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+
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #66301 (https://www.gutenberg.org/ebooks/66301)
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-The Project Gutenberg eBook of Horæ Nauseæ, by Lawrence Peel
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Horæ Nauseæ
-
-Author: Lawrence Peel
-
-Release Date: September 14, 2021 [eBook #66301]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Mark C. Orton and the Online Distributed Proofreading Team at
-             https://www.pgdp.net (This file was produced from images
-             generously made available by The Internet Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK HORÆ NAUSEÆ ***
-
-
-
-
-
-                              HORÆ NAUSEÆ.
-
-                                   BY
-                             LAWRENCE PEEL.
-
-                                 LONDON:
-               PRINTED BY BRADBURY AND EVANS, WHITEFRIARS.
-                                MDCCCXLI.
-
-
-
-
-CONTENTS.
-
-
-                                                             PAGE
-
-                 TRANSLATIONS FROM THE SPANISH.
-
-    GIL POLO                                                    3
-
-    QUEVEDO                                                     5
-
-    QUEVEDO                                                     7
-
-    ARGENSOLA                                                   9
-
-    ON THE PROOFS OF A DEITY (_Original_)                      11
-
-    VILLEGAS                                                   13
-
-    MELENDEZ                                                   17
-
-    MELENDEZ                                                   21
-
-    A FABLE                                                    25
-
-                   TRANSLATIONS FROM HORACE.
-
-    BOOK I.—ODE III.                                           35
-
-    BOOK I.—ODE V.                                             41
-
-    BOOK I.—ODE IX.                                            43
-
-    BOOK III.—ODE XXIX.                                        47
-
-                        ORIGINAL PIECES.
-
-    ODE TO HARRIS                                              59
-
-    THE DOCTOR WITHOUT A SOUL; OR, THE CREATURES OF ROMANCE    63
-
-    A MATRIMONIAL DIALOGUE AND MARINE ECLOGUE                  73
-
-    THE PILOT IN SIGHT                                         83
-
-    THE ARRIVAL; OR, THE LAND-LUBBER’S SONG                    87
-
-
-
-
-TRANSLATIONS FROM THE SPANISH.
-
-
-
-
-GIL POLO.
-
-
-    Love is not blind, but I alone, who steer
-    My wishes headlong unto death:
-    Love is no child, but I; who in a breath
-    Laugh and lament, and hope and fear:
-    What folly then to speak of “flames of Love!”
-    Love’s fire from untamed passion springs,
-    High and presumptuous thoughts are Cupid’s wings,
-    Or hopes as vain on which he soars above.
-    Love has no chains, Love bears no bow
-    To take, or strike the sound, and free:
-    No power has he save that which we bestow;
-    A poet’s fiction gave him birth,
-    The dream of fools, adored on earth
-    By none except the sons of vanity.
-
-
-
-
-QUEVEDO.
-
-
-    No more shall custom dash my coward heart,
-    Nor shadowy forms nor gloomy fears o’erpower
-    My soul, that waits the cold, dark, final hour:
-    Soul! be thyself, arm, courage is thy part.
-    If Death, though clad in sorrow’s sable weeds,
-    Bring peace, a stranger to my troubled breast,
-    I’ll give him welcome so he give me rest,
-    And thank him as his brandish’d dart he speeds.
-    Forgive me that I harbour’d childish fears
-    Of thee, the struggling soul who comest to aid,
-    As now the disentangled mesh it clears,
-    Mortality’s frail snare: no more afraid
-    I welcome thee with smiles, not greet with tears,
-    For well I know my Ransom hath been paid.
-
-
-
-
-QUEVEDO.
-
-
-    I saw, its lofty ramparts undermined,
-    Crumbling to earth, my native town decay;
-    I saw my fathers’ house, nor saw resign’d,
-    Alike assail’d Time’s not disdained prey:
-    Upon its black and Time-dishonour’d wall
-    My sword ancestral eager I survey’d;
-    Devouring Time, triumphant over all,
-    Had eaten into its corroded blade:
-    My shorten’d staff still yielded as I prest
-    The prop on which my age must yet rely,
-    And all on which my hand or eye could rest
-    Gave sad and solemn warning that we die.
-
-
-
-
-ARGENSOLA.
-
-
-    Father of all! unfold, since thou art just,
-    Why does thy providence all coldly see
-    Pale innocence enchain’d that would be free,
-    Whilst fraud ascends the judgment-seat august.
-    Who nerves the arm of power which dares oppose
-    An impious resistance to thy will?
-    Shall holy zeal and timid reverence still
-    Groan at the feet of thy obdurate foes?
-    See! impious hands victorious banners wave!
-    Hark! virtue moans scarce heard amid the shout
-    Of insolent triumph, and its boisterous mirth!
-    Thus I complaining spoke: A form shone out,
-    Gravely it spoke: “Is thy soul’s centre earth?
-    Oh blind one! not to _see beyond_ the grave!”
-
-
-
-
-ON THE PROOFS OF A DEITY.
-
-ORIGINAL.
-
-
-    Talk not of proofs: God must be seen, and felt,
-    And known by meditation; not deduced
-    Like some hard problem, or a riddle spelt
-    By frequent guessing. Proofs on proofs adduced,
-    Speak they so plainly as the wailing cry
-    Of her first infant tells the mother’s heart
-    A mother’s love doth well from God on high?
-    Who hath not heard, in solitude apart,
-    God’s voice upon the wind? Who hath not seen
-    And felt Him present? seen Him earth pervade?
-    Each spring, their wither’d crowns renew with green
-    In aged trees? seen Him in depths of shade?
-    And glorious sunshine? and reveal’d in light
-    Of stars? and in the sea’s resistless might?
-
-
-
-
-VILLEGAS.
-
-
-    I.
-
-    Now, Spring the year’s contracted brow
-    Unknits, and robes in brightest green
-    The trees; and, victims to the plough,
-    Fresh flowers are strew’d where snows were seen.
-    The honours of the time complete,
-    Come forth, and welcome in the spring,
-    Which spreads a carpet for thy feet,
-    A verdant broider’d offering
-    For thee, whom, honour’d as her queen,
-    She mourns away, and welcomes seen.
-
-    II.
-
-    Here in this flowing mirror see,
-    Worthy of thy reflected face,
-    Exulting in its waters free,
-    Charms which art’s rivalry disgrace.
-    The bygone waters would return,
-    The waters present stay their course;
-    The coming waters from their urn
-    A passage prematurely force;
-    All jealous, striving to possess
-    The image of thy loveliness.
-
-    III.
-
-    Nature is eloquent to teach:
-    Her lessons do not thou disdain:
-    The birds, though unendow’d with speech,
-    Can carol love, in song complain.
-    Come, seek their school: their love-taught notes
-    The text of nature will expound;
-    The thrilling music of their throats
-    Teach us what bliss in love is found;
-    And all their pretty wanton ways,
-    Mutely reprove our dull delays.
-
-
-
-
-MELENDEZ.
-
-CUPID A BUTTERFLY.
-
-
-    Observing once, with secret spite,
-    The rustic maidens, wild with fright,
-    Fly from him when his arms he bore,
-    Revenge the wily Cupid swore;
-    And straight a stratagem design’d,
-    For Cupid’s malice is refined.
-    He seems a butterfly complete,
-    With down upon his baby feet;
-    His little arms are changed to wings;
-    And sportive into air he springs.
-    Now through the meadows he meanders,
-    And now from flower to flower he wanders;
-    Hovers o’er this, on that alights,
-    Whose honied cup his lip invites.
-    The maidens think him what he seems,
-    Not one of aught deceptive dreams,
-    And eager in the chase they strive:
-    One stoops to take him up alive,
-    As on the ground fatigue he feigns;
-    Again he flies and mocks her pains;
-    A second calls with accents kind;
-    Another panting lags behind.
-    He sees them in the contest warm,
-    Then starts into his proper form,
-    And sets their simple hearts on fire,
-    To gratify his childish ire.
-    But from that time, in love we see
-    The butterfly’s inconstancy.
-    Love tarries not, but onward springs;
-    Alas! the urchin kept his wings.
-
-
-
-
-MELENDEZ.
-
-
-    I.
-
-    When I was yet a little boy,
-      And Dorila as young,
-    Forth to the fields we went with joy,
-      Where the first violets sprung.
-
-    II.
-
-    Her hands arranged, with natural grace,
-      For each a garland gay;
-    And thus, midst childish sports, apace
-      The moments danced away.
-
-    III.
-
-    Our age advanced, as they withdrew,
-      Unwatch’d by us the while;
-    By slow degrees our knowledge grew,
-      Till innocence seem’d guile.
-
-    IV.
-
-    The sight of me would now provoke
-      A smile, I scarce knew why,
-    From Dorila; and if I spoke,
-      A laugh was the reply.
-
-    V.
-
-    The flowers I pluck’d she swiftly twined,
-      Her own had little care;
-    It took her twice as long to bind
-      My chaplet in my hair.
-
-    VI.
-
-    One summer’s eve two doves we spied;
-      Their trembling bills were cross’d;
-    Then first we knew for what we sigh’d:
-      The lesson was not lost.
-
-
-
-
-A FABLE.
-
-ALTERED FROM THE SPANISH OF YRIARTE.
-
-
-    A Piedmontese, from fair to fair,
-    Display’d a Vestris in a bear;
-    An ape likewise, whose tricks self-taught
-    The grinning crowd’s approval caught,
-    (Judgment as that of critics sound,
-    Who think all’s wit where mischief’s found):
-    And last it was his luck to own,
-    A treasure in itself alone;
-    A pig, to letters train’d, polite
-    Of course, the beast was erudite.
-    With open mouth, each wondering lout
-    Would view its orthographic snout
-    Choose letters, and hard words compose,
-    Without the due didactic blows.
-    Then, if some rude unletter’d hind,
-    Impell’d by generous shame, repined,
-    Felt his own ignorance, and thought
-    That letters might, though late, be taught;
-    How would the burly shaven priest
-    Exorcise the sleek, learned beast;
-    Judge it possess’d, a hog of hell,
-    Whose devil-directed nose could spell,
-    Pointing to knowledge, and to sin;
-    Whilst secretly he’d grieve within
-    O’er spelling true, ah! not his own!
-    And think the pig, their rival grown,
-    Might shake their intellectual throne;
-    And force his convent, fond of rule,
-    Once more to put themselves to school!
-    The bear, first favourite no more,
-    Surly, as though his ears were sore,
-    The fickle public to regain,
-    And give the “pas” to dance again,
-    Tries and retries his steps with care,
-    Since to be perfect’s not in bear.
-    The pig and ape, spectators mute,
-    Observe the labours of the brute
-    Shuffling, and struggling hard for ease,
-    And ever labouring to please.
-    At length Sir Bruin thinks he spies
-    Derision in pig’s watchful eyes;
-    And criticism seems to sneak
-    In that dry tongue-distended cheek.
-    “Good! Eh?” he daring asks; “my style
-    Is all my own, it’s new.” “It’s vile,”
-    The Ape cries, midst the Hog’s dissent,
-    Who finds the dancing excellent;
-    Praises the grace of hams and paws,
-    Applauded, (he could spare applause,)
-    So natural! and owns that pigs
-    Shine less in minuets and jigs;
-    And even the critic he defies
-    To equal that which he decries.
