summaryrefslogtreecommitdiff
path: root/old/67448-h
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 04:40:03 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 04:40:03 -0800
commitee34b2fa067bbc0ba08d16b438d3e948df663778 (patch)
treeb1a26dcf489aab390cc4d70971da7cab17bf7e5b /old/67448-h
parent917e05e1b6413a4953da613db2597bec7691cf35 (diff)
NormalizeHEADmain
Diffstat (limited to 'old/67448-h')
-rw-r--r--old/67448-h/67448-h.htm5792
-rw-r--r--old/67448-h/images/ballchain.jpgbin8218 -> 0 bytes
-rw-r--r--old/67448-h/images/cover.jpgbin274364 -> 0 bytes
-rw-r--r--old/67448-h/images/deco1.jpgbin11179 -> 0 bytes
4 files changed, 0 insertions, 5792 deletions
diff --git a/old/67448-h/67448-h.htm b/old/67448-h/67448-h.htm
deleted file mode 100644
index 824af0a..0000000
--- a/old/67448-h/67448-h.htm
+++ /dev/null
@@ -1,5792 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- Fame and Fortune Weekly No, 2, Born to Good Luck; or The Boy Who Succeeded, by A Self-Made Man
-&mdash;A Project Gutenberg eBook
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2,h3,h4 {
- text-align: center;
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.h2sub { text-align: center; }
-.h3sub { text-align: center; }
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-@media print { hr.chap {display: none; visibility: hidden;} }
-
-hr.fulldouble {width: 100%; margin-left: 0%; margin-right: 0%;
- margin-top: 0.5em;
- margin-bottom: 0.5em;
- border: none;
- border-top-style: double;
- border-top-width: 0.25em;
-}
-
-hr.fulldotted {width: 100%; margin-left: 0%; margin-right: 0%;
- margin-top: 1em;
- margin-bottom: 1em;
- border-style: none;
- border-top-style: dotted;
- border-top-width: 2px;
-}
-
-hr.r15 {width: 15%; margin-top: 1em; margin-bottom: 1em; margin-left: 42.5%; margin-right: 42.5%;}
-hr.r25 {width: 25%; margin-top: 0.2em; margin-bottom: 0.2em; margin-left: 37.5%; margin-right: 37.5%;}
-
-ul {
- list-style-type: none; /* Remove bullets */
- padding: 0; /* Remove padding */
- margin: 0; /* Remove margins */
-}
-
-li {
- text-indent: -2em;
- padding-left: 2em;
-}
-
-div.chapter {page-break-before: always;}
-h2.nobreak {page-break-before: avoid;}
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-table.autotable { border-collapse: collapse; }
-table.autotable td { padding: 4px; }
-
-.alignleft {
- float: left;
-}
-.alignright {
- float: right;
- }
-
-.tdl {text-align: left;}
-.tdlh {text-align: left;
- text-indent: -3em; /* hanging */
- padding-left: 3em;
-}
-.tdr {text-align: right;}
-.tdc {text-align: center;}
-
-.blockquot {
- margin-left: 5%;
- margin-right: 10%;
-}
-
-.bb {border-bottom: thin solid;}
-.bt {border-top: thin solid;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.smcap {font-variant: small-caps;}
-
-.allsmcap {font-variant: small-caps; text-transform: lowercase;}
-
-.gesperrt
-{
- letter-spacing: 0.2em;
- margin-right: -0.2em;
-}
-
-em.gesperrt
-{
- font-style: normal;
-}
-
-/* Images */
-
-img {
- max-width: 100%;
- height: auto;
-}
-
-img.w100 {width: 100%;}
-
-.figcenter {
- margin: auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-.sans-serif {
- font-family: monospace;
-}
-
-.monospace {
- font-family: monospace;
-}
-
-/* Transcriber's notes */
-.transnote {background-color: #E6E6FA;
- color: black;
- font-size:smaller;
- padding:0.5em;
- margin-bottom:5em;
- font-family:sans-serif, serif; }
-
-.illowp100 {width: 100%;}
-.x-ebookmaker .illowp100 {width: 100%;}
-
- </style>
- </head>
-<body>
-<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Fame and Fortune Weekly, No. 2, October 13, 1905, by Self-Made Man</p>
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Title: Fame and Fortune Weekly, No. 2, October 13, 1905</p>
-<p style='display:block; margin-left:2em; text-indent:0; margin-top:0; margin-bottom:1em;'>Born to Good Luck; or The Boy Who Succeeded.</p>
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Self-Made Man</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Release Date: February 20, 2022 [eBook #67448]</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: David Edwards, SF2001, and the Online Distributed Proofreading Team at https://www.pgdp.net (Northern Illinois University Digital Library)</p>
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK FAME AND FORTUNE WEEKLY, NO. 2, OCTOBER 13, 1905 ***</div>
-
- <div class="figcenter illowp100" id="i_cover" style="max-width: 30em;">
- <img class="w100" src="images/cover.jpg" alt="Cover" />
- </div>
-
-<h1>Fame and Fortune Weekly</h1>
-
-<p class="center">STORIES OF BOYS WHO MAKE MONEY</p>
-
-<p class="center"><i>Issued Weekly&mdash;By Subscription $2.50 per year. Entered according to Act of Congress, in the year 1905, in the office of the Librarian
-of Congress, Washington, D. C., by Frank Tousey, Publisher, 24 Union Square, New York.</i></p>
-
-<table class="bt bb" summary="Volume, Location, Price">
-<tr>
-<td class="tdl"><b>No. 2</b>&emsp;</td>
-<td class="tdc">&emsp;NEW YORK, OCTOBER 13, 1905.&emsp;</td>
-<td class="tdr">&emsp;<b>Price 5 Cents</b></td>
-</tr>
-</table>
-
-<h2 class="nobreak"><span class="gesperrt">BORN TO GOOD LUCK;</span><br />
-<small>OR</small><br />
-The Boy Who Succeeded.</h2>
-<hr class="r15" />
-<p class="center">By A SELF-MADE MAN.</p>
-<hr class="r15" />
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_I">CHAPTER I.</h2>
-</div>
-
-<p class="h2sub">THE SCRAP AT COBHAM’S CORNER.</p>
-
-<p>“See here, Dick Armstrong; when you’ve taken that
-water into the house, I want you to clean these. Do you
-understand?”</p>
-
-<p>The speaker, a sallow-complexioned, overgrown boy of
-seventeen, threw a pair of mud-bespattered boots at the feet
-of a sun-burned, healthy-looking lad about a year his junior,
-while a grin of satisfied malice wrinkled his not over-pleasant
-features as he thrust his hands into his pockets and
-started to walk away.</p>
-
-<p>“Who are you talking to, Luke Maslin?” answered Dick,
-hotly, not relishing the contemptuous manner in which he
-had been addressed.</p>
-
-<p>“Why, you, of course,” replied Luke, with a sneer, pausing
-about a yard away. “You’re dad’s boy-of-all-work,
-aren’t you?”</p>
-
-<p>Unfortunately for Dick this remark expressed the exact
-truth.</p>
-
-<p>He was Silas Maslin’s boy-of-all-work, and his lot was
-not an enviable one.</p>
-
-<p>His clothes were bad, his food scarce, his education
-neglected, and having arrived at the age of sixteen years
-he eagerly longed to cut loose from his uncongenial surroundings
-and make his own way in the world.</p>
-
-<p>If Dick felt obliged to submit to Mr. Maslin’s tyrannical
-treatment, that was no reason, he contended, why he should
-allow his son Luke to bully him also.</p>
-
-<p>Although he had never done anything to deserve Luke
-Maslin’s ill will and often went out of his way to do him
-a good turn, Luke never lost a chance to make life miserable
-for Dick.</p>
-
-<p>In fact, all friendly advances on Armstrong’s part, instead
-of winning his favor, seemed rather to impress him
-with the idea that Dick was afraid of him, which was far
-from the truth.</p>
-
-<p>On this particular occasion Dick was not in the best of
-humor, for Mr. Maslin had just been savagely abusing
-him because he had taken a longer time than the old man
-had considered necessary to fetch certain supplies for the
-store from Slocum, a large town about ten miles distant.
-So when Luke flung the last remark at him he angrily
-retorted:</p>
-
-<p>“Well, I’m not yours, at any rate.”</p>
-
-<p>“What do you mean by that?” demanded Luke, in a
-disagreeable tone.</p>
-
-<p>“Just what I said!” answered Dick, defiantly.</p>
-
-<p>“Do you mean to say that you don’t intend to do anything
-I ask you to do?”</p>
-
-<p>“That depends.”</p>
-
-<p>“Depends on what?”</p>
-
-<p>Luke advanced a step nearer the other, looking decidedly
-ugly.</p>
-
-<p>“How you ask me,” replied Dick, setting down the pail
-to relieve his arm.</p>
-
-<p>“I s’pose you’d like me to take my hat off to you, Dick
-Armstrong, and say please, and all that,” Luke returned,
-scowling darkly. “It strikes me you’re putting on too
-many frills for a charity boy.”</p>
-
-<p>Charity boy!</p>
-
-<p>This slur, which Dick felt to be utterly undeserved,
-stung him more than anything Luke could have said.</p>
-
-<p>He turned pale with sudden rage, and his temper burst
-forth with a violence all the more terrible because held
-so long in check.</p>
-
-<p>Snatching up the pail of water as though it were a
-feather, he dashed its contents over his tormentor, drenching
-him from head to foot.</p>
-
-<p>If the heavens had fallen, Luke Maslin couldn’t have
-been more astonished.</p>
-
-<p>That Dick Armstrong, the despised factotum of the
-establishment, would dare to resent any aggression on his
-part was something Luke had not dreamed of.</p>
-
-<p>Heretofore when he chose to bully his father’s drudge
-the boy had submitted with the best grace he could.</p>
-
-<p>Now Dick actually had the temerity not only to resist,
-but to assume the offensive.</p>
-
-<p>After the first sputtering gasp of surprise, Luke recovered
-himself and sprang at Dick with a howl of the fury
-that fairly blazed from his eyes.</p>
-
-<p>Realizing that he was in for trouble, Armstrong prepared
-to defend himself to the best of his ability.</p>
-
-<p>Although his opponent had the advantage of him in
-height and was furious enough to be dangerous, Dick
-was not troubled with any misgivings as to the result of
-a clash between them.</p>
-
-<p>He had every confidence in his own powers, for he was
-compactly built, was unusually strong for his years, and
-moreover, being very angry, was reckless of the consequences.</p>
-
-<p>Whether it was that Maslin was naturally clever with
-his fists or Dick was awkward or slow in putting himself
-into a posture of defence, certain it is Luke’s right arm
-went through his opponent’s guard and Dick received a
-stinging blow on the side of his head that staggered him
-for a moment.</p>
-
-<p>A second whack, this time on the chest, thoroughly
-aroused Dick and, seeing his chance, he struck out with
-all the force he was capable of and caught Luke full on
-the nose.</p>
-
-<p>His head went back with a jerk, he slipped on the grass,
-and was down in a moment, the blood flowing freely from
-his injured organ.</p>
-
-<p>Contrary to Dick’s expectations, Luke made no effort
-to get up and resume the battle.</p>
-
-<p>It began to look as though that one blow had knocked
-all the fight out of him.</p>
-
-<p>Whatever satisfaction his opponent felt at such a decisive
-result was dissipated in a moment by an unexpected
-whack on the ear from behind, and turning to confront
-this new danger he found himself face to face with Silas
-Maslin, who was in a towering rage.</p>
-
-<p>“You young rascal, how dare you strike my son!” he
-exclaimed, furiously.</p>
-
-<p>“He struck me first,” Dick answered doggedly, rubbing
-his ear, for the slap had been no gentle one.</p>
-
-<p>“What’s that? Didn’t I see you fling that bucket of
-water over him, you little villain?”</p>
-
-<p>“I did that because he insulted me,” replied the boy, with
-spirit.</p>
-
-<p>“Don’t you dare talk back to me in that fashion, or
-I’ll flay you within an inch of your life! Go into the
-store at once!”</p>
-
-<p>Silas Maslin raised his foot as though it was his intention
-to boot the boy.</p>
-
-<p>He did not do so, however, and it was well for him that
-he did not.</p>
-
-<p>That was an indignity Dick would not have submitted to
-from any person, not even from Silas Maslin, much as
-he held him in awe.</p>
-
-<p>The boy was glad to avail himself of the chance of getting
-beyond his tyrant’s reach, and was presently drawing
-a quart of molasses for one of the customers of the establishment.</p>
-
-<p>Mr. Maslin kept a small general store at Cobham’s
-Corner, on the outskirts of the village of Walkhill, in the
-State of New York.</p>
-
-<p>The building stood within a few yards of the Erie Canal,
-facing the country road, which at this point crossed the
-narrow waterway by means of a stout wooden bridge.</p>
-
-<p>The houses that constituted the village were much scattered,
-and owing to the heavy growth of trees not one of
-them could be seen from the store; but by standing on the
-centre of the bridge the short, stumpy steeple of the small,
-wooden church could just be made out looming up through
-the topmost branches in the near distance.</p>
-
-<p>The post-office was located at the store, and the farmers
-for miles around came here for their mail and to replenish
-their supplies from Mr. Maslin’s stock of goods, which
-consisted of about everything needed by the little community,
-from a needle to a cultivator.</p>
-
-<p>Mr. Maslin’s household consisted of his wife, a sour-faced
-woman on the shady side of forty; his son Luke; John
-Huskins, a hired man, who attended to the main part of
-the work in the fields&mdash;for Silas Maslin had some forty
-acres under cultivation&mdash;and Dick Armstrong, who helped
-in the store when necessary, did the chores, and assisted
-Huskins.</p>
-
-<p>Between the two boys, Luke had all the advantages of
-the situation.</p>
-
-<p>He went to school as long as school kept, took part
-in all the village sports, visited his schoolmates, attended
-all the social gatherings he felt disposed to join, and
-carried his head pretty high generally.</p>
-
-<p>But for all that he wasn’t at all popular.</p>
-
-<p>Dick, on the other hand, came in for the short end of
-everything.</p>
-
-<p>He attended school when Silas Maslin chose to let him
-do so, under which circumstances his attendance was decidedly
-irregular.</p>
-
-<p>For the larger part of his time from daylight to dark
-he was kept on the hustle, as Mr. Maslin was never at a
-loss to find something for him to do.</p>
-
-<p>Everybody knew Dick Armstrong, of course.</p>
-
-<p>He was a good-looking boy, naturally bright, was obliging
-and polite to everybody with whom he came in contact,
-and consequently was well liked by everybody in the district,
-and was an especial favorite with the girls, who when
-they came to the store for mail or to purchase something
-preferred to have him wait upon them.</p>
-
-<p>As Luke was ambitious to shine with the fair sex himself,
-he resented their partiality for Dick, and as he couldn’t
-very well get square with the young ladies, he vented his
-ill humor and spite on the object of their attention.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_II">CHAPTER II.</h2>
-</div>
-
-<p class="h2sub">ACCUSED OF THEFT.</p>
-
-<p>As the customer departed with the jug of molasses, a
-lad named Joe Fletcher entered the store.</p>
-
-<p>“Hello, Dick,” said the newcomer, walking toward the
-rear of the place.</p>
-
-<p>“Hello, Joe,” replied Dick, in a pleased voice, for he
-and Joe were chums.</p>
-
-<p>“I didn’t know whether I should find you in here or
-not,” said Joe.</p>
-
-<p>“Want to see me about anything particular?” asked
-Dick, in some surprise.</p>
-
-<p>“Yes. I’ve come to say good-bye.”</p>
-
-<p>“What!” exclaimed Dick, his face clouding. “You don’t
-mean to say you’re going away?”</p>
-
-<p>“Yes. I left Boggs for good a couple of hours ago.
-He’s a hard, cruel, grasping tyrant&mdash;that’s what he is.
-You know I threatened to cut loose from him weeks
-ago, but somehow I didn’t seem to be able to muster up
-the backbone to do it. But it’s all over now. He beat me
-black and blue with a whip this morning because one of
-the cows broke down the corner of the pasture fence and
-got into the truck patch. I think he’d have killed me
-only I hit him over the head with the handle of a rake.
-Then I got my clothes and ran away.”</p>
-
-<p>For a moment Dick was silent.</p>
-
-<p>He felt sad at the thought of losing the best friend he
-had in the neighborhood.</p>
-
-<p>It is true he had only known Joe Fletcher five months,
-which was about the length of time Joe had been working
-for Farmer Boggs, but a natural sympathy had drawn the
-two boys together.</p>
-
-<p>Both early in life had been thrown upon their own
-resources, and both were subservient to hard taskmasters,
-though if there was any choice in the matter, Silas Maslin
-was perhaps a shade better than Nathan Boggs.</p>
-
-<p>The latter was notorious throughout the county for the
-way he treated his hired help, particularly if that help happened
-to be a boy.</p>
-
-<p>Boggs’ method was to hire a stout boy or an able-bodied,
-newly arrived foreigner for a period of six months, with
-the understanding that if the hand quit work before the
-end of the stipulated term of service he was to forfeit all
-his pay.</p>
-
-<p>The farmer then managed to make things so hard for
-his help as the weeks went by that they found the place
-simply unendurable and were glad to disappear of a sudden
-without making any very serious demand for what was
-due them.</p>
-
-<p>Fletcher had managed to weather the ills that clung
-about Boggs’ farm for five months, for he was blessed with
-a good temper and much patience, and Nathan, fearing
-the boy would last the limit and that he would be obliged
-to pay him the sum of $60 for which he had contracted,
-adopted a specially rigorous line of conduct toward him,
-which culminated that morning with a most inhuman
-beating, after which Joe gave up the struggle.</p>
-
-<p>“Where are you going?” asked Dick, at length.</p>
-
-<p>“I haven’t decided yet but the canal-boat Minnehaha is
-taking on a load of shingles at Norton’s Lock, a few miles
-above, and Captain Beasley told me he’d take me down to
-New York if I wanted to go.”</p>
-
-<p>“I wish I were going with you, Joe,” said Dick, wistfully.</p>
-
-<p>“I wish you were.”</p>
-
-<p>“I’m sick of this place. They treat me like a dog, and
-I won’t stand it much longer. Had a run-in with Luke
-a little while ago.”</p>
-
-<p>“I don’t see that it’s doing you any good to hang on
-here,” said Joe. “Maslin hasn’t any claim on you, has
-he?”</p>
-
-<p>“Not a bit; it’s all the other way. He hasn’t paid me
-a cent all these years I’ve been working for him. All I’ve
-ever got has been the clothes he grudgingly gave me&mdash;none
-of the best, at that&mdash;and my board, and I guess you know
-what sort of a table they set here.”</p>
-
-<p>“I’ve heard enough from you to make me believe it isn’t
-much of an improvement on Boggs’ bill of fare&mdash;and that’s
-about the worst ever!”</p>
-
-<p>“You never told me how you came to live with the
-Maslins,” said Joe, curiously.</p>
-
-<p>“I didn’t know myself till a couple of months ago.”</p>
-
-<p>“Is that a fact?” said Joe in surprise.</p>
-
-<p>“I asked Mr. Maslin and his wife a number of times, but
-they never would give me any satisfaction. About two
-months ago I was up in the garret one rainy Sunday afternoon,
-and I found an old diary in which Mr. Maslin kept
-a record of important matters in which he was interested
-when we lived up in New Hampshire some twelve years
-ago. I’ve a faint recollection myself of the farm he owned
-in the neighborhood of a place called Franconia. In this
-diary I found a long entry relating to myself.”</p>
-
-<p>“You must have been surprised,” said Fletcher, who was
-listening eagerly.</p>
-
-<p>“Well, I guess I was. Of course I knew I was no relation
-of the Maslins, for they had long since taken care to
-impress that fact on me. The diary states that a gentleman
-named George Armstrong, whom Mr. Maslin wrote
-down as being tall and fine-looking, but with a melancholy
-face, as though he was in trouble or had lately been subject
-to some misfortune, boarded at the farm with his
-little son, Richard, at that time aged five years, for several
-months. That one day he received a letter which
-Mr. Maslin noticed bore the Boston postmark, and that
-its contents disturbed him very much. He immediately
-started off without mentioning his destination, leaving the
-little boy in Mr. Maslin’s care, with a small sum of money
-to pay his board for about the time he expected to be away.
-He did not return within the time he set, and from subsequent
-entries on the same page it would seem that Mr.
-Maslin never saw him again.”</p>
-
-<p>“It’s a good thing you learned that much about yourself.
-I suppose something must have happened to your father
-or he would have come back after you,” said Joe.</p>
-
-<p>“I suppose so,” replied Dick, soberly.</p>
-
-<p>“What did you do with the diary?”</p>
-
-<p>“I’ve got it in the box where I keep my clothes.”</p>
-
-<p>“You’d better hold on to it. Might possibly be of value
-to you one of these days.”</p>
-
-<p>“It has a value for me, as it shows to some extent who
-I am,” replied Dick. “Luke called me a charity boy, and
-that taunt caused the scrap. I’ve worked like a slave for
-the Maslins without pay, but I’ve received any amount of
-abuse. Some morning Mr. Maslin will get up and find
-me missing.”</p>
-
-<p>“What’s that you say, you young villain?” yelled the
-strident tones of the storekeeper, behind them.</p>
-
-<p>He had entered the store and approached them unobserved.</p>
-
-<p>“Don’t you let me catch you tryin’ to light out of here
-before I give you leave, or I’ll be the death of you. What
-do you mean, anyway, by hangin’ over the counter and
-idlin’ your time away when there’s a dozen things you
-might be doin’? Go into the kitchen now and peel the
-taters for Mrs. Maslin; d’ye hear?” And he seized the
-boy roughly by the arm and swung him into the middle of
-the store.</p>
-
-<p>“I’ll try and see you later, Dick, before I go,” said Joe,
-holding out his hand to his chum.</p>
-
-<p>“I don’t think you will, young man,” said Silas Maslin,
-significantly. “My help hain’t got no time to waste on
-visitors.”</p>
-
-<p>“I guess he’s got a right to say good-bye to a friend,”
-retorted Joe, indignantly.</p>
-
-<p>“Then he’d better say it right now afore you go,” said
-the storekeeper, ungraciously.</p>
-
-<p>“Well, Dick,” said Joe, bottling up his wrath, for he
-realized that Mr. Maslin was master of the situation, “good-bye,
-if I don’t see you again.”</p>
-
-<p>“Good-bye, Joe,” and the two boys clasped hands sadly.</p>
-
-<p>“I’ll write to you and let you know where I am and
-what I’m doing,” said Joe.</p>
-
-<p>“I hope you will. Be sure I sha’n’t forget you.”</p>
-
-<p>“And I won’t forget you.”</p>
-
-<p>And thus the two boys parted, for how long they could
-not guess.</p>
-
-<p>As it proved, however, they were shortly to be reunited
-in a somewhat startling way.</p>
-
-<p>Dick went into the kitchen, where Mrs. Maslin handed
-him a tub of potatoes and a knife.</p>
-
-<p>“Take the jackets off ’em, and see you lose no time ’bout
-it nuther,” said the lady of the house sharply.</p>
-
-<p>Dick made no reply, but seated himself on a stool in a
-corner and began his work.</p>
-
-<p>“You ’most ruined Luke’s new suit of clothes this arternoon,”
-snapped Mrs. Maslin. “Ef I wuz Silas I’d take
-it out’r your hide. It seems to me my boy can’t ask you
-to do the simplest thing for him eny more but you must
-fly at him.”</p>
-
-<p>Dick knew it was useless to enter into any explanation
-with her.</p>
-
-<p>Luke had evidently told the story in his own way, and
-whatever he might say now wouldn’t count.</p>
-
-<p>“Don’t you know it’s your place to do whatever he asks
-of you?” asked Mrs. Maslin, shrilly.</p>
-
-<p>“I’ve never refused to do anything for him when he
-asked me civilly,” said Dick.</p>
-
-<p>“Hoighty toighty!” exclaimed the lady, sarcastically.
-“Must my boy bow down before you, you young whipper-snapper?
-The idea! Who are you enyway? Ef it hadn’t
-been for Silas and me, where’d you been now, you ungrateful
-cub? We’ve clothed you and fed you and eddicated
-you, and now you turn on us.”</p>
-
-<p>“I think I’ve worked pretty hard for all I’ve received,”
-replied Dick, doggedly.</p>
-
-<p>“What ef you have? It ain’t more’n you ought to do.
-You’ve finished the taters, hev you? Put ’em down, then,
-and don’t stare at me in that way. Go out and fetch me
-a pail of water.”</p>
-
-<p>Dick obeyed without a word and then, as the mistress
-made no further demand on his services for the moment,
-went up to his bare little room just over the kitchen.</p>
-
-<p>He opened the box where he kept his things and, diving
-down into a corner, fished up a small buckskin bag in which
-he kept the pennies, dimes, quarters, and several half-dollars
-he had been slowly accumulating from odd jobs
-he had done for various persons during the last three or
-four years.</p>
-
-<p>He counted his little store slowly over.</p>
-
-<p>“I’ve a great mind to&mdash;&mdash;”</p>
-
-<p>He never finished that sentence, for suddenly the door
-was thrown open with a bang and Silas Maslin rushed
-furiously into the room.</p>
-
-<p>“You thief! Give me back the money you took from
-the store-till this afternoon!”</p>
-
-<p>“This is not your money,” said Dick, dropping the coins
-into the bag and holding it behind him.</p>
-
-<p>“I’ll see whether you’ll give it to me or not!”</p>
-
-<p>As Silas Maslin sprang at him Dick thrust the bag into
-his pocket and proceeded to defend himself as well as he
-could.</p>
-
-<p>This would not have been an easy job, for Mr. Maslin
-was strong and wiry; but chance aided the boy.</p>
-
-<p>The storekeeper’s foot caught on a rent in the rag-carpet,
-he pitched forward and struck his forehead against a corner
-of Dick’s box with such force as to cause a nasty wound
-that stretched him, stunned, on the floor.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_III">CHAPTER III.</h2>
-</div>
-
-<p class="h2sub">LEAVING HIS HOME.</p>
-
-<p>At that moment Mrs. Maslin appeared in the doorway
-and, perceiving her husband stretched motionless on the
-floor with the blood streaming down his face and Dick
-Armstrong standing over him in an attitude of defence
-with his fists half clenched&mdash;for the mishap which had
-overtaken Silas Maslin had been so sudden that he stood
-quite stupefied with surprise&mdash;she conceived the idea that
-the boy had struck down her lord and master, perhaps
-killed him.</p>
-
-<p>“Help! Help! Murder!” she screamed loudly, dashing
-open the window and making the air ring with her
-shill cry.</p>
-
-<p>Huskins, the hired man, was coming into the yard from
-the fields.</p>
-
-<p>He heard Mrs. Maslin’s frenzied cries, saw her violent
-gesticulations as she leaned out of the window, and thinking
-the house was on fire, he dropped the implements he
-was carrying and ran forward.</p>
-
-<p>In the meantime Dick had raised Silas Maslin to a sitting
-posture and was trying to stanch the blood with a
-corner of the coverlet which belonged to his bed, when Mrs.
