summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/2016-11-16_6722-0.zipbin0 -> 72532 bytes
-rw-r--r--old/2016-11-16_6722-h.zipbin0 -> 76299 bytes
-rw-r--r--old/seveh10.txt4008
-rw-r--r--old/seveh10.zipbin0 -> 71767 bytes
4 files changed, 4008 insertions, 0 deletions
diff --git a/old/2016-11-16_6722-0.zip b/old/2016-11-16_6722-0.zip
new file mode 100644
index 0000000..558392d
--- /dev/null
+++ b/old/2016-11-16_6722-0.zip
Binary files differ
diff --git a/old/2016-11-16_6722-h.zip b/old/2016-11-16_6722-h.zip
new file mode 100644
index 0000000..1ed4859
--- /dev/null
+++ b/old/2016-11-16_6722-h.zip
Binary files differ
diff --git a/old/seveh10.txt b/old/seveh10.txt
new file mode 100644
index 0000000..0906a68
--- /dev/null
+++ b/old/seveh10.txt
@@ -0,0 +1,4008 @@
+The Project Gutenberg EBook of The Seven who were Hanged, by Leonid Andreyev
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: The Seven who were Hanged
+
+Author: Leonid Andreyev
+
+Release Date: October, 2004 [EBook #6722]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on January 19, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK, THE SEVEN WHO WERE HANGED ***
+
+
+
+
+This eBook was produced by Eric Eldred.
+
+
+
+
+THE SEVEN WHO WERE HANGED
+
+A STORY BY LEONID ANDREYEV
+
+
+
+AUTHORIZED TRANSLATION FROM THE RUSSIAN BT HERMAN BERNSTEIN.
+
+
+
+
+
+
+DEDICATION
+
+
+To Count Leo N. Tolstoy This Book is Dedicated, by Leonid Andreyev
+
+The Translation of this Story Is Also Respectfully Inscribed to Count
+Leo N. Tolstoy by Herman Bernstein
+
+
+
+FOREWORD
+
+Leonid Andreyev, who was born in Oryol, in 1871, is the most popular,
+and next to Tolstoy, the most gifted writer in Russia to-day. Andreyev
+has written many important stories and dramas, the best known among
+which are "Red Laughter," "Life of Man," "To the Stars," "The Life of
+Vasily Fiveisky," "Eliazar," "Black Masks," and "The Story of the
+Seven Who Were Hanged."
+
+In "Red Laughter" he depicted the horrors of war as few men had ever
+before done it. He dipped his pen into the blood of Russia and wrote
+the tragedy of the Manchurian war.
+
+In his "Life of Man" Andreyev produced a great, imaginative "morality"
+play which has been ranked by European critics with some of the
+greatest dramatic masterpieces.
+
+The story of "The Seven Who Were Hanged" is thus far his most
+important achievement. The keen psychological insight and the masterly
+simplicity with which Andreyev has penetrated and depicted each of the
+tragedies of the seven who were hanged place him in the same class as
+an artist with Russia's greatest masters of fiction, Dostoyevsky,
+Turgenev and Tolstoy.
+
+I consider myself fortunate to be able to present to the
+English-reading public this remarkable work, which has already
+produced a profound impression in Europe and which, I believe, is
+destined for a long time to come to play an important part in opening
+the eyes of the world to the horrors perpetrated in Russia and to the
+violence and iniquity of the destruction of human life, whatever the
+error or the crime.
+
+New York. HERMAN BERNSTEIN.
+
+
+
+INTRODUCTION
+
+
+[Translation of the Foregoing Letter in Russian]
+
+I am very glad that "The Story of the Seven Who Were Hanged" will be
+read in English. The misfortune of us all is that we know so little,
+even nothing, about one another-neither about the soul, nor the life,
+the sufferings, the habits, the inclinations, the aspirations of one
+another. Literature, which I have the honor to serve, is dear to me
+just because the noblest task it sets before itself is that of wiping
+out boundaries and distances.
+
+As in a hard shell, every human being is enclosed in a cover of body,
+dress, and life. Who is man? We may only conjecture. What constitutes
+his joy or his sorrow? We may guess only by his acts, which are
+oft-times enigmatic; by his laughter and by his tears, which are often
+entirely incomprehensible to us. And if we, Russians, who live so
+closely together in constant misery, understand one another so poorly
+that we mercilessly put to death those who should be pitied or even
+rewarded, and reward those who should be punished by contempt and
+anger -how much more difficult is it for you Americans, to understand
+distant Russia? But then, it is just as difficult for us Russians to
+understand distant America, of which we dream in our youth and over
+which we ponder so deeply in our years of maturity.
+
+The Jewish massacres and famine; a Parliament and executions; pillage
+and the greatest heroism; "The Black Hundred," and Leo Tolstoy-what a
+mixture of figures and conceptions, what a fruitful source for all
+kinds of misunderstandings! The truth of life stands aghast in
+silence, and its brazen falsehood is loudly shouting, uttering
+pressing, painful questions: "With whom shall I sympathize? Whom shall
+I trust? Whom shall I love?"
+
+In the story of "The Seven Who Were Hanged" I attempted to give a
+sincere and unprejudiced answer to some of these questions.
+
+That I have treated ruling and slaughtering Russia with restraint and
+mildness may best be gathered from the fact that the Russian censor
+has permitted my book to circulate. This is sufficient evidence when
+we recall how many books, brochures and newspapers have found eternal
+rest in the peaceful shade of the police stations, where they have
+risen to the patient sky in the smoke and flame of bonfires.
+
+But I did not attempt to condemn the Government, the fame of whose
+wisdom and virtues has already spread far beyond the boundaries of our
+unfortunate fatherland. Modest and bashful far beyond all measure of
+her virtues, Russia would sincerely wish to forego this honor, but
+unfortunately the free press of America and Europe has not spared her
+modesty, and has given a sufficiently clear picture of her glorious
+activities. Perhaps I am wrong in this: it is possible that many
+honest people in America believe in the purity of the Russian
+Government's intentions--but this question is of such importance that
+it requires a special treatment, for which it is necessary to have
+both time and calm of soul. But there is no calm soul in Russia.
+
+My task was to point out the horror and the iniquity of capital
+punishment under any circumstances. The horror of capital punishment
+is great when it falls to the lot of courageous and honest people
+whose only guilt is their excess of love and the sense of
+righteousness-in such instances, conscience revolts. But the rope is
+still more horrible when it forms the noose around the necks of weak
+and ignorant people. And however strange it may appear, I look with a
+lesser grief and suffering upon the execution of the revolutionists,
+such as Werner and Musya, than upon the strangling of ignorant
+murderers, miserable in mind and heart, like Yanson and Tsiganok. Even
+the last mad horror of inevitably approaching execution Werner can
+offset by his enlightened mind and his iron will, and Musya, by her
+purity and her innocence. * * *
+
+But how are the weak and the sinful to face it if not in madness, with
+the most violent shock to the very foundation of their souls? And
+these people, now that the Government has steadied its hands through
+its experience with the revolutionists, are being hanged throughout
+Russia-in some places one at a time, in others, ten at once. Children
+at play come upon badly buried bodies, and the crowds which gather
+look with horror upon the peasants' boots that are sticking out of the
+ground; prosecutors who have witnessed these executions are becoming
+insane and are taken away to hospitals-while the people are being
+hanged-being hanged.
+
+I am deeply grateful to you for the task you have undertaken in
+translating this sad story. Knowing the sensitiveness of the American
+people, who at one time sent across the ocean, steamers full of bread
+for famine-stricken Russia, I am convinced that in this case our
+people in their misery and bitterness will also find understanding and
+sympathy. And if my truthful story about seven of the thousands who
+were hanged will help toward destroying at least one of the barriers
+which separate one nation from another, one human being from another,
+one soul from another soul, I shall consider myself happy.
+
+Respectfully yours,
+LEONID ANDREYEV.
+
+
+
+THE SEVEN WHO WERE HANGED
+
+
+
+CHAPTER I
+AT ONE O'CLOCK, YOUR EXCELLENCY!
+
+
+As the Minister was a very stout man, inclined to apoplexy, they
+feared to arouse in him any dangerous excitement, and it was with
+every possible precaution that they informed him that a very serious
+attempt upon his life had been planned. When they saw that he received
+the news calmly, even with a smile, they gave him, also, the details.
+The attempt was to be made on the following day at the time that he
+was to start out with his official report; several men, terrorists,
+plans had already been betrayed by a provocateur, and who were now
+under the vigilant surveillance of detectives, were to meet at one
+o'clock in the afternoon in front of his house, and, armed with bombs
+and revolvers, were to wait till he came out. There the terrorists
+were to be trapped.
+
+"Wait!" muttered the Minister, perplexed. "How did they know that I
+was to leave the house at one o'clock in the afternoon with my report,
+when I myself learned of it only the day before yesterday?"
+
+The Chief of the Guards stretched out his arms with a shrug.
+
+"Exactly at one o'clock in the afternoon, your Excellency," he said.
+
+Half surprised, half commending the work of the police, who had
+managed everything skilfully, the Minister shook his head, a morose
+smile upon his thick, dark lips, and still smiling obediently, and not
+desiring to interfere with the plans of the police, he hastily made
+ready, and went out to pass the night in some one else's hospitable
+palace. His wife and his two children were also removed from the
+dangerous house, before which the bomb-throwers were to gather upon
+the following day.
+
+While the lights were burning in the palace, and courteous, familiar
+faces were bowing to him, smiling and expressing their concern, the
+dignitary experienced a sensation of pleasant excitement-he felt as if
+he had already received, or was soon to receive, some great and
+unexpected reward. But the people went away, the lights were
+extinguished, and through the mirrors, the lace-like and fantastic
+reflection of the electric lamps on the street, quivered across the
+ceiling and over the walls. A stranger in the house, with its
+paintings, its statues and its silence, the light-itself silent and
+indefinite-awakened painful thoughts in him as to the vanity of bolts
+and guards and walls. And then, in the dead of night, in the silence
+and solitude of a strange bedroom, a sensation of unbearable fear
+swept over the dignitary.
+
+He had some kidney trouble, and whenever he grew strongly agitated,
+his face, his hands and his feet became swollen. Now, rising like a
+mountain of bloated flesh above the taut springs of the bed, he felt,
+with the anguish of a sick man, his swollen face, which seemed to him
+to belong to some one else. Unceasingly he kept thinking of the cruel
+fate which people were preparing for him. He recalled, one after
+another, all the recent horrible instances of bombs that had been
+thrown at men of even greater eminence than himself; he recalled how
+the bombs had torn bodies to pieces, had spattered brains over dirty
+brick walls, had knocked teeth from their roots. And influenced by
+these meditations, it seemed to him that his own stout, sickly body,
+outspread on the bed, was already experiencing the fiery shock of the
+explosion. He seemed to be able to feel his arms being severed from
+the shoulders, his teeth knocked out, his brains scattered into
+particles, his feet growing numb, lying quietly, their toes upward,
+like those of a dead man. He stirred with an effort, breathed loudly
+and coughed in order not to seem to himself to resemble a corpse in
+any way. He encouraged himself with the live noise of the grating
+springs, of the rustling blanket; and to assure himself that he was
+actually alive and not dead, he uttered in a bass voice, loudly and
+abruptly, in the silence and solitude of the bedroom:
+
+"Molodtsi! Molodtsi! Molodtsi! (Good boys)!"
+
+He was praising the detectives, the police, and the soldiers-all those
+who guarded his life, and who so opportunely and so cleverly had
+averted the assassination. But even though he stirred, even though he
+praised his protectors, even though he forced an unnatural smile, in
+order to express his contempt for the foolish, unsuccessful
+terrorists, he nevertheless did not believe in his safety, he was not
+sure that his life would not leave him suddenly, at once. Death, which
+people had devised for him, and which was only in their minds, in
+their intention, seemed to him to be already standing there in the
+room. It seemed to him that Death would remain standing there, and
+would not go away until those people had been captured, until the
+bombs had been taken from them, until they had been placed in a strong
+prison. There Death was standing in the corner, and would not go
+away-it could not go away, even as an obedient sentinel stationed on
+guard by a superior's will and order.
+
+"At one o'clock in the afternoon, your Excellency!" this phrase kept
+ringing, changing its tone continually: now it was cheerfully mocking,
+now angry, now dull and obstinate. It sounded as if a hundred wound-up
+gramophones had been placed in his room, and all of them, one after
+another, were shouting with idiotic repetition the words they had been
+made to shout:
+
+"At one o'clock in the afternoon, your Excellency!"
+
+And suddenly, this one o'clock in the afternoon to-morrow, which but a
+short while ago was not in any way different from other hours, which
+was only a quiet movement of the hand along the dial of his gold
+watch, assumed an ominous finality, sprang out of the dial, began to
+live separately, stretched itself into an enormously huge black pole
+which cut all life in two. It seemed as if no other hours had existed
+before it and no other hours would exist after it-as if this hour
+alone, insolent and presumptuous, had a right to a certain peculiar
+existence.
+
+"Well, what do you want?" asked the Minister angrily, muttering
+between his teeth.
+
+The gramophone shouted:
+
+"At one o'clock in the afternoon, your Excellency!" and the black pole
+smiled and bowed. Gnashing his teeth, the Minister rose in his bed to
+a sitting posture, leaning his face on the palms of his hands-he
+positively could not sleep on that dreadful night.
+
+Clasping his face in his swollen, perfumed palms, he pictured to
+himself with horrifying clearness how on the following morning, not
+knowing anything of the plot against his life, he would have risen,
+would have drunk his coffee, not knowing anything, and then would have
+put on his coat in the hallway. And neither he, nor the doorkeeper who
+would have handed him his fur coat, nor the lackey who would have
+brought him the coffee, would have known that it was utterly useless
+to drink coffee, and to put on the coat, since a few instants later,
+everything- the fur coat and his body and the coffee within it-would
+be destroyed by an explosion, would be seized by death. The doorkeeper
+would have opened the glass door. ... He, the amiable, kind, gentle
+doorkeeper, with the blue, typical eyes of a soldier, and with medals
+across his breast- he himself with his own hands would have opened the
+terrible door, opened it because he knew nothing. Everybody would have
+smiled because they did not know anything. "Oho!" he suddenly said
+aloud, and slowly removed his hands from his face. Peering into the
+darkness, far ahead of him, with a fixed, strained look, he
+outstretched his hand just as slowly, felt the button on the wall and
+pressed it. Then he arose, and without putting on his slippers, walked
+in his bare feet over the rug in the strange, unfamiliar bedroom,
+found the button of another lamp upon the wall and pressed it. It
+became light and pleasant, and only the disarranged bed with the
+blanket, which had slipped off to the floor, spoke of the horror, not
+altogether past.
+
+In his night-clothes, with his beard disheveled by his restless
+movements, with his angry eyes, the dignitary resembled any other
+angry old man who suffered with insomnia and shortness of breath. It
+was as if the death which people were preparing for him, had made him
+bare, had torn away from him the magnificence and splendor which had
+surrounded him-and it was hard to believe that it was he who had so
+much power, that his body was but an ordinary plain human body that
+must have perished terribly in the flame and roar of a monstrous
+explosion. Without dressing himself and not feeling the cold, he sat
+down in the first armchair he found, stroking his disheveled beard,
+and fixed his eyes in deep, calm thoughtfulness upon the unfamiliar
+plaster figures of the ceiling.
+
+So that was the trouble! That was why he had trembled in fear and had
+become so agitated! That was why Death seemed to stand in the corner
+and would not go away, could not go away!
+
+"Fools!" he said emphatically, with contempt.
+
+"Fools!" he repeated more loudly, and turned his head slightly toward
+the door that those to whom he was referring might hear it. He was
+referring to those whom he had praised hut a moment before, who in the
+excess of their zeal had told him of the plot against his life.
+
+"Of course," he thought deeply, an easy, convincing idea arising in
+his mind. "Now that they have told me, I know, and feel terrified, but
+if I had not been told, I would not have known anything and would have
+drunk my coffee calmly. After that Death would have come-but then, am
+I so afraid of Death? Here have I been suffering with kidney trouble,
+and I must surely die from it some day, and yet I am not
+afraid-because I do not know anything. And those fools told me: 'At
+one o'clock in the afternoon, your Excellency!' and they thought I
+would be glad. But instead of that Death stationed itself in the
+corner and would not go away. It would not go away because it was my
+thought. It is not death that is terrible, but the knowledge of it: it
+would be utterly impossible to live if a man could know exactly and
+definitely the day and hour of his death. And the fools cautioned me:
+'At one o'clock in the afternoon, your Excellency!' "
+
+He began to feel light-hearted and cheerful, as if some one had told
+him that he was immortal, that he would never die. And, feeling
+himself again strong and wise amidst the herd of fools who had so
+stupidly and impudently broken into the mystery of the future, he
+began to think of the bliss of ignorance, and his thoughts were the
+painful thoughts of an old, sick man who had gone through endless
+experience. It was not given to any living being-man or beast -to know
+the day and hour of death. Here had he been ill not long ago and the
+physicians told him that he must expect the end, that he should make
+his final arrangements-but he had not believed them and he remained
+alive. In his youth he had become entangled in an affair and had
+resolved to end his life; he had even loaded the revolver, had
+"written his letters, and had fixed upon 'the hour for suicide-but
+before the very end he had suddenly changed his mind. It would always
+be thus-at the very last moment something would change, an unexpected
+accident would befall-no one could tell when he would die.
+
+"At one o'clock in the afternoon, your Excellency!" those kind asses
+had said to him, and although they had told him of it only that death
+might he averted, the mere knowledge of its possibility at a certain
+hour again filled him with horror. It was probable that some day he
+should be assassinated, but it would not happen to-morrow-it would not
+happen to-morrow-and he could sleep undisturbed, as if he were really
+immortal. Fools-they did not know what a great law they had dislodged,
+what an abyss they had opened, when they said in their idiotic
+kindness: "At one o'clock in the afternoon, your Excellency!"
+
+"No, not at one o'clock in the afternoon, your Excellency, but no one
+knows when. No one knows when! What?"
+
+"Nothing," answered Silence, "nothing."
+
+"But you did say something."
+
+"Nothing, nonsense. I say: to-morrow, at one o'clock in the
+afternoon!"
+
+There was a sudden, acute pain in his heart-and he understood that he
+would have neither sleep, nor peace, nor joy until that accursed black
+hour standing out of the dial should have passed. Only the shadow of
+the knowledge of something which no living being could know stood
+there in the corner, and that was enough to darken the world and
+envelop him with the impenetrable gloom of horror. The once disturbed
+fear of death diffused through his body, penetrated into his bones.
+
+He no longer feared the murderers of the next day-they had vanished,
+they had been forgotten, they had mingled with the crowd of hostile
+faces and incidents which surrounded his life. He now feared something
+sudden and inevitable-an apoplectic stroke, heart failure, some
+foolish thin little vessel which might suddenly fail to withstand the
+pressure of the blood and might burst like a tight glove upon swollen
+fingers.
+
+His short, thick neck seemed terrible to him. It became unbearable for
+him to look upon his short, swollen ringers-to feel how short they
+were and how they were filled with the moisture of death. And if
+before, when it was dark, he had had to stir in order not to resemble
+a corpse, now in the bright, cold, inimical, dreadful light he was so
+filled with horror that he could not move in order to get a cigarette
+or to ring for some one. His nerves were giving way. Each one of them
+seemed as if it were a bent wire, at the top of which there was a
+small head with mad, wide-open frightened eyes and a convulsively
+gaping, speechless mouth. He could not draw his breath.
