diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-01-22 20:18:49 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-22 20:18:49 -0800 |
| commit | 911c227f105ff70673d79e85a06fdc9327ca92eb (patch) | |
| tree | 0f32047ddffa12c8baf01ac35e3b2b87844d86e8 /old/65891-0.txt | |
| parent | 4f66172fecc5a3f576899f5d2ec4feeb18da3dc7 (diff) | |
Diffstat (limited to 'old/65891-0.txt')
| -rw-r--r-- | old/65891-0.txt | 1135 |
1 files changed, 0 insertions, 1135 deletions
diff --git a/old/65891-0.txt b/old/65891-0.txt deleted file mode 100644 index 59d9a3d..0000000 --- a/old/65891-0.txt +++ /dev/null @@ -1,1135 +0,0 @@ -The Project Gutenberg eBook of El Morro Trails, by Anonymous - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: El Morro Trails - El Morro National Monument, New Mexico - -Author: Anonymous - -Release Date: July 21, 2021 [eBook #65891] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Stephen Hutcheson and the Online Distributed Proofreading - Team at https://www.pgdp.net - -*** START OF THE PROJECT GUTENBERG EBOOK EL MORRO TRAILS *** - - - - - _El Morro Trails_ - EL MORRO NATIONAL MONUMENT, NEW MEXICO - - - PRICE: 50 CENTS IF YOU TAKE THIS BOOKLET HOME - - [Illustration: _Inscription Rock, El Morro National Monument_] - - - - - Introduction - - -In the year 1540, Francisco Vasquez de Coronado came up from Mexico with -some 350 Spanish soldiers and crossed southeastern Arizona to Zuñi, a -pueblo 30 miles west of El Morro. Breaking up into several groups, they -went eastward 70 miles to Acoma Pueblo and thence to the Rio Grande. At -least one of the groups probably passed El Morro enroute. - -The first known historical mention of El Morro is found in the journal -of Diego Pérez de Luxán, chronicler of the Espejo expedition of 1583. -Luxán stopped here for water on March 11 of that year. - -For some 300 years, hundreds of Spanish soldiers and priests, enroute -between Santa Fe and Zuñi, and the Hopi villages farther north, passed -El Morro. Many left names and notations about themselves carved into the -soft sandstone. - -After 1849, American soldiers, emigrants, freighters, and adventurers -camped here because of the never-failing waterhole. In 1906, El Morro -was set aside as a National Monument and additional name carving was -prohibited. - -The name “El Morro” simply means “the headland” or “the bluff,” and -refers to the appearance of this mesa-point from a distance. - - KEEP AMERICA BEAUTIFUL - - - - - _El Morro Trails_ - - - - - INSCRIPTION ROCK TRAIL - - -The trail begins directly behind the Monument headquarters, and climbs -gradually toward the rock. Just follow the arrows and _do not hurry_. It -is 7,200 feet above sea level here, and the altitude may bother some of -you. The hike past the inscriptions and back to the office normally -takes from 30 to 40 minutes. - -After viewing the inscriptions, you may, if you wish, continue up over -the top of the rock and visit two large prehistoric Indian ruins. This -extra hike will take you another 1 to 1½ hours. - -Starting near the base of the mesa the trail has been marked with -numbered stations which match the numbered paragraphs in this booklet. -Read and enjoy yourself as you walk. - -No one has ever been bitten here, but watch along the path for -rattlesnakes. - - Please leave the Monument as neat as you found it. - - -1. If you look closely at the rock, about 12 feet above the ground, -you will see some notches cut into the sandstone. These are footholds. -Probably most Indians came to the pool by the long, safe way, but -others, caring more for their thirst than their lives, came down from -the mesa top through the high notch to the right and above you. - - Do not, under any circumstances, try coming down this short way—the - rock is extremely slippery. If you go to the top, stay on the marked - trail. - - -2. Now you see why travelers stopped here. There is no spring; the -pool is fed largely by rain falling in July, August, and September, and -by melting snows. When full it is about 12 feet deep and holds about -200,000 gallons of water. - - DO NOT THROW ANYTHING INTO THE POOL! - -If you look closely around the walls at about eye level, even on the far -side, you can see names carved into the rock. Most of these date from -1850 to 1900, and were the work of emigrants and soldiers. - -How did they get over there? In the early days, there was probably a -sandbank around the edge, and people could ride or walk around the pool. -In 1942, a heavy rock fall filled the waterhole. When the sand and -rubble were removed, the old dam was reinforced and lined with concrete. - - Do not write or carve on the cliff, and please don’t touch. Touching - the inscriptions causes them to wear away more rapidly. - -The