-Maslin turned around and saw what he was doing.</p>
-
-<p>“Don’t you dare touch him again, you young villain!”
-she screamed, suddenly attacking the boy with her bony
-fists.</p>
-
-<p>“What’s the matter with you?” objected Dick, trying
-to ward off her blows. “Why don’t you get some water
-and try to bring him to? What do you mean by pounding
-me in that way?”</p>
-
-<p>“You ruffian! You murderer! I knowed you was born
-to be hanged!” yelled the excited woman, thumping the
-boy about the head and arms till he had to retreat out
-of her reach to save himself, for he had no idea of striking
-back at her.</p>
-
-<p>Then she grabbed her husband in her sinewy arms and
-started to drag him from the room just as Huskins appeared
-on the scene and stared in astonishment at what
-he saw.</p>
-
-<p>“Don’t let that boy escape, John!” cried Mrs. Maslin.
-“He’s made a murderous attack on Silas, and ef he hasn’t
-killed him it’ll be a great wonder.”</p>
-
-<p>“You don’t mean Dick, ma’am?” exclaimed Huskins, in
-evident wonder.</p>
-
-<p>“I don’t mean nobuddy else,” snapped his mistress,
-sharply. “Tie him up so he can’t get away, and then
-run for the constable. Lands sake! It’s a wonder we
-haven’t all been killed in our beds afore this! I never
-knowed he was such a desprit boy.”</p>
-
-<p>Mrs. Maslin then bore Silas into her own chamber in
-the front of the house, and set about bringing him to his
-senses.</p>
-
-<p>“What’s up?” asked Huskins of Dick.</p>
-
-<p>He had always liked the boy and didn’t know what to
-make of the situation.</p>
-
-<p>“Mr. Maslin came up here and accused me of taking
-money out of his till in the store, and when I denied
-it he started to seize me, when his foot caught in that
-hole in the carpet and he pitched forward, striking his
-head against the corner of my box and cutting his forehead
-open. The shock must have stunned him. Then
-Mrs. Maslin appeared, threw up the window and began
-yelling like a crazy person. I tried to do something
-for Mr. Maslin, but she attacked me furiously, calling me
-a ruffian and a murderer, and I don’t remember what else.
-I tell you, John, things are getting altogether too hot for
-me here. Between Luke and the rest of them I am having
-a dog’s life of it. I might as well get out now as at
-any other time.”</p>
-
-<p>“I shouldn’t blame you if you did. I should, if it was
-me,” replied Huskins, who knew what a hard time the boy
-had of it and really pitied him.</p>
-
-<p>“I don’t believe Mr. Maslin has lost any money,” said
-Dick, indignantly. “I know I didn’t take any. I’m not
-a thief.”</p>
-
-<p>“Maybe Luke took it,” suggested the hired man, with
-a peculiar wink.</p>
-
-<p>“Luke!” exclaimed Dick in surprise. “What makes you
-think he did?”</p>
-
-<p>“Well, he wanted five dollars mighty bad this morning,
-for he tried to borrow it of me. I asked him what he
-wanted it for; but he wouldn’t tell me. I guess he wants
-to send for something he’s seen advertised in the paper.”</p>
-
-<p>“How do you know he does?”</p>
-
-<p>“From something he said to me the other day,” said
-Huskins, sagely.</p>
-
-<p>“If Luke took the money, he’ll deny it, all right. His
-father will take his word before mine, and his mother
-will back him up as she’s done fifty times before. I’ve got a
-few dollars saved up, and as Mr. Maslin has discovered
-that fact he won’t rest till he’s got it away from me. I
-need that to help me out after I leave here. So I guess
-I’d better go before Mr. Maslin gets his hands on it.”</p>
-
-<p>“You’re right there, Dick. The old man’s fingers are
-like pot-hooks&mdash;they hold on to everything they fasten to.
-Once he gets possession of your money, you’ll never see it
-again.”</p>
-
-<p>“You’d better go down and look out for the store, John,
-till Mr. Maslin turns up. I’m going to make a bundle of
-my things and start off.”</p>
-
-<p>“Then you’re really determined to go, Dick?”</p>
-
-<p>“Yes,” replied the boy, resolutely, “I am. Mr. Maslin
-has called me a thief, and that’s the limit with me.”</p>
-
-<p>“Well, I wish you luck. Let me hear from you some
-time. I’d like to know how ye get on,” and the hired man
-held out his hand.</p>
-
-<p>“Thank you, John. I sha’n’t forget you.”</p>
-
-<p>They shook hands, and Huskins went down stairs.</p>
-
-<p>Dick closed his room-door and pushed the chest of
-drawers against it, as he did not want to be interrupted
-or taken at a disadvantage.</p>
-
-<p>Then he put on his best suit, made a compact bundle of
-such articles as he deemed indispensable, put Mr. Maslin’s
-old diary into an inside pocket of his jacket, and was
-ready to leave the house.</p>
-
-<p>He was about to remove the chest of drawers when he
-heard the unmistakable voice of Silas Maslin mingled with
-the shriller tones of Mrs. Maslin, on the landing approaching
-his door.</p>
-
-<p>His retreat by the stairway was evidently cut off.</p>
-
-<p>What was he to do?</p>
-
-<p>The door of his room was pushed in an inch or two,
-as far as the obstruction would permit.</p>
-
-<p>“Open the door, you young villain!” exclaimed the voice
-of Silas Maslin, whose temper had by no means been improved
-by the injury he had received.</p>
-
-<p>“Push the door in, Silas,” said his wife. “There ain’t
-no lock to it.”</p>
-
-<p>“He’s got somethin’ against it,” replied her husband,
-impatiently.</p>
-
-<p>“Mebbe it’s the chest of drawers or the bed.”</p>
-
-<p>“It ain’t the bed,” said the storekeeper, and he flung
-himself suddenly against the panel with a force sufficient
-to push the obstruction back a foot at least.</p>
-
-<p>Through this opening he thrust his head and saw Dick
-Armstrong beating a hasty retreat by way of the window.</p>
-
-<p>“He’s gettin’ out of the winder. You stay here, Maria,
-and I’ll try to catch him below.”</p>
-
-<p>Mr. Maslin, whose head was bound up with a towel,
-was a pretty lively man for his sixty odd years, and the
-way he got down the stairway and out into the yard would
-have put many a younger man to shame.</p>
-
-<p>But the boy was as active as a young monkey, and guessed
-pretty closely what his persecutor’s tactics would be.</p>
-
-<p>He dropped his bundle into the yard, swung himself out
-and alighted nimbly on his feet, and when Mr. Maslin
-dashed out to cut him off Dick was passing through the
-gate into the road.</p>
-
-<p>“Come back here, you young rascal, or I’ll skin you
-alive!” he shouted angrily.</p>
-
-<p>But the boy had no intention of returning now that he
-had crossed the Rubicon at last.</p>
-
-<p>“I’ll have you took up and put in the calaboose; do you
-hear?”</p>
-
-<p>Dick heard, but the threat had no effect on him.</p>
-
-<p>He bounded around the corner of the fence and ran
-full tilt into another boy, knocking him head over heels.</p>
-
-<p>The floored youth proved to be Luke Maslin, who was
-returning from the village.</p>
-
-<p>The storekeeper’s son uttered a yell of pain and terror
-as he floundered about on the grass.</p>
-
-<p>Dick had gone down also, his bundle flying out of his
-hand a yard away.</p>
-
-<p>As he picked himself up, a familiar voice exclaimed:</p>
-
-<p>“Hello! What’s the trouble? Is that you, Dick?”</p>
-
-<p>“That you, Joe?”</p>
-
-<p>“Sure it’s me! I was hanging about for a chance to
-see you again if I could. What muss have you got in
-now?”</p>
-
-<p>“Come along with me and I’ll tell you about it,” Dick
-said as he picked up his bundle.</p>
-
-<p>Mr. Maslin now hove in sight a few feet away.</p>
-
-<p>“Now I’ve got you, you pesky little villain!” and he
-made a dash at the boy.</p>
-
-<p>“Run, Joe!”</p>
-
-<p>Fletcher took the hint and scampered after his chum,
-who was flying along the “heel” path of the canal as fast
-as he could go.</p>
-
-<p>In the gathering dusk the storekeeper failed to recognize
-his son and heir as the latter lay sprawling in the
-path, and as a consequence he stumbled over Luke’s extended
-legs and pitched forward, head first, like a stone
-from a catapult.</p>
-
-<p>The momentum he had acquired in his eagerness to
-lay hold of Dick now worked greatly to his disadvantage.</p>
-
-<p>Striking the path, he rolled over and over, clutching
-vainly at the grass to stay his progress.</p>
-
-<p>As the space between the fence and the canal was narrow
-at this point, before he realized his predicament he was
-carried over the embankment and fell with a splash into
-the water.</p>
-
-<p>“Help!” he yelled, and then his head went under.</p>
-
-<p>Huskins had been attracted to the spot by the rumpus
-and was in time to fish his employer out of the canal; but
-by that time Dick Armstrong and his friend Fletcher were
-safe from any immediate pursuit.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_IV">CHAPTER IV.</h2>
-</div>
-
-<p class="h2sub">ON BOARD THE MINNEHAHA.</p>
-
-<p>“So you aren’t going back any more, then?” said Joe
-Fletcher, after Dick had related to him the exciting experience
-through which he had passed since the two lads had
-parted, apparently for good, in Mr. Maslin’s store, a little
-more than an hour before.</p>
-
-<p>“No,” replied Dick, firmly, “I’m not. I am done with
-Silas Maslin for good and all.”</p>
-
-<p>The boys were resting on a decayed tree-trunk by the
-side of the canal.</p>
-
-<p>It was now almost dark, and both of them, having had
-nothing to eat since noon, were hungry.</p>
-
-<p>“I guess you’ve done the right thing, Dick,” said his
-friend. “You aren’t likely to be any worse off than you’ve
-been at the Corner.”</p>
-
-<p>“I’d have pretty hard luck if I was. I’d never amount
-to much as long as I stayed with Mr. Maslin. He took
-care that I didn’t get much chance to get up in the world.
-I wish now I’d more schooling,” said the boy, regretfully.</p>
-
-<p>“I’ll bet you know more than Luke Maslin, and he’s
-gone regularly to the district school. At his age&mdash;he’s a
-year older than you&mdash;he ought to be at the Slocum High
-School. I don’t think he cares a lot to study.”</p>
-
-<p>“Many boys don’t seem to realize what they let get by
-them until it is too late,” said Dick. “You and I, Joe,
-have got to cut our own way in life without any help from
-anybody. I guess you can hold up your end. As for me,
-I don’t intend to let any grass grow under my feet from
-this on. If you’ve rested enough, we’ll move on to Norton’s.
-Perhaps your friend Cap’n Beasley will give us
-something to eat. I haven’t had a mouthful since dinner,
-and I feel as if I could clean out a pantry.”</p>
-
-<p>“Same here. Captain Beasley is all right, and so is his
-wife. They wouldn’t see anyone, even a tramp, go hungry
-if they could help it,” said Joe as the boys resumed their
-march. “They’ve a daughter, too, named Florrie. She’s
-as pretty as a picture,” and Joe grinned broadly.</p>
-
-<p>Dick wasn’t particularly interested in pretty girls at that
-moment. He was thinking whether Captain Beasley would
-consent to take him down to New York along with Joe on
-the canal-boat.</p>
-
-<p>“I guess he will if I pay him something, and I’m willing
-to put up what’s fair,” mused the boy.</p>
-
-<p>Norton’s Lock was about six miles from Cobham’s Corner.</p>
-
-<p>Dick and Joe reached there at eight o’clock.</p>
-
-<p>Captain Beasley’s boat was moored against the eastern
-bank of the canal, and a few yards away was a good-sized
-liquor store, lit up with kerosene lamps, and, judging from
-the crowd within, doing a thriving trade.</p>
-
-<p>There was also an open shed close by, partially filled
-with bundles of shingles brought there for shipment from
-the mill a mile or so away.</p>
-
-<p>Dick followed Joe aboard the canal-boat and was introduced
-to Captain Beasley and his wife and daughter.</p>
-
-<p>As soon as Mrs. Beasley found out that the boys were
-hungry, she spread a corner of the table in the little cabin
-for them, laid out the remains of a joint of cold mutton,
-boiled a pot of coffee, and upon this, flanked by a plentiful
-supply of bread and butter, the two lads made a very satisfactory
-meal.</p>
-
-<p>Dick offered to pay his way to New York City, but the
-good-natured skipper of the Minnehaha wouldn’t hear of it
-for a moment.</p>
-
-<p>“You and Joe here are both of you welcome to go along
-with us, and it sha’n’t cost you a cent. All I ask of you
-is to turn your hands to an odd job or two, maybe, till we
-hitch on behind the tug that takes us down the river.”</p>
-
-<p>Dick accepted his generous offer with thanks, as Joe had
-already done earlier in the day when he brought his meagre
-bundle aboard on the strength of the captain’s former invitation.</p>
-
-<p>“Neither of you lads seems to be encumbered with much
-dunnage,” said the skipper, with a humorous glance at the
-two attenuated bundles ranged side by side on a shelf and
-which contained all they boasted of in the world.</p>
-
-<p>“We both lit out in such a hurry that we didn’t have
-time to pack our trunks,” grinned Joe. “Boggs skinned
-me out of sixty dollars; and as for Dick, I believe there
-wasn’t anything coming to him, though he put in many a
-year of good hard work down at Cobham’s Corner for Silas
-Maslin, who runs the store and the village post-office.”</p>
-
-<p>“I’ve heard of him,” nodded Captain Beasley, recharging
-his pipe, “and I’ve heard of you, too, Master Dick, afore
-this,” and the skipper looked at the bright, stalwart, young
-runaway. “Silas Maslin, I understand, is a hard man to
-work for, though I reckon Nathan Boggs can give him a
-few points in that line. Both of ’em have wives that folks
-say would skin a flea for its fat. From which I judge that
-one’s appetite isn’t pampered at either place.”</p>
-
-<p>“That’s right,” corroborated Dick. “We’ve both been
-through the mill and ought to know. I haven’t had such
-a good spread as was set before us to-night right here since
-I can remember, and I’ve a pretty good recollection.”</p>
-
-<p>Mrs. Beasley and her daughter looked at one another in
-astonishment.</p>
-
-<p>“Well,” said the captain’s wife, “you sha’n’t neither of
-you want for enough to eat as long as you are with us.”</p>
-
-<p>“What are you going to do when you reach the city?”
-asked the captain curiously. “Got any money at all?”</p>
-
-<p>“I’ve got about sixteen dollars,” replied Dick, and he
-told Captain Beasley by what slow and arduous means he
-had amassed it.</p>
-
-<p>“I haven’t a red cent,” admitted Joe, making such a
-comical face that Florence Beasley burst out laughing.</p>
-
-<p>“It’s possible I may start a bank and take Joe in as
-cashier,” grinned Dick.</p>
-
-<p>“Not a bad idea,” smiled the skipper, “so long as it
-isn’t a faro bank or something of that sort.”</p>
-
-<p>“I wouldn’t mind investing my capital in a sand-bank
-if I thought I could sell the sand and make a profit,” put
-in Dick.</p>
-
-<p>“Perhaps you would make a good speculator,” said the
-captain, thoughtfully.</p>
-
-<p>“Perhaps I would; but I’ve never tried my hand at it.”</p>
-
-<p>“A successful speculator should, first of all, have brains,
-and then money,” said Captain Beasley, punctuating each
-point in the air with the stem of his briar pipe. “I judge
-you have the brains&mdash;&mdash;”</p>
-
-<p>“So have I,” interrupted Joe, with some animation.</p>
-
-<p>“It was a rather poor speculation you entered into with
-Nathan Boggs, wasn’t it?” and the skipper turned to Joe.</p>
-
-<p>“I don’t call that a speculation; that was a dead skin,”
-cried Fletcher stoutly.</p>
-
-<p>“Well, you made an agreement with him to forfeit your
-wages if you quit work before the end of your term of service;
-you put yourself at a great disadvantage with such
-a man. It was to his interest to make you quit beforehand
-if he could.”</p>
-
-<p>“If I hadn’t quit I guess I’d been carried away in a box,
-so I’d have lost anyway.”</p>
-
-<p>“Well, you speculated on the chance of holding out, and
-came in for the short end of the deal.”</p>
-
-<p>“That was because I didn’t know what I was up against.”</p>
-
-<p>“Even so; that is a risk that often confronts the speculator.
-That’s where brains count.”</p>
-
-<p>Captain Beasley looked at the clock, laid down his pipe
-and intimated it was time to turn in.</p>
-
-<p>He led the boys to the forward part of the boat, pointed
-to a small open scuttle in the deck, and told them they’d
-find a mattress and a couple of blankets down there. Then
-wishing them good night, he left them to make the best
-of their narrow quarters.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_V">CHAPTER V.</h2>
-</div>
-
-<p class="h2sub">IN WHICH SILAS MASLIN FAILS TO RECOVER HIS RUNAWAY.</p>
-
-<p>In the morning the boat was hauled across to the other
-side of the canal, the side on which the towpath ran; a
-tandem mule team in charge of a boy who sported the biggest
-and most disreputable straw hat Dick had ever seen,
-was hitched on, and the boat began to move slowly down
-the canal.</p>
-
-<p>As they approached the bridge at Cobham’s Corner, Dick
-got out of sight of the shore.</p>
-
-<p>He knew there would be trouble if any member of the
-Maslin family caught a glimpse of him on board the Minnehaha.</p>
-
-<p>So he squatted down inside the limited bit of hold in the
-eyes of the canal-boat which he and Joe had used for sleeping
-quarters, while his chum sat on the combings of the
-hatch with his legs swinging down and his gaze fixed on
-Cobham’s Corner.</p>
-
-<p>“I don’t see anybody about,” reported Joe, as the boat
-drew near the bridge which crossed the canal at this point
-and connected the two sections of the county road.</p>
-
-<p>Captain Beasley came forward and called on Fletcher
-to help detach the tow-line so that the boat could pass
-under the bridge.</p>
-
-<p>While they were doing this, Luke Maslin appeared at
-the door of the store.</p>
-
-<p>His eyes roamed over the canal-boat from stem to stern
-and finally fixed themselves on Fletcher, whom he recognized,
-having seen and spoken to him many times when
-Joe called at the store to get supplies for Nathan Boggs
-or to see Dick.</p>
-
-<p>Suddenly he ran out on the bridge and took his position
-just above where the boat had to pass under.</p>
-
-<p>“Hello, Fletcher!” he shouted.</p>
-
-<p>“Hello, yourself,” growled Joe, casting a side glance at
-him.</p>
-
-<p>“What are you doing aboard that boat?”</p>
-
-<p>“Taking a sail.”</p>
-
-<p>“What for?”</p>
-
-<p>“For my health,” snorted Joe, as he pitched the end of
-the tow-line ashore.</p>
-
-<p>“Have you left Nathan Boggs?” continued Luke, with
-a grin.</p>
-
-<p>“Better ask him when you see him,” answered the boy,
-squatting down with his back to young Maslin, a pretty
-good sign that he wanted no further communication with
-his questioner.</p>
-
-<p>But Luke wouldn’t take the hint.</p>
-
-<p>“Seen anything of Dick Armstrong?” he persisted.
-“He’s run away from here with some of my father’s money.
-Constable Smock is hunting for him. Father is going to
-have him put in the village lock-up.”</p>
-
-<p>Joe didn’t answer him.</p>
-
-<p>“Maybe you’ve got him hid away aboard the boat,”
-added Luke, suspiciously. “If you have, you’d better give
-him up, or it will be the worse for you.”</p>
-
-<p>As those words passed his lips the forward end of the
-canal-boat passed under the bridge, and Luke ran over to
-the other side of the structure to meet it as it floated clear.</p>
-
-<p>Dick easily overheard his young enemy’s remarks from
-the spot where he was screened from Luke’s line of observation.</p>
-
-<p>He forgot, however, to change his position below as the
-boat passed under the bridge, not thinking that Luke, by
-crossing the planks to the opposite rail, would be able to
-obtain a different focus down into his hiding-place if he
-was wideawake enough to keep his eyes well employed.</p>
-
-<p>As this is exactly what Master Maslin did do, the result
-was he discovered Dick’s crouching figure in the narrow
-hold as soon as the head of the canal-boat shot out into
-sight again.</p>
-
-<p>“I see you down there, Dick Armstrong!” he cried, of a
-sudden, triumphantly.</p>
-
-<p>Then he rushed off to the store to tell his father.</p>
-
-<p>“I’m afraid it’s all up with me,” said Dick, as he scrambled
-out of his hiding-place.</p>
-
-<p>“Well, I’d like to see them try to take you off this boat
-if you don’t want to go,” said Joe, rolling up his sleeves,
-while a look of determination came over his freckled features.</p>
-
-<p>“It won’t do to resist the constable,” warned Dick. “I
-won’t have you get into trouble over me.”</p>
-
-<p>“But the constable isn’t around here now,” put in Joe.</p>
-
-<p>“They’ll send him word as to my whereabouts, and he’ll
-get a rig and cut me off further along down the canal, don’t
-you see?”</p>
-
-<p>“The only thing for me to do now is to leave the boat
-before I’m overhauled,” Dick continued. “For if I wait
-until Constable Smock comes along and invites me to go
-ashore I’ll be deprived of my savings by Mr. Maslin, even
-if he doesn’t follow up his threat to put me in jail.”</p>
-
-<p>“I dare say you’re right, Dick; but you can’t skip yet
-a while, for here comes the old man and Luke across the
-bridge. They’ll be down on us in a couple of minutes.
-You needn’t be afraid that Captain Beasley’ll make you go
-ashore to oblige that old rhinoceros. And if he attempts
-to board us, he’ll be trespassing, and a douse in the canal
-would be the proper thing to cool him off.”</p>
-
-<p>Captain Beasley was leaning negligently against the forward
-end of his cabin, smoking his favorite briar-root pipe
-in the autumn sunshine, when Mr. Maslin came running
-down the tow-path and hailed him, his son following along
-behind.</p>
-
-<p>“You’ve got a boy on board your boat I want. He’s
-runnin’ away from my place yonder, after stealin’ a five-dollar
-bill. I want you to put him on shore,” demanded
-Silas Maslin, keeping pace with the canal-boat.</p>
-
-<p>“I’ve got two boys aboard,” said the captain, in an indifferent
-tone. “Which one do you refer to?”</p>
-
-<p>“The one with the new suit of clothes on,” replied the
-storekeeper, pointing to Dick. “His name is Armstrong.”</p>
-
-<p>“All right,” agreed Captain Beasley. “He came on
-board of his own accord, and if he’s willing to go ashore
-he can go now.”</p>
-
-<p>“I want you to make him come on shore whether he’s
-willin’ or not,” said Silas Maslin, energetically.</p>
-
-<p>“I’m afraid I can’t do that,” said the skipper, shaking
-his head.</p>
-
-<p>“Why can’t you? You’re captain of that boat, and I
-reckon you can do ’bout as you please on board of her. If
-he doesn’t come back with me and hand over the money
-he took from me, I’m going to have him arrested and put
-in the lock-up.”</p>
-
-<p>Captain Beasley walked forward to where the two boys
-were standing, Mr. Maslin hastening his steps to keep
-abreast of him.</p>
-
-<p>“That’s the man you’ve been living with, ain’t it, Armstrong?”
