summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--6782-h.zipbin0 -> 423095 bytes
-rw-r--r--6782-h/6782-h.htm7957
-rw-r--r--6782-h/images/2pa158.jpgbin0 -> 136515 bytes
-rw-r--r--6782-h/images/2pa202.jpgbin0 -> 154756 bytes
-rw-r--r--6782.txt6556
-rw-r--r--6782.zipbin0 -> 125081 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/files/images/2pa158.jpgbin0 -> 136515 bytes
-rw-r--r--old/files/images/2pa202.jpgbin0 -> 154756 bytes
-rw-r--r--old/files/relative.htm7937
-rw-r--r--old/fs22w10.txt6538
-rw-r--r--old/fs22w10.zipbin0 -> 127759 bytes
-rw-r--r--old/fs22w10h.zipbin0 -> 421478 bytes
15 files changed, 29004 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/6782-h.zip b/6782-h.zip
new file mode 100644
index 0000000..329848d
--- /dev/null
+++ b/6782-h.zip
Binary files differ
diff --git a/6782-h/6782-h.htm b/6782-h/6782-h.htm
new file mode 100644
index 0000000..0fd44c1
--- /dev/null
+++ b/6782-h/6782-h.htm
@@ -0,0 +1,7957 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Robbers, by Friedrich Schiller
+ </title>
+ <style type="text/css">
+ <!--
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent30 { margin-left: 30%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 100%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ .side { float: left; font-size: 75%; width: 25%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 1 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+ -->
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Robbers, by Friedrich Schiller
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Robbers
+ A Tragedy
+
+Author: Friedrich Schiller
+
+Release Date: October 25, 2006 [EBook #6782]
+Last Updated: July 20, 2014
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ROBBERS ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br />
+ </p>
+
+<h3>Format Choice</h3>
+
+<div class="mynote">
+The present format is best for most <b>laptops</b> and <b>computers</b>, and generates well to <b>.mobi</b> and <b>.epub</b> files. The higher quality images in this file do not reduce in size to fit the small screens of Tablets and Smart Phones&mdash;part of the larger images may run off the side.
+Another format is available by clicking on the following line:<br /><br />
+<i><a href="https://www.gutenberg.org/files/6782/old/files/relative.htm">A file with images which automatically accomodate to any screen size; this is the best choice for the small screens of <b>Tablets</b> and <b>Smart Phones</b>.
+</a></i>
+</div>
+
+<p>
+ <br />
+ </p>
+<hr />
+<p>
+ <br />
+ </p>
+ <h1>
+ THE ROBBERS. <br /> <br /> By Friedrich Schiller
+ </h1>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> SCHILLER'S PREFACE. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> ADVERTISEMENT TO THE ROBBERS. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_PREF"> PREFACE TO THE SECOND EDITION. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> THE ROBBERS </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> <b>ACT I.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> SCENE II.&mdash;A Tavern on the Frontier of
+ Saxony. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> SCENE III.&mdash;MOOR'S Castle.&mdash;AMELIA'S
+ Chamber. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> <b>ACT II.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> SCENE II.&mdash;Old Moor's Bedchamber. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> SCENE III.&mdash;THE BOHEMIAN WOODS. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> <b>ACT III.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> SCENE VIII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> SCENE IX. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> SCENE II.&mdash;Country near the Danube. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> <b>ACT IV.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> SCENE II.*&mdash;Gallery in the Castle. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> SCENE III.&mdash;Another Room in the Castle.
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> SCENE V. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> <b>ACT V.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> SCENE II. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> SCENE VIII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> SCENE IX. </a>
+ </p>
+ </blockquote>
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCHILLER'S PREFACE.
+ </h2>
+ <h3>
+ AS PREFIXED TO THE FIRST EDITION OF THE ROBBERS
+ </h3>
+ <p>
+ PUBLISHED IN 1781.
+ </p>
+ <p>
+ Now first translated into English.
+ </p>
+ <p>
+ This play is to be regarded merely as a dramatic narrative in which, for
+ the purpose of tracing out the innermost workings of the soul, advantage
+ has been taken of the dramatic method, without otherwise conforming to the
+ stringent rules of theatrical composition, or seeking the dubious
+ advantage of stage adaptation. It must be admitted as somewhat
+ inconsistent that three very remarkable people, whose acts are dependent
+ on perhaps a thousand contingencies, should be completely developed within
+ three hours, considering that it would scarcely be possible, in the
+ ordinary course of events, that three such remarkable people should, even
+ in twenty-four hours, fully reveal their characters to the most
+ penetrating inquirer. A greater amount of incident is here crowded
+ together than it was possible for me to confine within the narrow limits
+ prescribed by Aristotle and Batteux.
+ </p>
+ <p>
+ It is, however, not so much the bulk of my play as its contents which
+ banish it from the stage. Its scheme and economy require that several
+ characters should appear who would offend the finer feelings of virtue and
+ shock the delicacy of our manners. Every delineator of human character is
+ placed in the same dilemma if he proposes to give a faithful picture of
+ the world as it really is, and not an ideal phantasy, a mere creation of
+ his own. It is the course of mortal things that the good should be
+ shadowed by the bad, and virtue shine the brightest when contrasted with
+ vice. Whoever proposes to discourage vice and to vindicate religion,
+ morality, and social order against their enemies, must unveil crime in all
+ its deformity, and place it before the eyes of men in its colossal
+ magnitude; he must diligently explore its dark mazes, and make himself
+ familiar with sentiments at the wickedness of which his soul revolts.
+ </p>
+ <p>
+ Vice is here exposed in its innermost workings. In Francis it resolves all
+ the confused terrors of conscience into wild abstractions, destroys
+ virtuous sentiments by dissecting them, and holds up the earnest voice of
+ religion to mockery and scorn. He who has gone so far (a distinction by no
+ means enviable) as to quicken his understanding at the expense of his soul&mdash;to
+ him the holiest things are no longer holy; to him God and man are alike
+ indifferent, and both worlds are as nothing. Of such a monster I have
+ endeavored to sketch a striking and lifelike portrait, to hold up to
+ abhorrence all the machinery of his scheme of vice, and to test its
+ strength by contrasting it with truth. How far my narrative is successful
+ in accomplishing these objects the reader is left to judge. My conviction
+ is that I have painted nature to the life.
+ </p>
+ <p>
+ Next to this man (Francis) stands another who would perhaps puzzle not a
+ few of my readers. A mind for which the greatest crimes have only charms
+ through the glory which attaches to them, the energy which their
+ perpetration requires, and the dangers which attend them. A remarkable and
+ important personage, abundantly endowed with the power of becoming either
+ a Brutus or a Catiline, according as that power is directed. An unhappy
+ conjunction of circumstances determines him to choose the latter for, his
+ example, and it is only after a fearful straying that he is recalled to
+ emulate the former. Erroneous notions of activity and power, an exuberance
+ of strength which bursts through all the barriers of law, must of
+ necessity conflict with the rules of social life. To these enthusiast
+ dreams of greatness and efficiency it needed but a sarcastic bitterness
+ against the unpoetic spirit of the age to complete the strange Don Quixote
+ whom, in the Robber Moor, we at once detest and love, admire and pity. It
+ is, I hope, unnecessary to remark that I no more hold up this picture as a
+ warning exclusively to robbers than the greatest Spanish satire was
+ levelled exclusively at knight-errants.
+ </p>
+ <p>
+ It is nowadays so much the fashion to be witty at the expense of religion
+ that a man will hardly pass for a genius if he does not allow his impious
+ satire to run a tilt at its most sacred truths. The noble simplicity of
+ holy writ must needs be abused and turned into ridicule at the daily
+ assemblies of the so-called wits; for what is there so holy and serious
+ that will not raise a laugh if a false sense be attached to it? Let me
+ hope that I shall have rendered no inconsiderable service to the cause of
+ true religion and morality in holding up these wanton misbelievers to the
+ detestation of society, under the form of the most despicable robbers.
+ </p>
+ <p>
+ But still more. I have made these said immoral characters to stand out
+ favorably in particular points, and even in some measure to compensate by
+ qualities of the head for what they are deficient in those of the heart.
+ Herein I have done no more than literally copy nature. Every man, even the
+ most depraved, bears in some degree the impress of the Almighty's image,
+ and perhaps the greatest villain is not farther removed from the most
+ upright man than the petty offender; for the moral forces keep even pace
+ with the powers of the mind, and the greater the capacity bestowed on man,
+ the greater and more enormous becomes his misapplication of it; the more
+ responsible is he for his errors.
+ </p>
+ <p>
+ The "Adramelech" of Klopstock (in his Messiah) awakens in us a feeling in
+ which admiration is blended with detestation. We follow Milton's Satan
+ with shuddering wonder through the pathless realms of chaos. The Medea of
+ the old dramatists is, in spite of all her crimes, a great and wondrous
+ woman, and Shakespeare's Richard III. is sure to excite the admiration of
+ the reader, much as he would hate the reality. If it is to be my task to
+ portray men as they are, I must at the same time include their good
+ qualities, of which even the most vicious are never totally destitute. If
+ I would warn mankind against the tiger, I must not omit to describe his
+ glossy, beautifully-marked skin, lest, owing to this omission, the
+ ferocious animal should not be recognized till too late. Besides this, a
+ man who is so utterly depraved as to be without a single redeeming point
+ is no meet subject for art, and would disgust rather than excite the
+ interest of the reader; who would turn over with impatience the pages
+ which concern him. A noble soul can no more endure a succession of moral
+ discords than the musical ear the grating of knives upon glass.
+ </p>
+ <p>
+ And for this reason I should have been ill-advised in attempting to bring
+ my drama on the stage. A certain strength of mind is required both on the
+ part of the poet and the reader; in the former that he may not disguise
+ vice, in the latter that he may not suffer brilliant qualities to beguile
+ him into admiration of what is essentially detestable. Whether the author
+ has fulfilled his duty he leaves others to judge, that his readers will
+ perform theirs he by no means feels assured. The vulgar&mdash;among whom I
+ would not be understood to mean merely the rabble&mdash;the vulgar I say
+ (between ourselves) extend their influence far around, and unfortunately&mdash;set
+ the fashion. Too shortsighted to reach my full meaning, too narrow-minded
+ to comprehend the largeness of my views, too disingenuous to admit my
+ moral aim&mdash;they will, I fear, almost frustrate my good intentions,
+ and pretend to discover in my work an apology for the very vice which it
+ has been my object to condemn, and will perhaps make the poor poet, to
+ whom anything rather than justice is usually accorded, responsible for his
+ simplicity.
+ </p>
+ <p>
+ Thus we have a <i>Da capo</i> of the old story of Democritus and the
+ Abderitans, and our worthy Hippocrates would needs exhaust whole
+ plantations of hellebore, were it proposed to remedy this mischief by a
+ healing decoction.
+ </p>
+<pre xml:space="preserve">
+ [This alludes to the fable amusingly recorded by Wieland in his
+ Geschichte der Abderiten. The Abderitans, who were a byword among
+ the ancients for their extreme simplicity, are said to have sent
+ express for Hipocrates to cure their great townsman Democritus,
+ whom they believed to be out of his senses, because his sayings
+ were beyond their comprehension. Hippocrates, on conversing with
+ Democritus, having at once discovered that the cause lay with
+ themselves, assembled the senate and principal inhabitants in the
+ market-place with the promise of instructing them in the cure of
+ Democritus. He then banteringly advised them to import six
+ shiploads of hellebore of the very best quality, and on its arrival
+ to distribute it among the citizens, at least seven pounds per
+ head, but to the senators double that quantity, as they were bound
+ to have an extra supply of sense. By the time these worthies
+ discovered that they had been laughed at, Hippocrates was out of
+ their reach. The story in Wieland is infinitely more amusing than
+ this short quotation from memory enables me to show. H. G. B.]
+</pre>
+ <p>
+ Let as many friends of truth as you will, instruct their fellow-citizens
+ in the pulpit and on the stage, the vulgar will never cease to be vulgar,
+ though the sun and moon may change their course, and "heaven and earth wax
+ old as a garment." Perhaps, in order to please tender-hearted people, I
+ might have been less true to nature; but if a certain beetle, of whom we
+ have all heard, could extract filth even from pearls, if we have examples
+ that fire has destroyed and water deluged, shall therefore pearls, fire,
+ and water be condemned. In consequence of the remarkable catastrophe which
+ ends my play, I may justly claim for it a place among books of morality,
+ for crime meets at last with the punishment it deserves; the lost one
+ enters again within the pale of the law, and virtue is triumphant. Whoever
+ will but be courteous enough towards me to read my work through with a
+ desire to understand it, from him I may expect&mdash;not that he will
+ admire the poet, but that he will esteem the honest man.<br /> SCHILLER.<br />
+ EASTER FAIR, 1781.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ADVERTISEMENT TO THE ROBBERS.
+ </h2>
+ <p>
+ AS COMMUNICATED BY SCHILLER TO DALBERG IN 1781, AND SUPPOSED TO HAVE BEEN
+ USED AS A PROLOGUE.
+ </p>
+ <p>
+ &mdash;This has never before been printed with any of the editions.&mdash;
+ </p>
+ <p>
+ The picture of a great, misguided soul, endowed with every gift of
+ excellence; yet lost in spite of all its gifts! Unbridled passions and bad
+ companionship corrupt his heart, urge him on from crime to crime, until at
+ last he stands at the head of a band of murderers, heaps horror upon
+ horror, and plunges from precipice to precipice into the lowest depths of
+ despair. Great and majestic in misfortune, by misfortune reclaimed, and
+ led back to the paths of virtue. Such a man shall you pity and hate, abhor
+ yet love, in the Robber Moor. You will likewise see a juggling, fiendish
+ knave unmasked and blown to atoms in his own mines; a fond, weak, and
+ over-indulgent father; the sorrows of too enthusiastic love, and the
+ tortures of ungoverned passion. Here, too, you will witness, not without a
+ shudder, the interior economy of vice; and from the stage be taught how
+ all the tinsel of fortune fails to smother the inward worm; and how
+ terror, anguish, remorse, and despair tread close on the footsteps of
+ guilt. Let the spectator weep to-day at our exhibition, and tremble, and
+ learn to bend his passions to the laws of religion and reason; let the
+ youth behold with alarm the consequences of unbridled excess; nor let the
+ man depart without imbibing the lesson that the invisible hand of
+ Providence makes even villains the instruments of its designs and
+ judgments, and can marvellously unravel the most intricate perplexities of
+ fate.
+ </p>
+ <p>
+ <a name="link2H_PREF" id="link2H_PREF">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PREFACE TO THE SECOND EDITION.
+ </h2>
+ <p>
+ The eight hundred copies of the first edition of my ROBBERS were exhausted
+ before all the admirers of the piece were supplied. A second was therefore
+ undertaken, which has been improved by greater care in printing, and by
+ the omission of those equivocal sentences which were offensive to the more
+ fastidious part of the public. Such an alteration, however, in the
+ construction of the play as should satisfy all the wishes of my friends
+ and critics has not been my object.
+ </p>
+ <p>
+ In this second edition the several songs have been arranged for the
+ pianoforte, which will enhance its value to the musical part of the
+ public. I am indebted for this to an able composer,* who has performed his
+ task in so masterly a manner that the hearer is not unlikely to forget the
+ poet in the melody of the musician.
+ </p>
+<pre xml:space="preserve">
+ DR. SCHILLER.
+</pre>
+ <p>
+ STUTTGART, Jan. 5, 1782.
+ </p>
+ <p>
+ * Alluding to his friend Zumsteeg.&mdash;ED.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h1>
+ THE ROBBERS.
+ </h1>
+ <h3>
+ A TRAGEDY.
+ </h3>
+<pre xml:space="preserve">
+ "Quae medicamenta non sanant, ferrum sanat; quae ferrum non
+ sanat, ignis sanat."&mdash;HIPPOCRATES.
+
+ DRAMATIS PERSONAE.
+
+ MAXIMILIAN, COUNT VON MOOR.
+
+ CHARLES,|
+ FRANCIS,| his Sons.
+ AMELIA VON EDELREICH, his Niece.
+ SPIEGELBERG,|
+ SCHWEITZER, |
+ GRIMM, |
+ RAZMANN, | Libertines, afterwards Banditti
+ SCHUFTERLE, |
+ ROLLER, |
+ KOSINSKY, |
+ SCHWARTZ, |
+ HERMANN, the natural son of a Nobleman.
+ DANIEL, an old Servant of Count von Moor.
+ PASTOR MOSER.
+ FATHER DOMINIC, a Monk.
+ BAND OF ROBBERS, SERVANTS, ETC.
+</pre>
+<pre xml:space="preserve">
+ The scene is laid in Germany. Period of action about two years.
+</pre>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE ROBBERS
+ </h2>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT I.
+ </h2>
+ <p>
+ SCENE I.&mdash;Franconia.
+ </p>
+ <p>
+ Apartment in the Castle of COUNT MOOR.
+ </p>
+ <p>
+ FRANCIS, OLD MOOR.
+ </p>
+ <p>
+ FRANCIS. But are you really well, father? You look so pale.
+ </p>
+ <p>
+ OLD MOOR. Quite well, my son&mdash;what have you to tell me?
+ </p>
+ <p>
+ FRANCIS. The post is arrived&mdash;a letter from our correspondent at
+ Leipsic.
+ </p>
+ <p>
+ OLD M. (eagerly). Any tidings of my son Charles?
+ </p>
+ <p>
+ FRANCIS. Hem! Hem!&mdash;Why, yes. But I fear&mdash;I know not&mdash;whether
+ I dare &mdash;your health.&mdash;Are you really quite well, father?
+ </p>
+ <p>
+ OLD M. As a fish in water.* Does he write of my son? What means this
+ anxiety about my health? You have asked me that question twice.
+ </p>
+<pre xml:space="preserve">
+ [*This is equivalent to our English saying "As sound as a roach."]
+</pre>
+ <p>
+ FRANCIS. If you are unwell&mdash;or are the least apprehensive of being so&mdash;
+ permit me to defer&mdash;I will speak to you at a fitter season.&mdash;(Half
+ aside.) These are no tidings for a feeble frame.
+ </p>
+ <p>
+ OLD M. Gracious Heavens? what am I doomed to hear?
+ </p>
+ <p>
+ FRANCIS. First let me retire and shed a tear of compassion for my lost
+ brother. Would that my lips might be forever sealed&mdash;for he is your
+ son! Would that I could throw an eternal veil over his shame&mdash;for he
+ is my brother! But to obey you is my first, though painful, duty&mdash;forgive
+ me, therefore.
+ </p>
+ <p>
+ OLD M. Oh, Charles! Charles! Didst thou but know what thorns thou plantest
+ in thy father's bosom! That one gladdening report of thee would add ten
+ years to my life! yes, bring back my youth! whilst now, alas, each fresh
+ intelligence but hurries me a step nearer to the grave!
+ </p>
+ <p>
+ FRANCIS. Is it so, old man, then farewell! for even this very day we might
+ all have to tear our hair over your coffin.*
+ </p>
+<pre xml:space="preserve">
+ [* This idiom is very common in Germany, and is used to express
+ affliction.]
+</pre>
+ <p>
+ OLD M. Stay! There remains but one short step more&mdash;let him have his
+ will! (He sits down.) The sins of the father shall be visited unto the
+ third and fourth generation&mdash;let him fulfil the decree.
+ </p>
+ <p>
+ FRANCIS (takes the letter out of his pocket). You know our correspondent!
+ See! I would give a finger of my right hand might I pronounce him a liar&mdash;a
+ base and slanderous liar! Compose yourself! Forgive me if I do not let you
+ read the letter yourself. You cannot, must not, yet know all.
+ </p>
+ <p>
+ OLD M. All, all, my son. You will but spare me crutches.*
+ </p>
+<pre xml:space="preserve">
+ [* <i>Du ersparst mir die Krucke</i>; meaning that the contents of the
+ letter can but shorten his declining years, and so spare him the
+ necessity of crutches.]
+</pre>
+ <p>
+ FRANCIS (reads). "Leipsic, May 1. Were I not bound by an inviolable
+ promise to conceal nothing from you, not even the smallest particular,
+ that I am able to collect, respecting your brother's career, never, my
+ dearest friend, should my guiltless pen become an instrument of torture to
+ you. I can gather from a hundred of your letters how tidings such as these
+ must pierce your fraternal heart. It seems to me as though I saw thee, for
+ the sake of this worthless, this detestable"&mdash;(OLD M. covers his
+ face). Oh! my father, I am only reading you the mildest passages&mdash;
+ "this detestable man, shedding a thousand tears." Alas! mine flowed&mdash;ay,
+ gushed in torrents over these pitying cheeks. "I already picture to myself
+ your aged pious father, pale as death." Good Heavens! and so you are,
+ before you have heard anything.
+ </p>
+ <p>
+ OLD M. Go on! Go on!
+ </p>
+ <p>
+ FRANCIS. "Pale as death, sinking down on his chair, and cursing the day
+ when his ear was first greeted with the lisping cry of 'Father!' I have
+ not yet been able to discover all, and of the little I do know I dare tell
+ you only a part. Your brother now seems to have filled up the measure of
+ his infamy. I, at least, can imagine nothing beyond what he has already
+ accomplished; but possibly his genius may soar above my conceptions. After
+ having contracted debts to the amount of forty thousand ducats,"&mdash;a
+ good round sum for pocket-money, father--"and having dishonored the
+ daughter of a rich banker, whose affianced lover, a gallant youth of rank,
+ he mortally wounded in a duel, he yesterday, in the dead of night, took
+ the desperate resolution of absconding from the arm of justice, with seven
+ companions whom he had corrupted to his own vicious courses." Father? for
+ heaven's sake, father! How do you feel?
+ </p>
+ <p>
+ OLD M. Enough. No more, my son, no more!
+ </p>
+ <p>
+ FRANCIS. I will spare your feelings. "The injured cry aloud for
+ satisfaction. Warrants have been issued for his apprehension&mdash;a price
+ is set on his head&mdash;the name of Moor"&mdash;No, these unhappy lips
+ shall not be guilty of a father's murder (he tears the letter). Believe it
+ not, my father, believe not a syllable.
+ </p>
+ <p>
+ OLD M. (weeps bitterly). My name&mdash;my unsullied name!
+ </p>
+ <p>
+ FRANCIS (throws himself on his neck). Infamous! most infamous Charles! Oh,
+ had I not my forebodings, when, even as a boy, he would scamper after the
+ girls, and ramble about over hill and common with ragamuffin boys and all
+ the vilest rabble; when he shunned the very sight of a church as a
+ malefactor shuns a gaol, and would throw the pence he had wrung from your
+ bounty into the hat of the first beggar he met, whilst we at home were
+ edifying ourselves with devout prayers and pious homilies? Had I not my
+ misgivings when he gave himself up to reading the adventures of Julius
+ Caesar, Alexander the Great, and other benighted heathens, in preference
+ to the history of the penitent Tobias? A hundred times over have I warned
+ you&mdash;for my brotherly affection was ever kept in subjection to filial
+ duty&mdash;that this forward youth would one day bring sorrow and disgrace
+ on us all. Oh that he bore not the name of Moor! that my heart beat less
+ warmly for him! This sinful affection, which I can not overcome, will one
+ day rise up against me before the judgment-seat of heaven.
+ </p>
+ <p>
+ OLD M. Oh! my prospects! my golden dreams!
+ </p>
+ <p>
+ FRANCIS. Ay, well I knew it. Exactly what I always feared. That fiery
+ spirit, you used to say, which is kindling in the boy, and renders him so
+ susceptible to impressions of the beautiful and grand&mdash;the
+ ingenuousness which reveals his whole soul in his eyes&mdash;the
+ tenderness of feeling which melts him into weeping sympathy at every tale
+ of sorrow&mdash;the manly courage which impels him to the summit of giant
+ oaks, and urges him over fosse and palisade and foaming torrents&mdash;that
+ youthful thirst of honor&mdash;that unconquerable resolution&mdash;all
+ those resplendent virtues which in the father's darling gave such promise&mdash;
+ would ripen into the warm and sincere friend&mdash;the excellent citizen&mdash;the
+ hero&mdash;the great, the very great man! Now, mark the result, father;
+ the fiery spirit has developed itself&mdash;expanded&mdash;and behold its
+ precious fruits. Observe this ingenuousness&mdash;how nicely it has
+ changed into effrontery;&mdash;this tenderness of soul&mdash;how it
+ displays itself in dalliance with coquettes, in susceptibility to the
+ blandishments of a courtesan! See this fiery genius, how in six short
+ years it hath burnt out the oil of life, and reduced his body to a living
+ skeleton; so that passing scoffers point at him with a sneer and exclaim&mdash;"<i>C'est
+ l'amour qui a fait cela</i>." Behold this bold, enterprising spirit&mdash;how
+ it conceives and executes plans, compared to which the deeds of a
+ Cartouche or a Howard sink into insignificance. And presently, when these
+ precious germs of excellence shall ripen into full maturity, what may not
+ be expected from the full development of such a boyhood? Perhaps, father,
+ you may yet live to see him at the head of some gallant band, which
+ assembles in the silent sanctuary of the forest, and kindly relieves the
+ weary traveller of his superfluous burden. Perhaps you may yet have the
+ opportunity, before you go to your own tomb, of making a pilgrimage to the
+ monument which he may erect for himself, somewhere between earth and
+ heaven! Perhaps,&mdash;oh, father&mdash;father, look out for some other
+ name, or the very peddlers and street boys who have seen the effigy of
+ your worthy son exhibited in the market-place at Leipsic will point at you
+ with the finger of scorn!
+ </p>
+ <p>
+ OLD M. And thou, too, my Francis, thou too? Oh, my children, how
+ unerringly your shafts are levelled at my heart.
+ </p>
+ <p>
+ FRANCIS. You see that I too have a spirit; but my spirit bears the sting
+ of a scorpion. And then it was "the dry commonplace, the cold, the wooden
+ Francis," and all the pretty little epithets which the contrast between us
+ suggested to your fatherly affection, when he was sitting on your knee, or
+ playfully patting your cheeks? "He would die, forsooth, within the
+ boundaries of his own domain, moulder away, and soon be forgotten;" while
+ the fame of this universal genius would spread from pole to pole! Ah! the
+ cold, dull, wooden Francis thanks thee, heaven, with uplifted hands, that
+ he bears no resemblance to his brother.
+ </p>
+ <p>
+ OLD M. Forgive me, my child! Reproach not thy unhappy father, whose
+ fondest hopes have proved visionary. The merciful God who, through
+ Charles, has sent these tears, will, through thee, my Francis, wipe them
+ from my eyes!
+ </p>
+ <p>
+ FRANCIS. Yes, father, we will wipe them from your eyes. Your Francis will
+ devote&mdash;his life to prolong yours. (Taking his hand with affected
+ tenderness.) Your life is the oracle which I will especially consult on
+ every undertaking&mdash;the mirror in which I will contemplate everything.
+ No duty so sacred but I am ready to violate it for the preservation of
+ your precious days. You believe me?
+ </p>
+ <p>
+ OLD M. Great are the duties which devolve on thee, my son&mdash;Heaven
+ bless thee for what thou has been, and wilt be to me.
+ </p>
+ <p>
+ FRANCIS. Now tell me frankly, father. Should you not be a happy man, were
+ you not obliged to call this son your own?
+ </p>
+ <p>
+ OLD M. In mercy, spare me! When the nurse first placed him in my arms, I
+ held him up to Heaven and exclaimed, "Am I not truly blest?"
+ </p>
+ <p>
+ FRANCIS. So you said then. Now, have you found it so? You may envy the
+ meanest peasant on your estate in this, that he is not the father of such
+ a son. So long as you call him yours you are wretched. Your misery will
+ grow with his years&mdash;it will lay you in your grave.
+ </p>
+ <p>
+ OLD M. Oh! he has already reduced me to the decrepitude of fourscore.
+ </p>
+ <p>
+ FRANCIS. Well, then&mdash;suppose you were to disown this son.
+ </p>
+ <p>
+ OLD M. (startled). Francis! Francis! what hast thou said!
+ </p>
+ <p>
+ FRANCIS. Is not your love for him the source of all your grief? Root out
+ this love, and he concerns you no longer. But for this weak and
+ reprehensible affection he would be dead to you;&mdash;as though he had
+ never been born. It is not flesh and blood, it is the heart that makes us
+ sons and fathers! Love him no more, and this monster ceases to be your
+ son, though he were cut out of your flesh. He has till now been the apple
+ of your eye; but if thine eye offend you, says Scripture, pluck it out. It
+ is better to enter heaven with one eye than hell with two! "It is
+ profitable for thee that one of thy members should perish, and not that
+ thy whole body should be cast into hell." These are the words of the
+ Bible!
+ </p>
+ <p>
+ OLD M. Wouldst thou have me curse my son?
+ </p>
+ <p>
+ FRANCIS. By no means, father. God forbid! But whom do you call your son?
+ Him to whom you have given life, and who in return does his utmost to
+ shorten yours.
+ </p>
+ <p>
+ OLD M. Oh, it is all too true! it is a judgment upon me. The Lord has
+ chosen him as his instrument.
+ </p>
+ <p>
+ FRANCIS. See how filially your bosom child behaves. He destroys you by
+ your own excess of paternal sympathy; murders you by means of the very
+ love you bear him&mdash;has coiled round a father's heart to crush it.
+ When you are laid beneath the turf he becomes lord of your possessions,
+ and master of his own will. That barrier removed, and the torrent of his
+ profligacy will rush on without control. Imagine yourself in his place.
+ How often he must wish his father under ground&mdash;and how often, too,
+ his brother&mdash;who so unmercifully impede the free course of his
+ excesses. But call you this a requital of love? Is this filial gratitude
+ for a father's tenderness? to sacrifice ten years of your life to the lewd
+ pleasures of an hour? in one voluptuous moment to stake the honor of an
+ ancestry which has stood unspotted through seven centuries? Do you call
+ this a son? Answer? Do you call this your son?
+ </p>
+ <p>
+ OLD M. An undutiful son! Alas! but still my child! my child!
+ </p>
+ <p>
+ FRANCIS. A most amiable and precious child&mdash;whose constant study is
+ to get rid of his father. Oh, that you could learn to see clearly! that
+ the film might be removed from your eyes! But your indulgence must confirm
+ him in his vices! your assistance tend to justify them. Doubtless you will
+ avert the curse of Heaven from his head, but on your own, father&mdash;on
+ yours&mdash;will it fall with twofold vengeance.
+ </p>
+ <p>
+ OLD M. Just! most just! Mine, mine be all the guilt!
+ </p>
+ <p>
+ FRANCIS. How many thousands who have drained the voluptuous bowl of
+ pleasure to the dregs have been reclaimed by suffering! And is not the
+ bodily pain which follows every excess a manifest declaration of the
+ divine will! And shall man dare to thwart this by an impious exercise of
+ affection? Shall a father ruin forever the pledge committed to his charge?
+ Consider, father, if you abandon him for a time to the pressure of want
+ will not he be obliged to turn from his wickedness and repent? Otherwise,
+ untaught even in the great school of adversity, he must remain a confirmed
+ reprobate? And then&mdash;woe to the father who by a culpable tenderness
+ bath frustrated the ordinances of a higher wisdom! Well, father?
+ </p>
+ <p>
+ OLD M. I will write to him that I withdraw my protection.
+ </p>
+ <p>
+ FRANCIS. That would be wise and prudent.
+ </p>
+ <p>
+ OLD M. That he must never come into my sight again
+ </p>
+ <p>
+ FRANCIS. 'Twill have a most salutary effect.
+ </p>
+ <p>
+ OLD M. (tenderly). Until he reforms.
+ </p>
+ <p>
+ FRANCIS. Right, quite right. But suppose that he comes disguised in the
+ hypocrite's mask, implores your compassion with tears, and wheedles from
+ you a pardon, then quits you again on the morrow, and jests at your
+ weakness in the arms of his harlot. No, my father! He will return of his
+ own accord, when his conscience awakens him to repentance.
+ </p>
+ <p>
+ OLD M. I will write to him, on the spot, to that effect.
+ </p>
+ <p>
+ FRANCIS. Stop, father, one word more. Your just indignation might prompt
+ reproaches too severe, words which might break his heart&mdash;and then&mdash;do
+ you not think that your deigning to write with your own hand might be
+ construed into an act of forgiveness? It would be better, I think, that
+ you should commit the task to me?
+ </p>
+ <p>
+ OLD M. Do it, my son. Ah! it would, indeed, have broken my heart! Write to
+ him that&mdash;
+ </p>
+ <p>
+ FRANCIS (quickly). That's agreed, then?
+ </p>
+ <p>
+ OLD M. Say that he has caused me a thousand bitter tears&mdash;a thousand
+ sleepless nights&mdash;but, oh! do not drive my son to despair!
+ </p>
+ <p>
+ FRANCIS. Had you not better retire to rest, father? This affects you too
+ strongly.
+ </p>
+ <p>
+ OLD M. Write to him that a father's heart&mdash;But I charge you, drive
+ him not to despair. [Exit in sadness.]
+ </p>
+ <p>
+ FRANCIS (looking after him with a chuckle). Make thyself easy, old dotard!
+ thou wilt never more press thy darling to thy bosom&mdash;there is a gulf
+ between thee and him impassable as heaven is from hell. He was torn from
+ thy arms before even thou couldst have dreamed it possible to decree the
+ separation. Why, what a sorry bungler should I be had I not skill enough
+ to pluck a son from a father's heart; ay, though he were riveted there
+ with hooks of steel! I have drawn around thee a magic circle of curses
+ which he cannot overleap. Good speed to thee, Master Francis. Papa's
+ darling is disposed of&mdash;the course is clear. I must carefully pick up
+ all the scraps of paper, for how easily might my handwriting be
+ recognized. (He gathers the fragments of the letter.) And grief will soon
+ make an end of the old gentleman. And as for her&mdash; I must tear this
+ Charles from her heart, though half her life come with him.
+ </p>
+ <p>
+ No small cause have I for being dissatisfied with Dame Nature, and, by my
+ honor, I will have amends! Why did I not crawl the first from my mother's
+ womb? why not the only one? why has she heaped on me this burden of
+ deformity? on me especially? Just as if she had spawned me from her
+ refuse.* Why to me in particular this snub of the Laplander? these negro
+ lips? these Hottentot eyes? On my word, the lady seems to have collected
+ from all the race of mankind whatever was loathsome into a heap, and
+ kneaded the mass into my particular person. Death and destruction! who
+ empowered her to deny to me what she accorded to him? Could a man pay his
+ court to her before he was born? or offend her before he existed? Why went
+ she to work in such a partial spirit?
+ </p>
+ <p>
+ No! no! I do her injustice&mdash;she bestowed inventive faculty, and set
+ us naked and helpless on the shore of this great ocean, the world&mdash;let
+ those swim who can&mdash;the heavy** may sink. To me she gave naught else,
+ and how to make the best use of my endowment is my present business. Men's
+ natural rights are equal; claim is met by claim, effort by effort, and
+ force by force&mdash;right is with the strongest&mdash;the limits of our
+ power constitute our laws.
+ </p>
+ <p>
+ It is true there are certain organized conventions, which men have devised
+ to keep up what is called the social compact. Honor! truly a very
+ convenient coin, which those who know how to pass it may lay out with
+ great advantage.*** Conscience! oh yes, a useful scarecrow to frighten
+ sparrows away from cherry-trees; it is something like a fairly written
+ bill of exchange with which your bankrupt merchant staves off the evil
+ day.
+ </p>
+<pre xml:space="preserve">
+ * See Richard III., Act I, Sc. 1, line 17.
+
+ **Heavy is used in a double meaning; the German word is plump,
+ which Means lumpish clumsy awkward.
+
+ ***So Falstaff, Hen. IV., Pt. I., Act V., Sc. 1, "Honor is a mere
+ scutcheon."
+</pre>
+ <p>
+ Well! these are all most admirable institutions for keeping fools in awe,
+ and holding the mob underfoot, that the cunning may live the more at their
+ ease. Rare institutions, doubtless. They are something like the fences my
+ boors plant so closely to keep out the hares&mdash;yes I' faith, not a
+ hare can trespass on the enclosure, but my lord claps spurs to his hunter,
+ and away he gallops over the teeming harvest!
+ </p>
+ <p>
+ Poor hare! thou playest but a sorry part in this world's drama, but your
+ worshipful lords must needs have hares!
+ </p>
+<pre xml:space="preserve">
+ *[This may help to illustrate a passage in Shakespeare which
+ puzzles the commentators&mdash;"Cupid is a good hare-finder."&mdash;Much ADO,
+ Act I., Sc. 1.
+ The hare, in Germany, is considered an emblem of abject submission
+ and cowardice. The word may also be rendered "Simpleton,"
+ "Sawney," or any other of the numerous epithets which imply a soft
+ condition.]
+</pre>
+ <p>
+ Then courage, and onward, Francis. The man who fears nothing is as
+ powerful as he who is feared by everybody. It is now the mode to wear
+ buckles on your smallclothes, that you may loosen or tighten them at
+ pleasure. I will be measured for a conscience after the newest fashion,
+ one that will stretch handsomely as occasion may require. Am I to blame?
+ It is the tailor's affair? I have heard a great deal of twaddle about the
+ so-called ties of blood&mdash;enough to make a sober man beside himself.
+ He is your brother, they say; which interpreted, means that he was
+ manufactured in the same mould, and for that reason he must needs be
+ sacred in your eyes! To what absurd conclusions must this notion of a
+ sympathy of souls, derived from the propinquity of bodies, inevitably
+ tend? A common source of being is to produce community of sentiment;
+ identity of matter, identity of impulse! Then again,&mdash;he is thy
+ father! He gave thee life, thou art his flesh and blood&mdash;and
+ therefore he must be sacred to thee! Again a most inconsequential
+ deduction! I should like to know why he begot me;** certainly not out of
+ love for me&mdash;for I must first have existed!
+ </p>
+<pre xml:space="preserve">
+ **[The reader of Sterne will remember a very similar passage in the
+ first chapter of Tristram Shandy.]
+</pre>
+ <p>
+ Could he know me before I had being, or did he think of me during my
+ begetting? or did he wish for me at the moment? Did he know what I should
+ be? If so I would not advise him to acknowledge it or I should pay him off
+ for his feat. Am I to be thankful to him that I am a man? As little as I
+ should have had a right to blame him if he had made me a woman. Can I
+ acknowledge an affection which is not based on any personal regard? Could
+ personal regard be present before the existence of its object? In what,
+ then, consists the sacredness of paternity? Is it in the act itself out of
+ which existence arose? as though this were aught else than an animal
+ process to appease animal desires. Or does it lie, perhaps, in the result
+ of this act, which is nothing more after all than one of iron necessity,
+ and which men would gladly dispense with, were it not at the cost of flesh
+ and blood? Do I then owe him thanks for his affection? Why, what is it but
+ a piece of vanity, the besetting sin of the artist who admires his own
+ works, however hideous they may be? Look you, this is the whole juggle,
+ wrapped up in a mystic veil to work on our fears. And shall I, too, be
+ fooled like an infant? Up then! and to thy work manfully. I will root up
+ from my path whatever obstructs my progress towards becoming the master.
+ Master I must be, that I may extort by force what I cannot win by
+ affection.*
+ </p>
+<pre xml:space="preserve">
+ *[This soliloquy in some parts resembles that of Richard, Duke of
+ Gloster, in Shakespeare's Henry VI., Act V. Sc. 6.]
+</pre>
+ <p>
+ [Exit.]
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;A Tavern on the Frontier of Saxony.
+ </h2>
+<pre xml:space="preserve">
+ CHARLES VON MOOR intent on a book; SPIEGELBERG drinking at the table.
+</pre>
+ <p>
+ CHARLES VON M. (lays the book aside). I am disgusted with this age of puny
+ scribblers when I read of great men in my Plutarch.
+ </p>
+ <p>
+ SPIEGEL. (places a glass before him, and drinks). Josephus is the book you
+ should read.
+ </p>
+ <p>
+ CHARLES VON M. The glowing spark of Prometheus is burnt out, and now they
+ substitute for it the flash of lycopodium,* a stage-fire which will not so
+ much as light a pipe. The present generation may be compared to rats
+ crawling about the club of Hercules.**
+ </p>
+<pre xml:space="preserve">
+ *[Lycopodium (in German Barlappen-mehl), vulgarly known as the
+ Devil's Puff-ball or Witchmeal, is used on the stage, as well in
+ England as on the continent, to produce flashes of fire. It is
+ made of the pollen of common club moss, or wolf's claw (Lycopodium
+ clavatum), the capsules of which contain a highly inflammable
+ powder. Translators have uniformly failed in rendering this
+ passage.]
+
+ **[This simile brings to mind Shakespeare's:
+ "We petty men
+ Walk under his huge legs, and peep about."
+ JULIUS CAESAR, Act I., Sc. 2.]
+</pre>
+ <p>
+ A French abbe lays it down that Alexander was a poltroon; a phthisicky
+ professor, holding at every word a bottle of sal volatile to his nose,
+ lectures on strength. Fellows who faint at the veriest trifle criticise
+ the tactics of Hannibal; whimpering boys store themselves with phrases out
+ of the slaughter at Canna; and blubber over the victories of Scipio,
+ because they are obliged to construe them.
+ </p>
+ <p>
+ SPIEGEL. Spouted in true Alexandrian style.
+ </p>
+ <p>
+ CHARLES VON M. A brilliant reward for your sweat in the battle-field truly
+ to have your existence perpetuated in gymnasiums, and your immortality
+ laboriously dragged about in a schoolboy's satchel. A precious recompense
+ for your lavished blood to be wrapped round gingerbread by some Nuremberg
+ chandler, or, if you have great luck, to be screwed upon stilts by a
+ French playwright, and be made to move on wires! Ha, ha, ha!
+ </p>
+ <p>
+ SPIEGEL. (drinks). Read Josephus, I tell you.
+ </p>
+ <p>
+ CHARLES VON M. Fie! fie upon this weak, effeminate age, fit for nothing
+ but to ponder over the deeds of former times, and torture the heroes of
+ antiquity with commentaries, or mangle them in tragedies. The vigor of its
+ loins is dried up, and the propagation of the human species has become
+ dependent on potations of malt liquor.
+ </p>
+ <p>
+ SPIEGEL. Tea, brother! tea!
+ </p>
+ <p>
+ CHARLES VON M. They curb honest nature with absurd conventionalities; have
+ scarcely the heart to charge a glass, because they are tasked to drink a
+ health in it; fawn upon the lackey that he may put in a word for them with
+ His Grace, and bully the unfortunate wight from whom they have nothing to
+ fear. They worship any one for a dinner, and are just as ready to poison
+ him should he chance to outbid them for a feather-bed at an auction. They
+ damn the Sadducee who fails to come regularly to church, although their
+ own devotion consists in reckoning up their usurious gains at the very
+ altar. They cast themselves on their knees that they may have an
+ opportunity of displaying their mantles, and hardly take their eyes off
+ the parson from their anxiety to see how his wig is frizzled. They swoon
+ at the sight of a bleeding goose, yet clap their hands with joy when they
+ see their rival driven bankrupt from the Exchange. Warmly as I pressed
+ their hands,&mdash;"Only one more day." In vain! To prison with the dog!
+ Entreaties! Vows! Tears! (stamping the ground). Hell and the devil!
+ </p>
+ <p>
+ SPIEGEL. And all for a few thousand paltry ducats!
+ </p>
+ <p>
+ CHARLES VON M. No, I hate to think of it. Am I to squeeze my body into
+ stays, and straight-lace my will in the trammels of law. What might have
+ risen to an eagle's flight has been reduced to a snail's pace by law.
+ Never yet has law formed a great man; 'tis liberty that breeds giants and
+ heroes. Oh! that the spirit of Herman* still glowed in his ashes!
+ </p>
+<pre xml:space="preserve">
+ *[Herman is the German for Armin or Arminius, the celebrated
+ deliverer of Germany from the Roman yoke. See Menzel's History,
+ vol. i., p. 85, etc.]
+</pre>
+ <p>
+ Set me at the head of an army of fellows like myself, and out of Germany
+ shall spring a republic compared to which Rome and Sparta will be but as
+ nunneries. (Rises and flings his sword upon the table.)
+ </p>
+ <p>
+ SPIEGEL. (jumping up). Bravo! Bravissimo! you are coming to the right key
+ now. I have something for your ear, Moor, which has long been on my mind,
+ and you are the very man for it&mdash;drink, brother, drink! What if we
+ turned Jews and brought the kingdom of Jerusalem again on the tapis? But
+ tell me is it not a clever scheme? We send forth a manifesto to the four
+ quarters of the world, and summon to Palestine all that do not eat
+ Swineflesh. Then I prove by incontestable documents that Herod the
+ Tetrarch was my direct ancestor, and so forth. There will be a victory, my
+ fine fellow, when they return and are restored to their lands, and are
+ able to rebuild Jerusalem. Then make a clean sweep of the Turks out of
+ Asia while the iron is hot, hew cedars in Lebanon, build ships, and then
+ the whole nation shall chaffer with old clothes and old lace throughout
+ the world. Meanwhile&mdash;
+ </p>
+ <p>
+ CHARLES VON M. (smiles and takes him by the hand). Comrade! There must be
+ an end now of our fooleries.
+ </p>
+ <p>
+ SPIEGEL. (with surprise). Fie! you are not going to play the prodigal son!&mdash;a
+ fellow like you who with his sword has scratched more hieroglyhics on
+ other men's faces than three quill-drivers could inscribe in their
+ daybooks in a leap-year! Shall I tell you the story of the great dog
+ funeral? Ha! I must just bring back your own picture to your mind; that
+ will kindle fire in your veins, if nothing else has power to inspire you.
+ Do you remember how the heads of the college caused your dog's leg to be
+ shot off, and you, by way of revenge, proclaimed a fast through the whole
+ town? They fumed and fretted at your edict. But you, without losing time,
+ ordered all the meat to be bought up in Leipsic, so that in the course of
+ eight hours there was not a bone left to pick all over the place, and even
+ fish began to rise in price. The magistrates and the town council vowed
+ vengeance. But we students turned out lustily, seventeen hundred of us,
+ with you at our head, and butchers and tailors and haberdashers at our
+ backs, besides publicans, barbers, and rabble of all sorts, swearing that
+ the town should be sacked if a single hair of a student's head was
+ injured. And so the affair went off like the shooting at Hornberg,* and
+ they were obliged to be off with their tails between their legs.
+ </p>
+<pre xml:space="preserve">
+ *[The "shooting at Hornberg" is a proverbial expression in Germany
+ for any expedition from which, through lack of courage, the parties
+ retire without firing a shot.]
+</pre>
+ <p>
+ You sent for doctors&mdash;a whole posse of them&mdash;and offered three
+ ducats to any one who would write a prescription for your dog. We were
+ afraid the gentlemen would stand too much upon honor and refuse, and had
+ already made up our minds to use force. But this was quite unnecessary;
+ the doctors got to fisticuffs for the three ducats, and their competition
+ brought down the price to three groats; in the course of an hour a dozen
+ prescriptions were written, of which, of course, the poor beast very soon
+ died.
+ </p>
+ <p>
+ CHARLES VON M. The vile rascals.
+ </p>
+ <p>
+ SPIEGEL. The funeral procession was arranged with all due pomp; odes for
+ the dog were indited by the gross; and at night we all turned out, near a
+ thousand of us, a lantern in one hand and our rapier in the other, and so
+ proceeded through the town, the bells chiming and ringing, till the dog
+ was entombed. Then came a feed which lasted till broad daylight, when you
+ sent your acknowledgments to the college dons for their kind sympathy, and
+ ordered the meat to be sold at half-price. <i>Mort de ma vie</i>, if we
+ had not as great a respect for you as a garrison for the conqueror of a
+ fortress.
+ </p>
+ <p>
+ CHARLES VON M. And are you not ashamed to boast of these things? Have you
+ not shame enough in you to blush even at the recollection of such pranks?
+ </p>
+ <p>
+ SPIEGEL. Come, come! You are no longer the same Moor. Do you remember how,
+ a thousand times, bottle in hand, you made game of the miserly old
+ governor, bidding him by all means rake and scrape together as much as he
+ could, for that you would swill it all down your throat? Don't you
+ remember, eh?&mdash;don't you remember?' O you good-for-nothing, miserable
+ braggart! that was speaking like a man, and a gentleman, but&mdash;
+ </p>
+ <p>
+ CHARLES VON M. A curse on you for reminding me of it! A curse on myself
+ for what I said! But it was done in the fumes of wine, and my heart knew
+ not what my tongue uttered.
+ </p>
+ <p>
+ SPIEGEL. (shakes his head). No, no! that cannot be! Impossible, brother!
+ You are not in earnest! Tell me! most sweet brother, is it not poverty
+ which has brought you to this mood? Come! let me tell you a little story
+ of my youthful days. There was a ditch close to my house, eight feet wide
+ at the least, which we boys were trying to leap over for a wager. But it
+ was no go. Splash! there you lay sprawling, amidst hisses and roars of
+ laughter, and a relentless shower of snowballs. By the side of my house a
+ hunter's dog was lying chained, a savage beast, which would catch the
+ girls by their petticoats with the quickness of lightning if they
+ incautiously passed too near him. Now it was my greatest delight to tease
+ this brute in every possible way; and it was enough to make one burst with
+ laughing to see the beast fix his eyes on me with such fierceness that he
+ seemed ready to tear me to pieces if he could but get at me. Well, what
+ happened? Once, when I was amusing myself in this manner, I hit him such a
+ bang in the ribs with a stone that in his fury he broke loose and ran
+ right upon me. I tore away like lightning, but&mdash;devil take it!&mdash;that
+ confounded ditch lay right in my way. What was to be done? The dog was
+ close at my heels and quite furious; there was no time to deliberate. I
+ took a spring and cleared the ditch. To that leap I was indebted for life
+ and limb; the beast would have torn me to atoms.
+ </p>
+ <p>
+ CHARLES VON M. And to what does all this tend?
+ </p>
+ <p>
+ SPIEGEL. To this&mdash;that you may be taught that strength grows with the
+ occasion. For which reason I never despair even when things are the worst.
+ Courage grows with danger. Powers of resistance increase by pressure. It
+ is evident by the obstacles she strews in my path that fate must have
+ designed me for a great man.
+ </p>
+ <p>
+ CHARLES VON M. (angrily). I am not aware of anything for which we still
+ require courage, and have not already shown it.
+ </p>
+ <p>
+ SPIEGEL. Indeed! And so you mean to let your gifts go to waste? To bury
+ your talent? Do you think your paltry achievements at Leipsic amount to
+ the <i>ne plus ultra</i> of genius? Let us but once get to the great world&mdash;Paris
+ and London! where you get your ears boxed if you salute a man as honest.
+ It is a real jubilee to practise one's handicraft there on a grand scale.
+ How you will stare! How you will open your eyes! to see signatures forged;
+ dice loaded; locks picked, and strong boxes gutted; all that you shall
+ learn of Spiegelberg! The rascal deserves to be hanged on the first
+ gallows that would rather starve than manipulate with his fingers.
+ </p>
+ <p>
+ CHARLES VON M. (in a fit of absence). How now? I should not wonder if your
+ proficiency went further still.
+ </p>
+ <p>
+ SPIEGEL. I begin to think you mistrust me. Only wait till I have grown
+ warm at it; you shall see wonders; your little brain shall whirl clean
+ round in your pericranium when my teeming wit is delivered. (He rises
+ excited.) How it clears up within me! Great thoughts are dawning in on my
+ soul! Gigantic plans are fermenting in my creative brain. Cursed lethargy
+ (striking his forehead), which has hitherto enchained my faculties,
+ cramped and fettered my prospects! I awake; I feel what I am&mdash;and
+ what I am to be!
+ </p>
+ <p>
+ CHARLES VON M. You are a fool! The wine is swaggering in your brain.
+ </p>
+ <p>
+ SPIEGEL. (more excited). Spiegelberg, they will say, art thou a magician,
+ Spiegelberg? 'Tis a pity, the king will say, that thou wert not made a
+ general, Spiegelberg, thou wouldst have thrust the Austrians through a
+ buttonhole. Yes, I hear the doctors lamenting, 'tis a crying shame that he
+ was not bred to medicine, he would have discovered the <i>elixir vitae</i>.
+ Ay, and that he did not take to financiering, the Sullys will deplore in
+ their cabinets,&mdash;he would have turned flints into louis-d'ors by his
+ magic. And Spiegelberg will be the word from east to west; then down into
+ the dirt with you, ye cowards, ye reptiles, while Spiegelberg soars with
+ outspread wings to the temple of everlasting fame.
+ </p>
+ <p>
+ CHARLES VON M. A pleasant journey to you! I leave you to climb to the
+ summit of glory on the pillars of infamy. In the shade of my ancestral
+ groves, in the arms of my Amelia, a nobler joy awaits me. I have already,
+ last week, written to my father to implore his forgiveness, and have not
+ concealed the least circumstance from him; and where there is sincerity
+ there is compassion and help. Let us take leave of each other, Moritz.
+ After this day we shall meet no more. The post has arrived. My father's
+ forgiveness must already be within the walls of this town.
+ </p>
+<pre xml:space="preserve">
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHUFTERLE, and RAZMAN.
+</pre>
+ <p>
+ ROLLER. Are you aware that they are on our track!
+ </p>
+ <p>
+ GRIMM. That we are not for a moment safe from being taken?
+ </p>
+ <p>
+ CHARLES VON M. I don't wonder at it. It must be as it will! Have none of
+ you seen Schwarz? Did he say anything about having a letter for me?
+ </p>
+ <p>
+ ROLLER. He has been long in search of you on some such errand, I suspect.
+ </p>
+ <p>
+ CHARLES VON M. Where is he? where, where? (is about to rush off in haste).
+ </p>
+ <p>
+ ROLLER. Stay! we have appointed him to come here. You tremble?
+ </p>
+ <p>
+ CHARLES VON M. I do not tremble. Why should I tremble? Comrades, this
+ letter&mdash;rejoice with me! I am the happiest man under the sun; why
+ should I tremble?
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <div class="fig" >
+ <img alt="2pa158 (133K)" src="images/2pa158.jpg" /><br />
+ </div>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+ Enter SCHWARZ.
+</pre>
+ <p>
+ CHARLES VON M. (rushes towards him). Brother, brother! the letter, the
+ letter!
+ </p>
+ <p>
+ SCHW. (gives him a letter, which he opens hastily). What's the matter? You
+ have grown as pale as a whitewashed wall!
+ </p>
+ <p>
+ CHARLES VON M. My brother's hand!
+ </p>
+ <p>
+ SCHW. What the deuce is Spiegelberg about there?
+ </p>
+ <p>
+ GRIMM. The fellow's mad. He jumps about as if he had St. Vitus' dance.
+ </p>
+ <p>
+ SCHUF. His wits are gone a wool gathering! He's making verses, I'll be
+ sworn!
+ </p>
+ <p>
+ RAZ. Spiegelberg! Ho! Spiegelberg! The brute does not hear.
+ </p>
+ <p>
+ GRIMM. (shakes him). Hallo! fellow! are you dreaming? or&mdash;
+ </p>
+ <p>
+ SPIEGEL. (who has all this time been making gestures in a corner of the
+ room, as if working out some great project, jumps up wildly). Your money
+ or your life! (He catches SCHWEITZER by the throat, who very coolly flings
+ him against the wall; Moor drops the letter and rushes out. A general
+ sensation.)
+ </p>
+ <p>
+ ROLLER. (calling after him). Moor! where are you going? What's the matter?
+ </p>
+ <p>
+ GRIMM. What ails him? What has he been doing? He is as pale as death.
+ </p>
+ <p>
+ SCHW. He must have got strange news. Just let us see!
+ </p>
+ <p>
+ ROLLER. (picks up the letter from the ground, and reads). "Unfortunate
+ brother!"&mdash;a pleasant beginning&mdash;"I have only briefly to inform
+ you that you have nothing more to hope for. You may go, your father
+ directs me to tell you, wherever your own vicious propensities lead. Nor
+ are you to entertain, he says, any hope of ever gaining pardon by weeping
+ at his feet, unless you are prepared to fare upon bread and water in the
+ lowest dungeon of his castle until your hair shall outgrow eagles'
+ feathers, and your nails the talons of a vulture. These are his very
+ words. He commands me to close the letter. Farewell forever! I pity you.
+ </p>
+<pre xml:space="preserve">
+ "FRANCIS VON MOOR"
+</pre>
+ <p>
+ SCHW. A most amiable and loving brother, in good truth! And the
+ scoundrel's name is Francis.
+ </p>
+ <p>
+ SPIEGEL. (slinking forward). Bread and water! Is that it? A temperate
+ diet! But I have made a better provision for you. Did I not say that I
+ should have to think for you all at last?
+ </p>
+ <p>
+ SCHWEIT. What does the blockhead say! The jackass is going to think for us
+ all!
+ </p>
+ <p>
+ SPIEGEL. Cowards, cripples, lame dogs are ye all if you have not courage
+ enough to venture upon something great.
+ </p>
+ <p>
+ ROLLER. Well, of course, so we should be, you are right; but will your
+ proposed scheme get us out of this devil of a scrape? eh?
+ </p>
+ <p>
+ SPIEGEL. (with a proud laugh). Poor thing! Get us out of this scrape? Ha,
+ ha, ha! Get us out of the scrape!&mdash;and is that all your thimbleful of
+ brain can reach? And with that you trot your mare back to the stable?
+ Spiegelberg would have been a miserable bungler indeed if that were the
+ extent of his aim. Heroes, I tell you, barons, princes, gods, it will make
+ of you.
+ </p>
+ <p>
+ RAZ. That's pretty well for one bout, truly! But no doubt it is some
+ neck-breaking piece of business; it will cost a head or so at the least.
+ </p>
+ <p>
+ SPIEGEL. It wants nothing but courage; as to the headwork, I take that
+ entirely upon myself. Courage, I say, Schweitzer! Courage, Roller! Grimm!
+ Razman! Schufterle! Courage!
+ </p>
+ <p>
+ SCHW. Courage! If that is all, I have courage enough to walk through hell
+ barefoot.
+ </p>
+ <p>
+ SCHUFT. And I courage enough to fight the very devil himself under the
+ open gallows for the rescue of any poor sinner.
+ </p>
+ <p>
+ SPIEGEL. That's just what it should be! If ye have courage, let any one of
+ you step forward and say he has still something to lose, and not
+ everything to gain?
+ </p>
+ <p>
+ SCHW. Verily, I should have a good deal to lose, if I were to lose all
+ that I have yet to win!
+ </p>
+ <p>
+ PAZ. Yes, by Jove! and I much to win, if I could win all that I have not
+ got to lose.
+ </p>
+ <p>
+ SCHUFT. Were I to lose what I carry on my back on trust I should at any
+ rate have nothing to lose on the morrow.
+ </p>
+ <p>
+ SPIEGEL. Very well then! (He takes his place in the middle of them, and
+ says in solemn adjuration)&mdash;if but a drop of the heroic blood of the
+ ancient Germans still flow in your veins&mdash;come! We will fix our abode
+ in the Bohemian forests, draw together a band of robbers, and&mdash;What
+ are you gaping at? Has your slender stock of courage oozed out already?
+ </p>
+ <p>
+ ROLLER. You are not the first rogue by many that has defied the gallows;&mdash;and
+ yet what other choice have we?
+ </p>
+ <p>
+ SPIEGEL. Choice? You have no choice. Do you want to lie rotting in the
+ debtor's jail and beat hemp till you are bailed by the last trumpet? Would
+ you toil with pick-axe and spade for a morsel of dry bread? or earn a
+ pitiful alms by singing doleful ditties under people's windows? Or will
+ you be sworn at the drumhead&mdash;and then comes the question, whether
+ anybody would trust your hang-dog visages&mdash;and so under the splenetic
+ humor of some despotic sergeant serve your time of purgatory in advance?
+ Would you like to run the gauntlet to the beat of the drum? or be doomed
+ to drag after you, like a galley-slave, the whole iron store of Vulcan?
+ Behold your choice. You have before you the complete catalogue of all that
+ you may choose from!
+ </p>
+ <p>
+ ROLLER. Spiegelberg is not altogether wrong! I, too, have been concocting
+ plans, but they come much to the same thing. How would it be, thought I,
+ were we to club our wits together, and dish up a pocketbook, or an
+ almanac, or something of that sort, and write reviews at a penny a line,
+ as is now the fashion?
+ </p>
+ <p>
+ SCHUFT. The devil's in you! you are pretty nearly hitting on my own
+ schemes. I have been thinking to myself how would it answer were I to turn
+ Methodist, and hold weekly prayer-meetings?
+ </p>
+ <p>
+ GRIMM. Capital! and, if that fails, turn atheist! We might fall foul of
+ the four Gospels, get our book burned by the hangman, and then it would
+ sell at a prodigious rate.
+ </p>
+ <p>
+ RAZ. Or we might take the field to cure a fashionable ailment. I know a
+ quack doctor who has built himself a house with nothing but mercury, as
+ the motto over his door implies.
+ </p>
+ <p>
+ SCHWEIT. (rises and holds out his hand to Spiegelberg). Spiegelberg, thou
+ art a great man! or else a blind hog has by chance found an acorn.
+ </p>
+ <p>
+ SCHW. Excellent schemes! Honorable professions! How great minds
+ sympathize! All that seems wanting to complete the list is that we should
+ turn pimps and bawds.
+ </p>
+ <p>
+ SPIEGEL. Pooh! Pooh! Nonsense. And what is to prevent our combining most
+ of these occupations in one person? My plan will exalt you the most, and
+ it holds out glory and immortality into the bargain. Remember, too, ye
+ sorry varlets, and it is a matter worthy of consideration: one's fame
+ hereafter&mdash;the sweet thought of immortality&mdash;
+ </p>
+ <p>
+ ROLLER. And that at the very head of the muster-roll of honorable names!
+ You are a master of eloquence, Spiegelberg, when the question is how to
+ convert an honest man into a scoundrel. But does any one know what has
+ become of Moor?
+ </p>
+ <p>
+ SPIEGEL. Honest, say you? Do you think you'll be less honest then than you
+ are now? What do you call honest? To relieve rich misers of half of those
+ cares which only scare golden sleep from their eyelids; to force hoarded
+ coin into circulation; to restore the equalization of property; in one
+ word, to bring back the golden age; to relieve Providence of many a
+ burdensome pensioner, and so save it the trouble of sending war,
+ pestilence, famine, and above all, doctors&mdash;that is what I call
+ honesty, d'ye see; that's what I call being a worthy instrument in the
+ hand of Providence,&mdash;and then, at every meal you eat, to have the
+ sweet reflection: this is what thy own ingenuity, thy lion boldness, thy
+ night watchings, have procured for thee&mdash;to command the respect both
+ of great and small!
+ </p>
+ <p>
+ ROLLER. And at last to mount towards heaven in the living body, and in
+ spite of wind and storm, in spite of the greedy maw of old father Time, to
+ be hovering beneath the sun and moon and all the stars of the firmament,
+ where even the unreasoning birds of heaven, attracted by noble instinct,
+ chant their seraphic music, and angels with tails hold their most holy
+ councils? Don't you see? And, while monarchs and potentates become a prey
+ to moths and worms, to have the honor of receiving visits from the royal
+ bird of Jove. Moritz, Moritz, Moritz! beware of the three-legged beast.*
+ </p>
+<pre xml:space="preserve">
+ *[The gallows, which in Germany is formed of three posts.]
+</pre>
+ <p>
+ SPIEGEL. And does that fright thee, craven-heart? Has not many a universal
+ genius, who might have reformed the world, rotted upon the gallows? And
+ does not the renown of such a man live for hundreds and thousands of
+ years, whereas many a king and elector would be passed over in history,
+ were not historians obliged to give him a niche to complete the line of
+ succession, or that the mention of him did not swell the volume a few
+ octavo pages, for which he counts upon hard cash from the publisher. And
+ when the wayfarer sees you swinging to and fro in the breeze he will
+ mutter to himself, "That fellow's brains had no water in them, I'll
+ warrant me," and then groan over the hardship of the times.
+ </p>
+ <p>
+ SCHWEIT. (slaps him on the shoulder). Well said, Spiegelberg! Well said!
+ Why the devil do we stand here hesitating?
+ </p>
+ <p>
+ SCHW. And suppose it is called disgrace&mdash;what then? Cannot one, in
+ case of need, always carry a small powder about one, which quietly smooths
+ the weary traveller's passage across the Styx, where no cock-crowing will
+ disturb his rest? No, brother Moritz! Your scheme is good; so at least
+ says my creed.
+ </p>
+ <p>
+ SCHUFT. Zounds! and mine too! Spiegelberg, I am your recruit.
+ </p>
+ <p>
+ RAZ. Like a second Orpheus, Spiegelberg, you have charmed to sleep that
+ howling beast, conscience! Take me as I stand, I am yours entirely!
+ </p>
+ <p>
+ GRIMMM. <i>Si omnes consentiunt ego non dissentio</i>;* mind, without a
+ comma. There is an auction going on in my head&mdash;methodists&mdash;quack
+ doctors&mdash;reviewers&mdash;rogues;&mdash;the highest bidder has me.
+ Here is my hand, Moritz!
+ </p>
+<pre xml:space="preserve">
+ *[The joke is explained by placing a comma after non.]
+</pre>
+ <p>
+ ROLLER. And you too, Schweitzer? (he gives his right hand to SPIEGELBERG).
+ Thus I consign my soul to the devil.
+ </p>
+ <p>
+ SPIEGEL. And your name to the stars! What does it signify where the soul
+ goes to? If crowds of <i>avantcouriers</i> give notice of our descent that
+ the devils may put on their holiday gear, wipe the accumulated soot of a
+ thousand years from their eyelashes, and myriads of horned heads pop up
+ from the smoking mouth of their sulphurous chimneys to welcome our
+ arrival! 'Up, comrades! (leaping up). Up! What in the world is equal to
+ this ecstacy of delight? Come along, comrades!
+ </p>
+ <p>
+ ROLLER. Gently, gently! Where are you going? Every beast must have a head,
+ boys!
+ </p>
+ <p>
+ SPIEGEL. (With bitterness). What is that incubus preaching about? Was not
+ the head already there before a single limb began to move? Follow me,
+ comrades!
+ </p>
+ <p>
+ ROLLER. Gently, I say! even liberty must have its master. Rome and Sparta
+ perished for want of a chief.
+ </p>
+ <p>
+ SPIEGEL. (in a wheedling manner). Yes,&mdash;stay&mdash;Roller is right.
+ And he must have an enlightened head. Do you understand? A keen, politic
+ head. Yes! when I think what you were only an hour ago, and what you are
+ now, and that it is all owing to one happy thought. Yes, of course, you
+ must have a chief, and you'll own that he who struck out this idea may
+ claim to have an enlightened and politic head?
+ </p>
+ <p>
+ ROLLER. If one could hope, if one could dream, but I fear he will not
+ consent.
+ </p>
+ <p>
+ SPIEGEL. Why not? Speak out boldly, friend! Difficult as it may be to
+ steer a laboring vessel against wind and tide, oppressive as may be the
+ weight of a crown, speak your thought without hesitation, Roller! Perhaps
+ he may be prevailed upon after all!
+ </p>
+ <p>
+ ROLLER. And if he does not the whole vessel will be crazy enough. Without
+ Moor we are a "body without a soul."
+ </p>
+ <p>
+ SPIEGEL. (turning angrily from him). Dolt! blockhead!
+ </p>
+<pre xml:space="preserve">
+ (Enter CHARLES VON MOOR in violent agitation, stalking backwards
+ and forwards, and speaking to himself.)
+</pre>
+ <p>
+ CHARLES VON M. Man&mdash;man! false, perfidious crocodile-brood! Your eyes
+ are all tears, but your hearts steel! Kisses on your lips, but daggers
+ couched in your bosoms! Even lions and tigers nourish their young. Ravens
+ feast their brood on carrion, and he&mdash;he Malice I have learned to
+ bear; and I can smile when my fellest enemy drinks to me in my own heart's
+ blood; but when kindred turn traitors, when a father's love becomes a
+ fury's hate; oh, then, let manly resignation give place to raging fire!
+ the gentle lamb become a tiger! and every nerve strain itself to vengeance
+ and destruction!
+ </p>
+ <p>
+ ROLLER. Hark ye, Moor! What think ye of it? A robber's life is pleasanter,
+ after all, than to lie rotting on bread and water in the lowest dungeon of
+ the castle?
+ </p>
+ <p>
+ CHARLES VON M. Why was not this spirit implanted in a tiger which gluts
+ its raging jaws with human flesh? Is this a father's tenderness? Is this
+ love for love? Would I were a bear to rouse all the bears of the north
+ against this murderous race! Repentance, and no pardon! Oh, that I could
+ poison the ocean that men might drink death from every spring! Contrition,
+ implicit reliance, and no pardon!
+ </p>
+ <p>
+ ROLLER. But listen, Moor,&mdash;listen to what I am telling you!
+ </p>
+ <p>
+ CHARLES VON M. 'Tis incredible! 'tis a dream&mdash;a delusion! Such
+ earnest entreaty, such a vivid picture of misery and tearful penitence&mdash;a
+ savage beast would have been melted to compassion! stones would have wept,
+ and yet he&mdash;it would be thought a malicious libel upon human nature
+ were I to proclaim it&mdash;and yet, yet&mdash;oh, that I could sound the
+ trumpet of rebellion through all creation, and lead air, and earth, and
+ sea into battle array against this generation of hyenas!
+ </p>
+ <p>
+ GRIMM. Hear me, only hear me! You are deaf with raving.
+ </p>
+ <p>
+ CHARLES VON M. Avaunt, avaunt! Is not thy name man? Art thou not born of
+ woman? Out of my sight, thou thing with human visage! I loved him so
+ unutterably!&mdash;never son so loved a father; I would have sacrificed a
+ thousand lives for him (foaming and stamping the ground). Ha! where is he
+ that will put a sword into my hand that I may strike this generation of
+ vipers to the quick! Who will teach me how to reach their heart's core, to
+ crush, to annihilate the whole race? Such a man shall be my friend, my
+ angel, my god&mdash;him will I worship!
+ </p>
+ <p>
+ ROLLER. Such friends behold in us; be but advised!
+ </p>
+ <p>
+ SCHW. Come with us into the Bohemian forests! We will form a band of
+ robbers there, and you (MOOR stares at him).
+ </p>
+ <p>
+ SCHWEIT. You shall be our captain! you must be our captain!
+ </p>
+ <p>
+ SPIEGEL. (throws himself into a chair in a rage). Slaves and cowards!
+ </p>
+ <p>
+ CHARLES VON M. Who inspired thee with that thought? Hark, fellow!
+ (grasping ROLLER tightly) that human soul of thine did not produce it; who
+ suggested it to thee? Yes, by the thousand arms of death! that's what we
+ will, and what we must do! the thought's divine. He who conceived it
+ deserves to be canonized. Robbers and murderers! As my soul lives, I am
+ your captain!
+ </p>
+ <p>
+ ALL (with tumultuous shouts). Hurrah! long live our captain!
+ </p>
+ <p>
+ SPIEGEL. (starting up, aside). Till I give him his <i>coup de grace</i>!
+ </p>
+ <p>
+ CHARLES VON M. See, it falls like a film from my eyes! What a fool was I
+ to think of returning to be caged? My soul's athirst for deeds, my spirit
+ pants for freedom. Murderers, robbers! with these words I trample the law
+ underfoot&mdash;mankind threw off humanity when I appealed to it. Away,
+ then, with human sympathies and mercy! I no longer have a father, no
+ longer affections; blood and death shall teach me to forget that anything
+ was ever dear to me! Come! come! Oh, I will recreate myself with some most
+ fearful vengeance;&mdash;'tis resolved, I am your captain! and success to
+ him who Shall spread fire and slaughter the widest and most savagely&mdash;I
+ pledge myself He shall be right royally rewarded. Stand around me, all of
+ you, and swear to me fealty and obedience unto death! Swear by this trusty
+ right hand.
+ </p>
+ <p>
+ ALL (place their hands in his). We swear to thee fealty and obedience unto
+ death!
+ </p>
+ <p>
+ CHARLES VON M. And, by this same trusty right Hand, I here swear to you to
+ remain your captain, true and faithful unto death! This arm shall make an
+ instant corpse of him who doubts, or fears, or retreats. And may the same
+ befall me from your hands if I betray my oath! Are you content?
+ </p>
+<pre xml:space="preserve">
+ [SPIEGELBERG runs up and down in a furious rage.]
+</pre>
+ <p>
+ ALL (throwing up their hats). We are content!
+ </p>
+ <p>
+ CHARLES VON M. Well, then, let us be gone! Fear neither death nor danger,
+ for an unalterable destiny rules over us. Every man has his doom, be it to
+ die on the soft pillow of down, or in the field of blood, or on the
+ scaffold, or the wheel! One or the other of these must be our lot!
+ [Exeunt.]
+ </p>
+ <p>
+ SPIEGEL. (looking after them after a pause). Your catalogue has a hole in
+ it. You have omitted poison.
+ </p>
+ <p>
+ [Exit.]
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE III.&mdash;MOOR'S Castle.&mdash;AMELIA'S Chamber.
+ </h2>
+<pre xml:space="preserve">
+ FRANCIS, AMELIA.
+</pre>
+ <p>
+ FRANCIS. Your face is averted from me, Amelia? Am I less worthy than he
+ who is accursed of his father?
+ </p>
+ <p>
+ AMELIA. Away! Oh! what a loving, compassionate father, who abandons his
+ son a prey to wolves and monsters! In his own comfortable home he pampers
+ himself with delicious wines and stretches his palsied limbs on down,
+ while his noble son is starving. Shame upon you, inhuman wretches! Shame
+ upon you, ye souls of dragons, ye blots on humanity!&mdash; his only son!
+ </p>
+ <p>
+ FRANCIS. I thought he had two.
+ </p>
+ <p>
+ AMELIA. Yes, he deserves to have such sons as you are. On his deathbed he
+ will in vain stretch out his withered hands for his Charles, and recoil
+ with a shudder when he feels the ice-cold hand of his Francis. Oh, it is
+ sweet, deliciously sweet, to be cursed by such a father! Tell me, Francis,
+ dear brotherly soul&mdash;tell me what must one do to be cursed by him?
+ </p>
+ <p>
+ FRANCIS. You are raving, dearest; you are to be pitied.
+ </p>
+ <p>
+ AMELIA. Oh! indeed. Do you pity your brother? No, monster, you hate him! I
+ hope you hate me too.
+ </p>
+ <p>
+ FRANCIS. I love you as dearly as I love myself, Amelia!
+ </p>
+ <p>
+ AMELIA. If you love me you will not refuse me one little request.
+ </p>
+ <p>
+ FRANCIS. None, none! if you ask no more than my life.
+ </p>
+ <p>
+ AMELIA. Oh, if that is the case! then one request, which you will so
+ easily, so readily grant. (Loftily.) Hate me! I should perforce blush
+ crimson if, whilst thinking of Charles, it should for a moment enter my
+ mind that you do not hate me. You promise me this? Now go, and leave me; I
+ so love to be alone!
+ </p>
+ <p>
+ FRANCIS. Lovely enthusiast! how greatly I admire your gentle, affectionate
+ heart. Here, here, Charles reigned sole monarch, like a god within his
+ temple; he stood before thee waking, he filled your imaination dreaming;
+ the whole creation seemed to thee to centre in Charles, and to reflect him
+ alone; it gave thee no other echo but of him.
+ </p>
+ <p>
+ AMELIA (with emotion). Yes, verily, I own it. Despite of you all,
+ barbarians as you are, I will own it before all the world. I love him!
+ </p>
+ <p>
+ FRANCIS. Inhuman, cruel! So to requite a love like this! To forget her&mdash;
+ </p>
+ <p>
+ AMELIA (starting). What! forget me?
+ </p>
+ <p>
+ FRANCIS. Did you not place a ring on his finger?&mdash;a diamond ring, the
+ pledge of your love? To be sure how is it possible for youth to resist the
+ fascinations of a wanton? Who can blame him for it, since he had nothing
+ else left to give away? and of course she repaid him with interest by her
+ caresses and embraces.
+ </p>
+ <p>
+ AMELIA (with indignation). My ring to a wanton?
+ </p>
+ <p>
+ FRANCIS. Fie, fie! it is disgraceful. 'Twould not be much, however, if
+ that were all. A ring, be it ever so costly, is, after all, a thing which
+ one may always buy of a Jew. Perhaps the fashion of it did not please him,
+ perhaps he exchanged it for one more beautiful.
+ </p>
+ <p>
+ AMELIA (with violence). But my ring, I say, my ring?
+ </p>
+ <p>
+ FRANCIS. Even yours, Amelia. Ha! such a brilliant, and on my finger; and
+ from Amelia! Death itself should not have plucked it hence. It is not the
+ costliness of the diamond, not the cunning of the pattern&mdash;it is love
+ which constitutes its value. Is it not so, Amelia? Dearest child, you are
+ weeping. Woe be to him who causes such precious drops to flow from those
+ heavenly eyes; ah, and if you knew all, if you could but see him yourself,
+ see him under that form?
+ </p>
+ <p>
+ AMELIA. Monster! what do you mean? What form do you speak of?
+ </p>
+ <p>
+ FRANCIS. Hush, hush, gentle soul, press me no further (as if
+ soliloquizing, yet aloud). If it had only some veil, that horrid vice,
+ under which it might shroud itself from the eye of the world! But there it
+ is, glaring horribly through the sallow, leaden eye; proclaiming itself in
+ the sunken, deathlike look; ghastly protruding bones; the faltering,
+ hollow voice; preaching audibly from the shattered, shaking skeleton;
+ piercing to the most vital marrow of the bones, and sapping the manly
+ strength of youth&mdash;faugh! the idea sickens me. Nose, eyes, ears
+ shrink from it. You saw that miserable wretch, Amelia, in our hospital,
+ who was heavily breathing out his spirit; modesty seemed to cast down her
+ abashed eye as she passed him; you cried woe upon him. Recall that hideous
+ image to your mind, and your Charles stands before you. His kisses are
+ pestilence, his lips poison.
+ </p>
+ <p>
+ AMELIA (strikes him). Shameless liar!
+ </p>
+ <p>
+ FRANCIS. Does such a Charles inspire you with horror? Does the mere
+ picture fill you with disgust? Go, then! gaze upon him yourself, your
+ handsome, your angelic, your divine Charles! Go, drink his balmy breath,
+ and revel in the ambrosial fumes which ascend from his throat! The very
+ exhalations of his body will plunge you into that dark and deathlike
+ dizziness which follows the smell of a bursting carcase, or the sight of a
+ corpse-strewn battle-field. (AMELIA turns away her face.) What sensations
+ of love! What rapture in those embraces! But is it not unjust to condemn a
+ man because of his diseased exterior? Even in the most wretched lump of
+ deformity a soul great and worthy of love may beam forth brightly like a
+ pearl on a dunghill. ( With a malignant smile.) Even from lips of
+ corruption love may&mdash;&mdash;. To be sure if vice should undermine the
+ very foundations of character, if with chastity virtue too should take her
+ flight as the fragrance departs from the faded rose&mdash;if with the body
+ the soul too should be tainted and corrupted.
+ </p>
+ <p>
+ AMELIA (rising joyfully). Ha! Charles! now I recognize thee again! Thou
+ art whole, whole! It was all a lie! Dost thou not know, miscreant, that it
+ would be impossible for Charles to be the being you describe? (FRANCIS
+ remains standing for some time, lost in thought, then suddenly turns round
+ to go away.) Whither are you going in such haste? Are you flying from your
+ own infamy?
+ </p>
+ <p>
+ FRANCIS (hiding his face). Let me go, let me go! to give free vent to my
+ tears! tyrannical father, thus to abandon the best of your sons to misery
+ and disgrace on every side! Let me go, Amelia! I will throw myself at his
+ feet, on my knees I will conjure him to transfer to me the curse that he
+ has pronounced, to disinherit me, to hate me, my blood, my life, my all&mdash;&mdash;.
+ </p>
+ <p>
+ AMELIA (falls on his neck). Brother of my Charles! Dearest, most excellent
+ Francis!
+ </p>
+ <p>
+ FRANCIS. Oh, Amelia! how I love you for this unshaken constancy to my
+ brother. Forgive me for venturing to subject your love to so severe a
+ trial! How nobly you have realized my wishes! By those tears, those sighs,
+ that divine indignation&mdash;and for me too, for me&mdash;our souls did
+ so truly harmonize.
+ </p>
+ <p>
+ AMELIA. Oh, no! that they never did!
+ </p>
+ <p>
+ FRANCIS. Alas! they harmonized so truly that I always thought we must be
+ twins. And were it not for that unfortunate difference in person, to be
+ twin-like, which, it must be admitted, would be to the disadvantage of
+ Charles, we should again and again be mistaken for each other. Thou art, I
+ often said to myself, thou art the very Charles, his echo, his
+ counterpart.
+ </p>
+ <p>
+ AMELIA (shakes her head). No, no! by that chaste light of heaven! not an
+ atom of him, not the least spark of his soul.
+ </p>
+ <p>
+ FRANCIS. So entirely the same in our dispositions; the rose was his
+ favorite flower, and what flower do I esteem above the rose? He loved
+ music beyond expression; and ye are witnesses, ye stars! how often you
+ have listened to me playing on the harpsichord in the dead silence of
+ night, when all around lay buried in darkness and slumber; and how is it
+ possible for you, Amelia, still to doubt? if our love meets in one
+ perfection, and if it is the self-same love, how can its fruits
+ degenerate? (AMELIA looks at him with astonishment.) It was a calm, serene
+ evening, the last before his departure for Leipzic, when he took me with
+ him to the bower where you so often sat together in dreams of love,&mdash;we
+ were long speechless; at last he seized my hand, and said, in a low voice,
+ and with tears in his eyes, "I am leaving Amelia; I know not, but I have a
+ sad presentiment that it is forever; forsake her not, brother; be her
+ friend, her Charles&mdash;if Charles&mdash;should never&mdash;never
+ return." (He throws himself down before her, and kisses her hand with
+ fervor.) Never, never, never will he return; and I stand pledged by a
+ sacred oath to fulfil his behest!
+ </p>
+ <p>
+ AMELIA (starting back). Traitor! Now thou art unmasked! In that very bower
+ he conjured me, if he died, to admit no other love. Dost thou see how
+ impious, how execrable&mdash;&mdash;. Quit my sight!
+ </p>
+ <p>
+ FRANCIS. You know me not, Amelia; you do not know me in the least!
+ </p>
+ <p>
+ AMELIA. Oh, yes, I know you; from henceforth I know you; and you pretend
+ to be like him? You mean to say that he wept for me in your presence?
+ Yours? He would sooner have inscribed my name on the pillory? Begone&mdash;this
+ instant!
+ </p>
+ <p>
+ FRANCIS. You insult me.
+ </p>
+ <p>
+ AMELIA. Go&mdash;I say. You have robbed me of a precious hour; may it be
+ deducted from your life.
+ </p>
+ <p>
+ FRANCIS. You hate me then!
+ </p>
+ <p>
+ AMELIA. I despise you&mdash;away!
+ </p>
+<pre xml:space="preserve">
+FRANCIS (stamping with fury). Only wait! you shall learn to tremble
+before me!&mdash;To sacrifice me for a beggar!
+ [Exit in anger.]
+</pre>
+<pre xml:space="preserve">
+AMELIA. Go, thou base villain! Now, Charles, am I again thine own.
+Beggar, did he say! then is the world turned upside down, beggars are
+kings, and kings are beggars! I would not change the rags he wears for
+the imperial purple. The look with which he begs must, indeed, be a
+noble, a royal look, a look that withers into naught the glory, the
+pomp, the triumphs of the rich and great! Into the dust with thee,
+glittering baubles! (She tears her pearls from her neck.) Let the rich
+and the proud be condemned to bear the burden of gold, and silver, and
+jewels! Be they condemned to carouse at the tables of the voluptuous!
+To pamper their limbs on the downy couch of luxury! Charles! Charles!
+Thus am I worthy of thee!
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT II.
+ </h2>
+ <h3>
+ SCENE I.&mdash;FRANCIS VON MOOR in his chamber&mdash;in meditation.
+ </h3>
+ <p>
+ FRANCIS. It lasts too long-and the doctor even says is recovering&mdash;an
+ old man's life is a very eternity! The course would be free and plain
+ before me, but for this troublesome, tough lump of flesh, which, like the
+ infernal demon-hound in ghost stories, bars the way to my treasures.
+ </p>
+ <p>
+ Must, then, my projects bend to the iron yoke of a mechanical system? Is
+ my soaring spirit to be chained down to the snail's pace of matter? To
+ blow out a wick which is already flickering upon its last drop of oil&mdash;'tis
+ nothing more. And yet I would rather not do it myself, on account of what
+ the world would say. I should not wish him to be killed, but merely
+ disposed of. I should like to do what your clever physician does, only the
+ reverse way&mdash;not stop Nature's course by running a bar across her
+ path, but only help her to speed a little faster. Are we not able to
+ prolong the conditions of life? Why, then, should we not also be able to
+ shorten them? Philosophers and physiologists teach us how close is the
+ sympathy between the emotions of the mind and the movements of the bodily
+ machine. Convulsive sensations are always accompanied by a disturbance of
+ the mechanical vibrations&mdash; passions injure the vital powers&mdash;an
+ overburdened spirit bursts its shell. Well, then&mdash;what if one knew
+ how to smooth this unbeaten path, for the easier entrance of death into
+ the citadel of life?&mdash;to work the body's destruction through the mind&mdash;ha!
+ an original device!&mdash;who can accomplish this?&mdash;a device without
+ a parallel! Think upon it, Moor! That were an art worthy of thee for its
+ inventor. Has not poisoning been raised almost to the rank of a regular
+ science, and Nature compelled, by the force of experiments, to define her
+ limits, so that one may now calculate the heart's throbbings for years in
+ advance, and say to the beating pulse, "So far, and no farther"? Why
+ should not one try one's skill in this line?*
+ </p>
+<pre xml:space="preserve">
+ *[A woman in Paris, by means of a regularly performed series of
+ experiments, carried the art of poisoning to such perfection that
+ she could predict almost to a certainty the day of death, however
+ remote. Fie upon our physicians, who should blush to be outdone by
+ a woman in their own province. Beckmann, in his article on secret
+ poisoning, has given a particular account of this woman, the
+ Marchioness de Brinvilliers.&mdash;See "History of Inventions," Standard
+ Library Edition, vol. i, pp. 47-63.]
+</pre>
+ <p>
+ And how, then, must I, too, go to work to dissever that sweet and peaceful
+ union of soul and body? What species of sensations should I seek to
+ produce? Which would most fiercely assail the condition of life? Anger?&mdash;that
+ ravenous wolf is too quickly satiated. Care? that worm gnaws far too
+ slowly. Grief?&mdash;that viper creeps too lazily for me. Fear?&mdash;hope
+ destroys its power. What! and are these the only executioners of man? is
+ the armory of death so soon exhausted? (In deep thought.) How now! what!
+ ho! I have it! (Starting up.) Terror! What is proof against terror? What
+ powers have religion and reason under that giant's icy grasp! And yet&mdash;if
+ he should withstand even this assault? If he should! Oh, then, come
+ Anguish to my aid! and thou, gnawing Repentance!&mdash;furies of hell,
+ burrowing snakes who regorge your food, and feed upon your own excrements;
+ ye that are forever destroying, and forever reproducing your poison! And
+ thou, howling Remorse, that desolatest thine own habitation, and feedest
+ upon thy mother. And come ye, too, gentle Graces, to my aid; even you,
+ sweet smiling Memory, goddess of the past&mdash;and thou, with thy
+ overflowing horn of plenty, blooming Futurity; show him in your mirror the
+ joys of Paradise, while with fleeting foot you elude his eager grasp. Thus
+ will I work my battery of death, stroke after stroke, upon his fragile
+ body, until the troop of furies close upon him with Despair! Triumph!
+ triumph!&mdash;the plan is complete&mdash;difficult and masterly beyond
+ compare&mdash;sure&mdash;safe; for then (with a sneer) the dissecting
+ knife can find no trace of wound or of corrosive poison.
+ </p>
+ <p>
+ (Resolutely.) Be it so! (Enter HERMANN.) Ha! <i>Deus ex machina</i>!
+ Hermann!
+ </p>
+ <p>
+ HERMANN. At your service, gracious sir!
+ </p>
+ <p>
+ FRANCIS (shakes him by the hand). You will not find it that of an
+ ungrateful master.
+ </p>
+ <p>
+ HERMANN. I have proofs of this.
+ </p>
+ <p>
+ FRANCIS. And you shall have more soon&mdash;very soon, Hermann!&mdash;I
+ have something to say to thee, Hermann.
+ </p>
+ <p>
+ HERMANN. I am all attention.
+ </p>
+ <p>
+ FRANCIS. I know thee&mdash;thou art a resolute fellow&mdash;a man of
+ mettle.&mdash;To call thee smooth-tongued! My father has greatly belied
+ thee, Hermann.
+ </p>
+ <p>
+ HERMANN. The devil take me if I forget it!
+ </p>
+ <p>
+ FRANCIS. Spoken like a man! Vengeance becomes a manly heart! Thou art to
+ my mind, Hermann. Take this purse, Hermann. It should be heavier were I
+ master here.
+ </p>
+ <p>
+ HERMANN. That is my unceasing wish, most gracious sir. I thank you.
+ </p>
+ <p>
+ FRANCIS. Really, Hermann! dost thou wish that I were master? But my father
+ has the marrow of a lion in his bones, and I am but a younger son.
+ </p>
+ <p>
+ HERMANN. I wish you were the eldest son, and that your father were as
+ marrowless as a girl sinking in a consumption.
+ </p>
+ <p>
+ FRANCIS. Ha! how that elder son would recompense thee! How he would raise
+ thee from this grovelling condition, so ill suited to thy spirit and noble
+ birth, to be a light of the age!&mdash;Then shouldst thou be covered with
+ gold from head to foot, and dash through the streets four in hand&mdash;verily
+ thou shouldst!&mdash;But I am losing sight of what I meant to say.&mdash;Have
+ you already forgotten the Lady Amelia, Hermann?
+ </p>
+ <p>
+ HERMANN. A curse upon it! Why do you remind me of her?
+ </p>
+ <p>
+ FRANCIS. My brother has filched her away from you.
+ </p>
+ <p>
+ HERMANN. He shall rue it.
+ </p>
+ <p>
+ FRANCIS. She gave you the sack. And, if I remember right, he kicked you
+ down stairs.
+ </p>
+ <p>
+ HERMANN. For which I will kick him into hell.
+ </p>
+ <p>
+ FRANCIS. He used to say, it was whispered abroad, that your father could
+ never look upon you without smiting his breast and sighing, "God be
+ merciful to me, a sinner!"
+ </p>
+ <p>
+ HERMANN (wildly). Thunder and lightning! No more of this!
+ </p>
+ <p>
+ FRANCIS. He advised you to sell your patent of nobility by auction, and to
+ get your stockings mended with the proceeds.
+ </p>
+ <p>
+ HERMANN. By all the devils in hell, I'll scratch out his eyes with my own
+ nails!
+ </p>
+ <p>
+ FRANCIS. What? you are growing angry? What signifies your anger? What harm
+ can you do him? What can a mouse like you do to such a lion? Your rage
+ only makes his triumph the sweeter. You can do nothing more than gnash
+ your teeth, and vent your rage upon a dry crust.
+ </p>
+ <p>
+ HERMANN (stamping). I will grind him to powder!
+ </p>
+ <p>
+ FRANCIS (slapping his shoulder). Fie, Hermann! You are a gentleman. You
+ must not put up with the affront. You must not give up the lady, no, not
+ for all the world, Hermann! By my soul, I would move heaven and earth were
+ I in your place.
+ </p>
+ <p>
+ HERMANN. I will not rest till I have him, and him, too, under ground.
+ </p>
+ <p>
+ FRANCIS. Not so violent, Hermann! Come nearer&mdash;you shall have Amelia.
+ </p>
+ <p>
+ HERMANN. That I must; despite the devil himself, I will have her.
+ </p>
+ <p>
+ FRANCIS. You shall have her, I tell you; and that from my hand. Come
+ closer, I say.&mdash;You don't know, perhaps, that Charles is as good as
+ disinherited.
+ </p>
+ <p>
+ HERMANN (going closer to him). Incredible! The first I have heard of it.
+ </p>
+ <p>
+ FRANCIS. Be patient, and listen! Another time you shall hear more.&mdash;
+ Yes, I tell you, as good as banished these eleven months. But the old man
+ already begins to lament the hasty step, which, however, I flatter myself
+ (with a smile) is not entirely his own. Amelia, too, is incessantly
+ pursuing him with her tears and reproaches. Presently he will be having
+ him searched for in every quarter of the world; and if he finds him&mdash;then
+ it's all over with you, Hermann. You may perhaps have the honor of most
+ obsequiously holding the coach-door while he alights with the lady to get
+ married.
+ </p>
+ <p>
+ HERMANN. I'll strangle him at the altar first.
+ </p>
+ <p>
+ FRANCIS. His father will soon give up his estates to him, and live in
+ retirement in his castle. Then the proud roysterer will have the reins in
+ his own hands, and laugh his enemies to scorn;&mdash;and I, who wished to
+ make a great man of you&mdash;a man of consequence&mdash;I myself,
+ Hermann, shall have to make my humble obeisance at his threshold.
+ </p>
+ <p>
+ HERMANN (with fire). No, as sure as my name is Hermann, that shall never
+ be! If but the smallest spark of wit glimmer in this brain of mine, that
+ shall never be!
+ </p>
+ <p>
+ FRANCIS. Will you be able to prevent it? You, too, my good Hermann, will
+ be made to feel his lash. He will spit in your face when he meets you in
+ the streets; and woe be to you should you venture to shrug your shoulders
+ or to make a wry mouth. Look, my friend! this is all that your lovesuit,
+ your prospects, and your mighty plans amount to.
+ </p>
+ <p>
+ HERMANN. Tell me, what am I to do?
+ </p>
+ <p>
+ FRANCIS. Well, then, listen, Hermann! You see how I enter into your
+ feelings, like a true friend. Go&mdash;disguise yourself, so that no one
+ may recognize you; obtain audience of the old man; pretend to come
+ straight from Bohemia, to have been at the battle of Prague along with my
+ brother&mdash;to have seen him breathe his last on the field of battle!
+ </p>
+ <p>
+ HERMANN. Will he believe me?
+ </p>
+ <p>
+ FRANCIS. Ho! ho! let that be my care! Take this packet. There you will
+ find your commission set forth at large; and documents, to boot, which
+ shall convince the most incredulous. Only make haste to get away
+ unobserved. Slip through the back gate into the yard, and then scale the
+ garden wall.&mdash;The denouement of this tragicomedy you may leave to me!
+ </p>
+ <p>
+ HERMANN. That, I suppose, will be, "Long live our new baron, Francis von
+ Moor!"
+ </p>
+ <p>
+ FRANCIS (patting his cheeks). How cunning you are! By this means, you see,
+ we attain all our aims at once and quickly. Amelia relinquishes all hope
+ of him,&mdash;the old man reproaches himself for the death of his son, and&mdash;he
+ sickens&mdash;a tottering edifice needs no earthquake to bring it down&mdash;he
+ will not survive the intelligence&mdash;then am I his only son, &mdash;Amelia
+ loses every support, and becomes the plaything of my will, and you may
+ easily guess&mdash;in short, all will go as we wish&mdash;but you must not
+ flinch from your word.
+ </p>
+ <p>
+ HERMANN. What do you say? (Exultingly.) Sooner shall the ball turn back in
+ its course, and bury itself in the entrails of the marksman. Depend upon
+ me! Only let me to the work. Adieu!
+ </p>
+ <p>
+ FRANCIS (calling after him). The harvest is thine, dear Hermann! (Alone.)
+ When the ox has drawn the corn into the barn, he must put up with hay. A
+ dairy maid for thee, and no Amelia!
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;Old Moor's Bedchamber.
+ </h2>
+<pre xml:space="preserve">
+ OLD MOOR asleep in an arm-chair; AMELIA.
+</pre>
+ <p>
+ AMELIA (approaching him on tip-toe). Softly! Softly! He slumbers. (She
+ places herself before him.) How beautiful! how venerable!&mdash; venerable
+ as the picture of a saint. No, I cannot be angry with thee, thou head with
+ the silver locks; I cannot be angry with thee! Slumber on gently, wake up
+ cheerfully&mdash;I alone will be the sufferer.
+ </p>
+ <p>
+ OLD M. (dreaming). My son! my son! my son!
+ </p>
+ <p>
+ AMELIA (seizes his hand). Hark!&mdash;hark! his son is in his dreams.
+ </p>
+ <p>
+ OLD M. Are you there? Are you really there! Alas! how miserable you seem!
+ Fix not on me that mournful look! I am wretched enough.
+ </p>
+ <p>
+ AMELIA (awakens him abruptly). Look up, dear old man! 'Twas but a dream.
+ Collect yourself!
+ </p>
+ <p>
+ OLD M. (half awake). Was he not there? Did I not press his hands? Cruel
+ Francis! wilt thou tear him even from my dreams?
+ </p>
+ <p>
+ AMELIA (aside). Ha! mark that, Amelia!
+ </p>
+ <p>
+ OLD M. (rousing himself). Where is he? Where? Where am I? You here,
+ Amelia?
+ </p>
+ <p>
+ AMELIA. How do you find yourself? You have had a refreshing slumber.
+ </p>
+ <p>
+ OLD M. I was dreaming about my son. Why did I not dream on? Perhaps I
+ might have obtained forgiveness from his lips.
+ </p>
+ <p>
+ AMELIA. Angels bear no resentment&mdash;he forgives you. (Seizes his hand
+ sorrowfully.) Father of my Charles! I, too, forgive you.
+ </p>
+ <p>
+ OLD M. No, no, my child! That death-like paleness of thy cheek is the
+ father's condemnation. Poor girl! I have robbed thee of the happiness of
+ thy youth. Oh, do not curse me!
+ </p>
+ <p>
+ AMELIA (affectionately kissing his hand). I curse you?
+ </p>
+ <p>
+ OLD M. Dost thou know this portrait, my daughter?
+ </p>
+ <p>
+ AMELIA. Charles!
+ </p>
+ <p>
+ OLD M. Such was he in his sixteenth year. But now, alas! how changed. Oh,
+ it is raging within me. That gentleness is now indignation; that smile
+ despair. It was his birthday, was it not, Amelia&mdash;in the jessamine
+ bower&mdash;when you drew this picture of him? Oh, my daughter! How happy
+ was I in your loves.
+ </p>
+ <p>
+ AMELIA (with her eye still riveted upon the picture). No, no, it is not
+ he! By Heaven, that is not Charles! Here (pointing to her head and her
+ heart), here he is perfect; and how different. The feeble pencil avails
+ not to express that heavenly spirit which reigned in his fiery eye. Away
+ with it! This is a poor image, an ordinary man! I was a mere dauber.
+ </p>
+ <p>
+ OLD M. That kind, that cheering look! Had that been at my bedside, I
+ should have lived in the midst of death. Never, never should I have died!
+ </p>
+ <p>
+ AMELIA. No, you would never, never have died. It would have been but a
+ leap, as we leap from one thought to another and a better. That look would
+ have lighted you across the tomb&mdash;that look would have lifted you
+ beyond the stars!
+ </p>
+ <p>
+ OLD M. It is hard! it is sad! I am dying, and my son Charles is not here&mdash;I
+ am borne to my tomb, and he weeps not over my grave. How sweet it is to be
+ lulled into the sleep of death by a son's prayer&mdash;that is the true
+ requiem.
+ </p>
+ <p>
+ AMELIA (with enthusiasm). Yes, sweet it is, heavenly sweet, to be lulled
+ into the sleep of death by the song of the beloved. Perhaps our dreams
+ continue in the grave&mdash;a long, eternal, never-ending dream of Charles&mdash;till
+ the trumpet of resurrection sounds&mdash;(rising in ecstasy) &mdash;and
+ thenceforth and forever in his arms! (A pause; she goes to the piano and
+ plays.)
+ </p>
+<pre xml:space="preserve">
+ ANDROMACHE.
+
+ Oh, Hector, wilt thou go for evermore,
+ When fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ When then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallow'd up in Xanthus' wave?
+</pre>
+ <p>
+ OLD M. A beautiful song, my daughter. You must play that to me before I
+ die.
+ </p>
+ <p>
+ AMELIA. It is the parting of Hector and Andromache. Charles and I used
+ often to sing it together to the guitar. (She continues.)
+ </p>
+<pre xml:space="preserve">
+ HECTOR.
+
+ Beloved wife! stern duty calls to arms&mdash;
+ Go, fetch my lance! and cease those vain alarms!
+ On me is cast the destiny of Troy!
+ Astyanax, my child, the Gods will shield,
+ Should Hector fall upon the battle-field;
+ And in Elysium we shall meet with joy!
+</pre>
+ <p>
+ Enter DANIEL.
+ </p>
+ <p>
+ DANIEL. There is a man without, who craves to be admitted to your
+ presence, and says he brings tidings of importance.
+ </p>
+ <p>
+ OLD M. To me there is but one thing in this world of importance; thou
+ knowest it, Amelia. Perhaps it is some unfortunate creature who seeks
+ assistance? He shall not go hence in sorrow.
+ </p>
+ <p>
+ AMELIA.&mdash;If it is a beggar, let him come up quickly.
+ </p>
+ <p>
+ OLD M. Amelia, Amelia! spare me!
+ </p>
+ <p>
+ AMELIA (continues to play and sing.)
+ </p>
+<pre xml:space="preserve">
+ ANDROMACHE.
+
+ Thy martial tread no more will grace my hall&mdash;
+ Thine arms shall hang sad relics on the wall&mdash;
+ And Priam's race of godlike heroes fade!
+ Oh, thou wilt go where Phoebus sheds no light&mdash;
+ Where black Cocytus wails in endless night
+ Thy love will die in Lethe's gloomy shade.
+</pre>
+<pre xml:space="preserve">
+ HECTOR.
+
+ Though I in Lethe's darksome wave should sink,
+ And cease on other mortal ties to think,
+ Yet thy true love shall never be forgot!
+ Hark! on the walls I hear the battle roar&mdash;
+ Gird on my armor&mdash;and, oh, weep no more.
+ Thy Hector's love in Lethe dieth not!
+</pre>
+<pre xml:space="preserve">
+ (Enter FRANCIS, HERMANN in disguise, DANIEL.)
+</pre>
+ <p>
+ FRANCIS. Here is the man. He says that he brings terrible news. Can you
+ bear the recital!
+ </p>
+ <p>
+ OLD M. I know but one thing terrible to hear. Come hither, friend, and
+ spare me not! Hand him a cup of wine!
+ </p>
+ <p>
+ HERMANN (in a feigned voice). Most gracious Sir? Let not a poor man be
+ visited with your displeasure, if against his will he lacerates your
+ heart. I am a stranger in these parts, but I know you well; you are the
+ father of Charles von Moor.
+ </p>
+ <p>
+ OLD M. How know you that?
+ </p>
+ <p>
+ HERMANN. I knew your son
+ </p>
+ <p>
+ AMELIA (starting up). He lives then? He lives! You know him? Where is he?
+ Where? (About to rush out.)
+ </p>
+ <p>
+ OLD M. What know you about my son?
+ </p>
+ <p>
+ HERMANN. He was a student at the university of Leipzic. From thence he
+ travelled about, I know not how far. He wandered all over Germany, and, as
+ he told me himself, barefoot and bareheaded, begging his bread from door
+ to door. After five months, the fatal war between Prussia and Austria
+ broke out afresh, and as he had no hopes left in this world, the fame of
+ Friedrich's victorious banner drew him to Bohemia. Permit me, said he to
+ the great Schwerin, to die on the bed of heroes, for I have no longer a
+ father!&mdash;
+ </p>
+ <p>
+ OLD M. O! Amelia! Look not on me!
+ </p>
+ <p>
+ HERMANN. They gave him a pair of colors. With the Prussians he flew on the
+ wings of victory. We chanced to lie together, in the same tent. He talked
+ much of his old father, and of happy days that were past&mdash;and of
+ disappointed hopes&mdash;it brought the tears into our eyes.
+ </p>
+ <p>
+ OLD M. (buries his face in his pillow).&mdash;No more! Oh, no more!
+ </p>
+ <p>
+ HERMANN. A week after, the fierce battle of Prague was fought&mdash;I can
+ assure you your son behaved like a brave soldier. He performed prodigies
+ that day in sight of the whole army. Five regiments were successively cut
+ down by his side, and still he kept his ground. Fiery shells fell right
+ and left, and still your son kept his ground. A ball shattered his right
+ hand: he seized the colors with his left, and still he kept his ground!
+ </p>
+ <p>
+ AMELIA (in transport). Hector, Hector! do you hear? He kept his ground!
+ </p>
+ <p>
+ HERMANN. On the evening of the battle I found him on the same spot. He had
+ sunk down, amidst a shower of hissing balls: with his left hand he was
+ staunching the blood that flowed from a fearful wound; his right he had
+ buried in the earth. "Comrade!" cried he when he saw me, "there has been a
+ report through the ranks that the general fell an hour ago&mdash;" "He is
+ fallen," I replied, "and thou?" "Well, then," he cried, withdrawing his
+ left hand from the wound, "let every brave soldier follow his general!"
+ Soon after he breathed out his noble soul, to join his heroic leader.
+ </p>
+ <p>
+ FRANCIS (feigning to rush wildly on HERMANN). May death seal thy accursed
+ lips! Art thou come here to give the death-blow to our father? Father!
+ Amelia! father!
+ </p>
+ <p>
+ HERMANN. It was the last wish of my expiring comrade. "Take this sword,"
+ faltered he, with his dying breath, "deliver it to my aged father; his
+ son's blood is upon it&mdash;he is avenged&mdash;let him rejoice. Tell him
+ that his curse drove me into battle and into death; that I fell in
+ despair." His last sigh was "Amelia."
+ </p>
+ <p>
+ AMELIA (like one aroused from lethargy). His last sigh&mdash;Amelia!
+ </p>
+ <p>
+ OLD M. (screaming horribly, and tearing his hair). My curse drove him into
+ death! He fell in despair!
+ </p>
+ <p>
+ FRANCIS (pacing up and down the room). Oh! what have you done, father? My
+ Charles! my brother!
+ </p>
+ <p>
+ HERMANN. Here is the sword; and here, too, is a picture which he drew from
+ his breast at the same time. It is the very image of this young lady.
+ "This for my brother Francis," he said; I know not what he meant by it.
+ </p>
+ <p>
+ FRANCIS (feigning astonishment). For me? Amelia's picture? For me&mdash;
+ Charles&mdash;Amelia? For me?
+ </p>
+ <p>
+ AMELIA (rushing violently upon HERMANN). Thou venal, bribed impostor!
+ (Lays hold of him.)
+ </p>
+ <p>
+ HERMANN. I am no impostor, noble lady. See yourself if it is not your
+ picture. It may be that you yourself gave it to him.
+ </p>
+ <p>
+ FRANCIS. By heaven, Amelia! your picture! It is, indeed.
+ </p>
+ <p>
+ AMELIA (returns him the picture) My picture, mine! Oh! heavens and earth!
+ </p>
+ <p>
+ OLD M. (screaming and tearing his face.) Woe, woe! my curse drove him into
+ death! He fell in despair!
+ </p>
+ <p>
+ FRANCIS. And he thought of me in the last and parting hour&mdash;of me.
+ Angelic soul! When the black banner of death already waved over him he
+ thought of me!
+ </p>
+ <p>
+ OLD M. (stammering like an idiot.) My curse drove him into death. In
+ despair my son perished.
+ </p>
+<pre xml:space="preserve">
+HERMANN. This is more than I can bear! Farewell, old gentleman!
+(Aside to FRANCIS.) How could you have the heart to do this?
+ [Exit in haste.]
+</pre>
+ <p>
+ AMELIA (rises and rushes after him). Stay! stay! What were his last words?
+ </p>
+<pre xml:space="preserve">
+HERMANN (calling back). His last sigh was "Amelia."
+ [Exit.]
+</pre>
+ <p>
+ AMELIA. His last sigh was Amelia! No, thou art no impostor. It is too true&mdash;true&mdash;he
+ is dead&mdash;dead! (staggering to and fro till she sinks down)&mdash;dead&mdash;Charles
+ is dead!
+ </p>
+ <p>
+ FRANCIS. What do I see? What is this line on the sword?&mdash;written with
+ blood&mdash;Amelia!
+ </p>
+ <p>
+ AMELIA. By him?
+ </p>
+ <p>
+ FRANCIS. Do I see clearly, or am I dreaming? Behold, in characters of
+ blood, "Francis, forsake not my Amelia." And on the other side, "Amelia,
+ all-powerful death has released thee from thy oath." Now do you see&mdash;do
+ you see? With hand stiffening in death he wrote it, with his warm life's
+ blood he wrote it&mdash;wrote it on the solemn brink of eternity. His
+ spirit lingered in his flight to unite Francis and Amelia.
+ </p>
+<pre xml:space="preserve">
+AMELIA. Gracious heaven! it is his own hand. He never loved me.
+ [Rushes off]
+</pre>
+ <p>
+ FRANCIS (stamping the ground). Confusion! her stubborn heart foils all my
+ cunning!
+ </p>
+ <p>
+ OLD MOOR. Woe, woe! forsake me not, my daughter! Francis, Francis! give me
+ back my son!
+ </p>
+ <p>
+ FRANCIS. Who was it that cursed him? Who was it that drove his son into
+ battle, and death, and despair? Oh, he was an angel, a jewel of heaven! A
+ curse on his destroyers! A curse, a curse upon yourself!
+ </p>
+ <p>
+ OLD MOOR (strikes his breast and forehead with his clenched fist). He was
+ an angel, a jewel of heaven! A curse, a curse, perdition, a curse on
+ myself! I am the father who slew his noble son! He loved me even to death!
+ To expiate my vengeance he rushed into battle and into death! Monster,
+ monster that I am! (He rages against himself.)
+ </p>
+ <p>
+ FRANCIS. He is gone. What avail these tardy lamentations? (with a satanic
+ sneer.) It is easier to murder than to restore to life. You will never
+ bring him back from his grave.
+ </p>
+ <p>
+ OLD Moon. Never, never, never bring him back from the grave! Gone! lost
+ for ever! And you it was that beguiled my heart to curse him.&mdash; you&mdash;you&mdash;Give
+ me back my son!
+ </p>
+ <p>
+ FRANCIS. Rouse not my fury, lest I forsake you even in the hour of death!
+ </p>
+ <p>
+ OLD MOOR. Monster! inhuman monster! Restore my son to me. (Starts from the
+ chair and attempts to catch FRANCIS by the throat, who flings him back.)
+ </p>
+<pre xml:space="preserve">
+FRANCIS. Feeble old dotard I would you dare? Die! despair!
+ [Exit.]
+</pre>
+ <p>
+ OLD MOOR. May the thunder of a thousand curses light upon thee! thou hast
+ robbed me of my son. (Throwing himself about in his chair full of
+ despair). Alas! alas! to despair and yet not die. They fly, they forsake
+ me in death; my guardian angels fly from me; all the saints withdraw from
+ the hoary murderer. Oh, misery! will no one support this head, no one
+ release this struggling soul? No son, no daughter, no friend, not one
+ human being&mdash;will no one? Alone&mdash;forsaken. Woe, woe! To despair,
+ yet not to die!
+ </p>
+<pre xml:space="preserve">
+ Enter AMELIA, her eyes red with weeping.
+</pre>
+ <p>
+ OLD MOOR. Amelia! messenger of heaven! Art thou come to release my soul?
+ </p>
+ <p>
+ AMELIA (in a gentle tone). You have lost a noble son.
+ </p>
+ <p>
+ OLD MOOR. Murdered him, you mean. With the weight of this impeachment I
+ shall present myself before the judgment-seat of God.
+ </p>
+ <p>
+ AMELIA. Not so, old man! Our heavenly Father has taken him to himself. We
+ should have been too happy in this world. Above, above, beyond the stars,
+ we shall meet again.
+ </p>
+ <p>
+ OLD MOOR. Meet again! Meet again! Oh! it will pierce my soul like a Sword&mdash;should
+ I, a saint, meet him among the saints. In the midst of heaven the horrors
+ of hell will strike through me! The remembrance of that deed will crush me
+ in the presence of the Eternal: I have murdered my son!
+ </p>
+ <p>
+ AMELIA. Oh, his smiles will chase away the bitter remembrance from your
+ soul! Cheer up, dear father! I am quite cheerful. Has he not already sung
+ the name of Amelia to listening angels on seraphic harps, and has not
+ heaven's choir sweetly echoed it? Was not his last sigh, Amelia? And will
+ not Amelia be his first accent of joy?
+ </p>
+ <p>
+ OLD MOOR. Heavenly consolation flows from your lips! He will smile upon
+ me, you say? He will forgive me? You must stay with my beloved of my
+ Charles, when I die.
+ </p>
+ <p>
+ AMELIA. To die is to fly to his arms. Oh, how happy and enviable is your
+ lot! Would that my bones were decayed!&mdash;that my hairs were gray! Woe
+ upon the vigor of youth! Welcome, decrepid age, nearer to heaven and my
+ Charles!
+ </p>
+<pre xml:space="preserve">
+ Enter FRANCIS.
+</pre>
+ <p>
+ OLD MOOR. Come near, my son! Forgive me if I spoke too harshly to you just
+ now! I forgive you all. I wish to yield up my spirit in peace.
+ </p>
+ <p>
+ FRANCIS. Have you done weeping for your son? For aught that I see you had
+ but one.
+ </p>
+ <p>
+ OLD MOOR. Jacob had twelve sons, but for his Joseph he wept tears of
+ blood.
+ </p>
+ <p>
+ FRANCIS. Hum!
+ </p>
+ <p>
+ OLD MOOR. Bring the Bible, my daughter, and read to me the story of Jacob
+ and Joseph! It always appeared to me so touching, even before I myself
+ became a Jacob.
+ </p>
+ <p>
+ AMELIA. What part shall I read to you? (Takes the Bible and turns over the
+ leaves.)
+ </p>
+ <p>
+ OLD MOOR. Read to me the grief of the bereaved father, when he found his
+ Joseph no more among his children;&mdash;when he sought him in vain amidst
+ his eleven sons;&mdash;and his lamentation when he heard that he was taken
+ from him forever.
+ </p>
+ <p>
+ AMELIA (reads). "And they took Joseph's coat, and killed a kid of the
+ goats, and dipped the coat in the blood; and they sent the coat of many
+ colors, and they brought it to their father, and said, 'This have we
+ found: know now whether it be thy son's coat or no.' (Exit FRANCIS
+ suddenly.) And he knew it and said, 'It is my son's coat; an evil beast
+ hath devoured him; Joseph is without doubt rent in pieces.'"
+ </p>
+ <p>
+ OLD MOOR (falls back upon the pillow). An evil beast hath devoured Joseph!
+ </p>
+ <p>
+ AMELIA (continues reading). "And Jacob rent his clothes, and put sackcloth
+ upon his loins, and mourned for his son many days. And all his sons and
+ all his daughters rose up to comfort him, but he refused to be comforted,
+ and he said, 'For I will go down into the grave--'"
+ </p>
+ <p>
+ OLD MOOR. Leave off! leave off. I feel very ill.
+ </p>
+ <p>
+ AMELIA (running towards him, lets fall the book). Heaven help us! What is
+ this?
+ </p>
+ <p>
+ OLD MOOR. It is death&mdash;darkness&mdash;is waving&mdash;before my eyes&mdash;I
+ pray thee&mdash;send for the minister&mdash;that he may&mdash;give me&mdash;the
+ Holy Communion. Where is&mdash;my son Francis?
+ </p>
+ <p>
+ AMELIA. He is fled. God have mercy upon us!
+ </p>
+ <p>
+ OLD MOOR. Fled&mdash;fled from his father's deathbed? And is that all&mdash;all
+ &mdash;of two children full of promise&mdash;thou hast given&mdash;thou
+ hast&mdash;taken away&mdash;thy name be&mdash;
+ </p>
+<pre xml:space="preserve">
+AMELIA (with a sudden cry). Dead! both dead!
+ [Exit in despair.]
+</pre>
+<pre xml:space="preserve">
+ Enter FRANCIS, dancing with joy.
+</pre>
+<pre xml:space="preserve">
+FRANCIS. Dead, they cry, dead! Now am I master. Through the whole
+castle it rings, dead! but stay, perchance he only sleeps? To be sure,
+yes, to be sure! that certainly is a sleep after which no "good-morrow"
+is ever said. Sleep and death are but twin-brothers. We will for once
+change their names! Excellent, welcome sleep! We will call thee death!
+(He closes the eyes of OLD MOOR.) Who now will come forward and dare to
+accuse me at the bar of justice, or tell me to my face, thou art a
+villain? Away, then, with this troublesome mask of humility and virtue!
+Now you shall see Francis as he is, and tremble! My father was
+overgentle in his demands, turned his domain into a family-circle, sat
+blandly smiling at the gate, and saluted his peasants as brethren and
+children. My brows shall lower upon you like thunderclouds; my lordly
+name shall hover over you like a threatening comet over the mountains;
+my forehead shall be your weather-glass! He would caress and fondle
+the child that lifted its stubborn head against him. But fondling and
+caressing is not my mode. I will drive the rowels of the spur into
+their flesh, and give the scourge a trial. Under my rule it shall be
+brought to pass that potatoes and small-beer shall be considered a
+holiday treat; and woe to him who meets my eye with the audacious front
+of health. Haggard want and crouching fear are my insignia; and in this
+livery I will clothe ye.
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE III.&mdash;THE BOHEMIAN WOODS.
+ </h2>
+<pre xml:space="preserve">
+ SPIEGELBERG, RAZMAN, A Troop Of ROBBERS.
+</pre>
+ <p>
+ RAZ. Are you come? Is it really you? Oh, let me squeeze thee into a jelly,
+ my dear heart's brother! Welcome to the Bohemian forests! Why, you are
+ grown quite stout and jolly! You have brought us recruits in right
+ earnest, a little army of them; you are the very prince of crimps.
+ </p>
+ <p>
+ SPIEGEL. Eh, brother? Eli? And proper fellows they are! You must confess
+ the blessing of heaven is visibly upon me; I was a poor, hungry wretch,
+ and had nothing but this staff when I went over the Jordan, and now there
+ are eight-and-seventy of us, mostly ruined shopkeepers, rejected masters
+ of arts, and law-clerks from the Swabian provinces. They are a rare set of
+ fellows, brother, capital fellows, I promise you; they will steal you the
+ very buttons off each other's trousers in perfect security, although in
+ the teeth of a loaded musket,* and they live in clover and enjoy a
+ reputation for forty miles round, which is quite astonishing.
+ </p>
+<pre xml:space="preserve">
+ *[The acting edition reads, "Hang your hat up in the sun, and I'll
+ take you a wager it's gone the next minute, as clean out of sight
+ as if the devil himself had walked off with it."]
+</pre>
+ <p>
+ There is not a newspaper in which you will not find some little feat or
+ other of that cunning fellow, Spiegelberg; I take in the papers for
+ nothing else; they have described me from head to foot; you would think
+ you saw me; they have not forgotten even my coat-buttons. But we lead them
+ gloriously by the nose. The other day I went to the printing-office and
+ pretended that I had seen the famous Spiegelberg, dictated to a
+ penny-a-liner who was sitting there the exact image of a quack doctor in
+ the town; the matter gets wind, the fellow is arrested, put to the rack,
+ and in his anguish and stupidity he confesses the devil take me if he does
+ not&mdash;confesses that he is Spiegelberg. Fire and fury! I was on the
+ point of giving myself up to a magistrate rather than have my fair fame
+ marred by such a poltroon; however, within three months he was hanged. I
+ was obliged to stuff a right good pinch of snuff into my nose as some time
+ afterwards I was passing the gibbet and saw the pseudo-Spiegelberg
+ parading there in all his glory; and, while Spiegelberg's representative
+ is dangling by the neck, the real Spiegelberg very quietly slips himself
+ out of the noose, and makes jolly long noses behind the backs of these
+ sagacious wiseacres of the law.
+ </p>
+ <p>
+ RAZ. (laughing). You are still the same fellow you always were.
+ </p>
+ <p>
+ SPIEGEL. Ay, sure! body and soul. But I must tell you a bit of fun, my
+ boy, which I had the other day in the nunnery of St. Austin. We fell in
+ with the convent just about sunset; and as I had not fired a single
+ cartridge all day,&mdash;you know I hate the <i>diem perdidi</i> as I hate
+ death itself,&mdash;I was determined to immortalize the night by some
+ glorious exploit, even though it should cost the devil one of his ears! We
+ kept quite quiet till late in the night. At last all is as still as a
+ mouse &mdash;the lights are extinguished. We fancy the nuns must be
+ comfortably tucked up. So I take brother Grimm along with me, and order
+ the others to wait at the gate till they hear my whistle&mdash;I secure
+ the watchman, take the keys from him, creep into the maid-servants'
+ dormitory, take. away all their clothes, and whisk the bundle out at the
+ window. We go on from cell to cell, take away the clothes of one sister
+ after another, and lastly those of the lady-abbess herself. Then I sound
+ my whistle, and my fellows outside begin to storm and halloo as if
+ doomsday was at hand, and away they rush with the devil's own uproar into
+ the cells of the sisters! Ha, ha, ha! You should have seen the game&mdash;how
+ the poor creatures were groping about in the dark for their petticoats,
+ and how they took on when they found they were gone; and we, in the
+ meantime, at 'em like very devils; and now, terrified and amazed, they
+ wriggled under their bedclothes, or cowered together like cats behind the
+ stoves. There was such shrieking and lamentation; and then the old beldame
+ of an abbess&mdash;you know, brother, there is nothing in the world I hate
+ so much as a spider and an old woman&mdash;so you may just fancy that
+ wrinkled old hag standing naked before me, conjuring me by her maiden
+ modesty forsooth! Well, I was determined to make short work of it; either,
+ said I, out with your plate and your convent jewels and all your shining
+ dollars, or&mdash;my fellows knew what I meant. The end of it was I
+ brought away more than a thousand dollars' worth out of the convent, to
+ say nothing of the fun, which will tell its own story in due time.
+ </p>
+ <p>
+ RAZ. (stamping on the ground). Hang it, that I should be absent on such an
+ occasion.
+ </p>
+ <p>
+ SPIEGEL. Do you see? Now tell me, is not that life? 'Tis that which keeps
+ one fresh and hale, and braces the body so that it swells hourly like an
+ abbot's paunch; I don't know, but I think I must be endowed with some
+ magnetic property, which attracts all the vagabonds on the face of the
+ earth towards me like steel and iron.
+ </p>
+ <p>
+ RAZ. A precious magnet, indeed. But I should like to know, I'll be hanged
+ if I shouldn't, what witchcraft you use?
+ </p>
+ <p>
+ SPIEGEL. Witchcraft? No need of witchcraft. All it wants is a head&mdash;a
+ certain practical capacity which, of course, is not taken in with every
+ spoonful of barley meal; for you know I have always said that an honest
+ man may be carved out of any willow stump, but to make a rogue you must
+ have brains; besides which it requires a national genius&mdash;a certain
+ rascal-climate&mdash;so to speak.*
+ </p>
+<pre xml:space="preserve">
+ *[In the first (and suppressed) edition was added, "Go to the
+ Grisons, for instance; that is what I call the thief's Athens."
+ This obnoxious passage has been carefully expunged from all the
+ subsequent editions. It gave mortal offence to the Grison
+ magistrates, who made a formal complaint of the insult and caused
+ Schiller to be severely rebuked by the Grand Duke. This incident
+ forms one of the epochs in our author's history.]
+</pre>
+ <p>
+ RAZ. Brother, I have heard Italy celebrated for its artists.
+ </p>
+ <p>
+ SPIEGEL. Yes, yes! Give the devil his due. Italy makes a very noble
+ figure; and if Germany goes on as it has begun, and if the Bible gets
+ fairly kicked out, of which there is every prospect, Germany, too, may in
+ time arrive at something respectable; but I should tell you that climate
+ does not, after all, do such a wonderful deal; genius thrives everywhere;
+ and as for the rest, brother, a crab, you know, will never become a
+ pineapple, not even in Paradise. But to pursue our subject, where did I
+ leave off?
+ </p>
+ <p>
+ RAZ. You were going to tell me about your stratagems.
+ </p>
+ <p>
+ SPIEGEL. Ah, yes! my stratagems. Well, when you get into a town, the first
+ thing is to fish out from the beadles, watchmen, and turnkeys, who are
+ their best customers, and for these, accordingly, you must look out; then
+ ensconce yourself snugly in coffee-houses, brothels, and beer-shops, and
+ observe who cry out most against the cheapness of the times, the reduced
+ five per cents., and the increasing nuisance of police regulations; who
+ rail the loudest against government, or decry physiognomical science, and
+ such like? These are the right sort of fellows, brother. Their honesty is
+ as loose as a hollow tooth; you have only to apply your pincers. Or a
+ shorter and even better plan is to drop a full purse in the public
+ highway, conceal yourself somewhere near, and mark who finds it. Presently
+ after you come running up, search, proclaim your loss aloud, and ask him,
+ as it were casually, "Have you perchance picked up a purse, sir?" If he
+ says "Yes," why then the devil fails you. But if he denies it, with a
+ "pardon me, sir, I remember, I am sorry, sir," (he jumps up), then,
+ brother, you've done the trick. Extinguish your lantern, cunning Diogenes,
+ you have found your match.
+ </p>
+ <p>
+ RAZ. You are an accomplished practitioner.
+ </p>
+ <p>
+ SPIEGEL. My God! As if that had ever been doubted. Well, then, when you
+ have got your man into the net, you must take great care to land him
+ cleverly. You see, my son, the way I have managed is thus: as soon as I
+ was on the scent I stuck to my candidate like a leech; I drank brotherhood
+ with him, and, <i>nota bene</i>, you must always pay the score. That costs
+ a pretty penny, it is true, but never mind that. You must go further;
+ introduce him to gaming-houses and brothels; entangle him in broils and
+ rogueries till he becomes bankrupt in health and strength, in purse,
+ conscience, and reputation; for I must tell you, by the way, that you will
+ make nothing of it unless you ruin both body and soul. Believe me,
+ brother, and I have experienced it more than fifty times in my extensive
+ practice, that when the honest man is once ousted from his stronghold, the
+ devil has it all his own way&mdash;the transition is then as easy as from
+ a whore to a devotee. But hark! What bang was that?
+ </p>
+ <p>
+ RAZ. It was thunder; go on.
+ </p>
+ <p>
+ SPIEGEL. Or, there is a yet shorter and still better way. You strip your
+ man of all he has, even to his very shirt, and then he will come to you of
+ his own accord; you won't teach me to suck eggs, brother; ask that
+ copper-faced fellow there. My eyes, how neatly I got him into my meshes. I
+ showed him forty ducats, which I promised to give him if he would bring me
+ an impression in wax of his master's keys. Only think, the stupid brute
+ not only does this, but actually brings me&mdash;I'll be hanged if he did
+ not&mdash;the keys themselves; and then thinks to get the money. "Sirrah,"
+ said I, "are you aware that I am going to carry these keys straight to the
+ lieutenant of police, and to bespeak a place for you on the gibbet?" By
+ the powers! you should have seen how the simpleton opened his eyes, and
+ began to shake from head to foot like a dripping poodle. "For heaven's
+ sake, sir, do but consider. I will&mdash; will&mdash;" "What will you?
+ Will you at once cut your stick and go to the devil with me?" "Oh, with
+ all my heart, with great pleasure." Ha! ha! ha! my fine fellow; toasted
+ cheese is the thing to catch mice with; do have a good laugh at him,
+ Razman; ha! ha! ha!
+ </p>
+ <p>
+ RAZ. Yes, yes, I must confess. I shall inscribe that lesson in letters of
+ gold upon the tablet of my brain. Satan must know his people right well to
+ have chosen you for his factor.
+ </p>
+ <p>
+ SPIEGEL. Eh, brother? Eli? And if I help him to half a score of fellows he
+ will, of course, let me off scot-free&mdash;publishers, you know, always
+ give one copy in ten gratis to those who collect subscribers for them; why
+ should the devil be more of a Jew? Razman, I smell powder.
+ </p>
+ <p>
+ RAZ. Zounds! I smelt it long ago. You may depend upon it there has being
+ something going forward hereabouts. Yes, yes! I can tell you, Spiegelberg,
+ you will be welcome to our captain with your recruits; he, too, has got
+ hold of some brave fellows.
+ </p>
+ <p>
+ SPIEGEL. But look at mine! at mine here, bah!
+ </p>
+ <p>
+ RAZ. Well, well! they may be tolerably expert in the finger department,
+ but, I tell you, the fame of our captain has tempted even some honorable
+ men to join his staff.
+ </p>
+ <p>
+ SPIEGEL. So much the worse.
+ </p>
+ <p>
+ RAZ. Without joking. And they are not ashamed to serve under such a
+ leader. He does not commit murder as we do for the sake of plunder; and as
+ to money, as soon as he had plenty of it at command, he did not seem to
+ care a straw for it; and his third of the booty, which belongs to him of
+ right, he gives away to orphans, or supports promising young men with it
+ at college. But should he happen to get a country squire into his clutches
+ who grinds down his peasants like cattle, or some gold-laced villain, who
+ warps the law to his own purposes, and hoodwinks the eyes of justice with
+ his gold, or any chap of that kidney; then, my boy, he is in his element,
+ and rages like a very devil, as if every fibre in his body were a fury.
+ </p>
+ <p>
+ SPIEGEL. Humph!
+ </p>
+ <p>
+ RAZ. The other day we were told at a tavern that a rich count from
+ Ratisbon was about to pass through, who had gained the day in a suit worth
+ a million of money by the craftiness of his lawyer. The captain was just
+ sitting down to a game of backgammon. "How many of us are there?" said he
+ to me, rising in haste. I saw him bite his nether lip, which he never does
+ except when he is very determined. "Not more than five," I replied.
+ "That's enough," he said; threw his score on the table, left the wine he
+ had ordered untouched, and off we went. The whole time he did not utter a
+ syllable, but walked aloof and alone, only asking us from time to time
+ whether we heard anything, and now and then desiring us to lay our ears to
+ the ground. At last the count came in sight, his carriage heavily laden,
+ the lawyer, seated by his side, an outrider in advance, and two horsemen
+ riding behind. Then you should have seen the man. With a pistol in each
+ hand he ran before us to the carriage,&mdash;and the voice with which he
+ thundered, "Halt!" The coachman, who would not halt, was soon toppled from
+ his box; the count fired out of the carriage and missed&mdash;the horseman
+ fled. "Your money, rascal!" cried Moor, with his stentorian voice. The
+ count lay like a bullock under the axe: "And are you the rogue who turns
+ justice into a venal prostitute?" The lawyer shook till his teeth
+ chattered again; and a dagger soon stuck in his body, like a stake in a
+ vineyard. "I have done my part," cried the captain, turning proudly away;
+ "the plunder is your affair." And with this he vanished into the forest.
+ </p>
+ <p>
+ SPIEGEL. Hum! hum! Brother, what I told you just now remains between
+ ourselves; there is no occasion for his knowing it. You understand me?
+ </p>
+ <p>
+ RAZ. Yes, yes, I understand!
+ </p>
+ <p>
+ SPIEGEL. You know the man! He has his own notions! You understand me?
+ </p>
+ <p>
+ RAZ. Oh, I quite understand.
+ </p>
+<pre xml:space="preserve">
+ (Enter SCHWARZ at full speed).
+</pre>
+ <p>
+ Who's there? What is the matter? Any travellers in the forest?
+ </p>
+ <p>
+ SCHWARZ. Quick, quick! Where are the others? Zounds! there you stand
+ gossiping! Don't you know&mdash;do you know nothing of it?&mdash;that poor
+ Roller&mdash;
+ </p>
+ <p>
+ PAZ. What of him? What of him?
+ </p>
+ <p>
+ SCHWARZ. He's hanged, that's all, and four others with him&mdash;
+ </p>
+ <p>
+ RAz. Roller hanged? S'death! when? How do you know?
+ </p>
+ <p>
+ SCHWARZ. He has been in limbo more than three weeks, and we knew nothing
+ of it. He was brought up for examination three several days, and still we
+ heard nothing. They put him to the rack to make him tell where the captain
+ was to be found&mdash;but the brave fellow would not slip. Yesterday he
+ got his sentence, and this morning was dispatched express to the devil!
+ </p>
+ <p>
+ RAZ. Confound it! Does the captain know?
+ </p>
+ <p>
+ SCHWARZ. He heard of it only yesterday. He foamed like a wild boar. You
+ know that Roller was always an especial favorite; and then the rack! Ropes
+ and scaling-ladders were conveyed to the prison, but in vain. Moor himself
+ got access to him disguised as a Capuchin monk, and proposed to change
+ clothes with him; but Roller absolutely refused; whereupon the captain
+ swore an oath that made our very flesh creep. He vowed that he would light
+ a funeral pile for him, such as had never yet graced the bier of royalty,
+ one that should burn them all to cinders. I fear for the city. He has long
+ owed it a grudge for its intolerable bigotry; and you know, when he says,
+ "I'll do it," the thing is as good as done.
+ </p>
+ <p>
+ RAZ. That is true! I know the captain. If he had pledged his word to the
+ devil to go to hell he never would pray again, though half a pater-noster
+ would take him to heaven. Alas! poor Roller!&mdash;poor Roller!
+ </p>
+ <p>
+ SPIEGEL. <i>Memento mori</i>! But it does not concern me. (Hums a tune).
+ </p>
+<pre xml:space="preserve">
+ Should I happen to pass the gallows stone,
+ I shall just take a sight with one eye,
+ And think to myself, you may dangle alone,
+ Who now, sir, 's the fool, you or I?
+</pre>
+ <p>
+ RAZ. (Jumping up). Hark! a shot! (Firing and noise is heard behind the
+ scenes).
+ </p>
+ <p>
+ SPIEGEL. Another!
+ </p>
+ <p>
+ RAZ. And another! The captain!
+ </p>
+<pre xml:space="preserve">
+ (Voices behind the scenes are heard singing).
+
+ The Nurnbergers deem it the wisest plan,
+ Never to hang till they've caught their man.
+ <i>Da capo</i>.
+</pre>
+ <p>
+ SCHWEITZER and ROLLER (behind the scenes). Holla, ho! Holla, ho!
+ </p>
+ <p>
+ RAZ. Roller! by all the devils! Roller!
+ </p>
+ <p>
+ SCHWEITZER and ROLLER (still behind the scenes). Razman! Schwarz!
+ Spiegelberg! Razman!
+ </p>
+ <p>
+ RAZ. Roller! Schweitzer! Thunder and lightning! Fire and fury! (They run
+ towards him.)
+ </p>
+ <p>
+ Enter CHARLES VON MOOR (on horseback), SCHWEITZER, ROLLER, GRIMM,
+ SCHUFTERLE, and a troop of ROBBERS covered with dust and mud.
+ </p>
+ <p>
+ CHARLES (leaping from his horse) Liberty! Liberty!&mdash;Thou art on terra
+ firma, Roller! Take my horse, Schweitzer, and wash him with wine. (Throws
+ himself on the ground.) That was hot work!
+ </p>
+ <p>
+ RAZ. (to ROLLER). Well, by the fires of Pluto! Art thou risen from the
+ wheel?
+ </p>
+ <p>
+ SCHWARZ. Art thou his ghost? or am I a fool? or art thou really the man?
+ </p>
+ <p>
+ ROLLER (still breathless). The identical&mdash;alive&mdash;whole.&mdash;Where
+ do you think I come from?
+ </p>
+ <p>
+ SCHWARZ. It would puzzle a witch to tell! The staff was already broken
+ over you.
+ </p>
+ <p>
+ ROLLER. Ay, that it was, and more than that! I come straightway from the
+ gallows. Only let me get my breath. Schweitzer will tell you all. Give me
+ a glass of brandy! You there too, Spiegelberg! I thought we should have
+ met again in another place. But give me a glass of brandy! my bones are
+ tumbling to pieces. Oh, my captain! Where is my captain?
+ </p>
+ <p>
+ SCHWARZ. Have patience, man, have patience. Just tell me&mdash;say&mdash;come,
+ let's hear&mdash;how did you escape? In the name of wonder how came we to
+ get you back again? My brain is bewildered. From the gallows, you say?
+ </p>
+ <p>
+ ROLLER (swallows a flask of brandy). Ah, that is capital! that warms the
+ inside! Straight from the gallows, I tell you. You stand there amid stare
+ as if that was impossible. I can assure you, I was not more than three
+ paces from that blessed ladder, on which I was to mount to Abraham's bosom&mdash;so
+ near, so very near, that I was sold, skin and all, to the dissecting-room!
+ The fee-simple of my life was not worth a pinch of snuff. To the captain I
+ am indebted for breath, and liberty, and life.
+ </p>
+ <p>
+ SCHWEITZER. It was a trick worth the telling. We had heard the day before,
+ through our spies, that Roller was in the devil's own pickle; and unless
+ the vault of heaven fell in suddenly he would, on the morrow &mdash;that
+ is, to-day&mdash;go the way of all flesh. Up! says the captain, and follow
+ me&mdash;what is not a friend worth? Whether we save him or not, we will
+ at least light him up a funeral pile such as never yet honored royalty;
+ one which shall burn them black and blue. The whole troop was summoned. We
+ sent Roller a trusty messenger, who conveyed the notice to him in a little
+ billet, which he slipped into his porridge.
+ </p>
+ <p>
+ ROLLER. I had but small hope of success.
+ </p>
+ <p>
+ SCHWEITZER. We waited till the thoroughfares were clear. The whole town
+ was out after the sight; equestrians, pedestrians, carriages, all
+ pell-mell; the noise and the gibbet-psalm sounded far and wide. Now, says
+ the captain, light up, light up! We all flew like darts; they set fire to
+ the city in three-and-thirty places at once; threw burning firebrands on
+ the powder-magazine, and into the churches and granaries. Morbleu! in less
+ than a quarter of an hour a northeaster, which, like us, must have owed a
+ grudge to the city, came seasonably to our aid, and helped to lift the
+ flames up to the highest gables. Meanwhile we ran up and down the streets
+ like furies, crying, fire! ho! fire! ho! in every direction. There was
+ such howling&mdash;screaming-tumult&mdash;fire-bells tolling. And
+ presently the powder-magazine blew up into the air with a crash as if the
+ earth were rent in twain, heaven burst to shivers, and hell sunk ten
+ thousand fathoms deeper.
+ </p>
+ <p>
+ ROLLER. Now my guards looked behind them&mdash;there lay the city, like
+ Sodom and Gomorrah&mdash;the whole horizon was one mass of fire,
+ brimstone, and smoke; and forty hills echoed and reflected the infernal
+ prank far and wide. A panic seized them all&mdash;I take advantage of the
+ moment, and, quick as lightning&mdash;my fetters had been taken off, so
+ nearly was my time come&mdash;while my guards were looking away petrified,
+ like Lot's wife, I shot off&mdash;tore through the crowd&mdash;and away!
+ After running some sixty paces I throw off my clothes, plunge into the
+ river, and swim along under water till I think they have lost sight of me.
+ My captain stood ready, with horses and clothes&mdash;and here I am. Moor!
+ Moor! I only wish that you may soon get into just such another scrape that
+ I may requite you in like manner.
+ </p>
+ <p>
+ RAZ. A brutal wish, for which you deserve to be hanged. It was a glorious
+ prank, though.