+
+Suddenly in the darkness, amidst the dust and cobwebs somewhere upon
+the ceiling, an electric bell came to life. The small, metallic
+tongue, agitatedly, in terror, kept striking the edge of the ringing
+cap, became silent-and again quivered in an unceasing, frightened din.
+His Excellency was ringing his bell in his own room.
+
+People began to run. Here and there, in the shadows upon the walls,
+lamps flared up -there were not enough of them to give light, but
+there were enough to cast shadows. The shadows appeared everywhere;
+they rose in the corners, they stretched across the ceiling;
+tremulously clinging to each and every elevation, they covered the
+walls. And it was hard to understand where all these innumerable,
+deformed silent shadows- voiceless souls of voiceless objects-had been
+before.
+
+A deep, trembling voice said something loudly. Then the doctor was
+hastily summoned by telephone; the dignitary was collapsing. The wife
+of his Excellency was also called.
+
+
+
+CHAPTER II
+CONDEMNED TO BE HANGED
+
+
+Everything befell as the police had foretold. Four terrorists, three
+men and a woman, armed with bombs, infernal machines and revolvers,
+were seized at the very entrance of the house, and another woman was
+later found and arrested in the house where the conspiracy had been
+hatched. She was its mistress. At the same time a great deal of
+dynamite and half finished bomb explosives were seized. All those
+arrested were very young; the eldest of the men was twenty-eight years
+old, the younger of the women was only nineteen. They were tried in
+the same fortress in which they were imprisoned after the arrest; they
+were tried swiftly and secretly, as was done during that unmerciful
+time.
+
+At the trial all of them were calm, but very serious and thoughtful.
+Their contempt for the judges was so intense that none of them wished
+to emphasize his daring by even a superfluous smile or by a feigned
+expression of cheerfulness. Each was simply as calm as was necessary
+to hedge in his soul, from curious, evil and inimical eyes, the great
+gloom that precedes death.
+
+Sometimes they refused to answer questions; sometimes they answered,
+briefly, simply and precisely, as though they were answering not the
+judge, but statisticians, for the purpose of supplying information for
+particular special tables. Three of them, one woman and two men, gave
+their real names, while two others refused and thus remained unknown
+to the judges.
+
+They manifested for all that was going on at the trial a certain
+curiosity, softened, as though through a haze, such as is peculiar to
+persons who are very ill or are carried away by some great,
+all-absorbing idea. They glanced up occasionally, caught some word in
+the air more interesting than the others, and then resumed the thought
+from which their attention had been distracted.
+
+The man who was nearest to the judges called himself Sergey Golovin,
+the son of a retired colonel, himself tin ex-officer. He was still a
+very young, light-haired, broad-shouldered man, so strong that neither
+the prison nor the expectation of inevitable death could remove the
+color from his cheeks and the expression of youthful, happy frankness
+from his blue eyes. He kept energetically tugging at his bushy, small
+beard, to which he had not become accustomed, and continually
+blinking, kept looking out of the window.
+
+It was toward the end of winter, when amidst the snowstorms and the
+gloomy, frosty days, the approaching spring sent as a forerunner a
+clear, warm, sunny day, or but an hour, yet so full of spring, so
+eagerly young and beaming that sparrows on the streets lost their wits
+for joy, and people seemed almost as intoxicated. And now the strange
+and beautiful sky could be seen through an upper window which was
+dust-covered and unwashed since the last summer. At first sight the
+sky seemed to be milky-gray-smoke-colored-but when you looked longer
+the dark blue color began to penetrate through the shade, grew into an
+ever deeper blue-ever brighter, ever more intense. And the fact that
+it did not reveal itself all at once, but hid itself chastely in the
+smoke of transparent clouds, made it as charming as the girl you love.
+And Sergey Golovin looked at the sky, tugged at his beard, blinked now
+one eye, now the other, with its long, curved lashes, earnestly
+pondering over something. Once he began to move his fingers rapidly
+and thoughtlessly, knitted his brow in some joy, but then he glanced
+about and his joy died out like a spark which is stepped upon. Almost
+instantly an earthen, deathly blue, without first changing into
+pallor, showed through the color of his cheeks. He clutched his downy
+hair, tore their roots painfully with his fingers, whose tips had
+turned white. But the joy of life and spring was stronger, and a few
+minutes later his frank young face was again yearning toward the
+spring sky. The young, pale girl, known only by the name of Musya, was
+also looking in the same direction, at the sky. She was younger than
+Golovin, but she seemed older in her gravity and in the darkness of
+her open, proud eyes. Only her very thin, slender neck, and her
+delicate girlish hands spoke of her youth; but in addition there was
+that ineffable something, which is youth itself, and which
+sounded so distinctly in her clear, melodious voice, tuned
+irreproachably like a precious instrument, every simple word, every
+exclamation giving evidence of its musical timbre. She was very pale,
+but it was not a deathly pallor, but that peculiar warm whiteness of a
+person within whom, as it were, a great, strong fire is burning, whose
+body glows transparently like fine Sevres porcelain. She sat almost
+motionless, and only at times she touched with an imperceptible
+movement of her fingers the circular mark on the middle finger of her
+right hand, the mark of a ring which had. been recently removed.
+
+She gazed at the sky without caressing kindness or joyous
+recollections-she looked at it simply because in all the filthy,
+official hall the blue bit of sky was the most beautiful, the purest,
+the most truthful object, and the only one that did not try to search
+hidden depths in her eyes.
+
+The judges pitied Sergey Golovin; her they despised.
+
+Her neighbor, known only by the name of Werner, sat also motionless,
+in a somewhat affected pose, his hands folded between his knees. If a
+face may be said to look like a false door, this unknown man closed
+his face like an iron door and bolted it with an iron lock. He stared
+motionlessly at the dirty wooden floor, and it was impossible to tell
+whether he was calm or whether he was intensely agitated, whether he
+was thinking of something, or whether he was listening to the
+testimony of the detectives as presented to the court. He was not tall
+in stature. His features were refined and delicate. Tender and
+handsome, so that he reminded you of a moonlit night in the South near
+the seashore, where the cypress trees throw their dark shadows, he at
+the same time gave the impression of tremendous, calm power, of
+invincible firmness, of cold and audacious courage. The very
+politeness with which he gave brief and precise answers seemed
+dangerous, on his lips, in his half bow. And if the prison garb looked
+upon the others like the ridiculous costume of a buffoon, upon him it
+was not noticeable, so foreign was it to his personality. And although
+the other terrorists had been seized with bombs and infernal machines
+upon them, and Werner had had but a black revolver, the judges for
+some reason regarded him as the leader of the others and treated him
+with a certain deference, although succinctly and in a business-like
+manner.
+
+The next man, Vasily Kashirin, was torn between a terrible, dominating
+fear of death and a desperate desire to restrain the fear and not
+betray it to the judges. From early morning, from the time they had
+been led into court, he had been suffocating from an intolerable
+palpitation of his heart. Perspiration came out in drops all along his
+forehead; his hands were also perspiring and cold, and his cold,
+sweat-covered shirt clung to his body, interfering with the freedom of
+his movements. With a supernatural effort of will-power he forced his
+fingers not to tremble, his voice to be firm and distinct, his eyes to
+be calm. He saw nothing about him; the voices came to him as through a
+mist, and it was to this mist that he made his desperate efforts to
+answer firmly, to answer loudly. But having answered, he immediately
+forgot question as well as answer, and was again struggling with
+himself silently and terribly. Death was disclosed in him so clearly
+that the judges avoided looking at him. It was hard to define his age,
+as is the case with a corpse which has begun to decompose. According
+to his passport, he was only twenty-three years old. Once or twice
+Werner quietly touched his knee with his hand, and each time Kashirin
+spoke shortly:
+
+"Nevermind!"
+
+The most terrible sensation was when he was suddenly seized with an
+insufferable desire to cry out, without words, the desperate cry of a
+beast. He touched Werner quickly, and Werner, without lifting his
+eyes, said softly:
+
+"Never mind, Vasya. It will soon be over."
+
+And embracing them all with a motherly, anxious look, the fifth
+terrorist, Tanya Kovalchuk, was faint with alarm. She had never had
+any children; she was still young and red-cheeked, just as Sergey
+Golovin, but she seemed as a mother to all of them: so full of
+anxiety, of boundless love were her looks, her smiles, her sighs. She
+paid not the slightest attention to the trial, regarding it as though
+it were something entirely irrelevant, and she listened only to the
+manner in which the others were answering the questions, to hear
+whether the voice was trembling, whether there was fear, whether it
+was necessary to give water to any one.
+
+She could not look at Vasya in her anguish and only wrung her fingers
+silently. At Musya and Werner she gazed proudly and respectfully, and
+she assumed a serious and concentrated expression, and then tried to
+transfer her smile to Sergey Golovin.
+
+"The dear boy is looking at the sky. Look, look, my darling!" she
+thought about Golovin.
+
+"And Vasya! What is it? My God, my God! What am I to do with him? If I
+should speak to him I might make it still worse. He might suddenly
+start to cry."
+
+So like a calm pond at dawn, reflecting every hastening, passing
+cloud, she reflected upon her full, gentle, kind face every swift
+sensation, every thought of the other four. She did not give a single
+thought to the fact that she, too, was upon trial, that she, too,
+would be hanged; she was entirely indifferent to it. It was in her
+house that the bombs and the dynamite had been discovered, and,
+strange though it may seem, it was she who had met the police with
+pistol-shots and had wounded one of the detectives in the head.
+
+The trial ended at about eight o'clock, when it had become dark.
+Before Musya's and Golovin's eyes the sky, which had been turning ever
+bluer, was gradually losing its tint, but it did not turn rosy, did
+not smile softly as in summer evenings, but became muddy, gray, and
+suddenly grew cold, wintry. Golovin heaved a sigh, stretched himself,
+glanced again twice at the window, but the cold darkness of the night
+alone was there; then continuing to tug at his short beard, he began
+to examine with childish curiosity the judges, the soldiers with their
+muskets, and he smiled at Tanya Kovalchuk. When the sky had darkened
+Musya calmly, without lowering her eyes to the ground, turned them to
+the corner where a small cobweb was quivering from the imperceptible
+radiations of the steam heat, and thus she remained until the sentence
+was pronounced.
+
+After the verdict, having bidden good-by to their frock-coated
+lawyers, and evading each other's helplessly confused, pitying and
+guilty eyes, the convicted terrorists crowded in the doorway for a
+moment and exchanged brief words.
+
+"Never mind, Vasya. Everything will be over soon," said Werner.
+
+"I am all right, brother," Kashirin replied loudly, calmly and even
+somewhat cheerfully. And indeed, his face had turned slightly rosy,
+and no longer looked like that of a decomposing corpse.
+
+"The devil take them; they've hanged us," Golovin cursed quaintly.
+
+"That was to be expected," replied Werner calmly.
+
+"To-morrow the sentence will be pronounced in its final form and we
+shall all be placed together," said Tanya Kovalchuk consolingly.
+"Until the execution we shall all he together."
+
+Musya was silent. Then she resolutely moved forward.
+
+
+
+CHAPTER III
+WHY SHOULD I BE HANGED?
+
+
+Two weeks before the terrorists had been tried the same military
+district court, with a different set of judges, had tried and
+condemned to death by hanging Ivan Yanson, a peasant.
+
+Ivan Yanson was a workman for a well-to-do farmer, in no way different
+from other workmen. He was an Esthonian by birth, from Vezenberg, and
+in the course of several years, passing from one farm to another, he
+had come close to the capital. He spoke Russian very poorly, and as
+his master was a Russian, by name Lazarev, and as there were no
+Esthonians in the neighborhood, Yanson had practically remained silent
+for almost two years. In general, he was apparently not inclined to
+talk, and was silent not only with human beings, but even with
+animals. He would water the horse in silence, harness it in silence,
+moving about it, slowly and lazily, with short, irresolute steps, and
+when the horse, annoyed by his manner, would begin to frolic, to
+become capricious, he would beat it in silence with a heavy whip. He
+would beat it cruelly, with stolid, angry persistency, and when this
+happened at a time when he was suffering from the aftereffects of a
+carouse, he would work himself into & frenzy. At such times the crack
+of the whip could be heard in the house, with the frightened, painful
+pounding of the horse's hoofs upon the board floor of the barn. For
+beating the horse his master would beat Yanson, but then, finding that
+he could not be reformed, paid no more attention to him.
+
+Once or twice a month Yanson became intoxicated, usually on those days
+when he took his master to the large railroad station, where there was
+a refreshment bar. After leaving his master at the station, he would
+drive off about half a verst away, and there, stalling the sled and
+the horse in the snow on the side of the road, he would wait until the
+train had gone. The sled would stand sideways, almost overturned, the
+horse standing with widely spread legs up to his belly in a snowbank,
+from time to time lowering his head to lick the soft, downy snow,
+while Yanson would recline in an awkward position in the sled as if
+dozing away. The unfastened ear-lappets of his worn fur cap would hang
+down like the ears of a setter, and the moist sweat would stand under
+his little reddish nose.
+
+Soon he would return to the station, and would quickly become
+intoxicated.
+
+On his way back to the farm, the whole ten versts, he would drive at a
+fast gallop. The little horse, driven to madness by the whip, would
+rear, as if possessed by a demon; the sled would sway, almost
+overturn, striking against poles, and Yanson, letting the reins go,
+would half sing, half exclaim abrupt, meaningless phrases in
+Esthonian. But more often he would not sing, but with his teeth
+gritted together in an onrush of unspeakable rage, suffering and
+delight, he would drive silently on as though blind. He would not
+notice those who passed him, he would not call to them to look out, he
+would not slacken his mad pace, either at the turns of the road or on
+the long slopes of the mountain roads. How it happened at such times
+that he crushed no one, how he himself was never dashed to death in
+one of these mad rides, was inexplicable.
+
+He would have been driven from this place, as he had been driven from
+other places, but he was cheap and other workmen were not better, and
+thus he remained there two years. His life was uneventful. One day he
+received a letter, written in Esthonian, but as he himself was
+illiterate, and as the others did not understand Esthonian, the letter
+remained unread; and as if not understanding that the letter might
+bring him tidings from his native home, he flung it into the manure
+with a certain savage, grim indifference. At one time Yanson tried to
+make love to the cook, but he was not successful, and was rudely
+rejected and ridiculed. He was short in stature, his face was
+freckled, and his small, sleepy eyes were somewhat of an indefinite
+color. Yanson took his failure indifferently, and never again bothered
+the cook.
+
+But while Yanson spoke but little, he was listening to something all
+the time. He heard the sounds of the dismal, snow-covered fields, with
+their heaps of frozen manure resembling rows of small, snow-covered
+graves, the sounds of the blue, tender distance, of the buzzing
+telegraph wires, and the conversation of other people. What the fields
+and telegraph wires spoke to him he alone knew, and the conversation
+of the people were disquieting, full of rumors about murders and
+robberies and arson. And one night he heard in the neighboring village
+the little church bell ringing faintly and helplessly, and the
+crackling of the flames of a fire. Some vagabonds had plundered a rich
+farm, had killed the master and his wife, and had set fire to the
+house.
+
+And on their farm, too, they lived in fear; the dogs were loose, not
+only at night, but also during the day, and the master slept with a
+gun by his side. He wished to give such a gun to Yanson, only it was
+an old one with one barrel. But Yanson turned the gun about in his
+hand, shook his head and declined it. His master did not understand
+the reason and scolded him, but the reason was that Yanson had more
+faith in the power of his Finnish knife than in the rusty gun.
+
+"It would kill me," he said, looking at his master sleepily with his
+glassy eyes, and the master waved his hand in despair.
+
+"You fool! Think of having to live with such workmen!"
+
+And this same Ivan Yanson, who distrusted a gun, one winter evening,
+when the other workmen had been sent away to the station, committed a
+very complicated attempt at robbery, murder and rape. He did it in a
+surprisingly simple manner. He locked the cook in the kitchen, lazily,
+with the air of a man who is longing to sleep, walked over to his
+master from behind and swiftly stabbed him several times in the back
+with his knife. The master fell unconscious, and the mistress began to
+run about, screaming, while Yanson, showing his teeth and brandishing
+his knife, began to ransack the trunks and the chests of drawers. He
+found the money he sought, and then, as if noticing the mistress for
+the first time, and as though unexpectedly even to himself, he rushed
+upon her in order to violate her. But as he had let his knife drop to
+the floor, the mistress proved stronger than he, and not only did not
+allow him to harm her, but almost choked him into unconsciousness.
+Then the master on the floor turned, the cook thundered upon the door
+with the oven-fork, breaking it open, and Yanson ran away into the
+fields. He was caught an hour later, kneeling down behind the corner
+of the barn, striking one match after another, which would not ignite,
+in an attempt to set the place on fire.
+
+A few days later the master died of blood poisoning, and Yanson, when
+his turn among other robbers and murderers came, was tried and
+condemned to death. In court he was the same as always; a little man,
+freckled, with sleepy, glassy eyes. It seemed as if he did not
+understand in the least the meaning of what was going on about him; he
+appeared to be entirely indifferent. He blinked his white eyelashes,
+stupidly, without curiosity; examined the sombre, unfamiliar
+courtroom, and picked his nose with his hard, shriveled, unbending
+finger. Only those who had seen him on Sundays at church would have
+known that he had made an attempt to adorn himself. He wore on his
+neck a knitted, muddy-red shawl, and in places had dampened the hair
+of his head. Where the hair was wet it lay dark and smooth, while on
+the other side it stuck up in light and sparse tufts, like straws upon
+a hail-beaten, wasted meadow.
+
+When the sentence was pronounced- death by hanging-Yanson suddenly
+became agitated. He reddened deeply and began to tie and untie the
+shawl about his neck as though it were choking him. Then he waved his
+arms stupidly and said, turning to the judge who had not read the
+sentence, and pointing with his finger at the judge who read it:
+
+"He said that I should be hanged."
+
+"Who do you mean?" asked the presiding judge, who had pronounced the
+sentence in a deep, bass voice. Every one smiled; some tried to hide
+their smiles behind their mustaches and their papers. Yanson pointed
+his index finger at the presiding judge and answered angrily, looking
+at him askance:
+
+"You!"
+
+"Well?"
+
+Yanson again turned his eyes to the judge who had been silent,
+restraining a smile, whom he felt to be a friend, a man who had
+nothing to do with the sentence, and repeated:
+
+"He said I should be hanged. Why must I be hanged?"
+
+"Take the prisoner away."
+
+But Yanson succeeded in repeating once more, convincingly and
+weightily:
+
+"Why must I be hanged?"
+
+He looked so absurd, with his small, angry face, with his outstretched
+finger, that even the soldier of the convoy, breaking the rule, said
+to him in an undertone as he led him away from the courtroom:
+
+"You are a fool, young man!"
+
+"Why must I be hanged?" repeated Yanson stubbornly.
+
+"They'll swing you up so quickly that you'll have no time to kick."
+
+"Keep still 1" cried the other convoy angrily. But he himself could
+not refrain from adding:
+
+"A robber, too! Why did you take a human life, you fool? You must hang
+for that!"