-asked Captain Beasley.</p>
-
-<p>“Yes, sir,” admitted Dick, respectfully.</p>
-
-<p>“You’ve heard the charge he made against you and his
-demand that you leave this boat and go back with him?”</p>
-
-<p>“Yes, sir,” replied the boy, beginning to fear that he
-was to be given up.</p>
-
-<p>“Have you any of his money about you?”</p>
-
-<p>“No, sir; I never took one cent of his money from the
-store,” replied the lad, stoutly.</p>
-
-<p>“Are you willing to go ashore as he wants you to do?”</p>
-
-<p>“No, sir; I’d rather you’d throw me overboard,” said
-Dick, with flashing eyes.</p>
-
-<p>“You hear what he says,” said the skipper, turning to
-the storekeeper.</p>
-
-<p>“I reckon I ain’t deaf,” replied Mr. Maslin, in a surly
-tone.</p>
-
-<p>“I’m afraid I can’t do anything for you,” said Captain
-Beasley, turning on his heel and walking away.</p>
-
-<p>“Ain’t you going to make him come on shore?” demanded
-the storekeeper, angrily.</p>
-
-<p>“No, sir; I’ve nothing whatever to do with your quarrel
-with the boy.”</p>
-
-<p>“The boy is a thief, and you’re helpin’ him to get away,”
-cried Mr. Maslin. “Don’t you know that’s ag’in the law
-and that I can make you sweat for it?”</p>
-
-<p>“He has denied the charge, and as there is no proof
-against him his word is as good as yours,” replied the
-skipper, resuming his former station against the cabin wall.</p>
-
-<p>“I’ll have you up before the justice for this,” shouted
-Mr. Maslin, coming to a stop and shaking his fist at the
-captain of the Minnehaha. “And what’s more, I’ll have
-that boy took up by the constable afore you get many miles
-further down the canal.”</p>
-
-<p>After hurling his threats after the receding boat he and
-Luke turned about and hurried back the way they came.</p>
-
-<p>“I guess the storekeeper means to send the constable
-after you with a warrant for your arrest, Armstrong,” said
-the captain when the two boys ranged up alongside of
-him after Mr. Maslin took his departure, “in which case
-you’ll have to go along with the officer. Now, if you will
-take my advice, young man, you’ll get ashore at Caspar’s,
-a mile below here, and make your way by land to Albany,
-where we’ll lay up a week or so, as I’ve got to load up there
-for New York after discharging what I’ve brought on from
-Buffalo and Syracuse. You can leave your bundle aboard&mdash;your
-friend will look out for it.”</p>
-
-<p>As the captain’s advice was good, Dick determined to act
-on it.</p>
-
-<p>After receiving explicit directions where to rejoin the
-boat at Albany, Dick bade all hands good-bye for the time
-being and left the boat at Caspar’s.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_VI">CHAPTER VI.</h2>
-</div>
-
-<p class="h2sub">HOW DICK RUNS ACROSS A DESERTED FARMHOUSE, AND
-WHAT HE FINDS THERE.</p>
-
-<p>Caspar’s was simply a small roadhouse, situated near a
-bridge.</p>
-
-<p>Dick Armstrong crossed the bridge and struck out across
-the country, following the country road.</p>
-
-<p>He had general directions how to proceed, but expected
-to depend on people he might meet along the road to keep
-him from going astray.</p>
-
-<p>The morning was young when he set out, and as he was
-in good spirits and accustomed to plenty of exercise, he
-walked along at a swinging gait.</p>
-
-<p>About eleven o’clock he was overtaken by a farm wagon,
-the owner of which not only gave him a lift for several
-miles on his way, but his dinner also at a neat farmhouse
-a short distance back from the turnpike.</p>
-
-<p>Although the farmer refused payment, Dick insisted on
-helping him for an hour about the barn, and when he
-finally left to continue his journey the farmer’s wife handed
-him a substantial package of eatables which included a
-pint bottle of milk.</p>
-
-<p>About dark Dick reached a junction of two roads.</p>
-
-<p>It was a lonesome neighborhood, and as nobody was in
-sight to direct him which was the better one to take, he
-turned into the road leading off to the right.</p>
-
-<p>He was glancing around for a large stone or a tree-stump
-for a seat on which to rest while he ate his supper, when
-he spied a light dimly shining through a window a little
-distance back from the road.</p>
-
-<p>“I’ve walked enough for to-day,” he mused. “I’ll see
-if I can’t get a bed or a chance to sleep on the hay in
-the barn, perhaps, up yonder.”</p>
-
-<p>The gate opening on the lane leading to the house was
-wide open and hanging by one hinge only.</p>
-
-<p>As Dick approached the dwelling he was impressed by
-the air of neglect and desolation which hung about the
-place.</p>
-
-<p>But for the solitary gleam of light which penetrated the
-gloom he would have believed the premises to be deserted.</p>
-
-<p>The boy knocked several times on the weather-seamed
-door, but no one answered his summons.</p>
-
-<p>Finally he decided to turn the handle of the door.</p>
-
-<p>It yielded to his touch, and he entered a large room that
-was quite bare and cheerless from floor to ceiling.</p>
-
-<p>The dim light from a candle stuck in the neck of a
-bottle standing on a dusty mantel shelf showed him the
-motionless figure of a man crouching over an old stove, in
-which was a fire, at one side of the room.</p>
-
-<p>“Hello!” Dick exclaimed, by way of introduction.</p>
-
-<p>Slowly the figure turned its head and presented a face
-almost ghostly from its whiteness.</p>
-
-<p>“What’s the trouble with you?” asked Dick, for he easily
-made out that something ailed the man.</p>
-
-<p>“I’m sick,” was the half moaned reply.</p>
-
-<p>“Sick,” repeated the boy, looking at him attentively.
-“Gee! You do look bad, for a fact. What can I do for
-you?”</p>
-
-<p>“If you would do me a favor, go out to the barn back
-of the building. You’ll find my team there. There’s a
-couple of blankets in the wagon and a number of gunny-sacks.
-Bring them in here so I can make a bed and lie
-down,” said the man, slowly and with much difficulty.</p>
-
-<p>Dick put his bundle of food on the floor and hastened
-to do as the stranger had requested.</p>
-
-<p>He found the team&mdash;a pair of stout horses hitched to a
-large, covered wagon&mdash;just as it had been led into the deserted
-and mildewed barn and left standing there.</p>
-
-<p>With the aid of a match or two, a supply of which Dick
-from habit always carried about with him, he climbed into
-the wagon and found the things the man wanted.</p>
-
-<p>The only other articles the boy noticed in the vehicle were
-a couple of empty bushel baskets, a sack half filled with
-oats, a horse bucket, a long whip and a small wicker hamper.</p>
-
-<p>Dick carried the bags and blankets into the house and
-spread them out so as to form a bed.</p>
-
-<p>“There,” he said, in his cheery tones, “you can lie down
-now. If there’s anything else I can do for you, let me
-know.”</p>
-
-<p>“You’re very kind, my lad,” gratefully replied the man,
-who seemed to be about fifty years of age. “You might
-get a few sticks for the fire; the night is cold, and I’ll
-be glad if you could find me a drink of water anywhere
-near by&mdash;you’ll find a cup in the hamper in the wagon.
-And then, if you’d not feel it was too much trouble to give
-those animals a mess of oats which you will find in a bag
-in the wagon, you will do all that I would ask of you.”</p>
-
-<p>“All right,” said Dick, and he cheerfully proceeded to
-do what the sick man asked of him.</p>
-
-<p>He found a tin cup in the hamper, which also contained
-a neat sandwich, half of an apple pie, a piece of gingerbread
-and two pieces of candle wrapped in a bit of newspaper.</p>
-
-<p>Dick fortunately turning his steps in the right direction,
-found a spring at the back of the barn, and fetched a cupful
-of the cold water to the stricken stranger, which he
-drank with evident relish.</p>
-
-<p>The boy then replenished the fire in the stove and returned
-to the barn.</p>
-
-<p>Lighting one of the bits of candle, he took the bucket
-and watered the horses.</p>
-
-<p>Then he released them from their traces, led them into
-two of the dusty stalls, and dumping a liberal quantity of
-oats into the bins, left them to themselves.</p>
-
-<p>“Have a drink of milk?” said Dick to the sick man as
-he untied his bundle preparatory to eating his supper.</p>
-
-<p>The stranger thankfully accepted his offer, then turned
-on his side and apparently went to sleep.</p>
-
-<p>Dick had brought in a horse blanket which he had found
-folded on the wagon seat, and after he had eaten all he
-wanted and put more wood in the grate, curled himself
-up near the stove and was presently oblivious to his surroundings.</p>
-
-<p>He was up before sunrise, as he was accustomed to being
-routed out of bed at five o’clock at that season of the year
-by Mr. Maslin.</p>
-
-<p>The morning was chilly, so he started a fire in the stove
-for the benefit of the stranger, who seemed to be sleeping
-easily.</p>
-
-<p>After that Dick went to the barn and fed the horses.</p>
-
-<p>Then, as the sun was beginning to peep above the horizon,
-he thought he would take a look around the place,
-which seemed to be going to rack and ruin.</p>
-
-<p>His investigations did not extend very far, for just beyond
-the line of broken fence which marked the boundary of
-what had probably been the truck patch Dick found an
-apple orchard.</p>
-
-<p>A large number of the trees were not only loaded with
-this fruit, but the boy’s experienced eye told him that many
-of the trees were of a superior variety.</p>
-
-<p>The apples on these trees were large, solid, and rosy.</p>
-
-<p>Dick gathered an armful and carried them to the house.
-The strange man was awake, but very weak and not in condition
-to get up.</p>
-
-<p>“You’d better drink the rest of this milk,” said Dick,
-offering the tin cup.</p>
-
-<p>“Thank you, lad. What is your name?” he asked after
-drinking it.</p>
-
-<p>“Dick Armstrong.”</p>
-
-<p>“Mine is Hiram Bond. You’ve been very kind to me.
-I don’t know what I should have done if you hadn’t turned
-up. Where do you live?”</p>
-
-<p>“I don’t live anywhere just at present,” answered the boy,
-frankly.</p>
-
-<p>“How is that?” asked Bond, with some surprise.</p>
-
-<p>Dick gave him a brief outline of his life, and more particularly
-of his recent experiences.</p>
-
-<p>“You’ve had a hard time of it,” said the man, feebly,
-“and I don’t wonder you cut loose from that storekeeper.
-I live in Albany, and make a living&mdash;not a very good one&mdash;with
-my team, carrying loads of stuff around the country.
-I just moved a family from the city suburbs to Wayback,
-some fifteen miles from here, and was on my return when
-I was took bad. I’m subject to spells of heart trouble, and
-I’m afraid I sha’n’t last long. I don’t feel at all good this
-morning. Perhaps I’ll feel better by and by. If you don’t
-mind staying with me till the afternoon, I may feel able
-to sit up in the wagon, and you can drive me back to the
-city. It’ll save you a walk of thirty odd miles.”</p>
-
-<p>Dick immediately agreed to this proposition, and then
-his eyes resting on the pile of rosy apples he had brought
-in, an idea struck him.</p>
-
-<p>“There’s an orchard back of the barn that’s full of this
-kind of apples,” he said, showing a couple to Bond. “If
-you don’t mind, I could load the wagon with them, and
-we could sell them at a good profit in Albany. They’re
-only going to waste here, and as your wagon is empty, it’s
-a chance for both of us to make a stake.”</p>
-
-<p>“Do so, my lad, if you think there’s anything in it for
-you. I won’t touch a cent of what you may get. I’ll give
-you the use of the team for what you’ve done for me
-already.”</p>
-
-<p>Dick was delighted and thanked him heartily.</p>
-
-<p>“Can you eat anything at all this morning?” he asked
-Bond.</p>
-
-<p>The man shook his head, said he felt tired, turned over,
-and tried to go to sleep again.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_VII">CHAPTER VII.</h2>
-</div>
-
-<p class="h2sub">DICK’S FIRST SPECULATION.</p>
-
-<p>Dick spent the entire morning gathering apples, making
-selection of the best that he shook down or knocked from
-the limbs.</p>
-
-<p>“It’s like picking up money,” he mused as he gathered
-them into one of the bushel baskets and then carried them
-to the wagon, which he had drawn out into the yard, and
-dumped them inside.</p>
-
-<p>“I wonder how many bushels I can get away with,” he
-figured, after a careful estimate of the load he had already
-secured. “I believe this wagon will hold close on to forty
-bushels, but it’ll be an all-day job to gather that many.
-I’m afraid I’ll have to be satisfied with twenty, if we’re
-going to leave here early this afternoon. That ought to
-give me fifty dollars out of the spec. Gee! That’s better
-than working like a slave for Silas Maslin at nothing a
-week and skimpy board.”</p>
-
-<p>Dick looked in on Hiram Bond every little while, but
-the man appeared to be sleeping right along.</p>
-
-<p>Noon came, and the boy began to feel decidedly hungry.</p>
-
-<p>“I guess I might as well clean up Mr. Bond’s basket,”
-he argued. “It isn’t likely he’ll care for any solid food
-to-day. I’ll get him some milk at the first house I see
-along the road.”</p>
-
-<p>So Dick ate the sandwich, the piece of gingerbread, and
-the remains of the apple pie, topping off with a big drink
-of spring water.</p>
-
-<p>After that he felt very much better and resumed his work
-with fresh energy.</p>
-
-<p>At two o’clock he found Hiram Bond awake, but as
-weak as a cat, to use his own expression.</p>
-
-<p>Clearly the man was in no condition to leave the place
-that day.</p>
-
-<p>“I fear this will finish me,” said Bond, in a weak voice.</p>
-
-<p>“I’ll take one of the horses and start on down the road
-for help,” said Dick, regarding the man with an anxious
-eye. “You’ll die at this rate, for you haven’t had any
-nourishment but that small cup of milk all day.”</p>
-
-<p>“Perhaps you had better do so,” acquiesced Bond, feebly.
-“I think there’s a farmhouse about five or six miles below
-here.”</p>
-
-<p>“Then I’m off,” said Dick. “I’ll get them to send a
-vehicle to remove you from this place&mdash;you can’t stay here
-another night.”</p>
-
-<p>Dick mounted one of the animals and started off down
-the road, the horse being accustomed to nothing faster than
-a gentle trot.</p>
-
-<p>It was something over an hour before the boy reached a
-house.</p>
-
-<p>Here he told his story, which aroused the practical sympathy
-of the farmer, who hitched up a light wagon, collected
-such things, including a bag of feed for the horses,
-as the occasion seemed to demand, and in company with
-Dick started for the deserted homestead.</p>
-
-<p>The farmer, after talking to Hiram Bond, decided to
-convey him to his house.</p>
-
-<p>Wrapping him up in the blankets, he and Dick started
-him to the wagon and made him as comfortable as possible
-for the ride.</p>
-
-<p>“I’ll bring the team on later,” said the boy.</p>
-
-<p>Farmer Haywood nodded and then drove off, Dick returning
-to the work of gathering more apples.</p>
-
-<p>By dark he had turned into the wagon thirty bushels by
-actual count.</p>
-
-<p>“I can carry another ten bushels just as well as not,”
-he said to himself. “I will stay here all night and finish
-the job in the morning. I’ll be twenty-five dollars more
-to the good by hanging on. I guess I can stand a diet of
-apples and water for a few hours, at that rate. It won’t be
-the first time I’ve gone to sleep or to work half fed. If
-a fellow expects to get along in the world he’s got to take
-things as they come, and say nothing.”</p>
-
-<p>Next morning about eleven o’clock Dick walked his
-team, with his load of some forty bushels of harvest apples,
-into Farmer Haywood’s yard.</p>
-
-<p>“How is Mr. Bond?” was his first question of Mrs.
-Haywood, who greeted him at the door.</p>
-
-<p>“Very poorly, indeed. We had to send for a doctor.
-I’m afraid he isn’t going to recover.”</p>
-
-<p>Dick was very sorry to learn this news.</p>
-
-<p>After he had hauled the wagon into a corner of the yard,
-and put the horses into the barn, the lad had something
-to eat and was then taken up to see Hiram Bond, who had
-been accommodated with a spare room and was the object
-of considerate attention.</p>
-
-<p>“I’m glad to see you again, my lad,” said Mr. Bond, in
-a very weak voice, regarding Dick with an earnest expression.
-“I should like you to stay with me while I last;
-I will make it all right with you.”</p>
-
-<p>“I shall be glad to stay with you till I can get you back
-to your home in Albany,” replied Dick, cheerfully. “I’m
-sure you’ll be all right in a day or two.”</p>
-
-<p>Hiram Bond shook his head.</p>
-
-<p>“I shall never be all right again. This isn’t the first
-attack of heart failure I’ve had, but I feel it will be the
-last. I’ve lost all my strength. My insides seem to have
-collapsed entirely. It is a strange, indescribable sensation
-that warns me to prepare for my last journey. Boy, it is
-useless to disguise the truth&mdash;I am going to die. The
-doctor didn’t say so, but I read the fact in his face. He
-saw that he could do nothing for me. Well, it matters little
-whether I die now or a little later on. I have no kith or
-kin to whom my death would be a blow. I am entirely
-alone in the world. At one time it was different, and I
-was well off; but now my team and the few dollars in my
-pocket-book represent all my earthly possessions. My boy,
-I have been thinking of you while I have been stretched on
-my back. You are beginning life quite as friendless, I
-might say, as I am leaving it. But you appear to have
-energy and the capacity for hard work. I have little doubt
-but you will succeed. You have been kind to me and I
-wish I was in a position to return the favor substantially.
-What little I can do for you to help you along I will do.
-You shall have my team to use or dispose of as you may
-think best. The money I possess will scarcely more than
-recompense Farmer Haywood for his trouble and pay the
-expenses of my funeral. I should like to be buried in
-some quiet spot&mdash;the nearest village burying-ground. If
-you will see that this is done, it is all I ask of you.”</p>
-
-<p>Dick was exceedingly shocked as he listened to the words
-of the dying man&mdash;for that Hiram Bond really was passing
-away, slowly but surely, there didn’t seem to be any doubt.</p>
-
-<p>When he finished, he asked the boy to fetch Farmer Haywood.</p>
-
-<p>He requested the farmer to execute a bill of sale, which
-he signed with difficulty, transferring his wagon and team
-of horses to Dick.</p>
-
-<p>After that was done he seemed to feel better.</p>
-
-<p>There was little change in his condition until after midnight,
-when he gradually grew weaker and weaker, and
-finally died just before daylight.</p>
-
-<p>Although Dick had met him so strangely only a couple of
-days before, his death affected the boy greatly for the time
-being.</p>
-
-<p>He felt as though he had lost a good friend that he had
-known for many years.</p>
-
-<p>A simple funeral from Farmer Haywood’s to the nearby
-churchyard wound up the life history of Hiram Bond, and
-the day following Dick Armstrong drove his suddenly acquired
-property into the streets of Albany.</p>
-
-<p>He had an idea that by visiting the various hotels in the
-city he might dispose of his apples to good advantage and
-with more profit than if he did business with a commission
-merchant.</p>
-
-<p>His plan was successful, largely because the stewards of
-the places he visited happened to be running out of the
-fruit and because his apples were uncommonly fine and
-quite scarce in the market.</p>
-
-<p>As a consequence he obtained an average of about $2.60
-a bushel for them, and when he put his team up at the place
-where Hiram Bond had been accustomed to keep it he was
-in possession of bills and silver to the amount of $120,
-which included the money he had brought away from his
-former home at Cobham’s Corner.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_VIII">CHAPTER VIII.</h2>
-</div>
-
-<p class="h2sub">IN WHICH DICK TAKES A PARTNER, AND THE FIRM WINDS
-UP THE APPLE SPECULATION.</p>
-
-<p>Late that afternoon Dick Armstrong, feeling all the importance
-of a small capitalist, started out to locate the
-canal-boat Minnehaha.</p>
-
-<p>He found the rendezvous of those craft without much
-difficulty, but to pick out the particular boat of which he
-was in search was not quite such a simple matter.</p>
-
-<p>At length he found her, hauled up against the wharf,
-discharging the last of her cargo.</p>
-
-<p>Joe Fletcher was working like a good fellow, helping
-Captain Beasley’s regular deckhand, when he caught sight
-of his chum.</p>
-
-<p>“Dick, old man, I’m just tickled to death to see you
-again,” he exclaimed, grabbing Dick’s hand and shaking it
-as though he would pull it off. “We expected to see you
-yesterday, according to my calculations. How have you
-fared since you went ashore at Caspar’s?”</p>
-
-<p>“First class. I’ve news that’ll surprise you,” replied
-Dick, with sparkling eyes.</p>
-
-<p>“You don’t say.”</p>
-
-<p>“By the way, how about Constable Smock? Did he show
-up?”</p>
-
-<p>“Did he? I guess yes. He came up with us about eight
-miles below Caspar’s. Wouldn’t take our word that you
-had gone ashore, but insisted on searching the boat. Of
-course, Captain Beasley let him have full swing. After
-he had gone into every nook and corner that might have
-concealed you, he gave the job up and left, the maddest
-man I’ve seen for many a day. I was afraid he might get
-wind of you at Caspar’s and run you down; but it appears
-he didn’t. I’ll bet Silas Maslin and Luke ain’t feeling any
-too good over the constable’s failure to fetch you back,” and
-Joe snapped his rough, brown fingers and laughed gleefully.</p>
-
-<p>“You don’t think that Silas Maslin would come on to
-Albany on the chance of picking me up, do you?” asked
-Dick, with a shade of apprehension in his voice.</p>
-
-<p>“You ought to be better able to judge of that than me,
-Dick. You know what he is and what his feelings probably
-are on the subject. If I was you, I’d keep my eye
-skinned and not let him catch me, if he should come.”</p>
-
-<p>In a few minutes they knocked off work for the day, and
-while Joe was washing up, Captain Beasley came on board
-and greeted Dick in his usual breezy manner.</p>
-
-<p>He accepted the skipper’s invitation to supper, and when
-he made his appearance in the cabin was warmly welcomed
-by Mrs. Beasley and Florrie.</p>
-
-<p>Joe and the others were curious to learn the particulars
-of his journey from Caspar’s, though they had no idea
-that he had met with any particular adventure by the way.</p>
-
-<p>What he had to tell was therefore received with much
-surprise.</p>
-
-<p>“Gee!” exclaimed Joe, when Dick had finished his recital.
-“If that doesn’t read like a story-book! So the
-man actually gave you the wagon and the pair of horses?”</p>
-
-<p>“That’s what he did. The outfit is housed at McGee’s
-stables at this moment.”</p>
-
-<p>“What are you going to do with them? Sell them, I
-s’pose, ’cause you can’t take them with you on this boat.”</p>
-
-<p>“I haven’t decided what I’ll do yet,” said the boy, with
-a thoughtful expression.</p>
-
-<p>“And what about the load of apples?” asked Joe, interestedly.</p>
-
-<p>“I brought on forty bushels and sold them to half a
-dozen of the hotels just as soon as I struck town.”</p>
-
-<p>“Good for you! How much did you realize?”</p>
-
-<p>“One hundred and four dollars.”</p>
-
-<p>“No!” exclaimed Joe, in surprise.</p>
-
-<p>“That’s right,” nodded Dick, while his face lighted up
-with satisfaction. “That wasn’t a bad speculation, was it,
-Captain Beasley?”</p>
-
-<p>“I should say it was a very good one,” replied the skipper
-of the Minnehaha.</p>
-
-<p>“And I’ve got another one in my eye now that ought
-to pan out even better.”</p>
-
-<p>“What is it?” asked Joe, eagerly.</p>
-
-<p>“There’s a fine grove of walnuts and hickory nuts on
-that deserted farm, and they’ll be ready for picking just
-as soon as the frost sets in good and hard. They’ll fetch
-over two dollars a bushel in this town at wholesale. If
-there’s one bushel, I’ll bet there’s a hundred and fifty to
-be got.”</p>
-
-<p>“Great Scott!” almost shouted Fletcher in his excitement.
-“Let me in on this, will you, Dick? I’ll help you
-pick them at twenty-five cents a bushel, just for the fun of
-the thing.”</p>
-
-<p>“I was about to propose something of that kind, as I
-wouldn’t care to go out there all alone. You don’t know
-what a spooky place it is. I’ll take you in as a partner,
-Joe, and give you one-third of the profits. I’d make it
-even up, only the team costs something, and it’s only fair
-I should have a percentage for its use.”</p>
-
-<p>“A third is too much,” objected Joe. “It’s your discovery
-and your scheme. I’ll be perfectly satisfied with
-one quarter.”</p>
-
-<p>“No, Joe; it must be one third, or I’ll call the whole
-thing off and sell the team,” said Dick, resolutely.</p>
-
-<p>“All right, Dick; but I call it uncommonly liberal.”</p>
-
-<p>“Pooh! We’re chums, aren’t we?”</p>
-
-<p>“Sure we are.”</p>
-
-<p>“Then stop your kicking.”</p>
-
-<p>Captain Beasley, who had been an amused listener to the
-foregoing debate, now ventured a word.</p>
-
-<p>“You forget, Master Armstrong, that it’ll be some two
-or three weeks yet before you can gather those nuts. What
-are you going to do in the meantime, for of course, if you’ve
-determined on this plan, you’re not going down to New
-York on this boat.”</p>
-
-<p>“Oh, I’ve got an idea to cover that time,” said the boy,
-with sparkling eyes.</p>
-
-<p>“Another speculation, eh?” smiled the captain.</p>
-
-<p>“Yes, I dare say it is. Any risk that a person takes
-for the sake of expected profit is a speculation, I suppose.”</p>
-
-<p>“That’s about the size of it,” nodded the skipper.</p>
-
-<p>“But, first of all, I’d like to take a run out to that
-farm to-morrow and gather the rest of those harvest apples.
-There’s fully another load to be got, and if I don’t take
-them they’ll rot on the ground.”</p>
-
-<p>“I’m in this, too, am I, Dick?” asked Joe, anxiously.</p>
-
-<p>“Why not, if you’re willing?”</p>
-
-<p>“You can bet your suspenders I’m willing to go, all
-right.”</p>
-
-<p>“Then that’s settled. Do you mind if I bunk aboard
-here to-night, Captain Beasley?” asked Dick.</p>
-
-<p>“You’re welcome to sleep, and eat for that matter, aboard
-the Minnehaha as long as she’s here, young man. I admire
-enterprise in a fellow of your years, and you seem to be
-loaded to the hatches with it. If you aren’t a millionaire
-one of these days, it’ll be because the trusts we read about
-and the plutocrats have gobbled up all the wealth that’s
-lying around loose.”</p>
-
-<p>Soon after that, the two boys retired to the forward compartment
-of the hold and turned in, but they had so much
-to talk over and plan for the future that it was nearly
-midnight before they fell asleep.</p>
-
-<p>They were on deck at sunrise.</p>
-
-<p>Dick found lots to interest him before breakfast, in the
-panorama of the city’s water front, at least that section
-of it where the fleet of canal-boats was moored close inshore.</p>
-
-<p>After breakfast the lads bade Captain Beasley and his
-family good-bye, promising to look them up at the Water
-Street moorage when they reached New York.</p>
-
-<p>Dick then led the way to McGee’s stables, where he and
-Joe hitched up the wagon and started out.</p>
-
-<p>Having provided themselves with provisions and feed
-for the animals, they took the road back to the deserted
-farm, at which they arrived, without any adventure, late
-in the afternoon.</p>
-
-<p>They passed the whole of the next day in getting together
-a load.</p>
-
-<p>Thirty-five bushels about cleaned up all the good apples
-left.</p>
-
-<p>They passed a second night at the old rookery, as Joe
-called it, and on the following morning started early for
-Albany.</p>
-
-<p>Dick sold the entire load to a commission house for $95,
-but he and Joe had to procure the necessary number of
-barrels to hold the fruit in shape for shipment to New
-York.</p>
-
-<p>After paying to Joe his share of the profits, Dick found,
-expenses deducted, that his cash capital had increased
-to $175.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_IX">CHAPTER IX.</h2>
-</div>
-
-<p class="h2sub">A TRANSACTION IN NUTS.</p>
-
-<p>“Gee! I never was so rich in my life!” exclaimed Joe
-Fletcher as he counted over the $30 he had received from
-Dick and contemplated the bills with a childish sort of
-delight.</p>
-
-<p>“If Nathan Boggs had paid you what he owes you for
-your five months’ service on his farm, you’d have ninety
-dollars easy enough now,” remarked his young partner
-and chum, tucking away his own “boodle” in a safe place.</p>
-
-<p>“Yep, I ’spect so,” grinned Joe, who was not lamenting
-the loss of that $60 just at present.</p>
-
-<p>“Boggs ought to be prosecuted and made to shell out.”</p>
-
-<p>“And the screws ought to be put to Silas Maslin, too,”
-said Joe. “He treated you worse, on the whole, than Boggs
-had the chance to do to me.”</p>
-
-<p>“I don’t say he didn’t; but I’m satisfied if I never run
-across him again. I can make my own way in the world,
-and I’m going to do it.”</p>
-
-<p>“I’ll bet you will. You’re smart enough, all right,”
-answered Joe, admiringly.</p>
-
-<p>The boys had arranged with the stable keeper so they
-could sleep in the building in the little room in the hayloft
-formerly occupied by Hiram Bond.</p>
-
-<p>On their return from the restaurant where they had had
-supper they found a man waiting to see Dick.</p>
-
-<p>“My name is Gibson,” said the stranger, introducing
-himself. “I’m from Wayback, where I keep a general
-store. I’ve got a load of stuff I want hauled out to my
-place. Hiram Bond used to do my carting, but as he
-is dead and I’m told you have his outfit, I thought probably
-we could strike a bargain between us. What’ll you
-charge me?”</p>
-
-<p>“How far is Wayback from here?” asked Dick, who was
-ready to accept the job if there was anything in it.</p>
-
-<p>“Nigh on to forty-five miles.”</p>
-
-<p>The boy pondered a moment and then named a figure.</p>
-
-<p>Gibson started to dicker for a lower sum, but Dick cut
-him short.</p>
-
-<p>“I wouldn’t do it for a cent lower, Mr. Gibson. I don’t
-know what Hiram Bond was accustomed to charge you,
-but the price I’ve set is a reasonable one. I had something
-else in view, but I’ll haul your goods out to Wayback on
-the terms I’ve mentioned. Is it a bargain or not?”</p>
-
-<p>Dick’s manner was thoroughly business-like, and he appeared
-to be indifferent whether he got the job or not.</p>
-
-<p>“But you’re only a boy,” persisted the Wayback storekeeper.