+ </p>
+ <p>
+ ROLLER. It was help in need; you cannot judge of it. You should have
+ marched, like me, with a rope round your neck, travelling to your grave in
+ the living body, and seen their horrid sacramental forms and hangman's
+ ceremonies&mdash;and then, at every reluctant step, as the struggling feet
+ were thrust forward, to see the infernal machine, on which I was to be
+ elevated, glaring more and more hideously in the blaze of a noonday sun&mdash;and
+ the hangman's rapscallions watching for their prey &mdash;and the horrible
+ psalm-singing&mdash;the cursed twang still rings in my ears&mdash;and the
+ screeching hungry ravens, a whole flight of them, who were hovering over
+ the half-rotten carcass of my predecessor. To see all this&mdash;ay, more,
+ to have a foretaste of the blessedness which was in store for me! Brother,
+ brother! And then, all of a sudden, the signal of deliverance. It was an
+ explosion as if the vault of heaven were rent in twain. Hark ye, fellows!
+ I tell you, if a man were to leap out of a fiery furnace into a freezing
+ lake he could not feel the contrast half so strongly as I did when I
+ gained the opposite shore.
+ </p>
+ <p>
+ SPIEGEL. (Laughs.) Poor wretch! Well, you have got over it. (Pledges him).
+ Here's to a happy regeneration!
+ </p>
+ <p>
+ ROLLER (flings away his glass). No, by all the treasures of Mammon, I
+ should not like to go through it a second time. Death is something more
+ than a harlequin's leap, and its terrors are even worse than death itself.
+ </p>
+ <p>
+ SPIEGEL. And the powder-magazine leaping into the air! Don't you see it
+ now, Razman? That was the reason the air stunk so, for miles round, of
+ brimstone, as if the whole wardrobe of Moloch was being aired under the
+ open firmament. It was a master-stroke, captain! I envy you for it.
+ </p>
+ <p>
+ SCHWEITZER. If the town makes it a holiday-treat to see our comrade killed
+ by a baited hog, why the devil should we scruple to sacrifice the city for
+ the rescue of our comrade? And, by the way, our fellows had the extra
+ treat of being able to plunder worse than the old emperor. Tell me, what
+ have you sacked?
+ </p>
+ <p>
+ ONE OF THE TROOP. I crept into St. Stephen's church during the hubbub, and
+ tore the gold lace from the altarcloth. The patron saint, thought I to
+ myself, can make gold lace out of packthread.
+ </p>
+ <p>
+ SCHWEITZER. 'Twas well done. What is the use of such rubbish in a church?
+ They offer it to the Creator, who despises such trumpery, while they leave
+ his creatures to die of hunger. And you, Sprazeler&mdash;where did you
+ throw your net?
+ </p>
+ <p>
+ A SECOND. I and Brizal broke into a merchant's store, and have brought
+ stuffs enough with us to serve fifty men.
+ </p>
+ <p>
+ A THIRD. I have filched two gold watches and a dozen silver spoons.
+ </p>
+ <p>
+ SCHWEITZER. Well done, well done! And we have lighted them a bonfire that
+ will take a fortnight to put out again. And, to get rid of the fire, they
+ must ruin the city with water. Do you know, Schufterle, how many lives
+ have been lost?
+ </p>
+ <p>
+ SCHUF. Eighty-three, they say. The powder-magazine alone blew threescore
+ to atoms.
+ </p>
+ <p>
+ CHARLES (very seriously). Roller, thou art dearly bought.
+ </p>
+ <p>
+ SCHUF. Bah! bah! What of that? If they had but been men it would have been
+ another matter&mdash;but they were babes in swaddling clothes, and
+ shrivelled old nurses that kept the flies from them, and dried-up
+ stove-squatters who could not crawl to the door&mdash;patients whining for
+ the doctor, who, with his stately gravity, was marching to the sport. All
+ that had the use of their legs had gone forth in the sight, and nothing
+ remained at home but the dregs of the city.
+ </p>
+ <p>
+ CHARLES. Alas for the poor creatures! Sick people, sayest thou, old men
+ and infants?
+ </p>
+ <p>
+ SCHUF. Ay, the devil go with them! And lying-in-women into the bargain;
+ and women far gone with child, who were afraid of miscarrying under the
+ gibbet; and young mothers, who thought the sight might do them a mischief,
+ and mark the gallows upon the foreheads of their unborn babes&mdash;poor
+ poets, without a shoe, because their only pair had been sent to the
+ cobbler to mend&mdash;and other such vermin, not worth the trouble of
+ mentioning. As I chanced to pass by a cottage I heard a great squalling
+ inside. I looked in; and, when I came to examine, what do you think it
+ was? Why, an infant&mdash;a plump and ruddy urchin&mdash;lying on the
+ floor under a table which was just beginning to burn. Poor little wretch!
+ said I, you will be cold there, and with that I threw it into the flames!
+ </p>
+<pre xml:space="preserve">
+CHARLES. Indeed, Schufterle? Then may those flames burn in thy bosom
+to all eternity! Avaunt, monster! Never let me see thee again in my
+troop! What! Do you murmur? Do you hesitate? Who dares hesitate when
+I command? Away with him, I say! And there are others among you ripe
+for my vengeance. I know thee, Spiegelberg. But I will step in among
+you ere long, and hold a fearful muster-roll.
+ [Exeunt, trembling.]
+</pre>
+ <p>
+ CHARLES (alone, walking up and down in great agitation). Hear them not,
+ thou avenger in heaven! How can I avert it? Art thou to blame, great God,
+ if thy engines, pestilence, and famine, and floods, overwhelm the just
+ with the unjust? Who can stay the flame, which is kindled to destroy the
+ hornet's nest, from extending to the blessed harvest? Oh! fie on the
+ slaughter of women, and children, and the sick! How this deed weighs me
+ down! It has poisoned my fairest achievements! There he stands, poor fool,
+ abashed and disgraced in the sight of heaven; the boy that presumed to
+ wield Jove's thunder, and overthrew pigmies when he should have crushed
+ Titans. Go, go! 'tis not for thee, puny son of clay, to wield the avenging
+ sword of sovereign justice! Thou didst fail at thy first essay. Here,
+ then, I renounce the audacious scheme. I go to hide myself in some deep
+ cleft of the earth, where no daylight will be witness of my shame. (He is
+ about to fly.)
+ </p>
+<pre xml:space="preserve">
+ Enter a ROBBER hurriedly.
+</pre>
+ <p>
+ ROBBER. Look out, captain! There is mischief in the wind! Whole
+ detachments of Bohemian cavalry are scouring the forests. That infernal
+ bailiff must have betrayed us.
+ </p>
+<pre xml:space="preserve">
+ Enter more ROBBERS.
+</pre>
+ <p>
+ 2D ROBBER. Captain! captain! they have tracked us! Some thousands of them
+ are forming a cordon round the middle forest.
+ </p>
+<pre xml:space="preserve">
+ Enter more ROBBERS again.
+</pre>
+<pre xml:space="preserve">
+3D ROBBER. Woe, woe, woe! we are all taken, hanged drawn, and
+quartered. Thousands of hussars, dragoons, and chasseurs are mustering
+on the heights, and guard all the passes.
+ [Exit CHARLES VON MOOR.]
+
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHWARZ, SCHUFTERLE,
+ SPIEGELBERG, RAZMAN, and the whole troop.
+</pre>
+ <p>
+ SCHWEITZER. Ha! Have we routed them out of their feather-beds at last?
+ Come, be jolly, Roller! I have long wished to have a bout with those
+ knights of the bread-basket. Where is the captain? Is the whole troop
+ assembled? I hope we have powder enough?
+ </p>
+ <p>
+ RAZ. Powder, I believe you; but we are only eighty in all and therefore
+ scarcely one to twenty.
+ </p>
+ <p>
+ SCHWEITZER. So much the better! And though there were fifty against my
+ great toe-nail&mdash;fellows who have waited till we lit the straw under
+ their very seats. Brother, brother, there is nothing to fear. They sell
+ their lives for tenpence; and are we not fighting for our necks? We will
+ pour into them like a deluge, and fire volleys upon their heads like
+ crashes of thunder. But where the devil is the captain.
+ </p>
+ <p>
+ SPIEGEL. He forsakes us in this extremity. Is there no hope of escape?
+ </p>
+ <p>
+ SCHWEITZER. Escape?
+ </p>
+ <p>
+ SPIEGEL. Oh, that I had tarried in Jerusalem!
+ </p>
+ <p>
+ SCHWEITZER. I wish you were choked in a cesspool, you paltry coward! With
+ defenceless nuns you are a mighty man; but at sight of a pair of fists a
+ confirmed sneak! Now show your courage or you shall be sewn up alive in an
+ ass's hide and baited to death with dogs.
+ </p>
+ <p>
+ RAZ. The captain! the captain!
+ </p>
+<pre xml:space="preserve">
+ Enter CHARLES (speaking slowly to himself).
+</pre>
+ <p>
+ CHARLES. I have allowed them to be hemmed in on every side. Now they must
+ fight with the energy of despair. (Aloud.) Now my boys! now for it! We
+ must fight like wounded boars, or we are utterly lost!
+ </p>
+ <p>
+ SCHWEITZER. Ha! I'll rip them open with my tusks, till their entrails
+ protrude by the yard! Lead on, captain! we will follow you into the very
+ jaws of death.
+ </p>
+ <p>
+ CHARLES. Charge all your arms! You've plenty of powder, I hope?
+ </p>
+ <p>
+ SCHWEITZER (with energy). Powder? ay, enough to blow the earth up to the
+ moon.
+ </p>
+ <p>
+ RAZ. Every one of us has five brace of pistols, ready loaded, and three
+ carbines to boot.
+ </p>
+ <p>
+ CHARLES. Good! good! Now some of you must climb up the trees, or conceal
+ yourselves in the thickets, and some fire upon them in ambush&mdash;
+ </p>
+ <p>
+ SCHWEITZER. That part will suit you, Spiegelberg.
+ </p>
+ <p>
+ CHARLES. The rest will follow me, and fall upon their flanks like furies.
+ </p>
+ <p>
+ SCHWEITZER. There will I be!
+ </p>
+ <p>
+ CHARLES. At the same time let every man make his whistle ring through the
+ forest, and gallop about in every direction, so that our numbers may
+ appear the more formidable. And let all the dogs be unchained, and set on
+ upon their ranks, that they may be broken and dispersed and run in the way
+ of our fire. We three, Roller, Schweitzer, and myself, will fight wherever
+ the fray is hottest.
+ </p>
+ <p>
+ SCHWEITZER. Masterly! excellent! We will so bewilder them with balls that
+ they shall not know whence the salutes are coming. I have more than once
+ shot away a cherry from the mouth. Only let them come on (SCHUFTERLE is
+ pulling SCHWEITZER; the latter takes the captain aside, and entreats him
+ in a low voice.)
+ </p>
+ <p>
+ CHARLES. Silence!
+ </p>
+ <p>
+ SCHWEITZER. I entreat you&mdash;
+ </p>
+ <p>
+ CHARLES. Away! Let him have the benefit of his disgrace; it has saved him.
+ He shall not die on the same field with myself, my Schweitzer, and my
+ Roller. Let him change his apparel, and I will say he is a traveller whom
+ I have plundered. Make yourself easy, Schweitzer. Take my word for it he
+ will be hanged yet.
+ </p>
+<pre xml:space="preserve">
+ Enter FATHER DOMINIC.
+</pre>
+ <p>
+ FATHER DOM. (to himself, starts). Is this the dragon's nest? With your
+ leave, sirs! I am a servant of the church; and yonder are seventeen
+ hundred men who guard every hair of my head.
+ </p>
+ <p>
+ SCHWEITZER. Bravo! bravo! Well spoken to keep his courage warm.
+ </p>
+ <p>
+ CHARLES. Silence, comrade! Will you tell us briefly, good father, what is
+ your errand here?
+ </p>
+ <p>
+ FATHER Dom. I am delegated by the high justices, on whose sentence hangs
+ life or death&mdash;ye thieves&mdash;ye incendiaries&mdash;ye villains&mdash;ye
+ venomous generation of vipers, crawling about in the dark, and stinging in
+ secret&mdash;ye refuse of humanity&mdash;brood of hell&mdash;food for
+ ravens and worms&mdash;colonists for the gallows and the wheel&mdash;
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <div class="fig" >
+ <img alt="2pa202 (151K)" src="images/2pa202.jpg" /><br />
+ </div>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ SCHWEITZER. Dog! a truce with your foul tongue! or &mdash;&mdash;&mdash;
+ (He holds the butt-end of his gun before FATHER DOMINIC'S face.)
+ </p>
+ <p>
+ CHARLES. Fie, fie, Schweitzer! You cut the thread of his discourse. He has
+ got his sermon so nicely by heart. Pray go on, Sir! "for the gallows and
+ the wheel?"
+ </p>
+ <p>
+ FATHER Dom. And thou, their precious captain!&mdash;commander-in-chief of
+ cut-purses!&mdash;king of sharpers! Grand Mogul of all the rogues under
+ the sun!&mdash;great prototype of that first hellish ringleader who imbued
+ a thousand legions of innocent angels with the flame of rebellion, and
+ drew them down with him into the bottomless pit of damnation! The
+ agonizing cries of bereaved mothers pursue thy footsteps! Thou drinkest
+ blood like water! and thy murderous knife holds men cheaper than
+ air-bubbles!
+ </p>
+ <p>
+ CHARLES. Very true&mdash;exceedingly true! Pray proceed, Sir!
+ </p>
+ <p>
+ FATHER DOM. What do you mean? Very true&mdash;exceedingly true! Is that an
+ answer?
+ </p>
+ <p>
+ CHARLES. How, Sir? You were not prepared for that, it seems? Go on&mdash;
+ by all means go on. What more were you going to say?
+ </p>
+ <p>
+ FATHER DOM. (heated). Abominable wretch! Avaunt! Does not the blood of a
+ murdered count of the empire cling to thy accursed fingers? Hast thou not,
+ with sacrilegious hands, dared to break into the Lord's sanctuary, and
+ carry off the consecrated vessels of the <i>sanctissimum</i>? Hast thou
+ not flung firebrands into our godly city, and brought down the
+ powder-magazine upon the heads of devout Christians? (Clasps his hands).
+ Horrible, horrible wickedness! that stinketh in the nostrils of Heaven,
+ and provoketh the day of judgment to burst upon you suddenly! ripe for
+ retribution&mdash;rushing headlong to the last trump!
+ </p>
+ <p>
+ CHARLES. Masterly guesses thus far! But now, sir, to the point! What is it
+ that the right worshipful justices wish to convey to me through you?
+ </p>
+ <p>
+ FATHER Dom. What you are not worthy to receive. Look around you,
+ incendiary! As far as your eye can reach you are environed by our horsemen&mdash;there
+ is no chance of escape. As surely as cherries grow on these oaks, and
+ peaches on these firs, so surely shall you turn your backs upon these oaks
+ and these firs in safety.
+ </p>
+ <p>
+ CHARLES. Do you hear that, Schweitzer? But go on!
+ </p>
+ <p>
+ FATHER DOM. Hear, then, what mercy and forbearance justice shows towards
+ such miscreants. If you instantly prostrate yourselves in submission and
+ sue for mercy and forgiveness, then severity itself will relent to
+ compassion, and justice be to thee an indulgent mother. She will shut one
+ eye upon your horrible crimes, and be satisfied&mdash;only think!&mdash;to
+ let you be broken on the wheel.
+ </p>
+ <p>
+ SCHWEITZER. Did you hear that, captain? Shall I throttle this well-trained
+ shepherd's cur till the red blood spurts from every pore?
+ </p>
+ <p>
+ ROLLER. Captain! Fire and fury! Captain! How he bites his lip! Shall I
+ topple this fellow upside down like a ninepin?
+ </p>
+ <p>
+ SCHWEITZER. Mine, mine be the job! Let me kneel to you, captain; let me
+ implore you! I beseech you to grant me the delight of pounding him to a
+ jelly! (FATHER DOMINIC screams.)
+ </p>
+ <p>
+ CHARLES. Touch him not! Let no one lay a finger on him!&mdash;(To FATHER
+ DOMINIC, drawing his sword.) Hark ye, sir father! Here stand
+ nine-and-seventy men, of whom I am the captain, and not one of them has
+ been taught to trot at a signal, or learned to dance to the music of
+ artillery; while yonder stand seventeen hundred men grown gray under the
+ musket. But now listen! Thus says Moor, the captain of incendiaries. It is
+ true I have slain a count of the empire, burnt and plundered the church of
+ St. Dominic, flung firebrands into your bigoted city, and brought down the
+ powder-magazine upon the heads of devout Christians. But that is not all,&mdash;I
+ have done more. (He holds out his right hand.) Do you observe these four
+ costly rings, one on each finger? Go and report punctually to their
+ worships, on whose sentence hangs life or death what you shall hear and
+ see. This ruby I drew from the finger of a minister, whom I stretched at
+ the feet of his prince, during the chase. He had fawned himself up from
+ the lowest dregs, to be the first favorite;&mdash;the ruin of his neighbor
+ was his ladder to greatness&mdash;orphans' tears helped him to mount it.
+ This diamond I took from a lord treasurer, who sold offices of honor and
+ trust to the highest bidder, and drove the sorrowing patriot from his
+ door. This opal I wear in honor of a priest of your cloth, whom I
+ dispatched with my own hand, after he had publicly deplored in his pulpit
+ the waning power of the Inquisition. I could tell you more stories about
+ my rings, but that I repent the words I have already wasted upon you&mdash;
+ </p>
+ <p>
+ FATHER DOM. O Pharaoh! Pharaoh!
+ </p>
+ <p>
+ CHARLES. Do you hear it? Did you mark that sigh? Does he not stand there
+ as if he were imploring fire from heaven to descend and destroy this troop
+ of Korah? He pronounces judgment with a shrug of the shoulders, and
+ eternal damnation with a Christian "Alas!" Is it possible for humanity to
+ be so utterly blind? He who has the hundred eyes of Argus to spy out the
+ faults of his brother&mdash;can he be so totally blind to his own? They
+ thunder forth from their clouds about gentleness and forbearance, while
+ they sacrifice human victims to the God of love as if he were the fiery
+ Moloch. They preach the love of one's neighbor, while they drive the aged
+ and blind with curses from their door. They rave against covetousness; yet
+ for the sake of gold they have depopulated Peru, and yoked the natives,
+ like cattle, to their chariots. They rack their brains in wonder to
+ account for the creation of a Judas Iscariot, yet the best of them would
+ betray the whole Trinity for ten shekels. Out upon you, Pharisees! ye
+ falsifiers of truth! ye apes of Deity! You are not ashamed to kneel before
+ crucifixes and altars; you lacerate your backs with thongs, and mortify
+ your flesh with fasting; and with these pitiful mummeries you think, fools
+ as you are, to veil the eyes of Him whom, with the same breath, you
+ address as the Omniscient, just as the great are the most bitterly mocked
+ by those who flatter them while they pretend to hate flatterers. You boast
+ of your honesty and your exemplary conduct; but the God who sees through
+ your hearts would be wroth with Him that made you, were He not the same
+ that had also created the monsters of the Nile. Away with him out of my
+ sight!
+ </p>
+ <p>
+ FATHER DOM. That such a miscreant should be so proud!
+ </p>
+ <p>
+ CHARLES. That's not all. Now I will speak proudly. Go and tell the right
+ worshipful justices&mdash;who set men's lives upon the cast of a die&mdash;
+ I am not one of those thieves who conspire with sleep and midnight, and
+ play the hero and the lordling on a scaling-ladder. What I have done I
+ shall no doubt hereafter be doomed to read in the register of heaven; but
+ with his miserable ministers of earth I will waste no more words. Tell
+ your masters that my trade is retribution&mdash;vengeance my occupation!
+ (He turns his back upon him.)
+ </p>
+ <p>
+ FATHER DOM. Then you despise mercy and forbearance?&mdash;-Be it so, I
+ have done with you. (Turning to the troop.) Now then, sirs, you shall hear
+ what the high powers direct me to make known to you!&mdash;If you will
+ instantly deliver up to me this condemned malefactor, bound hand and foot,
+ you shall receive a full pardon&mdash;your enormities shall be entirely
+ blotted out, even from memory. The holy church will receive you, like lost
+ sheep, with renewed love, into her maternal bosom, and the road to
+ honorable employment shall be open to you all. (With a triumphant smile.)
+ Now sir! how does your majesty relish this? Come on! bind him! and you are
+ free!
+ </p>
+ <p>
+ CHARLES. Do you hear that? Do you hear it? What startles you? Why do you
+ hesitate? They offer you freedom&mdash;you that are already their
+ prisoners. They grant you your lives, and that is no idle pretence, for it
+ is clear you are already condemned felons. They promise you honor and
+ emolument; and, on the other hand, what can you hope for, even should you
+ be victorious to-day, but disgrace, and curses, and persecution? They
+ ensure you the pardon of Heaven; you that are actually damned. There is
+ not a single hair on any of you that is not already bespoke in hell. Do
+ you still hesitate? are you staggered? Is it so difficult, then, to choose
+ between heaven and hell?&mdash;Do put in a word, father!
+ </p>
+ <p>
+ FATHER DOM. (aside.) Is the fellow crazy? (Aloud.) Perhaps you are afraid
+ that this is a trap to catch you alive?&mdash;Read it yourselves! Here&mdash;is
+ the general pardon fully signed. (He hands a paper to SCHWEITZER.) Can you
+ still doubt?
+ </p>
+ <p>
+ CHARLES. Only see! only see! What more can you require? Signed with their
+ own hands! It is mercy beyond all bounds! Or are you afraid of their
+ breaking their word, because you have heard it said that no faith need be
+ kept with traitors? Dismiss that fear! Policy alone would constrain them
+ to keep their word, even though it should merely have been pledged to old
+ Nick. Who hereafter would believe them? How could they trade with it a
+ second time? I would take my oath upon it that they mean it sincerely.
+ They know that I am the man who has goaded you on and incited you; they
+ believe you innocent. They look upon your crimes as so many juvenile
+ errors&mdash;exuberances of rashness. It is I alone they want. I must pay
+ the penalty. Is it not so, father?
+ </p>
+ <p>
+ FATHER DOM. What devil incarnate is it that speaks out of him? Of course
+ it is so&mdash;of course. The fellow turns my brain.
+ </p>
+ <p>
+ CHARLES. What! no answer yet? Do you think it possible to cut your way
+ through yon phalanx? Only look round you! just look round! You surely do
+ not reckon upon that; that were indeed a childish conceit&mdash;Or do you
+ flatter yourselves that you will fall like heroes, because you saw that I
+ rejoiced in the prospect of the fight? Oh, do not console yourself with
+ the thought! You are not MOOR. You are miserable thieves! wretched tools
+ of my great designs! despicable as the rope in the hand of the hangman!
+ No! no! Thieves do not fall like heroes. Life must be the hope of thieves,
+ for something fearful has to follow. Thieves may well be allowed to quake
+ at the fear of death. Hark! Do you hear their horns echoing through the
+ forest? See there! how their glittering sabres threaten! What! are you
+ still irresolute? are you mad? are you insane? It is unpardonable. Do you
+ imagine I shall thank you for my life? I disdain your sacrifice!
+ </p>
+ <p>
+ FATHER DOM. (in utter amazement). I shall go mad! I must be gone! Was the
+ like ever heard of?
+ </p>
+ <p>
+ CHARLES. Or are you afraid that I shall stab myself, and so by suicide put
+ an end to the bargain, which only holds good if I am given up alive? No,
+ comrades! that is a vain fear. Here, I fling away my dagger, and my
+ pistols, and this phial of poison, which might have been a treasure to me.
+ I am so wretched that I have lost the power even over my own life. What!
+ still in suspense? Or do you think, perhaps, that I shall stand on my
+ defence when you try to seize me? See here! I bind my right hand to this
+ oak-branch; now I am quite defenceless, a child may overpower me. Who is
+ the first to desert his captain in the hour of need?
+ </p>
+ <p>
+ ROLLER (with wild energy). And what though hell encircle us with ninefold
+ coils! (Brandishing his sword.) Who is the coward that will betray his
+ captain?
+ </p>
+ <p>
+ SCHWEITZER (tears the pardon and flings the pieces into FATHER DOMINIC'S
+ face). Pardon be in our bullets! Away with thee, rascal! Tell your senate
+ that you could not find a single traitor in all Moor's camp. Huzza! Huzza!
+ Save the captain!
+ </p>
+ <p>
+ ALL (shouting). Huzza! Save the captain! Save him! Save our noble captain!
+ </p>
+ <p>
+ CHARLES (releasing his hand from the tree, joyfully). Now we are free,
+ comrades! I feel a host in this single arm! Death or liberty! At the least
+ they shall not take a man of us alive!
+ </p>
+<pre xml:space="preserve">
+ [They sound the signal for attack; noise and tumult.
+ Exeunt with drawn swords.]
+</pre>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT III.
+ </h2>
+ <h3>
+ SCENE I.&mdash;AMELIA in the garden, playing the guitar.
+ </h3>
+<pre xml:space="preserve">
+ Bright as an angel from Walhalla's hall,
+ More beautiful than aught of earth was he!
+ Heaven-mild his look, as sunbeams when they fall,
+ Reflected from a calm cerulean sea.
+
+ His warm embrace&mdash;oh, ravishing delight!
+ With heart to heart the fiery pulses danced&mdash;
+ Our every sense wrap'd in ecstatic night&mdash;
+ Our souls in blissful harmony entranced.
+
+ His kisses&mdash;oh, what paradise of feeling!
+ E'en as two flames which round each other twine&mdash;
+ Or flood of seraph harp-tones gently stealing
+ In one soft swell, away to realms divine!
+
+ They rushed, commingled, melted, soul in soul!
+ Lips glued to lips, with burning tremor bound!
+ Cold earth dissolved, and love without control
+ Absorbed all sense of worldly things around!
+
+ He's gone!&mdash;forever gone! Alas! in vain
+ My bleeding heart in bitter anguish sighs;
+ To me is left alone this world of pain,
+ And mortal life in hopeless sorrow dies.
+</pre>
+<pre xml:space="preserve">
+ Enter FRANCIS.
+</pre>
+ <p>
+ FRANCIS. Here again already, perverse enthusiast? You stole away from the
+ festive banquet, and marred the mirthful pleasures of my guests.
+ </p>
+ <p>
+ AMELIA. 'Tis pity, truly, to mar such innocent pleasures! Shame on them!
+ The funeral knell that tolled over your father's grave must still be
+ ringing in your ears&mdash;
+ </p>
+ <p>
+ FRANCIS. Wilt thou sorrow, then, forever? Let the dead sleep in peace, and
+ do thou make the living happy! I come&mdash;
+ </p>
+ <p>
+ AMELIA. And when do you go again?
+ </p>
+ <p>
+ FRANCIS. Alas! Look not on me thus sorrowfully! You wound me, Amelia. I
+ come to tell you&mdash;
+ </p>
+ <p>
+ AMELIA. To tell me, I suppose, that Francis von Moor has become lord and
+ master here.
+ </p>
+ <p>
+ FRANCIS. Precisely so; that is the very subject on which I wish to
+ communicate with you. Maximilian von Moor is gone to the tomb of his
+ ancestors. I am master. But I wish&mdash;to be so in the fullest sense,
+ Amelia. You know what you have been to our house always regarded as Moor's
+ daughter, his love for you will survive even death itself; that,
+ assuredly, you will never forget?
+ </p>
+ <p>
+ AMELIA. Never, never! Who could be so unfeeling as to drown the memory of
+ it in festive banqueting?
+ </p>
+ <p>
+ FRANCIS. It is your duty to repay the love of the father to his sons; and
+ Charles is dead. Ha! you are struck with amazement; dizzy with the
+ thought! To be sure 'tis a flattering and an elating prospect which may
+ well overpower the pride of a woman. Francis tramples under foot the hopes
+ of the noblest and the richest, and offers his heart, his hand, and with
+ them all his gold, his castles, and his forests to a poor, and, but for
+ him, destitute orphan. Francis&mdash;the feared&mdash;voluntarily declares
+ himself Amelia's slave!
+ </p>
+ <p>
+ AMELIA. Why does not a thunderbolt cleave the impious tongue which utters
+ the criminal proposal! Thou hast murdered my beloved Charles; and shall
+ Amelia, his betrothed, call thee husband? Thou?
+ </p>
+ <p>
+ FRANCIS. Be not so violent, most gracious princess! It is true that
+ Francis does not come before you like a whining Celadon&mdash;'tis true he
+ has not learned, like a lovesick swain of Arcadia, to sigh forth his
+ amorous plaints to the echo of caves and rocks. Francis speaks&mdash;and,
+ when not answered, commands!
+ </p>
+ <p>
+ AMELIA. Commands? thou reptile! Command me? And what if I laughed your
+ command to scorn?
+ </p>
+ <p>
+ FRANCIS. That you will hardly do. There are means, too, which I know of,
+ admirably adapted to humble the pride of a capricious, stubborn girl&mdash;cloisters
+ and walls!
+ </p>
+ <p>
+ AMELIA. Excellent! delightful! to be forever secure within cloisters and
+ walls from thy basilisk look, and to have abundant leisure to think and
+ dream of Charles. Welcome with your cloister! welcome your walls!
+ </p>
+ <p>
+ FRANCIS. Ha! Is that it? Beware! Now you have taught me the art of
+ tormenting you. The sight of me shall, like a fiery-haired fury, drive out
+ of your head these eternal phantasies of Charles. Francis shall be the
+ dread phantom ever lurking behind the image of your beloved, like the
+ fiend-dog that guards the subterranean treasure. I will drag you to church
+ by the hair, and sword in hand wring the nuptial vow from your soul. By
+ main force will I ascend your virginal couch, and storm your haughty
+ modesty with still greater haughtiness.
+ </p>
+ <p>
+ AMELIA (gives him a slap in the face). Then take that first by way of
+ dowry!
+ </p>
+ <p>
+ FRANCIS. Ha! I will be tenfold, and twice tenfold revenged for this! My
+ wife! No, that honor you shall never enjoy. You shall be my mistress, my
+ strumpet! The honest peasant's wife shall point her finger at you as she
+ passes you in the street. Ay, gnash your teeth as fiercely as you please&mdash;scatter
+ fire and destruction from your eyes&mdash; the fury of a woman piques my
+ fancy&mdash;it makes you more beautiful, more tempting. Come, this
+ resistance will garnish my triumph, and your struggles give zest to my
+ embraces. Come, come to my chamber&mdash;I burn with desire. Come this
+ instant. (Attempts to drag her away).
+ </p>
+ <p>
+ AMELIA (falls on his neck). Forgive me, Francis! (As he is about to clasp
+ her in his arms, she suddenly draws the sword at his side, and hastily
+ disengages herself). Do you see now, miscreant, how I am able to deal with
+ you? I am only a woman, but a woman enraged. Dare to approach, and this
+ steel shall strike your lascivious heart to the core &mdash;the spirit of
+ my uncle will guide my hand. Avaunt, this instant! (She drives him away).
+ </p>
+ <p>
+ Ah! how different I feel! Now I breathe again&mdash;I feel strong as the
+ snorting steed, ferocious as the tigress when she springs upon the
+ ruthless destroyer of her cubs. To a cloister, did he say? I thank thee
+ for the happy thought! Now has disappointed love found a place of refuge&mdash;the
+ cloister&mdash;the Redeemer's bosom is the sanctuary of disappointed love.
+ (She is on the point going).
+ </p>
+<pre xml:space="preserve">
+ . . . . . . . . . . . . . . . . . . .
+</pre>
+ <p>
+ In the acting edition the following scene occurs between Herman and
+ Francis, immediately before that with Amelia. As Schiller himself thought
+ this among the happiest of his additions, and regretted that it was
+ "entirely and very unfortunately overlooked in the first edition," it
+ seems desirable to introduce it here as well as the soliloquy immediately
+ following, which has acquired some celebrity.
+ </p>
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE VIII.
+ </h2>
+<pre xml:space="preserve">
+ Enter HERMANN.
+</pre>
+ <p>
+ FRANCIS. Ha! Welcome, my Euryalus! My prompt and trusty instrument!
+ </p>
+ <p>
+ HERMANN (abruptly and peevishly). You sent for me, count&mdash;why?
+ </p>
+ <p>
+ FRANCIS. That you might put the seal to your master-piece.
+ </p>
+ <p>
+ HERMANN (gruffly). Indeed?
+ </p>
+ <p>
+ FRANCIS. Give the picture its finishing touch.
+ </p>
+ <p>
+ HERMANN. Poh! Poh!
+ </p>
+ <p>
+ FRANCIS (startled). Shall I call the carriage? We'll arrange the business
+ during the drive?
+ </p>
+ <p>
+ HERMANN (scornfully). No ceremony, sir, if you please. For any business we
+ may have to arrange there is room enough between these four walls. At all
+ events I'll just say a few words to you by way of preface, which may save
+ your lungs some unnecessary exertion.
+ </p>
+ <p>
+ FRANCIS (reservedly). Hum! And what may those words be?
+ </p>
+ <p>
+ HERMANN (with bitter irony). "You shall have Amelia&mdash;and that from my
+ hand&mdash;"
+ </p>
+ <p>
+ FRANCIS (with astonishment). Hermann!
+ </p>
+ <p>
+ HERMANN (as before, with his back turned on FRANCIS). "Amelia will become
+ the plaything of my will&mdash;and you may easily guess the rest-in short
+ all will go as we wish" (Breaks into an indignant laugh, and then turns
+ haughtily to FRANCIS.) Now, Count von Moor, what have you to say to me?
+ </p>
+ <p>
+ FRANCIS (evasively). To thee? Nothing. I had something to say to Hermann.&mdash;
+ </p>
+ <p>
+ HERMANN, No evasion. Why was I sent for hither? Was it to be your dupe a
+ second time! and to hold the ladder for a thief to mount? to sell my soul
+ for a hangman s fee? What else did you want with me?
+ </p>
+ <p>
+ FRANCIS (as if recollecting). Ha! It just occurs to me! We must not forget
+ the main point. Did not my steward mention it to you? I wanted to talk to
+ you about the dowry.
+ </p>
+ <p>
+ HERMANN. This is mere mockery sir; or, if not mockery, something worse.
+ Moor, take care of yourself-beware how you kindle my fury, Moor. We are
+ alone! And I have still an unsullied name to stake against yours! Trust
+ not the devil, although he be of your own raising.
+ </p>
+ <p>
+ FRANCIS (with dignity). Does this deportment become thee towards thy
+ sovereign and gracious master? Tremble, slave!
+ </p>
+ <p>
+ HERMANN (ironically). For fear of your displeasure, I suppose? What
+ signifies your displeasure to a man who is at war with himself? Fie, Moor.
+ I already abhor you as a villain; let me not despise you for a fool. I can
+ open graves, and restore the dead to life! Which of us now is the slave?
+ </p>
+ <p>
+ FRANCIS (in a conciliating tone). Come, my good friend, be discreet, and
+ do not prove faithless.
+ </p>
+ <p>
+ HERMANN. Pshaw! To expose a wretch like you is here the best discretion&mdash;to
+ keep faith with you would be an utter want of sense. Faith? with whom?
+ Faith with the prince of liars? Oh, I shudder at the thought of such
+ faith. A very little timely faithlessness would have almost made a saint
+ of me. But patience! patience! Revenge is cunning in resources.
+ </p>
+ <p>
+ FRANCIS. Ah, by-the-by, I just remember. You lately lost a purse with a
+ hundred louis in it, in this apartment. I had almost forgotten it. Here,
+ my good friend! take back what belongs to you. (Offers him a purse).
+ </p>
+ <p>
+ HERMANN (throws it scornfully at his feet). A curse on your Judas bribe!
+ It is the earnest-money of hell. You once before thought to make my
+ poverty a pander to my conscience&mdash;but you were mistaken, count!
+ egregiously mistaken. That purse of gold came most opportunely&mdash;to
+ maintain certain persons.
+ </p>
+ <p>
+ FRANCIS (terrified). Hermann! Hermann! Let me not suspect certain things
+ of you. Should you have done anything contrary to my instructions&mdash;you
+ would be the vilest of traitors!
+ </p>
+ <p>
+ HERMANN (exultingly). Should I? Should I really? Well then count, let me
+ give you a little piece of information! (Significantly.) I will fatten up
+ your infamy, and add fuel to your doom. The book of your misdeeds shall
+ one day be served up as a banquet, and all the world be invited to partake
+ of it. (Contemptuously.) Do you understand me now, my most sovereign,
+ gracious, and excellent master?
+ </p>
+ <p>
+ FRANCIS (starts up, losing all command of himself). Ha! Devil! Deceitful
+ impostor! (Striking his forehead.) To think that I should stake my fortune
+ on the caprice of an idiot! That was madness! (Throws himself, in great
+ excitement, on a couch.)
+ </p>
+ <p>
+ HERMANN (whistles through his fingers). Wheugh! the biter bit!&mdash;
+ </p>
+ <p>
+ FRANCIS (biting his lip). But it is true, and ever will be true&mdash;that
+ there is no thread so feebly spun, or which snaps asunder so readily, as
+ that which weaves the bands of guilt!&mdash;
+ </p>
+ <p>
+ HERMANN. Gently! Gently! Are angels, then, superseded, that devils turn
+ moralists?
+ </p>
+ <p>
+ FRANCIS (starts up abruptly; to HERMANN with a malignant laugh). And
+ certain persons will no doubt acquire much honor by making the discovery?
+ </p>
+ <p>
+ HERMANN (clapping his hands). Masterly! Inimitable! You play your part to
+ admiration! First you lure the credulous fool into the slough, and then
+ chuckle at the success of your malice, and cry "Woe be to you sinner!"
+ (Laughing and clenching his teeth.) Oh, how cleverly these imps off the
+ devil manoeuvre. But, count (clapping him on the shoulder) you have not
+ yet got your lesson quite perfect&mdash;by Heavens! You first learn what
+ the losing gamester will hazard. Set fire to the powder-magazine, says the
+ pirate, and blow all to hell&mdash;both friend and foe!
+ </p>
+ <p>
+ FRANCIS (runs to the wall, and takes down a pistol). Here is treason! I
+ must be resolute&mdash;
+ </p>
+ <p>
+ HERMANN (draws a pistol as quickly from his pocket, and presents it at
+ him). Don't trouble yourself&mdash;one must be prepared for everything
+ with you.
+ </p>
+ <p>
+ FRANCIS (lets the pistol fall, and throws himself on the sofa in great
+ confusion). Only keep my council till&mdash;till I have collected my
+ thoughts.
+ </p>
+<pre xml:space="preserve">
+HERMANN. I suppose till you have hired a dozen assassins to silence my
+tongue forever! Is it not so! But (in his ear) the secret is committed
+to paper, which my heirs will publish.
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE IX.
+ </h2>
+<pre xml:space="preserve">
+ FRANCIS, solus.
+</pre>
+<pre xml:space="preserve">
+Francis! Francis! Francis! What is all this? Where was thy courage?
+where thy once so fertile wit? Woe! Woe! And to be betrayed by thy
+own instruments! The pillars of my good fortune are tottering to their
+fall, the fences are broken down, and the raging enemy is already
+bursting in upon me. Well! this calls for some bold and sudden resolve!
+What if I went in person&mdash;and secretly plunged this sword in his body?
+A wounded man is but a child. Quick! I'll do it. (He walks with a
+resolute step to the end of the stage, but stops suddenly as if overcome
+by sensations of horror). Who are these gliding behind me? (Rolling
+his eyes fearfully) Faces such as I have never yet beheld. What
+hideous yells do I hear! I feel that I have courage&mdash;courage! oh yes to
+overflowing! But if a mirror should betray me? or my shadow! or the
+whistling of the murderous stroke! Ugh! Ugh! How my hair bristles! A
+shudder creeps through my frame. (He lets a poigniard fall from under
+his clothes.) I am no coward&mdash;perhaps somewhat too tenderhearted. Yes!
+that is it! These are the last struggles of expiring virtue. I revere
+them. I should indeed be a monster were I to become the murderer of my
+own brother. No! no! no! That thought be far from me! Let me cherish
+this vestige of humanity. I will not murder. Nature, thou hast
+conquered. I still feel something here that seems like&mdash;affection. He
+shall live.
+ [Exit.]
+
+ Enter HERMANN, timidly.
+</pre>
+ <p>
+ HERMANN. Lady Amelia! Lady Amelia!
+ </p>
+ <p>
+ AMELIA. Unhappy man! why dost thou disturb me?
+ </p>
+ <p>
+ HERMANN. I must throw this weight from my soul before it drags it down to
+ hell. (Falls down before her.) Pardon! pardon! I have grievously injured
+ you, Lady Amelia!
+ </p>
+ <p>
+ AMELIA. Arise! depart! I will hear nothing. (Going.)
+ </p>
+ <p>
+ HERMANN (detaining her). No; stay! In the name of Heaven! In the name of
+ the Eternal! You must know all!
+ </p>
+ <p>
+ AMELIA. Not another word. I forgive you. Depart in peace. (In the act of
+ going.)
+ </p>
+ <p>
+ HERMANN. Only one word&mdash;listen; it will restore all your peace of
+ mind.
+ </p>
+ <p>
+ AMELIA (turning back and looking at him with astonishment). How, friend?
+ Who in heaven or on earth can restore my peace of mind?
+ </p>
+ <p>
+ HERMANN. One word from my lips can do it. Hear me!
+ </p>
+ <p>
+ AMELIA (seizing his hand with compassion). Good sir! Can one word from thy
+ lips burst asunder the portals of eternity?
+ </p>
+ <p>
+ HERMANN. (rising). Charles lives!
+ </p>
+ <p>
+ AMELIA (screaming). Wretch!
+ </p>
+ <p>
+ HERMANN. Even so. And one word more. Your uncle&mdash;
+ </p>
+ <p>
+ AMELIA. (rushing upon him). Thou liest!
+ </p>
+ <p>
+ HERMANN. Your uncle&mdash;
+ </p>
+ <p>
+ AMELIA. Charles lives?
+ </p>
+ <p>
+ HERMANN. And your uncle&mdash;
+ </p>
+ <p>
+ AMELIA. Charles lives?
+ </p>
+ <p>
+ HERMANN. And your uncle too&mdash;betray me not!
+ </p>
+<pre xml:space="preserve">
+ (HERMANN runs off)
+</pre>
+ <p>
+ AMELIA (stands a long while like one petrified; after which she starts up
+ wildly, and rushes after HERMANN.) Charles lives!
+ </p>
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;Country near the Danube.
+ </h2>
+<pre xml:space="preserve">
+ THE ROBBERS (encamped on a rising ground, under trees,
+ their horses are grazing below.)
+</pre>
+ <p>
+ CHARLES. Here must I lie (throwing himself upon the ground). I feel as if
+ my limbs were all shattered. My tongue is as dry as a potsherd (SCHWEITZER
+ disappears unperceived.) I would ask one of you to bring me a handful of
+ water from that stream, but you are all tired to death.
+ </p>
+ <p>
+ SCHWARZ. Our wine-flasks too are all empty.
+ </p>
+ <p>
+ CHARLES. See how beautiful the harvest looks! The trees are breaking with
+ the weight of their fruit. The vines are full of promise.
+ </p>
+ <p>
+ GRIMM. It is a fruitful year.
+ </p>
+ <p>
+ CHARLES. Do you think so? Then at least one toil in the world will be
+ repaid. One? Yet in the night a hailstorm may come and destroy it all.
+ </p>
+ <p>
+ SCHWARZ. That is very possible. It all may be destroyed an hour before the
+ reaping.
+ </p>
+ <p>
+ CHARLES. Just what I say. All will be destroyed. Why should man prosper in
+ that which he has in common with the ant, while he fails in that which
+ places him on a level with the gods. Or is this the aim and limit of his
+ destiny?
+ </p>
+ <p>
+ SCHWARZ. I know not.
+ </p>
+ <p>
+ CHARLES. Thou hast said well; and wilt have done better, if thou never
+ seekest to know. Brother, I have looked on men, their insect cares and
+ their giant projects,&mdash;their god-like plans and mouse-like
+ occupations, their intensely eager race after happiness&mdash;one trusting
+ to the fleetness of his horse,&mdash;another to the nose of his ass,&mdash;a
+ third to his own legs; this checkered lottery of life, in which so many
+ stake their innocence and their leaven to snatch a prize, and,&mdash;blanks
+ are all they draw&mdash;for they find, too late, that there was no prize
+ in the wheel. It is a drama, brother, enough to bring tears into your
+ eyes, while it shakes your sides with laughter.
+ </p>
+ <p>
+ SCHWARZ. How gloriously the sun is setting yonder!
+ </p>
+ <p>
+ CHARLES (absorbed in the scene). So dies a hero! Worthy of adoration!
+ </p>
+ <p>
+ SCHWARZ. You seem deeply moved.
+ </p>
+ <p>
+ CHARLES. When I, was but a boy&mdash;it was my darling thought to live
+ like him, like him to die&mdash;(with suppressed grief.) It was a boyish
+ thought!
+ </p>
+ <p>
+ GRIMM. It was, indeed.
+ </p>
+ <p>
+ CHARLES. There was a time&mdash;(pressing his hat down upon his face). I
+ would be alone, comrades.
+ </p>
+ <p>
+ SCHWARZ. Moor! Moor! Why, what the deuce! How his color changes.
+ </p>
+ <p>
+ GRIMM. By all the devils! What ails him? Is he ill?
+ </p>
+ <p>
+ CHARLES. There was a time when I could not have slept had I forgotten my
+ evening prayers.
+ </p>
+ <p>
+ GRIMM. Are you beside yourself? Would you let the remembrances of your
+ boyish years school you now?
+ </p>
+ <p>
+ CHARLES (lays his head upon the breast of GRIMM). Brother! Brother!
+ </p>
+ <p>
+ GRIMM. Come! Don't play the child&mdash;I pray you
+ </p>
+ <p>
+ CHARLES. Oh that I were-that I were again a child!
+ </p>
+ <p>
+ GRIMM. Fie! fie!
+ </p>
+ <p>
+ SCHWARZ. Cheer up! Behold this smiling landscape&mdash;this delicious
+ evening!
+ </p>
+ <p>
+ CHARLES. Yes, friends, this world is very lovely&mdash;
+ </p>
+ <p>
+ SCHWARZ. Come, now, that was well said.
+ </p>
+ <p>
+ CHARLES. This earth so glorious!&mdash;
+ </p>
+ <p>
+ GRIMM. Right&mdash;right&mdash;I love to hear you talk thus.
+ </p>
+ <p>
+ CHARLES. (sinking back). And I so hideous in' this lovely world&mdash; a
+ monster on this glorious earth!
+ </p>
+ <p>
+ GRIMM. Oh dear! oh dear!
+ </p>
+ <p>
+ CHARLES. My innocence! give me back my innocence! Behold, every living
+ thing is gone forth to bask in the cheering rays of the vernal sun&mdash;why
+ must I alone inhale the torments of hell out of the joys of heaven? All
+ are so happy, all so united in brotherly love, by the spirit of peace! The
+ whole world one family, and one Father above&mdash;but He not my father! I
+ alone the outcast, I alone rejected from the ranks of the blessed&mdash;the
+ sweet name of child is not for me&mdash;never for me the soul-thrilling
+ glance of her I love&mdash;never, never the bosom friend's embrace&mdash;(starting
+ back wildly)&mdash;surrounded by murderers&mdash;hemmed in by hissing
+ vipers&mdash; riveted to vice with iron fetters&mdash;whirling headlong on
+ the frail reed of sin to the gulf of perdition&mdash;amid the blooming
+ flowers of a glad world, a howling Abaddon!
+ </p>
+ <p>
+ SCHWARZ (to the others). How strange! I never saw him thus before.
+ </p>
+ <p>
+ CHARLES (with melancholy). Oh, that I might return again to my mother's
+ womb. That I might be born a beggar! I should desire no more,&mdash;no
+ more, oh heaven!&mdash;but that I might be like one of those poor
+ laborers! Oh, I would toil till the blood streamed down my temples&mdash;to
+ buy myself the luxury of one guiltless slumber&mdash;the blessedness of a
+ single tear.
+ </p>
+ <p>
+ GRIMM (to the others). A little patience&mdash;the paroxysm is nearly
+ over.
+ </p>
+ <p>
+ CHARLES. There was a time when my tears flowed so freely. Oh, those days
+ of peace! Dear home of my fathers&mdash;ye verdant halcyon vales! O all ye
+ Elysian scenes of my childhood!&mdash;will you never return?&mdash;will
+ your delicious breezes never cool my burning bosom? Mourn with me, Nature,
+ mourn! They will never return! never will their delicious breezes cool my
+ burning bosom! They are gone! gone! irrevocably gone!
+ </p>
+<pre xml:space="preserve">
+ Enter SCHWEITZER with water in his hat.
+</pre>
+ <p>
+ SCHWEITZER (offering him water in his hat). Drink, captain; here is plenty
+ of water, and cold as ice.
+ </p>
+ <p>
+ SCHWARZ. You are bleeding! What have you been doing?
+ </p>
+ <p>
+ SCHWEITZER. A bit of a freak, you fool, which had well-nigh cost me two
+ legs and a neck. As I was frolicking along the steep sandbanks of the
+ river, plump, in a moment, the whole concern slid from under me, and I
+ after it, some ten fathoms deep;&mdash;there I lay, and, as I was
+ recovering my five senses, lo and behold, the most sparkling water in the
+ gravel! Not so much amiss this time, said I to myself, for the caper I
+ have cut. The captain will be sure to relish a drink.
+ </p>
+ <p>
+ CHARLES (returns him the hat and wipes his face). But you are covered with
+ mud, Schweitzer, and we can't see the scar which the Bohemian horseman
+ marked on your forehead&mdash;your water was good, Schweitzer&mdash;and
+ those scars become you well.
+ </p>
+ <p>
+ SCHWEITZER. Bah! There's room for a score or two more yet.
+ </p>
+ <p>
+ CHARLES. Yes, boys&mdash;it was a hot day's work&mdash;and only one man
+ lost. Poor Roller! he died a noble death. A marble monument would be
+ erected to his memory had he died in any other cause than mine. Let this
+ suffice. (He wipes the tears from his eyes.) How many, did you say, of the
+ enemy were left on the field?
+ </p>
+ <p>
+ SCHWEITZER. A hundred and sixty huzzars, ninety-three dragoons, some forty
+ chasseurs&mdash;in all about three hundred.
+ </p>
+ <p>
+ CHARLES. Three hundred for one! Every one of you has a claim upon this
+ head. (He bares his head.) By this uplifted dagger! As my Soul liveth, I
+ will never forsake you!
+ </p>
+ <p>
+ SCHWEITZER. Swear not! You do not know but you may yet be happy, and
+ repent your oath.
+ </p>
+ <p>
+ CHARLES. By the ashes of my Roller! I will never forsake you.
+ </p>
+<pre xml:space="preserve">
+ Enter KOSINSKY.
+</pre>
+ <p>
+ KOSINSKY (aside). Hereabouts, they say, I shall find him. Ha! What faces
+ are these? Should they be&mdash;if these&mdash;they must be the men! Yes,
+ 'tis they,'tis they! I will accost them.
+ </p>
+ <p>
+ SCHWARZ. Take heed! Who goes there?
+ </p>
+ <p>
+ KOSINSKY. Pardon, sirs. I know not whether I am going right or wrong.
+ </p>
+ <p>
+ CHARLES. Suppose right, whom do you take us to be?
+ </p>
+ <p>
+ KOSINSKY. Men!
+ </p>
+ <p>
+ SCHWEITZER. I wonder, captain, whether we have given any proof of that?
+ </p>
+ <p>
+ KOSINSKY. I am in search of men who can look death in the face, and let
+ danger play around then like a tamed snake; who prize liberty above life
+ or honor; whose very names, hailed by the poor and the oppressed, appal
+ the boldest, and make tyrants tremble.
+ </p>
+ <p>
+ SCHWEITZER (to the Captain). I like that fellow. Hark ye, friend! You have
+ found your men.
+ </p>
+ <p>
+ KOSINSKY. So I should think, and I hope soon to find them brothers. You
+ can direct me to the man I am looking for. 'Tis your captain, the great
+ Count von Moor.
+ </p>
+ <p>
+ SCHWEITZER (taking him warmly by the hand). There's a good lad. You and I
+ must be chums.
+ </p>
+ <p>
+ CHARLES (coming nearer). Do you know the captain?
+ </p>
+ <p>
+ KOSINSKY. Thou art he!&mdash;in those features&mdash;that air&mdash;who
+ can look at thee, and doubt it? (Looks earnestly at him for some time). I
+ have always wished to see the man with the annihilating look, as he sat on
+ the ruins of Carthage.* That wish is realized.
+ </p>
+<pre xml:space="preserve">
+ *[Alluding to Caius Marius. See Plutarch's Lives.]
+</pre>
+ <p>
+ SCHWEITZER. A mettlesome fellow!&mdash;
+ </p>
+ <p>
+ CHARLES. And what brings you to me?
+ </p>
+ <p>
+ KOSINSKY. Oh, captain! my more than cruel fate. I have suffered
+ shipwrecked on the stormy ocean of the world; I have seen all my fondest
+ hopes perish; and nought remains to me but a remembrance of the bitter
+ past, which would drive me to madness, were I not to drown it by directing
+ my energies to new objects.
+ </p>
+ <p>
+ CHARLES. Another arraignment of the ways of Providence! Proceed.
+ </p>
+ <p>
+ KOSINSKY. I became a soldier. Misfortune still followed me in the army. I
+ made a venture to the Indies, and my ship was shivered on the rocks&mdash;nothing
+ but frustrated hopes! At last, I heard tell far and wide of your valiant
+ deeds, incendiarisms, as they called them, and I came straightway hither,
+ a distance of thirty leagues, firmly resolved to serve under you, if you
+ will deign to accept my services. I entreat thee, noble captain, refuse me
+ not!
+ </p>
+ <p>
+ SCHWEITZER (with a leap into the air). Hurrah! Hurrah! Our Roller replaced
+ ten hundred-fold! An out-and-out brother cut-throat for our troop.
+ </p>
+ <p>
+ CHARLES. What is your name?
+ </p>
+ <p>
+ KOSINSKY. Kosinsky.
+ </p>
+ <p>
+ CHARLES. What? Kosinsky! And do you know that you are but a thoughtless
+ boy, and are embarking on the most weighty passage of your life as
+ heedlessly as a giddy girl? You will find no playing at bowls or ninepins
+ here, as you probably imagine.
+ </p>
+ <p>
+ KOSINSKY. I understand you, sir. I am,'tis true, but four-and-twenty years
+ old, but I have seen swords glittering, and have heard balls whistling
+ around me.
+ </p>
+ <p>
+ CHARLES. Indeed, young gentleman? And was it for this that you took
+ fencing lessons, to run poor travellers through the body for the sake of a
+ dollar, or stab women in the back? Go! go! You have played truant to your
+ nurse because she shook the rod at you.
+ </p>
+ <p>
+ SCHWEITZER. Why, what the devil, captain! what are you about? Do you mean
+ to turn away such a Hercules? Does he not look as if he could baste
+ Marechal Saxe across the Ganges with a ladle?
+ </p>
+ <p>
+ CHARLES. Because your silly schemes miscarry, you come here to turn rogue
+ and assassin! Murder, boy, do you know the meaning of that word? You may
+ have slumbered in peace after cropping a few poppy-heads, but to have a
+ murder on your soul&mdash;
+ </p>
+ <p>
+ KOSINSKY. All the murders you bid me commit be upon my head!
+ </p>
+ <p>
+ CHARLES. What! Are you so nimble-witted? Do you take measure of a man to
+ catch him by flattery? How do you know that I am not haunted by terrific
+ dreams, or that I shall not tremble on my death-bed?&mdash;How much have
+ you already done of which you have considered the responsibility?
+ </p>
+ <p>
+ KOSINSKY. Very little, I must confess; excepting this long journey to you,
+ noble count&mdash;
+ </p>
+ <p>
+ CHARLES. Has your tutor let the story of Robin Hood&mdash;get into your
+ hands? Such careless rascals ought to be sent to the galleys. And has it
+ heated your childish fancy, and infected you with the mania of becoming a
+ hero? Are you thirsting for honor and fame? Would you buy immortality by
+ deeds of incendiarism? Mark me, ambitious youth! No laurel blooms for the
+ incendiary. No triumph awaits the victories of the bandit&mdash;nothing
+ but curses, danger, death, disgrace. Do you see the gibbet yonder on the
+ hill?
+ </p>
+ <p>
+ SPIEGEL (going up and down indignantly). Oh, how stupid! How abominably,
+ unpardonably stupid! That's not the way. I went to work in a very
+ different manner.
+ </p>
+ <p>
+ KOSINSKY. What should he fear, who fears not death?
+ </p>
+ <p>
+ CHARLES. Bravo! Capital! You have made good use of your time at school;
+ you have got your Seneca cleverly by heart. But, my good friend, you will
+ not be able with these fine phrases to cajole nature in the hour of
+ suffering; they will never blunt the biting tooth of remorse. Ponder on it
+ well, my son! (Takes him by the hand.) I advise you as a father. First
+ learn the depth of the abyss before you plunge headlong into it. If in
+ this world you can catch a single glimpse of happiness&mdash;moments may
+ come when you-awake,&mdash;and then&mdash;it may be too late. Here you
+ step out as it were beyond the pale of humanity&mdash;you must either be
+ more than human or a demon. Once more, my son! if but a single spark of
+ hope glimmer for you elsewhere, fly this fearful compact, where nought but
+ despair enters, unless a higher wisdom has so ordained it. You may deceive
+ yourself&mdash;believe me, it is possible to mistake that for strength of
+ mind which in reality is nothing more than despair. Take my counsel! mine!
+ and depart quickly.
+ </p>
+ <p>
+ KOSINSKY. No! I will not stir. If my entreaties fail to move you, hear but
+ the story of my misfortunes. And then you will force the dagger into my
+ hand as eagerly as you now seek to withhold it. Seat yourselves awhile on
+ the grass and listen.
+ </p>
+ <p>
+ CHARLES. I will hear your story.
+ </p>
+ <p>
+ KOSINSKY. Know, then, that I am a Bohemian nobleman. By the early death of
+ my father I became master of large possessions. The scene of my domain was
+ a paradise; for it contained an angel&mdash;a maid adorned with all the
+ charms of blooming youth, and chaste as the light of heaven. But to whom
+ do I talk of this? It falls unheeded on your cars&mdash;ye never loved, ye
+ were never beloved&mdash;
+ </p>
+ <p>
+ SCHWEITZER. Gently, gently! The captain grows red as fire.
+ </p>
+ <p>
+ CHARLES. No more! I'll hear you some other time&mdash;to-morrow,&mdash;or
+ by-and-by, or&mdash;after I have seen blood.
+ </p>
+ <p>
+ KOSINSKY. Blood, blood! Only hear on! Blood will fill your whole soul. She
+ was of citizen birth, a German&mdash;but her look dissolved all the
+ prejudices of aristocracy. With blushing modesty she received the bridal
+ ring from my hand, and on the morrow I was to have led my AMELIA to the
+ altar. (CHARLES rises suddenly.) In the midst of my intoxicating dream of
+ happiness, and while our nuptials were preparing, an express summoned me
+ to court. I obeyed the summons. Letters were shown me which I was said to
+ have written, full of treasonable matter. I grew scarlet with indignation
+ at such malice; they deprived me of my sword, thrust me into prison, and
+ all my senses forsook me.
+ </p>
+ <p>
+ SCHWEITZER. And in the meantime&mdash;go on! I already scent the game.
+ </p>
+ <p>
+ KOSINSKY. There I lay a whole month, and knew not what was taking place. I
+ was full of anxiety for my Amelia, who I was sure would suffer the pangs
+ of death every moment in apprehension of my fate. At last the prime
+ minister makes his appearance,&mdash;congratulates me in honey-sweet words
+ on the establishment of my innocence,&mdash;reads to me a warrant of
+ discharge,&mdash;and returns me my sword. I flew in triumph to my castle,
+ to the arms of my Amelia, but she had disappeared! She had been carried
+ off, it was said, at midnight, no one knew whither, and no eye had beheld
+ her since. A suspicion instantly flashed across my mind. I rushed to the
+ capital&mdash;I made inquiries at court&mdash;all eyes were upon me,&mdash;no
+ one would give me information. At last I discovered her through a grated
+ window of the palace&mdash;she threw me a small billet.
+ </p>
+ <p>
+ SCHWEITZER. Did I not say so?
+ </p>
+ <p>
+ KOSINSKY. Death and destruction! The contents were these! They had given
+ her the choice between seeing me put to death, and becoming the mistress
+ of the prince. In the struggle between honor and love she chose the
+ latter, and (with a bitter smile) I was saved.
+ </p>
+ <p>
+ SCHWEITZER. And what did you do then?
+ </p>
+ <p>
+ KOSINSKY. Then I stood like one transfixed with a thunderbolt! Blood was
+ my first thought, blood my last! Foaming at the mouth, I ran to my
+ quarters, armed myself with a two-edged sword, and, with all haste, rushed
+ to the minister's house, for he&mdash;he alone&mdash;had been the fiendish
+ pander. They must have observed me in the street, for, as I went up, I
+ found all the doors fastened. I searched, I enquired. He was gone, they
+ said, to the prince. I went straight thither, but nobody there would know
+ anything about him. I return, force the doors, find the base wretch, and
+ was on the point when five or six servants suddenly rushed on me from
+ behind, and wrenched the weapon from my hands.
+ </p>
+ <p>
+ SCHWEITZER (stamping the ground). And so the fellow got off clear, and you
+ lost your labor?
+ </p>
+ <p>
+ KOSINSKY. I was arrested, accused, criminally prosecuted, degraded, and&mdash;mark
+ this&mdash;transported beyond the frontier, as a special favor. My estates
+ were confiscated to the minister, and Amelia remained in the clutches of
+ the tiger, where she weeps and mourns away her life, while my vengeance
+ must keep a fast, and crouch submissively to the yoke of despotism.
+ </p>
+ <p>
+ SCHWEITZER (rising and whetting his sword). That is grist to our mill,
+ captain! There is something here for the incendiaries!
+ </p>
+ <p>
+ CHARLES (who has been walking up and down in violent agitation, with a
+ sudden start to the ROBBERS). I must see her. Up! collect your baggage&mdash;you'll
+ stay with us, Kosinsky! Quick, pack up!
+ </p>
+ <p>
+ THE ROBBERS. Where to? What?
+ </p>
+ <p>
+ CHARLES. Where to? Who asks that question? (Fiercely to SCHWEITZER)
+ Traitor, wouldst thou keep me back? But by the hope for heaven!
+ </p>
+ <p>
+ SCHWEITZER. I, a traitor? Lead on to hell and I will follow you!
+ </p>
+<pre xml:space="preserve">
+CHARLES (falling on his neck). Dear brother! thou shalt follow me. She
+weeps, she mourns away her life. Up! quickly! all of you! to
+Franconia! In a week we must be there.
+ [Exeunt.]
+</pre>
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT IV.
+ </h2>
+ <p>
+ SCENE I.&mdash;Rural scenery in the neighborhood of CHARLES VON MOOR'S
+ castle.
+ </p>
+<pre xml:space="preserve">
+ CHARLES VON MOOR, KOSINSKY, at a distance.
+</pre>
+ <p>
+ CHARLES. Go forward, and announce me. You remember what you have to say?
+ </p>
+<pre xml:space="preserve">
+KOSINSKY. You are Count Brand, you come from Mecklenburg. I am your
+groom. Do not fear, I shall take care to play my part. Farewell!
+ [Exit.]
+</pre>
+ <p>
+ CHARLES. Hail to thee, Earth of my Fatherland (kisses the earth.) Heaven
+ of my Fatherland! Sun of my Fatherland! Ye meadows and hills, ye streams
+ and woods! Hail, hail to ye all! How deliciously the breezes are wafted
+ from my native hills? What streams of balmy perfume greet the poor
+ fugitive! Elysium! Realms of poetry! Stay, Moor, thy foot has strayed into
+ a holy temple. (Comes nearer.)
+ </p>
+<pre xml:space="preserve">
+See there! the old swallow-nests in the castle yard!&mdash;-and the little
+garden-gate!&mdash;and this corner of the fence where I so often watched in
+ambuscade to teaze old Towzer!&mdash;and down there in the green valley,
+where, as the great Alexander, I led my Macedonians to the battle of
+Arbela; and the grassy hillock yonder, from which I hurled the Persian
+satrap&mdash;and then waved on high my victorious banner! (He smiles.) The
+golden age of boyhood lives again in the soul of the outcast. I was
+then so happy, so wholly, so cloudlessly happy&mdash;and now&mdash;behold all my
+prospects a wreck! Here should I have presided, a great, a noble, an
+honored man&mdash;here have&mdash;lived over again the years of boyhood in the
+blooming&mdash;children of my Amelia&mdash;here!&mdash;here have been the idol of my
+people&mdash;but the foul fiend opposed it (Starting.) Why am I here? To
+feel like the captive when the clanking of his chains awakes him from
+his dream of liberty. No, let me return to my wretchedness! The
+captive had forgotten the light of day, but the dream of liberty flashes
+past his eyes like a blaze of lightning in the night, which leaves it
+darker than before. Farewell, ye native vales! once ye saw Charles as a
+boy, and then Charles was happy. Now ye have seen the man his happiness
+turned to despair! (He moves rapidly towards the most distant point of
+the landscape, where he suddenly stops and casts a melancholy look
+across to the castle.) Not to behold her! not even one look?&mdash;and only
+a wall between me and Amelia! No! see her I must!&mdash;and him too!&mdash;though
+it crush me! (He turns back.) Father! father! thy son approaches. Away
+with thee, black, reeking gore! Away with that grim, ghastly look of
+death! Oh, give me but this one hour free! Amelia! Father! thy
+Charles approaches! (He goes quickly towards the castle.) Torment me
+when the morning dawns&mdash;give me no rest with the coming night&mdash;beset me
+in frightful dreams! But, oh! poison not this my only hour of bliss!
+(He is standing at the gate.) What is it I feel? What means this, Moor?
+Be a man! These death-like shudders&mdash;foreboding terrors.
+ [Enters.]
+</pre>
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.*&mdash;Gallery in the Castle.
+ </h2>
+<pre xml:space="preserve">
+ *[In some editions this is the third scene,
+ and there is no second.]
+
+ Enter CHARLES VON MOOR, AMELIA.
+</pre>
+ <p>
+ AMELIA. And are you sure that you should know his portrait among these
+ pictures?
+ </p>
+ <p>
+ CHARLES. Oh, most certainly! his image has always been fresh in my memory.
+ (Passing along thee pictures.) This is not it.
+ </p>
+ <p>
+ AMELIA. You are right! He was the first count, and received his patent of
+ nobility from Frederic Barbarossa, to whom he rendered some service
+ against the corsairs.
+ </p>
+ <p>
+ CHARLES (still reviewing the pictures). Neither is it this&mdash;nor this&mdash;
+ nor that&mdash;it is not among these at all.
+ </p>
+ <p>
+ AMELIA. Nay! look more attentively! I thought you knew him.
+ </p>
+ <p>
+ CHARLES. As well as my own father! This picture wants the sweet expression
+ around the mouth, which distinguished him from among a thousand. It is not
+ he.
+ </p>
+ <p>
+ AMELIA. You surprise me. What! not seen him for eighteen years, and still&mdash;
+ </p>
+ <p>
+ CHARLES (quickly, with a hectic blush). Yes, this is he! (He stands as if
+ struck by lightning.)
+ </p>
+ <p>
+ AMELIA. An excellent man!
+ </p>
+ <p>
+ CHARLES (absorbed in the contemplation of the picture). Father! father!
+ forgive me! Yes, an excellent man! (He wipes his eyes.) A godlike man!
+ </p>
+ <p>
+ AMELIA. You seem to take a deep interest in him.
+ </p>
+ <p>
+ CHARLES. Oh, an excellent man! And he is gone, you say!
+ </p>
+ <p>
+ AMELIA. Gone! as our best joys perish. (Gently taking him by the hand.)
+ Dear Sir, no happiness ripens in this world.
+ </p>
+ <p>
+ CHARLES. Most true, most true! And have you already proved this truth by
+ sad experience? You, who can scarcely yet have seen your twenty-third
+ year?
+ </p>
+ <p>
+ AMELIA. Yes, alas, I have proved it. Whatever lives, lives to die in
+ sorrow. We engage our hearts, and grasp after the things of this world,
+ only to undergo the pang of losing them.
+ </p>
+ <p>
+ CHARLES. What can you have lost, and yet so young?
+ </p>
+ <p>
+ AMELIA. Nothing&mdash;everything&mdash;nothing. Shall we go on, count?*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition is added&mdash;
+ "MOOR. And would you learn forgetfulness in that holy garb there?
+ (Pointing to a nun's habit.)
+ "AMELIA. To-morrow I hope to do so. Shall we continue our walk,
+ sir?"]
+</pre>
+ <p>
+ CHARLES. In such haste? Whose portrait is that on the right? There is an
+ unhappy look about that countenance, methinks.
+ </p>
+ <p>
+ AMELIA. That portrait on the left is the son of the count, the present
+ count. Come, let us pass on!
+ </p>
+ <p>
+ CHARLES. But this portrait on the right?
+ </p>
+ <p>
+ AMELIA. Will you not continue your walk, Sir?
+ </p>
+ <p>
+ CHARLES. But this portrait on the right hand? You are in tears, Amelia?
+ [Exit AMELIA, in precipitation.]
+ </p>
+<pre xml:space="preserve">
+CHARLES. She loves me, she loves me! Her whole being began to rebel,
+and the traitor tears rolled down her cheeks. She loves me! Wretch,
+hast thou deserved this at her hands? Stand I not here like a condemned
+criminal before the fatal block? Is this the couch on which we so often
+sat&mdash;where I have hung in rapture on her neck? Are these my ancestral
+halls? (Overcome by the sight of his father's portrait.) Thou&mdash;thou&mdash;
+Flames of fire darting from thine eyes&mdash;His curse&mdash;His curse&mdash;He disowns
+me&mdash;Where am I? My sight grows dim&mdash;Horrors of the living God&mdash;'Twas I,
+'twas I that killed my father!
+ [He rushes off]
+
+ Enter FRANCIS VON MOOR, in deep thought.
+</pre>
+ <p>
+ FRANCIS. Away with that image! Away with it! Craven heart! Why dost thou
+ tremble, and before whom? Have I not felt, during the few hours that the
+ count has been within these walls as if a spy from hell were gliding at my
+ heels. Methinks I should know him! There is something so lofty, so
+ familiar, in his wild, sunburnt features, which makes me tremble. Amelia,
+ too, is not indifferent towards him! Does she not dart eager, languishing
+ looks at the fellow looks of which she is so chary to all the world
+ beside? Did I not see her drop those stealthy tears into the wine, which,
+ behind my back, he quaffed so eagerly that he seemed to swallow the very
+ glass? Yes, I saw it&mdash;I saw it in the mirror with my own eyes. Take
+ care, Francis! Look about you! Some destruction-brooding monster is
+ lurking beneath all this! (He stops, with a searching look, before the
+ portrait of CHARLES.)
+ </p>
+ <p>
+ His long, crane-like neck&mdash;his black, fire-sparkling eyes&mdash;hem!
+ hem!&mdash; his dark, overhanging, bushy eyebrows. (Suddenly starting
+ back.) Malicious hell! dost thou send me this suspicion? It is Charles!
+ Yes, all his features are reviving before me. It is he! despite his mask!
+ it is he! Death and damnation! (Goes up and down with agitated steps.) Is
+ it for this that I have sacrificed my nights&mdash;that I have mowed down
+ mountains and filled up chasms? For this that I have turned rebel against
+ all the instincts of humanity? To have this vagabond outcast blunder in at
+ last, and destroy all my cunningly devised fabric. But gently! gently!
+ What remains to be done is but child's play. Have I not already waded up
+ to my very ears in mortal sin? Seeing how far the shore lies behind me, it
+ would be madness to attempt to swim back. To return is now out of the
+ question. Grace itself would be beggared, and infinite mercy become
+ bankrupt, were they to be responsible for all my liabilities. Then onward
+ like a man. (He rings the bell.) Let him be gathered to the spirit of his
+ father, and now come on! For the dead I care not! Daniel! Ho! Daniel! I'd
+ wager a trifle they have already inveigled him too into the plot against
+ me! He looks so full of mystery!
+ </p>
+<pre xml:space="preserve">
+ Enter DANIEL.
+</pre>
+ <p>
+ DANIEL. What is your pleasure, my master?
+ </p>
+ <p>
+ FRANCIS. Nothing. Go, fill this goblet with wine, and quickly! (Exit
+ DANIEL.) Wait a little, old man! I shall find you out! I will fix my eye
+ upon you so keenly that your stricken conscience shall betray itself
+ through your mask! He shall die! He is but a sorry bungler who leaves his
+ work half finished, and then looks on idly, trusting to chance for what
+ may come of it.
+ </p>
+<pre xml:space="preserve">
+ Enter DANIEL, with the wine.
+</pre>
+ <p>
+ Bring it here! Look me steadfastly in the face! How your knees knock
+ together! How you tremble! Confess, old man! what have you been doing?
+ </p>
+ <p>
+ DANIEL. Nothing, my honored master, by heaven and my poor soul!
+ </p>
+ <p>
+ FRANCIS. Drink this wine! What? you hesitate? Out with it quickly! What
+ have you put into the wine?
+ </p>
+ <p>
+ DANIEL. Heaven help me! What! I in the wine?
+ </p>
+ <p>
+ FRANCIS. You have poisoned it! Are you not as white as snow? Confess,
+ confess! Who gave it you? The count? Is it not so? The count gave it you?
+ </p>
+ <p>
+ DANIEL. The count? Jesu Maria! The count has not given me anything.
+ </p>
+ <p>
+ FRANCIS (grasping him tight). I will throttle you till you are black in
+ the face, you hoary-headed liar! Nothing? Why, then, are you so often
+ closeted together? He, and you, and Amelia? And what are you always
+ whispering about? Out with it! What secrets, eh? What secrets has he
+ confided to you?
+ </p>
+ <p>
+ DANIEL. I call the Almighty to witness that he has not confided any
+ secrets to me.
+ </p>
+ <p>
+ FRANCIS. Do you mean to deny it? What schemes have you been hatching to
+ get rid of me? Am I to be smothered in my sleep? or is my throat to be cut
+ in shaving? or am I to be poisoned in wine or chocolate? Eh? Out with it,
+ out with it! Or am I to have my quietus administered in my soup? Out with
+ it! I know it all!
+ </p>
+ <p>
+ DANIEL. May heaven so help me in the hour of need as I now tell you the
+ truth, and nothing but the pure, unvarnished truth!
+ </p>
+ <p>
+ FRANCIS. Well, this time I will forgive you. But the money! he most
+ certainly put money into your purse? And he pressed your hand more warmly
+ than is customary? something in the manner of an old acquaintance?
+ </p>
+ <p>
+ DANIEL. Never, indeed, Sir.
+ </p>
+ <p>
+ FRANCIS. He told you, for instance, that he had known you before? that you
+ ought to know him? that the scales would some day fall from your eyes?
+ that&mdash;what? Do you mean to say that he never spoke thus to you?
+ </p>
+ <p>
+ DANIEL. Not a word of the kind.
+ </p>
+ <p>
+ FRANCIS. That certain circumstances restrained him&mdash;that one must
+ sometimes wear a mask in order to get at one's enemies&mdash;that he would
+ be revenged, most terribly revenged?
+ </p>
+ <p>
+ DANIEL. Not a syllable of all this.
+ </p>
+ <p>
+ FRANCIS. What? Nothing at all? Recollect yourself. That he knew the old
+ count well&mdash;most intimately&mdash;that he loved him&mdash;loved him
+ exceedingly&mdash;loved him like a son!
+ </p>
+ <p>
+ DANIEL. Something of that sort I remember to have heard him say.
+ </p>
+ <p>
+ FRANCIS (turning pale). Did he say so? did he really? How? let me hear! He
+ said he was my brother?
+ </p>
+ <p>
+ DANIEL (astonished). What, my master? He did not say that. But as Lady
+ Amelia was conducting him through the gallery&mdash;I was just dusting the
+ picture frames&mdash;he suddenly stood still before the portrait of my
+ late master, and seemed thunderstruck. Lady Amelia pointed it out, and
+ said, "An excellent man!" "Yes, a most excellent man!" he replied, wiping
+ a tear from his eye.
+ </p>
+ <p>
+ FRANCIS. Hark, Daniel! You know I have ever been a kind master to you; I
+ have given you food and raiment, and have spared you labor in
+ consideration of your advanced age.
+ </p>
+ <p>
+ DANIEL. For which may heaven reward you! and I, on my part, have always
+ served you faithfully.
+ </p>
+ <p>
+ FRANCIS. That is just what I was going to say. You have never in all your
+ life contradicted me; for you know much too well that you owe me obedience
+ in all things, whatever I may require of you.
+ </p>
+ <p>
+ DANIEL. In all things with all my heart, so it be not against God and my
+ conscience.
+ </p>
+ <p>
+ FRANCIS. Stuff! nonsense! Are you not ashamed of yourself? An old man, and
+ believe that Christmas tale! Go, Daniel! that was a stupid remark. You
+ know that I am your master. It is on me that God and conscience will be
+ avenged, if, indeed, there be a God and a conscience.
+ </p>
+ <p>
+ DANIEL (clasping his hands together). Merciful Heaven!
+ </p>
+ <p>
+ FRANCIS. By your obedience! Do you understand that word? By your
+ obedience, I command you. With to-morrow's dawn the count must no longer
+ be found among the living.
+ </p>
+ <p>
+ DANIEL. Merciful Heaven! and wherefore?
+ </p>
+ <p>
+ FRANCIS. By your blind obedience! I shall rely upon you implicitly.
+ </p>
+ <p>
+ DANIEL. On me? May the Blessed Virgin have mercy on me! On me? What evil,
+ then, have I, an old man, done!
+ </p>
+ <p>
+ FRANCIS. There is no time now for reflection; your fate is in my hands.
+ Would you rather pine away the remainder of your days in the deepest of my
+ dungeons, where hunger shall compel you to gnaw your own bones, and
+ burning thirst make you suck your own blood? Or would you rather eat your
+ bread in peace, and have rest in your old age?
+ </p>
+ <p>
+ DANIEL. What, my lord! Peace and rest in my old age? And I a murderer?
+ </p>
+ <p>
+ FRANCIS. Answer my question!
+ </p>
+ <p>
+ DANIEL. My gray hairs! my gray hairs!
+ </p>
+ <p>
+ FRANCIS. Yes or no!
+ </p>
+ <p>
+ DANIEL. No! God have mercy upon me!
+ </p>
+ <p>
+ FRANCIS (in the act of going). Very well! you shall have need of it.
+ (DANIEL detains him and falls on his knees before him.)
+ </p>
+ <p>
+ DANIEL. Mercy, master! mercy!
+ </p>
+ <p>
+ FRANCIS. Yes or no!
+ </p>
+ <p>
+ DANIEL. Most gracious master! I am this day seventy-one years of age! and
+ have honored my father and my mother, and, to the best of my knowledge,
+ have never in the whole course of my life defrauded any one to the value
+ of a farthing,&mdash;and I have adhered to my creed truly and honestly,
+ and have served in your house four-and-forty years, and am now calmly
+ awaiting a quiet, happy end. Oh, master! master! (violently clasping his
+ knees) and would you deprive me of my only solace in death, that the
+ gnawing worm of an evil conscience may cheat me of my last prayer? that I
+ may go to my long home an abomination in the sight of God and man? No, no!
+ my dearest, best, most excellent, most gracious master! you do not ask
+ that of an old man turned threescore and ten!
+ </p>
+ <p>
+ FRANCIS. Yes or no! What is the use of all this palaver?
+ </p>
+ <p>
+ DANIEL. I will serve you from this day forward more diligently than ever;
+ I will wear out my old bones in your service like a common day-laborer; I
+ will rise earlier and lie down later. Oh, and I will remember you in my
+ prayers night and morning; and God will not reject the prayer of an old
+ man.
+ </p>
+ <p>
+ FRANCIS. Obedience is better than sacrifice. Did you ever hear of the
+ hangman standing upon ceremony when he was told to execute a sentence?
+ </p>
+ <p>
+ DANIEL. That is very true? but to murder an innocent man&mdash;one&mdash;
+ </p>
+ <p>
+ FRANCIS. Am I responsible to you? Is the axe to question the hangman why
+ he strikes this way and not that? But see how forbearing I am. I offer you
+ a reward for performing what you owe me in virtue of your allegiance.
+ </p>
+ <p>
+ DANIEL. But, when I swore allegiance to you, I at least hoped that I
+ should be allowed to remain a Christian.
+ </p>
+ <p>
+ FRANCIS. No contradiction! Look you! I give you the whole day to think
+ about it! Ponder well on it. Happiness or misery. Do you hear&mdash; do
+ you understand? The extreme of happiness or the extreme of misery! I can
+ do wonders in the way of torture.
+ </p>
+<pre xml:space="preserve">
+DANIEL (after some reflection). I'll do it; I will do it to-morrow.
+ [Exit.]
+</pre>
+ <p>
+ FRANCIS. The temptation is strong, and I should think he was not born to
+ die a martyr to his faith. Have with you, sir count! According to all
+ ordinary calculations, you will sup to-morrow with old Beelzebub. In these
+ matters all depends upon one's view of a thing; and he is a fool who takes
+ any view that is contrary to his own interest. A father quaffs perhaps a
+ bottle of wine more than ordinary&mdash;he is in a certain mood&mdash;the
+ result is a human being, the last thing that was thought of in the affair.
+ Well, I, too, am in a certain mood,&mdash;and the result is that a human
+ being perishes; and surely there is more of reason and purpose in this
+ than there was in his production. If the birth of a man is the result of
+ an animal paroxysm, who should take it into his head to attach any
+ importance to the negation of his birth? A curse upon the folly of our
+ nurses and teachers, who fill our imaginations with frightful tales, and
+ impress fearful images of punishment upon the plastic brain of childhood,
+ so that involuntary shudders shake the limbs of the man with icy fear,
+ arrest his boldest resolutions, and chain his awakening reason in the
+ fetters of superstitious darkness. Murder! What a hell full of furies
+ hovers around that word. Yet 'tis no more than if nature forgets to bring
+ forth one man more or the doctor makes a mistake&mdash;and thus the whole
+ phantasmagoria vanishes. It was something, and it is nothing. Does not
+ this amount to exactly the same thing as though it had been nothing, and
+ came to nothing; and about nothing it is hardly worth while to waste a
+ word. Man is made of filth, and for a time wades in filth, and produces
+ filth, and sinks back into filth, till at last he fouls the boots of his
+ own posterity.*
+ </p>
+<pre xml:space="preserve">
+ *["To what base uses we may return, Horatio! why, may not
+ imagination trace the noble dust of Alexander, till we find it
+ stopping a bunghole?"&mdash;HAMLET, Act v, Sc. 1.]
+</pre>
+<pre xml:space="preserve">
+That is the burden of the song&mdash;the filthy cycle of human fate; and with
+that&mdash;a pleasant journey to you, sir brother! Conscience, that
+splenetic, gouty moralist, may drive shrivelled old drones out of
+brothels, and torture usurers on their deathbeds&mdash;with me it shall never
+more have audience.
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE III.&mdash;Another Room in the Castle.
+ </h2>
+<pre xml:space="preserve">
+ CHARLES VON MOOR enters from one side, DANIEL from the other.
+</pre>
+ <p>
+ CHARLES (hastily). Where is Lady Amelia?
+ </p>
+ <p>
+ DANIEL. Honored sir! permit an old man to ask you a favor.
+ </p>
+ <p>
+ CHARLES. It is granted. What is it you ask?
+ </p>
+ <p>
+ DANIEL. Not much, and yet all&mdash;but little, and yet a great deal.
+ Suffer me to kiss your hand!
+ </p>
+ <p>
+ CHARLES. That I cannot permit, good old man (embraces him), from one whom
+ I should like to call my father.
+ </p>
+ <p>
+ DANIEL. Your hand, your hand! I beseech you.
+ </p>
+ <p>
+ CHARLES. That must not be.
+ </p>
+ <p>
+ DANIEL. It must! (He takes hold of it, surveys it quickly, and falls down
+ before him.) Dear, dearest Charles!
+ </p>
+ <p>
+ CHARLES (startled; he composes himself, and says in a distant tone). What
+ mean you, my friend? I don't understand you.
+ </p>
+ <p>
+ DANIEL. Yes, you may deny it, you may dissemble as much as you please?
+ 'Tis very well! very well. For all that you are my dearest, my excellent
+ young master. Good Heaven! that I, poor old man, should live to have the
+ joy&mdash;what a stupid blockhead was I that I did not at a glance&mdash;oh,
+ gracious powers! And you are really come back, and the dear old master is
+ underground, and here you are again! What a purblind dolt I was, to be
+ sure! (striking his forehead) that I did not on the instant&mdash;Oh, dear
+ me!&mdash;-who could have dreamt it&mdash;What I have so often prayed for
+ with tears&mdash;Oh, mercy me! There he stands again, as large as life, in
+ the old room!
+ </p>
+ <p>
+ CHARLES. What's all this oration about? Are you in a fit of delirium, and
+ have escaped from your keepers; or are you rehearsing a stage-player's
+ part with me?
+ </p>
+ <p>
+ DANIEL. Oh, fie! fie! It is not pretty of you to make game of an old
+ servant. That scar! Eh! do you remember it? Good Heaven! what a fright you
+ put me into&mdash;I always loved you so dearly; and what misery you might
+ have brought upon me. You were sitting in my lap&mdash;do you remember?
+ there in the round chamber. Has all that quite vanished from your memory&mdash;and
+ the cuckoo, too, that you were so fond of listening to? Only think! the
+ cuckoo is broken, broken all to shivers&mdash;old Susan smashed it in
+ sweeping the room&mdash;yes, indeed, and there you sat in my lap, and
+ cried, "Cockhorse!" and I ran off to fetch your wooden horse&mdash; mercy
+ on me! what business had I, thoughtless old fool, to leave you alone&mdash;and
+ how I felt as if I were in a boiling caldron when I heard you screaming in
+ the passage; and, when I rushed in, there was your red blood gushing
+ forth, and you lying on the ground. Oh, by the Blessed Virgin! did I not
+ feel as if a bucket of icy cold water was emptied all over me?&mdash;but
+ so it happens, unless one keeps all one's eyes upon children. Good Heaven!
+ if it had gone into your eye! Unfortunately it happened to be the right
+ hand. "As long as I live," said I, "never again shall any child in my
+ charge get hold of a knife or scissors, or any other edge tool." 'Twas
+ lucky for me that both my master and mistress were gone on a journey.
+ "Yes, yes! this shall be a warning to me for the rest of my life," said I&mdash;Gemini,
+ Gemini! I might have lost my place, I might&mdash;God forgive you, you
+ naughty boy&mdash;but, thank Heaven! it healed fairly, all but that ugly
+ scar.
+ </p>
+ <p>
+ CHARLES. I do not comprehend one word of all that you are talking about.
+ </p>
+ <p>
+ DANIEL. Eh? eh? that was the time! was it not? How many a ginger-cake, and
+ biscuit, and macaroon, have I slipped into your hands&mdash;I was always
+ so fond of you. And do you recollect what you said to me down in the
+ stable, when I put you upon old master's hunter, and let you scamper round
+ the great meadow? "Daniel!" said you, "only wait till I am grown a big
+ man, and you shall be my steward, and ride in the coach with me." "Yes,"
+ said I, laughing, "if heaven grants me life and health, and you are not
+ ashamed of the old man," I said, "I shall ask you to let me have the
+ little house down in the village, that has stood empty so long; and then I
+ will lay in a few butts of good wine, and turn publican in my old age."
+ Yes, you may laugh, you may laugh! Eh, young gentleman, have you quite
+ forgotten all that? You do not want to remember the old man, so you carry
+ yourself strange and loftily;&mdash;but, you are my jewel of a young
+ master, for all that. You have, it is true, been a little bit wild&mdash;don't
+ be angry!&mdash;as young blood is apt to be! All may be well yet in the
+ end.
+ </p>
+ <p>
+ CHARLES (falls on his neck). Yes! Daniel! I will no longer hide it from
+ you! I am your Charles, your lost Charles! And now tell me, how does my
+ Amelia?
+ </p>
+ <p>
+ DANIEL (begins to cry). That I, old sinner, should live to have this
+ happiness&mdash;and my late blessed master wept so long in vain! Begone,
+ begone, hoary old head! Ye weary bones, descend into the grave with joy!
+ My lord and master lives! my own eyes have beheld him!
+ </p>
+ <p>
+ CHARLES. And he will keep his promise to you. Take that, honest graybeard,
+ for the old hunter (forces a heavy purse upon him). I have not forgotten
+ the old man.
+ </p>
+ <p>
+ DANIEL. How? What are you doing? Too much! You have made a mistake.
+ </p>
+ <p>
+ CHARLES. No mistake, Daniel! (DANIEL is about to throw himself on his
+ knees before him.) Rise! Tell me, how does my Amelia?
+ </p>
+ <p>
+ DANIEL. Heaven reward you! Heaven reward you! O gracious me! Your Amelia
+ will never survive it, she will die for joy?
+ </p>
+ <p>
+ CHARLES (eagerly). She has not forgotten me then?
+ </p>
+ <p>
+ DANIEL. Forgotten you? How can you talk thus? Forgotten you, indeed! You
+ should have been there, you should have seen how she took on, when the
+ news came of your death, which his honor caused to be spread abroad&mdash;
+ </p>
+ <p>
+ CHARLES. What do you say? my brother&mdash;
+ </p>
+ <p>
+ DANIEL. Yes, your brother; his honor, your brother&mdash;another day I
+ will tell you more about it, when we have time&mdash;and how cleverly she
+ sent him about his business when he came a wooing every blessed day, and
+ offered to make her his countess. Oh, I must go; I must go and tell her;
+ carry her the news (is about to run of).
+ </p>
+ <p>
+ CHARLES. Stay! stay! she must not know&mdash;nobody must know, not even my
+ brother!
+ </p>
+ <p>
+ DANIEL. Your brother? No, on no account; he must not know it! Certainly
+ not! If he know not already more than he ought to know. Oh, I can tell
+ you, there are wicked men, wicked brothers, wicked masters; but I would
+ not for all my master's gold be a wicked servant. His honor thought you
+ were dead.
+ </p>
+ <p>
+ CHARLES. Humph! What are you muttering about?
+ </p>
+ <p>
+ DANIEL (in a half-suppressed voice). And to be sure when a man rises from
+ the dead thus uninvited&mdash;your brother was the sole heir of our late
+ master!
+ </p>
+ <p>
+ CHARLES. Old man! what is it you are muttering between your teeth, as if
+ some dreadful secret were hovering on your tongue which you fear to utter,
+ and yet ought? Out with it!
+ </p>
+<pre xml:space="preserve">
+DANIEL. But I would rather gnaw my old bones with hunger, and suck my
+own blood for thirst, than gain a life of luxury by murder.
+ [Exit hastily.]
+</pre>
+ <p>
+ CHARLES (starting up, after a terrible pause). Betrayed! Betrayed! It
+ flashes upon my soul like lightning! A fiendish trick! A murderer and a
+ robber through fiend-like machinations! Calumniated by him! My letters
+ falsified, suppressed! his heart full of love! Oh, what a monstrous fool
+ was I! His fatherly heart full of love! oh, villainy, villainy! It would
+ have cost me but once kneeling at his feet&mdash;a tear would have done it&mdash;oh
+ blind, blind fool that I was! (running up against the wall). I might have
+ been happy&mdash;oh villainy, villainy!
+ </p>
+ <p>
+ Knavishly, yes, knavishly cheated out of all happiness in this life! (He
+ runs up and down in a rage.) A murderer, a robber, all through a knavish
+ trick! He was not even angry! Not a thought of cursing ever entered his
+ heart. Oh, miscreant! inconceivable, hypocritical, abominable miscreant!
+ </p>
+<pre xml:space="preserve">
+ Enter KOSINSKY.
+</pre>
+ <p>
+ KOSINSKY. Well, captain, where are you loitering? What is the matter? You
+ are for staying here some time longer, I perceive?
+ </p>
+ <p>
+ CHARLES. Up! Saddle the horses! Before sunset we must be over the
+ frontier!
+ </p>
+ <p>
+ KOSINSKY. You are joking.
+ </p>
+<pre xml:space="preserve">
+CHARLES (in a commanding tone). Quick! quick! delay not! leave every
+thing behind! and let no eye see you!
+ (Exit KOSINSKY.)
+</pre>
+ <p>
+ I fly from these walls. The least delay might drive me raving mad; and he
+ my father's son! Brother! brother! thou hast made me the most miserable
+ wretch on earth; I never injured thee; this was not brotherly. Reap the
+ fruits of thy crime in quiet, my presence shall no longer embitter thy
+ enjoyment&mdash;but, surely, this was not acting like a brother. May
+ oblivion shroud thy misdeed forever, and death not bring it back to light.
+ </p>
+<pre xml:space="preserve">
+ Enter KOSINSKY.
+</pre>
+ <p>
+ KOSINSKY. The horses are ready saddled, you can mount as soon as you
+ please.
+ </p>
+ <p>
+ CHARLES. Why in such haste? Why so urgent? Shall I see her no more?
+ </p>
+ <p>
+ KOSINSKY. I will take off the bridles again, if you wish it; you bade me
+ hasten head over heels.
+ </p>
+ <p>
+ CHARLES. One more farewell! one more! I must drain this poisoned cup of
+ happiness to the dregs, and then&mdash;Stay, Kosinsky! Ten minutes more&mdash;
+ behind, in the castle yard&mdash;and we gallop off.
+ </p>
+<pre xml:space="preserve">
+ Scene IV.&mdash;In the Garden.
+</pre>
+ <p>
+ AMELIA. "You are in tears, Amelia!" These were his very words&mdash;and
+ spoken with such expressionsuch a voice!&mdash;oh, it summoned up a
+ thousand dear remembrances!&mdash;scenes of past delight, as in my
+ youthful days of happiness, my golden spring-tide of love. The nightingale
+ sung with the same sweetness, the flowers breathed the same delicious
+ fragrance, as when I used to hang enraptured on his neck.*
+ </p>
+<pre xml:space="preserve">
+ *[Here, in the acting edition, is added, 'Assuredly, if the spirits
+ of the departed wander among the living, then must this stranger be
+ Charles's angel!']
+</pre>
+<pre xml:space="preserve">
+Ha! false, perfidious heart! And dost thou seek thus artfully to veil
+thy perjury? No, no! begone forever from my soul, thou sinful image!
+I have not broken my oath, thou only one! Avaunt, from my soul, ye
+treacherous impious wishes! In the heart where Charles reigns no son
+of earth may dwell. But why, my soul, dost thou thus constantly, thus
+obstinately turn towards this stranger? Does he not cling to my heart
+in the very image of my only one! Is he not his inseparable companion
+in my thoughts? "You are in tears, Amelia?" Ha! let me fly from him!&mdash;
+&mdash;fly!&mdash;never more shall my eyes behold this stranger!
+ [CHARLES opens the garden gate.]
+</pre>
+ <p>
+ AMELIA (starting). Hark! hark! did I not hear the gate creak? (She
+ perceives CHARLES and starts up.) He?&mdash;whither?&mdash;what? I am
+ rooted to the spot,&mdash;I can not fly! Forsake me not, good Heaven! No!
+ thou shalt not tear me from my Charles! My soul has no room for two
+ deities, I am but a mortal maid! (She draws the picture of CHARLES from
+ her bosom.) Thou, my Charles! be thou my guardian angel against this
+ stranger, this invader of our loves! At thee will I look, at thee, nor
+ turn away my eyes&mdash;nor cast one sinful look towards him! (She sits
+ silent, her eyes fixed upon the picture.)
+ </p>
+ <p>
+ CHARLES. You here, Lady Amelia?&mdash;and so sad? and a tear upon that
+ picture? (AMELIA gives him no answer.) And who is the happy man for whom
+ these silver drops fall from an angel's eyes? May I be permitted to look
+ at&mdash;(He endeavors to look at the picture.)
+ </p>
+ <p>
+ AMELIA. No&mdash;yes&mdash;no!
+ </p>
+ <p>
+ CHARLES (starting back). Ha&mdash;and does he deserve to be so idolized?
+ Does he deserve it?
+ </p>
+ <p>
+ AMELIA. Had you but known him!
+ </p>
+ <p>
+ CHARLES. I should have envied him.
+ </p>
+ <p>
+ AMELIA. Adored, you mean.
+ </p>
+ <p>
+ CHARLES. Ha!
+ </p>
+ <p>
+ AMELIA. Oh, you would so have loved him?&mdash;-there was so much, so much
+ in his face&mdash;in his eyes&mdash;in the tone of his voice,&mdash;which
+ was so like yours&mdash;that I love so dearly! (CHARLES casts his eyes
+ down to the ground.) Here, where you are standing, he has stood a thousand
+ times&mdash; and by his side, one who, by his side, forgot heaven and
+ earth. Here his eyes feasted on nature's most glorious panorama,&mdash;which,
+ as if conscious of his approving glance, seemed to increase in beauty
+ under the approbation of her masterpiece. Here he held the audience of the
+ air captive with his heavenly music. Here, from this bush, he plucked
+ roses, and plucked those roses for me. Here, here, he lay on my neck; here
+ he imprinted burning kisses on my lips, and the flowers hung their heads
+ with pleasure beneath the foot-tread of the lovers.*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition the scene changes materially at this point,
+ and the most sentimental part of the whole drama is transformed
+ into the most voluptuous. The stage direction here is,&mdash;(They give
+ way to their transports without control, and mingle their kisses.
+ MOOR hangs in ecstacy on her lips, while she sinks half delirious
+ on the couch.) O Charles! now avenge thyself; my vow is broken.
+
+ MOOR (tearing himself away from her, as if in frenzy). Can this be
+ hell that still pursues me! (Gazing on her.) I felt so happy!
+
+ AMELIA (perceiving the ring upon her finger, starts up from the
+ couch). What! Art thou still there&mdash;on that guilty hand? Witness
+ of my perjury. Away with thee! (She pulls the ring from her
+ finger and gives it to CHARLES.) Take it&mdash;take it, beloved
+ seducer! and with it what I hold most sacred&mdash;take my all&mdash;my
+ Charles! (She falls back upon the couch.)
+
+ MOOR (changes color). O thou Most High! was this thy almighty
+ will? It is the very ring I gave her in pledge of our mutual
+ faith. Hell be the grave of love! She has returned my ring.
+
+ AMELIA (terrified). Heavens! What is the matter? Your eyes roll
+ wildly, and your lips are pale as death! Ah! woe is me. And are
+ the pleasures of thy crime so soon forgotten?
+
+ MOOR (suppressing his emotion). 'Tis nothing! Nothing! (Raising
+ his eyes to heaven.) I am still a man! (He takes of his own ring
+ and puts it on AMELIA'S finger.) In return take this! sweet fury of
+ my heart! And with it what I hold most sacred&mdash;take my all&mdash;my
+ Amelia!
+
+ AMELIA (starting up). Your Amelia!
+
+ MOOR (mournfully). Oh, she was such a lovely maiden, and faithful
+ as an angel. When we parted we exchanged rings, and vowed eternal
+ constancy. She heard that I was dead&mdash;believed it&mdash;yet remained
+ constant to the dead. She heard again that I was living&mdash;yet
+ became faithless to the living. I flew into her arms&mdash;was happy
+ as&mdash;the blest in Paradise. Think what my heart was doomed to feel,
+ Amelia! She gave me back my ring&mdash;she took her own.
+
+ AMELIA (her eyes fixed on the earth in amazement). 'Tis strange,
+ most strange! 'Tis horrible!
+
+ MOOR. Ay, strange and horrible! My child, there is much&mdash;ay, much
+ for man to learn ere his poor intellect can fathom the decrees of
+ Him who smiles at human vows and weeps at human projects. My
+ Amelia is an unfortunate maiden!
+
+ AMELIA. Unfortunate! Because she rejected you?
+
+ MOOR. Unfortunate. Because she embraced the man she betrayed.
+
+ AMELIA (with melancholy tenderness). Oh, then, she is indeed
+ unfortunate! From my soul I pity her! She shall be my sister.
+ But there is another and a better world."]
+</pre>
+ <p>
+ CHARLES. He is no more?
+ </p>
+ <p>
+ AMELIA. He sails on troubled seas&mdash;Amelia's love sails with him. He
+ wanders through pathless, sandy deserts&mdash;Amelia's love clothes the
+ burning sand with verdure, and the barren shrubs with flowers. Southern
+ suits scorch his bare head, northern snows pinch his feet, tempestuous
+ hail beats down on his temples, but Amelia's love lulls him to sleep in
+ the midst of the storm. Seas, and mountains, and skies, divide the lovers&mdash;but
+ their souls rise above this prison-house of clay, and meet in the paradise
+ of love. You appear sad, count!
+ </p>
+ <p>
+ CHARLES. These words of love rekindle my love.
+ </p>
+ <p>
+ AMELIA (pale). What? You love another? Alas! what have I said?
+ </p>
+ <p>
+ CHARLES. She believed me dead, and in my supposed death she remained
+ faithful to me&mdash;she heard again that I was alive, and she sacrificed
+ for me the crown of a saint. She knows that I am wandering in deserts, and
+ roaming about in misery, yet her love follows me on wings through deserts
+ and through misery. Her name, too, like yours, is Amelia.
+ </p>
+ <p>
+ AMELIA. How I envy your Amelia!
+ </p>
+ <p>
+ CHARLES. Oh, she is an unhappy maid. Her love is fixed upon one who is
+ lost&mdash;and it can never&mdash;never be rewarded.
+ </p>
+ <p>
+ AMELIA. Say not so! It will be rewarded in heaven. Is it not agreed that
+ there is a better world, where mourners rejoice, and where lovers meet
+ again?
+ </p>
+ <p>
+ CHARLES. Yes, a world where the veil is lifted&mdash;where the phantom
+ love will make terrible discoveries&mdash;Eternity is its name. My Amelia
+ is an unhappy maid.
+ </p>
+ <p>
+ AMELIA. Unhappy, and loves you?*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition the scene closes with a different
+ denouement. Amelia here says, "Are all unhappy who live with you,
+ and bear the name of Amelia.
+ "CHARLES. Yes, all&mdash;when they think they embrace an angel, and
+ find in their arms&mdash;a murderer. Alas, for my Amelia! She is
+ indeed unfortunate.
+ "AMELIA (with an expression of deep affliction). Oh, I must weep
+ for her.
+ "CHARLES (grasping her hand, and pointing to the ring). Weep for
+ thyself.
+ "AMELIA (recognizing the ring). Charles! Charles! O heaven and
+ earth!
+ (She sinks fainting; the scene closes.)"]
+</pre>
+ <p>
+ CHARLES. Unhappy, because she loves me! What if I were a murderer? How,
+ Lady Amelia, if your lover could reckon you up a murder for every one of
+ your kisses? Woe to my Amelia! She is an unhappy maid.
+ </p>
+ <p>
+ AMELIA (gayly rising). Ha! What a happy maid am I! My only one is a
+ reflection of Deity, and Deity is mercy and compassion! He could not bear
+ to see a fly suffer. His soul is as far from every thought of blood as the
+ sun is from the moon. (CHARLES suddenly turns away into a thicket, and
+ looks wildly out into the landscape. AMELIA sings, playing the guitar.)
+ </p>
+<pre xml:space="preserve">
+ Oh! Hector, wilt thou go forevermore,
+ Where fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ Who then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallowed up in Xanthus' wave?
+</pre>
+ <p>
+ CHARLES (silently tunes the guitar, and plays).
+ </p>
+<pre xml:space="preserve">
+ Beloved wife!&mdash;stern duty calls to arms
+ Go, fetch my lance! and cease those vain alarms!
+
+ [He flings the guitar away, and rushes off.]
+</pre>
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE V.
+ </h2>
+ <p>
+ &mdash;A neighboring forest. Night. An old ruined castle in the centre of
+ the scene.
+ </p>
+<pre xml:space="preserve">
+ The band of ROBBERS encamped on the ground.
+
+ The ROBBERS singing.
+
+ To rob, to kill, to wench, to fight,
+ Our pastime is, and daily sport;
+ The gibbet claims us morn and night,
+ So let's be jolly, time is short.
+
+ A merry life we lead, and free,
+ A life of endless fun;
+ Our couch is 'neath the greenwood tree,
+ Through wind and storm we gain our fee,
+ The moon we make our sun.
+ Old Mercury is our patron true,
+ And a capital chap for helping us through.
+
+ To-day we make the abbot our host,
+ The farmer rich to-morrow;
+ And where we shall get our next day's roast,
+ Gives us nor care nor sorrow.
+
+ And, when with Rhenish and rare Moselle
+ Our throats we have been oiling,
+ Our courage burns with a fiercer swell,
+ And we're hand and glove with the Lord of Hell,
+ Who down in his flames is broiling.
+
+ For fathers slain the orphans' cries,
+ The widowed mothers' moan and wail,
+ Of brides bereaved the whimpering sighs,
+ Like music sweet, our ears regale.
+
+ Beneath the axe to see them writhe,
+ Bellow like calves, fall dead like flies;
+ Such bonny sights, and sounds so blithe,
+ With rapture fill our ears and eyes.
+
+ And when at last our death-knell rings&mdash;
+ The devil take that hour!
+ Payment in full the hangman brings,
+ And off the stage we scour.
+ On the road a glass of good liquor or so,
+ Then hip! hip! hip! and away we go!
+</pre>
+ <p>
+ SCHWEITZER. The night is far advanced, and the captain has not yet
+ returned.
+ </p>
+ <p>
+ RAZ. And yet he promised to be back before the clock struck eight.
+ </p>
+ <p>
+ SCHWEITZER. Should any harm have befallen him, comrades, wouldn't we
+ kindle fires! ay, and murder sucking babes?
+ </p>
+ <p>
+ SPIEGEL. (takes RAZMANN aside). A word in your ear, Razmann!
+ </p>
+ <p>
+ SCHWARZ (to GRIMM). Should we not send out scouts?
+ </p>
+ <p>
+ GRIMM. Let him alone. He no doubt has some feat in hand that will put us
+ to shame.
+ </p>
+ <p>
+ SCHWEITZER. Then you are out, by old Harry! He did not part from us like
+ one that had any masterpiece of roguery in view. Have you forgotten what
+ he said as he marched us across the heath? "The fellow that takes so much
+ as a turnip out of a field, if I know it, leaves his head behind him, as
+ true as my name is Moor." We dare not plunder.
+ </p>
+ <p>
+ RAZ. (aside to SPIEGELBERG). What are you driving at? Speak plainer.
+ </p>
+ <p>
+ SPIEGEL. Hush! hush! I know not what sort of a notion you and I have of
+ liberty, that we should toil under the yoke like bullocks, while we are
+ making such wonderful fine speeches about independence. I like it not.
+ </p>
+ <p>
+ SCHWEITZER (to GRIMM). What crotchet has that swaggering booby got in his
+ numskull, I wonder?
+ </p>
+ <p>
+ RAZ. (aside to SPIEGELBERG). Is it the captain you mean?&mdash;
+ </p>
+ <p>
+ SPIEGEL. Hush! I tell you; hush! He has got his eavesdroppers all around
+ us. Captain, did you say? Who made him captain over us? Has he not, in
+ fact, usurped that title, which by right belongs to me? What? Is it for
+ this that we stake our lives&mdash;that we endure all the splenetic
+ caprices of fortunes&mdash;that we may in the end congratulate ourselves
+ upon being the serfs of a slave? Serfs! When we might be princes? By
+ heaven! Razmann, I could never brook it.
+ </p>
+ <p>
+ SCHWEITZER (overhearing him&mdash;to the others). Yes&mdash;there's a hero
+ for you! He is just the man to do mighty execution upon frogs with stones.
+ The very breath of his nostrils, when he sneezes, would blow you through
+ the eye of a needle.
+ </p>
+ <p>
+ SPIEGEL. (to RAZMANN). Yes&mdash;and for years I have been intent upon it.
+ There must be an alteration, Razmann. If you are the man I always took you
+ for&mdash;Razmann! He is missing&mdash;he is almost given up&mdash;Razmann&mdash;
+ methinks his hour is come. What? does not the color so much as mount to
+ your cheek when you hear the chimes of liberty ringing in your ears? Have
+ you not courage enough to take the hint?
+ </p>
+ <p>
+ RAZ. Ha! Satan! What bait art thou spreading for my soul?
+ </p>
+ <p>
+ SPIEGEL. Does it take? Good! then follow me! I have marked in what
+ direction he slunk off. Come along! a brace of pistols seldom fail; and
+ then&mdash;we shall be the first to strangle sucking babes. (He endeavors
+ to draw him of.)
+ </p>
+ <p>
+ SCHWEITZER (enraged, draws his sword). Ha! caitiff! I have overheard you!
+ You remind me, at the right moment, of the Bohemian forest! Were not you
+ the coward that began to quail when the cry arose, "the enemy is coming!"
+ I then swore by my soul&mdash;(They fight, SPIEGELBERG is killed.) To the
+ devil with thee, assassin!
+ </p>
+ <p>
+ ROBBERS (in agitation). Murder! murder!&mdash;Schweitzer!&mdash;Spiegelberg!&mdash;
+ Part them!
+ </p>
+ <p>
+ SCHWEITZER (throwing the sword on the body). There let him rot! Be still,
+ my comrades! Don't let such a trifle disturb you. The brute has always
+ been inveterate against the captain and has not a single scar on his whole
+ body. Once more, be still. Ha, the scoundrel! He would stab a man behind
+ his back&mdash;skulk and murder! Is it for this that the hot sweat has
+ poured down us in streams? that we may sneak out of the world at last like
+ contemptible wretches? The brute! Is it for this that we have lived in
+ fire and brimstone? To perish at last like rats?
+ </p>
+ <p>
+ GRIMM. But what the devil, comrade, were you after? What were you
+ quarreling about? The captain will be furious.
+ </p>
+ <p>
+ SCHWEITZER. Be that on my head. And you, wretch (to RAZMANN) you were his
+ accomplice, you! Get out of my sight! Schufterle was another of your
+ kidney, but he has met his deserts in Switzerland&mdash;has been hanged,
+ as the captain prophesied. (A shot is heard.)
+ </p>
+ <p>
+ SCHWARZ (jumping up). Hark! a pistol shot! (Another shot is heard.)
+ Another! Hallo! the captain!
+ </p>
+ <p>
+ GRIMM. Patience! If it be he, there will be a third. (The third shot is
+ heard.)
+ </p>
+ <p>
+ SCHWARZ. 'Tis he! 'Tis the captain! Absent yourself awhile, Schweitzer&mdash;till
+ we explain to him! (They fire.)
+ </p>
+<pre xml:space="preserve">
+ Enter CHARLES VON MOOR and KOSINSKY.
+</pre>
+ <p>
+ SCHWEITZER (running to meet them). Welcome, captain. I have been somewhat
+ choleric in your absence. (He conducts him to the corpse.) Be you judge
+ between him and me. He meant to waylay and assassinate you.
+ </p>
+ <p>
+ ROBBERS (in consternation). What; the captain?
+ </p>
+ <p>
+ CHARLES (after fixing his eyes for some time upon the corpse, with a
+ sudden burst of feeling). Oh, incomprehensible finger of the avenging
+ Nemesis! Was it not he whose siren song seduced me to be what I am? Let
+ this sword be consecrated to the dark goddess of retribution! That was not
+ thy deed, Schweitzer.
+ </p>
+ <p>
+ SCHWEITZER. By heaven, it was mine, though! and, as the devil lives, it is
+ not the worst deed I have done in my time. (Turns away moodily.)
+ </p>
+ <p>
+ CHARLES (absorbed in thought). I comprehend&mdash;Great Ruler in heaven&mdash;
+ I comprehend. The leaves fall from the trees, and my autumn is come.
+ Remove this object from my sight! (The corpse of SPIEGELBERG is carried
+ out.)
+ </p>
+ <p>
+ GRIMM. Give us your orders, captain! What shall we do next?
+ </p>
+ <p>
+ CHARLES. Soon&mdash;very soon&mdash;all will be accomplished. Hand me my
+ lute; I have lost myself since I have been there. My lute, I say&mdash;I
+ must nurse up my strength again. Leave me!
+ </p>
+ <p>
+ ROBBERS. 'Tis midnight, captain.
+ </p>
+ <p>
+ CHARLES. They were only stage tears after all. Let me bring to memory the
+ song of the old Roman, that my slumbering genius may wake up again. Hand
+ me my lute. Midnight, say you?
+ </p>
+ <p>
+ SCHWARZ. Yes, and past, too! Our eyes are as heavy as lead. For three days
+ we have not slept a wink.
+ </p>
+ <p>
+ CHARLES. What? does balmy sleep visit the eyes of murderers? Why doth it
+ flee mine? I never was a coward, nor a villain. Lay yourselves to rest. At
+ day-break we march.
+ </p>
+ <p>
+ ROBBERS. Good night, captain. (They stretch them selves on the ground and
+ fall asleep.)
+ </p>
+<pre xml:space="preserve">
+ Profound silence. CHARLES VON MOOR takes up his
+ guitar, and plays.
+</pre>
+ <p>
+ BRUTUS. Oh, be ye welcome, realms of peace and rest! Receive the last of
+ all the sons of Rome! From dread Philippi's field, where all the best Fell
+ bleeding in her cause, I wearied come. Cassius, no more! And Rome now
+ prostrate laid! My brethren all lie weltering in their gore! No refuge
+ left but Hades' gloomy shade; No hope remains!&mdash;No world for Brutus
+ more!
+ </p>
+ <p>
+ CAESAR. Who's he that, with a hero's lofty bearing, Comes striding o'er
+ yon mountain's rocky bed? Unless my eyes deceive, that noble daring
+ Bespeaks the Roman warrior's fearless tread. Whence, son of Tiber, do thy
+ footsteps bend! Say, stands the seven-hilled city firmly yet? No Caesar
+ there, to be the soldiers friend! Full oft has he that orphaned city wept.
+ </p>
+ <p>
+ BRUTUS. Ha! thou of three-and-twenty wounds! Avaunt! Thou unblest shade,
+ what calls thee back to light? Down with thee, down, to Pluto's deepest
+ haunt, And shroud thy form in black, eternal night, Proud mourner! triumph
+ not to learn our fall! Phillippi's altars reek with freedom's blood? The
+ bier of Brutus is Rome's funeral pall; He Minos seeks. Hence to thy
+ Stygian flood!
+ </p>
+ <p>
+ CAESAR. That death-stroke, Brutus, which thy weapon hurled! Thou, too,
+ Brutus?&mdash;that thou shouldst be my foe! Oh, son! It was thy father!
+ Son! The world Was thine by heritage! Now proudly go, Well mayst thou
+ claim to be the chief in glory, 'Twas thy fell sword that pierced thy
+ father's heart! Now go&mdash;and at yon gates relate thy story&mdash; Say
+ Brutus claims to be the chief in glory, 'Twas his fell sword that pierced
+ his father's heart! Go&mdash;Now thou'rt told what staid me on this shore,
+ Grim ferryman, push off, and swiftly ply thine oar.
+ </p>
+ <p>
+ BRUTUS. Stay, father, stay! Within the whole bright round Of Sol's diurnal
+ course I knew but one Who to compare with Caesar could be found; And that
+ one, Caesar, thou didst call thy son! 'Twas only Caesar could destroy a
+ Rome; Brutus alone that Caesar could withstand&mdash; Where Brutus lives,
+ must Caesar die! Thy home Be far from mine. I'll seek another land.
+ </p>
+<pre xml:space="preserve">
+ [He lays down his guitar, and walks to and
+ fro in deep meditation.]
+</pre>
+ <p>
+ Who will give me certainty! All is so dark&mdash;a confused labyrinth&mdash;no
+ outlet&mdash;no guiding star. Were but all to end with this last gasp of
+ breath. To end, like an empty puppet-show. But why then this burning
+ thirst after happiness? Wherefore this ideal of unattained perfection?
+ This looking to an hereafter for the fulfilment of our hopes? If the
+ paltry pressure of this paltry thing (putting a pistol to his head) makes
+ the wise man and the fool&mdash;the coward and the brave&mdash;the noble
+ and the villain equal?&mdash;the harmony which pervades the inanimate
+ world is so divinely perfect&mdash;why, then, should there be such discord
+ in the intellectual? No! no! there must be something beyond, for I have
+ not yet attained to happiness.
+ </p>
+ <p>
+ Think ye that I will tremble, spirits of my slaughtered victims? No, I
+ will not tremble. (Trembling violently.) The shrieks of your dying agonies&mdash;your
+ black, convulsive features&mdash;your ghastly bleeding wounds&mdash; what
+ are they all but links of one indissoluble chain of destiny, which hung
+ upon the temperament of my father, the life's blood of my mother, the
+ humors of my nurses and tutors, and even upon the holiday pastimes of my
+ childhood! (Shaking with horror.) Why has my Perillus made of me a brazen
+ bull, whose burning entrails yearn after human flesh? (He lifts the pistol
+ again to his head.)
+ </p>
+ <p>
+ Time and Eternity!&mdash;linked together by a single instant! Fearful key,
+ which locks behind me the prisonhouse of life, and opens before me the
+ habitations of eternal night&mdash;tell me&mdash;oh, tell me&mdash;whither&mdash;whither
+ wilt thou lead me? Strange, unexplored land! Humanity is unnerved at the
+ fearful thought, the elasticity of our finite nature is paralyzed, and
+ fancy, that wanton ape of the senses, juggles our credulity with appalling
+ phantoms. No! no! a man must be firm. Be what thou wilt, thou undefined
+ futurity, so I remain but true to myself. Be what thou wilt, so I but take
+ this inward self hence with me. External forms are but the trappings of
+ the man. My heaven and my hell is within.
+ </p>
+ <p>
+ What if Thou shouldst doom me to be sole inhabitant of some burnt-out
+ world which thou hast banished from thy sight, where darkness and
+ never-ending desolation were all my prospect; then would my creative brain
+ people the silent waste with its own images, and I should have eternity
+ for leisure to unravel the complicated picture of universal wretchedness.
+ Or wilt thou make me pass through ever-repeated births and ever-changing
+ scenes of misery, stage by stage*&mdash;to annihilation?
+ </p>
+<pre xml:space="preserve">
+ [This and other passages will remind the reader of Cato's soliloquy
+ "It must be so, Plato; thou reasonest well." But the whole bears a
+ strong resemblance to Hamlet's "To be or not to be;" and some
+ passages in Measure for Measure, Act iii, Sc. 1.]
+</pre>
+ <p>
+ Can I not burst asunder the life-threads woven for me in another world as
+ easily as I do these? Thou mayest reduce me into nothing; but Thou canst
+ not take from me this power. (He loads the pistol, and then suddenly
+ pauses.) And shall I then rush into death from a coward fear of the ills
+ of life? Shall I yield to misery the palm of victory over myself? No! I
+ will endure it! (He flings the pistol away.) Misery shall blunt its edge
+ against my pride! Be my destiny fulfilled! (It grows darker and darker.)
+ </p>
+ <p>
+ HERMANN (coming through the forest). Hark! hark! the owl screeches
+ horribly&mdash;the village clock strikes twelve. Well, well&mdash;villainy
+ is asleep&mdash;no listeners in these wilds. (He goes to the castle and
+ knocks.) Come forth, thou man of sorrow! tenant of the miserable dungeon!
+ thy meal awaits thee.
+ </p>
+ <p>
+ CHARLES (stepping gently back, unperceived). What means this?
+ </p>
+ <p>
+ VOICE (from within the castle). Who knocks? Is it you, Hermann, my raven?
+ </p>
+ <p>
+ HERMANN. Yes, 'tis Hermann, your raven. Come to the grating and eat. (Owls
+ are screeching.) Your night companions make a horrid noise, old man! Do
+ you relish your repast?
+ </p>
+ <p>
+ VOICE. Yes&mdash;I was very hungry. Thanks to thee, thou merciful sender
+ of ravens, for this thy bread in the wilderness! And how is my dear child,
+ Hermann?
+ </p>
+ <p>
+ HERMANN. Hush!&mdash;hark!&mdash;A noise like snoring! Don't you hear
+ something?
+ </p>
+ <p>
+ VOICE. What? Do you hear anything?
+ </p>
+ <p>
+ HERMANN. 'Tis the whistling of the wind through the crannies of the tower&mdash;a
+ serenading which makes one's teeth chatter, and one's nails turn blue.
+ Hark! tis there again. I still fancy I hear snoring. You have company, old
+ man. Ugh! ugh! ugh!
+ </p>
+ <p>
+ VOICE. Do you see anything?
+ </p>
+ <p>
+ HERMANN. Farewell! farewell! this is a fearful place. Go down into your
+ bole,&mdash;thy deliverer, thy avenger is above. Oh! accursed son! (Is
+ about to fly.)
+ </p>
+ <p>
+ CHARLES (stepping forth with horror). Stand!
+ </p>
+ <p>
+ HERMANN (screaming). Oh, me!*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition Hermann, instead of this, says,&mdash;
+ 'Tis one of his spies for certain, I have lost all fear (draws his
+ sword). Villain, defend yourself! You have a man before you.]
+
+ MOOR. I'll have an answer (strikes the sword out of his hand).
+ What boots this childish sword-play? Didst thou not speak of
+ vengeance? Vengeance belongs especially to me&mdash;of all men on
+ earth. Who dares interfere with my vocation?
+
+ HERMANN (starts back in affright). By heaven! That man was not
+ born of woman. His touch withers like the stroke of death.
+
+ VOICE. Alas, Hermann! to whom are you speaking?
+
+ MOOR. What! still those sounds? What is going on there? (Runs
+ towards the tower.) Some horrible mystery, no doubt, lies concealed
+ in that tower. This sword shall bring it to light.
+
+ HERMANN (comes forward trembling). Terrible stranger! art thou
+ the demon of this fearful desert&mdash;or perhaps 'one of the ministers
+ of that unfathonable retribution who make their circuit in this
+ lower world, and take account of all the deeds of darkness? Oh!
+ if thou art, be welcome to this tower of horrors!
+
+ MOOR. Well guessed, wanderer of the night! You have divined my
+ function. Exterminating Angel is my name; but I am flesh and blood
+ like thee. Is this some miserable wretch, cast out of men, and
+ buried in this dungeon? I will loosen his chains. Once more,
+ speak! thou voice of terror Where is the door?
+
+ HERMANN. As soon could Satan force the gates of heaven as thou
+ that door. Retire, thou man of might! The genius of the wicked is
+ beyond the ordinary powers of man.
+
+ MOOR. But not the craft of robbers. (He takes some pass-keys from
+ his pocket.) For once I thank heaven I've learned that craft!
+ These keys would mock hell's foresight. (He takes a key, and opens
+ the gate of the tower. An old man comes from below emaciated like
+ a skeleton. MOOR springs back with of right.) Horrible spectre!
+ my father!
+</pre>
+ <p>
+ CHARLES. Stand! I say.
+ </p>
+ <p>
+ HERMANN. Woe! woe! woe! now all is discovered!
+ </p>
+ <p>
+ CHARLES. Speak! Who art thou? What brought thee here? Speak!
+ </p>
+ <p>
+ HERMANN. Mercy, mercy! gracious sir! Hear but one word before you kill me.
+ </p>
+ <p>
+ CHARLES (drawing his sword). What am I to hear?
+ </p>
+ <p>
+ HERMANN. 'Tis true, he forbade me at the peril of my life&mdash;but I
+ could not help it&mdash;I dare not do otherwise&mdash;a God in heaven&mdash;your
+ own venerable father there&mdash;pity for him overcame me. Kill me, if you
+ will!
+ </p>
+ <p>
+ CHARLES. There's some mystery here&mdash;Out with it! Speak! I must know
+ all.
+ </p>
+ <p>
+ VOICE (from the castle). Woe! woe! Is it you, Hermann, that are speaking?
+ To whom are you speaking, Hermann?
+ </p>
+ <p>
+ CHARLES. Some one else down there? What is the meaning of all this? (Runs
+ towards the castle.) It is some prisoner whom mankind have cast off! I
+ will loosen his chains. Voice! Speak! Where is the door?
+ </p>
+ <p>
+ HERMANN. Oh, have mercy, sir&mdash;seek no further, I entreat&mdash;for
+ mercy's sake desist! (He stops his way.)
+ </p>
+ <p>
+ CHARLES. Locks, bolts, and bars, away! It must come out. Now, for the
+ first time, come to my aid, thief-craft! (He opens the grated iron door
+ with, housebreaking tools. An OLD MAN, reduced to a skeleton, comes up
+ from below.)
+ </p>
+ <p>
+ THE OLD MAN. Mercy on a poor wretch! Mercy!
+ </p>
+ <p>
+ CHARLES (starts back in terror). That is my father's voice!
+ </p>
+ <p>
+ OLD MOOR. I thank thee, merciful Heaven! The hour of deliverance has
+ arrived.
+ </p>
+ <p>
+ CHARLES. Shade of the aged Moor! what has disturbed thee in thy grave? Has
+ thy soul left this earth charged with some foul crime that bars the gates
+ of Paradise against thee? Say?&mdash;I will have masses read, to send thy
+ wandering spirit to its home. Hast thou buried in the earth the gold of
+ widows and orphans, that thou art driven to wander howling through the
+ midnight hour? I will snatch the hidden treasure from the clutches of the
+ infernal dragon, though he should vomit a thousand redhot flames upon me,
+ and gnash his sharp teeth against my sword. Or comest thou, at my request,
+ to reveal to me the mysteries of eternity? Speak, thou! speak! I am not
+ the man to blanch with fear!
+ </p>
+ <p>
+ OLD MOOR. I am not a spirit. Touch me&mdash;I live but oh! a life indeed
+ of misery!
+ </p>
+ <p>
+ CHARLES. What! hast thou not been buried?
+ </p>
+ <p>
+ OLD MOOR. I was buried&mdash;that is to say, a dead dog lies in the vault
+ of my ancestors, and I have been pining for three long moons in this dark
+ and loathsome dungeon, where no sunbeam shines, no warm breeze penetrates,
+ where no friend is seen, where the hoarse raven croaks and owls screech
+ their midnight concert.
+ </p>
+ <p>
+ CHARLES. Heaven and earth! Who has done this?
+ </p>
+ <p>
+ OLD MOOR. Curse him not! 'Tis my son, Francis, who did this.
+ </p>
+ <p>
+ CHARLES. Francis? Francis? Oh, eternal chaos!
+ </p>
+ <p>
+ OLD MOOR. If thou art a man, and hast a human heart&mdash;oh! my unknown
+ deliverer&mdash;then listen to a father's miseries which his own sons have
+ heaped upon him. For three long moons I have moaned my pitiful tale to
+ these flinty walls&mdash;but all my answer was an empty echo, that seemed
+ to mock my wailings. Therefore, if thou art a man, and hast a human heart&mdash;
+ </p>
+ <p>
+ CHARLES. That appeal might move even wild beasts to pity.
+ </p>
+ <p>
+ OLD MOOR. I lay upon a sick bed, and had scarcely begun to recover a
+ little strength, after a dangerous illness, when a man was brought to me,
+ who pretended that my first-born had fallen in battle. He brought a sword
+ stained with his blood, and his last farewell&mdash;and said that my curse
+ had driven him into battle, and death, and despair.
+ </p>
+ <p>
+ CHARLES (turning away in violent agitation). The light breaks in upon me!
+ </p>
+ <p>
+ OLD MOOR. Hear me on! I fainted at the dreadful news. They must have
+ thought me dead; for, when I recovered my senses, I was already in my
+ coffin, shrouded like a corpse. I scratched against the lid. It was opened&mdash;'twas
+ in the dead of night&mdash;my son Francis stood before me&mdash; "What!"
+ said he, with a tremendous voice, "wilt thou then live forever?" &mdash;and
+ with this he slammed-to the lid of the coffin. The thunder of these words
+ bereft me of my senses; when I awoke again, I felt that the coffin was in
+ motion, and being borne on wheels. At last it was opened &mdash;I found
+ myself at the entrance of this dungeon&mdash;my son stood before me, and
+ the man, too, who had brought me the bloody sword from Charles. I fell at
+ my son's feet, and ten times I embraced his knees, and wept, and conjured,
+ and supplicated, but the supplications of a father reached not his flinty
+ heart. "Down with the old carcass!" said he, with a voice of thunder, "he
+ has lived too long;"&mdash;and I was thrust down without mercy, and my son
+ Francis closed the door upon Me.
+ </p>
+ <p>
+ CHARLES. Impossible!&mdash;impossible! Your memory or senses deceive you.
+ </p>
+ <p>
+ OLD MOOR. Oh, that it were so! But hear me on, and restrain your rage!
+ There I lay for twenty hours, and not a soul cared for my misery. No human
+ footstep treads this solitary wild, for 'tis commonly believed that the
+ ghosts of my ancestors drag clanking chains through these ruins, and chant
+ their funeral dirge at the hour of midnight. At last I heard the door
+ creak again on its hinges; this man opened it, and brought me bread and
+ water. He told me that I had been condemned to die of hunger, and that his
+ life was in danger should it be discovered that he fed me. Thus has my
+ miserable existence been till now sustained&mdash;but the unceasing cold&mdash;the
+ foul air of my filthy dungeon&mdash;my incurable grief&mdash;have
+ exhausted my strength, and reduced my body to a skeleton. A thousand times
+ have I implored heaven, with tears, to put an end to my sufferings&mdash;but
+ doubtless the measure of my punishment is not fulfilled,&mdash;or some
+ happiness must be yet in store for me, for which he deigns thus
+ miraculously to preserve me. But I suffer justly&mdash;my Charles! my
+ Charles!&mdash;and before there was even a gray hair on his Head!
+ </p>
+ <p>
+ CHARLES. Enough! Rise! ye stocks, ye lumps of ice! ye lazy unfeeling
+ sleepers! Up! will none of you awake? (He fires a pistol over their
+ heads.)
+ </p>
+ <p>
+ THE ROBBERS (starting up). Ho! hallo! hallo! what is the matter?
+ </p>
+ <p>
+ CHARLES. Has not that tale shaken you out of your sleep? 'Tis enough to
+ break the sleep eternal! See here, see here! The laws of the world have
+ become mere dice-play; the bonds of nature are burst asunder; the Demon of
+ Discord has broken loose, and stalks abroad triumphant! the Son has slain
+ his Father!
+ </p>
+ <p>
+ THE ROBBERS. What does the captain say?
+ </p>
+ <p>
+ CHARLES. Slain! did I say? No, that is too mild a term! A son has a
+ thousand-fold broken his own father on the wheel,&mdash;impaled, racked,
+ flayed him alive!&mdash;but all these words are too feeble to express what
+ would make sin itself blush and cannibals shudder. For ages, no devil ever
+ conceived a deed so horrible. His own father!&mdash;but see, see him! he
+ has fainted away! His own father&mdash;the son&mdash;into this dungeon&mdash;cold&mdash;
+ naked&mdash;hungry&mdash;athirst&mdash;Oh! see, I pray you, see!&mdash;'tis
+ my own father, in very truth it is.
+ </p>
+ <p>
+ THE ROBBERS (come running and surround the old man). Your father? Yours?
+ </p>
+ <p>
+ SCHWEITZER (approaches him reverently, and falls on his knees before him).
+ Father of my captain! let me kiss thy feet! My dagger is at thy command.
+ </p>
+ <p>
+ CHARLES. Revenge, revenge, revenge! thou horribly injured, profaned old
+ man! Thus, from this moment, and forever, I rend in twain all ties of
+ fraternity. (He rends his garment from top to bottom.) Here, in the face
+ of heaven, I curse him&mdash;curse every drop of blood which flows in his
+ veins! Hear me, O moon and stars! and thou black canopy of night, that
+ lookest down upon this horror! Hear me, thrice terrible avenger. Thou who
+ reignest above yon pallid orb, who sittest an avenger and a judge above
+ the stars, and dartest thy fiery bolts through darkness on the head of
+ guilt! Behold me on my knees behold me raise this hand aloft in the gloom
+ of night&mdash;and hear my oath&mdash;and may nature vomit me forth as
+ some horrible abortion from out the circle of her works if I break that
+ oath! Here I swear that I will never more greet the light of day, till the
+ blood of that foul parricide, spilt upon this stone, reeks in misty vapor
+ towards heaven. (He rises.)
+ </p>
+ <p>
+ ROBBERS. 'Tis a deed of hell! After this, who shall call us villains? No!
+ by all the dragons of darkness we never have done anything half so
+ horrible.
+ </p>
+ <p>
+ CHARLES. True! and by all the fearful groans of those whom your daggers
+ have despatched&mdash;of those who on that terrible day were consumed by
+ fire, or crushed by the falling tower&mdash;no thought of murder or rapine
+ shall be harbored in your breast, till every man among you has dyed his
+ garments scarlet in this monster's blood. It never, I should think,
+ entered your dreams, that it would fall to your lot to execute the great
+ decrees of heaven? The tangled web of our destiny is unravelled! To-day,
+ to-day, an invisible power has ennobled our craft! Worship Him who has
+ called you to this high destiny, who has conducted you hither, and deemed
+ ye worthy to be the terrible angels of his inscrutable judgments! Uncover
+ your heads! Bow down and kiss the dust, and rise up sanctified. (They
+ kneel.)
+ </p>
+ <p>
+ SCHWEITZER. Now, captain, issue your commands! What shall we do?
+ </p>
+ <p>
+ CHARLES. Rise, Schweitzer! and touch these sacred locks! (Leading him to
+ his father, and putting a lock of hair in his hand.) Do you remember
+ still, how you, cleft the skull of that Bohemian trooper, at the moment
+ his sabre was descending on my head, and I had sunk down on my knees,
+ breathless and exhausted? 'Twas then I promised thee a reward that should
+ be right royal. But to this hour I have never been able to discharge that
+ debt.
+ </p>
+ <p>
+ SCHWEITZER. You swore that much to me, 'tis true; but let me call you my
+ debtor forever!
+ </p>
+ <p>
+ CHARLES. No; now will I repay thee, Schweitzer! No mortal has yet been
+ honored as thou shalt be. I appoint thee avenger of my father's wrongs!
+ (SCHWEITZER rises.)
+ </p>
+ <p>
+ SCHWEITZER. Mighty captain! this day you have, for the first time, made me
+ truly proud! Say, when, where, how shall I smite him?
+ </p>
+ <p>
+ CHARLES. The minutes are sacred. You must hasten to the work. Choose the
+ best of the band, and lead them straight to the count's castle! Drag him
+ from his bed, though he sleep, or he folded in the arms of pleasure! Drag
+ him from the table, though he be drunk! Tear him from the crucifix, though
+ he lie on his knees before it! But mark my words&mdash; I charge thee,
+ deliver him into my hands alive! I will hew that man to pieces, and feed
+ the hungry vultures with his flesh, who dares but graze his skin, or
+ injure a single hair of his head! I must have him whole. Bring him to me
+ whole and alive, and a million shall be thy reward. I'll plunder kings at
+ the risk of my life, but thou shalt have it, and go free as air. Thou hast
+ my purpose&mdash;see it done!
+ </p>
+ <p>
+ SCHWEITZER. Enough, captain! here is my hand upon it. You shall see both
+ of us, or neither. Come, Schweitzer's destroying angels, follow me! (Exit
+ with a troop.)
+ </p>
+ <p>
+ CHARLES. The rest of you disperse in the forest&mdash;I remain here.
+ </p>
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT V.
+ </h2>
+ <h3>
+ SCENE I. A vista of rooms. Dark night.
+ </h3>
+<pre xml:space="preserve">
+ Enter DANIEL, with a lantern and a bundle.
+</pre>
+ <p>
+ DANIEL. Farewell, dear home! How many happy days have I enjoyed within
+ these walls, while my old master lived. Tears to thy memory, thou whom the
+ grave has long since devoured! He deserves this tribute from an old
+ servant. His roof was the asylum of orphans, the refuge of the destitute,
+ but this son has made it a den of murderers. Farewell, thou dear floor!
+ How often has old Daniel scrubbed thee! Farewell, dear stove, old Daniel
+ takes a heavy leave of thee. All things had grown so familiar to thee,&mdash;thou
+ wilt feel it sorely, old Eleazar. But heaven preserve me through grace
+ from the wiles and assault of the tempter. Empty I came hither&mdash;empty
+ I will depart,&mdash;but my soul is saved! (He is in the act of going out,
+ when he is met by FRANCIS, rushing in, in his dressing-gown.) Heaven help
+ me! Master! (He puts out his lantern.)
+ </p>
+ <p>
+ FRANCIS. Betrayed! betrayed! The spirit of the dead are vomited from their
+ graves. The realm of death, shaken out of its eternal slumber, roars at
+ me, "Murderer, murderer!" Who moves there?
+ </p>
+ <p>
+ DANIEL (frightened). Help, holy Virgin! help! Is it you, my gracious
+ master, whose shrieks echo so terribly through the castle that every one
+ is aroused out of his sleep?
+ </p>
+ <p>
+ FRANCIS. Sleep? And who gave thee leave to sleep? Go, get lights! (Exit
+ DANIEL. Enter another servant.) No one shall sleep at this hour. Do you
+ hear? All shall be awake&mdash;in arms&mdash;let the guns be loaded! Did
+ you not see them rushing through yon vaulted passages?
+ </p>
+ <p>
+ SERVANT. See whom, my lord?
+ </p>
+ <p>
+ FRANCIS. Whom? you dolt, slave! And do you, with a cold and vacant stare,
+ ask me whom? Have they not beset me almost to madness? Whom? blockhead!
+ whom? Ghosts and demons! How far is the night advanced?
+ </p>
+ <p>
+ SERVANT. The watch has just called two.
+ </p>
+ <p>
+ FRANCIS. What? will this eternal night last till doomsday? Did you hear no
+ tumult near? no shout of victory? no trampling of horses? Where is Char&mdash;the
+ Count, I would say?
+ </p>
+ <p>
+ SERVANT. I know not, my lord.
+ </p>
+ <p>
+ FRANCIS. You know not? And are you too one of his gang? I'll tread your
+ villain's heart out through your ribs for that infernal "I know not!"
+ Begone, fetch the minister!
+ </p>
+ <p>
+ SERVANT. My lord!
+ </p>
+ <p>
+ FRANCIS. What! Do you grumble? Do you demur? (Exit servant hastily.) Do my
+ very slaves conspire against me? Heaven, earth, and hell&mdash;all
+ conspire against me!
+ </p>
+ <p>
+ DANIEL (returns with a lighted candle). My lord!
+ </p>
+ <p>
+ FRANCIS. Who said I trembled? No!&mdash;'twas but a dream. The dead still
+ rest in their graves! Tremble! or pale? No, no! I am calm&mdash;quite
+ tranquil.
+ </p>
+ <p>
+ DANIEL. You are as pale as death, my lord; your voice is weak and
+ faltering.
+ </p>
+ <p>
+ FRANCIS. I am somewhat feverish. When the minister comes be sure you say I
+ am in a fever. Say that I intend to be bled in the morning.
+ </p>
+ <p>
+ DANIEL. Shall I give you some drops of the balsam of life on sugar?
+ </p>
+ <p>
+ FRANCIS. Yes, balsam of life on sugar! The minister will not be here just
+ yet. My voice is weak and faltering. Give me of the balsam of life on
+ sugar!
+ </p>
+ <p>
+ DANIEL. Let me have the keys, I will go down to the closet and get it.
+ </p>
+ <p>
+ FRANCIS. No! no! no! Stay!&mdash;or I will go with you. You see I must not
+ be left alone! How easily I might, you see&mdash;faint&mdash;if I should
+ be left alone. Never mind, never mind! It will pass off&mdash;you must not
+ leave me.
+ </p>
+ <p>
+ DANIEL. Indeed, Sir, you are ill, very ill.