+
+"They might pardon him," said the first soldier, who began to feel
+sorry for Yanson.
+
+"Oh, yes! They'll pardon people like him, will they? Well, we've
+talked enough."
+
+But Yanson had become silent again.
+
+He was again placed in the cell in which he had already sat for a
+month and to which he had grown accustomed, just as he had become
+accustomed to everything: to blows, to vodka, to the dismal,
+snow-covered fields, with their snow-heaps resembling graves.
+
+And now he even began to feel cheerful when he saw his bed, the
+familiar window with the grating, and when he was given something to
+eat-he had not eaten anything since morning. He had an unpleasant
+recollection of what had taken place in the court, but of that he
+could not think-he was unable to recall it. And death by hanging he
+could not picture to himself at all.
+
+Although Yanson had been condemned to death, there were many others
+similarly sentenced, and he was not regarded as an important criminal.
+They spoke to him accordingly, with neither fear nor respect, just as
+they would speak to prisoners who were not to be executed. The warden,
+on learning of the verdict, said to him:
+
+"Well, my friend, they've hanged you!"
+
+"When are they going to hang me?" asked Yanson distrustfully. The
+warden meditated a moment.
+
+"Well, you'll have to wait-until they can get together a whole party.
+It isn't worth bothering for one man, especially for a man like you.
+It is necessary to work up the right spirit."
+
+"And when will that be?" persisted Yanson. He was not at all offended
+that it was not worth while to hang him alone. He did not believe it,
+but considered it as an excuse for postponing the execution,
+preparatory to revoking it altogether. And he was seized with joy; the
+confused, terrible moment, of which it was so painful to think,
+retreated far into the distance, becoming fictitious and improbable,
+as death always seems.
+
+"When? When?" cried the warden, a dull, morose old man, growing angry.
+"It isn't like hanging a dog, which you take behind the barn-and it is
+done in no time. I suppose you would like to be hanged like that, you
+fool!"
+
+"I don't want to be hanged," and suddenly Yanson frowned strangely.
+"He said that I should be hanged, but I don't want it."
+
+And perhaps for the first time in his life he laughed, a hoarse,
+absurd, yet gay and joyous laughter. It sounded like the cackling of a
+goose, Ga-ga-ga! The warden looked at him in astonishment, then knit
+his brow sternly. This strange gayety of a man who was to be executed
+was an offence to the prison, as well as to the very executioner; it
+made them appear absurd. And suddenly, for the briefest instant, it
+appeared to the old warden, who had passed all his life in the prison,
+and who looked upon its laws as the laws of nature, that the prison
+and all the life within it was something like an insane asylum, in
+which he, the warden, was the chief lunatic.
+
+"Pshaw! The devil take you!" and he spat aside. "Why are you giggling
+here? This is no dramshop!"
+
+"And I don't want to be hanged-gaga-ga!" laughed Yanson.
+
+"Satan!" muttered the inspector, feeling the need of making the sign
+of the cross.
+
+This little man, with his small, wizened face-he resembled least of
+all the devil- but there was that in his silly giggling which
+destroyed the sanctity and the strength of the prison. If he laughed
+longer, it seemed to the warden as if the walls might fall asunder,
+the grating melt and drop out, as if the warden himself might lead the
+prisoners to the gates, bowing and saying: "Take a walk in the city,
+gentlemen; or perhaps some of you would like to go to the village?"
+
+"Satan!"
+
+But Yanson had stopped laughing, and was now winking cunningly.
+
+"You had better look out!" said the warden, with an indefinite threat,
+and he walked away, glancing back of him.
+
+Yanson was calm and cheerful throughout the evening. He repeated to
+himself, "I shall not be hanged," and it seemed to him so convincing,
+so wise, so irrefutable, that it was unnecessary to feel uneasy. He
+had long forgotten about his crime, only sometimes he regretted that
+he had not been successful in attacking his master's wife. But he soon
+forgot that, too.
+
+Every morning Yanson asked when he was to be hanged, and every morning
+the warden answered him angrily:
+
+"Take your time, you devil! Wait!" and he would walk off quickly
+before Yanson could begin to laugh.
+
+And from these monotonously repeated words, and from the fact that
+each day came, passed and ended as every ordinary day had passed,
+Yanson became convinced that there would be no execution. He began to
+lose all memory of the trial, and would roll about all day long on his
+cot, vaguely and happily dreaming about the white melancholy fields,
+with their snow-mounds, about the refreshment bar at the railroad
+station, and about other things still more vague and bright. He was
+well fed in the prison, and somehow he began to grow stout rapidly and
+to assume airs.
+
+"Now she would have liked me," he thought of his master's wife. "Now I
+am stout-not worse-looking than the master." But he longed for a drink
+of vodka, to drink and to take a ride on horseback, to ride fast,
+madly.
+
+When the terrorists were arrested the news of it reached the prison.
+And in answer to Yanson's usual question, the warden said eagerly and
+unexpectedly:
+
+"It won't be long now!"
+
+He looked at Yanson calmly with an air of importance and repeated:
+
+"It won't be long now. I suppose in about a week."
+
+Yanson turned pale, and as though falling asleep, so turbid was the
+look in his glassy eyes, asked:
+
+"Are you joking?"
+
+"First you could not wait, and now you think I am joking. We are not
+allowed to joke here. You like to joke, but we are not allowed to,"
+said the warden with dignity as he went away.
+
+Toward evening of that day Yanson had already grown thinner. His skin,
+which had stretched out and had become smooth for a time, was suddenly
+covered with a multitude of small wrinkles, and in places it seemed
+even to hang down. His eyes became sleepy, and all his motions were
+now so slow and languid as though each turn of the head, each move of
+the fingers, each step of the foot were a complicated and cumbersome
+undertaking which required very careful deliberation. At night he lay
+on his cot, but did not close his eyes, and thus, heavy with sleep,
+they remained open until morning.
+
+"Aha!" said the warden with satisfaction, seeing him on the following
+day. "This is no dramshop for you, my dear!"
+
+With a feeling of pleasant gratification, like a scientist whose
+experiment had proved successful again, he examined the condemned man
+closely and carefully from head to foot. Now everything would go along
+as necessary. Satan was disgraced, the sacredness of the prison and
+the execution was re-established, and the old man inquired
+condescendingly, even with a feeling of sincere pity:
+
+"Do you want to meet somebody or not?"
+
+"What for?"
+
+"Well, to say good-by! Have you no mother, for instance, or a
+brother?"
+
+"I must not be hanged," said Yanson softly, and looked askance at the
+warden. "I don't want to be hanged."
+
+The warden looked at him and waved his hand in silence.
+
+Toward evening Yanson grew somewhat calmer.
+
+The day had been so ordinary, the cloudy winter sky looked so
+ordinary, the footsteps of people and their conversation on matters of
+business sounded so ordinary, the smell of the sour soup of cabbage
+was so ordinary, customary and natural that he again ceased believing
+in the execution. But the night became terrible to him. Before this
+Yanson had felt the night simply as darkness, as an especially dark
+time, when it was necessary to go to sleep, but now he began to be
+aware of its mysterious and uncanny nature. In order not to believe in
+death, it was necessary to hear and see and feel ordinary things about
+him, footsteps, voices, light, the soup of sour cabbage. But in the
+dark everything was unnatural; the silence and the darkness were in
+themselves something like death.
+
+And the longer the night dragged the more dreadful it became. With the
+ignorant innocence of a child or a savage, who believe everything
+possible, Yanson felt like crying to the sun: "Shine!" He begged, he
+implored that the sun should shine, but the night drew its long, dark
+hours remorselessly over the earth, and there was no power that could
+hasten its course. And this impossibility, arising for the first time
+before the weak consciousness of Yanson, filled him with terror. Still
+not daring to realize it clearly, he already felt the inevitability of
+approaching death, and felt himself making the first step upon the
+gallows, with benumbed feet.
+
+Day quieted him, but night again filled him with fear, and so it was
+until one night when he realized fully that death was inevitable, that
+it would come in three days at dawn with the sunrise.
+
+He had never thought of what death was, and it had no image to him-but
+now he realized clearly, he saw, he felt that it had entered his cell
+and was looking for him, groping about with its hands. And to save
+himself, he began to run wildly about the room.
+
+But the cell was so small that it seemed that its corners were not
+sharp but dull, and that all of them were pushing him into the center
+of the room. And there was nothing behind which to hide. And the door
+was locked. And it was dark. Several times he struck his body against
+the walls, making no sound, and once he struck against the door- it
+gave forth a dull, empty sound. He stumbled over something and fell
+upon his face, and then he felt that IT was going to seize him. Lying
+on his stomach, holding to the floor, hiding his face in the dark,
+dirty asphalt, Yanson howled in terror. He lay; and cried at the top
+of his voice until some one came. And when he was lifted from the
+floor and seated upon the cot, and cold water was poured over his
+head, he still did not dare open his tightly closed eyes. He opened
+one eye, and noticing some one's boot in one of the corners of the
+room, he commenced crying again.
+
+But the cold water began to produce its effect in bringing him to his
+senses. To help the effect, the warden on duty, the same old man,
+administered medicine to Yanson in the form of several blows upon the
+head. And this sensation of life returning to him really drove the
+fear of death away. Yanson opened his eyes, and then, his mind utterly
+confused, he slept soundly for the remainder of the night. He lay on
+his hack, with mouth open, and snored loudly, and between his lashes,
+which were not tightly closed, his flat, dead eyes, which were
+upturned so that the pupil did not show, could be seen.
+
+Later, everything in the world - day and night, footsteps, voices, the
+soup of sour cabbage, produced in him a continuous terror, plunging
+him into a state of savage uncomprehending astonishment. His weak mind
+was unable to combine these two things which so monstrously
+contradicted each other - the bright day, the odor and taste of
+cabbage - and the fact that two days later he must die. He did not
+think of anything. He did not even count the hours, but simply stood
+in mute stupefaction before this contradiction which tore his brain in
+two. And he became evenly pale, neither white nor redder in parts, and
+appeared to be calm. Only he ate nothing and ceased sleeping
+altogether. He sat all night long on a stool, his legs crossed under
+him, in fright. Or he walked about in his cell, quietly, stealthily,
+and sleepily looking about him on all sides. His mouth was half-open
+all the time, as though from incessant astonishment, and before taking
+the most ordinary thing into his hands, he would examine it stupidly
+for a long time, and would take it distrustfully.
+
+When he became thus, the wardens as well as the sentinel who watched
+him through the little window, ceased paying further attention to him.
+This was the customary condition of prisoners, and reminded the
+wardens of cattle being led to slaughter after a staggering blow.
+
+"Now he is stunned, now he will feel nothing until his very death,"
+said the warden, looking at him with experienced eyes. "Ivan! Do you
+hear? Ivan!"
+
+"I must not be hanged," answered Yanson, in a dull voice, and his
+lower jaw again drooped.
+
+"You should not have committed murder. You would not be hanged then,"
+answered the chief warden, a young but very important-looking man with
+medals on his chest. "You committed murder, yet you do not want to be
+hanged?"
+
+"He wants to kill human beings without paying for it. Fool! fool!"
+said another.
+
+"I don't want to be hanged," said Yanson.
+
+"Well, my friend, you may want it or not, that's your affair," replied
+the chief warden indifferently. "Instead of talking nonsense, you had
+better arrange your affairs. You still have something."
+
+"He has nothing. One shirt and a suit of clothes. And a fur cap! A
+sport!"
+
+Thus time passed until Thursday. And on Thursday, at midnight a number
+of people entered Yanson's cell, and one man, with shoulder-straps,
+said:
+
+"Well, get ready. We must go."
+
+Yanson, moving slowly and drowsily as before, put on everything he had
+and tied his muddy-red muffler about his neck. The man with
+shoulder-straps, smoking a cigarette, said to some one while watching
+Yanson dress:
+
+"What a warm day this will be. Real spring."
+
+Yanson's small eyes were closing; he seemed to be falling asleep, and
+he moved so slowly and stiffly that the warden cried to him:
+
+"Hey, there! Quicker! Have you fallen asleep?"
+
+Suddenly Yanson stopped.
+
+"I don't want to be hanged," said he.
+
+He was taken by the arms and led away, and began to stride obediently,
+raising his shoulders. Outside he found himself in the moist, spring
+air, and beads of sweat stood under his little nose. Notwithstanding
+that it was night, it was thawing very strongly and drops of water
+were dripping upon the stones. And waiting while the soldiers,
+clanking their sabres and bending their heads, were stepping into the
+unlighted black carriage, Yanson lazily moved his finger under his
+moist nose and adjusted the badly tied muffler about his neck,
+
+
+
+CHAPTER IV
+WE COME FROM ORYOL
+
+
+The same council-chamber of the military district court which had
+condemned Yanson had also condemned to death a peasant of the
+Government of Oryol, of the District of Yeletzk, Mikhail Golubets,
+nicknamed Tsiganok, also Tatarin. His latest crime, proven beyond
+question, had been the murder of three people and armed robbery.
+Behind that, his dark past disappeared in a depth of mystery. There
+were vague rumors that he had participated in a series of other
+murders and robberies, and in his path there was felt to be a dark
+trail of blood, fire, and drunken debauchery. He called himself
+murderer with utter frankness and sincerity, and scornfully regarded
+those who, according to the latest fashion, styled themselves
+"expropriators." Of his last crime, since it was useless for him to
+deny anything, he spoke freely and in detail, but in answer to
+questions about his past, he merely gritted his teeth, whistled, and
+said:
+
+"Search for the wind of the fields!"
+
+When he was annoyed in cross-examination, Tsiganok assumed a serious
+and dignified air:
+
+"All of us from Oryol are thoroughbreds," he would say gravely and
+deliberately. "Oryol and Kroma are the homes of first-class thieves.
+Karachev and Livna are the breeding-places of thieves. And Yeletz-is
+the parent of all thieves. Now-what else is there to say?"
+
+He was nicknamed Tsiganok (gypsy) because of his appearance and his
+thievish manner. He was black-haired, lean, with yellow spots on his
+prominent, "Tartar-like cheek-bones. His glance was swift, brief, but
+fearfully direct and searching, and the thing upon which he looked for
+a moment seemed to lose something, seemed to deliver up to him a part
+of itself, and to become something else. It was just as unpleasant and
+repugnant to take a cigarette at which he looked, as though it had
+already been in his mouth. There was a certain constant restlessness
+in him, now twisting him like a rag, now throwing him about like a
+body of coiling live wires. And he drank water almost by the bucket.
+
+To all questions during the trial he answered shortly, firmly, jumping
+up quickly, and at times he seemed to answer even with pleasure.
+
+"Correct!" he would say.
+
+Sometimes he emphasized it.
+
+"Cor-r-rect!"
+
+At one time, suddenly, when they were speaking of something that would
+hardly have seemed to suggest it, he jumped to his feet and asked the
+presiding judge:
+
+"Will you allow me to whistle?"
+
+"What for?" asked the judge, surprised.
+
+"They said that I gave the signal to my comrades. I would like to show
+you how. It is very interesting."
+
+The judge consented, somewhat wonderingly. Tsiganok quickly placed
+four fingers in his mouth, two fingers of each hand, rolled his eyes
+fiercely-and then the dead air of the courtroom was suddenly rent by a
+real, wild, murderer's whistle-at which frightened horses leap and
+rear on their hind legs and human faces involuntarily blanch. The
+mortal anguish of him who is to be assassinated, the wild joy of the
+murderer, the dreadful warning, the call, the gloom and loneliness of
+a stormy autumn night-all this rang in his piercing shriek, which was
+neither human nor beastly.
+
+The presiding officer shouted - then waved his arm at Tsiganok, and
+Tsiganok obediently became silent. And, like an artist who had
+triumphantly performed a difficult aria, he sat down, wiped his wet
+fingers upon his coat, and surveyed those present with an air of
+satisfaction.
+
+"What a robber!" said one of the judges, rubbing his ear.
+
+Another one, however, with a wild Russian beard, but with the eyes of
+a Tartar, like those of Tsiganok, gazed pensively above Tsiganok's
+head, then smiled and remarked:
+
+"It is indeed interesting."
+
+With light hearts, without mercy, without the slightest pangs of
+conscience, the judges brought out against Tsiganok a verdict of
+death.
+
+"Correct!" said Tsiganok, when the verdict was pronounced. "In the
+open field and on a cross-beam! Correct!"
+
+And turning to the convoy, he hurled with bravado:
+
+"Well, are we not going? Come on, you sour-coat. And hold your gun-I
+might take it away from you!"
+
+The soldier looked at him sternly, with fear, exchanged glances with
+his comrade, and felt the lock of his gun. The other did the same. And
+all the way to the prison the soldiers felt that they were not walking
+but flying through the air-as if hypnotized by the prisoner, they felt
+neither the ground beneath their feet, nor the passage of time, nor
+themselves.
+
+Mishka Tsiganok, like Yanson, had had to spend seventeen days in
+prison before his execution. And all seventeen days passed as though
+they were one day-they were bound up in one inextinguishable thought
+of escape, of freedom, of life. The restlessness of Tsiganok, which
+was now repressed by the walls and the bars and the dead window
+through which nothing could be seen, turned all its fury upon himself
+and burned his soul like coals scattered upon boards. As though he
+were in a drunken vapor, bright but incomplete images swarmed upon
+him, failing and then becoming confused, and then again rushing
+through his mind in an unrestrainable blinding whirlwind-and all were
+bent toward escape, toward liberty, toward life. With his nostrils
+expanded, like those of a horse, Tsiganok smelt the air for hours
+long--it seemed to him that he could smell the odor of hemp, of the
+smoke of fire-the colorless and biting smell of burning. Now he
+whirled about in the room like a top, touching the walls, tapping them
+nervously with his fingers from time to time, taking aim, boring the
+ceiling with his gaze, filing the prison bars. By his restlessness, he
+had tired out the soldiers who watched him through the little window,
+and who, several times, in despair, had threatened to shoot. Tsiganok
+would retort, coarsely and derisively, and the quarrel would end
+peacefully because the dispute would soon turn into boorish,
+unoffending abuse, after which shooting would have seemed absurd and
+impossible.
+
+Tsiganok slept during the nights soundly, without stirring, in
+unchanging yet live motionlessness, like a wire spring in temporary
+inactivity. But as soon as he arose, he immediately commenced to walk,
+to plan, to grope about. His hands were always dry and hot, but his
+heart at times would suddenly grow cold, as if a cake of unmelting ice
+had been placed upon his chest, sending a slight, dry shiver through
+his whole body. At such times, Tsiganok, always dark in complexion,
+would turn black, assuming the shade of bluish cast-iron. And he
+acquired a curious habit; as though he had eaten too much of something
+sickeningly sweet, he kept licking his lips, smacking them, and would
+spit on the floor, hissingly, through his teeth. When he spoke, he did
+not finish his words, so rapidly did his thoughts run that his tongue
+was unable to compass them.
+
+One day the chief warden, accompanied by a soldier, entered his cell.
+He looked askance at the floor and said gruffly:
+
+"Look! How dirty he has made it!"
+
+Tsiganok retorted quickly:
+
+"You've made the whole world dirty, you fat-face, and yet I haven't
+said anything to you. What brings you here?"
+
+The warden, speaking as gruffly as before, asked him whether he would
+act as executioner. Tsiganok burst out laughing, showing his teeth.