-“You ought to do it cheaper than a man.”</p>
-
-<p>“Think so?” retorted the lad, looking him in the eye.
-“Well, that isn’t the way I do business. I expect to deliver
-your stuff in as good shape as Hiram Bond would have
-done, so the fact that I am a boy can’t make any difference.”</p>
-
-<p>Mr. Gibson finally agreed to the charge and told Dick
-to be on hand at a certain wholesale store in the morning,
-where he would meet him.</p>
-
-<p>“All right. Good night, sir.”</p>
-
-<p>Mr. Gibson had a free ride along with his goods, and
-the team reached Wayback about nine o’clock next evening.</p>
-
-<p>The boys carried the merchandise into the store, and as
-the storekeeper had a barn large enough to accommodate
-the horses and wagon, Dick arranged with him to put up
-his team there, they to sleep in the wagon themselves.</p>
-
-<p>While Dick and Joe were hitching up next morning a
-farmer came up in company with Gibson and inquired
-what it would cost him to get a load of potatoes to Albany.</p>
-
-<p>“How much do you expect to get for them?” asked Dick.</p>
-
-<p>The farmer, with some shrewdness, named a lower price
-than he actually expected to receive, thinking thereby to
-cheapen the cartage.</p>
-
-<p>“All right,” said Dick, promptly. “I’ll buy the lot from
-you for so much”&mdash;naming a lower figure&mdash;“and I’ll pay
-you cash down for them.”</p>
-
-<p>The farmer saw he had made a mistake and started to
-hedge, but Dick said those were the only terms on which
-he would take the potatoes.</p>
-
-<p>“But they’ll fetch more’n that in town,” objected the
-farmer.</p>
-
-<p>“I expect to make a profit, or I shouldn’t have made
-you the offer,” said Dick.</p>
-
-<p>“But I made a mistake in putting the price too low. I
-can get more’n that at a commission store in the city,” persisted
-the agriculturalist.</p>
-
-<p>“I offer you spot cash,” and Dick yanked out his roll
-of bills, which he displayed before the owner of the potatoes.
-“Take me up, and you’re relieved of all further
-bother.”</p>
-
-<p>The farmer needed the money, and the sight of the
-cash smothered his scruples about selling at a reduced price,
-so the deal was closed on the spot.</p>
-
-<p>Dick drove around to his farm and examined his stock of
-potatoes.</p>
-
-<p>He found them to be in all respects as they had been
-represented, so he paid over the money and loaded them
-into the wagon.</p>
-
-<p>“That was a good trade,” said Joe as they drove down
-the road.</p>
-
-<p>“Yes; I expect to make at least twenty-five dollars out
-of them,” replied his chum.</p>
-
-<p>As a matter of fact he cleared $32, for the price had
-gone up a little within the two days he had been away from
-the city.</p>
-
-<p>Next day Dick picked up another cartage job as far as
-Newtown Junction on the railroad.</p>
-
-<p>Just before reaching his destination he noticed the section
-men replacing a lot of old sleepers with new ones.</p>
-
-<p>The old ones were tossed aside for the present, and he
-saw a group of small boys carrying several of them off.</p>
-
-<p>This put an idea into his head.</p>
-
-<p>On his return he singled out the section boss and asked
-him if he could have a few.</p>
-
-<p>“Sure; take as many as you want,” replied the man,
-good-naturedly.</p>
-
-<p>As Dick intended to take up the offer literally, he handed
-the boss a dollar-bill.</p>
-
-<p>The man grinned in a friendly way and turned away.</p>
-
-<p>Then the two boys gradually filled up the wagon with
-the old ties as they proceeded on their way.</p>
-
-<p>Dick stopped at a large woodyard in Albany and sold
-the wood at a very handsome profit, a third of which went
-to Joe.</p>
-
-<p>“The firm of Armstrong &amp; Fletcher seems to be doing
-pretty well, all things considered,” remarked Joe as he
-added a few additional bills to his small wad.</p>
-
-<p>“That’s what we’re in business for,” was Dick’s reply.</p>
-
-<p>Two weeks slipped by, and Dick managed to keep his
-team employed at various odd jobs of hauling between the
-business section and the suburbs of Albany.</p>
-
-<p>His cash capital, after deducting all expenses to date,
-had increased to $200.</p>
-
-<p>He decided it was now time to look up his contemplated
-venture in nuts.</p>
-
-<p>Accordingly he purchased the necessary supplies for a
-possible week’s stay at the deserted farm, and they made
-an early start for the scene of operations.</p>
-
-<p>The nights were now cold and frosty, and the boys found
-it necessary for comfort to keep up a good fire in the old,
-rusty stove, the only article left behind by the former occupants
-when they moved away.</p>
-
-<p>Just why this farm had been abandoned was not clearly
-understood, even by Farmer Haywood, the nearest neighbor.</p>
-
-<p>It had been vacant for more than a year, and a mildewed
-sign planted near the fence gave the passerby notice
-that the place was for sale and that information could be
-obtained from somebody whose name and address were no
-longer decipherable.</p>
-
-<p>Early on the morning succeeding their arrival Dick and
-Joe walked out to the grove of nut trees and found the
-ground literally covered with nuts.</p>
-
-<p>It was fully a mile back of the house.</p>
-
-<p>They brought the wagon to the edge of the wood and
-spent the whole day loading up.</p>
-
-<p>By keeping a careful count they found they had accumulated
-forty bushels.</p>
-
-<p>“This is first-class,” said Dick when they got back to
-the shelter of the house. “I was afraid we might have
-to hang around here several days before we could get busy.
-Now I guess we’ll be able to clean up this place in a
-week, including, of course, the time spent in carting the
-nuts to the city.”</p>
-
-<p>Dick was not far out of the way in his calculation as
-to the time it would take them to gather the plentiful supply
-of nuts to be found in the grove.</p>
-
-<p>“This will be our last load,” he said as they were driving
-back to the abandoned farm eight days later, after having
-delivered and sold 150 bushels of nuts in Albany for $2.10
-a bushel in bulk.</p>
-
-<p>“Yes; there aren’t many more left,” said Joe, regretfully,
-for having pocketed so far a matter of $100 as his
-share of the speculation, he could not help wishing such a
-good thing would keep up indefinitely. “What are we
-going to do next?” he added.</p>
-
-<p>“The firm of Armstrong &amp; Fletcher will probably dissolve,
-for the time being, at any rate, as I expect to sell
-the team and start for New York.”</p>
-
-<p>“I’m sorry for that,” replied Joe, with a long face.</p>
-
-<p>“I don’t know that you need be. There’s more money
-to be made in New York,” said Dick, encouragingly.</p>
-
-<p>“But you’ve got to know how to make it,” retorted Joe,
-who had lived many years in the great metropolis himself
-and had found money-getting a serious proposition there.</p>
-
-<p>“You’ve got to know how to make it anywhere, for that
-matter,” said Dick. “I’ve heard several people say that
-if you can’t make money in New York you can’t make it
-anywhere.”</p>
-
-<p>“The papers say there are a hundred thousand men out
-of work there all the time.”</p>
-
-<p>“That may be; but the same men are not out of work
-all the time.”</p>
-
-<p>“Albany is the biggest town you’ve ever seen in all your
-life. Wait till you strike New York, and you’ll be lost.”</p>
-
-<p>“I think not, Joe, with you at my elbow to show me the
-ropes. I’ve cut my eye-teeth in a pretty hard school, and
-even if I’m only sixteen, I feel sure I can hold my own
-against the world. I’ve made nearly four hundred dollars
-since I cut loose from Mr. Maslin, four weeks ago, and I
-think that’s a pretty fair showing for a beginner.”</p>
-
-<p>It was now quite dark, and a turn in the road brought
-them in sight of the house.</p>
-
-<p>“Hello!” exclaimed Joe, clutching Dick suddenly by the
-arm. “Someone is before us this time.”</p>
-
-<p>And he pointed to a light which shone from an end
-window of the kitchen.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_X">CHAPTER X.</h2>
-</div>
-
-<p class="h2sub">IN WHICH DICK FINDS LUKE MASLIN IN BAD COMPANY AND
-OVERHEARS A SHADY SCHEME.</p>
-
-<p>“Tramps!” ejaculated Dick, in some dismay. Then he
-added, in a perplexed tone: “What are we going to do?
-They’ve got possession of the only decent room in the
-house.”</p>
-
-<p>“Maybe there’s only one of them,” suggested Joe, hopefully.</p>
-
-<p>“Even so; he has as much right there as we have, if it
-came to an argument.”</p>
-
-<p>Joe scratched his head and admitted the fact.</p>
-
-<p>“We’ve simply been trespassers on the property ourselves
-from the start,” said Dick.</p>
-
-<p>“Well, what are we going to do about it?” asked Fletcher
-as Dick pulled up under the trees by the side of the road
-a short distance from the gate.</p>
-
-<p>“Wait here till I come back,” and the young driver
-handed the reins to his chum and descended from his perch.</p>
-
-<p>Vaulting the rail fence, he approached the old building
-by a flank movement across the weed-encumbered yard.</p>
-
-<p>He picked up a large, flat stone and placed it beneath
-the window.</p>
-
-<p>Stepping on it, he peered through the dirt-begrimed window
-into the room.</p>
-
-<p>A fire was burning in the grate, and gathered about the
-stove were three figures, two of whom were boys.</p>
-
-<p>They were not tramps.</p>
-
-<p>The man, who had at that moment a bottle glued to his
-lips, was bearded and wore a coarse fur cap.</p>
-
-<p>As the man dropped the flask into a pocket of his jacket
-he made some remark and lifted the stove-lid with a stout
-twig.</p>
-
-<p>The end boy reached for some broken branches, rose and
-began to stuff these into the grate.</p>
-
-<p>The glare of the blaze shone full in his face, and Dick
-gave a gasp of astonishment.</p>
-
-<p>He recognized the freckled features of Luke Maslin.</p>
-
-<p>“Gee whiz! What’s he doing here?” muttered the boy
-outside.</p>
-
-<p>Naturally his curiosity was greatly excited.</p>
-
-<p>It was a strange place and strange company for the son
-of Silas Maslin to be found mixed up with.</p>
-
-<p>What did it all mean?</p>
-
-<p>“I never knew Luke to be away from home before, and
-here he is thirty miles from Cobham’s Corner,” murmured
-Dick. “There’s something queer about it.”</p>
-
-<p>The cold night wind whisking about the building soon
-made the young watcher’s position one of discomfort.</p>
-
-<p>“They act as if they intended to stay a while,” he said
-to himself. “I’d like to discover what their intentions are.”</p>
-
-<p>Dick thought a moment; then he went round to a door
-which he knew opened on an entry that communicated with
-the kitchen.</p>
-
-<p>He removed his shoes and cautiously entered the house.</p>
-
-<p>The door at the end of the entry leading into the kitchen
-was partly open, and through this door the boy plainly
-heard the sound of conversation.</p>
-
-<p>He tiptoed his way to the door, and through the crack
-between the upper and lower hinges he got a good view of
-the intruders.</p>
-
-<p>As the trio spoke in their ordinary tones, Dick heard
-every word they said.</p>
-
-<p>“I didn’t agree to go into any such thing as this when
-I left home,” said Luke, in a tone of plain remonstrance.</p>
-
-<p>“It ain’t what you agreed to do; it’s what you got to
-do, now you’re with us,” spoke up the whiskered man, with
-a fierce glance at the storekeeper’s son, evidently bent on
-intimidating him.</p>
-
-<p>“What you kickin’ about, Luke,” interjected the other
-youth, whom Dick thought he identified as a certain bad
-boy of Walkhill village named Tim Bunker. “A feller
-that’ll steal five dollars off his old man ain’t got no reason
-to grumble when he’s showed how he kin make twenty times
-that much without any risk to mention.”</p>
-
-<p>The speaker leaned forward and squirted a stream of
-tobacco juice into the fire, while the bearded man nodded
-his approval.</p>
-
-<p>“I didn’t steal five dollars,” said Luke, doggedly. “I
-borrowed it from the till because I needed it, and I was
-going to put it back when I got it again.”</p>
-
-<p>“Ho, ho! That ain’t the way you give it to me first.
-You told me how slick you got away with it, ’cause you
-wanted it to buy a gun you saw advertised in a Syracuse
-paper, and your old man wouldn’t give you the price. Then
-you said the old man found out he was a fiver to the bad
-and charged Dick Armstrong with stealing it. He skipped
-out ’cause he couldn’t prove he didn’t take it and didn’t
-wanter go to jail for what he didn’t do. And you ain’t
-heard nothin’ from him since, have you?”</p>
-
-<p>“No, we haven’t,” growled Luke.</p>
-
-<p>“After doin’ all that damage, now you want to preach
-us a sermon ag’inst helpin’ ourselves to a nice little bunch
-of dough that’s just waitin’ to be put in circulation after
-lyin’ in old Miser Fairclough’s strong-box these forty years.
-He’s a peach, ain’t he, Mudgett?” appealing to the man
-beside him, who at that moment was taking another drink
-from his flask.</p>
-
-<p>“A born chump,” admitted Mudgett, wiping his lips with
-the cuff of his jacket. “I’m disappointed in him, Tim.”</p>
-
-<p>“So’m I. Thought he had more backbone. And it’s
-such an easy snap, too. Just like pickin’ up money, ain’t
-it?” grinned the Bunker boy.</p>
-
-<p>“That’s what it is,” replied Mudgett, complacently. “It
-was a clever idea of mine to send that old miser a letter
-telling him his brother, who lives in Walkhill, was dead
-and had left him the bulk of his money.”</p>
-
-<p>“That’s right,” grinned Bunker. “Fairclough has been
-waitin’ for his brother to die for twenty years or more.
-It’s the only thing that could have got him away from his
-house.”</p>
-
-<p>“And now all we’ve got to do is to walk in and help ourselves,”
-said Mudgett.</p>
-
-<p>“That’s all,” winked Tim Bunker. “It’s almost a shame
-it’s so easy.”</p>
-
-<p>The young rascal chuckled and thumped Luke on the back.</p>
-
-<p>“Brace up,” he cried to Mr. Maslin’s graceless son.
-“You’re one of us now in this scheme, and Mudgett won’t
-hear of you backin’ out at the last minit.”</p>
-
-<p>“But I don’t want nothing to do with it,” protested Luke.</p>
-
-<p>“That doesn’t make no matter of difference whether you
-want to or not,” said Mudgett, in a threatening voice.
-“You’re in this thing right up to your neck, for you
-delivered that letter to Fairclough himself, and he won’t
-forget that when he comes back and finds out what happened
-while he was away. You can’t go back to Cobham’s
-without the certainty of being arrested on sight.”</p>
-
-<p>The bearded man stated the case with such brutal frankness
-that Luke turned white and began to whimper.</p>
-
-<p>“Shut up, will you!” thundered Mudgett, reaching over
-and grabbing Luke by the collar. “Stop your snivelling,
-or I’ll break every bone in your body.”</p>
-
-<p>The storekeeper’s son was frightened into silence.</p>
-
-<p>“When do we start, Mudgett?” asked Bunker, fishing
-a cigarette from his pocket and lighting it.</p>
-
-<p>“We’ll start now, I guess. It must be close on to nine
-o’clock. There isn’t much danger of anyone seeing us on
-the road after that hour.”</p>
-
-<p>Dick, who had been an amazed listener of the foregoing
-conversation, concluded it was time to withdraw.</p>
-
-<p>When he got outside he found the light had been extinguished
-in the kitchen, and he took that as a sign that
-the trio were on the move.</p>
-
-<p>Fearing his presence might be detected in the yard if
-he attempted to recross it to the fence, he crept under a
-corner of the porch and waited.</p>
-
-<p>Mudgett and the two boys appeared almost immediately
-and walked out to the road.</p>
-
-<p>Dick was in a sweat lest they might discover the team
-where it had been waiting a good half-hour for him to
-return.</p>
-
-<p>But they turned up the road without looking in the other
-direction, and when Dick reached the gate he could just
-make out their figures disappearing in the distance.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_XI">CHAPTER XI.</h2>
-</div>
-
-<p class="h2sub">DICK AND JOE ON THE TRAIL OF MUDGETT, TIM BUNKER AND
-THEIR DUPE.</p>
-
-<p>“You’ve been a mighty long time investigating matters,”
-grumbled Joe Fletcher, poking his head over the seat when
-he heard his chum’s voice, for he had retired to the interior
-of the wagon to keep warm.</p>
-
-<p>“Perhaps I have,” replied Dick, as he climbed up to his
-perch and started the team. “But I guess I’ll surprise you
-when I tell you what I’ve seen and heard.”</p>
-
-<p>“Well, I’m ready to hear the story,” said Joe, with mingled
-impatience and curiosity.</p>
-
-<p>“Of course you’ve heard of William Fairclough, who
-keeps a stock farm at Walkhill,” began Dick.</p>
-
-<p>“Sure I have.”</p>
-
-<p>“And you’ve also heard he has a brother named Adam,
-who lives on the outskirts of Jayville, which is six miles
-from here.”</p>
-
-<p>“Yes, the folks in Walkhill call him Miser Fairclough.”</p>
-
-<p>“You’ve got it right. He occupies an old mansion, built
-some time before the Revolutionary War. He bought the
-place for a song, I heard, about forty years ago. Well,
-there’s a scheme on foot to rob old Fairclough to-night,
-and it’s up to us to head it off.”</p>
-
-<p>“Rob the miser!” exclaimed Joe, in astonishment.</p>
-
-<p>“Exactly. He has been decoyed away to Walkhill by a
-bogus letter, which informed him that his brother William
-is dead.”</p>
-
-<p>“Gee! You don’t mean it!”</p>
-
-<p>“I overheard a large part of the scheme by listening just
-outside of the kitchen door that opens on the entry.”</p>
-
-<p>“Then it was a gang of robbers you found at the house?”
-said Joe, in open-mouthed wonder.</p>
-
-<p>“I found a man and two boys,” answered Dick. “But
-before I say anything more we’ll unharness the team and
-make them comfortable for the night.”</p>
-
-<p>The two boys lost no time getting the horses into the
-barn and putting before them a plentiful supply of oats.</p>
-
-<p>“Did you ever run across a fellow named Tim Bunker
-in Walkhill?” asked Dick, taking up the thread of his
-story again, as he dived into their provision hamper and
-fished up a couple of egg sandwiches, one of which he
-handed to his chum, with the remark that time was precious
-and that was all he might expect to eat for some
-hours.</p>
-
-<p>“I’ve heard of Tim Bunker,” said Joe, with a nod, as
-they walked toward the road. “He’s a hard nut. What
-about him?”</p>
-
-<p>“He’s mixed up in this affair.”</p>
-
-<p>“Is that so? Can’t say I’m much surprised.”</p>
-
-<p>“And who do you imagine the other boy to be?”</p>
-
-<p>“I couldn’t guess.”</p>
-
-<p>“No, I don’t think you could. Don’t fall down, now,
-when I tell you. It is Luke Maslin.”</p>
-
-<p>“Luke Maslin!” exclaimed Joe, stopping stock still in
-the middle of the road.</p>
-
-<p>“Yes, Luke Maslin,” repeated Dick, enjoying his friend’s
-astonishment. “He’s in pretty bad company.”</p>
-
-<p>“Why, what’s he doing ’way down here, thirty miles from
-the Corner?”</p>
-
-<p>“That’s what surprised me at first, but from what Tim
-Bunker said in the kitchen while I was taking it all in
-from behind the door, I’ve got a pretty clear idea of the
-way Luke has got himself into this pickle. It seems he
-did take that five dollars out of his father’s money-drawer
-that I was accused of stealing.”</p>
-
-<p>“I guessed he was the thief,” nodded Joe, conclusively.</p>
-
-<p>“Then he foolishly boasted of it to Tim Bunker, thinking
-he had done a clever thing. Now it looks as if Tim
-took advantage of this knowledge to force Luke to join him
-and the man Mudgett in the enterprise they have in hand
-without letting him know exactly what they intended to
-do.”</p>
-
-<p>“What makes you think he didn’t know?”</p>
-
-<p>“Because it looked to me as if they’d just been explaining
-the real situation to him before I came on the scene, for
-he was kicking against it like a mule.”</p>
-
-<p>“He was, eh?”</p>
-
-<p>“Yes. Mudgett and Tim Bunker were sharp enough to
-put Luke in a tight box before they took him into their
-confidence.”</p>
-
-<p>“How?”</p>
-
-<p>“They had him deliver the decoy note to Adam Fairclough.
-It was a mean trick, for it implicates Luke in the
-job, as they intended it should. That puts him completely
-in their power, don’t you see?”</p>
-
-<p>“I wouldn’t be in his shoes for a mint,” said Joe as
-they turned into the road leading to Jayville. “But it
-serves him right for stealing that money from his father,
-and then when it come out letting you shoulder all the
-blame. He wouldn’t have opened his mouth to clear you
-if you’d been arrested for the theft and put in the village
-lock-up,” he added indignantly.</p>
-
-<p>“I guess you’re right,” admitted his chum.</p>
-
-<p>“Of course I’m right. Didn’t he give you away to his
-father the moment he spied you hid down in the hold of
-the canal-boat?”</p>
-
-<p>“He certainly did, and I think I could have thrashed
-him for it if I’d had the chance. I felt like doing it.”</p>
-
-<p>“And my fists just tingled to get a rap at him, too,”
-blurted Joe.</p>
-
-<p>“He’s in a pretty bad hole now, all right. If we can
-prevent this burglary to-night, it is possible we can save
-him from some of the consequences of his foolishness.”</p>
-
-<p>“I shouldn’t think you’d care to waste much consideration
-on a fellow who for years treated you as mean as Luke
-has done,” said Joe, in some surprise.</p>
-
-<p>“I don’t say he deserves anything of me, but still I’m
-willing to do what I can to save him from going to prison,”
-said Dick, generously.</p>
-
-<p>“Well, I don’t know what you expect to do. You’re the
-captain and I’m going it blind after you. But if you’ve
-a scheme for catching these fellows, and we do catch them,
-I suppose Luke could turn State’s evidence and escape the
-penalty.”</p>
-
-<p>“Very likely.”</p>
-
-<p>“I’m sorry you are getting mixed up in this matter,”
-said Joe, gloomily.</p>
-
-<p>“Why so?” said Dick, looking at his companion in surprise.