+ </p>
+ <p>
+ FRANCIS. Yes, just so, just so, nothing more. And illness, you know,
+ bewilders the brain, and breeds strange and maddening dreams. What signify
+ dreams? Dreams come from the stomach and cannot signify anything. Is it
+ not so, Daniel? I had a very comical dream just now. (He sinks down
+ fainting.)
+ </p>
+ <p>
+ DANIEL. Oh, merciful heaven! what is this? George!&mdash;Conrad!
+ Sebastian! Martin! Give but some sign of life! (Shaking him.) Oh, the
+ Blessed Virgin! Oh, Joseph! Keep but your reason! They will say I have
+ murdered him! Lord have mercy upon me!
+ </p>
+ <p>
+ FRANCIS (confused). Avaunt!&mdash;avaunt!&mdash;why dost thou glare upon
+ me thus, thou horrible spectre? The time for the resurrection of the dead
+ is not yet come.
+ </p>
+ <p>
+ DANIEL. Merciful heavens! he has lost his senses.
+ </p>
+ <p>
+ FRANCIS (recovering himself gradually). Where am I? You here, Daniel? What
+ have I said? Heed it not. I have told a lie, whatever I said. Come, help
+ me up! 'T was only a fit of delirium&mdash;because&mdash;because&mdash;I
+ have not finished my night's rest.
+ </p>
+ <p>
+ DANIEL. If John were but here! I'll call for help&mdash;I'll send for the
+ physician.
+ </p>
+ <p>
+ FRANCIS. Stay! Seat yourself by my side on this sofa! There. You are a
+ sensible man, a good man. Listen to my dream!
+ </p>
+ <p>
+ DANIEL. Not now; another time! Let me lead you to bed; you have great need
+ of rest.
+ </p>
+ <p>
+ FRANCIS. No, no; I prythee, listen, Daniel, and have a good laugh at me.
+ You must know I fancied that I held a princely banquet, my heart was
+ merry, and I lay stretched on the turf in the castle garden; and all on a
+ sudden&mdash;it was at midday&mdash;and all on a sudden&mdash;but mind you
+ have a good laugh at me!
+ </p>
+ <p>
+ DANIEL. All on a sudden.
+ </p>
+ <p>
+ FRANCIS. All on a sudden a tremendous peal of thunder struck upon my
+ slumbering ear; I started up staggering and trembling; and lo, it seemed
+ as if the whole hemisphere had burst forth in one flaming sheet of fire,
+ and mountains, and cities, and forests melted away like wax in the
+ furnace; and then rose a howling whirlwind, which swept before it the
+ earth, and the sea, and heaven; then came a sound, as from brazen
+ trumpets, "Earth, give up thy dead: sea, give up thy dead!" and the open
+ plains began to heave, and to cast up skulls, and ribs, and jawbones, and
+ legs, which drew together into human bodies, and then came sweeping along
+ in dense, interminable masses&mdash;a living deluge. Then I looked up, and
+ lo! I stood at the foot of the thundering Sinai, and above me was a
+ multitude, and below me a multitude; and on the summit of the mountain, on
+ three smoking thrones, sat three men, before whose gaze all creation
+ trembled.
+ </p>
+ <p>
+ DANIEL. Why, this is a living picture of the day of judgment.
+ </p>
+ <p>
+ FRANCIS. Did I not tell you? Is it not ridiculous stuff? And one stepped
+ forth who, to look upon, was like a starlight night; he had in his hand a
+ signet ring of iron, which he held up between the east and the west, and
+ said, "Eternal, holy, just, immutable! There is but one truth; there is
+ but one virtue! Woe, woe, woe! to the doubting sinner!" Then stepped forth
+ a second, who had in his hand a flashing mirror, which he held up between
+ the east and west, and said, "This is the mirror of truth; hypocrisy and
+ deceit cannot look on it." Then was I terrified, and so were all, for we
+ saw the forms of snakes, and tigers, and leopards reflected from that
+ fearful mirror. Then stepped forth a third, who had in his hand a brazen
+ balance, which he held up between the east and the west, and said,
+ "Approach, ye sons of Adam! I weigh your thoughts in the balance of my
+ wrath! and your deeds with the weight of my fury!"
+ </p>
+ <p>
+ DANIEL. The Lord have mercy upon me!
+ </p>
+ <p>
+ FRANCIS. They all stood pale and trembling, and every heart was panting
+ with fearful expectation. Then it seemed to me as if I heard my name
+ called the first from out the thunders of the mountain, and the innermost
+ marrow froze within my bones, and my teeth chattered loudly. Presently the
+ clang of the balance was heard, the rocks sent forth thunders, and the
+ hours glided by, one after the other, towards the left scale, and each
+ threw into it a mortal sin!
+ </p>
+ <p>
+ DANIEL. Oh, may God forgive you!
+ </p>
+ <p>
+ FRANCIS. He forgave me not! The left scale grew mountains high, but the
+ other, filled with the blood of atonement, still outweighed it. At last
+ came an old man, heavily bowed down with grief, his arm gnawed through
+ with raging hunger. Every eye turned away in horror from the sight. I knew
+ the man&mdash;he cut off a lock of his silver hair, and cast it into the
+ scale of my sins, when to! in an instant, it sank down to the abyss, and
+ the scale of atonement flew up on high. Then heard I a voice, issuing like
+ thunder from the bowels *[Some editions of the original read Rauch
+ (smoke), some Bauch, as translated.] of the mountain, "Pardon, pardon to
+ every sinner of the earth and of the deep! Thou alone art rejected!" (A
+ profound pause.) Well, why don't you laugh?
+ </p>
+ <p>
+ DANIEL. Can I laugh while my flesh creeps? Dreams come from above.
+ </p>
+ <p>
+ FRANCIS. Pshaw! pshaw! Say not so! Call me a fool, an idiot, an absurd
+ fool! Do, there's a good Daniel, I entreat of you; have a hearty laugh at
+ me!
+ </p>
+ <p>
+ DANIEL. Dreams come from God. I will pray for you.
+ </p>
+ <p>
+ FRANCIS. Thou liest, I tell thee. Go, this instant, run! be quick! see
+ where the minister tarries all this time; tell him to come quickly,
+ instantly! But, I tell thee, thou liest!
+ </p>
+<pre xml:space="preserve">
+DANIEL. Heaven have mercy upon you!
+ [Exit.]
+</pre>
+ <p>
+ FRANCIS. Vulgar prejudice! mere superstition! It has not yet been proved
+ that the past is not past and forgotten, or that there is an eye above
+ this earth to take account of what passes on it. Humph! Humph! But whence,
+ then, this fearful whisper to my soul? Is there really an avenging judge
+ above the stars? No, no! Yes, yes! A fearful monitor within bears witness
+ that there is One above the stars who judgeth! What! meet the avenger
+ above the stars this very night? No, no! I say. All is empty, lonely,
+ desolate, beyond the stars. Miserable subterfuge, beneath which thy
+ cowardice seeks to hide itself. And if there should be something in it
+ after all? No! no! it cannot be. I insist that it cannot be! But yet, if
+ there should be! Woe to thee if thy sins should all have been registered
+ above!&mdash;if they should be counted over to thee this very night! Why
+ creeps this shudder through my frame? To die! Why does that word frighten
+ me thus? To give an account to the Avenger, there, above the stars! and if
+ he should be just&mdash;the wails of orphans and widows, of the oppressed,
+ the tormented, ascending to his ears, and he be just? Why have they been
+ afflicted? And why have I been permitted to trample upon them?
+ </p>
+<pre xml:space="preserve">
+ Enter PASTOR MOSER.
+</pre>
+ <p>
+ MOSER. Your lordship sent for me! I am surprised! The first time in my
+ life! Is it to scoff at religion, or does it begin to make you tremble?
+ </p>
+ <p>
+ FRANCIS. I may scoff or I may tremble, according as you shall answer me.
+ Listen to me, Moser, I will prove that you are a fool, or wish to make
+ fools of others, and you shall answer me. Do you hear? At the peril of
+ your life you shall answer me.
+ </p>
+ <p>
+ MOSER. 'Tis a higher Being whom you summon before your tribunal. He will
+ answer you hereafter.
+ </p>
+ <p>
+ FRANCIS. I will be answered now, this instant, that I may not commit the
+ contemptible folly of calling upon the idol of the vulgar under the
+ pressure of suffering. I have often, in bumpers of Burgundy, tauntingly
+ pledged you in the toast, "There is no God!" Now I address myself to you
+ in earnest, and I tell you there is none? You shall oppose me with all the
+ weapons in your power; but with the breath of my lips I will blow them
+ away.
+ </p>
+ <p>
+ MOSER. 'Twere well that you could also blow away the thunder which will
+ alight upon your proud soul with ten thousand times ten thousand tons'
+ weight! That omniscient God, whom you&mdash;fool and miscreant&mdash;are
+ denying in the midst of his creation, needeth not to justify himself by
+ the mouth of dust. He is as great in your tyrannies as in the sweetest
+ smile of triumphant virtue.
+ </p>
+ <p>
+ FRANCIS. Uncommonly well said, parson. Thus I like you.
+ </p>
+ <p>
+ MOSER. I stand here as steward of a greater Master, and am addressing one
+ who, like myself, is a sinner&mdash;one whom I care not to please. I must
+ indeed be able to work miracles, to extort the acknowledgment from your
+ obdurate wickedness&mdash;but if your conviction is so firm, why have you
+ sent for me in the middle of the night?
+ </p>
+ <p>
+ FRANCIS. Because time hangs heavy on my hands, and the chess-board has
+ ceased to have any attraction. I wish to amuse myself in a tilt with the
+ parson. Your empty terrors will not unman my courage. I am well aware that
+ those who have come off short in this world look forward to eternity; but
+ they will be sadly disappointed. I have always read that our whole body is
+ nothing more than a blood-spring, and that, with its last drop, mind and
+ thought dissolve into nothing. They share all the infirmities of the body;
+ why, then, should they not cease with its dissolution? Why not evaporate
+ in its decomposition? Let a drop of water stray into your brain, and life
+ makes a sudden pause, which borders on non-existence, and this pause
+ continued is death. Sensation is the vibration of a few chords, which,
+ when the instrument is broken, cease to sound. If I raze my seven castles&mdash;if
+ I dash this Venus to pieces&mdash;there is an end of their symmetry and
+ beauty. Behold! thus is it with your immortal soul!
+ </p>
+ <p>
+ MOSER. So says the philosophy of your despair. But your own heart, which
+ knocks against your ribs with terror even while you thus argue, gives your
+ tongue the lie. These cobwebs of systems are swept away by the single word&mdash;"Thou
+ must die!" I challenge you, and be this the test: If you maintain your
+ firmness in the hour of death; if your principles do not then miserably
+ desert you, you shall be admitted to have the best of the argument. But
+ if, in that dread hour, the least shudder creeps over you, then woe be to
+ you! you have deceived yourself.
+ </p>
+ <p>
+ FRANCIS (disturbed). If in the hour of death a shudder creeps over me?
+ </p>
+ <p>
+ MOSER. I have seen many such wretches before now, who set truth at
+ defiance up to that point; but at the approach of death the illusion
+ vanished. I will stand at your bedside when you are dying&mdash;I should
+ much like to see a tyrant die. I will stand by, and look you steadfastly
+ in the face when the physician takes your cold, clammy hand, and is
+ scarcely able to detect your expiring pulse; and when he looks up, and,
+ with a fearful shake of the head, says to you, "All human aid is in vain!"
+ Beware, at that moment, beware, lest you look like Richard and Nero!
+ </p>
+ <p>
+ FRANCIS. No! no!
+ </p>
+ <p>
+ MOSER. Even that very "No" will then be turned to a howling "Yea!" An
+ inward tribunal, which you can no longer cheat with sceptical delusions,
+ will then wake up and pass judgment upon you. But the waking up will be
+ like that of one buried alive in the bowels of the churchyard; there will
+ come remorse like that of the suicide who has committed the fatal act and
+ repents it;&mdash;'twill be a flash of lightning suddenly breaking in upon
+ the midnight darkness of your life! There will be one look, and, if you
+ can sustain that, I will admit that you have won!
+ </p>
+ <p>
+ FRANCIS (walking up and down restlessly). Cant! Priestly cant!
+ </p>
+ <p>
+ MOSER. Then, for the first time, will the sword of eternity pass through
+ your soul;&mdash;and then, for the first time, too late, the thought of
+ God will wake up a terrible monitor, whose name is Judge. Mark this, Moor;
+ a thousand lives hang upon your beck; and of those thousand every nine
+ hundred and ninety-nine have been rendered miserable by you. You wanted
+ but the Roman empire to be a Nero, the kingdom of Peru to be a Pizarro.
+ Now do you really think that the Almighty will suffer a worm like you to
+ play the tyrant in His world and to reverse all his ordinances? Do you
+ think the nine hundred and ninety-nine were created only to be destroyed,
+ only to serve as puppets in your diabolical game? Think it not! He will
+ call you to account for every minute of which you have robbed them, every
+ joy that you have poisoned, every perfection that you have intercepted.
+ Then, if you can answer Him&mdash;then, Moor, I will admit that you have
+ won.
+ </p>
+ <p>
+ FRANCIS. No more, not another word! Am I to be at the mercy of thy
+ drivelling fancies?
+ </p>
+ <p>
+ MOSER. Beware! The different destinies of mankind are balanced with
+ terrible nicety. The scale of life which sinks here will rise there, and
+ that which rises here will sink there. What was here temporary affliction
+ will there be eternal triumph; and what here was temporary triumph will
+ there be eternal despair.
+ </p>
+ <p>
+ FRANCIS (rushing savagely upon him.) May the thunder of heaven strike thee
+ dumb, thou lying spirit! I will tear thy venomed tongue out of thy mouth!
+ </p>
+ <p>
+ MOSER. Do you so soon feel the weight of truth? Before I have brought
+ forward one single word of evidence? Let me first proceed to the proofs&mdash;
+ </p>
+ <p>
+ FRANCIS. Silence! To hell with thee and thy proofs! The soul is
+ annihilated, I tell thee, and I will not be gainsaid!
+ </p>
+ <p>
+ MOSER. That is what the spirits of the bottomless pit are hourly moaning
+ for; but heaven denies the boon. Do you hope to escape from the Avenger's
+ arm even in the solitary waste of nothingness? If you climb up into
+ heaven, he is there! if you make your bed in hell, behold he is there
+ also! If you say to the night, "Hide me!" and to the darkness, "Cover me!"
+ even the night shall be light about you, and darkness blaze upon your
+ damned soul like a noonday sun.
+ </p>
+ <p>
+ FRANCIS. But I do not wish to be immortal&mdash;let them be so that like;
+ I have no desire to hinder them. I will force him to annihilate me; I will
+ so provoke his fury that he may utterly destroy me. Tell me which are the
+ greatest sins&mdash;which excite him to the most terrible wrath?
+ </p>
+ <p>
+ MOSER. I know but two. But men do not commit these, nor do men even dream
+ of them.
+ </p>
+ <p>
+ FRANCIS. What are they?
+ </p>
+ <p>
+ MOSER (very significantly). Parricide is the name of the one; fratricide
+ of the other. Why do you turn so suddenly pale?
+ </p>
+ <p>
+ FRANCIS. What, old man? Art thou in league with heaven or with hell? Who
+ told thee that?
+ </p>
+ <p>
+ MOSER. Woe to him that hath them both upon his soul! It were better for
+ that man that he had never been born! But be at peace; you have no longer
+ either a father or a brother!
+ </p>
+ <p>
+ FRANCIS. Ha! what! Do you know no greater sin? Think again! Death, heaven,
+ eternity, damnation, hang upon thy lips. Not one greater?
+ </p>
+ <p>
+ MOSER. No, not one
+ </p>
+ <p>
+ FRANCIS (falling back in a chair). Annihilation! annihilation!
+ </p>
+ <p>
+ MOSER. Rejoice, then, rejoice! Congratulate yourself! With all your
+ abominations you are yet a saint in comparison with a parricide. The curse
+ that falls upon you is a love ditty in comparison with the curse that lies
+ upon him. Retribution&mdash;
+ </p>
+ <p>
+ FRANCIS (starting up). Away with thee! May the graves open and swallow
+ thee ten thousand fathoms deep, thou bird of ill omen! Who bade thee come
+ here? Away, I tell thee, or I will run thee through and through!
+ </p>
+<pre xml:space="preserve">
+MOSER. Can mere "priestly cant" excite a philosopher to such a pitch of
+frenzy? Why not blow it away with a breath of your lips?
+ (Exit.)
+
+ [FRANCIS throws himself about in his chair in
+ terrible agitation. Profound stillness.]
+
+ Enter a SERVANT, hastily
+</pre>
+ <p>
+ SERVANT. The Lady Amelia has fled. The count has suddenly disappeared.
+ </p>
+<pre xml:space="preserve">
+ Enter DANIEL, in great alarm.
+</pre>
+ <p>
+ DANIEL. My lord, a troop of furious horsemen are galloping down the hill,
+ shouting "murder! murder!" The whole village is in alarm.
+ </p>
+ <p>
+ FRANCIS. Quick! let all the bells be tolled&mdash;summon everyone to the
+ chapel&mdash;let all fall on their knees&mdash;pray for me. All prisoners
+ shall be released and forgiven&mdash;I will make two and threefold
+ restitution to the poor&mdash;I will&mdash;why don't you run? Do call in
+ the father confessor, that he may give me absolution for my sins. What!
+ are you not gone yet? (The uproar becomes more audible.)
+ </p>
+ <p>
+ DANIEL. Heaven have mercy upon me, poor sinner! Can I believe you in
+ earnest, sir? You, who always made a jest of religion? How many a Bible
+ and prayer-book have you flung at my head when by chance you caught me at
+ my devotions?
+ </p>
+ <p>
+ FRANCIS. No more of this. To die! think of it! to die! It will be too
+ late! (The voice of SCHWEITZER is heard, loud and furious.) Pray for me,
+ Daniel! Pray, I entreat you!
+ </p>
+ <p>
+ DANIEL. I always told you,&mdash;"you hold prayer in such contempt; but
+ take heed! take heed! when the fatal hour comes, when the waters are
+ flowing in upon your soul, you will be ready to give all the treasures of
+ the world for one little Christian prayer." Do you see it now? What abuse
+ you used to heap on me! Now you feel it! Is it not so!
+ </p>
+ <p>
+ FRANCIS (embracing him violently). Forgive me! my dear precious jewel of a
+ Daniel, forgive me! I will clothe you from head to foot&mdash;do but pray.
+ I will make quite a bridegroom of you&mdash;I will&mdash;only do pray&mdash;
+ I entreat you&mdash;on my knees, I conjure you. In the devil's name, pray!
+ why don't you pray? (Tumult in the streets, shouts and noises.)
+ </p>
+ <p>
+ SCHWEIT. (in the street). Storm the place! Kill all before you! Force the
+ gates! I see lights! He must be there!
+ </p>
+ <p>
+ FRANCIS (on his knees). Listen to my prayer, O God in heaven! It is the
+ first time&mdash;it shall never happen again. Hear me, God in heaven!
+ </p>
+ <p>
+ DANIEL. Mercy on me! What are you saying? What a wicked prayer!
+ </p>
+<pre xml:space="preserve">
+ Uproar of the PEOPLE, rushing in.
+</pre>
+ <p>
+ PEOPLE. Robbers! murderers! Who makes such a dreadful noise at this
+ midnight hour!
+ </p>
+ <p>
+ SCHWEIT (still in the street). Beat them back, comrades! 'Tis the devil,
+ come to fetch your master. Where is Schwarz with his troop? Surround the
+ castle, Grimm! Scale the walls!
+ </p>
+ <p>
+ GRIMM. Bring the firebrands. Either we must up or he must down. I will
+ throw fire into his halls.
+ </p>
+ <p>
+ FRANCIS (praying). Oh Lord! I have been no common murderer&mdash;I have
+ been guilty of no petty crimes, gracious Lord&mdash;
+ </p>
+ <p>
+ DANIEL. Heaven be merciful to us! His very prayers are turned to sins.
+ (Stones and firebrands are hurled up from below; the windows fall in with
+ a crash; the castle takes fire.)
+ </p>
+ <p>
+ FRANCIS. I cannot pray. Here! and here! (striking his breast and his
+ forehead) All is so void&mdash;so barren! (Rises from his knees.) No, I
+ will not pray. Heaven shall not have that triumph, nor hell that pastime.
+ </p>
+ <p>
+ DANIEL. O holy Virgin! Help! save! The whole castle is in flames!
+ </p>
+ <p>
+ FRANCIS. There, take this sword! Quick! Run it right through my body, that
+ these fiends may not be in time to make holiday sport of me. (The fire
+ increases.)
+ </p>
+ <p>
+ DANIEL. Heaven forbid? Heaven forbid! I would send no one before his time
+ to heaven, much less to&mdash;(He runs away).
+ </p>
+ <p>
+ FRANCIS (following him with a ghastly stare, after a pause). To hell, thou
+ wouldst say. Indeed! I scent something of the kind. (In delirium.) Are
+ these their triumphant yells? Do I hear you hissing, ye serpents of the
+ abyss? They force their way up&mdash;they besiege the door! Why do I
+ shrink from this biting steel? The door cracks&mdash;it yields&mdash;there
+ is no escape! Ha! then do thou have mercy upon me! (He tears away the
+ golden cord from his hat, and strangles himself.)*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition, Francis attempts to throw himself into the
+ flames, but is prevented by the robbers, and taken alive. He is
+ then brought before his brother, in chains, for sentence.
+ SCHWEITZER says, "I have fulfilled my word, and brought him alive."
+ GRIMM. "We tore him out of the flames and the castle is in ashes."
+ After confronting Francis with his father, and a reproachful
+ interview between the brothers, Charles delegates the judgment on
+ Francis to Schweitzer and Kosinsky, but for himself forgives him in
+ these words: "Thou hast robbed me of heaven's bliss! Be that sin
+ blotted out! Thy doom is sealed&mdash;perdition is thy lot! But I
+ forgive thee, brother." Upon this CHARLES embraces and leaves him;
+ the ROBBERS however, thrust FRANCIS into the dungeon where he had
+ immured his father, laughing in a savage manner. Beyond this the
+ fate of Francis is left undetermined. Schweitzer, instead of
+ killing himself, is made partaker, with Kosinsky, of Moor's
+ estate.]
+
+ Enter SCHWEITZER and his band.
+</pre>
+ <p>
+ SCHWEITZER. Murderous wretch, where art thou? Did you see how they fled?
+ Has he so few friends? Where has the beast crawled to?
+ </p>
+ <p>
+ GRIMM (stumbles over the corpse). Stay! what is this lying in the way?
+ Lights here.
+ </p>
+ <p>
+ SCHWARZ. He has been beforehand with us. Put up your swords. There he lies
+ sprawling like a dead dog.
+ </p>
+ <p>
+ SCHWEITZER. Dead! What! dead? Dead without me? 'Tis a lie, I say. Mark how
+ quickly he will spring upon his feet! (Shakes him). Hollo! up with you?
+ There is a father to be murdered.
+ </p>
+ <p>
+ GRIMM. Spare your pains. He is as dead as a log.
+ </p>
+ <p>
+ SCHWEITZER (steps aside from him). Yes, his game is up! He is dead! dead!
+ Go back and tell my captain he is as dead as a log. He will not see me
+ again. (Blows his brains out.)
+ </p>
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;The scene the same as the last scene of the preceding Act.
+ </h2>
+<pre xml:space="preserve">
+ OLD MOOR seated on a stone; CHARLES VON MOOR opposite;
+ ROBBERS scattered through the wood.
+</pre>
+ <p>
+ CHARLES. He does not come! (Strikes his dagger against a stone till the
+ sparks fly.)
+ </p>
+ <p>
+ OLD MOOR. Let pardon be his punishment&mdash;redoubled love my vengeance.
+ </p>
+ <p>
+ CHARLES. No! by my enraged soul that shall not be! I will not permit it.
+ He shall bear that enormous load of crime with him into eternity!&mdash;
+ what else should I kill him for?
+ </p>
+ <p>
+ OLD MOOR (bursting into tears). Oh my child!
+ </p>
+ <p>
+ CHARLES. What! you weep for him? In sight of this dungeon?
+ </p>
+ <p>
+ OLD MOOR. Mercy! oh mercy! (Wringing his hands violently.) Now&mdash;now
+ my son is brought to judgment!
+ </p>
+ <p>
+ CHARLES (starting). Which son?
+ </p>
+ <p>
+ OLD MOOR. Ha! what means that question?
+ </p>
+ <p>
+ CHARLES. Nothing! nothing!
+ </p>
+ <p>
+ OLD MOOR. Art thou come to make a mockery of my grief?
+ </p>
+ <p>
+ CHARLES. Treacherous conscience! Take no heed of my words!
+ </p>
+ <p>
+ OLD MOOR. Yes, I persecuted a son, and a son persecutes me in return. It
+ is the finger of God. Oh my Charles! my Charles! If thou dost hover around
+ me in the realms of peace, forgive me! oh forgive me!
+ </p>
+ <p>
+ CHARLES (hastily). He forgives you! (Checking himself.) If he is worthy to
+ be called your son, he must forgive you!
+ </p>
+ <p>
+ OLD MOOR. Ha! he was too noble a son for me. But I will go to him with my
+ tears, my sleepless nights, my racking dreams. I will embrace his knees,
+ and cry&mdash;cry aloud&mdash;"I have sinned against heaven and before
+ thee; I am no longer worthy to be called thy father!"
+ </p>
+ <p>
+ CHARLES (in deep emotion). Was he very dear to you&mdash;that other son?
+ </p>
+ <p>
+ OLD MOOR. Heaven is my witness, how much I loved him. Oh, why did I suffer
+ myself to be beguiled by the arts of a wicked son? I was an envied father
+ among the fathers of the world&mdash;my children full of promise, blooming
+ by my side! But&mdash;oh that fatal hour!&mdash;the demon of envy entered
+ into the heart of my younger son&mdash;I listened to the serpent&mdash;and&mdash;lost
+ both my children! (Hides his countenance.)
+ </p>
+ <p>
+ CHARLES (removes to a distance from him). Lost forever!
+ </p>
+ <p>
+ OLD MOOR. Oh, deeply do I feel the words of Amelia. The spirit of
+ vengeance spoke from her lips. "In vain wilt thou stretch forth thy dying
+ hands after a son, in vain fancy thou art grasping the warm hands of thy
+ Charles,&mdash;he will never more stand by thy bedside."
+ </p>
+<pre xml:space="preserve">
+ (CHARLES stretches out his hand to him with averted face.)
+</pre>
+ <p>
+ Oh, that this were the hand of my Charles! But he is laid far away in the
+ narrow house&mdash;he is sleeping the iron sleep&mdash;he hears not the
+ voice of my lamentation. Woe is me! to die in the arms of a stranger? No
+ son left&mdash;no son left to close my eyes!
+ </p>
+ <p>
+ CHARLES (in violent emotion). It must be so&mdash;the moment has arrived.
+ Leave me&mdash;(to the ROBBERS.) And yet&mdash;can I restore his son to
+ him? Alas! No! I cannot restore him that son! No! I will not think of it.
+ </p>
+ <p>
+ OLD MOOR. Friend! what is that you were muttering?
+ </p>
+ <p>
+ CHARLES. Your son&mdash;yes, old man&mdash;(faltering) your son&mdash;is&mdash;lost
+ forever!
+ </p>
+ <p>
+ OLD MOOR. Forever?
+ </p>
+ <p>
+ CHARLES (looking up to heaven in bitter anguish). Oh this once&mdash;keep
+ my soul from sinking&mdash;sustain me but this once!
+ </p>
+ <p>
+ OLD MOOR. Forever, did you say.
+ </p>
+ <p>
+ CHARLES. Ask no more! I said forever!
+ </p>
+ <p>
+ OLD MOOR. Stranger, stranger! why didst thou drag me forth from the
+ dungeon to remind me of my sorrows?
+ </p>
+ <p>
+ CHARLES. And what if I were now to snatch his blessing?&mdash;snatch it
+ like a thief, and steal away with the precious prize? A father's blessing,
+ they say, is never lost.
+ </p>
+ <p>
+ OLD MOOR. And is my Francis too lost?
+ </p>
+ <p>
+ CHARLES (falling on his knees before him). 'Twas I who burst the bars of
+ your dungeon. I crave thy blessing!
+ </p>
+ <p>
+ OLD MOOR (sorrowfully). Oh that thou shouldst destroy the son!&mdash;thou,
+ the father's deliverer! Behold! Heaven's mercy is untiring, and we pitiful
+ worms let the sun go down upon our wrath. (Lays his hand upon the head of
+ CHARLES.) Be thou happy, even as thou shalt be merciful!
+ </p>
+ <p>
+ CHARLES (rising much affected). Oh!&mdash;where is my manhood? My sinews
+ are unstrung&mdash;the sword drops from my hand.
+ </p>
+ <p>
+ OLD MOOR. How lovely a thing it is when brethren dwell together in unity;
+ as the dewdrops of heaven that fall upon the mountains of Zion. Learn to
+ deserve that happiness, young man, and the angels of heaven will sun
+ themselves in thy glory. Let thy wisdom be the wisdom of gray hairs, but
+ let thy heart be the heart of innocent childhood.
+ </p>
+ <p>
+ CHARLES. Oh, for a foretaste of that happiness! Kiss me, divine old man!
+ </p>
+ <p>
+ OLD MOOR (kissing him). Think it thy father's kiss; and I will think I am
+ kissing my son. Canst thou too weep?
+ </p>
+ <p>
+ CHARLES. I felt as if it were my father's kiss! Woe unto me, were they to
+ bring him now!
+ </p>
+<pre xml:space="preserve">
+ (The companions of SCHWEITZER enter in a silent and mournful
+ procession, hanging down their heads and hiding their faces.)
+</pre>
+ <p>
+ CHARLES. Good heaven! (Retreats horror-struck, and seeks to hide himself.
+ They pass by him his face is averted. Profound silence. They halt.)
+ </p>
+ <p>
+ GRIMM (in a subdued tone). My captain!
+ </p>
+<pre xml:space="preserve">
+ [CHARLES does not answer and steps farther back.]
+</pre>
+ <p>
+ SCHWARZ. Dear captain!
+ </p>
+<pre xml:space="preserve">
+ [CHARLES retreats still farther.]
+</pre>
+ <p>
+ GRIMM. 'Tis not our fault, captain!
+ </p>
+ <p>
+ CHARLES (without looking at them). Who are ye?
+ </p>
+ <p>
+ GRIMM. You do not look at us! Your faithful followers.
+ </p>
+ <p>
+ CHARLES. Woe to ye, if ye are faithful to me!
+ </p>
+ <p>
+ GRIMM. The last farewell from your servant Schweitzer!&mdash;
+ </p>
+ <p>
+ CHARLES (starting). Then ye have not found him?
+ </p>
+ <p>
+ SCHWARZ. Found him dead.
+ </p>
+ <p>
+ CHARLES (leaping up with joy). Thanks, O Sovereign Ruler of all things!
+ &mdash;Embrace me, my children!&mdash;Mercy be henceforward our watchword!&mdash;Now,
+ were that too surmounted,&mdash;all would be surmounted.
+ </p>
+<pre xml:space="preserve">
+ Enter ROBBERS with AMELIA.
+</pre>
+ <p>
+ ROBBERS. Hurrah! hurrah! A prize, a splendid prize!
+ </p>
+ <p>
+ AMELIA (with hair dishevelled). The dead, they cry, have arisen at his
+ voice&mdash;My uncle alive&mdash;in this wood&mdash;Where is he? Charles?
+ Uncle!&mdash;Ha? (She rushes into the arms, of OLD MOOR.)
+ </p>
+ <p>
+ OLD MOOR. Amelia! my daughter! Amelia! (Holds her tightly grasped in his
+ arms.)
+ </p>
+ <p>
+ CHARLES (starting back). Who brings this image before my eyes.
+ </p>
+ <p>
+ AMELIA (tearing herself away from the old man, rushes upon CHARLES, and
+ embraces him in an ecstasy of delight). I have him, O ye stars! I have
+ him!
+ </p>
+ <p>
+ CHARLES (tearing himself away, to the ROBBERS). Let us be gone, comrades!
+ The arch fiend has betrayed me!
+ </p>
+ <p>
+ AMELIA. My bridegroom, my bridegroom! thou art raving! Ha! 'Tis with
+ delight! Why, then, am I so cold, so unfeeling, in the midst of this
+ tumult of happiness?
+ </p>
+ <p>
+ OLD MOOR (rousing himself). Bridegroom? Daughter! my daughter! Thy
+ bridegroom?*
+ </p>
+<pre xml:space="preserve">
+ *[Instead of this the stage edition has, "Come my children! Thy
+ hand, Charles&mdash;and thine, Amelia. Oh! I never looked for such
+ happiness on this side the grave. Here let me unite you forever."]
+</pre>
+ <p>
+ AMELIA. His forever! He forever, ever, mine! Oh! ye heavenly powers!
+ support me in this ecstasy of bliss, lest I sink beneath its weight!
+ </p>
+ <p>
+ CHARLES. Tear her from my neck! Kill her! Kill him! Kill me&mdash;
+ yourselves&mdash;everybody! Let the whole world perish! (About to rush
+ of.)
+ </p>
+ <p>
+ AMELIA. Whither? what? Love! eternity! happiness! never-ending joys! and
+ thou wouldst fly?
+ </p>
+ <p>
+ CHARLES. Away, away! most unfortunate of brides! See with thine own eyes;
+ ask, and hear it with thine own ears! Most miserable of fathers! Let me
+ escape hence forever!
+ </p>
+ <p>
+ AMELIA. Support me! for heaven's sake support me! It is growing dark
+ before my eyes! He flies!
+ </p>
+ <p>
+ CHARLES. Too late! In vain! Your curse, father! Ask me no more! I am&mdash;I
+ have&mdash;your curse&mdash;your supposed curse! Who enticed me hither?
+ (Rushing upon the ROBBERS with drawn sword.) Which of you enticed me
+ hither, ye demons of the abyss? Perish, then, Amelia! Die, father! Die,
+ for the third time, through me! These, thy deliverers, are Robbers and
+ Murderers! Thy Charles is their Captain! (OLD MOOR expires.)
+ </p>
+<pre xml:space="preserve">
+ [AMELIA stands silent and transfixed like a statue.
+ The whole band are mute. A fearful pause.]
+</pre>
+ <p>
+ CHARLES (rushing against an oak). The souls of those I have strangled in
+ the intoxication of love&mdash;of those whom I crushed to atoms in the
+ sacredness of sleep&mdash;of those whom&mdash;Ha! ha! ha! do you hear the
+ powder-magazine bursting over the heads of women in travail? Do you see
+ the flames creeping round the cradles of sucklings? That is our nuptial
+ torch; those shrieks our wedding music! Oh! he forgetteth none of these
+ things!&mdash;he knoweth how to connect the&mdash;links in the chain of
+ life. Therefore do love's delights elude my grasp; therefore is love given
+ me for a torment! This is retribution!
+ </p>
+ <p>
+ AMELIA. 'Tis all true! Thou Ruler in heaven! 'Tis all true! What have I
+ done, poor innocent lamb? I have loved this man!
+ </p>
+ <p>
+ CHARLES. This is more than a man can endure. Have I not heard death
+ hissing at me from more thousands of barrels, and never yet moved a hair's
+ breadth out of its way. And shall I now be taught to tremble like a woman?
+ tremble before a woman! No! a woman shall not conquer my manly courage!
+ Blood! blood! 'tis but a fit of womanish feeling. I must glut myself with
+ blood; and this will pass away. (He is about to fly.)
+ </p>
+ <p>
+ AMELIA (sinking into his arms). Murderer! devil! I cannot&mdash;angel&mdash;
+ leave thee!
+ </p>
+ <p>
+ CHARLES (thrusting her from him). Away! insidious serpent! Thou wouldst
+ make a mockery of my frenzy; but I will bid defiance to my tyrant destiny.
+ What! art thou weeping? O ye relentless, malicious stars! She pretends to
+ weep, as if any soul could weep for me! (AMELIA falls on his neck.) Ha!
+ what means this? She shuns me not&mdash;she spurns me not. Amelia! hast
+ thou then forgotten? Dost thou remember whom thou art embracing, Amelia?
+ </p>
+ <p>
+ AMELIA. My only one, mine, mine forever!
+ </p>
+ <p>
+ CHARLES (recovering himself in an ecstasy of joy). She forgives me, she
+ loves me! Then am I pure as the ether of heaven, for she loves me! With
+ tears I thank thee, all-merciful Father! (He falls on his knees, and
+ bursts into a violent fit of weeping.) The peace of my soul is restored;
+ my sufferings are at an end. Hell is no more! Behold! oh behold! the child
+ of light weeps on the neck of a repentant demon! (Rising and turning to
+ the ROBBERS). Why are ye not weeping also? Weep, weep, ye are all so
+ happy. O Amelia! Amelia! Amelia! (He hangs on her neck, they remain locked
+ in a silent embrace.)
+ </p>
+ <p>
+ A ROBBER (stepping forward enraged). Hold, traitor! This instant come from
+ her arms! or I will speak a word that shall make thy ears tingle, and thy
+ teeth chatter with horror! (He holds his sword between them.)
+ </p>
+ <p>
+ AN AGED ROBBER. Remember the Bohemian forests! Dost thou hear? dost thou
+ tremble? Remember the Bohemian forests, I tell thee! Faithless man! where
+ are thy oaths? Are wounds so soon forgotten? Who staked fortune, honor,
+ life itself for thee? Who stood by thee like walls, and like shields
+ caught the blows which were aimed at thy life? Didst not thou then lift up
+ thy hand and swear an iron oath never to forsake us, even as we forsook
+ not thee? Base, perfidious wretch! and wouldst thou now desert us at the
+ whining of a harlot?
+ </p>
+ <p>
+ A THIRD ROBBER. Shame on thy perjury! The spirit of the immolated Roller,
+ whom thou didst summon from the realms of death to attest thy oath, will
+ blush at thy cowardice, and rise from his grave full armed to chastise
+ thee.
+ </p>
+ <p>
+ THE ROBBERS (all in disorder, tearing open their garments). See here! and
+ here! Dost thou know these scars? Thou art ours! With our heart's blood we
+ have bought thee, and thou art ours bodily, even though the Archangel
+ Michael should seek to wrest thee out of the grasp of the fiery Moloch!
+ Now! March with us! Sacrifice for sacrifice, Amelia for the band!
+ </p>
+ <p>
+ CHARLES (releasing her hand). It is past! I would arise and return to my
+ father; but heaven has said, "It shall not be!" (Coldly.) Blind fool that
+ I was! why should I wish it? Is it possible for a great sinner to return?
+ A great sinner never can return. That ought I long since to have known. Be
+ still! I pray thee be still! 'Tis all as it should be. When He sought me I
+ would not; now that I seek him, He will not. What can be more just? Do not
+ roll about thine eyes so wildly. He&mdash;has no need of me. Has He not
+ creatures in abundance? One he can easily spare, and that one am I. Come
+ along, comrades!
+ </p>
+ <p>
+ AMELIA (pulling him back). Stay, I beseech you! One blow! one deadly blow!
+ Again forsaken! Draw thy sword, and have mercy upon me!
+ </p>
+ <p>
+ CHARLES. Mercy has taken refuge among bears. I will not kill thee!
+ </p>
+ <p>
+ AMELIA (embracing his knees). Oh, for heaven's sake! by all that is
+ merciful! I ask no longer for love. I know that our stars fly from each
+ other in opposition. Death is all I ask. Forsaken, forsaken! Take that
+ word in all its dreadful import! Forsaken! I cannot survive it! Thou
+ knowest well that no woman can survive that. All I ask is death. See, my
+ hand trembles! I have not courage to strike the blow. I shrink from the
+ gleaming blade! To thee it is so easy, so very easy; thou art a master in
+ murder&mdash;draw thy sword, and make me happy!
+ </p>
+ <p>
+ CHARLES. Wouldst thou alone be happy? Away with thee! I will kill no
+ woman!
+ </p>
+ <p>
+ AMELIA. Ha! destroyer! thou canst only kill the happy; they who are weary
+ of existence thou sparest! (She glides towards the robbers.) Then do ye
+ have mercy on me, disciples of murder! There lurks a bloodthirsty pity in
+ your looks that is consoling to the wretched. Your master is a boaster and
+ a coward.
+ </p>
+ <p>
+ CHARLES. Woman, what dost thou say? (The ROBBERS turn away.)
+ </p>
+ <p>
+ AMELIA. No friend? No; not even among these a friend? (She rises.) Well,
+ then, let Dido teach me how to die! (She is going; a ROBBER takes aim at
+ her.)
+ </p>
+ <p>
+ CHARLES. Hold! dare it! Moor's Amelia shall die by no other hand than
+ Moor's. (He strikes her dead.)
+ </p>
+ <p>
+ THE ROBBERS. Captain! captain! what hast thou done? Art thou raving?
+ </p>
+ <p>
+ CHARLES (with his eyes fixed on the body). One more pang and all will be
+ over. She is immolated! Now, look on! have you any farther demand? Ye
+ staked a life for me, a life which has ceased to be your own&mdash;a life
+ full of infamy and shame! I have sacrificed an angel for you. Now! look
+ upon her! Are you content?
+ </p>
+ <p>
+ GRIMM. You have repaid your debt with usury. You have done all that man
+ could do for his honor, and more. Now let's away.
+ </p>
+ <p>
+ CHARLES. What say you? Is not the life of a saint for the life of a felon
+ more than an equal exchange? Oh! I say unto you if every one of you were
+ to&mdash;mount the scaffold, and to have his flesh torn from his bones
+ piecemeal with red-hot pincers, through eleven long summer days of
+ torture, yet would it not counterbalance these tears! (With a bitter
+ laugh.) The scars! the Bohemian forests! Yes, yes! they must be repaid, of
+ course!
+ </p>
+ <p>
+ SCHWARZ. Compose yourself, captain! Come along with us! this is no sight
+ for you. Lead us elsewhere!
+ </p>
+ <p>
+ CHARLES. Stay! one word more before we proceed elsewhere. Mark me, ye
+ malicious executioners of my barbarous nod! from this moment I cease to be
+ your captain.*
+ </p>
+<pre xml:space="preserve">
+ *[The acting edition reads,&mdash;"Banditti! we are quits. This
+ bleeding corpse cancels my bond to you forever. From your own I
+ set you free." ROBBERS. "We are again your slaves till death!"
+ CHARLES. "No, no, no! We have done with each other. My genius
+ whispers me, 'Go no further, Moor. Here is the goal of humanity&mdash;
+ and thine!' Take back this bloody plume (throws it at their feet).
+ Let him who seeks to be your captain take it up."]
+</pre>
+ <p>
+ With shame and horror I here lay down the bloody staff, under which you
+ thought yourselves licensed to perpetrate your crimes and to defile the
+ fair light of heaven with deeds of darkness. Depart to the right and to
+ the left. We shall never more have aught in common.
+ </p>
+ <p>
+ THE ROBBERS. Ha! coward! where are thy lofty schemes? were they but
+ soap-bubbles, which disperse at the breath of a woman?*
+ </p>
+<pre xml:space="preserve">
+ *[In lieu of this soliloquy and what follows, to the end, the
+ acting edition has:&mdash;
+
+ R. MOOR. Dare not to scrutinize the acts of Moor. That is my last
+ command. Now, draw near&mdash;form a circle around me, and receive the
+ last words of your dying captain. (He surveys them attentively for
+ some time.) You have been devotedly faithful to me, faithful
+ beyond example. Had virtue bound you together as firmly as vice,
+ you would have been heroes, and your names recorded by mankind with
+ admiration. Go and offer your services to the state. Dedicate
+ your talents to the cause of a monarch who is waging war in
+ vindication of the rights of man. With this blessing I disband
+ you. Schweitzer and Kosinsky, do you stay. (The others disperse
+ slowly, with signs of emotion.)]
+</pre>
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE VIII.
+ </h2>
+<pre xml:space="preserve">
+ R. MOOR, SCRWETTZER, and KOSINSKY.
+
+ R. MOOR. Give me thy right hand, Kosinsky&mdash;Schweitzer thy left.
+ (He takes their hands, and stands between, them; to KOSINSKY,)
+ Young man, thou art still pure-amongst the guilty thou alone art
+ guiltless! (To SCHWEITZER.) Deeply have I imbrued thy hand in
+ blood. 'Tis I who have done this. With this cordial grasp I take
+ back mine own. Schweitzer! thou art purified! (He raises their
+ hands fervently to heaven.) Father in heaven! here I restore them
+ to thee. They will be more devoted to thy service than those who
+ never fell. Of that I feel assured. (SCHWEITZER and KOSINSKY fall
+ on his neck with fervor.) Not now&mdash;not now, dear comrades. Spare
+ my feelings in this trying hour. An earldom has this day fallen to
+ my lot&mdash;a rich domain on which no malediction rests. Share it
+ between you, my children; become good citizens; and if for ten
+ human beings that I have destroyed you make but one happy, my soul
+ may yet be saved. Go&mdash;no farewell! In another world we may meet
+ again&mdash;or perhaps no more. Away! away! ere my fortitude desert me.
+ [Exeunt both, with downcast countenances.]
+</pre>
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE IX.
+ </h2>
+<pre xml:space="preserve">
+ And I, too, am a good citizen. Do I not fulfil the extremity of
+ the law? Do I not honor the law? Do I not uphold and defend it?
+ I remember speaking to a poor officer on my way hither, who was
+ toiling as a day-laborer, and has eleven living children. A
+ thousand ducats have been offered to whoever shall deliver up the
+ great robber alive. That man shall be served. [Exit.]
+</pre>
+ <p>
+ CHARLES. Oh! fool that I was, to fancy that I could amend the world by
+ misdeeds and maintain law by lawlessness! I called it vengeance and
+ equity. I presumed, O Providence! upon whetting out the notches of thy
+ sword and repairing thy partialities. But, oh, vain trifling! here I stand
+ on the brink of a fearful life, and learn, with wailing and gnashing of
+ teeth, that two men like myself could ruin the whole edifice of the moral
+ world. Pardon&mdash;pardon the boy who thought to forestall Thee; to Thee
+ alone belongeth vengeance; Thou needest not the hand of man! But it is not
+ in my power to recall the past; that which is ruined remains ruined; what
+ I have thrown down will never more rise up again. Yet one thing is left me
+ whereby I may atone to the offended majesty of the law and restore the
+ order which I have violated. A victim is required&mdash;a victim to
+ declare before all mankind how inviolable that majesty is&mdash;that
+ victim shall be myself. I will be the death-offering!
+ </p>
+ <p>
+ ROBBERS. Take his sword from him&mdash;he will kill himself.
+ </p>
+ <p>
+ CHARLES. Fools that ye are! doomed to eternal blindness! Think ye that one
+ mortal sin will expiate other mortal sins? Do you suppose that the harmony
+ of the world would be promoted by such an impious discord? (Throwing his
+ arms at their feet.) He shall have me alive. I go to deliver myself into
+ the hands of justice.
+ </p>
+ <p>
+ ROBBERS. Put him in chains! he has lost his senses!
+ </p>
+ <p>
+ CHARLES. Not that I have any doubt but that justice would find me speedily
+ enough if the powers above so ordained it. But she might surprise me in
+ sleep, or overtake me in flight, or seize me with violence and the sword,
+ and then I should have lost the only merit left me, that of making my
+ death a free-will atonement. Why should I, like a thief, any longer
+ conceal a life, which in the counsels of the heavenly ministry has long
+ been forfeited?
+ </p>
+ <p>
+ ROBBERS. Let him go. He is infected with the great-man-mania; he means to
+ offer up his life for empty admiration.
+ </p>
+ <p>
+ CHARLES. I might, 'tis true, be admired for it. (After a moment's
+ reflection.) I remember, on my way hither, talking to a poor creature, a
+ day-laborer, with eleven living children. A reward has been offered of a
+ thousand louis-d'ors to any one who shall deliver up the great robber
+ alive. That man shall be served.<br /> [Exit.]
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Robbers, by Friedrich Schiller
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ROBBERS ***
+
+***** This file should be named 6782-h.htm or 6782-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/6/7/8/6782/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/6782-h/images/2pa158.jpg b/6782-h/images/2pa158.jpg
new file mode 100644
index 0000000..03cb0cf
--- /dev/null
+++ b/6782-h/images/2pa158.jpg
Binary files differ
diff --git a/6782-h/images/2pa202.jpg b/6782-h/images/2pa202.jpg
new file mode 100644
index 0000000..f505b74
--- /dev/null
+++ b/6782-h/images/2pa202.jpg
Binary files differ
diff --git a/6782.txt b/6782.txt
new file mode 100644
index 0000000..fc8a564
--- /dev/null
+++ b/6782.txt
@@ -0,0 +1,6556 @@
+The Project Gutenberg EBook of The Robbers, by Frederich Schiller
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Robbers
+ A Tragedy
+
+Author: Frederich Schiller
+
+Release Date: October 25, 2006 [EBook #6782]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ROBBERS ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+ THE ROBBERS.
+
+
+ By Frederich Schiller
+
+
+
+
+SCHILLER'S PREFACE.
+
+AS PREFIXED TO THE FIRST EDITION OF THE ROBBERS
+
+PUBLISHED IN 1781.
+
+Now first translated into English.
+
+This play is to be regarded merely as a dramatic narrative in which, for
+the purpose of tracing out the innermost workings of the soul, advantage
+has been taken of the dramatic method, without otherwise conforming to
+the stringent rules of theatrical composition, or seeking the dubious
+advantage of stage adaptation. It must be admitted as somewhat
+inconsistent that three very remarkable people, whose acts are dependent
+on perhaps a thousand contingencies, should be completely developed
+within three hours, considering that it would scarcely be possible, in
+the ordinary course of events, that three such remarkable people should,
+even in twenty-four hours, fully reveal their characters to the most
+penetrating inquirer. A greater amount of incident is here crowded
+together than it was possible for me to confine within the narrow limits
+prescribed by Aristotle and Batteux.
+
+It is, however, not so much the bulk of my play as its contents which
+banish it from the stage. Its scheme and economy require that several
+characters should appear who would offend the finer feelings of virtue
+and shock the delicacy of our manners. Every delineator of human
+character is placed in the same dilemma if he proposes to give a
+faithful picture of the world as it really is, and not an ideal
+phantasy, a mere creation of his own. It is the course of mortal things
+that the good should be shadowed by the bad, and virtue shine the
+brightest when contrasted with vice. Whoever proposes to discourage
+vice and to vindicate religion, morality, and social order against their
+enemies, must unveil crime in all its deformity, and place it before the
+eyes of men in its colossal magnitude; he must diligently explore its
+dark mazes, and make himself familiar with sentiments at the wickedness
+of which his soul revolts.
+
+Vice is here exposed in its innermost workings. In Francis it resolves
+all the confused terrors of conscience into wild abstractions, destroys
+virtuous sentiments by dissecting them, and holds up the earnest voice
+of religion to mockery and scorn. He who has gone so far (a distinction
+by no means enviable) as to quicken his understanding at the expense of
+his soul--to him the holiest things are no longer holy; to him God and
+man are alike indifferent, and both worlds are as nothing. Of such a
+monster I have endeavored to sketch a striking and lifelike portrait,
+to hold up to abhorrence all the machinery of his scheme of vice, and to
+test its strength by contrasting it with truth. How far my narrative is
+successful in accomplishing these objects the reader is left to judge.
+My conviction is that I have painted nature to the life.
+
+Next to this man (Francis) stands another who would perhaps puzzle not
+a few of my readers. A mind for which the greatest crimes have only
+charms through the glory which attaches to them, the energy which their
+perpetration requires, and the dangers which attend them. A remarkable
+and important personage, abundantly endowed with the power of becoming
+either a Brutus or a Catiline, according as that power is directed. An
+unhappy conjunction of circumstances determines him to choose the latter
+for, his example, and it is only after a fearful straying that he is
+recalled to emulate the former. Erroneous notions of activity and
+power, an exuberance of strength which bursts through all the barriers
+of law, must of necessity conflict with the rules of social life. To
+these enthusiast dreams of greatness and efficiency it needed but a
+sarcastic bitterness against the unpoetic spirit of the age to complete
+the strange Don Quixote whom, in the Robber Moor, we at once detest and
+love, admire and pity. It is, I hope, unnecessary to remark that I no
+more hold up this picture as a warning exclusively to robbers than the
+greatest Spanish satire was levelled exclusively at knight-errants.
+
+It is nowadays so much the fashion to be witty at the expense of
+religion that a man will hardly pass for a genius if he does not allow
+his impious satire to run a tilt at its most sacred truths. The noble
+simplicity of holy writ must needs be abused and turned into ridicule at
+the daily assemblies of the so-called wits; for what is there so holy
+and serious that will not raise a laugh if a false sense be attached to
+it? Let me hope that I shall have rendered no inconsiderable service
+to the cause of true religion and morality in holding up these wanton
+misbelievers to the detestation of society, under the form of the most
+despicable robbers.
+
+But still more. I have made these said immoral characters to stand out
+favorably in particular points, and even in some measure to compensate
+by qualities of the head for what they are deficient in those of the
+heart. Herein I have done no more than literally copy nature. Every
+man, even the most depraved, bears in some degree the impress of the
+Almighty's image, and perhaps the greatest villain is not farther
+removed from the most upright man than the petty offender; for the moral
+forces keep even pace with the powers of the mind, and the greater the
+capacity bestowed on man, the greater and more enormous becomes his
+misapplication of it; the more responsible is he for his errors.
+
+The "Adramelech" of Klopstock (in his Messiah) awakens in us a feeling
+in which admiration is blended with detestation. We follow Milton's
+Satan with shuddering wonder through the pathless realms of chaos. The
+Medea of the old dramatists is, in spite of all her crimes, a great and
+wondrous woman, and Shakespeare's Richard III. is sure to excite the
+admiration of the reader, much as he would hate the reality. If it is
+to be my task to portray men as they are, I must at the same time
+include their good qualities, of which even the most vicious are never
+totally destitute. If I would warn mankind against the tiger, I must
+not omit to describe his glossy, beautifully-marked skin, lest, owing to
+this omission, the ferocious animal should not be recognized till too
+late. Besides this, a man who is so utterly depraved as to be without a
+single redeeming point is no meet subject for art, and would disgust
+rather than excite the interest of the reader; who would turn over with
+impatience the pages which concern him. A noble soul can no more endure
+a succession of moral discords than the musical ear the grating of
+knives upon glass.
+
+And for this reason I should have been ill-advised in attempting to
+bring my drama on the stage. A certain strength of mind is required
+both on the part of the poet and the reader; in the former that he may
+not disguise vice, in the latter that he may not suffer brilliant
+qualities to beguile him into admiration of what is essentially
+detestable. Whether the author has fulfilled his duty he leaves others
+to judge, that his readers will perform theirs he by no means feels
+assured. The vulgar--among whom I would not be understood to mean
+merely the rabble--the vulgar I say (between ourselves) extend their
+influence far around, and unfortunately--set the fashion. Too
+shortsighted to reach my full meaning, too narrow-minded to comprehend
+the largeness of my views, too disingenuous to admit my moral aim--they
+will, I fear, almost frustrate my good intentions, and pretend to
+discover in my work an apology for the very vice which it has been my
+object to condemn, and will perhaps make the poor poet, to whom anything
+rather than justice is usually accorded, responsible for his simplicity.
+
+Thus we have a _Da capo_ of the old story of Democritus and the
+Abderitans, and our worthy Hippocrates would needs exhaust whole
+plantations of hellebore, were it proposed to remedy this mischief by a
+healing decoction.
+
+ [This alludes to the fable amusingly recorded by Wieland in his
+ Geschichte der Abderiten. The Abderitans, who were a byword among
+ the ancients for their extreme simplicity, are said to have sent
+ express for Hipocrates to cure their great townsman Democritus,
+ whom they believed to be out of his senses, because his sayings
+ were beyond their comprehension. Hippocrates, on conversing with
+ Democritus, having at once discovered that the cause lay with
+ themselves, assembled the senate and principal inhabitants in the
+ market-place with the promise of instructing them in the cure of
+ Democritus. He then banteringly advised them to import six
+ shiploads of hellebore of the very best quality, and on its arrival
+ to distribute it among the citizens, at least seven pounds per
+ head, but to the senators double that quantity, as they were bound
+ to have an extra supply of sense. By the time these worthies
+ discovered that they had been laughed at, Hippocrates was out of
+ their reach. The story in Wieland is infinitely more amusing than
+ this short quotation from memory enables me to show. H. G. B.]
+
+Let as many friends of truth as you will, instruct their fellow-citizens
+in the pulpit and on the stage, the vulgar will never cease to be
+vulgar, though the sun and moon may change their course, and "heaven and
+earth wax old as a garment." Perhaps, in order to please tender-hearted
+people, I might have been less true to nature; but if a certain beetle,
+of whom we have all heard, could extract filth even from pearls, if we
+have examples that fire has destroyed and water deluged, shall therefore
+pearls, fire, and water be condemned. In consequence of the remarkable
+catastrophe which ends my play, I may justly claim for it a place among
+books of morality, for crime meets at last with the punishment it
+deserves; the lost one enters again within the pale of the law, and
+virtue is triumphant. Whoever will but be courteous enough towards me
+to read my work through with a desire to understand it, from him I may
+expect--not that he will admire the poet, but that he will esteem the
+honest man.
+ SCHILLER.
+EASTER FAIR, 1781.
+
+
+
+
+ADVERTISEMENT TO THE ROBBERS.
+
+AS COMMUNICATED BY SCHILLER TO DALBERG IN 1781, AND SUPPOSED TO HAVE
+BEEN USED AS A PROLOGUE.
+
+--This has never before been printed with any of the editions.--
+
+The picture of a great, misguided soul, endowed with every gift of
+excellence; yet lost in spite of all its gifts! Unbridled passions and
+bad companionship corrupt his heart, urge him on from crime to crime,
+until at last he stands at the head of a band of murderers, heaps horror
+upon horror, and plunges from precipice to precipice into the lowest
+depths of despair. Great and majestic in misfortune, by misfortune
+reclaimed, and led back to the paths of virtue. Such a man shall you
+pity and hate, abhor yet love, in the Robber Moor. You will likewise
+see a juggling, fiendish knave unmasked and blown to atoms in his own
+mines; a fond, weak, and over-indulgent father; the sorrows of too
+enthusiastic love, and the tortures of ungoverned passion. Here, too,
+you will witness, not without a shudder, the interior economy of vice;
+and from the stage be taught how all the tinsel of fortune fails to
+smother the inward worm; and how terror, anguish, remorse, and despair
+tread close on the footsteps of guilt. Let the spectator weep to-day at
+our exhibition, and tremble, and learn to bend his passions to the laws
+of religion and reason; let the youth behold with alarm the consequences
+of unbridled excess; nor let the man depart without imbibing the lesson
+that the invisible hand of Providence makes even villains the
+instruments of its designs and judgments, and can marvellously unravel
+the most intricate perplexities of fate.
+
+
+
+
+PREFACE TO THE SECOND EDITION.
+
+The eight hundred copies of the first edition of my ROBBERS were
+exhausted before all the admirers of the piece were supplied. A second
+was therefore undertaken, which has been improved by greater care in
+printing, and by the omission of those equivocal sentences which were
+offensive to the more fastidious part of the public. Such an
+alteration, however, in the construction of the play as should satisfy
+all the wishes of my friends and critics has not been my object.
+
+In this second edition the several songs have been arranged for the
+pianoforte, which will enhance its value to the musical part of the
+public. I am indebted for this to an able composer,* who has performed
+his task in so masterly a manner that the hearer is not unlikely to
+forget the poet in the melody of the musician.
+
+ DR. SCHILLER.
+
+STUTTGART, Jan. 5, 1782.
+
+* Alluding to his friend Zumsteeg.--ED.
+
+
+
+
+ THE ROBBERS.
+
+ A TRAGEDY.
+
+ "Quae medicamenta non sanant, ferrum sanat; quae ferrum non
+ sanat, ignis sanat."--HIPPOCRATES.
+
+DRAMATIS PERSONAE.
+
+MAXIMILIAN, COUNT VON MOOR.
+
+CHARLES,|
+FRANCIS,| his Sons.
+AMELIA VON EDELREICH, his Niece.
+SPIEGELBERG,|
+SCHWEITZER, |
+GRIMM, |
+RAZMANN, | Libertines, afterwards Banditti
+SCHUFTERLE, |
+ROLLER, |
+KOSINSKY, |
+SCHWARTZ, |
+HERMANN, the natural son of a Nobleman.
+DANIEL, an old Servant of Count von Moor.
+PASTOR MOSER.
+FATHER DOMINIC, a Monk.
+BAND OF ROBBERS, SERVANTS, ETC.
+
+
+The scene is laid in Germany. Period of action about two years.
+
+
+
+
+ THE ROBBERS
+
+ ACT I.
+
+
+ SCENE I.--Franconia.
+
+ Apartment in the Castle of COUNT MOOR.
+
+ FRANCIS, OLD MOOR.
+
+
+FRANCIS. But are you really well, father? You look so pale.
+
+OLD MOOR. Quite well, my son--what have you to tell me?
+
+FRANCIS. The post is arrived--a letter from our correspondent at
+Leipsic.
+
+OLD M. (eagerly). Any tidings of my son Charles?
+
+FRANCIS. Hem! Hem!--Why, yes. But I fear--I know not--whether I dare
+--your health.--Are you really quite well, father?
+
+OLD M. As a fish in water.* Does he write of my son? What means this
+anxiety about my health? You have asked me that question twice.
+
+ [*This is equivalent to our English saying "As sound as a roach."]
+
+FRANCIS. If you are unwell--or are the least apprehensive of being so--
+permit me to defer--I will speak to you at a fitter season.--(Half
+aside.) These are no tidings for a feeble frame.
+
+OLD M. Gracious Heavens? what am I doomed to hear?
+
+FRANCIS. First let me retire and shed a tear of compassion for my lost
+brother. Would that my lips might be forever sealed--for he is your
+son! Would that I could throw an eternal veil over his shame--for he is
+my brother! But to obey you is my first, though painful, duty--forgive
+me, therefore.
+
+OLD M. Oh, Charles! Charles! Didst thou but know what thorns thou
+plantest in thy father's bosom! That one gladdening report of thee would
+add ten years to my life! yes, bring back my youth! whilst now, alas,
+each fresh intelligence but hurries me a step nearer to the grave!
+
+FRANCIS. Is it so, old man, then farewell! for even this very day we
+might all have to tear our hair over your coffin.*
+
+ [* This idiom is very common in Germany, and is used to express
+ affliction.]
+
+OLD M. Stay! There remains but one short step more--let him have his
+will! (He sits down.) The sins of the father shall be visited unto the
+third and fourth generation--let him fulfil the decree.
+
+FRANCIS (takes the letter out of his pocket). You know our
+correspondent! See! I would give a finger of my right hand might I
+pronounce him a liar--a base and slanderous liar! Compose yourself!
+Forgive me if I do not let you read the letter yourself. You cannot,
+must not, yet know all.
+
+OLD M. All, all, my son. You will but spare me crutches.*
+
+ [* _Du ersparst mir die Krucke_; meaning that the contents of the
+ letter can but shorten his declining years, and so spare him the
+ necessity of crutches.]
+
+FRANCIS (reads). "Leipsic, May 1. Were I not bound by an inviolable
+promise to conceal nothing from you, not even the smallest particular,
+that I am able to collect, respecting your brother's career, never, my
+dearest friend, should my guiltless pen become an instrument of torture
+to you. I can gather from a hundred of your letters how tidings such as
+these must pierce your fraternal heart. It seems to me as though I saw
+thee, for the sake of this worthless, this detestable"--(OLD M. covers
+his face). Oh! my father, I am only reading you the mildest passages--
+"this detestable man, shedding a thousand tears." Alas! mine flowed--ay,
+gushed in torrents over these pitying cheeks. "I already picture to
+myself your aged pious father, pale as death." Good Heavens! and so you
+are, before you have heard anything.
+
+OLD M. Go on! Go on!
+
+FRANCIS. "Pale as death, sinking down on his chair, and cursing the day
+when his ear was first greeted with the lisping cry of 'Father!' I have
+not yet been able to discover all, and of the little I do know I dare
+tell you only a part. Your brother now seems to have filled up the
+measure of his infamy. I, at least, can imagine nothing beyond what he
+has already accomplished; but possibly his genius may soar above my
+conceptions. After having contracted debts to the amount of forty
+thousand ducats, "--a good round sum for pocket-money, father" and having
+dishonored the daughter of a rich banker, whose affianced lover, a
+gallant youth of rank, he mortally wounded in a duel, he yesterday, in
+the dead of night, took the desperate resolution of absconding from the
+arm of justice, with seven companions whom he had corrupted to his own
+vicious courses." Father? for heaven's sake, father! How do you feel?
+
+OLD M. Enough. No more, my son, no more!
+
+FRANCIS. I will spare your feelings. "The injured cry aloud for
+satisfaction. Warrants have been issued for his apprehension--a price
+is set on his head--the name of Moor"--No, these unhappy lips shall not
+be guilty of a father's murder (he tears the letter). Believe it not,
+my father, believe not a syllable.
+
+OLD M. (weeps bitterly). My name--my unsullied name!
+
+FRANCIS (throws himself on his neck). Infamous! most infamous Charles!
+Oh, had I not my forebodings, when, even as a boy, he would scamper
+after the girls, and ramble about over hill and common with ragamuffin
+boys and all the vilest rabble; when he shunned the very sight of a
+church as a malefactor shuns a gaol, and would throw the pence he had
+wrung from your bounty into the hat of the first beggar he met, whilst
+we at home were edifying ourselves with devout prayers and pious
+homilies? Had I not my misgivings when he gave himself up to reading
+the adventures of Julius Caesar, Alexander the Great, and other
+benighted heathens, in preference to the history of the penitent Tobias?
+A hundred times over have I warned you--for my brotherly affection was
+ever kept in subjection to filial duty--that this forward youth would
+one day bring sorrow and disgrace on us all. Oh that he bore not the
+name of Moor! that my heart beat less warmly for him! This sinful
+affection, which I can not overcome, will one day rise up against me
+before the judgment-seat of heaven.
+
+OLD M. Oh! my prospects! my golden dreams!
+
+FRANCIS. Ay, well I knew it. Exactly what I always feared. That fiery
+spirit, you used to say, which is kindling in the boy, and renders him
+so susceptible to impressions of the beautiful and grand--the
+ingenuousness which reveals his whole soul in his eyes--the tenderness
+of feeling which melts him into weeping sympathy at every tale of
+sorrow--the manly courage which impels him to the summit of giant oaks,
+and urges him over fosse and palisade and foaming torrents--that
+youthful thirst of honor--that unconquerable resolution--all those
+resplendent virtues which in the father's darling gave such promise--
+would ripen into the warm and sincere friend--the excellent citizen--the
+hero--the great, the very great man! Now, mark the result, father; the
+fiery spirit has developed itself--expanded--and behold its precious
+fruits. Observe this ingenuousness--how nicely it has changed into
+effrontery;--this tenderness of soul--how it displays itself in
+dalliance with coquettes, in susceptibility to the blandishments of a
+courtesan! See this fiery genius, how in six short years it hath burnt
+out the oil of life, and reduced his body to a living skeleton; so that
+passing scoffers point at him with a sneer and exclaim--"_C'est l'amour
+qui a fait cela_." Behold this bold, enterprising spirit--how it
+conceives and executes plans, compared to which the deeds of a Cartouche
+or a Howard sink into insignificance. And presently, when these
+precious germs of excellence shall ripen into full maturity, what may
+not be expected from the full development of such a boyhood? Perhaps,
+father, you may yet live to see him at the head of some gallant band,
+which assembles in the silent sanctuary of the forest, and kindly
+relieves the weary traveller of his superfluous burden. Perhaps you may
+yet have the opportunity, before you go to your own tomb, of making a
+pilgrimage to the monument which he may erect for himself, somewhere
+between earth and heaven! Perhaps,--oh, father--father, look out for
+some other name, or the very peddlers and street boys who have seen the
+effigy of your worthy son exhibited in the market-place at Leipsic will
+point at you with the finger of scorn!
+
+OLD M. And thou, too, my Francis, thou too? Oh, my children, how
+unerringly your shafts are levelled at my heart.
+
+FRANCIS. You see that I too have a spirit; but my spirit bears the
+sting of a scorpion. And then it was "the dry commonplace, the cold,
+the wooden Francis," and all the pretty little epithets which the
+contrast between us suggested to your fatherly affection, when he was
+sitting on your knee, or playfully patting your cheeks? "He would die,
+forsooth, within the boundaries of his own domain, moulder away, and
+soon be forgotten;" while the fame of this universal genius would spread
+from pole to pole! Ah! the cold, dull, wooden Francis thanks thee,
+heaven, with uplifted hands, that he bears no resemblance to his
+brother.
+
+OLD M. Forgive me, my child! Reproach not thy unhappy father, whose
+fondest hopes have proved visionary. The merciful God who, through
+Charles, has sent these tears, will, through thee, my Francis, wipe them
+from my eyes!
+
+FRANCIS. Yes, father, we will wipe them from your eyes. Your Francis
+will devote--his life to prolong yours. (Taking his hand with affected
+tenderness.) Your life is the oracle which I will especially consult on
+every undertaking--the mirror in which I will contemplate everything.
+No duty so sacred but I am ready to violate it for the preservation of
+your precious days. You believe me?
+
+OLD M. Great are the duties which devolve on thee, my son--Heaven bless
+thee for what thou has been, and wilt be to me.
+
+FRANCIS. Now tell me frankly, father. Should you not be a happy man,
+were you not obliged to call this son your own?
+
+OLD M. In mercy, spare me! When the nurse first placed him in my arms,
+I held him up to Heaven and exclaimed, "Am I not truly blest?"
+
+FRANCIS. So you said then. Now, have you found it so? You may envy
+the meanest peasant on your estate in this, that he is not the father of
+such a son. So long as you call him yours you are wretched. Your
+misery will grow with his years--it will lay you in your grave.
+
+OLD M. Oh! he has already reduced me to the decrepitude of fourscore.
+
+FRANCIS. Well, then--suppose you were to disown this son.
+
+OLD M. (startled). Francis! Francis! what hast thou said!
+
+FRANCIS. Is not your love for him the source of all your grief? Root
+out this love, and he concerns you no longer. But for this weak and
+reprehensible affection he would be dead to you;--as though he had never
+been born. It is not flesh and blood, it is the heart that makes us
+sons and fathers! Love him no more, and this monster ceases to be your
+son, though he were cut out of your flesh. He has till now been the
+apple of your eye; but if thine eye offend you, says Scripture, pluck it
+out. It is better to enter heaven with one eye than hell with two! "It
+is profitable for thee that one of thy members should perish, and not
+that thy whole body should be cast into hell." These are the words of
+the Bible!
+
+OLD M. Wouldst thou have me curse my son?
+
+FRANCIS. By no means, father. God forbid! But whom do you call your
+son? Him to whom you have given life, and who in return does his utmost
+to shorten yours.
+
+OLD M. Oh, it is all too true! it is a judgment upon me. The Lord has
+chosen him as his instrument.
+
+FRANCIS. See how filially your bosom child behaves. He destroys you by
+your own excess of paternal sympathy; murders you by means of the very
+love you bear him--has coiled round a father's heart to crush it. When
+you are laid beneath the turf he becomes lord of your possessions, and
+master of his own will. That barrier removed, and the torrent of his
+profligacy will rush on without control. Imagine yourself in his place.
+How often he must wish his father under ground--and how often, too, his
+brother--who so unmercifully impede the free course of his excesses.
+But call you this a requital of love? Is this filial gratitude for a
+father's tenderness? to sacrifice ten years of your life to the lewd
+pleasures of an hour? in one voluptuous moment to stake the honor of an
+ancestry which has stood unspotted through seven centuries? Do you call
+this a son? Answer? Do you call this your son?
+
+OLD M. An undutiful son! Alas! but still my child! my child!
+
+FRANCIS. A most amiable and precious child--whose constant study is to
+get rid of his father. Oh, that you could learn to see clearly! that
+the film might be removed from your eyes! But your indulgence must
+confirm him in his vices! your assistance tend to justify them.
+Doubtless you will avert the curse of Heaven from his head, but on your
+own, father--on yours--will it fall with twofold vengeance.
+
+OLD M. Just! most just! Mine, mine be all the guilt!
+
+FRANCIS. How many thousands who have drained the voluptuous bowl of
+pleasure to the dregs have been reclaimed by suffering! And is not the
+bodily pain which follows every excess a manifest declaration of the
+divine will! And shall man dare to thwart this by an impious exercise
+of affection? Shall a father ruin forever the pledge committed to his
+charge? Consider, father, if you abandon him for a time to the pressure
+of want will not he be obliged to turn from his wickedness and repent?
+Otherwise, untaught even in the great school of adversity, he must
+remain a confirmed reprobate? And then--woe to the father who by a
+culpable tenderness bath frustrated the ordinances of a higher wisdom!
+Well, father?
+
+OLD M. I will write to him that I withdraw my protection.
+
+FRANCIS. That would be wise and prudent.
+
+OLD M. That he must never come into my sight again
+
+FRANCIS. 'Twill have a most salutary effect.
+
+OLD M. (tenderly). Until he reforms.
+
+FRANCIS. Right, quite right. But suppose that he comes disguised in
+the hypocrite's mask, implores your compassion with tears, and wheedles
+from you a pardon, then quits you again on the morrow, and jests at your
+weakness in the arms of his harlot. No, my father! He will return of
+his own accord, when his conscience awakens him to repentance.
+
+OLD M. I will write to him, on the spot, to that effect.
+
+FRANCIS. Stop, father, one word more. Your just indignation might
+prompt reproaches too severe, words which might break his heart--and
+then--do you not think that your deigning to write with your own hand
+might be construed into an act of forgiveness? It would be better, I
+think, that you should commit the task to me?
+
+OLD M. Do it, my son. Ah! it would, indeed, have broken my heart!
+Write to him that--
+
+FRANCIS (quickly). That's agreed, then?
+
+OLD M. Say that he has caused me a thousand bitter tears--a thousand
+sleepless nights--but, oh! do not drive my son to despair!
+
+FRANCIS. Had you not better retire to rest, father? This affects you
+too strongly.
+
+OLD M. Write to him that a father's heart--But I charge you, drive him
+not to despair. [Exit in sadness.]
+
+FRANCIS (looking after him with a chuckle). Make thyself easy, old
+dotard! thou wilt never more press thy darling to thy bosom--there is a
+gulf between thee and him impassable as heaven is from hell. He was
+torn from thy arms before even thou couldst have dreamed it possible to
+decree the separation. Why, what a sorry bungler should I be had I not
+skill enough to pluck a son from a father's heart; ay, though he were
+riveted there with hooks of steel! I have drawn around thee a magic
+circle of curses which he cannot overleap. Good speed to thee, Master
+Francis. Papa's darling is disposed of--the course is clear. I must
+carefully pick up all the scraps of paper, for how easily might my
+handwriting be recognized. (He gathers the fragments of the letter.)
+And grief will soon make an end of the old gentleman. And as for her--
+I must tear this Charles from her heart, though half her life come with
+him.
+
+No small cause have I for being dissatisfied with Dame Nature, and, by
+my honor, I will have amends! Why did I not crawl the first from my
+mother's womb? why not the only one? why has she heaped on me this
+burden of deformity? on me especially? Just as if she had spawned me
+from her refuse.* Why to me in particular this snub of the Laplander?
+these negro lips? these Hottentot eyes? On my word, the lady seems to
+have collected from all the race of mankind whatever was loathsome into
+a heap, and kneaded the mass into my particular person. Death and
+destruction! who empowered her to deny to me what she accorded to him?
+Could a man pay his court to her before he was born? or offend her
+before he existed? Why went she to work in such a partial spirit?
+
+No! no! I do her injustice--she bestowed inventive faculty, and set us
+naked and helpless on the shore of this great ocean, the world--let
+those swim who can--the heavy** may sink. To me she gave naught else,
+and how to make the best use of my endowment is my present business.
+Men's natural rights are equal; claim is met by claim, effort by effort,
+and force by force--right is with the strongest--the limits of our power
+constitute our laws.
+
+It is true there are certain organized conventions, which men have
+devised to keep up what is called the social compact. Honor! truly a
+very convenient coin, which those who know how to pass it may lay out
+with great advantage.*** Conscience! oh yes, a useful scarecrow to
+frighten sparrows away from cherry-trees; it is something like a fairly
+written bill of exchange with which your bankrupt merchant staves off
+the evil day.
+
+ * See Richard III., Act I, Sc. 1, line 17.
+
+ **Heavy is used in a double meaning; the German word is plump,
+ which Means lumpish clumsy awkward.
+
+ ***So Falstaff, Hen. IV., Pt. I., Act V., Sc. 1, "Honor is a mere
+ scutcheon."
+
+Well! these are all most admirable institutions for keeping fools in
+awe, and holding the mob underfoot, that the cunning may live the more
+at their ease. Rare institutions, doubtless. They are something like
+the fences my boors plant so closely to keep out the hares--yes
+I' faith, not a hare can trespass on the enclosure, but my lord claps
+spurs to his hunter, and away he gallops over the teeming harvest!
+
+Poor hare! thou playest but a sorry part in this world's drama, but your
+worshipful lords must needs have hares!
+
+ *[This may help to illustrate a passage in Shakespeare which
+ puzzles the commentators--"Cupid is a good hare-finder."--Much ADO,
+ Act I., Sc. 1.
+ The hare, in Germany, is considered an emblem of abject submission
+ and cowardice. The word may also be rendered "Simpleton,"
+ "Sawney," or any other of the numerous epithets which imply a soft
+ condition.]
+
+Then courage, and onward, Francis. The man who fears nothing is as
+powerful as he who is feared by everybody. It is now the mode to wear
+buckles on your smallclothes, that you may loosen or tighten them at
+pleasure. I will be measured for a conscience after the newest fashion,
+one that will stretch handsomely as occasion may require. Am I to
+blame? It is the tailor's affair? I have heard a great deal of twaddle
+about the so-called ties of blood--enough to make a sober man beside
+himself. He is your brother, they say; which interpreted, means that he
+was manufactured in the same mould, and for that reason he must needs be
+sacred in your eyes! To what absurd conclusions must this notion of a
+sympathy of souls, derived from the propinquity of bodies, inevitably
+tend? A common source of being is to produce community of sentiment;
+identity of matter, identity of impulse! Then again,--he is thy father!
+He gave thee life, thou art his flesh and blood--and therefore he must
+be sacred to thee! Again a most inconsequential deduction! I should
+like to know why he begot me;** certainly not out of love for me--for I
+must first have existed!
+
+ **[The reader of Sterne will remember a very similar passage in the
+ first chapter of Tristram Shandy.]
+
+Could he know me before I had being, or did he think of me during my
+begetting? or did he wish for me at the moment? Did he know what I
+should be? If so I would not advise him to acknowledge it or I should
+pay him off for his feat. Am I to be thankful to him that I am a man?
+As little as I should have had a right to blame him if he had made me a
+woman. Can I acknowledge an affection which is not based on any
+personal regard? Could personal regard be present before the existence
+of its object? In what, then, consists the sacredness of paternity?
+Is it in the act itself out of which existence arose? as though this
+were aught else than an animal process to appease animal desires. Or
+does it lie, perhaps, in the result of this act, which is nothing more
+after all than one of iron necessity, and which men would gladly
+dispense with, were it not at the cost of flesh and blood? Do I then
+owe him thanks for his affection? Why, what is it but a piece of
+vanity, the besetting sin of the artist who admires his own works,
+however hideous they may be? Look you, this is the whole juggle,
+wrapped up in a mystic veil to work on our fears. And shall I, too, be
+fooled like an infant? Up then! and to thy work manfully. I will root
+up from my path whatever obstructs my progress towards becoming the
+master. Master I must be, that I may extort by force what I cannot win
+by affection.*
+
+
+ *[This soliloquy in some parts resembles that of Richard, Duke of
+ Gloster, in Shakespeare's Henry VI., Act V. Sc. 6.]
+
+[Exit.]
+
+
+
+
+ SCENE II.--A Tavern on the Frontier of Saxony.
+
+
+ CHARLES VON MOOR intent on a book; SPIEGELBERG drinking at the table.
+
+
+
+CHARLES VON M. (lays the book aside). I am disgusted with this age of
+puny scribblers when I read of great men in my Plutarch.
+
+SPIEGEL. (places a glass before him, and drinks). Josephus is the book
+you should read.
+
+CHARLES VON M. The glowing spark of Prometheus is burnt out, and now
+they substitute for it the flash of lycopodium,* a stage-fire which will
+not so much as light a pipe. The present generation may be compared to
+rats crawling about the club of Hercules.**
+
+
+ *[Lycopodium (in German Barlappen-mehl), vulgarly known as the
+ Devil's Puff-ball or Witchmeal, is used on the stage, as well in
+ England as on the continent, to produce flashes of fire. It is
+ made of the pollen of common club moss, or wolf's claw (Lycopodium
+ clavatum), the capsules of which contain a highly inflammable
+ powder. Translators have uniformly failed in rendering this
+ passage.]
+
+ **[This simile brings to mind Shakespeare's:
+ "We petty men
+ Walk under his huge legs, and peep about."
+ JULIUS CAESAR, Act I., Sc. 2.]
+
+A French abbe lays it down that Alexander was a poltroon; a phthisicky
+professor, holding at every word a bottle of sal volatile to his nose,
+lectures on strength. Fellows who faint at the veriest trifle criticise
+the tactics of Hannibal; whimpering boys store themselves with phrases
+out of the slaughter at Canna; and blubber over the victories of Scipio,
+because they are obliged to construe them.
+
+SPIEGEL. Spouted in true Alexandrian style.
+
+CHARLES VON M. A brilliant reward for your sweat in the battle-field
+truly to have your existence perpetuated in gymnasiums, and your
+immortality laboriously dragged about in a schoolboy's satchel. A
+precious recompense for your lavished blood to be wrapped round
+gingerbread by some Nuremberg chandler, or, if you have great luck, to
+be screwed upon stilts by a French playwright, and be made to move on
+wires! Ha, ha, ha!
+
+SPIEGEL. (drinks). Read Josephus, I tell you.
+
+CHARLES VON M. Fie! fie upon this weak, effeminate age, fit for nothing
+but to ponder over the deeds of former times, and torture the heroes of
+antiquity with commentaries, or mangle them in tragedies. The vigor of
+its loins is dried up, and the propagation of the human species has
+become dependent on potations of malt liquor.
+
+SPIEGEL. Tea, brother! tea!
+
+CHARLES VON M. They curb honest nature with absurd conventionalities;
+have scarcely the heart to charge a glass, because they are tasked to
+drink a health in it; fawn upon the lackey that he may put in a word for
+them with His Grace, and bully the unfortunate wight from whom they have
+nothing to fear. They worship any one for a dinner, and are just as
+ready to poison him should he chance to outbid them for a feather-bed
+at an auction. They damn the Sadducee who fails to come regularly to
+church, although their own devotion consists in reckoning up their
+usurious gains at the very altar. They cast themselves on their knees
+that they may have an opportunity of displaying their mantles, and
+hardly take their eyes off the parson from their anxiety to see how his
+wig is frizzled. They swoon at the sight of a bleeding goose, yet clap
+their hands with joy when they see their rival driven bankrupt from the
+Exchange. Warmly as I pressed their hands,--"Only one more day." In
+vain! To prison with the dog! Entreaties! Vows! Tears! (stamping
+the ground). Hell and the devil!
+
+SPIEGEL. And all for a few thousand paltry ducats!
+
+CHARLES VON M. No, I hate to think of it. Am I to squeeze my body into
+stays, and straight-lace my will in the trammels of law. What might
+have risen to an eagle's flight has been reduced to a snail's pace by
+law. Never yet has law formed a great man; 'tis liberty that breeds
+giants and heroes. Oh! that the spirit of Herman* still glowed in his
+ashes!
+
+ *[Herman is the German for Armin or Arminius, the celebrated
+ deliverer of Germany from the Roman yoke. See Menzel's History,
+ vol. i., p. 85, etc.]
+
+Set me at the head of an army of fellows like myself, and out of Germany
+shall spring a republic compared to which Rome and Sparta will be but as
+nunneries. (Rises and flings his sword upon the table.)
+
+SPIEGEL. (jumping up). Bravo! Bravissimo! you are coming to the right
+key now. I have something for your ear, Moor, which has long been on my
+mind, and you are the very man for it--drink, brother, drink! What if
+we turned Jews and brought the kingdom of Jerusalem again on the tapis?
+But tell me is it not a clever scheme? We send forth a manifesto to the
+four quarters of the world, and summon to Palestine all that do not eat
+Swineflesh. Then I prove by incontestable documents that Herod the
+Tetrarch was my direct ancestor, and so forth. There will be a victory,
+my fine fellow, when they return and are restored to their lands, and
+are able to rebuild Jerusalem. Then make a clean sweep of the Turks out
+of Asia while the iron is hot, hew cedars in Lebanon, build ships, and
+then the whole nation shall chaffer with old clothes and old lace
+throughout the world. Meanwhile--
+
+CHARLES VON M. (smiles and takes him by the hand). Comrade! There must
+be an end now of our fooleries.
+
+SPIEGEL. (with surprise). Fie! you are not going to play the prodigal
+son!--a fellow like you who with his sword has scratched more
+hieroglyhics on other men's faces than three quill-drivers could
+inscribe in their daybooks in a leap-year! Shall I tell you the story
+of the great dog funeral? Ha! I must just bring back your own picture
+to your mind; that will kindle fire in your veins, if nothing else has
+power to inspire you. Do you remember how the heads of the college
+caused your dog's leg to be shot off, and you, by way of revenge,
+proclaimed a fast through the whole town? They fumed and fretted at
+your edict. But you, without losing time, ordered all the meat to be
+bought up in Leipsic, so that in the course of eight hours there was not
+a bone left to pick all over the place, and even fish began to rise in
+price. The magistrates and the town council vowed vengeance. But we
+students turned out lustily, seventeen hundred of us, with you at our
+head, and butchers and tailors and haberdashers at our backs, besides
+publicans, barbers, and rabble of all sorts, swearing that the town
+should be sacked if a single hair of a student's head was injured. And
+so the affair went off like the shooting at Hornberg,* and they were
+obliged to be off with their tails between their legs.
+
+ *[The "shooting at Hornberg" is a proverbial expression in Germany
+ for any expedition from which, through lack of courage, the parties
+ retire without firing a shot.]
+
+You sent for doctors--a whole posse of them--and offered three ducats to
+any one who would write a prescription for your dog. We were afraid the
+gentlemen would stand too much upon honor and refuse, and had already
+made up our minds to use force. But this was quite unnecessary; the
+doctors got to fisticuffs for the three ducats, and their competition
+brought down the price to three groats; in the course of an hour a dozen
+prescriptions were written, of which, of course, the poor beast very
+soon died.
+
+CHARLES VON M. The vile rascals.
+
+SPIEGEL. The funeral procession was arranged with all due pomp; odes
+for the dog were indited by the gross; and at night we all turned out,
+near a thousand of us, a lantern in one hand and our rapier in the
+other, and so proceeded through the town, the bells chiming and ringing,
+till the dog was entombed. Then came a feed which lasted till broad
+daylight, when you sent your acknowledgments to the college dons for
+their kind sympathy, and ordered the meat to be sold at half-price.
+_Mort de ma vie_, if we had not as great a respect for you as a garrison
+for the conqueror of a fortress.
+
+CHARLES VON M. And are you not ashamed to boast of these things? Have
+you not shame enough in you to blush even at the recollection of such
+pranks?
+
+SPIEGEL. Come, come! You are no longer the same Moor. Do you remember
+how, a thousand times, bottle in hand, you made game of the miserly old
+governor, bidding him by all means rake and scrape together as much as
+he could, for that you would swill it all down your throat? Don't you
+remember, eh?--don't you remember?' O you good-for-nothing, miserable
+braggart! that was speaking like a man, and a gentleman, but--
+
+CHARLES VON M. A curse on you for reminding me of it! A curse on myself
+for what I said! But it was done in the fumes of wine, and my heart
+knew not what my tongue uttered.
+
+SPIEGEL. (shakes his head). No, no! that cannot be! Impossible,
+brother! You are not in earnest! Tell me! most sweet brother, is it
+not poverty which has brought you to this mood? Come! let me tell you a
+little story of my youthful days. There was a ditch close to my house,
+eight feet wide at the least, which we boys were trying to leap over for
+a wager. But it was no go. Splash! there you lay sprawling, amidst
+hisses and roars of laughter, and a relentless shower of snowballs. By
+the side of my house a hunter's dog was lying chained, a savage beast,
+which would catch the girls by their petticoats with the quickness of
+lightning if they incautiously passed too near him. Now it was my
+greatest delight to tease this brute in every possible way; and it was
+enough to make one burst with laughing to see the beast fix his eyes on
+me with such fierceness that he seemed ready to tear me to pieces if he
+could but get at me. Well, what happened? Once, when I was amusing
+myself in this manner, I hit him such a bang in the ribs with a stone
+that in his fury he broke loose and ran right upon me. I tore away like
+lightning, but--devil take it!--that confounded ditch lay right in my
+way. What was to be done? The dog was close at my heels and quite
+furious; there was no time to deliberate. I took a spring and cleared
+the ditch. To that leap I was indebted for life and limb; the beast
+would have torn me to atoms.
+
+CHARLES VON M. And to what does all this tend?
+
+SPIEGEL. To this--that you may be taught that strength grows with the
+occasion. For which reason I never despair even when things are the
+worst. Courage grows with danger. Powers of resistance increase by
+pressure. It is evident by the obstacles she strews in my path that
+fate must have designed me for a great man.
+
+CHARLES VON M. (angrily). I am not aware of anything for which we still
+require courage, and have not already shown it.
+
+SPIEGEL. Indeed! And so you mean to let your gifts go to waste? To
+bury your talent? Do you think your paltry achievements at Leipsic
+amount to the _ne plus ultra_ of genius? Let us but once get to the
+great world--Paris and London! where you get your ears boxed if you
+salute a man as honest. It is a real jubilee to practise one's
+handicraft there on a grand scale. How you will stare! How you will
+open your eyes! to see signatures forged; dice loaded; locks picked,
+and strong boxes gutted; all that you shall learn of Spiegelberg! The
+rascal deserves to be hanged on the first gallows that would rather
+starve than manipulate with his fingers.
+
+CHARLES VON M. (in a fit of absence). How now? I should not wonder if
+your proficiency went further still.
+
+SPIEGEL. I begin to think you mistrust me. Only wait till I have grown
+warm at it; you shall see wonders; your little brain shall whirl clean
+round in your pericranium when my teeming wit is delivered. (He rises
+excited.) How it clears up within me! Great thoughts are dawning in on
+my soul! Gigantic plans are fermenting in my creative brain. Cursed
+lethargy (striking his forehead), which has hitherto enchained my
+faculties, cramped and fettered my prospects! I awake; I feel what I
+am--and what I am to be!
+
+CHARLES VON M. You are a fool! The wine is swaggering in your brain.
+
+SPIEGEL. (more excited). Spiegelberg, they will say, art thou a
+magician, Spiegelberg? 'Tis a pity, the king will say, that thou wert
+not made a general, Spiegelberg, thou wouldst have thrust the Austrians
+through a buttonhole. Yes, I hear the doctors lamenting, 'tis a crying
+shame that he was not bred to medicine, he would have discovered the
+_elixir vitae_. Ay, and that he did not take to financiering, the
+Sullys will deplore in their cabinets,--he would have turned flints into
+louis-d'ors by his magic. And Spiegelberg will be the word from east to
+west; then down into the dirt with you, ye cowards, ye reptiles, while
+Spiegelberg soars with outspread wings to the temple of everlasting
+fame.
+
+CHARLES VON M. A pleasant journey to you! I leave you to climb to the
+summit of glory on the pillars of infamy. In the shade of my ancestral
+groves, in the arms of my Amelia, a nobler joy awaits me. I have
+already, last week, written to my father to implore his forgiveness, and
+have not concealed the least circumstance from him; and where there is
+sincerity there is compassion and help. Let us take leave of each
+other, Moritz. After this day we shall meet no more. The post has
+arrived. My father's forgiveness must already be within the walls of
+this town.
+
+
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHUFTERLE, and RAZMAN.
+
+
+ROLLER. Are you aware that they are on our track!
+
+GRIMM. That we are not for a moment safe from being taken?
+
+CHARLES VON M. I don't wonder at it. It must be as it will! Have none
+of you seen Schwarz? Did he say anything about having a letter for me?
+
+ROLLER. He has been long in search of you on some such errand, I
+suspect.
+
+CHARLES VON M. Where is he? where, where? (is about to rush off in
+haste).
+
+ROLLER. Stay! we have appointed him to come here. You tremble?
+
+CHARLES VON M. I do not tremble. Why should I tremble? Comrades, this
+letter--rejoice with me! I am the happiest man under the sun; why
+should I tremble?
+
+
+ Enter SCHWARZ.
+
+
+CHARLES VON M. (rushes towards him). Brother, brother! the letter, the
+letter!
+
+SCHW. (gives him a letter, which he opens hastily). What's the matter?
+You have grown as pale as a whitewashed wall!
+
+CHARLES VON M. My brother's hand!
+
+SCHW. What the deuce is Spiegelberg about there?
+
+GRIMM. The fellow's mad. He jumps about as if he had St. Vitus' dance.
+
+SCHUF. His wits are gone a wool gathering! He's making verses, I'll be
+sworn!
+
+RAZ. Spiegelberg! Ho! Spiegelberg! The brute does not hear.
+
+GRIMM. (shakes him). Hallo! fellow! are you dreaming? or--
+
+SPIEGEL. (who has all this time been making gestures in a corner of the
+room, as if working out some great project, jumps up wildly). Your
+money or your life! (He catches SCHWEITZER by the throat, who very
+coolly flings him against the wall; Moor drops the letter and rushes
+out. A general sensation.)
+
+ROLLER. (calling after him). Moor! where are you going? What's the
+matter?
+
+GRIMM. What ails him? What has he been doing? He is as pale as death.
+
+SCHW. He must have got strange news. Just let us see!
+
+ROLLER. (picks up the letter from the ground, and reads). "Unfortunate
+brother!"--a pleasant beginning--"I have only briefly to inform you that
+you have nothing more to hope for. You may go, your father directs me
+to tell you, wherever your own vicious propensities lead. Nor are you
+to entertain, he says, any hope of ever gaining pardon by weeping at his
+feet, unless you are prepared to fare upon bread and water in the lowest
+dungeon of his castle until your hair shall outgrow eagles' feathers,
+and your nails the talons of a vulture. These are his very words. He
+commands me to close the letter. Farewell forever! I pity you.
+
+ "FRANCIS VON MOOR"
+
+
+SCHW. A most amiable and loving brother, in good truth! And the
+scoundrel's name is Francis.
+
+SPIEGEL. (slinking forward). Bread and water! Is that it? A
+temperate diet! But I have made a better provision for you. Did I not
+say that I should have to think for you all at last?
+
+SCHWEIT. What does the blockhead say! The jackass is going to think
+for us all!
+
+SPIEGEL. Cowards, cripples, lame dogs are ye all if you have not
+courage enough to venture upon something great.
+
+ROLLER. Well, of course, so we should be, you are right; but will your
+proposed scheme get us out of this devil of a scrape? eh?
+
+SPIEGEL. (with a proud laugh). Poor thing! Get us out of this scrape?
+Ha, ha, ha! Get us out of the scrape!--and is that all your thimbleful
+of brain can reach? And with that you trot your mare back to the
+stable? Spiegelberg would have been a miserable bungler indeed if that
+were the extent of his aim. Heroes, I tell you, barons, princes, gods,
+it will make of you.
+
+RAZ. That's pretty well for one bout, truly! But no doubt it is some
+neck-breaking piece of business; it will cost a head or so at the least.
+
+SPIEGEL. It wants nothing but courage; as to the headwork, I take that
+entirely upon myself. Courage, I say, Schweitzer! Courage, Roller!
+Grimm! Razman! Schufterle! Courage!
+
+SCHW. Courage! If that is all, I have courage enough to walk through
+hell barefoot.
+
+SCHUFT. And I courage enough to fight the very devil himself under the
+open gallows for the rescue of any poor sinner.
+
+SPIEGEL. That's just what it should be! If ye have courage, let any
+one of you step forward and say he has still something to lose, and not
+everything to gain?
+
+SCHW. Verily, I should have a good deal to lose, if I were to lose all
+that I have yet to win!
+
+PAZ. Yes, by Jove! and I much to win, if I could win all that I have
+not got to lose.
+
+SCHUFT. Were I to lose what I carry on my back on trust I should at any
+rate have nothing to lose on the morrow.
+
+SPIEGEL. Very well then! (He takes his place in the middle of them,
+and says in solemn adjuration)--if but a drop of the heroic blood of the
+ancient Germans still flow in your veins--come! We will fix our abode
+in the Bohemian forests, draw together a band of robbers, and--What are
+you gaping at? Has your slender stock of courage oozed out already?
+
+ROLLER. You are not the first rogue by many that has defied the
+gallows;--and yet what other choice have we?
+
+SPIEGEL. Choice? You have no choice. Do you want to lie rotting in
+the debtor's jail and beat hemp till you are bailed by the last trumpet?
+Would you toil with pick-axe and spade for a morsel of dry bread? or
+earn a pitiful alms by singing doleful ditties under people's windows?
+Or will you be sworn at the drumhead--and then comes the question,
+whether anybody would trust your hang-dog visages--and so under the
+splenetic humor of some despotic sergeant serve your time of purgatory
+in advance? Would you like to run the gauntlet to the beat of the drum?
+or be doomed to drag after you, like a galley-slave, the whole iron
+store of Vulcan? Behold your choice. You have before you the complete
+catalogue of all that you may choose from!
+
+ROLLER. Spiegelberg is not altogether wrong! I, too, have been
+concocting plans, but they come much to the same thing. How would it
+be, thought I, were we to club our wits together, and dish up a
+pocketbook, or an almanac, or something of that sort, and write reviews
+at a penny a line, as is now the fashion?
+
+SCHUFT. The devil's in you! you are pretty nearly hitting on my own
+schemes. I have been thinking to myself how would it answer were I to
+turn Methodist, and hold weekly prayer-meetings?
+
+GRIMM. Capital! and, if that fails, turn atheist! We might fall foul of
+the four Gospels, get our book burned by the hangman, and then it would
+sell at a prodigious rate.
+
+RAZ. Or we might take the field to cure a fashionable ailment. I know
+a quack doctor who has built himself a house with nothing but mercury,
+as the motto over his door implies.
+
+SCHWEIT. (rises and holds out his hand to Spiegelberg). Spiegelberg,
+thou art a great man! or else a blind hog has by chance found an acorn.
+
+SCHW. Excellent schemes! Honorable professions! How great minds
+sympathize! All that seems wanting to complete the list is that we
+should turn pimps and bawds.
+
+SPIEGEL. Pooh! Pooh! Nonsense. And what is to prevent our combining
+most of these occupations in one person? My plan will exalt you the
+most, and it holds out glory and immortality into the bargain.
+Remember, too, ye sorry varlets, and it is a matter worthy of
+consideration: one's fame hereafter--the sweet thought of immortality--
+
+ROLLER. And that at the very head of the muster-roll of honorable
+names! You are a master of eloquence, Spiegelberg, when the question is
+how to convert an honest man into a scoundrel. But does any one know
+what has become of Moor?
+
+SPIEGEL. Honest, say you? Do you think you'll be less honest then than
+you are now? What do you call honest? To relieve rich misers of half
+of those cares which only scare golden sleep from their eyelids; to
+force hoarded coin into circulation; to restore the equalization of
+property; in one word, to bring back the golden age; to relieve
+Providence of many a burdensome pensioner, and so save it the trouble of
+sending war, pestilence, famine, and above all, doctors--that is what I
+call honesty, d'ye see; that's what I call being a worthy instrument in
+the hand of Providence,--and then, at every meal you eat, to have the
+sweet reflection: this is what thy own ingenuity, thy lion boldness, thy
+night watchings, have procured for thee--to command the respect both of
+great and small!
+
+ROLLER. And at last to mount towards heaven in the living body, and in
+spite of wind and storm, in spite of the greedy maw of old father Time,
+to be hovering beneath the sun and moon and all the stars of the
+firmament, where even the unreasoning birds of heaven, attracted by
+noble instinct, chant their seraphic music, and angels with tails hold
+their most holy councils? Don't you see? And, while monarchs and
+potentates become a prey to moths and worms, to have the honor of
+receiving visits from the royal bird of Jove. Moritz, Moritz, Moritz!
+beware of the three-legged beast.*
+
+ *[The gallows, which in Germany is formed of three posts.]
+
+SPIEGEL. And does that fright thee, craven-heart? Has not many a
+universal genius, who might have reformed the world, rotted upon the
+gallows? And does not the renown of such a man live for hundreds and
+thousands of years, whereas many a king and elector would be passed over
+in history, were not historians obliged to give him a niche to complete
+the line of succession, or that the mention of him did not swell the
+volume a few octavo pages, for which he counts upon hard cash from the
+publisher. And when the wayfarer sees you swinging to and fro in the
+breeze he will mutter to himself, "That fellow's brains had no water in
+them, I'll warrant me," and then groan over the hardship of the times.
+
+SCHWEIT. (slaps him on the shoulder). Well said, Spiegelberg! Well
+said! Why the devil do we stand here hesitating?
+
+SCHW. And suppose it is called disgrace--what then? Cannot one, in
+case of need, always carry a small powder about one, which quietly
+smooths the weary traveller's passage across the Styx, where no
+cock-crowing will disturb his rest? No, brother Moritz! Your scheme is
+good; so at least says my creed.
+
+SCHUFT. Zounds! and mine too! Spiegelberg, I am your recruit.
+
+RAZ. Like a second Orpheus, Spiegelberg, you have charmed to sleep that
+howling beast, conscience! Take me as I stand, I am yours entirely!
+
+GRIMMM. _Si omnes consentiunt ego non dissentio_;* mind, without a
+comma. There is an auction going on in my head--methodists--quack
+doctors--reviewers--rogues;--the highest bidder has me. Here is my
+hand, Moritz!
+
+ *[The joke is explained by placing a comma after non.]
+
+ROLLER. And you too, Schweitzer? (he gives his right hand to
+SPIEGELBERG). Thus I consign my soul to the devil.
+
+SPIEGEL. And your name to the stars! What does it signify where the
+soul goes to? If crowds of _avantcouriers_ give notice of our descent
+that the devils may put on their holiday gear, wipe the accumulated soot
+of a thousand years from their eyelashes, and myriads of horned heads
+pop up from the smoking mouth of their sulphurous chimneys to welcome
+our arrival! 'Up, comrades! (leaping up). Up! What in the world is
+equal to this ecstacy of delight? Come along, comrades!
+
+ROLLER. Gently, gently! Where are you going? Every beast must have a
+head, boys!
+
+SPIEGEL. (With bitterness). What is that incubus preaching about? Was
+not the head already there before a single limb began to move? Follow
+me, comrades!
+
+ROLLER. Gently, I say! even liberty must have its master. Rome and
+Sparta perished for want of a chief.
+
+SPIEGEL. (in a wheedling manner). Yes,--stay--Roller is right. And he
+must have an enlightened head. Do you understand? A keen, politic
+head. Yes! when I think what you were only an hour ago, and what you
+are now, and that it is all owing to one happy thought. Yes, of course,
+you must have a chief, and you'll own that he who struck out this idea
+may claim to have an enlightened and politic head?
+
+ROLLER. If one could hope, if one could dream, but I fear he will not
+consent.
+
+SPIEGEL. Why not? Speak out boldly, friend! Difficult as it may be to
+steer a laboring vessel against wind and tide, oppressive as may be the
+weight of a crown, speak your thought without hesitation, Roller!
+Perhaps he may be prevailed upon after all!
+
+ROLLER. And if he does not the whole vessel will be crazy enough.
+Without Moor we are a "body without a soul."
+
+SPIEGEL. (turning angrily from him). Dolt! blockhead!
+
+
+ (Enter CHARLES VON MOOR in violent agitation, stalking backwards
+ and forwards, and speaking to himself.)
+
+
+CHARLES VON M. Man--man! false, perfidious crocodile-brood! Your eyes
+are all tears, but your hearts steel! Kisses on your lips, but daggers
+couched in your bosoms! Even lions and tigers nourish their young.
+Ravens feast their brood on carrion, and he--he Malice I have learned to
+bear; and I can smile when my fellest enemy drinks to me in my own
+heart's blood; but when kindred turn traitors, when a father's love
+becomes a fury's hate; oh, then, let manly resignation give place to
+raging fire! the gentle lamb become a tiger! and every nerve strain
+itself to vengeance and destruction!
+
+ROLLER. Hark ye, Moor! What think ye of it? A robber's life is
+pleasanter, after all, than to lie rotting on bread and water in the
+lowest dungeon of the castle?
+
+CHARLES VON M. Why was not this spirit implanted in a tiger which gluts
+its raging jaws with human flesh? Is this a father's tenderness? Is
+this love for love? Would I were a bear to rouse all the bears of the
+north against this murderous race! Repentance, and no pardon! Oh, that
+I could poison the ocean that men might drink death from every spring!
+Contrition, implicit reliance, and no pardon!
+
+ROLLER. But listen, Moor,--listen to what I am telling you!
+
+CHARLES VON M. 'Tis incredible! 'tis a dream--a delusion! Such earnest
+entreaty, such a vivid picture of misery and tearful penitence--a savage
+beast would have been melted to compassion! stones would have wept, and
+yet he--it would be thought a malicious libel upon human nature were I
+to proclaim it--and yet, yet--oh, that I could sound the trumpet of
+rebellion through all creation, and lead air, and earth, and sea into
+battle array against this generation of hyenas!
+
+GRIMM. Hear me, only hear me! You are deaf with raving.
+
+CHARLES VON M. Avaunt, avaunt! Is not thy name man? Art thou not born
+of woman? Out of my sight, thou thing with human visage! I loved him
+so unutterably!--never son so loved a father; I would have sacrificed a
+thousand lives for him (foaming and stamping the ground). Ha! where is
+he that will put a sword into my hand that I may strike this generation
+of vipers to the quick! Who will teach me how to reach their heart's
+core, to crush, to annihilate the whole race? Such a man shall be my
+friend, my angel, my god--him will I worship!
+
+ROLLER. Such friends behold in us; be but advised!
+
+SCHW. Come with us into the Bohemian forests! We will form a band of
+robbers there, and you (MOOR stares at him).
+
+SCHWEIT. You shall be our captain! you must be our captain!
+
+SPIEGEL. (throws himself into a chair in a rage). Slaves and cowards!
+
+CHARLES VON M. Who inspired thee with that thought? Hark, fellow!
+(grasping ROLLER tightly) that human soul of thine did not produce it;
+who suggested it to thee? Yes, by the thousand arms of death! that's
+what we will, and what we must do! the thought's divine. He who
+conceived it deserves to be canonized. Robbers and murderers! As my
+soul lives, I am your captain!
+
+ALL (with tumultuous shouts). Hurrah! long live our captain!
+
+SPIEGEL. (starting up, aside). Till I give him his _coup de grace_!
+
+CHARLES VON M. See, it falls like a film from my eyes! What a fool was
+I to think of returning to be caged? My soul's athirst for deeds, my
+spirit pants for freedom. Murderers, robbers! with these words I
+trample the law underfoot--mankind threw off humanity when I appealed to
+it. Away, then, with human sympathies and mercy! I no longer have a
+father, no longer affections; blood and death shall teach me to forget
+that anything was ever dear to me! Come! come! Oh, I will recreate
+myself with some most fearful vengeance;--'tis resolved, I am your
+captain! and success to him who Shall spread fire and slaughter the
+widest and most savagely--I pledge myself He shall be right royally
+rewarded. Stand around me, all of you, and swear to me fealty and
+obedience unto death! Swear by this trusty right hand.
+
+ALL (place their hands in his). We swear to thee fealty and obedience
+unto death!
+
+CHARLES VON M. And, by this same trusty right Hand, I here swear to you
+to remain your captain, true and faithful unto death! This arm shall
+make an instant corpse of him who doubts, or fears, or retreats. And
+may the same befall me from your hands if I betray my oath! Are you
+content?
+
+
+ [SPIEGELBERG runs up and down in a furious rage.]
+
+
+ALL (throwing up their hats). We are content!
+
+CHARLES VON M. Well, then, let us be gone! Fear neither death nor
+danger, for an unalterable destiny rules over us. Every man has his
+doom, be it to die on the soft pillow of down, or in the field of blood,
+or on the scaffold, or the wheel! One or the other of these must be our
+lot! [Exeunt.]
+
+SPIEGEL. (looking after them after a pause). Your catalogue has a hole
+in it. You have omitted poison.
+
+[Exit.]
+
+
+
+
+ SCENE III.--MOOR'S Castle.--AMELIA'S Chamber.
+
+ FRANCIS, AMELIA.
+
+FRANCIS. Your face is averted from me, Amelia? Am I less worthy than
+he who is accursed of his father?
+
+AMELIA. Away! Oh! what a loving, compassionate father, who abandons
+his son a prey to wolves and monsters! In his own comfortable home he
+pampers himself with delicious wines and stretches his palsied limbs on
+down, while his noble son is starving. Shame upon you, inhuman
+wretches! Shame upon you, ye souls of dragons, ye blots on humanity!--
+his only son!
+
+FRANCIS. I thought he had two.
+
+AMELIA. Yes, he deserves to have such sons as you are. On his deathbed
+he will in vain stretch out his withered hands for his Charles, and
+recoil with a shudder when he feels the ice-cold hand of his Francis.
+Oh, it is sweet, deliciously sweet, to be cursed by such a father! Tell
+me, Francis, dear brotherly soul--tell me what must one do to be cursed
+by him?
+
+FRANCIS. You are raving, dearest; you are to be pitied.
+
+AMELIA. Oh! indeed. Do you pity your brother? No, monster, you hate
+him! I hope you hate me too.
+
+FRANCIS. I love you as dearly as I love myself, Amelia!
+
+AMELIA. If you love me you will not refuse me one little request.
+
+FRANCIS. None, none! if you ask no more than my life.
+
+AMELIA. Oh, if that is the case! then one request, which you will so
+easily, so readily grant. (Loftily.) Hate me! I should perforce blush
+crimson if, whilst thinking of Charles, it should for a moment enter my
+mind that you do not hate me. You promise me this? Now go, and leave
+me; I so love to be alone!
+
+FRANCIS. Lovely enthusiast! how greatly I admire your gentle,
+affectionate heart. Here, here, Charles reigned sole monarch, like a
+god within his temple; he stood before thee waking, he filled your
+imaination dreaming; the whole creation seemed to thee to centre in
+Charles, and to reflect him alone; it gave thee no other echo but of
+him.
+
+AMELIA (with emotion). Yes, verily, I own it. Despite of you all,
+barbarians as you are, I will own it before all the world. I love him!
+
+FRANCIS. Inhuman, cruel! So to requite a love like this! To forget
+her--
+
+AMELIA (starting). What! forget me?
+
+FRANCIS. Did you not place a ring on his finger?--a diamond ring, the
+pledge of your love? To be sure how is it possible for youth to resist
+the fascinations of a wanton? Who can blame him for it, since he had
+nothing else left to give away? and of course she repaid him with
+interest by her caresses and embraces.
+
+AMELIA (with indignation). My ring to a wanton?
+
+FRANCIS. Fie, fie! it is disgraceful. 'Twould not be much, however, if
+that were all. A ring, be it ever so costly, is, after all, a thing
+which one may always buy of a Jew. Perhaps the fashion of it did not
+please him, perhaps he exchanged it for one more beautiful.
+
+AMELIA (with violence). But my ring, I say, my ring?
+
+FRANCIS. Even yours, Amelia. Ha! such a brilliant, and on my finger;
+and from Amelia! Death itself should not have plucked it hence. It is
+not the costliness of the diamond, not the cunning of the pattern--it is
+love which constitutes its value. Is it not so, Amelia? Dearest child,
+you are weeping. Woe be to him who causes such precious drops to flow
+from those heavenly eyes; ah, and if you knew all, if you could but see
+him yourself, see him under that form?
+
+AMELIA. Monster! what do you mean? What form do you speak of?
+
+FRANCIS. Hush, hush, gentle soul, press me no further (as if
+soliloquizing, yet aloud). If it had only some veil, that horrid vice,
+under which it might shroud itself from the eye of the world! But there
+it is, glaring horribly through the sallow, leaden eye; proclaiming
+itself in the sunken, deathlike look; ghastly protruding bones; the
+faltering, hollow voice; preaching audibly from the shattered, shaking
+skeleton; piercing to the most vital marrow of the bones, and sapping
+the manly strength of youth--faugh! the idea sickens me. Nose, eyes,
+ears shrink from it. You saw that miserable wretch, Amelia, in our
+hospital, who was heavily breathing out his spirit; modesty seemed to
+cast down her abashed eye as she passed him; you cried woe upon him.
+Recall that hideous image to your mind, and your Charles stands before
+you. His kisses are pestilence, his lips poison.
+
+AMELIA (strikes him). Shameless liar!
+
+FRANCIS. Does such a Charles inspire you with horror? Does the mere
+picture fill you with disgust? Go, then! gaze upon him yourself, your
+handsome, your angelic, your divine Charles! Go, drink his balmy
+breath, and revel in the ambrosial fumes which ascend from his throat!
+The very exhalations of his body will plunge you into that dark and
+deathlike dizziness which follows the smell of a bursting carcase, or
+the sight of a corpse-strewn battle-field. (AMELIA turns away her
+face.) What sensations of love! What rapture in those embraces! But is
+it not unjust to condemn a man because of his diseased exterior? Even
+in the most wretched lump of deformity a soul great and worthy of love
+may beam forth brightly like a pearl on a dunghill. ( With a malignant
+smile.) Even from lips of corruption love may----. To be sure if vice
+should undermine the very foundations of character, if with chastity
+virtue too should take her flight as the fragrance departs from the
+faded rose--if with the body the soul too should be tainted and
+corrupted.
+
+AMELIA (rising joyfully). Ha! Charles! now I recognize thee again!
+Thou art whole, whole! It was all a lie! Dost thou not know,
+miscreant, that it would be impossible for Charles to be the being you
+describe? (FRANCIS remains standing for some time, lost in thought,
+then suddenly turns round to go away.) Whither are you going in such
+haste? Are you flying from your own infamy?
+
+FRANCIS (hiding his face). Let me go, let me go! to give free vent to
+my tears! tyrannical father, thus to abandon the best of your sons to
+misery and disgrace on every side! Let me go, Amelia! I will throw
+myself at his feet, on my knees I will conjure him to transfer to me the
+curse that he has pronounced, to disinherit me, to hate me, my blood, my
+life, my all----.
+
+AMELIA (falls on his neck). Brother of my Charles! Dearest, most
+excellent Francis!
+
+FRANCIS. Oh, Amelia! how I love you for this unshaken constancy to my
+brother. Forgive me for venturing to subject your love to so severe a
+trial! How nobly you have realized my wishes! By those tears, those
+sighs, that divine indignation--and for me too, for me--our souls did so
+truly harmonize.
+
+AMELIA. Oh, no! that they never did!
+
+FRANCIS. Alas! they harmonized so truly that I always thought we must
+be twins. And were it not for that unfortunate difference in person, to
+be twin-like, which, it must be admitted, would be to the disadvantage
+of Charles, we should again and again be mistaken for each other. Thou
+art, I often said to myself, thou art the very Charles, his echo, his
+counterpart.
+
+AMELIA (shakes her head). No, no! by that chaste light of heaven! not
+an atom of him, not the least spark of his soul.
+
+FRANCIS. So entirely the same in our dispositions; the rose was his
+favorite flower, and what flower do I esteem above the rose? He loved
+music beyond expression; and ye are witnesses, ye stars! how often you
+have listened to me playing on the harpsichord in the dead silence of
+night, when all around lay buried in darkness and slumber; and how is it
+possible for you, Amelia, still to doubt? if our love meets in one
+perfection, and if it is the self-same love, how can its fruits
+degenerate? (AMELIA looks at him with astonishment.) It was a calm,
+serene evening, the last before his departure for Leipzic, when he took
+me with him to the bower where you so often sat together in dreams of
+love,--we were long speechless; at last he seized my hand, and said, in
+a low voice, and with tears in his eyes, "I am leaving Amelia; I know
+not, but I have a sad presentiment that it is forever; forsake her not,
+brother; be her friend, her Charles--if Charles--should never--never
+return." (He throws himself down before her, and kisses her hand with
+fervor.) Never, never, never will he return; and I stand pledged by a
+sacred oath to fulfil his behest!
+
+AMELIA (starting back). Traitor! Now thou art unmasked! In that very
+bower he conjured me, if he died, to admit no other love. Dost thou see
+how impious, how execrable----. Quit my sight!
+
+FRANCIS. You know me not, Amelia; you do not know me in the least!
+
+AMELIA. Oh, yes, I know you; from henceforth I know you; and you
+pretend to be like him? You mean to say that he wept for me in your
+presence? Yours? He would sooner have inscribed my name on the
+pillory? Begone--this instant!
+
+FRANCIS. You insult me.
+
+AMELIA. Go--I say. You have robbed me of a precious hour; may it be
+deducted from your life.
+
+FRANCIS. You hate me then!
+
+AMELIA. I despise you--away!
+
+FRANCIS (stamping with fury). Only wait! you shall learn to tremble
+before me!--To sacrifice me for a beggar!
+ [Exit in anger.]
+
+AMELIA. Go, thou base villain! Now, Charles, am I again thine own.
+Beggar, did he say! then is the world turned upside down, beggars are
+kings, and kings are beggars! I would not change the rags he wears for
+the imperial purple. The look with which he begs must, indeed, be a
+noble, a royal look, a look that withers into naught the glory, the
+pomp, the triumphs of the rich and great! Into the dust with thee,
+glittering baubles! (She tears her pearls from her neck.) Let the rich
+and the proud be condemned to bear the burden of gold, and silver, and
+jewels! Be they condemned to carouse at the tables of the voluptuous!
+To pamper their limbs on the downy couch of luxury! Charles! Charles!
+Thus am I worthy of thee!
+ [Exit.]
+
+
+
+
+ ACT II.
+
+ SCENE I.--FRANCIS VON MOOR in his chamber--in meditation.
+
+FRANCIS. It lasts too long-and the doctor even says is recovering--an
+old man's life is a very eternity! The course would be free and plain
+before me, but for this troublesome, tough lump of flesh, which, like
+the infernal demon-hound in ghost stories, bars the way to my treasures.
+
+Must, then, my projects bend to the iron yoke of a mechanical system?
+Is my soaring spirit to be chained down to the snail's pace of matter?
+To blow out a wick which is already flickering upon its last drop of
+oil--'tis nothing more. And yet I would rather not do it myself, on
+account of what the world would say. I should not wish him to be
+killed, but merely disposed of. I should like to do what your clever
+physician does, only the reverse way--not stop Nature's course by
+running a bar across her path, but only help her to speed a little
+faster. Are we not able to prolong the conditions of life? Why,
+then, should we not also be able to shorten them? Philosophers and
+physiologists teach us how close is the sympathy between the emotions of
+the mind and the movements of the bodily machine. Convulsive sensations
+are always accompanied by a disturbance of the mechanical vibrations--
+passions injure the vital powers--an overburdened spirit bursts its
+shell. Well, then--what if one knew how to smooth this unbeaten path,
+for the easier entrance of death into the citadel of life?--to work the
+body's destruction through the mind--ha! an original device!--who can
+accomplish this?--a device without a parallel! Think upon it, Moor!
+That were an art worthy of thee for its inventor. Has not poisoning
+been raised almost to the rank of a regular science, and Nature
+compelled, by the force of experiments, to define her limits, so that
+one may now calculate the heart's throbbings for years in advance, and
+say to the beating pulse, "So far, and no farther"? Why should not one
+try one's skill in this line?*
+
+ *[A woman in Paris, by means of a regularly performed series of
+ experiments, carried the art of poisoning to such perfection that
+ she could predict almost to a certainty the day of death, however
+ remote. Fie upon our physicians, who should blush to be outdone by
+ a woman in their own province. Beckmann, in his article on secret
+ poisoning, has given a particular account of this woman, the
+ Marchioness de Brinvilliers.--See "History of Inventions," Standard
+ Library Edition, vol. i, pp. 47-63.]
+
+And how, then, must I, too, go to work to dissever that sweet and
+peaceful union of soul and body? What species of sensations should I
+seek to produce? Which would most fiercely assail the condition of
+life? Anger?--that ravenous wolf is too quickly satiated. Care? that
+worm gnaws far too slowly. Grief?--that viper creeps too lazily for me.
+Fear?--hope destroys its power. What! and are these the only
+executioners of man? is the armory of death so soon exhausted? (In deep
+thought.) How now! what! ho! I have it! (Starting up.) Terror! What
+is proof against terror? What powers have religion and reason under
+that giant's icy grasp! And yet--if he should withstand even this
+assault? If he should! Oh, then, come Anguish to my aid! and thou,
+gnawing Repentance!--furies of hell, burrowing snakes who regorge your
+food, and feed upon your own excrements; ye that are forever destroying,
+and forever reproducing your poison! And thou, howling Remorse, that
+desolatest thine own habitation, and feedest upon thy mother. And come
+ye, too, gentle Graces, to my aid; even you, sweet smiling Memory,
+goddess of the past--and thou, with thy overflowing horn of plenty,
+blooming Futurity; show him in your mirror the joys of Paradise, while
+with fleeting foot you elude his eager grasp. Thus will I work my
+battery of death, stroke after stroke, upon his fragile body, until the
+troop of furies close upon him with Despair! Triumph! triumph!--the
+plan is complete--difficult and masterly beyond compare--sure--safe; for
+then (with a sneer) the dissecting knife can find no trace of wound or
+of corrosive poison.
+
+(Resolutely.) Be it so! (Enter HERMANN.) Ha! _Deus ex machina_!
+Hermann!
+
+HERMANN. At your service, gracious sir!
+
+FRANCIS (shakes him by the hand). You will not find it that of an
+ungrateful master.
+
+HERMANN. I have proofs of this.
+
+FRANCIS. And you shall have more soon--very soon, Hermann!--I have
+something to say to thee, Hermann.
+
+HERMANN. I am all attention.
+
+FRANCIS. I know thee--thou art a resolute fellow--a man of mettle.--To
+call thee smooth-tongued! My father has greatly belied thee, Hermann.
+
+HERMANN. The devil take me if I forget it!
+
+FRANCIS. Spoken like a man! Vengeance becomes a manly heart! Thou art
+to my mind, Hermann. Take this purse, Hermann. It should be heavier
+were I master here.
+
+HERMANN. That is my unceasing wish, most gracious sir. I thank you.
+
+FRANCIS. Really, Hermann! dost thou wish that I were master? But my
+father has the marrow of a lion in his bones, and I am but a younger
+son.
+
+HERMANN. I wish you were the eldest son, and that your father were as
+marrowless as a girl sinking in a consumption.
+
+FRANCIS. Ha! how that elder son would recompense thee! How he would
+raise thee from this grovelling condition, so ill suited to thy spirit
+and noble birth, to be a light of the age!--Then shouldst thou be
+covered with gold from head to foot, and dash through the streets four
+in hand--verily thou shouldst!--But I am losing sight of what I meant to
+say.--Have you already forgotten the Lady Amelia, Hermann?
+
+HERMANN. A curse upon it! Why do you remind me of her?
+
+FRANCIS. My brother has filched her away from you.
+
+HERMANN. He shall rue it.
+
+FRANCIS. She gave you the sack. And, if I remember right, he kicked
+you down stairs.
+
+HERMANN. For which I will kick him into hell.
+
+FRANCIS. He used to say, it was whispered abroad, that your father
+could never look upon you without smiting his breast and sighing,
+"God be merciful to me, a sinner!"
+
+HERMANN (wildly). Thunder and lightning! No more of this!
+
+FRANCIS. He advised you to sell your patent of nobility by auction, and
+to get your stockings mended with the proceeds.
+
+HERMANN. By all the devils in hell, I'll scratch out his eyes with my
+own nails!
+
+FRANCIS. What? you are growing angry? What signifies your anger? What
+harm can you do him? What can a mouse like you do to such a lion? Your
+rage only makes his triumph the sweeter. You can do nothing more than
+gnash your teeth, and vent your rage upon a dry crust.
+
+HERMANN (stamping). I will grind him to powder!
+
+FRANCIS (slapping his shoulder). Fie, Hermann! You are a gentleman.
+You must not put up with the affront. You must not give up the lady,
+no, not for all the world, Hermann! By my soul, I would move heaven and
+earth were I in your place.
+
+HERMANN. I will not rest till I have him, and him, too, under ground.
+
+FRANCIS. Not so violent, Hermann! Come nearer--you shall have Amelia.
+
+HERMANN. That I must; despite the devil himself, I will have her.
+
+FRANCIS. You shall have her, I tell you; and that from my hand. Come
+closer, I say.--You don't know, perhaps, that Charles is as good as
+disinherited.
+
+HERMANN (going closer to him). Incredible! The first I have heard of
+it.
+
+FRANCIS. Be patient, and listen! Another time you shall hear more.--
+Yes, I tell you, as good as banished these eleven months. But the old
+man already begins to lament the hasty step, which, however, I flatter
+myself (with a smile) is not entirely his own. Amelia, too, is
+incessantly pursuing him with her tears and reproaches. Presently he
+will be having him searched for in every quarter of the world; and if he
+finds him--then it's all over with you, Hermann. You may perhaps have
+the honor of most obsequiously holding the coach-door while he alights
+with the lady to get married.
+
+HERMANN. I'll strangle him at the altar first.
+
+FRANCIS. His father will soon give up his estates to him, and live in
+retirement in his castle. Then the proud roysterer will have the reins
+in his own hands, and laugh his enemies to scorn;--and I, who wished to
+make a great man of you--a man of consequence--I myself, Hermann, shall
+have to make my humble obeisance at his threshold.
+
+HERMANN (with fire). No, as sure as my name is Hermann, that shall
+never be! If but the smallest spark of wit glimmer in this brain of
+mine, that shall never be!
+
+FRANCIS. Will you be able to prevent it? You, too, my good Hermann,
+will be made to feel his lash. He will spit in your face when he meets
+you in the streets; and woe be to you should you venture to shrug your
+shoulders or to make a wry mouth. Look, my friend! this is all that
+your lovesuit, your prospects, and your mighty plans amount to.
+
+HERMANN. Tell me, what am I to do?
+
+FRANCIS. Well, then, listen, Hermann! You see how I enter into your
+feelings, like a true friend. Go--disguise yourself, so that no one may
+recognize you; obtain audience of the old man; pretend to come straight
+from Bohemia, to have been at the battle of Prague along with my
+brother--to have seen him breathe his last on the field of battle!
+
+HERMANN. Will he believe me?
+
+FRANCIS. Ho! ho! let that be my care! Take this packet. There you
+will find your commission set forth at large; and documents, to boot,
+which shall convince the most incredulous. Only make haste to get away
+unobserved. Slip through the back gate into the yard, and then scale
+the garden wall.--The denouement of this tragicomedy you may leave to
+me!
+
+HERMANN. That, I suppose, will be, "Long live our new baron, Francis
+von Moor!"
+
+FRANCIS (patting his cheeks). How cunning you are! By this means, you
+see, we attain all our aims at once and quickly. Amelia relinquishes
+all hope of him,--the old man reproaches himself for the death of his
+son, and--he sickens--a tottering edifice needs no earthquake to bring
+it down--he will not survive the intelligence--then am I his only son,
+--Amelia loses every support, and becomes the plaything of my will, and
+you may easily guess--in short, all will go as we wish--but you must not
+flinch from your word.
+
+HERMANN. What do you say? (Exultingly.) Sooner shall the ball turn
+back in its course, and bury itself in the entrails of the marksman.
+Depend upon me! Only let me to the work. Adieu!
+
+FRANCIS (calling after him). The harvest is thine, dear Hermann!
+(Alone.) When the ox has drawn the corn into the barn, he must put up
+with hay. A dairy maid for thee, and no Amelia!
+
+
+
+
+ SCENE II.--Old Moor's Bedchamber.
+
+ OLD MOOR asleep in an arm-chair; AMELIA.
+
+
+AMELIA (approaching him on tip-toe). Softly! Softly! He slumbers.
+(She places herself before him.) How beautiful! how venerable!--
+venerable as the picture of a saint. No, I cannot be angry with thee,
+thou head with the silver locks; I cannot be angry with thee! Slumber
+on gently, wake up cheerfully--I alone will be the sufferer.
+
+OLD M. (dreaming). My son! my son! my son!
+
+AMELIA (seizes his hand). Hark!--hark! his son is in his dreams.
+
+OLD M. Are you there? Are you really there! Alas! how miserable you
+seem! Fix not on me that mournful look! I am wretched enough.
+
+AMELIA (awakens him abruptly). Look up, dear old man! 'Twas but a
+dream. Collect yourself!
+
+OLD M. (half awake). Was he not there? Did I not press his hands?
+Cruel Francis! wilt thou tear him even from my dreams?
+
+AMELIA (aside). Ha! mark that, Amelia!
+
+OLD M. (rousing himself). Where is he? Where? Where am I? You here,
+Amelia?
+
+AMELIA. How do you find yourself? You have had a refreshing slumber.
+
+OLD M. I was dreaming about my son. Why did I not dream on? Perhaps I
+might have obtained forgiveness from his lips.
+
+AMELIA. Angels bear no resentment--he forgives you. (Seizes his hand
+sorrowfully.) Father of my Charles! I, too, forgive you.
+
+OLD M. No, no, my child! That death-like paleness of thy cheek is the
+father's condemnation. Poor girl! I have robbed thee of the happiness
+of thy youth. Oh, do not curse me!
+
+AMELIA (affectionately kissing his hand). I curse you?
+
+OLD M. Dost thou know this portrait, my daughter?
+
+AMELIA. Charles!
+
+OLD M. Such was he in his sixteenth year. But now, alas! how changed.
+Oh, it is raging within me. That gentleness is now indignation; that
+smile despair. It was his birthday, was it not, Amelia--in the
+jessamine bower--when you drew this picture of him? Oh, my daughter!
+How happy was I in your loves.
+
+AMELIA (with her eye still riveted upon the picture). No, no, it is not
+he! By Heaven, that is not Charles! Here (pointing to her head and her
+heart), here he is perfect; and how different. The feeble pencil avails
+not to express that heavenly spirit which reigned in his fiery eye.
+Away with it! This is a poor image, an ordinary man! I was a mere
+dauber.
+
+OLD M. That kind, that cheering look! Had that been at my bedside,
+I should have lived in the midst of death. Never, never should I have
+died!
+
+AMELIA. No, you would never, never have died. It would have been but a
+leap, as we leap from one thought to another and a better. That look
+would have lighted you across the tomb--that look would have lifted you
+beyond the stars!
+
+OLD M. It is hard! it is sad! I am dying, and my son Charles is not
+here--I am borne to my tomb, and he weeps not over my grave. How sweet
+it is to be lulled into the sleep of death by a son's prayer--that is
+the true requiem.
+
+AMELIA (with enthusiasm). Yes, sweet it is, heavenly sweet, to be
+lulled into the sleep of death by the song of the beloved. Perhaps our
+dreams continue in the grave--a long, eternal, never-ending dream of
+Charles--till the trumpet of resurrection sounds--(rising in ecstasy)
+--and thenceforth and forever in his arms! (A pause; she goes to the
+piano and plays.)
+
+ ANDROMACHE.
+
+ Oh, Hector, wilt thou go for evermore,
+ When fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ When then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallow'd up in Xanthus' wave?
+
+
+OLD M. A beautiful song, my daughter. You must play that to me before
+I die.
+
+AMELIA. It is the parting of Hector and Andromache. Charles and I used
+often to sing it together to the guitar. (She continues.)
+
+
+ HECTOR.
+
+ Beloved wife! stern duty calls to arms--
+ Go, fetch my lance! and cease those vain alarms!
+ On me is cast the destiny of Troy!
+ Astyanax, my child, the Gods will shield,
+ Should Hector fall upon the battle-field;
+ And in Elysium we shall meet with joy!
+
+
+Enter DANIEL.
+
+DANIEL. There is a man without, who craves to be admitted to your
+presence, and says he brings tidings of importance.
+
+OLD M. To me there is but one thing in this world of importance; thou
+knowest it, Amelia. Perhaps it is some unfortunate creature who seeks
+assistance? He shall not go hence in sorrow.
+
+AMELIA.--If it is a beggar, let him come up quickly.
+
+OLD M. Amelia, Amelia! spare me!
+
+AMELIA (continues to play and sing.)
+
+
+ ANDROMACHE.
+
+ Thy martial tread no more will grace my hall--
+ Thine arms shall hang sad relics on the wall--
+ And Priam's race of godlike heroes fade!
+ Oh, thou wilt go where Phoebus sheds no light--
+ Where black Cocytus wails in endless night
+ Thy love will die in Lethe's gloomy shade.
+
+
+ HECTOR.
+
+ Though I in Lethe's darksome wave should sink,
+ And cease on other mortal ties to think,
+ Yet thy true love shall never be forgot!
+ Hark! on the walls I hear the battle roar--
+ Gird on my armor--and, oh, weep no more.
+ Thy Hector's love in Lethe dieth not!
+
+
+ (Enter FRANCIS, HERMANN in disguise, DANIEL.)
+
+FRANCIS. Here is the man. He says that he brings terrible news. Can
+you bear the recital!
+
+OLD M. I know but one thing terrible to hear. Come hither, friend, and
+spare me not! Hand him a cup of wine!
+
+HERMANN (in a feigned voice). Most gracious Sir? Let not a poor man be
+visited with your displeasure, if against his will he lacerates your
+heart. I am a stranger in these parts, but I know you well; you are the
+father of Charles von Moor.
+
+OLD M. How know you that?
+
+HERMANN. I knew your son
+
+AMELIA (starting up). He lives then? He lives! You know him? Where
+is he? Where? (About to rush out.)
+
+OLD M. What know you about my son?
+
+HERMANN. He was a student at the university of Leipzic. From thence he
+travelled about, I know not how far. He wandered all over Germany, and,
+as he told me himself, barefoot and bareheaded, begging his bread from
+door to door. After five months, the fatal war between Prussia and
+Austria broke out afresh, and as he had no hopes left in this world, the
+fame of Frederick's victorious banner drew him to Bohemia. Permit me,
+said he to the great Schwerin, to die on the bed of heroes, for I have
+no longer a father!--
+
+OLD M. O! Amelia! Look not on me!
+
+HERMANN. They gave him a pair of colors. With the Prussians he flew on
+the wings of victory. We chanced to lie together, in the same tent. He
+talked much of his old father, and of happy days that were past--and of
+disappointed hopes--it brought the tears into our eyes.
+
+OLD M. (buries his face in his pillow).--No more! Oh, no more!
+
+HERMANN. A week after, the fierce battle of Prague was fought--I can
+assure you your son behaved like a brave soldier. He performed
+prodigies that day in sight of the whole army. Five regiments were
+successively cut down by his side, and still he kept his ground. Fiery
+shells fell right and left, and still your son kept his ground. A ball
+shattered his right hand: he seized the colors with his left, and still
+he kept his ground!
+
+AMELIA (in transport). Hector, Hector! do you hear? He kept his
+ground!
+
+HERMANN. On the evening of the battle I found him on the same spot. He
+had sunk down, amidst a shower of hissing balls: with his left hand he
+was staunching the blood that flowed from a fearful wound; his right he
+had buried in the earth. "Comrade!" cried he when he saw me, "there has
+been a report through the ranks that the general fell an hour ago--"
+"He is fallen," I replied, "and thou?" "Well, then," he cried,
+withdrawing his left hand from the wound, "let every brave soldier
+follow his general!" Soon after he breathed out his noble soul, to join
+his heroic leader.
+
+FRANCIS (feigning to rush wildly on HERMANN). May death seal thy
+accursed lips! Art thou come here to give the death-blow to our father?
+Father! Amelia! father!
+
+HERMANN. It was the last wish of my expiring comrade. "Take this
+sword," faltered he, with his dying breath, "deliver it to my aged
+father; his son's blood is upon it--he is avenged--let him rejoice.
+Tell him that his curse drove me into battle and into death; that I fell
+in despair." His last sigh was "Amelia."
+
+AMELIA (like one aroused from lethargy). His last sigh--Amelia!
+
+OLD M. (screaming horribly, and tearing his hair). My curse drove him
+into death! He fell in despair!
+
+FRANCIS (pacing up and down the room). Oh! what have you done, father?
+My Charles! my brother!
+
+HERMANN. Here is the sword; and here, too, is a picture which he drew
+from his breast at the same time. It is the very image of this young
+lady. "This for my brother Francis," he said; I know not what he meant
+by it.
+
+FRANCIS (feigning astonishment). For me? Amelia's picture? For me--
+Charles--Amelia? For me?
+
+AMELIA (rushing violently upon HERMANN). Thou venal, bribed impostor!
+(Lays hold of him.)
+
+HERMANN. I am no impostor, noble lady. See yourself if it is not your
+picture. It may be that you yourself gave it to him.
+
+FRANCIS. By heaven, Amelia! your picture! It is, indeed.
+
+AMELIA (returns him the picture) My picture, mine! Oh! heavens and
+earth!
+
+OLD M. (screaming and tearing his face.) Woe, woe! my curse drove him
+into death! He fell in despair!
+
+FRANCIS. And he thought of me in the last and parting hour--of me.
+Angelic soul! When the black banner of death already waved over him he
+thought of me!
+
+OLD M. (stammering like an idiot.) My curse drove him into death. In
+despair my son perished.
+
+HERMANN. This is more than I can bear! Farewell, old gentleman!
+(Aside to FRANCIS.) How could you have the heart to do this?
+ [Exit in haste.]
+
+AMELIA (rises and rushes after him). Stay! stay! What were his last
+words?
+
+HERMANN (calling back). His last sigh was "Amelia."
+ [Exit.]
+
+AMELIA. His last sigh was Amelia! No, thou art no impostor. It is too
+true--true--he is dead--dead! (staggering to and fro till she sinks
+down)--dead--Charles is dead!
+
+FRANCIS. What do I see? What is this line on the sword?--written with
+blood--Amelia!
+
+AMELIA. By him?
+
+FRANCIS. Do I see clearly, or am I dreaming? Behold, in characters of
+blood, "Francis, forsake not my Amelia." And on the other side,
+"Amelia, all-powerful death has released thee from thy oath." Now do
+you see--do you see? With hand stiffening in death he wrote it, with
+his warm life's blood he wrote it--wrote it on the solemn brink of
+eternity. His spirit lingered in his flight to unite Francis and
+Amelia.
+
+AMELIA. Gracious heaven! it is his own hand. He never loved me.
+ [Rushes off]
+
+FRANCIS (stamping the ground). Confusion! her stubborn heart foils all
+my cunning!
+
+OLD MOOR. Woe, woe! forsake me not, my daughter! Francis, Francis!
+give me back my son!
+
+FRANCIS. Who was it that cursed him? Who was it that drove his son
+into battle, and death, and despair? Oh, he was an angel, a jewel of
+heaven! A curse on his destroyers! A curse, a curse upon yourself!
+
+OLD MOOR (strikes his breast and forehead with his clenched fist). He
+was an angel, a jewel of heaven! A curse, a curse, perdition, a curse
+on myself! I am the father who slew his noble son! He loved me even to
+death! To expiate my vengeance he rushed into battle and into death!
+Monster, monster that I am! (He rages against himself.)
+
+FRANCIS. He is gone. What avail these tardy lamentations? (with a
+satanic sneer.) It is easier to murder than to restore to life. You
+will never bring him back from his grave.