+
+"You can't find any one else? That's good! Go ahead, hang! Ha! ha! ha!
+The necks are there, the rope is there, but there is nobody to string
+it up. By God! that's good!"
+
+"You'll save your neck if you do it."
+
+"Of course-I couldn't hang them if I were dead. Well said, you fool!"
+
+"Well, what do you say? Is it all the same to you?"
+
+"And how do you hang them here? I suppose they're choked on the sly."
+
+"No, with music," snarled the warden.
+
+"Well, what a fool! Of course it can be done with music. This way!"
+and he began to sing, with a bold and daring swing.
+
+"You have lost your wits, my friend," said the warden. "What do you
+say? Speak sensibly."
+
+Tsiganok grinned.
+
+"How eager you are! Come another time and I'll tell you."
+
+After that, into that chaos of bright, yet incomplete images which
+oppressed Tsiganok by their impetuosity, a new image came -how good it
+would be to become a hangman in a red shirt. He pictured to himself
+vividly a square crowded with people, a high scaffold, and he,
+Tsiganok, in a red shirt walking about upon the scaffold with an ax.
+The sun shone overhead, gaily flashing from the ax, and everything was
+so gay and bright that even the man whose head was soon to be chopped
+off was smiling. And behind the crowd, wagons and the heads of horses
+could be seen-the peasants had come from the village; and beyond them,
+further, he could see the village itself.
+
+"Ts-akh!"
+
+Tsiganok smacked his lips, licking them, and spat. And suddenly he
+felt as though a fur cap had been pushed over his head to his very
+mouth-it became black and stifling, and his heart again became like a
+cake of unmelting ice, sending a slight, dry shiver through his whole
+body.
+
+The warden came in twice again, and Tsiganok, showing his teeth, said:
+
+"How eager you are! Come in again!"
+
+Finally one day the warden shouted through the casement window as he
+passed rapidly:
+
+"You've let your chance slip by, you fool! We've found somebody else."
+
+"The devil take you! Hang yourself!" snarled Tsiganok, and he stopped
+dreaming of the execution.
+
+But toward the end, the nearer he approached the time, the weight of
+the fragments of his broken images became unbearable. Tsiganok now
+felt like standing still, like spreading his legs and standing-but a
+whirling current of thoughts carried him away and there was nothing at
+which he could clutch-everything about him swam. And his sleep also
+became uneasy. Dreams even more violent than his thoughts appeared
+-new dreams, solid, heavy, like wooden painted blocks. And it was no
+longer like a current, but like an endless fall to an endless depth, a
+whirling flight through the whole visible world of colors.
+
+When Tsiganok was free he had worn only a pair of dashing mustaches,
+but in the prison a short, black, bristly beard grew on his face and
+it made him look fearsome, insane. At times Tsiganok really lost his
+senses and whirled absurdly about in the cell, still tapping upon the
+rough, plastered walls nervously. And he drank water like a horse.
+
+At times toward evening when they lit the lamp, Tsiganok would stand
+on all fours in the middle of his cell and would howl the quivering
+howl of a wolf. He was peculiarly serious while doing it, and would
+howl as though he were performing an important and indispensable act.
+He would fill his chest with air and then exhale it. slowly in a
+prolonged tremulous howl, and, cocking his eyes, would listen intently
+as the sound issued forth. And the very quiver in his voice seemed in
+a manner intentional. He did not scream wildly, but drew out each note
+carefully in that mournful wail full of untold sorrow and terror.
+
+Then he would suddenly break off howling and for several minutes would
+remain silent, still standing on all fours. Then suddenly he would
+mutter softly, staring at the ground:
+
+"My darlings, my sweethearts! . . . My darlings, my sweethearts! have
+pity. . . . My darlings! . . . My sweethearts!"
+
+And it seemed again as if he were listening intently to his own voice.
+As he said each word he would listen.
+
+Then he would jump up and for a whole hour would curse continually.
+
+He cursed picturesquely, shouting and rolling his blood-shot eyes.
+
+"If you hang me-hang me!" and he would burst out cursing again.
+
+And the sentinel, in the meantime white as chalk, weeping with pain
+and fright, would knock at the door with the butt-end of the gun and
+cry helplessly:
+
+"I'll fire! I'll kill you as sure as I live! Do you hear?"
+
+But he dared not shoot. If there was no actual rebellion they never
+fired at those who had been condemned to death. And Tsiganok would
+gnash his teeth, would curse and spit. His brain thus racked on a
+monstrously sharp blade between life and death was falling to pieces
+like a lump of dry clay.
+
+When they entered the cell at midnight to lead Tsiganok to the
+execution he began to bustle about and seemed to have recovered his
+spirits. Again he had that sweet taste in his mouth, and his saliva
+collected abundantly, but his cheeks turned rosy and in his eyes began
+to glisten his former somewhat savage slyness. Dressing himself he
+asked the official:
+
+"Who is going to do the hanging? Anew man? I suppose he hasn't learned
+his job yet."
+
+"You needn't worry about it," answered the official dryly.
+
+"I can't help worrying, your Honor. I am going to be hanged, not you.
+At least don't be stingy with the government's soap on the noose."
+
+"All right, all right! Keep quiet!"
+
+"This man here has eaten all your soap," said Tsiganok, pointing to
+the warden. "See how his face shines."
+
+"Silence!"
+
+"Don't be stingy!"
+
+And Tsiganok burst out laughing. But he began to feel that it was
+getting ever sweeter in his mouth, and suddenly his legs began to feel
+strangely numb. Still, on coming out into the yard, he managed to
+exclaim:
+
+"The carriage of the Count of Bengal!"
+
+
+
+CHAPTER V
+KISS-AND SAY NOTHING
+
+
+The verdict concerning the five terrorists was pronounced finally and
+confirmed upon the same day. The condemned were not told when the
+execution would take place, but they knew from the usual procedure
+that they would he hanged the same night, or, at the very latest, upon
+the following night. And when it was proposed to them that they meet
+their relatives upon the following Thursday they understood that
+the execution would take place on Friday at dawn.
+
+Tanya Kovalchuk had no near relatives, and those whom she had were
+somewhere in the wilderness in Little Russia and it was not likely
+that they even knew of the trial or of the coming execution. Musya and
+Werner, as unidentified people, were not supposed to have relatives,
+and only two, Sergey Golovin and Vasily Kashirin, were to meet their
+parents. Both of them looked upon that meeting with terror and
+anguish, yet they dared not refuse the old people the last word, the
+last kiss.
+
+Sergey Golovin was particularly tortured by the thought of the coming
+meeting. He dearly loved his father and mother; he had seen them but a
+short while before, and now he was in a state of terror as to what
+would happen when they came to see him. The execution itself, in all
+its monstrous horror, in its brain-stunning madness, he could imagine
+more easily, and it seemed less terrible than these other few moments
+of meeting, brief and unsatisfactory, which seemed to reach beyond
+time, beyond life itself. How to look, what to think, what to say, his
+mind could not determine. The most simple and ordinary act, to take
+his father by the hand, to kiss him, and to say, "How do you do,
+father?" seemed to him unspeakably horrible in its monstrous, inhuman,
+absurd deceitfulness.
+
+After the sentence the condemned were not placed together in one cell,
+as Tanya Kovalchuk had supposed they would be, but each was put in
+solitary confinement, and all the morning, until eleven o'clock, when
+his parents came, Sergey Golovin paced his cell furiously, tugged at
+his beard, frowned pitiably and muttered inaudibly. Sometimes he would
+stop abruptly, would breathe deeply and then exhale like a man who has
+been too long under water. But he was so healthy, his young life was
+so strong within him, that even in the moments of most painful
+suffering his blood played under his skin, reddening his cheeks, and
+his blue eyes shone brightly and frankly.
+
+But everything was far different from what he had anticipated.
+
+Nikolay Sergeyevich Golovin, Sergey's father, a retired colonel, was
+the first to enter the room where the meeting took place. He was all
+white-his face, his beard, his hair, and his hands-as if he were a
+snow statue attired in man's clothes He had on the same old but
+well-cleaned coat, smelling of benzine, with new shoulder-straps
+crosswise, that he had always worn, and he entered firmly, with an air
+of stateliness, with strong and steady steps. He stretched out his
+white, thin hand and said loudly:
+
+"How do you do, Sergey?"
+
+Behind him Sergey's mother entered with short steps, smiling
+strangely. But she also pressed his hands and repeated loudly:
+
+"How do you do, Seryozhenka?"
+
+She kissed him on the lips and sat down silently. She did not rush
+over to him; she did not burst into tears; she did not break into a
+sob; she did not do any of the terrible things which Sergey had
+feared. She just kissed him and silently sat down. And with her
+trembling hands she even adjusted her black silk dress.
+
+Sergey did not know that the colonel, having locked himself all the
+previous night in his little study, had deliberated upon this ritual
+with all his power. "We must not aggravate, but ease the last moments
+of our son," resolved the colonel firmly, and he carefully weighed
+every possible phase of the conversation, every act and movement that
+might take place on the following day. But somehow he became confused,
+forgetting what he had prepared, and he wept bitterly in the corner of
+the oilcloth-covered couch. In the morning he explained to his wife
+how she should behave at the meeting.
+
+"The main thing is, kiss-and say nothing!" he taught her. "Later you
+may speak-after a while-but when you kiss him, be silent. Don't speak
+right after the kiss, do you understand? Or you will say what you
+should not say."
+
+"I understand, Nikolay Sergeyevich," answered the mother, weeping.
+
+"And you must not weep. For God's sake, do not weep! You will kill him
+if you weep, old woman!"
+
+"Why do you weep?"
+
+"With women one cannot help weeping. But you must not weep, do you
+hear?"
+
+"Very well, Nikolay Sergeyevich."
+
+Riding in the drozhky, he had intended to school her in the
+instructions again, but he forgot. And so they rode in silence, bent,
+both gray and old, and they were lost in thought, while the city was
+gay and noisy. It was Shrovetide, and the streets were crowded.
+
+They sat down. Then the colonel stood up, assumed a studied pose,
+placing his right hand upon the border of his coat. Sergey sat for an
+instant, looked closely upon the wrinkled face of his mother and then
+jumped up.
+
+"Be seated, Seryozhenka," begged the mother.
+
+"Sit down, Sergey," repeated the father.
+
+They became silent. The mother smiled.
+
+"How we have petitioned for you, Seryozhenka! Father--''
+
+"You should not have done that, mother----"
+
+The colonel spoke firmly:
+
+"We had to do it, Sergey, so that you should not think your parents
+had forsaken you."
+
+They became silent again. It was terrible for them to utter even a
+word, as though each word in the language had lost its individual
+meaning and meant but one thing- Death. Sergey looked at his father's
+coat, which smelt of benzine, and thought: "They have no servant now,
+consequently he must have cleaned it himself. How is it that I never
+before noticed when he cleaned his coat? I suppose he does it in the
+morning." Suddenly he asked:
+
+"And how is sister? Is she well?" "Ninochka does not know anything,"
+the mother answered hastily.
+
+The colonel interrupted her sternly: "Why should you tell a falsehood?
+The child read it in the newspapers. Let Sergey know that
+everybody-that those who are dearest to him-were thinking of him-at
+this time-and--"
+
+He could not say any more and stopped. Suddenly the mother's face
+contracted, then it spread out, became agitated, wet and wild-looking.
+Her discolored eyes stared blindly, and her breathing became more
+frequent, and briefer, louder.
+
+"Se - Se - Se-Ser --" she repeated without moving her lips. "Ser--"
+
+"Dear mother!"
+
+The colonel strode forward, and all quivering in every fold of his
+coat, in every wrinkle of his face, not understanding how terrible he
+himself looked in his death-like whiteness, in his heroic, desperate
+firmness. He said to his wife:
+
+"Be silent! Don't torture him! Don't torture him! He has to die! Don't
+torture him!"
+
+Frightened, she had already become silent, but he still shook his
+clenched fists before him and repeated:
+
+"Don't torture him!"
+
+Then he stepped back", placed his trembling hands behind his back, and
+loudly, with an expression of forced calm, asked with pale lips:
+
+"When?"
+
+"To-morrow morning," answered Sergey, his lips also pale.
+
+The mother looked at the ground, chewing her lips, as if she did not
+hear anything. And continuing to chew, she uttered these simple words,
+strangely, as though they dropped like lead:
+
+"Ninochka told me to kiss you, Seryozhenka."
+
+"Kiss her for me," said Sergey.
+
+"Very well. The Khvostovs send you their regards."
+
+"Which Khvostovs? Oh, yes!"
+
+The colonel interrupted:
+
+"Well, we must go. Get up, mother; we must go." The two men lifted the
+weakened old woman.
+
+"Bid him good-by!" ordered the colonel. "Make the sign of the cross."
+
+She did everything as she was told. But as she made the sign of the
+cross, and kissed her son a brief kiss, she shook her head and
+murmured weakly:
+
+"No, it isn't the right way! It is not the right way! What will I say?
+How will I say it? No, it is not the right way!"
+
+"Good-by, Sergey!" said the father. They shook hands, and kissed each
+other quickly but heartily.
+
+"You--" began Sergey.
+
+"Well?" asked the father abruptly.
+
+"No, no! It is not the right way! How shall I say it?" repeated the
+mother weakly, nodding her head. She had sat down again and was
+rocking herself back and forth.
+
+"You--" Sergey began again. Suddenly his face wrinkled pitiably,
+childishly, and his eyes filled with tears immediately. Through the
+sparkling gleams of his tears he looked closely into the white face of
+his father, whose eyes had also filled.
+
+"You, father, are a noble man!"
+
+"What is that? What are you saying?" said the colonel, surprised. And
+then suddenly, as if broken in two, he fell with his head upon his
+son's shoulder. He had been taller than Sergey, but now he became
+short, and his dry, downy head lay like a white ball upon his son's
+shoulder. And they kissed silently and passionately: Sergey kissed the
+silvery white hair, and the old man kissed the prisoner's garb.
+
+"And I?" suddenly said a loud voice.
+
+They looked around. Sergey's mother
+
+92
+
+The Seven
+
+was standing, her head thrown back, looking at them angrily, almost
+with contempt.
+
+"What is it, mother?" cried the colonel.
+
+"And I?" she said, shaking her head with insane intensity. "You
+kiss-and I? You men! Yes? And I? And I?"
+
+"Mother!" Sergey rushed over to her.
+
+What took place then it is unnecessary and impossible to describe. . .
+.
+
+The last words of the colonel were:
+
+"I give you my blessing for your death, Seryozha. Die bravely, like an
+officer."
+
+And they went away. Somehow they went away. They had been there, they
+had stood, they had spoken-and suddenly they had gone. Here sat his
+mother, there stood his father-and suddenly somehow they had gone
+away. Returning to the cell, Sergey lay down on the cot, his face
+turned toward the wall, in order to hide it from the soldiers, and he
+wept for a long time. Then, exhausted by his tears, he slept soundly.
+
+To Vasily Kashirin only his mother came. His father, who was a wealthy
+tradesman, did not want to come. Vasily met the old woman, as he was
+pacing up and down the room, trembling with cold, although it was
+warm, even hot. And the conversation was brief, painful.
+
+"It wasn't worth coming, mother. You'll only torture yourself and me."
+
+"Why did you do it, Vasya? Why did you do it? Oh, Lord!" The old woman
+burst out weeping, wiping her face with the ends of her black, woolen
+kerchief. And with the habit which he and his brothers had always had
+of crying at their mother, who did not understand anything, he
+stopped, and, shuddering as with cold, spoke angrily:
+
+"There! You see! I knew it! You understand nothing, mother! Nothing!"
+
+"Well-well-all right! Do you feel- cold?"
+
+"Cold!" Vasily answered bluntly, and again began to pace the room,
+looking at his mother askance, as if annoyed.
+
+"Perhaps you have caught cold?"
+
+"Oh, mother what is a cold, when--" and he waved his hand helplessly.
+
+The old woman was about to say: "And your father ordered wheat cakes
+beginning with Monday," but she was frightened, and said:
+
+"I told him: 'It is your son, you should go, give him your blessing.'
+No, the old beast persisted--"
+
+"Let him go to the devil! What sort of father has he been to me? He
+has been a scoundrel all his life, and remains a scoundrel!"
+
+"Vasenka! Do you speak of your father like this?" said the old woman
+reproachfully, straightening herself.
+
+"About my father!"
+
+"About your own father?"
+
+"He is no father to me!"
+
+It was strange and absurd. Before him was the thought of death, while
+here something small, empty and trivial arose, and his words cracked
+like the shells of nuts under foot. And almost crying with
+sorrow-because of the eternal misunderstanding which all his life long
+had stood like a wall between him and those nearest to him, and which
+even now, in the last hour before death, peered at him stupidly and
+strangely through small, widely opened eyes-Vasily exclaimed:
+
+"Don't you understand that I am to be hanged soon? Hanged! Do you
+understand it? Hanged!"
+
+"You shouldn't have harmed anybody and nobody would---" cried the old
+woman.
+
+"My God! What is this? Even beasts do not act like this! Am I not your
+son?"
+
+He began to cry, and seated himself in a corner. The old woman also
+burst out crying in her corner. Powerless, even for an instant, to
+blend in a feeling of love and to offset by it the horror of impending
+death, they wept their cold tears of loneliness which did not warm
+their hearts. The mother said:
+
+"You ask whether I am a mother to you? You reproach me! And I have
+grown completely gray during these days. I have become an old woman.
+And yet you say-you reproach me!"
+
+"Well, mother, it is all right. Forgive me. It is time for you to go.
+Kiss my brothers for me."
+
+"Am I not your mother? Do I not feel sorry?"
+
+At last she went away. She wept bitterly, wiping her face with the
+edges of her kerchief, and she did not see the road. And the farther
+she got from the prison the more bitterly she wept. She retraced her
+steps to the prison, and then she strangely lost her way in the city
+in which she had been born, in which she lived to her old age. She
+strolled into a deserted little garden with a few old, gnarled trees,
+and she seated herself upon a wet bench, from which the snow had
+melted.
+
+And suddenly she understood. He was to be hanged upon the morrow!
+
+The old woman jumped up, about to run, but suddenly her head began to
+swim terribly and she fell to the ground. The icy path was wet and
+slippery, and she could not rise. She turned about, lifted herself on
+her elbows and knelt, then fell back on her side. The black kerchief
+had slipped down, baring upon the back of her head a bald spot amid
+her muddy-gray hair; and then somehow it seemed to her that she was
+feasting at a wedding, that her son was getting married, and she had
+been drinking wine and had become intoxicated.
+
+"I can't! My God! I can't!" she cried, as though declining something.
+Swaying her head, she crawled over the wet, frozen crust, and all the
+time it seemed to her that they were pouring out more wine for her,
+more wine!
+
+And her heart had already begun to pain her from her intoxicated
+laughter, from the rejoicing, from the wild dancing-and they kept on
+pouring more wine for her-pouring more wine!