-    Then Bruin, with a thoughtful air,
-    Cries, “Friend, your panegyric spare;
-    A censuring Ape I might distrust,
-    His blame’s too general to be just;
-    But, oh! preserve me from my friends!
-    I must dance ill—a Hog commends.”
-
-
-
-
-TRANSLATIONS FROM HORACE.
-
-
-
-
-BOOK I.—ODE III.
-
-
-    I.
-
-    Thee, may the Cyprian queen divine,
-    And Helen’s brethren, glittering sign,
-    And Æolus, the winds’ stern sire,
-    (Save Iapyx all his subjects bound,)
-    Ship! prosperous guide; that safe ashore
-    Our Virgil, to the Attic ground
-    Thou mayst, thy trusted freight, give o’er,
-    And save one half my soul entire.
-
-    II.
-
-    His bosom fenced brass triply stout,
-    Who first in fragile bark put out,
-    Braving the ocean; undeterr’d
-    By south-west winds, in contest dire
-    With north-east blasts; sad Hyades,
-    Or by the south wind’s fiercer ire,
-    Lord o’er the Adriatic seas
-    Calm’d at its sovereign will, or stirr’d.
-
-    III.
-
-    What shapes of death could him affright,
-    Who view’d those ill-famed summits, hight
-    Acroceraunia, and the swell
-    And swimming monsters of the main
-    With steadfast eye? God’s wise decree
-    Disjoins the lands remote in vain,
-    If impious, o’er the severing sea
-    The bark contemptuous sails propel.
-
-    IV.
-
-    Man, bold to endure where gain’s the cause,
-    Bursts through divine and human laws.
-    When bold Prometheus, for our race,
-    Plunder’d of fire the mansions blest
-    By wicked fraud, o’er earth new bands
-    Of fevers brooded; forward prest
-    The pestilence, and new commands
-    Quicken’d death’s first retarded pace.
-
-    V.
-
-    On pinions, unto man denied,
-    Once Dædalus void æther tried.
-    By force hell’s bounds Alcides past.
-    Nought is too arduous for man:
-    We foolish, heaven itself invade,
-    Our desperate crimes fresh outbreaks plan;
-    And force Jove’s hand, by mercy stay’d,
-    The angry bolts to launch at last.
-
-
-
-
-BOOK I.—ODE V.
-
-
-    What slender youth, whom many roses crown,
-    Whose hair rich liquid unguents steal adown,
-    Wooes thee, coy Pyrrha, in some pleasant grot?
-    For whom dost thou thy golden tresses knot
-    Neat in thine elegance? How oft he’ll weep
-    Thy faith and gods as mutable! The deep
-    How oft, poor simple novice, he’ll admire
-    Blackening beneath the savage tempest’s ire,
-    Who now enjoys thee in thy golden days,
-    Unconscious how the changing wind betrays;
-    Ah, credulous! and fondly hopes to find
-    Thee his for ever, and for ever kind.
-    Woe unto whom thou glitterest untried!
-    My votive picture, in his temple, tells
-    I’ve hung my garments, reeking from the tide,
-    Before the God, whose power the ocean quells.
-
-
-
-
-BOOK I.—ODE IX.
-
-
-    I.
-
-    How white Soracte stands, behold,
-    With lofty snows! Its labouring trees
-    Groan ’neath the weight. The rivers freeze
-    And flow no more, congeal’d by cold.
-
-    II.
-
-    Replenish largely from your store
-    The fire with logs, dispel the chill;
-    And wine, the cherish’d four-year old,
-    From Sabine cask more freely fill.
-
-    III.
-
-    Leave to the gods the rest: whose word,
-    Soon as it lulls the boiling seas
-    Battling with winds, the cypress trees,
-    And aged elms, no more are stirr’d.
-
-    IV.
-
-    Ask not, to-morrow what may chance,
-    Count it for gain whate’er betide:
-    Nor spurn, to peevish age denied,
-    Soft loves, my boy, nor yet the dance:
-
-    V.
-
-    Whilst hoary age, morose and sour,
-    Spares thy green spring, youth’s pastimes light
-    By day, soft whisperings by night,
-    Be thine, at the appointed hour,
-
-    VI.
-
-    The hiding maid’s forced laugh, dear sound,
-    From secret nook, love’s fond alarm;
-    The pledge, which beauty’s plunder’d arm,
-    On irretentive finger bound.
-
-
-
-
-BOOK III.—ODE XXIX.
-
-
-    I.
-
-    Sprung from the Etrurian kingly line
-    Mecænas, thee my choicest wine
-    Stored in a cask ne’er broach’d, my best
-    Of unguents for thy hair exprest,
-    With roses fresh, invite to stay;
-    Come, snatch thyself from dull delay.
-    View not for aye moist Tibur’s glade,
-    With Æsula’s inclining side,
-    And rocks where erst his refuge made
-    Telegonus, the parricide.
-
-    II.
-
-    Leave loathed plenty, and retire
-    From piles which to the clouds aspire;
-    Leave wealthy Rome for humbler joys,
-    Its smoke, its riches, and its noise.
-    Vicissitudes delight the great
-    Well pleased sometimes to quit their state:
-    Beneath the poor man’s humble roof,
-    A frugal supper neatly dress’d
-    Oft smooths the brow, keeps care aloof,
-    Though there no purple couch be prest.
-
-    III.
-
-    Above, Andromeda’s fierce sire
-    Glows in the skies with splendid fire;
-    Now Procyon rages, and the star
-    Of the mad Lion seen afar;
-    The sun brings back the time of drought,
-    The wearied hind his flocks hath brought
-    Languid with heat to shade and stream
-    There; where secure in tangled brake
-    The rough Sylvanus shuns day’s gleam,
-    And winds the silent bank forsake.
-
-    IV.
-
-    Thy task it is to guide the state,
-    Solicitous the city’s fate
-    To learn, what eastern hordes design,
-    What Bactra, ruled by Cyrus’ line,
-    Or China; or why discord reigns
-    Where Tanais flows through sandy plains.
-    God knows, alone, what is to be,
-    Prudent, the future veils in night,
-    And laughs when ills blind mortals see
-    Foreboded, with extreme affright.
-
-    V.
-
-    Use what the present moment brings;
-    Like to some stream are future things,
-    Which in mid channel calmly glides,
-    To mix in the Etrurian tides:
-    Anon, adown its waters borne
-    Trees, cattle, houses, stones half worn
-    Together roll, whilst loud is heard
-    The clamour in the mountain caves
-    Of neighbouring woods; and tempest-stirr’d,
-    The calmest rivers swell with waves.
-
-    VI.
-
-    That man is blest who thus can say
-    Lord of himself, “I’ve lived to day;
-    To-morrow let the gods obscure
-    The sky with clouds, or sunshine pure
-    Pour forth, come brightness, or come gloom,
-    The past is acted, and its doom
-    Pronounced; and to revoke the past,
-    Annul the joys I _have_ possess’d,
-    Darken the light past hours have cast,
-    Is not in fate: I have been blest.”
-
-    VII.
-
-    Fortune still plies her savage trade,
-    Laughs at the bankrupts she hath made;
-    And insolent enjoys the game
-    As shuffling honours, wealth, and fame,
-    To others, now to me, she’ll deal
-    The prizes of her fickle wheel.
-    Mine she’s adored: her gifts resign’d
-    Soon as her rapid pinions sound,
-    Meek dow’rless poverty, more kind,
-    I woo, whilst virtue wraps me round.
-
-    VIII.
-
-    ’Tis not for me, when, strain’d and weak,
-    The labouring mast is heard to creak,
-    To fall to wretched trading prayers,
-    Lest Cyprian or lest Tyrian wares
-    With rarest spoils, unwonted gain,
-    Enrich the avaricious main.
-    Me favour’d by a gentle breeze,
-    And safe within my light bireme,
-    Shall light along the Ægean seas
-    Leda’s fair twins, my constant theme.
-
-
-
-
-ORIGINAL PIECES.
-
-
-
-
-ODE TO HARRIS[1].
-
-
-    Always I hated civic[2] entertainments:
-    Mutton disgusts me simulating[3] ven’son,
-    Catch[4] me no fish hermetically fasten’d,
-              Harris, or oysters.
-
-    _Still_[5] I could feast on watery[6] potatoes.
-    Fill my friend’s lap[7] soups derelict[8], abandon’d
-    Sauces, rich gifts of charitable ocean
-                Cheaply benignant[9].
-
-[1] Who this Harris was, is a point about which the commentators are at
-variance. Some say, but erroneously as I think, that he was the “puer,”
-the “minister,” of the poet. But this is not probable, for to such
-persons odes were not then commonly addressed. No! Harris was no servant,
-he was the friend, the “commensalis,” the fellow-messman of the author at
-the cuddy table; whom he may be supposed to be inviting to the erratic
-fish, which, under the influence of a gale, has become as locomotive as
-ever it was in its own native element.
-
-[2] Why civic, since the entertainment was nautical? ask some
-matter-of-fact critics. Do not these blunderers perceive the
-delicately-veiled compliment to the owners of the vessel upon the
-richness and profusion of the viands?
-
-[3] “Simulating ven’son.” This process is, unfortunately, in some degree
-lost to us. Some say that mutton was made to resemble venison, by being
-roasted with the wool on. Others, that it was the flesh of a seven-year
-old male, _not a wether_. But neither of these conjectures is correct.
-The meat was probably steeped in a brine compounded of wine, salt,
-spices, sugar, and other condiments, and sprinkled with Irish blackguard
-and brickdust.
-
-[4] “Catch.” Some critics would substitute “reach” for “catch.” But who
-does not see the witty allusion to the unsteadiness of the table, to
-which these dull dogs are blind?
-
-[5] “Still.” Free from motion.
-
-[6] “Watery potatoes.” This expression is very enigmatical. Some
-understand by it “dressed in, or by means of water,” as potatoes boiled
-or steamed, in opposition to roasted, baked, or fried potatoes, his
-preference for which the author is supposed to insinuate. But in my
-opinion this reading, though ingenious, is not correct; the true sense
-of the expression is potatoes carried by water, that is, potatoes eaten
-at sea. Murphyius, however, that intemperate though erudite Hibernian
-critic, declares that it means any potato not Irish, which last alone, as
-he says, were free when dressed from superfluous moisture. He contends,
-that the potato esteemed by epicures was a mealy potato. But he offers
-nothing in proof of his assertion.
-
-[7] “Lap.” This is plainly a misreading for “plate.” It would have been
-an unfriendly and unamiable wish had the author prayed that liquids,
-as soups and sauces were, should fall into the lap of his friend, of
-which it would naturally have been irretentive. It is easy to trace the
-corruption of the text. “Plate” has been written with an elision, “pla,”
-by a copyist studious of his ease. The now final vowel has slipped into
-the middle place and formed “pal;” which a careless scribe, putting the
-cart before the horse, has changed into “lap.”
-
-[8] “Derelict.” This implies the departure from the table of some
-squeamish person without the “animus revertendi.”