+
+OLD Moon. Never, never, never bring him back from the grave! Gone!
+lost for ever! And you it was that beguiled my heart to curse him.--
+you--you--Give me back my son!
+
+FRANCIS. Rouse not my fury, lest I forsake you even in the hour of
+death!
+
+OLD MOOR. Monster! inhuman monster! Restore my son to me. (Starts
+from the chair and attempts to catch FRANCIS by the throat, who flings
+him back.)
+
+FRANCIS. Feeble old dotard I would you dare? Die! despair!
+ [Exit.]
+
+OLD MOOR. May the thunder of a thousand curses light upon thee! thou
+hast robbed me of my son. (Throwing himself about in his chair full of
+despair). Alas! alas! to despair and yet not die. They fly, they
+forsake me in death; my guardian angels fly from me; all the saints
+withdraw from the hoary murderer. Oh, misery! will no one support this
+head, no one release this struggling soul? No son, no daughter, no
+friend, not one human being--will no one? Alone--forsaken. Woe, woe!
+To despair, yet not to die!
+
+
+ Enter AMELIA, her eyes red with weeping.
+
+OLD MOOR. Amelia! messenger of heaven! Art thou come to release my
+soul?
+
+AMELIA (in a gentle tone). You have lost a noble son.
+
+OLD MOOR. Murdered him, you mean. With the weight of this impeachment
+I shall present myself before the judgment-seat of God.
+
+AMELIA. Not so, old man! Our heavenly Father has taken him to himself.
+We should have been too happy in this world. Above, above, beyond the
+stars, we shall meet again.
+
+OLD MOOR. Meet again! Meet again! Oh! it will pierce my soul like a
+Sword--should I, a saint, meet him among the saints. In the midst of
+heaven the horrors of hell will strike through me! The remembrance of
+that deed will crush me in the presence of the Eternal: I have murdered
+my son!
+
+AMELIA. Oh, his smiles will chase away the bitter remembrance from your
+soul! Cheer up, dear father! I am quite cheerful. Has he not already
+sung the name of Amelia to listening angels on seraphic harps, and has
+not heaven's choir sweetly echoed it? Was not his last sigh, Amelia?
+And will not Amelia be his first accent of joy?
+
+OLD MOOR. Heavenly consolation flows from your lips! He will smile
+upon me, you say? He will forgive me? You must stay with my beloved
+of my Charles, when I die.
+
+AMELIA. To die is to fly to his arms. Oh, how happy and enviable is
+your lot! Would that my bones were decayed!--that my hairs were gray!
+Woe upon the vigor of youth! Welcome, decrepid age, nearer to heaven
+and my Charles!
+
+
+ Enter FRANCIS.
+
+OLD MOOR. Come near, my son! Forgive me if I spoke too harshly to you
+just now! I forgive you all. I wish to yield up my spirit in peace.
+
+FRANCIS. Have you done weeping for your son? For aught that I see you
+had but one.
+
+OLD MOOR. Jacob had twelve sons, but for his Joseph he wept tears of
+blood.
+
+FRANCIS. Hum!
+
+OLD MOOR. Bring the Bible, my daughter, and read to me the story of
+Jacob and Joseph! It always appeared to me so touching, even before I
+myself became a Jacob.
+
+AMELIA. What part shall I read to you? (Takes the Bible and turns over
+the leaves.)
+
+OLD MOOR. Read to me the grief of the bereaved father, when he found
+his Joseph no more among his children;--when he sought him in vain
+amidst his eleven sons;--and his lamentation when he heard that he was
+taken from him forever.
+
+AMELIA (reads). "And they took Joseph's coat, and killed a kid of the
+goats, and dipped the coat in the blood; and they sent the coat of many
+colors, and they brought it to their father, and said, 'This have we
+found: know now whether it be thy son's coat or no.' (Exit FRANCIS
+suddenly.) And he knew it and said, 'It is my son's coat; an evil beast
+hath devoured him; Joseph is without doubt rent in pieces.'"
+
+OLD MOOR (falls back upon the pillow). An evil beast hath devoured
+Joseph!
+
+AMELIA (continues reading). "And Jacob rent his clothes, and put
+sackcloth upon his loins, and mourned for his son many days. And all
+his sons and all his daughters rose up to comfort him, but he refused to
+be comforted, and he said, 'For I will go down into the grave--'"
+
+OLD MOOR. Leave off! leave off. I feel very ill.
+
+AMELIA (running towards him, lets fall the book). Heaven help us! What
+is this?
+
+OLD MOOR. It is death--darkness--is waving--before my eyes--I pray
+thee--send for the minister--that he may--give me--the Holy Communion.
+Where is--my son Francis?
+
+AMELIA. He is fled. God have mercy upon us!
+
+OLD MOOR. Fled--fled from his father's deathbed? And is that all--all
+--of two children full of promise--thou hast given--thou hast--taken
+away--thy name be--
+
+AMELIA (with a sudden cry). Dead! both dead!
+ [Exit in despair.]
+
+
+ Enter FRANCIS, dancing with joy.
+
+FRANCIS. Dead, they cry, dead! Now am I master. Through the whole
+castle it rings, dead! but stay, perchance he only sleeps? To be sure,
+yes, to be sure! that certainly is a sleep after which no "good-morrow"
+is ever said. Sleep and death are but twin-brothers. We will for once
+change their names! Excellent, welcome sleep! We will call thee death!
+(He closes the eyes of OLD MOOR.) Who now will come forward and dare to
+accuse me at the bar of justice, or tell me to my face, thou art a
+villain? Away, then, with this troublesome mask of humility and virtue!
+Now you shall see Francis as he is, and tremble! My father was
+overgentle in his demands, turned his domain into a family-circle, sat
+blandly smiling at the gate, and saluted his peasants as brethren and
+children. My brows shall lower upon you like thunderclouds; my lordly
+name shall hover over you like a threatening comet over the mountains;
+my forehead shall be your weather-glass! He would caress and fondle
+the child that lifted its stubborn head against him. But fondling and
+caressing is not my mode. I will drive the rowels of the spur into
+their flesh, and give the scourge a trial. Under my rule it shall be
+brought to pass that potatoes and small-beer shall be considered a
+holiday treat; and woe to him who meets my eye with the audacious front
+of health. Haggard want and crouching fear are my insignia; and in this
+livery I will clothe ye.
+ [Exit.]
+
+
+
+
+ SCENE III.--THE BOHEMIAN WOODS.
+
+ SPIEGELBERG, RAZMAN, A Troop Of ROBBERS.
+
+
+RAZ. Are you come? Is it really you? Oh, let me squeeze thee into a
+jelly, my dear heart's brother! Welcome to the Bohemian forests! Why,
+you are grown quite stout and jolly! You have brought us recruits in
+right earnest, a little army of them; you are the very prince of crimps.
+
+SPIEGEL. Eh, brother? Eli? And proper fellows they are! You must
+confess the blessing of heaven is visibly upon me; I was a poor, hungry
+wretch, and had nothing but this staff when I went over the Jordan, and
+now there are eight-and-seventy of us, mostly ruined shopkeepers,
+rejected masters of arts, and law-clerks from the Swabian provinces.
+They are a rare set of fellows, brother, capital fellows, I promise you;
+they will steal you the very buttons off each other's trousers in
+perfect security, although in the teeth of a loaded musket,* and they
+live in clover and enjoy a reputation for forty miles round, which is
+quite astonishing.
+
+ *[The acting edition reads, "Hang your hat up in the sun, and I'll
+ take you a wager it's gone the next minute, as clean out of sight
+ as if the devil himself had walked off with it."]
+
+There is not a newspaper in which you will not find some little feat or
+other of that cunning fellow, Spiegelberg; I take in the papers for
+nothing else; they have described me from head to foot; you would think
+you saw me; they have not forgotten even my coat-buttons. But we lead
+them gloriously by the nose. The other day I went to the
+printing-office and pretended that I had seen the famous Spiegelberg,
+dictated to a penny-a-liner who was sitting there the exact image of a
+quack doctor in the town; the matter gets wind, the fellow is arrested,
+put to the rack, and in his anguish and stupidity he confesses the devil
+take me if he does not--confesses that he is Spiegelberg. Fire and fury!
+I was on the point of giving myself up to a magistrate rather than have
+my fair fame marred by such a poltroon; however, within three months he
+was hanged. I was obliged to stuff a right good pinch of snuff into my
+nose as some time afterwards I was passing the gibbet and saw the
+pseudo-Spiegelberg parading there in all his glory; and, while
+Spiegelberg's representative is dangling by the neck, the real
+Spiegelberg very quietly slips himself out of the noose, and makes jolly
+long noses behind the backs of these sagacious wiseacres of the law.
+
+RAZ. (laughing). You are still the same fellow you always were.
+
+SPIEGEL. Ay, sure! body and soul. But I must tell you a bit of fun,
+my boy, which I had the other day in the nunnery of St. Austin. We fell
+in with the convent just about sunset; and as I had not fired a single
+cartridge all day,--you know I hate the _diem perdidi_ as I hate death
+itself,--I was determined to immortalize the night by some glorious
+exploit, even though it should cost the devil one of his ears! We kept
+quite quiet till late in the night. At last all is as still as a mouse
+--the lights are extinguished. We fancy the nuns must be comfortably
+tucked up. So I take brother Grimm along with me, and order the others
+to wait at the gate till they hear my whistle--I secure the watchman,
+take the keys from him, creep into the maid-servants' dormitory, take.
+away all their clothes, and whisk the bundle out at the window. We go
+on from cell to cell, take away the clothes of one sister after another,
+and lastly those of the lady-abbess herself. Then I sound my whistle,
+and my fellows outside begin to storm and halloo as if doomsday was at
+hand, and away they rush with the devil's own uproar into the cells of
+the sisters! Ha, ha, ha! You should have seen the game--how the poor
+creatures were groping about in the dark for their petticoats, and how
+they took on when they found they were gone; and we, in the meantime, at
+'em like very devils; and now, terrified and amazed, they wriggled under
+their bedclothes, or cowered together like cats behind the stoves.
+There was such shrieking and lamentation; and then the old beldame of an
+abbess--you know, brother, there is nothing in the world I hate so much
+as a spider and an old woman--so you may just fancy that wrinkled old
+hag standing naked before me, conjuring me by her maiden modesty
+forsooth! Well, I was determined to make short work of it; either, said
+I, out with your plate and your convent jewels and all your shining
+dollars, or--my fellows knew what I meant. The end of it was I brought
+away more than a thousand dollars' worth out of the convent, to say
+nothing of the fun, which will tell its own story in due time.
+
+RAZ. (stamping on the ground). Hang it, that I should be absent on
+such an occasion.
+
+SPIEGEL. Do you see? Now tell me, is not that life? 'Tis that which
+keeps one fresh and hale, and braces the body so that it swells hourly
+like an abbot's paunch; I don't know, but I think I must be endowed with
+some magnetic property, which attracts all the vagabonds on the face of
+the earth towards me like steel and iron.
+
+RAZ. A precious magnet, indeed. But I should like to know, I'll be
+hanged if I shouldn't, what witchcraft you use?
+
+SPIEGEL. Witchcraft? No need of witchcraft. All it wants is a head--a
+certain practical capacity which, of course, is not taken in with every
+spoonful of barley meal; for you know I have always said that an honest
+man may be carved out of any willow stump, but to make a rogue you must
+have brains; besides which it requires a national genius--a certain
+rascal-climate--so to speak.*
+
+ *[In the first (and suppressed) edition was added, "Go to the
+ Grisons, for instance; that is what I call the thief's Athens."
+ This obnoxious passage has been carefully expunged from all the
+ subsequent editions. It gave mortal offence to the Grison
+ magistrates, who made a formal complaint of the insult and caused
+ Schiller to be severely rebuked by the Grand Duke. This incident
+ forms one of the epochs in our author's history.]
+
+RAZ. Brother, I have heard Italy celebrated for its artists.
+
+SPIEGEL. Yes, yes! Give the devil his due. Italy makes a very noble
+figure; and if Germany goes on as it has begun, and if the Bible gets
+fairly kicked out, of which there is every prospect, Germany, too, may
+in time arrive at something respectable; but I should tell you that
+climate does not, after all, do such a wonderful deal; genius thrives
+everywhere; and as for the rest, brother, a crab, you know, will never
+become a pineapple, not even in Paradise. But to pursue our subject,
+where did I leave off?
+
+RAZ. You were going to tell me about your stratagems.
+
+SPIEGEL. Ah, yes! my stratagems. Well, when you get into a town, the
+first thing is to fish out from the beadles, watchmen, and turnkeys, who
+are their best customers, and for these, accordingly, you must look out;
+then ensconce yourself snugly in coffee-houses, brothels, and
+beer-shops, and observe who cry out most against the cheapness of the
+times, the reduced five per cents., and the increasing nuisance of police
+regulations; who rail the loudest against government, or decry
+physiognomical science, and such like? These are the right sort of
+fellows, brother. Their honesty is as loose as a hollow tooth; you have
+only to apply your pincers. Or a shorter and even better plan is to drop
+a full purse in the public highway, conceal yourself somewhere near, and
+mark who finds it. Presently after you come running up, search, proclaim
+your loss aloud, and ask him, as it were casually, "Have you perchance
+picked up a purse, sir?" If he says "Yes," why then the devil fails you.
+But if he denies it, with a "pardon me, sir, I remember, I am sorry,
+sir," (he jumps up), then, brother, you've done the trick. Extinguish
+your lantern, cunning Diogenes, you have found your match.
+
+RAZ. You are an accomplished practitioner.
+
+SPIEGEL. My God! As if that had ever been doubted. Well, then, when
+you have got your man into the net, you must take great care to land him
+cleverly. You see, my son, the way I have managed is thus: as soon as I
+was on the scent I stuck to my candidate like a leech; I drank
+brotherhood with him, and, _nota bene_, you must always pay the score.
+That costs a pretty penny, it is true, but never mind that. You must go
+further; introduce him to gaming-houses and brothels; entangle him in
+broils and rogueries till he becomes bankrupt in health and strength, in
+purse, conscience, and reputation; for I must tell you, by the way, that
+you will make nothing of it unless you ruin both body and soul. Believe
+me, brother, and I have experienced it more than fifty times in my
+extensive practice, that when the honest man is once ousted from his
+stronghold, the devil has it all his own way--the transition is then as
+easy as from a whore to a devotee. But hark! What bang was that?
+
+RAZ. It was thunder; go on.
+
+SPIEGEL. Or, there is a yet shorter and still better way. You strip
+your man of all he has, even to his very shirt, and then he will come to
+you of his own accord; you won't teach me to suck eggs, brother; ask
+that copper-faced fellow there. My eyes, how neatly I got him into my
+meshes. I showed him forty ducats, which I promised to give him if he
+would bring me an impression in wax of his master's keys. Only think,
+the stupid brute not only does this, but actually brings me--I'll be
+hanged if he did not--the keys themselves; and then thinks to get the
+money. "Sirrah," said I, "are you aware that I am going to carry these
+keys straight to the lieutenant of police, and to bespeak a place for
+you on the gibbet?" By the powers! you should have seen how the
+simpleton opened his eyes, and began to shake from head to foot like a
+dripping poodle. "For heaven's sake, sir, do but consider. I will--
+will--" "What will you? Will you at once cut your stick and go to the
+devil with me?" "Oh, with all my heart, with great pleasure." Ha! ha!
+ha! my fine fellow; toasted cheese is the thing to catch mice with; do
+have a good laugh at him, Razman; ha! ha! ha!
+
+RAZ. Yes, yes, I must confess. I shall inscribe that lesson in letters
+of gold upon the tablet of my brain. Satan must know his people right
+well to have chosen you for his factor.
+
+SPIEGEL. Eh, brother? Eli? And if I help him to half a score of
+fellows he will, of course, let me off scot-free--publishers, you know,
+always give one copy in ten gratis to those who collect subscribers for
+them; why should the devil be more of a Jew? Razman, I smell powder.
+
+RAZ. Zounds! I smelt it long ago. You may depend upon it there has
+being something going forward hereabouts. Yes, yes! I can tell you,
+Spiegelberg, you will be welcome to our captain with your recruits; he,
+too, has got hold of some brave fellows.
+
+SPIEGEL. But look at mine! at mine here, bah!
+
+RAZ. Well, well! they may be tolerably expert in the finger
+department, but, I tell you, the fame of our captain has tempted even
+some honorable men to join his staff.
+
+SPIEGEL. So much the worse.
+
+RAZ. Without joking. And they are not ashamed to serve under such a
+leader. He does not commit murder as we do for the sake of plunder; and
+as to money, as soon as he had plenty of it at command, he did not seem
+to care a straw for it; and his third of the booty, which belongs to him
+of right, he gives away to orphans, or supports promising young men with
+it at college. But should he happen to get a country squire into his
+clutches who grinds down his peasants like cattle, or some gold-laced
+villain, who warps the law to his own purposes, and hoodwinks the eyes
+of justice with his gold, or any chap of that kidney; then, my boy, he
+is in his element, and rages like a very devil, as if every fibre in his
+body were a fury.
+
+SPIEGEL. Humph!
+
+RAZ. The other day we were told at a tavern that a rich count from
+Ratisbon was about to pass through, who had gained the day in a suit
+worth a million of money by the craftiness of his lawyer. The captain
+was just sitting down to a game of backgammon. "How many of us are
+there?" said he to me, rising in haste. I saw him bite his nether lip,
+which he never does except when he is very determined. "Not more than
+five," I replied. "That's enough," he said; threw his score on the
+table, left the wine he had ordered untouched, and off we went. The
+whole time he did not utter a syllable, but walked aloof and alone, only
+asking us from time to time whether we heard anything, and now and then
+desiring us to lay our ears to the ground. At last the count came in
+sight, his carriage heavily laden, the lawyer, seated by his side, an
+outrider in advance, and two horsemen riding behind. Then you should
+have seen the man. With a pistol in each hand he ran before us to the
+carriage,--and the voice with which he thundered, "Halt!" The coachman,
+who would not halt, was soon toppled from his box; the count fired out
+of the carriage and missed--the horseman fled. "Your money, rascal!"
+cried Moor, with his stentorian voice. The count lay like a bullock
+under the axe: "And are you the rogue who turns justice into a venal
+prostitute?" The lawyer shook till his teeth chattered again; and a
+dagger soon stuck in his body, like a stake in a vineyard. "I have done
+my part," cried the captain, turning proudly away; "the plunder is your
+affair." And with this he vanished into the forest.
+
+SPIEGEL. Hum! hum! Brother, what I told you just now remains between
+ourselves; there is no occasion for his knowing it. You understand me?
+
+RAZ. Yes, yes, I understand!
+
+SPIEGEL. You know the man! He has his own notions! You understand me?
+
+RAZ. Oh, I quite understand.
+
+ (Enter SCHWARZ at full speed).
+
+Who's there? What is the matter? Any travellers in the forest?
+
+SCHWARZ. Quick, quick! Where are the others? Zounds! there you stand
+gossiping! Don't you know--do you know nothing of it?--that poor
+Roller--
+
+PAZ. What of him? What of him?
+
+SCHWARZ. He's hanged, that's all, and four others with him--
+
+RAz. Roller hanged? S'death! when? How do you know?
+
+SCHWARZ. He has been in limbo more than three weeks, and we knew
+nothing of it. He was brought up for examination three several days,
+and still we heard nothing. They put him to the rack to make him tell
+where the captain was to be found--but the brave fellow would not slip.
+Yesterday he got his sentence, and this morning was dispatched express
+to the devil!
+
+RAZ. Confound it! Does the captain know?
+
+SCHWARZ. He heard of it only yesterday. He foamed like a wild boar.
+You know that Roller was always an especial favorite; and then the rack!
+Ropes and scaling-ladders were conveyed to the prison, but in vain.
+Moor himself got access to him disguised as a Capuchin monk, and
+proposed to change clothes with him; but Roller absolutely refused;
+whereupon the captain swore an oath that made our very flesh creep. He
+vowed that he would light a funeral pile for him, such as had never yet
+graced the bier of royalty, one that should burn them all to cinders. I
+fear for the city. He has long owed it a grudge for its intolerable
+bigotry; and you know, when he says, "I'll do it," the thing is as good
+as done.
+
+RAZ. That is true! I know the captain. If he had pledged his word to
+the devil to go to hell he never would pray again, though half a
+pater-noster would take him to heaven. Alas! poor Roller!--poor Roller!
+
+SPIEGEL. _Memento mori_! But it does not concern me. (Hums a tune).
+
+ Should I happen to pass the gallows stone,
+ I shall just take a sight with one eye,
+ And think to myself, you may dangle alone,
+ Who now, sir, 's the fool, you or I?
+
+RAZ. (Jumping up). Hark! a shot! (Firing and noise is heard behind the
+scenes).
+
+SPIEGEL. Another!
+
+RAZ. And another! The captain!
+
+ (Voices behind the scenes are heard singing).
+
+ The Nurnbergers deem it the wisest plan,
+ Never to hang till they've caught their man.
+ _Da capo_.
+
+SCHWEITZER and ROLLER (behind the scenes). Holla, ho! Holla, ho!
+
+RAZ. Roller! by all the devils! Roller!
+
+SCHWEITZER and ROLLER (still behind the scenes).
+Razman! Schwarz! Spiegelberg! Razman!
+
+RAZ. Roller! Schweitzer! Thunder and lightning!
+Fire and fury! (They run towards him.)
+
+Enter CHARLES VON MOOR (on horseback), SCHWEITZER, ROLLER, GRIMM,
+SCHUFTERLE, and a troop of ROBBERS covered with dust and mud.
+
+CHARLES (leaping from his horse) Liberty! Liberty!--Thou art on terra
+firma, Roller! Take my horse, Schweitzer, and wash him with wine.
+(Throws himself on the ground.) That was hot work!
+
+RAZ. (to ROLLER). Well, by the fires of Pluto! Art thou risen from
+the wheel?
+
+SCHWARZ. Art thou his ghost? or am I a fool? or art thou really the
+man?
+
+ROLLER (still breathless). The identical--alive--whole.--Where do you
+think I come from?
+
+SCHWARZ. It would puzzle a witch to tell! The staff was already broken
+over you.
+
+ROLLER. Ay, that it was, and more than that! I come straightway from
+the gallows. Only let me get my breath. Schweitzer will tell you all.
+Give me a glass of brandy! You there too, Spiegelberg! I thought we
+should have met again in another place. But give me a glass of brandy!
+my bones are tumbling to pieces. Oh, my captain! Where is my captain?
+
+SCHWARZ. Have patience, man, have patience. Just tell me--say--come,
+let's hear--how did you escape? In the name of wonder how came we to
+get you back again? My brain is bewildered. From the gallows, you say?
+
+ROLLER (swallows a flask of brandy). Ah, that is capital! that warms
+the inside! Straight from the gallows, I tell you. You stand there
+amid stare as if that was impossible. I can assure you, I was not more
+than three paces from that blessed ladder, on which I was to mount to
+Abraham's bosom--so near, so very near, that I was sold, skin and all,
+to the dissecting-room! The fee-simple of my life was not worth a pinch
+of snuff. To the captain I am indebted for breath, and liberty, and
+life.
+
+SCHWEITZER. It was a trick worth the telling. We had heard the day
+before, through our spies, that Roller was in the devil's own pickle;
+and unless the vault of heaven fell in suddenly he would, on the morrow
+--that is, to-day--go the way of all flesh. Up! says the captain, and
+follow me--what is not a friend worth? Whether we save him or not, we
+will at least light him up a funeral pile such as never yet honored
+royalty; one which shall burn them black and blue. The whole troop was
+summoned. We sent Roller a trusty messenger, who conveyed the notice to
+him in a little billet, which he slipped into his porridge.
+
+ROLLER. I had but small hope of success.
+
+SCHWEITZER. We waited till the thoroughfares were clear. The whole
+town was out after the sight; equestrians, pedestrians, carriages, all
+pell-mell; the noise and the gibbet-psalm sounded far and wide. Now,
+says the captain, light up, light up! We all flew like darts; they set
+fire to the city in three-and-thirty places at once; threw burning
+firebrands on the powder-magazine, and into the churches and granaries.
+Morbleu! in less than a quarter of an hour a northeaster, which, like
+us, must have owed a grudge to the city, came seasonably to our aid, and
+helped to lift the flames up to the highest gables. Meanwhile we ran up
+and down the streets like furies, crying, fire! ho! fire! ho! in every
+direction. There was such howling--screaming-tumult--fire-bells
+tolling. And presently the powder-magazine blew up into the air with a
+crash as if the earth were rent in twain, heaven burst to shivers, and
+hell sunk ten thousand fathoms deeper.
+
+ROLLER. Now my guards looked behind them--there lay the city, like
+Sodom and Gomorrah--the whole horizon was one mass of fire, brimstone,
+and smoke; and forty hills echoed and reflected the infernal prank far
+and wide. A panic seized them all--I take advantage of the moment, and,
+quick as lightning--my fetters had been taken off, so nearly was my time
+come--while my guards were looking away petrified, like Lot's wife, I
+shot off--tore through the crowd--and away! After running some sixty
+paces I throw off my clothes, plunge into the river, and swim along
+under water till I think they have lost sight of me. My captain stood
+ready, with horses and clothes--and here I am. Moor! Moor! I only
+wish that you may soon get into just such another scrape that I may
+requite you in like manner.
+
+RAZ. A brutal wish, for which you deserve to be hanged. It was a
+glorious prank, though.
+
+ROLLER. It was help in need; you cannot judge of it. You should have
+marched, like me, with a rope round your neck, travelling to your grave
+in the living body, and seen their horrid sacramental forms and
+hangman's ceremonies--and then, at every reluctant step, as the
+struggling feet were thrust forward, to see the infernal machine, on
+which I was to be elevated, glaring more and more hideously in the blaze
+of a noonday sun--and the hangman's rapscallions watching for their prey
+--and the horrible psalm-singing--the cursed twang still rings in my
+ears--and the screeching hungry ravens, a whole flight of them, who were
+hovering over the half-rotten carcass of my predecessor. To see all
+this--ay, more, to have a foretaste of the blessedness which was in
+store for me! Brother, brother! And then, all of a sudden, the signal
+of deliverance. It was an explosion as if the vault of heaven were rent
+in twain. Hark ye, fellows! I tell you, if a man were to leap out of a
+fiery furnace into a freezing lake he could not feel the contrast half
+so strongly as I did when I gained the opposite shore.
+
+SPIEGEL. (Laughs.) Poor wretch! Well, you have got over it. (Pledges
+him). Here's to a happy regeneration!
+
+ROLLER (flings away his glass). No, by all the treasures of Mammon, I
+should not like to go through it a second time. Death is something more
+than a harlequin's leap, and its terrors are even worse than death
+itself.
+
+SPIEGEL. And the powder-magazine leaping into the air! Don't you see
+it now, Razman? That was the reason the air stunk so, for miles round,
+of brimstone, as if the whole wardrobe of Moloch was being aired under
+the open firmament. It was a master-stroke, captain! I envy you for
+it.
+
+SCHWEITZER. If the town makes it a holiday-treat to see our comrade
+killed by a baited hog, why the devil should we scruple to sacrifice the
+city for the rescue of our comrade? And, by the way, our fellows had
+the extra treat of being able to plunder worse than the old emperor.
+Tell me, what have you sacked?
+
+ONE OF THE TROOP. I crept into St. Stephen's church during the hubbub,
+and tore the gold lace from the altarcloth. The patron saint, thought I
+to myself, can make gold lace out of packthread.
+
+SCHWEITZER. 'Twas well done. What is the use of such rubbish in a
+church? They offer it to the Creator, who despises such trumpery, while
+they leave his creatures to die of hunger. And you, Sprazeler--where
+did you throw your net?
+
+A SECOND. I and Brizal broke into a merchant's store, and have brought
+stuffs enough with us to serve fifty men.
+
+A THIRD. I have filched two gold watches and a dozen silver spoons.
+
+SCHWEITZER. Well done, well done! And we have lighted them a bonfire
+that will take a fortnight to put out again. And, to get rid of the
+fire, they must ruin the city with water. Do you know, Schufterle, how
+many lives have been lost?
+
+SCHUF. Eighty-three, they say. The powder-magazine alone blew
+threescore to atoms.
+
+CHARLES (very seriously). Roller, thou art dearly bought.
+
+SCHUF. Bah! bah! What of that? If they had but been men it would have
+been another matter--but they were babes in swaddling clothes, and
+shrivelled old nurses that kept the flies from them, and dried-up
+stove-squatters who could not crawl to the door--patients whining for the
+doctor, who, with his stately gravity, was marching to the sport. All
+that had the use of their legs had gone forth in the sight, and nothing
+remained at home but the dregs of the city.
+
+CHARLES. Alas for the poor creatures! Sick people, sayest thou, old
+men and infants?
+
+SCHUF. Ay, the devil go with them! And lying-in-women into the
+bargain; and women far gone with child, who were afraid of miscarrying
+under the gibbet; and young mothers, who thought the sight might do them
+a mischief, and mark the gallows upon the foreheads of their unborn
+babes--poor poets, without a shoe, because their only pair had been sent
+to the cobbler to mend--and other such vermin, not worth the trouble of
+mentioning. As I chanced to pass by a cottage I heard a great squalling
+inside. I looked in; and, when I came to examine, what do you think it
+was? Why, an infant--a plump and ruddy urchin--lying on the floor under
+a table which was just beginning to burn. Poor little wretch! said I,
+you will be cold there, and with that I threw it into the flames!
+
+CHARLES. Indeed, Schufterle? Then may those flames burn in thy bosom
+to all eternity! Avaunt, monster! Never let me see thee again in my
+troop! What! Do you murmur? Do you hesitate? Who dares hesitate when
+I command? Away with him, I say! And there are others among you ripe
+for my vengeance. I know thee, Spiegelberg. But I will step in among
+you ere long, and hold a fearful muster-roll.
+ [Exeunt, trembling.]
+
+CHARLES (alone, walking up and down in great agitation). Hear them not,
+thou avenger in heaven! How can I avert it? Art thou to blame, great
+God, if thy engines, pestilence, and famine, and floods, overwhelm the
+just with the unjust? Who can stay the flame, which is kindled to
+destroy the hornet's nest, from extending to the blessed harvest? Oh!
+fie on the slaughter of women, and children, and the sick! How this
+deed weighs me down! It has poisoned my fairest achievements! There he
+stands, poor fool, abashed and disgraced in the sight of heaven; the boy
+that presumed to wield Jove's thunder, and overthrew pigmies when he
+should have crushed Titans. Go, go! 'tis not for thee, puny son of
+clay, to wield the avenging sword of sovereign justice! Thou didst fail
+at thy first essay. Here, then, I renounce the audacious scheme. I go
+to hide myself in some deep cleft of the earth, where no daylight will
+be witness of my shame. (He is about to fly.)
+
+ Enter a ROBBER hurriedly.
+
+ROBBER. Look out, captain! There is mischief in the wind! Whole
+detachments of Bohemian cavalry are scouring the forests. That infernal
+bailiff must have betrayed us.
+
+ Enter more ROBBERS.
+
+2D ROBBER. Captain! captain! they have tracked us! Some thousands of
+them are forming a cordon round the middle forest.
+
+ Enter more ROBBERS again.
+
+3D ROBBER. Woe, woe, woe! we are all taken, hanged drawn, and
+quartered. Thousands of hussars, dragoons, and chasseurs are mustering
+on the heights, and guard all the passes.
+ [Exit CHARLES VON MOOR.]
+
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHWARZ, SCHUFTERLE,
+ SPIEGELBERG, RAZMAN, and the whole troop.
+
+SCHWEITZER. Ha! Have we routed them out of their feather-beds at last?
+Come, be jolly, Roller! I have long wished to have a bout with those
+knights of the bread-basket. Where is the captain? Is the whole troop
+assembled? I hope we have powder enough?
+
+RAZ. Powder, I believe you; but we are only eighty in all and therefore
+scarcely one to twenty.
+
+SCHWEITZER. So much the better! And though there were fifty against
+my great toe-nail--fellows who have waited till we lit the straw under
+their very seats. Brother, brother, there is nothing to fear. They
+sell their lives for tenpence; and are we not fighting for our necks?
+We will pour into them like a deluge, and fire volleys upon their heads
+like crashes of thunder. But where the devil is the captain.
+
+SPIEGEL. He forsakes us in this extremity. Is there no hope of escape?
+
+SCHWEITZER. Escape?
+
+SPIEGEL. Oh, that I had tarried in Jerusalem!
+
+SCHWEITZER. I wish you were choked in a cesspool, you paltry coward!
+With defenceless nuns you are a mighty man; but at sight of a pair of
+fists a confirmed sneak! Now show your courage or you shall be sewn up
+alive in an ass's hide and baited to death with dogs.
+
+RAZ. The captain! the captain!
+
+ Enter CHARLES (speaking slowly to himself).
+
+CHARLES. I have allowed them to be hemmed in on every side. Now they
+must fight with the energy of despair. (Aloud.) Now my boys! now for
+it! We must fight like wounded boars, or we are utterly lost!
+
+SCHWEITZER. Ha! I'll rip them open with my tusks, till their entrails
+protrude by the yard! Lead on, captain! we will follow you into the
+very jaws of death.
+
+CHARLES. Charge all your arms! You've plenty of powder, I hope?
+
+SCHWEITZER (with energy). Powder? ay, enough to blow the earth up to
+the moon.
+
+RAZ. Every one of us has five brace of pistols, ready loaded, and three
+carbines to boot.
+
+CHARLES. Good! good! Now some of you must climb up the trees, or
+conceal yourselves in the thickets, and some fire upon them in ambush--
+
+SCHWEITZER. That part will suit you, Spiegelberg.
+
+CHARLES. The rest will follow me, and fall upon their flanks like
+furies.
+
+SCHWEITZER. There will I be!
+
+CHARLES. At the same time let every man make his whistle ring through
+the forest, and gallop about in every direction, so that our numbers may
+appear the more formidable. And let all the dogs be unchained, and set
+on upon their ranks, that they may be broken and dispersed and run in
+the way of our fire. We three, Roller, Schweitzer, and myself, will
+fight wherever the fray is hottest.
+
+SCHWEITZER. Masterly! excellent! We will so bewilder them with balls
+that they shall not know whence the salutes are coming. I have more
+than once shot away a cherry from the mouth. Only let them come on
+(SCHUFTERLE is pulling SCHWEITZER; the latter takes the captain aside,
+and entreats him in a low voice.)
+
+CHARLES. Silence!
+
+SCHWEITZER. I entreat you--
+
+CHARLES. Away! Let him have the benefit of his disgrace; it has saved
+him. He shall not die on the same field with myself, my Schweitzer, and
+my Roller. Let him change his apparel, and I will say he is a traveller
+whom I have plundered. Make yourself easy, Schweitzer. Take my word
+for it he will be hanged yet.
+
+ Enter FATHER DOMINIC.
+
+FATHER DOM. (to himself, starts). Is this the dragon's nest? With your
+leave, sirs! I am a servant of the church; and yonder are seventeen
+hundred men who guard every hair of my head.
+
+SCHWEITZER. Bravo! bravo! Well spoken to keep his courage warm.
+
+CHARLES. Silence, comrade! Will you tell us briefly, good father, what
+is your errand here?
+
+FATHER Dom. I am delegated by the high justices, on whose sentence
+hangs life or death--ye thieves--ye incendiaries--ye villains--ye
+venomous generation of vipers, crawling about in the dark, and stinging
+in secret--ye refuse of humanity--brood of hell--food for ravens and
+worms--colonists for the gallows and the wheel--
+
+SCHWEITZER. Dog! a truce with your foul tongue! or ------
+(He holds the butt-end of his gun before FATHER DOMINIC'S face.)
+
+CHARLES. Fie, fie, Schweitzer! You cut the thread of his discourse.
+He has got his sermon so nicely by heart. Pray go on, Sir! "for the
+gallows and the wheel?"
+
+FATHER Dom. And thou, their precious captain!--commander-in-chief of
+cut-purses!--king of sharpers! Grand Mogul of all the rogues under the
+sun!--great prototype of that first hellish ringleader who imbued a
+thousand legions of innocent angels with the flame of rebellion, and
+drew them down with him into the bottomless pit of damnation! The
+agonizing cries of bereaved mothers pursue thy footsteps! Thou drinkest
+blood like water! and thy murderous knife holds men cheaper than
+air-bubbles!
+
+CHARLES. Very true--exceedingly true! Pray proceed, Sir!
+
+FATHER DOM. What do you mean? Very true--exceedingly true! Is that an
+answer?
+
+CHARLES. How, Sir? You were not prepared for that, it seems? Go on--
+by all means go on. What more were you going to say?
+
+FATHER DOM. (heated). Abominable wretch! Avaunt! Does not the blood
+of a murdered count of the empire cling to thy accursed fingers? Hast
+thou not, with sacrilegious hands, dared to break into the Lord's
+sanctuary, and carry off the consecrated vessels of the _sanctissimum_?
+Hast thou not flung firebrands into our godly city, and brought down the
+powder-magazine upon the heads of devout Christians? (Clasps his
+hands). Horrible, horrible wickedness! that stinketh in the nostrils of
+Heaven, and provoketh the day of judgment to burst upon you suddenly!
+ripe for retribution--rushing headlong to the last trump!
+
+CHARLES. Masterly guesses thus far! But now, sir, to the point! What
+is it that the right worshipful justices wish to convey to me through
+you?
+
+FATHER Dom. What you are not worthy to receive. Look around you,
+incendiary! As far as your eye can reach you are environed by our
+horsemen--there is no chance of escape. As surely as cherries grow on
+these oaks, and peaches on these firs, so surely shall you turn your
+backs upon these oaks and these firs in safety.
+
+CHARLES. Do you hear that, Schweitzer? But go on!
+
+FATHER DOM. Hear, then, what mercy and forbearance justice shows
+towards such miscreants. If you instantly prostrate yourselves in
+submission and sue for mercy and forgiveness, then severity itself will
+relent to compassion, and justice be to thee an indulgent mother. She
+will shut one eye upon your horrible crimes, and be satisfied--only
+think!--to let you be broken on the wheel.
+
+SCHWEITZER. Did you hear that, captain? Shall I throttle this
+well-trained shepherd's cur till the red blood spurts from every pore?
+
+ROLLER. Captain! Fire and fury! Captain! How he bites his lip!
+Shall I topple this fellow upside down like a ninepin?
+
+SCHWEITZER. Mine, mine be the job! Let me kneel to you, captain; let
+me implore you! I beseech you to grant me the delight of pounding him
+to a jelly! (FATHER DOMINIC screams.)
+
+CHARLES. Touch him not! Let no one lay a finger on him!--(To FATHER
+DOMINIC, drawing his sword.) Hark ye, sir father! Here stand
+nine-and-seventy men, of whom I am the captain, and not one of them has
+been taught to trot at a signal, or learned to dance to the music of
+artillery; while yonder stand seventeen hundred men grown gray under the
+musket. But now listen! Thus says Moor, the captain of incendiaries. It
+is true I have slain a count of the empire, burnt and plundered the
+church of St. Dominic, flung firebrands into your bigoted city, and
+brought down the powder-magazine upon the heads of devout Christians. But
+that is not all,--I have done more. (He holds out his right hand.) Do you
+observe these four costly rings, one on each finger? Go and report
+punctually to their worships, on whose sentence hangs life or death what
+you shall hear and see. This ruby I drew from the finger of a minister,
+whom I stretched at the feet of his prince, during the chase. He had
+fawned himself up from the lowest dregs, to be the first favorite;--the
+ruin of his neighbor was his ladder to greatness--orphans' tears helped
+him to mount it. This diamond I took from a lord treasurer, who sold
+offices of honor and trust to the highest bidder, and drove the sorrowing
+patriot from his door. This opal I wear in honor of a priest of your
+cloth, whom I dispatched with my own hand, after he had publicly deplored
+in his pulpit the waning power of the Inquisition. I could tell you more
+stories about my rings, but that I repent the words I have already wasted
+upon you--
+
+FATHER DOM. O Pharaoh! Pharaoh!
+
+CHARLES. Do you hear it? Did you mark that sigh? Does he not stand
+there as if he were imploring fire from heaven to descend and destroy
+this troop of Korah? He pronounces judgment with a shrug of the
+shoulders, and eternal damnation with a Christian "Alas!" Is it
+possible for humanity to be so utterly blind? He who has the hundred
+eyes of Argus to spy out the faults of his brother--can he be so totally
+blind to his own? They thunder forth from their clouds about gentleness
+and forbearance, while they sacrifice human victims to the God of love
+as if he were the fiery Moloch. They preach the love of one's neighbor,
+while they drive the aged and blind with curses from their door. They
+rave against covetousness; yet for the sake of gold they have
+depopulated Peru, and yoked the natives, like cattle, to their chariots.
+They rack their brains in wonder to account for the creation of a Judas
+Iscariot, yet the best of them would betray the whole Trinity for ten
+shekels. Out upon you, Pharisees! ye falsifiers of truth! ye apes of
+Deity! You are not ashamed to kneel before crucifixes and altars; you
+lacerate your backs with thongs, and mortify your flesh with fasting;
+and with these pitiful mummeries you think, fools as you are, to veil
+the eyes of Him whom, with the same breath, you address as the
+Omniscient, just as the great are the most bitterly mocked by those who
+flatter them while they pretend to hate flatterers. You boast of your
+honesty and your exemplary conduct; but the God who sees through your
+hearts would be wroth with Him that made you, were He not the same that
+had also created the monsters of the Nile. Away with him out of my
+sight!
+
+FATHER DOM. That such a miscreant should be so proud!
+
+CHARLES. That's not all. Now I will speak proudly. Go and tell the
+right worshipful justices--who set men's lives upon the cast of a die--
+I am not one of those thieves who conspire with sleep and midnight, and
+play the hero and the lordling on a scaling-ladder. What I have done I
+shall no doubt hereafter be doomed to read in the register of heaven;
+but with his miserable ministers of earth I will waste no more words.
+Tell your masters that my trade is retribution--vengeance my occupation!
+(He turns his back upon him.)
+
+FATHER DOM. Then you despise mercy and forbearance?---Be it so, I have
+done with you. (Turning to the troop.) Now then, sirs, you shall hear
+what the high powers direct me to make known to you!--If you will
+instantly deliver up to me this condemned malefactor, bound hand and
+foot, you shall receive a full pardon--your enormities shall be entirely
+blotted out, even from memory. The holy church will receive you, like
+lost sheep, with renewed love, into her maternal bosom, and the road to
+honorable employment shall be open to you all. (With a triumphant
+smile.) Now sir! how does your majesty relish this? Come on! bind him!
+and you are free!
+
+CHARLES. Do you hear that? Do you hear it? What startles you? Why do
+you hesitate? They offer you freedom--you that are already their
+prisoners. They grant you your lives, and that is no idle pretence, for
+it is clear you are already condemned felons. They promise you honor
+and emolument; and, on the other hand, what can you hope for, even
+should you be victorious to-day, but disgrace, and curses, and
+persecution? They ensure you the pardon of Heaven; you that are
+actually damned. There is not a single hair on any of you that is not
+already bespoke in hell. Do you still hesitate? are you staggered? Is
+it so difficult, then, to choose between heaven and hell?--Do put in a
+word, father!
+
+FATHER DOM. (aside.) Is the fellow crazy? (Aloud.) Perhaps you are
+afraid that this is a trap to catch you alive?--Read it yourselves!
+Here--is the general pardon fully signed. (He hands a paper to
+SCHWEITZER.) Can you still doubt?
+
+CHARLES. Only see! only see! What more can you require? Signed with
+their own hands! It is mercy beyond all bounds! Or are you afraid of
+their breaking their word, because you have heard it said that no faith
+need be kept with traitors? Dismiss that fear! Policy alone would
+constrain them to keep their word, even though it should merely have
+been pledged to old Nick. Who hereafter would believe them? How could
+they trade with it a second time? I would take my oath upon it that
+they mean it sincerely. They know that I am the man who has goaded you
+on and incited you; they believe you innocent. They look upon your
+crimes as so many juvenile errors--exuberances of rashness. It is I
+alone they want. I must pay the penalty. Is it not so, father?
+
+FATHER DOM. What devil incarnate is it that speaks out of him? Of
+course it is so--of course. The fellow turns my brain.
+
+CHARLES. What! no answer yet? Do you think it possible to cut your way
+through yon phalanx? Only look round you! just look round! You surely
+do not reckon upon that; that were indeed a childish conceit--Or do you
+flatter yourselves that you will fall like heroes, because you saw that
+I rejoiced in the prospect of the fight? Oh, do not console yourself
+with the thought! You are not MOOR. You are miserable thieves!
+wretched tools of my great designs! despicable as the rope in the hand
+of the hangman! No! no! Thieves do not fall like heroes. Life must be
+the hope of thieves, for something fearful has to follow. Thieves may
+well be allowed to quake at the fear of death. Hark! Do you hear their
+horns echoing through the forest? See there! how their glittering
+sabres threaten! What! are you still irresolute? are you mad? are you
+insane? It is unpardonable. Do you imagine I shall thank you for my
+life? I disdain your sacrifice!
+
+FATHER DOM. (in utter amazement). I shall go mad! I must be gone!
+Was the like ever heard of?
+
+CHARLES. Or are you afraid that I shall stab myself, and so by suicide
+put an end to the bargain, which only holds good if I am given up alive?
+No, comrades! that is a vain fear. Here, I fling away my dagger, and my
+pistols, and this phial of poison, which might have been a treasure to
+me. I am so wretched that I have lost the power even over my own life.
+What! still in suspense? Or do you think, perhaps, that I shall stand
+on my defence when you try to seize me? See here! I bind my right hand
+to this oak-branch; now I am quite defenceless, a child may overpower
+me. Who is the first to desert his captain in the hour of need?
+
+ROLLER (with wild energy). And what though hell encircle us with
+ninefold coils! (Brandishing his sword.) Who is the coward that will
+betray his captain?
+
+SCHWEITZER (tears the pardon and flings the pieces into FATHER DOMINIC'S
+face). Pardon be in our bullets! Away with thee, rascal! Tell your
+senate that you could not find a single traitor in all Moor's camp.
+Huzza! Huzza! Save the captain!
+
+ALL (shouting). Huzza! Save the captain! Save him! Save our noble
+captain!
+
+CHARLES (releasing his hand from the tree, joyfully). Now we are free,
+comrades! I feel a host in this single arm! Death or liberty! At the
+least they shall not take a man of us alive!
+
+ [They sound the signal for attack; noise and tumult.
+ Exeunt with drawn swords.]
+
+
+
+
+ ACT III.
+
+ SCENE I.--AMELIA in the garden, playing the guitar.
+
+ Bright as an angel from Walhalla's hall,
+ More beautiful than aught of earth was he!
+ Heaven-mild his look, as sunbeams when they fall,
+ Reflected from a calm cerulean sea.
+
+ His warm embrace--oh, ravishing delight!
+ With heart to heart the fiery pulses danced--
+ Our every sense wrap'd in ecstatic night--
+ Our souls in blissful harmony entranced.
+
+ His kisses--oh, what paradise of feeling!
+ E'en as two flames which round each other twine--
+ Or flood of seraph harp-tones gently stealing
+ In one soft swell, away to realms divine!
+
+ They rushed, commingled, melted, soul in soul!
+ Lips glued to lips, with burning tremor bound!
+ Cold earth dissolved, and love without control
+ Absorbed all sense of worldly things around!
+
+ He's gone!--forever gone! Alas! in vain
+ My bleeding heart in bitter anguish sighs;
+ To me is left alone this world of pain,
+ And mortal life in hopeless sorrow dies.
+
+
+ Enter FRANCIS.
+
+FRANCIS. Here again already, perverse enthusiast? You stole away from
+the festive banquet, and marred the mirthful pleasures of my guests.
+
+AMELIA. 'Tis pity, truly, to mar such innocent pleasures! Shame on
+them! The funeral knell that tolled over your father's grave must still
+be ringing in your ears--
+
+FRANCIS. Wilt thou sorrow, then, forever? Let the dead sleep in peace,
+and do thou make the living happy! I come--
+
+AMELIA. And when do you go again?
+
+FRANCIS. Alas! Look not on me thus sorrowfully! You wound me, Amelia.
+I come to tell you--
+
+AMELIA. To tell me, I suppose, that Francis von Moor has become lord
+and master here.
+
+FRANCIS. Precisely so; that is the very subject on which I wish to
+communicate with you. Maximilian von Moor is gone to the tomb of his
+ancestors. I am master. But I wish--to be so in the fullest sense,
+Amelia. You know what you have been to our house always regarded as
+Moor's daughter, his love for you will survive even death itself; that,
+assuredly, you will never forget?
+
+AMELIA. Never, never! Who could be so unfeeling as to drown the memory
+of it in festive banqueting?
+
+FRANCIS. It is your duty to repay the love of the father to his sons;
+and Charles is dead. Ha! you are struck with amazement; dizzy with the
+thought! To be sure 'tis a flattering and an elating prospect which may
+well overpower the pride of a woman. Francis tramples under foot the
+hopes of the noblest and the richest, and offers his heart, his hand,
+and with them all his gold, his castles, and his forests to a poor, and,
+but for him, destitute orphan. Francis--the feared--voluntarily
+declares himself Amelia's slave!
+
+AMELIA. Why does not a thunderbolt cleave the impious tongue which
+utters the criminal proposal! Thou hast murdered my beloved Charles;
+and shall Amelia, his betrothed, call thee husband? Thou?
+
+FRANCIS. Be not so violent, most gracious princess! It is true that
+Francis does not come before you like a whining Celadon--'tis true he
+has not learned, like a lovesick swain of Arcadia, to sigh forth his
+amorous plaints to the echo of caves and rocks. Francis speaks--and,
+when not answered, commands!
+
+AMELIA. Commands? thou reptile! Command me? And what if I laughed
+your command to scorn?
+
+FRANCIS. That you will hardly do. There are means, too, which I know
+of, admirably adapted to humble the pride of a capricious, stubborn
+girl--cloisters and walls!
+
+AMELIA. Excellent! delightful! to be forever secure within cloisters
+and walls from thy basilisk look, and to have abundant leisure to think
+and dream of Charles. Welcome with your cloister! welcome your walls!
+
+FRANCIS. Ha! Is that it? Beware! Now you have taught me the art of
+tormenting you. The sight of me shall, like a fiery-haired fury, drive
+out of your head these eternal phantasies of Charles. Francis shall be
+the dread phantom ever lurking behind the image of your beloved, like
+the fiend-dog that guards the subterranean treasure. I will drag you to
+church by the hair, and sword in hand wring the nuptial vow from your
+soul. By main force will I ascend your virginal couch, and storm your
+haughty modesty with still greater haughtiness.
+
+AMELIA (gives him a slap in the face). Then take that first by way of
+dowry!
+
+FRANCIS. Ha! I will be tenfold, and twice tenfold revenged for this!
+My wife! No, that honor you shall never enjoy. You shall be my
+mistress, my strumpet! The honest peasant's wife shall point her finger
+at you as she passes you in the street. Ay, gnash your teeth as
+fiercely as you please--scatter fire and destruction from your eyes--
+the fury of a woman piques my fancy--it makes you more beautiful, more
+tempting. Come, this resistance will garnish my triumph, and your
+struggles give zest to my embraces. Come, come to my chamber--I burn
+with desire. Come this instant. (Attempts to drag her away).
+
+AMELIA (falls on his neck). Forgive me, Francis! (As he is about to
+clasp her in his arms, she suddenly draws the sword at his side, and
+hastily disengages herself). Do you see now, miscreant, how I am able
+to deal with you? I am only a woman, but a woman enraged. Dare to
+approach, and this steel shall strike your lascivious heart to the core
+--the spirit of my uncle will guide my hand. Avaunt, this instant!
+(She drives him away).
+
+Ah! how different I feel! Now I breathe again--I feel strong as the
+snorting steed, ferocious as the tigress when she springs upon the
+ruthless destroyer of her cubs. To a cloister, did he say? I thank
+thee for the happy thought! Now has disappointed love found a place of
+refuge--the cloister--the Redeemer's bosom is the sanctuary of
+disappointed love. (She is on the point going).
+
+ . . . . . . . . . . . . . . . . . . .
+
+In the acting edition the following scene occurs between Herman and
+Francis, immediately before that with Amelia. As Schiller himself
+thought this among the happiest of his additions, and regretted that it
+was "entirely and very unfortunately overlooked in the first edition,"
+it seems desirable to introduce it here as well as the soliloquy
+immediately following, which has acquired some celebrity.
+
+
+
+ SCENE VIII.
+
+ Enter HERMANN.
+
+FRANCIS. Ha! Welcome, my Euryalus! My prompt and trusty instrument!
+
+HERMANN (abruptly and peevishly). You sent for me, count--why?
+
+FRANCIS. That you might put the seal to your master-piece.
+
+HERMANN (gruffly). Indeed?
+
+FRANCIS. Give the picture its finishing touch.
+
+HERMANN. Poh! Poh!
+
+FRANCIS (startled). Shall I call the carriage? We'll arrange the
+business during the drive?
+
+HERMANN (scornfully). No ceremony, sir, if you please. For any
+business we may have to arrange there is room enough between these four
+walls. At all events I'll just say a few words to you by way of
+preface, which may save your lungs some unnecessary exertion.
+
+FRANCIS (reservedly). Hum! And what may those words be?
+
+HERMANN (with bitter irony). "You shall have Amelia--and that from my
+hand--"
+
+FRANCIS (with astonishment). Hermann!
+
+HERMANN (as before, with his back turned on FRANCIS). "Amelia will
+become the plaything of my will--and you may easily guess the rest-in
+short all will go as we wish" (Breaks into an indignant laugh, and then
+turns haughtily to FRANCIS.) Now, Count von Moor, what have you to say
+to me?
+
+FRANCIS (evasively). To thee? Nothing. I had something to say to
+Hermann.--
+
+HERMANN, No evasion. Why was I sent for hither? Was it to be your dupe
+a second time! and to hold the ladder for a thief to mount? to sell my
+soul for a hangman s fee? What else did you want with me?
+
+FRANCIS (as if recollecting). Ha! It just occurs to me! We must not
+forget the main point. Did not my steward mention it to you? I wanted
+to talk to you about the dowry.
+
+HERMANN. This is mere mockery sir; or, if not mockery, something worse.
+Moor, take care of yourself-beware how you kindle my fury, Moor. We are
+alone! And I have still an unsullied name to stake against yours!
+Trust not the devil, although he be of your own raising.
+
+FRANCIS (with dignity). Does this deportment become thee towards thy
+sovereign and gracious master? Tremble, slave!
+
+HERMANN (ironically). For fear of your displeasure, I suppose? What
+signifies your displeasure to a man who is at war with himself? Fie,
+Moor. I already abhor you as a villain; let me not despise you for a
+fool. I can open graves, and restore the dead to life! Which of us now
+is the slave?
+
+FRANCIS (in a conciliating tone). Come, my good friend, be discreet,
+and do not prove faithless.
+
+HERMANN. Pshaw! To expose a wretch like you is here the best
+discretion--to keep faith with you would be an utter want of sense.
+Faith? with whom? Faith with the prince of liars? Oh, I shudder at the
+thought of such faith. A very little timely faithlessness would have
+almost made a saint of me. But patience! patience! Revenge is cunning
+in resources.
+
+FRANCIS. Ah, by-the-by, I just remember. You lately lost a purse with
+a hundred louis in it, in this apartment. I had almost forgotten it.
+Here, my good friend! take back what belongs to you. (Offers him a
+purse).
+
+HERMANN (throws it scornfully at his feet). A curse on your Judas
+bribe! It is the earnest-money of hell. You once before thought to
+make my poverty a pander to my conscience--but you were mistaken, count!
+egregiously mistaken. That purse of gold came most opportunely--to
+maintain certain persons.
+
+FRANCIS (terrified). Hermann! Hermann! Let me not suspect certain
+things of you. Should you have done anything contrary to my
+instructions--you would be the vilest of traitors!
+
+HERMANN (exultingly). Should I? Should I really? Well then count,
+let me give you a little piece of information! (Significantly.) I will
+fatten up your infamy, and add fuel to your doom. The book of your
+misdeeds shall one day be served up as a banquet, and all the world be
+invited to partake of it. (Contemptuously.) Do you understand me now,
+my most sovereign, gracious, and excellent master?
+
+FRANCIS (starts up, losing all command of himself). Ha! Devil!
+Deceitful impostor! (Striking his forehead.) To think that I should
+stake my fortune on the caprice of an idiot! That was madness! (Throws
+himself, in great excitement, on a couch.)
+
+HERMANN (whistles through his fingers). Wheugh! the biter bit!--
+
+FRANCIS (biting his lip). But it is true, and ever will be true--that
+there is no thread so feebly spun, or which snaps asunder so readily, as
+that which weaves the bands of guilt!--
+
+HERMANN. Gently! Gently! Are angels, then, superseded, that devils
+turn moralists?
+
+FRANCIS (starts up abruptly; to HERMANN with a malignant laugh). And
+certain persons will no doubt acquire much honor by making the
+discovery?
+
+HERMANN (clapping his hands). Masterly! Inimitable! You play your
+part to admiration! First you lure the credulous fool into the slough,
+and then chuckle at the success of your malice, and cry "Woe be to you
+sinner!" (Laughing and clenching his teeth.) Oh, how cleverly these
+imps off the devil manoeuvre. But, count (clapping him on the shoulder)
+you have not yet got your lesson quite perfect--by Heavens! You first
+learn what the losing gamester will hazard. Set fire to the
+powder-magazine, says the pirate, and blow all to hell--both friend
+and foe!
+
+FRANCIS (runs to the wall, and takes down a pistol). Here is treason!
+I must be resolute--
+
+HERMANN (draws a pistol as quickly from his pocket, and presents it at
+him). Don't trouble yourself--one must be prepared for everything with
+you.
+
+FRANCIS (lets the pistol fall, and throws himself on the sofa in great
+confusion). Only keep my council till--till I have collected my
+thoughts.
+
+HERMANN. I suppose till you have hired a dozen assassins to silence my
+tongue forever! Is it not so! But (in his ear) the secret is committed
+to paper, which my heirs will publish.
+ [Exit.]
+
+
+
+
+ SCENE IX.
+
+ FRANCIS, solus.
+
+Francis! Francis! Francis! What is all this? Where was thy courage?
+where thy once so fertile wit? Woe! Woe! And to be betrayed by thy
+own instruments! The pillars of my good fortune are tottering to their
+fall, the fences are broken down, and the raging enemy is already
+bursting in upon me. Well! this calls for some bold and sudden resolve!
+What if I went in person--and secretly plunged this sword in his body?
+A wounded man is but a child. Quick! I'll do it. (He walks with a
+resolute step to the end of the stage, but stops suddenly as if overcome
+by sensations of horror). Who are these gliding behind me? (Rolling
+his eyes fearfully) Faces such as I have never yet beheld. What
+hideous yells do I hear! I feel that I have courage--courage! oh yes to
+overflowing! But if a mirror should betray me? or my shadow! or the
+whistling of the murderous stroke! Ugh! Ugh! How my hair bristles! A
+shudder creeps through my frame. (He lets a poigniard fall from under
+his clothes.) I am no coward--perhaps somewhat too tenderhearted. Yes!
+that is it! These are the last struggles of expiring virtue. I revere
+them. I should indeed be a monster were I to become the murderer of my
+own brother. No! no! no! That thought be far from me! Let me cherish
+this vestige of humanity. I will not murder. Nature, thou hast
+conquered. I still feel something here that seems like--affection. He
+shall live.
+ [Exit.]
+
+ Enter HERMANN, timidly.
+
+HERMANN. Lady Amelia! Lady Amelia!
+
+AMELIA. Unhappy man! why dost thou disturb me?
+
+HERMANN. I must throw this weight from my soul before it drags it down
+to hell. (Falls down before her.) Pardon! pardon! I have grievously
+injured you, Lady Amelia!
+
+AMELIA. Arise! depart! I will hear nothing. (Going.)
+
+HERMANN (detaining her). No; stay! In the name of Heaven! In the name
+of the Eternal! You must know all!
+
+AMELIA. Not another word. I forgive you. Depart in peace. (In the
+act of going.)
+
+HERMANN. Only one word--listen; it will restore all your peace of mind.
+
+AMELIA (turning back and looking at him with astonishment). How,
+friend? Who in heaven or on earth can restore my peace of mind?
+
+HERMANN. One word from my lips can do it. Hear me!
+
+AMELIA (seizing his hand with compassion). Good sir! Can one word from
+thy lips burst asunder the portals of eternity?
+
+HERMANN. (rising). Charles lives!
+
+AMELIA (screaming). Wretch!
+
+HERMANN. Even so. And one word more. Your uncle--
+
+AMELIA. (rushing upon him). Thou liest!
+
+HERMANN. Your uncle--
+
+AMELIA. Charles lives?
+
+HERMANN. And your uncle--
+
+AMELIA. Charles lives?
+
+HERMANN. And your uncle too--betray me not!
+
+ (HERMANN runs off)
+
+AMELIA (stands a long while like one petrified; after which she starts
+up wildly, and rushes after HERMANN.) Charles lives!
+
+
+
+
+ SCENE II.--Country near the Danube.
+
+ THE ROBBERS (encamped on a rising ground, under trees,
+ their horses are grazing below.)
+
+CHARLES. Here must I lie (throwing himself upon the ground). I feel as
+if my limbs were all shattered. My tongue is as dry as a potsherd
+(SCHWEITZER disappears unperceived.) I would ask one of you to bring me
+a handful of water from that stream, but you are all tired to death.
+
+SCHWARZ. Our wine-flasks too are all empty.
+
+CHARLES. See how beautiful the harvest looks! The trees are breaking
+with the weight of their fruit. The vines are full of promise.
+
+GRIMM. It is a fruitful year.
+
+CHARLES. Do you think so? Then at least one toil in the world will be
+repaid. One? Yet in the night a hailstorm may come and destroy it all.
+
+SCHWARZ. That is very possible. It all may be destroyed an hour before
+the reaping.
+
+CHARLES. Just what I say. All will be destroyed. Why should man
+prosper in that which he has in common with the ant, while he fails in
+that which places him on a level with the gods. Or is this the aim and
+limit of his destiny?
+
+SCHWARZ. I know not.
+
+CHARLES. Thou hast said well; and wilt have done better, if thou never
+seekest to know. Brother, I have looked on men, their insect cares and
+their giant projects,--their god-like plans and mouse-like occupations,
+their intensely eager race after happiness--one trusting to the
+fleetness of his horse,--another to the nose of his ass,--a third to his
+own legs; this checkered lottery of life, in which so many stake their
+innocence and their leaven to snatch a prize, and,--blanks are all they
+draw--for they find, too late, that there was no prize in the wheel. It
+is a drama, brother, enough to bring tears into your eyes, while it
+shakes your sides with laughter.
+
+SCHWARZ. How gloriously the sun is setting yonder!
+
+CHARLES (absorbed in the scene). So dies a hero! Worthy of adoration!
+
+SCHWARZ. You seem deeply moved.
+
+CHARLES. When I, was but a boy--it was my darling thought to live like
+him, like him to die--(with suppressed grief.) It was a boyish thought!
+
+GRIMM. It was, indeed.
+
+CHARLES. There was a time--(pressing his hat down upon his face).
+I would be alone, comrades.
+
+SCHWARZ. Moor! Moor! Why, what the deuce! How his color changes.
+
+GRIMM. By all the devils! What ails him? Is he ill?
+
+CHARLES. There was a time when I could not have slept had I forgotten
+my evening prayers.
+
+GRIMM. Are you beside yourself? Would you let the remembrances of your
+boyish years school you now?
+
+CHARLES (lays his head upon the breast of GRIMM). Brother! Brother!
+
+GRIMM. Come! Don't play the child--I pray you
+
+CHARLES. Oh that I were-that I were again a child!
+
+GRIMM. Fie! fie!
+
+SCHWARZ. Cheer up! Behold this smiling landscape--this delicious
+evening!
+
+CHARLES. Yes, friends, this world is very lovely--
+
+SCHWARZ. Come, now, that was well said.
+
+CHARLES. This earth so glorious!--
+
+GRIMM. Right--right--I love to hear you talk thus.
+
+CHARLES. (sinking back). And I so hideous in' this lovely world--
+a monster on this glorious earth!
+
+GRIMM. Oh dear! oh dear!
+
+CHARLES. My innocence! give me back my innocence! Behold, every living
+thing is gone forth to bask in the cheering rays of the vernal sun--why
+must I alone inhale the torments of hell out of the joys of heaven? All
+are so happy, all so united in brotherly love, by the spirit of peace!
+The whole world one family, and one Father above--but He not my father!
+I alone the outcast, I alone rejected from the ranks of the blessed--the
+sweet name of child is not for me--never for me the soul-thrilling
+glance of her I love--never, never the bosom friend's embrace--(starting
+back wildly)--surrounded by murderers--hemmed in by hissing vipers--
+riveted to vice with iron fetters--whirling headlong on the frail reed
+of sin to the gulf of perdition--amid the blooming flowers of a glad
+world, a howling Abaddon!
+
+SCHWARZ (to the others). How strange! I never saw him thus before.
+
+CHARLES (with melancholy). Oh, that I might return again to my mother's
+womb. That I might be born a beggar! I should desire no more,--no
+more, oh heaven!--but that I might be like one of those poor laborers!
+Oh, I would toil till the blood streamed down my temples--to buy myself
+the luxury of one guiltless slumber--the blessedness of a single tear.
+
+GRIMM (to the others). A little patience--the paroxysm is nearly over.
+
+CHARLES. There was a time when my tears flowed so freely. Oh, those
+days of peace! Dear home of my fathers--ye verdant halcyon vales!
+O all ye Elysian scenes of my childhood!--will you never return?--will
+your delicious breezes never cool my burning bosom? Mourn with me,
+Nature, mourn! They will never return! never will their delicious
+breezes cool my burning bosom! They are gone! gone! irrevocably gone!
+
+ Enter SCHWEITZER with water in his hat.
+
+SCHWEITZER (offering him water in his hat). Drink, captain; here is
+plenty of water, and cold as ice.
+
+SCHWARZ. You are bleeding! What have you been doing?
+
+SCHWEITZER. A bit of a freak, you fool, which had well-nigh cost me two
+legs and a neck. As I was frolicking along the steep sandbanks of the
+river, plump, in a moment, the whole concern slid from under me, and I
+after it, some ten fathoms deep;--there I lay, and, as I was recovering
+my five senses, lo and behold, the most sparkling water in the gravel!
+Not so much amiss this time, said I to myself, for the caper I have cut.
+The captain will be sure to relish a drink.
+
+CHARLES (returns him the hat and wipes his face). But you are covered
+with mud, Schweitzer, and we can't see the scar which the Bohemian
+horseman marked on your forehead--your water was good, Schweitzer--and
+those scars become you well.
+
+SCHWEITZER. Bah! There's room for a score or two more yet.
+
+CHARLES. Yes, boys--it was a hot day's work--and only one man lost.
+Poor Roller! he died a noble death. A marble monument would be erected
+to his memory had he died in any other cause than mine. Let this
+suffice. (He wipes the tears from his eyes.) How many, did you say, of
+the enemy were left on the field?
+
+SCHWEITZER. A hundred and sixty huzzars, ninety-three dragoons, some
+forty chasseurs--in all about three hundred.
+
+CHARLES. Three hundred for one! Every one of you has a claim upon this
+head. (He bares his head.) By this uplifted dagger! As my Soul liveth,
+I will never forsake you!
+
+SCHWEITZER. Swear not! You do not know but you may yet be happy, and
+repent your oath.
+
+CHARLES. By the ashes of my Roller! I will never forsake you.
+
+ Enter KOSINSKY.
+
+KOSINSKY (aside). Hereabouts, they say, I shall find him. Ha! What
+faces are these? Should they be--if these--they must be the men! Yes,
+'tis they,'tis they! I will accost them.
+
+SCHWARZ. Take heed! Who goes there?
+
+KOSINSKY. Pardon, sirs. I know not whether I am going right or wrong.
+
+CHARLES. Suppose right, whom do you take us to be?
+
+KOSINSKY. Men!
+
+SCHWEITZER. I wonder, captain, whether we have given any proof of that?
+
+KOSINSKY. I am in search of men who can look death in the face, and let
+danger play around then like a tamed snake; who prize liberty above life
+or honor; whose very names, hailed by the poor and the oppressed, appal
+the boldest, and make tyrants tremble.
+
+SCHWEITZER (to the Captain). I like that fellow. Hark ye, friend! You
+have found your men.
+
+KOSINSKY. So I should think, and I hope soon to find them brothers.
+You can direct me to the man I am looking for. 'Tis your captain, the
+great Count von Moor.
+
+SCHWEITZER (taking him warmly by the hand). There's a good lad. You
+and I must be chums.
+
+CHARLES (coming nearer). Do you know the captain?
+
+KOSINSKY. Thou art he!--in those features--that air--who can look at
+thee, and doubt it? (Looks earnestly at him for some time). I have
+always wished to see the man with the annihilating look, as he sat on
+the ruins of Carthage.* That wish is realized.
+
+ *[Alluding to Caius Marius. See Plutarch's Lives.]
+
+SCHWEITZER. A mettlesome fellow!--
+
+CHARLES. And what brings you to me?
+
+KOSINSKY. Oh, captain! my more than cruel fate. I have suffered
+shipwrecked on the stormy ocean of the world; I have seen all my fondest
+hopes perish; and nought remains to me but a remembrance of the bitter
+past, which would drive me to madness, were I not to drown it by
+directing my energies to new objects.
+
+CHARLES. Another arraignment of the ways of Providence! Proceed.
+
+KOSINSKY. I became a soldier. Misfortune still followed me in the
+army. I made a venture to the Indies, and my ship was shivered on the
+rocks--nothing but frustrated hopes! At last, I heard tell far and wide
+of your valiant deeds, incendiarisms, as they called them, and I came
+straightway hither, a distance of thirty leagues, firmly resolved to
+serve under you, if you will deign to accept my services. I entreat
+thee, noble captain, refuse me not!
+
+SCHWEITZER (with a leap into the air). Hurrah! Hurrah! Our Roller
+replaced ten hundred-fold! An out-and-out brother cut-throat for our
+troop.
+
+CHARLES. What is your name?
+
+KOSINSKY. Kosinsky.
+
+CHARLES. What? Kosinsky! And do you know that you are but a
+thoughtless boy, and are embarking on the most weighty passage of your
+life as heedlessly as a giddy girl? You will find no playing at bowls
+or ninepins here, as you probably imagine.
+
+KOSINSKY. I understand you, sir. I am,'tis true, but four-and-twenty
+years old, but I have seen swords glittering, and have heard balls
+whistling around me.
+
+CHARLES. Indeed, young gentleman? And was it for this that you took
+fencing lessons, to run poor travellers through the body for the sake of
+a dollar, or stab women in the back? Go! go! You have played truant to
+your nurse because she shook the rod at you.
+
+SCHWEITZER. Why, what the devil, captain! what are you about? Do you
+mean to turn away such a Hercules? Does he not look as if he could
+baste Marechal Saxe across the Ganges with a ladle?
+
+CHARLES. Because your silly schemes miscarry, you come here to turn
+rogue and assassin! Murder, boy, do you know the meaning of that word?
+You may have slumbered in peace after cropping a few poppy-heads, but to
+have a murder on your soul--
+
+KOSINSKY. All the murders you bid me commit be upon my head!
+
+CHARLES. What! Are you so nimble-witted? Do you take measure of a man
+to catch him by flattery? How do you know that I am not haunted by
+terrific dreams, or that I shall not tremble on my death-bed?--How much
+have you already done of which you have considered the responsibility?
+
+KOSINSKY. Very little, I must confess; excepting this long journey to
+you, noble count--
+
+CHARLES. Has your tutor let the story of Robin Hood--get into your
+hands? Such careless rascals ought to be sent to the galleys. And has
+it heated your childish fancy, and infected you with the mania of
+becoming a hero? Are you thirsting for honor and fame? Would you buy
+immortality by deeds of incendiarism? Mark me, ambitious youth! No
+laurel blooms for the incendiary. No triumph awaits the victories of
+the bandit--nothing but curses, danger, death, disgrace. Do you see the
+gibbet yonder on the hill?
+
+SPIEGEL (going up and down indignantly). Oh, how stupid! How
+abominably, unpardonably stupid! That's not the way. I went to work
+in a very different manner.
+
+KOSINSKY. What should he fear, who fears not death?
+
+CHARLES. Bravo! Capital! You have made good use of your time at
+school; you have got your Seneca cleverly by heart. But, my good
+friend, you will not be able with these fine phrases to cajole nature
+in the hour of suffering; they will never blunt the biting tooth of
+remorse. Ponder on it well, my son! (Takes him by the hand.) I advise
+you as a father. First learn the depth of the abyss before you plunge
+headlong into it. If in this world you can catch a single glimpse of
+happiness--moments may come when you-awake,--and then--it may be too
+late. Here you step out as it were beyond the pale of humanity--you
+must either be more than human or a demon. Once more, my son! if but
+a single spark of hope glimmer for you elsewhere, fly this fearful
+compact, where nought but despair enters, unless a higher wisdom has so
+ordained it. You may deceive yourself--believe me, it is possible to
+mistake that for strength of mind which in reality is nothing more than
+despair. Take my counsel! mine! and depart quickly.
+
+KOSINSKY. No! I will not stir. If my entreaties fail to move you, hear
+but the story of my misfortunes. And then you will force the dagger
+into my hand as eagerly as you now seek to withhold it. Seat yourselves
+awhile on the grass and listen.
+
+CHARLES. I will hear your story.
+
+KOSINSKY. Know, then, that I am a Bohemian nobleman. By the early
+death of my father I became master of large possessions. The scene of
+my domain was a paradise; for it contained an angel--a maid adorned with
+all the charms of blooming youth, and chaste as the light of heaven.
+But to whom do I talk of this? It falls unheeded on your cars--ye never
+loved, ye were never beloved--
+
+SCHWEITZER. Gently, gently! The captain grows red as fire.
+
+CHARLES. No more! I'll hear you some other time--to-morrow,--or
+by-and-by, or--after I have seen blood.
+
+KOSINSKY. Blood, blood! Only hear on! Blood will fill your whole
+soul. She was of citizen birth, a German--but her look dissolved all
+the prejudices of aristocracy. With blushing modesty she received the
+bridal ring from my hand, and on the morrow I was to have led my AMELIA
+to the altar. (CHARLES rises suddenly.) In the midst of my intoxicating
+dream of happiness, and while our nuptials were preparing, an express
+summoned me to court. I obeyed the summons. Letters were shown me
+which I was said to have written, full of treasonable matter. I grew
+scarlet with indignation at such malice; they deprived me of my sword,
+thrust me into prison, and all my senses forsook me.
+
+SCHWEITZER. And in the meantime--go on! I already scent the game.
+
+KOSINSKY. There I lay a whole month, and knew not what was taking
+place. I was full of anxiety for my Amelia, who I was sure would suffer
+the pangs of death every moment in apprehension of my fate. At last the
+prime minister makes his appearance,--congratulates me in honey-sweet
+words on the establishment of my innocence,--reads to me a warrant of
+discharge,--and returns me my sword. I flew in triumph to my castle, to
+the arms of my Amelia, but she had disappeared! She had been carried
+off, it was said, at midnight, no one knew whither, and no eye had
+beheld her since. A suspicion instantly flashed across my mind. I
+rushed to the capital--I made inquiries at court--all eyes were upon
+me,--no one would give me information. At last I discovered her through
+a grated window of the palace--she threw me a small billet.
+
+SCHWEITZER. Did I not say so?
+
+KOSINSKY. Death and destruction! The contents were these! They had
+given her the choice between seeing me put to death, and becoming the
+mistress of the prince. In the struggle between honor and love she
+chose the latter, and (with a bitter smile) I was saved.
+
+SCHWEITZER. And what did you do then?
+
+KOSINSKY. Then I stood like one transfixed with a thunderbolt! Blood
+was my first thought, blood my last! Foaming at the mouth, I ran to my
+quarters, armed myself with a two-edged sword, and, with all haste,
+rushed to the minister's house, for he--he alone--had been the fiendish
+pander. They must have observed me in the street, for, as I went up, I
+found all the doors fastened. I searched, I enquired. He was gone,
+they said, to the prince. I went straight thither, but nobody there
+would know anything about him. I return, force the doors, find the base
+wretch, and was on the point when five or six servants suddenly rushed
+on me from behind, and wrenched the weapon from my hands.
+
+SCHWEITZER (stamping the ground). And so the fellow got off clear, and
+you lost your labor?
+
+KOSINSKY. I was arrested, accused, criminally prosecuted, degraded,
+and--mark this--transported beyond the frontier, as a special favor. My
+estates were confiscated to the minister, and Amelia remained in the
+clutches of the tiger, where she weeps and mourns away her life, while
+my vengeance must keep a fast, and crouch submissively to the yoke of
+despotism.
+
+SCHWEITZER (rising and whetting his sword). That is grist to our mill,
+captain! There is something here for the incendiaries!
+
+CHARLES (who has been walking up and down in violent agitation, with a
+sudden start to the ROBBERS). I must see her. Up! collect your
+baggage--you'll stay with us, Kosinsky! Quick, pack up!
+
+THE ROBBERS. Where to? What?
+
+CHARLES. Where to? Who asks that question? (Fiercely to SCHWEITZER)
+Traitor, wouldst thou keep me back? But by the hope for heaven!
+
+SCHWEITZER. I, a traitor? Lead on to hell and I will follow you!
+
+CHARLES (falling on his neck). Dear brother! thou shalt follow me. She
+weeps, she mourns away her life. Up! quickly! all of you! to
+Franconia! In a week we must be there.
+ [Exeunt.]
+
+
+
+
+ ACT IV.
+
+ SCENE I.--Rural scenery in the neighborhood of
+ CHARLES VON MOOR'S castle.
+
+ CHARLES VON MOOR, KOSINSKY, at a distance.
+
+CHARLES. Go forward, and announce me. You remember what you have to
+say?
+
+KOSINSKY. You are Count Brand, you come from Mecklenburg. I am your
+groom. Do not fear, I shall take care to play my part. Farewell!
+ [Exit.]
+
+CHARLES. Hail to thee, Earth of my Fatherland (kisses the earth.)
+Heaven of my Fatherland! Sun of my Fatherland! Ye meadows and hills,
+ye streams and woods! Hail, hail to ye all! How deliciously the
+breezes are wafted from my native hills? What streams of balmy perfume
+greet the poor fugitive! Elysium! Realms of poetry! Stay, Moor, thy
+foot has strayed into a holy temple. (Comes nearer.)
+
+See there! the old swallow-nests in the castle yard!---and the little
+garden-gate!--and this corner of the fence where I so often watched in
+ambuscade to teaze old Towzer!--and down there in the green valley,
+where, as the great Alexander, I led my Macedonians to the battle of
+Arbela; and the grassy hillock yonder, from which I hurled the Persian
+satrap--and then waved on high my victorious banner! (He smiles.) The
+golden age of boyhood lives again in the soul of the outcast. I was
+then so happy, so wholly, so cloudlessly happy--and now--behold all my
+prospects a wreck! Here should I have presided, a great, a noble, an
+honored man--here have--lived over again the years of boyhood in the
+blooming--children of my Amelia--here!--here have been the idol of my
+people--but the foul fiend opposed it (Starting.) Why am I here? To
+feel like the captive when the clanking of his chains awakes him from
+his dream of liberty. No, let me return to my wretchedness! The
+captive had forgotten the light of day, but the dream of liberty flashes
+past his eyes like a blaze of lightning in the night, which leaves it
+darker than before. Farewell, ye native vales! once ye saw Charles as a
+boy, and then Charles was happy. Now ye have seen the man his happiness
+turned to despair! (He moves rapidly towards the most distant point of
+the landscape, where he suddenly stops and casts a melancholy look
+across to the castle.) Not to behold her! not even one look?--and only
+a wall between me and Amelia! No! see her I must!--and him too!--though
+it crush me! (He turns back.) Father! father! thy son approaches. Away
+with thee, black, reeking gore! Away with that grim, ghastly look of
+death! Oh, give me but this one hour free! Amelia! Father! thy
+Charles approaches! (He goes quickly towards the castle.) Torment me
+when the morning dawns--give me no rest with the coming night--beset me
+in frightful dreams! But, oh! poison not this my only hour of bliss!
+(He is standing at the gate.) What is it I feel? What means this, Moor?
+Be a man! These death-like shudders--foreboding terrors.
+ [Enters.]
+
+
+
+ SCENE II.*--Gallery in the Castle.
+
+ *[In some editions this is the third scene,
+ and there is no second.]
+
+ Enter CHARLES VON MOOR, AMELIA.
+
+AMELIA. And are you sure that you should know his portrait among these
+pictures?
+
+CHARLES. Oh, most certainly! his image has always been fresh in my
+memory. (Passing along thee pictures.) This is not it.
+
+AMELIA. You are right! He was the first count, and received his patent
+of nobility from Frederic Barbarossa, to whom he rendered some service
+against the corsairs.
+
+CHARLES (still reviewing the pictures). Neither is it this--nor this--
+nor that--it is not among these at all.
+
+AMELIA. Nay! look more attentively! I thought you knew him.
+
+CHARLES. As well as my own father! This picture wants the sweet
+expression around the mouth, which distinguished him from among a
+thousand. It is not he.
+
+AMELIA. You surprise me. What! not seen him for eighteen years, and
+still--
+
+CHARLES (quickly, with a hectic blush). Yes, this is he! (He stands as
+if struck by lightning.)
+
+AMELIA. An excellent man!
+
+CHARLES (absorbed in the contemplation of the picture). Father!
+father! forgive me! Yes, an excellent man! (He wipes his eyes.) A
+godlike man!
+
+AMELIA. You seem to take a deep interest in him.
+
+CHARLES. Oh, an excellent man! And he is gone, you say!
+
+AMELIA. Gone! as our best joys perish. (Gently taking him by the
+hand.) Dear Sir, no happiness ripens in this world.
+
+CHARLES. Most true, most true! And have you already proved this truth
+by sad experience? You, who can scarcely yet have seen your
+twenty-third year?
+
+AMELIA. Yes, alas, I have proved it. Whatever lives, lives to die in
+sorrow. We engage our hearts, and grasp after the things of this world,
+only to undergo the pang of losing them.
+
+CHARLES. What can you have lost, and yet so young?
+
+AMELIA. Nothing--everything--nothing. Shall we go on, count?*
+
+ *[In the acting edition is added--
+ "MOOR. And would you learn forgetfulness in that holy garb there?
+ (Pointing to a nun's habit.)
+ "AMELIA. To-morrow I hope to do so. Shall we continue our walk,
+ sir?"]
+
+CHARLES. In such haste? Whose portrait is that on the right? There is
+an unhappy look about that countenance, methinks.
+
+AMELIA. That portrait on the left is the son of the count, the present
+count. Come, let us pass on!
+
+CHARLES. But this portrait on the right?
+
+AMELIA. Will you not continue your walk, Sir?
+
+CHARLES. But this portrait on the right hand? You are in tears,
+Amelia? [Exit AMELIA, in precipitation.]
+
+CHARLES. She loves me, she loves me! Her whole being began to rebel,
+and the traitor tears rolled down her cheeks. She loves me! Wretch,
+hast thou deserved this at her hands? Stand I not here like a condemned
+criminal before the fatal block? Is this the couch on which we so often
+sat--where I have hung in rapture on her neck? Are these my ancestral
+halls? (Overcome by the sight of his father's portrait.) Thou--thou--
+Flames of fire darting from thine eyes--His curse--His curse--He disowns
+me--Where am I? My sight grows dim--Horrors of the living God--'Twas I,
+'twas I that killed my father!
+ [He rushes off]
+
+ Enter FRANCIS VON MOOR, in deep thought.
+
+FRANCIS. Away with that image! Away with it! Craven heart! Why dost
+thou tremble, and before whom? Have I not felt, during the few hours
+that the count has been within these walls as if a spy from hell were
+gliding at my heels. Methinks I should know him! There is something so
+lofty, so familiar, in his wild, sunburnt features, which makes me
+tremble. Amelia, too, is not indifferent towards him! Does she not
+dart eager, languishing looks at the fellow looks of which she is so
+chary to all the world beside? Did I not see her drop those stealthy
+tears into the wine, which, behind my back, he quaffed so eagerly that
+he seemed to swallow the very glass? Yes, I saw it--I saw it in the
+mirror with my own eyes. Take care, Francis! Look about you! Some
+destruction-brooding monster is lurking beneath all this! (He stops,
+with a searching look, before the portrait of CHARLES.)
+
+His long, crane-like neck--his black, fire-sparkling eyes--hem! hem!--
+his dark, overhanging, bushy eyebrows. (Suddenly starting back.)
+Malicious hell! dost thou send me this suspicion? It is Charles! Yes,
+all his features are reviving before me. It is he! despite his mask!
+it is he! Death and damnation! (Goes up and down with agitated steps.)
+Is it for this that I have sacrificed my nights--that I have mowed down
+mountains and filled up chasms? For this that I have turned rebel
+against all the instincts of humanity? To have this vagabond outcast
+blunder in at last, and destroy all my cunningly devised fabric. But
+gently! gently! What remains to be done is but child's play. Have I
+not already waded up to my very ears in mortal sin? Seeing how far the
+shore lies behind me, it would be madness to attempt to swim back. To
+return is now out of the question. Grace itself would be beggared, and
+infinite mercy become bankrupt, were they to be responsible for all my
+liabilities. Then onward like a man. (He rings the bell.) Let him be
+gathered to the spirit of his father, and now come on! For the dead I
+care not! Daniel! Ho! Daniel! I'd wager a trifle they have already
+inveigled him too into the plot against me! He looks so full of
+mystery!
+
+ Enter DANIEL.
+
+DANIEL. What is your pleasure, my master?
+
+FRANCIS. Nothing. Go, fill this goblet with wine, and quickly! (Exit
+DANIEL.) Wait a little, old man! I shall find you out! I will fix my
+eye upon you so keenly that your stricken conscience shall betray itself
+through your mask! He shall die! He is but a sorry bungler who leaves
+his work half finished, and then looks on idly, trusting to chance for
+what may come of it.
+
+ Enter DANIEL, with the wine.
+
+Bring it here! Look me steadfastly in the face! How your knees knock
+together! How you tremble! Confess, old man! what have you been
+doing?
+
+DANIEL. Nothing, my honored master, by heaven and my poor soul!
+
+FRANCIS. Drink this wine! What? you hesitate? Out with it quickly!
+What have you put into the wine?
+
+DANIEL. Heaven help me! What! I in the wine?
+
+FRANCIS. You have poisoned it! Are you not as white as snow? Confess,
+confess! Who gave it you? The count? Is it not so? The count gave it
+you?
+
+DANIEL. The count? Jesu Maria! The count has not given me anything.
+
+FRANCIS (grasping him tight). I will throttle you till you are black in
+the face, you hoary-headed liar! Nothing? Why, then, are you so often
+closeted together? He, and you, and Amelia? And what are you always
+whispering about? Out with it! What secrets, eh? What secrets has he
+confided to you?
+
+DANIEL. I call the Almighty to witness that he has not confided any
+secrets to me.
+
+FRANCIS. Do you mean to deny it? What schemes have you been hatching
+to get rid of me? Am I to be smothered in my sleep? or is my throat to
+be cut in shaving? or am I to be poisoned in wine or chocolate? Eh?
+Out with it, out with it! Or am I to have my quietus administered in my
+soup? Out with it! I know it all!
+
+DANIEL. May heaven so help me in the hour of need as I now tell you the
+truth, and nothing but the pure, unvarnished truth!
+
+FRANCIS. Well, this time I will forgive you. But the money! he most
+certainly put money into your purse? And he pressed your hand more
+warmly than is customary? something in the manner of an old
+acquaintance?
+
+DANIEL. Never, indeed, Sir.
+
+FRANCIS. He told you, for instance, that he had known you before? that
+you ought to know him? that the scales would some day fall from your
+eyes? that--what? Do you mean to say that he never spoke thus to you?
+
+DANIEL. Not a word of the kind.
+
+FRANCIS. That certain circumstances restrained him--that one must
+sometimes wear a mask in order to get at one's enemies--that he would be
+revenged, most terribly revenged?
+
+DANIEL. Not a syllable of all this.
+
+FRANCIS. What? Nothing at all? Recollect yourself. That he knew the
+old count well--most intimately--that he loved him--loved him
+exceedingly--loved him like a son!
+
+DANIEL. Something of that sort I remember to have heard him say.
+
+FRANCIS (turning pale). Did he say so? did he really? How? let me
+hear! He said he was my brother?
+
+DANIEL (astonished). What, my master? He did not say that. But as
+Lady Amelia was conducting him through the gallery--I was just dusting
+the picture frames--he suddenly stood still before the portrait of my
+late master, and seemed thunderstruck. Lady Amelia pointed it out, and
+said, "An excellent man!" "Yes, a most excellent man!" he replied,
+wiping a tear from his eye.
+
+FRANCIS. Hark, Daniel! You know I have ever been a kind master to you;
+I have given you food and raiment, and have spared you labor in
+consideration of your advanced age.
+
+DANIEL. For which may heaven reward you! and I, on my part, have
+always served you faithfully.
+
+FRANCIS. That is just what I was going to say. You have never in all
+your life contradicted me; for you know much too well that you owe me
+obedience in all things, whatever I may require of you.
+
+DANIEL. In all things with all my heart, so it be not against God and
+my conscience.
+
+FRANCIS. Stuff! nonsense! Are you not ashamed of yourself? An old
+man, and believe that Christmas tale! Go, Daniel! that was a stupid
+remark. You know that I am your master. It is on me that God and
+conscience will be avenged, if, indeed, there be a God and a conscience.
+
+DANIEL (clasping his hands together). Merciful Heaven!
+
+FRANCIS. By your obedience! Do you understand that word? By your
+obedience, I command you. With to-morrow's dawn the count must no
+longer be found among the living.
+
+DANIEL. Merciful Heaven! and wherefore?
+
+FRANCIS. By your blind obedience! I shall rely upon you implicitly.
+
+DANIEL. On me? May the Blessed Virgin have mercy on me! On me? What
+evil, then, have I, an old man, done!
+
+FRANCIS. There is no time now for reflection; your fate is in my hands.
+Would you rather pine away the remainder of your days in the deepest of
+my dungeons, where hunger shall compel you to gnaw your own bones, and
+burning thirst make you suck your own blood? Or would you rather eat
+your bread in peace, and have rest in your old age?
+
+DANIEL. What, my lord! Peace and rest in my old age? And I a
+murderer?
+
+FRANCIS. Answer my question!
+
+DANIEL. My gray hairs! my gray hairs!
+
+FRANCIS. Yes or no!
+
+DANIEL. No! God have mercy upon me!
+
+FRANCIS (in the act of going). Very well! you shall have need of it.
+(DANIEL detains him and falls on his knees before him.)
+
+DANIEL. Mercy, master! mercy!
+
+FRANCIS. Yes or no!
+
+DANIEL. Most gracious master! I am this day seventy-one years of age!
+and have honored my father and my mother, and, to the best of my
+knowledge, have never in the whole course of my life defrauded any one
+to the value of a farthing,--and I have adhered to my creed truly and
+honestly, and have served in your house four-and-forty years, and am now
+calmly awaiting a quiet, happy end. Oh, master! master! (violently
+clasping his knees) and would you deprive me of my only solace in death,
+that the gnawing worm of an evil conscience may cheat me of my last
+prayer? that I may go to my long home an abomination in the sight of God
+and man? No, no! my dearest, best, most excellent, most gracious
+master! you do not ask that of an old man turned threescore and ten!
+
+FRANCIS. Yes or no! What is the use of all this palaver?
+
+DANIEL. I will serve you from this day forward more diligently than
+ever; I will wear out my old bones in your service like a common
+day-laborer; I will rise earlier and lie down later. Oh, and I will
+remember you in my prayers night and morning; and God will not reject
+the prayer of an old man.
+
+FRANCIS. Obedience is better than sacrifice. Did you ever hear of the
+hangman standing upon ceremony when he was told to execute a sentence?
+
+DANIEL. That is very true? but to murder an innocent man--one--
+
+FRANCIS. Am I responsible to you? Is the axe to question the hangman
+why he strikes this way and not that? But see how forbearing I am. I
+offer you a reward for performing what you owe me in virtue of your
+allegiance.
+
+DANIEL. But, when I swore allegiance to you, I at least hoped that I
+should be allowed to remain a Christian.
+
+FRANCIS. No contradiction! Look you! I give you the whole day to
+think about it! Ponder well on it. Happiness or misery. Do you hear--
+do you understand? The extreme of happiness or the extreme of misery!
+I can do wonders in the way of torture.
+
+DANIEL (after some reflection). I'll do it; I will do it to-morrow.
+ [Exit.]
+
+FRANCIS. The temptation is strong, and I should think he was not born
+to die a martyr to his faith. Have with you, sir count! According to
+all ordinary calculations, you will sup to-morrow with old Beelzebub.
+In these matters all depends upon one's view of a thing; and he is a
+fool who takes any view that is contrary to his own interest. A father
+quaffs perhaps a bottle of wine more than ordinary--he is in a certain
+mood--the result is a human being, the last thing that was thought of in
+the affair. Well, I, too, am in a certain mood,--and the result is that
+a human being perishes; and surely there is more of reason and purpose
+in this than there was in his production. If the birth of a man is the
+result of an animal paroxysm, who should take it into his head to attach
+any importance to the negation of his birth? A curse upon the folly of
+our nurses and teachers, who fill our imaginations with frightful tales,
+and impress fearful images of punishment upon the plastic brain of
+childhood, so that involuntary shudders shake the limbs of the man with
+icy fear, arrest his boldest resolutions, and chain his awakening reason
+in the fetters of superstitious darkness. Murder! What a hell full of
+furies hovers around that word. Yet 'tis no more than if nature forgets
+to bring forth one man more or the doctor makes a mistake--and thus the
+whole phantasmagoria vanishes. It was something, and it is nothing.
+Does not this amount to exactly the same thing as though it had been
+nothing, and came to nothing; and about nothing it is hardly worth while
+to waste a word. Man is made of filth, and for a time wades in filth,
+and produces filth, and sinks back into filth, till at last he fouls the
+boots of his own posterity.*
+
+ *["To what base uses we may return, Horatio! why, may not
+ imagination trace the noble dust of Alexander, till we find it
+ stopping a bunghole?"--HAMLET, Act v, Sc. 1.]
+
+That is the burden of the song--the filthy cycle of human fate; and with
+that--a pleasant journey to you, sir brother! Conscience, that
+splenetic, gouty moralist, may drive shrivelled old drones out of
+brothels, and torture usurers on their deathbeds--with me it shall never
+more have audience.
+ [Exit.]
+
+
+
+
+ SCENE III.--Another Room in the Castle.
+
+ CHARLES VON MOOR enters from one side, DANIEL from the other.
+
+CHARLES (hastily). Where is Lady Amelia?
+
+DANIEL. Honored sir! permit an old man to ask you a favor.
+
+CHARLES. It is granted. What is it you ask?
+
+DANIEL. Not much, and yet all--but little, and yet a great deal.
+Suffer me to kiss your hand!
+
+CHARLES. That I cannot permit, good old man (embraces him), from one
+whom I should like to call my father.
+
+DANIEL. Your hand, your hand! I beseech you.
+
+CHARLES. That must not be.
+
+DANIEL. It must! (He takes hold of it, surveys it quickly, and falls
+down before him.) Dear, dearest Charles!
+
+CHARLES (startled; he composes himself, and says in a distant tone).
+What mean you, my friend? I don't understand you.
+
+DANIEL. Yes, you may deny it, you may dissemble as much as you please?
+'Tis very well! very well. For all that you are my dearest, my
+excellent young master. Good Heaven! that I, poor old man, should live
+to have the joy--what a stupid blockhead was I that I did not at a
+glance--oh, gracious powers! And you are really come back, and the dear
+old master is underground, and here you are again! What a purblind dolt
+I was, to be sure! (striking his forehead) that I did not on the
+instant--Oh, dear me!---who could have dreamt it--What I have so often
+prayed for with tears--Oh, mercy me! There he stands again, as large as
+life, in the old room!
+
+CHARLES. What's all this oration about? Are you in a fit of delirium,
+and have escaped from your keepers; or are you rehearsing a
+stage-player's part with me?
+
+DANIEL. Oh, fie! fie! It is not pretty of you to make game of an old
+servant. That scar! Eh! do you remember it? Good Heaven! what a
+fright you put me into--I always loved you so dearly; and what misery
+you might have brought upon me. You were sitting in my lap--do you
+remember? there in the round chamber. Has all that quite vanished from
+your memory--and the cuckoo, too, that you were so fond of listening to?
+Only think! the cuckoo is broken, broken all to shivers--old Susan
+smashed it in sweeping the room--yes, indeed, and there you sat in my
+lap, and cried, "Cockhorse!" and I ran off to fetch your wooden horse--
+mercy on me! what business had I, thoughtless old fool, to leave you
+alone--and how I felt as if I were in a boiling caldron when I heard you
+screaming in the passage; and, when I rushed in, there was your red
+blood gushing forth, and you lying on the ground. Oh, by the Blessed
+Virgin! did I not feel as if a bucket of icy cold water was emptied all
+over me?--but so it happens, unless one keeps all one's eyes upon
+children. Good Heaven! if it had gone into your eye! Unfortunately it
+happened to be the right hand. "As long as I live," said I, "never
+again shall any child in my charge get hold of a knife or scissors, or
+any other edge tool." 'Twas lucky for me that both my master and
+mistress were gone on a journey. "Yes, yes! this shall be a warning to
+me for the rest of my life," said I--Gemini, Gemini! I might have lost
+my place, I might--God forgive you, you naughty boy--but, thank Heaven!
+it healed fairly, all but that ugly scar.
+
+CHARLES. I do not comprehend one word of all that you are talking
+about.
+
+DANIEL. Eh? eh? that was the time! was it not? How many a ginger-cake,
+and biscuit, and macaroon, have I slipped into your hands--I was always
+so fond of you. And do you recollect what you said to me down in the
+stable, when I put you upon old master's hunter, and let you scamper
+round the great meadow? "Daniel!" said you, "only wait till I am grown
+a big man, and you shall be my steward, and ride in the coach with me."
+"Yes," said I, laughing, "if heaven grants me life and health, and you
+are not ashamed of the old man," I said, "I shall ask you to let me have
+the little house down in the village, that has stood empty so long; and
+then I will lay in a few butts of good wine, and turn publican in my old
+age." Yes, you may laugh, you may laugh! Eh, young gentleman, have you
+quite forgotten all that? You do not want to remember the old man, so
+you carry yourself strange and loftily;--but, you are my jewel of a
+young master, for all that. You have, it is true, been a little bit
+wild--don't be angry!--as young blood is apt to be! All may be well yet
+in the end.
+
+CHARLES (falls on his neck). Yes! Daniel! I will no longer hide it
+from you! I am your Charles, your lost Charles! And now tell me, how
+does my Amelia?
+
+DANIEL (begins to cry). That I, old sinner, should live to have this
+happiness--and my late blessed master wept so long in vain! Begone,
+begone, hoary old head! Ye weary bones, descend into the grave with
+joy! My lord and master lives! my own eyes have beheld him!
+
+CHARLES. And he will keep his promise to you. Take that, honest
+graybeard, for the old hunter (forces a heavy purse upon him). I have
+not forgotten the old man.
+
+DANIEL. How? What are you doing? Too much! You have made a mistake.
+
+CHARLES. No mistake, Daniel! (DANIEL is about to throw himself on his
+knees before him.) Rise! Tell me, how does my Amelia?
+
+DANIEL. Heaven reward you! Heaven reward you! O gracious me! Your
+Amelia will never survive it, she will die for joy?
+
+CHARLES (eagerly). She has not forgotten me then?
+
+DANIEL. Forgotten you? How can you talk thus? Forgotten you, indeed!
+You should have been there, you should have seen how she took on, when
+the news came of your death, which his honor caused to be spread
+abroad--
+
+CHARLES. What do you say? my brother--
+
+DANIEL. Yes, your brother; his honor, your brother--another day I will
+tell you more about it, when we have time--and how cleverly she sent him
+about his business when he came a wooing every blessed day, and offered
+to make her his countess. Oh, I must go; I must go and tell her; carry
+her the news (is about to run of).
+
+CHARLES. Stay! stay! she must not know--nobody must know, not even my
+brother!
+
+DANIEL. Your brother? No, on no account; he must not know it!
+Certainly not! If he know not already more than he ought to know. Oh,
+I can tell you, there are wicked men, wicked brothers, wicked masters;
+but I would not for all my master's gold be a wicked servant. His honor
+thought you were dead.
+
+CHARLES. Humph! What are you muttering about?
+
+DANIEL (in a half-suppressed voice). And to be sure when a man rises
+from the dead thus uninvited--your brother was the sole heir of our late
+master!
+
+CHARLES. Old man! what is it you are muttering between your teeth, as
+if some dreadful secret were hovering on your tongue which you fear to
+utter, and yet ought? Out with it!
+
+DANIEL. But I would rather gnaw my old bones with hunger, and suck my
+own blood for thirst, than gain a life of luxury by murder.
+ [Exit hastily.]
+
+CHARLES (starting up, after a terrible pause). Betrayed! Betrayed! It
+flashes upon my soul like lightning! A fiendish trick! A murderer and
+a robber through fiend-like machinations! Calumniated by him! My
+letters falsified, suppressed! his heart full of love! Oh, what a
+monstrous fool was I! His fatherly heart full of love! oh, villainy,
+villainy! It would have cost me but once kneeling at his feet--a tear
+would have done it--oh blind, blind fool that I was! (running up
+against the wall). I might have been happy--oh villainy, villainy!
+
+Knavishly, yes, knavishly cheated out of all happiness in this life!
+(He runs up and down in a rage.) A murderer, a robber, all through a
+knavish trick! He was not even angry! Not a thought of cursing ever
+entered his heart. Oh, miscreant! inconceivable, hypocritical,
+abominable miscreant!
+
+ Enter KOSINSKY.
+
+KOSINSKY. Well, captain, where are you loitering? What is the matter?
+You are for staying here some time longer, I perceive?
+
+CHARLES. Up! Saddle the horses! Before sunset we must be over the
+frontier!
+
+KOSINSKY. You are joking.
+
+CHARLES (in a commanding tone). Quick! quick! delay not! leave every
+thing behind! and let no eye see you!
+ (Exit KOSINSKY.)
+
+I fly from these walls. The least delay might drive me raving mad; and
+he my father's son! Brother! brother! thou hast made me the most
+miserable wretch on earth; I never injured thee; this was not brotherly.
+Reap the fruits of thy crime in quiet, my presence shall no longer
+embitter thy enjoyment--but, surely, this was not acting like a brother.
+May oblivion shroud thy misdeed forever, and death not bring it back to
+light.
+
+ Enter KOSINSKY.
+
+KOSINSKY. The horses are ready saddled, you can mount as soon as you
+please.
+
+CHARLES. Why in such haste? Why so urgent? Shall I see her no more?
+
+KOSINSKY. I will take off the bridles again, if you wish it; you bade
+me hasten head over heels.
+
+CHARLES. One more farewell! one more! I must drain this poisoned cup
+of happiness to the dregs, and then--Stay, Kosinsky! Ten minutes more--
+behind, in the castle yard--and we gallop off.
+
+
+
+
+ Scene IV.--In the Garden.
+
+AMELIA. "You are in tears, Amelia!" These were his very words--and
+spoken with such expressionsuch a voice!--oh, it summoned up a thousand
+dear remembrances!--scenes of past delight, as in my youthful days of
+happiness, my golden spring-tide of love. The nightingale sung with the
+same sweetness, the flowers breathed the same delicious fragrance, as
+when I used to hang enraptured on his neck.*
+
+ *[Here, in the acting edition, is added, 'Assuredly, if the spirits
+ of the departed wander among the living, then must this stranger be
+ Charles's angel!']
+
+Ha! false, perfidious heart! And dost thou seek thus artfully to veil
+thy perjury? No, no! begone forever from my soul, thou sinful image!
+I have not broken my oath, thou only one! Avaunt, from my soul, ye
+treacherous impious wishes! In the heart where Charles reigns no son
+of earth may dwell. But why, my soul, dost thou thus constantly, thus
+obstinately turn towards this stranger? Does he not cling to my heart
+in the very image of my only one! Is he not his inseparable companion
+in my thoughts? "You are in tears, Amelia?" Ha! let me fly from him!--
+--fly!--never more shall my eyes behold this stranger!
+ [CHARLES opens the garden gate.]
+
+AMELIA (starting). Hark! hark! did I not hear the gate creak? (She
+perceives CHARLES and starts up.) He?--whither?--what? I am rooted to
+the spot,--I can not fly! Forsake me not, good Heaven! No! thou shalt
+not tear me from my Charles! My soul has no room for two deities, I am
+but a mortal maid! (She draws the picture of CHARLES from her bosom.)
+Thou, my Charles! be thou my guardian angel against this stranger, this
+invader of our loves! At thee will I look, at thee, nor turn away my
+eyes--nor cast one sinful look towards him! (She sits silent, her eyes
+fixed upon the picture.)
+
+CHARLES. You here, Lady Amelia?--and so sad? and a tear upon that
+picture? (AMELIA gives him no answer.) And who is the happy man for
+whom these silver drops fall from an angel's eyes? May I be permitted
+to look at--(He endeavors to look at the picture.)
+
+AMELIA. No--yes--no!
+
+CHARLES (starting back). Ha--and does he deserve to be so idolized?
+Does he deserve it?
+
+AMELIA. Had you but known him!
+
+CHARLES. I should have envied him.
+
+AMELIA. Adored, you mean.
+
+CHARLES. Ha!
+
+AMELIA. Oh, you would so have loved him?---there was so much, so much
+in his face--in his eyes--in the tone of his voice,--which was so like
+yours--that I love so dearly! (CHARLES casts his eyes down to the
+ground.) Here, where you are standing, he has stood a thousand times--
+and by his side, one who, by his side, forgot heaven and earth. Here
+his eyes feasted on nature's most glorious panorama,--which, as if
+conscious of his approving glance, seemed to increase in beauty under
+the approbation of her masterpiece. Here he held the audience of the
+air captive with his heavenly music. Here, from this bush, he plucked
+roses, and plucked those roses for me. Here, here, he lay on my neck;
+here he imprinted burning kisses on my lips, and the flowers hung their
+heads with pleasure beneath the foot-tread of the lovers.*
+
+ *[In the acting edition the scene changes materially at this point,
+ and the most sentimental part of the whole drama is transformed
+ into the most voluptuous. The stage direction here is,--(They give
+ way to their transports without control, and mingle their kisses.
+ MOOR hangs in ecstacy on her lips, while she sinks half delirious
+ on the couch.) O Charles! now avenge thyself; my vow is broken.
+
+ MOOR (tearing himself away from her, as if in frenzy). Can this be
+ hell that still pursues me! (Gazing on her.) I felt so happy!
+
+ AMELIA (perceiving the ring upon her finger, starts up from the
+ couch). What! Art thou still there--on that guilty hand? Witness
+ of my perjury. Away with thee! (She pulls the ring from her
+ finger and gives it to CHARLES.) Take it--take it, beloved
+ seducer! and with it what I hold most sacred--take my all--my
+ Charles! (She falls back upon the couch.)
+
+ MOOR (changes color). O thou Most High! was this thy almighty
+ will? It is the very ring I gave her in pledge of our mutual
+ faith. Hell be the grave of love! She has returned my ring.
+
+ AMELIA (terrified). Heavens! What is the matter? Your eyes roll
+ wildly, and your lips are pale as death! Ah! woe is me. And are
+ the pleasures of thy crime so soon forgotten?
+
+ MOOR (suppressing his emotion). 'Tis nothing! Nothing! (Raising
+ his eyes to heaven.) I am still a man! (He takes of his own ring
+ and puts it on AMELIA'S finger.) In return take this! sweet fury of
+ my heart! And with it what I hold most sacred--take my all--my
+ Amelia!
+
+ AMELIA (starting up). Your Amelia!
+
+ MOOR (mournfully). Oh, she was such a lovely maiden, and faithful
+ as an angel. When we parted we exchanged rings, and vowed eternal
+ constancy. She heard that I was dead--believed it--yet remained
+ constant to the dead. She heard again that I was living--yet
+ became faithless to the living. I flew into her arms--was happy
+ as--the blest in Paradise. Think what my heart was doomed to feel,
+ Amelia! She gave me back my ring--she took her own.
+
+ AMELIA (her eyes fixed on the earth in amazement). 'Tis strange,
+ most strange! 'Tis horrible!
+
+ MOOR. Ay, strange and horrible! My child, there is much--ay, much
+ for man to learn ere his poor intellect can fathom the decrees of
+ Him who smiles at human vows and weeps at human projects. My
+ Amelia is an unfortunate maiden!
+
+ AMELIA. Unfortunate! Because she rejected you?
+
+ MOOR. Unfortunate. Because she embraced the man she betrayed.
+
+ AMELIA (with melancholy tenderness). Oh, then, she is indeed
+ unfortunate! From my soul I pity her! She shall be my sister.
+ But there is another and a better world."]
+
+
+CHARLES. He is no more?
+
+AMELIA. He sails on troubled seas--Amelia's love sails with him. He
+wanders through pathless, sandy deserts--Amelia's love clothes the
+burning sand with verdure, and the barren shrubs with flowers. Southern
+suits scorch his bare head, northern snows pinch his feet, tempestuous
+hail beats down on his temples, but Amelia's love lulls him to sleep in
+the midst of the storm. Seas, and mountains, and skies, divide the
+lovers--but their souls rise above this prison-house of clay, and meet
+in the paradise of love. You appear sad, count!
+
+CHARLES. These words of love rekindle my love.
+
+AMELIA (pale). What? You love another? Alas! what have I said?
+
+CHARLES. She believed me dead, and in my supposed death she remained
+faithful to me--she heard again that I was alive, and she sacrificed for
+me the crown of a saint. She knows that I am wandering in deserts, and
+roaming about in misery, yet her love follows me on wings through
+deserts and through misery. Her name, too, like yours, is Amelia.
+
+AMELIA. How I envy your Amelia!
+
+CHARLES. Oh, she is an unhappy maid. Her love is fixed upon one who is
+lost--and it can never--never be rewarded.
+
+AMELIA. Say not so! It will be rewarded in heaven. Is it not agreed
+that there is a better world, where mourners rejoice, and where lovers
+meet again?
+
+CHARLES. Yes, a world where the veil is lifted--where the phantom love
+will make terrible discoveries--Eternity is its name. My Amelia is an
+unhappy maid.
+
+AMELIA. Unhappy, and loves you?*
+
+ *[In the acting edition the scene closes with a different
+ denouement. Amelia here says, "Are all unhappy who live with you,
+ and bear the name of Amelia.
+ "CHARLES. Yes, all--when they think they embrace an angel, and
+ find in their arms--a murderer. Alas, for my Amelia! She is
+ indeed unfortunate.
+ "AMELIA (with an expression of deep affliction). Oh, I must weep
+ for her.
+ "CHARLES (grasping her hand, and pointing to the ring). Weep for
+ thyself.
+ "AMELIA (recognizing the ring). Charles! Charles! O heaven and
+ earth!
+ (She sinks fainting; the scene closes.)"]
+
+
+CHARLES. Unhappy, because she loves me! What if I were a murderer?
+How, Lady Amelia, if your lover could reckon you up a murder for every
+one of your kisses? Woe to my Amelia! She is an unhappy maid.
+
+AMELIA (gayly rising). Ha! What a happy maid am I! My only one is a
+reflection of Deity, and Deity is mercy and compassion! He could not
+bear to see a fly suffer. His soul is as far from every thought of
+blood as the sun is from the moon. (CHARLES suddenly turns away into a
+thicket, and looks wildly out into the landscape. AMELIA sings, playing
+the guitar.)
+
+ Oh! Hector, wilt thou go forevermore,
+ Where fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ Who then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallowed up in Xanthus' wave?
+
+CHARLES (silently tunes the guitar, and plays).
+
+ Beloved wife!--stern duty calls to arms
+ Go, fetch my lance! and cease those vain alarms!
+
+ [He flings the guitar away, and rushes off.]
+
+
+
+
+ SCENE V.--A neighboring forest. Night. An old ruined
+ castle in the centre of the scene.
+
+ The band of ROBBERS encamped on the ground.
+
+ The ROBBERS singing.
+
+ To rob, to kill, to wench, to fight,
+ Our pastime is, and daily sport;
+ The gibbet claims us morn and night,
+ So let's be jolly, time is short.
+
+ A merry life we lead, and free,
+ A life of endless fun;
+ Our couch is 'neath the greenwood tree,
+ Through wind and storm we gain our fee,
+ The moon we make our sun.
+ Old Mercury is our patron true,
+ And a capital chap for helping us through.
+
+ To-day we make the abbot our host,
+ The farmer rich to-morrow;
+ And where we shall get our next day's roast,
+ Gives us nor care nor sorrow.
+
+ And, when with Rhenish and rare Moselle
+ Our throats we have been oiling,
+ Our courage burns with a fiercer swell,
+ And we're hand and glove with the Lord of Hell,
+ Who down in his flames is broiling.
+
+ For fathers slain the orphans' cries,
+ The widowed mothers' moan and wail,
+ Of brides bereaved the whimpering sighs,
+ Like music sweet, our ears regale.
+
+ Beneath the axe to see them writhe,
+ Bellow like calves, fall dead like flies;
+ Such bonny sights, and sounds so blithe,
+ With rapture fill our ears and eyes.
+
+ And when at last our death-knell rings--
+ The devil take that hour!
+ Payment in full the hangman brings,
+ And off the stage we scour.
+ On the road a glass of good liquor or so,
+ Then hip! hip! hip! and away we go!
+
+
+SCHWEITZER. The night is far advanced, and the captain has not yet
+returned.
+
+RAZ. And yet he promised to be back before the clock struck eight.
+
+SCHWEITZER. Should any harm have befallen him, comrades, wouldn't we
+kindle fires! ay, and murder sucking babes?
+
+SPIEGEL. (takes RAZMANN aside). A word in your ear, Razmann!
+
+SCHWARZ (to GRIMM). Should we not send out scouts?
+
+GRIMM. Let him alone. He no doubt has some feat in hand that will put
+us to shame.
+
+SCHWEITZER. Then you are out, by old Harry! He did not part from us
+like one that had any masterpiece of roguery in view. Have you
+forgotten what he said as he marched us across the heath? "The fellow
+that takes so much as a turnip out of a field, if I know it, leaves his
+head behind him, as true as my name is Moor." We dare not plunder.
+
+RAZ. (aside to SPIEGELBERG). What are you driving at? Speak plainer.
+
+SPIEGEL. Hush! hush! I know not what sort of a notion you and I have of
+liberty, that we should toil under the yoke like bullocks, while we are
+making such wonderful fine speeches about independence. I like it not.
+
+SCHWEITZER (to GRIMM). What crotchet has that swaggering booby got in
+his numskull, I wonder?
+
+RAZ. (aside to SPIEGELBERG). Is it the captain you mean?--
+
+SPIEGEL. Hush! I tell you; hush! He has got his eavesdroppers all
+around us. Captain, did you say? Who made him captain over us? Has he
+not, in fact, usurped that title, which by right belongs to me? What?
+Is it for this that we stake our lives--that we endure all the splenetic
+caprices of fortunes--that we may in the end congratulate ourselves upon
+being the serfs of a slave? Serfs! When we might be princes? By
+heaven! Razmann, I could never brook it.
+
+SCHWEITZER (overhearing him--to the others). Yes--there's a hero for
+you! He is just the man to do mighty execution upon frogs with stones.
+The very breath of his nostrils, when he sneezes, would blow you through
+the eye of a needle.
+
+SPIEGEL. (to RAZMANN). Yes--and for years I have been intent upon it.
+There must be an alteration, Razmann. If you are the man I always took
+you for--Razmann! He is missing--he is almost given up--Razmann--
+methinks his hour is come. What? does not the color so much as mount to
+your cheek when you hear the chimes of liberty ringing in your ears?
+Have you not courage enough to take the hint?
+
+RAZ. Ha! Satan! What bait art thou spreading for my soul?
+
+SPIEGEL. Does it take? Good! then follow me! I have marked in what
+direction he slunk off. Come along! a brace of pistols seldom fail;
+and then--we shall be the first to strangle sucking babes. (He
+endeavors to draw him of.)
+
+SCHWEITZER (enraged, draws his sword). Ha! caitiff! I have overheard
+you! You remind me, at the right moment, of the Bohemian forest! Were
+not you the coward that began to quail when the cry arose, "the enemy is
+coming!" I then swore by my soul--(They fight, SPIEGELBERG is killed.)
+To the devil with thee, assassin!
+
+ROBBERS (in agitation). Murder! murder!--Schweitzer!--Spiegelberg!--
+Part them!
+
+SCHWEITZER (throwing the sword on the body). There let him rot! Be
+still, my comrades! Don't let such a trifle disturb you. The brute has
+always been inveterate against the captain and has not a single scar on
+his whole body. Once more, be still. Ha, the scoundrel! He would stab
+a man behind his back--skulk and murder! Is it for this that the hot
+sweat has poured down us in streams? that we may sneak out of the world
+at last like contemptible wretches? The brute! Is it for this that we
+have lived in fire and brimstone? To perish at last like rats?
+
+GRIMM. But what the devil, comrade, were you after? What were you
+quarreling about? The captain will be furious.
+
+SCHWEITZER. Be that on my head. And you, wretch (to RAZMANN) you were
+his accomplice, you! Get out of my sight! Schufterle was another of
+your kidney, but he has met his deserts in Switzerland--has been hanged,
+as the captain prophesied. (A shot is heard.)
+
+SCHWARZ (jumping up). Hark! a pistol shot! (Another shot is heard.)
+Another! Hallo! the captain!
+
+GRIMM. Patience! If it be he, there will be a third. (The third shot
+is heard.)
+
+SCHWARZ. 'Tis he! 'Tis the captain! Absent yourself awhile,
+Schweitzer--till we explain to him! (They fire.)
+
+ Enter CHARLES VON MOOR and KOSINSKY.
+
+SCHWEITZER (running to meet them). Welcome, captain. I have been
+somewhat choleric in your absence. (He conducts him to the corpse.) Be
+you judge between him and me. He meant to waylay and assassinate you.
+
+ROBBERS (in consternation). What; the captain?
+
+CHARLES (after fixing his eyes for some time upon the corpse, with a
+sudden burst of feeling). Oh, incomprehensible finger of the avenging
+Nemesis! Was it not he whose siren song seduced me to be what I am?
+Let this sword be consecrated to the dark goddess of retribution! That
+was not thy deed, Schweitzer.
+
+SCHWEITZER. By heaven, it was mine, though! and, as the devil lives,
+it is not the worst deed I have done in my time. (Turns away moodily.)
+
+CHARLES (absorbed in thought). I comprehend--Great Ruler in heaven--
+I comprehend. The leaves fall from the trees, and my autumn is come.
+Remove this object from my sight! (The corpse of SPIEGELBERG is carried
+out.)
+
+GRIMM. Give us your orders, captain! What shall we do next?
+
+CHARLES. Soon--very soon--all will be accomplished. Hand me my lute;
+I have lost myself since I have been there. My lute, I say--I must
+nurse up my strength again. Leave me!
+
+ROBBERS. 'Tis midnight, captain.
+
+CHARLES. They were only stage tears after all. Let me bring to memory
+the song of the old Roman, that my slumbering genius may wake up again.
+Hand me my lute. Midnight, say you?
+
+SCHWARZ. Yes, and past, too! Our eyes are as heavy as lead. For three
+days we have not slept a wink.
+
+CHARLES. What? does balmy sleep visit the eyes of murderers? Why doth
+it flee mine? I never was a coward, nor a villain. Lay yourselves to
+rest. At day-break we march.
+
+ROBBERS. Good night, captain. (They stretch them selves on the ground
+and fall asleep.)
+
+
+ Profound silence. CHARLES VON MOOR takes up his
+ guitar, and plays.
+
+
+BRUTUS.
+Oh, be ye welcome, realms of peace and rest!
+Receive the last of all the sons of Rome!
+From dread Philippi's field, where all the best
+Fell bleeding in her cause, I wearied come.
+Cassius, no more! And Rome now prostrate laid!
+My brethren all lie weltering in their gore!
+No refuge left but Hades' gloomy shade;
+No hope remains!--No world for Brutus more!
+
+CAESAR.
+Who's he that, with a hero's lofty bearing,
+Comes striding o'er yon mountain's rocky bed?
+Unless my eyes deceive, that noble daring
+Bespeaks the Roman warrior's fearless tread.
+Whence, son of Tiber, do thy footsteps bend!
+Say, stands the seven-hilled city firmly yet?
+No Caesar there, to be the soldiers friend!
+Full oft has he that orphaned city wept.
+
+BRUTUS.
+Ha! thou of three-and-twenty wounds! Avaunt!
+Thou unblest shade, what calls thee back to light?
+Down with thee, down, to Pluto's deepest haunt,
+And shroud thy form in black, eternal night,
+Proud mourner! triumph not to learn our fall!
+Phillippi's altars reek with freedom's blood?
+The bier of Brutus is Rome's funeral pall;
+He Minos seeks. Hence to thy Stygian flood!
+
+CAESAR.
+That death-stroke, Brutus, which thy weapon hurled!
+Thou, too, Brutus?--that thou shouldst be my foe!
+Oh, son! It was thy father! Son! The world
+Was thine by heritage! Now proudly go,
+Well mayst thou claim to be the chief in glory,
+'Twas thy fell sword that pierced thy father's heart!
+Now go--and at yon gates relate thy story--
+Say Brutus claims to be the chief in glory,
+'Twas his fell sword that pierced his father's heart!
+Go--Now thou'rt told what staid me on this shore,
+Grim ferryman, push off, and swiftly ply thine oar.
+
+BRUTUS.
+Stay, father, stay! Within the whole bright round
+Of Sol's diurnal course I knew but one
+Who to compare with Caesar could be found;
+And that one, Caesar, thou didst call thy son!
+'Twas only Caesar could destroy a Rome;
+Brutus alone that Caesar could withstand--
+Where Brutus lives, must Caesar die! Thy home
+Be far from mine. I'll seek another land.
+
+ [He lays down his guitar, and walks to and
+ fro in deep meditation.]
+
+Who will give me certainty! All is so dark--a confused labyrinth--no
+outlet--no guiding star. Were but all to end with this last gasp of
+breath. To end, like an empty puppet-show. But why then this burning
+thirst after happiness? Wherefore this ideal of unattained perfection?
+This looking to an hereafter for the fulfilment of our hopes? If the
+paltry pressure of this paltry thing (putting a pistol to his head)
+makes the wise man and the fool--the coward and the brave--the noble and
+the villain equal?--the harmony which pervades the inanimate world is so
+divinely perfect--why, then, should there be such discord in the
+intellectual? No! no! there must be something beyond, for I have not
+yet attained to happiness.
+
+Think ye that I will tremble, spirits of my slaughtered victims? No,
+I will not tremble. (Trembling violently.) The shrieks of your dying
+agonies--your black, convulsive features--your ghastly bleeding wounds--
+what are they all but links of one indissoluble chain of destiny, which
+hung upon the temperament of my father, the life's blood of my mother,
+the humors of my nurses and tutors, and even upon the holiday pastimes
+of my childhood! (Shaking with horror.) Why has my Perillus made of me
+a brazen bull, whose burning entrails yearn after human flesh? (He
+lifts the pistol again to his head.)
+
+Time and Eternity!--linked together by a single instant! Fearful key,
+which locks behind me the prisonhouse of life, and opens before me the
+habitations of eternal night--tell me--oh, tell me--whither--whither
+wilt thou lead me? Strange, unexplored land! Humanity is unnerved at
+the fearful thought, the elasticity of our finite nature is paralyzed,
+and fancy, that wanton ape of the senses, juggles our credulity with
+appalling phantoms. No! no! a man must be firm. Be what thou wilt,
+thou undefined futurity, so I remain but true to myself. Be what thou
+wilt, so I but take this inward self hence with me. External forms are
+but the trappings of the man. My heaven and my hell is within.
+
+What if Thou shouldst doom me to be sole inhabitant of some burnt-out
+world which thou hast banished from thy sight, where darkness and
+never-ending desolation were all my prospect; then would my creative
+brain people the silent waste with its own images, and I should have
+eternity for leisure to unravel the complicated picture of universal
+wretchedness. Or wilt thou make me pass through ever-repeated births
+and ever-changing scenes of misery, stage by stage*--to annihilation?
+
+ [This and other passages will remind the reader of Cato's soliloquy
+ "It must be so, Plato; thou reasonest well." But the whole bears a
+ strong resemblance to Hamlet's "To be or not to be;" and some
+ passages in Measure for Measure, Act iii, Sc. 1.]
+
+Can I not burst asunder the life-threads woven for me in another world
+as easily as I do these? Thou mayest reduce me into nothing; but Thou
+canst not take from me this power. (He loads the pistol, and then
+suddenly pauses.) And shall I then rush into death from a coward fear
+of the ills of life? Shall I yield to misery the palm of victory over
+myself? No! I will endure it! (He flings the pistol away.) Misery
+shall blunt its edge against my pride! Be my destiny fulfilled! (It
+grows darker and darker.)
+
+HERMANN (coming through the forest). Hark! hark! the owl screeches
+horribly--the village clock strikes twelve. Well, well--villainy is
+asleep--no listeners in these wilds. (He goes to the castle and
+knocks.) Come forth, thou man of sorrow! tenant of the miserable
+dungeon! thy meal awaits thee.
+
+CHARLES (stepping gently back, unperceived). What means this?
+
+VOICE (from within the castle). Who knocks? Is it you, Hermann, my
+raven?
+
+HERMANN. Yes, 'tis Hermann, your raven. Come to the grating and eat.
+(Owls are screeching.) Your night companions make a horrid noise, old
+man! Do you relish your repast?
+
+VOICE. Yes--I was very hungry. Thanks to thee, thou merciful sender of
+ravens, for this thy bread in the wilderness! And how is my dear child,
+Hermann?
+
+HERMANN. Hush!--hark!--A noise like snoring! Don't you hear something?
+
+VOICE. What? Do you hear anything?
+
+HERMANN. 'Tis the whistling of the wind through the crannies of the
+tower--a serenading which makes one's teeth chatter, and one's nails
+turn blue. Hark! tis there again. I still fancy I hear snoring. You
+have company, old man. Ugh! ugh! ugh!
+
+VOICE. Do you see anything?
+
+HERMANN. Farewell! farewell! this is a fearful place. Go down into
+your bole,--thy deliverer, thy avenger is above. Oh! accursed son! (Is
+about to fly.)
+
+CHARLES (stepping forth with horror). Stand!
+
+HERMANN (screaming). Oh, me!*
+
+ *[In the acting edition Hermann, instead of this, says,--
+ 'Tis one of his spies for certain, I have lost all fear (draws his
+ sword). Villain, defend yourself! You have a man before you.]
+
+ MOOR. I'll have an answer (strikes the sword out of his hand).
+ What boots this childish sword-play? Didst thou not speak of
+ vengeance? Vengeance belongs especially to me--of all men on
+ earth. Who dares interfere with my vocation?
+
+ HERMANN (starts back in affright). By heaven! That man was not
+ born of woman. His touch withers like the stroke of death.
+
+ VOICE. Alas, Hermann! to whom are you speaking?
+
+ MOOR. What! still those sounds? What is going on there? (Runs
+ towards the tower.) Some horrible mystery, no doubt, lies concealed
+ in that tower. This sword shall bring it to light.
+
+ HERMANN (comes forward trembling). Terrible stranger! art thou
+ the demon of this fearful desert--or perhaps 'one of the ministers
+ of that unfathonable retribution who make their circuit in this
+ lower world, and take account of all the deeds of darkness? Oh!
+ if thou art, be welcome to this tower of horrors!
+
+ MOOR. Well guessed, wanderer of the night! You have divined my
+ function. Exterminating Angel is my name; but I am flesh and blood
+ like thee. Is this some miserable wretch, cast out of men, and
+ buried in this dungeon? I will loosen his chains. Once more,
+ speak! thou voice of terror Where is the door?
+
+ HERMANN. As soon could Satan force the gates of heaven as thou
+ that door. Retire, thou man of might! The genius of the wicked is
+ beyond the ordinary powers of man.
+
+ MOOR. But not the craft of robbers. (He takes some pass-keys from
+ his pocket.) For once I thank heaven I've learned that craft!
+ These keys would mock hell's foresight. (He takes a key, and opens
+ the gate of the tower. An old man comes from below emaciated like
+ a skeleton. MOOR springs back with of right.) Horrible spectre!
+ my father!
+
+CHARLES. Stand! I say.
+
+HERMANN. Woe! woe! woe! now all is discovered!
+
+CHARLES. Speak! Who art thou? What brought thee here? Speak!
+
+HERMANN. Mercy, mercy! gracious sir! Hear but one word before you
+kill me.
+
+CHARLES (drawing his sword). What am I to hear?
+
+HERMANN. 'Tis true, he forbade me at the peril of my life--but I could
+not help it--I dare not do otherwise--a God in heaven--your own
+venerable father there--pity for him overcame me. Kill me, if you will!
+
+CHARLES. There's some mystery here--Out with it! Speak! I must know
+all.
+
+VOICE (from the castle). Woe! woe! Is it you, Hermann, that are
+speaking? To whom are you speaking, Hermann?
+
+CHARLES. Some one else down there? What is the meaning of all this?
+(Runs towards the castle.) It is some prisoner whom mankind have cast
+off! I will loosen his chains. Voice! Speak! Where is the door?
+
+HERMANN. Oh, have mercy, sir--seek no further, I entreat--for mercy's
+sake desist! (He stops his way.)
+
+CHARLES. Locks, bolts, and bars, away! It must come out. Now, for the
+first time, come to my aid, thief-craft! (He opens the grated iron door
+with, housebreaking tools. An OLD MAN, reduced to a skeleton, comes up
+from below.)
+
+THE OLD MAN. Mercy on a poor wretch! Mercy!
+
+CHARLES (starts back in terror). That is my father's voice!
+
+OLD MOOR. I thank thee, merciful Heaven! The hour of deliverance has
+arrived.
+
+CHARLES. Shade of the aged Moor! what has disturbed thee in thy grave?
+Has thy soul left this earth charged with some foul crime that bars the
+gates of Paradise against thee? Say?--I will have masses read, to send
+thy wandering spirit to its home. Hast thou buried in the earth the
+gold of widows and orphans, that thou art driven to wander howling
+through the midnight hour? I will snatch the hidden treasure from the
+clutches of the infernal dragon, though he should vomit a thousand
+redhot flames upon me, and gnash his sharp teeth against my sword. Or
+comest thou, at my request, to reveal to me the mysteries of eternity?
+Speak, thou! speak! I am not the man to blanch with fear!
+
+OLD MOOR. I am not a spirit. Touch me--I live but oh! a life indeed of
+misery!
+
+CHARLES. What! hast thou not been buried?
+
+OLD MOOR. I was buried--that is to say, a dead dog lies in the vault of
+my ancestors, and I have been pining for three long moons in this dark
+and loathsome dungeon, where no sunbeam shines, no warm breeze
+penetrates, where no friend is seen, where the hoarse raven croaks and
+owls screech their midnight concert.
+
+CHARLES. Heaven and earth! Who has done this?
+
+OLD MOOR. Curse him not! 'Tis my son, Francis, who did this.
+
+CHARLES. Francis? Francis? Oh, eternal chaos!
+
+OLD MOOR. If thou art a man, and hast a human heart--oh! my unknown
+deliverer--then listen to a father's miseries which his own sons have
+heaped upon him. For three long moons I have moaned my pitiful tale to
+these flinty walls--but all my answer was an empty echo, that seemed to
+mock my wailings. Therefore, if thou art a man, and hast a human
+heart--
+
+CHARLES. That appeal might move even wild beasts to pity.
+
+OLD MOOR. I lay upon a sick bed, and had scarcely begun to recover a
+little strength, after a dangerous illness, when a man was brought to
+me, who pretended that my first-born had fallen in battle. He brought a
+sword stained with his blood, and his last farewell--and said that my
+curse had driven him into battle, and death, and despair.
+
+CHARLES (turning away in violent agitation). The light breaks in upon
+me!
+
+OLD MOOR. Hear me on! I fainted at the dreadful news. They must have
+thought me dead; for, when I recovered my senses, I was already in my
+coffin, shrouded like a corpse. I scratched against the lid. It was
+opened--'twas in the dead of night--my son Francis stood before me--
+"What!" said he, with a tremendous voice, "wilt thou then live forever?"
+--and with this he slammed-to the lid of the coffin. The thunder of
+these words bereft me of my senses; when I awoke again, I felt that the
+coffin was in motion, and being borne on wheels. At last it was opened
+--I found myself at the entrance of this dungeon--my son stood before
+me, and the man, too, who had brought me the bloody sword from Charles.
+I fell at my son's feet, and ten times I embraced his knees, and wept,
+and conjured, and supplicated, but the supplications of a father reached
+not his flinty heart. "Down with the old carcass!" said he, with a
+voice of thunder, "he has lived too long;"--and I was thrust down
+without mercy, and my son Francis closed the door upon Me.
+
+CHARLES. Impossible!--impossible! Your memory or senses deceive you.
+
+OLD MOOR. Oh, that it were so! But hear me on, and restrain your rage!
+There I lay for twenty hours, and not a soul cared for my misery. No
+human footstep treads this solitary wild, for 'tis commonly believed
+that the ghosts of my ancestors drag clanking chains through these
+ruins, and chant their funeral dirge at the hour of midnight. At last
+I heard the door creak again on its hinges; this man opened it, and
+brought me bread and water. He told me that I had been condemned to die
+of hunger, and that his life was in danger should it be discovered that
+he fed me. Thus has my miserable existence been till now sustained--but
+the unceasing cold--the foul air of my filthy dungeon--my incurable
+grief--have exhausted my strength, and reduced my body to a skeleton. A
+thousand times have I implored heaven, with tears, to put an end to my
+sufferings--but doubtless the measure of my punishment is not
+fulfilled,--or some happiness must be yet in store for me, for which he
+deigns thus miraculously to preserve me. But I suffer justly--my
+Charles! my Charles!--and before there was even a gray hair on his Head!
+
+CHARLES. Enough! Rise! ye stocks, ye lumps of ice! ye lazy unfeeling
+sleepers! Up! will none of you awake? (He fires a pistol over their
+heads.)
+
+THE ROBBERS (starting up). Ho! hallo! hallo! what is the matter?
+
+CHARLES. Has not that tale shaken you out of your sleep? 'Tis enough
+to break the sleep eternal! See here, see here! The laws of the world
+have become mere dice-play; the bonds of nature are burst asunder; the
+Demon of Discord has broken loose, and stalks abroad triumphant! the Son
+has slain his Father!
+
+THE ROBBERS. What does the captain say?
+
+CHARLES. Slain! did I say? No, that is too mild a term! A son has
+a thousand-fold broken his own father on the wheel,--impaled, racked,
+flayed him alive!--but all these words are too feeble to express what
+would make sin itself blush and cannibals shudder. For ages, no devil
+ever conceived a deed so horrible. His own father!--but see, see him!
+he has fainted away! His own father--the son--into this dungeon--cold--
+naked--hungry--athirst--Oh! see, I pray you, see!--'tis my own father,
+in very truth it is.
+
+THE ROBBERS (come running and surround the old man). Your father?
+Yours?
+
+SCHWEITZER (approaches him reverently, and falls on his knees before
+him). Father of my captain! let me kiss thy feet! My dagger is at thy
+command.
+
+CHARLES. Revenge, revenge, revenge! thou horribly injured, profaned
+old man! Thus, from this moment, and forever, I rend in twain all ties
+of fraternity. (He rends his garment from top to bottom.) Here, in the
+face of heaven, I curse him--curse every drop of blood which flows in
+his veins! Hear me, O moon and stars! and thou black canopy of night,
+that lookest down upon this horror! Hear me, thrice terrible avenger.
+Thou who reignest above yon pallid orb, who sittest an avenger and a
+judge above the stars, and dartest thy fiery bolts through darkness on
+the head of guilt! Behold me on my knees behold me raise this hand
+aloft in the gloom of night--and hear my oath--and may nature vomit me
+forth as some horrible abortion from out the circle of her works if I
+break that oath! Here I swear that I will never more greet the light of
+day, till the blood of that foul parricide, spilt upon this stone, reeks
+in misty vapor towards heaven. (He rises.)
+
+ROBBERS. 'Tis a deed of hell! After this, who shall call us villains?
+No! by all the dragons of darkness we never have done anything half so
+horrible.
+
+CHARLES. True! and by all the fearful groans of those whom your daggers
+have despatched--of those who on that terrible day were consumed by
+fire, or crushed by the falling tower--no thought of murder or rapine
+shall be harbored in your breast, till every man among you has dyed his
+garments scarlet in this monster's blood. It never, I should think,
+entered your dreams, that it would fall to your lot to execute the
+great decrees of heaven? The tangled web of our destiny is unravelled!
+To-day, to-day, an invisible power has ennobled our craft! Worship Him
+who has called you to this high destiny, who has conducted you hither,
+and deemed ye worthy to be the terrible angels of his inscrutable
+judgments! Uncover your heads! Bow down and kiss the dust, and rise up
+sanctified. (They kneel.)
+
+SCHWEITZER. Now, captain, issue your commands! What shall we do?
+
+CHARLES. Rise, Schweitzer! and touch these sacred locks! (Leading him
+to his father, and putting a lock of hair in his hand.) Do you remember
+still, how you, cleft the skull of that Bohemian trooper, at the moment
+his sabre was descending on my head, and I had sunk down on my knees,
+breathless and exhausted? 'Twas then I promised thee a reward that
+should be right royal. But to this hour I have never been able to
+discharge that debt.
+
+SCHWEITZER. You swore that much to me, 'tis true; but let me call you
+my debtor forever!
+
+CHARLES. No; now will I repay thee, Schweitzer! No mortal has yet been
+honored as thou shalt be. I appoint thee avenger of my father's wrongs!
+(SCHWEITZER rises.)
+
+SCHWEITZER. Mighty captain! this day you have, for the first time, made
+me truly proud! Say, when, where, how shall I smite him?
+
+CHARLES. The minutes are sacred. You must hasten to the work. Choose
+the best of the band, and lead them straight to the count's castle!
+Drag him from his bed, though he sleep, or he folded in the arms of
+pleasure! Drag him from the table, though he be drunk! Tear him from
+the crucifix, though he lie on his knees before it! But mark my words--
+I charge thee, deliver him into my hands alive! I will hew that man to
+pieces, and feed the hungry vultures with his flesh, who dares but graze
+his skin, or injure a single hair of his head! I must have him whole.
+Bring him to me whole and alive, and a million shall be thy reward.
+I'll plunder kings at the risk of my life, but thou shalt have it, and
+go free as air. Thou hast my purpose--see it done!
+
+SCHWEITZER. Enough, captain! here is my hand upon it. You shall see
+both of us, or neither. Come, Schweitzer's destroying angels, follow
+me! (Exit with a troop.)
+
+CHARLES. The rest of you disperse in the forest--I remain here.
+
+
+
+
+ ACT V.
+
+ SCENE I. A vista of rooms. Dark night.
+
+ Enter DANIEL, with a lantern and a bundle.
+
+DANIEL. Farewell, dear home! How many happy days have I enjoyed within
+these walls, while my old master lived. Tears to thy memory, thou whom
+the grave has long since devoured! He deserves this tribute from an old
+servant. His roof was the asylum of orphans, the refuge of the
+destitute, but this son has made it a den of murderers. Farewell, thou
+dear floor! How often has old Daniel scrubbed thee! Farewell, dear
+stove, old Daniel takes a heavy leave of thee. All things had grown so
+familiar to thee,--thou wilt feel it sorely, old Eleazar. But heaven
+preserve me through grace from the wiles and assault of the tempter.