+
+
+
+CHAPTER VI
+THE HOURS ARE RUSHING
+
+
+On the fortress where the condemned terrorists were imprisoned there
+was a steeple with an old-fashioned clock upon it. At every hour, at
+every half-hour, and at every quarter-hour the clock rang out in
+long-drawn, mournful chimes, slowly melting high in the air, like the
+distant and plaintive call of migrating birds. In the daytime, this
+strange and sad music was lost in the noise of the city, of the wide
+and crowded street which passed near the fortress. The cars buzzed
+along, the hoofs of the horses beat upon the pavements, the rocking
+automobiles honked in the distance, peasant izvozchiks had come
+especially from the outskirts of the city for the Shrovetide season
+and the tinkling of the bells upon the necks of their little horses
+filled the air. The prattle of voices-an intoxicated, merry Shrovetide
+prattle of voices arose everywhere. And in the midst of these various
+noises there was the young thawing spring, the muddy pools on the
+meadows, the trees of the squares which had suddenly become black.
+>From the sea a warm breeze was blowing in broad, moist gusts. It was
+almost as if one could have seen the tiny fresh particles of air
+carried away, merged into the free, endless expanse of the
+atmosphere-could have heard them laughing in their flight.
+
+At night the street grew quiet in the lonely light of the large,
+electric sun. And then, the enormous fortress, within whose walls
+there was not a single light, passed into darkness and silence,
+separating itself from the ever living, stirring city by a wall of
+silence, motionlessness and darkness. Then it was that the strokes of
+the clock became audible. A strange melody, foreign to earth, was
+slowly and mournfully born and died out up in the heights. It was born
+again; deceiving the ear, it rang plaintively and softly-it broke
+off-and rang again. Like large, transparent, glassy drops, hours and
+minutes descended from an unknown height into a metallic, softly
+resounding bell.
+
+This was the only sound that reached the cells, by day and night,
+where the condemned remained in solitary confinement. Through the
+roof, through the thickness of the stone walls, it penetrated,
+stirring the silence-it passed unnoticed, to return again, also
+unnoticed. Sometimes they awaited it in despair, living from one sound
+to the next, trusting the silence no longer. Only important criminals
+were sent to this prison. There were special rules there, stern, grim
+and severe, like the corner of the fortress wall, and if there be
+nobility in cruelty, then the dull, dead, solemnly mute silence, which
+caught the slightest rustle and breathing, was noble.
+
+And in this solemn silence, broken by the mournful tolling of the
+departing minutes, separated from all that lives, five human beings,
+two women and three men, waited for the advent of night, of dawn and
+the execution, and all of them prepared for it, each in his or her own
+way.
+
+
+
+CHAPTER VII
+THERE IS NO DEATH
+
+
+Just as Tanya Kovalchuk had thought all her life only of others and
+never of herself, so now she suffered and grieved painfully, but only
+for her comrades. She pictured death, only as awaiting them, as
+something tormenting only to Sergey Golovin, to Musya, to the
+others-as for herself, it did not concern her.
+
+As a recompense for her firmness and restraint in the courtroom she
+wept for long hours, as old women who have experienced great misery,
+or as very sympathetic and kind-hearted young people know how to weep.
+And the fear that perhaps Seryozha was without tobacco or Werner
+without the strong tea to which he was accustomed, in addition to the
+fact that they were to die, caused her no less pain than the idea of
+the execution itself. Death was something inevitable and even
+unimportant, of which it was not worth while to think; but for a man
+in prison, before his execution, to be left without tobacco-that was
+altogether unbearable. She recalled and went over in her mind all the
+pleasant details of their life together, and then she grew faint with
+fear when she pictured to herself the meeting between Sergey and his
+parents.
+
+She felt particularly sorry for Musya. It had long seemed to her that
+Musya loved Werner, and although this was not a fact, she still
+dreamed of something good and bright for both of them. When she had
+been free, Musya had worn a silver ring, on which was the design of a
+skull, bones, and a crown of thorns about them. Tanya Kovalchuk had
+often looked upon the ring as a symbol of doom, and she would ask
+Musya, now in jest, now in earnest, to remove the ring.
+
+"Make me a present of it," she had begged.
+
+"No, Tanechka, I will not give it to you.
+
+But perhaps you will soon have another ring upon your finger."
+
+For some reason or other they all in turn had thought that she would
+doubtless soon marry, and this had offended her-she wanted no husband.
+And recalling these half-jesting conversations with Musya, and the
+fact that now Musya was actually condemned to death, she choked with
+tears in her maternal pity. And each time the clock struck she raised
+her tear-stained face and listened-how were they in the other cells
+receiving this drawn-out, persistent call of death?
+
+But Musya was happy.
+
+With her hands folded behind her back, dressed in a prisoner's garb
+which was much too large for her, and which made her look very much
+like a man-like a stripling dressed in some one else's clothes-she
+paced her cell evenly and tirelessly. The sleeves of the coat were too
+long for her, and she turned them up, and her thin, almost childish,
+emaciated hands peeped out of the wide holes like a beautiful flower
+out of a coarse earthen jug. The rough material of the coat rubbed her
+thin white neck, and sometimes Musya would free her throat with both
+hands and would cautiously feel the spot where the irritated skin was
+red and smarted.
+
+Musya paced the cell, and, blushing in agitation, she imagined that
+she was justifying herself before the people. She tried to justify
+herself for the fact that she, who was so young, so insignificant, who
+had done so little, and who was not at all a heroine, was yet to
+undergo the same honorable and beautiful death by which real heroes
+and martyrs had died before her. With unshakable faith in human
+kindness, in their compassion, in their love, she pictured to herself
+how people were now agitated on her account, how they suffered, how
+they pitied her, and she felt so ashamed that she blushed, as if, by
+dying upon the scaffold, she had committed some tremendous, awkward
+blunder.
+
+At the last meeting with their counsel she had asked him to bring her
+poison, but suddenly she had changed her mind. What if he and the
+others, she thought, should consider that she was doing it merely to
+become conspicuous, or out of cowardice, that instead of dying
+modestly and unnoticed, she was attempting to glorify herself. And she
+added hastily:
+
+"No, it isn't necessary."
+
+And now she desired but one thing-to be able to explain to people, to
+prove to them so that they should have not the slightest doubt that
+she was not at all a heroine, that it was not terrible to die, that
+they should not feel sorry for her, nor trouble themselves about her.
+She wished to be able to explain to them that she was not at all to
+blame that she, who was so young and so insignificant, was to undergo
+such a martyr's death, and that so much trouble should be made on her
+account.
+
+Like a person who is actually accused of a crime, Musya sought
+justification. She endeavored to find something that would at least
+make her sacrifice more momentous, which might give it real value. She
+reasoned:
+
+"Of course, I am young and could have lived for a long time. But--"
+
+And as a candle darkens in the glare of the rising sun, so her youth
+and her life seemed dull and dark compared to that great and
+resplendent radiance which would shine above her simple head. There
+was no justification.
+
+But perhaps that peculiar something which she bore in her
+soul-boundless love, boundless eagerness to do great deeds, her
+boundless contempt for herself-was a justification in itself. She felt
+that she was really not to blame that she was hindered from doing the
+things she could have done, which she had wished to do-that she had
+been smitten upon the threshold of the temple, at the foot of the
+altar.
+
+But if that were so, if a person is appreciated not only for what he
+has done, but also for what he had intended to do-then-then she was
+worthy of the crown of the martyr!
+
+"Is it possible?" thought Musya bashfully. "Is it possible that I am
+worthy of it? That I deserve that people should weep for me, should be
+agitated over my fate, over such a little and insignificant girl?"
+
+And she was seized with sudden joy. There were no doubts, no
+hesitations-she was received into their midst-she entered justified
+the ranks of those noble people who always ascend to heaven through
+fires, tortures and executions. Bright peace and tranquillity and
+endless, calmly radiant happiness! It was as if she had already
+departed from earth and was nearing the unknown sun of truth and life,
+and was in-corporeally soaring in its light.
+
+"And that is-Death? That is not Death!" thought Musya blissfully.
+
+And if scientists, philosophers and hangmen from the world over should
+come to her cell, spreading before her books, scalpels, axes and
+nooses, and were to attempt to prove to her that Death existed, that a
+human being dies and is killed, that there is no immortality, they
+would only surprise her. How could there be no deathlessness, since
+she was already deathless? Of what other deathlessness, of what other
+death, could there be a question, since she was already dead and
+immortal, alive in death, as she had been dead in life?
+
+And if a coffin were brought into her cell with her own decomposing
+body in it, and she were told:
+
+"Look! That is you!"
+
+She would look and would answer:
+
+"No, it is not I."
+
+And if they should attempt to convince her, frightening her by the
+ominous sight of her own decomposed body, that it was she -she, Musya,
+would answer with a smile:
+
+"No. You think that it is I, but it isn't. I am the one you are
+speaking to; how can I be the other one?"
+
+"But you will die and become like that."
+
+"No, I will not die."
+
+"You will be executed. Here is the noose."
+
+"I will be executed, but I will not die. How can I die, when I am
+already-now- immortal?"
+
+And the scientists and philosophers and hangmen would retreat,
+speaking -with a shudder:
+
+"Do not touch this place. It is holy." What else was Musya thinking
+about? She was thinking of many things, for to her the thread of life
+was not broken by Death, but kept winding along calmly and evenly. She
+thought of her comrades, of those who were far away, and who in pain
+and sorrow were living through the execution together with them, and
+of those near by who were to mount the scaffold with her. She was
+surprised at Vasily-that he should have been so disturbed-he, who had
+always been so brave, and who had jested with Death. Thus, only on
+Tuesday morning, when all together they had attached explosive
+projectiles to their belts, which several hours later were to tear
+them into pieces, Tanya Kovalchuk's hands had trembled with
+nervousness, and it had become necessary to put her aside, while
+Vasily jested, made merry, turned about, and was even so reckless that
+Werner had said sternly:
+
+"You must not be too familiar with Death."
+
+What was he afraid of now? But this incomprehensible fear was so
+foreign to Musya's soul that she ceased searching for the cause of
+it-and suddenly she was seized with a desperate desire to see Seryozha
+Golovin, to laugh with him. She meditated a little while, and then an
+even more desperate desire came over her to see Werner and to convince
+him of something. And imagining to herself that Werner was in the next
+cell, driving his heels into the ground with his distinct, measured
+steps, Musya spoke, as if addressing him:
+
+"No, Werner, my dear; it is all nonsense; it isn't at all important
+whether or not you are killed. You are a sensible man, but you seem to
+be playing chess, and that by taking one figure after another the game
+is won. The important thing, Werner, is that we ourselves are ready to
+die. Do you understand? What do those people think? That there is
+nothing more terrible than death. They themselves have invented Death,
+they are themselves afraid of it, and they try to frighten us with it.
+I should like to do this- I should like to go out alone before a whole
+regiment of soldiers and fire upon them with a revolver. It would not
+matter that I would be alone, while they would be thousands, or that I
+might not kill any of them. It is that which is important-that they
+are thousands. When thousands kill one, it means that the one has
+conquered. That is true, Werner, my dear. . . ."
+
+But this, too, became so clear to her that she did not feel like
+arguing further- Werner must understand it himself. Perhaps her mind
+simply did not want to stop at one thought-just as a bird that soars
+with ease, which sees endless horizons, and to which all space, all
+the depth, all the joy of the soft and caressing azure are accessible.
+The bell of the clock rang unceasingly, disturbing the deep silence.
+And into this harmonious, remote, beautiful sound the thoughts of the
+people flowed, and also began to ring for her; and the smoothly
+gliding images turned into music. It was just as if, on a quiet, dark
+night, Musya was riding along a broad, even road, while the easy
+springs of the carriage rocked her and the little bells tinkled. All
+alarm and agitation had passed, the fatigued body had dissolved in the
+darkness, and her joyously wearied fancy calmly created bright images,
+carried away by their color and their peaceful tranquillity. Musya
+recalled three of her comrades who had been hanged but a short time
+before, and their faces seemed bright and happy and near to her-nearer
+than those in life. Thus does a man think with joy in the morning of
+the house of his friends where he is to go in the evening, and a
+greeting rises to his smiling lips,
+
+Musya became very tired from walking. She lay down cautiously on the
+cot and continued to dream with slightly closed eyes. The clock-bell
+rang unceasingly, stirring the mute silence, and bright, singing
+images floated calmly before her. Musya thought:
+
+"Is it possible that this is Death? My God! How beautiful it is! Or is
+it Life? I do not know. I do not know. I will look and listen."
+
+Her hearing had long given way to her imagination-from the first
+moment of her imprisonment. Inclined to be very musical, her ear had
+become keen in the silence, and on this background of silence, out of
+the meagre bits of reality, the footsteps of the guards in the
+corridors, the ringing of the clock, the rustling of the wind on the
+iron roof, the creaking of the lantern-it created complete musical
+pictures. At first Musya was afraid of them, brushed them away from
+her as if they were the hallucinations of a sickly mind. But later she
+understood that she herself was well, and that this was no derangement
+of any kind-and she gave herself up to the dreams calmly.
+
+And now, suddenly, she seemed to hear clearly and distinctly the
+sounds of military music. In astonishment, she opened her eyes, lifted
+her head-outside the window was black night, and the clock was
+striking. "Again," she thought calmly, and closed her eyes. And as
+soon as she did so the music resounded anew. She could hear distinctly
+how the soldiers, a whole regiment, were coming from behind the corner
+of the fortress, on the right, and now they were passing her window.
+Their feet beat time with measured steps upon the frozen ground:
+One-two! One-two! She could even hear at times the leather of the
+boots creaking, how suddenly some one's foot slipped and immediately
+recovered its steps. And the music came ever nearer-it was an entirely
+unfamiliar but a very loud and spirited holiday march. Evidently there
+was some sort of celebration in the fortress.
+
+Now the band came up alongside of her window and the cell was filled
+with merry, rhythmic, harmoniously blended sounds. One large brass
+trumpet brayed harshly out of tune, now too late, now comically
+running ahead-Musya could almost see the little soldier playing it, a
+great expression of earnestness on his face-and she laughed.
+
+Then everything moved away. The footsteps died out-One-two! One-two!
+At a distance the music sounded still more beautiful and cheerful. The
+trumpet resounded now and then with its merry, loud brass voice, out
+of tune,-and then everything died away. And the clock on the tower
+struck again, slowly, mournfully, hardly stirring the silence.
+
+"They are gone!" thought Musya, with a feeling of slight sadness. She
+felt sorry for the departing sounds, which had been so cheerful and so
+comical. She was even sorry for the departed little soldiers, because
+those busy soldiers, with their brass trumpets and their creaking
+boots, were of an entirely different sort, not at all like those at
+whom she had felt like firing a revolver.
+
+"Come again!" she begged tenderly. And more came. The figures bent
+over her, they surrounded her in a transparent cloud and lifted her
+up, where the migrating birds were soaring and screaming, like
+heralds. On the right of her, on the left, above and below her -they
+screamed like heralds. They called, they announced from afar their
+flight. They flapped their wide wings and the darkness supported them,
+even as the light had supported them. And on their convex breasts,
+cleaving the air asunder, the city far below reflected a blue light.
+Musya's heart beat ever more evenly, her breathing grew ever more calm
+and quiet. She was falling asleep. Her face looked fatigued and pale.
+Beneath her eyes were dark circles, her girlish, emaciated hands
+seemed so thin,-but upon her lips was a smile. To-morrow, with the
+rise of the sun, this human face would be distorted with an inhuman
+grimace, her brain would be covered with thick blood, and her eyes
+would bulge from their sockets and look glassy,-but now she slept
+quietly and smiled in her great immortality.
+
+Musya fell asleep.
+
+And the life of the prison went on, deaf and sensitive, blind and
+sharp-sighted, like eternal alarm itself. Somewhere people were
+walking. Somewhere people were whispering. A gun clanked. It seemed as
+if some one shouted. Perhaps no one shouted at all-perhaps it merely
+seemed so in the silence.
+
+The little casement window in the door opened noiselessly. A dark,
+mustached face appeared in the black hole. For a long time it stared
+at Musya in astonishment-and then disappeared as noiselessly as it had
+appeared.
+
+The bells rang and sang, for a long time, painfully. It seemed as if
+the tired Hours were climbing up a high mountain toward midnight, and
+that it was becoming ever harder and harder to ascend. They fall, they
+slip, they slide down with a groan-and then again, they climb
+painfully toward the black height.
+
+Somewhere people were walking. Somewhere people were whispering. And
+they were already harnessing the horses to the black carriages without
+lanterns.
+
+
+
+CHAPTER VIII
+THERE IS DEATH AS WELL AS LIFE
+
+
+Sergey Golovin never thought of death, as though it were something not
+to be considered, something that did not concern him in the least. He
+was a strong, healthy, cheerful youth, endowed with that calm, clear
+joy of living which causes every evil thought and feeling that might
+injure life to disappear from the organism without leaving any trace.
+Just as all cuts, wounds and stings on his body healed rapidly, so all
+that weighed upon his soul and wounded it immediately rose to the
+surface and disappeared. And he brought into every work, even into his
+enjoyments, the same calm and optimistic seriousness,-it mattered not
+whether he was occupied with photography, with bicycling or with
+preparations for a terroristic act. Everything in life was joyous,
+everything in life was important, everything should be done well.
+
+And he did everything well: he was an excellent sailor, an expert shot
+with the revolver. He was as faithful in friendship as in love, and a
+fanatic believer in the "word of honor." His comrades laughed at him,
+saying that if the most notorious spy told him upon his word of honor
+that he was not a spy, Sergey would believe him and would shake hands
+with him as with any comrade. He had one fault,-he was convinced that
+he could sing well, whereas in fact he had no ear for music and even
+sang the revolutionary songs out of tune, and felt offended when his
+friends laughed at him.
+
+"Either you are all asses, or I am an ass," he would declare seriously
+and even angrily. And all his friends as seriously declared: "You are
+an ass. We can tell by your voice."
+
+But, as is sometimes the case with good people, he was perhaps liked
+more for this little foible than for his good qualities.
+
+He feared death so little and thought of it so little that on the
+fatal morning, before leaving the house of Tanya Kovalchuk, he was the
+only one who had breakfasted properly, with an appetite. He drank two
+glasses of tea with milk, and a whole five-copeck roll of bread. Then
+he glanced at Werner's untouched bread and said:
+
+"Why don't you eat? Eat. We must brace up."
+
+"I don't feel like eating."
+
+"Then I'll eat it. May I?"
+
+"You have a fine appetite, Seryozha."
+
+Instead of answering, Sergey, his mouth full, began to sing in a dull
+voice, out of tune:
+
+"Hostile whirlwinds are blowing over us ..."
+
+After the arrest he at first grew sad; the work had not been done
+well, they had failed; but then he thought: "There is something else
+now that must be done well-and that is, to die," and he cheered up
+again. And however strange it may seem, beginning with the second
+morning in the fortress, he commenced devoting himself to gymnastics
+according to the unusually rational system of a certain German named
+Mueller, which absorbed his interest. He undressed himself completely
+and, to the alarm and astonishment of the guard who watched him, he
+carefully went through all the prescribed eighteen exercises. The fact
+that the guard watched him and was apparently astonished, pleased him
+as a propagandist of the Mueller system; and although he knew that he
+would get no answer he nevertheless spoke to the eye staring in the
+little window:
+
+"It's a good system, my friend, it braces you up. It should be
+introduced in your regiment," he shouted convincingly and kindly, so
+as not to frighten the soldier, not suspecting that the guard
+considered him a harmless lunatic.
+
+The fear of death came over him gradually. It was as if somebody were
+striking his heart a powerful blow with the fist from below. This
+sensation was rather painful than terrible. Then the sensation was
+forgotten, but it returned again a few hours later, and each time it
+grew more intense and of longer duration, and thus it began to assume
+vague outlines of some great, even unbearable fear.