-“You wouldn’t stand off and allow that old man
-to be robbed when you might be able to prevent it, would
-you?”</p>
-
-<p>“I don’t mean that; but you forget that we are liable
-to be detained as witnesses if a capture is made, and that
-will give Silas Maslin a chance to get hold of you again.”</p>
-
-<p>Dick stopped short and regarded his chum for a moment
-in silence.</p>
-
-<p>He had not thought of that unpleasant contingency.</p>
-
-<p>“This will make a slight change in my plans,” he said,
-suddenly. “I intended to get help to tackle these fellows,
-but I think now it will do as well if we succeed in scaring
-them off. I’m satisfied if we can put a spoke in their
-wheel, and it will do away with the difficulty you mentioned.”</p>
-
-<p>To this plan Joe agreed with alacrity.</p>
-
-<p>The sky, which had been overcast up to this point, now
-began to show through here and there in patches.</p>
-
-<p>And ere long the imprisoned moon sailed into these
-spaces, and her light occasionally illuminated the landscape.</p>
-
-<p>One of these spells of moonshine showed the boys the distant
-spire of the Jayville Methodist Church and the roofs
-of many of the houses.</p>
-
-<p>“The Fairclough mansion is over yonder,” said Dick,
-pointing in the direction. “I remember Mr. Maslin pointing
-it out to me a year ago, when we drove down here one
-day on business. We’ll cut across this meadow and save
-at least two miles by the road.”</p>
-
-<p>On the other side of the field was a clump of trees.</p>
-
-<p>Dick pointed out a couple of branches that would make
-stout cudgels, and he and Joe were presently in possession
-of a pair of serviceable weapons.</p>
-
-<p>As they cautiously drew near the Revolutionary relic
-they made out three indistinct figures hovering about the
-building.</p>
-
-<p>Suddenly the figures clustered about a rear window that
-was high above their reach, and Dick and Joe saw one of
-them mount on the shoulders of the other two and commence
-operations by splintering the glass with a blow of
-some implement.</p>
-
-<p>At that interesting juncture the boys’ ears caught the
-sound of approaching wheels, and before they realized what
-was about to happen a miserable-looking buggy, drawn by
-a thin, bony mare, dashed into the unkempt driveway and
-rattled up to the porch.</p>
-
-<p>The occupant of the ramshackle vehicle showed up in
-the moonlight to be an old man of at least eighty years,
-wrapped in a faded green overcoat, with a comforter of
-some indescribable color tucked about his throat, the ends
-floating in the night air.</p>
-
-<p>His approach had been discovered by the would-be burglars,
-and the two who had formed the base of the pyramid
-that had just boosted the third through the fractured window,
-rushed around to the front of the house and attacked
-the old man from two sides.</p>
-
-<p>“That must be Adam Fairclough,” explained Dick, he
-and Joe springing to their feet. “He must have met somebody
-on the road who told him that his brother wasn’t
-dead, and thus aroused his suspicions that something was
-wrong at this end of the business, and so he came right
-back. Those rascals may kill him if we don’t interfere,
-Joe. So, come on. Let’s take them by surprise.”</p>
-
-<p>Thereupon both boys leaped the fence and, flourishing
-their cudgels, rushed to the rescue.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_XII">CHAPTER XII.</h2>
-</div>
-
-<p class="h2sub">DICK AND JOE BLOCK MUDGETT AND TIM BUNKER’S SHADY
-ENTERPRISE.</p>
-
-<p>Mudgett had seized the old miser by the arm and was
-dragging him out of the buggy when Dick Armstrong
-sprang upon him like a young tiger and bore him to the
-ground. At the same instant Joe Fletcher ran around the
-vehicle and hit Tim Bunker such a whack over the head
-with his cudgel that the Walkhill youth saw unnumbered
-stars and hastened to make his escape over the back of the
-buggy.</p>
-
-<p>But Joe cut him off, and the two boys were soon mixing
-it up pretty lively, with all the advantage in Joe’s favor.</p>
-
-<p>In the meantime Dick found Mudgett a tough proposition
-to get away with, while the bearded man discovered
-in the strong and active boy a hard nut to crack.</p>
-
-<p>Old Adam Fairclough, thus relieved of his assailants,
-stood helplessly aloof, and watched the struggle that was
-going on about him.</p>
-
-<p>He seemed to be utterly bewildered by the condition of
-affairs that had faced him on his return home.</p>
-
-<p>And while this lively scrimmage was going on in the
-front of the house, Luke Maslin in the rear took advantage
-of the opportunity to scramble out of the window
-through which he had been forced to effect an entrance,
-and, reaching the ground, he took to his heels and made
-off into the line of woods beyond the fence as fast as his
-heels would carry him.</p>
-
-<p>“Let me up, you young imp!” exclaimed Mudgett, panting
-for breath after several ineffectual efforts on his part
-to dislodge Dick from an advantageous position on his
-chest.</p>
-
-<p>“Do you give in?” asked the almost equally breathless
-boy, refusing to budge an inch from his perch.</p>
-
-<p>“No, hang you for a meddlesome little monkey! But if
-you don’t let me up, I’ll break your head!”</p>
-
-<p>“I don’t think you will, Mr. Mudgett,” answered Dick,
-stoutly.</p>
-
-<p>“You know my name, eh? Who the dickens are you,
-anyway?” said the rascal in a tone that showed his surprise.</p>
-
-<p>“Never mind who I am,” returned the lad. “I’ve got
-you dead to rights now, so you might just as well throw
-up your hands at once.”</p>
-
-<p>“Not on your life!” gritted Mudgett, renewing the struggle.</p>
-
-<p>But he might just as well have saved his strength, for
-Joe having mastered Tim Bunker and bound his arms
-behind his back with the whip-lash belonging to the buggy,
-now came to his chum’s assistance, and Mudgett, with a
-villainous scowl, gave up the fight and suffered himself to
-be secured with one of the traces which Joe took off the
-horse.</p>
-
-<p>“I’m afraid these men meant to kill me, thinking I had
-money,” said old Adam Fairclough to Dick, in trembling
-tones, when the lad stepped up to assure him that he no
-longer was in danger of molestation. “But I’m a poor
-old man. Poor&mdash;very poor.”</p>
-
-<p>“They were in the act of breaking into your house to rob
-you when we turned up, intending to prevent them carrying
-out their plan, which I fortunately overheard.”</p>
-
-<p>“Why should they want to rob me when I’m only a poor
-old man?” cried the miser, in a pathetic voice.</p>
-
-<p>“They think you have lots of money hidden in your
-house,” replied Dick.</p>
-
-<p>“Not a cent&mdash;not a single cent!” wailed the old man,
-beating the air with his arms in a sort of abject denial.</p>
-
-<p>Dick of course believed Adam Fairclough was not telling
-the truth.</p>
-
-<p>He had always heard people say the man was worth thousands
-of dollars.</p>
-
-<p>That he owned half a dozen good farms which he rented
-out to thrifty tenants.</p>
-
-<p>That he held mortgages on a dozen more.</p>
-
-<p>That he had a strong-box filled with family plate that
-had not been used for fifty years, and a second one stuffed
-with gold and banknotes he had taken out of circulation
-in order to hoard up for the mere pleasure of accumulation.</p>
-
-<p>Probably the old man’s wealth was greatly exaggerated,
-but there seemed little doubt that he was tolerably rich.</p>
-
-<p>Dick led him around to the back of the house and showed
-him the broken window.</p>
-
-<p>“They sent you a letter saying your brother William
-in Walkhill was dead; isn’t that so?” asked the boy.</p>
-
-<p>“Yes, yes; but it was false&mdash;my brother is not dead at
-all.”</p>
-
-<p>“That was a trick to get you away from here so they
-might search the house during your absence.”</p>
-
-<p>Then Dick told him the whole story of what he had
-learned at the old deserted farmhouse.</p>
-
-<p>“You are a good boy&mdash;a brave boy,” said the poor old
-miser, shaking the lad by the hand in a pitiful way, for
-he appeared to have but little strength after the shock he
-had sustained. “If I wasn’t so very, very poor, I’d reward
-you.”</p>
-
-<p>“Don’t worry about that,” replied Dick, with a cheerfulness
-that put the old man more at his ease. “If you’ll let
-us stay here for the rest of the night, it’s all we want.”</p>
-
-<p>“You shall stay&mdash;yes, yes, you shall stay; but there isn’t
-anything I could give you to eat. I’m so poor I can’t buy
-much.”</p>
-
-<p>From the appearance of both his horse as well as himself
-it was evident the miser didn’t squander much of his
-money on food of any kind.</p>
-
-<p>They were both shrivelled and dried up like a pair of
-animated mummies.</p>
-
-<p>Indeed, when Dick led the animal off to its stable he
-almost fancied he could hear its bones rattle with each
-step it took.</p>
-
-<p>“Poor old beast!” he murmured sympathetically. “How
-I’d like to give you one good, square meal! But I fear
-the shock of it would lay you out.”</p>
-
-<p>And the mare, as if it understood him, looked at him
-with her saucer-like eyes in hopeless resignation.</p>
-
-<p>Such a thing as a square meal to her was a dream, never
-to be realized.</p>
-
-<p>The old man wouldn’t have the prisoners taken into the
-mansion.</p>
-
-<p>He was afraid of them, and so Joe tied them securely
-to posts in the stable.</p>
-
-<p>Inside the house there were bolts and bars without number.</p>
-
-<p>Every room appeared to be completely furnished, but the
-old-fashioned mahogany pieces, that must have been valuable
-in their day long ago, were now given over to the
-ravages of dust and neglect.</p>
-
-<p>Adam Fairclough ate and slept in one little room at
-the top of the building, of which the boys caught only
-a momentary glimpse as the old man led them past to another
-room in which were a bed, some chairs, and other
-articles in a fair state of preservation.</p>
-
-<p>There the miser left them after assuring Dick once more
-that he was miserably poor and sorry he couldn’t do better
-by them.</p>
-
-<p>“Gee!” grinned Joe when they were alone, “what a liar
-the old fellow is!”</p>
-
-<p>“Never mind, old man,” replied his chum. “It’s none
-of our business. We’ve done our duty, and I can sleep like
-a top on the strength of it. There’s one thing I’m glad
-about&mdash;Luke Maslin has skipped.”</p>
-
-<p>Next morning old Fairclough produced some weak boiled
-coffee and a plate of hard bread and cheese, which he offered
-to them for breakfast with every evidence of earnest hospitality,
-repeating his refrain of abject poverty.</p>
-
-<p>He wrote down the boys’ names in a big, leather-bound
-book, making a large cross opposite Dick’s name.</p>
-
-<p>When they went out to the stable to look after Mudgett
-and Tim Bunker they were surprised to find that the rascals
-had managed to liberate themselves somehow and had taken
-French leave.</p>
-
-<p>The boys didn’t know whether to be glad or sorry, but,
-on the whole, they were pleased to find they would not
-have to appear against the housebreakers.</p>
-
-<p>Then they bade the old man good-bye, advising him to
-be very careful against any future attempts of a like
-nature.</p>
-
-<p>They reached the deserted farm about nine o’clock, looked
-after the horses, made their stomachs happy with a substantial
-meal, and then hied themselves to the nutting-ground,
-where they spent most of the day gathering up
-the remainder of the crop.</p>
-
-<p>Not knowing but they might possibly be surprised by the
-fugitives, Mudgett and Tim Bunker, if they passed the
-night in the house, they left the place before dark and put
-up at Farmer Haywood’s for supper and a bed.</p>
-
-<p>Next day they arrived back in Albany and disposed of
-their final load of nuts, the whole speculation netting them
-the sum of $375.</p>
-
-<p>That same afternoon Dick sold the team for nearly $400.</p>
-
-<p>“I think we can afford to take the train for New York,”
-he said after figuring up his cash capital, which he found
-amounted to $850.</p>
-
-<p>And Joe readily agreed with him, for he had $155 tucked
-snugly away in an inside pocket.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_XIII">CHAPTER XIII.</h2>
-</div>
-
-<p class="h2sub">WRECK AND RESCUE.</p>
-
-<p>“Gee! She’s a beaut, isn’t she, Dick?”</p>
-
-<p>The Buffalo Express, on board of which Dick Armstrong
-and his friend, Joe Fletcher, were traveling to New York,
-had just stopped at Poughkeepsie, and the exclamation was
-drawn from Joe by the appearance in the car of a lovely
-young girl of apparently fifteen years of age, accompanied
-by a fine-looking gentleman of perhaps forty, who seemed
-to be her father.</p>
-
-<p>“She is pretty, for a fact,” admitted Dick, casting a look
-of admiration at the young lady.</p>
-
-<p>She had light hair, blue eyes, and dimpled cheeks, and
-her smile was an entrancing one as she turned to say something
-to the gentleman when he seated himself by her side.</p>
-
-<p>The train soon started on again and was presently speeding
-down the bank of the Hudson River at a fifty-mile clip.</p>
-
-<p>It was a dull afternoon early in November, and the landscape
-looked brown and unpicturesque.</p>
-
-<p>The great river flowed sluggishly along, and as they
-passed a string of canal-boats preceded by a snorting tug,
-the boys thought of Captain Beasley and the Minnehaha.</p>
-
-<p>During the next hour a large portion of Dick’s attention
-was centred on the pretty girl who had boarded the train
-at Poughkeepsie.</p>
-
-<p>“Ever hear of Spuyten Duyvil?” asked Joe.</p>
-
-<p>“Yes,” answered Dick.</p>
-
-<p>“It’s not far above Manhattan Island, and we’ll pass
-there soon. Guess I’ll have another drink.”</p>
-
-<p>Joe went to the end of the car where the tank was, but
-whether his numerous drinks since leaving Albany had
-used up all the water, or because there was something the
-matter with the cock, certain it is Joe had to go into the
-next car to get what he wanted.</p>
-
-<p>He had probably been gone a couple of minutes and
-Dick was watching the pretty stranger for perhaps the
-hundredth time, when something startling occurred which
-changed the whole aspect of affairs in the twinkling of an
-eye.</p>
-
-<p>A tremendous shock stopped the train’s momentum and
-piled the cars on top of each other, hurling a couple down
-the embankment into the river, almost every car becoming
-a shapeless wreck, and human beings, full of life and hope
-a moment before, were suddenly ushered into eternity or
-maimed and mangled for life.</p>
-
-<p>It was a rear-end collision.</p>
-
-<p>A terrible scene was presented to Dick’s gaze when he
-recovered his scattered senses.</p>
-
-<p>He was stunned by the shock and made giddy by the
-wild vaulting of the car as it leaped the rails, swung around
-and buried its rear end in the Hudson.</p>
-
-<p>He was bruised and badly shaken up, but he was not
-seriously injured.</p>
-
-<p>Fortunately Dick was endowed a remarkable degree
-of self-possession.</p>
-
-<p>Finding he was not hurt, he struggled out from beneath
-the wreckage which had overwhelmed him.</p>
-
-<p>His first thought was for Joe, but the boy was not in
-sight, which, under the circumstances, was hardly to be
-wondered at.</p>
-
-<p>Then the groans and screams of the mangled passengers
-pinned under the wreck confused him and distracted his
-attention from his chum.</p>
-
-<p>Perhaps it is not strange that the fair young girl who
-had occupied the opposite seat in the car came to his
-mind, for his eyes and thoughts had been upon her at the
-moment of the catastrophe.</p>
-
-<p>He did not see her among the men and women who
-were disengaging themselves from the shapeless debris.</p>
-
-<p>“Is she dead?” he almost groaned, as he thought of that
-golden head and lithe figure smashed beyond recognition.</p>
-
-<p>Then he wondered if her father had escaped, for, like
-Joe, he had a short time before the accident gone forward
-into the smoking-car, and the boy saw as through a mist
-the locomotive, express-baggage, and smoking cars back
-slowly down on the wreck, a crowd of wild and excited passengers
-tumbling off the rear platform of the latter.</p>
-
-<p>It was impossible for anyone to say just what had caused
-the trouble, but it might have been a broken axle or a suddenly
-loosened rail that had snapped the connection between
-the cars.</p>
-
-<p>A portion of the top of the car Dick had just wriggled
-from under lay near him, and seeing a woman’s foot exposed
-beneath, he exerted his strength and raised one end
-a bit.</p>
-
-<p>It rested heavily upon the form of the fair passenger
-from Poughkeepsie.</p>
-
-<p>The sight aroused all his energies.</p>
-
-<p>With desperate eagerness he put his shoulder to the
-heavy fragment that was crushing out the girl’s life, and
-shifted it aside.</p>
-
-<p>Then he bent down and lifted her in his arms.</p>
-
-<p>“Great Scott!” he exclaimed, anxiously, “I believe she is
-dead.”</p>
-
-<p>She looked the picture of death, for her eyes were closed
-and her pallid cheek was stained with blood.</p>
-
-<p>Dick, hardly knowing what to do, bore her down to the
-river edge and splashed the water into her face, eagerly
-watching for some sign of returning animation.</p>
-
-<p>He rubbed her temples and chafed her hands, but the
-task seemed hopeless.</p>
-
-<p>He was about to abandon his efforts in despair, when
-an almost imperceptible sigh gladdened his heart and caused
-him to renew his exertions.</p>
-
-<p>With his handkerchief he washed away the bloodstains,
-and found that she was only slightly cut just above the ear.</p>
-
-<p>In a few moments she recovered consciousness and cast
-a bewildered glance around her.</p>
-
-<p>She tried to raise herself, but with a little cry of pain
-she sank back in Dick’s arms and lay there staring up into
-his face and scarcely comprehending what he was doing for
-her.</p>
-
-<p>Suddenly the fearful nature of the catastrophe dawned
-upon her mind, and clutching at the lad’s arm with one
-little hand, her other arm lying limp and helpless at her
-side, she raised up again.</p>
-
-<p>“My father!” she cried with pathetic earnestness.
-“Where is he?”</p>
-
-<p>“I saw him leave you and go into the next car before
-the crash came,” said Dick.</p>
-
-<p>“He went to the smoking-car,” she moaned. “Perhaps&mdash;oh,
-perhaps he was&mdash;&mdash;”</p>
-
-<p>“If he reached the smoking-car, he is safe,” said Dick,
-encouragingly. “That car was not damaged. I can see
-it from here,” and the boy nodded his head in the direction
-where it stood on the track. “And I see your father
-now!” he exclaimed suddenly. “He is running this way.
-What is your name?”</p>
-
-<p>“Jennie Nesbitt,” she replied faintly.</p>
-
-<p>“Hi, hi! Mr. Nesbitt!” cried Dick, motioning to the
-girl’s father.</p>
-
-<p>The gentleman started and paused when he heard his
-name pronounced.</p>
-
-<p>Looking wildly about he saw Dick signaling to him, and
-he easily guessed that the recumbent figure in the boy’s
-arms was his daughter, and he rushed down to the spot.</p>
-
-<p>“Don’t say she is dead!” he exclaimed frantically, the
-tears streaming down his cheeks. “Jennie, darling, speak
-to your father!” and he knelt down and seized her nerveless
-hand.</p>
-
-<p>A cry of pain broke from the girl.</p>
-
-<p>“Are you much hurt, my darling?” asked Mr. Nesbitt,
-anxiously, taking her in his arms and kissing her tenderly.</p>
-
-<p>“I don’t know, father,” she answered faintly, putting
-her uninjured arm around his neck. “My left arm is very
-numb.”</p>
-
-<p>“I should be obliged to you if you would assist me in
-carrying my daughter up this bank,” said the gentleman
-to Dick.</p>
-
-<p>Between them they carried her across the tracks and
-laid her on the faded grass under the trees, where a score
-or more of the injured had already been placed to await the
-attention of the physicians that had been telegraphed for.</p>
-
-<p>“Can I be of any further use?” asked Dick, wistfully,
-after he had explained how he discovered the young lady
-under the section of the car-roof and removed her to the
-waterside in the hope of bringing her to. “I should like
-to hunt up my chum, who was traveling with me.”</p>
-
-<p>“I will not detain you,” said Mr. Nesbitt, grasping him
-by the hand. “You have been very good to my daughter.
-She probably owes her life to you. I can never sufficiently
-thank you for the service you have this day rendered to
-me,” he said with grateful earnestness.</p>
-
-<p>“I am glad I was able to do something for your daughter,”
-replied Dick, simply.</p>
-
-<p>“Be sure we shall not forget you. I think you said your
-name was Richard Armstrong?”</p>
-
-<p>“Yes, sir.”</p>
-
-<p>“You will not forget that, Jennie. Here is my business
-card, Mr. Armstrong. You must call at my office, for we
-want to know you better.”</p>
-
-<p>“Thank you; I will do so at the first chance,” replied
-the boy, noticing that the address was a New York City one.</p>
-
-<p>“Perhaps I shall see you again before you leave here.”</p>
-
-<p>“We shall be glad if you come back as soon as you find
-some trace of your friend, who, I think, probably has escaped,
-since, like myself, you say he went forward before
-the accident occurred.”</p>
-
-<p>The wounded and the dead were now being rapidly taken
-from the pile of ruins by those who were uninjured.</p>
-
-<p>Dick, gazing upon the work of the rescuers, saw Joe
-helping like a good fellow to clear away a part of the
-splintered car in which he and his chum had been riding.</p>
-
-<p>With a shout of joy Dick ran up and seized him by the
-arm.</p>
-
-<p>“Thank goodness, you’re safe!” he said, delightedly.</p>
-
-<p>“Gee wilikens!” cried Joe, throwing his arms about him
-in a spasm of pleasure. “I was almost certain you were a
-goner. How did you manage to get out of this ruin without
-a scratch? Why, it’s a perfect miracle! Half the car
-is smashed into toothpicks.”</p>
-
-<p>For an hour Dick and Joe worked hard to help the unfortunates
-who had suffered from the wreck.</p>
-
-<p>By that time the force of doctors sent from New York
-had arrived and were helping the half-dozen local practitioners
-who had previously been brought to the scene of
-the disaster.</p>
-
-<p>There being nothing for Dick and his chum to do, the
-former thought he would like to know how the young lady
-he had assisted was getting on.</p>
-
-<p>He found Mr. Nesbitt and his daughter in the same
-spot, and presented Joe to them.</p>
-
-<p>They were glad to learn that Dick had found his friend
-uninjured.</p>
-
-<p>A surgeon had set Miss Jennie’s broken arm, which was
-beginning to pain her a good deal.</p>
-
-<p>One of the train hands now came up and said they had
-better board one of the cars of the relief train which was
-about to start for the metropolis.</p>
-
-<p>Miss Nesbitt said she thought she could walk as far as
-the car if Dick and her father supported her.</p>
-
-<p>She was made as comfortable on one of the seats as circumstances
-permitted, and in a few minutes the train
-started with its melancholy load of maimed, dead, and
-dying.</p>
-
-<p>At the Grand Central Station a carriage was obtained
-by Dick to take the injured young miss and her father
-home.</p>
-
-<p>The girl bade the lad a grateful good-bye and exacted
-a promise that he would call and see her at her home very
-soon.</p>
-
-<p>“And don’t forget I shall expect to see you at my office
-in a day or two,” said Mr. Nesbitt as the vehicle drove off.</p>
-
-<p>“Gee!” said Joe as they watched the carriage disappear
-around the corner. “You may have done a big thing for
-yourself for all you know, Dick, old boy. You’ve made
-yourself solid in that quarter, all right. And a good friend
-goes a long way in this city sometimes. Come along, now.
-I’ll pilot you down to my old boarding-place.”</p>
-
-<p>Whereupon they walked to Third Avenue and took a
-southbound car.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_XIV">CHAPTER XIV.</h2>
-</div>
-
-<p class="h2sub">DICK BUYS AN INVENTION THAT PROVES TO BE A WINNER.</p>
-
-<p>Although Dick Armstrong had lived in the country all
-his life, and Albany was the biggest town he had heretofore
-seen, still the great city of New York did not overwhelm
-him by its immensity.</p>
-
-<p>He was a level-headed boy and believed in taking things
-as they came.</p>
-
-<p>Of course he found lots to interest and astonish him,
-but that was only what he had expected.</p>
-
-<p>He and Joe spent three days taking in the sights of the
-city, which of course were quite familiar to the latter, and
-then Dick decided to call on Mr. Nesbitt.</p>
-
-<p>That gentleman was a well-known lawyer, and his office
-was in a big skyscraper on lower Broadway.</p>
-
-<p>It rather took Dick’s breath away when he was whisked
-up to the sixteenth story in an express elevator, yet nobody
-would have judged from his manner but that he was accustomed
-to the trip.</p>
-
-<p>“Second corridor to your left,” said the elevator man
-to Dick, and the boy, following this direction, had no trouble
-in finding the offices of “George Nesbitt, Attorney and
-Counsellor-at-Law,” who occupied a suite of handsomely
-furnished rooms, from the windows of which a splendid
-view of the bay and the two rivers was to be had.</p>
-
-<p>The lawyer extended a warm greeting to his young visitor.</p>
-
-<p>“My daughter is doing very nicely, everything considered,”
-he said. “You must not delay calling on us; she
-will be very glad to see you again.”</p>
-
-<p>“I shall be happy to do so,” answered Dick.</p>
-
-<p>“Then why not come to-morrow evening? You have our
-address.”</p>
-
-<p>This suited the boy, and the matter was so arranged.</p>
-
-<p>Then Mr. Nesbitt asked Dick about his prospects.</p>
-
-<p>The lad gave him a brief outline of his past life at Cobham’s
-Corner and what he had done since he broke away
-from Silas Maslin.</p>
-
-<p>The lawyer was impressed with the boy’s earnestness and
-business sagacity and determined to help him on the road
-to success.</p>
-
-<p>“How would you like employment in my office?” he said.
-“I do not mean as a clerk. I think I can use you in a
-way that will develop your natural business talents. I
-have control of several extensive estates. A young man of
-your ability can be made useful to me in many ways, and
-the experience will be of great value to yourself. You are
-young. The world is before you. The obligations under
-which you have placed me by your attention to my only
-child under the most trying of circumstances make me
-desirous of interesting myself in your future career. Will
-you give me the opportunity of doing so?”</p>
-
-<p>Dick was both surprised and pleased at the proposition,
-and he accepted it at once.</p>
-
-<p>Mr. Nesbitt seemed gratified by the lad’s acquiescence,
-and he explained to Dick what his immediate duties would
-be.</p>
-
-<p>“I should be glad if you will start in to-morrow,” he
-said, finally, and the boy was told to be at the office at half-past
-nine on the following morning.</p>
-
-<p>That evening he and Joe went down on Water Street and
-had supper with Captain Beasley and his family on board
-the Minnehaha.</p>
-
-<p>“So far as obtaining employment is concerned,” remarked
-the skipper as he took down, filled and lit his briar-root
-pipe, “you two lads seem to have started on even terms, both
-of you having got a job to-day; it now remains to be seen
-which will pull out ahead.”</p>
-
-<p>“Oh, there isn’t any doubt about that,” replied Joe,
-heartily. “I take my hat off to my friend Dick first, last,
-and always.”</p>
-
-<p>“Come, Joe, you’re laying it on thick, aren’t you?”
-laughed his chum.</p>
-
-<p>“Not on your life. I’ll leave it to Captain Beasley. Five
-weeks ago you left the Corner with a measly sixteen dollars
-in your pocket; to-night you could count out eight hundred
-and fifty made by your business smartness, and I have one
-hundred and fifty acquired through my connection with
-you. We are not in the same class, old chappie. I haven’t
-got your head. If I had, I’d back myself to win a million
-in a year or two.”</p>
-
-<p>Dick spent his first day in Mr. Nesbitt’s office learning
-many of the details connected with real estate management,
-and that evening he visited the lawyer’s family, on West
-Seventy-second Street, where he received a warm welcome
-from Jennie and Mrs. Nesbitt, who was an invalid.</p>
-
-<p>After that he became a regular visitor, and Miss Jennie
-introduced him into her own particular set in which his
-winning manners and good looks soon established him a
-first favorite.</p>
-
-<p>One of the estates Mr. Nesbitt had charge of was situated
-about thirty miles out on Long Island, and Dick went
-there once a week to attend to business matters in connection
-with its management.</p>
-
-<p>He was returning one afternoon on a Long Island Railroad
-train when a young man boarded the car at a way
-station and took the only vacant seat, which was alongside
-Dick.</p>
-
-<p>He looked to be a bright fellow, with a frank, ingenuous
-countenance that naturally inspired confidence; but he
-looked pale and weak as though recovering from a long
-illness.</p>
-
-<p>Dick got into conversation with him, and soon found out
-he was an Englishman, who had come to America more than
-a year before after having been thrown on his own resources
-by the death of his only relative.</p>
-
-<p>He had not been successful in securing steady employment,
-and subsequent illness had brought him down to
-bed-rock.</p>
-
-<p>How he was going to get on, he hadn’t a very clear idea.</p>
-
-<p>“If I only had a few dollars,” he said sadly as he gazed
-through the car window at the bleak, wintry prospect, “I
-feel sure I could get on my feet.”</p>
-
-<p>“Then you’re broke, are you?” asked Dick, sympathetically.</p>
-
-<p>“Flat,” admitted the young Englishman, in a dejected
-voice.</p>
-
-<p>“That’s tough.”</p>
-
-<p>“Yes, it is. It is strange how hard luck follows a fellow.
-I’ll show you something I invented just before I was
-taken down with the gastric fever. It’s a good idea, and
-since I got out of the hospital I’ve been trying to sell a
-half-interest for a hundred dollars so I can get it patented.