+Empty I came hither--empty I will depart,--but my soul is saved! (He is
+in the act of going out, when he is met by FRANCIS, rushing in, in his
+dressing-gown.) Heaven help me! Master! (He puts out his lantern.)
+
+FRANCIS. Betrayed! betrayed! The spirit of the dead are vomited from
+their graves. The realm of death, shaken out of its eternal slumber,
+roars at me, "Murderer, murderer!" Who moves there?
+
+DANIEL (frightened). Help, holy Virgin! help! Is it you, my gracious
+master, whose shrieks echo so terribly through the castle that every one
+is aroused out of his sleep?
+
+FRANCIS. Sleep? And who gave thee leave to sleep? Go, get lights!
+(Exit DANIEL. Enter another servant.) No one shall sleep at this hour.
+Do you hear? All shall be awake--in arms--let the guns be loaded! Did
+you not see them rushing through yon vaulted passages?
+
+SERVANT. See whom, my lord?
+
+FRANCIS. Whom? you dolt, slave! And do you, with a cold and vacant
+stare, ask me whom? Have they not beset me almost to madness? Whom?
+blockhead! whom? Ghosts and demons! How far is the night advanced?
+
+SERVANT. The watch has just called two.
+
+FRANCIS. What? will this eternal night last till doomsday? Did you
+hear no tumult near? no shout of victory? no trampling of horses?
+Where is Char--the Count, I would say?
+
+SERVANT. I know not, my lord.
+
+FRANCIS. You know not? And are you too one of his gang? I'll tread
+your villain's heart out through your ribs for that infernal "I know
+not!" Begone, fetch the minister!
+
+SERVANT. My lord!
+
+FRANCIS. What! Do you grumble? Do you demur? (Exit servant hastily.)
+Do my very slaves conspire against me? Heaven, earth, and hell--all
+conspire against me!
+
+DANIEL (returns with a lighted candle). My lord!
+
+FRANCIS. Who said I trembled? No!--'twas but a dream. The dead still
+rest in their graves! Tremble! or pale? No, no! I am calm--quite
+tranquil.
+
+DANIEL. You are as pale as death, my lord; your voice is weak and
+faltering.
+
+FRANCIS. I am somewhat feverish. When the minister comes be sure you
+say I am in a fever. Say that I intend to be bled in the morning.
+
+DANIEL. Shall I give you some drops of the balsam of life on sugar?
+
+FRANCIS. Yes, balsam of life on sugar! The minister will not be here
+just yet. My voice is weak and faltering. Give me of the balsam of
+life on sugar!
+
+DANIEL. Let me have the keys, I will go down to the closet and get it.
+
+FRANCIS. No! no! no! Stay!--or I will go with you. You see I must not
+be left alone! How easily I might, you see--faint--if I should be left
+alone. Never mind, never mind! It will pass off--you must not leave
+me.
+
+DANIEL. Indeed, Sir, you are ill, very ill.
+
+FRANCIS. Yes, just so, just so, nothing more. And illness, you know,
+bewilders the brain, and breeds strange and maddening dreams. What
+signify dreams? Dreams come from the stomach and cannot signify
+anything. Is it not so, Daniel? I had a very comical dream just now.
+(He sinks down fainting.)
+
+DANIEL. Oh, merciful heaven! what is this? George!--Conrad!
+Sebastian! Martin! Give but some sign of life! (Shaking him.) Oh, the
+Blessed Virgin! Oh, Joseph! Keep but your reason! They will say I
+have murdered him! Lord have mercy upon me!
+
+FRANCIS (confused). Avaunt!--avaunt!--why dost thou glare upon me thus,
+thou horrible spectre? The time for the resurrection of the dead is not
+yet come.
+
+DANIEL. Merciful heavens! he has lost his senses.
+
+FRANCIS (recovering himself gradually). Where am I? You here, Daniel?
+What have I said? Heed it not. I have told a lie, whatever I said.
+Come, help me up! 'T was only a fit of delirium--because--because--I
+have not finished my night's rest.
+
+DANIEL. If John were but here! I'll call for help--I'll send for the
+physician.
+
+FRANCIS. Stay! Seat yourself by my side on this sofa! There. You are
+a sensible man, a good man. Listen to my dream!
+
+DANIEL. Not now; another time! Let me lead you to bed; you have great
+need of rest.
+
+FRANCIS. No, no; I prythee, listen, Daniel, and have a good laugh at
+me. You must know I fancied that I held a princely banquet, my heart
+was merry, and I lay stretched on the turf in the castle garden; and all
+on a sudden--it was at midday--and all on a sudden--but mind you have a
+good laugh at me!
+
+DANIEL. All on a sudden.
+
+FRANCIS. All on a sudden a tremendous peal of thunder struck upon my
+slumbering ear; I started up staggering and trembling; and lo, it seemed
+as if the whole hemisphere had burst forth in one flaming sheet of fire,
+and mountains, and cities, and forests melted away like wax in the
+furnace; and then rose a howling whirlwind, which swept before it the
+earth, and the sea, and heaven; then came a sound, as from brazen
+trumpets, "Earth, give up thy dead: sea, give up thy dead!" and the open
+plains began to heave, and to cast up skulls, and ribs, and jawbones,
+and legs, which drew together into human bodies, and then came sweeping
+along in dense, interminable masses--a living deluge. Then I looked up,
+and lo! I stood at the foot of the thundering Sinai, and above me was a
+multitude, and below me a multitude; and on the summit of the mountain,
+on three smoking thrones, sat three men, before whose gaze all creation
+trembled.
+
+DANIEL. Why, this is a living picture of the day of judgment.
+
+FRANCIS. Did I not tell you? Is it not ridiculous stuff? And one
+stepped forth who, to look upon, was like a starlight night; he had in
+his hand a signet ring of iron, which he held up between the east and
+the west, and said, "Eternal, holy, just, immutable! There is but one
+truth; there is but one virtue! Woe, woe, woe! to the doubting sinner!"
+Then stepped forth a second, who had in his hand a flashing mirror,
+which he held up between the east and west, and said, "This is the
+mirror of truth; hypocrisy and deceit cannot look on it." Then was I
+terrified, and so were all, for we saw the forms of snakes, and tigers,
+and leopards reflected from that fearful mirror. Then stepped forth a
+third, who had in his hand a brazen balance, which he held up between
+the east and the west, and said, "Approach, ye sons of Adam! I weigh
+your thoughts in the balance of my wrath! and your deeds with the weight
+of my fury!"
+
+DANIEL. The Lord have mercy upon me!
+
+FRANCIS. They all stood pale and trembling, and every heart was panting
+with fearful expectation. Then it seemed to me as if I heard my name
+called the first from out the thunders of the mountain, and the
+innermost marrow froze within my bones, and my teeth chattered loudly.
+Presently the clang of the balance was heard, the rocks sent forth
+thunders, and the hours glided by, one after the other, towards the left
+scale, and each threw into it a mortal sin!
+
+DANIEL. Oh, may God forgive you!
+
+FRANCIS. He forgave me not! The left scale grew mountains high, but the
+other, filled with the blood of atonement, still outweighed it. At last
+came an old man, heavily bowed down with grief, his arm gnawed through
+with raging hunger. Every eye turned away in horror from the sight. I
+knew the man--he cut off a lock of his silver hair, and cast it into the
+scale of my sins, when to! in an instant, it sank down to the abyss, and
+the scale of atonement flew up on high. Then heard I a voice, issuing
+like thunder from the bowels *[Some editions of the original read Rauch
+(smoke), some Bauch, as translated.] of the mountain, "Pardon, pardon to
+every sinner of the earth and of the deep! Thou alone art rejected!"
+(A profound pause.) Well, why don't you laugh?
+
+DANIEL. Can I laugh while my flesh creeps? Dreams come from above.
+
+FRANCIS. Pshaw! pshaw! Say not so! Call me a fool, an idiot, an
+absurd fool! Do, there's a good Daniel, I entreat of you; have a hearty
+laugh at me!
+
+DANIEL. Dreams come from God. I will pray for you.
+
+FRANCIS. Thou liest, I tell thee. Go, this instant, run! be quick!
+see where the minister tarries all this time; tell him to come quickly,
+instantly! But, I tell thee, thou liest!
+
+DANIEL. Heaven have mercy upon you!
+ [Exit.]
+
+FRANCIS. Vulgar prejudice! mere superstition! It has not yet been
+proved that the past is not past and forgotten, or that there is an eye
+above this earth to take account of what passes on it. Humph! Humph!
+But whence, then, this fearful whisper to my soul? Is there really an
+avenging judge above the stars? No, no! Yes, yes! A fearful monitor
+within bears witness that there is One above the stars who judgeth!
+What! meet the avenger above the stars this very night? No, no! I say.
+All is empty, lonely, desolate, beyond the stars. Miserable subterfuge,
+beneath which thy cowardice seeks to hide itself. And if there should
+be something in it after all? No! no! it cannot be. I insist that it
+cannot be! But yet, if there should be! Woe to thee if thy sins should
+all have been registered above!--if they should be counted over to thee
+this very night! Why creeps this shudder through my frame? To die!
+Why does that word frighten me thus? To give an account to the Avenger,
+there, above the stars! and if he should be just--the wails of orphans
+and widows, of the oppressed, the tormented, ascending to his ears, and
+he be just? Why have they been afflicted? And why have I been
+permitted to trample upon them?
+
+ Enter PASTOR MOSER.
+
+MOSER. Your lordship sent for me! I am surprised! The first time in
+my life! Is it to scoff at religion, or does it begin to make you
+tremble?
+
+FRANCIS. I may scoff or I may tremble, according as you shall answer
+me. Listen to me, Moser, I will prove that you are a fool, or wish to
+make fools of others, and you shall answer me. Do you hear? At the
+peril of your life you shall answer me.
+
+MOSER. 'Tis a higher Being whom you summon before your tribunal. He
+will answer you hereafter.
+
+FRANCIS. I will be answered now, this instant, that I may not commit
+the contemptible folly of calling upon the idol of the vulgar under the
+pressure of suffering. I have often, in bumpers of Burgundy, tauntingly
+pledged you in the toast, "There is no God!" Now I address myself to
+you in earnest, and I tell you there is none? You shall oppose me with
+all the weapons in your power; but with the breath of my lips I will
+blow them away.
+
+MOSER. 'Twere well that you could also blow away the thunder which will
+alight upon your proud soul with ten thousand times ten thousand tons'
+weight! That omniscient God, whom you--fool and miscreant--are denying
+in the midst of his creation, needeth not to justify himself by the
+mouth of dust. He is as great in your tyrannies as in the sweetest
+smile of triumphant virtue.
+
+FRANCIS. Uncommonly well said, parson. Thus I like you.
+
+MOSER. I stand here as steward of a greater Master, and am addressing
+one who, like myself, is a sinner--one whom I care not to please. I
+must indeed be able to work miracles, to extort the acknowledgment from
+your obdurate wickedness--but if your conviction is so firm, why have
+you sent for me in the middle of the night?
+
+FRANCIS. Because time hangs heavy on my hands, and the chess-board has
+ceased to have any attraction. I wish to amuse myself in a tilt with
+the parson. Your empty terrors will not unman my courage. I am well
+aware that those who have come off short in this world look forward to
+eternity; but they will be sadly disappointed. I have always read that
+our whole body is nothing more than a blood-spring, and that, with its
+last drop, mind and thought dissolve into nothing. They share all the
+infirmities of the body; why, then, should they not cease with its
+dissolution? Why not evaporate in its decomposition? Let a drop of
+water stray into your brain, and life makes a sudden pause, which
+borders on non-existence, and this pause continued is death. Sensation
+is the vibration of a few chords, which, when the instrument is broken,
+cease to sound. If I raze my seven castles--if I dash this Venus to
+pieces--there is an end of their symmetry and beauty. Behold! thus is
+it with your immortal soul!
+
+MOSER. So says the philosophy of your despair. But your own heart,
+which knocks against your ribs with terror even while you thus argue,
+gives your tongue the lie. These cobwebs of systems are swept away by
+the single word--"Thou must die!" I challenge you, and be this the
+test: If you maintain your firmness in the hour of death; if your
+principles do not then miserably desert you, you shall be admitted to
+have the best of the argument. But if, in that dread hour, the least
+shudder creeps over you, then woe be to you! you have deceived yourself.
+
+FRANCIS (disturbed). If in the hour of death a shudder creeps over me?
+
+MOSER. I have seen many such wretches before now, who set truth at
+defiance up to that point; but at the approach of death the illusion
+vanished. I will stand at your bedside when you are dying--I should
+much like to see a tyrant die. I will stand by, and look you
+steadfastly in the face when the physician takes your cold, clammy hand,
+and is scarcely able to detect your expiring pulse; and when he looks
+up, and, with a fearful shake of the head, says to you, "All human aid
+is in vain!" Beware, at that moment, beware, lest you look like Richard
+and Nero!
+
+FRANCIS. No! no!
+
+MOSER. Even that very "No" will then be turned to a howling "Yea!" An
+inward tribunal, which you can no longer cheat with sceptical delusions,
+will then wake up and pass judgment upon you. But the waking up will be
+like that of one buried alive in the bowels of the churchyard; there
+will come remorse like that of the suicide who has committed the fatal
+act and repents it;--'twill be a flash of lightning suddenly breaking in
+upon the midnight darkness of your life! There will be one look, and,
+if you can sustain that, I will admit that you have won!
+
+FRANCIS (walking up and down restlessly). Cant! Priestly cant!
+
+MOSER. Then, for the first time, will the sword of eternity pass
+through your soul;--and then, for the first time, too late, the thought
+of God will wake up a terrible monitor, whose name is Judge. Mark this,
+Moor; a thousand lives hang upon your beck; and of those thousand every
+nine hundred and ninety-nine have been rendered miserable by you. You
+wanted but the Roman empire to be a Nero, the kingdom of Peru to be a
+Pizarro. Now do you really think that the Almighty will suffer a worm
+like you to play the tyrant in His world and to reverse all his
+ordinances? Do you think the nine hundred and ninety-nine were created
+only to be destroyed, only to serve as puppets in your diabolical game?
+Think it not! He will call you to account for every minute of which you
+have robbed them, every joy that you have poisoned, every perfection
+that you have intercepted. Then, if you can answer Him--then, Moor,
+I will admit that you have won.
+
+FRANCIS. No more, not another word! Am I to be at the mercy of thy
+drivelling fancies?
+
+MOSER. Beware! The different destinies of mankind are balanced with
+terrible nicety. The scale of life which sinks here will rise there,
+and that which rises here will sink there. What was here temporary
+affliction will there be eternal triumph; and what here was temporary
+triumph will there be eternal despair.
+
+FRANCIS (rushing savagely upon him.) May the thunder of heaven strike
+thee dumb, thou lying spirit! I will tear thy venomed tongue out of thy
+mouth!
+
+MOSER. Do you so soon feel the weight of truth? Before I have brought
+forward one single word of evidence? Let me first proceed to the
+proofs--
+
+FRANCIS. Silence! To hell with thee and thy proofs! The soul is
+annihilated, I tell thee, and I will not be gainsaid!
+
+MOSER. That is what the spirits of the bottomless pit are hourly
+moaning for; but heaven denies the boon. Do you hope to escape from the
+Avenger's arm even in the solitary waste of nothingness? If you climb
+up into heaven, he is there! if you make your bed in hell, behold he is
+there also! If you say to the night, "Hide me!" and to the darkness,
+"Cover me!" even the night shall be light about you, and darkness blaze
+upon your damned soul like a noonday sun.
+
+FRANCIS. But I do not wish to be immortal--let them be so that like;
+I have no desire to hinder them. I will force him to annihilate me;
+I will so provoke his fury that he may utterly destroy me. Tell me
+which are the greatest sins--which excite him to the most terrible
+wrath?
+
+MOSER. I know but two. But men do not commit these, nor do men even
+dream of them.
+
+FRANCIS. What are they?
+
+MOSER (very significantly). Parricide is the name of the one;
+fratricide of the other. Why do you turn so suddenly pale?
+
+FRANCIS. What, old man? Art thou in league with heaven or with hell?
+Who told thee that?
+
+MOSER. Woe to him that hath them both upon his soul! It were better
+for that man that he had never been born! But be at peace; you have no
+longer either a father or a brother!
+
+FRANCIS. Ha! what! Do you know no greater sin? Think again! Death,
+heaven, eternity, damnation, hang upon thy lips. Not one greater?
+
+MOSER. No, not one
+
+FRANCIS (falling back in a chair). Annihilation! annihilation!
+
+MOSER. Rejoice, then, rejoice! Congratulate yourself! With all your
+abominations you are yet a saint in comparison with a parricide. The
+curse that falls upon you is a love ditty in comparison with the curse
+that lies upon him. Retribution--
+
+FRANCIS (starting up). Away with thee! May the graves open and swallow
+thee ten thousand fathoms deep, thou bird of ill omen! Who bade thee
+come here? Away, I tell thee, or I will run thee through and through!
+
+MOSER. Can mere "priestly cant" excite a philosopher to such a pitch of
+frenzy? Why not blow it away with a breath of your lips?
+ (Exit.)
+
+ [FRANCIS throws himself about in his chair in
+ terrible agitation. Profound stillness.]
+
+ Enter a SERVANT, hastily
+
+SERVANT. The Lady Amelia has fled. The count has suddenly disappeared.
+
+ Enter DANIEL, in great alarm.
+
+DANIEL. My lord, a troop of furious horsemen are galloping down the
+hill, shouting "murder! murder!" The whole village is in alarm.
+
+FRANCIS. Quick! let all the bells be tolled--summon everyone to the
+chapel--let all fall on their knees--pray for me. All prisoners shall
+be released and forgiven--I will make two and threefold restitution to
+the poor--I will--why don't you run? Do call in the father confessor,
+that he may give me absolution for my sins. What! are you not gone yet?
+(The uproar becomes more audible.)
+
+DANIEL. Heaven have mercy upon me, poor sinner! Can I believe you
+in earnest, sir? You, who always made a jest of religion? How many
+a Bible and prayer-book have you flung at my head when by chance you
+caught me at my devotions?
+
+FRANCIS. No more of this. To die! think of it! to die! It will be too
+late! (The voice of SCHWEITZER is heard, loud and furious.) Pray for
+me, Daniel! Pray, I entreat you!
+
+DANIEL. I always told you,--"you hold prayer in such contempt; but take
+heed! take heed! when the fatal hour comes, when the waters are flowing
+in upon your soul, you will be ready to give all the treasures of the
+world for one little Christian prayer." Do you see it now? What abuse
+you used to heap on me! Now you feel it! Is it not so!
+
+FRANCIS (embracing him violently). Forgive me! my dear precious jewel
+of a Daniel, forgive me! I will clothe you from head to foot--do but
+pray. I will make quite a bridegroom of you--I will--only do pray--
+I entreat you--on my knees, I conjure you. In the devil's name, pray!
+why don't you pray? (Tumult in the streets, shouts and noises.)
+
+SCHWEIT. (in the street). Storm the place! Kill all before you!
+Force the gates! I see lights! He must be there!
+
+FRANCIS (on his knees). Listen to my prayer, O God in heaven! It is
+the first time--it shall never happen again. Hear me, God in heaven!
+
+DANIEL. Mercy on me! What are you saying? What a wicked prayer!
+
+ Uproar of the PEOPLE, rushing in.
+
+PEOPLE. Robbers! murderers! Who makes such a dreadful noise at this
+midnight hour!
+
+SCHWEIT (still in the street). Beat them back, comrades! 'Tis the
+devil, come to fetch your master. Where is Schwarz with his troop?
+Surround the castle, Grimm! Scale the walls!
+
+GRIMM. Bring the firebrands. Either we must up or he must down. I will
+throw fire into his halls.
+
+FRANCIS (praying). Oh Lord! I have been no common murderer--I have
+been guilty of no petty crimes, gracious Lord--
+
+DANIEL. Heaven be merciful to us! His very prayers are turned to sins.
+(Stones and firebrands are hurled up from below; the windows fall in
+with a crash; the castle takes fire.)
+
+FRANCIS. I cannot pray. Here! and here! (striking his breast and his
+forehead) All is so void--so barren! (Rises from his knees.) No, I will
+not pray. Heaven shall not have that triumph, nor hell that pastime.
+
+DANIEL. O holy Virgin! Help! save! The whole castle is in flames!
+
+FRANCIS. There, take this sword! Quick! Run it right through my body,
+that these fiends may not be in time to make holiday sport of me. (The
+fire increases.)
+
+DANIEL. Heaven forbid? Heaven forbid! I would send no one before his
+time to heaven, much less to--(He runs away).
+
+FRANCIS (following him with a ghastly stare, after a pause).
+To hell, thou wouldst say. Indeed! I scent something of the kind.
+(In delirium.) Are these their triumphant yells? Do I hear you
+hissing, ye serpents of the abyss? They force their way up--they
+besiege the door! Why do I shrink from this biting steel? The door
+cracks--it yields--there is no escape! Ha! then do thou have mercy upon
+me! (He tears away the golden cord from his hat, and strangles
+himself.)*
+
+ *[In the acting edition, Francis attempts to throw himself into the
+ flames, but is prevented by the robbers, and taken alive. He is
+ then brought before his brother, in chains, for sentence.
+ SCHWEITZER says, "I have fulfilled my word, and brought him alive."
+ GRIMM. "We tore him out of the flames and the castle is in ashes."
+ After confronting Francis with his father, and a reproachful
+ interview between the brothers, Charles delegates the judgment on
+ Francis to Schweitzer and Kosinsky, but for himself forgives him in
+ these words: "Thou hast robbed me of heaven's bliss! Be that sin
+ blotted out! Thy doom is sealed--perdition is thy lot! But I
+ forgive thee, brother." Upon this CHARLES embraces and leaves him;
+ the ROBBERS however, thrust FRANCIS into the dungeon where he had
+ immured his father, laughing in a savage manner. Beyond this the
+ fate of Francis is left undetermined. Schweitzer, instead of
+ killing himself, is made partaker, with Kosinsky, of Moor's
+ estate.]
+
+ Enter SCHWEITZER and his band.
+
+SCHWEITZER. Murderous wretch, where art thou? Did you see how they
+fled? Has he so few friends? Where has the beast crawled to?
+
+GRIMM (stumbles over the corpse). Stay! what is this lying in the way?
+Lights here.
+
+SCHWARZ. He has been beforehand with us. Put up your swords. There he
+lies sprawling like a dead dog.
+
+SCHWEITZER. Dead! What! dead? Dead without me? 'Tis a lie, I say.
+Mark how quickly he will spring upon his feet! (Shakes him). Hollo!
+up with you? There is a father to be murdered.
+
+GRIMM. Spare your pains. He is as dead as a log.
+
+SCHWEITZER (steps aside from him). Yes, his game is up! He is dead!
+dead! Go back and tell my captain he is as dead as a log. He will not
+see me again. (Blows his brains out.)
+
+
+
+
+ SCENE II.--The scene the same as the last scene of the preceding Act.
+
+ OLD MOOR seated on a stone; CHARLES VON MOOR opposite;
+ ROBBERS scattered through the wood.
+
+CHARLES. He does not come! (Strikes his dagger against a stone till
+the sparks fly.)
+
+OLD MOOR. Let pardon be his punishment--redoubled love my vengeance.
+
+CHARLES. No! by my enraged soul that shall not be! I will not permit
+it. He shall bear that enormous load of crime with him into eternity!--
+what else should I kill him for?
+
+OLD MOOR (bursting into tears). Oh my child!
+
+CHARLES. What! you weep for him? In sight of this dungeon?
+
+OLD MOOR. Mercy! oh mercy! (Wringing his hands violently.) Now--now my
+son is brought to judgment!
+
+CHARLES (starting). Which son?
+
+OLD MOOR. Ha! what means that question?
+
+CHARLES. Nothing! nothing!
+
+OLD MOOR. Art thou come to make a mockery of my grief?
+
+CHARLES. Treacherous conscience! Take no heed of my words!
+
+OLD MOOR. Yes, I persecuted a son, and a son persecutes me in return.
+It is the finger of God. Oh my Charles! my Charles! If thou dost hover
+around me in the realms of peace, forgive me! oh forgive me!
+
+CHARLES (hastily). He forgives you! (Checking himself.) If he is
+worthy to be called your son, he must forgive you!
+
+OLD MOOR. Ha! he was too noble a son for me. But I will go to him with
+my tears, my sleepless nights, my racking dreams. I will embrace his
+knees, and cry--cry aloud--"I have sinned against heaven and before
+thee; I am no longer worthy to be called thy father!"
+
+CHARLES (in deep emotion). Was he very dear to you--that other son?
+
+OLD MOOR. Heaven is my witness, how much I loved him. Oh, why did I
+suffer myself to be beguiled by the arts of a wicked son? I was an
+envied father among the fathers of the world--my children full of
+promise, blooming by my side! But--oh that fatal hour!--the demon of
+envy entered into the heart of my younger son--I listened to the
+serpent--and--lost both my children! (Hides his countenance.)
+
+CHARLES (removes to a distance from him). Lost forever!
+
+OLD MOOR. Oh, deeply do I feel the words of Amelia. The spirit of
+vengeance spoke from her lips. "In vain wilt thou stretch forth thy
+dying hands after a son, in vain fancy thou art grasping the warm hands
+of thy Charles,--he will never more stand by thy bedside."
+
+ (CHARLES stretches out his hand to him with averted face.)
+
+Oh, that this were the hand of my Charles! But he is laid far away in
+the narrow house--he is sleeping the iron sleep--he hears not the voice
+of my lamentation. Woe is me! to die in the arms of a stranger? No son
+left--no son left to close my eyes!
+
+CHARLES (in violent emotion). It must be so--the moment has arrived.
+Leave me--(to the ROBBERS.) And yet--can I restore his son to him?
+Alas! No! I cannot restore him that son! No! I will not think of it.
+
+OLD MOOR. Friend! what is that you were muttering?
+
+CHARLES. Your son--yes, old man--(faltering) your son--is--lost
+forever!
+
+OLD MOOR. Forever?
+
+CHARLES (looking up to heaven in bitter anguish). Oh this once--keep my
+soul from sinking--sustain me but this once!
+
+OLD MOOR. Forever, did you say.
+
+CHARLES. Ask no more! I said forever!
+
+OLD MOOR. Stranger, stranger! why didst thou drag me forth from the
+dungeon to remind me of my sorrows?
+
+CHARLES. And what if I were now to snatch his blessing?--snatch it like
+a thief, and steal away with the precious prize? A father's blessing,
+they say, is never lost.
+
+OLD MOOR. And is my Francis too lost?
+
+CHARLES (falling on his knees before him). 'Twas I who burst the bars
+of your dungeon. I crave thy blessing!
+
+OLD MOOR (sorrowfully). Oh that thou shouldst destroy the son!--thou,
+the father's deliverer! Behold! Heaven's mercy is untiring, and we
+pitiful worms let the sun go down upon our wrath. (Lays his hand upon
+the head of CHARLES.) Be thou happy, even as thou shalt be merciful!
+
+CHARLES (rising much affected). Oh!--where is my manhood? My sinews
+are unstrung--the sword drops from my hand.
+
+OLD MOOR. How lovely a thing it is when brethren dwell together in
+unity; as the dewdrops of heaven that fall upon the mountains of Zion.
+Learn to deserve that happiness, young man, and the angels of heaven
+will sun themselves in thy glory. Let thy wisdom be the wisdom of gray
+hairs, but let thy heart be the heart of innocent childhood.
+
+CHARLES. Oh, for a foretaste of that happiness! Kiss me, divine old
+man!
+
+OLD MOOR (kissing him). Think it thy father's kiss; and I will think I
+am kissing my son. Canst thou too weep?
+
+CHARLES. I felt as if it were my father's kiss! Woe unto me, were they
+to bring him now!
+
+ (The companions of SCHWEITZER enter in a silent and mournful
+ procession, hanging down their heads and hiding their faces.)
+
+CHARLES. Good heaven! (Retreats horror-struck, and seeks to hide
+himself. They pass by him his face is averted. Profound silence. They
+halt.)
+
+GRIMM (in a subdued tone). My captain!
+
+ [CHARLES does not answer and steps farther back.]
+
+SCHWARZ. Dear captain!
+
+ [CHARLES retreats still farther.]
+
+GRIMM. 'Tis not our fault, captain!
+
+CHARLES (without looking at them). Who are ye?
+
+GRIMM. You do not look at us! Your faithful followers.
+
+CHARLES. Woe to ye, if ye are faithful to me!
+
+GRIMM. The last farewell from your servant Schweitzer!--
+
+CHARLES (starting). Then ye have not found him?
+
+SCHWARZ. Found him dead.
+
+CHARLES (leaping up with joy). Thanks, O Sovereign Ruler of all things!
+--Embrace me, my children!--Mercy be henceforward our watchword!--Now,
+were that too surmounted,--all would be surmounted.
+
+ Enter ROBBERS with AMELIA.
+
+ROBBERS. Hurrah! hurrah! A prize, a splendid prize!
+
+AMELIA (with hair dishevelled). The dead, they cry, have arisen at his
+voice--My uncle alive--in this wood--Where is he? Charles? Uncle!--Ha?
+(She rushes into the arms, of OLD MOOR.)
+
+OLD MOOR. Amelia! my daughter! Amelia! (Holds her tightly grasped in
+his arms.)
+
+CHARLES (starting back). Who brings this image before my eyes.
+
+AMELIA (tearing herself away from the old man, rushes upon CHARLES, and
+embraces him in an ecstasy of delight). I have him, O ye stars! I have
+him!
+
+CHARLES (tearing himself away, to the ROBBERS). Let us be gone,
+comrades! The arch fiend has betrayed me!
+
+AMELIA. My bridegroom, my bridegroom! thou art raving! Ha! 'Tis with
+delight! Why, then, am I so cold, so unfeeling, in the midst of this
+tumult of happiness?
+
+OLD MOOR (rousing himself). Bridegroom? Daughter! my daughter! Thy
+bridegroom?*
+
+ *[Instead of this the stage edition has, "Come my children! Thy
+ hand, Charles--and thine, Amelia. Oh! I never looked for such
+ happiness on this side the grave. Here let me unite you forever."]
+
+AMELIA. His forever! He forever, ever, mine! Oh! ye heavenly powers!
+support me in this ecstasy of bliss, lest I sink beneath its weight!
+
+CHARLES. Tear her from my neck! Kill her! Kill him! Kill me--
+yourselves--everybody! Let the whole world perish! (About to rush of.)
+
+AMELIA. Whither? what? Love! eternity! happiness! never-ending joys!
+and thou wouldst fly?
+
+CHARLES. Away, away! most unfortunate of brides! See with thine own
+eyes; ask, and hear it with thine own ears! Most miserable of fathers!
+Let me escape hence forever!
+
+AMELIA. Support me! for heaven's sake support me! It is growing dark
+before my eyes! He flies!
+
+CHARLES. Too late! In vain! Your curse, father! Ask me no more!
+I am--I have--your curse--your supposed curse! Who enticed me hither?
+(Rushing upon the ROBBERS with drawn sword.) Which of you enticed me
+hither, ye demons of the abyss? Perish, then, Amelia! Die, father!
+Die, for the third time, through me! These, thy deliverers, are Robbers
+and Murderers! Thy Charles is their Captain! (OLD MOOR expires.)
+
+ [AMELIA stands silent and transfixed like a statue.
+ The whole band are mute. A fearful pause.]
+
+CHARLES (rushing against an oak). The souls of those I have strangled
+in the intoxication of love--of those whom I crushed to atoms in the
+sacredness of sleep--of those whom--Ha! ha! ha! do you hear the
+powder-magazine bursting over the heads of women in travail? Do you see
+the flames creeping round the cradles of sucklings? That is our nuptial
+torch; those shrieks our wedding music! Oh! he forgetteth none of these
+things!--he knoweth how to connect the--links in the chain of life.
+Therefore do love's delights elude my grasp; therefore is love given me
+for a torment! This is retribution!
+
+AMELIA. 'Tis all true! Thou Ruler in heaven! 'Tis all true! What
+have I done, poor innocent lamb? I have loved this man!
+
+CHARLES. This is more than a man can endure. Have I not heard death
+hissing at me from more thousands of barrels, and never yet moved a
+hair's breadth out of its way. And shall I now be taught to tremble
+like a woman? tremble before a woman! No! a woman shall not conquer my
+manly courage! Blood! blood! 'tis but a fit of womanish feeling. I
+must glut myself with blood; and this will pass away. (He is about to
+fly.)
+
+AMELIA (sinking into his arms). Murderer! devil! I cannot--angel--
+leave thee!
+
+CHARLES (thrusting her from him). Away! insidious serpent! Thou
+wouldst make a mockery of my frenzy; but I will bid defiance to my
+tyrant destiny. What! art thou weeping? O ye relentless, malicious
+stars! She pretends to weep, as if any soul could weep for me!
+(AMELIA falls on his neck.) Ha! what means this? She shuns me not--she
+spurns me not. Amelia! hast thou then forgotten? Dost thou remember
+whom thou art embracing, Amelia?
+
+AMELIA. My only one, mine, mine forever!
+
+CHARLES (recovering himself in an ecstasy of joy). She forgives me, she
+loves me! Then am I pure as the ether of heaven, for she loves me!
+With tears I thank thee, all-merciful Father! (He falls on his knees,
+and bursts into a violent fit of weeping.) The peace of my soul is
+restored; my sufferings are at an end. Hell is no more! Behold! oh
+behold! the child of light weeps on the neck of a repentant demon!
+(Rising and turning to the ROBBERS). Why are ye not weeping also?
+Weep, weep, ye are all so happy. O Amelia! Amelia! Amelia! (He hangs
+on her neck, they remain locked in a silent embrace.)
+
+A ROBBER (stepping forward enraged). Hold, traitor! This instant come
+from her arms! or I will speak a word that shall make thy ears tingle,
+and thy teeth chatter with horror! (He holds his sword between them.)
+
+AN AGED ROBBER. Remember the Bohemian forests! Dost thou hear? dost
+thou tremble? Remember the Bohemian forests, I tell thee! Faithless
+man! where are thy oaths? Are wounds so soon forgotten? Who staked
+fortune, honor, life itself for thee? Who stood by thee like walls, and
+like shields caught the blows which were aimed at thy life? Didst not
+thou then lift up thy hand and swear an iron oath never to forsake us,
+even as we forsook not thee? Base, perfidious wretch! and wouldst thou
+now desert us at the whining of a harlot?
+
+A THIRD ROBBER. Shame on thy perjury! The spirit of the immolated
+Roller, whom thou didst summon from the realms of death to attest thy
+oath, will blush at thy cowardice, and rise from his grave full armed to
+chastise thee.
+
+THE ROBBERS (all in disorder, tearing open their garments). See here!
+and here! Dost thou know these scars? Thou art ours! With our heart's
+blood we have bought thee, and thou art ours bodily, even though the
+Archangel Michael should seek to wrest thee out of the grasp of the
+fiery Moloch! Now! March with us! Sacrifice for sacrifice, Amelia for
+the band!
+
+CHARLES (releasing her hand). It is past! I would arise and return to
+my father; but heaven has said, "It shall not be!" (Coldly.) Blind fool
+that I was! why should I wish it? Is it possible for a great sinner to
+return? A great sinner never can return. That ought I long since to
+have known. Be still! I pray thee be still! 'Tis all as it should be.
+When He sought me I would not; now that I seek him, He will not. What
+can be more just? Do not roll about thine eyes so wildly. He--has no
+need of me. Has He not creatures in abundance? One he can easily
+spare, and that one am I. Come along, comrades!
+
+AMELIA (pulling him back). Stay, I beseech you! One blow! one deadly
+blow! Again forsaken! Draw thy sword, and have mercy upon me!
+
+CHARLES. Mercy has taken refuge among bears. I will not kill thee!
+
+AMELIA (embracing his knees). Oh, for heaven's sake! by all that is
+merciful! I ask no longer for love. I know that our stars fly from
+each other in opposition. Death is all I ask. Forsaken, forsaken!
+Take that word in all its dreadful import! Forsaken! I cannot survive
+it! Thou knowest well that no woman can survive that. All I ask is
+death. See, my hand trembles! I have not courage to strike the blow.
+I shrink from the gleaming blade! To thee it is so easy, so very easy;
+thou art a master in murder--draw thy sword, and make me happy!
+
+CHARLES. Wouldst thou alone be happy? Away with thee! I will kill no
+woman!
+
+AMELIA. Ha! destroyer! thou canst only kill the happy; they who are
+weary of existence thou sparest! (She glides towards the robbers.) Then
+do ye have mercy on me, disciples of murder! There lurks a bloodthirsty
+pity in your looks that is consoling to the wretched. Your master is a
+boaster and a coward.
+
+CHARLES. Woman, what dost thou say? (The ROBBERS turn away.)
+
+AMELIA. No friend? No; not even among these a friend? (She rises.)
+Well, then, let Dido teach me how to die! (She is going; a ROBBER takes
+aim at her.)
+
+CHARLES. Hold! dare it! Moor's Amelia shall die by no other hand than
+Moor's. (He strikes her dead.)
+
+THE ROBBERS. Captain! captain! what hast thou done? Art thou raving?
+
+CHARLES (with his eyes fixed on the body). One more pang and all will
+be over. She is immolated! Now, look on! have you any farther demand?
+Ye staked a life for me, a life which has ceased to be your own--a life
+full of infamy and shame! I have sacrificed an angel for you. Now!
+look upon her! Are you content?
+
+GRIMM. You have repaid your debt with usury. You have done all that man
+could do for his honor, and more. Now let's away.
+
+CHARLES. What say you? Is not the life of a saint for the life of a
+felon more than an equal exchange? Oh! I say unto you if every one of
+you were to--mount the scaffold, and to have his flesh torn from his
+bones piecemeal with red-hot pincers, through eleven long summer days of
+torture, yet would it not counterbalance these tears! (With a bitter
+laugh.) The scars! the Bohemian forests! Yes, yes! they must be
+repaid, of course!
+
+SCHWARZ. Compose yourself, captain! Come along with us! this is no
+sight for you. Lead us elsewhere!
+
+CHARLES. Stay! one word more before we proceed elsewhere. Mark me, ye
+malicious executioners of my barbarous nod! from this moment I cease to
+be your captain.*
+
+ *[The acting edition reads,--"Banditti! we are quits. This
+ bleeding corpse cancels my bond to you forever. From your own I
+ set you free." ROBBERS. "We are again your slaves till death!"
+ CHARLES. "No, no, no! We have done with each other. My genius
+ whispers me, 'Go no further, Moor. Here is the goal of humanity--
+ and thine!' Take back this bloody plume (throws it at their feet).
+ Let him who seeks to be your captain take it up."]
+
+With shame and horror I here lay down the bloody staff, under which you
+thought yourselves licensed to perpetrate your crimes and to defile the
+fair light of heaven with deeds of darkness. Depart to the right and to
+the left. We shall never more have aught in common.
+
+THE ROBBERS. Ha! coward! where are thy lofty schemes? were they but
+soap-bubbles, which disperse at the breath of a woman?*
+
+
+ *[In lieu of this soliloquy and what follows, to the end, the
+ acting edition has:--
+
+ R. MOOR. Dare not to scrutinize the acts of Moor. That is my last
+ command. Now, draw near--form a circle around me, and receive the
+ last words of your dying captain. (He surveys them attentively for
+ some time.) You have been devotedly faithful to me, faithful
+ beyond example. Had virtue bound you together as firmly as vice,
+ you would have been heroes, and your names recorded by mankind with
+ admiration. Go and offer your services to the state. Dedicate
+ your talents to the cause of a monarch who is waging war in
+ vindication of the rights of man. With this blessing I disband
+ you. Schweitzer and Kosinsky, do you stay. (The others disperse
+ slowly, with signs of emotion.)]
+
+
+
+ SCENE VIII.
+
+
+
+ R. MOOR, SCRWETTZER, and KOSINSKY.
+
+ R. MOOR. Give me thy right hand, Kosinsky--Schweitzer thy left.
+ (He takes their hands, and stands between, them; to KOSINSKY,)
+ Young man, thou art still pure-amongst the guilty thou alone art
+ guiltless! (To SCHWEITZER.) Deeply have I imbrued thy hand in
+ blood. 'Tis I who have done this. With this cordial grasp I take
+ back mine own. Schweitzer! thou art purified! (He raises their
+ hands fervently to heaven.) Father in heaven! here I restore them
+ to thee. They will be more devoted to thy service than those who
+ never fell. Of that I feel assured. (SCHWEITZER and KOSINSKY fall
+ on his neck with fervor.) Not now--not now, dear comrades. Spare
+ my feelings in this trying hour. An earldom has this day fallen to
+ my lot--a rich domain on which no malediction rests. Share it
+ between you, my children; become good citizens; and if for ten
+ human beings that I have destroyed you make but one happy, my soul
+ may yet be saved. Go--no farewell! In another world we may meet
+ again--or perhaps no more. Away! away! ere my fortitude desert me.
+ [Exeunt both, with downcast countenances.]
+
+
+ SCENE IX.
+
+ And I, too, am a good citizen. Do I not fulfil the extremity of
+ the law? Do I not honor the law? Do I not uphold and defend it?
+ I remember speaking to a poor officer on my way hither, who was
+ toiling as a day-laborer, and has eleven living children. A
+ thousand ducats have been offered to whoever shall deliver up the
+ great robber alive. That man shall be served. [Exit.]
+
+
+CHARLES. Oh! fool that I was, to fancy that I could amend the world by
+misdeeds and maintain law by lawlessness! I called it vengeance and
+equity. I presumed, O Providence! upon whetting out the notches of thy
+sword and repairing thy partialities. But, oh, vain trifling! here I
+stand on the brink of a fearful life, and learn, with wailing and
+gnashing of teeth, that two men like myself could ruin the whole edifice
+of the moral world. Pardon--pardon the boy who thought to forestall
+Thee; to Thee alone belongeth vengeance; Thou needest not the hand of
+man! But it is not in my power to recall the past; that which is ruined
+remains ruined; what I have thrown down will never more rise up again.
+Yet one thing is left me whereby I may atone to the offended majesty of
+the law and restore the order which I have violated. A victim is
+required--a victim to declare before all mankind how inviolable that
+majesty is--that victim shall be myself. I will be the death-offering!
+
+ROBBERS. Take his sword from him--he will kill himself.
+
+CHARLES. Fools that ye are! doomed to eternal blindness! Think ye
+that one mortal sin will expiate other mortal sins? Do you suppose that
+the harmony of the world would be promoted by such an impious discord?
+(Throwing his arms at their feet.) He shall have me alive. I go to
+deliver myself into the hands of justice.
+
+ROBBERS. Put him in chains! he has lost his senses!
+
+CHARLES. Not that I have any doubt but that justice would find me
+speedily enough if the powers above so ordained it. But she might
+surprise me in sleep, or overtake me in flight, or seize me with
+violence and the sword, and then I should have lost the only merit left
+me, that of making my death a free-will atonement. Why should I, like a
+thief, any longer conceal a life, which in the counsels of the heavenly
+ministry has long been forfeited?
+
+ROBBERS. Let him go. He is infected with the great-man-mania; he means
+to offer up his life for empty admiration.
+
+CHARLES. I might, 'tis true, be admired for it. (After a moment's
+reflection.) I remember, on my way hither, talking to a poor creature,
+a day-laborer, with eleven living children. A reward has been offered
+of a thousand louis-d'ors to any one who shall deliver up the great
+robber alive. That man shall be served.
+ [Exit.]
+
+
+
+
+
+End of the Project Gutenberg EBook of The Robbers, by Frederich Schiller
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ROBBERS ***
+
+***** This file should be named 6782.txt or 6782.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/6/7/8/6782/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/6782.zip b/6782.zip
new file mode 100644
index 0000000..e316543
--- /dev/null
+++ b/6782.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..4f91710
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #6782 (https://www.gutenberg.org/ebooks/6782)
diff --git a/old/files/images/2pa158.jpg b/old/files/images/2pa158.jpg
new file mode 100644
index 0000000..03cb0cf
--- /dev/null
+++ b/old/files/images/2pa158.jpg
Binary files differ
diff --git a/old/files/images/2pa202.jpg b/old/files/images/2pa202.jpg
new file mode 100644
index 0000000..f505b74
--- /dev/null
+++ b/old/files/images/2pa202.jpg
Binary files differ
diff --git a/old/files/relative.htm b/old/files/relative.htm
new file mode 100644
index 0000000..caa4a48
--- /dev/null
+++ b/old/files/relative.htm
@@ -0,0 +1,7937 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Robbers, by Friedrich Schiller
+ </title>
+ <style type="text/css">
+ <!--
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent30 { margin-left: 30%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 100%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ .side { float: left; font-size: 75%; width: 25%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 1 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+ -->
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Robbers, by Friedrich Schiller
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+
+Title: The Robbers
+ A Tragedy
+
+Author: Friedrich Schiller
+
+Release Date: October 25, 2006 [EBook #6782]
+Last Updated: November 6, 2012
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ROBBERS ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <h1>
+ THE ROBBERS. <br /> <br /> By Friedrich Schiller
+ </h1>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> SCHILLER'S PREFACE. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> ADVERTISEMENT TO THE ROBBERS. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_PREF"> PREFACE TO THE SECOND EDITION. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> THE ROBBERS </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> <b>ACT I.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> SCENE II.&mdash;A Tavern on the Frontier of
+ Saxony. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> SCENE III.&mdash;MOOR'S Castle.&mdash;AMELIA'S
+ Chamber. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> <b>ACT II.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> SCENE II.&mdash;Old Moor's Bedchamber. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> SCENE III.&mdash;THE BOHEMIAN WOODS. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> <b>ACT III.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> SCENE VIII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> SCENE IX. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> SCENE II.&mdash;Country near the Danube. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> <b>ACT IV.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> SCENE II.*&mdash;Gallery in the Castle. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> SCENE III.&mdash;Another Room in the Castle.
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> SCENE V. </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> <b>ACT V.</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> SCENE II. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> SCENE VIII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> SCENE IX. </a>
+ </p>
+ </blockquote>
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCHILLER'S PREFACE.
+ </h2>
+ <h3>
+ AS PREFIXED TO THE FIRST EDITION OF THE ROBBERS
+ </h3>
+ <p>
+ PUBLISHED IN 1781.
+ </p>
+ <p>
+ Now first translated into English.
+ </p>
+ <p>
+ This play is to be regarded merely as a dramatic narrative in which, for
+ the purpose of tracing out the innermost workings of the soul, advantage
+ has been taken of the dramatic method, without otherwise conforming to the
+ stringent rules of theatrical composition, or seeking the dubious
+ advantage of stage adaptation. It must be admitted as somewhat
+ inconsistent that three very remarkable people, whose acts are dependent
+ on perhaps a thousand contingencies, should be completely developed within
+ three hours, considering that it would scarcely be possible, in the
+ ordinary course of events, that three such remarkable people should, even
+ in twenty-four hours, fully reveal their characters to the most
+ penetrating inquirer. A greater amount of incident is here crowded
+ together than it was possible for me to confine within the narrow limits
+ prescribed by Aristotle and Batteux.
+ </p>
+ <p>
+ It is, however, not so much the bulk of my play as its contents which
+ banish it from the stage. Its scheme and economy require that several
+ characters should appear who would offend the finer feelings of virtue and
+ shock the delicacy of our manners. Every delineator of human character is
+ placed in the same dilemma if he proposes to give a faithful picture of
+ the world as it really is, and not an ideal phantasy, a mere creation of
+ his own. It is the course of mortal things that the good should be
+ shadowed by the bad, and virtue shine the brightest when contrasted with
+ vice. Whoever proposes to discourage vice and to vindicate religion,
+ morality, and social order against their enemies, must unveil crime in all
+ its deformity, and place it before the eyes of men in its colossal
+ magnitude; he must diligently explore its dark mazes, and make himself
+ familiar with sentiments at the wickedness of which his soul revolts.
+ </p>
+ <p>
+ Vice is here exposed in its innermost workings. In Francis it resolves all
+ the confused terrors of conscience into wild abstractions, destroys
+ virtuous sentiments by dissecting them, and holds up the earnest voice of
+ religion to mockery and scorn. He who has gone so far (a distinction by no
+ means enviable) as to quicken his understanding at the expense of his soul&mdash;to
+ him the holiest things are no longer holy; to him God and man are alike
+ indifferent, and both worlds are as nothing. Of such a monster I have
+ endeavored to sketch a striking and lifelike portrait, to hold up to
+ abhorrence all the machinery of his scheme of vice, and to test its
+ strength by contrasting it with truth. How far my narrative is successful
+ in accomplishing these objects the reader is left to judge. My conviction
+ is that I have painted nature to the life.
+ </p>
+ <p>
+ Next to this man (Francis) stands another who would perhaps puzzle not a
+ few of my readers. A mind for which the greatest crimes have only charms
+ through the glory which attaches to them, the energy which their
+ perpetration requires, and the dangers which attend them. A remarkable and
+ important personage, abundantly endowed with the power of becoming either
+ a Brutus or a Catiline, according as that power is directed. An unhappy
+ conjunction of circumstances determines him to choose the latter for, his
+ example, and it is only after a fearful straying that he is recalled to
+ emulate the former. Erroneous notions of activity and power, an exuberance
+ of strength which bursts through all the barriers of law, must of
+ necessity conflict with the rules of social life. To these enthusiast
+ dreams of greatness and efficiency it needed but a sarcastic bitterness
+ against the unpoetic spirit of the age to complete the strange Don Quixote
+ whom, in the Robber Moor, we at once detest and love, admire and pity. It
+ is, I hope, unnecessary to remark that I no more hold up this picture as a
+ warning exclusively to robbers than the greatest Spanish satire was
+ levelled exclusively at knight-errants.
+ </p>
+ <p>
+ It is nowadays so much the fashion to be witty at the expense of religion
+ that a man will hardly pass for a genius if he does not allow his impious
+ satire to run a tilt at its most sacred truths. The noble simplicity of
+ holy writ must needs be abused and turned into ridicule at the daily
+ assemblies of the so-called wits; for what is there so holy and serious
+ that will not raise a laugh if a false sense be attached to it? Let me
+ hope that I shall have rendered no inconsiderable service to the cause of
+ true religion and morality in holding up these wanton misbelievers to the
+ detestation of society, under the form of the most despicable robbers.
+ </p>
+ <p>
+ But still more. I have made these said immoral characters to stand out
+ favorably in particular points, and even in some measure to compensate by
+ qualities of the head for what they are deficient in those of the heart.
+ Herein I have done no more than literally copy nature. Every man, even the
+ most depraved, bears in some degree the impress of the Almighty's image,
+ and perhaps the greatest villain is not farther removed from the most
+ upright man than the petty offender; for the moral forces keep even pace
+ with the powers of the mind, and the greater the capacity bestowed on man,
+ the greater and more enormous becomes his misapplication of it; the more
+ responsible is he for his errors.
+ </p>
+ <p>
+ The "Adramelech" of Klopstock (in his Messiah) awakens in us a feeling in
+ which admiration is blended with detestation. We follow Milton's Satan
+ with shuddering wonder through the pathless realms of chaos. The Medea of
+ the old dramatists is, in spite of all her crimes, a great and wondrous
+ woman, and Shakespeare's Richard III. is sure to excite the admiration of
+ the reader, much as he would hate the reality. If it is to be my task to
+ portray men as they are, I must at the same time include their good
+ qualities, of which even the most vicious are never totally destitute. If
+ I would warn mankind against the tiger, I must not omit to describe his
+ glossy, beautifully-marked skin, lest, owing to this omission, the
+ ferocious animal should not be recognized till too late. Besides this, a
+ man who is so utterly depraved as to be without a single redeeming point
+ is no meet subject for art, and would disgust rather than excite the
+ interest of the reader; who would turn over with impatience the pages
+ which concern him. A noble soul can no more endure a succession of moral
+ discords than the musical ear the grating of knives upon glass.
+ </p>
+ <p>
+ And for this reason I should have been ill-advised in attempting to bring
+ my drama on the stage. A certain strength of mind is required both on the
+ part of the poet and the reader; in the former that he may not disguise
+ vice, in the latter that he may not suffer brilliant qualities to beguile
+ him into admiration of what is essentially detestable. Whether the author
+ has fulfilled his duty he leaves others to judge, that his readers will
+ perform theirs he by no means feels assured. The vulgar&mdash;among whom I
+ would not be understood to mean merely the rabble&mdash;the vulgar I say
+ (between ourselves) extend their influence far around, and unfortunately&mdash;set
+ the fashion. Too shortsighted to reach my full meaning, too narrow-minded
+ to comprehend the largeness of my views, too disingenuous to admit my
+ moral aim&mdash;they will, I fear, almost frustrate my good intentions,
+ and pretend to discover in my work an apology for the very vice which it
+ has been my object to condemn, and will perhaps make the poor poet, to
+ whom anything rather than justice is usually accorded, responsible for his
+ simplicity.
+ </p>
+ <p>
+ Thus we have a <i>Da capo</i> of the old story of Democritus and the
+ Abderitans, and our worthy Hippocrates would needs exhaust whole
+ plantations of hellebore, were it proposed to remedy this mischief by a
+ healing decoction.
+ </p>
+<pre xml:space="preserve">
+ [This alludes to the fable amusingly recorded by Wieland in his
+ Geschichte der Abderiten. The Abderitans, who were a byword among
+ the ancients for their extreme simplicity, are said to have sent
+ express for Hipocrates to cure their great townsman Democritus,
+ whom they believed to be out of his senses, because his sayings
+ were beyond their comprehension. Hippocrates, on conversing with
+ Democritus, having at once discovered that the cause lay with
+ themselves, assembled the senate and principal inhabitants in the
+ market-place with the promise of instructing them in the cure of
+ Democritus. He then banteringly advised them to import six
+ shiploads of hellebore of the very best quality, and on its arrival
+ to distribute it among the citizens, at least seven pounds per
+ head, but to the senators double that quantity, as they were bound
+ to have an extra supply of sense. By the time these worthies
+ discovered that they had been laughed at, Hippocrates was out of
+ their reach. The story in Wieland is infinitely more amusing than
+ this short quotation from memory enables me to show. H. G. B.]
+</pre>
+ <p>
+ Let as many friends of truth as you will, instruct their fellow-citizens
+ in the pulpit and on the stage, the vulgar will never cease to be vulgar,
+ though the sun and moon may change their course, and "heaven and earth wax
+ old as a garment." Perhaps, in order to please tender-hearted people, I
+ might have been less true to nature; but if a certain beetle, of whom we
+ have all heard, could extract filth even from pearls, if we have examples
+ that fire has destroyed and water deluged, shall therefore pearls, fire,
+ and water be condemned. In consequence of the remarkable catastrophe which
+ ends my play, I may justly claim for it a place among books of morality,
+ for crime meets at last with the punishment it deserves; the lost one
+ enters again within the pale of the law, and virtue is triumphant. Whoever
+ will but be courteous enough towards me to read my work through with a
+ desire to understand it, from him I may expect&mdash;not that he will
+ admire the poet, but that he will esteem the honest man.<br /> SCHILLER.<br />
+ EASTER FAIR, 1781.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ADVERTISEMENT TO THE ROBBERS.
+ </h2>
+ <p>
+ AS COMMUNICATED BY SCHILLER TO DALBERG IN 1781, AND SUPPOSED TO HAVE BEEN
+ USED AS A PROLOGUE.
+ </p>
+ <p>
+ &mdash;This has never before been printed with any of the editions.&mdash;
+ </p>
+ <p>
+ The picture of a great, misguided soul, endowed with every gift of
+ excellence; yet lost in spite of all its gifts! Unbridled passions and bad
+ companionship corrupt his heart, urge him on from crime to crime, until at
+ last he stands at the head of a band of murderers, heaps horror upon
+ horror, and plunges from precipice to precipice into the lowest depths of
+ despair. Great and majestic in misfortune, by misfortune reclaimed, and
+ led back to the paths of virtue. Such a man shall you pity and hate, abhor
+ yet love, in the Robber Moor. You will likewise see a juggling, fiendish
+ knave unmasked and blown to atoms in his own mines; a fond, weak, and
+ over-indulgent father; the sorrows of too enthusiastic love, and the
+ tortures of ungoverned passion. Here, too, you will witness, not without a
+ shudder, the interior economy of vice; and from the stage be taught how
+ all the tinsel of fortune fails to smother the inward worm; and how
+ terror, anguish, remorse, and despair tread close on the footsteps of
+ guilt. Let the spectator weep to-day at our exhibition, and tremble, and
+ learn to bend his passions to the laws of religion and reason; let the
+ youth behold with alarm the consequences of unbridled excess; nor let the
+ man depart without imbibing the lesson that the invisible band of
+ Providence makes even villains the instruments of its designs and
+ judgments, and can marvellously unravel the most intricate perplexities of
+ fate.
+ </p>
+ <p>
+ <a name="link2H_PREF" id="link2H_PREF">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PREFACE TO THE SECOND EDITION.
+ </h2>
+ <p>
+ The eight hundred copies of the first edition of my ROBBERS were exhausted
+ before all the admirers of the piece were supplied. A second was therefore
+ undertaken, which has been improved by greater care in printing, and by
+ the omission of those equivocal sentences which were offensive to the more
+ fastidious part of the public. Such an alteration, however, in the
+ construction of the play as should satisfy all the wishes of my friends
+ and critics has not been my object.
+ </p>
+ <p>
+ In this second edition the several songs have been arranged for the
+ pianoforte, which will enhance its value to the musical part of the
+ public. I am indebted for this to an able composer,* who has performed his
+ task in so masterly a manner that the hearer is not unlikely to forget the
+ poet in the melody of the musician.
+ </p>
+<pre xml:space="preserve">
+ DR. SCHILLER.
+</pre>
+ <p>
+ STUTTGART, Jan. 5, 1782.
+ </p>
+ <p>
+ * Alluding to his friend Zumsteeg.&mdash;ED.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h1>
+ THE ROBBERS.
+ </h1>
+ <h3>
+ A TRAGEDY.
+ </h3>
+<pre xml:space="preserve">
+ "Quae medicamenta non sanant, ferrum sanat; quae ferrum non
+ sanat, ignis sanat."&mdash;HIPPOCRATES.
+
+ DRAMATIS PERSONAE.
+
+ MAXIMILIAN, COUNT VON MOOR.
+
+ CHARLES,|
+ FRANCIS,| his Sons.
+ AMELIA VON EDELREICH, his Niece.
+ SPIEGELBERG,|
+ SCHWEITZER, |
+ GRIMM, |
+ RAZMANN, | Libertines, afterwards Banditti
+ SCHUFTERLE, |
+ ROLLER, |
+ KOSINSKY, |
+ SCHWARTZ, |
+ HERMANN, the natural son of a Nobleman.
+ DANIEL, an old Servant of Count von Moor.
+ PASTOR MOSER.
+ FATHER DOMINIC, a Monk.
+ BAND OF ROBBERS, SERVANTS, ETC.
+</pre>
+<pre xml:space="preserve">
+ The scene is laid in Germany. Period of action about two years.
+</pre>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE ROBBERS
+ </h2>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT I.
+ </h2>
+ <p>
+ SCENE I.&mdash;Franconia.
+ </p>
+ <p>
+ Apartment in the Castle of COUNT MOOR.
+ </p>
+ <p>
+ FRANCIS, OLD MOOR.
+ </p>
+ <p>
+ FRANCIS. But are you really well, father? You look so pale.
+ </p>
+ <p>
+ OLD MOOR. Quite well, my son&mdash;what have you to tell me?
+ </p>
+ <p>
+ FRANCIS. The post is arrived&mdash;a letter from our correspondent at
+ Leipsic.
+ </p>
+ <p>
+ OLD M. (eagerly). Any tidings of my son Charles?
+ </p>
+ <p>
+ FRANCIS. Hem! Hem!&mdash;Why, yes. But I fear&mdash;I know not&mdash;whether
+ I dare &mdash;your health.&mdash;Are you really quite well, father?
+ </p>
+ <p>
+ OLD M. As a fish in water.* Does he write of my son? What means this
+ anxiety about my health? You have asked me that question twice.
+ </p>
+<pre xml:space="preserve">
+ [*This is equivalent to our English saying "As sound as a roach."]
+</pre>
+ <p>
+ FRANCIS. If you are unwell&mdash;or are the least apprehensive of being so&mdash;
+ permit me to defer&mdash;I will speak to you at a fitter season.&mdash;(Half
+ aside.) These are no tidings for a feeble frame.
+ </p>
+ <p>
+ OLD M. Gracious Heavens? what am I doomed to hear?
+ </p>
+ <p>
+ FRANCIS. First let me retire and shed a tear of compassion for my lost
+ brother. Would that my lips might be forever sealed&mdash;for he is your
+ son! Would that I could throw an eternal veil over his shame&mdash;for he
+ is my brother! But to obey you is my first, though painful, duty&mdash;forgive
+ me, therefore.
+ </p>
+ <p>
+ OLD M. Oh, Charles! Charles! Didst thou but know what thorns thou plantest
+ in thy father's bosom! That one gladdening report of thee would add ten
+ years to my life! yes, bring back my youth! whilst now, alas, each fresh
+ intelligence but hurries me a step nearer to the grave!
+ </p>
+ <p>
+ FRANCIS. Is it so, old man, then farewell! for even this very day we might
+ all have to tear our hair over your coffin.*
+ </p>
+<pre xml:space="preserve">
+ [* This idiom is very common in Germany, and is used to express
+ affliction.]
+</pre>
+ <p>
+ OLD M. Stay! There remains but one short step more&mdash;let him have his
+ will! (He sits down.) The sins of the father shall be visited unto the
+ third and fourth generation&mdash;let him fulfil the decree.
+ </p>
+ <p>
+ FRANCIS (takes the letter out of his pocket). You know our correspondent!
+ See! I would give a finger of my right hand might I pronounce him a liar&mdash;a
+ base and slanderous liar! Compose yourself! Forgive me if I do not let you
+ read the letter yourself. You cannot, must not, yet know all.
+ </p>
+ <p>
+ OLD M. All, all, my son. You will but spare me crutches.*
+ </p>
+<pre xml:space="preserve">
+ [* <i>Du ersparst mir die Krucke</i>; meaning that the contents of the
+ letter can but shorten his declining years, and so spare him the
+ necessity of crutches.]
+</pre>
+ <p>
+ FRANCIS (reads). "Leipsic, May 1. Were I not bound by an inviolable
+ promise to conceal nothing from you, not even the smallest particular,
+ that I am able to collect, respecting your brother's career, never, my
+ dearest friend, should my guiltless pen become an instrument of torture to
+ you. I can gather from a hundred of your letters how tidings such as these
+ must pierce your fraternal heart. It seems to me as though I saw thee, for
+ the sake of this worthless, this detestable"&mdash;(OLD M. covers his
+ face). Oh! my father, I am only reading you the mildest passages&mdash;
+ "this detestable man, shedding a thousand tears." Alas! mine flowed&mdash;ay,
+ gushed in torrents over these pitying cheeks. "I already picture to myself
+ your aged pious father, pale as death." Good Heavens! and so you are,
+ before you have heard anything.
+ </p>
+ <p>
+ OLD M. Go on! Go on!
+ </p>
+ <p>
+ FRANCIS. "Pale as death, sinking down on his chair, and cursing the day
+ when his ear was first greeted with the lisping cry of 'Father!' I have
+ not yet been able to discover all, and of the little I do know I dare tell
+ you only a part. Your brother now seems to have filled up the measure of
+ his infamy. I, at least, can imagine nothing beyond what he has already
+ accomplished; but possibly his genius may soar above my conceptions. After
+ having contracted debts to the amount of forty thousand ducats,"&mdash;a
+ good round sum for pocket-money, father--"and having dishonored the
+ daughter of a rich banker, whose affianced lover, a gallant youth of rank,
+ he mortally wounded in a duel, he yesterday, in the dead of night, took
+ the desperate resolution of absconding from the arm of justice, with seven
+ companions whom he had corrupted to his own vicious courses." Father? for
+ heaven's sake, father! How do you feel?
+ </p>
+ <p>
+ OLD M. Enough. No more, my son, no more!
+ </p>
+ <p>
+ FRANCIS. I will spare your feelings. "The injured cry aloud for
+ satisfaction. Warrants have been issued for his apprehension&mdash;a price
+ is set on his head&mdash;the name of Moor"&mdash;No, these unhappy lips
+ shall not be guilty of a father's murder (he tears the letter). Believe it
+ not, my father, believe not a syllable.
+ </p>
+ <p>
+ OLD M. (weeps bitterly). My name&mdash;my unsullied name!
+ </p>
+ <p>
+ FRANCIS (throws himself on his neck). Infamous! most infamous Charles! Oh,
+ had I not my forebodings, when, even as a boy, he would scamper after the
+ girls, and ramble about over hill and common with ragamuffin boys and all
+ the vilest rabble; when he shunned the very sight of a church as a
+ malefactor shuns a gaol, and would throw the pence he had wrung from your
+ bounty into the hat of the first beggar he met, whilst we at home were
+ edifying ourselves with devout prayers and pious homilies? Had I not my
+ misgivings when he gave himself up to reading the adventures of Julius
+ Caesar, Alexander the Great, and other benighted heathens, in preference
+ to the history of the penitent Tobias? A hundred times over have I warned
+ you&mdash;for my brotherly affection was ever kept in subjection to filial
+ duty&mdash;that this forward youth would one day bring sorrow and disgrace
+ on us all. Oh that he bore not the name of Moor! that my heart beat less
+ warmly for him! This sinful affection, which I can not overcome, will one
+ day rise up against me before the judgment-seat of heaven.
+ </p>
+ <p>
+ OLD M. Oh! my prospects! my golden dreams!
+ </p>
+ <p>
+ FRANCIS. Ay, well I knew it. Exactly what I always feared. That fiery
+ spirit, you used to say, which is kindling in the boy, and renders him so
+ susceptible to impressions of the beautiful and grand&mdash;the
+ ingenuousness which reveals his whole soul in his eyes&mdash;the
+ tenderness of feeling which melts him into weeping sympathy at every tale
+ of sorrow&mdash;the manly courage which impels him to the summit of giant
+ oaks, and urges him over fosse and palisade and foaming torrents&mdash;that
+ youthful thirst of honor&mdash;that unconquerable resolution&mdash;all
+ those resplendent virtues which in the father's darling gave such promise&mdash;
+ would ripen into the warm and sincere friend&mdash;the excellent citizen&mdash;the
+ hero&mdash;the great, the very great man! Now, mark the result, father;
+ the fiery spirit has developed itself&mdash;expanded&mdash;and behold its
+ precious fruits. Observe this ingenuousness&mdash;how nicely it has
+ changed into effrontery;&mdash;this tenderness of soul&mdash;how it
+ displays itself in dalliance with coquettes, in susceptibility to the
+ blandishments of a courtesan! See this fiery genius, how in six short
+ years it hath burnt out the oil of life, and reduced his body to a living
+ skeleton; so that passing scoffers point at him with a sneer and exclaim&mdash;"<i>C'est
+ l'amour qui a fait cela</i>." Behold this bold, enterprising spirit&mdash;how
+ it conceives and executes plans, compared to which the deeds of a
+ Cartouche or a Howard sink into insignificance. And presently, when these
+ precious germs of excellence shall ripen into full maturity, what may not
+ be expected from the full development of such a boyhood? Perhaps, father,
+ you may yet live to see him at the head of some gallant band, which
+ assembles in the silent sanctuary of the forest, and kindly relieves the
+ weary traveller of his superfluous burden. Perhaps you may yet have the
+ opportunity, before you go to your own tomb, of making a pilgrimage to the
+ monument which he may erect for himself, somewhere between earth and
+ heaven! Perhaps,&mdash;oh, father&mdash;father, look out for some other
+ name, or the very peddlers and street boys who have seen the effigy of
+ your worthy son exhibited in the market-place at Leipsic will point at you
+ with the finger of scorn!
+ </p>
+ <p>
+ OLD M. And thou, too, my Francis, thou too? Oh, my children, how
+ unerringly your shafts are levelled at my heart.
+ </p>
+ <p>
+ FRANCIS. You see that I too have a spirit; but my spirit bears the sting
+ of a scorpion. And then it was "the dry commonplace, the cold, the wooden
+ Francis," and all the pretty little epithets which the contrast between us
+ suggested to your fatherly affection, when he was sitting on your knee, or
+ playfully patting your cheeks? "He would die, forsooth, within the
+ boundaries of his own domain, moulder away, and soon be forgotten;" while
+ the fame of this universal genius would spread from pole to pole! Ah! the
+ cold, dull, wooden Francis thanks thee, heaven, with uplifted hands, that
+ he bears no resemblance to his brother.
+ </p>
+ <p>
+ OLD M. Forgive me, my child! Reproach not thy unhappy father, whose
+ fondest hopes have proved visionary. The merciful God who, through
+ Charles, has sent these tears, will, through thee, my Francis, wipe them
+ from my eyes!
+ </p>
+ <p>
+ FRANCIS. Yes, father, we will wipe them from your eyes. Your Francis will
+ devote&mdash;his life to prolong yours. (Taking his hand with affected
+ tenderness.) Your life is the oracle which I will especially consult on
+ every undertaking&mdash;the mirror in which I will contemplate everything.
+ No duty so sacred but I am ready to violate it for the preservation of
+ your precious days. You believe me?
+ </p>
+ <p>
+ OLD M. Great are the duties which devolve on thee, my son&mdash;Heaven
+ bless thee for what thou has been, and wilt be to me.
+ </p>
+ <p>
+ FRANCIS. Now tell me frankly, father. Should you not be a happy man, were
+ you not obliged to call this son your own?
+ </p>
+ <p>
+ OLD M. In mercy, spare me! When the nurse first placed him in my arms, I
+ held him up to Heaven and exclaimed, "Am I not truly blest?"
+ </p>
+ <p>
+ FRANCIS. So you said then. Now, have you found it so? You may envy the
+ meanest peasant on your estate in this, that he is not the father of such
+ a son. So long as you call him yours you are wretched. Your misery will
+ grow with his years&mdash;it will lay you in your grave.
+ </p>
+ <p>
+ OLD M. Oh! he has already reduced me to the decrepitude of fourscore.
+ </p>
+ <p>
+ FRANCIS. Well, then&mdash;suppose you were to disown this son.
+ </p>
+ <p>
+ OLD M. (startled). Francis! Francis! what hast thou said!
+ </p>
+ <p>
+ FRANCIS. Is not your love for him the source of all your grief? Root out
+ this love, and he concerns you no longer. But for this weak and
+ reprehensible affection he would be dead to you;&mdash;as though he had
+ never been born. It is not flesh and blood, it is the heart that makes us
+ sons and fathers! Love him no more, and this monster ceases to be your
+ son, though he were cut out of your flesh. He has till now been the apple
+ of your eye; but if thine eye offend you, says Scripture, pluck it out. It
+ is better to enter heaven with one eye than hell with two! "It is
+ profitable for thee that one of thy members should perish, and not that
+ thy whole body should be cast into hell." These are the words of the
+ Bible!
+ </p>
+ <p>
+ OLD M. Wouldst thou have me curse my son?
+ </p>
+ <p>
+ FRANCIS. By no means, father. God forbid! But whom do you call your son?
+ Him to whom you have given life, and who in return does his utmost to
+ shorten yours.
+ </p>
+ <p>
+ OLD M. Oh, it is all too true! it is a judgment upon me. The Lord has
+ chosen him as his instrument.
+ </p>
+ <p>
+ FRANCIS. See how filially your bosom child behaves. He destroys you by
+ your own excess of paternal sympathy; murders you by means of the very
+ love you bear him&mdash;has coiled round a father's heart to crush it.
+ When you are laid beneath the turf he becomes lord of your possessions,
+ and master of his own will. That barrier removed, and the torrent of his
+ profligacy will rush on without control. Imagine yourself in his place.
+ How often he must wish his father under ground&mdash;and how often, too,
+ his brother&mdash;who so unmercifully impede the free course of his
+ excesses. But call you this a requital of love? Is this filial gratitude
+ for a father's tenderness? to sacrifice ten years of your life to the lewd
+ pleasures of an hour? in one voluptuous moment to stake the honor of an
+ ancestry which has stood unspotted through seven centuries? Do you call
+ this a son? Answer? Do you call this your son?
+ </p>
+ <p>
+ OLD M. An undutiful son! Alas! but still my child! my child!
+ </p>
+ <p>
+ FRANCIS. A most amiable and precious child&mdash;whose constant study is
+ to get rid of his father. Oh, that you could learn to see clearly! that
+ the film might be removed from your eyes! But your indulgence must confirm
+ him in his vices! your assistance tend to justify them. Doubtless you will
+ avert the curse of Heaven from his head, but on your own, father&mdash;on
+ yours&mdash;will it fall with twofold vengeance.
+ </p>
+ <p>
+ OLD M. Just! most just! Mine, mine be all the guilt!
+ </p>
+ <p>
+ FRANCIS. How many thousands who have drained the voluptuous bowl of
+ pleasure to the dregs have been reclaimed by suffering! And is not the
+ bodily pain which follows every excess a manifest declaration of the
+ divine will! And shall man dare to thwart this by an impious exercise of
+ affection? Shall a father ruin forever the pledge committed to his charge?
+ Consider, father, if you abandon him for a time to the pressure of want
+ will not he be obliged to turn from his wickedness and repent? Otherwise,
+ untaught even in the great school of adversity, he must remain a confirmed
+ reprobate? And then&mdash;woe to the father who by a culpable tenderness
+ bath frustrated the ordinances of a higher wisdom! Well, father?
+ </p>
+ <p>
+ OLD M. I will write to him that I withdraw my protection.
+ </p>
+ <p>
+ FRANCIS. That would be wise and prudent.
+ </p>
+ <p>
+ OLD M. That he must never come into my sight again
+ </p>
+ <p>
+ FRANCIS. 'Twill have a most salutary effect.
+ </p>
+ <p>
+ OLD M. (tenderly). Until he reforms.
+ </p>
+ <p>
+ FRANCIS. Right, quite right. But suppose that he comes disguised in the
+ hypocrite's mask, implores your compassion with tears, and wheedles from
+ you a pardon, then quits you again on the morrow, and jests at your
+ weakness in the arms of his harlot. No, my father! He will return of his
+ own accord, when his conscience awakens him to repentance.
+ </p>
+ <p>
+ OLD M. I will write to him, on the spot, to that effect.
+ </p>
+ <p>
+ FRANCIS. Stop, father, one word more. Your just indignation might prompt
+ reproaches too severe, words which might break his heart&mdash;and then&mdash;do
+ you not think that your deigning to write with your own hand might be
+ construed into an act of forgiveness? It would be better, I think, that
+ you should commit the task to me?
+ </p>
+ <p>
+ OLD M. Do it, my son. Ah! it would, indeed, have broken my heart! Write to
+ him that&mdash;
+ </p>
+ <p>
+ FRANCIS (quickly). That's agreed, then?
+ </p>
+ <p>
+ OLD M. Say that he has caused me a thousand bitter tears&mdash;a thousand
+ sleepless nights&mdash;but, oh! do not drive my son to despair!
+ </p>
+ <p>
+ FRANCIS. Had you not better retire to rest, father? This affects you too
+ strongly.
+ </p>
+ <p>
+ OLD M. Write to him that a father's heart&mdash;But I charge you, drive
+ him not to despair. [Exit in sadness.]
+ </p>
+ <p>
+ FRANCIS (looking after him with a chuckle). Make thyself easy, old dotard!
+ thou wilt never more press thy darling to thy bosom&mdash;there is a gulf
+ between thee and him impassable as heaven is from hell. He was torn from
+ thy arms before even thou couldst have dreamed it possible to decree the
+ separation. Why, what a sorry bungler should I be had I not skill enough
+ to pluck a son from a father's heart; ay, though he were riveted there
+ with hooks of steel! I have drawn around thee a magic circle of curses
+ which he cannot overleap. Good speed to thee, Master Francis. Papa's
+ darling is disposed of&mdash;the course is clear. I must carefully pick up
+ all the scraps of paper, for how easily might my handwriting be
+ recognized. (He gathers the fragments of the letter.) And grief will soon
+ make an end of the old gentleman. And as for her&mdash; I must tear this
+ Charles from her heart, though half her life come with him.
+ </p>
+ <p>
+ No small cause have I for being dissatisfied with Dame Nature, and, by my
+ honor, I will have amends! Why did I not crawl the first from my mother's
+ womb? why not the only one? why has she heaped on me this burden of
+ deformity? on me especially? Just as if she had spawned me from her
+ refuse.* Why to me in particular this snub of the Laplander? these negro
+ lips? these Hottentot eyes? On my word, the lady seems to have collected
+ from all the race of mankind whatever was loathsome into a heap, and
+ kneaded the mass into my particular person. Death and destruction! who
+ empowered her to deny to me what she accorded to him? Could a man pay his
+ court to her before he was born? or offend her before he existed? Why went
+ she to work in such a partial spirit?
+ </p>
+ <p>
+ No! no! I do her injustice&mdash;she bestowed inventive faculty, and set
+ us naked and helpless on the shore of this great ocean, the world&mdash;let
+ those swim who can&mdash;the heavy** may sink. To me she gave naught else,
+ and how to make the best use of my endowment is my present business. Men's
+ natural rights are equal; claim is met by claim, effort by effort, and
+ force by force&mdash;right is with the strongest&mdash;the limits of our
+ power constitute our laws.
+ </p>
+ <p>
+ It is true there are certain organized conventions, which men have devised
+ to keep up what is called the social compact. Honor! truly a very
+ convenient coin, which those who know how to pass it may lay out with
+ great advantage.*** Conscience! oh yes, a useful scarecrow to frighten
+ sparrows away from cherry-trees; it is something like a fairly written
+ bill of exchange with which your bankrupt merchant staves off the evil
+ day.
+ </p>
+<pre xml:space="preserve">
+ * See Richard III., Act I, Sc. 1, line 17.
+
+ **Heavy is used in a double meaning; the German word is plump,
+ which Means lumpish clumsy awkward.
+
+ ***So Falstaff, Hen. IV., Pt. I., Act V., Sc. 1, "Honor is a mere
+ scutcheon."
+</pre>
+ <p>
+ Well! these are all most admirable institutions for keeping fools in awe,
+ and holding the mob underfoot, that the cunning may live the more at their
+ ease. Rare institutions, doubtless. They are something like the fences my
+ boors plant so closely to keep out the hares&mdash;yes I' faith, not a
+ hare can trespass on the enclosure, but my lord claps spurs to his hunter,
+ and away he gallops over the teeming harvest!
+ </p>
+ <p>
+ Poor hare! thou playest but a sorry part in this world's drama, but your
+ worshipful lords must needs have hares!
+ </p>
+<pre xml:space="preserve">
+ *[This may help to illustrate a passage in Shakespeare which
+ puzzles the commentators&mdash;"Cupid is a good hare-finder."&mdash;Much ADO,
+ Act I., Sc. 1.
+ The hare, in Germany, is considered an emblem of abject submission
+ and cowardice. The word may also be rendered "Simpleton,"
+ "Sawney," or any other of the numerous epithets which imply a soft
+ condition.]
+</pre>
+ <p>
+ Then courage, and onward, Francis. The man who fears nothing is as
+ powerful as he who is feared by everybody. It is now the mode to wear
+ buckles on your smallclothes, that you may loosen or tighten them at
+ pleasure. I will be measured for a conscience after the newest fashion,
+ one that will stretch handsomely as occasion may require. Am I to blame?
+ It is the tailor's affair? I have heard a great deal of twaddle about the
+ so-called ties of blood&mdash;enough to make a sober man beside himself.
+ He is your brother, they say; which interpreted, means that he was
+ manufactured in the same mould, and for that reason he must needs be
+ sacred in your eyes! To what absurd conclusions must this notion of a
+ sympathy of souls, derived from the propinquity of bodies, inevitably
+ tend? A common source of being is to produce community of sentiment;
+ identity of matter, identity of impulse! Then again,&mdash;he is thy
+ father! He gave thee life, thou art his flesh and blood&mdash;and
+ therefore he must be sacred to thee! Again a most inconsequential
+ deduction! I should like to know why he begot me;** certainly not out of
+ love for me&mdash;for I must first have existed!
+ </p>
+<pre xml:space="preserve">
+ **[The reader of Sterne will remember a very similar passage in the
+ first chapter of Tristram Shandy.]
+</pre>
+ <p>
+ Could he know me before I had being, or did he think of me during my
+ begetting? or did he wish for me at the moment? Did he know what I should
+ be? If so I would not advise him to acknowledge it or I should pay him off
+ for his feat. Am I to be thankful to him that I am a man? As little as I
+ should have had a right to blame him if he had made me a woman. Can I
+ acknowledge an affection which is not based on any personal regard? Could
+ personal regard be present before the existence of its object? In what,
+ then, consists the sacredness of paternity? Is it in the act itself out of
+ which existence arose? as though this were aught else than an animal
+ process to appease animal desires. Or does it lie, perhaps, in the result
+ of this act, which is nothing more after all than one of iron necessity,
+ and which men would gladly dispense with, were it not at the cost of flesh
+ and blood? Do I then owe him thanks for his affection? Why, what is it but
+ a piece of vanity, the besetting sin of the artist who admires his own
+ works, however hideous they may be? Look you, this is the whole juggle,
+ wrapped up in a mystic veil to work on our fears. And shall I, too, be
+ fooled like an infant? Up then! and to thy work manfully. I will root up
+ from my path whatever obstructs my progress towards becoming the master.
+ Master I must be, that I may extort by force what I cannot win by
+ affection.*
+ </p>
+<pre xml:space="preserve">
+ *[This soliloquy in some parts resembles that of Richard, Duke of
+ Gloster, in Shakespeare's Henry VI., Act V. Sc. 6.]
+</pre>
+ <p>
+ [Exit.]
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;A Tavern on the Frontier of Saxony.
+ </h2>
+<pre xml:space="preserve">
+ CHARLES VON MOOR intent on a book; SPIEGELBERG drinking at the table.
+</pre>
+ <p>
+ CHARLES VON M. (lays the book aside). I am disgusted with this age of puny
+ scribblers when I read of great men in my Plutarch.
+ </p>
+ <p>
+ SPIEGEL. (places a glass before him, and drinks). Josephus is the book you
+ should read.
+ </p>
+ <p>
+ CHARLES VON M. The glowing spark of Prometheus is burnt out, and now they
+ substitute for it the flash of lycopodium,* a stage-fire which will not so
+ much as light a pipe. The present generation may be compared to rats
+ crawling about the club of Hercules.**
+ </p>
+<pre xml:space="preserve">
+ *[Lycopodium (in German Barlappen-mehl), vulgarly known as the
+ Devil's Puff-ball or Witchmeal, is used on the stage, as well in
+ England as on the continent, to produce flashes of fire. It is
+ made of the pollen of common club moss, or wolf's claw (Lycopodium
+ clavatum), the capsules of which contain a highly inflammable
+ powder. Translators have uniformly failed in rendering this
+ passage.]
+
+ **[This simile brings to mind Shakespeare's:
+ "We petty men
+ Walk under his huge legs, and peep about."
+ JULIUS CAESAR, Act I., Sc. 2.]
+</pre>
+ <p>
+ A French abbe lays it down that Alexander was a poltroon; a phthisicky
+ professor, holding at every word a bottle of sal volatile to his nose,
+ lectures on strength. Fellows who faint at the veriest trifle criticise
+ the tactics of Hannibal; whimpering boys store themselves with phrases out
+ of the slaughter at Canna; and blubber over the victories of Scipio,
+ because they are obliged to construe them.
+ </p>
+ <p>
+ SPIEGEL. Spouted in true Alexandrian style.
+ </p>
+ <p>
+ CHARLES VON M. A brilliant reward for your sweat in the battle-field truly
+ to have your existence perpetuated in gymnasiums, and your immortality
+ laboriously dragged about in a schoolboy's satchel. A precious recompense
+ for your lavished blood to be wrapped round gingerbread by some Nuremberg
+ chandler, or, if you have great luck, to be screwed upon stilts by a
+ French playwright, and be made to move on wires! Ha, ha, ha!
+ </p>
+ <p>
+ SPIEGEL. (drinks). Read Josephus, I tell you.
+ </p>
+ <p>
+ CHARLES VON M. Fie! fie upon this weak, effeminate age, fit for nothing
+ but to ponder over the deeds of former times, and torture the heroes of
+ antiquity with commentaries, or mangle them in tragedies. The vigor of its
+ loins is dried up, and the propagation of the human species has become
+ dependent on potations of malt liquor.
+ </p>
+ <p>
+ SPIEGEL. Tea, brother! tea!
+ </p>
+ <p>
+ CHARLES VON M. They curb honest nature with absurd conventionalities; have
+ scarcely the heart to charge a glass, because they are tasked to drink a
+ health in it; fawn upon the lackey that he may put in a word for them with
+ His Grace, and bully the unfortunate wight from whom they have nothing to
+ fear. They worship any one for a dinner, and are just as ready to poison
+ him should he chance to outbid them for a feather-bed at an auction. They
+ damn the Sadducee who fails to come regularly to church, although their
+ own devotion consists in reckoning up their usurious gains at the very
+ altar. They cast themselves on their knees that they may have an
+ opportunity of displaying their mantles, and hardly take their eyes off
+ the parson from their anxiety to see how his wig is frizzled. They swoon
+ at the sight of a bleeding goose, yet clap their hands with joy when they
+ see their rival driven bankrupt from the Exchange. Warmly as I pressed
+ their hands,&mdash;"Only one more day." In vain! To prison with the dog!
+ Entreaties! Vows! Tears! (stamping the ground). Hell and the devil!
+ </p>
+ <p>
+ SPIEGEL. And all for a few thousand paltry ducats!
+ </p>
+ <p>
+ CHARLES VON M. No, I hate to think of it. Am I to squeeze my body into
+ stays, and straight-lace my will in the trammels of law. What might have
+ risen to an eagle's flight has been reduced to a snail's pace by law.
+ Never yet has law formed a great man; 'tis liberty that breeds giants and
+ heroes. Oh! that the spirit of Herman* still glowed in his ashes!
+ </p>
+<pre xml:space="preserve">
+ *[Herman is the German for Armin or Arminius, the celebrated
+ deliverer of Germany from the Roman yoke. See Menzel's History,
+ vol. i., p. 85, etc.]
+</pre>
+ <p>
+ Set me at the head of an army of fellows like myself, and out of Germany
+ shall spring a republic compared to which Rome and Sparta will be but as
+ nunneries. (Rises and flings his sword upon the table.)
+ </p>
+ <p>
+ SPIEGEL. (jumping up). Bravo! Bravissimo! you are coming to the right key
+ now. I have something for your ear, Moor, which has long been on my mind,
+ and you are the very man for it&mdash;drink, brother, drink! What if we
+ turned Jews and brought the kingdom of Jerusalem again on the tapis? But
+ tell me is it not a clever scheme? We send forth a manifesto to the four
+ quarters of the world, and summon to Palestine all that do not eat
+ Swineflesh. Then I prove by incontestable documents that Herod the
+ Tetrarch was my direct ancestor, and so forth. There will be a victory, my
+ fine fellow, when they return and are restored to their lands, and are
+ able to rebuild Jerusalem. Then make a clean sweep of the Turks out of
+ Asia while the iron is hot, hew cedars in Lebanon, build ships, and then
+ the whole nation shall chaffer with old clothes and old lace throughout
+ the world. Meanwhile&mdash;
+ </p>
+ <p>
+ CHARLES VON M. (smiles and takes him by the hand). Comrade! There must be
+ an end now of our fooleries.
+ </p>
+ <p>
+ SPIEGEL. (with surprise). Fie! you are not going to play the prodigal son!&mdash;a
+ fellow like you who with his sword has scratched more hieroglyhics on
+ other men's faces than three quill-drivers could inscribe in their
+ daybooks in a leap-year! Shall I tell you the story of the great dog
+ funeral? Ha! I must just bring back your own picture to your mind; that
+ will kindle fire in your veins, if nothing else has power to inspire you.
+ Do you remember how the heads of the college caused your dog's leg to be
+ shot off, and you, by way of revenge, proclaimed a fast through the whole
+ town? They fumed and fretted at your edict. But you, without losing time,
+ ordered all the meat to be bought up in Leipsic, so that in the course of
+ eight hours there was not a bone left to pick all over the place, and even
+ fish began to rise in price. The magistrates and the town council vowed
+ vengeance. But we students turned out lustily, seventeen hundred of us,
+ with you at our head, and butchers and tailors and haberdashers at our
+ backs, besides publicans, barbers, and rabble of all sorts, swearing that
+ the town should be sacked if a single hair of a student's head was
+ injured. And so the affair went off like the shooting at Hornberg,* and
+ they were obliged to be off with their tails between their legs.
+ </p>
+<pre xml:space="preserve">
+ *[The "shooting at Hornberg" is a proverbial expression in Germany
+ for any expedition from which, through lack of courage, the parties
+ retire without firing a shot.]
+</pre>
+ <p>
+ You sent for doctors&mdash;a whole posse of them&mdash;and offered three
+ ducats to any one who would write a prescription for your dog. We were
+ afraid the gentlemen would stand too much upon honor and refuse, and had
+ already made up our minds to use force. But this was quite unnecessary;
+ the doctors got to fisticuffs for the three ducats, and their competition
+ brought down the price to three groats; in the course of an hour a dozen
+ prescriptions were written, of which, of course, the poor beast very soon
+ died.
+ </p>
+ <p>
+ CHARLES VON M. The vile rascals.
+ </p>
+ <p>
+ SPIEGEL. The funeral procession was arranged with all due pomp; odes for
+ the dog were indited by the gross; and at night we all turned out, near a
+ thousand of us, a lantern in one hand and our rapier in the other, and so
+ proceeded through the town, the bells chiming and ringing, till the dog
+ was entombed. Then came a feed which lasted till broad daylight, when you
+ sent your acknowledgments to the college dons for their kind sympathy, and
+ ordered the meat to be sold at half-price. <i>Mort de ma vie</i>, if we
+ had not as great a respect for you as a garrison for the conqueror of a
+ fortress.
+ </p>
+ <p>
+ CHARLES VON M. And are you not ashamed to boast of these things? Have you
+ not shame enough in you to blush even at the recollection of such pranks?
+ </p>
+ <p>
+ SPIEGEL. Come, come! You are no longer the same Moor. Do you remember how,
+ a thousand times, bottle in hand, you made game of the miserly old
+ governor, bidding him by all means rake and scrape together as much as he
+ could, for that you would swill it all down your throat? Don't you
+ remember, eh?&mdash;don't you remember?' O you good-for-nothing, miserable
+ braggart! that was speaking like a man, and a gentleman, but&mdash;
+ </p>
+ <p>
+ CHARLES VON M. A curse on you for reminding me of it! A curse on myself
+ for what I said! But it was done in the fumes of wine, and my heart knew
+ not what my tongue uttered.
+ </p>
+ <p>
+ SPIEGEL. (shakes his head). No, no! that cannot be! Impossible, brother!
+ You are not in earnest! Tell me! most sweet brother, is it not poverty
+ which has brought you to this mood? Come! let me tell you a little story
+ of my youthful days. There was a ditch close to my house, eight feet wide
+ at the least, which we boys were trying to leap over for a wager. But it
+ was no go. Splash! there you lay sprawling, amidst hisses and roars of
+ laughter, and a relentless shower of snowballs. By the side of my house a
+ hunter's dog was lying chained, a savage beast, which would catch the
+ girls by their petticoats with the quickness of lightning if they
+ incautiously passed too near him. Now it was my greatest delight to tease
+ this brute in every possible way; and it was enough to make one burst with
+ laughing to see the beast fix his eyes on me with such fierceness that he
+ seemed ready to tear me to pieces if he could but get at me. Well, what
+ happened? Once, when I was amusing myself in this manner, I hit him such a
+ bang in the ribs with a stone that in his fury he broke loose and ran
+ right upon me. I tore away like lightning, but&mdash;devil take it!&mdash;that
+ confounded ditch lay right in my way. What was to be done? The dog was
+ close at my heels and quite furious; there was no time to deliberate. I
+ took a spring and cleared the ditch. To that leap I was indebted for life
+ and limb; the beast would have torn me to atoms.
+ </p>
+ <p>
+ CHARLES VON M. And to what does all this tend?
+ </p>
+ <p>
+ SPIEGEL. To this&mdash;that you may be taught that strength grows with the
+ occasion. For which reason I never despair even when things are the worst.
+ Courage grows with danger. Powers of resistance increase by pressure. It
+ is evident by the obstacles she strews in my path that fate must have
+ designed me for a great man.
+ </p>
+ <p>
+ CHARLES VON M. (angrily). I am not aware of anything for which we still
+ require courage, and have not already shown it.
+ </p>
+ <p>
+ SPIEGEL. Indeed! And so you mean to let your gifts go to waste? To bury
+ your talent? Do you think your paltry achievements at Leipsic amount to
+ the <i>ne plus ultra</i> of genius? Let us but once get to the great world&mdash;Paris
+ and London! where you get your ears boxed if you salute a man as honest.
+ It is a real jubilee to practise one's handicraft there on a grand scale.
+ How you will stare! How you will open your eyes! to see signatures forged;
+ dice loaded; locks picked, and strong boxes gutted; all that you shall
+ learn of Spiegelberg! The rascal deserves to be hanged on the first
+ gallows that would rather starve than manipulate with his fingers.
+ </p>
+ <p>
+ CHARLES VON M. (in a fit of absence). How now? I should not wonder if your
+ proficiency went further still.
+ </p>
+ <p>
+ SPIEGEL. I begin to think you mistrust me. Only wait till I have grown
+ warm at it; you shall see wonders; your little brain shall whirl clean
+ round in your pericranium when my teeming wit is delivered. (He rises
+ excited.) How it clears up within me! Great thoughts are dawning in on my
+ soul! Gigantic plans are fermenting in my creative brain. Cursed lethargy
+ (striking his forehead), which has hitherto enchained my faculties,
+ cramped and fettered my prospects! I awake; I feel what I am&mdash;and
+ what I am to be!
+ </p>
+ <p>
+ CHARLES VON M. You are a fool! The wine is swaggering in your brain.
+ </p>
+ <p>
+ SPIEGEL. (more excited). Spiegelberg, they will say, art thou a magician,
+ Spiegelberg? 'Tis a pity, the king will say, that thou wert not made a
+ general, Spiegelberg, thou wouldst have thrust the Austrians through a
+ buttonhole. Yes, I hear the doctors lamenting, 'tis a crying shame that he
+ was not bred to medicine, he would have discovered the <i>elixir vitae</i>.
+ Ay, and that he did not take to financiering, the Sullys will deplore in
+ their cabinets,&mdash;he would have turned flints into louis-d'ors by his
+ magic. And Spiegelberg will be the word from east to west; then down into
+ the dirt with you, ye cowards, ye reptiles, while Spiegelberg soars with
+ outspread wings to the temple of everlasting fame.
+ </p>
+ <p>
+ CHARLES VON M. A pleasant journey to you! I leave you to climb to the
+ summit of glory on the pillars of infamy. In the shade of my ancestral
+ groves, in the arms of my Amelia, a nobler joy awaits me. I have already,
+ last week, written to my father to implore his forgiveness, and have not
+ concealed the least circumstance from him; and where there is sincerity
+ there is compassion and help. Let us take leave of each other, Moritz.
+ After this day we shall meet no more. The post has arrived. My father's
+ forgiveness must already be within the walls of this town.
+ </p>
+<pre xml:space="preserve">
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHUFTERLE, and RAZMAN.
+</pre>
+ <p>
+ ROLLER. Are you aware that they are on our track!
+ </p>
+ <p>
+ GRIMM. That we are not for a moment safe from being taken?
+ </p>
+ <p>
+ CHARLES VON M. I don't wonder at it. It must be as it will! Have none of
+ you seen Schwarz? Did he say anything about having a letter for me?
+ </p>
+ <p>
+ ROLLER. He has been long in search of you on some such errand, I suspect.
+ </p>
+ <p>
+ CHARLES VON M. Where is he? where, where? (is about to rush of in haste).
+ </p>
+ <p>
+ ROLLER. Stay! we have appointed him to come here. You tremble?
+ </p>
+ <p>
+ CHARLES VON M. I do not tremble. Why should I tremble? Comrades, this
+ letter&mdash;rejoice with me! I am the happiest man under the sun; why
+ should I tremble?
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <div class="fig" style="width:80%;">
+ <img alt="2pa158 (133K)" src="images/2pa158.jpg" width="100%" /><br />
+ </div>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+ Enter SCHWARZ.
+</pre>
+ <p>
+ CHARLES VON M. (rushes towards him). Brother, brother! the letter, the
+ letter!
+ </p>
+ <p>
+ SCHW. (gives him a letter, which he opens hastily). What's the matter? You
+ have grown as pale as a whitewashed wall!
+ </p>
+ <p>
+ CHARLES VON M. My brother's hand!
+ </p>
+ <p>
+ SCHW. What the deuce is Spiegelberg about there?
+ </p>
+ <p>
+ GRIMM. The fellow's mad. He jumps about as if he had St. Vitus' dance.
+ </p>
+ <p>
+ SCHUF. His wits are gone a wool gathering! He's making verses, I'll be
+ sworn!
+ </p>
+ <p>
+ RAZ. Spiegelberg! Ho! Spiegelberg! The brute does not hear.
+ </p>
+ <p>
+ GRIMM. (shakes him). Hallo! fellow! are you dreaming? or&mdash;
+ </p>
+ <p>
+ SPIEGEL. (who has all this time been making gestures in a corner of the
+ room, as if working out some great project, jumps up wildly). Your money
+ or your life! (He catches SCHWEITZER by the throat, who very coolly flings
+ him against the wall; Moor drops the letter and rushes out. A general
+ sensation.)
+ </p>
+ <p>
+ ROLLER. (calling after him). Moor! where are you going? What's the matter?
+ </p>
+ <p>
+ GRIMM. What ails him? What has he been doing? He is as pale as death.
+ </p>
+ <p>
+ SCHW. He must have got strange news. Just let us see!
+ </p>
+ <p>
+ ROLLER. (picks up the letter from the ground, and reads). "Unfortunate
+ brother!"&mdash;a pleasant beginning&mdash;"I have only briefly to inform
+ you that you have nothing more to hope for. You may go, your father
+ directs me to tell you, wherever your own vicious propensities lead. Nor
+ are you to entertain, he says, any hope of ever gaining pardon by weeping
+ at his feet, unless you are prepared to fare upon bread and water in the
+ lowest dungeon of his castle until your hair shall outgrow eagles'
+ feathers, and your nails the talons of a vulture. These are his very
+ words. He commands me to close the letter. Farewell forever! I pity you.
+ </p>
+<pre xml:space="preserve">
+ "FRANCIS VON MOOR"
+</pre>
+ <p>
+ SCHW. A most amiable and loving brother, in good truth! And the
+ scoundrel's name is Francis.
+ </p>
+ <p>
+ SPIEGEL. (slinking forward). Bread and water! Is that it? A temperate
+ diet! But I have made a better provision for you. Did I not say that I
+ should have to think for you all at last?
+ </p>
+ <p>
+ SCHWEIT. What does the blockhead say! The jackass is going to think for us
+ all!
+ </p>
+ <p>
+ SPIEGEL. Cowards, cripples, lame dogs are ye all if you have not courage
+ enough to venture upon something great.
+ </p>
+ <p>
+ ROLLER. Well, of course, so we should be, you are right; but will your
+ proposed scheme get us out of this devil of a scrape? eh?
+ </p>
+ <p>
+ SPIEGEL. (with a proud laugh). Poor thing! Get us out of this scrape? Ha,
+ ha, ha! Get us out of the scrape!&mdash;and is that all your thimbleful of
+ brain can reach? And with that you trot your mare back to the stable?
+ Spiegelberg would have been a miserable bungler indeed if that were the
+ extent of his aim. Heroes, I tell you, barons, princes, gods, it will make
+ of you.
+ </p>
+ <p>
+ RAZ. That's pretty well for one bout, truly! But no doubt it is some
+ neck-breaking piece of business; it will cost a head or so at the least.
+ </p>
+ <p>
+ SPIEGEL. It wants nothing but courage; as to the headwork, I take that
+ entirely upon myself. Courage, I say, Schweitzer! Courage, Roller! Grimm!
+ Razman! Schufterle! Courage!
+ </p>
+ <p>
+ SCHW. Courage! If that is all, I have courage enough to walk through hell
+ barefoot.
+ </p>
+ <p>
+ SCHUFT. And I courage enough to fight the very devil himself under the
+ open gallows for the rescue of any poor sinner.
+ </p>
+ <p>
+ SPIEGEL. That's just what it should be! If ye have courage, let any one of
+ you step forward and say he has still something to lose, and not
+ everything to gain?
+ </p>
+ <p>
+ SCHW. Verily, I should have a good deal to lose, if I were to lose all
+ that I have yet to win!
+ </p>
+ <p>
+ PAZ. Yes, by Jove! and I much to win, if I could win all that I have not
+ got to lose.
+ </p>
+ <p>
+ SCHUFT. Were I to lose what I carry on my back on trust I should at any
+ rate have nothing to lose on the morrow.
+ </p>
+ <p>
+ SPIEGEL. Very well then! (He takes his place in the middle of them, and
+ says in solemn adjuration)&mdash;if but a drop of the heroic blood of the
+ ancient Germans still flow in your veins&mdash;come! We will fix our abode
+ in the Bohemian forests, draw together a band of robbers, and&mdash;What
+ are you gaping at? Has your slender stock of courage oozed out already?
+ </p>
+ <p>
+ ROLLER. You are not the first rogue by many that has defied the gallows;&mdash;and
+ yet what other choice have we?
+ </p>
+ <p>
+ SPIEGEL. Choice? You have no choice. Do you want to lie rotting in the
+ debtor's jail and beat hemp till you are bailed by the last trumpet? Would
+ you toil with pick-axe and spade for a morsel of dry bread? or earn a
+ pitiful alms by singing doleful ditties under people's windows? Or will
+ you be sworn at the drumhead&mdash;and then comes the question, whether
+ anybody would trust your hang-dog visages&mdash;and so under the splenetic
+ humor of some despotic sergeant serve your time of purgatory in advance?
+ Would you like to run the gauntlet to the beat of the drum? or be doomed
+ to drag after you, like a galley-slave, the whole iron store of Vulcan?
+ Behold your choice. You have before you the complete catalogue of all that
+ you may choose from!
+ </p>
+ <p>
+ ROLLER. Spiegelberg is not altogether wrong! I, too, have been concocting
+ plans, but they come much to the same thing. How would it be, thought I,
+ were we to club our wits together, and dish up a pocketbook, or an
+ almanac, or something of that sort, and write reviews at a penny a line,
+ as is now the fashion?
+ </p>
+ <p>
+ SCHUFT. The devil's in you! you are pretty nearly hitting on my own
+ schemes. I have been thinking to myself how would it answer were I to turn
+ Methodist, and hold weekly prayer-meetings?
+ </p>
+ <p>
+ GRIMM. Capital! and, if that fails, turn atheist! We might fall foul of
+ the four Gospels, get our book burned by the hangman, and then it would
+ sell at a prodigious rate.
+ </p>
+ <p>
+ RAZ. Or we might take the field to cure a fashionable ailment. I know a
+ quack doctor who has built himself a house with nothing but mercury, as
+ the motto over his door implies.
+ </p>
+ <p>
+ SCHWEIT. (rises and holds out his hand to Spiegelberg). Spiegelberg, thou
+ art a great man! or else a blind hog has by chance found an acorn.
+ </p>
+ <p>
+ SCHW. Excellent schemes! Honorable professions! How great minds
+ sympathize! All that seems wanting to complete the list is that we should
+ turn pimps and bawds.
+ </p>
+ <p>
+ SPIEGEL. Pooh! Pooh! Nonsense. And what is to prevent our combining most
+ of these occupations in one person? My plan will exalt you the most, and
+ it holds out glory and immortality into the bargain. Remember, too, ye
+ sorry varlets, and it is a matter worthy of consideration: one's fame
+ hereafter&mdash;the sweet thought of immortality&mdash;
+ </p>
+ <p>
+ ROLLER. And that at the very head of the muster-roll of honorable names!
+ You are a master of eloquence, Spiegelberg, when the question is how to
+ convert an honest man into a scoundrel. But does any one know what has
+ become of Moor?
+ </p>
+ <p>
+ SPIEGEL. Honest, say you? Do you think you'll be less honest then than you
+ are now? What do you call honest? To relieve rich misers of half of those
+ cares which only scare golden sleep from their eyelids; to force hoarded
+ coin into circulation; to restore the equalization of property; in one
+ word, to bring back the golden age; to relieve Providence of many a
+ burdensome pensioner, and so save it the trouble of sending war,
+ pestilence, famine, and above all, doctors&mdash;that is what I call
+ honesty, d'ye see; that's what I call being a worthy instrument in the
+ hand of Providence,&mdash;and then, at every meal you eat, to have the
+ sweet reflection: this is what thy own ingenuity, thy lion boldness, thy
+ night watchings, have procured for thee&mdash;to command the respect both
+ of great and small!
+ </p>
+ <p>
+ ROLLER. And at last to mount towards heaven in the living body, and in
+ spite of wind and storm, in spite of the greedy maw of old father Time, to
+ be hovering beneath the sun and moon and all the stars of the firmament,
+ where even the unreasoning birds of heaven, attracted by noble instinct,
+ chant their seraphic music, and angels with tails hold their most holy
+ councils? Don't you see? And, while monarchs and potentates become a prey
+ to moths and worms, to have the honor of receiving visits from the royal
+ bird of Jove. Moritz, Moritz, Moritz! beware of the three-legged beast.*
+ </p>
+<pre xml:space="preserve">
+ *[The gallows, which in Germany is formed of three posts.]
+</pre>
+ <p>
+ SPIEGEL. And does that fright thee, craven-heart? Has not many a universal
+ genius, who might have reformed the world, rotted upon the gallows? And
+ does not the renown of such a man live for hundreds and thousands of
+ years, whereas many a king and elector would be passed over in history,
+ were not historians obliged to give him a niche to complete the line of
+ succession, or that the mention of him did not swell the volume a few
+ octavo pages, for which he counts upon hard cash from the publisher. And
+ when the wayfarer sees you swinging to and fro in the breeze he will
+ mutter to himself, "That fellow's brains had no water in them, I'll
+ warrant me," and then groan over the hardship of the times.
+ </p>
+ <p>
+ SCHWEIT. (slaps him on the shoulder). Well said, Spiegelberg! Well said!
+ Why the devil do we stand here hesitating?
+ </p>
+ <p>
+ SCHW. And suppose it is called disgrace&mdash;what then? Cannot one, in
+ case of need, always carry a small powder about one, which quietly smooths
+ the weary traveller's passage across the Styx, where no cock-crowing will
+ disturb his rest? No, brother Moritz! Your scheme is good; so at least
+ says my creed.
+ </p>
+ <p>
+ SCHUFT. Zounds! and mine too! Spiegelberg, I am your recruit.
+ </p>
+ <p>
+ RAZ. Like a second Orpheus, Spiegelberg, you have charmed to sleep that
+ howling beast, conscience! Take me as I stand, I am yours entirely!
+ </p>
+ <p>
+ GRIMMM. <i>Si omnes consentiunt ego non dissentio</i>;* mind, without a
+ comma. There is an auction going on in my head&mdash;methodists&mdash;quack
+ doctors&mdash;reviewers&mdash;rogues;&mdash;the highest bidder has me.
+ Here is my hand, Moritz!
+ </p>
+<pre xml:space="preserve">
+ *[The joke is explained by placing a comma after non.]
+</pre>
+ <p>
+ ROLLER. And you too, Schweitzer? (he gives his right hand to SPIEGELBERG).
+ Thus I consign my soul to the devil.
+ </p>
+ <p>
+ SPIEGEL. And your name to the stars! What does it signify where the soul
+ goes to? If crowds of <i>avantcouriers</i> give notice of our descent that
+ the devils may put on their holiday gear, wipe the accumulated soot of a
+ thousand years from their eyelashes, and myriads of horned heads pop up
+ from the smoking mouth of their sulphurous chimneys to welcome our
+ arrival! 'Up, comrades! (leaping up). Up! What in the world is equal to
+ this ecstacy of delight? Come along, comrades!
+ </p>
+ <p>
+ ROLLER. Gently, gently! Where are you going? Every beast must have a head,
+ boys!
+ </p>
+ <p>
+ SPIEGEL. (With bitterness). What is that incubus preaching about? Was not
+ the head already there before a single limb began to move? Follow me,
+ comrades!
+ </p>
+ <p>
+ ROLLER. Gently, I say! even liberty must have its master. Rome and Sparta
+ perished for want of a chief.
+ </p>
+ <p>
+ SPIEGEL. (in a wheedling manner). Yes,&mdash;stay&mdash;Roller is right.
+ And he must have an enlightened head. Do you understand? A keen, politic
+ head. Yes! when I think what you were only an hour ago, and what you are
+ now, and that it is all owing to one happy thought. Yes, of course, you
+ must have a chief, and you'll own that he who struck out this idea may
+ claim to have an enlightened and politic head?
+ </p>
+ <p>
+ ROLLER. If one could hope, if one could dream, but I fear he will not
+ consent.
+ </p>
+ <p>
+ SPIEGEL. Why not? Speak out boldly, friend! Difficult as it may be to
+ steer a laboring vessel against wind and tide, oppressive as may be the
+ weight of a crown, speak your thought without hesitation, Roller! Perhaps
+ he may be prevailed upon after all!
+ </p>
+ <p>
+ ROLLER. And if he does not the whole vessel will be crazy enough. Without
+ Moor we are a "body without a soul."
+ </p>
+ <p>
+ SPIEGEL. (turning angrily from him). Dolt! blockhead!
+ </p>
+<pre xml:space="preserve">
+ (Enter CHARLES VON MOOR in violent agitation, stalking backwards
+ and forwards, and speaking to himself.)
+</pre>
+ <p>
+ CHARLES VON M. Man&mdash;man! false, perfidious crocodile-brood! Your eyes
+ are all tears, but your hearts steel! Kisses on your lips, but daggers
+ couched in your bosoms! Even lions and tigers nourish their young. Ravens
+ feast their brood on carrion, and he&mdash;he Malice I have learned to
+ bear; and I can smile when my fellest enemy drinks to me in my own heart's
+ blood; but when kindred turn traitors, when a father's love becomes a
+ fury's hate; oh, then, let manly resignation give place to raging fire!
+ the gentle lamb become a tiger! and every nerve strain itself to vengeance
+ and destruction!
+ </p>
+ <p>
+ ROLLER. Hark ye, Moor! What think ye of it? A robber's life is pleasanter,
+ after all, than to lie rotting on bread and water in the lowest dungeon of
+ the castle?
+ </p>
+ <p>
+ CHARLES VON M. Why was not this spirit implanted in a tiger which gluts
+ its raging jaws with human flesh? Is this a father's tenderness? Is this
+ love for love? Would I were a bear to rouse all the bears of the north
+ against this murderous race! Repentance, and no pardon! Oh, that I could
+ poison the ocean that men might drink death from every spring! Contrition,
+ implicit reliance, and no pardon!
+ </p>
+ <p>
+ ROLLER. But listen, Moor,&mdash;listen to what I am telling you!
+ </p>
+ <p>
+ CHARLES VON M. 'Tis incredible! 'tis a dream&mdash;a delusion! Such
+ earnest entreaty, such a vivid picture of misery and tearful penitence&mdash;a
+ savage beast would have been melted to compassion! stones would have wept,
+ and yet he&mdash;it would be thought a malicious libel upon human nature
+ were I to proclaim it&mdash;and yet, yet&mdash;oh, that I could sound the
+ trumpet of rebellion through all creation, and lead air, and earth, and
+ sea into battle array against this generation of hyenas!
+ </p>
+ <p>
+ GRIMM. Hear me, only hear me! You are deaf with raving.
+ </p>
+ <p>
+ CHARLES VON M. Avaunt, avaunt! Is not thy name man? Art thou not born of
+ woman? Out of my sight, thou thing with human visage! I loved him so
+ unutterably!&mdash;never son so loved a father; I would have sacrificed a
+ thousand lives for him (foaming and stamping the ground). Ha! where is he
+ that will put a sword into my hand that I may strike this generation of
+ vipers to the quick! Who will teach me how to reach their heart's core, to
+ crush, to annihilate the whole race? Such a man shall be my friend, my
+ angel, my god&mdash;him will I worship!
+ </p>
+ <p>
+ ROLLER. Such friends behold in us; be but advised!
+ </p>
+ <p>
+ SCHW. Come with us into the Bohemian forests! We will form a band of
+ robbers there, and you (MOOR stares at him).
+ </p>
+ <p>
+ SCHWEIT. You shall be our captain! you must be our captain!
+ </p>
+ <p>
+ SPIEGEL. (throws himself into a chair in a rage). Slaves and cowards!
+ </p>
+ <p>
+ CHARLES VON M. Who inspired thee with that thought? Hark, fellow!
+ (grasping ROLLER tightly) that human soul of thine did not produce it; who
+ suggested it to thee? Yes, by the thousand arms of death! that's what we
+ will, and what we must do! the thought's divine. He who conceived it
+ deserves to be canonized. Robbers and murderers! As my soul lives, I am
+ your captain!
+ </p>
+ <p>
+ ALL (with tumultuous shouts). Hurrah! long live our captain!
+ </p>
+ <p>
+ SPIEGEL. (starting up, aside). Till I give him his <i>coup de grace</i>!
+ </p>
+ <p>
+ CHARLES VON M. See, it falls like a film from my eyes! What a fool was I
+ to think of returning to be caged? My soul's athirst for deeds, my spirit
+ pants for freedom. Murderers, robbers! with these words I trample the law
+ underfoot&mdash;mankind threw off humanity when I appealed to it. Away,
+ then, with human sympathies and mercy! I no longer have a father, no
+ longer affections; blood and death shall teach me to forget that anything
+ was ever dear to me! Come! come! Oh, I will recreate myself with some most
+ fearful vengeance;&mdash;'tis resolved, I am your captain! and success to
+ him who Shall spread fire and slaughter the widest and most savagely&mdash;I
+ pledge myself He shall be right royally rewarded. Stand around me, all of
+ you, and swear to me fealty and obedience unto death! Swear by this trusty
+ right hand.
+ </p>
+ <p>
+ ALL (place their hands in his). We swear to thee fealty and obedience unto
+ death!
+ </p>
+ <p>
+ CHARLES VON M. And, by this same trusty right Hand, I here swear to you to
+ remain your captain, true and faithful unto death! This arm shall make an
+ instant corpse of him who doubts, or fears, or retreats. And may the same
+ befall me from your hands if I betray my oath! Are you content?
+ </p>
+<pre xml:space="preserve">
+ [SPIEGELBERG runs up and down in a furious rage.]
+</pre>
+ <p>
+ ALL (throwing up their hats). We are content!
+ </p>
+ <p>
+ CHARLES VON M. Well, then, let us be gone! Fear neither death nor danger,
+ for an unalterable destiny rules over us. Every man has his doom, be it to
+ die on the soft pillow of down, or in the field of blood, or on the
+ scaffold, or the wheel! One or the other of these must be our lot!
+ [Exeunt.]
+ </p>
+ <p>
+ SPIEGEL. (looking after them after a pause). Your catalogue has a hole in
+ it. You have omitted poison.
+ </p>
+ <p>
+ [Exit.]
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE III.&mdash;MOOR'S Castle.&mdash;AMELIA'S Chamber.
+ </h2>
+<pre xml:space="preserve">
+ FRANCIS, AMELIA.
+</pre>
+ <p>
+ FRANCIS. Your face is averted from me, Amelia? Am I less worthy than he
+ who is accursed of his father?
+ </p>
+ <p>
+ AMELIA. Away! Oh! what a loving, compassionate father, who abandons his
+ son a prey to wolves and monsters! In his own comfortable home he pampers
+ himself with delicious wines and stretches his palsied limbs on down,
+ while his noble son is starving. Shame upon you, inhuman wretches! Shame
+ upon you, ye souls of dragons, ye blots on humanity!&mdash; his only son!
+ </p>
+ <p>
+ FRANCIS. I thought he had two.
+ </p>
+ <p>
+ AMELIA. Yes, he deserves to have such sons as you are. On his deathbed he
+ will in vain stretch out his withered hands for his Charles, and recoil
+ with a shudder when he feels the ice-cold hand of his Francis. Oh, it is
+ sweet, deliciously sweet, to be cursed by such a father! Tell me, Francis,
+ dear brotherly soul&mdash;tell me what must one do to be cursed by him?
+ </p>
+ <p>
+ FRANCIS. You are raving, dearest; you are to be pitied.
+ </p>
+ <p>
+ AMELIA. Oh! indeed. Do you pity your brother? No, monster, you hate him! I
+ hope you hate me too.
+ </p>
+ <p>
+ FRANCIS. I love you as dearly as I love myself, Amelia!
+ </p>
+ <p>
+ AMELIA. If you love me you will not refuse me one little request.
+ </p>
+ <p>
+ FRANCIS. None, none! if you ask no more than my life.
+ </p>
+ <p>
+ AMELIA. Oh, if that is the case! then one request, which you will so
+ easily, so readily grant. (Loftily.) Hate me! I should perforce blush
+ crimson if, whilst thinking of Charles, it should for a moment enter my
+ mind that you do not hate me. You promise me this? Now go, and leave me; I
+ so love to be alone!
+ </p>
+ <p>
+ FRANCIS. Lovely enthusiast! how greatly I admire your gentle, affectionate
+ heart. Here, here, Charles reigned sole monarch, like a god within his
+ temple; he stood before thee waking, he filled your imaination dreaming;
+ the whole creation seemed to thee to centre in Charles, and to reflect him
+ alone; it gave thee no other echo but of him.
+ </p>
+ <p>
+ AMELIA (with emotion). Yes, verily, I own it. Despite of you all,
+ barbarians as you are, I will own it before all the world. I love him!
+ </p>
+ <p>
+ FRANCIS. Inhuman, cruel! So to requite a love like this! To forget her&mdash;
+ </p>
+ <p>
+ AMELIA (starting). What! forget me?
+ </p>
+ <p>
+ FRANCIS. Did you not place a ring on his finger?&mdash;a diamond ring, the
+ pledge of your love? To be sure how is it possible for youth to resist the
+ fascinations of a wanton? Who can blame him for it, since he had nothing
+ else left to give away? and of course she repaid him with interest by her
+ caresses and embraces.
+ </p>
+ <p>
+ AMELIA (with indignation). My ring to a wanton?
+ </p>
+ <p>
+ FRANCIS. Fie, fie! it is disgraceful. 'Twould not be much, however, if
+ that were all. A ring, be it ever so costly, is, after all, a thing which
+ one may always buy of a Jew. Perhaps the fashion of it did not please him,
+ perhaps he exchanged it for one more beautiful.
+ </p>
+ <p>
+ AMELIA (with violence). But my ring, I say, my ring?
+ </p>
+ <p>
+ FRANCIS. Even yours, Amelia. Ha! such a brilliant, and on my finger; and
+ from Amelia! Death itself should not have plucked it hence. It is not the
+ costliness of the diamond, not the cunning of the pattern&mdash;it is love
+ which constitutes its value. Is it not so, Amelia? Dearest child, you are
+ weeping. Woe be to him who causes such precious drops to flow from those
+ heavenly eyes; ah, and if you knew all, if you could but see him yourself,
+ see him under that form?
+ </p>
+ <p>
+ AMELIA. Monster! what do you mean? What form do you speak of?
+ </p>
+ <p>
+ FRANCIS. Hush, hush, gentle soul, press me no further (as if
+ soliloquizing, yet aloud). If it had only some veil, that horrid vice,
+ under which it might shroud itself from the eye of the world! But there it
+ is, glaring horribly through the sallow, leaden eye; proclaiming itself in
+ the sunken, deathlike look; ghastly protruding bones; the faltering,
+ hollow voice; preaching audibly from the shattered, shaking skeleton;
+ piercing to the most vital marrow of the bones, and sapping the manly
+ strength of youth&mdash;faugh! the idea sickens me. Nose, eyes, ears
+ shrink from it. You saw that miserable wretch, Amelia, in our hospital,
+ who was heavily breathing out his spirit; modesty seemed to cast down her
+ abashed eye as she passed him; you cried woe upon him. Recall that hideous
+ image to your mind, and your Charles stands before you. His kisses are
+ pestilence, his lips poison.
+ </p>
+ <p>
+ AMELIA (strikes him). Shameless liar!
+ </p>
+ <p>
+ FRANCIS. Does such a Charles inspire you with horror? Does the mere
+ picture fill you with disgust? Go, then! gaze upon him yourself, your
+ handsome, your angelic, your divine Charles! Go, drink his balmy breath,
+ and revel in the ambrosial fumes which ascend from his throat! The very
+ exhalations of his body will plunge you into that dark and deathlike
+ dizziness which follows the smell of a bursting carcase, or the sight of a
+ corpse-strewn battle-field. (AMELIA turns away her face.) What sensations
+ of love! What rapture in those embraces! But is it not unjust to condemn a
+ man because of his diseased exterior? Even in the most wretched lump of
+ deformity a soul great and worthy of love may beam forth brightly like a
+ pearl on a dunghill. ( With a malignant smile.) Even from lips of
+ corruption love may&mdash;&mdash;. To be sure if vice should undermine the
+ very foundations of character, if with chastity virtue too should take her
+ flight as the fragrance departs from the faded rose&mdash;if with the body
+ the soul too should be tainted and corrupted.
+ </p>
+ <p>
+ AMELIA (rising joyfully). Ha! Charles! now I recognize thee again! Thou
+ art whole, whole! It was all a lie! Dost thou not know, miscreant, that it
+ would be impossible for Charles to be the being you describe? (FRANCIS
+ remains standing for some time, lost in thought, then suddenly turns round
+ to go away.) Whither are you going in such haste? Are you flying from your
+ own infamy?
+ </p>
+ <p>
+ FRANCIS (hiding his face). Let me go, let me go! to give free vent to my
+ tears! tyrannical father, thus to abandon the best of your sons to misery
+ and disgrace on every side! Let me go, Amelia! I will throw myself at his
+ feet, on my knees I will conjure him to transfer to me the curse that he
+ has pronounced, to disinherit me, to hate me, my blood, my life, my all&mdash;&mdash;.
+ </p>
+ <p>
+ AMELIA (falls on his neck). Brother of my Charles! Dearest, most excellent
+ Francis!
+ </p>
+ <p>
+ FRANCIS. Oh, Amelia! how I love you for this unshaken constancy to my
+ brother. Forgive me for venturing to subject your love to so severe a
+ trial! How nobly you have realized my wishes! By those tears, those sighs,
+ that divine indignation&mdash;and for me too, for me&mdash;our souls did
+ so truly harmonize.
+ </p>
+ <p>
+ AMELIA. Oh, no! that they never did!
+ </p>
+ <p>
+ FRANCIS. Alas! they harmonized so truly that I always thought we must be
+ twins. And were it not for that unfortunate difference in person, to be
+ twin-like, which, it must be admitted, would be to the disadvantage of
+ Charles, we should again and again be mistaken for each other. Thou art, I
+ often said to myself, thou art the very Charles, his echo, his
+ counterpart.
+ </p>
+ <p>
+ AMELIA (shakes her head). No, no! by that chaste light of heaven! not an
+ atom of him, not the least spark of his soul.
+ </p>
+ <p>
+ FRANCIS. So entirely the same in our dispositions; the rose was his
+ favorite flower, and what flower do I esteem above the rose? He loved
+ music beyond expression; and ye are witnesses, ye stars! how often you
+ have listened to me playing on the harpsichord in the dead silence of
+ night, when all around lay buried in darkness and slumber; and how is it
+ possible for you, Amelia, still to doubt? if our love meets in one
+ perfection, and if it is the self-same love, how can its fruits
+ degenerate? (AMELIA looks at him with astonishment.) It was a calm, serene
+ evening, the last before his departure for Leipzic, when he took me with
+ him to the bower where you so often sat together in dreams of love,&mdash;we
+ were long speechless; at last he seized my hand, and said, in a low voice,
+ and with tears in his eyes, "I am leaving Amelia; I know not, but I have a
+ sad presentiment that it is forever; forsake her not, brother; be her
+ friend, her Charles&mdash;if Charles&mdash;should never&mdash;never
+ return." (He throws himself down before her, and kisses her hand with
+ fervor.) Never, never, never will he return; and I stand pledged by a
+ sacred oath to fulfil his behest!
+ </p>
+ <p>
+ AMELIA (starting back). Traitor! Now thou art unmasked! In that very bower
+ he conjured me, if he died, to admit no other love. Dost thou see how
+ impious, how execrable&mdash;&mdash;. Quit my sight!
+ </p>
+ <p>
+ FRANCIS. You know me not, Amelia; you do not know me in the least!
+ </p>
+ <p>
+ AMELIA. Oh, yes, I know you; from henceforth I know you; and you pretend
+ to be like him? You mean to say that he wept for me in your presence?
+ Yours? He would sooner have inscribed my name on the pillory? Begone&mdash;this
+ instant!
+ </p>
+ <p>
+ FRANCIS. You insult me.
+ </p>
+ <p>
+ AMELIA. Go&mdash;I say. You have robbed me of a precious hour; may it be
+ deducted from your life.
+ </p>
+ <p>
+ FRANCIS. You hate me then!
+ </p>
+ <p>
+ AMELIA. I despise you&mdash;away!
+ </p>
+<pre xml:space="preserve">
+FRANCIS (stamping with fury). Only wait! you shall learn to tremble
+before me!&mdash;To sacrifice me for a beggar!
+ [Exit in anger.]
+</pre>
+<pre xml:space="preserve">
+AMELIA. Go, thou base villain! Now, Charles, am I again thine own.
+Beggar, did he say! then is the world turned upside down, beggars are
+kings, and kings are beggars! I would not change the rags he wears for
+the imperial purple. The look with which he begs must, indeed, be a
+noble, a royal look, a look that withers into naught the glory, the
+pomp, the triumphs of the rich and great! Into the dust with thee,
+glittering baubles! (She tears her pearls from her neck.) Let the rich
+and the proud be condemned to bear the burden of gold, and silver, and
+jewels! Be they condemned to carouse at the tables of the voluptuous!
+To pamper their limbs on the downy couch of luxury! Charles! Charles!
+Thus am I worthy of thee!
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT II.
+ </h2>
+ <h3>
+ SCENE I.&mdash;FRANCIS VON MOOR in his chamber&mdash;in meditation.
+ </h3>
+ <p>
+ FRANCIS. It lasts too long-and the doctor even says is recovering&mdash;an
+ old man's life is a very eternity! The course would be free and plain
+ before me, but for this troublesome, tough lump of flesh, which, like the
+ infernal demon-hound in ghost stories, bars the way to my treasures.
+ </p>
+ <p>
+ Must, then, my projects bend to the iron yoke of a mechanical system? Is
+ my soaring spirit to be chained down to the snail's pace of matter? To
+ blow out a wick which is already flickering upon its last drop of oil&mdash;'tis
+ nothing more. And yet I would rather not do it myself, on account of what
+ the world would say. I should not wish him to be killed, but merely
+ disposed of. I should like to do what your clever physician does, only the
+ reverse way&mdash;not stop Nature's course by running a bar across her
+ path, but only help her to speed a little faster. Are we not able to
+ prolong the conditions of life? Why, then, should we not also be able to
+ shorten them? Philosophers and physiologists teach us how close is the
+ sympathy between the emotions of the mind and the movements of the bodily
+ machine. Convulsive sensations are always accompanied by a disturbance of
+ the mechanical vibrations&mdash; passions injure the vital powers&mdash;an
+ overburdened spirit bursts its shell. Well, then&mdash;what if one knew
+ how to smooth this unbeaten path, for the easier entrance of death into
+ the citadel of life?&mdash;to work the body's destruction through the mind&mdash;ha!
+ an original device!&mdash;who can accomplish this?&mdash;a device without
+ a parallel! Think upon it, Moor! That were an art worthy of thee for its
+ inventor. Has not poisoning been raised almost to the rank of a regular
+ science, and Nature compelled, by the force of experiments, to define her
+ limits, so that one may now calculate the heart's throbbings for years in
+ advance, and say to the beating pulse, "So far, and no farther"? Why
+ should not one try one's skill in this line?*
+ </p>
+<pre xml:space="preserve">
+ *[A woman in Paris, by means of a regularly performed series of
+ experiments, carried the art of poisoning to such perfection that
+ she could predict almost to a certainty the day of death, however
+ remote. Fie upon our physicians, who should blush to be outdone by
+ a woman in their own province. Beckmann, in his article on secret
+ poisoning, has given a particular account of this woman, the
+ Marchioness de Brinvilliers.&mdash;See "History of Inventions," Standard
+ Library Edition, vol. i, pp. 47-63.]
+</pre>
+ <p>
+ And how, then, must I, too, go to work to dissever that sweet and peaceful
+ union of soul and body? What species of sensations should I seek to
+ produce? Which would most fiercely assail the condition of life? Anger?&mdash;that
+ ravenous wolf is too quickly satiated. Care? that worm gnaws far too
+ slowly. Grief?&mdash;that viper creeps too lazily for me. Fear?&mdash;hope
+ destroys its power. What! and are these the only executioners of man? is
+ the armory of death so soon exhausted? (In deep thought.) How now! what!
+ ho! I have it! (Starting up.) Terror! What is proof against terror? What
+ powers have religion and reason under that giant's icy grasp! And yet&mdash;if
+ he should withstand even this assault? If he should! Oh, then, come
+ Anguish to my aid! and thou, gnawing Repentance!&mdash;furies of hell,
+ burrowing snakes who regorge your food, and feed upon your own excrements;
+ ye that are forever destroying, and forever reproducing your poison! And
+ thou, howling Remorse, that desolatest thine own habitation, and feedest
+ upon thy mother. And come ye, too, gentle Graces, to my aid; even you,
+ sweet smiling Memory, goddess of the past&mdash;and thou, with thy
+ overflowing horn of plenty, blooming Futurity; show him in your mirror the
+ joys of Paradise, while with fleeting foot you elude his eager grasp. Thus
+ will I work my battery of death, stroke after stroke, upon his fragile
+ body, until the troop of furies close upon him with Despair! Triumph!
+ triumph!&mdash;the plan is complete&mdash;difficult and masterly beyond
+ compare&mdash;sure&mdash;safe; for then (with a sneer) the dissecting
+ knife can find no trace of wound or of corrosive poison.
+ </p>
+ <p>
+ (Resolutely.) Be it so! (Enter HERMANN.) Ha! <i>Deus ex machina</i>!
+ Hermann!
+ </p>
+ <p>
+ HERMANN. At your service, gracious sir!
+ </p>
+ <p>
+ FRANCIS (shakes him by the hand). You will not find it that of an
+ ungrateful master.
+ </p>
+ <p>
+ HERMANN. I have proofs of this.
+ </p>
+ <p>
+ FRANCIS. And you shall have more soon&mdash;very soon, Hermann!&mdash;I
+ have something to say to thee, Hermann.
+ </p>
+ <p>
+ HERMANN. I am all attention.
+ </p>
+ <p>
+ FRANCIS. I know thee&mdash;thou art a resolute fellow&mdash;a man of
+ mettle.&mdash;To call thee smooth-tongued! My father has greatly belied
+ thee, Hermann.
+ </p>
+ <p>
+ HERMANN. The devil take me if I forget it!
+ </p>
+ <p>
+ FRANCIS. Spoken like a man! Vengeance becomes a manly heart! Thou art to
+ my mind, Hermann. Take this purse, Hermann. It should be heavier were I
+ master here.
+ </p>
+ <p>
+ HERMANN. That is my unceasing wish, most gracious sir. I thank you.
+ </p>
+ <p>
+ FRANCIS. Really, Hermann! dost thou wish that I were master? But my father
+ has the marrow of a lion in his bones, and I am but a younger son.
+ </p>
+ <p>
+ HERMANN. I wish you were the eldest son, and that your father were as
+ marrowless as a girl sinking in a consumption.
+ </p>
+ <p>
+ FRANCIS. Ha! how that elder son would recompense thee! How he would raise
+ thee from this grovelling condition, so ill suited to thy spirit and noble
+ birth, to be a light of the age!&mdash;Then shouldst thou be covered with
+ gold from head to foot, and dash through the streets four in hand&mdash;verily
+ thou shouldst!&mdash;But I am losing sight of what I meant to say.&mdash;Have
+ you already forgotten the Lady Amelia, Hermann?
+ </p>
+ <p>
+ HERMANN. A curse upon it! Why do you remind me of her?
+ </p>
+ <p>
+ FRANCIS. My brother has filched her away from you.
+ </p>
+ <p>
+ HERMANN. He shall rue it.
+ </p>
+ <p>
+ FRANCIS. She gave you the sack. And, if I remember right, he kicked you
+ down stairs.
+ </p>
+ <p>
+ HERMANN. For which I will kick him into hell.
+ </p>
+ <p>
+ FRANCIS. He used to say, it was whispered abroad, that your father could
+ never look upon you without smiting his breast and sighing, "God be
+ merciful to me, a sinner!"
+ </p>
+ <p>
+ HERMANN (wildly). Thunder and lightning! No more of this!
+ </p>
+ <p>
+ FRANCIS. He advised you to sell your patent of nobility by auction, and to
+ get your stockings mended with the proceeds.
+ </p>
+ <p>
+ HERMANN. By all the devils in hell, I'll scratch out his eyes with my own
+ nails!
+ </p>
+ <p>
+ FRANCIS. What? you are growing angry? What signifies your anger? What harm
+ can you do him? What can a mouse like you do to such a lion? Your rage
+ only makes his triumph the sweeter. You can do nothing more than gnash
+ your teeth, and vent your rage upon a dry crust.
+ </p>
+ <p>
+ HERMANN (stamping). I will grind him to powder!
+ </p>
+ <p>
+ FRANCIS (slapping his shoulder). Fie, Hermann! You are a gentleman. You
+ must not put up with the affront. You must not give up the lady, no, not
+ for all the world, Hermann! By my soul, I would move heaven and earth were
+ I in your place.
+ </p>
+ <p>
+ HERMANN. I will not rest till I have him, and him, too, under ground.
+ </p>
+ <p>
+ FRANCIS. Not so violent, Hermann! Come nearer&mdash;you shall have Amelia.
+ </p>
+ <p>
+ HERMANN. That I must; despite the devil himself, I will have her.
+ </p>
+ <p>
+ FRANCIS. You shall have her, I tell you; and that from my hand. Come
+ closer, I say.&mdash;You don't know, perhaps, that Charles is as good as
+ disinherited.
+ </p>
+ <p>
+ HERMANN (going closer to him). Incredible! The first I have heard of it.
+ </p>
+ <p>
+ FRANCIS. Be patient, and listen! Another time you shall hear more.&mdash;
+ Yes, I tell you, as good as banished these eleven months. But the old man
+ already begins to lament the hasty step, which, however, I flatter myself
+ (with a smile) is not entirely his own. Amelia, too, is incessantly
+ pursuing him with her tears and reproaches. Presently he will be having
+ him searched for in every quarter of the world; and if he finds him&mdash;then
+ it's all over with you, Hermann. You may perhaps have the honor of most
+ obsequiously holding the coach-door while he alights with the lady to get
+ married.
+ </p>
+ <p>
+ HERMANN. I'll strangle him at the altar first.
+ </p>
+ <p>
+ FRANCIS. His father will soon give up his estates to him, and live in
+ retirement in his castle. Then the proud roysterer will have the reins in
+ his own hands, and laugh his enemies to scorn;&mdash;and I, who wished to
+ make a great man of you&mdash;a man of consequence&mdash;I myself,
+ Hermann, shall have to make my humble obeisance at his threshold.
+ </p>
+ <p>
+ HERMANN (with fire). No, as sure as my name is Hermann, that shall never
+ be! If but the smallest spark of wit glimmer in this brain of mine, that
+ shall never be!
+ </p>
+ <p>
+ FRANCIS. Will you be able to prevent it? You, too, my good Hermann, will
+ be made to feel his lash. He will spit in your face when he meets you in
+ the streets; and woe be to you should you venture to shrug your shoulders
+ or to make a wry mouth. Look, my friend! this is all that your lovesuit,
+ your prospects, and your mighty plans amount to.
+ </p>
+ <p>
+ HERMANN. Tell me, what am I to do?
+ </p>
+ <p>
+ FRANCIS. Well, then, listen, Hermann! You see how I enter into your
+ feelings, like a true friend. Go&mdash;disguise yourself, so that no one
+ may recognize you; obtain audience of the old man; pretend to come
+ straight from Bohemia, to have been at the battle of Prague along with my
+ brother&mdash;to have seen him breathe his last on the field of battle!
+ </p>
+ <p>
+ HERMANN. Will he believe me?
+ </p>
+ <p>
+ FRANCIS. Ho! ho! let that be my care! Take this packet. There you will
+ find your commission set forth at large; and documents, to boot, which
+ shall convince the most incredulous. Only make haste to get away
+ unobserved. Slip through the back gate into the yard, and then scale the
+ garden wall.&mdash;The denouement of this tragicomedy you may leave to me!
+ </p>
+ <p>
+ HERMANN. That, I suppose, will be, "Long live our new baron, Francis von
+ Moor!"
+ </p>
+ <p>
+ FRANCIS (patting his cheeks). How cunning you are! By this means, you see,
+ we attain all our aims at once and quickly. Amelia relinquishes all hope
+ of him,&mdash;the old man reproaches himself for the death of his son, and&mdash;he
+ sickens&mdash;a tottering edifice needs no earthquake to bring it down&mdash;he
+ will not survive the intelligence&mdash;then am I his only son, &mdash;Amelia
+ loses every support, and becomes the plaything of my will, and you may
+ easily guess&mdash;in short, all will go as we wish&mdash;but you must not
+ flinch from your word.
+ </p>
+ <p>
+ HERMANN. What do you say? (Exultingly.) Sooner shall the ball turn back in
+ its course, and bury itself in the entrails of the marksman. Depend upon
+ me! Only let me to the work. Adieu!
+ </p>
+ <p>
+ FRANCIS (calling after him). The harvest is thine, dear Hermann! (Alone.)
+ When the ox has drawn the corn into the barn, he must put up with hay. A
+ dairy maid for thee, and no Amelia!
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;Old Moor's Bedchamber.
+ </h2>
+<pre xml:space="preserve">
+ OLD MOOR asleep in an arm-chair; AMELIA.
+</pre>
+ <p>
+ AMELIA (approaching him on tip-toe). Softly! Softly! He slumbers. (She
+ places herself before him.) How beautiful! how venerable!&mdash; venerable
+ as the picture of a saint. No, I cannot be angry with thee, thou head with
+ the silver locks; I cannot be angry with thee! Slumber on gently, wake up
+ cheerfully&mdash;I alone will be the sufferer.
+ </p>
+ <p>
+ OLD M. (dreaming). My son! my son! my son!
+ </p>
+ <p>
+ AMELIA (seizes his hand). Hark!&mdash;hark! his son is in his dreams.
+ </p>
+ <p>
+ OLD M. Are you there? Are you really there! Alas! how miserable you seem!
+ Fix not on me that mournful look! I am wretched enough.
+ </p>
+ <p>
+ AMELIA (awakens him abruptly). Look up, dear old man! 'Twas but a dream.
+ Collect yourself!
+ </p>
+ <p>
+ OLD M. (half awake). Was he not there? Did I not press his hands? Cruel
+ Francis! wilt thou tear him even from my dreams?