+
+"Is it possible that I am afraid?" thought Sergey in astonishment.
+"What nonsense!"
+
+It was not he who was afraid,-it was his young, sound, strong body,
+which could not be deceived either by the exercises prescribed by the
+Mueller system, or by the cold rub-downs. On the contrary, the
+stronger and the fresher his body became after the cold water, the
+keener and the more unbearable became the sensations of his recurrent
+fear. And just at those moments when, during his freedom, he had felt
+a special influx of the joy and power of life,-in the mornings after
+he had slept soundly and gone through his physical exercises,-now
+there appeared this deadening fear which was so foreign to his nature.
+He noticed this and thought:
+
+"It is foolish, Sergey! To die more easily, you should weaken the body
+and not strengthen it. It is foolish!"
+
+So he dropped his gymnastics and the rub-downs. To the soldier he
+shouted, as if to explain and justify himself:
+
+"Never mind that I have stopped. It's a good thing, my friend,-but not
+for those who are to be hanged. But it's very good for all others."
+
+And, indeed, he began to feel somewhat better. He tried also to eat
+less, so as to grow still weaker, but notwithstanding the lack of pure
+air and exercises, his appetite was very good,-it was difficult for
+him to control it, and he ate everything that was brought to him. Then
+he began to manage differently-before starting to eat he would pour
+out half into the pail, and this seemed to work. A dull drowsiness and
+faintness came over him.
+
+"I'll show you what I can do!" he threatened his body, and at the same
+time sadly, yet tenderly he felt his flabby, softened muscles with his
+hand.
+
+Soon, however, his body grew accustomed to this regime as well, and
+the fear of death appeared again-not so keen, nor so burning, but more
+disgusting, somewhat akin to a nauseating sensation. "It's because
+they are dragging it out so long," thought Sergey. "It would be a good
+idea to sleep all the time till the day of the execution," and he
+tried to sleep as much as possible. At first he succeeded, but later,
+either because he had slept too much, or for some other reason,
+insomnia appeared. And with it came eager, penetrating thoughts and a
+longing for life.
+
+"I am not afraid of this devil!" he thought of Death. "I simply feel
+sorry for my life. It is a splendid thing, no matter what the
+pessimists say about it. What if they were to hang a pessimist? Ah, I
+feel sorry for life, very sorry! And why does my beard grow now? It
+didn't grow before, but suddenly it grows-why?"
+
+He shook his head mournfully, heaving long, painful sighs.
+Silence-then a sigh; then a brief silence again-followed by a longer,
+deeper sigh.
+
+Thus it went on until the trial and the terrible meeting with his
+parents. When he awoke in his cell the next day he realized clearly
+that everything between him and life was ended, that there were only a
+few empty hours of waiting and then death would come, -and a strange
+sensation took possession of him. He felt as though he had been
+stripped, stripped entirely,-as if not only his clothes, but the sun,
+the air, the noise of voices and his ability to do things had been
+wrested from him. Death was not there as yet, but life was there no
+longer,-there was something new, something astonishing, inexplicable,
+not entirely reasonable and yet not altogether without
+meaning,-something so deep and mysterious and supernatural that it was
+impossible to understand.
+
+"Fie, you devil!" wondered Sergey, painfully. "What is this? Where am
+I? I- who am I?"
+
+He examined himself attentively, with interest, beginning with his
+large prison slippers, ending with his stomach where his coat
+protruded. He paced the cell, spreading out his arms and continuing to
+survey himself like a woman in a new dress which is too long for her.
+He tried to turn his head, and it turned. And this strange,, terrible,
+uncouth creature was he, Sergey Golovin, and soon he would be no more!
+
+Everything became strange.
+
+He tried to walk across the cell-and it seemed strange to him that he
+could walk. He tried to sit down-and it seemed strange to him that he
+could sit. He tried to drink some water-and it seemed strange to him
+that he could drink, that he could swallow, that he could hold the
+cup, that he had fingers and that those fingers were trembling. He
+choked, began to cough and while coughing, thought: "How strange it is
+that I am coughing."
+
+"Am I losing my reason?" thought Sergey, growing cold. "Am I coming to
+that, too? The devil take them!"
+
+He rubbed his forehead with his hand, and this also seemed strange to
+him. And then he remained breathless, motionless, petrified for hours,
+suppressing every thought, all loud breathing, all motion,-for every
+thought seemed to him but madness, every motion-madness. Time was no
+more; it appeared transformed into space, airless and transparent,
+into an enormous square upon which all were there-the earth and life
+and people. He saw all that at one glance, all to the very end, to the
+mysterious abyss- Death. And he was tortured not by the fact that
+Death was visible, but that both Life and Death were visible at the
+same time. The curtain which through eternity has hidden the mystery
+of life and the mystery of death was pushed aside by a sacrilegious
+hand, and the mysteries ceased to be mysteries-yet they remained
+incomprehensible, like the Truth written in a foreign tongue. There
+were no conceptions in his human mind, no words in his human language
+that could define what he saw. And the words "I am afraid" were
+uttered by him only because there were no other words, because no
+other conceptions existed, nor could other conceptions exist which
+would grasp this new, un-human condition. Thus would it be with a man
+if, while remaining within the bounds of human reason, experience and
+feelings, he were suddenly to see God Himself. He would see Him but
+would not understand, even though he knew that it was God, and he
+would tremble with inconceivable sufferings of incomprehension.
+
+"There is Mueller for you!" he suddenly uttered loudly, with extreme
+conviction, and shook his head. And with that unexpected break in his
+feelings, of which the human soul is so capable, he laughed heartily
+and cheerfully.
+
+"Oh, Mueller! My dear Mueller! Oh, you splendid German! After all you
+are right, Mueller, and I am an ass!"
+
+He paced the cell quickly several times and to the great astonishment
+of the soldier who was watching him through the peephole, he quickly
+undressed himself and cheerfully went through all the eighteen
+exercises with the greatest care. He stretched and expanded his young,
+somewhat emaciated body, sat down for a moment, drew deep breaths of
+air and exhaled it, stood up on tip-toe, stretched his arms and his
+feet. And after each exercise he announced, with satisfaction:
+
+"That's it! That's the real way, Mueller!" His cheeks flushed; drops
+of warm, pleasant perspiration came from the pores of his body, and
+his heart beat soundly and evenly.
+
+"The fact is, Mueller," philosophized Sergey, expanding his chest so
+that the ribs under his thin, tight skin were outlined clearly,-"the
+fact is, that there is a nineteenth exercise-to hang by the neck
+motionless. That is called execution. Do you understand, Mueller? They
+take a live man, let us say Sergey Golovin, they swaddle him as a doll
+and they hang him by the neck until he is dead. It is a foolish
+exercise, Mueller, but it can't be helped,-we have to do it."
+
+He bent over on the right side and repeated:
+
+"We have to do it, Mueller."
+
+
+
+CHAPTER IX
+DREADFUL SOLITUDE
+
+
+Under the same ringing of the clock, separated from Sergey and Musya
+by only a few empty cells, but yet so painfully desolate and alone in
+the whole world as though no other soul existed, poor Vasily Kashirin
+was passing the last hours of his life in terror and in anguish.
+
+Perspiring, his moist shirt clinging to his body, his once curly hair
+disheveled, he tossed about in the cell convulsively and hopelessly,
+like a man suffering from an unbearable physical torture. He would sit
+down for awhile, then start to run again, he would press his forehead
+against the wall, stop and seek something with his eyes-as if looking
+for some medicine. His expression changed as though he had two
+different faces. The former, the young face, had disappeared
+somewhere, and a new one, a terrible face that had seemed to have come
+out of the darkness, had taken its place.
+
+The fear of death had come upon him all at once and taken possession
+of him completely and forcibly. In the morning, while facing almost
+certain death, he had been care-free and had scorned it, but toward
+evening when he was placed in a cell in solitary confinement, he was
+whirled and carried away by a wave of mad fear. So long as he went of
+his own free will to face danger and death, so long as he had death,
+even though it seemed terrible, in his own hands, he felt at ease. He
+was even cheerful; in the sensation of boundless freedom, of brave and
+firm conviction of his fearless will, his little, shrunken, womanish
+fear was drowned, leaving no trace. With an infernal machine at his
+girdle, he made the cruel force of dynamite his own, also its fiery
+death-bearing power. And as he walked along the street, amidst the
+bustling, plain people, who were occupied with their affairs, who were
+hurriedly avoiding the dangers from the horses of carriages and cars,
+he seemed to himself as a stranger from another, unknown world, where
+neither death nor fear was known.
+
+And suddenly this harsh, wild, stupefying change. He can no longer go
+where he pleases, but he is led where others please. He can no longer
+choose the place he likes, but he is placed in a stone cage, and
+locked up like a thing. He can no longer choose freely, like all
+people, between life and death, but he will surely and inevitably be
+put to death. The incarnation of will-power, life and strength an
+instant before, he has now become a wretched image of the most pitiful
+weakness in the world. He has been transformed into an animal waiting
+to be slaughtered, a deaf-mute object which may be taken from place to
+place, burnt and broken. It matters not what he might say, nobody
+would listen to his words, and if he endeavored to shout, they would
+stop his mouth with a rag. Whether he can walk alone or not, they will
+take him away and hang him.
+
+And if he should offer resistance, struggle or lie down on the
+ground-they will overpower him, lift him, bind him and carry him,
+bound, to the gallows. And the fact that this machine-like work will
+be performed over him by human beings like himself, lent to them a
+new, extraordinary and ominous aspect- they seemed to him like ghosts
+that came to him for this one purpose, or like automatic puppets on
+springs. They would seize him, take him, carry him, hang him, pull him
+by the feet. They would cut the rope, take him down, carry him off and
+bury him.
+
+>From the first day of his imprisonment the people and life seemed to
+him to have turned into an incomprehensibly terrible world of phantoms
+and automatic puppets. Almost maddened with fear, he attempted to
+picture to himself that human beings had tongues and that they could
+speak, but he could not-they seemed to him to be mute. He tried to
+recall their speech, the meaning of the words that people used in
+their relations with one another-but he could not. Their mouths seemed
+to open, some sounds were heard; then they moved their feet and
+disappeared. And nothing more.
+
+Thus would a man feel if he were at night alone in his house and
+suddenly all objects were to come to life, start to move and overpower
+him. And suddenly they would all begin to judge him: the cupboard, the
+chair, the writing-table and the divan. He would cry and toss about,
+entreating, calling for help, while they would speak among themselves
+in their own language, and then would lead him to the scaffold,-they,
+the cupboard, the chair, the writing-table and the divan. And the
+other objects would look on.
+
+To Vasily Kashirin, who was condemned to death by hanging, everything
+now seemed like children's playthings: his cell, the door with the
+peephole, the strokes of the woundup clock, the carefully molded
+fortress, and especially that mechanical puppet with the gun who
+stamped his feet in the corridor, and the others who, frightening him,
+peeped into his cell through the little window and handed him the food
+in silence. And that which he was experiencing was not the fear of
+death; death was now rather welcome to him. Death with all its eternal
+mysteriousness and incomprehensibility was more acceptable to his
+reason than this strangely and fantastically changed world. What is
+more, death seemed to have been destroyed completely in this insane
+world of phantoms and puppets, having lost its great and enigmatic
+significance, becoming something mechanical and only for that reason
+terrible. He would be seized, taken, led, hanged, pulled by the feet,
+the rope would be cut, he would be taken down, carried off and buried.
+
+And the man would have disappeared from the world.
+
+At the trial the nearness of his comrades brought Kashirin to himself.
+For an instant he imagined he saw real people; they were sitting and
+trying him, speaking like human beings, listening, apparently
+understanding him. But as he mentally rehearsed the meeting with his
+mother he clearly felt with the terror of a man who is beginning to
+lose his reason and who realizes it, that this old woman in the black
+little kerchief was only an artificial, mechanical puppet, of the kind
+that can say "pa-pa," "ma-ma," but somewhat better constructed. He
+tried to speak to her, while thinking at the same time with a shudder:
+
+"O Lord! That is a puppet. A mother doll. And there is a
+soldier-puppet, and there, at home, is a father-puppet, and this is
+the puppet of Vasily Kashirin."
+
+It seemed to him that in another moment he would hear somewhere the
+creaking of the mechanism, the screeching of unoiled wheels. When his
+mother began to cry, something human again flashed for an instant, but
+at the very first words it disappeared again, and it was interesting
+and terrible to see that water was flowing from the eyes of the doll.
+
+Then, in his cell, when the terror had become unbearable, Vasily
+Kashirin attempted to pray. Of all that had surrounded his childhood
+days in his father's house under the guise of religion only a
+repulsive, bitter and irritating sediment remained; but faith there
+was none. But once, perhaps in his earliest childhood, he had heard a
+few words which had filled him with palpitating emotion and which
+remained during all his life enwrapped with tender poetry. These words
+were:
+
+"The joy of all the afflicted . . ."
+
+It had happened, during painful periods in his life, that he whispered
+to himself, not in prayer, without being definitely conscious of it,
+these words: "The joy of all the afflicted"-and suddenly he would feel
+relieved and a desire would come over him to go to some dear friend
+and question gently:
+
+"Our life-is this life? Eh, my dearest, is this life?"
+
+And then suddenly it would appear laughable to him and he would feel
+like mussing up his hair, putting forth his knee and thrusting out his
+chest as though to receive heavy "blows; saying: "Here, strike!"
+
+He did not tell anybody, not even his nearest comrades, about his "joy
+of all the afflicted" and it was as though he himself did not know
+about it,-so deeply was it hidden in his soul. He recalled it but
+rarely and cautiously.
+
+Now when the terror of the insoluble mystery, which appeared so
+plainly before him, enveloped him completely, even as the water in
+high-flood covers the willow twigs on the shore,-a desire came upon
+him to pray. He felt like kneeling, but he was ashamed of the soldier
+and, folding his arms on his chest, he whispered softly:
+
+"The joy of all the afflicted!" And he repeated tenderly, in anguish:
+"Joy of all the afflicted, come to me, help Vaska Kashirin."
+
+'' Long ago, while he was yet in his first term at the university and
+used to go off on a spree sometimes, before he had made the
+acquaintance of Werner and before he had entered the organization, he
+used then to call himself half-boastingly, half-pityingly, "Vaska
+Kashirin,"-and now for some reason or other he suddenly felt like
+calling himself by the same name again. But the words had a dead and
+toneless sound. "The joy of all the afflicted!"
+
+Something stirred. It was as though some one's calm and mournful image
+had flashed up in the distance and died out quietly, without
+illuminating the deathly gloom. The wound-up clock in the steeple
+struck. The soldier in the corridor made a noise with his gun or with
+his saber and he yawned, slowly, at intervals.
+
+"Joy of all the afflicted! You are silent! Will you not say anything
+to Vaska Kashirin?"
+
+He smiled patiently and waited. All was empty within his soul and
+about him. And the calm, mournful image did not reappear. He recalled,
+painfully and unnecessarily, wax candles burning; the priest in his
+vestments ; the ikon painted on the wall. He recalled his father,
+bending and stretching himself, praying and bowing to the ground,
+while looking sidewise to see whether Vaska was praying, or whether he
+was planning some mischief. And a feeling of still greater terror came
+over Vasily than before the prayer.
+
+Everything now disappeared.
+
+Madness came crawling painfully. His consciousnesss was dying out like
+an extinguishing bonfire, growing icy like the corpse of a man who had
+just died, whose heart is still warm but whose hands and feet had
+already become stiffened with cold. His dying reason flared up as red
+as blood again and said that he, Vasily Kashirin, might perhaps become
+insane here, suffer pains for which there is no name, reach a degree
+of anguish and suffering that had never been experienced by a single
+living being; that he might beat his head against the wall, pick his
+eyes out with his fingers, speak and shout whatever he pleased, that
+he might plead with tears that he could endure it no longer, -and
+nothing would happen. Nothing could happen.
+
+And nothing happened. His feet, which had a consciousness and life of
+their own, continued to walk and to carry his trembling, moist body.
+His hands, which had a consciousness of their own, endeavored in vain
+to fasten the coat which was open at his chest and to warm his
+trembling, moist body.
+
+His body quivered with cold. His eyes stared. And this was calm itself
+embodied.
+
+But there was one more moment of wild terror. That was when people
+entered his cell. He did not even imagine that this visit meant that
+it was time to go to the execution; he simply saw the people and was
+frightened like a child.
+
+"I will not do it! I will not do it!" he whispered inaudibly with his
+livid lips and silently retreated to the depth of the cell, even as in
+childhood he shrank when his father lifted his hand.
+
+"We must start."
+
+The people were speaking, walking around him, handing him something.
+He closed his eyes, he shook a little,-and began to dress himself
+slowly. His consciousness must have returned to him, for he suddenly
+asked the official for a cigarette. And the official generously opened
+his silver cigarette-case upon which was a chased figure in the style
+of the decadents.
+
+
+
+CHAPTER X
+THE WALLS AEE FALLING
+
+
+The unidentified man, who called himself Werner, was tired of life and
+struggle. There was a time when he loved life very dearly, when he
+enjoyed the theater, literature and social intercourse. Endowed with
+an excellent memory and a firm will, he had mastered several European
+languages and could easily pass for a German, a Frenchman or an
+Englishman. He usually spoke German with a Bavarian accent, but when
+he felt like it, he could speak like a born Berliner. He was fond of
+dress, his manners were excellent and he alone, of all the members of
+the organization, dared attend the balls given in high society,
+without running the risk of being recognized as an outsider.
+
+But for a long time, altogether unnoticed by his comrades, there had
+ripened in his soul a dark contempt for mankind; contempt mingled with
+despair and painful, almost deadly fatigue. By nature rather a
+mathematician than a poet, he had not known until now any inspiration,
+any ecstasy and at times he felt like a madman, looking for the
+squaring of a circle in pools of human blood. The enemy against whom
+he struggled every day could not inspire him with respect. It was a
+dense net of stupidity, treachery and falsehood, vile insults and base
+deceptions. The last incident which seemed to have destroyed in him
+forever the desire to live, was the murder of the provocateur which he
+had committed by order of the organization. He had killed him in cold
+blood, but when he saw that dead, deceitful, now calm, and after all
+pitiful, human face, he suddenly ceased to respect himself and his
+work. Not that he was seized with a feeling of repentance, but he
+simply stopped appreciating himself. He became uninteresting to
+himself, unimportant, a dull stranger. But being a man of strong,
+unbroken will-power, he did not leave the organization. He remained
+outwardly the same as before, only there was something cold, yet
+painful in his eyes. He never spoke to anyone of this.
+
+ He possessed another rare quality: just as there are people who have
+never known headaches, so Werner had never known fear. When other
+people were afraid, he looked upon them without censure but also
+without any particular compassion, just as upon a rather contagious
+illness from which, however, he himself had never suffered. He felt
+sorry for his comrades, especially for Vasya Kashirin; but that was a
+cold, almost official pity, which even some of the judges may have
+felt at times.
