskin’s works are now for the first time obtainable in a
-complete, Uniform, Annotated, Illustrated, and Indexed Edition. This has
-just become possible through the completion of
-
-THE LIFE, LETTERS, AND WORKS OF RUSKIN
-
-EDITED BY
-
-E. T. COOK AND ALEXANDER WEDDERBURN
-
-The Final Volume, consisting of a Complete Bibliography and an Index to
-the Whole Work, with 100,000 references, is in preparation. Its inclusion
-will make this more than ever the One Reference and Library Edition of
-Ruskin’s Works. With about 1800 Illustrations from drawings by Ruskin.
-For full particulars of the 38 Volumes, for =£42= the set, or in Monthly
-Instalments, see Prospectus.
-
- George Allen & Sons, Ruskin House
- Rathbone Place, London
-
-*** END OF THE PROJECT GUTENBERG EBOOK MEMORIALS OF OLD LINCOLNSHIRE ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.