-But nobody seems to see any money in it.”</p>
-
-<p>The young stranger put his hand in his pocket and drew
-out a well-worn pocket-book.</p>
-
-<p>From this he produced a descriptive drawing of a new
-idea in water-coolers.</p>
-
-<p>“This is entirely different from anything on the market,”
-he said, “and if manufactured and properly pushed, I don’t
-see why it shouldn’t sell well. You see, the water is kept
-entirely separate from the ice, which is chopped up, mixed
-with rock salt on the same principle as that used and packed
-around an ice-cream can. The ice preparation is put in
-here, the space indicated by I, the water in here, which is
-simply a galvanized receptacle which can be removed when
-the cooler is to be cleaned out and recharged. The advantages
-of this scheme are that you can use filtered water or
-any special kind of spring water&mdash;in fact any kind of fluid&mdash;and
-keep it cold without direct contact with or contamination
-from the ice itself.”</p>
-
-<p>“The idea isn’t bad,” said Dick thoughtfully, as he
-studied the diagram carefully. “You want one hundred
-dollars for a half-interest?”</p>
-
-<p>“I would dispose of a half-interest for that amount in
-order to get the money necessary to patent it.”</p>
-
-<p>“Suppose you let me have this drawing for a few days.
-Here is my employer’s business address. That is my name
-printed in the corner. If I find there is likely to be any
-money in this thing, I’ll give you fifty dollars for a half-interest
-and stand the expense of patenting it myself. What
-do you say?”</p>
-
-<p>“I agree to that,” said the Englishman, eagerly. “When
-shall I call on you?”</p>
-
-<p>“Next Saturday about noon.”</p>
-
-<p>“All right.”</p>
-
-<p>Dick put the drawing into his pocket.</p>
-
-<p>“I’ll let you have five dollars on account now, as you
-probably need the money,” he said, offering his new acquaintance
-a bill of that denomination. “If I don’t take up the
-scheme I won’t require you to return me the fiver.”</p>
-
-<p>“That’s generous of you,” said the other, earnestly.
-“Meeting you is the first stroke of luck I’ve had for
-months.”</p>
-
-<p>“Don’t be too sure of that,” replied Dick, cautiously.
-“There may be nothing in it, after all.”</p>
-
-<p>Then they talked of other matters till the train arrived
-at the Flatbush Avenue Station, where they parted, Dick
-taking an electric car over the bridge for New York.</p>
-
-<p>That night he showed the drawing to Joe, who roomed
-with him, and together they discussed the feasibility of the
-scheme proving a paying one.</p>
-
-<p>Dick had a shrewd idea that a manufacturer of water-coolers
-was the best persons to consult on the project, and
-next day called on one who happened to be a personal friend
-of Mr. Nesbitt.</p>
-
-<p>The idea struck the manufacturer favorably.</p>
-
-<p>He called his manager in, and they figured out the cost
-of the article on the lines presented by Dick.</p>
-
-<p>“What will you sell the patent for?” asked the manufacturer.</p>
-
-<p>“You can have my half-interest, for twenty-five hundred
-dollars,” was Dick’s reply, “and I dare say I can arrange
-to get you the other half at the same figure.”</p>
-
-<p>“I’ll tell you what I’ll do,” said the manufacturer, after
-considering the matter. “I’ll build these coolers and place
-them on the market, allowing you a royalty of from twenty-five
-to fifty cents, according to size, on every one actually
-sold.”</p>
-
-<p>“Will you give me a memorandum, in writing, to that
-effect and allow me a few days to consider your offer?”</p>
-
-<p>“Certainly.” And the gentleman did so and handed the
-paper to Dick. “You will accept that as a thirty-day
-option on the patent.”</p>
-
-<p>“Very well,” said the boy, rising and bidding him good
-day.</p>
-
-<p>Dick went at once to Munn &amp; Co. and made application
-for a patent covering the specifications set forth by the
-young Englishman, entering the same in both their names.</p>
-
-<p>When the inventor called on Saturday he handed him
-$45, taking in return a bill of sale for half the patent rights
-on the cooler.</p>
-
-<p>Then he told the Englishman of the offer he had had
-from the manufacturer, and advised that they take up
-with it.</p>
-
-<p>“It is better than I expected to do with it,” replied the
-inventor, “but I don’t feel as though I could wait for the
-realization of such good luck. I want to get back to England.
-I am homesick here. Do you think the whole thing
-is worth five hundred dollars to you? Will you take that
-much risk on its success after it has been put on the market?
-If you will, give me four hundred and fifty more,
-and I will make out a new bill of sale giving you the sole
-right to the invention.”</p>
-
-<p>“Wait a moment,” said Dick, and he went inside and had
-a consultation with Mr. Nesbitt.</p>
-
-<p>The result was that Dick bought the invention outright.</p>
-
-<p>On the following Monday he went to the manufacturer
-and made a contract with him on the terms proposed.</p>
-
-<p>Although the boy did not then dream of the ultimate
-results of this deal, we may say now that the coolers were
-ready and put on the market in time for the summer trade.</p>
-
-<p>They were a novelty, took splendidly, and in the end
-Dick disposed of the patent rights to the manufacturer for
-$5,000 cash.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_XV">CHAPTER XV.</h2>
-</div>
-
-<p class="h2sub">A NERVY VENTURE AND WHAT CAME OF IT.</p>
-
-<p>One day toward the end of March, Dick was taking lunch
-in a Fulton Street chop-house when two well-dressed men
-entered the place and sat down at the opposite side of the
-table.</p>
-
-<p>They were talking about some real estate deal they had
-in contemplation, and did not appear to regard the boy’s
-presence as a bar to their conversation.</p>
-
-<p>“We can get a thirty-day option on the property for one
-thousand dollars, pending examination of title,” said the
-shorter man of the two, after the waiter had taken their
-order. “The old man’s bed-rock price for the entire thirty
-acres is twelve thousand cash. He wanted fifteen thousand
-at first. Allowing for streets, we can get out of it
-twelve city lots per acre, or three hundred and sixty lots
-altogether. The corner lots will fetch one hundred and
-twenty-five to one hundred and fifty dollars each, and the
-inside ones, say one hundred, according to location. That
-means we should realize about forty thousand dollars in the
-gross. You have figured out the expense of cutting
-through the streets, the cost of having the title guaranteed,
-probable cost of printing and newspaper advertising, commissions
-to agents, and so forth. The location of the property
-is good; the Long Island main line has a station close
-by, and the main street of Sodom can be extended through
-the property. Old man Durwood is clearly anxious to sell,
-or he wouldn’t let it go at that figure. It is easily worth
-sixteen thousand dollars to us as it stands, and I would
-give that for it sooner than let it slip through my hands.”</p>
-
-<p>“It’s a good speculation,” said the tall man, nodding
-his head. “Thompson and Davis are in this with us, I
-believe.”</p>
-
-<p>“Thompson is ready to put up a certified check for his
-share at any moment. I will see and settle with Davis
-this afternoon. To-morrow morning I will go out to Sodom
-and get the option and the deed from Durwood.”</p>
-
-<p>The talk then branched off on the plans of the speculators
-for improving the property and putting it in shape
-for sale at lot prices.</p>
-
-<p>Although Dick apparently paid no attention to what the
-real estate men were saying, nevertheless he was an interested
-listener to their conversation.</p>
-
-<p>It happened that the Long Island estate to which the
-lad made weekly visits was in the neighborhood of the village
-of Sodom.</p>
-
-<p>He had a speaking acquaintance with Jonas Durwood,
-the owner of the thirty acres referred to above, and knew
-something about the property in question.</p>
-
-<p>It had been on the market for some time.</p>
-
-<p>Durwood had been offering it at $15,000, one-third cash,
-balance on a five-year mortgage.</p>
-
-<p>The four real estate men evidently intended purchasing
-the property at the reduced figure for spot cash, with the
-view of cutting it up into lots and then disposing of them
-at a good profit on the whole investment.</p>
-
-<p>“So,” thought Dick, “they would sooner give sixteen
-thousand than let it slip through their fingers. A thirty-day
-option on it can be had for a thousand. Well, I’ve got
-a thousand lying idle. What’s the matter with my stealing
-a march on this syndicate of four, getting the option myself,
-and then make them come to terms with me. If they
-should refuse to deal with me, it might put me in a hole;
-but I guess Mr. Nesbitt would see me through, for that
-piece of ground is well worth fifteen thousand at any rate.”</p>
-
-<p>Dick thought he saw a fine chance to make $3,000 or
-$4,000 inside of a month if he took the thing on the fly.</p>
-
-<p>“Nothing ventured, nothing gained,” he muttered as he
-drew near the office. “By the great horn spoon, I’ll do
-it! My bank-book is upstairs. I’ll draw the money and
-take it down with me to Sodom this afternoon, for fortunately
-this is the day I am due there. When that chap
-goes down to-morrow he’ll find that someone else has got
-ahead of him. Gee! Won’t he be hopping mad? Well,
-I guess!”</p>
-
-<p>It was Dick’s rule not to let the grass grow under his
-feet when he embarked in an enterprise.</p>
-
-<p>Therefore he hustled to get his money, and left on an
-early afternoon train for Sodom.</p>
-
-<p>He hunted up Jonas Durwood right away and made him
-a twelve-thousand-dollar cash offer for the thirty acres.</p>
-
-<p>“What? what? You want to buy that ground, eh? Who
-for? Mr. Nesbitt?” said Durwood in some surprise.</p>
-
-<p>“I want a thirty-day option and I want you to put it
-in my name. Here’s a thousand dollars to bind the bargain.
-See?”</p>
-
-<p>Jonas Durwood saw the bills, and the sight of them
-melted all further opposition he may have thought of advancing
-with a view of a better figure.</p>
-
-<p>The preliminaries were settled on the spot.</p>
-
-<p>Dick got the option and the deed to the property, and
-Durwood got ten one-hundred-dollar bills.</p>
-
-<p>Both parties to the contract were satisfied.</p>
-
-<p>“Now,” said the boy, after the settlement had been
-effected, “there was a man down here negotiating with
-you for this land. Have you his name and address?”</p>
-
-<p>“Yes,” replied Durwood. “Do you want it?”</p>
-
-<p>“I’d like to have it.”</p>
-
-<p>Mr. Durwood produced a card and handed it to Dick.</p>
-
-<p>“Now, Mr. Durwood, if this man shows up here to-morrow,
-or any time soon, and he asks you who bought
-the property, just give him my card, will you?”</p>
-
-<p>“Certainly,” answered the Sodom resident.</p>
-
-<p>Dick then left him and went over to the estate to attend
-to such business as awaited him there.</p>
-
-<p>Next afternoon a very much excited individual called
-at Mr. Nesbitt’s offices and inquired for Richard Armstrong.</p>
-
-<p>It was the short, stout man who had done most of the
-talking at the restaurant.</p>
-
-<p>Dick was out, and the man waited till he returned.</p>
-
-<p>He was vastly surprised to find that the Armstrong he
-wanted was a boy.</p>
-
-<p>“Did you purchase an option on Mr. Durwood’s property
-at Sodom yesterday?” he inquired, in a nervous tone.</p>
-
-<p>“Yes, sir; I did.”</p>
-
-<p>“For whom, may I ask?”</p>
-
-<p>“For myself.”</p>
-
-<p>“What?” exclaimed the visitor, in amazement. “You
-secured an option on those thirty acres for yourself?”</p>
-
-<p>“Yes, sir.”</p>
-
-<p>“Do you expect me to believe such a ridiculous story as
-that?” demanded the stout man, sarcastically. “Come,
-now, tell me who you represent?”</p>
-
-<p>“I have told you. I represent myself. I bought those
-thirty acres because I found out I could get them at a low
-price. They’re worth sixteen thousand dollars if they’re
-worth a cent.”</p>
-
-<p>“Nonsense!” exclaimed the man, impatiently.</p>
-
-<p>“What do you mean by that?” asked Dick, coolly.</p>
-
-<p>“I mean it is sheer nonsense for you to say that property
-is worth sixteen thousand dollars.”</p>
-
-<p>“Well, what do you think it is worth?”</p>
-
-<p>“In my opinion, twelve thousand is nearer its value.”</p>
-
-<p>“We won’t argue the matter. I hold a thirty-day option
-on the property. Is that all you wished to see me about?”</p>
-
-<p>Dick was thoroughly cool and business-like, and the stout
-man seemed puzzled as to what he would say next.</p>
-
-<p>“I’ll tell you what,” he said, presently. “I was looking
-at that piece of ground myself and had some idea of buying
-it. If you’d like to turn your option over to me, I’ll give
-you five hundred dollars bonus.”</p>
-
-<p>Dick shook his head.</p>
-
-<p>“No. Couldn’t think of it.”</p>
-
-<p>“What will you take for the option?”</p>
-
-<p>“Five thousand dollars cash!”</p>
-
-<p>“Five thousand furies!” yelled the man, looking at the
-boy as though he would liked to have eaten him.</p>
-
-<p>“No, sir,” said Dick, with a faint grin. “Not furies, but
-dollars.”</p>
-
-<p>“Young man, what do you take me for?”</p>
-
-<p>Dick smiled pleasantly, but made no answer.</p>
-
-<p>“I’ll give you just two thousand dollars for that option.”</p>
-
-<p>“I can do better than that,” replied the boy, politely.</p>
-
-<p>“How can you?” asked the stout man, incredulously.</p>
-
-<p>“A syndicate has been formed to buy that property for
-speculative purposes.”</p>
-
-<p>“What?” gasped the real estate man, staring hard at
-Dick.</p>
-
-<p>“That’s right. I don’t mind telling you how I came to
-buy the land. My business takes me down to Sodom once
-a week. I knew the Durwood property was in the market,
-and I have a very clear idea of its value. As soon as I
-got the tip that speculators were after it, I made up my
-mind to scoop the ground myself if I could get it low
-enough. I made Mr. Durwood a cash offer, and we came
-to an agreement. Mr. Nesbitt will examine the title in
-a few days, and if everything is all right he will close the
-deal as trustee for me. That’s all there is to it.”</p>
-
-<p>“How did you learn about this syndicate and who are
-the men that compose it?” asked the stout man, with
-ill-disguised eagerness.</p>
-
-<p>“You will have to excuse me answering those questions,
-Mr. Blake,” replied Dick, looking at the man’s card, which
-he held in his hand.</p>
-
-<p>“Then you won’t accept an offer of twenty-five hundred
-for your option?” said the visitor.</p>
-
-<p>“No, sir. Any time within the thirty-day limit after
-Mr. Nesbitt has passed on the title, you or the syndicate
-or any other person can purchase that option for an advance
-of four thousand dollars over what I paid down.”</p>
-
-<p>“I will consider the matter, Mr. Armstrong. Good day.”</p>
-
-<p>A few days later Dick received an offer in writing from
-Mr. Blake, accepting his figure, contingent on Mr. Nesbitt’s
-assurance that Jonas Durwood could furnish a clear title
-and that the same would be guaranteed by the Lawyer’s
-Title Guarantee and Trust Company.</p>
-
-<p>Dick closed with him on those terms, and a week before
-the option expired the delighted boy received a certified
-check for $5,000, and the Blake crowd closed the deal and
-came into possession of the property.</p>
-
-<p>It was not only a red-letter day in Dick’s life, but his
-seventeenth birthday.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_XVI">CHAPTER XVI.</h2>
-</div>
-
-<p class="h2sub">A NIGHT ATTACK AND A RECOGNITION.</p>
-
-<p>Dick also celebrated his seventeenth birthday by taking
-Jennie Nesbitt to the Empire Theatre to see a famous
-actress in a favorite play.</p>
-
-<p>“She’s just splendid, don’t you think so?” said Jennie
-as they came out of the playhouse after the show.</p>
-
-<p>“Fine,” coincided Dick, enthusiastically. “Do you know,
-Miss Jennie, this is the third time in my entire life that
-I have attended a theatre?”</p>
-
-<p>“Is it possible?” she answered in a surprised tone.</p>
-
-<p>“That’s right. The first week after I came to New
-York, Joe took me to the New Amsterdam Theatre. That
-was actually the very first time I ever was in a theatre.
-On the afternoon of Washington’s Birthday I went over
-with Joe to Proctor’s Fifth Avenue house. I’ve lived in
-the backwood, as they call it, the greater part of my seventeen
-years.”</p>
-
-<p>“I’m sure no one would think so by your appearance or
-your manners,” said his charming companion. “You are
-not at all countrified.”</p>
-
-<p>“Thank you for the compliment. I have tried to adapt
-myself to my surroundings. Joe helped to break me in,
-and I am sure I am indebted to you for the polish.”</p>
-
-<p>“It is very nice of you to say that,” she answered, with
-a blush. “I am very glad indeed if I have helped you in
-any way.”</p>
-
-<p>“You have generously introduced me into your own
-sphere of society, and that is a privilege I might otherwise
-have wished for in vain. It gave me a chance to associate
-with well-bred and educated young persons of my own age,
-who as a rule have treated me very nicely. It was a great
-advantage to me to be under your wing, as it were, and I
-have improved it as much as possible. I was a pretty awkward
-fellow when you first knew me.”</p>
-
-<p>“Really, I don’t think you ever were what I should call
-awkward,” she said, with a smile, “though of course you
-were not au fait&mdash;that’s French for instructed or expert&mdash;in
-city ways. But dear me! there isn’t the slightest sign
-of hayseed about you now,” and she laughed merrily.</p>
-
-<p>“The credit then is all yours, Miss Jennie,” said Dick,
-gallantly. “I’m afraid I’ll never be able to repay&mdash;&mdash;”</p>
-
-<p>“Dick Armstrong!” cried the girl, suddenly putting her
-gloved hand across his mouth in an imperative sort of way.
-“You forget what I owe you&mdash;what papa and mamma owe
-you!”</p>
-
-<p>“But think what your father has done&mdash;is doing for me
-right along, Miss Jennie. It was the assurance that he was
-at my back that enabled me to carry this real estate deal
-through and put five thousand dollars in my pocket.”</p>
-
-<p>“But papa did not originate nor engineer the transaction,”
-persisted the girl. “Nor did he actually do more
-for you than any lawyer would have done, except that he
-did not charge you anything for investigating the title.”</p>
-
-<p>“Had the deal failed to go through, I should have lost
-my thousand dollars unless he came to my rescue, which
-I felt sure he would have done.”</p>
-
-<p>“Now, Dick&mdash;I’m going to call you Dick after this,” she
-said, with a blush, “that is, between ourselves, you know,
-and I wish you would call me simply Jennie&mdash;you mustn’t
-try to make me think you aren’t smart. I know you are.
-Papa says so, and whatever papa says I’m accustomed to
-believe. He says you are bound to succeed. Now, I think
-you have already succeeded pretty well. You’ve never
-denied what your friend Mr. Fletcher&mdash;&mdash;”</p>
-
-<p>“You mean Joe?”</p>
-
-<p>“Of course I mean him. What he said about you making
-eight hundred and fifty dollars in a month out of nothing
-just after you left that horrid Mr. Maslin. Then there’s
-that water-cooler patent which hasn’t cost you more than
-six hundred. Papa says the manufacturer who has taken
-it in hand told him it would net you several thousands of
-dollars in the long run. Then it wasn’t a month after you
-had arranged that matter before you bought the patent
-rights to a typewriter improvement and sold it in a week
-to a manufacturer at a profit of nearly a thousand dollars.
-Oh, dear, no; you’re not smart at all&mdash;of course not!”</p>
-
-<p>What answer Dick might have made to the young lady’s
-enthusiastic commendation of his business abilities was
-fated to remain unspoken, for at that moment a thrilling
-episode occurred that attracted their startled attention and
-in the end led up to a most remarkable climax.</p>
-
-<p>They were walking through Forty-first Street from
-Broadway to Sixth Avenue to take the elevated train at
-the Forty-second Street station and had nearly reached the
-corner when a tall, fine-appearing gentleman turned into
-the street from Sixth Avenue and approached them.</p>
-
-<p>Almost at the identical moment three figures rushed out
-of the doorway of the corner building, where they had evidently
-hidden, and sprang upon the gentleman.</p>
-
-<p>The attack was so sudden and unexpected that the intended
-victim was thrown to the sidewalk and would have
-been overpowered but for Dick, who, notwithstanding the
-fact that he had a young lady to protect, could not stand
-tamely by and witness such an outrage.</p>
-
-<p>Confident of his own strength and agility, Dick left Miss
-Nesbitt’s side and started for the struggling group.</p>
-
-<p>He felled the foremost assailant with a stunning blow
-under the ear&mdash;and the boy could hit out mighty hard.</p>
-
-<p>Then he sprang at the second, who he saw was a husky-looking
-boy with his cap pulled well down about his eyes.</p>
-
-<p>He had just raised a sand-bag to stun the gentleman, but
-was forced to relinquish his cowardly purpose and turn and
-endeavor to defend himself.</p>
-
-<p>But Dick’s movements were quicker than lightning.</p>
-
-<p>He had taken the attacking party just as much by surprise
-as they had taken their victim.</p>
-
-<p>His hard, weather-tanned fist caught the young rascal
-on the point of the chin.</p>
-
-<p>The fellow went down beside his dazed comrade, and
-from that moment he ceased to take any further interest
-in the proceedings.</p>
-
-<p>This left only one more to be accounted for&mdash;another boy
-whose face was streaked with black as a kind of disguise&mdash;and
-the gentleman himself soon put him out of business.</p>
-
-<p>This brought the affair to a satisfactory conclusion.</p>
-
-<p>“I want to thank you, my brave lad, for coming to my
-assistance,” said the stranger, shaking Dick warmly by the
-hand. “But for you I most certainly would have been
-knocked out and robbed.”</p>
-
-<p>“I am glad I was on hand to help you out,” replied the
-stalwart boy, wiping specks of blood from his skinned
-knuckles.</p>
-
-<p>“It was fortunate for me you were. You must come with
-me to my hotel. I can’t let you off in this shabby manner.”</p>
-
-<p>“I am afraid you will have to excuse me,” answered the
-boy, with a smile, “for I have a young lady yonder waiting
-for me to take her home.”</p>
-
-<p>“Indeed!” exclaimed the gentleman, in surprise.</p>
-
-<p>“Come, Miss Jennie; the danger is all over,” called
-Dick. And taking courage at this, Miss Nesbitt advanced
-from the shadow of the buildings a few yards away.</p>
-
-<p>She regarded the three prostrate forms with a little
-shudder and took refuge close to her young escort.</p>
-
-<p>“This is Miss Nesbitt,” began Dick. “I beg your pardon,
-I don’t know your name, sir.”</p>
-
-<p>“Armstrong,” replied the gentleman, raising his hat
-politely to the girl.</p>
-
-<p>“Why, that’s my name!” cried the boy, in surprise.</p>
-
-<p>“Is it possible?” exclaimed the stranger, regarding the
-boy with a new and, we may add, intense interest.</p>
-
-<p>“Yes, sir; Richard Armstrong. Let me hand you my
-card.”</p>
-
-<p>The gentleman took it mechanically without removing
-his gaze from the lad’s face.</p>
-
-<p>“Richard Armstrong!” he repeated, showing for the first
-time intense emotion.</p>
-
-<p>“Yes, sir; but I see these rascals are beginning to move.
-I think we had better get away before they recover their
-senses.”</p>
-
-<p>“Yes, do come,” urged Jennie Nesbitt, nervously.</p>
-
-<p>“It’s a pity there isn’t a policeman about to take them
-into custody,” said Dick.</p>
-
-<p>The boy with the blackened face at this point turned
-around and looked at Dick.</p>
-
-<p>He gave a hoarse cry and almost grovelled at the lad’s
-feet.</p>
-
-<p>“Save me, Dick Armstrong! Save me!” he cried with
-a frantic eagerness that was really pitiful. “Don’t you
-know me? I am Luke Maslin!”</p>
-
-<p>Dick started as though he had trod on a live coal.</p>
-
-<p>Then he seized the disguised boy by the shoulder and
-peered into his face.</p>
-
-<p>He saw he was indeed the storekeeper’s son.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CHAPTER_XVII">CHAPTER XVII.</h2>
-</div>
-
-<p class="h2sub">WHAT FINALLY COMES TO THE BOY WHO SUCCEEDED.</p>
-
-<p>“Great Scott! Luke Maslin! What does this mean?
-You an associate of Tenderloin thugs! Is it possible you
-have got so low as this?” cried Dick, in indignant amazement.</p>
-
-<p>“Save me!” almost shrieked Silas Maslin’s son, in abject
-terror. “They made me what I am,” and he pointed to
-the reviving rascals, who were no other than the man
-Mudgett and the Walkhill terror, Tim Bunker. “They
-won’t let me go home! They make me do as they want!
-Oh, take me away from them!”</p>
-
-<p>“You know this boy?” asked the gentleman who said
-his name was Armstrong, grabbing Dick by the arm in a
-state of almost uncontrollable agitation.</p>
-
-<p>“Yes, sir.”</p>
-
-<p>“Did he not say his name was Maslin?”</p>
-
-<p>“Yes, sir; that is his name. He is the son of the man
-with whom I lived almost all my life&mdash;Silas Maslin, of
-Cobham’s Corner.”</p>
-
-<p>“Silas Maslin!” exclaimed the gentleman, in great excitement.
-“Did he not once live at Franconia, New Hampshire?”</p>
-
-<p>“That’s right. He did,” replied Dick.</p>
-
-<p>“And you are the boy who at the age of five was left
-in his care and never was called for?”</p>
-
-<p>“Why&mdash;why, how did you know that?” asked Dick, in
-astonishment.</p>
-
-<p>“Because I am the man who left you with Mr. Maslin.
-I am your father, George Armstrong, and you are the son
-I have searched for for years, but could gain no trace of.