+
+Werner understood that the execution was not merely death, that it was
+something different,-but he resolved to face it calmly, as something
+not to be considered; to live until the end as if nothing had happened
+and as if nothing could happen. Only in this way could he express his
+greatest contempt for capital punishment and preserve his last freedom
+of the spirit which could not be torn away from him. At the trial-and
+even his comrades who knew well his cold, haughty fearlessness would
+perhaps not have believed this,-he thought neither of death nor of
+life,-but concentrated his attention deeply and coolly upon a
+difficult chess game which he was playing. A superior chess player, he
+had started this game on the first day of his imprisonment and
+continued it uninterruptedly. Even the sentence condemning him to
+death by hanging did not remove a single figure from his imaginary
+chessboard. Even the knowledge that he would not be able to finish
+this game, did not stop him; and the morning of the last day that he
+was to remain on earth he started by correcting a not altogether
+successful move he had made on the previous day. Clasping his lowered
+hands between his knees, he sat for a long time motionless, then he
+rose and began to walk, meditating. His walk was peculiar: he leaned
+the upper part of his body slightly forward and stamped the ground
+with his heels firmly and distinctly. His steps usually left deep,
+plain imprints even on dry ground. He whistled softly, in one breath,
+a simple Italian melody, which helped his meditation.
+
+But this time for some reason or other the thing did not work well.
+With an unpleasant feeling that he had made some important, even grave
+blunder, he went back several times and examined the game almost from
+the beginning. He found no blunder, yet the feeling about a blunder
+committed not only failed to leave him, but even grew ever more
+intense and unpleasant. Suddenly an unexpected and offensive thought
+came into his mind: Did the blunder perhaps consist in his playing
+chess simply because he wanted to distract his attention from the
+execution and thus shield himself against the fear of death which is
+apparently inevitable in every person condemned to death?
+
+"No. What for?" he answered coldly and closed calmly his imaginary
+chessboard. And with the same concentration with which he had played
+chess, he tried to give himself an account of the horror and the
+helplessness of his situation. As though he were going through a
+strict examination, he looked over the cell, trying not to let
+anything escape. He counted the hours that remained until the
+execution, made for himself an approximate and quite exact picture of
+the execution itself and shrugged his shoulders.
+
+"Well?" he said to some one half-questioningly. "Here it is. Where is
+the fear?"
+
+Indeed there was no fear. Not only was it not there, but something
+entirely different, the reverse of fear, developed-a sensation of
+confused, but enormous and savage joy. And the error, which he had not
+yet discovered, no longer called forth in him vexation or
+irritation,-it seemed to speak loudly of something good and
+unexpected, as though he had believed a dear friend of his to be dead,
+and that friend turned out to be alive, safe and sound and laughing.
+
+Werner again shrugged his shoulders and felt his pulse,-his heart was
+beating faster than usual, but soundly and evenly, with a specially
+ringing throb. He looked about once more, attentively, like a novice
+for the first time in prison,-examined the walls, the bolts, the chair
+which was screwed to the floor, and thought:
+
+"Why do I feel so easy, so joyous and free? Yes, so free? I think of
+the execution to-morrow-and I feel as though it is not there. I look
+at the walls-and I feel as though they are not here, either. And I
+feel so free, as though I were not in prison, but had just come out of
+some prison where I had spent all my life. What does this mean?"
+
+His hands began to tremble,-something Werner had not experienced
+before. His thoughts fluttered ever more furiously. It was as if
+tongues of fire had flashed up in his mind, and the fire wanted to
+burst forth and illumine the distance which was still dark as night.
+Now the light pierced through and the widely illuminated distance
+began to shine.
+
+The fatigue that had tormented Werner during the last two years had
+disappeared; the dead, cold, heavy serpent with its closed eyes and
+mouth clinched in death, had fallen away from his breast. Before the
+face of death, beautiful Youth came back to him physically. Indeed, it
+was more than beautiful Youth. With that wonderful clarity of the
+spirit which in rare moments comes over man and lifts him to the
+loftiest peaks of meditation, Werner suddenly perceived both life and
+death, and he was awed by the splendor of the unprecedented spectacle.
+It seemed to him that he was walking along the highest mountain-ridge,
+which was narrow like the blade of a knife, and on one side he saw
+Life, on the other side-Death,-like two sparkling, deep, beautiful
+seas, blending in one boundless, broad surface at the horizon.
+
+"What is this? What a divine spectacle!" he said slowly, rising
+involuntarily and straightening himself, as if in the presence of a
+supreme being. And destroying the walls, space and time with the
+impetuosity of his all-penetrating look, he cast a wide glance
+somewhere into the depth of the life he was to forsake.
+
+And life appeared to him in a new light. He did not strive, as before,
+to clothe in words that which he had seen; nor were there such words
+in the still poor, meager human language. That small, cynical and evil
+feeling which had called forth in him a contempt for mankind and at
+times even an aversion for the sight of a human face, had disappeared
+completely. Thus, for a man who goes up in an airship, the filth and
+litter of the narrow streets disappear and that which was ugly becomes
+beautiful.
+
+Unconsciously Werner stepped over to the table and leaned his right
+hand on it. Proud and commanding by nature, he had never before
+assumed such a proud, free, commanding pose, had never turned his head
+and never looked as he did now,-for he had never yet been as free and
+dominant as he was here in the prison, with but a few hours from
+execution and death.
+
+Now men seemed new to him,-they appeared amiable and charming to his
+clarified vision. Soaring over time, he saw clearly how young mankind
+was, that but yesterday it had been howling like a beast in the
+forests; and that which had seemed to him terrible in human beings,
+unpardonable and repulsive, suddenly became very dear to him,-like the
+inability of a child to walk as grown people do, like a child's
+unconnected lisping, flashing with sparks of genius; like a child's
+comical blunders, errors and painful bruises.
+
+"My dear people!" Werner suddenly smiled and at once lost all that was
+imposing in his pose; he again became a prisoner who finds his cell
+narrow and uncomfortable under lock, and he was tired of the annoying,
+searching eye staring at him through the peephole in the door. And,
+strange to say, almost instantly he forgot all that he had seen a
+little while before so clearly and distinctly; and, what is still
+stranger, he did not even make an effort to recall it. He simply sat
+down as comfortably as possible, without the usual stiffness of his
+body, and surveyed the walls and the bars with a faint and gentle,
+strange, un-Werner-like smile. Still another new thing happened to
+Werner, -something that had never happened to him before: he suddenly
+started to weep.
+
+"My dear comrades!" he whispered, crying bitterly. "My dear comrades!"
+
+By what mysterious ways did he change from the feeling of proud and
+boundless freedom to this tender and passionate compassion? He did not
+know, nor did he think of it. Did he pity his dear comrades, or did
+his tears conceal something else, a still loftier and more passionate
+feeling?-His suddenly revived and rejuvenated heart did not know this
+either. He wept and whispered:
+
+"My dear comrades! My dear, dear comrades!"
+
+In this man, who was bitterly weeping and smiling through tears, no
+one could have recognized the cold and haughty, weary, yet daring
+Werner-neither the judges, nor the comrades, nor even he himself.
+
+
+
+CHAPTER XI
+ON THE WAY TO THE SCAFFOLD
+
+
+Before placing the condemned people in coaches, all five were brought
+together in a large cold room with a vaulted ceiling, which resembled
+an office, where people worked no longer, or a deserted waiting-room.
+They were now permitted to speak to one another.
+
+Only Tanya Kovalchuk availed herself at once of the permission. The
+others firmly and silently shook each other's hands, which were as
+cold as ice and as hot as fire,-and silently, trying not to look at
+each other, they crowded together in an awkward, absent-minded group.
+Now that they were together, they felt somewhat ashamed of what each
+of them had experienced when alone; and they were afraid to look, so
+as not to notice or to show that new, peculiar, somewhat shameful
+sensation that each of them felt or suspected the others of feeling.
+
+But after a short silence they glanced at each other, smiled and
+immediately began to feel at ease and unrestrained, as before. No
+change seemed to have occurred, and if it had occurred, it had come so
+gently over all of them that it could not be discerned in any one
+separately. All spoke and moved about strangely: abruptly, by jolts,
+either too fast or too slowly. Sometimes they seemed to choke with
+their words and repeated them a number of times; sometimes they did
+not finish a phrase they had started, or thought they had
+finished-they did not notice it. They all blinked their eyes and
+examined ordinary objects curiously, not recognizing them, like people
+who had worn eye-glasses and had suddenly taken them off; and all of
+them .frequently turned around abruptly, as though some one behind
+them was calling them all the time and showing them something. But
+they did not notice this, either. Musya's and Tanya Kovalchuk's cheeks
+and ears were burning; Sergey was at first somewhat pale, but he soon
+recovered and looked as he always did.
+
+Only Vasily attracted everybody's attention. Even among them, he
+looked strange and terrible. Werner became agitated and said to Musya
+in a low voice, with tender anxiety:
+
+"What does this mean, Musyechka? Is it possible that he--- What? I
+must go to him."
+
+Vasily looked at Werner from the distance, as though not recognizing
+him, and he lowered his eyes.
+
+"Vasya, what have you done with your hair? What is the matter with
+you? Never mind, my dear, never mind, it will soon be over. We must
+keep up, we must, we must."
+
+Vasily was silent. But when it seemed ''that he would no longer say
+anything, a dull, belated, terribly remote answer came-like an answer
+from the grave:
+
+"I'm all right. I hold my own."
+
+Then he repeated:
+
+"I hold my own."
+
+Werner was delighted.
+
+"That's the way, that's the way. Good boy. That's the way."
+
+But his eyes met Vasily's dark, wearied glance fixed upon him from the
+distance and he thought with instant sorrow: "From where is he
+looking? From where is he speaking?" and with profound tenderness,
+with which people address a grave, he said:
+
+"Vasya, do you hear? I love you very much."
+
+"So do I love you very much," answered the tongue, moving with
+difficulty.
+
+Suddenly Musya took Werner by the hand and with an expression of
+surprise, she said like an actress on the stage, with measured
+emphasis:
+
+"Werner, what is this? You said, 'I love'? You never before said 'I
+love' to anybody. And why are you all so-tender and serene? Why?"
+
+"Why?"
+
+And like an actor, also accentuating what he felt, Werner pressed
+Musya's hand firmly:
+
+"Yes, now I love very much. Don't tell it to the others,-it isn't
+necessary, I feel somewhat ashamed, but I love deeply."
+
+Their eyes met and flashed up brightly, and everything about them
+seemed to have plunged in darkness. It is thus that in the flash of
+lightning all other lights are instantly darkened and the heavy yellow
+flame casts a shadow upon earth.
+
+"Yes," said Musya, "yes, Werner."
+
+"Yes," he answered, "yes, Musya, yes."
+
+They understood each other and something was firmly settled between
+them at this moment. And his eyes glistening, Werner again became
+agitated and quickly stepped over to Sergey.
+
+"Seryozha!"
+
+But Tanya Kovalchuk answered. Almost crying with maternal pride, she
+tugged Sergey frantically by the sleeve.
+
+"Listen, Werner! I am crying here for him, I am wearing myself to
+death, and he is occupying himself with gymnastics!"
+
+"According to the Mueller system?" smiled Werner.
+
+Sergey knit his brow confusedly.
+
+"You needn't laugh, Werner. I have convinced myself conclusively--"
+
+All began to laugh. Drawing strength and courage from one another,
+they gradually regained their poise-became the same as they used to
+be. They did not notice this, however, and thought that they had never
+changed at all. Suddenly Werner interrupted their laughter and said to
+Sergey very earnestly:
+
+"You are right, Seryozha. You are perfectly right."
+
+"No, but you must understand," said Golovin gladly. "Of course, we--"
+
+But at this point they were asked to start. And their jailers were so
+kind as to permit them to ride in pairs, as they pleased. Altogether
+the jailers were extremely kind; even too kind. It was as if they
+tried partly to show themselves humane and partly to show that they
+were not there at all, but that everything was being done as by
+machinery. But they were all pale.
+
+"Musya, you go with him." Werner pointed at Vasily, who stood
+motionless.
+
+"I understand," Musya nodded. "And you?"
+
+"I? Tanya will go with Sergey, you go with Vasya. ... I will go alone.
+That doesn't matter, I can do it, you know."
+
+When they went out in the yard, the moist, soft darkness rushed warmly
+and strongly against their faces, their eyes, taking their breath
+away, then suddenly it penetrated their bodies tenderly and
+refreshingly. It was hard to believe that this wonderful effect was
+produced simply by the spring wind, the warm, moist wind. And the
+really wonderful spring night was filled with the odor of melting
+snow, and through the boundless space the noise of drops resounded.
+Hastily and frequently, as though trying to overtake one another,
+little drops were falling, striking in unison a ringing tune. Suddenly
+one of them would strike out of tune and all was mingled in a merry
+splash in hasty confusion. Then a large, heavy drop would strike
+firmly and again the fast, spring melody resounded distinctly. And
+over the city, above the roofs of the fortress, hung a pale redness in
+the sky reflected by the electric lights.
+
+"U-ach!" Sergey Golovin heaved a deep sigh and held his breath, as
+though he regretted to exhale from his lungs the fine, fresh air.
+
+"How long have you had such weather?" inquired Werner. "It's real
+spring."
+
+"It's only the second day," was the polite answer. "Before that we had
+mostly frosty weather."
+
+The dark carriages rolled over noiselessly one after another, took
+them in by twos, started off into the darkness-there where the lantern
+was shaking at the gate. The convoys like gray silhouettes surrounded
+each carriage; the horseshoes struck noisily against the ground, or
+plashed upon the melting snow.
+
+When Werner bent down, about to climb into the carriage, the gendarme
+whispered to him:
+
+"There is somebody else going along with you."
+
+Werner was surprised.
+
+"Where? Where is he going? Oh, yes! Another one? Who is he?"
+
+The gendarme was silent. Indeed, in a dark corner a small, motionless
+but living figure pressed close to the side of the carriage. By the
+reflection of the lantern Werner noticed the flash of an open eye.
+Seating himself, Werner pushed his foot against the other man's knee.
+
+"Excuse me, comrade."
+
+The man made no reply. It was only when the carriage started, that he
+suddenly asked in broken Russian, speaking with difficulty:
+
+"Who are you?"
+
+"I am Werner, condemned to hanging for the attempt upon N-. And you?"
+
+"I am Yanson. They must not hang me."
+
+They were riding thus in order to appear two hours later face to face
+before the inexplicable great mystery, in order to pass from Life to
+Death-and they were introducing each other. Life and Death moved
+simultaneously, and until the very end Life remained life, to the most
+ridiculous and insipid trifles.
+
+"What have you done, Yanson?"
+
+"I killed my master with a knife. I stole money."
+
+It seemed from the tone of his voice that Yanson was falling asleep.
+Werner found his flabby hand in the darkness and pressed it. Yanson
+withdrew it drowsily.
+
+"Are you afraid?" asked Werner.
+
+"I don't want to be hanged."
+
+They became silent. Werner again found the Esthonian's hand and
+pressed it firmly between his dry, burning palms. Yanson's hand lay
+motionless, like a board, but he made no longer any effort to withdraw
+it.
+
+It was close and suffocating in the carriage. The air was filled with
+the smell of soldiers' clothes, mustiness, and the leather of wet
+boots. The young gendarme who sat opposite Werner breathed warmly upon
+him, and in his breath there was the odor of onions and cheap tobacco.
+But some brisk, fresh air came in through certain clefts, and because
+of this, spring was felt even more intensely in this small, stifling,
+moving box, than outside. The carriage kept turning now to the right,
+now to the left, now it seemed to turn back. At times it seemed as
+though they had been turning around on one and the same spot for hours
+for some reason or other. At first a bluish electric light penetrated
+through the lowered, heavy window shades; then suddenly, after a
+certain turn it grew dark, and only by this could they guess that they
+had turned into deserted streets in the outskirts of the city and that
+they were nearing the S. railroad station. Sometimes during sharp
+turns, Werner's live, bent knee would strike against the live, bent
+knee of the gendarme, and it was hard to believe that the execution
+was approaching.
+
+"Where are we going?" Yanson asked suddenly. He was somewhat dizzy
+from the continuous turning of the dark box and he felt slightly sick
+at his stomach.
+
+Werner answered and pressed the Esthonian's hand more firmly. He felt
+like saying something especially kind and caressing to this little,
+sleepy man, and he already loved him as he had never loved anyone in
+his life.
+
+"You don't seem to sit comfortably, my dear man. Move over here, to
+me."
+
+Yanson was silent for awhile, then he replied:
+
+"Well, thank you. I'm sitting all right. Are they going to hang you
+too?"
+
+"Yes," answered Werner, almost laughing with unexpected jollity, and
+he waved his hand easily and freely, as though he were speaking of
+some absurd and trifling joke which kind but terribly comical people
+wanted to play on him.
+
+"Have you a wife?" asked Yanson.
+
+"No. I have no wife. I am single."
+
+"I am also alone. Alone," said Yanson.
+
+Werner's head also began to feel dizzy. And at times it seemed that
+they were going to some festival; strange to say, almost all those who
+went to the scaffold experienced the same sensation and mingled with
+sorrow and fear there was a vague joy as they anticipated the
+extraordinary thing that was soon to befall them. Reality was
+intoxicated with madness and Death, united with Life, brought forth
+apparitions. It seemed very possible that flags were waving over the
+houses.
+
+"We have arrived!" said Werner gayly when the carriage stopped, and he
+jumped out easily. But with Yanson it was a rather slow affair:
+silently and very drowsily he resisted and would not come out. He
+seized the knob. The gendarme opened the weak fingers and pulled his
+hand away. Then Yanson seized the corner of the carriage, the door,
+the high wheel, but immediately let it go upon the slightest effort on
+the part of the gendarme. He did not exactly seize these things; he
+rather cleaved to each object sleepily and silently, and was torn away
+easily, without any effort. Finally he got up.
+
+There were no flags. The railroad station was dark, deserted and
+lifeless; the passenger trains were not running any longer, and the
+train which was silently waiting for these passengers on the way
+needed no bright light, no commotion. Suddenly Werner began to feel
+weary. It was not fear, nor anguish, but a feeling of enormous,
+painful, tormenting weariness which makes one feel like going off
+somewhere, lying down and closing one's eyes very tightly. Werner
+stretched himself and yawned slowly. Yanson also stretched himself and
+quickly yawned several times.
+
+"I wish they'd be quicker about it," said Werner wearily. Yanson was
+silent, shrinking together.
+
+When the condemned moved along the deserted platform which was
+surrounded by soldiers, to the dimly lighted cars, Werner found
+himself near Sergey Golovin; Sergey, pointing with his hand somewhere
+aside, began to say something, but only the word "lantern" was heard
+distinctly, and the rest was drowned in slow and weary yawning.
+
+"What did you say?" asked Werner, also yawning.
+
+"The lantern. The lamp in the lantern is smoking," said Sergey. Werner
+looked around. Indeed, the lamp in the lantern was smoking very much,
+and the glass had already turned black on top.
+
+"Yes, it is smoking."
+
+Suddenly he thought: "What have I to do with the smoking of the lamp,
+since---"
+
+Sergey apparently thought the same, as he glanced quickly at Werner
+and turned away. But both stopped yawning.
+
+They all went to the cars themselves, only Yanson had to be led by the
+arms. At first he stamped his feet and his boots seemed to stick to
+the boards of the platform. Then he bent his knees and fell into the
+arms of the gendarmes, his feet dangled like those of a very
+intoxicated man, and the tips of the boots scraped against the wood.