mud formations on the face of the rock above the pool are the nests -of cliff swallows. These birds come to El Morro each year to nest and -raise their young. - - [Illustration: _The waterhole_] - - -3. Along the base of the mesa are examples of the predominant types of -trees found in the Southwest. From left to right these are: - - (1) One-seed juniper (_Juniperus monosperma_), which can be used for - fenceposts and fuel. - - (2) Pinyon pine (_Pinus edulis_), noted for its edible nuts which are - harvested in the fall. - - (3) Ponderosa pine (_Pinus ponderosa_), which provides excellent wood - for construction and building purposes. - -Watch for black sage (_Artemisia tridentata_) along the right side of -the trail. This is the purple sage of western fiction and is recognized -by the silvery down on the leaves and the purplish color of the shaggy -bark. The strong aromatic odor of sagebrush is especially noticeable -after a rain. - - -4. In the desert varnish, the darker colored rock, note particularly a -sequence showing hand prints, foot prints and a zig-zag trail going to a -hole in the cliff. This could mean, “Follow the hand and foot trail to -the pool of water.” - -The signature of Mr. Long is the most impressive one on the rock. It -appears to have been carved between 1850 and 1862, probably with a knife -after being sketched. Just to your right around the corner, note “Mr. -Engle” in block print and “Mr. Bryn” in script. Engle was Beale’s -second-in-command and Long and Bryn were members of Beale’s company. - - -5. There is a good account of Mr. P. (Peachy) Gilmer Breckinridge from -the Virginia Historical Society. He graduated from Virginia Military -Institute, and as a young man rode across the continent to California. - -In 1857 Lt. Edward Beale was in charge of an expedition testing camels -for use in the American deserts. Breckinridge was in charge of the 25 -camels used by Beale when they passed El Morro. - -Remaining there only a short time, he rode back to Virginia just in time -to get into the Civil War. He was killed in a skirmish at Kennon’s -Landing, Virginia, in 1863. - - [Illustration: _E. Pen Long inscription_] - - -6. Here you observe a number of very faint Spanish inscriptions which -have never been completely studied. Note the word “año” (year) 1646. To -the right is a lamp-blackened inscription reading “paso por aqui Miguel -Alfaro.” (Passed by here, Miguel Alfaro). A date is not given, nor is -the man yet known to us. Scholars, dating the inscriptions by letter -style, say it was done about 1700. - -The round black discs along the bottom of the rock are section markers. -Each one is lettered and they divide the face of the cliff into sections -so the inscriptions can be easily located and recorded. - - -7. In Spanish, this inscription says: “A veinticinco del mes de junio, -año de 1709 paso por aqui para Zuñi—Ramon Garcia Jurado.” Translated, it -reads: - - “On the 25th of the month of June, of this year of 1709, passed by - here on the way to Zuñi—Ramon Garcia Jurado.” - - [Illustration: _Ramon Garcia Jurado inscription, 1709_] - -You can find Señor Jurado’s name in old Spanish documents. In 1728 he -was the “alcalde mayor” of the Keres district, not far south of Santa -Fe. - -To your right is a blackened inscription which reads, translated, “By -here passed Pedro Romero on the 22nd of August, year of 1751.” Little is -known about this Spanish gentleman. - - -8. “By here passed Andres Romero, of the year 1774.” This Spaniard is -unknown. The date is important because it is apparently the last Spanish -inscription before the coming of the Americans in 1849. - - -9. Notice the petroglyphs here, in particular the four mountain sheep -and what appears to be a bear paw. These are, of course, far older than -the Spanish inscriptions above them. - -The Spanish inscription reads: - - “Pasamos por aquí el Sargento Mayor y el Capitan Jude de Archuleta y - el Ayudante Diego Martin Barba y el Alferez Agustin de Ynojos año de - 1636.” - -Translated, it reads: - - “We passed by here, the Sergeant Major and Captain Juan de Archuleta - and Adjutant Diego Martin Barba and Ensign Agustin de Ynojos, the year - of 1636.” - -The “Sergeant Major” was not an enlisted man, as now—he was the officer -in direct command of the troops. The ensign was the standard bearer, -corresponding in grade to a second lieutenant. - -Barba and Archuleta were accused of aiding a rebellion during one of the -numerous civil disturbances that plagued the Spanish in New Mexico. In -1643 they were beheaded. - - -10. Here is the oldest and most famous inscription at El Morro. It was -done by the first governor of New Mexico, Don Juan de Oñate, in 1605, 15 -years before the Pilgrims