-
-[9] “Cheaply benignant,” that is, dispensing things not its own, liberal
-at the expense of others; as a generous churchwarden, a chairman
-distributing prizes, a prime minister filling up a pension-list, a House
-of Commons voting supplies, or an attorney marking undelivered briefs for
-a son.
-
-
-
-
-THE DOCTOR WITHOUT A SOUL; OR, THE CREATURES OF ROMANCE.
-
-
-    I.
-
-    His studies o’er, his next discourse
-      Impromptu learnt by rote,
-    The rector rose, and doff’d a coarse
-      To don a finer coat.
-
-    II.
-
-    His silken hose with shining clocks
-      Which clothed each portly calf,
-    His shovel hat right orthodox,
-      And golden-headed staff,
-
-    III.
-
-    All spoke the doctor. On he strode:
-      Soon splash’d, he vow’d irate,
-    The sinner who survey’d the road
-      He’d excommunicate.
-
-    IV.
-
-    No! he’d indict his stubborn flock,
-      And shear their golden fleece.
-    Who, heeding _much_ the parish stock,
-      _Little_ Victoria’s peace,
-
-    V.
-
-    Rebellious lieges! mended not
-      The errors of their ways,
-    (Upon their pastor’s shoes a spot
-      Would shorten not their days!)
-
-    VI.
-
-    Thus he resolved; but cries invade
-      His Reverence’s ear!
-    Is it some damsel, who, afraid,
-      Sees men disguised in beer?
-
-    VII.
-
-    Or one the milky mothers meet
-      Emerging from the byre?
-    Who sees a snake beneath her feet?
-      Or waddling toad retire?
-
-    VIII.
-
-    Perplex’d, he hurries on the while,
-      But soon is seen to stand
-    Amazed: two ladies on a stile
-      Were seated hand in hand:
-
-    IX.
-
-    Young were they both, and fair to view,
-      Yet sorrow from their eyes
-    Tears, so the doctor fancied, drew:
-      He spoke, in grave surprise:
-
-    X.
-
-    “Issued those cries from ladies’ throats?
-      And what’s the reason? say.”
-    “How canst thou ask, when all denotes
-      The cause? this glorious day!”
-
-    XI.
-
-    “Thank God,” he cried, “the day is fine,
-      Yet why should that distress?
-    The glass is rising; to repine
-      Seems rude unthankfulness.”
-
-    XII.
-
-    “We are not understood, we see
-      With optics not like thine,
-    What canst thou know of poesy,
-      A middle-aged divine?
-
-    XIII.
-
-    “Was ever yet a poet known
-      To wear a white cravat?
-    A soul did ever mortal own
-      In a three-corner’d hat?
-
-    XIV.
-
-    “We could sit here and cry for hours,
-      Or shriek with sad delight;
-    The earth, sea, sky, sun, shade, and flowers,
-      Are agonising quite.
-
-    XV.
-
-    “To weep’s enjoyment half divine:
-      Unsavoury appears
-    To thee, a bibber of port wine,
-      The luxury of tears.
-
-    XVI.
-
-    “Farewell, farewell! we grieve for thee;”
-      (They cast a pitying glance,)
-    Doctor, thou hast no sympathy
-      With Creatures of Romance.”
-
-
-
-
-A MATRIMONIAL DIALOGUE AND MARINE ECLOGUE.
-
-
-    MR. ADIPOCIRE, an eminent and _reflecting_ Tallow Chandler.
-    MRS. ADIPOCIRE, an every-day sort of Woman.
-
-TIME—_Evening. The Sea-shore._
-
-    MR. A.
-
-    How harden’d is the man who has not felt
-    His heart ’neath Nature’s influences _melt_!
-
-    MRS. A.
-
-    You promised all these terms of art to drop;
-    Indeed, my dear, you savour of the shop.
-
-    MR. A.
-
-    ’Tis sweet to see the lazy clouds decamp,
-    ’Tis sweet to see Night hang her silver _lamp_.
-
-    MRS. A.
-
-    Lamp!
-
-    MR. A.
-
-          And with telescope, or naked eye,
-    To view the lesser _tapers_ of the sky.
-
-    MRS. A.
-
-    Tapers, for shame!
-
-    MR. A.
-
-                      ’Tis pleasing to discern
-    Planet from star, and know the orbs which _burn_.
-
-    MRS. A.
-
-    Burn! there again.
-
-    MR. A.
-
-                      Ah! wherefore do they _blaze_?
-    Who _lights_ the sunbeams, and the lunar rays?
-
-    MRS. A.
-
-    Oh!
-
-    MR. A.
-
-        When, as our immortal Shakespear sings,
-    “Night’s _candles_ are burnt out,” who daylight brings?
-
-    MRS. A.
-
-    Ah!
-
-    MR. A.
-
-        He whose steady eye to his _concerns_
-    Forces the comets to make due _returns_.
-
-    MRS. A.
-
-    I’m quite worn out.
-
-    MR. A.
-
-                      Who bounteous made the whales
-    Common and Spermaceti?
-
-    MRS. A.
-
-                            Odious tales!
-
-    MR. A.
-
-    ’Twas that First Cause which, for our nightly use,
-    Filleth the cocoa-nuts with unctuous juice,
-    Which bids the wether fatten to supply
-    A light to tantalise, not satisfy:
-    Which gives us fatty wax from bodies dead
-    Of Lamberts damp within their “narrow bed,”
-    Which stores the laden thighs of bees with wax,
-    (Its lustre hence no dining-table lacks
-    By footmen rubb’d, who burnish and blaspheme.)
-    Wax which illumes when urns emit their steam:
-    Wax which inspired the genius of Argand,
-    When lamps, despised till then, at his command
-    A radiance mild o’er dinner-tables shed,
-    Soft’ning on cheeks the artificial red.
-    Paling each pimply nose with chasten’d light:
-
-    MRS. A.
-
-    A—! you are quite incorrigible, quite;
-    When shall I ever tutor you to feel
-    The moral fitness of the “true genteel!”
-
-    MR. A.
-
-    Well, well, I’ll not offend, love, with my tongue.
-    Oh! with what art those _lustres_ bright are _hung_!
-
-    MRS. A.
-
-    You keep indeed a guard upon your lips.
-
-    MR. A.
-
-    Observe that bird, how prettily it _dips_;
-    Its plumage and its graceful shape behold,
-    And see how Nature works in Beauty’s _mould_.
-
-    MRS. A.
-
-    I see my temper you’re disposed to try,
-    Yet I may be lamented when I die;
-    Speak as you please, you’re safe from my complaints,
-    But you’re enough to vex a saint of saints.
-
-    MR. A.
-
-    My dear, you’re _waxing_ wroth.
-
-    MRS. A. (_going_.)
-
-                                    Provoking!
-
-    MR. A.
-
-                                              Stay,
-    I hear our children’s voices at their play;
-    I love to see them sporting on the rocks,
-
-    MRS. A.
-
-    Wetting their feet, and dirtying their frocks.
-    My dear, come in.
-
-    MR. A.
-
-                      My darling, I’ll stay out.
-
-    MRS. A.
-
-    Don’t expect me to nurse you in the gout. [_Exit._
-
-
-
-
-THE PILOT IN SIGHT.
-
-
-    I.
-
-    And are you sure the news is true?
-    And is the pilot seen?
-    I see the waters changed in hue,
-    Old Neptune’s deck’d in green.
-
-    II.
-
-    ’Tis true; I see the glistening sail
-    Far o’er the watery space,
-    White as a floating bridal veil
-    Thrown off a blushing face.
-
-    III.
-
-    All eyes are straining for the shore,
-    I long to climb above,
-    And shall I touch the land once more,
-    And hear of those I love?
-
-    IV.
-
-    Before this wearying glass has spent
-    Its sand, he’ll he aboard;
-    I’ll ask not if we’ve pitch’d the tent,
-    Or sheath’d the bloody sword;
-
-    V.
-
-    If Dost Mahomed captive pine,
-    Or if the Tartar bend,
-    I’ll trembling ask for one dear line
-    From some familiar friend.
-
-    VI.
-
-    The pilot on the deck has sprung,
-    He’s hail’d on every side,
-    Shame on my false, rebellious tongue!
-    Oh! why is speech denied?
-
-
-
-
-THE ARRIVAL; OR, THE LAND-LUBBER’S SONG.
-
-
-    I.
-
-    The joys of the ocean let others discuss,
-    A ship is to me a marine omnibus,
-    Or an ark where man, beast, bird, and insect convene,
-    And each living creature on board is unclean.
-
-    II.
-
-    Should slumber miraculous seal up your eyes,
-    No chanticleer issues a summons to rise,
-    You’ve the music of hounds, and should that fail to vex,
-    It gives place to the sound of men swobbing the decks.
-
-    III.
-
-    In the stillness of night some fond fancies invade,
-    Perchance you may dream that some fair, favour’d maid
-    With delicate fingers is twining your hair,
-    And you wake to find cockroaches, not fingers, there.
-
-    IV.
-
-    ’Tis a Babel of sounds; you’ve the lowing of cows,
-    Sheep bleating, and squeaks of parturient sows,
-    Geese cackling, ducks quacking, curs yelping, ne’er mute,
-    And the wheeze of some plaintive, asthmatical flute.
-
-    V.
-
-    Around you what various odours arise!
-    How blest is the man to whom nature denies
-    The olfactory nerve, to whose nonchalant nose
-    The stalest bilgewater is fragrant as rose!
-
-    VI.
-
-    To dine in the cuddy tames pleasures of sense,
-    Proves life but a lottery; its prizes pretence,
-    Its blanks dark realities, there ’twill be seen
-    ’Twixt the cup and the lip what sad slips intervene.
-
-    VII.
-
-    You drink to a fair one: how blest her escape,
-    Whose bosom’s not red with the juice of the grape;
-    Each flagon may Tantalus serve for a stoup,
-    And envious Neptune upsets your pea-soup.
-
-    VIII.
-
-    What pleasure to walk with a staggering gait,
-    With dimness of sight, and confusion of pate;
-    Like a drunkard to reel when the ship gives a lurch,
-    And balance see-saw, like a duck forced to perch!
-
-    IX.
-
-    The city of palaces bursts on my sight!
-    Its mosques and its temples I hail with delight;
-    A palace in every building I see,
-    For a pigsty ashore is a palace to me.
-
-
-THE END.
-
-LONDON: BRADBURY AND EVANS, PRINTERS, WHITEFRIARS
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-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Horæ Nauseæ, by Lawrence Peel</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Horæ Nauseæ</p>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Lawrence Peel</div>
-
-<div style='display:block; margin:1em 0'>Release Date: September 14, 2021 [eBook #66301]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Mark C. Orton and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK HORÆ NAUSEÆ ***</div>
-
-<div class="transnote">
-
-<p><b>Transcriber’s Note:</b> In the original, even-numbered pages were blank.