+It took a long time until he was silently pushed through the door.
+
+Vasily Kashirin also moved himself, unconsciously imitating the
+movements of his comrades-he did everything as they did. But on
+boarding the platform of the car, he stumbled, and a gendarme took him
+by the elbow to support him. Vasily shuddered and screamed shrilly,
+drawing back his arm:
+
+"Ail"
+
+"What is it, Vasya?" Werner rushed over to him. Vasily was silent,
+trembling in every limb. The confused and even offended gendarme
+explained:
+
+"I wanted to keep him from falling, and he--"
+
+"Come, Vasya, let me hold you," said Werner, about to take him by the
+arm. But Vasily drew back his arm again and cried more loudly than
+before:
+
+"Ai!"
+
+"Vasya, it is I, Werner."
+
+"I know. Don't touch me. I'll go myself."
+
+And continuing to tremble he entered the car himself and seated
+himself in a corner. Bending over to Musya, Werner asked her softly,
+pointing with his eyes at Vasily:
+
+"How about him?"
+
+"Bad," answered Musya, also in a soft voice. "He is dead already.
+Werner, tell me, is there such a thing as death?"
+
+"I don't know, Musya, but I think that there is no such thing,"
+replied Werner seriously and thoughtfully.
+
+"That's what I have thought. But he? I was tortured with him in the
+carriage-it was like riding with a corpse."
+
+"I don't know, Musya. Perhaps there is such a thing as death for some
+people. Meanwhile, perhaps, but later there will be no death. For me
+death also existed before, but now it exists no longer."
+
+Musya's somewhat paled cheeks flushed as she asked:
+
+"It did exist, Werner? It did?"
+
+"It did. But not now any longer. Just the same as with you."
+
+A noise was heard in the doorway of the car. Mishka Tsiganok entered,
+stamping noisily with his heels, breathing loudly and spitting. He
+cast a swift glance and stopped obdurately.
+
+"No room here, gendarme!" he shouted to the tired gendarme who looked
+at him angrily. "You make it so that I am comfortable here, otherwise
+I won't go-hang me here on the lamp-post. What a carriage they gave
+me, dogs! Is that a carriage? It's the devil's belly, not a carriage!"
+
+But suddenly he bent down his head, stretched out his neck and thus
+went forward to the others. Out of the disheveled frame of hair and
+beard his black eyes looked wildly and sharply with an almost insane
+expression.
+
+"Ah, gentlemen!" he drawled out. "So that's what it is. Hello,
+master!"
+
+He thrust his hand to Werner and sat down opposite him. And bending
+closely over to him, he winked one eye and quickly passed his hand
+over his throat.
+
+"You, too? What?"
+
+"Yes!" smiled Werner.
+
+"Are all of us to be hanged?"
+
+"All."
+
+"Oho!" Tsiganok grinned, showing his teeth, and quickly felt everybody
+with his eyes, stopping for an instant longer on Musya and Yanson.
+Then he winked again to Werner.
+
+"The Minister?"
+
+"Yes, the Minister. And you?"
+
+"I am here for something else, master. People like me don't deal with
+ministers. I am a murderer, master, that's what I am. An ordinary
+murderer. Never mind, master, move away a little, I haven't come into
+your company of my own will. There will be room enough for all of us
+in the other world."
+
+He surveyed them all with one swift, suspicious, wild glance from
+under his disheveled hair. But all looked at him silently and
+seriously, even with apparent interest. He grinned, showing his teeth,
+and quickly clapped Werner on the knee several times.
+
+"That's the way, master! How does the song run? 'Don't rustle, O green
+little mother forest. . . .'"
+
+"Why do you call me 'master,' since we are all going--"
+
+"Correct," Tsiganok agreed with satisfaction. "What kind of master are
+you, if you are going to hang right beside me? There is a master for
+you"; and he pointed with his finger at the silent gendarme. "Eh, that
+fellow there is not worse than our kind"; he pointed with his eyes at
+Vasily. "Master! He there, master! You're afraid, aren't you?"
+
+"No," answered the heavy tongue.
+
+"Never mind that 'No.' Don't be ashamed; there's nothing to be ashamed
+of. Only a dog wags his tail and snarls when he is taken to be hanged,
+but you are a man. Who is that dope? He isn't one of you, is he?"
+
+He darted his glance rapidly about, and hissing, kept spitting
+continuously. Yanson, curled up into a motionless bundle, pressed
+closely into the corner. The flaps of his outworn fur cap stirred, but
+he maintained silence. Werner answered for him:
+
+"He killed his employer."
+
+"O Lord!" wondered Tsiganok. "Why are such people allowed to kill?"
+
+For some time Tsiganok had been looking sideways at Musya; now turning
+quickly, he stared at her sharply, straight into her face.
+
+"Young lady, young lady! What about you? Her cheeks are rosy and she
+is laughing. Look, she is really laughing," he said, clasping Werner's
+knee with his clutching, iron-like fingers. "Look, look!"
+
+Reddening, smiling confusedly, Musya also gazed straight into his
+sharp and wildly searching eyes.
+
+The wheels rattled fast and noisily. The small cars kept hopping along
+the narrow rails. Now at a curve or at a crossing the small engine
+whistled shrilly and carefully -the engineer was afraid lest he might
+run over somebody. It was strange to think that so much humane
+painstaking care and exertion was being introduced into the business
+of hanging people; that the most insane deed on earth was being
+committed with such an air of simplicity and reasonableness. The cars
+were running, arid human beings sat in them as people always do, and
+they rode as people usually ride; and then there would be a halt, as
+usual.
+
+"The train will stop for five minutes."
+
+And there death would be waiting-eternity-the great mystery, on with
+friendliness, watching how Yanson's fingers took the cigarette, how
+the match flared, and then how the blue smoke issued from Yanson's
+mouth.
+
+"Thanks," said Yanson; "it's good."
+
+"How strange!" said Sergey.
+
+"What is strange?" Werner turned around. ''What is strange?"
+
+"I mean-the cigarette."
+
+Yanson held a cigarette, an ordinary cigarette, in his ordinary live
+hands, and, pale-faced, looked at it with surprise, even with terror.
+And all fixed their eyes upon the little tube, from the end of which
+smoke was issuing, like a bluish ribbon, wafted aside by the
+breathing, with the ashes, gathering, turning black. The light went
+out.
+
+"The light's out," said Tanya.
+
+"Yes, the light's out."
+
+"Let it go," said Werner, frowning, looking uneasily at Yanson, whose
+hand, holding the cigarette, was hanging loosely, as if dead. Suddenly
+Tsiganok turned quickly, bent over to Werner, close to him, face to
+face, and rolling the whites of his eyes, like a horse, whispered:
+
+"Master, how about the convoys? Suppose we-he? Shall we try?"
+
+"No, don't do it," Werner replied, also in a whisper. "We shall drink
+it to the bitter end."
+
+"Why not? It's livelier in a fight! Eh? I strike him, he strikes me,
+and you don't even know how the thing is done. It's just as if you
+don't die at all."
+
+"No, you shouldn't do it," said Werner, and turned to Yanson. "Why
+don't you smoke, friend?"
+
+Suddenly Yanson's wizened face became wofully wrinkled, as if somebody
+had pulled strings which set all the wrinkles in motion. And, as in a
+dream, he began to whimper, without tears, in a dry, strained voice:
+
+"I don't want to smoke. Aha! aha! aha! Why should I be hanged? Aha!
+aha! aha!"
+
+They began to bustle about him. Tanya Kovalchuk, weeping freely,
+petted him on the arm, and adjusted the drooping earlaps of his worn
+fur cap.
+
+"My dear, do not cry! My own! my dear! Poor, unfortunate little
+fellow!"
+
+Musya looked aside. Tsiganok caught her glance and grinned, showing
+his teeth.
+
+"What a queer fellow! He drinks tea, and yet feels cold," he said,
+with an abrupt laugh. But suddenly his own face became bluish-black,
+like cast-iron, and his large yellow teeth flashed.
+
+Suddenly the little cars trembled and slackened their speed. All,
+except Yanson and Kashirin, rose and sat down again quickly.
+
+"Here is the station," said Sergey.
+
+It seemed to them as if all the air had been suddenly pumped out of
+the car, it became so difficult to breathe. The heart grew larger,
+making the chest almost burst, beating in the throat, tossing about
+madly- shouting in horror with its blood-filled voice. And the eyes
+looked upon the quivering floor, and the ears heard how the wheels
+were turning ever more slowly-the wheels slipped and turned again, and
+then suddenly-they stopped.
+
+The train had halted.
+
+Then a dream set in. It .was not terrible, rather fantastic,
+unfamiliar to the memory, strange. The dreamer himself seemed to
+remain aside, only his bodiless apparition moved about, spoke
+soundlessly, walked noiselessly, suffered without suffering. As in a
+dream, they walked out of the car, formed into parties of two, inhaled
+the peculiarly fresh spring air of the forest. As in a dream, Yanson
+resisted bluntly, powerlessly, and was dragged out of the car
+silently.
+
+They descended the steps of the station.
+
+"Are we to walk?" asked some one almost cheerily.
+
+"It isn't far now," answered another, also cheerily.
+
+Then they walked in a large, black, silent crowd amid the forest,
+along a rough, wet and soft spring road. From the forest, from the
+snow, a fresh, strong breath of air was wafted. The feet slipped,
+sometimes sinking into the snow, and involuntarily the hands of the
+comrades clung to each other. And the convoys, breathing with
+difficulty, walked over the untouched snow on each side of the road.
+Some one said in an angry voice:
+
+"Why didn't they clear the road? Did they want us to turn somersaults
+in the snow?"
+
+Some one else apologized guiltily.
+
+"We cleaned it, your Honor. But it is thawing and it can't be helped."
+
+Consciousness of what they were doing returned to the prisoners, but
+not completely. -in fragments, in strange parts. Now, suddenly, their
+minds practically admitted:
+
+"It is indeed impossible to clear the road."
+
+Then again everything died out, and only their sense of smell
+remained: the unbearably fresh smell of the forest and of the melting
+snow. And everything became unusually clear to the consciousness: the
+forest, the night, the road and the fact that soon they would be
+hanged. Their conversation, restrained to whispers, flashed in
+fragments.
+
+"It is almost four o'clock."
+
+"I said we started too early."
+
+"The sun dawns at five."
+
+"Of course, at five. We should have--"
+
+They stopped in a meadow, in the darkness. A little distance away,
+beyond the bare trees, two small lanterns moved silently. There were
+the gallows.
+
+"I lost one of my rubbers," said Sergey Golovin.
+
+"Really?" asked Werner, not understanding what he said.
+
+"I lost a rubber. It's cold."
+
+"Where's Vasily?"
+
+"I don't know. There he is."
+
+Vasily stood, gloomy, motionless.
+
+"And where is Musya?"
+
+"Here I am. Is that you, Werner?"
+
+They began to look about, avoiding the direction of the gallows, where
+the lanterns continued to move about silently with terrible
+suggestiveness. On the left, the bare forest seemed to be growing
+thinner, and something large and white and flat was visible. A damp
+wind issued from it.
+
+"The sea," said Sergey Golovin, inhaling the air with nose and mouth.
+"The sea is there!"
+
+Musya answered sonorously:
+
+"My love which is as broad as the sea!"
+
+"What is that, Musya?"
+
+"The banks of life cannot hold my love, which is as broad as the sea."
+
+"My love which is as broad as the sea," echoed Sergey, thoughtfully,
+carried away by the sound of her voice and by her words.
+
+"My love which is as broad as the sea," repeated Werner, and suddenly
+he spoke wonderingly, cheerfully:
+
+"Musya, how young you are!"
+
+Suddenly Tsiganok whispered warmly, out of breath, right into Werner's
+ear:
+
+"Master! master! There's the forest! My God! what's that? There-where
+the lanterns are-are those the gallows? What does it mean?"
+
+Werner looked at him. Tsiganok was writhing in agony before his death.
+
+"We must bid each other good-by," said Tanya Kovalchuk.
+
+"Wait, they have yet to read the sentence," answered Werner. "Where
+is Yanson?"
+
+Yanson was lying on the snow, and about him people were busying
+themselves. There was a smell of ammonia in the air.
+
+"Well, what is it, doctor? Will you be through soon?" some one asked
+impatiently.
+
+"It's nothing. He has simply fainted. Rub his ears with snow! He is
+coming to himself already! You may read the sentence!"
+
+The light of the dark lantern flashed upon the paper and on the white,
+gloveless hands holding it. Both the paper and the hands quivered
+slightly, and the voice also quivered:
+
+"Gentlemen, perhaps it is not necessary to read the sentence to you.
+You know it already. What do you say?"
+
+"Don't read it," Werner answered for them all, and the little lantern
+was soon extinguished.
+
+The services of the priest were also declined by them all. Tsiganok
+said:
+
+"Stop your fooling, father-you will forgive me, but they will hang me.
+Go to- where you came from."
+
+And the dark, broad silhouette of the priest moved back silently and
+quickly and disappeared. Day was breaking: the snow turned whiter, the
+figures of the people became more distinct, and the forest-thinner,
+more melancholy.
+
+"Gentlemen, you must go in pairs. Take your places in pairs as you
+wish, but I ask you to hurry up."
+
+Werner pointed to Yanson, who was now standing, supported by two
+gendarmes.
+
+"I will go with him. And you, Seryozha, take Vasily. Go ahead."
+
+"Very well."
+
+"You and I go together, Musechka, shall we not?" asked Tanya
+Kovalchuk. "Come, let us kiss each other good-by."
+
+They kissed one another quickly. Tsiganok kissed firmly, so that they
+felt his teeth; Yanson softly, drowsily, with his mouth half open-and
+it seemed that he did not understand what he was doing.
+
+When Sergey Golovin and Kashirin had gone a few steps, Kashirin
+suddenly stopped and said loudly and distinctly:
+
+"Good-by, comrades."
+
+"Good-by, comrade," they shouted in answer.
+
+They went off. It grew quiet. The lanterns beyond the trees became
+motionless. They awaited an outcry, a voice, some kind of noise-but it
+was just as quiet there as it was among them-and the yellow lanterns
+were motionless.
+
+"Oh, my God!" some one cried hoarsely and wildly. They looked about.
+It was Tsiganok, writhing in agony at the thought of death. "They are
+hanging!"
+
+They turned away from him, and again it became quiet. Tsiganok was
+writhing, catching at the air with his hands.
+
+"How is that, gentlemen? Am I to go alone? It's livelier to die
+together. Gentlemen, what does it mean?"
+
+He seized Werner by the hand, his fingers clutching and then relaxing.
+
+"Dear master, at least you come with me? Eh? Do me the favor? Don't
+refuse."
+
+Werner answered painfully:
+
+"I can't, my dear fellow. I am going with him."
+
+"Oh, my God! Must I go alone, then? My God! How is it to be?"
+
+Musya stepped forward and said softly:
+
+"You may go with me."
+
+Tsiganok stepped back and rolled the whites of his eyes wildly.
+
+"With you!"
+
+"Yes."
+
+"Just think of her! What a little girl! And you're not afraid? If you
+are, I would rather go alone!"
+
+"No, I am not afraid."
+
+Tsiganok grinned.
+
+"Just think of her! But do you know that I am a murderer? Don't you
+despise me? You had better not do it. I shan't be angry at you."
+
+Musya was silent, and in the faint light of dawn her face was pale and
+enigmatic. Then suddenly she walked over to Tsiganok quickly, and,
+throwing her arms about his neck, kissed him firmly upon his lips. He
+took her by the shoulders with his fingers, held her away from
+himself, then shook her, and, with loud smacks, kissed her on the
+lips, on the nose, on the eyes.
+
+"Come!"
+
+Suddenly the soldier standing nearest them staggered forward, and
+opening his hands, let his gun drop. He did not stoop down to regain
+it, but stood for an instant motionless, turned abruptly and, like a
+blind man, walked toward the forest over the untouched snow.
+
+"Where are you going?" called out another soldier in fright. "Halt!"
+
+But the man continued walking through the deep snow silently and with
+difficulty. Then he must have stumbled over something, for he waved
+his arms and fell face downward. And there he remained lying on the
+snow.
+
+"Pick up the gun, you sour-faced gray-coat, or I'll pick it up," said
+Tsiganok sternly to the other soldier. "You don't know your business!"
+
+The little lanterns began to move about busily again. Now it was the
+turn of Werner and Yanson.
+
+"Good-by, master!" called Tsiganok loudly. "We'll meet each other in
+the other world, you'll see! Don't turn away from me. When you see me,
+bring me some water to drink-it will be hot there for me!"
+
+"Good-by!"
+
+"I don't want to be hanged!" said Yanson drowsily.
+
+Werner took him by the hand, and then the Esthonian walked a few steps
+alone. But later they saw him stop and fall down in the snow. Soldiers
+bent over him, lifted him up and carried him on, and he struggled
+faintly in their arms. Why did he not cry? He must have forgotten even
+that he had a voice.
+
+And again the little yellow lanterns became motionless.
+
+"And I, Musechka," said Tanya Kovalchuk mournfully, "must I go alone?
+We lived together, and now--"
+
+"Tanechka, dearest--"
+
+But Tsiganok took her part heatedly.
+
+Holding her by the hand, as though fearing that some one would take
+her away from him, he said quickly, in a business-like manner, to
+Tanya:
+
+"Ah, young lady, you can go alone! You are a pure soul-you can go
+alone wherever you please! But I-I can't! A murderer! . . .
+Understand? I can't go alone! Where are you going, you murderer? they
+will ask me. Why, I even stole horses, by God! But with her it is just
+as if -just as if I were with an infant, understand? Do you understand
+me?"
+
+"I do. Go. Come, let me kiss you once more, Musechka."
+
+"Kiss! Kiss each other!" urged Tsiganok. "That's a woman's job! You
+must bid each other a hearty good-by!"
+
+Musya and Tsiganok moved forward. Musya walked cautiously, slipping,
+and by force of habit raising her skirts slightly. And the man led her
+to death firmly, holding her arm carefully and feeling the ground with
+his foot.
+
+The lights stopped moving. It was quiet and lonely around Tanya
+Kovalchuk. The soldiers were silent, all gray in the soft, colorless
+light of daybreak.
+
+"I am alone," sighed Tanya Kovalchuk suddenly. "Seryozha is dead,
+Werner is dead-and Vasya, too. I am alone! Soldiers! soldiers! I am
+alone, alone--"
+
+The sun was rising over the sea.
+
+The bodies were placed in a box. Then they were taken away. With
+stretched necks, with bulging eyes, with blue, swollen tongues,
+looking like some unknown, terrible flowers between the lips, which
+were covered with bloody foam-the bodies were hurried back along the
+same road by which they had come-alive. And the spring snow was just
+as soft and fresh; the spring air was just as strong and fragrant. And
+on the snow lay Sergey's black rubber-shoe, wet, trampled under foot.
+
+Thus did men greet the rising sun.
+
+
+
+
+THE END
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, THE SEVEN WHO WERE HANGED ***
+
+This file should be named seveh10.txt or seveh10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, seveh11.txt
+VERSIONS based on separate sources get new LETTER, seveh10a.txt
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext04 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04
+
+Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/seveh10.zip b/old/seveh10.zip
new file mode 100644
index 0000000..166fba4
--- /dev/null
+++ b/old/seveh10.zip
Binary files differ