landed at Plymouth Rock. - -In 1604, Oñate rode south with 30 men to the Gulf of California. On his -return the next year, he made his inscription, which reads: - - “Paso por aquí el adelantado Don Juan de Oñate del descubrimiento de - la mar del sur a 16 de Abril de 1605.” - -The translation reads: - - “Passed by here the Governor Don Juan de Oñate, from the discovery of - the Sea of the South on the 16th of April, 1605.” - -By “Sea of the South,” Oñate meant Gulf of California, an arm of the -Pacific Ocean. He was not the first Spaniard to see it, of course. - -This was not Oñate’s first visit to El Morro—on December 13, 1598, he -passed here from Zuñi with a group of Spanish soldiers, enroute to the -Rio Grande via Acoma. - - [Illustration: _Juan de Oñate inscription. 1605_] - -Below the Oñate inscription, partly hidden by the yucca plant, is an -inscription that reads: - - “By here passed the Ensign Don Joseph de Payba Basconzelos, the year - he brought the cabildo of the realm at his own expense the 18th of - February, of the year 1726.” - -What Basconzelos actually meant is not clear to us. - - -11. Continuing along the cliff, among the many inscriptions and -petroglyphs you will be able to locate a church, stars, crucifixes, a -little cavalry guidon (flag) and the prominent inscription of R. H. -Orton, who was the Adjutant-General of California after the Civil War. -You may also be able to locate the names of Simpson and Kern (but more -about them at post #21.) The Indian Petroglyphs are higher on the rock -because, through the centuries, erosion lowered the ground level. - - -12. Begin here with the highest set of inscriptions. The ground level -was higher then, as shown by this tree, which surely did not begin -growing on top of a mound! Done by one of New Mexico’s most famous -frontier governors, this inscription reads: - - “Aqui estuvo de General Don Diego de Vargas, quien conquisto a nuestra - Santa Fe y a la Real Corona todo el Nuevo Mexico a su costa, Año de - 1692.” - -or: - - “Here was the General Don Diego de Vargas, who conquered for our Holy - Faith, and for the Royal Crown, all of New Mexico at his own expense, - year of 1692.” - -Twelve years earlier, in 1680, the Pueblo (Indian) revolt had taken -place. Many Spanish were killed and the remainder fled to El Paso. In -1692, de Vargas returned to re-establish Spanish control of the pueblos. -He was later imprisoned for 3 years in the governor’s palace and when -released, restored as governor. He died in Bernalillo in 1704. - -Below the de Vargas inscription are three names, “Williamson,” -“Holland,” and “John Udell,” all with the same date of 1858. These men -were members of the first emigrant train to try this new route to -California. - -A good account of the trip can be found in the _Journal of John Udell_, -a Baptist preacher who, with his 64-year-old wife, decided to visit his -children in Sacramento. The party, consisting of 40 families and their -equipment, finally reached the Colorado River, only to be attacked by -the Mojave Indians. Several of the group were killed and practically all -of their equipment stolen or burned. - -The survivors, including the elderly Udell and wife, returned to -Albuquerque, walking most of the way. They passed El Morro enroute, -arriving in Albuquerque, nearly starved, in November 1858. Remaining -there for the winter, Udell and some of the others again started for -California in 1859 in the company of Lt. Edward F. Beale, famous for his -camel caravan of 1858, which also came west by way of El Morro. - -They had no difficulty reaching California, and finding their children -in Sacramento. Mr. Udell is known to have died in the Golden State, a -very old man. - - -13. The first emigrant train (mentioned in station 12) was led by Mr. -L. J. Rose. He was born in Germany and moved to New Orleans in 1830. He -later moved to Iowa where he became wealthy in the dry goods business. - -Rose was wounded by Mojave Indians in the attack mentioned by Udell. -After recovering from his wounds he went to Los Angeles and became one -of its leading citizens. - - -14. Some of the high carvings have the letters “U. P. R.” written -after them. In 1868, the Union Pacific Railroad ran a survey through -here, but the project was never carried out. The development of the -Santa Fe Railroad 25 miles to the north effectively ended the use of El -Morro as a stopping place. - -There is good reason to believe that practically all of the names you -see here on the point date _after_ 1850. - -Looking west along the rock, you will note that the inscriptions end -about where the small juniper is growing. Probably the rough surface -beyond the little tree discouraged carving. - -But don’t stop here! Some