-Those page numbers have been omitted from this e-text.</p>
-
-</div>
-
-<h1>HORÆ NAUSEÆ.</h1>
-
-<p class="titlepage"><span class="smaller">BY</span><br />
-LAWRENCE PEEL.</p>
-
-<p class="titlepage">LONDON:<br />
-PRINTED BY BRADBURY AND EVANS, WHITEFRIARS.<br />
-<span class="smaller">MDCCCXLI.</span></p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<h2 class="nobreak">CONTENTS.</h2>
-
-</div>
-
-<table summary="Contents">
-  <tr>
-    <td></td>
-    <td class="tdpg smaller">PAGE</td>
-  </tr>
-  <tr>
-    <td colspan="2" class="tdc"><a href="#TRANSLATIONS_FROM_THE_SPANISH">TRANSLATIONS FROM THE SPANISH.</a></td>
-  </tr>
-  <tr>
-    <td>GIL POLO</td>
-    <td class="tdpg"><a href="#GIL_POLO">3</a></td>
-  </tr>
-  <tr>
-    <td>QUEVEDO</td>
-    <td class="tdpg"><a href="#QUEVEDO_I">5</a></td>
-  </tr>
-  <tr>
-    <td>QUEVEDO</td>
-    <td class="tdpg"><a href="#QUEVEDO_II">7</a></td>
-  </tr>
-  <tr>
-    <td>ARGENSOLA</td>
-    <td class="tdpg"><a href="#ARGENSOLA">9</a></td>
-  </tr>
-  <tr>
-    <td>ON THE PROOFS OF A DEITY (<i>Original</i>)</td>
-    <td class="tdpg"><a href="#ON_THE_PROOFS_OF_A_DEITY">11</a></td>
-  </tr>
-  <tr>
-    <td>VILLEGAS</td>
-    <td class="tdpg"><a href="#VILLEGAS">13</a></td>
-  </tr>
-  <tr>
-    <td>MELENDEZ</td>
-    <td class="tdpg"><a href="#MELENDEZ_I">17</a></td>
-  </tr>
-  <tr>
-    <td>MELENDEZ</td>
-    <td class="tdpg"><a href="#MELENDEZ_II">21</a></td>
-  </tr>
-  <tr>
-    <td>A FABLE</td>
-    <td class="tdpg"><a href="#A_FABLE">25</a></td>
-  </tr>
-  <tr>
-    <td colspan="2" class="tdc"><a href="#TRANSLATIONS_FROM_HORACE">TRANSLATIONS FROM HORACE.</a></td>
-  </tr>
-  <tr>
-    <td>BOOK I.—ODE III.</td>
-    <td class="tdpg"><a href="#BOOK_I_ODE_III">35</a></td>
-  </tr>
-  <tr>
-    <td>BOOK I.—ODE V.</td>
-    <td class="tdpg"><a href="#BOOK_I_ODE_V">41</a></td>
-  </tr>
-  <tr>
-    <td>BOOK I.—ODE IX.</td>
-    <td class="tdpg"><a href="#BOOK_I_ODE_IX">43</a></td>
-  </tr>
-  <tr>
-    <td>BOOK III.—ODE XXIX.</td>
-    <td class="tdpg"><a href="#BOOK_III_ODE_XXIX">47</a></td>
-  </tr>
-  <tr>
-    <td colspan="2" class="tdc"><a href="#ORIGINAL_PIECES">ORIGINAL PIECES.</a></td>
-  </tr>
-  <tr>
-    <td>ODE TO HARRIS</td>
-    <td class="tdpg"><a href="#ODE_TO_HARRIS">59</a></td>
-  </tr>
-  <tr>
-    <td>THE DOCTOR WITHOUT A SOUL; OR, THE CREATURES OF ROMANCE</td>
-    <td class="tdpg"><a href="#THE_DOCTOR_WITHOUT_A_SOUL">63</a></td>
-  </tr>
-  <tr>
-    <td>A MATRIMONIAL DIALOGUE AND MARINE ECLOGUE</td>
-    <td class="tdpg"><a href="#A_MATRIMONIAL_DIALOGUE_AND_MARINE_ECLOGUE">73</a></td>
-  </tr>
-  <tr>
-    <td>THE PILOT IN SIGHT</td>
-    <td class="tdpg"><a href="#THE_PILOT_IN_SIGHT">83</a></td>
-  </tr>
-  <tr>
-    <td>THE ARRIVAL; OR, THE LAND-LUBBER’S SONG</td>
-    <td class="tdpg"><a href="#THE_ARRIVAL">87</a></td>
-  </tr>
-</table>
-
-<p><span class="pagenum"><a id="Page_1"></a>[1]</span></p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_3"></a>[3]</span></p>
-
-<h2 class="nobreak" id="TRANSLATIONS_FROM_THE_SPANISH">TRANSLATIONS FROM THE SPANISH.</h2>
-
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<h3 class="nobreak" id="GIL_POLO">GIL POLO.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">Love is not blind, but I alone, who steer</div>
-    <div class="verse indent0">My wishes headlong unto death:</div>
-    <div class="verse indent0">Love is no child, but I; who in a breath</div>
-    <div class="verse indent0">Laugh and lament, and hope and fear:</div>
-    <div class="verse indent0">What folly then to speak of “flames of Love!”</div>
-    <div class="verse indent0">Love’s fire from untamed passion springs,</div>
-    <div class="verse indent0">High and presumptuous thoughts are Cupid’s wings,</div>
-    <div class="verse indent0">Or hopes as vain on which he soars above.</div>
-    <div class="verse indent0">Love has no chains, Love bears no bow</div>
-    <div class="verse indent0">To take, or strike the sound, and free:</div>
-    <div class="verse indent0">No power has he save that which we bestow;</div>
-    <div class="verse indent0">A poet’s fiction gave him birth,</div>
-    <div class="verse indent0">The dream of fools, adored on earth</div>
-    <div class="verse indent0">By none except the sons of vanity.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_5"></a>[5]</span></p>
-
-<h3 class="nobreak" id="QUEVEDO_I">QUEVEDO.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">No more shall custom dash my coward heart,</div>
-    <div class="verse indent0">Nor shadowy forms nor gloomy fears o’erpower</div>
-    <div class="verse indent0">My soul, that waits the cold, dark, final hour:</div>
-    <div class="verse indent0">Soul! be thyself, arm, courage is thy part.</div>
-    <div class="verse indent0">If Death, though clad in sorrow’s sable weeds,</div>
-    <div class="verse indent0">Bring peace, a stranger to my troubled breast,</div>
-    <div class="verse indent0">I’ll give him welcome so he give me rest,</div>
-    <div class="verse indent0">And thank him as his brandish’d dart he speeds.</div>
-    <div class="verse indent0">Forgive me that I harbour’d childish fears</div>
-    <div class="verse indent0">Of thee, the struggling soul who comest to aid,</div>
-    <div class="verse indent0">As now the disentangled mesh it clears,</div>
-    <div class="verse indent0">Mortality’s frail snare: no more afraid</div>
-    <div class="verse indent0">I welcome thee with smiles, not greet with tears,</div>
-    <div class="verse indent0">For well I know my Ransom hath been paid.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_7"></a>[7]</span></p>
-
-<h3 class="nobreak" id="QUEVEDO_II">QUEVEDO.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">I saw, its lofty ramparts undermined,</div>
-    <div class="verse indent0">Crumbling to earth, my native town decay;</div>
-    <div class="verse indent0">I saw my fathers’ house, nor saw resign’d,</div>
-    <div class="verse indent0">Alike assail’d Time’s not disdained prey:</div>
-    <div class="verse indent0">Upon its black and Time-dishonour’d wall</div>
-    <div class="verse indent0">My sword ancestral eager I survey’d;</div>
-    <div class="verse indent0">Devouring Time, triumphant over all,</div>
-    <div class="verse indent0">Had eaten into its corroded blade:</div>
-    <div class="verse indent0">My shorten’d staff still yielded as I prest</div>
-    <div class="verse indent0">The prop on which my age must yet rely,</div>
-    <div class="verse indent0">And all on which my hand or eye could rest</div>
-    <div class="verse indent0">Gave sad and solemn warning that we die.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_9"></a>[9]</span></p>
-
-<h3 class="nobreak" id="ARGENSOLA">ARGENSOLA.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">Father of all! unfold, since thou art just,</div>
-    <div class="verse indent0">Why does thy providence all coldly see</div>
-    <div class="verse indent0">Pale innocence enchain’d that would be free,</div>
-    <div class="verse indent0">Whilst fraud ascends the judgment-seat august.</div>
-    <div class="verse indent0">Who nerves the arm of power which dares oppose</div>
-    <div class="verse indent0">An impious resistance to thy will?</div>
-    <div class="verse indent0">Shall holy zeal and timid reverence still</div>
-    <div class="verse indent0">Groan at the feet of thy obdurate foes?</div>
-    <div class="verse indent0">See! impious hands victorious banners wave!</div>
-    <div class="verse indent0">Hark! virtue moans scarce heard amid the shout</div>
-    <div class="verse indent0">Of insolent triumph, and its boisterous mirth!</div>
-    <div class="verse indent0">Thus I complaining spoke: A form shone out,</div>
-    <div class="verse indent0">Gravely it spoke: “Is thy soul’s centre earth?</div>
-    <div class="verse indent0">Oh blind one! not to <i>see beyond</i> the grave!”</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_11"></a>[11]</span></p>
-
-<h3 class="nobreak" id="ON_THE_PROOFS_OF_A_DEITY">ON THE PROOFS OF A DEITY.<br />
-<span class="smaller">ORIGINAL.</span></h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">Talk not of proofs: God must be seen, and felt,</div>
-    <div class="verse indent0">And known by meditation; not deduced</div>
-    <div class="verse indent0">Like some hard problem, or a riddle spelt</div>
-    <div class="verse indent0">By frequent guessing. Proofs on proofs adduced,</div>
-    <div class="verse indent0">Speak they so plainly as the wailing cry</div>
-    <div class="verse indent0">Of her first infant tells the mother’s heart</div>
-    <div class="verse indent0">A mother’s love doth well from God on high?</div>
-    <div class="verse indent0">Who hath not heard, in solitude apart,</div>
-    <div class="verse indent0">God’s voice upon the wind? Who hath not seen</div>
-    <div class="verse indent0">And felt Him present? seen Him earth pervade?</div>
-    <div class="verse indent0">Each spring, their wither’d crowns renew with green</div>
-    <div class="verse indent0">In aged trees? seen Him in depths of shade?</div>
-    <div class="verse indent0">And glorious sunshine? and reveal’d in light</div>
-    <div class="verse indent0">Of stars? and in the sea’s resistless might?</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_13"></a>[13]</span></p>
-
-<h3 class="nobreak" id="VILLEGAS">VILLEGAS.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">Now, Spring the year’s contracted brow</div>
-    <div class="verse indent0">Unknits, and robes in brightest green</div>
-    <div class="verse indent0">The trees; and, victims to the plough,</div>
-    <div class="verse indent0">Fresh flowers are strew’d where snows were seen.</div>
-    <div class="verse indent0">The honours of the time complete,</div>
-    <div class="verse indent0">Come forth, and welcome in the spring,</div>
-    <div class="verse indent0">Which spreads a carpet for thy feet,</div>
-    <div class="verse indent0">A verdant broider’d offering</div>
-    <div class="verse indent0">For thee, whom, honour’d as her queen,</div>
-    <div class="verse indent0">She mourns away, and welcomes seen.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">Here in this flowing mirror see,</div>
-    <div class="verse indent0">Worthy of thy reflected face,</div>
-    <div class="verse indent0">Exulting in its waters free,</div>
-    <div class="verse indent0">Charms which art’s rivalry disgrace.</div><span class="pagenum"><a id="Page_15"></a>[15]</span>
-    <div class="verse indent0">The bygone waters would return,</div>
-    <div class="verse indent0">The waters present stay their course;</div>
-    <div class="verse indent0">The coming waters from their urn</div>
-    <div class="verse indent0">A passage prematurely force;</div>
-    <div class="verse indent0">All jealous, striving to possess</div>
-    <div class="verse indent0">The image of thy loveliness.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">Nature is eloquent to teach:</div>
-    <div class="verse indent0">Her lessons do not thou disdain:</div>
-    <div class="verse indent0">The birds, though unendow’d with speech,</div>
-    <div class="verse indent0">Can carol love, in song complain.</div>
-    <div class="verse indent0">Come, seek their school: their love-taught notes</div>
-    <div class="verse indent0">The text of nature will expound;</div>
-    <div class="verse indent0">The thrilling music of their throats</div>
-    <div class="verse indent0">Teach us what bliss in love is found;</div>
-    <div class="verse indent0">And all their pretty wanton ways,</div>