+ </p>
+ <p>
+ AMELIA (aside). Ha! mark that, Amelia!
+ </p>
+ <p>
+ OLD M. (rousing himself). Where is he? Where? Where am I? You here,
+ Amelia?
+ </p>
+ <p>
+ AMELIA. How do you find yourself? You have had a refreshing slumber.
+ </p>
+ <p>
+ OLD M. I was dreaming about my son. Why did I not dream on? Perhaps I
+ might have obtained forgiveness from his lips.
+ </p>
+ <p>
+ AMELIA. Angels bear no resentment&mdash;he forgives you. (Seizes his hand
+ sorrowfully.) Father of my Charles! I, too, forgive you.
+ </p>
+ <p>
+ OLD M. No, no, my child! That death-like paleness of thy cheek is the
+ father's condemnation. Poor girl! I have robbed thee of the happiness of
+ thy youth. Oh, do not curse me!
+ </p>
+ <p>
+ AMELIA (affectionately kissing his hand). I curse you?
+ </p>
+ <p>
+ OLD M. Dost thou know this portrait, my daughter?
+ </p>
+ <p>
+ AMELIA. Charles!
+ </p>
+ <p>
+ OLD M. Such was he in his sixteenth year. But now, alas! how changed. Oh,
+ it is raging within me. That gentleness is now indignation; that smile
+ despair. It was his birthday, was it not, Amelia&mdash;in the jessamine
+ bower&mdash;when you drew this picture of him? Oh, my daughter! How happy
+ was I in your loves.
+ </p>
+ <p>
+ AMELIA (with her eye still riveted upon the picture). No, no, it is not
+ he! By Heaven, that is not Charles! Here (pointing to her head and her
+ heart), here he is perfect; and how different. The feeble pencil avails
+ not to express that heavenly spirit which reigned in his fiery eye. Away
+ with it! This is a poor image, an ordinary man! I was a mere dauber.
+ </p>
+ <p>
+ OLD M. That kind, that cheering look! Had that been at my bedside, I
+ should have lived in the midst of death. Never, never should I have died!
+ </p>
+ <p>
+ AMELIA. No, you would never, never have died. It would have been but a
+ leap, as we leap from one thought to another and a better. That look would
+ have lighted you across the tomb&mdash;that look would have lifted you
+ beyond the stars!
+ </p>
+ <p>
+ OLD M. It is hard! it is sad! I am dying, and my son Charles is not here&mdash;I
+ am borne to my tomb, and he weeps not over my grave. How sweet it is to be
+ lulled into the sleep of death by a son's prayer&mdash;that is the true
+ requiem.
+ </p>
+ <p>
+ AMELIA (with enthusiasm). Yes, sweet it is, heavenly sweet, to be lulled
+ into the sleep of death by the song of the beloved. Perhaps our dreams
+ continue in the grave&mdash;a long, eternal, never-ending dream of Charles&mdash;till
+ the trumpet of resurrection sounds&mdash;(rising in ecstasy) &mdash;and
+ thenceforth and forever in his arms! (A pause; she goes to the piano and
+ plays.)
+ </p>
+<pre xml:space="preserve">
+ ANDROMACHE.
+
+ Oh, Hector, wilt thou go for evermore,
+ When fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ When then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallow'd up in Xanthus' wave?
+</pre>
+ <p>
+ OLD M. A beautiful song, my daughter. You must play that to me before I
+ die.
+ </p>
+ <p>
+ AMELIA. It is the parting of Hector and Andromache. Charles and I used
+ often to sing it together to the guitar. (She continues.)
+ </p>
+<pre xml:space="preserve">
+ HECTOR.
+
+ Beloved wife! stern duty calls to arms&mdash;
+ Go, fetch my lance! and cease those vain alarms!
+ On me is cast the destiny of Troy!
+ Astyanax, my child, the Gods will shield,
+ Should Hector fall upon the battle-field;
+ And in Elysium we shall meet with joy!
+</pre>
+ <p>
+ Enter DANIEL.
+ </p>
+ <p>
+ DANIEL. There is a man without, who craves to be admitted to your
+ presence, and says he brings tidings of importance.
+ </p>
+ <p>
+ OLD M. To me there is but one thing in this world of importance; thou
+ knowest it, Amelia. Perhaps it is some unfortunate creature who seeks
+ assistance? He shall not go hence in sorrow.
+ </p>
+ <p>
+ AMELIA.&mdash;If it is a beggar, let him come up quickly.
+ </p>
+ <p>
+ OLD M. Amelia, Amelia! spare me!
+ </p>
+ <p>
+ AMELIA (continues to play and sing.)
+ </p>
+<pre xml:space="preserve">
+ ANDROMACHE.
+
+ Thy martial tread no more will grace my hall&mdash;
+ Thine arms shall hang sad relics on the wall&mdash;
+ And Priam's race of godlike heroes fade!
+ Oh, thou wilt go where Phoebus sheds no light&mdash;
+ Where black Cocytus wails in endless night
+ Thy love will die in Lethe's gloomy shade.
+</pre>
+<pre xml:space="preserve">
+ HECTOR.
+
+ Though I in Lethe's darksome wave should sink,
+ And cease on other mortal ties to think,
+ Yet thy true love shall never be forgot!
+ Hark! on the walls I hear the battle roar&mdash;
+ Gird on my armor&mdash;and, oh, weep no more.
+ Thy Hector's love in Lethe dieth not!
+</pre>
+<pre xml:space="preserve">
+ (Enter FRANCIS, HERMANN in disguise, DANIEL.)
+</pre>
+ <p>
+ FRANCIS. Here is the man. He says that he brings terrible news. Can you
+ bear the recital!
+ </p>
+ <p>
+ OLD M. I know but one thing terrible to hear. Come hither, friend, and
+ spare me not! Hand him a cup of wine!
+ </p>
+ <p>
+ HERMANN (in a feigned voice). Most gracious Sir? Let not a poor man be
+ visited with your displeasure, if against his will he lacerates your
+ heart. I am a stranger in these parts, but I know you well; you are the
+ father of Charles von Moor.
+ </p>
+ <p>
+ OLD M. How know you that?
+ </p>
+ <p>
+ HERMANN. I knew your son
+ </p>
+ <p>
+ AMELIA (starting up). He lives then? He lives! You know him? Where is he?
+ Where? (About to rush out.)
+ </p>
+ <p>
+ OLD M. What know you about my son?
+ </p>
+ <p>
+ HERMANN. He was a student at the university of Leipzic. From thence he
+ travelled about, I know not how far. He wandered all over Germany, and, as
+ he told me himself, barefoot and bareheaded, begging his bread from door
+ to door. After five months, the fatal war between Prussia and Austria
+ broke out afresh, and as he had no hopes left in this world, the fame of
+ Friedrich's victorious banner drew him to Bohemia. Permit me, said he to
+ the great Schwerin, to die on the bed of heroes, for I have no longer a
+ father!&mdash;
+ </p>
+ <p>
+ OLD M. O! Amelia! Look not on me!
+ </p>
+ <p>
+ HERMANN. They gave him a pair of colors. With the Prussians he flew on the
+ wings of victory. We chanced to lie together, in the same tent. He talked
+ much of his old father, and of happy days that were past&mdash;and of
+ disappointed hopes&mdash;it brought the tears into our eyes.
+ </p>
+ <p>
+ OLD M. (buries his face in his pillow).&mdash;No more! Oh, no more!
+ </p>
+ <p>
+ HERMANN. A week after, the fierce battle of Prague was fought&mdash;I can
+ assure you your son behaved like a brave soldier. He performed prodigies
+ that day in sight of the whole army. Five regiments were successively cut
+ down by his side, and still he kept his ground. Fiery shells fell right
+ and left, and still your son kept his ground. A ball shattered his right
+ hand: he seized the colors with his left, and still he kept his ground!
+ </p>
+ <p>
+ AMELIA (in transport). Hector, Hector! do you hear? He kept his ground!
+ </p>
+ <p>
+ HERMANN. On the evening of the battle I found him on the same spot. He had
+ sunk down, amidst a shower of hissing balls: with his left hand he was
+ staunching the blood that flowed from a fearful wound; his right he had
+ buried in the earth. "Comrade!" cried he when he saw me, "there has been a
+ report through the ranks that the general fell an hour ago&mdash;" "He is
+ fallen," I replied, "and thou?" "Well, then," he cried, withdrawing his
+ left hand from the wound, "let every brave soldier follow his general!"
+ Soon after he breathed out his noble soul, to join his heroic leader.
+ </p>
+ <p>
+ FRANCIS (feigning to rush wildly on HERMANN). May death seal thy accursed
+ lips! Art thou come here to give the death-blow to our father? Father!
+ Amelia! father!
+ </p>
+ <p>
+ HERMANN. It was the last wish of my expiring comrade. "Take this sword,"
+ faltered he, with his dying breath, "deliver it to my aged father; his
+ son's blood is upon it&mdash;he is avenged&mdash;let him rejoice. Tell him
+ that his curse drove me into battle and into death; that I fell in
+ despair." His last sigh was "Amelia."
+ </p>
+ <p>
+ AMELIA (like one aroused from lethargy). His last sigh&mdash;Amelia!
+ </p>
+ <p>
+ OLD M. (screaming horribly, and tearing his hair). My curse drove him into
+ death! He fell in despair!
+ </p>
+ <p>
+ FRANCIS (pacing up and down the room). Oh! what have you done, father? My
+ Charles! my brother!
+ </p>
+ <p>
+ HERMANN. Here is the sword; and here, too, is a picture which he drew from
+ his breast at the same time. It is the very image of this young lady.
+ "This for my brother Francis," he said; I know not what he meant by it.
+ </p>
+ <p>
+ FRANCIS (feigning astonishment). For me? Amelia's picture? For me&mdash;
+ Charles&mdash;Amelia? For me?
+ </p>
+ <p>
+ AMELIA (rushing violently upon HERMANN). Thou venal, bribed impostor!
+ (Lays hold of him.)
+ </p>
+ <p>
+ HERMANN. I am no impostor, noble lady. See yourself if it is not your
+ picture. It may be that you yourself gave it to him.
+ </p>
+ <p>
+ FRANCIS. By heaven, Amelia! your picture! It is, indeed.
+ </p>
+ <p>
+ AMELIA (returns him the picture) My picture, mine! Oh! heavens and earth!
+ </p>
+ <p>
+ OLD M. (screaming and tearing his face.) Woe, woe! my curse drove him into
+ death! He fell in despair!
+ </p>
+ <p>
+ FRANCIS. And he thought of me in the last and parting hour&mdash;of me.
+ Angelic soul! When the black banner of death already waved over him he
+ thought of me!
+ </p>
+ <p>
+ OLD M. (stammering like an idiot.) My curse drove him into death. In
+ despair my son perished.
+ </p>
+<pre xml:space="preserve">
+HERMANN. This is more than I can bear! Farewell, old gentleman!
+(Aside to FRANCIS.) How could you have the heart to do this?
+ [Exit in haste.]
+</pre>
+ <p>
+ AMELIA (rises and rushes after him). Stay! stay! What were nis last words?
+ </p>
+<pre xml:space="preserve">
+HERMANN (calling back). His last sigh was "Amelia."
+ [Exit.]
+</pre>
+ <p>
+ AMELIA. His last sigh was Amelia! No, thou art no impostor. It is too true&mdash;true&mdash;he
+ is dead&mdash;dead! (staggering to and fro till she sinks down)&mdash;dead&mdash;Charles
+ is dead!
+ </p>
+ <p>
+ FRANCIS. What do I see? What is this line on the sword?&mdash;written with
+ blood&mdash;Amelia!
+ </p>
+ <p>
+ AMELIA. By him?
+ </p>
+ <p>
+ FRANCIS. Do I see clearly, or am I dreaming? Behold, in characters of
+ blood, "Francis, forsake not my Amelia." And on the other side, "Amelia,
+ all-powerful death has released thee from thy oath." Now do you see&mdash;do
+ you see? With hand stiffening in death he wrote it, with his warm life's
+ blood he wrote it&mdash;wrote it on the solemn brink of eternity. His
+ spirit lingered in his flight to unite Francis and Amelia.
+ </p>
+<pre xml:space="preserve">
+AMELIA. Gracious heaven! it is his own hand. He never loved me.
+ [Rushes off]
+</pre>
+ <p>
+ FRANCIS (stamping the ground). Confusion! her stubborn heart foils all my
+ cunning!
+ </p>
+ <p>
+ OLD MOOR. Woe, woe! forsake me not, my daughter! Francis, Francis! give me
+ back my son!
+ </p>
+ <p>
+ FRANCIS. Who was it that cursed him? Who was it that drove his son into
+ battle, and death, and despair? Oh, he was an angel, a jewel of heaven! A
+ curse on his destroyers! A curse, a curse upon yourself!
+ </p>
+ <p>
+ OLD MOOR (strikes his breast and forehead with his clenched fist). He was
+ an angel, a jewel of heaven! A curse, a curse, perdition, a curse on
+ myself! I am the father who slew his noble son! He loved me even to death!
+ To expiate my vengeance he rushed into battle and into death! Monster,
+ monster that I am! (He rages against himself.)
+ </p>
+ <p>
+ FRANCIS. He is gone. What avail these tardy lamentations? (with a satanic
+ sneer.) It is easier to murder than to restore to life. You will never
+ bring him back from his grave.
+ </p>
+ <p>
+ OLD Moon. Never, never, never bring him back from the grave! Gone! lost
+ for ever! And you it was that beguiled my heart to curse him.&mdash; you&mdash;you&mdash;Give
+ me back my son!
+ </p>
+ <p>
+ FRANCIS. Rouse not my fury, lest I forsake you even in the hour of death!
+ </p>
+ <p>
+ OLD MOOR. Monster! inhuman monster! Restore my son to me. (Starts from the
+ chair and attempts to catch FRANCIS by the throat, who flings him back.)
+ </p>
+<pre xml:space="preserve">
+FRANCIS. Feeble old dotard I would you dare? Die! despair!
+ [Exit.]
+</pre>
+ <p>
+ OLD MOOR. May the thunder of a thousand curses light upon thee! thou hast
+ robbed me of my son. (Throwing himself about in his chair full of
+ despair). Alas! alas! to despair and yet not die. They fly, they forsake
+ me in death; my guardian angels fly from me; all the saints withdraw from
+ the hoary murderer. Oh, misery! will no one support this head, no one
+ release this struggling soul? No son, no daughter, no friend, not one
+ human being&mdash;will no one? Alone&mdash;forsaken. Woe, woe! To despair,
+ yet not to die!
+ </p>
+<pre xml:space="preserve">
+ Enter AMELIA, her eyes red with weeping.
+</pre>
+ <p>
+ OLD MOOR. Amelia I messenger of heaven! Art thou come to release my soul?
+ </p>
+ <p>
+ AMELIA (in a gentle tone). You have lost a noble son.
+ </p>
+ <p>
+ OLD MOOR. Murdered him, you mean. With the weight of this impeachment I
+ shall present myself before the judgment-seat of God.
+ </p>
+ <p>
+ AMELIA. Not so, old man! Our heavenly Father has taken him to himself. We
+ should have been too happy in this world. Above, above, beyond the stars,
+ we shall meet again.
+ </p>
+ <p>
+ OLD MOOR. Meet again! Meet again! Oh! it will pierce my soul like a Sword&mdash;should
+ I, a saint, meet him among the saints. In the midst of heaven the horrors
+ of hell will strike through me! The remembrance of that deed will crush me
+ in the presence of the Eternal: I have murdered my son!
+ </p>
+ <p>
+ AMELIA. Oh, his smiles will chase away the bitter remembrance from your
+ soul! Cheer up, dear father! I am quite cheerful. Has he not already sung
+ the name of Amelia to listening angels on seraphic harps, and has not
+ heaven's choir sweetly echoed it? Was not his last sigh, Amelia? And will
+ not Amelia be his first accent of joy?
+ </p>
+ <p>
+ OLD MOOR. Heavenly consolation flows from your lips! He will smile upon
+ me, you say? He will forgive me? You must stay with my beloved of my
+ Charles, when I die.
+ </p>
+ <p>
+ AMELIA. To die is to fly to his arms. Oh, how happy and enviable is your
+ lot! Would that my bones were decayed!&mdash;that my hairs were gray! Woe
+ upon the vigor of youth! Welcome, decrepid age, nearer to heaven and my
+ Charles!
+ </p>
+<pre xml:space="preserve">
+ Enter FRANCIS.
+</pre>
+ <p>
+ OLD MOOR. Come near, my son! Forgive me if I spoke too harshly to you just
+ now! I forgive you all. I wish to yield up my spirit in peace.
+ </p>
+ <p>
+ FRANCIS. Have you done weeping for your son? For aught that I see you had
+ but one.
+ </p>
+ <p>
+ OLD MOOR. Jacob had twelve sons, but for his Joseph he wept tears of
+ blood.
+ </p>
+ <p>
+ FRANCIS. Hum!
+ </p>
+ <p>
+ OLD MOOR. Bring the Bible, my daughter, and read to me the story of Jacob
+ and Joseph! It always appeared to me so touching, even before I myself
+ became a Jacob.
+ </p>
+ <p>
+ AMELIA. What part shall I read to you? (Takes the Bible and turns over the
+ leaves.)
+ </p>
+ <p>
+ OLD MOOR. Read to me the grief of the bereaved father, when he found his
+ Joseph no more among his children;&mdash;when he sought him in vain amidst
+ his eleven sons;&mdash;and his lamentation when he heard that he was taken
+ from him forever.
+ </p>
+ <p>
+ AMELIA (reads). "And they took Joseph's coat, and killed a kid of the
+ goats, and dipped the coat in the blood; and they sent the coat of many
+ colors, and they brought it to their father, and said, 'This have we
+ found: know now whether it be thy son's coat or no.' (Exit FRANCIS
+ suddenly.) And he knew it and said, 'It is my son's coat; an evil beast
+ hath devoured him; Joseph is without doubt rent in pieces.'"
+ </p>
+ <p>
+ OLD MOOR (falls back upon the pillow). An evil beast hath devoured Joseph!
+ </p>
+ <p>
+ AMELIA (continues reading). "And Jacob rent his clothes, and put sackcloth
+ upon his loins, and mourned for his son many days. And all his sons and
+ all his daughters rose up to comfort him, but he refused to be comforted,
+ and he said, 'For I will go down into the grave--'"
+ </p>
+ <p>
+ OLD MOOR. Leave off! leave off. I feel very ill.
+ </p>
+ <p>
+ AMELIA (running towards him, lets fall the book). Heaven help us! What is
+ this?
+ </p>
+ <p>
+ OLD MOOR. It is death&mdash;darkness&mdash;is waving&mdash;before my eyes&mdash;I
+ pray thee&mdash;send for the minister&mdash;that he may&mdash;give me&mdash;the
+ Holy Communion. Where is&mdash;my son Francis?
+ </p>
+ <p>
+ AMELIA. He is fled. God have mercy upon us!
+ </p>
+ <p>
+ OLD MOOR. Fled&mdash;fled from his father's deathbed? And is that all&mdash;all
+ &mdash;of two children full of promise&mdash;thou hast given&mdash;thou
+ hast&mdash;taken away&mdash;thy name be&mdash;
+ </p>
+<pre xml:space="preserve">
+AMELIA (with a sudden cry). Dead! both dead!
+ [Exit in despair.]
+</pre>
+<pre xml:space="preserve">
+ Enter FRANCIS, dancing with joy.
+</pre>
+<pre xml:space="preserve">
+FRANCIS. Dead, they cry, dead! Now am I master. Through the whole
+castle it rings, dead! but stay, perchance he only sleeps? To be sure,
+yes, to be sure! that certainly is a sleep after which no "good-morrow"
+is ever said. Sleep and death are but twin-brothers. We will for once
+change their names! Excellent, welcome sleep! We will call thee death!
+(He closes the eyes of OLD MOOR.) Who now will come forward and dare to
+accuse me at the bar of justice, or tell me to my face, thou art a
+villain? Away, then, with this troublesome mask of humility and virtue!
+Now you shall see Francis as he is, and tremble! My father was
+overgentle in his demands, turned his domain into a family-circle, sat
+blandly smiling at the gate, and saluted his peasants as brethren and
+children. My brows shall lower upon you like thunderclouds; my lordly
+name shall hover over you like a threatening comet over the mountains;
+my forehead shall be your weather-glass! He would caress and fondle
+the child that lifted its stubborn head against him. But fondling and
+caressing is not my mode. I will drive the rowels of the spur into
+their flesh, and give the scourge a trial. Under my rule it shall be
+brought to pass that potatoes and small-beer shall be considered a
+holiday treat; and woe to him who meets my eye with the audacious front
+of health. Haggard want and crouching fear are my insignia; and in this
+livery I will clothe ye.
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE III.&mdash;THE BOHEMIAN WOODS.
+ </h2>
+<pre xml:space="preserve">
+ SPIEGELBERG, RAZMAN, A Troop Of ROBBERS.
+</pre>
+ <p>
+ RAZ. Are you come? Is it really you? Oh, let me squeeze thee into a jelly,
+ my dear heart's brother! Welcome to the Bohemian forests! Why, you are
+ grown quite stout and jolly! You have brought us recruits in right
+ earnest, a little army of them; you are the very prince of crimps.
+ </p>
+ <p>
+ SPIEGEL. Eh, brother? Eli? And proper fellows they are! You must confess
+ the blessing of heaven is visibly upon me; I was a poor, hungry wretch,
+ and had nothing but this staff when I went over the Jordan, and now there
+ are eight-and-seventy of us, mostly ruined shopkeepers, rejected masters
+ of arts, and law-clerks from the Swabian provinces. They are a rare set of
+ fellows, brother, capital fellows, I promise you; they will steal you the
+ very buttons off each other's trousers in perfect security, although in
+ the teeth of a loaded musket,* and they live in clover and enjoy a
+ reputation for forty miles round, which is quite astonishing.
+ </p>
+<pre xml:space="preserve">
+ *[The acting edition reads, "Hang your hat up in the sun, and I'll
+ take you a wager it's gone the next minute, as clean out of sight
+ as if the devil himself had walked off with it."]
+</pre>
+ <p>
+ There is not a newspaper in which you will not find some little feat or
+ other of that cunning fellow, Spiegelberg; I take in the papers for
+ nothing else; they have described me from head to foot; you would think
+ you saw me; they have not forgotten even my coat-buttons. But we lead them
+ gloriously by the nose. The other day I went to the printing-office and
+ pretended that I had seen the famous Spiegelberg, dictated to a
+ penny-a-liner who was sitting there the exact image of a quack doctor in
+ the town; the matter gets wind, the fellow is arrested, put to the rack,
+ and in his anguish and stupidity he confesses the devil take me if he does
+ not&mdash;confesses that he is Spiegelberg. Fire and fury! I was on the
+ point of giving myself up to a magistrate rather than have my fair fame
+ marred by such a poltroon; however, within three months he was hanged. I
+ was obliged to stuff a right good pinch of snuff into my nose as some time
+ afterwards I was passing the gibbet and saw the pseudo-Spiegelberg
+ parading there in all his glory; and, while Spiegelberg's representative
+ is dangling by the neck, the real Spiegelberg very quietly slips himself
+ out of the noose, and makes jolly long noses behind the backs of these
+ sagacious wiseacres of the law.
+ </p>
+ <p>
+ RAZ. (laughing). You are still the same fellow you always were.
+ </p>
+ <p>
+ SPIEGEL. Ay, sure! body and soul. But I must tell you a bit of fun, my
+ boy, which I had the other day in the nunnery of St. Austin. We fell in
+ with the convent just about sunset; and as I had not fired a single
+ cartridge all day,&mdash;you know I hate the <i>diem perdidi</i> as I hate
+ death itself,&mdash;I was determined to immortalize the night by some
+ glorious exploit, even though it should cost the devil one of his ears! We
+ kept quite quiet till late in the night. At last all is as still as a
+ mouse &mdash;the lights are extinguished. We fancy the nuns must be
+ comfortably tucked up. So I take brother Grimm along with me, and order
+ the others to wait at the gate till they hear my whistle&mdash;I secure
+ the watchman, take the keys from him, creep into the maid-servants'
+ dormitory, take. away all their clothes, and whisk the bundle out at the
+ window. We go on from cell to cell, take away the clothes of one sister
+ after another, and lastly those of the lady-abbess herself. Then I sound
+ my whistle, and my fellows outside begin to storm and halloo as if
+ doomsday was at hand, and away they rush with the devil's own uproar into
+ the cells of the sisters! Ha, ha, ha! You should have seen the game&mdash;how
+ the poor creatures were groping about in the dark for their petticoats,
+ and how they took on when they found they were gone; and we, in the
+ meantime, at 'em like very devils; and now, terrified and amazed, they
+ wriggled under their bedclothes, or cowered together like cats behind the
+ stoves. There was such shrieking and lamentation; and then the old beldame
+ of an abbess&mdash;you know, brother, there is nothing in the world I hate
+ so much as a spider and an old woman&mdash;so you may just fancy that
+ wrinkled old hag standing naked before me, conjuring me by her maiden
+ modesty forsooth! Well, I was determined to make short work of it; either,
+ said I, out with your plate and your convent jewels and all your shining
+ dollars, or&mdash;my fellows knew what I meant. The end of it was I
+ brought away more than a thousand dollars' worth out of the convent, to
+ say nothing of the fun, which will tell its own story in due time.
+ </p>
+ <p>
+ RAZ. (stamping on the ground). Hang it, that I should be absent on such an
+ occasion.
+ </p>
+ <p>
+ SPIEGEL. Do you see? Now tell me, is not that life? 'Tis that which keeps
+ one fresh and hale, and braces the body so that it swells hourly like an
+ abbot's paunch; I don't know, but I think I must be endowed with some
+ magnetic property, which attracts all the vagabonds on the face of the
+ earth towards me like steel and iron.
+ </p>
+ <p>
+ RAZ. A precious magnet, indeed. But I should like to know, I'll be hanged
+ if I shouldn't, what witchcraft you use?
+ </p>
+ <p>
+ SPIEGEL. Witchcraft? No need of witchcraft. All it wants is a head&mdash;a
+ certain practical capacity which, of course, is not taken in with every
+ spoonful of barley meal; for you know I have always said that an honest
+ man may be carved out of any willow stump, but to make a rogue you must
+ have brains; besides which it requires a national genius&mdash;a certain
+ rascal-climate&mdash;so to speak.*
+ </p>
+<pre xml:space="preserve">
+ *[In the first (and suppressed) edition was added, "Go to the
+ Grisons, for instance; that is what I call the thief's Athens."
+ This obnoxious passage has been carefully expunged from all the
+ subsequent editions. It gave mortal offence to the Grison
+ magistrates, who made a formal complaint of the insult and caused
+ Schiller to be severely rebuked by the Grand Duke. This incident
+ forms one of the epochs in our author's history.]
+</pre>
+ <p>
+ RAZ. Brother, I have heard Italy celebrated for its artists.
+ </p>
+ <p>
+ SPIEGEL. Yes, yes! Give the devil his due. Italy makes a very noble
+ figure; and if Germany goes on as it has begun, and if the Bible gets
+ fairly kicked out, of which there is every prospect, Germany, too, may in
+ time arrive at something respectable; but I should tell you that climate
+ does not, after all, do such a wonderful deal; genius thrives everywhere;
+ and as for the rest, brother, a crab, you know, will never become a
+ pineapple, not even in Paradise. But to pursue our subject, where did I
+ leave off?
+ </p>
+ <p>
+ RAZ. You were going to tell me about your stratagems.
+ </p>
+ <p>
+ SPIEGEL. Ah, yes! my stratagems. Well, when you get into a town, the first
+ thing is to fish out from the beadles, watchmen, and turnkeys, who are
+ their best customers, and for these, accordingly, you must look out; then
+ ensconce yourself snugly in coffee-houses, brothels, and beer-shops, and
+ observe who cry out most against the cheapness of the times, the reduced
+ five per cents., and the increasing nuisance of police regulations; who
+ rail the loudest against government, or decry physiognomical science, and
+ such like? These are the right sort of fellows, brother. Their honesty is
+ as loose as a hollow tooth; you have only to apply your pincers. Or a
+ shorter and even better plan is to drop a full purse in the public
+ highway, conceal yourself somewhere near, and mark who finds it. Presently
+ after you come running up, search, proclaim your loss aloud, and ask him,
+ as it were casually, "Have you perchance picked up a purse, sir?" If he
+ says "Yes," why then the devil fails you. But if he denies it, with a
+ "pardon me, sir, I remember, I am sorry, sir," (he jumps up), then,
+ brother, you've done the trick. Extinguish your lantern, cunning Diogenes,
+ you have found your match.
+ </p>
+ <p>
+ RAZ. You are an accomplished practitioner.
+ </p>
+ <p>
+ SPIEGEL. My God! As if that had ever been doubted. Well, then, when you
+ have got your man into the net, you must take great care to land him
+ cleverly. You see, my son, the way I have managed is thus: as soon as I
+ was on the scent I stuck to my candidate like a leech; I drank brotherhood
+ with him, and, <i>nota bene</i>, you must always pay the score. That costs
+ a pretty penny, it is true, but never mind that. You must go further;
+ introduce him to gaming-houses and brothels; entangle him in broils and
+ rogueries till he becomes bankrupt in health and strength, in purse,
+ conscience, and reputation; for I must tell you, by the way, that you will
+ make nothing of it unless you ruin both body and soul. Believe me,
+ brother, and I have experienced it more than fifty times in my extensive
+ practice, that when the honest man is once ousted from his stronghold, the
+ devil has it all his own way&mdash;the transition is then as easy as from
+ a whore to a devotee. But hark! What bang was that?
+ </p>
+ <p>
+ RAZ. It was thunder; go on.
+ </p>
+ <p>
+ SPIEGEL. Or, there is a yet shorter and still better way. You strip your
+ man of all he has, even to his very shirt, and then he will come to you of
+ his own accord; you won't teach me to suck eggs, brother; ask that
+ copper-faced fellow there. My eyes, how neatly I got him into my meshes. I
+ showed him forty ducats, which I promised to give him if he would bring me
+ an impression in wax of his master's keys. Only think, the stupid brute
+ not only does this, but actually brings me&mdash;I'll be hanged if he did
+ not&mdash;the keys themselves; and then thinks to get the money. "Sirrah,"
+ said I, "are you aware that I am going to carry these keys straight to the
+ lieutenant of police, and to bespeak a place for you on the gibbet?" By
+ the powers! you should have seen how the simpleton opened his eyes, and
+ began to shake from head to foot like a dripping poodle. "For heaven's
+ sake, sir, do but consider. I will&mdash; will&mdash;" "What will you?
+ Will you at once cut your stick and go to the devil with me?" "Oh, with
+ all my heart, with great pleasure." Ha! ha! ha! my fine fellow; toasted
+ cheese is the thing to catch mice with; do have a good laugh at him,
+ Razman; ha! ha! ha!
+ </p>
+ <p>
+ RAZ. Yes, yes, I must confess. I shall inscribe that lesson in letters of
+ gold upon the tablet of my brain. Satan must know his people right well to
+ have chosen you for his factor.
+ </p>
+ <p>
+ SPIEGEL. Eh, brother? Eli? And if I help him to half a score of fellows he
+ will, of course, let me off scot-free&mdash;publishers, you know, always
+ give one copy in ten gratis to those who collect subscribers for them; why
+ should the devil be more of a Jew? Razman, I smell powder.
+ </p>
+ <p>
+ RAZ. Zounds! I smelt it long ago. You may depend upon it there has being
+ something going forward hereabouts. Yes, yes! I can tell you, Spiegelberg,
+ you will be welcome to our captain with your recruits; he, too, has got
+ hold of some brave fellows.
+ </p>
+ <p>
+ SPIEGEL. But look at mine! at mine here, bah!
+ </p>
+ <p>
+ RAZ. Well, well! they may be tolerably expert in the finger department,
+ but, I tell you, the fame of our captain has tempted even some honorable
+ men to join his staff.
+ </p>
+ <p>
+ SPIEGEL. So much the worse.
+ </p>
+ <p>
+ RAZ. Without joking. And they are not ashamed to serve under such a
+ leader. He does not commit murder as we do for the sake of plunder; and as
+ to money, as soon as he had plenty of it at command, he did not seem to
+ care a straw for it; and his third of the booty, which belongs to him of
+ right, he gives away to orphans, or supports promising young men with it
+ at college. But should he happen to get a country squire into his clutches
+ who grinds down his peasants like cattle, or some gold-laced villain, who
+ warps the law to his own purposes, and hoodwinks the eyes of justice with
+ his gold, or any chap of that kidney; then, my boy, he is in his element,
+ and rages like a very devil, as if every fibre in his body were a fury.
+ </p>
+ <p>
+ SPIEGEL. Humph!
+ </p>
+ <p>
+ RAZ. The other day we were told at a tavern that a rich count from
+ Ratisbon was about to pass through, who had gained the day in a suit worth
+ a million of money by the craftiness of his lawyer. The captain was just
+ sitting down to a game of backgammon. "How many of us are there?" said he
+ to me, rising in haste. I saw him bite his nether lip, which he never does
+ except when he is very determined. "Not more than five," I replied.
+ "That's enough," he said; threw his score on the table, left the wine he
+ had ordered untouched, and off we went. The whole time he did not utter a
+ syllable, but walked aloof and alone, only asking us from time to time
+ whether we heard anything, and now and then desiring us to lay our ears to
+ the ground. At last the count came in sight, his carriage heavily laden,
+ the lawyer, seated by his side, an outrider in advance, and two horsemen
+ riding behind. Then you should have seen the man. With a pistol in each
+ hand he ran before us to the carriage,&mdash;and the voice with which he
+ thundered, "Halt!" The coachman, who would not halt, was soon toppled from
+ his box; the count fired out of the carriage and missed&mdash;the horseman
+ fled. "Your money, rascal!" cried Moor, with his stentorian voice. The
+ count lay like a bullock under the axe: "And are you the rogue who turns
+ justice into a venal prostitute?" The lawyer shook till his teeth
+ chattered again; and a dagger soon stuck in his body, like a stake in a
+ vineyard. "I have done my part," cried the captain, turning proudly away;
+ "the plunder is your affair." And with this he vanished into the forest.
+ </p>
+ <p>
+ SPIEGEL. Hum! hum! Brother, what I told you just now remains between
+ ourselves; there is no occasion for his knowing it. You understand me?
+ </p>
+ <p>
+ RAZ. Yes, yes, I understand!
+ </p>
+ <p>
+ SPIEGEL. You know the man! He has his own notions! You understand me?
+ </p>
+ <p>
+ RAZ. Oh, I quite understand.
+ </p>
+<pre xml:space="preserve">
+ (Enter SCHWARZ at full speed).
+</pre>
+ <p>
+ Who's there? What is the matter? Any travellers in the forest?
+ </p>
+ <p>
+ SCHWARZ. Quick, quick! Where are the others? Zounds! there you stand
+ gossiping! Don't you know&mdash;do you know nothing of it?&mdash;that poor
+ Roller&mdash;
+ </p>
+ <p>
+ PAZ. What of him? What of him?
+ </p>
+ <p>
+ SCHWARZ. He's hanged, that's all, and four others with him&mdash;
+ </p>
+ <p>
+ RAz. Roller hanged? S'death! when? How do you know?
+ </p>
+ <p>
+ SCHWARZ. He has been in limbo more than three weeks, and we knew nothing
+ of it. He was brought up for examination three several days, and still we
+ heard nothing. They put him to the rack to make him tell where the captain
+ was to be found&mdash;but the brave fellow would not slip. Yesterday he
+ got his sentence, and this morning was dispatched express to the devil!
+ </p>
+ <p>
+ RAZ. Confound it! Does the captain know?
+ </p>
+ <p>
+ SCHWARZ. He heard of it only yesterday. He foamed like a wild boar. You
+ know that Roller was always an especial favorite; and then the rack! Ropes
+ and scaling-ladders were conveyed to the prison, but in vain. Moor himself
+ got access to him disguised as a Capuchin monk, and proposed to change
+ clothes with him; but Roller absolutely refused; whereupon the captain
+ swore an oath that made our very flesh creep. He vowed that he would light
+ a funeral pile for him, such as had never yet graced the bier of royalty,
+ one that should burn them all to cinders. I fear for the city. He has long
+ owed it a grudge for its intolerable bigotry; and you know, when he says,
+ "I'll do it," the thing is as good as done.
+ </p>
+ <p>
+ RAZ. That is true! I know the captain. If he had pledged his word to the
+ devil to go to hell he never would pray again, though half a pater-noster
+ would take him to heaven. Alas! poor Roller!&mdash;poor Roller!
+ </p>
+ <p>
+ SPIEGEL. <i>Memento mori</i>! But it does not concern me. (Hums a tune).
+ </p>
+<pre xml:space="preserve">
+ Should I happen to pass the gallows stone,
+ I shall just take a sight with one eye,
+ And think to myself, you may dangle alone,
+ Who now, sir, 's the fool, you or I?
+</pre>
+ <p>
+ RAZ. (Jumping up). Hark! a shot! (Firing and noise is heard behind the
+ scenes).
+ </p>
+ <p>
+ SPIEGEL. Another!
+ </p>
+ <p>
+ RAZ. And another! The captain!
+ </p>
+<pre xml:space="preserve">
+ (Voices behind the scenes are heard singing).
+
+ The Nurnbergers deem it the wisest plan,
+ Never to hang till they've caught their man.
+ <i>Da capo</i>.
+</pre>
+ <p>
+ SCHWEITZER and ROLLER (behind the scenes). Holla, ho! Holla, ho!
+ </p>
+ <p>
+ RAZ. Roller! by all the devils! Roller!
+ </p>
+ <p>
+ SCHWEITZER and ROLLER (still behind the scenes). Razman! Schwarz!
+ Spiegelberg! Razman!
+ </p>
+ <p>
+ RAZ. Roller! Schweitzer! Thunder and lightning! Fire and fury! (They run
+ towards him.)
+ </p>
+ <p>
+ Enter CHARLES VON MOOR (on horseback), SCHWEITZER, ROLLER, GRIMM,
+ SCHUFTERLE, and a troop of ROBBERS covered with dust and mud.
+ </p>
+ <p>
+ CHARLES (leaping from his horse) Liberty! Liberty!&mdash;Thou art on terra
+ firma, Roller! Take my horse, Schweitzer, and wash him with wine. (Throws
+ himself on the ground.) That was hot work!
+ </p>
+ <p>
+ RAZ. (to ROLLER). Well, by the fires of Pluto! Art thou risen from the
+ wheel?
+ </p>
+ <p>
+ SCHWARZ. Art thou his ghost? or am I a fool? or art thou really the man?
+ </p>
+ <p>
+ ROLLER (still breathless). The identical&mdash;alive&mdash;whole.&mdash;Where
+ do you think I come from?
+ </p>
+ <p>
+ SCHWARZ. It would puzzle a witch to tell! The staff was already broken
+ over you.
+ </p>
+ <p>
+ ROLLER. Ay, that it was, and more than that! I come straightway from the
+ gallows. Only let me get my breath. Schweitzer will tell you all. Give me
+ a glass of brandy! You there too, Spiegelberg! I thought we should have
+ met again in another place. But give me a glass of brandy! my bones are
+ tumbling to pieces. Oh, my captain! Where is my captain?
+ </p>
+ <p>
+ SCHWARZ. Have patience, man, have patience. Just tell me&mdash;say&mdash;come,
+ let's hear&mdash;how did you escape? In the name of wonder how came we to
+ get you back again? My brain is bewildered. From the gallows, you say?
+ </p>
+ <p>
+ ROLLER (swallows a flask of brandy). Ah, that is capital! that warms the
+ inside! Straight from the gallows, I tell you. You stand there amid stare
+ as if that was impossible. I can assure you, I was not more than three
+ paces from that blessed ladder, on which I was to mount to Abraham's bosom&mdash;so
+ near, so very near, that I was sold, skin and all, to the dissecting-room!
+ The fee-simple of my life was not worth a pinch of snuff. To the captain I
+ am indebted for breath, and liberty, and life.
+ </p>
+ <p>
+ SCHWEITZER. It was a trick worth the telling. We had heard the day before,
+ through our spies, that Roller was in the devil's own pickle; and unless
+ the vault of heaven fell in suddenly he would, on the morrow &mdash;that
+ is, to-day&mdash;go the way of all flesh. Up! says the captain, and follow
+ me&mdash;what is not a friend worth? Whether we save him or not, we will
+ at least light him up a funeral pile such as never yet honored royalty;
+ one which shall burn them black and blue. The whole troop was summoned. We
+ sent Roller a trusty messenger, who conveyed the notice to him in a little
+ billet, which he slipped into his porridge.
+ </p>
+ <p>
+ ROLLER. I had but small hope of success.
+ </p>
+ <p>
+ SCHWEITZER. We waited till the thoroughfares were clear. The whole town
+ was out after the sight; equestrians, pedestrians, carriages, all
+ pell-mell; the noise and the gibbet-psalm sounded far and wide. Now, says
+ the captain, light up, light up! We all flew like darts; they set fire to
+ the city in three-and-thirty places at once; threw burning firebrands on
+ the powder-magazine, and into the churches and granaries. Morbleu! in less
+ than a quarter of an hour a northeaster, which, like us, must have owed a
+ grudge to the city, came seasonably to our aid, and helped to lift the
+ flames up to the highest gables. Meanwhile we ran up and down the streets
+ like furies, crying, fire! ho! fire! ho! in every direction. There was
+ such howling&mdash;screaming-tumult&mdash;fire-bells tolling. And
+ presently the powder-magazine blew up into the air with a crash as if the
+ earth were rent in twain, heaven burst to shivers, and hell sunk ten
+ thousand fathoms deeper.
+ </p>
+ <p>
+ ROLLER. Now my guards looked behind them&mdash;there lay the city, like
+ Sodom and Gomorrah&mdash;the whole horizon was one mass of fire,
+ brimstone, and smoke; and forty hills echoed and reflected the infernal
+ prank far and wide. A panic seized them all&mdash;I take advantage of the
+ moment, and, quick as lightning&mdash;my fetters had been taken off, so
+ nearly was my time come&mdash;while my guards were looking away petrified,
+ like Lot's wife, I shot off&mdash;tore through the crowd&mdash;and away!
+ After running some sixty paces I throw off my clothes, plunge into the
+ river, and swim along under water till I think they have lost sight of me.
+ My captain stood ready, with horses and clothes&mdash;and here I am. Moor!
+ Moor! I only wish that you may soon get into just such another scrape that
+ I may requite you in like manner.
+ </p>
+ <p>
+ RAZ. A brutal wish, for which you deserve to be hanged. It was a glorious
+ prank, though.
+ </p>
+ <p>
+ ROLLER. It was help in need; you cannot judge of it. You should have
+ marched, like me, with a rope round your neck, travelling to your grave in
+ the living body, and seen their horrid sacramental forms and hangman's
+ ceremonies&mdash;and then, at every reluctant step, as the struggling feet
+ were thrust forward, to see the infernal machine, on which I was to be
+ elevated, glaring more and more hideously in the blaze of a noonday sun&mdash;and
+ the hangman's rapscallions watching for their prey &mdash;and the horrible
+ psalm-singing&mdash;the cursed twang still rings in my ears&mdash;and the
+ screeching hungry ravens, a whole flight of them, who were hovering over
+ the half-rotten carcass of my predecessor. To see all this&mdash;ay, more,
+ to have a foretaste of the blessedness which was in store for me! Brother,
+ brother! And then, all of a sudden, the signal of deliverance. It was an
+ explosion as if the vault of heaven were rent in twain. Hark ye, fellows!
+ I tell you, if a man were to leap out of a fiery furnace into a freezing
+ lake he could not feel the contrast half so strongly as I did when I
+ gained the opposite shore.
+ </p>
+ <p>
+ SPIEGEL. (Laughs.) Poor wretch! Well, you have got over it. (Pledges him).
+ Here's to a happy regeneration!
+ </p>
+ <p>
+ ROLLER (flings away his glass). No, by all the treasures of Mammon, I
+ should not like to go through it a second time. Death is something more
+ than a harlequin's leap, and its terrors are even worse than death itself.
+ </p>
+ <p>
+ SPIEGEL. And the powder-magazine leaping into the air! Don't you see it
+ now, Razman? That was the reason the air stunk so, for miles round, of
+ brimstone, as if the whole wardrobe of Moloch was being aired under the
+ open firmament. It was a master-stroke, captain! I envy you for it.
+ </p>
+ <p>
+ SCHWEITZER. If the town makes it a holiday-treat to see our comrade killed
+ by a baited hog, why the devil should we scruple to sacrifice the city for
+ the rescue of our comrade? And, by the way, our fellows had the extra
+ treat of being able to plunder worse than the old emperor. Tell me, what
+ have you sacked?
+ </p>
+ <p>
+ ONE OF THE TROOP. I crept into St. Stephen's church during the hubbub, and
+ tore the gold lace from the altarcloth. The patron saint, thought I to
+ myself, can make gold lace out of packthread.
+ </p>
+ <p>
+ SCHWEITZER. 'Twas well done. What is the use of such rubbish in a church?
+ They offer it to the Creator, who despises such trumpery, while they leave
+ his creatures to die of hunger. And you, Sprazeler&mdash;where did you
+ throw your net?
+ </p>
+ <p>
+ A SECOND. I and Brizal broke into a merchant's store, and have brought
+ stuffs enough with us to serve fifty men.
+ </p>
+ <p>
+ A THIRD. I have filched two gold watches and a dozen silver spoons.
+ </p>
+ <p>
+ SCHWEITZER. Well done, well done! And we have lighted them a bonfire that
+ will take a fortnight to put out again. And, to get rid of the fire, they
+ must ruin the city with water. Do you know, Schufterle, how many lives
+ have been lost?
+ </p>
+ <p>
+ SCHUF. Eighty-three, they say. The powder-magazine alone blew threescore
+ to atoms.
+ </p>
+ <p>
+ CHARLES (very seriously). Roller, thou art dearly bought.
+ </p>
+ <p>
+ SCHUF. Bah! bah! What of that? If they had but been men it would have been
+ another matter&mdash;but they were babes in swaddling clothes, and
+ shrivelled old nurses that kept the flies from them, and dried-up
+ stove-squatters who could not crawl to the door&mdash;patients whining for
+ the doctor, who, with his stately gravity, was marching to the sport. All
+ that had the use of their legs had gone forth in the sight, and nothing
+ remained at home but the dregs of the city.
+ </p>
+ <p>
+ CHARLES. Alas for the poor creatures! Sick people, sayest thou, old men
+ and infants?
+ </p>
+ <p>
+ SCHUF. Ay, the devil go with them! And lying-in-women into the bargain;
+ and women far gone with child, who were afraid of miscarrying under the
+ gibbet; and young mothers, who thought the sight might do them a mischief,
+ and mark the gallows upon the foreheads of their unborn babes&mdash;poor
+ poets, without a shoe, because their only pair had been sent to the
+ cobbler to mend&mdash;and other such vermin, not worth the trouble of
+ mentioning. As I chanced to pass by a cottage I heard a great squalling
+ inside. I looked in; and, when I came to examine, what do you think it
+ was? Why, an infant&mdash;a plump and ruddy urchin&mdash;lying on the
+ floor under a table which was just beginning to burn. Poor little wretch!
+ said I, you will be cold there, and with that I threw it into the flames!
+ </p>
+<pre xml:space="preserve">
+CHARLES. Indeed, Schufterle? Then may those flames burn in thy bosom
+to all eternity! Avaunt, monster! Never let me see thee again in my
+troop! What! Do you murmur? Do you hesitate? Who dares hesitate when
+I command? Away with him, I say! And there are others among you ripe
+for my vengeance. I know thee, Spiegelberg. But I will step in among
+you ere long, and hold a fearful muster-roll.
+ [Exeunt, trembling.]
+</pre>
+ <p>
+ CHARLES (alone, walking up and down in great agitation). Hear them not,
+ thou avenger in heaven! How can I avert it? Art thou to blame, great God,
+ if thy engines, pestilence, and famine, and floods, overwhelm the just
+ with the unjust? Who can stay the flame, which is kindled to destroy the
+ hornet's nest, from extending to the blessed harvest? Oh! fie on the
+ slaughter of women, and children, and the sick! How this deed weighs me
+ down! It has poisoned my fairest achievements! There he stands, poor fool,
+ abashed and disgraced in the sight of heaven; the boy that presumed to
+ wield Jove's thunder, and overthrew pigmies when he should have crushed
+ Titans. Go, go! 'tis not for thee, puny son of clay, to wield the avenging
+ sword of sovereign justice! Thou didst fail at thy first essay. Here,
+ then, I renounce the audacious scheme. I go to hide myself in some deep
+ cleft of the earth, where no daylight will be witness of my shame. (He is
+ about to fly.)
+ </p>
+<pre xml:space="preserve">
+ Enter a ROBBER hurriedly.
+</pre>
+ <p>
+ ROBBER. Look out, captain! There is mischief in the wind! Whole
+ detachments of Bohemian cavalry are scouring the forests. That infernal
+ bailiff must have betrayed us.
+ </p>
+<pre xml:space="preserve">
+ Enter more ROBBERS.
+</pre>
+ <p>
+ 2D ROBBER. Captain! captain! they have tracked us! Some thousands of them
+ are forming a cordon round the middle forest.
+ </p>
+<pre xml:space="preserve">
+ Enter more ROBBERS again.
+</pre>
+<pre xml:space="preserve">
+3D ROBBER. Woe, woe, woe! we are all taken, hanged drawn, and
+quartered. Thousands of hussars, dragoons, and chasseurs are mustering
+on the heights, and guard all the passes.
+ [Exit CHARLES VON MOOR.]
+
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHWARZ, SCHUFTERLE,
+ SPIEGELBERG, RAZMAN, and the whole troop.
+</pre>
+ <p>
+ SCHWEITZER. Ha! Have we routed them out of their feather-beds at last?
+ Come, be jolly, Roller! I have long wished to have a bout with those
+ knights of the bread-basket. Where is the captain? Is the whole troop
+ assembled? I hope we have powder enough?
+ </p>
+ <p>
+ RAZ. Powder, I believe you; but we are only eighty in all and therefore
+ scarcely one to twenty.
+ </p>
+ <p>
+ SCHWEITZER. So much the better! And though there were fifty against my
+ great toe-nail&mdash;fellows who have waited till we lit the straw under
+ their very seats. Brother, brother, there is nothing to fear. They sell
+ their lives for tenpence; and are we not fighting for our necks? We will
+ pour into them like a deluge, and fire volleys upon their heads like
+ crashes of thunder. But where the devil is the captain.
+ </p>
+ <p>
+ SPIEGEL. He forsakes us in this extremity. Is there no hope of escape?
+ </p>
+ <p>
+ SCHWEITZER. Escape?
+ </p>
+ <p>
+ SPIEGEL. Oh, that I had tarried in Jerusalem!
+ </p>
+ <p>
+ SCHWEITZER. I wish you were choked in a cesspool, you paltry coward! With
+ defenceless nuns you are a mighty man; but at sight of a pair of fists a
+ confirmed sneak! Now show your courage or you shall be sewn up alive in an
+ ass's hide and baited to death with dogs.
+ </p>
+ <p>
+ RAZ. The captain! the captain!
+ </p>
+<pre xml:space="preserve">
+ Enter CHARLES (speaking slowly to himself).
+</pre>
+ <p>
+ CHARLES. I have allowed them to be hemmed in on every side. Now they must
+ fight with the energy of despair. (Aloud.) Now my boys! now for it! We
+ must fight like wounded boars, or we are utterly lost!
+ </p>
+ <p>
+ SCHWEITZER. Ha! I'll rip them open with my tusks, till their entrails
+ protrude by the yard! Lead on, captain! we will follow you into the very
+ jaws of death.
+ </p>
+ <p>
+ CHARLES. Charge all your arms! You've plenty of powder, I hope?
+ </p>
+ <p>
+ SCHWEITZER (with energy). Powder? ay, enough to blow the earth up to the
+ moon.
+ </p>
+ <p>
+ RAZ. Every one of us has five brace of pistols, ready loaded, and three
+ carbines to boot.
+ </p>
+ <p>
+ CHARLES. Good! good! Now some of you must climb up the trees, or conceal
+ yourselves in the thickets, and some fire upon them in ambush&mdash;
+ </p>
+ <p>
+ SCHWEITZER. That part will suit you, Spiegelberg.
+ </p>
+ <p>
+ CHARLES. The rest will follow me, and fall upon their flanks like furies.
+ </p>
+ <p>
+ SCHWEITZER. There will I be!
+ </p>
+ <p>
+ CHARLES. At the same time let every man make his whistle ring through the
+ forest, and gallop about in every direction, so that our numbers may
+ appear the more formidable. And let all the dogs be unchained, and set on
+ upon their ranks, that they may be broken and dispersed and run in the way
+ of our fire. We three, Roller, Schweitzer, and myself, will fight wherever
+ the fray is hottest.
+ </p>
+ <p>
+ SCHWEITZER. Masterly! excellent! We will so bewilder them with balls that
+ they shall not know whence the salutes are coming. I have more than once
+ shot away a cherry from the mouth. Only let them come on (SCHUFTERLE is
+ pulling SCHWEITZER; the latter takes the captain aside, and entreats him
+ in a low voice.)
+ </p>
+ <p>
+ CHARLES. Silence!
+ </p>
+ <p>
+ SCHWEITZER. I entreat you&mdash;
+ </p>
+ <p>
+ CHARLES. Away! Let him have the benefit of his disgrace; it has saved him.
+ He shall not die on the same field with myself, my Schweitzer, and my
+ Roller. Let him change his apparel, and I will say he is a traveller whom
+ I have plundered. Make yourself easy, Schweitzer. Take my word for it he
+ will be hanged yet.
+ </p>
+<pre xml:space="preserve">
+ Enter FATHER DOMINIC.
+</pre>
+ <p>
+ FATHER DOM. (to himself, starts). Is this the dragon's nest? With your
+ leave, sirs! I am a servant of the church; and yonder are seventeen
+ hundred men who guard every hair of my head.
+ </p>
+ <p>
+ SCHWEITZER. Bravo! bravo! Well spoken to keep his courage warm.
+ </p>
+ <p>
+ CHARLES. Silence, comrade! Will you tell us briefly, good father, what is
+ your errand here?
+ </p>
+ <p>
+ FATHER Dom. I am delegated by the high justices, on whose sentence hangs
+ life or death&mdash;ye thieves&mdash;ye incendiaries&mdash;ye villains&mdash;ye
+ venomous generation of vipers, crawling about in the dark, and stinging in
+ secret&mdash;ye refuse of humanity&mdash;brood of hell&mdash;food for
+ ravens and worms&mdash;colonists for the gallows and the wheel&mdash;
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <div class="fig" style="width:80%;">
+ <img alt="2pa202 (151K)" src="images/2pa202.jpg" width="100%" /><br />
+ </div>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ SCHWEITZER. Dog! a truce with your foul tongue! or &mdash;&mdash;&mdash;
+ (He holds the butt-end of his gun before FATHER DOMINIC'S face.)
+ </p>
+ <p>
+ CHARLES. Fie, fie, Schweitzer! You cut the thread of his discourse. He has
+ got his sermon so nicely by heart. Pray go on, Sir! "for the gallows and
+ the wheel?"
+ </p>
+ <p>
+ FATHER Dom. And thou, their precious captain!&mdash;commander-in-chief of
+ cut-purses!&mdash;king of sharpers! Grand Mogul of all the rogues under
+ the sun!&mdash;great prototype of that first hellish ringleader who imbued
+ a thousand legions of innocent angels with the flame of rebellion, and
+ drew them down with him into the bottomless pit of damnation! The
+ agonizing cries of bereaved mothers pursue thy footsteps! Thou drinkest
+ blood like water! and thy murderous knife holds men cheaper than
+ air-bubbles!
+ </p>
+ <p>
+ CHARLES. Very true&mdash;exceedingly true! Pray proceed, Sir!
+ </p>
+ <p>
+ FATHER DOM. What do you mean? Very true&mdash;exceedingly true! Is that an
+ answer?
+ </p>
+ <p>
+ CHARLES. How, Sir? You were not prepared for that, it seems? Go on&mdash;
+ by all means go on. What more were you going to say?
+ </p>
+ <p>
+ FATHER DOM. (heated). Abominable wretch! Avaunt! Does not the blood of a
+ murdered count of the empire cling to thy accursed fingers? Hast thou not,
+ with sacrilegious hands, dared to break into the Lord's sanctuary, and
+ carry off the consecrated vessels of the <i>sanctissimum</i>? Hast thou
+ not flung firebrands into our godly city, and brought down the
+ powder-magazine upon the heads of devout Christians? (Clasps his hands).
+ Horrible, horrible wickedness! that stinketh in the nostrils of Heaven,
+ and provoketh the day of judgment to burst upon you suddenly! ripe for
+ retribution&mdash;rushing headlong to the last trump!
+ </p>
+ <p>
+ CHARLES. Masterly guesses thus far! But now, sir, to the point! What is it
+ that the right worshipful justices wish to convey to me through you?
+ </p>
+ <p>
+ FATHER Dom. What you are not worthy to receive. Look around you,
+ incendiary! As far as your eye can reach you are environed by our horsemen&mdash;there
+ is no chance of escape. As surely as cherries grow on these oaks, and
+ peaches on these firs, so surely shall you turn your backs upon these oaks
+ and these firs in safety.
+ </p>
+ <p>
+ CHARLES. Do you hear that, Schweitzer? But go on!
+ </p>
+ <p>
+ FATHER DOM. Hear, then, what mercy and forbearance justice shows towards
+ such miscreants. If you instantly prostrate yourselves in submission and
+ sue for mercy and forgiveness, then severity itself will relent to
+ compassion, and justice be to thee an indulgent mother. She will shut one
+ eye upon your horrible crimes, and be satisfied&mdash;only think!&mdash;to
+ let you be broken on the wheel.
+ </p>
+ <p>
+ SCHWEITZER. Did you hear that, captain? Shall I throttle this well-trained
+ shepherd's cur till the red blood spurts from every pore?
+ </p>
+ <p>
+ ROLLER. Captain! Fire and fury! Captain! How he bites his lip! Shall I
+ topple this fellow upside down like a ninepin?
+ </p>
+ <p>
+ SCHWEITZER. Mine, mine be the job! Let me kneel to you, captain; let me
+ implore you! I beseech you to grant me the delight of pounding him to a
+ jelly! (FATHER DOMINIC screams.)
+ </p>
+ <p>
+ CHARLES. Touch him not! Let no one lay a finger on him!&mdash;(To FATHER
+ DOMINIC, drawing his sword.) Hark ye, sir father! Here stand
+ nine-and-seventy men, of whom I am the captain, and not one of them has
+ been taught to trot at a signal, or learned to dance to the music of
+ artillery; while yonder stand seventeen hundred men grown gray under the
+ musket. But now listen! Thus says Moor, the captain of incendiaries. It is
+ true I have slain a count of the empire, burnt and plundered the church of
+ St. Dominic, flung firebrands into your bigoted city, and brought down the
+ powder-magazine upon the heads of devout Christians. But that is not all,&mdash;I
+ have done more. (He holds out his right hand.) Do you observe these four
+ costly rings, one on each finger? Go and report punctually to their
+ worships, on whose sentence hangs life or death what you shall hear and
+ see. This ruby I drew from the finger of a minister, whom I stretched at
+ the feet of his prince, during the chase. He had fawned himself up from
+ the lowest dregs, to be the first favorite;&mdash;the ruin of his neighbor
+ was his ladder to greatness&mdash;orphans' tears helped him to mount it.
+ This diamond I took from a lord treasurer, who sold offices of honor and
+ trust to the highest bidder, and drove the sorrowing patriot from his
+ door. This opal I wear in honor of a priest of your cloth, whom I
+ dispatched with my own hand, after he had publicly deplored in his pulpit
+ the waning power of the Inquisition. I could tell you more stories about
+ my rings, but that I repent the words I have already wasted upon you&mdash;
+ </p>
+ <p>
+ FATHER DOM. O Pharaoh! Pharaoh!
+ </p>
+ <p>
+ CHARLES. Do you hear it? Did you mark that sigh? Does he not stand there
+ as if he were imploring fire from heaven to descend and destroy this troop
+ of Korah? He pronounces judgment with a shrug of the shoulders, and
+ eternal damnation with a Christian "Alas!" Is it possible for humanity to
+ be so utterly blind? He who has the hundred eyes of Argus to spy out the
+ faults of his brother&mdash;can he be so totally blind to his own? They
+ thunder forth from their clouds about gentleness and forbearance, while
+ they sacrifice human victims to the God of love as if he were the fiery
+ Moloch. They preach the love of one's neighbor, while they drive the aged
+ and blind with curses from their door. They rave against covetousness; yet
+ for the sake of gold they have depopulated Peru, and yoked the natives,
+ like cattle, to their chariots. They rack their brains in wonder to
+ account for the creation of a Judas Iscariot, yet the best of them would
+ betray the whole Trinity for ten shekels. Out upon you, Pharisees! ye
+ falsifiers of truth! ye apes of Deity! You are not ashamed to kneel before
+ crucifixes and altars; you lacerate your backs with thongs, and mortify
+ your flesh with fasting; and with these pitiful mummeries you think, fools
+ as you are, to veil the eyes of Him whom, with the same breath, you
+ address as the Omniscient, just as the great are the most bitterly mocked
+ by those who flatter them while they pretend to hate flatterers. You boast
+ of your honesty and your exemplary conduct; but the God who sees through
+ your hearts would be wroth with Him that made you, were He not the same
+ that had also created the monsters of the Nile. Away with him out of my
+ sight!
+ </p>
+ <p>
+ FATHER DOM. That such a miscreant should be so proud!
+ </p>
+ <p>
+ CHARLES. That's not all. Now I will speak proudly. Go and tell the right
+ worshipful justices&mdash;who set men's lives upon the cast of a die&mdash;
+ I am not one of those thieves who conspire with sleep and midnight, and
+ play the hero and the lordling on a scaling-ladder. What I have done I
+ shall no doubt hereafter be doomed to read in the register of heaven; but
+ with his miserable ministers of earth I will waste no more words. Tell
+ your masters that my trade is retribution&mdash;vengeance my occupation!
+ (He turns his back upon him.)
+ </p>
+ <p>
+ FATHER DOM. Then you despise mercy and forbearance?&mdash;-Be it so, I
+ have done with you. (Turning to the troop.) Now then, sirs, you shall hear
+ what the high powers direct me to make known to you!&mdash;If you will
+ instantly deliver up to me this condemned malefactor, bound hand and foot,
+ you shall receive a full pardon&mdash;your enormities shall be entirely
+ blotted out, even from memory. The holy church will receive you, like lost
+ sheep, with renewed love, into her maternal bosom, and the road to
+ honorable employment shall be open to you all. (With a triumphant smile.)
+ Now sir! how does your majesty relish this? Come on! bind him! and you are
+ free!
+ </p>
+ <p>
+ CHARLES. Do you hear that? Do you hear it? What startles you? Why do you
+ hesitate? They offer you freedom&mdash;you that are already their
+ prisoners. They grant you your lives, and that is no idle pretence, for it
+ is clear you are already condemned felons. They promise you honor and
+ emolument; and, on the other hand, what can you hope for, even should you
+ be victorious to-day, but disgrace, and curses, and persecution? They
+ ensure you the pardon of Heaven; you that are actually damned. There is
+ not a single hair on any of you that is not already bespoke in hell. Do
+ you still hesitate? are you staggered? Is it so difficult, then, to choose
+ between heaven and hell?&mdash;Do put in a word, father!
+ </p>
+ <p>
+ FATHER DOM. (aside.) Is the fellow crazy? (Aloud.) Perhaps you are afraid
+ that this is a trap to catch you alive?&mdash;Read it yourselves! Here&mdash;is
+ the general pardon fully signed. (He hands a paper to SCHWEITZER.) Can you
+ still doubt?
+ </p>
+ <p>
+ CHARLES. Only see! only see! What more can you require? Signed with their
+ own hands! It is mercy beyond all bounds! Or are you afraid of their
+ breaking their word, because you have heard it said that no faith need be
+ kept with traitors? Dismiss that fear! Policy alone would constrain them
+ to keep their word, even though it should merely have been pledged to old
+ Nick. Who hereafter would believe them? How could they trade with it a
+ second time? I would take my oath upon it that they mean it sincerely.
+ They know that I am the man who has goaded you on and incited you; they
+ believe you innocent. They look upon your crimes as so many juvenile
+ errors&mdash;exuberances of rashness. It is I alone they want. I must pay
+ the penalty. Is it not so, father?
+ </p>
+ <p>
+ FATHER DOM. What devil incarnate is it that speaks out of him? Of course
+ it is so&mdash;of course. The fellow turns my brain.
+ </p>
+ <p>
+ CHARLES. What! no answer yet? Do you think it possible to cut your way
+ through yon phalanx? Only look round you! just look round! You surely do
+ not reckon upon that; that were indeed a childish conceit&mdash;Or do you
+ flatter yourselves that you will fall like heroes, because you saw that I
+ rejoiced in the prospect of the fight? Oh, do not console yourself with
+ the thought! You are not MOOR. You are miserable thieves! wretched tools
+ of my great designs! despicable as the rope in the hand of the hangman!
+ No! no! Thieves do not fall like heroes. Life must be the hope of thieves,
+ for something fearful has to follow. Thieves may well be allowed to quake
+ at the fear of death. Hark! Do you hear their horns echoing through the
+ forest? See there! how their glittering sabres threaten! What! are you
+ still irresolute? are you mad? are you insane? It is unpardonable. Do you
+ imagine I shall thank you for my life? I disdain your sacrifice!
+ </p>
+ <p>
+ FATHER DOM. (in utter amazement). I shall go mad! I must be gone! Was the
+ like ever heard of?
+ </p>
+ <p>
+ CHARLES. Or are you afraid that I shall stab myself, and so by suicide put
+ an end to the bargain, which only holds good if I am given up alive? No,
+ comrades! that is a vain fear. Here, I fling away my dagger, and my
+ pistols, and this phial of poison, which might have been a treasure to me.
+ I am so wretched that I have lost the power even over my own life. What!
+ still in suspense? Or do you think, perhaps, that I shall stand on my
+ defence when you try to seize me? See here! I bind my right hand to this
+ oak-branch; now I am quite defenceless, a child may overpower me. Who is
+ the first to desert his captain in the hour of need?
+ </p>
+ <p>
+ ROLLER (with wild energy). And what though hell encircle us with ninefold
+ coils! (Brandishing his sword.) Who is the coward that will betray his
+ captain?
+ </p>
+ <p>
+ SCHWEITZER (tears the pardon and flings the pieces into FATHER DOMINIC'S
+ face). Pardon be in our bullets! Away with thee, rascal! Tell your senate
+ that you could not find a single traitor in all Moor's camp. Huzza! Huzza!
+ Save the captain!
+ </p>
+ <p>
+ ALL (shouting). Huzza! Save the captain! Save him! Save our noble captain!
+ </p>
+ <p>
+ CHARLES (releasing his hand from the tree, joyfully). Now we are free,
+ comrades! I feel a host in this single arm! Death or liberty! At the least
+ they shall not take a man of us alive!
+ </p>
+<pre xml:space="preserve">
+ [They sound the signal for attack; noise and tumult.
+ Exeunt with drawn swords.]
+</pre>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT III.
+ </h2>
+ <h3>
+ SCENE I.&mdash;AMELIA in the garden, playing the guitar.
+ </h3>
+<pre xml:space="preserve">
+ Bright as an angel from Walhalla's hall,
+ More beautiful than aught of earth was he!
+ Heaven-mild his look, as sunbeams when they fall,
+ Reflected from a calm cerulean sea.
+
+ His warm embrace&mdash;oh, ravishing delight!
+ With heart to heart the fiery pulses danced&mdash;
+ Our every sense wrap'd in ecstatic night&mdash;
+ Our souls in blissful harmony entranced.
+
+ His kisses&mdash;oh, what paradise of feeling!
+ E'en as two flames which round each other twine&mdash;
+ Or flood of seraph harp-tones gently stealing
+ In one soft swell, away to realms divine!
+
+ They rushed, commingled, melted, soul in soul!
+ Lips glued to lips, with burning tremor bound!
+ Cold earth dissolved, and love without control
+ Absorbed all sense of worldly things around!
+
+ He's gone!&mdash;forever gone! Alas! in vain
+ My bleeding heart in bitter anguish sighs;
+ To me is left alone this world of pain,
+ And mortal life in hopeless sorrow dies.
+</pre>
+<pre xml:space="preserve">
+ Enter FRANCIS.
+</pre>
+ <p>
+ FRANCIS. Here again already, perverse enthusiast? You stole away from the
+ festive banquet, and marred the mirthful pleasures of my guests.
+ </p>
+ <p>
+ AMELIA. 'Tis pity, truly, to mar such innocent pleasures! Shame on them!
+ The funeral knell that tolled over your father's grave must still be
+ ringing in your ears&mdash;
+ </p>
+ <p>
+ FRANCIS. Wilt thou sorrow, then, forever? Let the dead sleep in peace, and
+ do thou make the living happy! I come&mdash;
+ </p>
+ <p>
+ AMELIA. And when do you go again?
+ </p>
+ <p>
+ FRANCIS. Alas! Look not on me thus sorrowfully! You wound me, Amelia. I
+ come to tell you&mdash;
+ </p>
+ <p>
+ AMELIA. To tell me, I suppose, that Francis von Moor has become lord and
+ master here.
+ </p>
+ <p>
+ FRANCIS. Precisely so; that is the very subject on which I wish to
+ communicate with you. Maximilian von Moor is gone to the tomb of his
+ ancestors. I am master. But I wish&mdash;to be so in the fullest sense,
+ Amelia. You know what you have been to our house always regarded as Moor's
+ daughter, his love for you will survive even death itself; that,
+ assuredly, you will never forget?
+ </p>
+ <p>
+ AMELIA. Never, never! Who could be so unfeeling as to drown the memory of
+ it in festive banqueting?
+ </p>
+ <p>
+ FRANCIS. It is your duty to repay the love of the father to his sons; and
+ Charles is dead. Ha! you are struck with amazement; dizzy with the
+ thought! To be sure 'tis a flattering and an elating prospect which may
+ well overpower the pride of a woman. Francis tramples under foot the hopes
+ of the noblest and the richest, and offers his heart, his hand, and with
+ them all his gold, his castles, and his forests to a poor, and, but for
+ him, destitute orphan. Francis&mdash;the feared&mdash;voluntarily declares
+ himself Amelia's slave!
+ </p>
+ <p>
+ AMELIA. Why does not a thunderbolt cleave the impious tongue which utters
+ the criminal proposal! Thou hast murdered my beloved Charles; and shall
+ Amelia, his betrothed, call thee husband? Thou?
+ </p>
+ <p>
+ FRANCIS. Be not so violent, most gracious princess! It is true that
+ Francis does not come before you like a whining Celadon&mdash;'tis true he
+ has not learned, like a lovesick swain of Arcadia, to sigh forth his
+ amorous plaints to the echo of caves and rocks. Francis speaks&mdash;and,
+ when not answered, commands!
+ </p>
+ <p>
+ AMELIA. Commands? thou reptile! Command me? And what if I laughed your
+ command to scorn?
+ </p>
+ <p>
+ FRANCIS. That you will hardly do. There are means, too, which I know of,
+ admirably adapted to humble the pride of a capricious, stubborn girl&mdash;cloisters
+ and walls!
+ </p>
+ <p>
+ AMELIA. Excellent! delightful! to be forever secure within cloisters and
+ walls from thy basilisk look, and to have abundant leisure to think and
+ dream of Charles. Welcome with your cloister! welcome your walls!
+ </p>
+ <p>
+ FRANCIS. Ha! Is that it? Beware! Now you have taught me the art of
+ tormenting you. The sight of me shall, like a fiery-haired fury, drive out
+ of your head these eternal phantasies of Charles. Francis shall be the
+ dread phantom ever lurking behind the image of your beloved, like the
+ fiend-dog that guards the subterranean treasure. I will drag you to church
+ by the hair, and sword in hand wring the nuptial vow from your soul. By
+ main force will I ascend your virginal couch, and storm your haughty
+ modesty with still greater haughtiness.
+ </p>
+ <p>
+ AMELIA (gives him a slap in the face). Then take that first by way of
+ dowry!
+ </p>
+ <p>
+ FRANCIS. Ha! I will be tenfold, and twice tenfold revenged for this! My
+ wife! No, that honor you shall never enjoy. You shall be my mistress, my
+ strumpet! The honest peasant's wife shall point her finger at you as she
+ passes you in the street. Ay, gnash your teeth as fiercely as you please&mdash;scatter
+ fire and destruction from your eyes&mdash; the fury of a woman piques my
+ fancy&mdash;it makes you more beautiful, more tempting. Come, this
+ resistance will garnish my triumph, and your struggles give zest to my
+ embraces. Come, come to my chamber&mdash;I burn with desire. Come this
+ instant. (Attempts to drag her away).
+ </p>
+ <p>
+ AMELIA (falls on his neck). Forgive me, Francis! (As he is about to clasp
+ her in his arms, she suddenly draws the sword at his side, and hastily
+ disengages herself). Do you see now, miscreant, how I am able to deal with
+ you? I am only a woman, but a woman enraged. Dare to approach, and this
+ steel shall strike your lascivious heart to the core &mdash;the spirit of
+ my uncle will guide my hand. Avaunt, this instant! (She drives him away).
+ </p>
+ <p>
+ Ah! how different I feel! Now I breathe again&mdash;I feel strong as the
+ snorting steed, ferocious as the tigress when she springs upon the
+ ruthless destroyer of her cubs. To a cloister, did he say? I thank thee
+ for the happy thought! Now has disappointed love found a place of refuge&mdash;the
+ cloister&mdash;the Redeemer's bosom is the sanctuary of disappointed love.
+ (She is on the point going).
+ </p>
+<pre xml:space="preserve">
+ . . . . . . . . . . . . . . . . . . .
+</pre>
+ <p>
+ In the acting edition the following scene occurs between Herman and
+ Francis, immediately before that with Amelia. As Schiller himself thought
+ this among the happiest of his additions, and regretted that it was
+ "entirely and very unfortunately overlooked in the first edition," it
+ seems desirable to introduce it here as well as the soliloquy immediately
+ following, which has acquired some celebrity.
+ </p>
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE VIII.
+ </h2>
+<pre xml:space="preserve">
+ Enter HERMANN.
+</pre>
+ <p>
+ FRANCIS. Ha! Welcome, my Euryalus! My prompt and trusty instrument!
+ </p>
+ <p>
+ HERMANN (abruptly and peevishly). You sent for me, count&mdash;why?
+ </p>
+ <p>
+ FRANCIS. That you might put the seal to your master-piece.
+ </p>
+ <p>
+ HERMANN (gruffly). Indeed?
+ </p>
+ <p>
+ FRANCIS. Give the picture its finishing touch.
+ </p>
+ <p>
+ HERMANN. Poh! Poh!
+ </p>
+ <p>
+ FRANCIS (startled). Shall I call the carriage? We'll arrange the business
+ during the drive?
+ </p>
+ <p>
+ HERMANN (scornfully). No ceremony, sir, if you please. For any business we
+ may have to arrange there is room enough between these four walls. At all
+ events I'll just say a few words to you by way of preface, which may save
+ your lungs some unnecessary exertion.
+ </p>
+ <p>
+ FRANCIS (reservedly). Hum! And what may those words be?
+ </p>
+ <p>
+ HERMANN (with bitter irony). "You shall have Amelia&mdash;and that from my
+ hand&mdash;"
+ </p>
+ <p>
+ FRANCIS (with astonishment). Hermann!
+ </p>
+ <p>
+ HERMANN (as before, with his back turned on FRANCIS). "Amelia will become
+ the plaything of my will&mdash;and you may easily guess the rest-in short
+ all will go as we wish" (Breaks into an indignant laugh, and then turns
+ haughtily to FRANCIS.) Now, Count von Moor, what have you to say to me?
+ </p>
+ <p>
+ FRANCIS (evasively). To thee? Nothing. I had something to say to Hermann.&mdash;
+ </p>
+ <p>
+ HERMANN, No evasion. Why was I sent for hither? Was it to be your dupe a
+ second time! and to hold the ladder for a thief to mount? to sell my soul
+ for a hangman s fee? What else did you want with me?
+ </p>
+ <p>
+ FRANCIS (as if recollecting). Ha! It just occurs to me! We must not forget
+ the main point. Did not my steward mention it to you? I wanted to talk to
+ you about the dowry.
+ </p>
+ <p>
+ HERMANN. This is mere mockery sir; or, if not mockery, something worse.
+ Moor, take care of yourself-beware how you kindle my fury, Moor. We are
+ alone! And I have still an unsullied name to stake against yours! Trust
+ not the devil, although he be of your own raising.
+ </p>
+ <p>
+ FRANCIS (with dignity). Does this deportment become thee towards thy
+ sovereign and gracious master? Tremble, slave!
+ </p>
+ <p>
+ HERMANN (ironically). For fear of your displeasure, I suppose? What
+ signifies your displeasure to a man who is at war with himself? Fie, Moor.
+ I already abhor you as a villain; let me not despise you for a fool. I can
+ open graves, and restore the dead to life! Which of us now is the slave?
+ </p>
+ <p>
+ FRANCIS (in a conciliating tone). Come, my good friend, be discreet, and
+ do not prove faithless.
+ </p>
+ <p>
+ HERMANN. Pshaw! To expose a wretch like you is here the best discretion&mdash;to
+ keep faith with you would be an utter want of sense. Faith? with whom?
+ Faith with the prince of liars? Oh, I shudder at the thought of such
+ faith. A very little timely faithlessness would have almost made a saint
+ of me. But patience! patience! Revenge is cunning in resources.
+ </p>
+ <p>
+ FRANCIS. Ah, by-the-by, I just remember. You lately lost a purse with a
+ hundred louis in it, in this apartment. I had almost forgotten it. Here,
+ my good friend! take back what belongs to you. (Offers him a purse).
+ </p>
+ <p>
+ HERMANN (throws it scornfully at his feet). A curse on your Judas bribe!
+ It is the earnest-money of hell. You once before thought to make my
+ poverty a pander to my conscience&mdash;but you were mistaken, count!
+ egregiously mistaken. That purse of gold came most opportunely&mdash;to
+ maintain certain persons.
+ </p>
+ <p>
+ FRANCIS (terrified). Hermann! Hermann! Let me not suspect certain things
+ of you. Should you have done anything contrary to my instructions&mdash;you
+ would be the vilest of traitors!
+ </p>
+ <p>
+ HERMANN (exultingly). Should I? Should I really? Well then count, let me
+ give you a little piece of information! (Significantly.) I will fatten up
+ your infamy, and add fuel to your doom. The book of your misdeeds shall
+ one day be served up as a banquet, and all the world be invited to partake
+ of it. (Contemptuously.) Do you understand me now, my most sovereign,
+ gracious, and excellent master?
+ </p>
+ <p>
+ FRANCIS (starts up, losing all command of himself). Ha! Devil! Deceitful
+ impostor! (Striking his forehead.) To think that I should stake my fortune
+ on the caprice of an idiot! That was madness! (Throws himself, in great
+ excitement, on a couch.)
+ </p>
+ <p>
+ HERMANN (whistles through his fingers). Wheugh! the biter bit!&mdash;
+ </p>
+ <p>
+ FRANCIS (biting his lip). But it is true, and ever will be true&mdash;that
+ there is no thread so feebly spun, or which snaps asunder so readily, as
+ that which weaves the bands of guilt!&mdash;
+ </p>
+ <p>
+ HERMANN. Gently! Gently! Are angels, then, superseded, that devils turn
+ moralists?
+ </p>
+ <p>
+ FRANCIS (starts up abruptly; to HERMANN with a malignant laugh). And
+ certain persons will no doubt acquire much honor by making the discovery?
+ </p>
+ <p>
+ HERMANN (clapping his hands). Masterly! Inimitable! You play your part to
+ admiration! First you lure the credulous fool into the slough, and then
+ chuckle at the success of your malice, and cry "Woe be to you sinner!"
+ (Laughing and clenching his teeth.) Oh, how cleverly these imps off the
+ devil manoeuvre. But, count (clapping him on the shoulder) you have not
+ yet got your lesson quite perfect&mdash;by Heavens! You first learn what
+ the losing gamester will hazard. Set fire to the powder-magazine, says the
+ pirate, and blow all to hell&mdash;both friend and foe!
+ </p>
+ <p>
+ FRANCIS (runs to the wall, and takes down a pistol). Here is treason! I
+ must be resolute&mdash;
+ </p>
+ <p>
+ HERMANN (draws a pistol as quickly from his pocket, and presents it at
+ him). Don't trouble yourself&mdash;one must be prepared for everything
+ with you.
+ </p>
+ <p>
+ FRANCIS (lets the pistol fall, and throws himself on the sofa in great
+ confusion). Only keep my council till&mdash;till I have collected my
+ thoughts.
+ </p>
+<pre xml:space="preserve">
+HERMANN. I suppose till you have hired a dozen assassins to silence my
+tongue forever! Is it not so! But (in his ear) the secret is committed
+to paper, which my heirs will publish.
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE IX.
+ </h2>
+<pre xml:space="preserve">
+ FRANCIS, solus.
+</pre>
+<pre xml:space="preserve">
+Francis! Francis! Francis! What is all this? Where was thy courage?
+where thy once so fertile wit? Woe! Woe! And to be betrayed by thy
+own instruments! The pillars of my good fortune are tottering to their
+fall, the fences are broken down, and the raging enemy is already
+bursting in upon me. Well! this calls for some bold and sudden resolve!
+What if I went in person&mdash;and secretly plunged this sword in his body?
+A wounded man is but a child. Quick! I'll do it. (He walks with a
+resolute step to the end of the stage, but stops suddenly as if overcome
+by sensations of horror). Who are these gliding behind me? (Rolling
+his eyes fearfully) Faces such as I have never yet beheld. What
+hideous yells do I hear! I feel that I have courage&mdash;courage! oh yes to
+overflowing! But if a mirror should betray me? or my shadow! or the
+whistling of the murderous stroke! Ugh! Ugh! How my hair bristles! A
+shudder creeps through my frame. (He lets a poigniard fall from under
+his clothes.) I am no coward&mdash;perhaps somewhat too tenderhearted. Yes!
+that is it! These are the last struggles of expiring virtue. I revere
+them. I should indeed be a monster were I to become the murderer of my
+own brother. No! no! no! That thought be far from me! Let me cherish
+this vestige of humanity. I will not murder. Nature, thou hast
+conquered. I still feel something here that seems like&mdash;affection. He
+shall live.
+ [Exit.]
+
+ Enter HERMANN, timidly.
+</pre>
+ <p>
+ HERMANN. Lady Amelia! Lady Amelia!
+ </p>
+ <p>
+ AMELIA. Unhappy man! why dost thou disturb me?
+ </p>
+ <p>
+ HERMANN. I must throw this weight from my soul before it drags it down to
+ hell. (Falls down before her.) Pardon! pardon! I have grievously injured
+ you, Lady Amelia!
+ </p>
+ <p>
+ AMELIA. Arise! depart! I will hear nothing. (Going.)
+ </p>
+ <p>
+ HERMANN (detaining her). No; stay! In the name of Heaven! In the name of
+ the Eternal! You must know all!
+ </p>
+ <p>
+ AMELIA. Not another word. I forgive you. Depart in peace. (In the act of
+ going.)
+ </p>
+ <p>
+ HERMANN. Only one word&mdash;listen; it will restore all your peace of
+ mind.
+ </p>
+ <p>
+ AMELIA (turning back and looking at him with astonishment). How, friend?
+ Who in heaven or on earth can restore my peace of mind?
+ </p>
+ <p>
+ HERMANN. One word from my lips can do it. Hear me!
+ </p>
+ <p>
+ AMELIA (seizing his hand with compassion). Good sir! Can one word from thy
+ lips burst asunder the portals of eternity?
+ </p>
+ <p>
+ HERMANN. (rising). Charles lives!
+ </p>
+ <p>
+ AMELIA (screaming). Wretch!
+ </p>
+ <p>
+ HERMANN. Even so. And one word more. Your uncle&mdash;
+ </p>
+ <p>
+ AMELIA. (rushing upon him). Thou liest!
+ </p>
+ <p>
+ HERMANN. Your uncle&mdash;
+ </p>
+ <p>
+ AMELIA. Charles lives?
+ </p>
+ <p>
+ HERMANN. And your uncle&mdash;
+ </p>
+ <p>
+ AMELIA. Charles lives?
+ </p>
+ <p>
+ HERMANN. And your uncle too&mdash;betray me not!
+ </p>
+<pre xml:space="preserve">
+ (HERMANN runs off)
+</pre>
+ <p>
+ AMELIA (stands a long while like one petrified; after which she starts up
+ wildly, and rushes after HERMANN.) Charles lives!
+ </p>
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;Country near the Danube.
+ </h2>
+<pre xml:space="preserve">
+ THE ROBBERS (encamped on a rising ground, under trees,
+ their horses are grazing below.)
+</pre>
+ <p>
+ CHARLES. Here must I lie (throwing himself upon the ground). I feel as if
+ my limbs were all shattered. My tongue is as dry as a potsherd (SCHWEITZER
+ disappears unperceived.) I would ask one of you to bring me a handful of
+ water from that stream, but you are all tired to death.
+ </p>
+ <p>
+ SCHWARZ. Our wine-flasks too are all empty.
+ </p>
+ <p>
+ CHARLES. See how beautiful the harvest looks! The trees are breaking with
+ the weight of their fruit. The vines are full of promise.
+ </p>
+ <p>
+ GRIMM. It is a fruitful year.
+ </p>
+ <p>
+ CHARLES. Do you think so? Then at least one toil in the world will be
+ repaid. One? Yet in the night a hailstorm may come and destroy it all.
+ </p>
+ <p>
+ SCHWARZ. That is very possible. It all may be destroyed an hour before the
+ reaping.
+ </p>
+ <p>
+ CHARLES. Just what I say. All will be destroyed. Why should man prosper in
+ that which he has in common with the ant, while he fails in that which
+ places him on a level with the gods. Or is this the aim and limit of his
+ destiny?
+ </p>
+ <p>
+ SCHWARZ. I know not.
+ </p>
+ <p>
+ CHARLES. Thou hast said well; and wilt have done better, if thou never
+ seekest to know. Brother, I have looked on men, their insect cares and
+ their giant projects,&mdash;their god-like plans and mouse-like
+ occupations, their intensely eager race after happiness&mdash;one trusting
+ to the fleetness of his horse,&mdash;another to the nose of his ass,&mdash;a
+ third to his own legs; this checkered lottery of life, in which so many
+ stake their innocence and their leaven to snatch a prize, and,&mdash;blanks
+ are all they draw&mdash;for they find, too late, that there was no prize
+ in the wheel. It is a drama, brother, enough to bring tears into your
+ eyes, while it shakes your sides with laughter.
+ </p>
+ <p>
+ SCHWARZ. How gloriously the sun is setting yonder!
+ </p>
+ <p>
+ CHARLES (absorbed in the scene). So dies a hero! Worthy of adoration!
+ </p>
+ <p>
+ SCHWARZ. You seem deeply moved.
+ </p>
+ <p>
+ CHARLES. When I, was but a boy&mdash;it was my darling thought to live
+ like him, like him to die&mdash;(with suppressed grief.) It was a boyish
+ thought!
+ </p>
+ <p>
+ GRIMM. It was, indeed.
+ </p>
+ <p>
+ CHARLES. There was a time&mdash;(pressing his hat down upon his face). I
+ would be alone, comrades.
+ </p>
+ <p>
+ SCHWARZ. Moor! Moor! Why, what the deuce! How his color changes.
+ </p>
+ <p>
+ GRIMM. By all the devils! What ails him? Is he ill?
+ </p>
+ <p>
+ CHARLES. There was a time when I could not have slept had I forgotten my
+ evening prayers.
+ </p>
+ <p>
+ GRIMM. Are you beside yourself? Would you let the remembrances of your
+ boyish years school you now?
+ </p>
+ <p>
+ CHARLES (lays his head upon the breast of GRIMM). Brother! Brother!
+ </p>
+ <p>
+ GRIMM. Come! Don't play the child&mdash;I pray you
+ </p>
+ <p>
+ CHARLES. Oh that I were-that I were again a child!
+ </p>
+ <p>
+ GRIMM. Fie! fie!
+ </p>
+ <p>
+ SCHWARZ. Cheer up! Behold this smiling landscape&mdash;this delicious
+ evening!
+ </p>
+ <p>
+ CHARLES. Yes, friends, this world is very lovely&mdash;
+ </p>
+ <p>
+ SCHWARZ. Come, now, that was well said.
+ </p>
+ <p>
+ CHARLES. This earth so glorious!&mdash;
+ </p>
+ <p>
+ GRIMM. Right&mdash;right&mdash;I love to hear you talk thus.
+ </p>
+ <p>
+ CHARLES. (sinking back). And I so hideous in' this lovely world&mdash; a
+ monster on this glorious earth!
+ </p>
+ <p>
+ GRIMM. Oh dear! oh dear!
+ </p>
+ <p>
+ CHARLES. My innocence! give me back my innocence! Behold, every living
+ thing is gone forth to bask in the cheering rays of the vernal sun&mdash;why
+ must I alone inhale the torments of hell out of the joys of heaven? All
+ are so happy, all so united in brotherly love, by the spirit of peace! The
+ whole world one family, and one Father above&mdash;but He not my father! I
+ alone the outcast, I alone rejected from the ranks of the blessed&mdash;the
+ sweet name of child is not for me&mdash;never for me the soul-thrilling
+ glance of her I love&mdash;never, never the bosom friend's embrace&mdash;(starting
+ back wildly)&mdash;surrounded by murderers&mdash;hemmed in by hissing
+ vipers&mdash; riveted to vice with iron fetters&mdash;whirling headlong on
+ the frail reed of sin to the gulf of perdition&mdash;amid the blooming
+ flowers of a glad world, a howling Abaddon!
+ </p>
+ <p>
+ SCHWARZ (to the others). How strange! I never saw him thus before.
+ </p>
+ <p>
+ CHARLES (with melancholy). Oh, that I might return again to my mother's
+ womb. That I might be born a beggar! I should desire no more,&mdash;no
+ more, oh heaven!&mdash;but that I might be like one of those poor
+ laborers! Oh, I would toil till the blood streamed down my temples&mdash;to
+ buy myself the luxury of one guiltless slumber&mdash;the blessedness of a
+ single tear.
+ </p>
+ <p>
+ GRIMM (to the others). A little patience&mdash;the paroxysm is nearly
+ over.
+ </p>
+ <p>
+ CHARLES. There was a time when my tears flowed so freely. Oh, those days
+ of peace! Dear home of my fathers&mdash;ye verdant halcyon vales! O all ye
+ Elysian scenes of my childhood!&mdash;will you never return?&mdash;will
+ your delicious breezes never cool my burning bosom? Mourn with me, Nature,
+ mourn! They will never return! never will their delicious breezes cool my
+ burning bosom! They are gone! gone! irrevocably gone!
+ </p>
+<pre xml:space="preserve">
+ Enter SCHWEITZER with water in his hat.
+</pre>
+ <p>
+ SCHWEITZER (offering him water in his hat). Drink, captain; here is plenty
+ of water, and cold as ice.
+ </p>
+ <p>
+ SCHWARZ. You are bleeding! What have you been doing?
+ </p>
+ <p>
+ SCHWEITZER. A bit of a freak, you fool, which had well-nigh cost me two
+ legs and a neck. As I was frolicking along the steep sandbanks of the
+ river, plump, in a moment, the whole concern slid from under me, and I
+ after it, some ten fathoms deep;&mdash;there I lay, and, as I was
+ recovering my five senses, lo and behold, the most sparkling water in the
+ gravel! Not so much amiss this time, said I to myself, for the caper I
+ have cut. The captain will be sure to relish a drink.
+ </p>
+ <p>
+ CHARLES (returns him the hat and wipes his face). But you are covered with
+ mud, Schweitzer, and we can't see the scar which the Bohemian horseman
+ marked on your forehead&mdash;your water was good, Schweitzer&mdash;and
+ those scars become you well.
+ </p>
+ <p>
+ SCHWEITZER. Bah! There's room for a score or two more yet.
+ </p>
+ <p>
+ CHARLES. Yes, boys&mdash;it was a hot day's work&mdash;and only one man
+ lost. Poor Roller! he died a noble death. A marble monument would be
+ erected to his memory had he died in any other cause than mine. Let this
+ suffice. (He wipes the tears from his eyes.) How many, did you say, of the
+ enemy were left on the field?
+ </p>
+ <p>
+ SCHWEITZER. A hundred and sixty huzzars, ninety-three dragoons, some forty
+ chasseurs&mdash;in all about three hundred.
+ </p>
+ <p>
+ CHARLES. Three hundred for one! Every one of you has a claim upon this
+ head. (He bares his head.) By this uplifted dagger! As my Soul liveth, I
+ will never forsake you!
+ </p>
+ <p>
+ SCHWEITZER. Swear not! You do not know but you may yet be happy, and
+ repent your oath.
+ </p>
+ <p>
+ CHARLES. By the ashes of my Roller! I will never forsake you.
+ </p>
+<pre xml:space="preserve">
+ Enter KOSINSKY.
+</pre>
+ <p>
+ KOSINSKY (aside). Hereabouts, they say, I shall find him. Ha! What faces
+ are these? Should they be&mdash;if these&mdash;they must be the men! Yes,
+ 'tis they,'tis they! I will accost them.
+ </p>
+ <p>
+ SCHWARZ. Take heed! Who goes there?
+ </p>
+ <p>
+ KOSINSKY. Pardon, sirs. I know not whether I am going right or wrong.
+ </p>
+ <p>
+ CHARLES. Suppose right, whom do you take us to be?
+ </p>
+ <p>
+ KOSINSKY. Men!
+ </p>
+ <p>
+ SCHWEITZER. I wonder, captain, whether we have given any proof of that?
+ </p>
+ <p>
+ KOSINSKY. I am in search of men who can look death in the face, and let
+ danger play around then like a tamed snake; who prize liberty above life
+ or honor; whose very names, hailed by the poor and the oppressed, appal
+ the boldest, and make tyrants tremble.
+ </p>
+ <p>
+ SCHWEITZER (to the Captain). I like that fellow. Hark ye, friend! You have
+ found your men.
+ </p>
+ <p>
+ KOSINSKY. So I should think, and I hope soon to find them brothers. You
+ can direct me to the man I am looking for. 'Tis your captain, the great
+ Count von Moor.
+ </p>
+ <p>
+ SCHWEITZER (taking him warmly by the hand). There's a good lad. You and I
+ must be chums.
+ </p>
+ <p>
+ CHARLES (coming nearer). Do you know the captain?
+ </p>
+ <p>
+ KOSINSKY. Thou art he!&mdash;in those features&mdash;that air&mdash;who
+ can look at thee, and doubt it? (Looks earnestly at him for some time). I
+ have always wished to see the man with the annihilating look, as he sat on
+ the ruins of Carthage.* That wish is realized.
+ </p>
+<pre xml:space="preserve">
+ *[Alluding to Caius Marius. See Plutarch's Lives.]
+</pre>
+ <p>
+ SCHWEITZER. A mettlesome fellow!&mdash;
+ </p>
+ <p>
+ CHARLES. And what brings you to me?
+ </p>
+ <p>
+ KOSINSKY. Oh, captain! my more than cruel fate. I have suffered
+ shipwrecked on the stormy ocean of the world; I have seen all my fondest
+ hopes perish; and nought remains to me but a remembrance of the bitter
+ past, which would drive me to madness, were I not to drown it by directing
+ my energies to new objects.
+ </p>
+ <p>
+ CHARLES. Another arraignment of the ways of Providence! Proceed.
+ </p>
+ <p>
+ KOSINSKY. I became a soldier. Misfortune still followed me in the army. I
+ made a venture to the Indies, and my ship was shivered on the rocks&mdash;nothing
+ but frustrated hopes! At last, I heard tell far and wide of your valiant
+ deeds, incendiarisms, as they called them, and I came straightway hither,
+ a distance of thirty leagues, firmly resolved to serve under you, if you
+ will deign to accept my services. I entreat thee, noble captain, refuse me
+ not!
+ </p>
+ <p>
+ SCHWEITZER (with a leap into the air). Hurrah! Hurrah! Our Roller replaced
+ ten hundred-fold! An out-and-out brother cut-throat for our troop.
+ </p>
+ <p>
+ CHARLES. What is your name?
+ </p>
+ <p>
+ KOSINSKY. Kosinsky.
+ </p>
+ <p>
+ CHARLES. What? Kosinsky! And do you know that you are but a thoughtless
+ boy, and are embarking on the most weighty passage of your life as
+ heedlessly as a giddy girl? You will find no playing at bowls or ninepins
+ here, as you probably imagine.
+ </p>
+ <p>
+ KOSINSKY. I understand you, sir. I am,'tis true, but four-and-twenty years
+ old, but I have seen swords glittering, and have heard balls whistling
+ around me.
+ </p>
+ <p>
+ CHARLES. Indeed, young gentleman? And was it for this that you took
+ fencing lessons, to run poor travellers through the body for the sake of a
+ dollar, or stab women in the back? Go! go! You have played truant to your
+ nurse because she shook the rod at you.
+ </p>
+ <p>
+ SCHWEITZER. Why, what the devil, captain! what are you about? Do you mean
+ to turn away such a Hercules? Does he not look as if he could baste
+ Marechal Saxe across the Ganges with a ladle?
+ </p>
+ <p>
+ CHARLES. Because your silly schemes miscarry, you come here to turn rogue
+ and assassin! Murder, boy, do you know the meaning of that word? You may
+ have slumbered in peace after cropping a few poppy-heads, but to have a
+ murder on your soul&mdash;
+ </p>
+ <p>
+ KOSINSKY. All the murders you bid me commit be upon my head!
+ </p>
+ <p>
+ CHARLES. What! Are you so nimble-witted? Do you take measure of a man to
+ catch him by flattery? How do you know that I am not haunted by terrific
+ dreams, or that I shall not tremble on my death-bed?&mdash;How much have
+ you already done of which you have considered the responsibility?
+ </p>
+ <p>
+ KOSINSKY. Very little, I must confess; excepting this long journey to you,
+ noble count&mdash;
+ </p>
+ <p>
+ CHARLES. Has your tutor let the story of Robin Hood&mdash;get into your
+ hands? Such careless rascals ought to be sent to the galleys. And has it
+ heated your childish fancy, and infected you with the mania of becoming a
+ hero? Are you thirsting for honor and fame? Would you buy immortality by
+ deeds of incendiarism? Mark me, ambitious youth! No laurel blooms for the
+ incendiary. No triumph awaits the victories of the bandit&mdash;nothing
+ but curses, danger, death, disgrace. Do you see the gibbet yonder on the
+ hill?
+ </p>
+ <p>
+ SPIEGEL (going up and down indignantly). Oh, how stupid! How abominably,
+ unpardonably stupid! That's not the way. I went to work in a very
+ different manner.
+ </p>
+ <p>
+ KOSINSKY. What should he fear, who fears not death?
+ </p>
+ <p>
+ CHARLES. Bravo! Capital! You have made good use of your time at school;
+ you have got your Seneca cleverly by heart. But, my good friend, you will
+ not be able with these fine phrases to cajole nature in the hour of
+ suffering; they will never blunt the biting tooth of remorse. Ponder on it
+ well, my son! (Takes him by the hand.) I advise you as a father. First
+ learn the depth of the abyss before you plunge headlong into it. If in
+ this world you can catch a single glimpse of happiness&mdash;moments may
+ come when you-awake,&mdash;and then&mdash;it may be too late. Here you
+ step out as it were beyond the pale of humanity&mdash;you must either be
+ more than human or a demon. Once more, my son! if but a single spark of
+ hope glimmer for you elsewhere, fly this fearful compact, where nought but
+ despair enters, unless a higher wisdom has so ordained it. You may deceive
+ yourself&mdash;believe me, it is possible to mistake that for strength of
+ mind which in reality is nothing more than despair. Take my counsel! mine!
+ and depart quickly.
+ </p>
+ <p>
+ KOSINSKY. No! I will not stir. If my entreaties fail to move you, hear but
+ the story of my misfortunes. And then you will force the dagger into my
+ hand as eagerly as you now seek to withhold it. Seat yourselves awhile on
+ the grass and listen.
+ </p>
+ <p>
+ CHARLES. I will hear your story.
+ </p>
+ <p>
+ KOSINSKY. Know, then, that I am a Bohemian nobleman. By the early death of
+ my father I became master of large possessions. The scene of my domain was
+ a paradise; for it contained an angel&mdash;a maid adorned with all the
+ charms of blooming youth, and chaste as the light of heaven. But to whom
+ do I talk of this? It falls unheeded on your cars&mdash;ye never loved, ye
+ were never beloved&mdash;
+ </p>
+ <p>
+ SCHWEITZER. Gently, gently! The captain grows red as fire.
+ </p>
+ <p>
+ CHARLES. No more! I'll hear you some other time&mdash;to-morrow,&mdash;or
+ by-and-by, or&mdash;after I have seen blood.
+ </p>
+ <p>
+ KOSINSKY. Blood, blood! Only hear on! Blood will fill your whole soul. She
+ was of citizen birth, a German&mdash;but her look dissolved all the
+ prejudices of aristocracy. With blushing modesty she received the bridal
+ ring from my hand, and on the morrow I was to have led my AMELIA to the
+ altar. (CHARLES rises suddenly.) In the midst of my intoxicating dream of
+ happiness, and while our nuptials were preparing, an express summoned me
+ to court. I obeyed the summons. Letters were shown me which I was said to
+ have written, full of treasonable matter. I grew scarlet with indignation
+ at such malice; they deprived me of my sword, thrust me into prison, and
+ all my senses forsook me.
+ </p>
+ <p>
+ SCHWEITZER. And in the meantime&mdash;go on! I already scent the game.
+ </p>
+ <p>
+ KOSINSKY. There I lay a whole month, and knew not what was taking place. I
+ was full of anxiety for my Amelia, who I was sure would suffer the pangs
+ of death every moment in apprehension of my fate. At last the prime
+ minister makes his appearance,&mdash;congratulates me in honey-sweet words
+ on the establishment of my innocence,&mdash;reads to me a warrant of
+ discharge,&mdash;and returns me my sword. I flew in triumph to my castle,
+ to the arms of my Amelia, but she had disappeared! She had been carried
+ off, it was said, at midnight, no one knew whither, and no eye had beheld
+ her since. A suspicion instantly flashed across my mind. I rushed to the
+ capital&mdash;I made inquiries at court&mdash;all eyes were upon me,&mdash;no
+ one would give me information. At last I discovered her through a grated
+ window of the palace&mdash;she threw me a small billet.
+ </p>
+ <p>
+ SCHWEITZER. Did I not say so?
+ </p>
+ <p>
+ KOSINSKY. Death and destruction! The contents were these! They had given
+ her the choice between seeing me put to death, and becoming the mistress
+ of the prince. In the struggle between honor and love she chose the
+ latter, and (with a bitter smile) I was saved.
+ </p>
+ <p>
+ SCHWEITZER. And what did you do then?
+ </p>
+ <p>
+ KOSINSKY. Then I stood like one transfixed with a thunderbolt! Blood was
+ my first thought, blood my last! Foaming at the mouth, I ran to my
+ quarters, armed myself with a two-edged sword, and, with all haste, rushed
+ to the minister's house, for he&mdash;he alone&mdash;had been the fiendish
+ pander. They must have observed me in the street, for, as I went up, I
+ found all the doors fastened. I searched, I enquired. He was gone, they
+ said, to the prince. I went straight thither, but nobody there would know
+ anything about him. I return, force the doors, find the base wretch, and
+ was on the point when five or six servants suddenly rushed on me from
+ behind, and wrenched the weapon from my hands.
+ </p>
+ <p>
+ SCHWEITZER (stamping the ground). And so the fellow got off clear, and you
+ lost your labor?
+ </p>
+ <p>
+ KOSINSKY. I was arrested, accused, criminally prosecuted, degraded, and&mdash;mark
+ this&mdash;transported beyond the frontier, as a special favor. My estates
+ were confiscated to the minister, and Amelia remained in the clutches of
+ the tiger, where she weeps and mourns away her life, while my vengeance
+ must keep a fast, and crouch submissively to the yoke of despotism.
+ </p>
+ <p>
+ SCHWEITZER (rising and whetting his sword). That is grist to our mill,
+ captain! There is something here for the incendiaries!
+ </p>
+ <p>
+ CHARLES (who has been walking up and down in violent agitation, with a
+ sudden start to the ROBBERS). I must see her. Up! collect your baggage&mdash;you'll
+ stay with us, Kosinsky! Quick, pack up!
+ </p>
+ <p>
+ THE ROBBERS. Where to? What?
+ </p>
+ <p>
+ CHARLES. Where to? Who asks that question? (Fiercely to SCHWEITZER)
+ Traitor, wouldst thou keep me back? But by the hope for heaven!
+ </p>
+ <p>
+ SCHWEITZER. I, a traitor? Lead on to hell and I will follow you!
+ </p>
+<pre xml:space="preserve">
+CHARLES (falling on his neck). Dear brother! thou shalt follow me. She
+weeps, she mourns away her life. Up! quickly! all of you! to
+Franconia! In a week we must be there.
+ [Exeunt.]
+</pre>
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT IV.
+ </h2>
+ <p>
+ SCENE I.&mdash;Rural scenery in the neighborhood of CHARLES VON MOOR'S
+ castle.
+ </p>
+<pre xml:space="preserve">
+ CHARLES VON MOOR, KOSINSKY, at a distance.
+</pre>
+ <p>
+ CHARLES. Go forward, and announce me. You remember what you have to say?
+ </p>
+<pre xml:space="preserve">
+KOSINSKY. You are Count Brand, you come from Mecklenburg. I am your
+groom. Do not fear, I shall take care to play my part. Farewell!
+ [Exit.]
+</pre>
+ <p>
+ CHARLES. Hail to thee, Earth of my Fatherland (kisses the earth.) Heaven
+ of my Fatherland! Sun of my Fatherland! Ye meadows and hills, ye streams
+ and woods! Hail, hail to ye all! How deliciously the breezes are wafted
+ from my native hills? What streams of balmy perfume greet the poor
+ fugitive! Elysium! Realms of poetry! Stay, Moor, thy foot has strayed into
+ a holy temple. (Comes nearer.)
+ </p>
+<pre xml:space="preserve">
+See there! the old swallow-nests in the castle yard!&mdash;-and the little
+garden-gate!&mdash;and this corner of the fence where I so often watched in
+ambuscade to teaze old Towzer!&mdash;and down there in the green valley,
+where, as the great Alexander, I led my Macedonians to the battle of
+Arbela; and the grassy hillock yonder, from which I hurled the Persian
+satrap&mdash;and then waved on high my victorious banner! (He smiles.) The
+golden age of boyhood lives again in the soul of the outcast. I was
+then so happy, so wholly, so cloudlessly happy&mdash;and now&mdash;behold all my
+prospects a wreck! Here should I have presided, a great, a noble, an
+honored man&mdash;here have&mdash;lived over again the years of boyhood in the
+blooming&mdash;children of my Amelia&mdash;here!&mdash;here have been the idol of my
+people&mdash;but the foul fiend opposed it (Starting.) Why am I here? To
+feel like the captive when the clanking of his chains awakes him from
+his dream of liberty. No, let me return to my wretchedness! The
+captive had forgotten the light of day, but the dream of liberty flashes
+past his eyes like a blaze of lightning in the night, which leaves it
+darker than before. Farewell, ye native vales! once ye saw Charles as a
+boy, and then Charles was happy. Now ye have seen the man his happiness
+turned to despair! (He moves rapidly towards the most distant point of
+the landscape, where he suddenly stops and casts a melancholy look
+across to the castle.) Not to behold her! not even one look?&mdash;and only
+a wall between me and Amelia! No! see her I must!&mdash;and him too!&mdash;though
+it crush me! (He turns back.) Father! father! thy son approaches. Away
+with thee, black, reeking gore! Away with that grim, ghastly look of
+death! Oh, give me but this one hour free! Amelia! Father! thy
+Charles approaches! (He goes quickly towards the castle.) Torment me
+when the morning dawns&mdash;give me no rest with the coming night&mdash;beset me
+in frightful dreams! But, oh! poison not this my only hour of bliss!
+(He is standing at the gate.) What is it I feel? What means this, Moor?
+Be a man! These death-like shudders&mdash;foreboding terrors.
+ [Enters.]
+</pre>
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.*&mdash;Gallery in the Castle.
+ </h2>
+<pre xml:space="preserve">
+ *[In some editions this is the third scene,
+ and there is no second.]
+
+ Enter CHARLES VON MOOR, AMELIA.
+</pre>
+ <p>
+ AMELIA. And are you sure that you should know his portrait among these
+ pictures?
+ </p>
+ <p>
+ CHARLES. Oh, most certainly! his image has always been fresh in my memory.
+ (Passing along thee pictures.) This is not it.
+ </p>
+ <p>
+ AMELIA. You are right! He was the first count, and received his patent of
+ nobility from Frederic Barbarossa, to whom he rendered some service
+ against the corsairs.
+ </p>
+ <p>
+ CHARLES (still reviewing the pictures). Neither is it this&mdash;nor this&mdash;
+ nor that&mdash;it is not among these at all.
+ </p>
+ <p>
+ AMELIA. Nay! look more attentively! I thought you knew him.
+ </p>
+ <p>
+ CHARLES. As well as my own father! This picture wants the sweet expression
+ around the mouth, which distinguished him from among a thousand. It is not
+ he.
+ </p>
+ <p>
+ AMELIA. You surprise me. What! not seen him for eighteen years, and still&mdash;
+ </p>
+ <p>
+ CHARLES (quickly, with a hectic blush). Yes, this is he! (He stands as if
+ struck by lightning.)
+ </p>
+ <p>
+ AMELIA. An excellent man!
+ </p>
+ <p>
+ CHARLES (absorbed in the contemplation of the picture). Father! father!
+ forgive me! Yes, an excellent man! (He wipes his eyes.) A godlike man!
+ </p>
+ <p>
+ AMELIA. You seem to take a deep interest in him.
+ </p>
+ <p>
+ CHARLES. Oh, an excellent man! And he is gone, you say!
+ </p>
+ <p>
+ AMELIA. Gone! as our best joys perish. (Gently taking him by the hand.)
+ Dear Sir, no happiness ripens in this world.
+ </p>
+ <p>
+ CHARLES. Most true, most true! And have you already proved this truth by
+ sad experience? You, who can scarcely yet have seen your twenty-third
+ year?
+ </p>
+ <p>
+ AMELIA. Yes, alas, I have proved it. Whatever lives, lives to die in
+ sorrow. We engage our hearts, and grasp after the things of this world,
+ only to undergo the pang of losing them.
+ </p>
+ <p>
+ CHARLES. What can you have lost, and yet so young?
+ </p>
+ <p>
+ AMELIA. Nothing&mdash;everything&mdash;nothing. Shall we go on, count?*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition is added&mdash;
+ "MOOR. And would you learn forgetfulness in that holy garb there?
+ (Pointing to a nun's habit.)
+ "AMELIA. To-morrow I hope to do so. Shall we continue our walk,
+ sir?"]
+</pre>
+ <p>
+ CHARLES. In such haste? Whose portrait is that on the right? There is an
+ unhappy look about that countenance, methinks.
+ </p>
+ <p>
+ AMELIA. That portrait on the left is the son of the count, the present
+ count. Come, let us pass on!
+ </p>
+ <p>
+ CHARLES. But this portrait on the right?
+ </p>
+ <p>
+ AMELIA. Will you not continue your walk, Sir?
+ </p>
+ <p>
+ CHARLES. But this portrait on the right hand? You are in tears, Amelia?
+ [Exit AMELIA, in precipitation.]
+ </p>
+<pre xml:space="preserve">
+CHARLES. She loves me, she loves me! Her whole being began to rebel,
+and the traitor tears rolled down her cheeks. She loves me! Wretch,
+hast thou deserved this at her hands? Stand I not here like a condemned
+criminal before the fatal block? Is this the couch on which we so often
+sat&mdash;where I have hung in rapture on her neck? Are these my ancestral
+halls? (Overcome by the sight of his father's portrait.) Thou&mdash;thou&mdash;
+Flames of fire darting from thine eyes&mdash;His curse&mdash;His curse&mdash;He disowns
+me&mdash;Where am I? My sight grows dim&mdash;Horrors of the living God&mdash;'Twas I,
+'twas I that killed my father!
+ [He rushes off]
+
+ Enter FRANCIS VON MOOR, in deep thought.
+</pre>
+ <p>
+ FRANCIS. Away with that image! Away with it! Craven heart! Why dost thou
+ tremble, and before whom? Have I not felt, during the few hours that the
+ count has been within these walls as if a spy from hell were gliding at my
+ heels. Methinks I should know him! There is something so lofty, so
+ familiar, in his wild, sunburnt features, which makes me tremble. Amelia,
+ too, is not indifferent towards him! Does she not dart eager, languishing
+ looks at the fellow looks of which she is so chary to all the world
+ beside? Did I not see her drop those stealthy tears into the wine, which,
+ behind my back, he quaffed so eagerly that he seemed to swallow the very
+ glass? Yes, I saw it&mdash;I saw it in the mirror with my own eyes. Take
+ care, Francis! Look about you! Some destruction-brooding monster is
+ lurking beneath all this! (He stops, with a searching look, before the
+ portrait of CHARLES.)
+ </p>
+ <p>
+ His long, crane-like neck&mdash;his black, fire-sparkling eyes&mdash;hem!
+ hem!&mdash; his dark, overhanging, bushy eyebrows. (Suddenly starting
+ back.) Malicious hell! dost thou send me this suspicion? It is Charles!
+ Yes, all his features are reviving before me. It is he! despite his mask!
+ it is he! Death and damnation! (Goes up and down with agitated steps.) Is
+ it for this that I have sacrificed my nights&mdash;that I have mowed down
+ mountains and filled up chasms? For this that I have turned rebel against
+ all the instincts of humanity? To have this vagabond outcast blunder in at
+ last, and destroy all my cunningly devised fabric. But gently! gently!
+ What remains to be done is but child's play. Have I not already waded up
+ to my very ears in mortal sin? Seeing how far the shore lies behind me, it
+ would be madness to attempt to swim back. To return is now out of the
+ question. Grace itself would be beggared, and infinite mercy become
+ bankrupt, were they to be responsible for all my liabilities. Then onward
+ like a man. (He rings the bell.) Let him be gathered to the spirit of his
+ father, and now come on! For the dead I care not! Daniel! Ho! Daniel! I'd
+ wager a trifle they have already inveigled him too into the plot against
+ me! He looks so full of mystery!
+ </p>
+<pre xml:space="preserve">
+ Enter DANIEL.
+</pre>
+ <p>
+ DANIEL. What is your pleasure, my master?
+ </p>
+ <p>
+ FRANCIS. Nothing. Go, fill this goblet with wine, and quickly! (Exit
+ DANIEL.) Wait a little, old man! I shall find you out! I will fix my eye
+ upon you so keenly that your stricken conscience shall betray itself
+ through your mask! He shall die! He is but a sorry bungler who leaves his
+ work half finished, and then looks on idly, trusting to chance for what
+ may come of it.
+ </p>
+<pre xml:space="preserve">
+ Enter DANIEL, with the wine.
+</pre>
+ <p>
+ Bring it here! Look me steadfastly in the face! How your knees knock
+ together! How you tremble! Confess, old man! what have you been doing?
+ </p>
+ <p>
+ DANIEL. Nothing, my honored master, by heaven and my poor soul!
+ </p>
+ <p>
+ FRANCIS. Drink this wine! What? you hesitate? Out with it quickly! What
+ have you put into the wine?
+ </p>
+ <p>
+ DANIEL. Heaven help me! What! I in the wine?
+ </p>
+ <p>
+ FRANCIS. You have poisoned it! Are you not as white as snow? Confess,
+ confess! Who gave it you? The count? Is it not so? The count gave it you?
+ </p>
+ <p>
+ DANIEL. The count? Jesu Maria! The count has not given me anything.
+ </p>
+ <p>
+ FRANCIS (grasping him tight). I will throttle you till you are black in
+ the face, you hoary-headed liar! Nothing? Why, then, are you so often
+ closeted together? He, and you, and Amelia? And what are you always
+ whispering about? Out with it! What secrets, eh? What secrets has he
+ confided to you?
+ </p>
+ <p>
+ DANIEL. I call the Almighty to witness that he has not confided any
+ secrets to me.
+ </p>
+ <p>
+ FRANCIS. Do you mean to deny it? What schemes have you been hatching to
+ get rid of me? Am I to be smothered in my sleep? or is my throat to be cut
+ in shaving? or am I to be poisoned in wine or chocolate? Eh? Out with it,
+ out with it! Or am I to have my quietus administered in my soup? Out with
+ it! I know it all!
+ </p>
+ <p>
+ DANIEL. May heaven so help me in the hour of need as I now tell you the
+ truth, and nothing but the pure, unvarnished truth!
+ </p>
+ <p>
+ FRANCIS. Well, this time I will forgive you. But the money! he most
+ certainly put money into your purse? And he pressed your hand more warmly
+ than is customary? something in the manner of an old acquaintance?
+ </p>
+ <p>
+ DANIEL. Never, indeed, Sir.
+ </p>
+ <p>
+ FRANCIS. He told you, for instance, that he had known you before? that you
+ ought to know him? that the scales would some day fall from your eyes?
+ that&mdash;what? Do you mean to say that he never spoke thus to you?
+ </p>
+ <p>
+ DANIEL. Not a word of the kind.
+ </p>
+ <p>
+ FRANCIS. That certain circumstances restrained him&mdash;that one must
+ sometimes wear a mask in order to get at one's enemies&mdash;that he would
+ be revenged, most terribly revenged?
+ </p>
+ <p>
+ DANIEL. Not a syllable of all this.
+ </p>
+ <p>
+ FRANCIS. What? Nothing at all? Recollect yourself. That he knew the old
+ count well&mdash;most intimately&mdash;that he loved him&mdash;loved him
+ exceedingly&mdash;loved him like a son!
+ </p>
+ <p>
+ DANIEL. Something of that sort I remember to have heard him say.
+ </p>
+ <p>
+ FRANCIS (turning pale). Did he say so? did he really? How? let me hear! He
+ said he was my brother?
+ </p>
+ <p>
+ DANIEL (astonished). What, my master? He did not say that. But as Lady
+ Amelia was conducting him through the gallery&mdash;I was just dusting the
+ picture frames&mdash;he suddenly stood still before the portrait of my
+ late master, and seemed thunderstruck. Lady Amelia pointed it out, and
+ said, "An excellent man!" "Yes, a most excellent man!" he replied, wiping
+ a tear from his eye.
+ </p>
+ <p>
+ FRANCIS. Hark, Daniel! You know I have ever been a kind master to you; I
+ have given you food and raiment, and have spared you labor in
+ consideration of your advanced age.
+ </p>
+ <p>
+ DANIEL. For which may heaven reward you! and I, on my part, have always
+ served you faithfully.
+ </p>
+ <p>
+ FRANCIS. That is just what I was going to say. You have never in all your
+ life contradicted me; for you know much too well that you owe me obedience
+ in all things, whatever I may require of you.
+ </p>
+ <p>
+ DANIEL. In all things with all my heart, so it be not against God and my
+ conscience.
+ </p>
+ <p>
+ FRANCIS. Stuff! nonsense! Are you not ashamed of yourself? An old man, and
+ believe that Christmas tale! Go, Daniel! that was a stupid remark. You
+ know that I am your master. It is on me that God and conscience will be
+ avenged, if, indeed, there be a God and a conscience.
+ </p>
+ <p>
+ DANIEL (clasping his hands together). Merciful Heaven!
+ </p>
+ <p>
+ FRANCIS. By your obedience! Do you understand that word? By your
+ obedience, I command you. With to-morrow's dawn the count must no longer
+ be found among the living.
+ </p>
+ <p>
+ DANIEL. Merciful Heaven! and wherefore?
+ </p>
+ <p>
+ FRANCIS. By your blind obedience! I shall rely upon you implicitly.
+ </p>
+ <p>
+ DANIEL. On me? May the Blessed Virgin have mercy on me! On me? What evil,
+ then, have I, an old man, done!
+ </p>
+ <p>
+ FRANCIS. There is no time now for reflection; your fate is in my hands.
+ Would you rather pine away the remainder of your days in the deepest of my
+ dungeons, where hunger shall compel you to gnaw your own bones, and
+ burning thirst make you suck your own blood? Or would you rather eat your
+ bread in peace, and have rest in your old age?
+ </p>
+ <p>
+ DANIEL. What, my lord! Peace and rest in my old age? And I a murderer?
+ </p>
+ <p>
+ FRANCIS. Answer my question!
+ </p>
+ <p>
+ DANIEL. My gray hairs! my gray hairs!
+ </p>
+ <p>
+ FRANCIS. Yes or no!
+ </p>
+ <p>
+ DANIEL. No! God have mercy upon me!
+ </p>
+ <p>
+ FRANCIS (in the act of going). Very well! you shall have need of it.
+ (DANIEL detains him and falls on his knees before him.)
+ </p>
+ <p>
+ DANIEL. Mercy, master! mercy!
+ </p>
+ <p>
+ FRANCIS. Yes or no!
+ </p>
+ <p>
+ DANIEL. Most gracious master! I am this day seventy-one years of age! and
+ have honored my father and my mother, and, to the best of my knowledge,
+ have never in the whole course of my life defrauded any one to the value
+ of a farthing,&mdash;and I have adhered to my creed truly and honestly,
+ and have served in your house four-and-forty years, and am now calmly
+ awaiting a quiet, happy end. Oh, master! master! (violently clasping his
+ knees) and would you deprive me of my only solace in death, that the
+ gnawing worm of an evil conscience may cheat me of my last prayer? that I
+ may go to my long home an abomination in the sight of God and man? No, no!
+ my dearest, best, most excellent, most gracious master! you do not ask
+ that of an old man turned threescore and ten!
+ </p>
+ <p>
+ FRANCIS. Yes or no! What is the use of all this palaver?
+ </p>
+ <p>
+ DANIEL. I will serve you from this day forward more diligently than ever;
+ I will wear out my old bones in your service like a common day-laborer; I
+ will rise earlier and lie down later. Oh, and I will remember you in my
+ prayers night and morning; and God will not reject the prayer of an old
+ man.
+ </p>
+ <p>
+ FRANCIS. Obedience is better than sacrifice. Did you ever hear of the
+ hangman standing upon ceremony when he was told to execute a sentence?
+ </p>
+ <p>
+ DANIEL. That is very true? but to murder an innocent man&mdash;one&mdash;
+ </p>
+ <p>
+ FRANCIS. Am I responsible to you? Is the axe to question the hangman why
+ he strikes this way and not that? But see how forbearing I am. I offer you
+ a reward for performing what you owe me in virtue of your allegiance.
+ </p>
+ <p>
+ DANIEL. But, when I swore allegiance to you, I at least hoped that I
+ should be allowed to remain a Christian.
+ </p>
+ <p>
+ FRANCIS. No contradiction! Look you! I give you the whole day to think
+ about it! Ponder well on it. Happiness or misery. Do you hear&mdash; do
+ you understand? The extreme of happiness or the extreme of misery! I can
+ do wonders in the way of torture.
+ </p>
+<pre xml:space="preserve">
+DANIEL (after some reflection). I'll do it; I will do it to-morrow.
+ [Exit.]
+</pre>
+ <p>
+ FRANCIS. The temptation is strong, and I should think he was not born to
+ die a martyr to his faith. Have with you, sir count! According to all
+ ordinary calculations, you will sup to-morrow with old Beelzebub. In these
+ matters all depends upon one's view of a thing; and he is a fool who takes
+ any view that is contrary to his own interest. A father quaffs perhaps a
+ bottle of wine more than ordinary&mdash;he is in a certain mood&mdash;the
+ result is a human being, the last thing that was thought of in the affair.
+ Well, I, too, am in a certain mood,&mdash;and the result is that a human
+ being perishes; and surely there is more of reason and purpose in this
+ than there was in his production. If the birth of a man is the result of
+ an animal paroxysm, who should take it into his head to attach any
+ importance to the negation of his birth? A curse upon the folly of our
+ nurses and teachers, who fill our imaginations with frightful tales, and
+ impress fearful images of punishment upon the plastic brain of childhood,
+ so that involuntary shudders shake the limbs of the man with icy fear,
+ arrest his boldest resolutions, and chain his awakening reason in the
+ fetters of superstitious darkness. Murder! What a hell full of furies
+ hovers around that word. Yet 'tis no more than if nature forgets to bring
+ forth one man more or the doctor makes a mistake&mdash;and thus the whole
+ phantasmagoria vanishes. It was something, and it is nothing. Does not
+ this amount to exactly the same thing as though it had been nothing, and
+ came to nothing; and about nothing it is hardly worth while to waste a
+ word. Man is made of filth, and for a time wades in filth, and produces
+ filth, and sinks back into filth, till at last he fouls the boots of his
+ own posterity.*
+ </p>
+<pre xml:space="preserve">
+ *["To what base uses we may return, Horatio! why, may not
+ imagination trace the noble dust of Alexander, till we find it
+ stopping a bunghole?"&mdash;HAMLET, Act v, Sc. 1.]
+</pre>
+<pre xml:space="preserve">
+That is the burden of the song&mdash;the filthy cycle of human fate; and with
+that&mdash;a pleasant journey to you, sir brother! Conscience, that
+splenetic, gouty moralist, may drive shrivelled old drones out of
+brothels, and torture usurers on their deathbeds&mdash;with me it shall never
+more have audience.
+ [Exit.]
+</pre>
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE III.&mdash;Another Room in the Castle.
+ </h2>
+<pre xml:space="preserve">
+ CHARLES VON MOOR enters from one side, DANIEL from the other.
+</pre>
+ <p>
+ CHARLES (hastily). Where is Lady Amelia?
+ </p>
+ <p>
+ DANIEL. Honored sir! permit an old man to ask you a favor.
+ </p>
+ <p>
+ CHARLES. It is granted. What is it you ask?
+ </p>
+ <p>
+ DANIEL. Not much, and yet all&mdash;but little, and yet a great deal.
+ Suffer me to kiss your hand!
+ </p>
+ <p>
+ CHARLES. That I cannot permit, good old man (embraces him), from one whom
+ I should like to call my father.
+ </p>
+ <p>
+ DANIEL. Your hand, your hand! I beseech you.
+ </p>
+ <p>
+ CHARLES. That must not be.
+ </p>
+ <p>
+ DANIEL. It must! (He takes hold of it, surveys it quickly, and falls down
+ before him.) Dear, dearest Charles!
+ </p>
+ <p>
+ CHARLES (startled; he composes himself, and says in a distant tone). What
+ mean you, my friend? I don't understand you.
+ </p>
+ <p>
+ DANIEL. Yes, you may deny it, you may dissemble as much as you please?
+ 'Tis very well! very well. For all that you are my dearest, my excellent
+ young master. Good Heaven! that I, poor old man, should live to have the
+ joy&mdash;what a stupid blockhead was I that I did not at a glance&mdash;oh,
+ gracious powers! And you are really come back, and the dear old master is
+ underground, and here you are again! What a purblind dolt I was, to be
+ sure! (striking his forehead) that I did not on the instant&mdash;Oh, dear
+ me!&mdash;-who could have dreamt it&mdash;What I have so often prayed for
+ with tears&mdash;Oh, mercy me! There he stands again, as large as life, in
+ the old room!
+ </p>
+ <p>
+ CHARLES. What's all this oration about? Are you in a fit of delirium, and
+ have escaped from your keepers; or are you rehearsing a stage-player's
+ part with me?
+ </p>
+ <p>
+ DANIEL. Oh, fie! fie! It is not pretty of you to make game of an old
+ servant. That scar! Eh! do you remember it? Good Heaven! what a fright you
+ put me into&mdash;I always loved you so dearly; and what misery you might
+ have brought upon me. You were sitting in my lap&mdash;do you remember?
+ there in the round chamber. Has all that quite vanished from your memory&mdash;and
+ the cuckoo, too, that you were so fond of listening to? Only think! the
+ cuckoo is broken, broken all to shivers&mdash;old Susan smashed it in
+ sweeping the room&mdash;yes, indeed, and there you sat in my lap, and
+ cried, "Cockhorse!" and I ran off to fetch your wooden horse&mdash; mercy
+ on me! what business had I, thoughtless old fool, to leave you alone&mdash;and
+ how I felt as if I were in a boiling caldron when I heard you screaming in
+ the passage; and, when I rushed in, there was your red blood gushing
+ forth, and you lying on the ground. Oh, by the Blessed Virgin! did I not
+ feel as if a bucket of icy cold water was emptied all over me?&mdash;but
+ so it happens, unless one keeps all one's eyes upon children. Good Heaven!
+ if it had gone into your eye! Unfortunately it happened to be the right
+ hand. "As long as I live," said I, "never again shall any child in my
+ charge get hold of a knife or scissors, or any other edge tool." 'Twas
+ lucky for me that both my master and mistress were gone on a journey.
+ "Yes, yes! this shall be a warning to me for the rest of my life," said I&mdash;Gemini,
+ Gemini! I might have lost my place, I might&mdash;God forgive you, you
+ naughty boy&mdash;but, thank Heaven! it healed fairly, all but that ugly
+ scar.
+ </p>
+ <p>
+ CHARLES. I do not comprehend one word of all that you are talking about.
+ </p>
+ <p>
+ DANIEL. Eh? eh? that was the time! was it not? How many a ginger-cake, and
+ biscuit, and macaroon, have I slipped into your bands&mdash;I was always
+ so fond of you. And do you recollect what you said to me down in the
+ stable, when I put you upon old master's hunter, and let you scamper round
+ the great meadow? "Daniel!" said you, "only wait till I am grown a big
+ man, and you shall be my steward, and ride in the coach with me." "Yes,"
+ said I, laughing, "if heaven grants me life and health, and you are not
+ ashamed of the old man," I said, "I shall ask you to let me have the
+ little house down in the village, that has stood empty so long; and then I
+ will lay in a few butts of good wine, and turn publican in my old age."
+ Yes, you may laugh, you may laugh! Eh, young gentleman, have you quite
+ forgotten all that? You do not want to remember the old man, so you carry
+ yourself strange and loftily;&mdash;but, you are my jewel of a young
+ master, for all that. You have, it is true, been a little bit wild&mdash;don't
+ be angry!&mdash;as young blood is apt to be! All may be well yet in the
+ end.
+ </p>
+ <p>
+ CHARLES (falls on his neck). Yes! Daniel! I will no longer hide it from
+ you! I am your Charles, your lost Charles! And now tell me, how does my
+ Amelia?
+ </p>
+ <p>
+ DANIEL (begins to cry). That I, old sinner, should live to have this
+ happiness&mdash;and my late blessed master wept so long in vain! Begone,
+ begone, hoary old head! Ye weary bones, descend into the grave with joy!
+ My lord and master lives! my own eyes have beheld him!
+ </p>
+ <p>
+ CHARLES. And he will keep his promise to you. Take that, honest graybeard,
+ for the old hunter (forces a heavy purse upon him). I have not forgotten
+ the old man.
+ </p>
+ <p>
+ DANIEL. How? What are you doing? Too much! You have made a mistake.
+ </p>
+ <p>
+ CHARLES. No mistake, Daniel! (DANIEL is about to throw himself on his
+ knees before him.) Rise! Tell me, how does my Amelia?
+ </p>
+ <p>
+ DANIEL. Heaven reward you! Heaven reward you! O gracious me! Your Amelia
+ will never survive it, she will die for joy?
+ </p>
+ <p>
+ CHARLES (eagerly). She has not forgotten me then?
+ </p>
+ <p>
+ DANIEL. Forgotten you? How can you talk thus? Forgotten you, indeed! You
+ should have been there, you should have seen how she took on, when the
+ news came of your death, which his honor caused to be spread abroad&mdash;
+ </p>
+ <p>
+ CHARLES. What do you say? my brother&mdash;
+ </p>
+ <p>
+ DANIEL. Yes, your brother; his honor, your brother&mdash;another day I
+ will tell you more about it, when we have time&mdash;and how cleverly she
+ sent him about his business when he came a wooing every blessed day, and
+ offered to make her his countess. Oh, I must go; I must go and tell her;
+ carry her the news (is about to run of).
+ </p>
+ <p>
+ CHARLES. Stay! stay! she must not know&mdash;nobody must know, not even my
+ brother!
+ </p>
+ <p>
+ DANIEL. Your brother? No, on no account; he must not know it! Certainly
+ not! If he know not already more than he ought to know. Oh, I can tell
+ you, there are wicked men, wicked brothers, wicked masters; but I would
+ not for all my master's gold be a wicked servant. His honor thought you
+ were dead.
+ </p>
+ <p>
+ CHARLES. Humph! What are you muttering about?
+ </p>
+ <p>
+ DANIEL (in a half-suppressed voice). And to be sure when a man rises from
+ the dead thus uninvited&mdash;your brother was the sole heir of our late
+ master!
+ </p>
+ <p>
+ CHARLES. Old man! what is it you are muttering between your teeth, as if
+ some dreadful secret were hovering on your tongue which you fear to utter,
+ and yet ought? Out with it!
+ </p>
+<pre xml:space="preserve">
+DANIEL. But I would rather gnaw my old bones with hunger, and suck my
+own blood for thirst, than gain a life of luxury by murder.
+ [Exit hastily.]
+</pre>
+ <p>
+ CHARLES (starting up, after a terrible pause). Betrayed! Betrayed! It
+ flashes upon my soul like lightning! A fiendish trick! A murderer and a
+ robber through fiend-like machinations! Calumniated by him! My letters
+ falsified, suppressed! his heart full of love! Oh, what a monstrous fool
+ was I! His fatherly heart full of love! oh, villainy, villainy! It would
+ have cost me but once kneeling at his feet&mdash;a tear would have done it&mdash;oh
+ blind, blind fool that I was! (running up against the wall). I might have
+ been happy&mdash;oh villainy, villainy!
+ </p>
+ <p>
+ Knavishly, yes, knavishly cheated out of all happiness in this life! (He
+ runs up and down in a rage.) A murderer, a robber, all through a knavish
+ trick! He was not even angry! Not a thought of cursing ever entered his
+ heart. Oh, miscreant! inconceivable, hypocritical, abominable miscreant!
+ </p>
+<pre xml:space="preserve">
+ Enter KOSINSKY.
+</pre>
+ <p>
+ KOSINSKY. Well, captain, where are you loitering? What is the matter? You
+ are for staying here some time longer, I perceive?
+ </p>
+ <p>
+ CHARLES. Up! Saddle the horses! Before sunset we must be over the
+ frontier!
+ </p>
+ <p>
+ KOSINSKY. You are joking.
+ </p>
+<pre xml:space="preserve">
+CHARLES (in a commanding tone). Quick! quick! delay not! leave every
+thing behind! and let no eye see you!
+ (Exit KOSINSKY.)
+</pre>
+ <p>
+ I fly from these walls. The least delay might drive me raving road; and he
+ my father's son! Brother! brother! thou hast made me the most miserable
+ wretch on earth; I never injured thee; this was not brotherly. Reap the
+ fruits of thy crime in quiet, my presence shall no longer embitter thy
+ enjoyment&mdash;but, surely, this was not acting like a brother. May
+ oblivion shroud thy misdeed forever, and death not bring it back to light.
+ </p>
+<pre xml:space="preserve">
+ Enter KOSINSKY.
+</pre>
+ <p>
+ KOSINSKY. The horses are ready saddled, you can mount as soon as you
+ please.
+ </p>
+ <p>
+ CHARLES. Why in such haste? Why so urgent? Shall I see her no more?
+ </p>
+ <p>
+ KOSINSKY. I will take off the bridles again, if you wish it; you bade me
+ hasten head over heels.
+ </p>
+ <p>
+ CHARLES. One more farewell! one more! I must drain this poisoned cup of
+ happiness to the dregs, and then&mdash;Stay, Kosinsky! Ten minutes more&mdash;
+ behind, in the castle yard&mdash;and we gallop off.
+ </p>
+<pre xml:space="preserve">
+ Scene IV.&mdash;In the Garden.
+</pre>
+ <p>
+ AMELIA. "You are in tears, Amelia!" These were his very words&mdash;and
+ spoken with such expressionsuch a voice!&mdash;oh, it summoned up a
+ thousand dear remembrances!&mdash;scenes of past delight, as in my
+ youthful days of happiness, my golden spring-tide of love. The nightingale
+ sung with the same sweetness, the flowers breathed the same delicious
+ fragrance, as when I used to hang enraptured on his neck.*
+ </p>
+<pre xml:space="preserve">
+ *[Here, in the acting edition, is added, 'Assuredly, if the spirits
+ of the departed wander among the living, then must this stranger be
+ Charles's angel!']
+</pre>
+<pre xml:space="preserve">
+Ha! false, perfidious heart! And dost thou seek thus artfully to veil
+thy perjury? No, no! begone forever from my soul, thou sinful image!
+I have not broken my oath, thou only one! Avaunt, from my soul, ye
+treacherous impious wishes! In the heart where Charles reigns no son
+of earth may dwell. But why, my soul, dost thou thus constantly, thus
+obstinately turn towards this stranger? Does he not cling to my heart
+in the very image of my only one! Is he not his inseparable companion
+in my thoughts? "You are in tears, Amelia?" Ha! let me fly from him!&mdash;
+&mdash;fly!&mdash;never more shall my eyes behold this stranger!
+ [CHARLES opens the garden gate.]
+</pre>
+ <p>
+ AMELIA (starting). Hark! hark! did I not hear the gate creak? (She
+ perceives CHARLES and starts up.) He?&mdash;whither?&mdash;what? I am
+ rooted to the spot,&mdash;I can not fly! Forsake me not, good Heaven! No!
+ thou shalt not tear me from my Charles! My soul has no room for two
+ deities, I am but a mortal maid! (She draws the picture of CHARLES from
+ her bosom.) Thou, my Charles! be thou my guardian angel against this
+ stranger, this invader of our loves! At thee will I look, at thee, nor
+ turn away my eyes&mdash;nor cast one sinful look towards him! (She sits
+ silent, her eyes fixed upon the picture.)
+ </p>
+ <p>
+ CHARLES. You here, Lady Amelia?&mdash;and so sad? and a tear upon that
+ picture? (AMELIA gives him no answer.) And who is the happy man for whom
+ these silver drops fall from an angel's eyes? May I be permitted to look
+ at&mdash;(He endeavors to look at the picture.)
+ </p>
+ <p>
+ AMELIA. No&mdash;yes&mdash;no!
+ </p>
+ <p>
+ CHARLES (starting back). Ha&mdash;and does he deserve to be so idolized?
+ Does he deserve it?
+ </p>
+ <p>
+ AMELIA. Had you but known him!
+ </p>
+ <p>
+ CHARLES. I should have envied him.
+ </p>
+ <p>
+ AMELIA. Adored, you mean.
+ </p>
+ <p>
+ CHARLES. Ha!
+ </p>
+ <p>
+ AMELIA. Oh, you would so have loved him?&mdash;-there was so much, so much
+ in his face&mdash;in his eyes&mdash;in the tone of his voice,&mdash;which
+ was so like yours&mdash;that I love so dearly! (CHARLES casts his eyes
+ down to the ground.) Here, where you are standing, he has stood a thousand
+ times&mdash; and by his side, one who, by his side, forgot heaven and
+ earth. Here his eyes feasted on nature's most glorious panorama,&mdash;which,
+ as if conscious of his approving glance, seemed to increase in beauty
+ under the approbation of her masterpiece. Here he held the audience of the
+ air captive with his heavenly music. Here, from this bush, he plucked
+ roses, and plucked those roses for me. Here, here, he lay on my neck; here
+ he imprinted burning kisses on my lips, and the flowers hung their heads
+ with pleasure beneath the foot-tread of the lovers.*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition the scene changes materially at this point,
+ and the most sentimental part of the whole drama is transformed
+ into the most voluptuous. The stage direction here is,&mdash;(They give
+ way to their transports without control, and mingle their kisses.