of the best of the early Spanish inscriptions -await you up the path. - - -15. Slightly to your left, several miles away, is a multi-colored -mesa. It is composed of the same material as El Morro, was formed about -the same time, and is approximately the same height. The brighter colors -are caused by thin films of iron oxide around the sand grains, which are -not conspicuously present in El Morro. Lack of water kept the early -travelers from stopping there. - - -16. As the saying goes, the writer of this inscription “counted his -chickens before they hatched.” He tells us: - - “Year of 1716 on the 26th of August passed by here Don Feliz Martinez, - Governor and Captain General of this realm to the reduction and - conquest of the Moqui (Hopi) and (in his company?) the reverend Father - Friar Antonio Camargo, Custodian and ecclesiastical judge.” - - [Illustration: _Don Feliz Martinez inscription, 1716_] - -Governor Martinez found the Hopis unwilling to accept Spanish -domination, and after about 2 months of quarreling, (mostly with words -and fist-shaking) the expedition returned, quite unsuccessful, to Santa -Fe. - -Now continue on up to the next landing. - - -17. Because they were written on the same day and seemingly in the -same handwriting, we presume that this inscription and the one to the -west were written by the same man. The first one says: - - “The 28th day of September of 1737, arrived here the Bachelor Don Juan - Ignacio of Arrasain.” - -The second reads: - - “The 28th day of September of 1737, arrived here the illustrious Señor - Don Martin de Elizacochea, Bishop of Durango, and the day following, - went on to Zuñi.” - -The good “Bachelor” was a Bachelor of Laws, not necessarily a single -man. The event records one of the first visits to this territory by a -Bishop from Durango, Mexico. - - [Illustration: _Don Martin de Elizacochea inscription, 1737_] - - [Illustration: _Don Francisco Manuel de Silva Niéto Poem, 1629_] - - -18. Inscriptions on the north side are difficult to photograph, -because the sun shines around here only a couple of hours per day during -the summer. Here is the only poem on the rock: - - “Aqui (llego el Señor) y Gobernor - Don Francisco Manuel de Silva Nieto - Que lo imposible tiene ya subjeto - Su brazo indubitable y su valor - Con los carros del Rey Nuestro Señor - Cosa Que solo el puso en este efecto - De Agostos 5 (Mil) Seiscientos Veinte Nueve - Que se Bien a Zuñi pasa y la Fe lleve.” - -The poem, of course does not rhyme when translated into English. - - “Here arrived the Señor and Governor - Don Francisco Manuel de Silva Nieto - Whose indubitable arm and valor - Have overcome the impossible - With the wagons of the King our Lord - A thing which he alone put into this effect - August 5, 1629 that one may well to Zuñi - pass and carry the faith.” - - -19. If you are an enlisted man, you’ll appreciate this one. The first -two lines of the inscription read: - - “The 14th day of July 1736 passed by here the General Juan Paez - Hurtado, Inspector.” - -The second two lines, no doubt added when the good general’s back was -turned, read: - - “And in his company, the Corporal Joseph Trujillo!” - -We wonder what ever happened to Corporal Trujillo! - - -20. You are now looking at the longest and one of the most interesting -inscriptions on the rock, supposedly done by Governor Eulate: - - “I am the captain General of the Providence of New Mexico for the King - our Lord, passed by here on the return from the pueblos of Zuñi on the - 29th of July the year 1620, and put them at peace at their humble - petition, they asking favor as vassals of his Majesty and promising - anew their obedience, all of which he did, with clemency, zeal, and - prudence, as a most Christian-like (gentleman) extraordinary and - gallant soldier of enduring and praised memory.” - -The word crossed out appears to have been “gentleman.” Somebody who knew -the old boy apparently took exception to all this highflown praise. -(That the erasure was done before 1849 can be proved, see Simpson, -next). - - -21. Lt. J. H. Simpson, an engineer for the army, and Mr. R. H. Kern, a -Philadelphia artist who rode around with the army drawing pictures, were -the first English-speaking people to make a record of Inscription Rock. - - [Illustration: _Eulate inscription, 1620_] - - [Illustration: _Simpson and Kern inscription, 1849_] - -They spent 2 days copying the inscriptions, and stated that when they -were here, not a single English inscription could be found on the rock. - -Recall the word “gentleman” crossed out back at Stake No. 20? Mr. Kern’s -drawing faithfully shows the word X’d out just as you saw it. - -The Spanish inscription below was done by one of three Spanish soldiers -left to “guard” 2,000 Zuñi Indians in 1699. It reads: - - “I am of the hand (that is, written by) of Felipe de Arellano on the - 16th of September, soldier.” - -In 1700, the Zuñis apparently thought the odds in their favor were good, -so they killed the three Spaniards. - -To the right of Arellano’s inscription is a marvel of Spanish -“shorthand.” A good scholar translated it for us. Here it is in both -Spanish and English: - - “Se pasaron a 23 de marzo de 1632 años a la venganza de muerte del - Padre Letrado.