-My boy&mdash;my dear, dear boy, this is a strange, though none
-the less a providential meeting.”</p>
-
-<p>He held out his arms to Dick, and the lad, though of course
-it could not be expected that he had retained any recollection
-of his parent, instinctively felt that this man was
-indeed the father he had long yearned to know, but hardly
-expected to see in this world.</p>
-
-<p>Needless to say the two embraced right there in the
-street, to the silent wonder of Jennie Nesbitt and young
-Maslin, neither of whom quite comprehended the meaning
-of it all.</p>
-
-<p>At this interesting juncture Mudgett sat up and stared
-around him like one recovering from an ugly dream, while
-almost at the same moment, a big policeman came sauntering
-around the corner, swinging his club negligently to
-and fro as if such a thing as trouble on his beat was very
-far from his thoughts.</p>
-
-<p>Luke saw him at once and started to run, but Mr. Armstrong
-blocked his way.</p>
-
-<p>“Don’t let him arrest me!” he begged, appealing to Dick.</p>
-
-<p>“Take this card and call upon me to-morrow, and I will
-see that you get home to your people,” he replied. “Let
-him go&mdash;father.”</p>
-
-<p>It was the first time he had addressed Mr. Armstrong
-by that title, and it sounded strange on his lips.</p>
-
-<p>The gentleman stepped aside, and Luke flew up the street
-like a frightened deer.</p>
-
-<p>This strange proceeding attracted the officer’s attention,
-and he got active and alert at once.</p>
-
-<p>He approached the group at a quick gait.</p>
-
-<p>“Officer,” said Mr. Armstrong, in a commanding tone,
-“arrest these two rascals. They assaulted me with intent
-to rob. I am stopping at the Normandie and will appear
-against them in the morning. Here is my card.”</p>
-
-<p>“How about that fellow running up the street?” asked
-the policeman, sharply.</p>
-
-<p>“Never mind him. You couldn’t overtake him now.”</p>
-
-<p>“I’ll have to ask you to step around with us to the station,”
-said the officer as he jerked the reviving Tim Bunker
-to his feet with one hand and with the other secured a
-strong grasp on Mudgett’s coat collar.</p>
-
-<p>“Very well,” acquiesced Mr. Armstrong, with no little
-reluctance. “Come to the Hotel Normandie, my son, after
-you have taken the young lady home.”</p>
-
-<p>“I will, father.”</p>
-
-<p>“Why, Dick!” exclaimed Jennie, when they were once
-more alone and headed for the elevated station again.
-“Please tell me what this means. Is this gentleman really
-your father? I thought you told us your father was dead.”</p>
-
-<p>“So I did, and so I supposed he was,” replied the boy,
-whose feelings were a mixture of joy and bewilderment over
-this strange and unexpected discovery.</p>
-
-<p>And on the way to her home, in Seventy-second Street,
-he told her what he had learned about his parentage from
-the old diary once kept by Silas Maslin, which he had found
-in the attic of the storekeeper’s house at Cobham’s Corner.</p>
-
-<p>“It was but a bare outline of one short week in my young
-life’s history,” he said in conclusion, “but it gave me the
-key to the mystery which had till that moment surrounded
-my parentage&mdash;the secret the Maslins never divulged for
-reasons of their own. But I shall soon know all. Yes,”
-cried the boy, tears of wistful eagerness stealing into his
-fine eyes, “to-night before I sleep I shall know who my
-mother was&mdash;for something tells me she is not alive&mdash;that
-she died long, long ago, probably about the time my
-father carried me to Franconia.”</p>
-
-<p>Jennie was much affected and treated him with a sympathetic
-gentleness that warmed his heart toward her more
-than ever.</p>
-
-<p>“You must bring your father to see us, Dick, very soon.
-Remember, we are all interested in you and whatever concerns
-you. You will do this, won’t you?” she said, laying
-her hand on his arm as they stood at the outside entrance
-of her home.</p>
-
-<p>“Yes,” said the boy, with glistening eyes, “I will. He
-will be glad to know those who have been so kind to me.
-Do you know,” he cried with impetuous suddenness, “I wish
-you were my sister?”</p>
-
-<p>“Do you?” said Jennie, blushing like a rose and suddenly
-looking down.</p>
-
-<p>“Yes, I do.”</p>
-
-<p>Perhaps he did, but that was because he didn’t know any
-better just then.</p>
-
-<p>He thought differently later on&mdash;but that is another
-story.</p>
-
-<p>However, in the excitement of the moment, and, considering
-what he had just passed through he might be well excused,
-he did a very audacious thing.</p>
-
-<p>He actually kissed Jennie Nesbitt then and there.</p>
-
-<p>Then, realizing the enormity of his offence, he blurted
-out a hasty “Good night!” and flew down the stoop, leaving
-the lovely little blonde in a state of happy confusion
-we will not attempt to describe.</p>
-
-<p>An hour later Dick was seated with his father in an elegant
-room on the third floor of the Hotel Normandie,
-listening to the story that father had to tell.</p>
-
-<p>As Dick had guessed, his mother was dead.</p>
-
-<p>She had passed away on the eve of a financial panic in
-Boston which had wrecked his father’s business and temporarily
-clouded his name with a suspicion of unfair commercial
-methods.</p>
-
-<p>Nearly crazed by the loss of his wife, not to mention
-his business reverses, Mr. Armstrong in the first days of his
-misery fled to the recesses of New Hampshire, taking his
-only boy with him.</p>
-
-<p>“I was shortly summoned back from Franconia by a
-committee of my creditors, with whom I succeeded in making
-a partial arrangement contingent on the success of
-certain mining interests I had in the West,” said Mr. Armstrong.
-“I sent Mr. Maslin one hundred dollars to defray
-your board for a certain length of time, for I could not
-return to you immediately as it was urgently necessary I
-should go at once to Colorado. Afterward I sent him other
-sums from the West for a like purpose. It was five years
-before I found myself able to return East. While not rich,
-I had done very well and my prospects were bright, my
-business troubles of the past having been entirely wiped out.
-When I went to Franconia I found the Maslins had moved
-away a short time before, leaving no clue to their new
-address, and from that hour to this day I never obtained
-a clue, even by the assistance of paid detectives, to their
-new home.”</p>
-
-<p>“And yet, father, all the time they were living at Cobham’s
-Corner, on the Erie Canal, and I was living with
-them, not as a boy whose board had ever been paid, but as
-a friendless slave of never-ending toil,” said Dick, more
-indignant than ever at the unfair treatment he had experienced
-at the hands of Silas Maslin and his wife.</p>
-
-<p>“The unfeeling rascal!” exclaimed Mr. Armstrong.
-“But he and I will have a reckoning that will not tend to
-his advantage.”</p>
-
-<p>Notwithstanding this new phase of Mr. Maslin’s duplicity,
-Dick did not fail to give Luke, his wayward son, the
-necessary money to take him home, when that repentant
-young man called to see him next morning at Mr. Nesbitt’s
-offices.</p>
-
-<p>Probably the most excited as well as delighted young
-fellow in New York next day was Joe Fletcher when his
-stanch friend and chum told him the news that he had
-actually found his father&mdash;now a millionaire mine-owner.</p>
-
-<p>“I never was so glad at anything in my whole life, Dick,
-old boy,” he cried, with a beaming face. And then he
-stopped, and his countenance suddenly clouded. “Perhaps
-a seven-dollar-a-week produce clerk is hardly a fit companion
-for the son of the wealthy Mr. Armstrong. It will
-break my heart to lose you, Dick, but at least it will be
-a satisfaction to know you’ve reached your proper station.”</p>
-
-<p>“Don’t you talk nonsense, Joe,” said Dick, grasping his
-hand with a feeling that could not be mistaken. “Chums
-we’ve been in adversity, and so shall we remain in the days
-when prosperity has overtaken one of us at least. Glad as
-I am to recover my father, I am proud to say that, without
-any help from him and but little in a business sense from
-even Mr. Nesbitt, I have succeeded in making my way to
-the front, even if I am only seventeen years old.”</p>
-
-<p>“That’s right,” agreed Joe, fervently.</p>
-
-<p>And there were others who also coincided with this opinion,
-the Nesbitts, for instance, and Jennie more than her
-parents, for a few years later she gave her hand where she
-had long since given her heart&mdash;to Dick Armstrong, the
-BOY WHO SUCCEEDED.</p>
-
-<p class="center">THE END.</p>
-
-<hr class="r15" />
-
-<p>Read “A CORNER IN CORN; OR, HOW A CHICAGO
-BOY DID THE TRICK,” which will be the next
-number (3) of “Fame and Fortune Weekly.”</p>
-
-<hr class="r15" />
-
-<p>SPECIAL NOTICE: All back numbers of this weekly
-are always in print. If you cannot obtain them from any
-newsdealer, send the price in money or postage stamps by
-mail to FRANK TOUSEY, PUBLISHER, 24 UNION
-SQUARE, NEW YORK, and you will receive the copies
-you order by return mail.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="WILD_WEST_WEEKLY">WILD WEST WEEKLY<br />
-<small>A Magazine Containing Stories, Sketches, etc., of Western Life.</small></h2>
-
-<p class="center"><b>BY AN OLD SCOUT.</b></p>
-</div>
-
-<p class="center">
-<b>32 PAGES.</b> &emsp;
-<b>PRICE 5 CENTS.</b> &emsp;
-<b>32 PAGES.</b>
-</p>
-
-<p class="center"><b>EACH NUMBER IN A HANDSOME COLORED COVER.</b></p>
-
-<p>All of these exciting stories are founded on facts. Young Wild West is a hero with whom the author was
-acquainted. His daring deeds and thrilling adventures have never been surpassed. They form the base of the
-most dashing stories ever published.</p>
-
-<p>Read the following numbers of this most interesting magazine and be convinced:</p>
-
-<h3>LATEST ISSUES:</h3>
-
-<div class="blockquot">
-
-<ul>
-<li>100 Young Wild West and the Double Deuce; or, The Domino Gang of Denver.</li>
-<li>101 Young Wild West on the Prairie; or, The Trail that had no End.</li>
-<li>102 Young Wild West and “Missouri Mike”; or, The Worst Man in Wyoming.</li>
-<li>103 Young Wild West at the Golden Gate; or, A Business Trip to ’Frisco.</li>
-<li>104 Young Wild West and the Redskin Raiders; or, Arietta’s Leap for Life.</li>
-<li>105 Young Wild West’s Cowboy Circus; or, Fun at the Mining Camps.</li>
-<li>106 Young Wild West at Pike’s Peak; or, Arietta’s Strange Disappearance.</li>
-<li>107 Young Wild West’s Six Shots, and the Change They Made at Dead Man’s Mark.</li>
-<li>108 Young Wild West at the Little Big Horn; or, The Last Stand of the Cavalry.</li>
-<li>109 Young Wild West’s Big Bluff; or, Playing a Lone Hand.</li>
-<li>110 Young Wild West at Bowie Bend; or, The Ban of the Bandit Band.</li>
-<li>111 Young Wild West’s Ton of Gold; or, The Accident to Arietta.</li>
-<li>112 Young Wild West’s Green Corn Dance; or, A Lively Time with the Pawnees.</li>
-<li>113 Young Wild West and the Cowboy King; or, Taming a Texas Terror.</li>
-<li>114 Young Wild West’s Pocket of Gold; or, Arietta’s Great Discovery.</li>
-<li>115 Young Wild West and “Shawnee Sam”; or, The Half-Breed’s Treachery.</li>
-<li>116 Young Wild West’s Covered Trail; or, Arietta and the Avalanche.</li>
-<li>117 Young Wild West and the Diamond Dagger; or, The Mexican Girl’s Revenge.</li>
-<li>118 Young Wild West at Silver Shine; or, A Town Run by “Tenderfeet.”</li>
-<li>119 Young Wild West Surrounded by Sioux; or, Arietta and the Aeronaut.</li>
-<li>120 Young Wild West and the “Puzzle of the Camp”; or, The Girl Who Owned the Gulch.</li>
-<li>121 Young Wild West and the Mustangers; or, The Boss of the Broncho Busters.</li>
-<li>122 Young Wild West after the Apaches; or, Arietta’s Arizona Adventure.</li>
-<li>123 Young Wild West Routing the Robbers; or, Saving Two Million Dollars.</li>
-<li>124 Young Wild West at Rattlesnake Run; or, Arietta’s Deal with Death.</li>
-<li>125 Young Wild West’s Winning Streak; or, A Straight Trail to Tombstone.</li>
-<li>126 Young Wild West’s Lightning Lariat; or, Arietta and the Road Agents.</li>
-<li>127 Young Wild West’s Red-Hot Ride; or, Pursued by Comanches.</li>
-<li>128 Young Wild West and the Blazed Trail; or, Arietta as a Scout.</li>
-<li>129 Young Wild West’s Four of a Kind; or, A Curious Combination.</li>
-<li>130 Young Wild West Caught by the Crooks; or, Arietta on Hand.</li>
-<li>131 Young Wild West and the Ten Terrors; or, The Doom of Dashing Dan.</li>
-<li>132 Young Wild West’s Barrel of “Dust”; or, Arietta’s Chance Shot.</li>
-<li>133 Young Wild West’s Triple Claim; or, Simple Sam, the “Sundowner.”</li>
-<li>134 Young Wild West’s Curious Compact; or, Arietta as an Avenger.</li>
-<li>135 Young Wild West’s Wampum Belt; or, Under the Ban of the Utes.</li>
-<li>136 Young Wild West and the Rio Grande Rustlers; or, The Branding at Buckhorn Ranch.</li>
-<li>137 Young Wild West and the Line League; or, Arietta Among the Smugglers.</li>
-<li>138 Young Wild West’s Silver Spurs; or, Fun at Fairplay Fair.</li>
-<li>139 Young Wild West Among the Blackfeet; or, Arietta as a Sorceress.</li>
-<li>140 Young Wild West on the Yellowstone; or, The Secret of the Hidden Cave.</li>
-<li>141 Young Wild West’s Deadly Aim; or, Arietta’s Greatest Danger.</li>
-<li>142 Young Wild West at the “Jumping Off” Place; or, The Worst Camp in the West.</li>
-<li>143 Young Wild West and the “Mixed-Up” Mine; or, Arietta a Winner.</li>
-<li>144 Young Wild West’s Hundred Mile Race; or, Beating a Big Bunch.</li>
-<li>145 Young Wild West Daring the Danites; or, The Search for a Missing Girl.</li>
-<li>146 Young Wild West’s Lively Time; or, The Dandy Duck of the Diggings.</li>
-<li>147 Young Wild West at Hold-Up Canyon; or, Arietta’s Great Victory.</li>
-<li>148 Young Wild West’s Square Deal; or, Making the “Bad” Men Good.</li>
-<li>149 Young Wild West Cowing the Cowboys; or, Arietta and the Prairie Fire.</li>
-<li>150 Young Wild West and Navajo Ned; or, The Hunt for the Half-Breed Hermit.</li>
-<li>151 Young Wild West’s Virgin Vein; or, Arietta and the Cave-in.</li>
-<li>152 Young Wild West’s Cowboy Champions; or, The Trip to Kansas City.</li>
-<li>153 Young Wild West’s Even Chance; or, Arietta’s Presence of Mind.</li>
-<li>154 Young Wild West and the Flattened Bullet; or, The Man Who Would not Drop.</li>
-<li>155 Young Wild West’s Gold Game; or, Arietta’s Full Hand.</li>
-<li>156 Young Wild West’s Cowboy Scrimmage; or, Cooking a Crowd of Crooks.</li>
-</ul>
-
-</div>
-
-<p class="center">For sale by all newsdealers, or will be sent to any address on receipt of price, 5 cents per copy, in money or postage stamps, by</p>
-
-<div>
- <p class="alignleft"><b>FRANK TOUSEY, Publisher</b>,</p>
- <p class="alignright"><b>24 Union Square, New York</b>.</p>
-</div>
-<div style="clear: both;"></div>
-
-<hr class="fulldouble" />
-
-<h3>IF YOU WANT ANY BACK NUMBERS</h3>
-
-<p>of our Libraries and cannot procure them from newsdealers, they can be obtained from this office direct. Cut out and fill
-in the following Order Blank and send it to us with the price of the books you want and we will send them to you by return
-mail.</p>
-
-<p class="right"><b>POSTAGE STAMPS TAKEN THE SAME AS MONEY.</b>
-</p>
-
-<hr class="fulldotted" />
-
-<p class="monospace center">
-FRANK TOUSEY, Publisher, 24 Union Square, New York. ......190<br />
-<span style="margin-left: 3em;"><span class="smcap">Dear Sir</span>&mdash;Enclosed find......cents for which please send me:</span><br />
-....copies of WORK AND WIN, Nos........................................<br />
-....copies of WILD WEST WEEKLY, Nos....................................<br />
-....copies of THE LIBERTY BOYS OF ’76, Nos.............................<br />
-....copies of PLUCK AND LUCK, Nos......................................<br />
-....copies of SECRET SERVICE, Nos......................................<br />
-....copies of THE YOUNG ATHLETE’S WEEKLY, Nos..........................<br />
-....copies of Ten-Cent Hand Books, Nos.................................<br />
-Name.................Street and No................Town..........State..<br />
-</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak">These Books Tell You Everything!</h2>
-
-<p class="h2sub">A COMPLETE SET IS A REGULAR ENCYCLOPEDIA!</p>
-</div>
-
-<p>Each book consists of sixty-four pages, printed on good paper, in clear type and neatly bound in an attractive, illustrated cover.
-Most of the books are also profusely illustrated, and all of the subjects treated upon are explained in such a simple manner that any
-child can thoroughly understand them. Look over the list as classified and see if you want to know anything about the subjects
-mentioned.</p>
-
-<hr class="r25" />
-<p>THESE BOOKS ARE FOR SALE BY ALL NEWSDEALERS OR WILL BE SENT BY MAIL TO ANY ADDRESS
-FROM THIS OFFICE ON RECEIPT OF PRICE, TEN CENTS EACH, OR ANY THREE BOOKS FOR TWENTY-FIVE
-CENTS. POSTAGE STAMPS TAKEN THE SAME AS MONEY. Address FRANK TOUSEY, Publisher, 24 Union Square, N.Y.</p>
-<hr class="r25" />
-
-<div class="blockquot">
-
-<h3>MESMERISM.</h3>
-
-<p>No. 81. HOW TO MESMERIZE.&mdash;Containing the most approved
-methods of mesmerism; also how to cure all kinds of
-diseases by animal magnetism, or, magnetic healing. By Prof. Leo
-Hugo Koch, A. C. S., author of “How to Hypnotize,” etc.</p>
-
-<h3>PALMISTRY.</h3>
-
-<p>No. 82. HOW TO DO PALMISTRY.&mdash;Containing the most approved
-methods of reading the lines on the hand, together with
-a full explanation of their meaning. Also explaining phrenology,
-and the key for telling character by the bumps on the head. By
-Leo Hugo Koch, A. C. S. Fully illustrated.</p>
-
-<h3>HYPNOTISM.</h3>
-
-<p>No. 83. HOW TO HYPNOTIZE.&mdash;Containing valuable and instructive
-information regarding the science of hypnotism. Also
-explaining the most approved methods which are employed by the
-leading hypnotists of the world. By Leo Hugo Koch, A. C. S.</p>
-
-<h3>SPORTING.</h3>
-
-<p>No. 21. HOW TO HUNT AND FISH.&mdash;The most complete
-hunting and fishing guide ever published. It contains full instructions
-about guns, hunting dogs, traps, trapping and fishing,
-together with descriptions of game and fish.</p>
-
-<p>No. 26. HOW TO ROW, SAIL AND BUILD A BOAT.&mdash;Fully
-illustrated. Every boy should know how to row and sail a boat.
-Full instructions are given in this little book, together with instructions
-on swimming and riding, companion sports to boating.</p>
-
-<p>No. 47. HOW TO BREAK, RIDE AND DRIVE A HORSE.&mdash;A
-complete treatise on the horse. Describing the most useful horses
-for business, the best horses for the road; also valuable recipes for
-diseases peculiar to the horse.</p>
-
-<p>No. 48. HOW TO BUILD AND SAIL CANOES.&mdash;A handy
-book for boys, containing full directions for constructing canoes
-and the most popular manner of sailing them. Fully illustrated.
-By C. Stansfield Hicks.</p>
-
-<h3>FORTUNE TELLING.</h3>
-
-<p>No. 1. NAPOLEON’S ORACULUM AND DREAM BOOK.&mdash;Containing
-the great oracle of human destiny; also the true meaning
-of almost any kind of dreams, together with charms, ceremonies,
-and curious games of cards. A complete book.</p>
-
-<p>No. 23. HOW TO EXPLAIN DREAMS.&mdash;Everybody dreams,
-from the little child to the aged man and woman. This little book
-gives the explanation to all kinds of dreams, together with lucky
-and unlucky days, and “Napoleon’s Oraculum,” the book of fate.</p>
-
-<p>No. 28. HOW TO TELL FORTUNES.&mdash;Everyone is desirous of
-knowing what his future life will bring forth, whether happiness or
-misery, wealth or poverty. You can tell by a glance at this little
-book. Buy one and be convinced. Tell your own fortune. Tell
-the fortune of your friends.</p>
-
-<p>No. 76. HOW TO TELL FORTUNES BY THE HAND.&mdash;Containing
-rules for telling fortunes by the aid of lines of the hand,
-or the secret of palmistry. Also the secret of telling future events
-by aid of moles, marks, scars, etc. Illustrated. By A. Anderson.</p>
-
-<h3>ATHLETIC.</h3>
-
-<p>No. 6. HOW TO BECOME AN ATHLETE.&mdash;Giving full instruction
-for the use of dumb bells, Indian clubs, parallel bars,
-horizontal bars and various other methods of developing a good,
-healthy muscle; containing over sixty illustrations. Every boy can
-become strong and healthy by following the instructions contained
-in this little book.</p>
-
-<p>No. 10. HOW TO BOX.&mdash;The art of self-defense made easy.
-Containing over thirty illustrations of guards, blows, and the different
-positions of a good boxer. Every boy should obtain one of
-these useful and instructive books, as it will teach you how to box
-without an instructor.</p>
-
-<p>No. 25. HOW TO BECOME A GYMNAST.&mdash;Containing full
-instructions for all kinds of gymnastic sports and athletic exercises.
-Embracing thirty-five illustrations. By Professor W. Macdonald.
-A handy and useful book.</p>
-
-<p>No. 34. HOW TO FENCE.&mdash;Containing full instruction for
-fencing and the use of the broadsword; also instruction in archery.
-Described with twenty-one practical illustrations, giving the best
-positions in fencing. A complete book.</p>
-
-<h3>TRICKS WITH CARDS.</h3>
-
-<p>No. 51. HOW TO DO TRICKS WITH CARDS.&mdash;Containing
-explanations of the general principles of sleight-of-hand applicable
-to card tricks; of card tricks with ordinary cards, and not requiring
-sleight-of-hand; of tricks involving sleight-of-hand, or the use of
-specially prepared cards. By Professor Haffner. Illustrated.</p>
-
-<p>No. 72. HOW TO DO SIXTY TRICKS WITH CARDS.&mdash;Embracing
-all of the latest and most deceptive card tricks, with illustrations.
-By A. Anderson.</p>
-
-<p>No. 77. HOW TO DO FORTY TRICKS WITH CARDS.&mdash;Containing
-deceptive Card Tricks as performed by leading conjurors
-and magicians. Arranged for home amusement. Fully illustrated.</p>
-
-<h3>MAGIC.</h3>
-
-<p>No. 2. HOW TO DO TRICKS.&mdash;The great book of magic and
-card tricks, containing full instruction on all the leading card tricks
-of the day, also the most popular magical illusions as performed by
-our leading magicians; every boy should obtain a copy of this book,
-as it will both amuse and instruct.</p>
-
-<p>No. 22. HOW TO DO SECOND SIGHT.&mdash;Heller’s second sight
-explained by his former assistant, Fred Hunt, Jr. Explaining how
-the secret dialogues were carried on between the magician and the
-boy on the stage; also giving all the codes and signals. The only
-authentic explanation of second sight.</p>
-
-<p>No. 43. HOW TO BECOME A MAGICIAN.&mdash;Containing the
-grandest assortment of magical illusions ever placed before the
-public. Also tricks with cards, incantations, etc.</p>
-
-<p>No. 68. HOW TO DO CHEMICAL TRICKS.&mdash;Containing over
-one hundred highly amusing and instructive tricks with chemicals.
-By A. Anderson. Handsomely illustrated.</p>
-
-<p>No. 69. HOW TO DO SLEIGHT OF HAND.&mdash;Containing over
-fifty of the latest and best tricks used by magicians. Also containing
-the secret of second sight. Fully illustrated. By A. Anderson.</p>
-
-<p>No. 70. HOW TO MAKE MAGIC TOYS.&mdash;Containing full
-directions for making Magic Toys and devices of many kinds. By
-A. Anderson. Fully illustrated.</p>
-
-<p>No. 73. HOW TO DO TRICKS WITH NUMBERS.&mdash;Showing
-many curious tricks with figures and the magic of numbers. By A.
-Anderson. Fully illustrated.</p>
-
-<p>No. 75. HOW TO BECOME A CONJUROR.&mdash;Containing
-tricks with Dominos, Dice, Cups and Balls, Hats, etc. Embracing
-thirty-six illustrations. By A. Anderson.</p>
-
-<p>No. 78. HOW TO DO THE BLACK ART.&mdash;Containing a complete
-description of the mysteries of Magic and Sleight of Hand,
-together with many wonderful experiments. By A. Anderson.
-Illustrated.</p>
-
-<h3>MECHANICAL.</h3>
-
-<p>No. 29. HOW TO BECOME AN INVENTOR.&mdash;Every boy
-should know how inventions originated. This book explains them
-all, giving examples in electricity, hydraulics, magnetism, optics,
-pneumatics, mechanics, etc. The most instructive book published.</p>
-
-<p>No. 56. HOW TO BECOME AN ENGINEER.&mdash;Containing full
-instructions how to proceed in order to become a locomotive engineer;
-also directions for building a model locomotive; together
-with a full description of everything an engineer should know.</p>
-
-<p>No. 57. HOW TO MAKE MUSICAL INSTRUMENTS.&mdash;Full
-directions how to make a Banjo, Violin, Zither, Æolian Harp, Xylophone
-and other musical instruments; together with a brief description
-of nearly every musical instrument used in ancient or
-modern times. Profusely illustrated. By Algernon S. Fitzgerald,
-for twenty years bandmaster of the Royal Bengal Marines.</p>
-
-<p>No. 59. HOW TO MAKE A MAGIC LANTERN.&mdash;Containing
-a description of the lantern, together with its history and invention.
-Also full directions for its use and for painting slides. Handsomely
-illustrated. By John Allen.</p>
-
-<p>No. 71. HOW TO DO MECHANICAL TRICKS.&mdash;Containing
-complete instructions for performing over sixty Mechanical Tricks.