+ MOOR hangs in ecstacy on her lips, while she sinks half delirious
+ on the couch.) O Charles! now avenge thyself; my vow is broken.
+
+ MOOR (tearing himself away from her, as if in frenzy). Can this be
+ hell that still pursues me! (Gazing on her.) I felt so happy!
+
+ AMELIA (perceiving the ring upon her finger, starts up from the
+ couch). What! Art thou still there&mdash;on that guilty hand? Witness
+ of my perjury. Away with thee! (She pulls the ring from her
+ finger and gives it to CHARLES.) Take it&mdash;take it, beloved
+ seducer! and with it what I hold most sacred&mdash;take my all&mdash;my
+ Charles! (She falls back upon the couch.)
+
+ MOOR (changes color). O thou Most High! was this thy almighty
+ will? It is the very ring I gave her in pledge of our mutual
+ faith. Hell be the grave of love! She has returned my ring.
+
+ AMELIA (terrified). Heavens! What is the matter? Your eyes roll
+ wildly, and your lips are pale as death! Ah! woe is me. And are
+ the pleasures of thy crime so soon forgotten?
+
+ MOOR (suppressing his emotion). 'Tis nothing! Nothing! (Raising
+ his eyes to heaven.) I am still a man! (He takes of his own ring
+ and puts it on AMELIA'S finger.) In return take this! sweet fury of
+ my heart! And with it what I hold most sacred&mdash;take my all&mdash;my
+ Amelia!
+
+ AMELIA (starting up). Your Amelia!
+
+ MOOR (mournfully). Oh, she was such a lovely maiden, and faithful
+ as an angel. When we parted we exchanged rings, and vowed eternal
+ constancy. She heard that I was dead&mdash;believed it&mdash;yet remained
+ constant to the dead. She heard again that I was living&mdash;yet
+ became faithless to the living. I flew into her arms&mdash;was happy
+ as&mdash;the blest in Paradise. Think what my heart was doomed to feel,
+ Amelia! She gave me back my ring&mdash;she took her own.
+
+ AMELIA (her eyes fixed on the earth in amazement). 'Tis strange,
+ most strange! 'Tis horrible!
+
+ MOOR. Ay, strange and horrible! My child, there is much&mdash;ay, much
+ for man to learn ere his poor intellect can fathom the decrees of
+ Him who smiles at human vows and weeps at human projects. My
+ Amelia is an unfortunate maiden!
+
+ AMELIA. Unfortunate! Because she rejected you?
+
+ MOOR. Unfortunate. Because she embraced the man she betrayed.
+
+ AMELIA (with melancholy tenderness). Oh, then, she is indeed
+ unfortunate! From my soul I pity her! She shall be my sister.
+ But there is another and a better world."]
+</pre>
+ <p>
+ CHARLES. He is no more?
+ </p>
+ <p>
+ AMELIA. He sails on troubled seas&mdash;Amelia's love sails with him. He
+ wanders through pathless, sandy deserts&mdash;Amelia's love clothes the
+ burning sand with verdure, and the barren shrubs with flowers. Southern
+ suits scorch his bare head, northern snows pinch his feet, tempestuous
+ hail beats down on his temples, but Amelia's love lulls him to sleep in
+ the midst of the storm. Seas, and mountains, and skies, divide the lovers&mdash;but
+ their souls rise above this prison-house of clay, and meet in the paradise
+ of love. You appear sad, count!
+ </p>
+ <p>
+ CHARLES. These words of love rekindle my love.
+ </p>
+ <p>
+ AMELIA (pale). What? You love another? Alas! what have I said?
+ </p>
+ <p>
+ CHARLES. She believed me dead, and in my supposed death she remained
+ faithful to me&mdash;she heard again that I was alive, and she sacrificed
+ for me the crown of a saint. She knows that I am wandering in deserts, and
+ roaming about in misery, yet her love follows me on wings through deserts
+ and through misery. Her name, too, like yours, is Amelia.
+ </p>
+ <p>
+ AMELIA. How I envy your Amelia!
+ </p>
+ <p>
+ CHARLES. Oh, she is an unhappy maid. Her love is fixed upon one who is
+ lost&mdash;and it can never&mdash;never be rewarded.
+ </p>
+ <p>
+ AMELIA. Say not so! It will be rewarded in heaven. Is it not agreed that
+ there is a better world, where mourners rejoice, and where lovers meet
+ again?
+ </p>
+ <p>
+ CHARLES. Yes, a world where the veil is lifted&mdash;where the phantom
+ love will make terrible discoveries&mdash;Eternity is its name. My Amelia
+ is an unhappy maid.
+ </p>
+ <p>
+ AMELIA. Unhappy, and loves you?*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition the scene closes with a different
+ denouement. Amelia here says, "Are all unhappy who live with you,
+ and bear the name of Amelia.
+ "CHARLES. Yes, all&mdash;when they think they embrace an angel, and
+ find in their arms&mdash;a murderer. Alas, for my Amelia! She is
+ indeed unfortunate.
+ "AMELIA (with an expression of deep affliction). Oh, I must weep
+ for her.
+ "CHARLES (grasping her hand, and pointing to the ring). Weep for
+ thyself.
+ "AMELIA (recognizing the ring). Charles! Charles! O heaven and
+ earth!
+ (She sinks fainting; the scene closes.)"]
+</pre>
+ <p>
+ CHARLES. Unhappy, because she loves me! What if I were a murderer? How,
+ Lady Amelia, if your lover could reckon you up a murder for every one of
+ your kisses? Woe to my Amelia! She is an unhappy maid.
+ </p>
+ <p>
+ AMELIA (gayly rising). Ha! What a happy maid am I! My only one is a
+ reflection of Deity, and Deity is mercy and compassion! He could not bear
+ to see a fly suffer. His soul is as far from every thought of blood as the
+ sun is from the moon. (CHARLES suddenly turns away into a thicket, and
+ looks wildly out into the landscape. AMELIA sings, playing the guitar.)
+ </p>
+<pre xml:space="preserve">
+ Oh! Hector, wilt thou go forevermore,
+ Where fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ Who then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallowed up in Xanthus' wave?
+</pre>
+ <p>
+ CHARLES (silently tunes the guitar, and plays).
+ </p>
+<pre xml:space="preserve">
+ Beloved wife!&mdash;stern duty calls to arms
+ Go, fetch my lance! and cease those vain alarms!
+
+ [He flings the guitar away, and rushes off.]
+</pre>
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE V.
+ </h2>
+ <p>
+ &mdash;A neighboring forest. Night. An old ruined castle in the centre of
+ the scene.
+ </p>
+<pre xml:space="preserve">
+ The band of ROBBERS encamped on the ground.
+
+ The ROBBERS singing.
+
+ To rob, to kill, to wench, to fight,
+ Our pastime is, and daily sport;
+ The gibbet claims us morn and night,
+ So let's be jolly, time is short.
+
+ A merry life we lead, and free,
+ A life of endless fun;
+ Our couch is 'neath the greenwood tree,
+ Through wind and storm we gain our fee,
+ The moon we make our sun.
+ Old Mercury is our patron true,
+ And a capital chap for helping us through.
+
+ To-day we make the abbot our host,
+ The farmer rich to-morrow;
+ And where we shall get our next day's roast,
+ Gives us nor care nor sorrow.
+
+ And, when with Rhenish and rare Moselle
+ Our throats we have been oiling,
+ Our courage burns with a fiercer swell,
+ And we're hand and glove with the Lord of Hell,
+ Who down in his flames is broiling.
+
+ For fathers slain the orphans' cries,
+ The widowed mothers' moan and wail,
+ Of brides bereaved the whimpering sighs,
+ Like music sweet, our ears regale.
+
+ Beneath the axe to see them writhe,
+ Bellow like calves, fall dead like flies;
+ Such bonny sights, and sounds so blithe,
+ With rapture fill our eats and eyes.
+
+ And when at last our death-knell rings&mdash;
+ The devil take that hour!
+ Payment in full the hangman brings,
+ And off the stage we scour.
+ On the road a glass of good liquor or so,
+ Then hip! hip! hip! and away we go!
+</pre>
+ <p>
+ SCHWEITZER. The night is far advanced, and the captain has not yet
+ returned.
+ </p>
+ <p>
+ RAZ. And yet he promised to be back before the clock struck eight.
+ </p>
+ <p>
+ SCHWEITZER. Should any harm have befallen him, comrades, wouldn't we
+ kindle fires! ay, and murder sucking babes?
+ </p>
+ <p>
+ SPIEGEL. (takes RAZMANN aside). A word in your ear, Razmann!
+ </p>
+ <p>
+ SCHWARZ (to GRIMM). Should we not send out scouts?
+ </p>
+ <p>
+ GRIMM. Let him alone. He no doubt has some feat in hand that will put us
+ to shame.
+ </p>
+ <p>
+ SCHWEITZER. Then you are out, by old Harry! He did not part from us like
+ one that had any masterpiece of roguery in view. Have you forgotten what
+ he said as he marched us across the heath? "The fellow that takes so much
+ as a turnip out of a field, if I know it, leaves his head behind him, as
+ true as my name is Moor." We dare not plunder.
+ </p>
+ <p>
+ RAZ. (aside to SPIEGELBERG). What are you driving at? Speak plainer.
+ </p>
+ <p>
+ SPIEGEL. Hush! hush! I know not what sort of a notion you and I have of
+ liberty, that we should toil under the yoke like bullocks, while we are
+ making such wonderful fine speeches about independence. I like it not.
+ </p>
+ <p>
+ SCHWEITZER (to GRIMM). What crotchet has that swaggering booby got in his
+ numskull, I wonder?
+ </p>
+ <p>
+ RAZ. (aside to SPIEGELBERG). Is it the captain you mean?&mdash;
+ </p>
+ <p>
+ SPIEGEL. Hush! I tell you; hush! He has got his eavesdroppers all around
+ us. Captain, did you say? Who made him captain over us? Has he not, in
+ fact, usurped that title, which by right belongs to me? What? Is it for
+ this that we stake our lives&mdash;that we endure all the splenetic
+ caprices of fortunes&mdash;that we may in the end congratulate ourselves
+ upon being the serfs of a slave? Serfs! When we might be princes? By
+ heaven! Razmann, I could never brook it.
+ </p>
+ <p>
+ SCHWEITZER (overhearing him&mdash;to the others). Yes&mdash;there's a hero
+ for you! He is just the man to do mighty execution upon frogs with stones.
+ The very breath of his nostrils, when he sneezes, would blow you through
+ the eye of a needle.
+ </p>
+ <p>
+ SPIEGEL. (to RAZMANN). Yes&mdash;and for years I have been intent upon it.
+ There must be an alteration, Razmann. If you are the man I always took you
+ for&mdash;Razmann! He is missing&mdash;he is almost given up&mdash;Razmann&mdash;
+ methinks his hour is come. What? does not the color so much as mount to
+ your cheek when you hear the chimes of liberty ringing in your ears? Have
+ you not courage enough to take the hint?
+ </p>
+ <p>
+ RAZ. Ha! Satan! What bait art thou spreading for my soul?
+ </p>
+ <p>
+ SPIEGEL. Does it take? Good! then follow me! I have marked in what
+ direction he slunk off. Come along! a brace of pistols seldom fail; and
+ then&mdash;we shall be the first to strangle sucking babes. (He endeavors
+ to draw him of.)
+ </p>
+ <p>
+ SCHWEITZER (enraged, draws his sword). Ha! caitiff! I have overheard you!
+ You remind me, at the right moment, of the Bohemian forest! Were not you
+ the coward that began to quail when the cry arose, "the enemy is coming!"
+ I then swore by my soul&mdash;(They fight, SPIEGELBERG is killed.) To the
+ devil with thee, assassin!
+ </p>
+ <p>
+ ROBBERS (in agitation). Murder! murder!&mdash;Schweitzer!&mdash;Spiegelberg!&mdash;
+ Part them!
+ </p>
+ <p>
+ SCHWEITZER (throwing the sword on the body). There let him rot! Be still,
+ my comrades! Don't let such a trifle disturb you. The brute has always
+ been inveterate against the captain and has not a single scar on his whole
+ body. Once more, be still. Ha, the scoundrel! He would stab a man behind
+ his back&mdash;skulk and murder! Is it for this that the hot sweat has
+ poured down us in streams? that we may sneak out of the world at last like
+ contemptible wretches? The brute! Is it for this that we have lived in
+ fire and brimstone? To perish at last like rats?
+ </p>
+ <p>
+ GRIMM. But what the devil, comrade, were you after? What were you
+ quarreling about? The captain will be furious.
+ </p>
+ <p>
+ SCHWEITZER. Be that on my head. And you, wretch (to RAZMANN) you were his
+ accomplice, you! Get out of my sight! Schufterle was another of your
+ kidney, but he has met his deserts in Switzerland&mdash;has been hanged,
+ as the captain prophesied. (A shot is heard.)
+ </p>
+ <p>
+ SCHWARZ (jumping up). Hark! a pistol shot! (Another shot is heard.)
+ Another! Hallo! the captain!
+ </p>
+ <p>
+ GRIMM. Patience! If it be he, there will be a third. (The third shot is
+ heard.)
+ </p>
+ <p>
+ SCHWARZ. 'Tis he! 'Tis the captain! Absent yourself awhile, Schweitzer&mdash;till
+ we explain to him! (They fire.)
+ </p>
+<pre xml:space="preserve">
+ Enter CHARLES VON MOOR and KOSINSKY.
+</pre>
+ <p>
+ SCHWEITZER (running to meet them). Welcome, captain. I have been somewhat
+ choleric in your absence. (He conducts him to the corpse.) Be you judge
+ between him and me. He meant to waylay and assassinate you.
+ </p>
+ <p>
+ ROBBERS (in consternation). What; the captain?
+ </p>
+ <p>
+ CHARLES (after fixing his eyes for some time upon the corpse, with a
+ sudden burst of feeling). Oh, incomprehensible finger of the avenging
+ Nemesis! Was it not he whose siren song seduced me to be what I am? Let
+ this sword be consecrated to the dark goddess of retribution! That was not
+ thy deed, Schweitzer.
+ </p>
+ <p>
+ SCHWEITZER. By heaven, it was mine, though! and, as the devil lives, it is
+ not the worst deed I have done in my time. (Turns away moodily.)
+ </p>
+ <p>
+ CHARLES (absorbed in thought). I comprehend&mdash;Great Ruler in heaven&mdash;
+ I comprehend. The leaves fall from the trees, and my autumn is come.
+ Remove this object from my sight! (The corpse of SPIEGELBERG is carried
+ out.)
+ </p>
+ <p>
+ GRIMM. Give us your orders, captain! What shall we do next?
+ </p>
+ <p>
+ CHARLES. Soon&mdash;very soon&mdash;all will be accomplished. Hand me my
+ lute; I have lost myself since I have been there. My lute, I say&mdash;I
+ must nurse up my strength again. Leave me!
+ </p>
+ <p>
+ ROBBERS. 'Tis midnight, captain.
+ </p>
+ <p>
+ CHARLES. They were only stage tears after all. Let me bring to memory the
+ song of the old Roman, that my slumbering genius may wake up again. Hand
+ me my lute. Midnight, say you?
+ </p>
+ <p>
+ SCHWARZ. Yes, and past, too! Our eyes are as heavy as lead. For three days
+ we have not slept a wink.
+ </p>
+ <p>
+ CHARLES. What? does balmy sleep visit the eyes of murderers? Why doth it
+ flee mine? I never was a coward, nor a villain. Lay yourselves to rest. At
+ day-break we march.
+ </p>
+ <p>
+ ROBBERS. Good night, captain. (They stretch them selves on the ground and
+ fall asleep.)
+ </p>
+<pre xml:space="preserve">
+ Profound silence. CHARLES VON MOOR takes up his
+ guitar, and plays.
+</pre>
+ <p>
+ BRUTUS. Oh, be ye welcome, realms of peace and rest! Receive the last of
+ all the sons of Rome! From dread Philippi's field, where all the best Fell
+ bleeding in her cause, I wearied come. Cassius, no more! And Rome now
+ prostrate laid! My brethren all lie weltering in their gore! No refuge
+ left but Hades' gloomy shade; No hope remains!&mdash;No world for Brutus
+ more!
+ </p>
+ <p>
+ CAESAR. Who's he that, with a hero's lofty bearing, Comes striding o'er
+ yon mountain's rocky bed? Unless my eyes deceive, that noble daring
+ Bespeaks the Roman warrior's fearless tread. Whence, son of Tiber, do thy
+ footsteps bend! Say, stands the seven-billed city firmly yet? No Caesar
+ there, to be the soldiers friend! Full oft has he that orphaned city wept.
+ </p>
+ <p>
+ BRUTUS. Ha! thou of three-and-twenty wounds! Avaunt! Thou unblest shade,
+ what calls thee back to light? Down with thee, down, to Pluto's deepest
+ haunt, And shroud thy form in black, eternal night, Proud mourner! triumph
+ not to learn our fall! Phillippi's altars reek with freedom's blood? The
+ bier of Brutus is Rome's funeral pall; He Minos seeks. Hence to thy
+ Stygian flood!
+ </p>
+ <p>
+ CAESAR. That death-stroke, Brutus, which thy weapon hurled! Thou, too,
+ Brutus?&mdash;that thou shouldst be my foe! Oh, son! It was thy father!
+ Son! The world Was thine by heritage! Now proudly go, Well mayst thou
+ claim to be the chief in glory, 'Twas thy fell sword that pierced thy
+ father's heart! Now go&mdash;and at yon gates relate thy story&mdash; Say
+ Brutus claims to be the chief in glory, 'Twas his fell sword that pierced
+ his father's heart! Go&mdash;Now thou'rt told what staid me on this shore,
+ Grim ferryman, push off, and swiftly ply thine oar.
+ </p>
+ <p>
+ BRUTUS. Stay, father, stay! Within the whole bright round Of Sol's diurnal
+ course I knew but one Who to compare with Caesar could be found; And that
+ one, Caesar, thou didst call thy son! 'Twas only Caesar could destroy a
+ Rome; Brutus alone that Caesar could withstand&mdash; Where Brutus lives,
+ must Caesar die! Thy home Be far from mine. I'll seek another land.
+ </p>
+<pre xml:space="preserve">
+ [He lays down his guitar, and walks to and
+ fro in deep meditation.]
+</pre>
+ <p>
+ Who will give me certainty! All is so dark&mdash;a confused labyrinth&mdash;no
+ outlet&mdash;no guiding star. Were but all to end with this last gasp of
+ breath. To end, like an empty puppet-show. But why then this burning
+ thirst after happiness? Wherefore this ideal of unattained perfection?
+ This looking to an hereafter for the fulfilment of our hopes? If the
+ paltry pressure of this paltry thing (putting a pistol to his head) makes
+ the wise man and the fool&mdash;the coward and the brave&mdash;the noble
+ and the villain equal?&mdash;the harmony which pervades the inanimate
+ world is so divinely perfect&mdash;why, then, should there be such discord
+ in the intellectual? No! no! there must be something beyond, for I have
+ not yet attained to happiness.
+ </p>
+ <p>
+ Think ye that I will tremble, spirits of my slaughtered victims? No, I
+ will not tremble. (Trembling violently.) The shrieks of your dying agonies&mdash;your
+ black, convulsive features&mdash;your ghastly bleeding wounds&mdash; what
+ are they all but links of one indissoluble chain of destiny, which hung
+ upon the temperament of my father, the life's blood of my mother, the
+ humors of my nurses and tutors, and even upon the holiday pastimes of my
+ childhood! (Shaking with horror.) Why has my Perillus made of me a brazen
+ bull, whose burning entrails yearn after human flesh? (He lifts the pistol
+ again to his head.)
+ </p>
+ <p>
+ Time and Eternity!&mdash;linked together by a single instant! Fearful key,
+ which locks behind me the prisonhouse of life, and opens before me the
+ habitations of eternal night&mdash;tell me&mdash;oh, tell me&mdash;whither&mdash;whither
+ wilt thou lead me? Strange, unexplored land! Humanity is unnerved at the
+ fearful thought, the elasticity of our finite nature is paralyzed, and
+ fancy, that wanton ape of the senses, juggles our credulity with appalling
+ phantoms. No! no! a man must be firm. Be what thou wilt, thou undefined
+ futurity, so I remain but true to myself. Be what thou wilt, so I but take
+ this inward self hence with me. External forms are but the trappings of
+ the man. My heaven and my hell is within.
+ </p>
+ <p>
+ What if Thou shouldst doom me to be sole inhabitant of some burnt-out
+ world which thou hast banished from thy sight, where darkness and
+ never-ending desolation were all my prospect; then would my creative brain
+ people the silent waste with its own images, and I should have eternity
+ for leisure to unravel the complicated picture of universal wretchedness.
+ Or wilt thou make me pass through ever-repeated births and ever-changing
+ scenes of misery, stage by stage*&mdash;to annihilation?
+ </p>
+<pre xml:space="preserve">
+ [This and other passages will remind the reader of Cato's soliloquy
+ "It must be so, Plato; thou reasonest well." But the whole bears a
+ strong resemblance to Hamlet's "To be or not to be;" and some
+ passages in Measure for Measure, Act iii, Sc. 1.]
+</pre>
+ <p>
+ Can I not burst asunder the life-threads woven for me in another world as
+ easily as I do these? Thou mayest reduce me into nothing; but Thou canst
+ not take from me this power. (He loads the pistol, and then suddenly
+ pauses.) And shall I then rush into death from a coward fear of the ills
+ of life? Shall I yield to misery the palm of victory over myself? No! I
+ will endure it! (He flings the pistol away.) Misery shall blunt its edge
+ against my pride! Be my destiny fulfilled! (It grows darker and darker.)
+ </p>
+ <p>
+ HERMANN (coming through the forest). Hark! hark! the owl screeches
+ horribly&mdash;the village clock strikes twelve. Well, well&mdash;villainy
+ is asleep&mdash;no listeners in these wilds. (He goes to the castle and
+ knocks.) Come forth, thou man of sorrow! tenant of the miserable dungeon!
+ thy meal awaits thee.
+ </p>
+ <p>
+ CHARLES (stepping gently back, unperceived). What means this?
+ </p>
+ <p>
+ VOICE (from within the castle). Who knocks? Is it you, Hermann, my raven?
+ </p>
+ <p>
+ HERMANN. Yes, 'tis Hermann, your raven. Come to the grating and eat. (Owls
+ are screeching.) Your night companions make a horrid noise, old man! Do
+ you relish your repast?
+ </p>
+ <p>
+ VOICE. Yes&mdash;I was very hungry. Thanks to thee, thou merciful sender
+ of ravens, for this thy bread in the wilderness! And how is my dear child,
+ Hermann?
+ </p>
+ <p>
+ HERMANN. Hush!&mdash;hark!&mdash;A noise like snoring! Don't you hear
+ something?
+ </p>
+ <p>
+ VOICE. What? Do you hear anything?
+ </p>
+ <p>
+ HERMANN. 'Tis the whistling of the wind through the crannies of the tower&mdash;a
+ serenading which makes one's teeth chatter, and one's nails turn blue.
+ Hark! tis there again. I still fancy I hear snoring. You have company, old
+ man. Ugh! ugh! ugh!
+ </p>
+ <p>
+ VOICE. Do you see anything?
+ </p>
+ <p>
+ HERMANN. Farewell! farewell! this is a fearful place. Go down into your
+ bole,&mdash;thy deliverer, thy avenger is above. Oh! accursed son! (Is
+ about to fly.)
+ </p>
+ <p>
+ CHARLES (stepping forth with horror). Stand!
+ </p>
+ <p>
+ HERMANN (screaming). Oh, me!*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition Hermann, instead of this, says,&mdash;
+ 'Tis one of his spies for certain, I have lost all fear (draws his
+ sword). Villain, defend yourself! You have a man before you.]
+
+ MOOR. I'll have an answer (strikes the sword out of his hand).
+ What boots this childish sword-play? Didst thou not speak of
+ vengeance? Vengeance belongs especially to me&mdash;of all men on
+ earth. Who dares interfere with my vocation?
+
+ HERMANN (starts back in affright). By heaven! That man was not
+ born of woman. His touch withers like the stroke of death.
+
+ VOICE. Alas, Hermann! to whom are you speaking?
+
+ MOOR. What! still those sounds? What is going on there? (Runs
+ towards the tower.) Some horrible mystery, no doubt, lies concealed
+ in that tower. This sword shall bring it to light.
+
+ HERMANN (comes forward trembling). Terrible stranger! art thou
+ the demon of this fearful desert&mdash;or perhaps 'one of the ministers
+ of that unfathonable retribution who make their circuit in this
+ lower world, and take account of all the deeds of darkness? Oh!
+ if thou art, be welcome to this tower of horrors!
+
+ MOOR. Well guessed, wanderer of the night! You have divined my
+ function. Exterminating Angel is my name; but I am flesh and blood
+ like thee. Is this some miserable wretch, cast out of men, and
+ buried in this dungeon? I will loosen his chains. Once more,
+ speak! thou voice of terror Where is the door?
+
+ HERMANN. As soon could Satan force the gates of heaven as thou
+ that door. Retire, thou man of might! The genius of the wicked is
+ beyond the ordinary powers of man.
+
+ MOOR. But not the craft of robbers. (He takes some pass-keys from
+ his pocket.) For once I thank heaven I've learned that craft!
+ These keys would mock hell's foresight. (He takes a key, and opens
+ the gate of the tower. An old man comes from below emaciated like
+ a skeleton. MOOR springs back with of right.) Horrible spectre!
+ my father!
+</pre>
+ <p>
+ CHARLES. Stand! I say.
+ </p>
+ <p>
+ HERMANN. Woe! woe! woe! now all is discovered!
+ </p>
+ <p>
+ CHARLES. Speak! Who art thou? What brought thee here? Speak!
+ </p>
+ <p>
+ HERMANN. Mercy, mercy! gracious sir! Hear but one word before you kill me.
+ </p>
+ <p>
+ CHARLES (drawing his sword). What am I to hear?
+ </p>
+ <p>
+ HERMANN. 'Tis true, he forbade me at the peril of my life&mdash;but I
+ could not help it&mdash;I dare not do otherwise&mdash;a God in heaven&mdash;your
+ own venerable father there&mdash;pity for him overcame me. Kill me, if you
+ will!
+ </p>
+ <p>
+ CHARLES. There's some mystery here&mdash;Out with it! Speak! I must know
+ all.
+ </p>
+ <p>
+ VOICE (from the castle). Woe! woe! Is it you, Hermann, that are speaking?
+ To whom are you speaking, Hermann?
+ </p>
+ <p>
+ CHARLES. Some one else down there? What is the meaning of all this? (Runs
+ towards the castle.) It is some prisoner whom mankind have cast off! I
+ will loosen his chains. Voice! Speak! Where is the door?
+ </p>
+ <p>
+ HERMANN. Oh, have mercy, sir&mdash;seek no further, I entreat&mdash;for
+ mercy's sake desist! (He stops his way.)
+ </p>
+ <p>
+ CHARLES. Locks, bolts, and bars, away! It must come out. Now, for the
+ first time, come to my aid, thief-craft! (He opens the grated iron door
+ with, housebreaking tools. An OLD MAN, reduced to a skeleton, comes up
+ from below.)
+ </p>
+ <p>
+ THE OLD MAN. Mercy on a poor wretch! Mercy!
+ </p>
+ <p>
+ CHARLES (starts back in terror). That is my father's voice!
+ </p>
+ <p>
+ OLD MOOR. I thank thee, merciful Heaven! The hour of deliverance has
+ arrived.
+ </p>
+ <p>
+ CHARLES. Shade of the aged Moor! what has disturbed thee in thy grave? Has
+ thy soul left this earth charged with some foul crime that bars the gates
+ of Paradise against thee? Say?&mdash;I will have masses read, to send thy
+ wandering spirit to its home. Hast thou buried in the earth the gold of
+ widows and orphans, that thou art driven to wander howling through the
+ midnight hour? I will snatch the hidden treasure from the clutches of the
+ infernal dragon, though he should vomit a thousand redhot flames upon me,
+ and gnash his sharp teeth against my sword. Or comest thou, at my request,
+ to reveal to me the mysteries of eternity? Speak, thou! speak! I am not
+ the man to blanch with fear!
+ </p>
+ <p>
+ OLD MOOR. I am not a spirit. Touch me&mdash;I live but oh! a life indeed
+ of misery!
+ </p>
+ <p>
+ CHARLES. What! hast thou not been buried?
+ </p>
+ <p>
+ OLD MOOR. I was buried&mdash;that is to say, a dead dog lies in the vault
+ of my ancestors, and I have been pining for three long moons in this dark
+ and loathsome dungeon, where no sunbeam shines, no warm breeze penetrates,
+ where no friend is seen, where the hoarse raven croaks and owls screech
+ their midnight concert.
+ </p>
+ <p>
+ CHARLES. Heaven and earth! Who has done this?
+ </p>
+ <p>
+ OLD MOOR. Curse him not! 'Tis my son, Francis, who did this.
+ </p>
+ <p>
+ CHARLES. Francis? Francis? Oh, eternal chaos!
+ </p>
+ <p>
+ OLD MOOR. If thou art a man, and hast a human heart&mdash;oh! my unknown
+ deliverer&mdash;then listen to a father's miseries which his own sons have
+ heaped upon him. For three long moons I have moaned my pitiful tale to
+ these flinty walls&mdash;but all my answer was an empty echo, that seemed
+ to mock my wailings. Therefore, if thou art a man, and hast a human heart&mdash;
+ </p>
+ <p>
+ CHARLES. That appeal might move even wild beasts to pity.
+ </p>
+ <p>
+ OLD MOOR. I lay upon a sick bed, and had scarcely begun to recover a
+ little strength, after a dangerous illness, when a man was brought to me,
+ who pretended that my first-born had fallen in battle. He brought a sword
+ stained with his blood, and his last farewell&mdash;and said that my curse
+ had driven him into battle, and death, and despair.
+ </p>
+ <p>
+ CHARLES (turning away in violent agitation). The light breaks in upon me!
+ </p>
+ <p>
+ OLD MOOR. Hear me on! I fainted at the dreadful news. They must have
+ thought me dead; for, when I recovered my senses, I was already in my
+ coffin, shrouded like a corpse. I scratched against the lid. It was opened&mdash;'twas
+ in the dead of night&mdash;my son Francis stood before me&mdash; "What!"
+ said he, with a tremendous voice, "wilt thou then live forever?" &mdash;and
+ with this he slammed-to the lid of the coffin. The thunder of these words
+ bereft me of my senses; when I awoke again, I felt that the coffin was in
+ motion, and being borne on wheels. At last it was opened &mdash;I found
+ myself at the entrance of this dungeon&mdash;my son stood before me, and
+ the man, too, who had brought me the bloody sword from Charles. I fell at
+ my son's feet, and ten times I embraced his knees, and wept, and conjured,
+ and supplicated, but the supplications of a father reached not his flinty
+ heart. "Down with the old carcass!" said he, with a voice of thunder, "he
+ has lived too long;"&mdash;and I was thrust down without mercy, and my son
+ Francis closed the door upon Me.
+ </p>
+ <p>
+ CHARLES. Impossible!&mdash;impossible! Your memory or senses deceive you.
+ </p>
+ <p>
+ OLD MOOR. Oh, that it were so! But hear me on, and restrain your rage!
+ There I lay for twenty hours, and not a soul cared for my misery. No human
+ footstep treads this solitary wild, for 'tis commonly believed that the
+ ghosts of my ancestors drag clanking chains through these ruins, and chant
+ their funeral dirge at the hour of midnight. At last I heard the door
+ creak again on its hinges; this man opened it, and brought me bread and
+ water. He told me that I had been condemned to die of hunger, and that his
+ life was in danger should it be discovered that he fed me. Thus has my
+ miserable existence been till now sustained&mdash;but the unceasing cold&mdash;the
+ foul air of my filthy dungeon&mdash;my incurable grief&mdash;have
+ exhausted my strength, and reduced my body to a skeleton. A thousand times
+ have I implored heaven, with tears, to put an end to my sufferings&mdash;but
+ doubtless the measure of my punishment is not fulfilled,&mdash;or some
+ happiness must be yet in store for me, for which he deigns thus
+ miraculously to preserve me. But I suffer justly&mdash;my Charles! my
+ Charles!&mdash;and before there was even a gray hair on his Head!
+ </p>
+ <p>
+ CHARLES. Enough! Rise! ye stocks, ye lumps of ice! ye lazy unfeeling
+ sleepers! Up! will none of you awake? (He fires a pistol over their
+ heads.)
+ </p>
+ <p>
+ THE ROBBERS (starting up). Ho! hallo! hallo! what is the matter?
+ </p>
+ <p>
+ CHARLES. Has not that tale shaken you out of your sleep? 'Tis enough to
+ break the sleep eternal! See here, see here! The laws of the world have
+ become mere dice-play; the bonds of nature are burst asunder; the Demon of
+ Discord has broken loose, and stalks abroad triumphant! the Son has slain
+ his Father!
+ </p>
+ <p>
+ THE ROBBERS. What does the captain say?
+ </p>
+ <p>
+ CHARLES. Slain! did I say? No, that is too mild a term! A son has a
+ thousand-fold broken his own father on the wheel,&mdash;impaled, racked,
+ flayed him alive!&mdash;but all these words are too feeble to express what
+ would make sin itself blush and cannibals shudder. For ages, no devil ever
+ conceived a deed so horrible. His own father!&mdash;but see, see him! he
+ has fainted away! His own father&mdash;the son&mdash;into this dungeon&mdash;cold&mdash;
+ naked&mdash;hungry&mdash;athirst&mdash;Oh! see, I pray you, see!&mdash;'tis
+ my own father, in very truth it is.
+ </p>
+ <p>
+ THE ROBBERS (come running and surround the old man). Your father? Yours?
+ </p>
+ <p>
+ SCHWEITZER (approaches him reverently, and falls on his knees before him).
+ Father of my captain! let me kiss thy feet! My dagger is at thy command.
+ </p>
+ <p>
+ CHARLES. Revenge, revenge, revenge! thou horribly injured, profaned old
+ man! Thus, from this moment, and forever, I rend in twain all ties of
+ fraternity. (He rends his garment from top to bottom.) Here, in the face
+ of heaven, I curse him&mdash;curse every drop of blood which flows in his
+ veins! Hear me, O moon and stars! and thou black canopy of night, that
+ lookest down upon this horror! Hear me, thrice terrible avenger. Thou who
+ reignest above yon pallid orb, who sittest an avenger and a judge above
+ the stars, and dartest thy fiery bolts through darkness on the head of
+ guilt! Behold me on my knees behold me raise this hand aloft in the gloom
+ of night&mdash;and hear my oath&mdash;and may nature vomit me forth as
+ some horrible abortion from out the circle of her works if I break that
+ oath! Here I swear that I will never more greet the light of day, till the
+ blood of that foul parricide, spilt upon this stone, reeks in misty vapor
+ towards heaven. (He rises.)
+ </p>
+ <p>
+ ROBBERS. 'Tis a deed of hell! After this, who shall call us villains? No!
+ by all the dragons of darkness we never have done anything half so
+ horrible.
+ </p>
+ <p>
+ CHARLES. True! and by all the fearful groans of those whom your daggers
+ have despatched&mdash;of those who on that terrible day were consumed by
+ fire, or crushed by the falling tower&mdash;no thought of murder or rapine
+ shall be harbored in your breast, till every man among you has dyed his
+ garments scarlet in this monster's blood. It never, I should think,
+ entered your dreams, that it would fall to your lot to execute the great
+ decrees of heaven? The tangled web of our destiny is unravelled! To-day,
+ to-day, an invisible power has ennobled our craft! Worship Him who has
+ called you to this high destiny, who has conducted you hither, and deemed
+ ye worthy to be the terrible angels of his inscrutable judgments! Uncover
+ your heads! Bow down and kiss the dust, and rise up sanctified. (They
+ kneel.)
+ </p>
+ <p>
+ SCHWEITZER. Now, captain, issue your commands! What shall we do?
+ </p>
+ <p>
+ CHARLES. Rise, Schweitzer! and touch these sacred locks! (Leading him to
+ his father, and putting a lock of hair in his hand.) Do you remember
+ still, how you, cleft the skull of that Bohemian trooper, at the moment
+ his sabre was descending on my head, and I had sunk down on my knees,
+ breathless and exhausted? 'Twas then I promised thee a reward that should
+ be right royal. But to this hour I have never been able to discharge that
+ debt.
+ </p>
+ <p>
+ SCHWEITZER. You swore that much to me, 'tis true; but let me call you my
+ debtor forever!
+ </p>
+ <p>
+ CHARLES. No; now will I repay thee, Schweitzer! No mortal has yet been
+ honored as thou shalt be. I appoint thee avenger of my father's wrongs!
+ (SCHWEITZER rises.)
+ </p>
+ <p>
+ SCHWEITZER. Mighty captain! this day you have, for the first time, made me
+ truly proud! Say, when, where, how shall I smite him?
+ </p>
+ <p>
+ CHARLES. The minutes are sacred. You must hasten to the work. Choose the
+ best of the band, and lead them straight to the count's castle! Drag him
+ from his bed, though he sleep, or he folded in the arms of pleasure! Drag
+ him from the table, though he be drunk! Tear him from the crucifix, though
+ he lie on his knees before it! But mark my words&mdash; I charge thee,
+ deliver him into my hands alive! I will hew that man to pieces, and feed
+ the hungry vultures with his flesh, who dares but graze his skin, or
+ injure a single hair of his head! I must have him whole. Bring him to me
+ whole and alive, and a million shall be thy reward. I'll plunder kings at
+ the risk of my life, but thou shalt have it, and go free as air. Thou hast
+ my purpose&mdash;see it done!
+ </p>
+ <p>
+ SCHWEITZER. Enough, captain! here is my hand upon it. You shall see both
+ of us, or neither. Come, Schweitzer's destroying angels, follow me! (Exit
+ with a troop.)
+ </p>
+ <p>
+ CHARLES. The rest of you disperse in the forest&mdash;I remain here.
+ </p>
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ACT V.
+ </h2>
+ <h3>
+ SCENE I. A vista of rooms. Dark night.
+ </h3>
+<pre xml:space="preserve">
+ Enter DANIEL, with a lantern and a bundle.
+</pre>
+ <p>
+ DANIEL. Farewell, dear home! How many happy days have I enjoyed within
+ these walls, while my old master lived. Tears to thy memory, thou whom the
+ grave has long since devoured! He deserves this tribute from an old
+ servant. His roof was the asylum of orphans, the refuge of the destitute,
+ but this son has made it a den of murderers. Farewell, thou dear floor!
+ How often has old Daniel scrubbed thee! Farewell, dear stove, old Daniel
+ takes a heavy leave of thee. All things had grown so familiar to thee,&mdash;thou
+ wilt feel it sorely, old Eleazar. But heaven preserve me through grace
+ from the wiles and assault of the tempter. Empty I came hither&mdash;empty
+ I will depart,&mdash;but my soul is saved! (He is in the act of going out,
+ when he is met by FRANCIS, rushing in, in his dressing-gown.) Heaven help
+ me! Master! (He puts out his lantern.)
+ </p>
+ <p>
+ FRANCIS. Betrayed! betrayed! The spirit of the dead are vomited from their
+ graves. The realm of death, shaken out of its eternal slumber, roars at
+ me, "Murderer, murderer!" Who moves there?
+ </p>
+ <p>
+ DANIEL (frightened). Help, holy Virgin! help! Is it you, my gracious
+ master, whose shrieks echo so terribly through the castle that every one
+ is aroused out of his sleep?
+ </p>
+ <p>
+ FRANCIS. Sleep? And who gave thee leave to sleep? Go, get lights! (Exit
+ DANIEL. Enter another servant.) No one shall sleep at this hour. Do you
+ hear? All shall be awake&mdash;in arms&mdash;let the guns be loaded! Did
+ you not see them rushing through yon vaulted passages?
+ </p>
+ <p>
+ SERVANT. See whom, my lord?
+ </p>
+ <p>
+ FRANCIS. Whom? you dolt, slave! And do you, with a cold and vacant stare,
+ ask me whom? Have they not beset me almost to madness? Whom? blockhead!
+ whom? Ghosts and demons! How far is the night advanced?
+ </p>
+ <p>
+ SERVANT. The watch has just called two.
+ </p>
+ <p>
+ FRANCIS. What? will this eternal night last till doomsday? Did you hear no
+ tumult near? no shout of victory? no trampling of horses? Where is Char&mdash;the
+ Count, I would say?
+ </p>
+ <p>
+ SERVANT. I know not, my lord.
+ </p>
+ <p>
+ FRANCIS. You know not? And are you too one of his gang? I'll tread your
+ villain's heart out through your ribs for that infernal "I know not!"
+ Begone, fetch the minister!
+ </p>
+ <p>
+ SERVANT. My lord!
+ </p>
+ <p>
+ FRANCIS. What! Do you grumble? Do you demur? (Exit servant hastily.) Do my
+ very slaves conspire against me? Heaven, earth, and hell&mdash;all
+ conspire against me!
+ </p>
+ <p>
+ DANIEL (returns with a lighted candle). My lord!
+ </p>
+ <p>
+ FRANCIS. Who said I trembled? No!&mdash;'twas but a dream. The dead still
+ rest in their graves! Tremble! or pale? No, no! I am calm&mdash;quite
+ tranquil.
+ </p>
+ <p>
+ DANIEL. You are as pale as death, my lord; your voice is weak and
+ faltering.
+ </p>
+ <p>
+ FRANCIS. I am somewhat feverish. When the minister comes be sure you say I
+ am in a fever. Say that I intend to be bled in the morning.
+ </p>
+ <p>
+ DANIEL. Shall I give you some drops of the balsam of life on sugar?
+ </p>
+ <p>
+ FRANCIS. Yes, balsam of life on sugar! The minister will not be here just
+ yet. My voice is weak and faltering. Give me of the balsam of life on
+ sugar!
+ </p>
+ <p>
+ DANIEL. Let me have the keys, I will go down to the closet and get it.
+ </p>
+ <p>
+ FRANCIS. No! no! no! Stay!&mdash;or I will go with you. You see I must not
+ be left alone! How easily I might, you see&mdash;faint&mdash;if I should
+ be left alone. Never mind, never mind! It will pass off&mdash;you must not
+ leave me.
+ </p>
+ <p>
+ DANIEL. Indeed, Sir, you are ill, very ill.
+ </p>
+ <p>
+ FRANCIS. Yes, just so, just so, nothing more. And illness, you know,
+ bewilders the brain, and breeds strange and maddening dreams. What signify
+ dreams? Dreams come from the stomach and cannot signify anything. Is it
+ not so, Daniel? I had a very comical dream just now. (He sinks down
+ fainting.)
+ </p>
+ <p>
+ DANIEL. Oh, merciful heaven! what is this? George!&mdash;Conrad!
+ Sebastian! Martin! Give but some sign of life! (Shaking him.) Oh, the
+ Blessed Virgin! Oh, Joseph! Keep but your reason! They will say I have
+ murdered him! Lord have mercy upon me!
+ </p>
+ <p>
+ FRANCIS (confused). Avaunt!&mdash;avaunt!&mdash;why dost thou glare upon
+ me thus, thou horrible spectre? The time for the resurrection of the dead
+ is not yet come.
+ </p>
+ <p>
+ DANIEL. Merciful heavens! he has lost his senses.
+ </p>
+ <p>
+ FRANCIS (recovering himself gradually). Where am I? You here, Daniel? What
+ have I said? Heed it not. I have told a lie, whatever I said. Come, help
+ me up! 'T was only a fit of delirium&mdash;because&mdash;because&mdash;I
+ have not finished my night's rest.
+ </p>
+ <p>
+ DANIEL. If John were but here! I'll call for help&mdash;I'll send for the
+ physician.
+ </p>
+ <p>
+ FRANCIS. Stay! Seat yourself by my side on this sofa! There. You are a
+ sensible man, a good man. Listen to my dream!
+ </p>
+ <p>
+ DANIEL. Not now; another time! Let me lead you to bed; you have great need
+ of rest.
+ </p>
+ <p>
+ FRANCIS. No, no; I prythee, listen, Daniel, and have a good laugh at me.
+ You must know I fancied that I held a princely banquet, my heart was
+ merry, and I lay stretched on the turf in the castle garden; and all on a
+ sudden&mdash;it was at midday&mdash;and all on a sudden&mdash;but mind you
+ have a good laugh at me!
+ </p>
+ <p>
+ DANIEL. All on a sudden.
+ </p>
+ <p>
+ FRANCIS. All on a sudden a tremendous peal of thunder struck upon my
+ slumbering ear; I started up staggering and trembling; and lo, it seemed
+ as if the whole hemisphere had burst forth in one flaming sheet of fire,
+ and mountains, and cities, and forests melted away like wax in the
+ furnace; and then rose a howling whirlwind, which swept before it the
+ earth, and the sea, and heaven; then came a sound, as from brazen
+ trumpets, "Earth, give up thy dead: sea, give up thy dead!" and the open
+ plains began to heave, and to cast up skulls, and ribs, and jawbones, and
+ legs, which drew together into human bodies, and then came sweeping along
+ in dense, interminable masses&mdash;a living deluge. Then I looked up, and
+ to! I stood at the foot of the thundering Sinai, and above me was a
+ multitude, and below me a multitude; and on the summit of the mountain, on
+ three smoking thrones, sat three men, before whose gaze all creation
+ trembled.
+ </p>
+ <p>
+ DANIEL. Why, this is a living picture of the day of judgment.
+ </p>
+ <p>
+ FRANCIS. Did I not tell you? Is it not ridiculous stuff? And one stepped
+ forth who, to look upon, was like a starlight night; he had in his hand a
+ signet ring of iron, which he held up between the east and the west, and
+ said, "Eternal, holy, just, immutable! There is but one truth; there is
+ but one virtue! Woe, woe, woe! to the doubting sinner!" Then stepped forth
+ a second, who had in his hand a flashing mirror, which he held up between
+ the east and west, and said, "This is the mirror of truth; hypocrisy and
+ deceit cannot look on it." Then was I terrified, and so were all, for we
+ saw the forms of snakes, and tigers, and leopards reflected from that
+ fearful mirror. Then stepped forth a third, who had in his hand a brazen
+ balance, which he held up between the east and the west, and said,
+ "Approach, ye sons of Adam! I weigh your thoughts in the balance of my
+ wrath! and your deeds with the weight of my fury!"
+ </p>
+ <p>
+ DANIEL. The Lord have mercy upon me!
+ </p>
+ <p>
+ FRANCIS. They all stood pale and trembling, and every heart was panting
+ with fearful expectation. Then it seemed to me as if I heard my name
+ called the first from out the thunders of the mountain, and the innermost
+ marrow froze within my bones, and my teeth chattered loudly. Presently the
+ clang of the balance was heard, the rocks sent forth thunders, and the
+ hours glided by, one after the other, towards the left scale, and each
+ threw into it a mortal sin!
+ </p>
+ <p>
+ DANIEL. Oh, may God forgive you!
+ </p>
+ <p>
+ FRANCIS. He forgave me not! The left scale grew mountains high, but the
+ other, filled with the blood of atonement, still outweighed it. At last
+ came an old man, heavily bowed down with grief, his arm gnawed through
+ with raging hunger. Every eye turned away in horror from the sight. I knew
+ the man&mdash;he cut off a lock of his silver hair, and cast it into the
+ scale of my sins, when to! in an instant, it sank down to the abyss, and
+ the scale of atonement flew up on high. Then heard I a voice, issuing like
+ thunder from the bowels *[Some editions of the original read Rauch
+ (smoke), some Bauch, as translated.] of the mountain, "Pardon, pardon to
+ every sinner of the earth and of the deep! Thou alone art rejected!" (A
+ profound pause.) Well, why don't you laugh?
+ </p>
+ <p>
+ DANIEL. Can I laugh while my flesh creeps? Dreams come from above.
+ </p>
+ <p>
+ FRANCIS. Pshaw! pshaw! Say not so! Call me a fool, an idiot, an absurd
+ fool! Do, there's a good Daniel, I entreat of you; have a hearty laugh at
+ me!
+ </p>
+ <p>
+ DANIEL. Dreams come from God. I will pray for you.
+ </p>
+ <p>
+ FRANCIS. Thou liest, I tell thee. Go, this instant, run! be quick! see
+ where the minister tarries all this time; tell him to come quickly,
+ instantly! But, I tell thee, thou liest!
+ </p>
+<pre xml:space="preserve">
+DANIEL. Heaven have mercy upon you!
+ [Exit.]
+</pre>
+ <p>
+ FRANCIS. Vulgar prejudice! mere superstition! It has not yet been proved
+ that the past is not past and forgotten, or that there is an eye above
+ this earth to take account of what passes on it. Humph! Humph! But whence,
+ then, this fearful whisper to my soul? Is there really an avenging judge
+ above the stars? No, no! Yes, yes! A fearful monitor within bears witness
+ that there is One above the stars who judgeth! What! meet the avenger
+ above the stars this very night? No, no! I say. All is empty, lonely,
+ desolate, beyond the stars. Miserable subterfuge, beneath which thy
+ cowardice seeks to hide itself. And if there should be something in it
+ after all? No! no! it cannot be. I insist that it cannot be! But yet, if
+ there should be! Woe to thee if thy sins should all have been registered
+ above!&mdash;if they should be counted over to thee this very night! Why
+ creeps this shudder through my frame? To die! Why does that word frighten
+ me thus? To give an account to the Avenger, there, above the stars! and if
+ he should be just&mdash;the wails of orphans and widows, of the oppressed,
+ the tormented, ascending to his ears, and he be just? Why have they been
+ afflicted? And why have I been permitted to trample upon them?
+ </p>
+<pre xml:space="preserve">
+ Enter PASTOR MOSER.
+</pre>
+ <p>
+ MOSER. Your lordship sent for me! I am surprised! The first time in my
+ life! Is it to scoff at religion, or does it begin to make you tremble?
+ </p>
+ <p>
+ FRANCIS. I may scoff or I may tremble, according as you shall answer me.
+ Listen to me, Moser, I will prove that you are a fool, or wish to make
+ fools of others, and you shall answer me. Do you hear? At the peril of
+ your life you shall answer me.
+ </p>
+ <p>
+ MOSER. 'Tis a higher Being whom you summon before your tribunal. He will
+ answer you hereafter.
+ </p>
+ <p>
+ FRANCIS. I will be answered now, this instant, that I may not commit the
+ contemptible folly of calling upon the idol of the vulgar under the
+ pressure of suffering. I have often, in bumpers of Burgundy, tauntingly
+ pledged you in the toast, "There is no God!" Now I address myself to you
+ in earnest, and I tell you there is none? You shall oppose me with all the
+ weapons in your power; but with the breath of my lips I will blow them
+ away.
+ </p>
+ <p>
+ MOSER. 'Twere well that you could also blow away the thunder which will
+ alight upon your proud soul with ten thousand times ten thousand tons'
+ weight! That omniscient God, whom you&mdash;fool and miscreant&mdash;are
+ denying in the midst of his creation, needeth not to justify himself by
+ the mouth of dust. He is as great in your tyrannies as in the sweetest
+ smile of triumphant virtue.
+ </p>
+ <p>
+ FRANCIS. Uncommonly well said, parson. Thus I like you.
+ </p>
+ <p>
+ MOSER. I stand here as steward of a greater Master, and am addressing one
+ who, like myself, is a sinner&mdash;one whom I care not to please. I must
+ indeed be able to work miracles, to extort the acknowledgment from your
+ obdurate wickedness&mdash;but if your conviction is so firm, why have you
+ sent for me in the middle of the night?
+ </p>
+ <p>
+ FRANCIS. Because time hangs heavy on my hands, and the chess-board has
+ ceased to have any attraction. I wish to amuse myself in a tilt with the
+ parson. Your empty terrors will not unman my courage. I am well aware that
+ those who have come off short in this world look forward to eternity; but
+ they will be sadly disappointed. I have always read that our whole body is
+ nothing more than a blood-spring, and that, with its last drop, mind and
+ thought dissolve into nothing. They share all the infirmities of the body;
+ why, then, should they not cease with its dissolution? Why not evaporate
+ in its decomposition? Let a drop of water stray into your brain, and life
+ makes a sudden pause, which borders on non-existence, and this pause
+ continued is death. Sensation is the vibration of a few chords, which,
+ when the instrument is broken, cease to sound. If I raze my seven castles&mdash;if
+ I dash this Venus to pieces&mdash;there is an end of their symmetry and
+ beauty. Behold! thus is it with your immortal soul!
+ </p>
+ <p>
+ MOSER. So says the philosophy of your despair. But your own heart, which
+ knocks against your ribs with terror even while you thus argue, gives your
+ tongue the lie. These cobwebs of systems are swept away by the single word&mdash;"Thou
+ must die!" I challenge you, and be this the test: If you maintain your
+ firmness in the hour of death; if your principles do not then miserably
+ desert you, you shall be admitted to have the best of the argument. But
+ if, in that dread hour, the least shudder creeps over you, then woe be to
+ you! you have deceived yourself.
+ </p>
+ <p>
+ FRANCIS (disturbed). If in the hour of death a shudder creeps over me?
+ </p>
+ <p>
+ MOSER. I have seen many such wretches before now, who set truth at
+ defiance up to that point; but at the approach of death the illusion
+ vanished. I will stand at your bedside when you are dying&mdash;I should
+ much like to see a tyrant die. I will stand by, and look you steadfastly
+ in the face when the physician takes your cold, clammy hand, and is
+ scarcely able to detect your expiring pulse; and when he looks up, and,
+ with a fearful shake of the head, says to you, "All human aid is in vain!"
+ Beware, at that moment, beware, lest you look like Richard and Nero!
+ </p>
+ <p>
+ FRANCIS. No! no!
+ </p>
+ <p>
+ MOSER. Even that very "No" will then be turned to a howling "Yea!" An
+ inward tribunal, which you can no longer cheat with sceptical delusions,
+ will then wake up and pass judgment upon you. But the waking up will be
+ like that of one buried alive in the bowels of the churchyard; there will
+ come remorse like that of the suicide who has committed the fatal act and
+ repents it;&mdash;'twill be a flash of lightning suddenly breaking in upon
+ the midnight darkness of your life! There will be one look, and, if you
+ can sustain that, I will admit that you have won!
+ </p>
+ <p>
+ FRANCIS (walking up and down restlessly). Cant! Priestly cant!
+ </p>
+ <p>
+ MOSER. Then, for the first time, will the sword of eternity pass through
+ your soul;&mdash;and then, for the first time, too late, the thought of
+ God will wake up a terrible monitor, whose name is Judge. Mark this, Moor;
+ a thousand lives hang upon your beck; and of those thousand every nine
+ hundred and ninety-nine have been rendered miserable by you. You wanted
+ but the Roman empire to be a Nero, the kingdom of Peru to be a Pizarro.
+ Now do you really think that the Almighty will suffer a worm like you to
+ play the tyrant in His world and to reverse all his ordinances? Do you
+ think the nine hundred and ninety-nine were created only to be destroyed,
+ only to serve as puppets in your diabolical game? Think it not! He will
+ call you to account for every minute of which you have robbed them, every
+ joy that you have poisoned, every perfection that you have intercepted.
+ Then, if you can answer Him&mdash;then, Moor, I will admit that you have
+ won.
+ </p>
+ <p>
+ FRANCIS. No more, not another word! Am I to be at the mercy of thy
+ drivelling fancies?
+ </p>
+ <p>
+ MOSER. Beware! The different destinies of mankind are balanced with
+ terrible nicety. The scale of life which sinks here will rise there, and
+ that which rises here will sink there. What was here temporary affliction
+ will there be eternal triumph; and what here was temporary triumph will
+ there be eternal despair.
+ </p>
+ <p>
+ FRANCIS (rushing savagely upon him.) May the thunder of heaven strike thee
+ dumb, thou lying spirit! I will tear thy venomed tongue out of thy mouth!
+ </p>
+ <p>
+ MOSER. Do you so soon feel the weight of truth? Before I have brought
+ forward one single word of evidence? Let me first proceed to the proofs&mdash;
+ </p>
+ <p>
+ FRANCIS. Silence! To hell with thee and thy proofs! The soul is
+ annihilated, I tell thee, and I will not be gainsaid!
+ </p>
+ <p>
+ MOSER. That is what the spirits of the bottomless pit are hourly moaning
+ for; but heaven denies the boon. Do you hope to escape from the Avenger's
+ arm even in the solitary waste of nothingness? If you climb up into
+ heaven, he is there! if you make your bed in hell, behold he is there
+ also! If you say to the night, "Hide me!" and to the darkness, "Cover me!"
+ even the night shall be light about you, and darkness blaze upon your
+ damned soul like a noonday sun.
+ </p>
+ <p>
+ FRANCIS. But I do not wish to be immortal&mdash;let them be so that like;
+ I have no desire to hinder them. I will force him to annihilate me; I will
+ so provoke his fury that he may utterly destroy me. Tell me which are the
+ greatest sins&mdash;which excite him to the most terrible wrath?
+ </p>
+ <p>
+ MOSER. I know but two. But men do not commit these, nor do men even dream
+ of them.
+ </p>
+ <p>
+ FRANCIS. What are they?
+ </p>
+ <p>
+ MOSER (very significantly). Parricide is the name of the one; fratricide
+ of the other. Why do you turn so suddenly pale?
+ </p>
+ <p>
+ FRANCIS. What, old man? Art thou in league with heaven or with hell? Who
+ told thee that?
+ </p>
+ <p>
+ MOSER. Woe to him that hath them both upon his soul! It were better for
+ that man that he had never been born! But be at peace; you have no longer
+ either a father or a brother!
+ </p>
+ <p>
+ FRANCIS. Ha! what! Do you know no greater sin? Think again! Death, heaven,
+ eternity, damnation, hang upon thy lips. Not one greater?
+ </p>
+ <p>
+ MOSER. No, not one
+ </p>
+ <p>
+ FRANCIS (falling back in a chair). Annihilation! annihilation!
+ </p>
+ <p>
+ MOSER. Rejoice, then, rejoice! Congratulate yourself! With all your
+ abominations you are yet a saint in comparison with a parricide. The curse
+ that falls upon you is a love ditty in comparison with the curse that lies
+ upon him. Retribution&mdash;
+ </p>
+ <p>
+ FRANCIS (starting up). Away with thee! May the graves open and swallow
+ thee ten thousand fathoms deep, thou bird of ill omen! Who bade thee come
+ here? Away, I tell thee, or I will run thee through and through!
+ </p>
+<pre xml:space="preserve">
+MOSER. Can mere "priestly cant" excite a philosopher to such a pitch of
+frenzy? Why not blow it away with a breath of your lips?
+ (Exit.)
+
+ [FRANCIS throws himself about in his chair in
+ terrible agitation. Profound stillness.]
+
+ Enter a SERVANT, hastily
+</pre>
+ <p>
+ SERVANT. The Lady Amelia has fled. The count has suddenly disappeared.
+ </p>
+<pre xml:space="preserve">
+ Enter DANIEL, in great alarm.
+</pre>
+ <p>
+ DANIEL. My lord, a troop of furious horsemen are galloping down the hill,
+ shouting "murder! murder!" The whole village is in alarm.
+ </p>
+ <p>
+ FRANCIS. Quick! let all the bells be tolled&mdash;summon everyone to the
+ chapel&mdash;let all fall on their knees&mdash;pray for me. All prisoners
+ shall be released and forgiven&mdash;I will make two and threefold
+ restitution to the poor&mdash;I will&mdash;why don't you run? Do call in
+ the father confessor, that he may give me absolution for my sins. What!
+ are you not gone yet? (The uproar becomes more audible.)
+ </p>
+ <p>
+ DANIEL. Heaven have mercy upon me, poor sinner! Can I believe you in
+ earnest, sir? You, who always made a jest of religion? How many a Bible
+ and prayer-book have you flung at my bead when by chance you caught me at
+ my devotions?
+ </p>
+ <p>
+ FRANCIS. No more of this. To die! think of it! to die! It will be too
+ late! (The voice of SCHWEITZER is heard, loud and furious.) Pray for me,
+ Daniel! Pray, I entreat you!
+ </p>
+ <p>
+ DANIEL. I always told you,&mdash;"you hold prayer in such contempt; but
+ take heed! take heed! when the fatal hour comes, when the waters are
+ flowing in upon your soul, you will be ready to give all the treasures of
+ the world for one little Christian prayer." Do you see it now? What abuse
+ you used to heap on me! Now you feel it! Is it not so!
+ </p>
+ <p>
+ FRANCIS (embracing him violently). Forgive me! my dear precious jewel of a
+ Daniel, forgive me! I will clothe you from head to foot&mdash;do but pray.
+ I will make quite a bridegroom of you&mdash;I will&mdash;only do pray&mdash;
+ I entreat you&mdash;on my knees, I conjure you. In the devil's name, pray!
+ why don't you pray? (Tumult in the streets, shouts and noises.)
+ </p>
+ <p>
+ SCHWEIT. (in the street). Storm the place! Kill all before you! Force the
+ gates! I see lights! He must be there!
+ </p>
+ <p>
+ FRANCIS (on his knees). Listen to my prayer, O God in heaven! It is the
+ first time&mdash;it shall never happen again. Hear me, God in heaven!
+ </p>
+ <p>
+ DANIEL. Mercy on me! What are you saying? What a wicked prayer!
+ </p>
+<pre xml:space="preserve">
+ Uproar of the PEOPLE, rushing in.
+</pre>
+ <p>
+ PEOPLE. Robbers! murderers! Who makes such a dreadful noise at this
+ midnight hour!
+ </p>
+ <p>
+ SCHWEIT (still in the street). Beat them back, comrades! 'Tis the devil,
+ come to fetch your master. Where is Schwarz with his troop? Surround the
+ castle, Grimm! Scale the walls!
+ </p>
+ <p>
+ GRIMM. Bring the firebrands. Either we must up or he must down. I will
+ throw fire into his halls.
+ </p>
+ <p>
+ FRANCIS (praying). Oh Lord! I have been no common murderer&mdash;I have
+ been guilty of no petty crimes, gracious Lord&mdash;
+ </p>
+ <p>
+ DANIEL. Heaven be merciful to us! His very prayers are turned to sins.
+ (Stones and firebrands are hurled up from below; the windows fall in with
+ a crash; the castle takes fire.)
+ </p>
+ <p>
+ FRANCIS. I cannot pray. Here! and here! (striking his breast and his
+ forehead) All is so void&mdash;so barren! (Rises from his knees.) No, I
+ will not pray. Heaven shall not have that triumph, nor hell that pastime.
+ </p>
+ <p>
+ DANIEL. O holy Virgin! Help! save! The whole castle is in flames!
+ </p>
+ <p>
+ FRANCIS. There, take this sword! Quick! Run it right through my body, that
+ these fiends may not be in time to make holiday sport of me. (The fire
+ increases.)
+ </p>
+ <p>
+ DANIEL. Heaven forbid? Heaven forbid! I would send no one before his time
+ to heaven, much less to&mdash;(He runs away).
+ </p>
+ <p>
+ FRANCIS (following him with a ghastly stare, after a pause). To hell, thou
+ wouldst say. Indeed! I scent something of the kind. (In delirium.) Are
+ these their triumphant yells? Do I hear you hissing, ye serpents of the
+ abyss? They force their way up&mdash;they besiege the door! Why do I
+ shrink from this biting steel? The door cracks&mdash;it yields&mdash;there
+ is no escape! Ha! then do thou have mercy upon me! (He tears away the
+ golden cord from his hat, and strangles himself.)*
+ </p>
+<pre xml:space="preserve">
+ *[In the acting edition, Francis attempts to throw himself into the
+ flames, but is prevented by the robbers, and taken alive. He is
+ then brought before his brother, in chains, for sentence.
+ SCHWEITZER says, "I have fulfilled my word, and brought him alive."
+ GRIMM. "We tore him out of the flames and the castle is in ashes."
+ After confronting Francis with his father, and a reproachful
+ interview between the brothers, Charles delegates the judgment on
+ Francis to Schweitzer and Kosinsky, but for himself forgives him in
+ these words: "Thou hast robbed me of heaven's bliss! Be that sin
+ blotted out! Thy doom is sealed&mdash;perdition is thy lot! But I
+ forgive thee, brother." Upon this CHARLES embraces and leaves him;
+ the ROBBERS however, thrust FRANCIS into the dungeon where he had
+ immured his father, laughing in a savage manner. Beyond this the
+ fate of Francis is left undetermined. Schweitzer, instead of
+ killing himself, is made partaker, with Kosinsky, of Moor's
+ estate.]
+
+ Enter SCHWEITZER and his band.
+</pre>
+ <p>
+ SCHWEITZER. Murderous wretch, where art thou? Did you see how they fled?
+ Has he so few friends? Where has the beast crawled to?
+ </p>
+ <p>
+ GRIMM (stumbles over the corpse). Stay! what is this lying in the way?
+ Lights here.
+ </p>
+ <p>
+ SCHWARZ. He has been beforehand with us. Put up your swords. There he lies
+ sprawling like a dead dog.
+ </p>
+ <p>
+ SCHWEITZER. Dead! What! dead? Dead without me? 'Tis a lie, I say. Mark how
+ quickly he will spring upon his feet! (Shakes him). Hollo! up with you?
+ There is a father to be murdered.
+ </p>
+ <p>
+ GRIMM. Spare your pains. He is as dead as a log.
+ </p>
+ <p>
+ SCHWEITZER (steps aside from him). Yes, his game is up! He is dead! dead!
+ Go back and tell my captain he is as dead as a log. He will not see me
+ again. (Blows his brains out.)
+ </p>
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE II.&mdash;The scene the same as the last scene of the preceding Act.
+ </h2>
+<pre xml:space="preserve">
+ OLD MOOR seated on a stone; CHARLES VON MOOR opposite;
+ ROBBERS scattered through the wood.
+</pre>
+ <p>
+ CHARLES. He does not come! (Strikes his dagger against a stone till the
+ sparks fly.)
+ </p>
+ <p>
+ OLD MOOR. Let pardon be his punishment&mdash;redoubled love my vengeance.
+ </p>
+ <p>
+ CHARLES. No! by my enraged soul that shall not be! I will not permit it.
+ He shall bear that enormous load of crime with him into eternity!&mdash;
+ what else should I kill him for?
+ </p>
+ <p>
+ OLD MOOR (bursting into tears). Oh my child!
+ </p>
+ <p>
+ CHARLES. What! you weep for him? In sight of this dungeon?
+ </p>
+ <p>
+ OLD MOOR. Mercy! oh mercy! (Wringing his hands violently.) Now&mdash;now
+ my son is brought to judgment!
+ </p>
+ <p>
+ CHARLES (starting). Which son?
+ </p>
+ <p>
+ OLD MOOR. Ha! what means that question?
+ </p>
+ <p>
+ CHARLES. Nothing! nothing!
+ </p>
+ <p>
+ OLD MOOR. Art thou come to make a mockery of my grief?
+ </p>
+ <p>
+ CHARLES. Treacherous conscience! Take no heed of my words!
+ </p>
+ <p>
+ OLD MOOR. Yes, I persecuted a son, and a son persecutes me in return. It
+ is the finger of God. Oh my Charles! my Charles! If thou dost hover around
+ me in the realms of peace, forgive me! oh forgive me!
+ </p>
+ <p>
+ CHARLES (hastily). He forgives you! (Checking himself.) If he is worthy to
+ be called your son, he must forgive you!
+ </p>
+ <p>
+ OLD MOOR. Ha! he was too noble a son for me. But I will go to him with my
+ tears, my sleepless nights, my racking dreams. I will embrace his knees,
+ and cry&mdash;cry aloud&mdash;"I have sinned against heaven and before
+ thee; I am no longer worthy to be called thy father!"
+ </p>
+ <p>
+ CHARLES (in deep emotion). Was he very dear to you&mdash;that other son?
+ </p>
+ <p>
+ OLD MOOR. Heaven is my witness, how much I loved him. Oh, why did I suffer
+ myself to be beguiled by the arts of a wicked son? I was an envied father
+ among the fathers of the world&mdash;my children full of promise, blooming
+ by my side! But&mdash;oh that fatal hour!&mdash;the demon of envy entered
+ into the heart of my younger son&mdash;I listened to the serpent&mdash;and&mdash;lost
+ both my children! (Hides his countenance.)
+ </p>
+ <p>
+ CHARLES (removes to a distance from him). Lost forever!
+ </p>
+ <p>
+ OLD MOOR. Oh, deeply do I feel the words of Amelia. The spirit of
+ vengeance spoke from her lips. "In vain wilt thou stretch forth thy dying
+ hands after a son, in vain fancy thou art grasping the warm hands of thy
+ Charles,&mdash;he will never more stand by thy bedside."
+ </p>
+<pre xml:space="preserve">
+ (CHARLES stretches out his hand to him with averted face.)
+</pre>
+ <p>
+ Oh, that this were the hand of my Charles! But he is laid far away in the
+ narrow house&mdash;he is sleeping the iron sleep&mdash;he hears not the
+ voice of my lamentation. Woe is me! to die in the arms of a stranger? No
+ son left&mdash;no son left to close my eyes!
+ </p>
+ <p>
+ CHARLES (in violent emotion). It must be so&mdash;the moment has arrived.
+ Leave me&mdash;(to the ROBBERS.) And yet&mdash;can I restore his son to
+ him? Alas! No! I cannot restore him that son! No! I will not think of it.
+ </p>
+ <p>
+ OLD MOOR. Friend! what is that you were muttering?
+ </p>
+ <p>
+ CHARLES. Your son&mdash;yes, old man&mdash;(faltering) your son&mdash;is&mdash;lost
+ forever!
+ </p>
+ <p>
+ OLD MOOR. Forever?
+ </p>
+ <p>
+ CHARLES (looking up to heaven in bitter anguish). Oh this once&mdash;keep
+ my soul from sinking&mdash;sustain me but this once!
+ </p>
+ <p>
+ OLD MOOR. Forever, did you say.
+ </p>
+ <p>
+ CHARLES. Ask no more! I said forever!
+ </p>
+ <p>
+ OLD MOOR. Stranger, stranger! why didst thou drag me forth from the
+ dungeon to remind me of my sorrows?
+ </p>
+ <p>
+ CHARLES. And what if I were now to snatch his blessing?&mdash;snatch it
+ like a thief, and steal away with the precious prize? A father's blessing,
+ they say, is never lost.
+ </p>
+ <p>
+ OLD MOOR. And is my Francis too lost?
+ </p>
+ <p>
+ CHARLES (falling on his knees before him). 'Twas I who burst the bars of
+ your dungeon. I crave thy blessing!
+ </p>
+ <p>
+ OLD MOOR (sorrowfully). Oh that thou shouldst destroy the son!&mdash;thou,
+ the father's deliverer! Behold! Heaven's mercy is untiring, and we pitiful
+ worms let the sun go down upon our wrath. (Lays his hand upon the head of
+ CHARLES.) Be thou happy, even as thou shalt be merciful!
+ </p>
+ <p>
+ CHARLES (rising much affected). Oh!&mdash;where is my manhood? My sinews
+ are unstrung&mdash;the sword drops from my hand.
+ </p>
+ <p>
+ OLD MOOR. How lovely a thing it is when brethren dwell together in unity;
+ as the dewdrops of heaven that fall upon the mountains of Zion. Learn to
+ deserve that happiness, young man, and the angels of heaven will sun
+ themselves in thy glory. Let thy wisdom be the wisdom of gray hairs, but
+ let thy heart be the heart of innocent childhood.
+ </p>
+ <p>
+ CHARLES. Oh, for a foretaste of that happiness! Kiss me, divine old man!
+ </p>
+ <p>
+ OLD MOOR (kissing him). Think it thy father's kiss; and I will think I am
+ kissing my son. Canst thou too weep?
+ </p>
+ <p>
+ CHARLES. I felt as if it were my father's kiss! Woe unto me, were they to
+ bring him now!
+ </p>
+<pre xml:space="preserve">
+ (The companions of SCHWEITZER enter in a silent and mournful
+ procession, hanging down their heads and hiding their faces.)
+</pre>
+ <p>
+ CHARLES. Good heaven! (Retreats horror-struck, and seeks to hide himself.
+ They pass by him his face is averted. Profound silence. They halt.)
+ </p>
+ <p>
+ GRIMM (in a subdued tone). My captain!
+ </p>
+<pre xml:space="preserve">
+ [CHARLES does not answer and steps farther back.]
+</pre>
+ <p>
+ SCHWARZ. Dear captain!
+ </p>
+<pre xml:space="preserve">
+ [CHARLES retreats still farther.]
+</pre>
+ <p>
+ GRIMM. 'Tis not our fault, captain!
+ </p>
+ <p>
+ CHARLES (without looking at them). Who are ye?
+ </p>
+ <p>
+ GRIMM. You do not look at us! Your faithful followers.
+ </p>
+ <p>
+ CHARLES. Woe to ye, if ye are faithful to me!
+ </p>
+ <p>
+ GRIMM. The last farewell from your servant Schweitzer!&mdash;
+ </p>
+ <p>
+ CHARLES (starting). Then ye have not found him?
+ </p>
+ <p>
+ SCHWARZ. Found him dead.
+ </p>
+ <p>
+ CHARLES (leaping up with joy). Thanks, O Sovereign Ruler of all things!
+ &mdash;Embrace me, my children!&mdash;Mercy be henceforward our watchword!&mdash;Now,
+ were that too surmounted,&mdash;all would be surmounted.
+ </p>
+<pre xml:space="preserve">
+ Enter ROBBERS with AMELIA.
+</pre>
+ <p>
+ ROBBERS. Hurrah! hurrah! A prize, a splendid prize!
+ </p>
+ <p>
+ AMELIA (with hair dishevelled). The dead, they cry, have arisen at his
+ voice&mdash;My uncle alive&mdash;in this wood&mdash;Where is he? Charles?
+ Uncle!&mdash;Ha? (She rushes into the arms, of OLD MOOR.)
+ </p>
+ <p>
+ OLD MOOR. Amelia! my daughter! Amelia! (Holds her tightly grasped in his
+ arms.)
+ </p>
+ <p>
+ CHARLES (starting back). Who brings this image before my eyes.
+ </p>
+ <p>
+ AMELIA (tearing herself away from the old man, rushes upon CHARLES, and
+ embraces him in an ecstasy of delight). I have him, O ye stars! I have
+ him!
+ </p>
+ <p>
+ CHARLES (tearing himself away, to the ROBBERS). Let us be gone, comrades!
+ The arch fiend has betrayed me!
+ </p>
+ <p>
+ AMELIA. My bridegroom, my bridegroom! thou art raving! Ha! 'Tis with
+ delight! Why, then, am I so cold, so unfeeling, in the midst of this
+ tumult of happiness?
+ </p>
+ <p>
+ OLD MOOR (rousing himself). Bridegroom? Daughter! my daughter! Thy
+ bridegroom?*
+ </p>
+<pre xml:space="preserve">
+ *[Instead of this the stage edition has, "Come my children! Thy
+ hand, Charles&mdash;and thine, Amelia. Oh! I never looked for such
+ happiness on this side the grave. Here let me unite you forever."]
+</pre>
+ <p>
+ AMELIA. His forever! He forever, ever, mine! Oh! ye heavenly powers!
+ support me in this ecstasy of bliss, lest I sink beneath its weight!
+ </p>
+ <p>
+ CHARLES. Tear her from my neck! Kill her! Kill him! Kill me&mdash;
+ yourselves&mdash;everybody! Let the whole world perish! (About to rush
+ of.)
+ </p>
+ <p>
+ AMELIA. Whither? what? Love! eternity! happiness! never-ending joys! and
+ thou wouldst fly?
+ </p>
+ <p>
+ CHARLES. Away, away! most unfortunate of brides! See with thine own eves;
+ ask, and hear it with thine own ears! Most miserable of fathers! Let me
+ escape hence forever!
+ </p>
+ <p>
+ AMELIA. Support me! for heaven's sake support me! It is growing dark
+ before my eyes! He flies!
+ </p>
+ <p>
+ CHARLES. Too late! In vain! Your curse, father! Ask me no more! I am&mdash;I
+ have&mdash;your curse&mdash;your supposed curse! Who enticed me hither?
+ (Rushing upon the ROBBERS with drawn sword.) Which of you enticed me
+ hither, ye demons of the abyss? Perish, then, Amelia! Die, father! Die,
+ for the third time, through me! These, thy deliverers, are Robbers and
+ Murderers! Thy Charles is their Captain! (OLD MOOR expires.)
+ </p>
+<pre xml:space="preserve">
+ [AMELIA stands silent and transfixed like a statue.
+ The whole band are mute. A fearful pause.]
+</pre>
+ <p>
+ CHARLES (rushing against an oak). The souls of those I have strangled in
+ the intoxication of love&mdash;of those whom I crushed to atoms in the
+ sacredness of sleep&mdash;of those whom&mdash;Ha! ha! ha! do you hear the
+ powder-magazine bursting over the heads of women in travail? Do you see
+ the flames creeping round the cradles of sucklings? That is our nuptial
+ torch; those shrieks our wedding music! Oh! he forgetteth none of these
+ things!&mdash;he knoweth how to connect the&mdash;links in the chain of
+ life. Therefore do love's delights elude my grasp; therefore is love given
+ me for a torment! This is retribution!
+ </p>
+ <p>
+ AMELIA. 'Tis all true! Thou Ruler in heaven! 'Tis all true! What have I
+ done, poor innocent lamb? I have loved this man!
+ </p>
+ <p>
+ CHARLES. This is more than a man can endure. Have I not heard death
+ hissing at me from more thousands of barrels, and never yet moved a hair's
+ breadth out of its way. And shall I now be taught to tremble like a woman?
+ tremble before a woman! No! a woman shall not conquer my manly courage!
+ Blood! blood! 'tis but a fit of womanish feeling. I must glut myself with
+ blood; and this will pass away. (He is about to fly.)
+ </p>
+ <p>
+ AMELIA (sinking into his arms). Murderer! devil! I cannot&mdash;angel&mdash;
+ leave thee!
+ </p>
+ <p>
+ CHARLES (thrusting her from him). Away! insidious serpent! Thou wouldst
+ make a mockery of my frenzy; but I will bid defiance to my tyrant destiny.
+ What! art thou weeping? O ye relentless, malicious stars! She pretends to
+ weep, as if any soul could weep for me! (AMELIA falls on his neck.) Ha!
+ what means this? She shuns me not&mdash;she spurns me not. Amelia! hast
+ thou then forgotten? Dost thou remember whom thou art embracing, Amelia?
+ </p>
+ <p>
+ AMELIA. My only one, mine, mine forever!
+ </p>
+ <p>
+ CHARLES (recovering himself in an ecstasy of joy). She forgives me, she
+ loves me! Then am I pure as the ether of heaven, for she loves me! With
+ tears I thank thee, all-merciful Father! (He falls on his knees, and
+ bursts into a violent fit of weeping.) The peace of my soul is restored;
+ my sufferings are at an end. Hell is no more! Behold! oh behold! the child
+ of light weeps on the neck of a repentant demon! (Rising and turning to
+ the ROBBERS). Why are ye not weeping also? Weep, weep, ye are all so
+ happy. O Amelia! Amelia! Amelia! (He hangs on her neck, they remain locked
+ in a silent embrace.)
+ </p>
+ <p>
+ A ROBBER (stepping forward enraged). Hold, traitor! This instant come from
+ her arms! or I will speak a word that shall make thy ears tingle, and thy
+ teeth chatter with horror! (He holds his sword between them.)
+ </p>
+ <p>
+ AN AGED ROBBER. Remember the Bohemian forests! Dost thou hear? dost thou
+ tremble? Remember the Bohemian forests, I tell thee! Faithless man! where
+ are thy oaths? Are wounds so soon forgotten? Who staked fortune, honor,
+ life itself for thee? Who stood by thee like walls, and like shields
+ caught the blows which were aimed at thy life? Didst not thou then lift up
+ thy hand and swear an iron oath never to forsake us, even as we forsook
+ not thee? Base, perfidious wretch! and wouldst thou now desert us at the
+ whining of a harlot?
+ </p>
+ <p>
+ A THIRD ROBBER. Shame on thy perjury! The spirit of the immolated Roller,
+ whom thou didst summon from the realms of death to attest thy oath, will
+ blush at thy cowardice, and rise from his grave full armed to chastise
+ thee.
+ </p>
+ <p>
+ THE ROBBERS (all in disorder, tearing open their garments). See here! and
+ here! Dost thou know these scars? Thou art ours! With our heart's blood we
+ have bought thee, and thou art ours bodily, even though the Archangel
+ Michael should seek to wrest thee out of the grasp of the fiery Moloch!
+ Now! March with us! Sacrifice for sacrifice, Amelia for the band!
+ </p>
+ <p>
+ CHARLES (releasing her hand). It is past! I would arise and return to my
+ father; but heaven has said, "It shall not be!" (Coldly.) Blind fool that
+ I was! why should I wish it? Is it possible for a great sinner to return?
+ A great sinner never can return. That ought I long since to have known. Be
+ still! I pray thee be still! 'Tis all as it should be. When He sought me I
+ would not; now that I seek him, He will not. What can be more just? Do not
+ roll about thine eyes so wildly. He&mdash;has no need of me. Has He not
+ creatures in abundance? One he can easily spare, and that one am I. Come
+ along, comrades!
+ </p>
+ <p>
+ AMELIA (pulling him back). Stay, I beseech you! One blow! one deadly blow!
+ Again forsaken! Draw thy sword, and have mercy upon me!
+ </p>
+ <p>
+ CHARLES. Mercy has taken refuge among bears. I will not kill thee!
+ </p>
+ <p>
+ AMELIA (embracing his knees). Oh, for heaven's sake! by all that is
+ merciful! I ask no longer for love. I know that our stars fly from each
+ other in opposition. Death is all I ask. Forsaken, forsaken! Take that
+ word in all its dreadful import! Forsaken! I cannot survive it! Thou
+ knowest well that no woman can survive that. All I ask is death. See, my
+ hand trembles! I have not courage to strike the blow. I shrink from the
+ gleaming blade! To thee it is so easy, so very easy; thou art a master in
+ murder&mdash;draw thy sword, and make me happy!
+ </p>
+ <p>
+ CHARLES. Wouldst thou alone be happy? Away with thee! I will kill no
+ woman!
+ </p>
+ <p>
+ AMELIA. Ha! destroyer! thou canst only kill the happy; they who are weary
+ of existence thou sparest! (She glides towards the robbers.) Then do ye
+ have mercy on me, disciples of murder! There lurks a bloodthirsty pity in
+ your looks that is consoling to the wretched. Your master is a boaster and
+ a coward.
+ </p>
+ <p>
+ CHARLES. Woman, what dost thou say? (The ROBBERS turn away.)
+ </p>
+ <p>
+ AMELIA. No friend? No; not even among these a friend? (She rises.) Well,
+ then, let Dido teach me how to die! (She is going; a ROBBER takes aim at
+ her.)
+ </p>
+ <p>
+ CHARLES. Hold! dare it! Moor's Amelia shall die by no other hand than
+ Moor's. (He strikes her dead.)
+ </p>
+ <p>
+ THE ROBBERS. Captain! captain! what hast thou done? Art thou raving?
+ </p>
+ <p>
+ CHARLES (with his eyes fixed on the body). One more pang and all will be
+ over. She is immolated! Now, look on! have you any farther demand? Ye
+ staked a life for me, a life which has ceased to be your own&mdash;a life
+ full of infamy and shame! I have sacrificed an angel for you. Now! look
+ upon her! Are you content?
+ </p>
+ <p>
+ GRIMM. You have repaid your debt with usury. You have done all that man
+ could do for his honor, and more. Now let's away.
+ </p>
+ <p>
+ CHARLES. What say you? Is not the life of a saint for the life of a felon
+ more than an equal exchange? Oh! I say unto you if every one of you were
+ to&mdash;mount the scaffold, and to have his flesh torn from his bones
+ piecemeal with red-hot pincers, through eleven long summer days of
+ torture, yet would it not counterbalance these tears! (With a bitter
+ laugh.) The scars! the Bohemian forests! Yes, yes! they must be repaid, of
+ course!
+ </p>
+ <p>
+ SCHWARZ. Compose yourself, captain! Come along with us! this is no sight
+ for you. Lead us elsewhere!
+ </p>
+ <p>
+ CHARLES. Stay! one word more before we proceed elsewhere. Mark me, ye
+ malicious executioners of my barbarous nod! from this moment I cease to be
+ your captain.*
+ </p>
+<pre xml:space="preserve">
+ *[The acting edition reads,&mdash;"Banditti! we are quits. This
+ bleeding corpse cancels my bond to you forever. From your own I
+ set you free." ROBBERS. "We are again your slaves till death!"
+ CHARLES. "No, no, no! We have done with each other. My genius
+ whispers me, 'Go no further, Moor. Here is the goal of humanity&mdash;
+ and thine!' Take back this bloody plume (throws it at their feet).
+ Let him who seeks to be your captain take it up."]
+</pre>
+ <p>
+ With shame and horror I here lay down the bloody staff, under which you
+ thought yourselves licensed to perpetrate your crimes and to defile the
+ fair light of heaven with deeds of darkness. Depart to the right and to
+ the left. We shall never more have aught in common.
+ </p>
+ <p>
+ THE ROBBERS. Ha! coward! where are thy lofty schemes? were they but
+ soap-bubbles, which disperse at the breath of a woman?*
+ </p>
+<pre xml:space="preserve">
+ *[In lieu of this soliloquy and what follows, to the end, the
+ acting edition has:&mdash;
+
+ R. MOOR. Dare not to scrutinize the acts of Moor. That is my last
+ command. Now, draw near&mdash;form a circle around me, and receive the
+ last words of your dying captain. (He surveys them attentively for
+ some time.) You have been devotedly faithful to me, faithful
+ beyond example. Had virtue bound you together as firmly as vice,
+ you would have been heroes, and your names recorded by mankind with
+ admiration. Go and offer your services to the state. Dedicate
+ your talents to the cause of a monarch who is waging war in
+ vindication of the rights of man. With this blessing I disband
+ you. Schweitzer and Kosinsky, do you stay. (The others disperse
+ slowly, with signs of emotion.)]
+</pre>
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE VIII.
+ </h2>
+<pre xml:space="preserve">
+ R. MOOR, SCRWETTZER, and KOSINSKY.
+
+ R. MOOR. Give me thy right hand, Kosinsky&mdash;Schweitzer thy left.
+ (He takes their hands, and stands between, them; to KOSINSKY,)
+ Young man, thou art still pure-amongst the guilty thou alone art
+ guiltless! (To SCHWEITZER.) Deeply have I imbrued thy hand in
+ blood. 'Tis I who have done this. With this cordial grasp I take
+ back mine own. Schweitzer! thou art purified! (He raises their
+ hands fervently to heaven.) Father in heaven! here I restore them
+ to thee. They will be more devoted to thy service than those who
+ never fell. Of that I feel assured. (SCHWEITZER and KOSINSKY fall
+ on his neck with fervor.) Not now&mdash;not now, dear comrades. Spare
+ my feelings in this trying hour. An earldom has this day fallen to
+ my lot&mdash;a rich domain on which no malediction rests. Share it
+ between you, my children; become good citizens; and if for ten
+ human beings that I have destroyed you make but one happy, my soul
+ may yet be saved. Go&mdash;no farewell! In another world we may meet
+ again&mdash;or perhaps no more. Away! away! ere my fortitude desert me.
+ [Exeunt both, with downcast countenances.]
+</pre>
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SCENE IX.
+ </h2>
+<pre xml:space="preserve">
+ And I, too, am a good citizen. Do I not fulfil the extremity of
+ the law? Do I not honor the law? Do I not uphold and defend it?
+ I remember speaking to a poor officer on my way hither, who was
+ toiling as a day-laborer, and has eleven living children. A
+ thousand ducats have been offered to whoever shall deliver up the
+ great robber alive. That man shall be served. [Exit.]
+</pre>
+ <p>
+ CHARLES. Oh! fool that I was, to fancy that I could amend the world by
+ misdeeds and maintain law by lawlessness! I called it vengeance and
+ equity. I presumed, O Providence! upon whetting out the notches of thy
+ sword and repairing thy partialities. But, oh, vain trifling! here I stand
+ on the brink of a fearful life, and learn, with wailing and gnashing of
+ teeth, that two men like myself could ruin the whole edifice of the moral
+ world. Pardon&mdash;pardon the boy who thought to forestall Thee; to Thee
+ alone belongeth vengeance; Thou needest not the hand of man! But it is not
+ in my power to recall the past; that which is ruined remains ruined; what
+ I have thrown down will never more rise up again. Yet one thing is left me
+ whereby I may atone to the offended majesty of the law and restore the
+ order which I have violated. A victim is required&mdash;a victim to
+ declare before all mankind how inviolable that majesty is&mdash;that
+ victim shall be myself. I will be the death-offering!
+ </p>
+ <p>
+ ROBBERS. Take his sword from him&mdash;he will kill himself.
+ </p>
+ <p>
+ CHARLES. Fools that ye are! doomed to eternal blindness! Think ye that one
+ mortal sin will expiate other mortal sins? Do you suppose that the harmony
+ of the world would be promoted by such an impious discord? (Throwing his
+ arms at their feet.) He shall have me alive. I go to deliver myself into
+ the hands of justice.
+ </p>
+ <p>
+ ROBBERS. Put him in chains! he has lost his senses!
+ </p>
+ <p>
+ CHARLES. Not that I have any doubt but that justice would find me speedily
+ enough if the powers above so ordained it. But she might surprise me in
+ sleep, or overtake me in flight, or seize me with violence and the sword,
+ and then I should have lost the only merit left me, that of making my
+ death a free-will atonement. Why should I, like a thief, any longer
+ conceal a life, which in the counsels of the heavenly ministry has long
+ been forfeited?
+ </p>
+ <p>
+ ROBBERS. Let him go. He is infected with the great-man-mania; he means to
+ offer up his life for empty admiration.
+ </p>
+ <p>
+ CHARLES. I might, 'tis true, be admired for it. (After a moment's
+ reflection.) I remember, on my way hither, talking to a poor creature, a
+ day-laborer, with eleven living children. A reward has been offered of a
+ thousand louis-d'ors to any one who shall deliver up the great robber
+ alive. That man shall be served.<br /> [Exit.]
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Robbers, by Friedrich Schiller
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ROBBERS ***
+
+***** This file should be named 6782-h.htm or 6782-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.net/6/7/8/6782/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.net/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.net
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/old/fs22w10.txt b/old/fs22w10.txt
new file mode 100644
index 0000000..13c55a9
--- /dev/null
+++ b/old/fs22w10.txt
@@ -0,0 +1,6538 @@
+The Project Gutenberg EBook The Robbers, by Frederich Schiller
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+Title: The Robbers
+
+Author: Frederich Schiller
+
+Release Date: Oct, 2004 [EBook #6782]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on January 15, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE ROBBERS BY SCHILLER ***
+
+
+
+This eBook was produced by David Widger, widger@cecomet.net
+
+
+
+
+
+ THE ROBBERS.
+
+
+ By Frederich Schiller
+
+
+
+
+SCHILLER'S PREFACE.
+
+AS PREFIXED TO THE FIRST EDITION OF THE ROBBERS
+
+PUBLISHED IN 1781.
+
+Now first translated into English.
+
+This play is to be regarded merely as a dramatic narrative in which, for
+the purpose of tracing out the innermost workings of the soul, advantage
+has been taken of the dramatic method, without otherwise conforming to
+the stringent rules of theatrical composition, or seeking the dubious
+advantage of stage adaptation. It must be admitted as somewhat
+inconsistent that three very remarkable people, whose acts are dependent
+on perhaps a thousand contingencies, should be completely developed
+within three hours, considering that it would scarcely be possible, in
+the ordinary course of events, that three such remarkable people should,
+even in twenty-four hours, fully reveal their characters to the most
+penetrating inquirer. A greater amount of incident is here crowded
+together than it was possible for me to confine within the narrow limits
+prescribed by Aristotle and Batteux.
+
+It is, however, not so much the bulk of my play as its contents which
+banish it from the stage. Its scheme and economy require that several
+characters should appear who would offend the finer feelings of virtue
+and shock the delicacy of our manners. Every delineator of human
+character is placed in the same dilemma if he proposes to give a
+faithful picture of the world as it really is, and not an ideal
+phantasy, a mere creation of his own. It is the course of mortal things
+that the good should be shadowed by the bad, and virtue shine the
+brightest when contrasted with vice. Whoever proposes to discourage
+vice and to vindicate religion, morality, and social order against their
+enemies, must unveil crime in all its deformity, and place it before the
+eyes of men in its colossal magnitude; he must diligently explore its
+dark mazes, and make himself familiar with sentiments at the wickedness
+of which his soul revolts.
+
+Vice is here exposed in its innermost workings. In Francis it resolves
+all the confused terrors of conscience into wild abstractions, destroys
+virtuous sentiments by dissecting them, and holds up the earnest voice
+of religion to mockery and scorn. He who has gone so far (a distinction
+by no means enviable) as to quicken his understanding at the expense of
+his soul--to him the holiest things are no longer holy; to him God and
+man are alike indifferent, and both worlds are as nothing. Of such a
+monster I have endeavored to sketch a striking and lifelike portrait,
+to hold up to abhorrence all the machinery of his scheme of vice, and to
+test its strength by contrasting it with truth. How far my narrative is
+successful in accomplishing these objects the reader is left to judge.
+My conviction is that I have painted nature to the life.
+
+Next to this man (Francis) stands another who would perhaps puzzle not
+a few of my readers. A mind for which the greatest crimes have only
+charms through the glory which attaches to them, the energy which their
+perpetration requires, and the dangers which attend them. A remarkable
+and important personage, abundantly endowed with the power of becoming
+either a Brutus or a Catiline, according as that power is directed. An
+unhappy conjunction of circumstances determines him to choose the latter
+for, his example, and it is only after a fearful straying that he is
+recalled to emulate the former. Erroneous notions of activity and
+power, an exuberance of strength which bursts through all the barriers
+of law, must of necessity conflict with the rules of social life. To
+these enthusiast dreams of greatness and efficiency it needed but a
+sarcastic bitterness against the unpoetic spirit of the age to complete
+the strange Don Quixote whom, in the Robber Moor, we at once detest and
+love, admire and pity. It is, I hope, unnecessary to remark that I no
+more hold up this picture as a warning exclusively to robbers than the
+greatest Spanish satire was levelled exclusively at knight-errants.
+
+It is nowadays so much the fashion to be witty at the expense of
+religion that a man will hardly pass for a genius if he does not allow
+his impious satire to run a tilt at its most sacred truths. The noble
+simplicity of holy writ must needs be abused and turned into ridicule at
+the daily assemblies of the so-called wits; for what is there so holy
+and serious that will not raise a laugh if a false sense be attached to
+it? Let me hope that I shall have rendered no inconsiderable service
+to the cause of true religion and morality in holding up these wanton
+misbelievers to the detestation of society, under the form of the most
+despicable robbers.
+
+But still more. I have made these said immoral characters to stand out
+favorably in particular points, and even in some measure to compensate
+by qualities of the head for what they are deficient in those of the
+heart. Herein I have done no more than literally copy nature. Every
+man, even the most depraved, bears in some degree the impress of the
+Almighty's image, and perhaps the greatest villain is not farther
+removed from the most upright man than the petty offender; for the moral
+forces keep even pace with the powers of the mind, and the greater the
+capacity bestowed on man, the greater and more enormous becomes his
+misapplication of it; the more responsible is he for his errors.
+
+The "Adramelech" of Klopstock (in his Messiah) awakens in us a feeling
+in which admiration is blended with detestation. We follow Milton's
+Satan with shuddering wonder through the pathless realms of chaos. The
+Medea of the old dramatists is, in spite of all her crimes, a great and
+wondrous woman, and Shakespeare's Richard III. is sure to excite the
+admiration of the reader, much as he would hate the reality. If it is
+to be my task to portray men as they are, I must at the same time
+include their good qualities, of which even the most vicious are never
+totally destitute. If I would warn mankind against the tiger, I must
+not omit to describe his glossy, beautifully-marked skin, lest, owing to
+this omission, the ferocious animal should not be recognized till too
+late. Besides this, a man who is so utterly depraved as to be without a
+single redeeming point is no meet subject for art, and would disgust
+rather than excite the interest of the reader; who would turn over with
+impatience the pages which concern him. A noble soul can no more endure
+a succession of moral discords than the musical ear the grating of
+knives upon glass.
+
+And for this reason I should have been ill-advised in attempting to
+bring my drama on the stage. A certain strength of mind is required
+both on the part of the poet and the reader; in the former that he may
+not disguise vice, in the latter that he may not suffer brilliant
+qualities to beguile him into admiration of what is essentially
+detestable. Whether the author has fulfilled his duty he leaves others
+to judge, that his readers will perform theirs he by no means feels
+assured. The vulgar--among whom I would not be understood to mean
+merely the rabble--the vulgar I say (between ourselves) extend their
+influence far around, and unfortunately--set the fashion. Too
+shortsighted to reach my full meaning, too narrow-minded to comprehend
+the largeness of my views, too disingenuous to admit my moral aim--they
+will, I fear, almost frustrate my good intentions, and pretend to
+discover in my work an apology for the very vice which it has been my
+object to condemn, and will perhaps make the poor poet, to whom anything
+rather than justice is usually accorded, responsible for his simplicity.
+
+Thus we have a /Da capo/ of the old story of Democritus and the
+Abderitans, and our worthy Hippocrates would needs exhaust whole
+plantations of hellebore, were it proposed to remedy this mischief by a
+healing decoction.
+
+ [This alludes to the fable amusingly recorded by Wieland in his
+ Geschichte der Abderiten. The Abderitans, who were a byword among
+ the ancients for their extreme simplicity, are said to have sent
+ express for Hipocrates to cure their great townsman Democritus,
+ whom they believed to be out of his senses, because his sayings
+ were beyond their comprehension. Hippocrates, on conversing with
+ Democritus, having at once discovered that the cause lay with
+ themselves, assembled the senate and principal inhabitants in the
+ market-place with the promise of instructing them in the cure of
+ Democritus. He then banteringly advised them to import six
+ shiploads of hellebore of the very best quality, and on its arrival
+ to distribute it among the citizens, at least seven pounds per
+ head, but to the senators double that quantity, as they were bound
+ to have an extra supply of sense. By the time these worthies
+ discovered that they had been laughed at, Hippocrates was out of
+ their reach. The story in Wieland is infinitely more amusing than
+ this short quotation from memory enables me to show. H. G. B.]
+
+Let as many friends of truth as you will, instruct their fellow-citizens
+in the pulpit and on the stage, the vulgar will never cease to be
+vulgar, though the sun and moon may change their course, and "heaven and
+earth wax old as a garment." Perhaps, in order to please tender-hearted
+people, I might have been less true to nature; but if a certain beetle,
+of whom we have all heard, could extract filth even from pearls, if we
+have examples that fire has destroyed and water deluged, shall therefore
+pearls, fire, and water be condemned. In consequence of the remarkable
+catastrophe which ends my play, I may justly claim for it a place among
+books of morality, for crime meets at last with the punishment it
+deserves; the lost one enters again within the pale of the law, and
+virtue is triumphant. Whoever will but be courteous enough towards me
+to read my work through with a desire to understand it, from him I may
+expect--not that he will admire the poet, but that he will esteem the
+honest man.
+ SCHILLER.
+EASTER FAIR, 1781.
+
+
+
+
+ADVERTISEMENT TO THE ROBBERS.
+
+AS COMMUNICATED BY SCHILLER TO DALBERG IN 1781, AND SUPPOSED TO HAVE
+BEEN USED AS A PROLOGUE.
+
+--This has never before been printed with any of the editions.--
+
+The picture of a great, misguided soul, endowed with every gift of
+excellence; yet lost in spite of all its gifts! Unbridled passions and
+bad companionship corrupt his heart, urge him on from crime to crime,
+until at last he stands at the head of a band of murderers, heaps horror
+upon horror, and plunges from precipice to precipice into the lowest
+depths of despair. Great and majestic in misfortune, by misfortune
+reclaimed, and led back to the paths of virtue. Such a man shall you
+pity and hate, abhor yet love, in the Robber Moor. You will likewise
+see a juggling, fiendish knave unmasked and blown to atoms in his own
+mines; a fond, weak, and over-indulgent father; the sorrows of too
+enthusiastic love, and the tortures of ungoverned passion. Here, too,
+you will witness, not without a shudder, the interior economy of vice;
+and from the stage be taught how all the tinsel of fortune fails to
+smother the inward worm; and how terror, anguish, remorse, and despair
+tread close on the footsteps of guilt. Let the spectator weep to-day at
+our exhibition, and tremble, and learn to bend his passions to the laws
+of religion and reason; let the youth behold with alarm the consequences
+of unbridled excess; nor let the man depart without imbibing the lesson
+that the invisible band of Providence makes even villains the
+instruments of its designs and judgments, and can marvellously unravel
+the most intricate perplexities of fate.
+
+
+
+
+PREFACE TO THE SECOND EDITION.
+
+The eight hundred copies of the first edition of my ROBBERS were
+exhausted before all the admirers of the piece were supplied. A second
+was therefore undertaken, which has been improved by greater care in
+printing, and by the omission of those equivocal sentences which were
+offensive to the more fastidious part of the public. Such an
+alteration, however, in the construction of the play as should satisfy
+all the wishes of my friends and critics has not been my object.
+
+In this second edition the several songs have been arranged for the
+pianoforte, which will enhance its value to the musical part of the
+public. I am indebted for this to an able composer,* who has performed
+his task in so masterly a manner that the hearer is not unlikely to
+forget the poet in the melody of the musician.
+
+ DR. SCHILLER.
+
+STUTTGART, Jan. 5, 1782.
+
+* Alluding to his friend Zumsteeg.--ED.
+
+
+
+
+ THE ROBBERS.
+
+ A TRAGEDY.
+
+ "Quae medicamenta non sanant, ferrum sanat; quae ferrum non
+ sanat, ignis sanat."--HIPPOCRATES.
+
+DRAMATIS PERSONAE.
+
+MAXIMILIAN, COUNT VON MOOR.
+
+CHARLES,|
+FRANCIS,| his Sons.
+AMELIA VON EDELREICH, his Niece.
+SPIEGELBERG,|
+SCHWEITZER, |
+GRIMM, |
+RAZMANN, | Libertines, afterwards Banditti
+SCHUFTERLE, |
+ROLLER, |
+KOSINSKY, |
+SCHWARTZ, |
+HERMANN, the natural son of a Nobleman.
+DANIEL, an old Servant of Count von Moor.
+PASTOR MOSER.
+FATHER DOMINIC, a Monk.
+BAND OF ROBBERS, SERVANTS, ETC.
+
+
+The scene is laid in Germany. Period of action about two years.
+
+
+
+
+ THE ROBBERS
+
+ ACT I.
+
+
+ SCENE I.--Franconia.
+
+ Apartment in the Castle of COUNT MOOR.
+
+ FRANCIS, OLD MOOR.
+
+
+FRANCIS. But are you really well, father? You look so pale.
+
+OLD MOOR. Quite well, my son--what have you to tell me?
+
+FRANCIS. The post is arrived--a letter from our correspondent at
+Leipsic.
+
+OLD M. (eagerly). Any tidings of my son Charles?
+
+FRANCIS. Hem! Hem!--Why, yes. But I fear--I know not--whether I dare
+--your health.--Are you really quite well, father?
+
+OLD M. As a fish in water.* Does he write of my son? What means this
+anxiety about my health? You have asked me that question twice.
+
+ [*This is equivalent to our English saying "As sound as a roach."]
+
+FRANCIS. If you are unwell--or are the least apprehensive of being so--
+permit me to defer--I will speak to you at a fitter season.--(Half
+aside.) These are no tidings for a feeble frame.
+
+OLD M. Gracious Heavens? what am I doomed to hear?
+
+FRANCIS. First let me retire and shed a tear of compassion for my lost
+brother. Would that my lips might be forever sealed--for he is your
+son! Would that I could throw an eternal veil over his shame--for he is
+my brother! But to obey you is my first, though painful, duty--forgive
+me, therefore.
+
+OLD M. Oh, Charles! Charles! Didst thou but know what thorns thou
+plantest in thy father's bosom! That one gladdening report of thee would
+add ten years to my life! yes, bring back my youth! whilst now, alas,
+each fresh intelligence but hurries me a step nearer to the grave!
+
+FRANCIS. Is it so, old man, then farewell! for even this very day we
+might all have to tear our hair over your coffin.*
+
+ [* This idiom is very common in Germany, and is used to express
+ affliction.]
+
+OLD M. Stay! There remains but one short step more--let him have his
+will! (He sits down.) The sins of the father shall be visited unto the
+third and fourth generation--let him fulfil the decree.
+
+FRANCIS (takes the letter out of his pocket). You know our
+correspondent! See! I would give a finger of my right hand might I
+pronounce him a liar--a base and slanderous liar! Compose yourself!
+Forgive me if I do not let you read the letter yourself. You cannot,
+must not, yet know all.
+
+OLD M. All, all, my son. You will but spare me crutches.*
+
+ [* /Du ersparst mir die Krucke/; meaning that the contents of the
+ letter can but shorten his declining years, and so spare him the
+ necessity of crutches.]
+
+FRANCIS (reads). "Leipsic, May 1. Were I not bound by an inviolable
+promise to conceal nothing from you, not even the smallest particular,
+that I am able to collect, respecting your brother's career, never, my
+dearest friend, should my guiltless pen become an instrument of torture
+to you. I can gather from a hundred of your letters how tidings such as
+these must pierce your fraternal heart. It seems to me as though I saw
+thee, for the sake of this worthless, this detestable"--(OLD M. covers
+his face). Oh! my father, I am only reading you the mildest passages--
+"this detestable man, shedding a thousand tears." Alas! mine flowed--ay,
+gushed in torrents over these pitying cheeks. "I already picture to
+myself your aged pious father, pale as death." Good Heavens! and so you
+are, before you have heard anything.
+
+OLD M. Go on! Go on!
+
+FRANCIS. "Pale as death, sinking down on his chair, and cursing the day
+when his ear was first greeted with the lisping cry of 'Father!' I have
+not yet been able to discover all, and of the little I do know I dare
+tell you only a part. Your brother now seems to have filled up the
+measure of his infamy. I, at least, can imagine nothing beyond what he
+has already accomplished; but possibly his genius may soar above my
+conceptions. After having contracted debts to the amount of forty
+thousand ducats,"--a good round sum for pocket-money, father" and having
+dishonored the daughter of a rich banker, whose affianced lover, a
+gallant youth of rank, he mortally wounded in a duel, he yesterday, in
+the dead of night, took the desperate resolution of absconding from the
+arm of justice, with seven companions whom he had corrupted to his own
+vicious courses." Father? for heaven's sake, father! How do you feel?
+
+OLD M. Enough. No more, my son, no more!
+
+FRANCIS. I will spare your feelings. "The injured cry aloud for
+satisfaction. Warrants have been issued for his apprehension--a price
+is set on his head--the name of Moor"--No, these unhappy lips shall not
+be guilty of a father's murder (he tears the letter). Believe it not,
+my father, believe not a syllable.
+
+OLD M. (weeps bitterly). My name--my unsullied name!
+
+FRANCIS (throws himself on his neck). Infamous! most infamous Charles!
+Oh, had I not my forebodings, when, even as a boy, he would scamper
+after the girls, and ramble about over hill and common with ragamuffin
+boys and all the vilest rabble; when he shunned the very sight of a
+church as a malefactor shuns a gaol, and would throw the pence he had
+wrung from your bounty into the hat of the first beggar he met, whilst
+we at home were edifying ourselves with devout prayers and pious
+homilies? Had I not my misgivings when he gave himself up to reading
+the adventures of Julius Caesar, Alexander the Great, and other
+benighted heathens, in preference to the history of the penitent Tobias?
+A hundred times over have I warned you--for my brotherly affection was
+ever kept in subjection to filial duty--that this forward youth would
+one day bring sorrow and disgrace on us all. Oh that he bore not the
+name of Moor! that my heart beat less warmly for him! This sinful
+affection, which I can not overcome, will one day rise up against me
+before the judgment-seat of heaven.
+
+OLD M. Oh! my prospects! my golden dreams!
+
+FRANCIS. Ay, well I knew it. Exactly what I always feared. That fiery
+spirit, you used to say, which is kindling in the boy, and renders him
+so susceptible to impressions of the beautiful and grand--the
+ingenuousness which reveals his whole soul in his eyes--the tenderness
+of feeling which melts him into weeping sympathy at every tale of
+sorrow--the manly courage which impels him to the summit of giant oaks,
+and urges him over fosse and palisade and foaming torrents--that
+youthful thirst of honor--that unconquerable resolution--all those
+resplendent virtues which in the father's darling gave such promise--
+would ripen into the warm and sincere friend--the excellent citizen--the
+hero--the great, the very great man! Now, mark the result, father; the
+fiery spirit has developed itself--expanded--and behold its precious
+fruits. Observe this ingenuousness--how nicely it has changed into
+effrontery;--this tenderness of soul--how it displays itself in
+dalliance with coquettes, in susceptibility to the blandishments of a
+courtesan! See this fiery genius, how in six short years it hath burnt
+out the oil of life, and reduced his body to a living skeleton; so that
+passing scoffers point at him with a sneer and exclaim--"/C'est l'amour
+qui a fait cela/." Behold this bold, enterpising spirit--how it
+conceives and executes plans, compared to which the deeds of a Cartouche
+or a Howard sink into insignificance. And presently, when these
+precious germs of excellence shall ripen into full maturity, what may
+not be expected from the full development of such a boyhood? Perhaps,
+father, you may yet live to see him at the head of some gallant band,
+which assembles in the silent sanctuary of the forest, and kindly
+relieves the weary traveller of his superfluous burden. Perhaps you may
+yet have the opportunity, before you go to your own tomb, of making a
+pilgrimage to the monument which he may erect for himself, somewhere
+between earth and heaven! Perhaps,--oh, father--father, look out for
+some other name, or the very peddlers and street boys who have seen the
+effigy of your worthy son exhibited in the market-place at Leipsic will
+point at you with the finger of scorn!
+
+OLD M. And thou, too, my Francis, thou too? Oh, my children, how
+unerringly your shafts are levelled at my heart.
+
+FRANCIS. You see that I too have a spirit; but my spirit bears the
+sting of a scorpion. And then it was "the dry commonplace, the cold,
+the wooden Francis," and all the pretty little epithets which the
+contrast between us suggested to your fatherly affection, when he was
+sitting on your knee, or playfully patting your cheeks? "He would die,
+forsooth, within the boundaries of his own domain, moulder away, and
+soon be forgotten;" while the fame of this universal genius would spread
+from pole to pole! Ah! the cold, dull, wooden Francis thanks thee,
+heaven, with uplifted hands, that he bears no resemblance to his
+brother.
+
+OLD M. Forgive me, my child! Reproach not thy unhappy father, whose
+fondest hopes have proved visionary. The merciful God who, through
+Charles, has sent these tears, will, through thee, my Francis, wipe them
+from my eyes!
+
+FRANCIS. Yes, father, we will wipe them from your eyes. Your Francis
+will devote--his life to prolong yours. (Taking his hand with affected
+tenderness.) Your life is the oracle which I will especially consult on
+every undertaking--the mirror in which I will contemplate everything.
+No duty so sacred but I am ready to violate it for the preservation of
+your precious days. You believe me?
+
+OLD M. Great are the duties which devolve on thee, my son--Heaven bless
+thee for what thou has been, and wilt be to me.
+
+FRANCIS. Now tell me frankly, father. Should you not be a happy man,
+were you not obliged to call this son your own?
+
+OLD M. In mercy, spare me! When the nurse first placed him in my arms,
+I held him up to Heaven and exclaimed, "Am I not truly blest?"
+
+FRANCIS. So you said then. Now, have you found it so? You may envy
+the meanest peasant on your estate in this, that he is not the father of
+such a son. So long as you call him yours you are wretched. Your
+misery will grow with his years--it will lay you in your grave.
+
+OLD M. Oh! he has already reduced me to the decrepitude of fourscore.
+
+FRANCIS. Well, then--suppose you were to disown this son.
+
+OLD M. (startled). Francis! Francis! what hast thou said!
+
+FRANCIS. Is not your love for him the source of all your grief? Root
+out this love, and he concerns you no longer. But for this weak and
+reprehensible affection he would be dead to you;--as though he had never
+been born. It is not flesh and blood, it is the heart that makes us
+sons and fathers! Love him no more, and this monster ceases to be your
+son, though he were cut out of your flesh. He has till now been the
+apple of your eye; but if thine eye offend you, says Scripture, pluck it
+out. It is better to enter heaven with one eye than hell with two! "It
+is profitable for thee that one of thy members should perish, and not
+that thy whole body should be cast into hell." These are the words of
+the Bible!
+
+OLD M. Wouldst thou have me curse my son?
+
+FRANCIS. By no means, father. God forbid! But whom do you call your
+son? Him to whom you have given life, and who in return does his utmost
+to shorten yours.
+
+OLD M. Oh, it is all too true! it is a judgment upon me. The Lord has
+chosen him as his instrument.
+
+FRANCIS. See how filially your bosom child behaves. He destroys you by
+your own excess of paternal sympathy; murders you by means of the very
+love you bear him--has coiled round a father's heart to crush it. When
+you are laid beneath the turf he becomes lord of your possessions, and
+master of his own will. That barrier removed, and the torrent of his
+profligacy will rush on without control. Imagine yourself in his place.
+How often he must wish his father under ground--and how often, too, his
+brother--who so unmercifully impede the free course of his excesses.
+But call you this a requital of love? Is this filial gratitude for a
+father's tenderness? to sacrifice ten years of your life to the lewd
+pleasures of an hour? in one voluptuous moment to stake the honor of an
+ancestry which has stood unspotted through seven centuries? Do you call
+this a son? Answer? Do you call this your son?
+
+OLD M. An undutiful son! Alas! but still my child! my child!
+
+FRANCIS. A most amiable and precious child-whose constant study is to
+get rid of his father. Oh, that you could learn to see clearly! that
+the film might be removed from your eyes! But your indulgence must
+confirm him in his vices! your assistance tend to justify them.
+Doubtless you will avert the curse of Heaven from his head, but on your
+own, father--on yours--will it fall with twofold vengeance.
+
+OLD M. Just! most just! Mine, mine be all the guilt!
+
+FRANCIS. How many thousands who have drained the voluptuous bowl of
+pleasure to the dregs have been reclaimed by suffering! And is not the
+bodily pain which follows every excess a manifest declaration of the
+divine will! And shall man dare to thwart this by an impious exercise
+of affection? Shall a father ruin forever the pledge committed to his
+charge? Consider, father, if you abandon him for a time to the pressure
+of want will not he be obliged to turn from his wickedness and repent?
+Otherwise, untaught even in the great school of adversity, he must
+remain a confirmed reprobate? And then--woe to the father who by a
+culpable tenderness bath frustrated the ordinances of a higher wisdom!
+Well, father?
+
+OLD M. I will write to him that I withdraw my protection.
+
+FRANCIS. That would be wise and prudent.
+
+OLD M. That he must never come into my sight again
+
+FRANCIS. 'Twill have a most salutary effect.
+
+OLD M. (tenderly). Until he reforms.
+
+FRANCIS. Right, quite right. But suppose that he comes disguised in
+the hypocrite's mask, implores your compassion with tears, and wheedles
+from you a pardon, then quits you again on the morrow, and jests at your
+weakness in the arms of his harlot. No, my father! He will return of
+his own accord, when his conscience awakens him to repentance.
+
+OLD M. I will write to him, on the spot, to that effect.
+
+FRANCIS. Stop, father, one word more. Your just indignation might
+prompt reproaches too severe, words which might break his heart--and
+then--do you not think that your deigning to write with your own hand
+might be construed into an act of forgiveness? It would be better, I
+think, that you should commit the task to me?
+
+OLD M. Do it, my son. Ah! it would, indeed, have broken my heart!
+Write to him that--
+
+FRANCIS (quickly). That's agreed, then?
+
+OLD M. Say that he has caused me a thousand bitter tears--a thousand
+sleepless nights--but, oh! do not drive my son to despair!
+
+FRANCIS. Had you not better retire to rest, father? This affects you
+too strongly.
+
+OLD M. Write to him that a father's heart--But I charge you, drive him
+not to despair. [Exit in sadness.]
+
+FRANCIS (looking after him with a chuckle). Make thyself easy, old
+dotard! thou wilt never more press thy darling to thy bosom--there is a
+gulf between thee and him impassable as heaven is from hell. He was
+torn from thy arms before even thou couldst have dreamed it possible to
+decree the separation. Why, what a sorry bungler should I be had I not
+skill enough to pluck a son from a father's heart; ay, though he were
+riveted there with hooks of steel! I have drawn around thee a magic
+circle of curses which he cannot overleap. Good speed to thee, Master
+Francis. Papa's darling is disposed of--the course is clear. I must
+carefully pick up all the scraps of paper, for how easily might my
+handwriting be recognized. (He gathers the fragments of the letter.)
+And grief will soon make an end of the old gentleman. And as for her--
+I must tear this Charles from her heart, though half her life come with
+him.
+
+No small cause have I for being dissatisfied with Dame Nature, and, by
+my honor, I will have amends! Why did I not crawl the first from my
+mother's womb? why not the only one? why has she heaped on me this
+burden of deformity? on me especially? Just as if she had spawned me
+from her refuse.* Why to me in particular this snub of the Laplander?
+these negro lips? these Hottentot eyes? On my word, the lady seems to
+have collected from all the race of mankind whatever was loathsome into
+a heap, and kneaded the mass into my particular person. Death and
+destruction! who empowered her to deny to me what she accorded to him?
+Could a man pay his court to her before he was born? or offend her
+before he existed? Why went she to work in such a partial spirit?
+
+No! no! I do her injustice--she bestowed inventive faculty, and set us
+naked and helpless on the shore of this great ocean, the world--let
+those swim who can--the heavy** may sink. To me she gave naught else,
+and how to make the best use of my endowment is my present business.
+Men's natural rights are equal; claim is met by claim, effort by effort,
+and force by force--right is with the strongest--the limits of our power
+constitute our laws.
+
+It is true there are certain organized conventions, which men have
+devised to keep up what is called the social compact. Honor! truly a
+very convenient coin, which those who know how to pass it may lay out
+with great advantage.*** Conscience! oh yes, a useful scarecrow to
+frighten sparrows away from cherry-trees; it is something like a fairly
+written bill of exchange with which your bankrupt merchant staves off
+the evil day.
+
+ * See Richard III., Act I, Sc. 1, line 17.
+
+ **Heavy is used in a double meaning; the German word is plump,
+ which Means lumpish clumsy awkward.
+
+ ***So Falstaff, Hen. IV., Pt. I., Act V., Sc. 1, "Honor is a mere
+ scutcheon."
+
+Well! these are all most admirable institutions for keeping fools in
+awe, and holding the mob underfoot, that the cunning may live the more
+at their ease. Rare institutions, doubtless. They are something like
+the fences my boors plant so closely to keep out the hares--yes
+I' faith, not a hare can trespass on the enclosure, but my lord claps
+spurs to his hunter, and away he gallops over the teeming harvest!
+
+Poor hare! thou playest but a sorry part in this world's drama, but your
+worshipful lords must needs have hares!
+
+ *[This may help to illustrate a passage in Shakespeare which
+ puzzles the commentators--"Cupid is a good hare-finder."--Much ADO,
+ Act I., Sc. 1.
+ The hare, in Germany, is considered an emblem of abject submission
+ and cowardice. The word may also be rendered "Simpleton,"
+ "Sawney," or any other of the numerous epithets which imply a soft
+ condition.]
+
+Then courage, and onward, Francis. The man who fears nothing is as
+powerful as he who is feared by everybody. It is now the mode to wear
+buckles on your smallclothes, that you may loosen or tighten them at
+pleasure. I will be measured for a conscience after the newest fashion,
+one that will stretch handsomely as occasion may require. Am I to
+blame? It is the tailor's affair? I have heard a great deal of twaddle
+about the so-called ties of blood--enough to make a sober man beside
+himself. He is your brother, they say; which interpreted, means that he
+was manufactured in the same mould, and for that reason he must needs be
+sacred in your eyes! To what absurd conclusions must this notion of a
+sympathy of souls, derived from the propinquity of bodies, inevitably
+tend? A common source of being is to produce community of sentiment;
+identity of matter, identity of impulse! Then again,--he is thy father!
+He gave thee life, thou art his flesh and blood--and therefore he must
+be sacred to thee! Again a most inconsequential deduction! I should
+like to know why he begot me;** certainly not out of love for me--for I
+must first have existed!
+
+ **[The reader of Sterne will remember a very similar passage in the
+ first chapter of Tristram Shandy.]
+
+Could he know me before I had being, or did he think of me during my
+begetting? or did he wish for me at the moment? Did he know what I
+should be? If so I would not advise him to acknowledge it or I should
+pay him off for his feat. Am I to be thankful to him that I am a man?
+As little as I should have had a right to blame him if he had made me a
+woman. Can I acknowledge an affection which is not based on any
+personal regard? Could personal regard be present before the existence
+of its object? In what, then, consists the sacredness of paternity?
+Is it in the act itself out of which existence arose? as though this
+were aught else than an animal process to appease animal desires. Or
+does it lie, perhaps, in the result of this act, which is nothing more
+after all than one of iron necessity, and which men would gladly
+dispense with, were it not at the cost of flesh and blood? Do I then
+owe him thanks for his affection? Why, what is it but a piece of
+vanity, the besetting sin of the artist who admires his own works,
+however hideous they may be? Look you, this is the whole juggle,
+wrapped up in a mystic veil to work on our fears. And shall I, too, be
+fooled like an infant? Up then! and to thy work manfully. I will root
+up from my path whatever obstructs my progress towards becoming the
+master. Master I must be, that I may extort by force what I cannot win
+by affection.*
+
+
+ *[This soliloquy in some parts resembles that of Richard, Duke of
+ Gloster, in Shakespeare's Henry VI., Act V. Sc. 6.]
+
+[Exit.]
+
+
+
+
+ SCENE II.--A Tavern on the Frontier of Saxony.
+
+
+ CHARLES VON MOOR intent on a book; SPIEGELBERG drinking at the table.
+
+
+
+CHARLES VON M. (lays the book aside). I am disgusted with this age of
+puny scribblers when I read of great men in my Plutarch.
+
+SPIEGEL. (places a glass before him, and drinks). Josephus is the book
+you should read.
+
+CHARLES VON M. The glowing spark of Prometheus is burnt out, and now
+they substitute for it the flash of lycopodium,* a stage-fire which will
+not so much as light a pipe. The present generation may be compared to
+rats crawling about the club of Hercules.**
+
+
+ *[Lycopodium (in German Barlappen-mehl), vulgarly known as the
+ Devil's Puff-ball or Witchmeal, is used on the stage, as well in
+ England as on the continent, to produce flashes of fire. It is
+ made of the pollen of common club moss, or wolf's claw (Lycopodium
+ clavatum), the capsules of which contain a highly inflammable
+ powder. Translators have uniformly failed in rendering this
+ passage.]
+
+ **[This simile brings to mind Shakespeare's:
+ "We petty men
+ Walk under his huge legs, and peep about."
+ JULIUS CAESAR, Act I., Sc. 2.]
+
+A French abbe lays it down that Alexander was a poltroon; a phthisicky
+professor, holding at every word a bottle of sal volatile to his nose,
+lectures on strength. Fellows who faint at the veriest trifle criticise
+the tactics of Hannibal; whimpering boys store themselves with phrases
+out of the slaughter at Canna; and blubber over the victories of Scipio,
+because they are obliged to construe them.
+
+SPIEGEL. Spouted in true Alexandrian style.
+
+CHARLES VON M. A brilliant reward for your sweat in the battle-field
+truly to have your existence perpetuated in gymnasiums, and your
+immortality laboriously dragged about in a schoolboy's satchel. A
+precious recompense for your lavished blood to be wrapped round
+gingerbread by some Nuremberg chandler, or, if you have great luck, to
+be screwed upon stilts by a French playwright, and be made to move on
+wires! Ha, ha, ha!
+
+SPIEGEL. (drinks). Read Josephus, I tell you.
+
+CHARLES VON M. Fie! fie upon this weak, effeminate age, fit for nothing
+but to ponder over the deeds of former times, and torture the heroes of
+antiquity with commentaries, or mangle them in tragedies. The vigor of
+its loins is dried up, and the propagation of the human species has
+become dependent on potations of malt liquor.
+
+SPIEGEL. Tea, brother! tea!
+
+CHARLES VON M. They curb honest nature with absurd conventionalities;
+have scarcely the heart to charge a glass, because they are tasked to
+drink a health in it; fawn upon the lackey that he may put in a word for
+them with His Grace, and bully the unfortunate wight from whom they have
+nothing to fear. They worship any one for a dinner, and are just as
+ready to poison him should he chance to outbid them for a feather-bed
+at an auction. They damn the Sadducee who fails to come regularly to
+church, although their own devotion consists in reckoning up their
+usurious gains at the very altar. They cast themselves on their knees
+that they may have an opportunity of displaying their mantles, and
+hardly take their eyes off the parson from their anxiety to see how his
+wig is frizzled. They swoon at the sight of a bleeding goose, yet clap
+their hands with joy when they see their rival driven bankrupt from the
+Exchange. Warmly as I pressed their hands,--"Only one more day." In
+vain! To prison with the dog! Entreaties! Vows! Tears! (stamping
+the ground). Hell and the devil!
+
+SPIEGEL. And all for a few thousand paltry ducats!
+
+CHARLES VON M. No, I hate to think of it. Am I to squeeze my body into
+stays, and straight-lace my will in the trammels of law. What might
+have risen to an eagle's flight has been reduced to a snail's pace by
+law. Never yet has law formed a great man; 'tis liberty that breeds
+giants and heroes. Oh! that the spirit of Herman* still glowed in his
+ashes!
+
+ *[Herman is the German for Armin or Arminius, the celebrated
+ deliverer of Germany from the Roman yoke. See Menzel's History,
+ vol. i., p. 85, etc.]
+
+Set me at the head of an army of fellows like myself, and out of Germany
+shall spring a republic compared to which Rome and Sparta will be but as
+nunneries. (Rises and flings his sword upon the table.)
+
+SPIEGEL. (jumping up). Bravo! Bravissimo! you are coming to the right
+key now. I have something for your ear, Moor, which has long been on my
+mind, and you are the very man for it--drink, brother, drink! What if
+we turned Jews and brought the kingdom of Jerusalem again on the tapis?
+But tell me is it not a clever scheme? We send forth a manifesto to the
+four quarters of the world, and summon to Palestine all that do not eat
+Swineflesh. Then I prove by incontestable documents that Herod the
+Tetrarch was my direct ancestor, and so forth. There will be a victory,
+my fine fellow, when they return and are restored to their lands, and
+are able to rebuild Jerusalem. Then make a clean sweep of the Turks out
+of Asia while the iron is hot, hew cedars in Lebanon, build ships, and
+then the whole nation shall chaffer with old clothes and old lace
+throughout the world. Meanwhile--
+
+CHARLES VON M. (smiles and takes him by the hand). Comrade! There must
+be an end now of our fooleries.
+
+SPIEGEL. (with surprise). Fie! you are not going to play the prodigal
+son!--a fellow like you who with his sword has scratched more
+hieroglyhics on other men's faces than three quill-drivers could
+inscribe in their daybooks in a leap-year! Shall I tell you the story
+of the great dog funeral? Ha! I must just bring back your own picture
+to your mind; that will kindle fire in your veins, if nothing else has
+power to inspire you. Do you remember how the heads of the college
+caused your dog's leg to be shot off, and you, by way of revenge,
+proclaimed a fast through the whole town? They fumed and fretted at
+your edict. But you, without losing time, ordered all the meat to be
+bought up in Leipsic, so that in the course of eight hours there was not
+a bone left to pick all over the place, and even fish began to rise in
+price. The magistrates and the town council vowed vengeance. But we
+students turned out lustily, seventeen hundred of us, with you at our
+head, and butchers and tailors and haberdashers at our backs, besides
+publicans, barbers, and rabble of all sorts, swearing that the town
+should be sacked if a single hair of a student's head was injured. And
+so the affair went off like the shooting at Hornberg,* and they were
+obliged to be off with their tails between their legs.
+
+ *[The "shooting at Hornberg" is a proverbial expression in Germany
+ for any expedition from which, through lack of courage, the parties
+ retire without firing a shot.]
+
+You sent for doctors--a whole posse of them--and offered three ducats to
+any one who would write a prescription for your dog. We were afraid the
+gentlemen would stand too much upon honor and refuse, and had already
+made up our minds to use force. But this was quite unnecessary; the
+doctors got to fisticuffs for the three ducats, and their competition
+brought down the price to three groats; in the course of an hour a dozen
+prescriptions were written, of which, of course, the poor beast very
+soon died.
+
+CHARLES VON M. The vile rascals.
+
+SPIEGEL. The funeral procession was arranged with all due pomp; odes
+for the dog were indited by the gross; and at night we all turned out,
+near a thousand of us, a lantern in one hand and our rapier in the
+other, and so proceeded through the town, the bells chiming and ringing,
+till the dog was entombed. Then came a, feed which lasted till broad
+daylight, when you sent your acknowledgments to the college dons for
+their kind sympathy, and ordered the meat to be sold at half-price.
+/Mort de ma vie/, if we had not as great a respect for you as a garrison
+for the conqueror of a fortress.
+
+CHARLES VON M. And are you not ashamed to boast of these things? Have
+you not shame enough in you to blush even at the recollection of such
+pranks?
+
+SPIEGEL. Come, come! You are no longer the same Moor. Do you remember
+how, a thousand times, bottle in hand, you made game of the miserly old
+governor, bidding him by all means rake and scrape together as much as
+he could, for that you would swill it all down your throat? Don't you
+remember, eh?--don't you remember?' O you good-for-nothing, miserable
+braggart! that was speaking like a man, and a gentleman, but--
+
+CHARLES VON M. A curse on you for reminding me of it! A curse on myself
+for what I said! But it was done in the fumes of wine, and my heart
+knew not what my tongue uttered.
+
+SPIEGEL. (shakes his head). No, no! that cannot be! Impossible,
+brother! You are not in earnest! Tell me! most sweet brother, is it
+not poverty which has brought you to this mood? Come! let me tell you a
+little story of my youthful days. There was a ditch close to my house,
+eight feet wide at the least, which we boys were trying to leap over for
+a wager. But it was no go. Splash! there you lay sprawling, amidst
+hisses and roars of laughter, and a relentless shower of snowballs. By
+the side of my house a hunter's dog was lying chained, a savage beast,
+which would catch the girls by their petticoats with the quickness of
+lightning if they incautiously passed too near him. Now it was my
+greatest delight to tease this brute in every possible way; and it was
+enough to make one burst with laughing to see the beast fix his eyes on
+me with such fierceness that he seemed ready to tear me to pieces if he
+could but get at me. Well, what happened? Once, when I was amusing
+myself in this manner, I hit him such a bang in the ribs with a stone
+that in his fury he broke loose and ran right upon me. I tore away like
+lightning, but--devil take it!--that confounded ditch lay right in my
+way. What was to be done? The dog was close at my heels and quite
+furious; there was no time to deliberate. I took a spring and cleared
+the ditch. To that leap I was indebted for life and limb; the beast
+would have torn me to atoms.
+
+CHARLES VON M. And to what does all this tend?
+
+SPIEGEL. To this--that you may be taught that strength grows with the
+occasion. For which reason I never despair even when things are the
+worst. Courage grows with danger. Powers of resistance increase by
+pressure. It is evident by the obstacles she strews in my path that
+fate must have designed me for a great man.
+
+CHARLES VON M. (angrily). I am not aware of anything for which we still
+require courage, and have not already shown it.
+
+SPIEGEL. Indeed! And so you mean to let your gifts go to waste? To
+bury your talent? Do you think your paltry achievements at Leipsic
+amount to the /ne plus ultra/ of genius? Let us but once get to the
+great world--Paris and London! where you get your ears boxed if you
+salute a man as honest. It is a real jubilee to practise one's
+handicraft there on a grand scale. How you will stare! How you will
+open your eyes! to see signatures forged; dice loaded; locks picked,
+and strong boxes gutted; all that you shall learn of Spiegelberg! The
+rascal deserves to be hanged on the first gallows that would rather
+starve than manipulate with his fingers.
+
+CHARLES VON M. (in a fit of absence). How now? I should not wonder if
+your proficiency went further still.
+
+SPIEGEL. I begin to think you mistrust me. Only wait till I have grown
+warm at it; you shall see wonders; your little brain shall whirl clean
+round in your pericranium when my teeming wit is delivered. (He rises
+excited.) How it clears up within me! Great thoughts are dawning in on
+my soul! Gigantic plans are fermenting in my creative brain. Cursed
+lethargy (striking his forehead), which has hitherto enchained my
+faculties, cramped and fettered my prospects! I awake; I feel what I
+am--and what I am to be!
+
+CHARLES VON M. You are a fool! The wine is swaggering in your brain.
+
+SPIEGEL. (more excited). Spiegelberg, they will say, art thou a
+magician, Spiegelberg? 'Tis a pity, the king will say, that thou wert
+not made a general, Spiegelberg, thou wouldst have thrust the Austrians
+through a buttonhole. Yes, I hear the doctors lamenting, 'tis a crying
+shame that he was not bred to medicine, he would have discovered the
+/elixir vitae/. Ay, and that he did not take to financiering, the
+Sullys will deplore in their cabinets,--he would have turned flints into
+louis-d'ors by his magic. And Spiegelberg will be the word from east to
+west; then down into the dirt with you, ye cowards, ye reptiles, while
+Spiegelberg soars with outspread wings to the temple of everlasting
+fame.
+
+CHARLES VON M. A pleasant journey to you! I leave you to climb to the
+summit of glory on the pillars of infamy. In the shade of my ancestral
+groves, in the arms of my Amelia, a nobler joy awaits me. I have
+already, last week, written to my father to implore his forgiveness, and
+have not concealed the least circumstance from him; and where there is
+sincerity there is compassion and help. Let us take leave of each
+other, Moritz. After this day we shall meet no more. The post has
+arrived. My father's forgiveness must already be within the walls of
+this town.
+
+
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHUFTERLE, and RAZMAN.
+
+
+ROLLER. Are you aware that they are on our track!
+
+GRIMM. That we are not for a moment safe from being taken?
+
+CHARLES VON M. I don't wonder at it. It must be as it will! Have none
+of you seen Schwarz? Did he say anything about having a letter for me?
+
+ROLLER. He has been long in search of you on some such errand, I
+suspect.
+
+CHARLES VON M. Where is he? where, where? (is about to rush of in
+haste).
+
+ROLLER. Stay! we have appointed him to come here. You tremble?
+
+CHARLES VON M. I do not tremble. Why should I tremble? Comrades, this
+letter--rejoice with me! I am the happiest man under the sun; why
+should I tremble?
+
+
+ Enter SCHWARZ.
+
+
+CHARLES VON M. (rushes towards him). Brother, brother! the letter, the
+letter!
+
+SCHW. (gives him a letter, which he opens hastily). What's the matter?
+You have grown as pale as a whitewashed wall!
+
+CHARLES VON M. My brother's hand!
+
+SCHW. What the deuce is Spiegelberg about there?
+
+GRIMM. The fellow's mad. He jumps about as if he had St. Vitus' dance.
+
+SCHUF. His wits are gone a wool gathering! He's making verses, I'll be
+sworn!
+
+RAZ. Spiegelberg! Ho! Spiegelberg! The brute does not hear.
+
+GRIMM. (shakes him). Hallo! fellow! are you dreaming? or--
+
+SPIEGEL. (who has all this time been making gestures in a corner of the
+room, as if working out some great project, jumps up wildly). Your
+money or your life! (He catches SCHWEITZER by the throat, who very
+coolly flings him against the wall; Moor drops the letter and rushes
+out. A general sensation.)
+
+ROLLER. (calling after him). Moor! where are you going? What's the
+matter?
+
+GRIMM. What ails him? What has he been doing? He is as pale as death.
+
+SCHW. He must have got strange news. Just let us see!
+
+ROLLER. (picks up the letter from the ground, and reads). "Unfortunate
+brother!"--a pleasant beginning--"I have only briefly to inform you that
+you have nothing more to hope for. You may go, your father directs me
+to tell you, wherever your own vicious propensities lead. Nor are you
+to entertain, he says, any hope of ever gaining pardon by weeping at his
+feet, unless you are prepared to fare upon bread and water in the lowest
+dungeon of his castle until your hair shall outgrow eagles' feathers,
+and your nails the talons of a vulture. These are his very words. He
+commands me to close the letter. Farewell forever! I pity you.
+
+ "FRANCIS VON MOOR"
+
+
+SCHW. A most amiable and loving brother, in good truth! And the
+scoundrel's name is Francis.
+
+SPIEGEL. (slinking forward). Bread and water! Is that it? A
+temperate diet! But I have made a better provision for you. Did I not
+say that I should have to think for you all at last?
+
+SCHWEIT. What does the blockhead say! The jackass is going to think
+for us all!
+
+SPIEGEL. Cowards, cripples, lame dogs are ye all if you have not
+courage enough to venture upon something great.
+
+ROLLER. Well, of course, so we should be, you are right; but will your
+proposed scheme get us out of this devil of a scrape? eh?
+
+SPIEGEL. (with a proud laugh). Poor thing! Get us out of this scrape?
+Ha, ha, ha! Get us out of the scrape!--and is that all your thimbleful
+of brain can reach? And with that you trot your mare back to the
+stable? Spiegelberg would have been a miserable bungler indeed if that
+were the extent of his aim. Heroes, I tell you, barons, princes, gods,
+it will make of you.
+
+RAZ. That's pretty well for one bout, truly! But no doubt it is some
+neck-breaking piece of business; it will cost a head or so at the least.
+
+SPIEGEL. It wants nothing but courage; as to the headwork, I take that
+entirely upon myself. Courage, I say, Schweitzer! Courage, Roller!
+Grimm! Razman! Schufterle! Courage!
+
+SCHW. Courage! If that is all, I have courage enough to walk through
+hell barefoot.
+
+SCHUFT. And I courage enough to fight the very devil himself under the
+open gallows for the rescue of any poor sinner.
+
+SPIEGEL. That's just what it should be! If ye have courage, let any
+one of you step forward and say he has still something to lose, and not
+everything to gain?
+
+SCHW. Verily, I should have a good deal to lose, if I were to lose all
+that I have yet to win!
+
+PAZ. Yes, by Jove! and I much to win, if I could win all that I have
+not got to lose.
+
+SCHUFT. Were I to lose what I carry on my back on trust I should at any
+rate have nothing to lose on the morrow.
+
+SPIEGEL. Very well then! (He takes his place in the middle of them,
+and says in solemn adjuration)--if but a drop of the heroic blood of the
+ancient Germans still flow in your veins--come! We will fix our abode
+in the Bohemian forests, draw together a band of robbers, and--What are
+you gaping at? Has your slender stock of courage oozed out already?
+
+ROLLER. You are not the first rogue by many that has defied the
+gallows;--and yet what other choice have we?
+
+SPIEGEL. Choice? You have no choice. Do you want to lie rotting in
+the debtor's jail and beat hemp till you are bailed by the last trumpet?