—Lujan” - -The translation reads: - - “They passed on the 23rd of March, 1632, to the avenging of the death - of the Father Letrado.—Lujan” - -About the year 1629, Father Letrado built the earliest mission chapel at -what we call today Salinas National Monument (near Mountainair, New -Mexico, southwest of Albuquerque). - -He was transferred to Zuñi in February of 1632 and was killed just a -week later. On hearing the news in Santa Fe, Lujan and a party of -soldiers reached Zuñi in remarkably fast time. - - [Illustration: _Lujan inscription, 1632_] - -This is the end of the inscription part of our trail. You may retrace -your steps back to headquarters, or, if you wish, you may continue your -hike on up over the mesa top, past the ruins, and down to headquarters -by the return trail on the other side. - - Please stay on the trail - - - - - TRAIL TO THE TOP OF THE ROCK AND RUINS - - -The first stake is some distance along the trail, so keep walking and -watch for it. - - -1. The cave-like depressions in the side of the rock are created by -water. Rain falling on the top of the mesa enters cracks in the rock, -runs down the cracks (called joints), and comes out of small openings on -the side of the mesa. The water seeping out of the opening gradually -wears away the rock. The freezing of the water in winter and thawing in -summer helps to weaken the sandstone. - -The tall trees in the vicinity of this stake are ponderosa pine (_Pinus -ponderosa_). They are readily identified by the needles, which grow two -or three to a cluster. These trees grow in well-watered, protected areas -within the Monument. The larger ones are somewhere between 200 and 300 -years old. - - -2. Here you can stop and catch your breath before beginning the steep -climb. Look at the top of the mesa, to your right, just below the -railing. You can see very clearly two different formations of rock. The -lower is the sandstone called Zuñi formation and the higher is the -Dakota formation. The line between these two formations represents a -time interval of between 25 and 30 million years. More about this later. - -Behind the numbered stake near the base of the rock, you will see a -Gambel oak (_Quercus gambelii_). It is commonly associated with -ponderosa pine and is the most abundant oak of the low mountains and -plateaus of the Southwest. It is characterized by its deeply-lobed -leaves, and its habit of growth. It ranges from a shrub to a tree in -size, and is often seen in dense stands, which give it the name of -“scrub” oak in certain localities. Deer and livestock browse this tree, -and small animals use its acorns for food. - - -3. The policy of the National Park Service is to keep the parks -looking as natural as possible. Since it is natural for dead trees to be -in a forest the ones you see in this area will not be cleaned up. When a -tree falls in a National Park Service area it will lie where it fell and -eventually will decay and supply nourishment for future trees. - - -4. Take a break here and look at the valley between the multicolored -mesa and the higher parts of the Zuñi Mountains. This valley was formed -by water gradually wearing away the softer rocks of the Chinle -formation. The harder sandstones of El Morro and the adjacent mesa on -the southwest and the sandstones and limestones of the higher slopes -resisted such erosion. - -During the last few million years, while the Zuñi Mountains were being -gradually pushed up to their present height, more than 10,000 feet of -sedimentary rocks have been removed from what you see. This has been -done by running water and wind, carrying away the rocks a few particles -at a time. Before that, about 100 million years ago, this entire area, -as far as you can see in any direction, was under the water of an -ancient ocean. Forty million years before that, the sands of El Morro -were accumulating on a broad, desert-like plain, built up by sand -deposition of sluggish, wandering streams, and re-sorted by wind into -large dunes. - -Before continuing along the trail, you will notice many small trees -around you which are called pinyon (_Pinus edulis_). These pine trees -have two needles to a cluster and are never tall like the ponderosa -pine. They