-    <div class="verse indent0">Mutely reprove our dull delays.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_17"></a>[17]</span></p>
-
-<h3 class="nobreak" id="MELENDEZ_I">MELENDEZ.<br />
-<span class="smaller">CUPID A BUTTERFLY.</span></h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">Observing once, with secret spite,</div>
-    <div class="verse indent0">The rustic maidens, wild with fright,</div>
-    <div class="verse indent0">Fly from him when his arms he bore,</div>
-    <div class="verse indent0">Revenge the wily Cupid swore;</div>
-    <div class="verse indent0">And straight a stratagem design’d,</div>
-    <div class="verse indent0">For Cupid’s malice is refined.</div>
-    <div class="verse indent0">He seems a butterfly complete,</div>
-    <div class="verse indent0">With down upon his baby feet;</div>
-    <div class="verse indent0">His little arms are changed to wings;</div>
-    <div class="verse indent0">And sportive into air he springs.</div>
-    <div class="verse indent0">Now through the meadows he meanders,</div>
-    <div class="verse indent0">And now from flower to flower he wanders;</div>
-    <div class="verse indent0">Hovers o’er this, on that alights,</div>
-    <div class="verse indent0">Whose honied cup his lip invites.</div><span class="pagenum"><a id="Page_19"></a>[19]</span>
-    <div class="verse indent0">The maidens think him what he seems,</div>
-    <div class="verse indent0">Not one of aught deceptive dreams,</div>
-    <div class="verse indent0">And eager in the chase they strive:</div>
-    <div class="verse indent0">One stoops to take him up alive,</div>
-    <div class="verse indent0">As on the ground fatigue he feigns;</div>
-    <div class="verse indent0">Again he flies and mocks her pains;</div>
-    <div class="verse indent0">A second calls with accents kind;</div>
-    <div class="verse indent0">Another panting lags behind.</div>
-    <div class="verse indent0">He sees them in the contest warm,</div>
-    <div class="verse indent0">Then starts into his proper form,</div>
-    <div class="verse indent0">And sets their simple hearts on fire,</div>
-    <div class="verse indent0">To gratify his childish ire.</div>
-    <div class="verse indent0">But from that time, in love we see</div>
-    <div class="verse indent0">The butterfly’s inconstancy.</div>
-    <div class="verse indent0">Love tarries not, but onward springs;</div>
-    <div class="verse indent0">Alas! the urchin kept his wings.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_21"></a>[21]</span></p>
-
-<h3 class="nobreak" id="MELENDEZ_II">MELENDEZ.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">When I was yet a little boy,</div>
-    <div class="verse indent2">And Dorila as young,</div>
-    <div class="verse indent0">Forth to the fields we went with joy,</div>
-    <div class="verse indent2">Where the first violets sprung.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">Her hands arranged, with natural grace,</div>
-    <div class="verse indent2">For each a garland gay;</div>
-    <div class="verse indent0">And thus, midst childish sports, apace</div>
-    <div class="verse indent2">The moments danced away.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">Our age advanced, as they withdrew,</div>
-    <div class="verse indent2">Unwatch’d by us the while;</div>
-    <div class="verse indent0">By slow degrees our knowledge grew,</div>
-    <div class="verse indent2">Till innocence seem’d guile.</div><span class="pagenum"><a id="Page_23"></a>[23]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IV.</div>
-    <div class="verse indent0">The sight of me would now provoke</div>
-    <div class="verse indent2">A smile, I scarce knew why,</div>
-    <div class="verse indent0">From Dorila; and if I spoke,</div>
-    <div class="verse indent2">A laugh was the reply.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">V.</div>
-    <div class="verse indent0">The flowers I pluck’d she swiftly twined,</div>
-    <div class="verse indent2">Her own had little care;</div>
-    <div class="verse indent0">It took her twice as long to bind</div>
-    <div class="verse indent2">My chaplet in my hair.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VI.</div>
-    <div class="verse indent0">One summer’s eve two doves we spied;</div>
-    <div class="verse indent2">Their trembling bills were cross’d;</div>
-    <div class="verse indent0">Then first we knew for what we sigh’d:</div>
-    <div class="verse indent2">The lesson was not lost.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_25"></a>[25]</span></p>
-
-<h3 class="nobreak" id="A_FABLE">A FABLE.<br />
-<span class="smaller">ALTERED FROM THE SPANISH OF YRIARTE.</span></h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">A Piedmontese, from fair to fair,</div>
-    <div class="verse indent0">Display’d a Vestris in a bear;</div>
-    <div class="verse indent0">An ape likewise, whose tricks self-taught</div>
-    <div class="verse indent0">The grinning crowd’s approval caught,</div>
-    <div class="verse indent0">(Judgment as that of critics sound,</div>
-    <div class="verse indent0">Who think all’s wit where mischief’s found):</div>
-    <div class="verse indent0">And last it was his luck to own,</div>
-    <div class="verse indent0">A treasure in itself alone;</div>
-    <div class="verse indent0">A pig, to letters train’d, polite</div>
-    <div class="verse indent0">Of course, the beast was erudite.</div>
-    <div class="verse indent0">With open mouth, each wondering lout</div>
-    <div class="verse indent0">Would view its orthographic snout</div>
-    <div class="verse indent0">Choose letters, and hard words compose,</div>
-    <div class="verse indent0">Without the due didactic blows.</div><span class="pagenum"><a id="Page_27"></a>[27]</span>
-    <div class="verse indent0">Then, if some rude unletter’d hind,</div>
-    <div class="verse indent0">Impell’d by generous shame, repined,</div>
-    <div class="verse indent0">Felt his own ignorance, and thought</div>
-    <div class="verse indent0">That letters might, though late, be taught;</div>
-    <div class="verse indent0">How would the burly shaven priest</div>
-    <div class="verse indent0">Exorcise the sleek, learned beast;</div>
-    <div class="verse indent0">Judge it possess’d, a hog of hell,</div>
-    <div class="verse indent0">Whose devil-directed nose could spell,</div>
-    <div class="verse indent0">Pointing to knowledge, and to sin;</div>
-    <div class="verse indent0">Whilst secretly he’d grieve within</div>
-    <div class="verse indent0">O’er spelling true, ah! not his own!</div>
-    <div class="verse indent0">And think the pig, their rival grown,</div>
-    <div class="verse indent0">Might shake their intellectual throne;</div>
-    <div class="verse indent0">And force his convent, fond of rule,</div>
-    <div class="verse indent0">Once more to put themselves to school!</div>
-    <div class="verse indent0">The bear, first favourite no more,</div>
-    <div class="verse indent0">Surly, as though his ears were sore,</div>
-    <div class="verse indent0">The fickle public to regain,</div>
-    <div class="verse indent0">And give the “pas” to dance again,</div>
-    <div class="verse indent0">Tries and retries his steps with care,</div>
-    <div class="verse indent0">Since to be perfect’s not in bear.</div><span class="pagenum"><a id="Page_29"></a>[29]</span>
-    <div class="verse indent0">The pig and ape, spectators mute,</div>
-    <div class="verse indent0">Observe the labours of the brute</div>
-    <div class="verse indent0">Shuffling, and struggling hard for ease,</div>
-    <div class="verse indent0">And ever labouring to please.</div>
-    <div class="verse indent0">At length Sir Bruin thinks he spies</div>
-    <div class="verse indent0">Derision in pig’s watchful eyes;</div>
-    <div class="verse indent0">And criticism seems to sneak</div>
-    <div class="verse indent0">In that dry tongue-distended cheek.</div>
-    <div class="verse indent0">“Good! Eh?” he daring asks; “my style</div>
-    <div class="verse indent0">Is all my own, it’s new.” “It’s vile,”</div>
-    <div class="verse indent0">The Ape cries, midst the Hog’s dissent,</div>
-    <div class="verse indent0">Who finds the dancing excellent;</div>
-    <div class="verse indent0">Praises the grace of hams and paws,</div>
-    <div class="verse indent0">Applauded, (he could spare applause,)</div>
-    <div class="verse indent0">So natural! and owns that pigs</div>
-    <div class="verse indent0">Shine less in minuets and jigs;</div>
-    <div class="verse indent0">And even the critic he defies</div>
-    <div class="verse indent0">To equal that which he decries.</div>
-    <div class="verse indent0">Then Bruin, with a thoughtful air,</div>
-    <div class="verse indent0">Cries, “Friend, your panegyric spare;</div><span class="pagenum"><a id="Page_31"></a>[31]</span>
-    <div class="verse indent0">A censuring Ape I might distrust,</div>
-    <div class="verse indent0">His blame’s too general to be just;</div>
-    <div class="verse indent0">But, oh! preserve me from my friends!</div>
-    <div class="verse indent0">I must dance ill—a Hog commends.”</div>
-  </div>
-</div>
-</div>
-
-<p><span class="pagenum"><a id="Page_33"></a>[33]</span></p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_35"></a>[35]</span></p>
-
-<h2 class="nobreak" id="TRANSLATIONS_FROM_HORACE">TRANSLATIONS FROM HORACE.</h2>
-
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<h3 class="nobreak" id="BOOK_I_ODE_III">BOOK I.—ODE III.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">Thee, may the Cyprian queen divine,</div>
-    <div class="verse indent0">And Helen’s brethren, glittering sign,</div>
-    <div class="verse indent0">And Æolus, the winds’ stern sire,</div>
-    <div class="verse indent0">(Save Iapyx all his subjects bound,)</div>
-    <div class="verse indent0">Ship! prosperous guide; that safe ashore</div>
-    <div class="verse indent0">Our Virgil, to the Attic ground</div>
-    <div class="verse indent0">Thou mayst, thy trusted freight, give o’er,</div>
-    <div class="verse indent0">And save one half my soul entire.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">His bosom fenced brass triply stout,</div>
-    <div class="verse indent0">Who first in fragile bark put out,</div>
-    <div class="verse indent0">Braving the ocean; undeterr’d</div>
-    <div class="verse indent0">By south-west winds, in contest dire</div><span class="pagenum"><a id="Page_37"></a>[37]</span>
-    <div class="verse indent0">With north-east blasts; sad Hyades,</div>
-    <div class="verse indent0">Or by the south wind’s fiercer ire,</div>
-    <div class="verse indent0">Lord o’er the Adriatic seas</div>
-    <div class="verse indent0">Calm’d at its sovereign will, or stirr’d.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">What shapes of death could him affright,</div>
-    <div class="verse indent0">Who view’d those ill-famed summits, hight</div>
-    <div class="verse indent0">Acroceraunia, and the swell</div>
-    <div class="verse indent0">And swimming monsters of the main</div>
-    <div class="verse indent0">With steadfast eye? God’s wise decree</div>
-    <div class="verse indent0">Disjoins the lands remote in vain,</div>
-    <div class="verse indent0">If impious, o’er the severing sea</div>
-    <div class="verse indent0">The bark contemptuous sails propel.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IV.</div>
-    <div class="verse indent0">Man, bold to endure where gain’s the cause,</div>
-    <div class="verse indent0">Bursts through divine and human laws.</div>
-    <div class="verse indent0">When bold Prometheus, for our race,</div>