-By A. Anderson. Fully illustrated.</p>
-
-<h3>LETTER WRITING.</h3>
-
-<p>No. 11. HOW TO WRITE LOVE-LETTERS.&mdash;A most complete
-little book, containing full directions for writing love-letters,
-and when to use them, giving specimen letters for young and old.</p>
-
-<p>No. 12. HOW TO WRITE LETTERS TO LADIES.&mdash;Giving
-complete instructions for writing letters to ladies on all subjects;
-also letters of introduction, notes and requests.</p>
-
-<p>No. 24. HOW TO WRITE LETTERS TO GENTLEMEN.&mdash;Containing
-full directions for writing to gentlemen on all subjects;
-also giving sample letters for instruction.</p>
-
-<p>No. 53. HOW TO WRITE LETTERS.&mdash;A wonderful little
-book, telling you how to write to your sweetheart, your father,
-mother, sister, brother, employer; and, in fact, everybody and anybody
-you wish to write to. Every young man and every young
-lady in the land should have this book.</p>
-
-<p>No. 74. HOW TO WRITE LETTERS CORRECTLY.&mdash;Containing
-full instructions for writing letters on almost any subject;
-also rules for punctuation and composition, with specimen letters.</p>
-
-<h3>THE STAGE.</h3>
-
-<p>No. 41. THE BOYS OF NEW YORK END MEN’S JOKE
-BOOK.&mdash;Containing a great variety of the latest jokes used by the
-most famous end men. No amateur minstrel is complete without
-this wonderful little book.</p>
-
-<p>No. 42. THE BOYS OF NEW YORK STUMP SPEAKER.&mdash;Containing
-a varied assortment of stump speeches, Negro, Dutch
-and Irish. Also end men’s jokes. Just the thing for home amusement
-and amateur shows.</p>
-
-<p>No. 45. THE BOYS OF NEW YORK MINSTREL GUIDE
-AND JOKE BOOK.&mdash;Something new and very instructive. Every
-boy should obtain this book, as it contains full instructions for organizing
-an amateur minstrel troupe.</p>
-
-<p>No. 65. MULDOON’S JOKES.&mdash;This is one of the most original
-joke books ever published, and it is brimful of wit and humor. It
-contains a large collection of songs, jokes, conundrums, etc., of
-Terrence Muldoon, the great wit, humorist, and practical joker of
-the day. Every boy who can enjoy a good substantial joke should
-obtain a copy immediately.</p>
-
-<p>No. 79. HOW TO BECOME AN ACTOR.&mdash;Containing complete
-instructions how to make up for various characters on the
-stage; together with the duties of the Stage Manager, Prompter,
-Scenic Artist and Property Man. By a prominent Stage Manager.</p>
-
-<p>No. 80. GUS WILLIAMS’ JOKE BOOK.&mdash;Containing the latest
-jokes, anecdotes and funny stories of this world-renowned and
-ever popular German comedian. Sixty-four pages; handsome
-colored cover containing a half-tone photo of the author.</p>
-
-<h3>HOUSEKEEPING.</h3>
-
-<p>No. 16. HOW TO KEEP A WINDOW GARDEN.&mdash;Containing
-full instructions for constructing a window garden either in town
-or country, and the most approved methods for raising beautiful
-flowers at home. The most complete book of the kind ever published.</p>
-
-<p>No. 30. HOW TO COOK.&mdash;One of the most instructive books
-on cooking ever published. It contains recipes for cooking meats,
-fish, game, and oysters; also pies, puddings, cakes and all kinds of
-pastry, and a grand collection of recipes by one of our most popular
-cooks.</p>
-
-<p>No. 37. HOW TO KEEP HOUSE.&mdash;It contains information for
-everybody, boys, girls, men and women; it will teach you how to
-make almost anything around the house, such as parlor ornaments,
-brackets, cements, Aeolian harps, and bird lime for catching birds.</p>
-
-<h3>ELECTRICAL.</h3>
-
-<p>No. 46. HOW TO MAKE AND USE ELECTRICITY.&mdash;A description
-of the wonderful uses of electricity and electro magnetism;
-together with full instructions for making Electric Toys, Batteries,
-etc. By George Trebel, A. M., M. D. Containing over fifty illustrations.</p>
-
-<p>No. 64. HOW TO MAKE ELECTRICAL MACHINES.&mdash;Containing
-full directions for making electrical machines, induction
-coils, dynamos, and many novel toys to be worked by electricity.
-By R. A. R. Bennett. Fully illustrated.</p>
-
-<p>No. 67. HOW TO DO ELECTRICAL TRICKS.&mdash;Containing a
-large collection of instructive and highly amusing electrical tricks,
-together with illustrations. By A. Anderson.</p>
-
-<h3>ENTERTAINMENT.</h3>
-
-<p>No. 9. HOW TO BECOME A VENTRILOQUIST.&mdash;By Harry
-Kennedy. The secret given away. Every intelligent boy reading
-this book of instructions, by a practical professor (delighting multitudes
-every night with his wonderful imitations), can master the
-art, and create any amount of fun for himself and friends. It is the
-greatest book ever published, and there’s millions (of fun) in it.</p>
-
-<p>No. 20. HOW TO ENTERTAIN AN EVENING PARTY.&mdash;A
-very valuable little book just published. A complete compendium
-of games, sports, card diversions, comic recitations, etc., suitable
-for parlor or drawing-room entertainment. It contains more for the
-money than any book published.</p>
-
-<p>No. 35. HOW TO PLAY GAMES.&mdash;A complete and useful little
-book, containing the rules and regulations of billiards, bagatelle,
-backgammon, croquet, dominoes, etc.</p>
-
-<p>No. 36. HOW TO SOLVE CONUNDRUMS.&mdash;Containing all
-the leading conundrums of the day, amusing riddles, curious catches
-and witty sayings.</p>
-
-<p>No. 52. HOW TO PLAY CARDS.&mdash;A complete and handy little
-book, giving the rules and full directions for playing Euchre, Cribbage,
-Casino, Forty-Five, Rounce, Pedro Sancho, Draw Poker,
-Auction Pitch, All Fours, and many other popular games of cards.</p>
-
-<p>No. 66. HOW TO DO PUZZLES.&mdash;Containing over three hundred
-interesting puzzles and conundrums, with key to same. A
-complete book. Fully illustrated. By A. Anderson.</p>
-
-<h3>ETIQUETTE.</h3>
-
-<p>No. 13. HOW TO DO IT; OR, BOOK OF ETIQUETTE.&mdash;It
-is a great life secret, and one that every young man desires to know
-all about. There’s happiness in it.</p>
-
-<p>No. 33. HOW TO BEHAVE.&mdash;Containing the rules and etiquette
-of good society and the easiest and most approved methods of appearing
-to good advantage at parties, balls, the theatre, church, and
-in the drawing-room.</p>
-
-<h3>DECLAMATION.</h3>
-
-<p>No. 27. HOW TO RECITE AND BOOK OF RECITATIONS.&mdash;Containing
-the most popular selections in use, comprising Dutch
-dialect, French dialect, Yankee and Irish dialect pieces, together
-with many standard readings.</p>
-
-<p>No. 31. HOW TO BECOME A SPEAKER.&mdash;Containing fourteen
-illustrations, giving the different positions requisite to become
-a good speaker, reader and elocutionist. Also containing gems from
-all the popular authors of prose and poetry, arranged in the most
-simple and concise manner possible.</p>
-
-<p>No. 49. HOW TO DEBATE.&mdash;Giving rules for conducting debates,
-outlines for debates, questions for discussion, and the best
-sources for procuring information on the questions given.</p>
-
-<h3>SOCIETY.</h3>
-
-<p>No. 3. HOW TO FLIRT.&mdash;The arts and wiles of flirtation are
-fully explained by this little book. Besides the various methods of
-handkerchief, fan, glove, parasol, window and hat flirtation, it contains
-a full list of the language and sentiment of flowers, which is
-interesting to everybody, both old and young. You cannot be happy
-without one.</p>
-
-<p>No. 4. HOW TO DANCE is the title of a new and handsome
-little book just issued by Frank Tousey. It contains full instructions
-in the art of dancing, etiquette in the ball-room and at parties,
-how to dress, and full directions for calling off in all popular square
-dances.</p>
-
-<p>No. 5. HOW TO MAKE LOVE.&mdash;A complete guide to love,
-courtship and marriage, giving sensible advice, rules and etiquette
-to be observed, with many curious and interesting things not generally
-known.</p>
-
-<p>No. 17. HOW TO DRESS.&mdash;Containing full instruction in the
-art of dressing and appearing well at home and abroad, giving the
-selections of colors, material, and how to have them made up.</p>
-
-<p>No. 18. HOW TO BECOME BEAUTIFUL.&mdash;One of the
-brightest and most valuable little books ever given to the world.
-Everybody wishes to know how to become beautiful, both male and
-female. The secret is simple, and almost costless. Read this book
-and be convinced how to become beautiful.</p>
-
-<h3>BIRDS AND ANIMALS.</h3>
-
-<p>No. 7. HOW TO KEEP BIRDS.&mdash;Handsomely illustrated and
-containing full instructions for the management and training of the
-canary, mockingbird, bobolink, blackbird, paroquet, parrot, etc.</p>
-
-<p>No. 39. HOW TO RAISE DOGS, POULTRY, PIGEONS AND
-RABBITS.&mdash;A useful and instructive book. Handsomely illustrated.
-By Ira Drofraw.</p>
-
-<p>No. 40. HOW TO MAKE AND SET TRAPS.&mdash;Including hints
-on how to catch moles, weasels, otters, rats, squirrels and birds.
-Also how to cure skins. Copiously illustrated. By J. Harrington
-Keene.</p>
-
-<p>No. 50. HOW TO STUFF BIRDS AND ANIMALS.&mdash;A
-valuable book, giving instructions in collecting, preparing, mounting
-and preserving birds, animals and insects.</p>
-
-<p>No. 54. HOW TO KEEP AND MANAGE PETS.&mdash;Giving complete
-information as to the manner and method of raising, keeping,
-taming, breeding, and managing all kinds of pets; also giving full
-instructions for making cages, etc. Fully explained by twenty-eight
-illustrations, making it the most complete book of the kind ever
-published.</p>
-
-<h3>MISCELLANEOUS.</h3>
-
-<p>No. 8. HOW TO BECOME A SCIENTIST.&mdash;A useful and instructive
-book, giving a complete treatise on chemistry; also experiments
-in acoustics, mechanics, mathematics, chemistry, and directions
-for making fireworks, colored fires, and gas balloons. This
-book cannot be equaled.</p>
-
-<p>No. 14. HOW TO MAKE CANDY.&mdash;A complete hand-book for
-making all kinds of candy, ice-cream, syrups, essences, etc., etc.</p>
-
-<p>No. 34. HOW TO BECOME AN AUTHOR.&mdash;Containing full
-information regarding choice of subjects, the use of words and the
-manner of preparing and submitting manuscript. Also containing
-valuable information as to the neatness, legibility and general composition
-of manuscript, essential to a successful author. By Prince
-Hiland.</p>
-
-<p>No. 38. HOW TO BECOME YOUR OWN DOCTOR.&mdash;A wonderful
-book, containing useful and practical information in the
-treatment of ordinary diseases and ailments common to every
-family. Abounding in useful and effective recipes for general complaints.</p>
-
-<p>No. 55. HOW TO COLLECT STAMPS AND COINS.&mdash;Containing
-valuable information regarding the collecting and arranging
-of stamps and coins. Handsomely illustrated.</p>
-
-<p>No. 58. HOW TO BE A DETECTIVE.&mdash;By Old King Brady,
-the world-known detective. In which he lays down some valuable
-and sensible rules for beginners, and also relates some adventures
-and experiences of well-known detectives.</p>
-
-<p>No. 60. HOW TO BECOME A PHOTOGRAPHER.&mdash;Containing
-useful information regarding the Camera and how to work it;
-also how to make Photographic Magic Lantern Slides and other
-Transparencies. Handsomely illustrated. By Captain W. De W.
-Abney.</p>
-
-<p>No. 62. HOW TO BECOME A WEST POINT MILITARY
-CADET.&mdash;Containing full explanations how to gain admittance,
-course of Study, Examinations, Duties, Staff of Officers, Post
-Guard, Police Regulations, Fire Department, and all a boy should
-know to be a Cadet. Compiled and written by Lu Senarens, author
-of “How to Become a Naval Cadet.”</p>
-
-<p>No. 63. HOW TO BECOME A NAVAL CADET.&mdash;Complete instructions
-of how to gain admission to the Annapolis Naval
-Academy. Also containing the course of instruction, description
-of grounds and buildings, historical sketch, and everything a boy
-should know to become an officer in the United States Navy. Compiled
-and written by Lu Senarens, author of “How to Become a
-West Point Military Cadet.”</p>
-</div>
-
-<p class="center"><b>PRICE 10 CENTS EACH, OR 3 FOR 25 CENTS.</b></p>
-
-<p class="center"><b>Address FRANK TOUSEY, Publisher, 24 Union Square, New York.</b></p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<h2 class="nobreak" id="FRANK_MANLEYS_WEEKLY">FRANK MANLEY’S WEEKLY<br />
-
-<small>Good Stories of Young Athletes</small></h2>
-<p class="h2sub"><b>(Formerly “THE YOUNG ATHLETE’S WEEKLY”)</b><br />
-BY “PHYSICAL DIRECTOR”</p>
-
-<p class="center">
-<img class="w100" src="images/deco1.jpg" style="max-width: 5em;" alt="Decoration" />
-A 32-PAGE BOOK FOR 5 CENTS
-<img class="w100" src="images/deco1.jpg" style="max-width: 5em;" alt="Decoration" />
-</p>
-
-<p class="center"><b>Issued Every Friday</b>
-<img class="w100" src="images/ballchain.jpg" style="max-width: 10em;" alt="Decoration" />
-<b>Handsome Colored Covers</b>
-</p>
-</div>
-
-<p>These intensely interesting stories describe the adventures of Frank Manley, a plucky young athlete, who tries to excel
-in all kinds of games and pastimes. Each number contains a story of manly sports, replete with lively incidents,
-dramatic situations and a sparkle of humor. Every popular game will be featured in the succeeding stories, such as baseball,
-skating, wrestling, etc. Not only are these stories the very best, but they teach you how to become strong and
-healthy. You can learn to become a trained athlete by reading the valuable information on physical culture they contain.
-From time to time the wonderful Japanese methods of self-protection, called Jiu-Jitsu, will be explained. A page is
-devoted to advice on healthy exercises, and questions on athletic subjects are cheerfully answered by the author
-“PHYSICAL DIRECTOR.”</p>
-
-<div class="blockquot">
-<ul>
-<li>No. 1 Frank Manley’s Real Fight; or, What the Push-ball Game Brought About.</li>
-<li>No. 2 Frank Manley’s Lightning Track; or, Speed’s Part in a Great Crisis.</li>
-<li>No. 3 Frank Manley’s Amazing Vault; or, Pole and Brains in Deadly Earnest.</li>
-<li>No. 4 Frank Manley’s Gridiron Grill; or, The Try-Out for Football Grit.</li>
-<li>No. 5 Frank Manley’s Great Line-Up; or, The Woodstock Eleven on the Jump.</li>
-<li>No. 6 Frank Manley’s Prize Tackle; or, The Football Tactics that Won.</li>
-<li>No. 7 Frank Manley’s Mad Scrimmage; or, The Trick that Dazed Bradford.</li>
-<li>No. 8 Frank Manley’s Lion-Hearted Rush; or, Staking Life on the Outcome.</li>
-</ul>
-</div>
-
-<p class="center">For sale by all newsdealers, or will be sent to any address on receipt of price, 5 cents per copy, in money or postage stamps, by</p>
-<div>
- <p class="alignleft"><b>FRANK TOUSEY, Publisher</b>,</p>
- <p class="alignright"><b>24 Union Square, New York</b>.</p>
-</div>
-<div style="clear: both;"></div>
-
-<div class="chapter">
-<p class="center">
-<img class="w100" src="images/deco1.jpg" style="max-width: 10em;" alt="Decoration" />
-</p>
-
-<h3>The Young Athlete’s Weekly</h3>
-
-<p class="h3sub">By “PHYSICAL DIRECTOR”</p>
-
-<div>
- <p class="alignleft"><b>BE STRONG!</b></p>
- <p class="alignright"><b>BE HEALTHY!</b></p>
-</div>
-<div style="clear: both;"></div>
-</div>
-
-<div class="blockquot">
-<h4>LATEST ISSUES:</h4>
-
-<ul>
-<li>&ensp;8 Frank Manley’s Human Ladder; or, The Quickest Climb on Record.</li>
-<li>&ensp;9 Frank Manley’s Protege; or, Jack Winston, Great Little Athlete.</li>
-<li>10 Frank Manley’s Off Day; or, The Greatest Strain in His Career.</li>
-<li>11 Frank Manley on Deck; or, At Work at Indoor Baseball.</li>
-<li>12 Frank Manley At the Bat; or, “The Up-and-at-’em Boys” on the Diamond.</li>
-<li>13 Frank Manley’s Hard Home Hit; or, The Play That Surprised the Bradfords.</li>
-<li>14 Frank Manley in the Box; or, The Curve That Rattled Bradford.</li>
-<li>15 Frank Manley’s Scratch Hit; or, The Luck of “The Up-and-at-’em Boys.”</li>
-<li>16 Frank Manley’s Double Play; or, The Game That Brought Fortune.</li>
-<li>17 Frank Manley’s All-around Game; or, Playing All the Nine Positions.</li>
-<li>18 Frank Manley’s Eight-Oared Crew; or, Tod Owen’s Decoration Day Regatta.</li>
-<li>19 Frank Manley’s Earned Run; or, The Sprint That Won a Cup.</li>
-<li>20 Frank Manley’s Triple Play; or, The Only Hope of the Nine.</li>
-<li>21 Frank Manley’s Training Table; or, Whipping the Nine into Shape.</li>
-<li>22 Frank Manley’s Coaching; or, The Great Game that “Jackets” Pitched.</li>
-<li>23 Frank Manley’s First League Game; or, The Fourth of July Battle With Bradford.</li>
-<li>24 Frank Manley’s Match with Giants; or, The Great Game With the Alton “Grown-Ups.”</li>
-<li>25 Frank Manley’s Training Camp; or, Getting in Trim for the Greatest Ball Game.</li>
-<li>26 Frank Manley’s Substitute Nine; or, A Game of Pure Grit.</li>
-<li>27 Frank Manley’s Longest Swim; or, Battling with Bradford in the Water.</li>
-<li>28 Frank Manley’s Bunch of Hits; or, Breaking the Season’s Batting Record.</li>
-<li>29 Frank Manley’s Double Game; or, The Wonderful Four-Team Match.</li>
-<li>30 Frank Manley’s Summer Meet; or, “Trying Out” the Bradfords.</li>
-<li>31 Frank Manley at His Wits’ End; or, Playing Against a Bribed Umpire.</li>
-<li>32 Frank Manley’s Last Ball Game; or, The Season’s Exciting Good-Bye to the Diamond.</li>
-</ul>
-
-<p class="center">For sale by all newsdealers, or will be sent to any address on receipt of price, 5 cents per copy, in money or postage stamps, by</p>
-</div>
-
-<div>
- <p class="alignleft"><b>FRANK TOUSEY, Publisher</b>,</p>
- <p class="alignright"><b>24 Union Square, New York</b>.</p>
-</div>
-<div style="clear: both;"></div>
-
-<hr class="fulldouble" />
-
-<h3>IF YOU WANT ANY BACK NUMBERS</h3>
-
-<p>of our Libraries and cannot procure them from newsdealers, they can be obtained from this office direct. Cut out and fill
-in the following Order Blank and send it to us with the price of the books you want and we will send them to you by return
-mail.</p>
-
-<p class="right"><b>POSTAGE STAMPS TAKEN THE SAME AS MONEY.</b>
-</p>
-
-<hr class="fulldotted" />
-
-<p class="monospace center">
-FRANK TOUSEY, Publisher, 24 Union Square, New York. ......190<br />
-<span style="margin-left: 3em;"><span class="smcap">Dear Sir</span>&mdash;Enclosed find......cents for which please send me:</span><br />
-....copies of WORK AND WIN, Nos........................................<br />
-....copies of FRANK MANLEY’S WEEKLY, Nos...............................<br />
-....copies of WILD WEST WEEKLY, Nos....................................<br />
-....copies of THE LIBERTY BOYS OF ’76, Nos.............................<br />
-....copies of PLUCK AND LUCK, Nos......................................<br />
-....copies of SECRET SERVICE, Nos......................................<br />
-....copies of THE YOUNG ATHLETE’S WEEKLY, Nos..........................<br />
-....copies of Ten-Cent Hand Books, Nos.................................<br />
-Name.................Street and No................Town..........State..<br />
-</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak sans-serif">Fame and Fortune Weekly<br />
-<small><i>STORIES OF BOYS WHO MAKE MONEY</i></small></h2>
-<p class="h2sub sans-serif">
-<b><big>By A SELF-MADE MAN</big></b></p>
-</div>
-
-<div class="sans-serif">
- <p class="alignleft"><i><b><big>32 Pages of Reading Matter</big></b></i></p>
- <p class="alignright"><i><b><big>Handsome Colored Covers</big></b></i></p>
-</div>
-<div style="clear: both;"></div>
-
-<p class="center sans-serif"><big><b>☛ PRICE 5 CENTS A COPY ☚</b></big></p>
-
-<p class="center sans-serif"><big><b>☛ A New One Issued Every Friday ☚</b></big></p>
-
-<p>This Weekly contains interesting stories of smart boys, who win fame and fortune by their
-ability to take advantage of passing opportunities. Some of these stories are founded on
-true incidents in the lives of our most successful self-made men, and show how a boy of
-pluck, perseverance and brains can become famous and wealthy. Every one of this series contains
-a good moral tone, which makes “Fame and Fortune Weekly” a magazine for the home,
-although each number is replete with exciting adventures. The stories are the very best obtainable,
-the illustrations are by expert artists, and every effort is constantly being made to
-make it the best weekly on the news stands. Tell your friends about it.</p>
-
-<h3 class="allsmcap">THE FOLLOWING IS A LIST OF THE FIRST EIGHT TITLES AND DATES OF ISSUE</h3>
-
-<table class="autotable" summary="">
-<tr>
-<td class="tdlh">No. 1.&mdash;A Lucky Deal; or, The Cutest Boy in Wall Street</td>
-<td class="tdl">Issued&nbsp;Oct.</td>
-<td class="tdr">6th</td>
-</tr>
-<tr>
-<td class="tdlh">No. 2.&mdash;Born to Good Luck; or, The Boy Who Succeeded</td>
-<td class="tdl">Issued&nbsp;Oct.</td>
-<td class="tdr">13th</td>
-</tr>
-<tr>
-<td class="tdlh">No. 3.&mdash;A Corner in Corn; or, How a Chicago Boy Did the Trick</td>
-<td class="tdl">Issued&nbsp;Oct.</td>
-<td class="tdr">20th</td>
-</tr>
-<tr>
-<td class="tdlh">No. 4.&mdash;A Game of Chance; or, The Boy Who Won Out</td>
-<td class="tdl">Issued&nbsp;Oct.</td>
-<td class="tdr">27th</td>
-</tr>
-<tr>
-<td class="tdlh">No. 5.&mdash;Hard to Beat; or, The Cleverest Boy in Wall Street</td>
-<td class="tdl">Issued&nbsp;Nov.</td>
-<td class="tdr">3rd</td>
-</tr>
-<tr>
-<td class="tdlh">No. 6.&mdash;Building a Railroad; or, The Young Contractors of Lakeview</td>
-<td class="tdl">Issued&nbsp;Nov.</td>
-<td class="tdr">10th</td>
-</tr>
-<tr>
-<td class="tdlh">No. 7.&mdash;Winning His Way; or, The Youngest Editor in Green River</td>
-<td class="tdl">Issued&nbsp;Nov.</td>
-<td class="tdr">17th</td>
-</tr>
-<tr>
-<td class="tdlh">No. 8.&mdash;The Wheel of Fortune; or, The Record of a Self-Made Boy</td>
-<td class="tdl">Issued&nbsp;Nov.</td>
-<td class="tdr">24th</td>
-</tr>
-</table>
-
-<div class="blockquot">
-<p class="center"><small>For sale by all newsdealers, or will be sent to any address on receipt of price, 5 cents per copy in money or postage stamps, by</small></p>
-</div>
-
-<p class="center">
-<b>FRANK TOUSEY, Publisher</b>
-&emsp;&#x1F666;&emsp;&#x1F666;&emsp;&#x1F666;&emsp;
-<b>24 Union Square, New York</b>
-</p>
-
-<hr class="fulldouble" />
-
-<h3>IF YOU WANT ANY BACK NUMBERS</h3>
-
-<p>of our Libraries and cannot procure them from newsdealers, they can be obtained from this office direct. Cut out and fill in the following Order Blank and send it
-to us with the price of the books you want and we will send them to you by return mail.</p>
-
-<p class="right"><b>POSTAGE STAMPS TAKEN THE SAME AS MONEY.</b></p>
-
-<hr class="fulldotted" />
-
-<p class="monospace">
-FRANK TOUSEY, Publisher, 24 Union Square, New York. ......190<br />
-<span style="margin-left: 3em;"><span class="smcap">Dear Sir</span>&mdash;Enclosed find......cents for which please send me:</span><br />
-....copies of WORK AND WIN, Nos........................................<br />
-....copies of FAME AND FORTUNE WEEKLY, Nos.............................<br />
-....copies of FRANK MANLEY’S WEEKLY, Nos...............................<br />
-....copies of WILD WEST WEEKLY, Nos....................................<br />
-....copies of THE LIBERTY BOYS OF ’76, Nos.............................<br />
-....copies of PLUCK AND LUCK, Nos......................................<br />
-....copies of SECRET SERVICE, Nos......................................<br />
-....copies of YOUNG ATHLETE’S WEEKLY, Nos..............................<br />
-....copies of TEN-CENT HANDBOOKS, Nos..................................<br />
-Name.................Street and No................Town..........State..
-</p>
-
-<hr class="chap x-ebookmaker-drop" />
-<div class="chapter transnote">
-<h2 class="nobreak" id="Transcribers_Notes">
-Transcriber’s Notes
-</h2>
-
-<p>A number of typographical errors were corrected silently.</p>
-
-<p>Cover image is in the public domain.</p>
-
-<p>Dittoes were replaced with the repeated words.</p>
-
-</div>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK FAME AND FORTUNE WEEKLY, NO. 2, OCTOBER 13, 1905 ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away&#8212;you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &#8226; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-</body>
-</html>
diff --git a/old/67448-h/images/ballchain.jpg b/old/67448-h/images/ballchain.jpg
deleted file mode 100644
index da9826c..0000000
--- a/old/67448-h/images/ballchain.jpg
+++ /dev/null
Binary files differ
diff --git a/old/67448-h/images/cover.jpg b/old/67448-h/images/cover.jpg
deleted file mode 100644
index ceba6e3..0000000
--- a/old/67448-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/67448-h/images/deco1.jpg b/old/67448-h/images/deco1.jpg
deleted file mode 100644
index 61e4a3a..0000000
--- a/old/67448-h/images/deco1.jpg
+++ /dev/null
Binary files differ