are usually less than 35 feet in height, and have a rounded, -compact crown. Pinyons are seldom found growing in pure stands but are -associated with various kinds of juniper. Because of the nature of their -growth, heavy stands of pinyon and juniper are often called pigmy -forests. The pinyon produces edible nuts which are abundantly used by -local residents as well as marketed commercially elsewhere in the United -States. - - -5. Here you can see at close hand the difference between the dark, -upper layers of ocean sands and the light color of the lower and earlier -stream and dune sands. Look here at the cliff above you and a little to -the right. The lower is Zuñi sandstone, of the Jurassic period, and -forms the bulk of El Morro. The upper is Dakota sandstone of Cretaceous -period, representing beach deposits of the ancient sea which covered all -the area. The contact surface between these two units represents a time -interval of between 25 and 50 million years when erosion instead of new -deposition was taking place. - - -6. Look on the left side of the trail and a little behind you. You -will see a dark green stake that marks one of the four corners of the -unexcavated ruin. Let your eye follow along the top of the incline to -your right and you will see another green stake, another corner. As you -follow the trail on this side of the box canyon, look to your left for -the last two stakes and you can tell how big this ruin is. Please do not -leave the trail. - -This village was possibly two or three stories high, but after the -Indians left, the roofs collapsed and the walls fell in. Then the sand -blew in, weeds began to grow, and you see the result. - - -7. Looking at the cliff wall across this little box canyon, you can -see a definite horizontal line about half way down. The materials above -and below the line were laid down about the same time, but the line -represents a layer of softer material which has weathered away faster. - -The reason for the unevenness is that stream channels cut into the -underlying sandstone, and then, as the land slowly settled to allow the -sea to encroach, the channels filled up with sand. The sands were -reworked by waves on the beach and the tops smoothed out and leveled. -Small lagoons and swampy areas formed along the coastline. As you climb -the steps at No. 11, you will cross a small seam of coal-like material -which was formed from one of these swamps. - - [Illustration: _The geological disconformity described at Stake 7._] - -If you look across the box canyon, on the horizon you will see the ruins -of another village. It was occupied about the same time as the one on -this side of the mesa. - -Across the top of the mesa, the trail will be marked with two parallel -lines. Please stay between the lines. - - STAY ON THE TRAIL - - -8. The boulders of mixed colors topping the pedestals of Zuñi -sandstone are the Basal Conglomerate of the Dakota formation. This -involved erosion and reworking of the old surface (Zuñi) plus the -deposition of new materials. Thus some of the light colored particles in -the Dakota are Zuñi sandstone. - -The steps cut in the rock were constructed by the National Park Service. -They are not the work of prehistoric Indians. - - -9. The line, to the left of the post, extending through the rock on -both sides of the mesa, is one of the principal causes of the -development of the box canyon. After El Morro was buried by several -thousand feet of younger rocks, some 60 million years ago, it was -subjected to great pressures from the weight of the overlying rocks and -the movements which caused the Zuñi Mountains to project so far above -sea level. These pressures caused the sandstone to crack into the long -openings which we call joints. As running water and wind gradually -removed the overlying rocks, the waters were able to run down into the -joints and, alternately freezing and thawing, broke up the rock into -small fragments which could be washed away. - -If you stand on this line and look down the box canyon to the west, you -can see that each steep canyon wall is simply one side of a joint, while -the material on the other side has been eroded away. If you look -eastward towards the headquarters area, along this joint line, you can -see how El Morro maintains its vertical walls by breaking into blocks -which fall away from the main mass of the sandstone and leave a vertical -joint face. This joint line is different from the others which you may -have noticed in climbing over the rock because it goes so far and cuts -through the rock so deeply. - - -10. The dark colored splotches are lichens. A lichen is composed of -two different organisms, an alga and a fungus, living together and -supporting each