-    <div class="verse indent0">Plunder’d of fire the mansions blest</div>
-    <div class="verse indent0">By wicked fraud, o’er earth new bands</div>
-    <div class="verse indent0">Of fevers brooded; forward prest</div><span class="pagenum"><a id="Page_39"></a>[39]</span>
-    <div class="verse indent0">The pestilence, and new commands</div>
-    <div class="verse indent0">Quicken’d death’s first retarded pace.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">V.</div>
-    <div class="verse indent0">On pinions, unto man denied,</div>
-    <div class="verse indent0">Once Dædalus void æther tried.</div>
-    <div class="verse indent0">By force hell’s bounds Alcides past.</div>
-    <div class="verse indent0">Nought is too arduous for man:</div>
-    <div class="verse indent0">We foolish, heaven itself invade,</div>
-    <div class="verse indent0">Our desperate crimes fresh outbreaks plan;</div>
-    <div class="verse indent0">And force Jove’s hand, by mercy stay’d,</div>
-    <div class="verse indent0">The angry bolts to launch at last.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_41"></a>[41]</span></p>
-
-<h3 class="nobreak" id="BOOK_I_ODE_V">BOOK I.—ODE V.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">What slender youth, whom many roses crown,</div>
-    <div class="verse indent0">Whose hair rich liquid unguents steal adown,</div>
-    <div class="verse indent0">Wooes thee, coy Pyrrha, in some pleasant grot?</div>
-    <div class="verse indent0">For whom dost thou thy golden tresses knot</div>
-    <div class="verse indent0">Neat in thine elegance? How oft he’ll weep</div>
-    <div class="verse indent0">Thy faith and gods as mutable! The deep</div>
-    <div class="verse indent0">How oft, poor simple novice, he’ll admire</div>
-    <div class="verse indent0">Blackening beneath the savage tempest’s ire,</div>
-    <div class="verse indent0">Who now enjoys thee in thy golden days,</div>
-    <div class="verse indent0">Unconscious how the changing wind betrays;</div>
-    <div class="verse indent0">Ah, credulous! and fondly hopes to find</div>
-    <div class="verse indent0">Thee his for ever, and for ever kind.</div>
-    <div class="verse indent0">Woe unto whom thou glitterest untried!</div>
-    <div class="verse indent0">My votive picture, in his temple, tells</div>
-    <div class="verse indent0">I’ve hung my garments, reeking from the tide,</div>
-    <div class="verse indent0">Before the God, whose power the ocean quells.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_43"></a>[43]</span></p>
-
-<h3 class="nobreak" id="BOOK_I_ODE_IX">BOOK I.—ODE IX.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">How white Soracte stands, behold,</div>
-    <div class="verse indent0">With lofty snows! Its labouring trees</div>
-    <div class="verse indent0">Groan ’neath the weight. The rivers freeze</div>
-    <div class="verse indent0">And flow no more, congeal’d by cold.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">Replenish largely from your store</div>
-    <div class="verse indent0">The fire with logs, dispel the chill;</div>
-    <div class="verse indent0">And wine, the cherish’d four-year old,</div>
-    <div class="verse indent0">From Sabine cask more freely fill.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">Leave to the gods the rest: whose word,</div>
-    <div class="verse indent0">Soon as it lulls the boiling seas</div>
-    <div class="verse indent0">Battling with winds, the cypress trees,</div>
-    <div class="verse indent0">And aged elms, no more are stirr’d.</div><span class="pagenum"><a id="Page_45"></a>[45]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IV.</div>
-    <div class="verse indent0">Ask not, to-morrow what may chance,</div>
-    <div class="verse indent0">Count it for gain whate’er betide:</div>
-    <div class="verse indent0">Nor spurn, to peevish age denied,</div>
-    <div class="verse indent0">Soft loves, my boy, nor yet the dance:</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">V.</div>
-    <div class="verse indent0">Whilst hoary age, morose and sour,</div>
-    <div class="verse indent0">Spares thy green spring, youth’s pastimes light</div>
-    <div class="verse indent0">By day, soft whisperings by night,</div>
-    <div class="verse indent0">Be thine, at the appointed hour,</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VI.</div>
-    <div class="verse indent0">The hiding maid’s forced laugh, dear sound,</div>
-    <div class="verse indent0">From secret nook, love’s fond alarm;</div>
-    <div class="verse indent0">The pledge, which beauty’s plunder’d arm,</div>
-    <div class="verse indent0">On irretentive finger bound.</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_47"></a>[47]</span></p>
-
-<h3 class="nobreak" id="BOOK_III_ODE_XXIX">BOOK III.—ODE XXIX.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">Sprung from the Etrurian kingly line</div>
-    <div class="verse indent0">Mecænas, thee my choicest wine</div>
-    <div class="verse indent0">Stored in a cask ne’er broach’d, my best</div>
-    <div class="verse indent0">Of unguents for thy hair exprest,</div>
-    <div class="verse indent0">With roses fresh, invite to stay;</div>
-    <div class="verse indent0">Come, snatch thyself from dull delay.</div>
-    <div class="verse indent0">View not for aye moist Tibur’s glade,</div>
-    <div class="verse indent0">With Æsula’s inclining side,</div>
-    <div class="verse indent0">And rocks where erst his refuge made</div>
-    <div class="verse indent0">Telegonus, the parricide.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">Leave loathed plenty, and retire</div>
-    <div class="verse indent0">From piles which to the clouds aspire;</div>
-    <div class="verse indent0">Leave wealthy Rome for humbler joys,</div>
-    <div class="verse indent0">Its smoke, its riches, and its noise.</div><span class="pagenum"><a id="Page_49"></a>[49]</span>
-    <div class="verse indent0">Vicissitudes delight the great</div>
-    <div class="verse indent0">Well pleased sometimes to quit their state:</div>
-    <div class="verse indent0">Beneath the poor man’s humble roof,</div>
-    <div class="verse indent0">A frugal supper neatly dress’d</div>
-    <div class="verse indent0">Oft smooths the brow, keeps care aloof,</div>
-    <div class="verse indent0">Though there no purple couch be prest.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">Above, Andromeda’s fierce sire</div>
-    <div class="verse indent0">Glows in the skies with splendid fire;</div>
-    <div class="verse indent0">Now Procyon rages, and the star</div>
-    <div class="verse indent0">Of the mad Lion seen afar;</div>
-    <div class="verse indent0">The sun brings back the time of drought,</div>
-    <div class="verse indent0">The wearied hind his flocks hath brought</div>
-    <div class="verse indent0">Languid with heat to shade and stream</div>
-    <div class="verse indent0">There; where secure in tangled brake</div>
-    <div class="verse indent0">The rough Sylvanus shuns day’s gleam,</div>
-    <div class="verse indent0">And winds the silent bank forsake.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IV.</div>
-    <div class="verse indent0">Thy task it is to guide the state,</div>
-    <div class="verse indent0">Solicitous the city’s fate</div><span class="pagenum"><a id="Page_51"></a>[51]</span>
-    <div class="verse indent0">To learn, what eastern hordes design,</div>
-    <div class="verse indent0">What Bactra, ruled by Cyrus’ line,</div>
-    <div class="verse indent0">Or China; or why discord reigns</div>
-    <div class="verse indent0">Where Tanais flows through sandy plains.</div>
-    <div class="verse indent0">God knows, alone, what is to be,</div>
-    <div class="verse indent0">Prudent, the future veils in night,</div>
-    <div class="verse indent0">And laughs when ills blind mortals see</div>
-    <div class="verse indent0">Foreboded, with extreme affright.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">V.</div>
-    <div class="verse indent0">Use what the present moment brings;</div>
-    <div class="verse indent0">Like to some stream are future things,</div>
-    <div class="verse indent0">Which in mid channel calmly glides,</div>
-    <div class="verse indent0">To mix in the Etrurian tides:</div>
-    <div class="verse indent0">Anon, adown its waters borne</div>
-    <div class="verse indent0">Trees, cattle, houses, stones half worn</div>
-    <div class="verse indent0">Together roll, whilst loud is heard</div>
-    <div class="verse indent0">The clamour in the mountain caves</div>
-    <div class="verse indent0">Of neighbouring woods; and tempest-stirr’d,</div>
-    <div class="verse indent0">The calmest rivers swell with waves.</div><span class="pagenum"><a id="Page_53"></a>[53]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VI.</div>
-    <div class="verse indent0">That man is blest who thus can say</div>
-    <div class="verse indent0">Lord of himself, “I’ve lived to day;</div>
-    <div class="verse indent0">To-morrow let the gods obscure</div>
-    <div class="verse indent0">The sky with clouds, or sunshine pure</div>
-    <div class="verse indent0">Pour forth, come brightness, or come gloom,</div>
-    <div class="verse indent0">The past is acted, and its doom</div>
-    <div class="verse indent0">Pronounced; and to revoke the past,</div>
-    <div class="verse indent0">Annul the joys I <i>have</i> possess’d,</div>
-    <div class="verse indent0">Darken the light past hours have cast,</div>
-    <div class="verse indent0">Is not in fate: I have been blest.”</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VII.</div>
-    <div class="verse indent0">Fortune still plies her savage trade,</div>
-    <div class="verse indent0">Laughs at the bankrupts she hath made;</div>
-    <div class="verse indent0">And insolent enjoys the game</div>
-    <div class="verse indent0">As shuffling honours, wealth, and fame,</div>
-    <div class="verse indent0">To others, now to me, she’ll deal</div>
-    <div class="verse indent0">The prizes of her fickle wheel.</div>
-    <div class="verse indent0">Mine she’s adored: her gifts resign’d</div>
-    <div class="verse indent0">Soon as her rapid pinions sound,</div><span class="pagenum"><a id="Page_55"></a>[55]</span>
-    <div class="verse indent0">Meek dow’rless poverty, more kind,</div>
-    <div class="verse indent0">I woo, whilst virtue wraps me round.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VIII.</div>
-    <div class="verse indent0">’Tis not for me, when, strain’d and weak,</div>
-    <div class="verse indent0">The labouring mast is heard to creak,</div>
-    <div class="verse indent0">To fall to wretched trading prayers,</div>
-    <div class="verse indent0">Lest Cyprian or lest Tyrian wares</div>
-    <div class="verse indent0">With rarest spoils, unwonted gain,</div>
-    <div class="verse indent0">Enrich the avaricious main.</div>
-    <div class="verse indent0">Me favour’d by a gentle breeze,</div>
-    <div class="verse indent0">And safe within my light bireme,</div>
-    <div class="verse indent0">Shall light along the Ægean seas</div>
-    <div class="verse indent0">Leda’s fair twins, my constant theme.</div>
-  </div>
-</div>
-</div>
-
-<p><span class="pagenum"><a id="Page_57"></a>[57]</span></p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_59"></a>[59]</span></p>
-
-<h2 class="nobreak" id="ORIGINAL_PIECES">ORIGINAL PIECES.</h2>
-
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<h3 class="nobreak" id="ODE_TO_HARRIS">ODE TO HARRIS<a id="FNanchor_1" href="#Footnote_1" class="fnanchor">[1]</a>.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse indent0">Always I hated civic<a id="FNanchor_2" href="#Footnote_2" class="fnanchor">[2]</a> entertainments:</div>
-    <div class="verse indent0">Mutton disgusts me simulating<a id="FNanchor_3" href="#Footnote_3" class="fnanchor">[3]</a> ven’son,</div>
-    <div class="verse indent0">Catch<a id="FNanchor_4" href="#Footnote_4" class="fnanchor">[4]</a> me no fish hermetically fasten’d,</div>
-    <div class="verse indent10">Harris, or oysters.</div><span class="pagenum"><a id="Page_61"></a>[61]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse indent0"><i>Still</i><a id="FNanchor_5" href="#Footnote_5" class="fnanchor">[5]</a> I could feast on watery<a id="FNanchor_6" href="#Footnote_6" class="fnanchor">[6]</a> potatoes.</div>
-    <div class="verse indent0">Fill my friend’s lap<a id="FNanchor_7" href="#Footnote_7" class="fnanchor">[7]</a> soups derelict<a id="FNanchor_8" href="#Footnote_8" class="fnanchor">[8]</a>, abandon’d</div>
-    <div class="verse indent0">Sauces, rich gifts of charitable ocean</div>
-    <div class="verse indent12">Cheaply benignant<a id="FNanchor_9" href="#Footnote_9" class="fnanchor">[9]</a>.</div>
-  </div>
-</div>
-</div>
-
-<div class="footnotes">
-
-<div class="footnote">
-
-<p><a id="Footnote_1" href="#FNanchor_1" class="label">[1]</a> Who this Harris was, is a point about which the commentators are at
-variance. Some say, but erroneously as I think, that he was the “puer,” the
-“minister,” of the poet. But this is not probable, for to such persons odes
-were not then commonly addressed. No! Harris was no servant, he was the
-friend, the “commensalis,” the fellow-messman of the author at the cuddy
-table; whom he may be supposed to be inviting to the erratic fish, which,
-under the influence of a gale, has become as locomotive as ever it was in its
-own native element.</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_2" href="#FNanchor_2" class="label">[2]</a> Why civic, since the entertainment was nautical? ask some matter-of-fact
-critics. Do not these blunderers perceive the delicately-veiled compliment
-to the owners of the vessel upon the richness and profusion of the
-viands?</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_3" href="#FNanchor_3" class="label">[3]</a> “Simulating ven’son.” This process is, unfortunately, in some degree
-lost to us. Some say that mutton was made to resemble venison, by being
-roasted with the wool on. Others, that it was the flesh of a seven-year old male,
-<i>not a wether</i>. But neither of these conjectures is correct. The meat was
-probably steeped in a brine compounded of wine, salt, spices, sugar, and other
-condiments, and sprinkled with Irish blackguard and brickdust.</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_4" href="#FNanchor_4" class="label">[4]</a> “Catch.” Some critics would substitute “reach” for “catch.” But who
-does not see the witty allusion to the unsteadiness of the table, to which these
-dull dogs are blind?</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_5" href="#FNanchor_5" class="label">[5]</a> “Still.” Free from motion.</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_6" href="#FNanchor_6" class="label">[6]</a> “Watery potatoes.” This expression is very enigmatical. Some understand
-by it “dressed in, or by means of water,” as potatoes boiled or steamed,
-in opposition to roasted, baked, or fried potatoes, his preference for which the
-author is supposed to insinuate. But in my opinion this reading, though
-ingenious, is not correct; the true sense of the expression is potatoes carried
-by water, that is, potatoes eaten at sea. Murphyius, however, that intemperate
-though erudite Hibernian critic, declares that it means any potato not
-Irish, which last alone, as he says, were free when dressed from superfluous
-moisture. He contends, that the potato esteemed by epicures was a mealy
-potato. But he offers nothing in proof of his assertion.</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_7" href="#FNanchor_7" class="label">[7]</a> “Lap.” This is plainly a misreading for “plate.” It would have been
-an unfriendly and unamiable wish had the author prayed that liquids, as
-soups and sauces were, should fall into the lap of his friend, of which it would
-naturally have been irretentive. It is easy to trace the corruption of the
-text. “Plate” has been written with an elision, “pla,” by a copyist studious
-of his ease. The now final vowel has slipped into the middle place and
-formed “pal;” which a careless scribe, putting the cart before the horse, has
-changed into “lap.”</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_8" href="#FNanchor_8" class="label">[8]</a> “Derelict.” This implies the departure from the table of some squeamish
-person without the “animus revertendi.”</p>
-
-</div>
-
-<div class="footnote">
-
-<p><a id="Footnote_9" href="#FNanchor_9" class="label">[9]</a> “Cheaply benignant,” that is, dispensing things not its own, liberal at the
-expense of others; as a generous churchwarden, a chairman distributing
-prizes, a prime minister filling up a pension-list, a House of Commons voting
-supplies, or an attorney marking undelivered briefs for a son.</p>
-
-</div>
-
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_63"></a>[63]</span></p>
-
-<h3 class="nobreak" id="THE_DOCTOR_WITHOUT_A_SOUL">THE DOCTOR WITHOUT A SOUL;<br />
-<span class="smaller"><span class="smaller">OR,</span><br />
-THE CREATURES OF ROMANCE.</span></h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">His studies o’er, his next discourse</div>
-    <div class="verse indent2">Impromptu learnt by rote,</div>
-    <div class="verse indent0">The rector rose, and doff’d a coarse</div>
-    <div class="verse indent2">To don a finer coat.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">His silken hose with shining clocks</div>
-    <div class="verse indent2">Which clothed each portly calf,</div>
-    <div class="verse indent0">His shovel hat right orthodox,</div>
-    <div class="verse indent2">And golden-headed staff,</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">All spoke the doctor. On he strode:</div>
-    <div class="verse indent2">Soon splash’d, he vow’d irate,</div>
-    <div class="verse indent0">The sinner who survey’d the road</div>
-    <div class="verse indent2">He’d excommunicate.</div><span class="pagenum"><a id="Page_65"></a>[65]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IV.</div>
-    <div class="verse indent0">No! he’d indict his stubborn flock,</div>
-    <div class="verse indent2">And shear their golden fleece.</div>
-    <div class="verse indent0">Who, heeding <i>much</i> the parish stock,</div>
-    <div class="verse indent2"><i>Little</i> Victoria’s peace,</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">V.</div>
-    <div class="verse indent0">Rebellious lieges! mended not</div>
-    <div class="verse indent2">The errors of their ways,</div>
-    <div class="verse indent0">(Upon their pastor’s shoes a spot</div>
-    <div class="verse indent2">Would shorten not their days!)</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VI.</div>
-    <div class="verse indent0">Thus he resolved; but cries invade</div>
-    <div class="verse indent2">His Reverence’s ear!</div>
-    <div class="verse indent0">Is it some damsel, who, afraid,</div>
-    <div class="verse indent2">Sees men disguised in beer?</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VII.</div>
-    <div class="verse indent0">Or one the milky mothers meet</div>
-    <div class="verse indent2">Emerging from the byre?</div>
-    <div class="verse indent0">Who sees a snake beneath her feet?</div>
-    <div class="verse indent2">Or waddling toad retire?</div><span class="pagenum"><a id="Page_67"></a>[67]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VIII.</div>
-    <div class="verse indent0">Perplex’d, he hurries on the while,</div>
-    <div class="verse indent2">But soon is seen to stand</div>
-    <div class="verse indent0">Amazed: two ladies on a stile</div>
-    <div class="verse indent2">Were seated hand in hand:</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IX.</div>
-    <div class="verse indent0">Young were they both, and fair to view,</div>
-    <div class="verse indent2">Yet sorrow from their eyes</div>
-    <div class="verse indent0">Tears, so the doctor fancied, drew:</div>
-    <div class="verse indent2">He spoke, in grave surprise:</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">X.</div>
-    <div class="verse indent0">“Issued those cries from ladies’ throats?</div>
-    <div class="verse indent2">And what’s the reason? say.”</div>
-    <div class="verse indent0">“How canst thou ask, when all denotes</div>
-    <div class="verse indent2">The cause? this glorious day!”</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">XI.</div>
-    <div class="verse indent0">“Thank God,” he cried, “the day is fine,</div>
-    <div class="verse indent2">Yet why should that distress?</div>
-    <div class="verse indent0">The glass is rising; to repine</div>
-    <div class="verse indent2">Seems rude unthankfulness.”</div><span class="pagenum"><a id="Page_69"></a>[69]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">XII.</div>
-    <div class="verse indent0">“We are not understood, we see</div>
-    <div class="verse indent2">With optics not like thine,</div>
-    <div class="verse indent0">What canst thou know of poesy,</div>
-    <div class="verse indent2">A middle-aged divine?</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">XIII.</div>
-    <div class="verse indent0">“Was ever yet a poet known</div>
-    <div class="verse indent2">To wear a white cravat?</div>
-    <div class="verse indent0">A soul did ever mortal own</div>
-    <div class="verse indent2">In a three-corner’d hat?</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">XIV.</div>
-    <div class="verse indent0">“We could sit here and cry for hours,</div>
-    <div class="verse indent2">Or shriek with sad delight;</div>
-    <div class="verse indent0">The earth, sea, sky, sun, shade, and flowers,</div>
-    <div class="verse indent2">Are agonising quite.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">XV.</div>
-    <div class="verse indent0">“To weep’s enjoyment half divine:</div>
-    <div class="verse indent2">Unsavoury appears</div>
-    <div class="verse indent0">To thee, a bibber of port wine,</div>
-    <div class="verse indent2">The luxury of tears.</div><span class="pagenum"><a id="Page_71"></a>[71]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">XVI.</div>
-    <div class="verse indent0">“Farewell, farewell! we grieve for thee;”</div>
-    <div class="verse indent2">(They cast a pitying glance,)</div>
-    <div class="verse indent0">Doctor, thou hast no sympathy</div>
-    <div class="verse indent2">With Creatures of Romance.”</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_73"></a>[73]</span></p>
-
-<h3 class="nobreak" id="A_MATRIMONIAL_DIALOGUE_AND_MARINE_ECLOGUE">A MATRIMONIAL DIALOGUE AND MARINE ECLOGUE.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-<ul>
-<li><span class="smcap">Mr. Adipocire</span>, an eminent and <i>reflecting</i> Tallow Chandler.</li>
-<li><span class="smcap">Mrs. Adipocire</span>, an every-day sort of Woman.</li>
-</ul>
-</div>
-</div>
-
-<p class="center"><span class="smcap">Time</span>—<i>Evening. The Sea-shore.</i></p>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent0">How harden’d is the man who has not felt</div>
-    <div class="verse indent0">His heart ’neath Nature’s influences <i>melt</i>!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">You promised all these terms of art to drop;</div>