other. The fungus furnishes the moisture for the alga, -and the alga the food for the fungus. This coexistence is known as -symbiosis. - -As you walk from No. 10 to 11, you will pass several potholes that -become pools of water after a rain. Some of these were artificially -enlarged by the Indians who lived on the mesa top, to serve as -supplementary sources of water. - - -11. The dark color here is caused by carbonized remains from the -plants which grew in the ancient swamps. Coal is formed in much the same -way, but there is too much inorganic material in this seam to produce -coal. This is the coal-like seam mentioned at No. 7. On the very top, -the dirt is from the Mancos formation of Cretaceous age, and is composed -of marine shales deposited in the ancient sea which covered the area. It -was originally much thicker, and is younger than any of the other rocks -exposed here. - -Immediately ahead and extending to the right for nearly 300 feet is the -ruin called _Atsinna_, a Zuñi word referring to the “writing on rock.” - - -12. Atsinna, the larger of the two ruins, is approximately 200 by 300 -feet, the size of some city blocks. Like the other village, parts of it -probably were three stories high, mainly along the north side. It was -terraced down toward the south, thus providing a southern exposure. You -are standing on the second floor level about ten feet above the original -ground level. The first floor was filled with debris from the collapse -of the upper stories. - -The Indians obtained most of their water from the pool at the base of -the rock, as did the later Spanish and American travelers, but they also -caught as much water as they could on the mesa top. - - -13. This round room, is called a _kiva_. Kivas were built primarily -for religious ceremonial reasons, but had other purposes, just as the -large halls in cities today are used for exhibits, concerts, lectures, -and other activities. In addition to religion, these rooms were used for -workrooms, playrooms, general meeting places, fraternal society -meetings, etc. - - [Illustration: _A portion of Atsinna. Part of the square kiva is - shown at lower left_] - -Now contrast this round kiva with the square kiva across the trail -toward the northeast. Both kivas served the same functions, but they -represent two different architectural styles or traditions in use at -approximately the same time. - - [Illustration: _The box canyon as seen from its eastern end looking - west_] - - [Illustration: _Looking out over Inscription Rock from the south_] - -Atsinna was occupied during the 13th and 14th centuries. The reason for -the abandonment of this site is not definitely known. Perhaps the -Indians found that the growing seasons were too short at this elevation -and they had too many crop failures. Apparently these people moved to -the west, where they founded the several Zuñi villages known in historic -times. There, around the present pueblo of Zuñi, the growing season is -slightly longer and irrigation can be practiced, and possibly the soil -is more fertile. - -The prominent peak on the horizon to the south is called _Cerro Alto_, -which is Spanish for high mountain. This peak is a volcanic cinder cone. - - -14. The stones you see at this station were used for grinding corn -after it had been dried and stored. The corn was placed on the large -stone called _metate_ and ground with the smaller stone called _mano_. - - -15. The trail now descends from the mesa top back to the Monument -headquarters. We hope that you have enjoyed your trip over Inscription -Rock. Should you have any questions, the ranger on duty will be happy to -be of assistance. - - - PUBLISHED IN COOPERATION WITH THE NATIONAL PARK SERVICE BY - SOUTHWEST PARKS AND MONUMENTS ASSOCIATION - 221 NORTH COURT - TUCSON, ARIZONA 85701 - - [Illustration: SOUTHWEST PARKS AND MONUMENTS ASSOCIATION • NATIONAL - PARK SERVICE] - -Southwest Parks and Monuments association was founded in 1938 to aid and -promote the educational and scientific activities of the National Park -Service. As a nonprofit organization authorized by Congress, it makes -interpretive material available to park visitors by sale or free -distribution. All net proceeds support the interpretive and research -programs of the National Park Service. - -21st Edition—10M—8/92 - - [Illustration: Back cover] - - - - - Transcriber’s Notes - - -—Silently corrected a few typos. - -—Retained publication information from the printed edition: this eBook - is public-domain in the country of publication. - -—In the text versions only, text in italics is delimited by - _underscores_. - - - -*** END OF THE PROJECT GUTENBERG EBOOK EL MORRO TRAILS *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. |