-    <div class="verse indent0">Indeed, my dear, you savour of the shop.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent0">’Tis sweet to see the lazy clouds decamp,</div>
-    <div class="verse indent0">’Tis sweet to see Night hang her silver <i>lamp</i>.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">Lamp!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent6">And with telescope, or naked eye,</div>
-    <div class="verse indent0">To view the lesser <i>tapers</i> of the sky.</div><span class="pagenum"><a id="Page_75"></a>[75]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">Tapers, for shame!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent18">’Tis pleasing to discern</div>
-    <div class="verse indent0">Planet from star, and know the orbs which <i>burn</i>.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">Burn! there again.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent18">Ah! wherefore do they <i>blaze</i>?</div>
-    <div class="verse indent0">Who <i>lights</i> the sunbeams, and the lunar rays?</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">Oh!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent4">When, as our immortal Shakespear sings,</div>
-    <div class="verse indent0">“Night’s <i>candles</i> are burnt out,” who daylight brings?</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">Ah!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent4">He whose steady eye to his <i>concerns</i></div>
-    <div class="verse indent0">Forces the comets to make due <i>returns</i>.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">I’m quite worn out.</div><span class="pagenum"><a id="Page_77"></a>[77]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent18">Who bounteous made the whales</div>
-    <div class="verse indent0">Common and Spermaceti?</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent24">Odious tales!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent0">’Twas that First Cause which, for our nightly use,</div>
-    <div class="verse indent0">Filleth the cocoa-nuts with unctuous juice,</div>
-    <div class="verse indent0">Which bids the wether fatten to supply</div>
-    <div class="verse indent0">A light to tantalise, not satisfy:</div>
-    <div class="verse indent0">Which gives us fatty wax from bodies dead</div>
-    <div class="verse indent0">Of Lamberts damp within their “narrow bed,”</div>
-    <div class="verse indent0">Which stores the laden thighs of bees with wax,</div>
-    <div class="verse indent0">(Its lustre hence no dining-table lacks</div>
-    <div class="verse indent0">By footmen rubb’d, who burnish and blaspheme.)</div>
-    <div class="verse indent0">Wax which illumes when urns emit their steam:</div>
-    <div class="verse indent0">Wax which inspired the genius of Argand,</div>
-    <div class="verse indent0">When lamps, despised till then, at his command</div>
-    <div class="verse indent0">A radiance mild o’er dinner-tables shed,</div>
-    <div class="verse indent0">Soft’ning on cheeks the artificial red.</div>
-    <div class="verse indent0">Paling each pimply nose with chasten’d light:</div><span class="pagenum"><a id="Page_79"></a>[79]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">A—! you are quite incorrigible, quite;</div>
-    <div class="verse indent0">When shall I ever tutor you to feel</div>
-    <div class="verse indent0">The moral fitness of the “true genteel!”</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent0">Well, well, I’ll not offend, love, with my tongue.</div>
-    <div class="verse indent0">Oh! with what art those <i>lustres</i> bright are <i>hung</i>!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">You keep indeed a guard upon your lips.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent0">Observe that bird, how prettily it <i>dips</i>;</div>
-    <div class="verse indent0">Its plumage and its graceful shape behold,</div>
-    <div class="verse indent0">And see how Nature works in Beauty’s <i>mould</i>.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">I see my temper you’re disposed to try,</div>
-    <div class="verse indent0">Yet I may be lamented when I die;</div>
-    <div class="verse indent0">Speak as you please, you’re safe from my complaints,</div>
-    <div class="verse indent0">But you’re enough to vex a saint of saints.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent0">My dear, you’re <i>waxing</i> wroth.</div><span class="pagenum"><a id="Page_81"></a>[81]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A. (<i>going</i>.)</div>
-    <div class="verse indent32">Provoking!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent42">Stay,</div>
-    <div class="verse indent0">I hear our children’s voices at their play;</div>
-    <div class="verse indent0">I love to see them sporting on the rocks,</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">Wetting their feet, and dirtying their frocks.</div>
-    <div class="verse indent0">My dear, come in.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MR. A.</div>
-    <div class="verse indent18">My darling, I’ll stay out.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse speaker">MRS. A.</div>
-    <div class="verse indent0">Don’t expect me to nurse you in the gout. [<i>Exit.</i></div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_83"></a>[83]</span></p>
-
-<h3 class="nobreak" id="THE_PILOT_IN_SIGHT">THE PILOT IN SIGHT.</h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">And are you sure the news is true?</div>
-    <div class="verse indent0">And is the pilot seen?</div>
-    <div class="verse indent0">I see the waters changed in hue,</div>
-    <div class="verse indent0">Old Neptune’s deck’d in green.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">’Tis true; I see the glistening sail</div>
-    <div class="verse indent0">Far o’er the watery space,</div>
-    <div class="verse indent0">White as a floating bridal veil</div>
-    <div class="verse indent0">Thrown off a blushing face.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">All eyes are straining for the shore,</div>
-    <div class="verse indent0">I long to climb above,</div>
-    <div class="verse indent0">And shall I touch the land once more,</div>
-    <div class="verse indent0">And hear of those I love?</div><span class="pagenum"><a id="Page_85"></a>[85]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IV.</div>
-    <div class="verse indent0">Before this wearying glass has spent</div>
-    <div class="verse indent0">Its sand, he’ll he aboard;</div>
-    <div class="verse indent0">I’ll ask not if we’ve pitch’d the tent,</div>
-    <div class="verse indent0">Or sheath’d the bloody sword;</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">V.</div>
-    <div class="verse indent0">If Dost Mahomed captive pine,</div>
-    <div class="verse indent0">Or if the Tartar bend,</div>
-    <div class="verse indent0">I’ll trembling ask for one dear line</div>
-    <div class="verse indent0">From some familiar friend.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VI.</div>
-    <div class="verse indent0">The pilot on the deck has sprung,</div>
-    <div class="verse indent0">He’s hail’d on every side,</div>
-    <div class="verse indent0">Shame on my false, rebellious tongue!</div>
-    <div class="verse indent0">Oh! why is speech denied?</div>
-  </div>
-</div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p><span class="pagenum"><a id="Page_87"></a>[87]</span></p>
-
-<h3 class="nobreak" id="THE_ARRIVAL">THE ARRIVAL;<br />
-<span class="smaller"><span class="smaller">OR,</span><br />
-THE LAND-LUBBER’S SONG.</span></h3>
-
-</div>
-
-<div class="poetry-container">
-<div class="poetry">
-  <div class="stanza">
-    <div class="verse stanza-number">I.</div>
-    <div class="verse indent0">The joys of the ocean let others discuss,</div>
-    <div class="verse indent0">A ship is to me a marine omnibus,</div>
-    <div class="verse indent0">Or an ark where man, beast, bird, and insect convene,</div>
-    <div class="verse indent0">And each living creature on board is unclean.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">II.</div>
-    <div class="verse indent0">Should slumber miraculous seal up your eyes,</div>
-    <div class="verse indent0">No chanticleer issues a summons to rise,</div>
-    <div class="verse indent0">You’ve the music of hounds, and should that fail to vex,</div>
-    <div class="verse indent0">It gives place to the sound of men swobbing the decks.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">III.</div>
-    <div class="verse indent0">In the stillness of night some fond fancies invade,</div>
-    <div class="verse indent0">Perchance you may dream that some fair, favour’d maid</div>
-    <div class="verse indent0">With delicate fingers is twining your hair,</div>
-    <div class="verse indent0">And you wake to find cockroaches, not fingers, there.</div><span class="pagenum"><a id="Page_89"></a>[89]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IV.</div>
-    <div class="verse indent0">’Tis a Babel of sounds; you’ve the lowing of cows,</div>
-    <div class="verse indent0">Sheep bleating, and squeaks of parturient sows,</div>
-    <div class="verse indent0">Geese cackling, ducks quacking, curs yelping, ne’er mute,</div>
-    <div class="verse indent0">And the wheeze of some plaintive, asthmatical flute.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">V.</div>
-    <div class="verse indent0">Around you what various odours arise!</div>
-    <div class="verse indent0">How blest is the man to whom nature denies</div>
-    <div class="verse indent0">The olfactory nerve, to whose nonchalant nose</div>
-    <div class="verse indent0">The stalest bilgewater is fragrant as rose!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VI.</div>
-    <div class="verse indent0">To dine in the cuddy tames pleasures of sense,</div>
-    <div class="verse indent0">Proves life but a lottery; its prizes pretence,</div>
-    <div class="verse indent0">Its blanks dark realities, there ’twill be seen</div>
-    <div class="verse indent0">’Twixt the cup and the lip what sad slips intervene.</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VII.</div>
-    <div class="verse indent0">You drink to a fair one: how blest her escape,</div>
-    <div class="verse indent0">Whose bosom’s not red with the juice of the grape;</div>
-    <div class="verse indent0">Each flagon may Tantalus serve for a stoup,</div>
-    <div class="verse indent0">And envious Neptune upsets your pea-soup.</div><span class="pagenum"><a id="Page_91"></a>[91]</span>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">VIII.</div>
-    <div class="verse indent0">What pleasure to walk with a staggering gait,</div>
-    <div class="verse indent0">With dimness of sight, and confusion of pate;</div>
-    <div class="verse indent0">Like a drunkard to reel when the ship gives a lurch,</div>
-    <div class="verse indent0">And balance see-saw, like a duck forced to perch!</div>
-  </div>
-  <div class="stanza">
-    <div class="verse stanza-number">IX.</div>
-    <div class="verse indent0">The city of palaces bursts on my sight!</div>
-    <div class="verse indent0">Its mosques and its temples I hail with delight;</div>
-    <div class="verse indent0">A palace in every building I see,</div>
-    <div class="verse indent0">For a pigsty ashore is a palace to me.</div>
-  </div>
-</div>
-</div>
-
-<p class="titlepage">THE END.</p>
-
-<p class="titlepage smaller">LONDON:<br />
-BRADBURY AND EVANS, PRINTERS, WHITEFRIARS</p>
-
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