+Would you toil with pick-axe and spade for a morsel of dry bread? or
+earn a pitiful alms by singing doleful ditties under people's windows?
+Or will you be sworn at the drumhead--and then comes the question,
+whether anybody would trust your hang-dog visages--and so under the
+splenetic humor of some despotic sergeant serve your time of purgatory
+in advance? Would you like to run the gauntlet to the beat of the drum?
+or be doomed to drag after you, like a galley-slave, the whole iron
+store of Vulcan? Behold your choice. You have before you the complete
+catalogue of all that you may choose from!
+
+ROLLER. Spiegelberg is not altogether wrong! I, too, have been
+concocting plans, but they come much to the same thing. How would it
+be, thought I, were we to club our wits together, and dish up a
+pocketbook, or an almanac, or something of that sort, and write reviews
+at a penny a line, as is now the fashion?
+
+SCHUFT. The devil's in you! you are pretty nearly hitting on my own
+schemes. I have been thinking to myself how would it answer were I to
+turn Methodist, and hold weekly prayer-meetings?
+
+GRIMM. Capital! and, if that fails, turn atheist! We might fall foul of
+the four Gospels, get our book burned by the hangman, and then it would
+sell at a prodigious rate.
+
+RAZ. Or we might take the field to cure a fashionable ailment. I know
+a quack doctor who has built himself a house with nothing but mercury,
+as the motto over his door implies.
+
+SCHWEIT. (rises and holds out his hand to Spiegelberg). Spiegelberg,
+thou art a great man! or else a blind hog has by chance found an acorn.
+
+SCHW. Excellent schemes! Honorable professions! How great minds
+sympathize! All that seems wanting to complete the list is that we
+should turn pimps and bawds.
+
+SPIEGEL. Pooh! Pooh! Nonsense. And what is to prevent our combining
+most of these occupations in one person? My plan will exalt you the
+most, and it holds out glory and immortality into the bargain.
+Remember, too, ye sorry varlets, and it is a matter worthy of
+consideration: one's fame hereafter--the sweet thought of immortality--
+
+ROLLER. And that at the very head of the muster-roll of honorable
+names! You are a master of eloquence, Spiegelberg, when the question is
+how to convert an honest man into a scoundrel. But does any one know
+what has become of Moor?
+
+SPIEGEL. Honest, say you? Do you think you'll be less honest then than
+you are now? What do you call honest? To relieve rich misers of half
+of those cares which only scare golden sleep from their eyelids; to
+force hoarded coin into circulation; to restore the equalization of
+property; in one word, to bring back the golden age; to relieve
+Providence of many a burdensome pensioner, and so save it the trouble of
+sending war, pestilence, famine, and above all, doctors--that is what I
+call honesty, d'ye see; that's what I call being a worthy instrument in
+the hand of Providence,--and then, at every meal you eat, to have the
+sweet reflection: this is what thy own ingenuity, thy lion boldness, thy
+night watchings, have procured for thee--to command the respect both of
+great and small!
+
+ROLLER. And at last to mount towards heaven in the living body, and in
+spite of wind and storm, in spite of the greedy maw of old father Time,
+to be hovering beneath the sun and moon and all the stars of the
+firmament, where even the unreasoning birds of heaven, attracted by
+noble instinct, chant their seraphic music, and angels with tails hold
+their most holy councils? Don't you see? And, while monarchs and
+potentates become a prey to moths and worms, to have the honor of
+receiving visits from the royal bird of Jove. Moritz, Moritz, Moritz!
+beware of the three-legged beast.*
+
+ *[The gallows, which in Germany is formed of three posts.]
+
+SPIEGEL. And does that fright thee, craven-heart? Has not many a
+universal genius, who might have reformed the world, rotted upon the
+gallows? And does not the renown of such a man live for hundreds and
+thousands of years, whereas many a king and elector would be passed over
+in history, were not historians obliged to give him a niche to complete
+the line of succession, or that the mention of him did not swell the
+volume a few octavo pages, for which he counts upon hard cash from the
+publisher. And when the wayfarer sees you swinging to and fro in the
+breeze he will mutter to himself, "That fellow's brains had no water in
+them, I'll warrant me," and then groan over the hardship of the times.
+
+SCHWEIT. (slaps him on the shoulder). Well said, Spiegelberg! Well
+said! Why the devil do we stand here hesitating?
+
+SCHW. And suppose it is called disgrace--what then? Cannot one, in
+case of need, always carry a small powder about one, which quietly
+smooths the weary traveller's passage across the Styx, where no cock-
+crowing will disturb his rest? No, brother Moritz! Your scheme is
+good; so at least says my creed.
+
+SCHUFT. Zounds! and mine too! Spiegelberg, I am your recruit.
+
+RAZ. Like a second Orpheus, Spiegelberg, you have charmed to sleep that
+howling beast, conscience! Take me as I stand, I am yours entirely!
+
+GRIMMM. /Si omnes consentiunt ego non dissentio/;* mind, without a
+comma. There is an auction going on in my head--methodists--quack
+doctors--reviewers--rogues;--the highest bidder has me. Here is my
+hand, Moritz!
+
+ *[The joke is explained by placing a comma after non.]
+
+ROLLER. And you too, Schweitzer? (he gives his right hand to
+SPIEGELBERG). Thus I consign my soul to the devil.
+
+SPIEGEL. And your name to the stars! What does it signify where the
+soul goes to? If crowds of /avantcouriers/ give notice of our descent
+that the devils may put on their holiday gear, wipe the accumulated soot
+of a thousand years from their eyelashes, and myriads of horned heads
+pop up from the smoking mouth of their sulphurous chimneys to welcome
+our arrival! 'Up, comrades! (leaping up). Up! What in the world is
+equal to this ecstacy of delight? Come along, comrades!
+
+ROLLER. Gently, gently! Where are you going? Every beast must have a
+head, boys!
+
+SPIEGEL. (With bitterness). What is that incubus preaching about? Was
+not the head already there before a single limb began to move? Follow
+me, comrades!
+
+ROLLER. Gently, I say! even liberty must have its master. Rome and
+Sparta perished for want of a chief.
+
+SPIEGEL. (in a wheedling manner). Yes,--stay--Roller is right. And he
+must have an enlightened head. Do you understand? A keen, politic
+head. Yes! when I think what you were only an hour ago, and what you
+are now, and that it is all owing to one happy thought. Yes, of course,
+you must have a chief, and you'll own that he who struck out this idea
+may claim to have an enlightened and politic head?
+
+ROLLER. If one could hope, if one could dream, but I fear he will not
+consent.
+
+SPIEGEL. Why not? Speak out boldly, friend! Difficult as it may be to
+steer a laboring vessel against wind and tide, oppressive as may be the
+weight of a crown, speak your thought without hesitation, Roller!
+Perhaps he may be prevailed upon after all!
+
+ROLLER. And if he does not the whole vessel will be crazy enough.
+Without Moor we are a "body without a soul."
+
+SPIEGEL. (turning angrily from him). Dolt! blockhead!
+
+
+ (Enter CHARLES VON MOOR in violent agitation, stalking backwards
+ and forwards, and speaking to himself.)
+
+
+CHARLES VON M. Man--man! false, perfidious crocodile-brood! Your eyes
+are all tears, but your hearts steel! Kisses on your lips, but daggers
+couched in your bosoms! Even lions and tigers nourish their young.
+Ravens feast their brood on carrion, and he--he Malice I have learned to
+bear; and I can smile when my fellest enemy drinks to me in my own
+heart's blood; but when kindred turn traitors, when a father's love
+becomes a fury's hate; oh, then, let manly resignation give place to
+raging fire! the gentle lamb become a tiger! and every nerve strain
+itself to vengeance and destruction!
+
+ROLLER. Hark ye, Moor! What think ye of it? A robber's life is
+pleasanter, after all, than to lie rotting on bread and water in the
+lowest dungeon of the castle?
+
+CHARLES VON M. Why was not this spirit implanted in a tiger which gluts
+its raging jaws with human flesh? Is this a father's tenderness? Is
+this love for love? Would I were a bear to rouse all the bears of the
+north against this murderous race! Repentance, and no pardon! Oh, that
+I could poison the ocean that men might drink death from every spring!
+Contrition, implicit reliance, and no pardon!
+
+ROLLER. But listen, Moor,--listen to what I am telling you!
+
+CHARLES VON M. 'Tis incredible! 'tis a dream--a delusion! Such earnest
+entreaty, such a vivid picture of misery and tearful penitence--a savage
+beast would have been melted to compassion! stones would have wept, and
+yet he--it would be thought a malicious libel upon human nature were I
+to proclaim it--and yet, yet--oh, that I could sound the trumpet of
+rebellion through all creation, and lead air, and earth, and sea into
+battle array against this generation of hyenas!
+
+GRIMM. Hear me, only hear me! You are deaf with raving.
+
+CHARLES VON M. Avaunt, avaunt! Is not thy name man? Art thou not born
+of woman? Out of my sight, thou thing with human visage! I loved him
+so unutterably!--never son so loved a father; I would have sacrificed a
+thousand lives for him (foaming and stamping the ground). Ha! where is
+he that will put a sword into my hand that I may strike this generation
+of vipers to the quick! Who will teach me how to reach their heart's
+core, to crush, to annihilate the whole race? Such a man shall be my
+friend, my angel, my god--him will I worship!
+
+ROLLER. Such friends behold in us; be but advised!
+
+SCHW. Come with us into the Bohemian forests! We will form a band of
+robbers there, and you (MOOR stares at him).
+
+SCHWEIT. You shall be our captain! you must be our captain!
+
+SPIEGEL. (throws himself into a chair in a rage). Slaves and cowards!
+
+CHARLES VON M. Who inspired thee with that thought? Hark, fellow!
+(grasping ROLLER tightly) that human soul of thine did not produce it;
+who suggested it to thee? Yes, by the thousand arms of death! that's
+what we will, and what we must do! the thought's divine. He who
+conceived it deserves to be canonized. Robbers and murderers! As my
+soul lives, I am your captain!
+
+ALL (with tumultuous shouts). Hurrah! long live our captain!
+
+SPIEGEL. (starting up, aside). Till I give him his /coup de grace/!
+
+CHARLES VON M. See, it falls like a film from my eyes! What a fool was
+I to think of returning to be caged? My soul's athirst for deeds, my
+spirit pants for freedom. Murderers, robbers! with these words I
+trample the law underfoot--mankind threw off humanity when I appealed to
+it. Away, then, with human sympathies and mercy! I no longer have a
+father, no longer affections; blood and death shall teach me to forget
+that anything was ever dear to me! Come! come! Oh, I will recreate
+myself with some most fearful vengeance;--'tis resolved, I am your
+captain! and success to him who Shall spread fire and slaughter the
+widest and most savagely--I pledge myself He shall be right royally
+rewarded. Stand around me, all of you, and swear to me fealty and
+obedience unto death! Swear by this trusty right hand.
+
+ALL (place their hands in his). We swear to thee fealty and obedience
+unto death!
+
+CHARLES VON M. And, by this same trusty right Hand, I here swear to you
+to remain your captain, true and faithful unto death! This arm shall
+make an instant corpse of him who doubts, or fears, or retreats. And
+may the same befall me from your hands if I betray my oath! Are you
+content?
+
+
+ [SPIEGELBERG runs up and down in a furious rage.]
+
+
+ALL (throwing up their hats). We are content!
+
+CHARLES VON M. Well, then, let us be gone! Fear neither death nor
+danger, for an unalterable destiny rules over us. Every man has his
+doom, be it to die on the soft pillow of down, or in the field of blood,
+or on the scaffold, or the wheel! One or the other of these must be our
+lot! [Exeunt.]
+
+SPIEGEL. (looking after them after a pause). Your catalogue has a hole
+in it. You have omitted poison.
+
+[Exit.]
+
+
+
+
+ SCENE III.--MOOR'S Castle.--AMELIA'S Chamber.
+
+ FRANCIS, AMELIA.
+
+FRANCIS. Your face is averted from me, Amelia? Am I less worthy than
+he who is accursed of his father?
+
+AMELIA. Away! Oh! what a loving, compassionate father, who abandons
+his son a prey to wolves and monsters! In his own comfortable home he
+pampers himself with delicious wines and stretches his palsied limbs on
+down, while his noble son is starving. Shame upon you, inhuman
+wretches! Shame upon you, ye souls of dragons, ye blots on humanity!--
+his only son!
+
+FRANCIS. I thought he had two.
+
+AMELIA. Yes, he deserves to have such sons as you are. On his deathbed
+he will in vain stretch out his withered hands for his Charles, and
+recoil with a shudder when he feels the ice-cold hand of his Francis.
+Oh, it is sweet, deliciously sweet, to be cursed by such a father! Tell
+me, Francis, dear brotherly soul--tell me what must one do to be cursed
+by him?
+
+FRANCIS. You are raving, dearest; you are to be pitied.
+
+AMELIA. Oh! indeed. Do you pity your brother? No, monster, you hate
+him! I hope you hate me too.
+
+FRANCIS. I love you as dearly as I love myself, Amelia!
+
+AMELIA. If you love me you will not refuse me one little request.
+
+FRANCIS. None, none! if you ask no more than my life.
+
+AMELIA. Oh, if that is the case! then one request, which you will so
+easily, so readily grant. (Loftily.) Hate me! I should perforce blush
+crimson if, whilst thinking of Charles, it should for a moment enter my
+mind that you do not hate me. You promise me this? Now go, and leave
+me; I so love to be alone!
+
+FRANCIS. Lovely enthusiast! how greatly I admire your gentle,
+affectionate heart. Here, here, Charles reigned sole monarch, like a
+god within his temple; he stood before thee waking, he filled your
+imaination dreaming; the whole creation seemed to thee to centre in
+Charles, and to reflect him alone; it gave thee no other echo but of
+him.
+
+AMELIA (with emotion). Yes, verily, I own it. Despite of you all,
+barbarians as you are, I will own it before all the world. I love him!
+
+FRANCIS. Inhuman, cruel! So to requite a love like this! To forget
+her--
+
+AMELIA (starting). What! forget me?
+
+FRANCIS. Did you not place a ring on his finger?--a diamond ring, the
+pledge of your love? To be sure how is it possible for youth to resist
+the fascinations of a wanton? Who can blame him for it, since he had
+nothing else left to give away? and of course she repaid him with
+interest by her caresses and embraces.
+
+AMELIA (with indignation). My ring to a wanton?
+
+FRANCIS. Fie, fie! it is disgraceful. 'Twould not be much, however, if
+that were all. A ring, be it ever so costly, is, after all, a thing
+which one may always buy of a Jew. Perhaps the fashion of it did not
+please him, perhaps he exchanged it for one more beautiful.
+
+AMELIA (with violence). But my ring, I say, my ring?
+
+FRANCIS. Even yours, Amelia. Ha! such a brilliant, and on my finger;
+and from Amelia! Death itself should not have plucked it hence. It is
+not the costliness of the diamond, not the cunning of the pattern--it is
+love which constitutes its value. Is it not so, Amelia? Dearest child,
+you are weeping. Woe be to him who causes such precious drops to flow
+from those heavenly eyes; ah, and if you knew all, if you could but see
+him yourself, see him under that form?
+
+AMELIA. Monster! what do you mean? What form do you speak of?
+
+FRANCIS. Hush, hush, gentle soul, press me no further (as if
+soliloquizing, yet aloud). If it had only some veil, that horrid vice,
+under which it might shroud itself from the eye of the world! But there
+it is, glaring horribly through the sallow, leaden eye; proclaiming
+itself in the sunken, deathlike look; ghastly protruding bones; the
+faltering, hollow voice; preaching audibly from the shattered, shaking
+skeleton; piercing to the most vital marrow of the bones, and sapping
+the manly strength of youth--faugh! the idea sickens me. Nose, eyes,
+ears shrink from it. You saw that miserable wretch, Amelia, in our
+hospital, who was heavily breathing out his spirit; modesty seemed to
+cast down her abashed eye as she passed him; you cried woe upon him.
+Recall that hideous image to your mind, and your Charles stands before
+you. His kisses are pestilence, his lips poison.
+
+AMELIA (strikes him). Shameless liar!
+
+FRANCIS. Does such a Charles inspire you with horror? Does the mere
+picture fill you with disgust? Go, then! gaze upon him yourself, your
+handsome, your angelic, your divine Charles! Go, drink his balmy
+breath, and revel in the ambrosial fumes which ascend from his throat!
+The very exhalations of his body will plunge you into that dark and
+deathlike dizziness which follows the smell of a bursting carcase, or
+the sight of a corpse-strewn battle-field. (AMELIA turns away her
+face.) What sensations of love! What rapture in those embraces! But is
+it not unjust to condemn a man because of his diseased exterior? Even
+in the most wretched lump of deformity a soul great and worthy of love
+may beam forth brightly like a pearl on a dunghill. ( With a malignant
+smile.) Even from lips of corruption love may----. To be sure if vice
+should undermine the very foundations of character, if with chastity
+virtue too should take her flight as the fragrance departs from the
+faded rose--if with the body the soul too should be tainted and
+corrupted.
+
+AMELIA (rising joyfully). Ha! Charles! now I recognize thee again!
+Thou art whole, whole! It was all a lie! Dost thou not know,
+miscreant, that it would be impossible for Charles to be the being you
+describe? (FRANCIS remains standing for some time, lost in thought,
+then suddenly turns round to go away.) Whither are you going in such
+haste? Are you flying from your own infamy?
+
+FRANCIS (hiding his face). Let me go, let me go! to give free vent to
+my tears! tyrannical father, thus to abandon the best of your sons to
+misery and disgrace on every side! Let me go, Amelia! I will throw
+myself at his feet, on my knees I will conjure him to transfer to me the
+curse that he has pronounced, to disinherit me, to hate me, my blood, my
+life, my all----.
+
+AMELIA (falls on his neck). Brother of my Charles! Dearest, most
+excellent Francis!
+
+FRANCIS. Oh, Amelia! how I love you for this unshaken constancy to my
+brother. Forgive me for venturing to subject your love to so severe a
+trial! How nobly you have realized my wishes! By those tears, those
+sighs, that divine indignation--and for me too, for me--our souls did so
+truly harmonize.
+
+AMELIA. Oh, no! that they never did!
+
+FRANCIS. Alas! they harmonized so truly that I always thought we must
+be twins. And were it not for that unfortunate difference in person, to
+be twin-like, which, it must be admitted, would be to the disadvantage
+of Charles, we should again and again be mistaken for each other. Thou
+art, I often said to myself, thou art the very Charles, his echo, his
+counterpart.
+
+AMELIA (shakes her head). No, no! by that chaste light of heaven! not
+an atom of him, not the least spark of his soul.
+
+FRANCIS. So entirely the same in our dispositions; the rose was his
+favorite flower, and what flower do I esteem above the rose? He loved
+music beyond expression; and ye are witnesses, ye stars! how often you
+have listened to me playing on the harpsichord in the dead silence of
+night, when all around lay buried in darkness and slumber; and how is it
+possible for you, Amelia, still to doubt? if our love meets in one
+perfection, and if it is the self-same love, how can its fruits
+degenerate? (AMELIA looks at him with astonishment.) It was a calm,
+serene evening, the last before his departure for Leipzic, when he took
+me with him to the bower where you so often sat together in dreams of
+love,--we were long speechless; at last he seized my hand, and said, in
+a low voice, and with tears in his eyes, "I am leaving Amelia; I know
+not, but I have a sad presentiment that it is forever; forsake her not,
+brother; be her friend, her Charles--if Charles--should never--never
+return." (He throws himself down before her, and kisses her hand with
+fervor.) Never, never, never will he return; and I stand pledged by a
+sacred oath to fulfil his behest!
+
+AMELIA (starting back). Traitor! Now thou art unmasked! In that very
+bower he conjured me, if he died, to admit no other love. Dost thou see
+how impious, how execrable----. Quit my sight!
+
+FRANCIS. You know me not, Amelia; you do not know me in the least!
+
+AMELIA. Oh, yes, I know you; from henceforth I know you; and you
+pretend to be like him? You mean to say that he wept for me in your
+presence? Yours? He would sooner have inscribed my name on the
+pillory? Begone--this instant!
+
+FRANCIS. You insult me.
+
+AMELIA. Go--I say. You have robbed me of a precious hour; may it be
+deducted from your life.
+
+FRANCIS. You hate me then!
+
+AMELIA. I despise you--away!
+
+FRANCIS (stamping with fury). Only wait! you shall learn to tremble
+before me!--To sacrifice me for a beggar!
+ [Exit in anger.]
+
+AMELIA. Go, thou base villain! Now, Charles, am I again thine own.
+Beggar, did he say! then is the world turned upside down, beggars are
+kings, and kings are beggars! I would not change the rags he wears for
+the imperial purple. The look with which he begs must, indeed, be a
+noble, a royal look, a look that withers into naught the glory, the
+pomp, the triumphs of the rich and great! Into the dust with thee,
+glittering baubles! (She tears her pearls from her neck.) Let the rich
+and the proud be condemned to bear the burden of gold, and silver, and
+jewels! Be they condemned to carouse at the tables of the voluptuous!
+To pamper their limbs on the downy couch of luxury! Charles! Charles!
+Thus am I worthy of thee!
+ [Exit.]
+
+
+
+
+ ACT II.
+
+ SCENE I.--FRANCIS VON MOOR in his chamber--in meditation.
+
+FRANCIS. It lasts too long-and the doctor even says is recovering--an
+old man's life is a very eternity! The course would be free and plain
+before me, but for this troublesome, tough lump of flesh, which, like
+the infernal demon-hound in ghost stories, bars the way to my treasures.
+
+Must, then, my projects bend to the iron yoke of a mechanical system?
+Is my soaring spirit to be chained down to the snail's pace of matter?
+To blow out a wick which is already flickering upon its last drop of
+oil--'tis nothing more. And yet I would rather not do it myself, on
+account of what the world would say. I should not wish him to be
+killed, but merely disposed of. I should like to do what your clever
+physician does, only the reverse way--not stop Nature's course by
+running a bar across her path, but only help her to speed a little
+faster. Are we not able to prolong the conditions of life? Why,
+then, should we not also be able to shorten them? Philosophers and
+physiologists teach us how close is the sympathy between the emotions of
+the mind and the movements of the bodily machine. Convulsive sensations
+are always accompanied by a disturbance of the mechanical vibrations--
+passions injure the vital powers--an overburdened spirit bursts its
+shell. Well, then--what if one knew how to smooth this unbeaten path,
+for the easier entrance of death into the citadel of life?--to work the
+body's destruction through the mind--ha! an original device!--who can
+accomplish this?--a device without a parallel! Think upon it, Moor!
+That were an art worthy of thee for its inventor. Has not poisoning
+been raised almost to the rank of a regular science, and Nature
+compelled, by the force of experiments, to define her limits, so that
+one may now calculate the heart's throbbings for years in advance, and
+say to the beating pulse, "So far, and no farther"? Why should not one
+try one's skill in this line?*
+
+ *[A woman in Paris, by means of a regularly performed series of
+ experiments, carried the art of poisoning to such perfection that
+ she could predict almost to a certainty the day of death, however
+ remote. Fie upon our physicians, who should blush to be outdone by
+ a woman in their own province. Beckmann, in his article on secret
+ poisoning, has given a particular account of this woman, the
+ Marchioness de Brinvilliers.--See "History of Inventions," Standard
+ Library Edition, vol. i, pp. 47-63.]
+
+And how, then, must I, too, go to work to dissever that sweet and
+peaceful union of soul and body? What species of sensations should I
+seek to produce? Which would most fiercely assail the condition of
+life? Anger?--that ravenous wolf is too quickly satiated. Care? that
+worm gnaws far too slowly. Grief?--that viper creeps too lazily for me.
+Fear?--hope destroys its power. What! and are these the only
+executioners of man? is the armory of death so soon exhausted? (In deep
+thought.) How now! what! ho! I have it! (Starting up.) Terror! What
+is proof against terror? What powers have religion and reason under
+that giant's icy grasp! And yet--if he should withstand even this
+assault? If he should! Oh, then, come Anguish to my aid! and thou,
+gnawing Repentance!--furies of hell, burrowing snakes who regorge your
+food, and feed upon your own excrements; ye that are forever destroying,
+and forever reproducing your poison! And thou, howling Remorse, that
+desolatest thine own habitation, and feedest upon thy mother. And come
+ye, too, gentle Graces, to my aid; even you, sweet smiling Memory,
+goddess of the past--and thou, with thy overflowing horn of plenty,
+blooming Futurity; show him in your mirror the joys of Paradise, while
+with fleeting foot you elude his eager grasp. Thus will I work my
+battery of death, stroke after stroke, upon his fragile body, until the
+troop of furies close upon him with Despair! Triumph! triumph!--the
+plan is complete--difficult and masterly beyond compare--sure--safe; for
+then (with a sneer) the dissecting knife can find no trace of wound or
+of corrosive poison.
+
+(Resolutely.) Be it so! (Enter HERMANN.) Ha! /Deus ex machina/!
+Hermann!
+
+HERMANN. At your service, gracious sir!
+
+FRANCIS (shakes him by the hand). You will not find it that of an
+ungrateful master.
+
+HERMANN. I have proofs of this.
+
+FRANCIS. And you shall have more soon--very soon, Hermann!--I have
+something to say to thee, Hermann.
+
+HERMANN. I am all attention.
+
+FRANCIS. I know thee--thou art a resolute fellow--a man of mettle.--To
+call thee smooth-tongued! My father has greatly belied thee, Hermann.
+
+HERMANN. The devil take me if I forget it!
+
+FRANCIS. Spoken like a man! Vengeance becomes a manly heart! Thou art
+to my mind, Hermann. Take this purse, Hermann. It should be heavier
+were I master here.
+
+HERMANN. That is my unceasing wish, most gracious sir. I thank you.
+
+FRANCIS. Really, Hermann! dost thou wish that I were master? But my
+father has the marrow of a lion in his bones, and I am but a younger
+son.
+
+HERMANN. I wish you were the eldest son, and that your father were as
+marrowless as a girl sinking in a consumption.
+
+FRANCIS. Ha! how that elder son would recompense thee! How he would
+raise thee from this grovelling condition, so ill suited to thy spirit
+and noble birth, to be a light of the age!--Then shouldst thou be
+covered with gold from head to foot, and dash through the streets four
+in hand--verily thou shouldst!--But I am losing sight of what I meant to
+say.--Have you already forgotten the Lady Amelia, Hermann?
+
+HERMANN. A curse upon it! Why do you remind me of her?
+
+FRANCIS. My brother has filched her away from you.
+
+HERMANN. He shall rue it.
+
+FRANCIS. She gave you the sack. And, if I remember right, he kicked
+you down stairs.
+
+HERMANN. For which I will kick him into hell.
+
+FRANCIS. He used to say, it was whispered abroad, that your father
+could never look upon you without smiting his breast and sighing,
+"God be merciful to me, a sinner!"
+
+HERMANN (wildly). Thunder and lightning! No more of this!
+
+FRANCIS. He advised you to sell your patent of nobility by auction, and
+to get your stockings mended with the proceeds.
+
+HERMANN. By all the devils in hell, I'll scratch out his eyes with my
+own nails!
+
+FRANCIS. What? you are growing angry? What signifies your anger? What
+harm can you do him? What can a mouse like you do to such a lion? Your
+rage only makes his triumph the sweeter. You can do nothing more than
+gnash your teeth, and vent your rage upon a dry crust.
+
+HERMANN (stamping). I will grind him to powder!
+
+FRANCIS (slapping his shoulder). Fie, Hermann! You are a gentleman.
+You must not put up with the affront. You must not give up the lady,
+no, not for all the world, Hermann! By my soul, I would move heaven and
+earth were I in your place.
+
+HERMANN. I will not rest till I have him, and him, too, under ground.
+
+FRANCIS. Not so violent, Hermann! Come nearer--you shall have Amelia.
+
+HERMANN. That I must; despite the devil himself, I will have her.
+
+FRANCIS. You shall have her, I tell you; and that from my hand. Come
+closer, I say.--You don't know, perhaps, that Charles is as good as
+disinherited.
+
+HERMANN (going closer to him). Incredible! The first I have heard of
+it.
+
+FRANCIS. Be patient, and listen! Another time you shall hear more.--
+Yes, I tell you, as good as banished these eleven months. But the old
+man already begins to lament the hasty step, which, however, I flatter
+myself (with a smile) is not entirely his own. Amelia, too, is
+incessantly pursuing him with her tears and reproaches. Presently he
+will be having him searched for in every quarter of the world; and if he
+finds him--then it's all over with you, Hermann. You may perhaps have
+the honor of most obsequiously holding the coach-door while he alights
+with the lady to get married.
+
+HERMANN. I'll strangle him at the altar first.
+
+FRANCIS. His father will soon give up his estates to him, and live in
+retirement in his castle. Then the proud roysterer will have the reins
+in his own hands, and laugh his enemies to scorn;--and I, who wished to
+make a great man of you--a man of consequence--I myself, Hermann, shall
+have to make my humble obeisance at his threshold.
+
+HERMANN (with fire). No, as sure as my name is Hermann, that shall
+never be! If but the smallest spark of wit glimmer in this brain of
+mine, that shall never be!
+
+FRANCIS. Will you be able to prevent it? You, too, my good Hermann,
+will be made to feel his lash. He will spit in your face when he meets
+you in the streets; and woe be to you should you venture to shrug your
+shoulders or to make a wry mouth. Look, my friend! this is all that
+your lovesuit, your prospects, and your mighty plans amount to.
+
+HERMANN. Tell me, what am I to do?
+
+FRANCIS. Well, then, listen, Hermann! You see how I enter into your
+feelings, like a true friend. Go--disguise yourself, so that no one may
+recognize you; obtain audience of the old man; pretend to come straight
+from Bohemia, to have been at the battle of Prague along with my
+brother--to have seen him breathe his last on the field of battle!
+
+HERMANN. Will he believe me?
+
+FRANCIS. Ho! ho! let that be my care! Take this packet. There you
+will find your commission set forth at large; and documents, to boot,
+which shall convince the most incredulous. Only make haste to get away
+unobserved. Slip through the back gate into the yard, and then scale
+the garden wall.--The denouement of this tragicomedy you may leave to
+me!
+
+HERMANN. That, I suppose, will be, "Long live our new baron, Francis
+von Moor!"
+
+FRANCIS (patting his cheeks). How cunning you are! By this means, you
+see, we attain all our aims at once and quickly. Amelia relinquishes
+all hope of him,--the old man reproaches himself for the death of his
+son, and--he sickens--a tottering edifice needs no earthquake to bring
+it down--he will not survive the intelligence--then am I his only son,
+--Amelia loses every support, and becomes the plaything of my will, and
+you may easily guess--in short, all will go as we wish--but you must not
+flinch from your word.
+
+HERMANN. What do you say? (Exultingly.) Sooner shall the ball turn
+back in its course, and bury itself in the entrails of the marksman.
+Depend upon me! Only let me to the work. Adieu!
+
+FRANCIS (calling after him). The harvest is thine, dear Hermann!
+(Alone.) When the ox has drawn the corn into the barn, he must put up
+with hay. A dairy maid for thee, and no Amelia!
+
+
+
+
+ SCENE II.--Old Moor's Bedchamber.
+
+ OLD MOOR asleep in an arm-chair; AMELIA.
+
+
+AMELIA (approaching him on tip-toe). Softly! Softly! He slumbers.
+(She places herself before him.) How beautiful! how venerable!--
+venerable as the picture of a saint. No, I cannot be angry with thee,
+thou head with the silver locks; I cannot be angry with thee! Slumber
+on gently, wake up cheerfully--I alone will be the sufferer.
+
+OLD M. (dreaming). My son! my son! my son!
+
+AMELIA (seizes his hand). Hark!--hark! his son is in his dreams.
+
+OLD M. Are you there? Are you really there! Alas! how miserable you
+seem! Fix not on me that mournful look! I am wretched enough.
+
+AMELIA (awakens him abruptly). Look up, dear old man! 'Twas but a
+dream. Collect yourself!
+
+OLD M. (half awake). Was he not there? Did I not press his hands?
+Cruel Francis! wilt thou tear him even from my dreams?
+
+AMELIA (aside). Ha! mark that, Amelia!
+
+OLD M. (rousing himself). Where is he? Where? Where am I? You here,
+Amelia?
+
+AMELIA. How do you find yourself? You have had a refreshing slumber.
+
+OLD M. I was dreaming about my son. Why did I not dream on? Perhaps I
+might have obtained forgiveness from his lips.
+
+AMELIA. Angels bear no resentment--he forgives you. (Seizes his hand
+sorrowfully.) Father of my Charles! I, too, forgive you.
+
+OLD M. No, no, my child! That death-like paleness of thy cheek is the
+father's condemnation. Poor girl! I have robbed thee of the happiness
+of thy youth. Oh, do not curse me!
+
+AMELIA (affectionately kissing his hand). I curse you?
+
+OLD M. Dost thou know this portrait, my daughter?
+
+AMELIA. Charles!
+
+OLD M. Such was he in his sixteenth year. But now, alas! how changed.
+Oh, it is raging within me. That gentleness is now indignation; that
+smile despair. It was his birthday, was it not, Amelia--in the
+jessamine bower--when you drew this picture of him? Oh, my daughter!
+How happy was I in your loves.
+
+AMELIA (with her eye still riveted upon the picture). No, no, it is not
+he! By Heaven, that is not Charles! Here (pointing to her head and her
+heart), here he is perfect; and how different. The feeble pencil avails
+not to express that heavenly spirit which reigned in his fiery eye.
+Away with it! This is a poor image, an ordinary man! I was a mere
+dauber.
+
+OLD M. That kind, that cheering look! Had that been at my bedside,
+I should have lived in the midst of death. Never, never should I have
+died!
+
+AMELIA. No, you would never, never have died. It would have been but a
+leap, as we leap from one thought to another and a better. That look
+would have lighted you across the tomb--that look would have lifted you
+beyond the stars!
+
+OLD M. It is hard! it is sad! I am dying, and my son Charles is not
+here--I am borne to my tomb, and he weeps not over my grave. How sweet
+it is to be lulled into the sleep of death by a son's prayer--that is
+the true requiem.
+
+AMELIA (with enthusiasm). Yes, sweet it is, heavenly sweet, to be
+lulled into the sleep of death by the song of the beloved. Perhaps our
+dreams continue in the grave--a long, eternal, never-ending dream of
+Charles--till the trumpet of resurrection sounds--(rising in ecstasy)
+--and thenceforth and forever in his arms! (A pause; she goes to the
+piano and plays.)
+
+ ANDROMACHE.
+
+ Oh, Hector, wilt thou go for evermore,
+ When fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ When then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallow'd up in Xanthus' wave?
+
+
+OLD M. A beautiful song, my daughter. You must play that to me before
+I die.
+
+AMELIA. It is the parting of Hector and Andromache. Charles and I used
+often to sing it together to the guitar. (She continues.)
+
+
+ HECTOR.
+
+ Beloved wife! stern duty calls to arms--
+ Go, fetch my lance! and cease those vain alarms!
+ On me is cast the destiny of Troy!
+ Astyanax, my child, the Gods will shield,
+ Should Hector fall upon the battle-field;
+ And in Elysium we shall meet with joy!
+
+
+Enter DANIEL.
+
+DANIEL. There is a man without, who craves to be admitted to your
+presence, and says he brings tidings of importance.
+
+OLD M. To me there is but one thing in this world of importance; thou
+knowest it, Amelia. Perhaps it is some unfortunate creature who seeks
+assistance? He shall not go hence in sorrow.
+
+AMELIA.--If it is a beggar, let him come up quickly.
+
+OLD M. Amelia, Amelia! spare me!
+
+AMELIA (continues to play and sing.)
+
+
+ ANDROMACHE.
+
+ Thy martial tread no more will grace my hall--
+ Thine arms shall hang sad relics on the wall--
+ And Priam's race of godlike heroes fade!
+ Oh, thou wilt go where Phcebus sheds no light--
+ Where black Cocytus wails in endless night
+ Thy love will die in Lethe's gloomy shade.
+
+
+ HECTOR.
+
+ Though I in Lethe's darksome wave should sink,
+ And cease on other mortal ties to think,
+ Yet thy true love shall never be forgot!
+ Hark! on the walls I hear the battle roar--
+ Gird on my armor--and, oh, weep no more.
+ Thy Hector's love in Lethe dieth not!
+
+
+ (Enter FRANCIS, HERMANN in disguise, DANIEL.)
+
+FRANCIS. Here is the man. He says that he brings terrible news. Can
+you bear the recital!
+
+OLD M. I know but one thing terrible to hear. Come hither, friend, and
+spare me not! Hand him a cup of wine!
+
+HERMANN (in a feigned voice). Most gracious Sir? Let not a poor man be
+visited with your displeasure, if against his will he lacerates your
+heart. I am a stranger in these parts, but I know you well; you are the
+father of Charles von Moor.
+
+OLD M. How know you that?
+
+HERMANN. I knew your son
+
+AMELIA (starting up). He lives then? He lives! You know him? Where
+is he? Where? (About to rush out.)
+
+OLD M. What know you about my son?
+
+HERMANN. He was a student at the university of Leipzic. From thence he
+travelled about, I know not how far. He wandered all over Germany, and,
+as he told me himself, barefoot and bareheaded, begging his bread from
+door to door. After five months, the fatal war between Prussia and
+Austria broke out afresh, and as he had no hopes left in this world, the
+fame of Frederick's victorious banner drew him to Bohemia. Permit me,
+said he to the great Schwerin, to die on the bed of heroes, for I have
+no longer a father!--
+
+OLD M. O! Amelia! Look not on me!
+
+HERMANN. They gave him a pair of colors. With the Prussians he flew on
+the wings of victory. We chanced to lie together, in the same tent. He
+talked much of his old father, and of happy days that were past--and of
+disappointed hopes--it brought the tears into our eyes.
+
+OLD M. (buries his face in his pillow).--No more! Oh, no more!
+
+HERMANN. A week after, the fierce battle of Prague was fought--I can
+assure you your son behaved like a brave soldier. He performed
+prodigies that day in sight of the whole army. Five regiments were
+successively cut down by his side, and still he kept his ground. Fiery
+shells fell right and left, and still your son kept his ground. A ball
+shattered his right hand: he seized the colors with his left, and still
+he kept his ground!
+
+AMELIA (in transport). Hector, Hector! do you hear? He kept his
+ground!
+
+HERMANN. On the evening of the battle I found him on the same spot. He
+had sunk down, amidst a shower of hissing balls: with his left hand he
+was stanching the blood that flowed from a fearful wound; his right he
+had buried in the earth. "Comrade!" cried he when he saw me, "there has
+been a report through the ranks that the general fell an hour ago--"
+"He is fallen," I replied, "and thou?" "Well, then," he cried,
+withdrawing his left hand from the wound, "let every brave soldier
+follow his general!" Soon after he breathed out his noble soul, to join
+his heroic leader.
+
+FRANCIS (feigning to rush wildly on HERMANN). May death seal thy
+accursed lips! Art thou come here to give the death-blow to our father?
+Father! Amelia! father!
+
+HERMANN. It was the last wish of my expiring comrade. "Take this
+sword," faltered he, with his dying breath, "deliver it to my aged
+father; his son's blood is upon it--he is avenged--let him rejoice.
+Tell him that his curse drove me into battle and into death; that I fell
+in despair." His last sigh was "Amelia."
+
+AMELIA (like one aroused from lethargy). His last sigh--Amelia!
+
+OLD M. (screaming horribly, and tearing his hair). My curse drove him
+into death! He fell in despair!
+
+FRANCIS (pacing up and down the room). Oh! what have you done, father?
+My Charles! my brother!
+
+HERMANN. Here is the sword; and here, too, is a picture which he drew
+from his breast at the same time. It is the very image of this young
+lady. "This for my brother Francis," he said; I know not what he meant
+by it.
+
+FRANCIS (feigning astonishment). For me? Amelia's picture? For me--
+Charles--Amelia? For me?
+
+AMELIA (rushing violently upon HERMANN). Thou venal, bribed impostor!
+(Lays hold of him.)
+
+HERMANN. I am no impostor, noble lady. See yourself if it is not your
+picture. It may be that you yourself gave it to him.
+
+FRANCIS. By heaven, Amelia! your picture! It is, indeed.
+
+AMELIA (returns him the picture) My picture, mine! Oh! heavens and
+earth!
+
+OLD M. (screaming and tearing his face.) Woe, woe! my curse drove him
+into death! He fell in despair!
+
+FRANCIS. And he thought of me in the last and parting hour--of me.
+Angelic soul! When the black banner of death already waved over him he
+thought of me!
+
+OLD M. (stammering like an idiot.) My curse drove him into death. In
+despair my son perished.
+
+HERMANN. This is more than I can bear! Farewell, old gentleman!
+(Aside to FRANCIS.) How could you have the heart to do this?
+ [Exit in haste.]
+
+AMELIA (rises and rushes after him). Stay! stay! What were nis last
+words?
+
+HERMANN (calling back). His last sigh was "Amelia."
+ [Exit.]
+
+AMELIA. His last sigh was Amelia! No, thou art no impostor. It is too
+true--true--he is dead--dead! (staggering to and fro till she sinks
+down)--dead--Charles is dead!
+
+FRANCIS. What do I see? What is this line on the sword?--written with
+blood--Amelia!
+
+AMELIA. By him?
+
+FRANCIS. Do I see clearly, or am I dreaming? Behold, in characters of
+blood, "Francis, forsake not my Amelia." And on the other side,
+"Amelia, all-powerful death has released thee from thy oath." Now do
+you see--do you see? With hand stiffening in death he wrote it, with
+his warm life's blood he wrote it--wrote it on the solemn brink of
+eternity. His spirit lingered in his flight to unite Francis and
+Amelia.
+
+AMELIA. Gracious heaven! it is his own hand. He never loved me.
+ [Rushes off]
+
+FRANCIS (stamping the ground). Confusion! her stubborn heart foils all
+my cunning!
+
+OLD MOOR. Woe, woe! forsake me not, my daughter! Francis, Francis!
+give me back my son!
+
+FRANCIS. Who was it that cursed him? Who was it that drove his son
+into battle, and death, and despair? Oh, he was an angel, a jewel of
+heaven! A curse on his destroyers! A curse, a curse upon yourself!
+
+OLD MOOR (strikes his breast and forehead with his clenched fist). He
+was an angel, a jewel of heaven! A curse, a curse, perdition, a curse
+on myself! I am the father who slew his noble son! He loved me even to
+death! To expiate my vengeance he rushed into battle and into death!
+Monster, monster that I am! (He rages against himself.)
+
+FRANCIS. He is gone. What avail these tardy lamentations? (with a
+satanic sneer.) It is easier to murder than to restore to life. You
+will never bring him back from his grave.
+
+OLD Moon. Never, never, never bring him back from the grave! Gone!
+lost for ever! And you it was that beguiled my heart to curse him.--
+you--you--Give me back my son!
+
+FRANCIS. Rouse not my fury, lest I forsake you even in the hour of
+death!
+
+OLD MOOR. Monster! inhuman monster! Restore my son to me. (Starts
+from the chair and attempts to catch FRANCIS by the throat, who flings
+him back.)
+
+FRANCIS. Feeble old dotard I would you dare? Die! despair!
+ [Exit.]
+
+OLD MOOR. May the thunder of a thousand curses light upon thee! thou
+hast robbed me of my son. (Throwing himself about in his chair full of
+despair). Alas! alas! to despair and yet not die. They fly, they
+forsake me in death; my guardian angels fly from me; all the saints
+withdraw from the hoary murderer. Oh, misery! will no one support this
+head, no one release this struggling soul? No son, no daughter, no
+friend, not one human being--will no one? Alone--forsaken. Woe, woe!
+To despair, yet not to die!
+
+
+ Enter AMELIA, her eyes red with weeping.
+
+OLD MOOR. Amelia I messenger of heaven! Art thou come to release my
+soul?
+
+AMELIA (in a gentle tone). You have lost a noble son.
+
+OLD MOOR. Murdered him, you mean. With the weight of this impeachment
+I shall present myself before the judgment-seat of God.
+
+AMELIA. Not so, old man! Our heavenly Father has taken him to himself.
+We should have been too happy in this world. Above, above, beyond the
+stars, we shall meet again.
+
+OLD MOOR. Meet again! Meet again! Oh! it will pierce my soul like a
+Sword--should I, a saint, meet him among the saints. In the midst of
+heaven the horrors of hell will strike through me! The remembrance of
+that deed will crush me in the presence of the Eternal: I have murdered
+my son!
+
+AMELIA. Oh, his smiles will chase away the bitter remembrance from your
+soul! Cheer up, dear father! I am quite cheerful. Has he not already
+sung the name of Amelia to listening angels on seraphic harps, and has
+not heaven's choir sweetly echoed it? Was not his last sigh, Amelia?
+And will not Amelia be his first accent of joy?
+
+OLD MOOR. Heavenly consolation flows from your lips! He will smile
+upon me, you say? He will forgive me? You must stay with my, beloved
+of my Charles, when I die.
+
+AMELIA. To die is to fly to his arms. Oh, how happy and enviable is
+your lot! Would that my bones were decayed!--that my hairs were gray!
+Woe upon the vigor of youth! Welcome, decrepid age, nearer to heaven
+and my Charles!
+
+
+ Enter FRANCIS.
+
+OLD MOOR. Come near, my son! Forgive me if I spoke too harshly to you
+just now! I forgive you all. I wish to yield up my spirit in peace.
+
+FRANCIS. Have you done weeping for your son? For aught that I see you
+had but one.
+
+OLD MOOR. Jacob had twelve sons, but for his Joseph he wept tears of
+blood.
+
+FRANCIS. Hum!
+
+OLD MOOR. Bring the Bible, my daughter, and read to me the story of
+Jacob and Joseph! It always appeared to me so touching, even before I
+myself became a Jacob.
+
+AMELIA. What part shall I read to you? (Takes the Bible and turns over
+the leaves.)
+
+OLD MOOR. Read to me the grief of the bereaved father, when he found
+his Joseph no more among his children;--when he sought him in vain
+amidst his eleven sons;--and his lamentation when he heard that he was
+taken from him forever.
+
+AMELIA (reads). "And they took Joseph's coat, and killed a kid of the
+goats, and dipped the coat in the blood; and they sent the coat of many
+colors, and they brought it to their father, and said, 'This have we
+found: know now whether it be thy son's coat or no.' (Exit FRANCIS
+suddenly.) And he knew it and said, 'It is my son's coat; an evil beast
+hath devoured him; Joseph is without doubt rent in pieces'"
+
+OLD MOOR (falls back upon the pillow). An evil beast hath devoured
+Joseph!
+
+AMELIA (continues reading). "And Jacob rent his clothes, and put
+sackcloth upon his loins, and mourned for his son many days. And all
+his sons and all his daughters rose up to comfort him, but he refused to
+be comforted, and he said, 'For I will go down into the grave'"
+
+OLD MOOR. Leave off! leave off. I feel very ill.
+
+AMELIA (running towards him, lets fall the book). Heaven help us! What
+is this?
+
+OLD MOOR. It is death--darkness--is waving--before my eyes--I pray
+thee--send for the minister--that he may--give me--the Holy Communion.
+Where is--my son Francis?
+
+AMELIA. He is fled. God have mercy upon us!
+
+OLD MOOR. Fled--fled from his father's deathbed? And is that all--all
+--of two children full of promise--thou hast given--thou hast--taken
+away--thy name be--
+
+AMELIA (with a sudden cry). Dead! both dead!
+ [Exit in despair.]
+
+
+ Enter FRANCIS, dancing with joy.
+
+FRANCIS. Dead, they cry, dead! Now am I master. Through the whole
+castle it rings, dead! but stay, perchance he only sleeps? To be sure,
+yes, to be sure! that certainly is a sleep after which no "good-morrow"
+is ever said. Sleep and death are but twin-brothers. We will for once
+change their names! Excellent, welcome sleep! We will call thee death!
+(He closes the eyes of OLD MOOR.) Who now will come forward and dare to
+accuse me at the bar of justice, or tell me to my face, thou art a
+villain? Away, then, with this troublesome mask of humility and virtue!
+Now you shall see Francis as he is, and tremble! My father was
+overgentle in his demands, turned his domain into a family-circle, sat
+blandly smiling at the gate, and saluted his peasants as brethren and
+children. My brows shall lower upon you like thunderclouds; my lordly
+name shall hover over you like a threatening comet over the mountains;
+my forehead shall be your weather-glass! He would caress and fondle
+the child that lifted its stubborn head against him. But fondling and
+caressing is not my mode. I will drive the rowels of the spur into
+their flesh, and give the scourge a trial. Under my rule it shall be
+brought to pass that potatoes and small-beer shall be considered a
+holiday treat; and woe to him who meets my eye with the audacious front
+of health. Haggard want and crouching fear are my insignia; and in this
+livery I will clothe ye.
+ [Exit.]
+
+
+
+
+ SCENE III.--THE BOHEMIAN WOODS.
+
+ SPIEGELBERG, RAZMAN, A Troop Of ROBBERS.
+
+
+RAZ. Are you come? Is it really you? Oh, let me squeeze thee into a
+jelly, my dear heart's brother! Welcome to the Bohemian forests! Why,
+you are grown quite stout and jolly! You have brought us recruits in
+right earnest, a little army of them; you are the very prince of crimps.
+
+SPIEGEL. Eh, brother? Eli? And proper fellows they are! You must
+confess the blessing of heaven is visibly upon me; I was a poor, hungry
+wretch, and had nothing but this staff when I went over the Jordan, and
+now there are eight-and-seventy of us, mostly ruined shopkeepers,
+rejected masters of arts, and law-clerks from the Swabian provinces.
+They are a rare set of fellows, brother, capital fellows, I promise you;
+they will steal you the very buttons off each other's trousers in
+perfect security, although in the teeth of a loaded musket,* and they
+live in clover and enjoy a reputation for forty miles round, which is
+quite astonishing.
+
+ *[The acting edition reads, "Hang your hat up in the sun, and I'll
+ take you a wager it's gone the next minute, as clean out of sight
+ as if the devil himself had walked off with it."]
+
+There is not a newspaper in which you will not find some little feat or
+other of that cunning fellow, Spiegelberg; I take in the papers for
+nothing else; they have described me from head to foot; you would think
+you saw me; they have not forgotten even my coat-buttons. But we lead
+them gloriously by the nose. The other day I went to the printing-
+office and pretended that I had seen the famous Spiegelberg, dictated to
+a penny-a-liner who was sitting there the exact image of a quack doctor
+in the town; the matter gets wind, the fellow is arrested, put to the
+rack, and in his anguish and stupidity he confesses the devil take me if
+he does not--confesses that he is Spiegelberg. Fire and fury! I was on
+the point of giving myself up to a magistrate rather than have my fair
+fame marred by such a poltroon; however, within three months he was
+hanged. I was obliged to stuff a right good pinch of snuff into my nose
+as some time afterwards I was passing the gibbet and saw the pseudo-
+Spiegelberg parading there in all his glory; and, while Spiegelberg's
+representative is dangling by the neck, the real Spiegelberg very
+quietly slips himself out of the noose, and makes jolly long noses
+behind the backs of these sagacious wiseacres of the law.
+
+RAZ. (laughing). You are still the same fellow you always were.
+
+SPIEGEL. Ay, sure! body and soul. But I must tell you a bit of fun,
+my boy, which I had the other day in the nunnery of St. Austin. We fell
+in with the convent just about sunset; and as I had not fired a single
+cartridge all day,--you know I hate the /diem perdidi/ as I hate death
+itself,--I was determined to immortalize the night by some glorious
+exploit, even though it should cost the devil one of his ears! We kept
+quite quiet till late in the night. At last all is as still as a mouse
+--the lights are extinguished. We fancy the nuns must be comfortably
+tucked up. So I take brother Grimm along with me, and order the others
+to wait at the gate till they hear my whistle--I secure the watchman,
+take the keys from him, creep into the maid-servants' dormitory, take.
+away all their clothes, and whisk the bundle out at the window. We go
+on from cell to cell, take away the clothes of one sister after another,
+and lastly those of the lady-abbess herself. Then I sound my whistle,
+and my fellows outside begin to storm and halloo as if doomsday was at
+hand, and away they rush with the devil's own uproar into the cells of
+the sisters! Ha, ha, ha! You should have seen the game--how the poor
+creatures were groping about in the dark for their petticoats, and how
+they took on when they found they were gone; and we, in the meantime, at
+'em like very devils; and now, terrified and amazed, they wriggled under
+their bedclothes, or cowered together like cats behind the stoves.
+There was such shrieking and lamentation; and then the old beldame of an
+abbess--you know, brother, there is nothing in the world I hate so much
+as a spider and an old woman--so you may just fancy that wrinkled old
+hag standing naked before me, conjuring me by her maiden modesty
+forsooth! Well, I was determined to make short work of it; either, said
+I, out with your plate and your convent jewels and all your shining
+dollars, or--my fellows knew what I meant. The end of it was I brought
+away more than a thousand dollars' worth out of the convent, to say
+nothing of the fun, which will tell its own story in due time.
+
+RAZ. (stamping on the ground). Hang it, that I should be absent on
+such an occasion.
+
+SPIEGEL. Do you see? Now tell me, is not that life? 'Tis that which
+keeps one fresh and hale, and braces the body so that it swells hourly
+like an abbot's paunch; I don't know, but I think I must be endowed with
+some magnetic property, which attracts all the vagabonds on the face of
+the earth towards me like steel and iron.
+
+RAZ. A precious magnet, indeed. But I should like to know, I'll be
+hanged if I shouldn't, what witchcraft you use?
+
+SPIEGEL. Witchcraft? No need of witchcraft. All it wants is a head--a
+certain practical capacity which, of course, is not taken in with every
+spoonful of barley meal; for you know I have always said that an honest
+man may be carved out of any willow stump, but to make a rogue you must
+have brains; besides which it requires a national genius--a certain
+rascal-climate--so to speak.*
+
+ *[In the first (and suppressed) edition was added, "Go to the
+ Grisons, for instance; that is what I call the thief's Athens."
+ This obnoxious passage has been carefully expunged from all the
+ subsequent editions. It gave mortal offence to the Grison
+ magistrates, who made a formal complaint of the insult and caused
+ Schiller to be severely rebuked by the Grand Duke. This incident
+ forms one of the epochs in our author's history.]
+
+RAZ. Brother, I have heard Italy celebrated for its artists.
+
+SPIEGEL. Yes, yes! Give the devil his due. Italy makes a very noble
+figure; and if Germany goes on as it has begun, and if the Bible gets
+fairly kicked out, of which there is every prospect, Germany, too, may
+in time arrive at something respectable; but I should tell you that
+climate does not, after all, do such a wonderful deal; genius thrives
+everywhere; and as for the rest, brother, a crab, you know, will never
+become a pineapple, not even in Paradise. But to pursue our subject,
+where did I leave off?
+
+RAZ. You were going to tell me about your stratagems.
+
+SPIEGEL. Ah, yes! my stratagems. Well, when you get into a town, the
+first thing is to fish out from the beadles, watchmen, and turnkeys, who
+are their best customers, and for these, accordingly, you must look out;
+then ensconce yourself snugly in coffee-houses, brothels, and beer-
+shops, and observe who cry out most against the cheapness of the times,
+the reduced five per cents., and the increasing nuisance of police
+regulations; who rail the loudest against government, or decry
+physiognomical science, and such like? These are the right sort of
+fellows, brother. Their honesty is as loose as a hollow tooth; you have
+only to apply your pincers. Or a shorter and even better plan is to
+drop a full purse in the public highway, conceal yourself somewhere
+near, and mark who finds it. Presently after you come running up,
+search, proclaim your loss aloud, and ask him, as it were casually,
+"Have you perchance picked up a purse, sir?" If he says "Yes," why then
+the devil fails you. But if he denies it, with a "pardon me, sir, I
+remember, I am sorry, sir," (he jumps up), then, brother, you've done
+the trick. Extinguish your lantern, cunning Diogenes, you have found
+your match.
+
+RAZ. You are an accomplished practitioner.
+
+SPIEGEL. My God! As if that had ever been doubted. Well, then, when
+you have got your man into the net, you must take great care to land him
+cleverly. You see, my son, the way I have managed is thus: as soon as I
+was on the scent I stuck to my candidate like a leech; I drank
+brotherhood with him, and, /nota bene/, you must always pay the score.
+That costs a pretty penny, it is true, but never mind that. You must go
+further; introduce him to gaming-houses and brothels; entangle him in
+broils and rogueries till he becomes bankrupt in health and strength, in
+purse, conscience, and reputation; for I must tell you, by the way, that
+you will make nothing of it unless you ruin both body and soul. Believe
+me, brother, and I have experienced it more than fifty times in my
+extensive practice, that when the honest man is once ousted from his
+stronghold, the devil has it all his own way--the transition is then as
+easy as from a whore to a devotee. But hark! What bang was that?
+
+RAZ. It was thunder; go on.
+
+SPIEGEL. Or, there is a yet shorter and still better way. You strip
+your man of all he has, even to his very shirt, and then he will come to
+you of his own accord; you won't teach me to suck eggs, brother; ask
+that copper-faced fellow there. My eyes, how neatly I got him into my
+meshes. I showed him forty ducats, which I promised to give him if he
+would bring me an impression in wax of his master's keys. Only think,
+the stupid brute not only does this, but actually brings me--I'll be
+hanged if he did not--the keys themselves; and then thinks to get the
+money. "Sirrah," said I, "are you aware that I am going to carry these
+keys straight to the lieutenant of police, and to bespeak a place for
+you on the gibbet?" By the powers! you should have seen how the
+simpleton opened his eyes, and began to shake from head to foot like a
+dripping poodle. "For heaven's sake, sir, do but consider. I will--
+will--" "What will you? Will you at once cut your stick and go to the
+devil with me?" "Oh, with all my heart, with great pleasure." Ha! ha!
+ha! my fine fellow; toasted cheese is the thing to catch mice with; do
+have a good laugh at him, Razman; ha! ha! ha!
+
+RAZ. Yes, yes, I must confess. I shall inscribe that lesson in letters
+of gold upon the tablet of my brain. Satan must know his people right
+well to have chosen you for his factor.
+
+SPIEGEL. Eh, brother? Eli? And if I help him to half a score of
+fellows he will, of course, let me off scot-free--publishers, you know,
+always give one copy in ten gratis to those who collect subscribers for
+them; why should the devil be more of a Jew? Razman, I smell powder.
+
+RAZ. Zounds! I smelt it long ago. You may depend upon it there has
+being something going forward hereabouts. Yes, yes! I can tell you,
+Spiegelberg, you will be welcome to our captain with your recruits; he,
+too, has got hold of some brave fellows.
+
+SPIEGEL. But look at mine! at mine here, bah!
+
+RAZ. Well, well! they may be tolerably expert in the finger
+department, but, I tell you, the fame of our captain has tempted even
+some honorable men to join his staff.
+
+SPIEGEL. So much the worse.
+
+RAZ. Without joking. And they are not ashamed to serve under such a
+leader. He does not commit murder as we do for the sake of plunder; and
+as to money, as soon as he had plenty of it at command, he did not seem
+to care a straw for it; and his third of the booty, which belongs to him
+of right, he gives away to orphans, or supports promising young men with
+it at college. But should he happen to get a country squire into his
+clutches who grinds down his peasants like cattle, or some gold-laced
+villain, who warps the law to his own purposes, and hoodwinks the eyes
+of justice with his gold, or any chap of that kidney; then, my boy, he
+is in his element, and rages like a very devil, as if every fibre in his
+body were a fury.
+
+SPIEGEL. Humph!
+
+RAZ. The other day we were told at a tavern that a rich count from
+Ratisbon was about to pass through, who had gained the day in a suit
+worth a million of money by the craftiness of his lawyer. The captain
+was just sitting down to a game of backgammon. "How many of us are
+there?" said he to me, rising in haste. I saw him bite his nether lip,
+which be never does except when he is very determined. "Not more than
+five," I replied. "That's enough," he said; threw his score on the
+table, left the wine he had ordered untouched, and off we went. The
+whole time he did not utter a syllable, but walked aloof and alone, only
+asking us from time to time whether we heard anything, and now and then
+desiring us to lay our ears to the ground. At last the count came in
+sight, his carriage heavily laden, the lawyer, seated by his side, an
+outrider in advance, and two horsemen riding behind. Then you should
+have seen the man. With a pistol in each hand he ran before us to the
+carriage,--and the voice with which he thundered, "Halt!" The coachman,
+who would not halt, was soon toppled from his box; the count fired out
+of the carriage and missed--the horseman fled. "Your money, rascal!"
+cried Moor, with his stentorian voice. The count lay like a bullock
+under the axe: "And are you the rogue who turns justice into a venal
+prostitute?" The lawyer shook till his teeth chattered again; and a
+dagger soon stuck in his body, like a stake in a vineyard. "I have done
+my part," cried the captain, turning proudly away; "the plunder is your
+affair." And with this he vanished into the forest.
+
+SPIEGEL. Hum! hum! Brother, what I told you just now remains between
+ourselves; there is no occasion for his knowing it. You understand me?
+
+RAZ. Yes, yes, I understand!
+
+SPIEGEL. You know the man! He has his own notions! You understand me?
+
+RAZ. Oh, I quite understand.
+
+ (Enter SCHWARZ at full speed).
+
+Who's there? What is the matter? Any travellers in the forest?
+
+SCHWARZ. Quick, quick! Where are the others? Zounds! there you stand
+gossiping! Don't you know--do you know nothing of it?--that poor
+Roller--
+
+PAZ. What of him? What of him?
+
+SCHWARZ. He's hanged, that's all, and four others with him--
+
+RAz. Roller hanged? S'death! when? How do you know?
+
+SCHWARZ. He has been in limbo more than three weeks, and we knew
+nothing of it. He was brought up for examination three several days,
+and still we heard nothing. They put him to the rack to make him tell
+where the captain was to be found--but the brave fellow would not slip.
+Yesterday he got his sentence, and this morning was dispatched express
+to the devil!
+
+RAZ. Confound it! Does the captain know?
+
+SCHWARZ. He heard of it only yesterday. He foamed like a wild boar.
+You know that Roller was always an especial favorite; and then the rack!
+Ropes and scaling-ladders were conveyed to the prison, but in vain.
+Moor himself got access to him disguised as a Capuchin monk, and
+proposed to change clothes with him; but Roller absolutely refused;
+whereupon the captain swore an oath that made our very flesh creep. He
+vowed that he would light a funeral pile for him, such as had never yet
+graced the bier of royalty, one that should burn them all to cinders. I
+fear for the city. He has long owed it a grudge for its intolerable
+bigotry; and you know, when he says, "I'll do it," the thing is as good
+as done.
+
+RAZ. That is true! I know the captain. If he had pledged his word to
+the devil to go to hell he never would pray again, though half a pater-
+noster would take him to heaven. Alas! poor Roller!--poor Roller!
+
+SPIEGEL. /Memento mori/! But it does not concern me. (Hums a tune).
+
+ Should I happen to pass the gallows stone,
+ I shall just take a sight with one eye,
+ And think to myself, you may dangle alone,
+ Who now, sir, 's the fool, you or I?
+
+RAZ. (Jumping up). Hark! a shot! (Firing and noise is heard behind the
+scenes).
+
+SPIEGEL. Another!
+
+RAZ. And another! The captain!
+
+ (Voices behind the scenes are heard singing).
+
+ The Nurnbergers deem it the wisest plan,
+ Never to hang till they've caught their man.
+ /Da capo/.
+
+SCHWEITZER and ROLLER (behind the scenes). Holla, ho! Holla, ho!
+
+RAZ. Roller! by all the devils! Roller!
+
+SCHWEITZER and ROLLER (still behind the scenes).
+Razman! Schwarz! Spiegelberg! Razman!
+
+RAZ. Roller! Schweitzer! Thunder and lightning!
+Fire and fury! (They run towards him.)
+
+Enter CHARLES VON MOOR (on horseback), SCHWEITZER, ROLLER, GRIMM,
+SCHUFTERLE, and a troop of ROBBERS covered with dust and mud.
+
+CHARLES (leaping from his horse) Liberty! Liberty!--Thou art on terra
+firma, Roller! Take my horse, Schweitzer, and wash him with wine.
+(Throws himself on the ground.) That was hot work!
+
+RAZ. (to ROLLER). Well, by the fires of Pluto! Art thou risen from
+the wheel?
+
+SCHWARZ. Art thou his ghost? or am I a fool? or art thou really the
+man?
+
+ROLLER (still breathless). The identical--alive--whole.--Where do you
+think I come from?
+
+SCHWARZ. It would puzzle a witch to tell! The staff was already broken
+over you.
+
+ROLLER. Ay, that it was, and more than that! I come straightway from
+the gallows. Only let me get my breath. Schweitzer will tell you all.
+Give me a glass of brandy! You there too, Spiegelberg! I thought we
+should have met again in another place. But give me a glass of brandy!
+my bones are tumbling to pieces. Oh, my captain! Where is my captain?
+
+SCHWARZ. Have patience, man, have patience. Just tell me--say--come,
+let's hear--how did you escape? In the name of wonder how came we to
+get you back again? My brain is bewildered. From the gallows, you say?
+
+ROLLER (swallows a flask of brandy). Ah, that is capital! that warms
+the inside! Straight from the gallows, I tell you. You stand there
+amid stare as if that was impossible. I can assure you, I was not more
+than three paces from that blessed ladder, on which I was to mount to
+Abraham's bosom--so near, so very near, that I was sold, skin and all,
+to the dissecting-room! The fee-simple of my life was not worth a pinch
+of snuff. To the captain I am indebted for breath, and liberty, and
+life.
+
+SCHWEITZER. It was a trick worth the telling. We had heard the day
+before, through our spies, that Roller was in the devil's own pickle;
+and unless the vault of heaven fell in suddenly he would, on the morrow
+--that is, to-day--go the way of all flesh. Up! says the captain, and
+follow me--what is not a friend worth? Whether we save him or not, we
+will at least light him up a funeral pile such as never yet honored
+royalty; one which shall burn them black and blue. The whole troop was
+summoned. We sent Roller a trusty messenger, who conveyed the notice to
+him in a little billet, which he slipped into his porridge.
+
+ROLLER. I had but small hope of success.
+
+SCHWEITZER. We waited till the thoroughfares were clear. The whole
+town was out after the sight; equestrians, pedestrians, carriages, all
+pell-mell; the noise and the gibbet-psalm sounded far and wide. Now,
+says the captain, light up, light up! We all flew like darts; they set
+fire to the city in three-and-thirty places at once; threw burning
+firebrands on the powder-magazine, and into the churches and granaries.
+Morbleu! in less than a quarter of an hour a northeaster, which, like
+us, must have owed a grudge to the city, came seasonably to our aid, and
+helped to lift the flames up to the highest gables. Meanwhile we ran up
+and down the streets like furies, crying, fire! ho! fire! ho! in every
+direction. There was such howling--screaming-tumult--fire-bells
+tolling. And presently the powder-magazine blew up into the air with a
+crash as if the earth were rent in twain, heaven burst to shivers, and
+hell sunk ten thousand fathoms deeper.
+
+ROLLER. Now my guards looked behind them--there lay the city, like
+Sodom and Gomorrah--the whole horizon was one mass of fire, brimstone,
+and smoke; and forty hills echoed and reflected the infernal prank far
+and wide. A panic seized them all--I take advantage of the moment, and,
+quick as lightning--my fetters had been taken off, so nearly was my time
+come--while my guards were looking away petrified, like Lot's wife, I
+shot off--tore through the crowd--and away! After running some sixty
+paces I throw off my clothes, plunge into the river, and swim along
+under water till I think they have lost sight of me. My captain stood
+ready, with horses and clothes--and here I am. Moor! Moor! I only
+wish that you may soon get into just such another scrape that I may
+requite you in like manner.
+
+RAZ. A brutal wish, for which you deserve to be hanged. It was a
+glorious prank, though.
+
+ROLLER. It was help in need; you cannot judge of it. You should have
+marched, like me, with a rope round your neck, travelling to your grave
+in the living body, and seen their horrid sacramental forms and
+hangman's ceremonies--and then, at every reluctant step, as the
+struggling feet were thrust forward, to see the infernal machine, on
+which I was to be elevated, glaring more and more hideously in the blaze
+of a noonday sun--and the hangman's rascallions watching for their prey
+--and the horrible psalm-singing--the cursed twang still rings in my
+ears--and the screeching hungry ravens, a whole flight of them, who were
+hovering over the half-rotten carcass of my predecessor. To see all
+this--ay, more, to have a foretaste of the blessedness which was in
+store for me! Brother, brother! And then, all of a sudden, the signal
+of deliverance. It was an explosion as if the vault of heaven were rent
+in twain. Hark ye, fellows! I tell you, if a man were to leap out of a
+fiery furnace into a freezing lake he could not feel the contrast half
+so strongly as I did when I gained the opposite shore.
+
+SPIEGEL. (Laughs.) Poor wretch! Well, you have got over it. (Pledges
+him). Here's to a happy regeneration!
+
+ROLLER (flings away his glass). No, by all the treasures of Mammon, I
+should not like to go through it a second time. Death is something more
+than a harlequin's leap, and its terrors are even worse than death
+itself.
+
+SPIEGEL. And the powder-magazine leaping into the air! Don't you see
+it now, Razman? That was the reason the air stunk so, for miles round,
+of brimstone, as if the whole wardrobe of Moloch was being aired under
+the open firmament. It was a master-stroke, captain! I envy you for
+it.
+
+SCHWEITZER. If the town makes it a holiday-treat to see our comrade
+killed by a baited hog, why the devil should we scruple to sacrifice the
+city for the rescue of our comrade? And, by the way, our fellows had
+the extra treat of being able to plunder worse than the old emperor.
+Tell me, what have you sacked?
+
+ONE OF THE TROOP. I crept into St. Stephen's church during the hubbub,
+and tore the gold lace from the altarcloth. The patron saint, thought I
+to myself, can make gold lace out of packthread.
+
+SCHWEITZER. 'Twas well done. What is the use of such rubbish in a
+church? They offer it to the Creator, who despises such trumpery, while
+they leave his creatures to die of hunger. And you, Sprazeler--where
+did you throw your net?
+
+A SECOND. I and Brizal broke into a merchant's store, and have brought
+stuffs enough with us to serve fifty men.
+
+A THIRD. I have filched two gold watches and a dozen silver spoons.
+
+SCHWEITZER. Well done, well done! And we have lighted them a bonfire
+that will take a fortnight to put out again. And, to get rid of the
+fire, they must ruin the city with water. Do you know, Schufterle, how
+many lives have been lost?
+
+SCHUF. Eighty-three, they say. The powder-magazine alone blew
+threescore to atoms.
+
+CHARLES (very seriously). Roller, thou art dearly bought.
+
+SCHUF. Bah! bah! What of that? If they had but been men it would have
+been another matter--but they were babes in swaddling clothes, and
+shrivelled old nurses that kept the flies from them, and dried-up stove-
+squatters who could not crawl to the door--patients whining for the
+doctor, who, with his stately gravity, was marching to the sport. All
+that had the use of their legs had gone forth in the sight, and nothing
+remained at home but the dregs of the city.
+
+CHARLES. Alas for the poor creatures! Sick people, sayest thou, old
+men and infants?
+
+SCHUF. Ay, the devil go with them! And lying-in-women into the
+bargain; and women far gone with child, who were afraid of miscarrying
+under the gibbet; and young mothers, who thought the sight might do them
+a mischief, and mark the gallows upon the foreheads of their unborn
+babes--poor poets, without a shoe, because their only pair had been sent
+to the cobbler to mend--and other such vermin, not worth the trouble of
+mentioning. As I chanced to pass by a cottage I heard a great squalling
+inside. I looked in; and, when I came to examine, what do you think it
+was? Why, an infant--a plump and ruddy urchin--lying on the floor under
+a table which was just beginning to burn. Poor little wretch! said I,
+you will be cold there, and with that I threw it into the flames!
+
+CHARLES. Indeed, Schufterle? Then may those flames burn in thy bosom
+to all eternity! Avaunt, monster! Never let me see thee again in my
+troop! What! Do you murmur? Do you hesitate? Who dares hesitate when
+I command? Away with him, I say! And there are others among you ripe
+for my vengeance. I know thee, Spiegelberg. But I will step in among
+you ere long, and hold a fearful muster-roll.
+ [Exeunt, trembling.]
+
+CHARLES (alone, walking up and down in great agitation). Hear them not,
+thou avenger in heaven! How can I avert it? Art thou to blame, great
+God, if thy engines, pestilence, and famine, and floods, overwhelm the
+just with the unjust? Who can stay the flame, which is kindled to
+destroy the hornet's nest, from extending to the blessed harvest? Oh!
+fie on the slaughter of women, and children, and the sick! How this
+deed weighs me down! It has poisoned my fairest achievements! There he
+stands, poor fool, abashed and disgraced in the sight of heaven; the boy
+that presumed to wield Jove's thunder, and overthrew pigmies when he
+should have crushed Titans. Go, go! 'tis not for thee, puny son of
+clay, to wield the avenging sword of sovereign justice! Thou didst fail
+at thy first essay. Here, then, I renounce the audacious scheme. I go
+to hide myself in some deep cleft of the earth, where no daylight will
+be witness of my shame. (He is about to fly.)
+
+ Enter a ROBBER hurriedly.
+
+ROBBER. Look out, captain! There is mischief in the wind! Whole
+detachments of Bohemian cavalry are scouring the forests. That infernal
+bailiff must have betrayed us.
+
+ Enter more ROBBERS.
+
+2D ROBBER. Captain! captain! they have tracked us! Some thousands of
+them are forming a cordon round the middle forest.
+
+ Enter more ROBBERS again.
+
+3D ROBBER. Woe, woe, woe! we are all taken, hanged drawn, and
+quartered. Thousands of hussars, dragoons, and chasseurs are mustering
+on the heights, and guard all the passes.
+ [Exit CHARLES VON MOOR.]
+
+ Enter SCHWEITZER, GRIMM, ROLLER, SCHWARZ, SCHUFTERLE,
+ SPIEGELBERG, RAZMAN, and the whole troop.
+
+SCHWEITZER. Ha! Have we routed them out of their feather-beds at last?
+Come, be jolly, Roller! I have long wished to have a bout with those
+knights of the bread-basket. Where is the captain? Is the whole troop
+assembled? I hope we have powder enough?
+
+RAZ. Powder, I believe you; but we are only eighty in all and therefore
+scarcely one to twenty.
+
+SCHWEITZER. So much the better! And though there were fifty against
+my great toe-nail--fellows who have waited till we lit the straw under
+their very seats. Brother, brother, there is nothing to fear. They
+sell their lives for tenpence; and are we not fighting for our necks?
+We will pour into them like a deluge, and fire volleys upon their heads
+like crashes of thunder. But where the devil is the captain.
+
+SPIEGEL. He forsakes us in this extremity. Is there no hope of escape?
+
+SCHWEITZER. Escape?
+
+SPIEGEL. Oh, that I had tarried in Jerusalem!
+
+SCHWEITZER. I wish you were choked in a cesspool, you paltry coward!
+With defenceless nuns you are a mighty man; but at sight of a pair of
+fists a confirmed sneak! Now show your courage or you shall be sewn up
+alive in an ass's hide and baited to death with dogs.
+
+RAZ. The captain! the captain!
+
+ Enter CHARLES (speaking slowly to himself).
+
+CHARLES. I have allowed them to be hemmed in on every side. Now they
+must fight with the energy of despair. (Aloud.) Now my boys! now for
+it! We must fight like wounded boars, or we are utterly lost!
+
+SCHWEITZER. Ha! I'll rip them open with my tusks, till their entrails
+protrude by the yard! Lead on, captain! we will follow you into the
+very jaws of death.
+
+CHARLES. Charge all your arms! You've plenty of powder, I hope?
+
+SCHWEITZER (with energy). Powder? ay, enough to blow the earth up to
+the moon.
+
+RAZ. Every one of us has five brace of pistols, ready loaded, and three
+carbines to boot.
+
+CHARLES. Good! good! Now some of you must climb up the trees, or
+conceal yourselves in the thickets, and some fire upon them in ambush--
+
+SCHWEITZER. That part will suit you, Spiegelberg.
+
+CHARLES. The rest will follow me, and fall upon their flanks like
+furies.
+
+SCHWEITZER. There will I be!
+
+CHARLES. At the same time let every man make his whistle ring through
+the forest, and gallop about in every direction, so that our numbers may
+appear the more formidable. And let all the dogs be unchained, and set
+on upon their ranks, that they may be broken and dispersed and run in
+the way of our fire. We three, Roller, Schweitzer, and myself, will
+fight wherever the fray is hottest.
+
+SCHWEITZER. Masterly! excellent! We will so bewilder them with balls
+that they shall not know whence the salutes are coming. I have more
+than once shot away a cherry from the mouth. Only let them come on
+(SCHUFTERLE is pulling SCHWEITZER; the latter takes the captain aside,
+and entreats him in a low voice.)
+
+CHARLES. Silence!
+
+SCHWEITZER. I entreat you--
+
+CHARLES. Away! Let him have the benefit of his disgrace; it has saved
+him. He shall not die on the same field with myself, my Schweitzer, and
+my Roller. Let him change his apparel, and I will say he is a traveller
+whom I have plundered. Make yourself easy, Schweitzer. Take my word
+for it he will be hanged yet.
+
+ Enter FATHER DOMINIC.
+
+FATHER DOM. (to himself, starts). Is this the dragon's nest? With your
+leave, sirs! I am a servant of the church; and yonder are seventeen
+hundred men who guard every hair of my head.
+
+SCHWEITZER. Bravo! bravo! Well spoken to keep his courage warm.
+
+CHARLES. Silence, comrade! Will you tell us briefly, good father, what
+is your errand here?
+
+FATHER Dom. I am delegated by the high justices, on whose sentence
+hangs life or death--ye thieves--ye incendiaries--ye villains--ye
+venomous generation of vipers, crawling about in the dark, and stinging
+in secret--ye refuse of humanity--brood of hell--food for ravens and
+worms--colonists for the gallows and the wheel--
+
+SCHWEITZER. Dog! a truce with your foul tongue! or ------
+(He holds the butt-end of his gun before FATHER DOMINIC'S face.)
+
+CHARLES. Fie, fie, Schweitzer! You cut the thread of his discourse.
+He has got his sermon so nicely by heart. Pray go on, Sir! "for the
+gallows and the wheel?"
+
+FATHER Dom. And thou, their precious captain!--commander-in-chief of
+cut-purses!--king of sharpers! Grand Mogul of all the rogues under the
+sun!--great prototype of that first hellish ringleader who imbued a
+thousand legions of innocent angels with the flame of rebellion, and
+drew them down with him into the bottomless pit of damnation! The
+agonizing cries of bereaved mothers pursue thy footsteps! Thou drinkest
+blood like water! and thy murderous knife holds men cheaper than air-
+bubbles!
+
+CHARLES. Very true--exceedingly true! Pray proceed, Sir!
+
+FATHER DOM. What do you mean? Very true--exceedingly true! Is that an
+answer?
+
+CHARLES. How, Sir? You were not prepared for that, it seems? Go on--
+by all means go on. What more were you going to say?
+
+FATHER DOM. (heated). Abominable wretch! Avaunt! Does not the blood
+of a murdered count of the empire cling to thy accursed fingers? Hast
+thou not, with sacrilegious hands, dared to break into the Lord's
+sanctuary, and carry off the consecrated vessels of the /sanctissimum/?
+Hast thou not flung firebrands into our godly city, and brought down the
+powder-magazine upon the heads of devout Christians? (Clasps his
+hands). Horrible, horrible wickedness! that stinketh in the nostrils of
+Heaven, and provoketh the day of judgment to burst upon you suddenly!
+ripe for retribution--rushing headlong to the last trump!
+
+CHARLES. Masterly guesses thus far! But now, sir, to the point! What
+is it that the right worshipful justices wish to convey to me through
+you?
+
+FATHER Dom. What you are not worthy to receive. Look around you,
+incendiary! As far as your eye can reach you are environed by our
+horsemen--there is no chance of escape. As surely as cherries grow on
+these oaks, and peaches on these firs, so surely shall you turn your
+backs upon these oaks and these firs in safety.
+
+CHARLES. Do you hear that, Schweitzer? But go on!
+
+FATHER DOM. Hear, then, what mercy and forbearance justice shows
+towards such miscreants. If you instantly prostrate yourselves in
+submission and sue for mercy and forgiveness, then severity itself will
+relent to compassion, and justice be to thee an indulgent mother. She
+will shut one eye upon your horrible crimes, and be satisfied--only
+think!--to let you be broken on the wheel.
+
+SCHWEITZER. Did you hear that, captain? Shall I throttle this well-
+trained shepherd's cur till the red blood spurts from every pore?
+
+ROLLER. Captain! Fire and fury! Captain! How he bites his lip!
+Shall I topple this fellow upside down like a ninepin?
+
+SCHWEITZER. Mine, mine be the job! Let me kneel to you, captain; let
+me implore you! I beseech you to grant me the delight of pounding him
+to a jelly! (FATHER DOMINIC screams.)
+
+CHARLES. Touch him not! Let no one lay a finger on him!--(To FATHER
+DOMINIC, drawing his sword.) Hark ye, sir father! Here stand nine-and-
+seventy men, of whom I am the captain, and not one of them has been
+taught to trot at a signal, or learned to dance to the music of
+artillery; while yonder stand seventeen hundred men grown gray under the
+musket. But now listen! Thus says Moor, the captain of incendiaries.
+It is true I have slain a count of the empire, burnt and plundered the
+church of St. Dominic, flung firebrands into your bigoted city, and
+brought down the powder-magazine upon the heads of devout Christians.
+But that is not all,--I have done more. (He holds out his right hand.)
+Do you observe these four costly rings, one on each finger? Go and
+report punctually to their worships, on whose sentence hangs life or
+death what you shall hear and see. This ruby I drew from the finger of
+a minister, whom I stretched at the feet of his prince, during the
+chase. He had fawned himself up from the lowest dregs, to be the first
+favorite;--the ruin of his neighbor was his ladder to greatness--
+orphans' tears helped him to mount it. This diamond I took from a lord
+treasurer, who sold offices of honor and trust to the highest bidder,
+and drove the sorrowing patriot from his door. This opal I wear in
+honor of a priest of your cloth, whom I dispatched with my own hand,
+after he had publicly deplored in his pulpit the waning power of the
+Inquisition. I could tell you more stories about my rings, but that I
+repent the words I have already wasted upon you--
+
+FATHER DOM. O Pharaoh! Pharaoh!
+
+CHARLES. Do you hear it? Did you mark that sigh? Does he not stand
+there as if be were imploring fire from heaven to descend and destroy
+this troop of Korah? He pronounces judgment with a shrug of the
+shoulders, and eternal damnation with a Christian "Alas!" Is it
+possible for humanity to be so utterly blind? He who has the hundred
+eyes of Argus to spy out the faults of his brother--can he be so totally
+blind to his own? They thunder forth from their clouds about gentleness
+and forbearance, while they sacrifice human victims to the God of love
+as if he were the fiery Moloch. They preach the love of one's neighbor,
+while they drive the aged and blind with curses from their door. They
+rave against covetousness; yet for the sake of gold they have
+depopulated Peru, and yoked the natives, like cattle, to their chariots.
+They rack their brains in wonder to account for the creation of a Judas
+Iscariot, yet the best of them would betray the whole Trinity for ten
+shekels. Out upon you, Pharisees! ye falsifiers of truth! ye apes of
+Deity! You are not ashamed to kneel before crucifixes and altars; you
+lacerate your backs with thongs, and mortify your flesh with fasting;
+and with these pitiful mummeries you think, fools as you are, to veil
+the eyes of Him whom, with the same breath, you address as the
+Omniscient, just as the great are the most bitterly mocked by those who
+flatter them while they pretend to hate flatterers. You boast of your
+honesty and your exemplary conduct; but the God who sees through your
+hearts would be wroth with Him that made you, were He not the same that
+had also created the monsters of the Nile. Away with him out of my
+sight!
+
+FATHER DOM. That such a miscreant should be so proud!
+
+CHARLES. That's not all. Now I will speak proudly. Go and tell the
+right worshipful justices--who set men's lives upon the cast of a die--
+I am not one of those thieves who conspire with sleep and midnight, and
+play the hero and the lordling on a scaling-ladder. What I have done I
+shall no doubt hereafter be doomed to read in the register of heaven;
+but with his miserable ministers of earth I will waste no more words.
+Tell your masters that my trade is retribution--vengeance my occupation!
+(He turns his back upon him.)
+
+FATHER DOM. Then you despise mercy and forbearance?---Be it so, I have
+done with you. (Turning to the troop.) Now then, sirs, you shall hear
+what the high powers direct me to make known to you!--If you will
+instantly deliver up to me this condemned malefactor, bound hand and
+foot, you shall receive a full pardon--your enormities shall be entirely
+blotted out, even from memory. The holy church will receive you, like
+lost sheep, with renewed love, into her maternal bosom, and the road to
+honorable employment shall be open to you all. (With a triumphant
+smile.) Now sir! how does your majesty relish this? Come on! bind him!
+and you are free!
+
+CHARLES. Do you hear that? Do you hear it? What startles you? Why do
+you hesitate? They offer you freedom--you that are already their
+prisoners. They grant you your lives, and that is no idle pretence, for
+it is clear you are already condemned felons. They promise you honor
+and emolument; and, on the other hand, what can you hope for, even
+should you be victorious to-day, but disgrace, and curses, and
+persecution? They ensure you the pardon of Heaven; you that are
+actually damned. There is not a single hair on any of you that is not
+already bespoke in hell. Do you still hesitate? are you staggered? Is
+it so difficult, then, to choose between heaven and hell?--Do put in a
+word, father!
+
+FATHER DOM. (aside.) Is the fellow crazy? (Aloud.) Perhaps you are
+afraid that this is a trap to catch you alive?--Read it yourselves!
+Here--is the general pardon fully signed. (He hands a paper to
+SCHWEITZER.) Can you still doubt?
+
+CHARLES. Only see! only see! What more can you require? Signed with
+their own hands! It is mercy beyond all bounds! Or are you afraid of
+their breaking their word, because you have heard it said that no faith
+need be kept with traitors? Dismiss that fear! Policy alone would
+constrain them to keep their word, even though it should merely have
+been pledged to old Nick. Who hereafter would believe them? How could
+they trade with it a second time? I would take my oath upon it that
+they mean it sincerely. They know that I am the man who has goaded you
+on and incited you; they believe you innocent. They look upon your
+crimes as so many juvenile errors--exuberances of rashness. It is I
+alone they want. I must pay the penalty. Is it not so, father?
+
+FATHER DOM. What devil incarnate is it that speaks out of him? Of
+course it is so--of course. The fellow turns my brain.
+
+CHARLES. What! no answer yet? Do you think it possible to cut your way
+through yon phalanx? Only look round you! just look round! You surely
+do not reckon upon that; that were indeed a childish conceit--Or do you
+flatter yourselves that you will fall like heroes, because you saw that
+I rejoiced in the prospect of the fight? Oh, do not console yourself
+with the thought! You are not MOOR. You are miserable thieves!
+wretched tools of my great designs! despicable as the rope in the hand
+of the hangman! No! no! Thieves do not fall like heroes. Life must be
+the hope of thieves, for something fearful has to follow. Thieves may
+well be allowed to quake at the fear of death. Hark! Do you hear their
+horns echoing through the forest? See there! how their glittering
+sabres threaten! What! are you still irresolute? are you mad? are you
+insane? It is unpardonable. Do you imagine I shall thank you for my
+life? I disdain your sacrifice!
+
+FATHER DOM. (in utter amazement). I shall go mad! I must be gone!
+Was the like ever heard of?
+
+CHARLES. Or are you afraid that I shall stab myself, and so by suicide
+put an end to the bargain, which only holds good if I am given up alive?
+No, comrades! that is a vain fear. Here, I fling away my dagger, and my
+pistols, and this phial of poison, which might have been a treasure to
+me. I am so wretched that I have lost the power even over my own life.
+What! still in suspense? Or do you think, perhaps, that I shall stand
+on my defence when you try to seize me? See here! I bind my right hand
+to this oak-branch; now I am quite defenceless, a child may overpower
+me. Who is the first to desert his captain in the hour of need?
+
+ROLLER (with wild energy). And what though hell encircle us with
+ninefold coils! (Brandishing his sword.) Who is the coward that will
+betray his captain?
+
+SCHWEITZER (tears the pardon and flings the pieces into FATHER DOMINIC'S
+face). Pardon be in our bullets! Away with thee, rascal! Tell your
+senate that you could not find a single traitor in all Moor's camp.
+Huzza! Huzza! Save the captain!
+
+ALL (shouting). Huzza! Save the captain! Save him! Save our noble
+captain!
+
+CHARLES (releasing his hand from the tree, joyfully). Now we are free,
+comrades! I feel a host in this single arm! Death or liberty! At the
+least they shall not take a man of us alive!
+
+ [They sound the signal for attack; noise and tumult.
+ Exeunt with drawn swords.]
+
+
+
+
+ ACT III.
+
+ SCENE I.--AMELIA in the garden, playing the guitar.
+
+ Bright as an angel from Walhalla's hall,
+ More beautiful than aught of earth was he!
+ Heaven-mild his look, as sunbeams when they fall,
+ Reflected from a calm cerulean sea.
+
+ His warm embrace--oh, ravishing delight!
+ With heart to heart the fiery pulses danced--
+ Our every sense wrap'd in ecstatic night--
+ Our souls in blissful harmony entranced.
+
+ His kisses--oh, what paradise of feeling!
+ E'en as two flames which round each other twine--
+ Or flood of seraph harp-tones gently stealing
+ In one soft swell, away to realms divine!
+
+ They rushed, commingled, melted, soul in soul!
+ Lips glued to lips, with burning tremor bound!
+ Cold earth dissolved, and love without control
+ Absorbed all sense of worldly things around!
+
+ He's gone!--forever gone! Alas! in vain
+ My bleeding heart in bitter anguish sighs;
+ To me is left alone this world of pain,
+ And mortal life in hopeless sorrow dies.
+
+
+ Enter FRANCIS.
+
+FRANCIS. Here again already, perverse enthusiast? You stole away from
+the festive banquet, and marred the mirthful pleasures of my guests.
+
+AMELIA. 'Tis pity, truly, to mar such innocent pleasures! Shame on
+them! The funeral knell that tolled over your father's grave must still
+be ringing in your ears--
+
+FRANCIS. Wilt thou sorrow, then, forever? Let the dead sleep in peace,
+and do thou make the living happy! I come--
+
+AMELIA. And when do you go again?
+
+FRANCIS. Alas! Look not on me thus sorrowfully! You wound me, Amelia.
+I come to tell you--
+
+AMELIA. To tell me, I suppose, that Francis von Moor has become lord
+and master here.
+
+FRANCIS. Precisely so; that is the very subject on which I wish to
+communicate with you. Maximilian von Moor is gone to the tomb of his
+ancestors. I am master. But I wish--to be so in the fullest sense,
+Amelia. You know what you have been to our house always regarded as
+Moor's daughter, his love for you will survive even death itself; that,
+assuredly, you will never forget?
+
+AMELIA. Never, never! Who could be so unfeeling as to drown the memory
+of it in festive banqueting?
+
+FRANCIS. It is your duty to repay the love of the father to his sons;
+and Charles is dead. Ha! you are struck with amazement; dizzy with the
+thought! To be sure 'tis a flattering and an elating prospect which may
+well overpower the pride of a woman. Francis tramples under foot the
+hopes of the noblest and the richest, and offers his heart, his hand,
+and with them all his gold, his castles, and his forests to a poor, and,
+but for him, destitute orphan. Francis--the feared--voluntarily
+declares himself Amelia's slave!
+
+AMELIA. Why does not a thunderbolt cleave the impious tongue which
+utters the criminal proposal! Thou hast murdered my beloved Charles;
+and shall Amelia, his betrothed, call thee husband? Thou?
+
+FRANCIS. Be not so violent, most gracious princess! It is true that
+Francis does not come before you like a whining Celadon--'tis true he
+has not learned, like a lovesick swain of Arcadia, to sigh forth his
+amorous plaints to the echo of caves and rocks. Francis speaks--and,
+when not answered, commands!
+
+AMELIA. Commands? thou reptile! Command me? And what if I laughed
+your command to scorn?
+
+FRANCIS. That you will hardly do. There are means, too, which I know
+of, admirably adapted to humble the pride of a capricious, stubborn
+girl--cloisters and walls!
+
+AMELIA. Excellent! delightful! to be forever secure within cloisters
+and walls from thy basilisk look, and to have abundant leisure to think
+and dream of Charles. Welcome with your cloister! welcome your walls!
+
+FRANCIS. Ha! Is that it? Beware! Now you have taught me the art of
+tormenting you. The sight of me shall, like a fiery-haired fury, drive
+out of your head these eternal phantasies of Charles. Francis shall be
+the dread phantom ever lurking behind the image of your beloved, like
+the fiend-dog that guards the subterranean treasure. I will drag you to
+church by the hair, and sword in hand wring the nuptial vow from your
+soul. By main force will I ascend your virginal couch, and storm your
+haughty modesty with still greater haughtiness.
+
+AMELIA (gives him a slap in the face). Then take that first by way of
+dowry!
+
+FRANCIS. Ha! I will be tenfold, and twice tenfold revenged for this!
+My wife! No, that honor you shall never enjoy. You shall be my
+mistress, my strumpet! The honest peasant's wife shall point her finger
+at you as she passes you in the street. Ay, gnash your teeth as
+fiercely as you please--scatter fire and destruction from your eyes--
+the fury of a woman piques my fancy--it makes you more beautiful, more
+tempting. Come, this resistance will garnish my triumph, and your
+struggles give zest to my embraces. Come, come to my chamber--I burn
+with desire. Come this instant. (Attempts to drag her away).
+
+AMELIA (falls on his neck). Forgive me, Francis! (As he is about to
+clasp her in his arms, she suddenly draws the sword at his side, and
+hastily disengages herself). Do you see now, miscreant, how I am able
+to deal with you? I am only a woman, but a woman enraged. Dare to
+approach, and this steel shall strike your lascivious heart to the core
+--the spirit of my uncle will guide my hand. Avaunt, this instant!
+(She drives him away).
+
+Ah! how different I feel! Now I breathe again--I feel strong as the
+snorting steed, ferocious as the tigress when she springs upon the
+ruthless destroyer of her cubs. To a cloister, did he say? I thank
+thee for the happy thought! Now has disappointed love found a place of
+refuge--the cloister--the Redeemer's bosom is the sanctuary of
+disappointed love. (She is on the point going).
+
+ . . . . . . . . . . . . . . . . . . .
+
+In the acting edition the following scene occurs between Herman and
+Francis, immediately before that with Amelia. As Schiller himself
+thought this among the happiest of his additions, and regretted that it
+was "entirely and very unfortunately overlooked in the first edition,"
+it seems desirable to introduce it here as well as the soliloquy
+immediately following, which has acquired some celebrity.
+
+
+
+ SCENE VIII.
+
+ Enter HERMANN.
+
+FRANCIS. Ha! Welcome, my Euryalus! My prompt and trusty instrument!
+
+HERMANN (abruptly and peevishly). You sent for me, count--why?
+
+FRANCIS. That you might put the seal to your master-piece.
+
+HERMANN (gruffly). Indeed?
+
+FRANCIS. Give the picture its finishing touch.
+
+HERMANN. Poh! Poh!
+
+FRANCIS (startled). Shall I call the carriage? We'll arrange the
+business during the drive?
+
+HERMANN (scornfully). No ceremony, sir, if you please. For any
+business we may have to arrange there is room enough between these four
+walls. At all events I'll just say a few words to you by way of
+preface, which may save your lungs some unnecessary exertion.
+
+FRANCIS (reservedly). Hum! And what may those words be?
+
+HERMANN (with bitter irony). "You shall have Amelia--and that from my
+hand--"
+
+FRANCIS (with astonishment). Hermann!
+
+HERMANN (as before, with his back turned on FRANCIS). "Amelia will
+become the plaything of my will--and you may easily guess the rest-in
+short all will go as we wish" (Breaks into an indignant laugh, and then
+turns haughtily to FRANCIS.) Now, Count von Moor, what have you to say
+to me?
+
+FRANCIS (evasively). To thee? Nothing. I had something to say to
+Hermann.--
+
+HERMANN, No evasion. Why was I sent for hither? Was it to be your dupe
+a second time! and to hold the ladder for a thief to mount? to sell my
+soul for a hangman s fee? What else did you want with me?
+
+FRANCIS (as if recollecting). Ha! It just occurs to me! We must not
+forget the main point. Did not my steward mention it to you? I wanted
+to talk to you about the dowry.
+
+HERMANN. This is mere mockery sir; or, if not mockery, something worse.
+Moor, take care of yourself-beware how you kindle my fury, Moor. We are
+alone! And I have still an unsullied name to stake against yours!
+Trust not the devil, although he be of your own raising.
+
+FRANCIS (with dignity). Does this deportment become thee towards thy
+sovereign and gracious master? Tremble, slave!
+
+HERMANN (ironically). For fear of your displeasure, I suppose? What
+signifies your displeasure to a man who is at war with himself? Fie,
+Moor. I already abhor you as a villain; let me not despise you for a
+fool. I can open graves, and restore the dead to life! Which of us now
+is the slave?
+
+FRANCIS (in a conciliating tone). Come, my good friend, be discreet,
+and do not prove faithless.
+
+HERMANN. Pshaw! To expose a wretch like you is here the best
+discretion--to keep faith with you would be an utter want of sense.
+Faith? with whom? Faith with the prince of liars? Oh, I shudder at the
+thought of such faith. A very little timely faithlessness would have
+almost made a saint of me. But patience! patience! Revenge is cunning
+in resources.
+
+FRANCIS. Ah, by-the-by, I just remember. You lately lost a purse with
+a hundred louis in it, in this apartment. I had almost forgotten it.
+Here, my good friend! take back what belongs to you. (Offers him a
+purse).
+
+HERMANN (throws it scornfully at his feet). A curse on your Judas
+bribe! It is the earnest-money of hell. You once before thought to
+make my poverty a pander to my conscience--but you were mistaken, count!
+egregiously mistaken. That purse of gold came most opportunely--to
+maintain certain persons.
+
+FRANCIS (terrified). Hermann! Hermann! Let me not suspect certain
+things of you. Should you have done anything contrary to my
+instructions--you would be the vilest of traitors!
+
+HERMANN (exultingly). Should I? Should I really? Well then count,
+let me give you a little piece of information! (Significantly.) I will
+fatten up your infamy, and add fuel to your doom. The book of your
+misdeeds shall one day be served up as a banquet, and all the world be
+invited to partake of it. (Contemptuously.) Do you understand me now,
+my most sovereign, gracious, and excellent master?
+
+FRANCIS (starts up, losing all command of himself). Ha! Devil!
+Deceitful impostor! (Striking his forehead.) To think that I should
+stake my fortune on the caprice of an idiot! That was madness! (Throws
+himself, in great excitement, on a couch.)
+
+HERMANN (whistles through his fingers). Wheugh! the biter bit!--
+
+FRANCIS (biting his lip). But it is true, and ever will be true--that
+there is no thread so feebly spun, or which snaps asunder so readily, as
+that which weaves the bands of guilt!--
+
+HERMANN. Gently! Gently! Are angels, then, superseded, that devils
+turn moralists?
+
+FRANCIS (starts up abruptly; to HERMANN with a malignant laugh). And
+certain persons will no doubt acquire much honor by making the
+discovery?
+
+HERMANN (clapping his hands). Masterly! Inimitable! You play your
+part to admiration! First you lure the credulous fool into the slough,
+and then chuckle at the success of your malice, and cry "Woe be to you
+sinner!" (Laughing and clenching his teeth.) Oh, how cleverly these
+imps off the devil manoeuvre. But, count (clapping him on the shoulder)
+you have not yet got your lesson quite perfect--by Heavens! You first
+learn what the losing gamester will hazard. Set fire to the powder-
+magazine, says the pirate, and blow all to hell--both friend and foe!
+
+FRANCIS (runs to the wall, and takes down a pistol). Here is treason!
+I must be resolute--
+
+HERMANN (draws a pistol as quickly from his pocket, and presents it at
+him). Don't trouble yourself--one must be prepared for everything with
+you.
+
+FRANCIS (lets the pistol fall, and throws himself on the sofa in great
+confusion). Only keep my council till--till I have collected my
+thoughts.
+
+HERMANN. I suppose till you have hired a dozen assassins to silence my
+tongue forever! Is it not so! But (in his ear) the secret is committed
+to paper, which my heirs will publish.
+ [Exit.]
+
+
+
+
+ SCENE IX.
+
+ FRANCIS, solus.
+
+Francis! Francis! Francis! What is all this? Where was thy courage?
+where thy once so fertile wit? Woe! Woe! And to be betrayed by thy
+own instruments! The pillars of my good fortune are tottering to their
+fall, the fences are broken down, and the raging enemy is already
+bursting in upon me. Well! this calls for some bold and sudden resolve!
+What if I went in person--and secretly plunged this sword in his body?
+A wounded man is but a child. Quick! I'll do it. (He walks with a
+resolute step to the end of the stage, but stops suddenly as if overcome
+by sensations of horror). Who are these gliding behind me? (Rolling
+his eyes fearfully) Faces such as I have never yet beheld. What
+hideous yells do I hear! I feel that I have courage--courage! oh yes to
+overflowing! But if a mirror should betray me? or my shadow! or the
+whistling of the murderous stroke! Ugh! Ugh! How my hair bristles! A
+shudder creeps through my frame. (He lets a poigniard fall from under
+his clothes.) I am no coward--perhaps somewhat too tenderhearted. Yes!
+that is it! These are the last struggles of expiring virtue. I revere
+them. I should indeed be a monster were I to become the murderer of my
+own brother. No! no! no! That thought be far from me! Let me cherish
+this vestige of humanity. I will not murder. Nature, thou hast
+conquered. I still feel something here that seems like--affection. He
+shall live.
+ [Exit.]
+
+ Enter HERMANN, timidly.
+
+HERMANN. Lady Amelia! Lady Amelia!
+
+AMELIA. Unhappy man! why dost thou disturb me?
+
+HERMANN. I must throw this weight from my soul before it drags it down
+to hell. (Falls down before her.) Pardon! pardon! I have grievously
+injured you, Lady Amelia!
+
+AMELIA. Arise! depart! I will hear nothing. (Going.)
+
+HERMANN (detaining her). No; stay! In the name of Heaven! In the name
+of the Eternal! You must know all!
+
+AMELIA. Not another word. I forgive you. Depart in peace. (In the
+act of going.)
+
+HERMANN. Only one word--listen; it will restore all your peace of mind.
+
+AMELIA (turning back and looking at him with astonishment). How,
+friend? Who in heaven or on earth can restore my peace of mind?
+
+HERMANN. One word from my lips can do it. Hear me!
+
+AMELIA (seizing his hand with compassion). Good sir! Can one word from
+thy lips burst asunder the portals of eternity?
+
+HERMANN. (rising). Charles lives!
+
+AMELIA (screaming). Wretch!
+
+HERMANN. Even so. And one word more. Your uncle--
+
+AMELIA. (rushing upon him). Thou liest!
+
+HERMANN. Your uncle--
+
+AMELIA. Charles lives?
+
+HERMANN. And your uncle--
+
+AMELIA. Charles lives?
+
+HERMANN. And your uncle too--betray me not!
+
+ (HERMANN runs off)
+
+AMELIA (stands a long while like one petrified; after which she starts
+up wildly, and rushes after HERMANN.) Charles lives!
+
+
+
+
+ SCENE II.--Country near the Danube.
+
+ THE ROBBERS (encamped on a rising ground, under trees,
+ their horses are grazing below.)
+
+CHARLES. Here must I lie (throwing himself upon the ground). I feel as
+if my limbs were all shattered. My tongue is as dry as a potsherd
+(SCHWEITZER disappears unperceived.) I would ask one of you to bring me
+a handful of water from that stream, but you are all tired to death.
+
+SCHWARZ. Our wine-flasks too are all empty.
+
+CHARLES. See how beautiful the harvest looks! The trees are breaking
+with the weight of their fruit. The vines are full of promise.
+
+GRIMM. It is a fruitful year.
+
+CHARLES. Do you think so? Then at least one toil in the world will be
+repaid. One? Yet in the night a hailstorm may come and destroy it all.
+
+SCHWARZ. That is very possible. It all may be destroyed an hour before
+the reaping.
+
+CHARLES. Just what I say. All will be destroyed. Why should man
+prosper in that which he has in common with the ant, while he fails in
+that which places him on a level with the gods. Or is this the aim and
+limit of his destiny?
+
+SCHWARZ. I know not.
+
+CHARLES. Thou hast said well; and wilt have done better, if thou never
+seekest to know. Brother, I have looked on men, their insect cares and
+their giant projects,--their god-like plans and mouse-like occupations,
+their intensely eager race after happiness--one trusting to the
+fleetness of his horse,--another to the nose of his ass,--a third to his
+own legs; this checkered lottery of life, in which so many stake their
+innocence and their leaven to snatch a prize, and,--blanks are all they
+draw--for they find, too late, that there was no prize in the wheel. It
+is a drama, brother, enough to bring tears into your eyes, while it
+shakes your sides with laughter.
+
+SCHWARZ. How gloriously the sun is setting yonder!
+
+CHARLES (absorbed in the scene). So dies a hero! Worthy of adoration!
+
+SCHWARZ. You seem deeply moved.
+
+CHARLES. When I, was but a boy--it was my darling thought to live like
+him, like him to die--(with suppressed grief.) It was a boyish thought!
+
+GRIMM. It was, indeed.
+
+CHARLES. There was a time--(pressing his hat down upon his face).
+I would be alone, comrades.
+
+SCHWARZ. Moor! Moor! Why, what the deuce! How his color changes.
+
+GRIMM. By all the devils! What ails him? Is he ill?
+
+CHARLES. There was a time when I could not have slept had I forgotten
+my evening prayers.
+
+GRIMM. Are you beside yourself? Would you let the remembrances of your
+boyish years school you now?
+
+CHARLES (lays his head upon the breast of GRIMM). Brother! Brother!
+
+GRIMM. Come! Don't play the child--I pray you
+
+CHARLES. Oh that I were-that I were again a child!
+
+GRIMM. Fie! fie!
+
+SCHWARZ. Cheer up! Behold this smiling landscape--this delicious
+evening!
+
+CHARLES. Yes, friends, this world is very lovely--
+
+SCHWARZ. Come, now, that was well said.
+
+CHARLES. This earth so glorious!--
+
+GRIMM. Right--right--I love to hear you talk thus.
+
+CHARLES. (sinking back). And I so hideous in' this lovely world--
+a monster on this glorious earth!
+
+GRIMM. Oh dear! oh dear!
+
+CHARLES. My innocence! give me back my innocence! Behold, every living
+thing is gone forth to bask in the cheering rays of the vernal sun--why
+must I alone inhale the torments of hell out of the joys of heaven? All
+are so happy, all so united in brotherly love, by the spirit of peace!
+The whole world one family, and one Father above--but He not my father!
+I alone the outcast, I alone rejected from the ranks of the blessed--the
+sweet name of child is not for me--never for me the soul-thrilling
+glance of her I love--never, never the bosom friend's embrace--(starting
+back wildly)--surrounded by murderers--hemmed in by hissing vipers--
+riveted to vice with iron fetters--whirling headlong on the frail reed
+of sin to the gulf of perdition--amid the blooming flowers of a glad
+world, a howling Abaddon!
+
+SCHWARZ (to the others). How strange! I never saw him thus before.
+
+CHARLES (with melancholy). Oh, that I might return again to my mother's
+womb. That I might be born a beggar! I should desire no more,--no
+more, oh heaven!--but that I might be like one of those poor laborers!
+Oh, I would toil till the blood streamed down my temples--to buy myself
+the luxury of one guiltless slumber--the blessedness of a single tear.
+
+GRIMM (to the others). A little patience--the paroxysm is nearly over.
+
+CHARLES. There was a time when my tears flowed so freely. Oh, those
+days of peace! Dear home of my fathers--ye verdant halcyon vales!
+O all ye Elysian scenes of my childhood!--will you never return?--will
+your delicious breezes never cool my burning bosom? Mourn with me,
+Nature, mourn! They will never return! never will their delicious
+breezes cool my burning bosom! They are gone! gone! irrevocably gone!
+
+ Enter SCHWEITZER with water in his hat.
+
+SCHWEITZER (offering him water in his hat). Drink, captain; here is
+plenty of water, and cold as ice.
+
+SCHWARZ. You are bleeding! What have you been doing?
+
+SCHWEITZER. A bit of a freak, you fool, which had well-nigh cost me two
+legs and a neck. As I was frolicking along the steep sandbanks of the
+river, plump, in a moment, the whole concern slid from under me, and I
+after it, some ten fathoms deep;--there I lay, and, as I was recovering
+my five senses, lo and behold, the most sparkling water in the gravel!
+Not so much amiss this time, said I to myself, for the caper I have cut.
+The captain will be sure to relish a drink.
+
+CHARLES (returns him the hat and wipes his face). But you are covered
+with mud, Schweitzer, and we can't see the scar which the Bohemian
+horseman marked on your forehead--your water was good, Schweitzer--and
+those scars become you well.
+
+SCHWEITZER. Bah! There's room for a score or two more yet.
+
+CHARLES. Yes, boys--it was a hot day's work--and only one man lost.
+Poor Roller! he died a noble death. A marble monument would be erected
+to his memory had he died in any other cause than mine. Let this
+suffice. (He wipes the tears from his eyes.) How many, did you say, of
+the enemy were left on the field?
+
+SCHWEITZER. A hundred and sixty huzzars, ninety-three dragoons, some
+forty chasseurs--in all about three hundred.
+
+CHARLES. Three hundred for one! Every one of you has a claim upon this
+head. (He bares his head.) By this uplifted dagger! As my Soul liveth,
+I will never forsake you!
+
+SCHWEITZER. Swear not! You do not know but you may yet be happy, and
+repent your oath.
+
+CHARLES. By the ashes of my Roller! I will never forsake you.
+
+ Enter KOSINSKY.
+
+KOSINSKY (aside). Hereabouts, they say, I shall find him. Ha! What
+faces are these? Should they be--if these--they must be the men! Yes,
+'tis they,'tis they! I will accost them.
+
+SCHWARZ. Take heed! Who goes there?
+
+KOSINSKY. Pardon, sirs. I know not whether I am going right or wrong.
+
+CHARLES. Suppose right, whom do you take us to be?
+
+KOSINSKY. Men!
+
+SCHWEITZER. I wonder, captain, whether we have given any proof of that?
+
+KOSINSKY. I am in search of men who can look death in the face, and let
+danger play around then like a tamed snake; who prize liberty above life
+or honor; whose very names, hailed by the poor and the oppressed, appal
+the boldest, and make tyrants tremble.
+
+SCHWEITZER (to the Captain). I like that fellow. Hark ye, friend! You
+have found your men.
+
+KOSINSKY. So I should think, and I hope soon to find them brothers.
+You can direct me to the man I am looking for. 'Tis your captain, the
+great Count von Moor.
+
+SCHWEITZER (taking him warmly by the hand). There's a good lad. You
+and I must be chums.
+
+CHARLES (coming nearer). Do you know the captain?
+
+KOSINSKY. Thou art he!--in those features--that air--who can look at
+thee, and doubt it? (Looks earnestly at him for some time). I have
+always wished to see the man with the annihilating look, as he sat on
+the ruins of Carthage.* That wish is realized.
+
+ *[Alluding to Caius Marius. See Plutarch's Lives.]
+
+SCHWEITZER. A mettlesome fellow!--
+
+CHARLES. And what brings you to me?
+
+KOSINSKY. Oh, captain! my more than cruel fate. I have suffered
+shipwrecked on the stormy ocean of the world; I have seen all my fondest
+hopes perish; and nought remains to me but a remembrance of the bitter
+past, which would drive me to madness, were I not to drown it by
+directing my energies to new objects.
+
+CHARLES. Another arraignment of the ways of Providence! Proceed.
+
+KOSINSKY. I became a soldier. Misfortune still followed me in the
+army. I made a venture to the Indies, and my ship was shivered on the
+rocks--nothing but frustrated hopes! At last, I heard tell far and wide
+of your valiant deeds, incendiarisms, as they called them, and I came
+straightway hither, a distance of thirty leagues, firmly resolved to
+serve under you, if you will deign to accept my services. I entreat
+thee, noble captain, refuse me not!
+
+SCHWEITZER (with a leap into the air). Hurrah! Hurrah! Our Roller
+replaced ten hundred-fold! An out-and-out brother cut-throat for our
+troop.
+
+CHARLES. What is your name?
+
+KOSINSKY. Kosinsky.
+
+CHARLES. What? Kosinsky! And do you know that you are but a
+thoughtless boy, and are embarking on the most weighty passage of your
+life as heedlessly as a giddy girl? You will find no playing at bowls
+or ninepins here, as you probably imagine.
+
+KOSINSKY. I understand you, sir. I am,'tis true, but four-and-twenty
+years old, but I have seen swords glittering, and have heard balls
+whistling around me.
+
+CHARLES. Indeed, young gentleman? And was it for this that you took
+fencing lessons, to run poor travellers through the body for the sake of
+a dollar, or stab women in the back? Go! go! You have played truant to
+your nurse because she shook the rod at you.
+
+SCHWEITZER. Why, what the devil, captain! what are you about? Do you
+mean to turn away such a Hercules? Does he not look as if he could
+baste Marechal Saxe across the Ganges with a ladle?
+
+CHARLES. Because your silly schemes miscarry, you come here to turn
+rogue and assassin! Murder, boy, do you know the meaning of that word?
+You may have slumbered in peace after cropping a few poppy-heads, but to
+have a murder on your soul--
+
+KOSINSKY. All the murders you bid me commit be upon my head!
+
+CHARLES. What! Are you so nimble-witted? Do you take measure of a man
+to catch him by flattery? How do you know that I am not haunted by
+terrific dreams, or that I shall not tremble on my death-bed?--How much
+have you already done of which you have considered the responsibility?
+
+KOSINSKY. Very little, I must confess; excepting this long journey to
+you, noble count--
+
+CHARLES. Has your tutor let the story of Robin Hood--get into your
+hands? Such careless rascals ought to be sent to the galleys. And has
+it heated your childish fancy, and infected you with the mania of
+becoming a hero? Are you thirsting for honor and fame? Would you buy
+immortality by deeds of incendiarism? Mark me, ambitious youth! No
+laurel blooms for the incendiary. No triumph awaits the victories of
+the bandit--nothing but curses, danger, death, disgrace. Do you see the
+gibbet yonder on the hill?
+
+SPIEGEL (going up and down indignantly). Oh, how stupid! How
+abominably, unpardonably stupid! That's not the way. I went to work
+in a very different manner.
+
+KOSINSKY. What should he fear, who fears not death?
+
+CHARLES. Bravo! Capital! You have made good use of your time at
+school; you have got your Seneca cleverly by heart. But, my good
+friend, you will not be able with these fine phrases to cajole nature
+in the hour of suffering; they will never blunt the biting tooth of
+remorse. Ponder on it well, my son! (Takes him by the hand.) I advise
+you as a father. First learn the depth of the abyss before you plunge
+headlong into it. If in this world you can catch a single glimpse of
+happiness--moments may come when you-awake,--and then--it may be too
+late. Here you step out as it were beyond the pale of humanity--you
+must either be more than human or a demon. Once more, my son! if but
+a single spark of hope glimmer for you elsewhere, fly this fearful
+compact, where nought but despair enters, unless a higher wisdom has so
+ordained it. You may deceive yourself--believe me, it is possible to
+mistake that for strength of mind which in reality is nothing more than
+despair. Take my counsel! mine! and depart quickly.
+
+KOSINSKY. No! I will not stir. If my entreaties fail to move you, hear
+but the story of my misfortunes. And then you will force the dagger
+into my hand as eagerly as you now seek to withhold it. Seat yourselves
+awhile on the grass and listen.
+
+CHARLES. I will hear your story.
+
+KOSINSKY. Know, then, that I am a Bohemian nobleman. By the early
+death of my father I became master of large possessions. The scene of
+my domain was a paradise; for it contained an angel--a maid adorned with
+all the charms of blooming youth, and chaste as the light of heaven.
+But to whom do I talk of this? It falls unheeded on your cars--ye never
+loved, ye were never beloved--
+
+SCHWEITZER. Gently, gently! The captain grows red as fire.
+
+CHARLES. No more! I'll hear you some other time--to-morrow,--or by-
+and-by, or--after I have seen blood.
+
+KOSINSKY. Blood, blood! Only hear on! Blood will fill your whole
+soul. She was of citizen birth, a German--but her look dissolved all
+the prejudices of aristocracy. With blushing modesty she received the
+bridal ring from my hand, and on the morrow I was to have led my AMELIA
+to the altar. (CHARLES rises suddenly.) In the midst of my intoxicating
+dream of happiness, and while our nuptials were preparing, an express
+summoned me to court. I obeyed the summons. Letters were shown me
+which I was said to have written, full of treasonable matter. I grew
+scarlet with indignation at such malice; they deprived me of my sword,
+thrust me into prison, and all my senses forsook me.
+
+SCHWEITZER. And in the meantime--go on! I already scent the game.
+
+KOSINSKY. There I lay a whole month, and knew not what was taking
+place. I was full of anxiety for my Amelia, who I was sure would suffer
+the pangs of death every moment in apprehension of my fate. At last the
+prime minister makes his appearance,--congratulates me in honey-sweet
+words on the establishment of my innocence,--reads to me a warrant of
+discharge,--and returns me my sword. I flew in triumph to my castle, to
+the arms of my Amelia, but she had disappeared! She had been carried
+off, it was said, at midnight, no one knew whither, and no eye had
+beheld her since. A suspicion instantly flashed across my mind. I
+rushed to the capital--I made inquiries at court--all eyes were upon
+me,--no one would give me information. At last I discovered her through
+a grated window of the palace--she threw me a small billet.
+
+SCHWEITZER. Did I not say so?
+
+KOSINSKY. Death and destruction! The contents were these! They had
+given her the choice between seeing me put to death, and becoming the
+mistress of the prince. In the struggle between honor and love she
+chose the latter, and (with a bitter smile) I was saved.
+
+SCHWEITZER. And what did you do then?
+
+KOSINSKY. Then I stood like one transfixed with a thunderbolt! Blood
+was my first thought, blood my last! Foaming at the mouth, I ran to my
+quarters, armed myself with a two-edged sword, and, with all haste,
+rushed to the minister's house, for he--he alone--had been the fiendish
+pander. They must have observed me in the street, for, as I went up, I
+found all the doors fastened. I searched, I enquired. He was gone,
+they said, to the prince. I went straight thither, but nobody there
+would know anything about him. I return, force the doors, find the base
+wretch, and was on the point when five or six servants suddenly rushed
+on me from behind, and wrenched the weapon from my hands.
+
+SCHWEITZER (stamping the ground). And so the fellow got off clear, and
+you lost your labor?
+
+KOSINSKY. I was arrested, accused, criminally prosecuted, degraded,
+and--mark this--transported beyond the frontier, as a special favor. My
+estates were confiscated to the minister, and Amelia remained in the
+clutches of the tiger, where she weeps and mourns away her life, while
+my vengeance must keep a fast, and crouch submissively to the yoke of
+despotism.
+
+SCHWEITZER (rising and whetting his sword). That is grist to our mill,
+captain! There is something here for the incendiaries!
+
+CHARLES (who has been walking up and down in violent agitation, with a
+sudden start to the ROBBERS). I must see her. Up! collect your
+baggage--you'll stay with us, Kosinsky! Quick, pack up!
+
+THE ROBBERS. Where to? What?
+
+CHARLES. Where to? Who asks that question? (Fiercely to SCHWEITZER)
+Traitor, wouldst thou keep me back? But by the hope for heaven!
+
+SCHWEITZER. I, a traitor? Lead on to hell and I will follow you!
+
+CHARLES (falling on his neck). Dear brother! thou shalt follow me. She
+weeps, she mourns away her life. Up! quickly! all of you! to
+Franconia! In a week we must be there.
+ [Exeunt.]
+
+
+
+
+ ACT IV.
+
+ SCENE I.--Rural scenery in the neighborhood of
+ CHARLES VON MOOR'S castle.
+
+ CHARLES VON MOOR, KOSINSKY, at a distance.
+
+CHARLES. Go forward, and announce me. You remember what you have to
+say?
+
+KOSINSKY. You are Count Brand, you come from Mecklenburg. I am your
+groom. Do not fear, I shall take care to play my part. Farewell!
+ [Exit.]
+
+CHARLES. Hail to thee, Earth of my Fatherland (kisses the earth.)
+Heaven of my Fatherland! Sun of my Fatherland! Ye meadows and hills,
+ye streams and woods! Hail, hail to ye all! How deliciously the
+breezes are wafted from my native hills? What streams of balmy perfume
+greet the poor fugitive! Elysium! Realms of poetry! Stay, Moor, thy
+foot has strayed into a holy temple. (Comes nearer.)
+
+See there! the old swallow-nests in the castle yard!---and the little
+garden-gate!--and this corner of the fence where I so often watched in
+ambuscade to teaze old Towzer!--and down there in the green valley,
+where, as the great Alexander, I led my Macedonians to the battle of
+Arbela; and the grassy hillock yonder, from which I hurled the Persian
+satrap--and then waved on high my victorious banner! (He smiles.) The
+golden age of boyhood lives again in the soul of the outcast. I was
+then so happy, so wholly, so cloudlessly happy--and now--behold all my
+prospects a wreck! Here should I have presided, a great, a noble, an
+honored man--here have--lived over again the years of boyhood in the
+blooming--children of my Amelia--here!--here have been the idol of my
+people--but the foul fiend opposed it (Starting.) Why am I here? To
+feel like the captive when the clanking of his chains awakes him from
+his dream of liberty. No, let me return to my wretchedness! The
+captive had forgotten the light of day, but the dream of liberty flashes
+past his eyes like a blaze of lightning in the night, which leaves it
+darker than before. Farewell, ye native vales! once ye saw Charles as a
+boy, and then Charles was happy. Now ye have seen the man his happiness
+turned to despair! (He moves rapidly towards the most distant point of
+the landscape, where he suddenly stops and casts a melancholy look
+across to the castle.) Not to behold her! not even one look?--and only
+a wall between me and Amelia! No! see her I must!--and him too!--though
+it crush me! (He turns back.) Father! father! thy son approaches. Away
+with thee, black, reeking gore! Away with that grim, ghastly look of
+death! Oh, give me but this one hour free! Amelia! Father! thy
+Charles approaches! (He goes quickly towards the castle.) Torment me
+when the morning dawns--give me no rest with the coming night--beset me
+in frightful dreams! But, oh! poison not this my only hour of bliss!
+(He is standing at the gate.) What is it I feel? What means this, Moor?
+Be a man! These death-like shudders--foreboding terrors.
+ [Enters.]
+
+
+
+ SCENE II.*--Gallery in the Castle.
+
+ *[In some editions this is the third scene,
+ and there is no second.]
+
+ Enter CHARLES VON MOOR, AMELIA.
+
+AMELIA. And are you sure that you should know his portrait among these
+pictures?
+
+CHARLES. Oh, most certainly! his image has always been fresh in my
+memory. (Passing along thee pictures.) This is not it.
+
+AMELIA. You are right! He was the first count, and received his patent
+of nobility from Frederic Barbarossa, to whom he rendered some service
+against the corsairs.
+
+CHARLES (still reviewing the pictures). Neither is it this--nor this--
+nor that--it is not among these at all.
+
+AMELIA. Nay! look more attentively! I thought you knew him.
+
+CHARLES. As well as my own father! This picture wants the sweet
+expression around the mouth, which distinguished him from among a
+thousand. It is not he.
+
+AMELIA. You surprise me. What! not seen him for eighteen years, and
+still--
+
+CHARLES (quickly, with a hectic blush). Yes, this is he! (He stands as
+if struck by lightning.)
+
+AMELIA. An excellent man!
+
+CHARLES (absorbed in the contemplation of the picture). Father!
+father! forgive me! Yes, an excellent man! (He wipes his eyes.) A
+godlike man!
+
+AMELIA. You seem to take a deep interest in him.
+
+CHARLES. Oh, an excellent man! And he is gone, you say!
+
+AMELIA. Gone! as our best joys perish. (Gently taking him by the
+hand.) Dear Sir, no happiness ripens in this world.
+
+CHARLES. Most true, most true! And have you already proved this truth
+by sad experience? You, who can scarcely yet have seen your twenty-
+third year?
+
+AMELIA. Yes, alas, I have proved it. Whatever lives, lives to die in
+sorrow. We engage our hearts, and grasp after the things of this world,
+only to undergo the pang of losing them.
+
+CHARLES. What can you have lost, and yet so young?
+
+AMELIA. Nothing--everything--nothing. Shall we go on, count?*
+
+ *[In the acting edition is added--
+ "MOOR. And would you learn forgetfulness in that holy garb there?
+ (Pointing to a nun's habit.)
+ "AMELIA. To-morrow I hope to do so. Shall we continue our walk,
+ sir?"]
+
+CHARLES. In such haste? Whose portrait is that on the right? There is
+an unhappy look about that countenance, methinks.
+
+AMELIA. That portrait on the left is the son of the count, the present
+count. Come, let us pass on!
+
+CHARLES. But this portrait on the right?
+
+AMELIA. Will you not continue your walk, Sir?
+
+CHARLES. But this portrait on the right hand? You are in tears,
+Amelia? [Exit AMELIA, in precipitation.]
+
+CHARLES. She loves me, she loves me! Her whole being began to rebel,
+and the traitor tears rolled down her cheeks. She loves me! Wretch,
+hast thou deserved this at her hands? Stand I not here like a condemned
+criminal before the fatal block? Is this the couch on which we so often
+sat--where I have hung in rapture on her neck? Are these my ancestral
+halls? (Overcome by the sight of his father's portrait.) Thou--thou--
+Flames of fire darting from thine eyes--His curse--His curse--He disowns
+me--Where am I? My sight grows dim--Horrors of the living God--'Twas I,
+'twas I that killed my father!
+ [He rushes off]
+
+ Enter FRANCIS VON MOOR, in deep thought.
+
+FRANCIS. Away with that image! Away with it! Craven heart! Why dost
+thou tremble, and before whom? Have I not felt, during the few hours
+that the count has been within these walls as if a spy from hell were
+gliding at my heels. Methinks I should know him! There is something so
+lofty, so familiar, in his wild, sunburnt features, which makes me
+tremble. Amelia, too, is not indifferent towards him! Does she not
+dart eager, languishing looks at the fellow looks of which she is so
+chary to all the world beside? Did I not see her drop those stealthy
+tears into the wine, which, behind my back, he quaffed so eagerly that
+he seemed to swallow the very glass? Yes, I saw it--I saw it in the
+mirror with my own eyes. Take care, Francis! Look about you! Some
+destruction-brooding monster is lurking beneath all this! (He stops,
+with a searching look, before the portrait of CHARLES.)
+
+His long, crane-like neck--his black, fire-sparkling eyes--hem! hem!--
+his dark, overhanging, bushy eyebrows. (Suddenly starting back.)
+Malicious hell! dost thou send me this suspicion? It is Charles! Yes,
+all his features are reviving before me. It is he! despite his mask!
+it is he! Death and damnation! (Goes up and down with agitated steps.)
+Is it for this that I have sacrificed my nights--that I have mowed down
+mountains and filled up chasms? For this that I have turned rebel
+against all the instincts of humanity? To have this vagabond outcast
+blunder in at last, and destroy all my cunningly devised fabric. But
+gently! gently! What remains to be done is but child's play. Have I
+not already waded up to my very ears in mortal sin? Seeing how far the
+shore lies behind me, it would be madness to attempt to swim back. To
+return is now out of the question. Grace itself would be beggared, and
+infinite mercy become bankrupt, were they to be responsible for all my
+liabilities. Then onward like a man. (He rings the bell.) Let him be
+gathered to the spirit of his father, and now come on! For the dead I
+care not! Daniel! Ho! Daniel! I'd wager a trifle they have already
+inveigled him too into the plot against me! He looks so full of
+mystery!
+
+ Enter DANIEL.
+
+DANIEL. What is your pleasure, my master?
+
+FRANCIS. Nothing. Go, fill this goblet with wine, and quickly! (Exit
+DANIEL.) Wait a little, old man! I shall find you out! I will fix my
+eye upon you so keenly that your stricken conscience shall betray itself
+through your mask! He shall die! He is but a sorry bungler who leaves
+his work half finished, and then looks on idly, trusting to chance for
+what may come of it.
+
+ Enter DANIEL, with the wine.
+
+Bring it here! Look me steadfastly in the face! How your knees knock
+together! How you tremble! Confess, old man! what have you been
+doing?
+
+DANIEL. Nothing, my honored master, by heaven and my poor soul!
+
+FRANCIS. Drink this wine! What? you hesitate? Out with it quickly!
+What have you put into the wine?
+
+DANIEL. Heaven help me! What! I in the wine?
+
+FRANCIS. You have poisoned it! Are you not as white as snow? Confess,
+confess! Who gave it you? The count? Is it not so? The count gave it
+you?
+
+DANIEL. The count? Jesu Maria! The count has not given me anything.
+
+FRANCIS (grasping him tight). I will throttle you till you are black in
+the face, you hoary-headed liar! Nothing? Why, then, are you so often
+closeted together? He, and you, and Amelia? And what are you always
+whispering about? Out with it! What secrets, eh? What secrets has he
+confided to you?
+
+DANIEL. I call the Almighty to witness that he has not confided any
+secrets to me.
+
+FRANCIS. Do you mean to deny it? What schemes have you been hatching
+to get rid of me? Am I to be smothered in my sleep? or is my throat to
+be cut in shaving? or am I to be poisoned in wine or chocolate? Eh?
+Out with it, out with it! Or am I to have my quietus administered in my
+soup? Out with it! I know it all!
+
+DANIEL. May heaven so help me in the hour of need as I now tell you the
+truth, and nothing but the pure, unvarnished truth!
+
+FRANCIS. Well, this time I will forgive you. But the money! he most
+certainly put money into your purse? And he pressed your hand more
+warmly than is customary? something in the manner of an old
+acquaintance?
+
+DANIEL. Never, indeed, Sir.
+
+FRANCIS. He told you, for instance, that he had known you before? that
+you ought to know him? that the scales would some day fall from your
+eyes? that--what? Do you mean to say that he never spoke thus to you?
+
+DANIEL. Not a word of the kind.
+
+FRANCIS. That certain circumstances restrained him--that one must
+sometimes wear a mask in order to get at one's enemies--that he would be
+revenged, most terribly revenged?
+
+DANIEL. Not a syllable of all this.
+
+FRANCIS. What? Nothing at all? Recollect yourself. That he knew the
+old count well--most intimately--that he loved him--loved him
+exceedingly--loved him like a son!
+
+DANIEL. Something of that sort I remember to have heard him say.
+
+FRANCIS (turning pale). Did he say so? did he really? How? let me
+hear! He said he was my brother?
+
+DANIEL (astonished). What, my master? He did not say that. But as
+Lady Amelia was conducting him through the gallery--I was just dusting
+the picture frames--he suddenly stood still before the portrait of my
+late master, and seemed thunderstruck. Lady Amelia pointed it out, and
+said, "An excellent man!" "Yes, a most excellent man!" he replied,
+wiping a tear from his eye.
+
+FRANCIS. Hark, Daniel! You know I have ever been a kind master to you;
+I have given you food and raiment, and have spared you labor in
+consideration of your advanced age.
+
+DANIEL. For which may heaven reward you! and I, on my part, have
+always served you faithfully.
+
+FRANCIS. That is just what I was going to say. You have never in all
+your life contradicted me; for you know much too well that you owe me
+obedience in all things, whatever I may require of you.
+
+DANIEL. In all things with all my heart, so it be not against God and
+my conscience.
+
+FRANCIS. Stuff! nonsense! Are you not ashamed of yourself? An old
+man, and believe that Christmas tale! Go, Daniel! that was a stupid
+remark. You know that I am your master. It is on me that God and
+conscience will be avenged, if, indeed, there be a God and a conscience.
+
+DANIEL (clasping his hands together). Merciful Heaven!
+
+FRANCIS. By your obedience! Do you understand that word? By your
+obedience, I command you. With to-morrow's dawn the count must no
+longer be found among the living.
+
+DANIEL. Merciful Heaven! and wherefore?
+
+FRANCIS. By your blind obedience! I shall rely upon you implicitly.
+
+DANIEL. On me? May the Blessed Virgin have mercy on me! On me? What
+evil, then, have I, an old man, done!
+
+FRANCIS. There is no time now for reflection; your fate is in my hands.
+Would you rather pine away the remainder of your days in the deepest of
+my dungeons, where hunger shall compel you to gnaw your own bones, and
+burning thirst make you suck your own blood? Or would you rather eat
+your bread in peace, and have rest in your old age?
+
+DANIEL. What, my lord! Peace and rest in my old age? And I a
+murderer?
+
+FRANCIS. Answer my question!
+
+DANIEL. My gray hairs! my gray hairs!
+
+FRANCIS. Yes or no!
+
+DANIEL. No! God have mercy upon me!
+
+FRANCIS (in the act of going). Very well! you shall have need of it.
+(DANIEL detains him and falls on his knees before him.)
+
+DANIEL. Mercy, master! mercy!
+
+FRANCIS. Yes or no!
+
+DANIEL. Most gracious master! I am this day seventy-one years of age!
+and have honored my father and my mother, and, to the best of my
+knowledge, have never in the whole course of my life defrauded any one
+to the value of a farthing,--and I have adhered to my creed truly and
+honestly, and have served in your house four-and-forty years, and am now
+calmly awaiting a quiet, happy end. Oh, master! master! (violently
+clasping his knees) and would you deprive me of my only solace in death,
+that the gnawing worm of an evil conscience may cheat me of my last
+prayer? that I may go to my long home an abomination in the sight of God
+and man? No, no! my dearest, best, most excellent, most gracious
+master! you do not ask that of an old man turned threescore and ten!
+
+FRANCIS. Yes or no! What is the use of all this palaver?
+
+DANIEL. I will serve you from this day forward more diligently than
+ever; I will wear out my old bones in your service like a common day-
+laborer; I will rise earlier and lie down later. Oh, and I will
+remember you in my prayers night and morning; and God will not reject
+the prayer of an old man.
+
+FRANCIS. Obedience is better than sacrifice. Did you ever hear of the
+hangman standing upon ceremony when he was told to execute a sentence?
+
+DANIEL. That is very true? but to murder an innocent man--one--
+
+FRANCIS. Am I responsible to you? Is the axe to question the hangman
+why he strikes this way and not that? But see how forbearing I am. I
+offer you a reward for performing what you owe me in virtue of your
+allegiance.
+
+DANIEL. But, when I swore allegiance to you, I at least hoped that I
+should be allowed to remain a Christian.
+
+FRANCIS. No contradiction! Look you! I give you the whole day to
+think about it! Ponder well on it. Happiness or misery. Do you hear--
+do you understand? The extreme of happiness or the extreme of misery!
+I can do wonders in the way of torture.
+
+DANIEL (after some reflection). I'll do it; I will do it to-morrow.
+ [Exit.]
+
+FRANCIS. The temptation is strong, and I should think he was not born
+to die a martyr to his faith. Have with you, sir count! According to
+all ordinary calculations, you will sup to-morrow with old Beelzebub.
+In these matters all depends upon one's view of a thing; and he is a
+fool who takes any view that is contrary to his own interest. A father
+quaffs perhaps a bottle of wine more than ordinary--he is in a certain
+mood--the result is a human being, the last thing that was thought of in
+the affair. Well, I, too, am in a certain mood,--and the result is that
+a human being perishes; and surely there is more of reason and purpose
+in this than there was in his production. If the birth of a man is the
+result of an animal paroxysm, who should take it into his head to attach
+any importance to the negation of his birth? A curse upon the folly of
+our nurses and teachers, who fill our imaginations with frightful tales,
+and impress fearful images of punishment upon the plastic brain of
+childhood, so that involuntary shudders shake the limbs of the man with
+icy fear, arrest his boldest resolutions, and chain his awakening reason
+in the fetters of superstitious darkness. Murder! What a hell full of
+furies hovers around that word. Yet 'tis no more than if nature forgets
+to bring forth one man more or the doctor makes a mistake--and thus the
+whole phantasmagoria vanishes. It was something, and it is nothing.
+Does not this amount to exactly the same thing as though it had been
+nothing, and came to nothing; and about nothing it is hardly worth while
+to waste a word. Man is made of filth, and for a time wades in filth,
+and produces filth, and sinks back into filth, till at last he fouls the
+boots of his own posterity.*
+
+ *["To what base uses we may return, Horatio! why, may not
+ imagination trace the noble dust of Alexander, till we find it
+ stopping a bunghole?"--HAMLET, Act v, Sc. 1.]
+
+That is the burden of the song--the filthy cycle of human fate; and with
+that--a pleasant journey to you, sir brother! Conscience, that
+splenetic, gouty moralist, may drive shrivelled old drones out of
+brothels, and torture usurers on their deathbeds--with me it shall never
+more have audience.
+ [Exit.]
+
+
+
+
+ SCENE III.--Another Room in the Castle.
+
+ CHARLES VON MOOR enters from one side, DANIEL from the other.
+
+CHARLES (hastily). Where is Lady Amelia?
+
+DANIEL. Honored sir! permit an old man to ask you a favor.
+
+CHARLES. It is granted. What is it you ask?
+
+DANIEL. Not much, and yet all--but little, and yet a great deal.
+Suffer me to kiss your hand!
+
+CHARLES. That I cannot permit, good old man (embraces him), from one
+whom I should like to call my father.
+
+DANIEL. Your hand, your hand! I beseech you.
+
+CHARLES. That must not be.
+
+DANIEL. It must! (He takes hold of it, surveys it quickly, and falls
+down before him.) Dear, dearest Charles!
+
+CHARLES (startled; he composes himself, and says in a distant tone).
+What mean you, my friend? I don't understand you.
+
+DANIEL. Yes, you may deny it, you may dissemble as much as you please?
+'Tis very well! very well. For all that you are my dearest, my
+excellent young master. Good Heaven! that I, poor old man, should live
+to have the joy--what a stupid blockhead was I that I did not at a
+glance--oh, gracious powers! And you are really come back, and the dear
+old master is underground, and here you are again! What a purblind dolt
+I was, to be sure! (striking his forehead) that I did not on the
+instant--Oh, dear me!---who could have dreamt it--What I have so often
+prayed for with tears--Oh, mercy me! There he stands again, as large as
+life, in the old room!
+
+CHARLES. What's all this oration about? Are you in a fit of delirium,
+and have escaped from your keepers; or are you rehearsing a stage-
+player's part with me?
+
+DANIEL. Oh, fie! fie! It is not pretty of you to make game of an old
+servant. That scar! Eh! do you remember it? Good Heaven! what a
+fright you put me into--I always loved you so dearly; and what misery
+you might have brought upon me. You were sitting in my lap--do you
+remember? there in the round chamber. Has all that quite vanished from
+your memory--and the cuckoo, too, that you were so fond of listening to?
+Only think! the cuckoo is broken, broken all to shivers--old Susan
+smashed it in sweeping the room--yes, indeed, and there you sat in my
+lap, and cried, "Cockhorse!" and I ran off to fetch your wooden horse--
+mercy on me! what business had I, thoughtless old fool, to leave you
+alone--and how I felt as if I were in a boiling caldron when I heard you
+screaming in the passage; and, when I rushed in, there was your red
+blood gushing forth, and you lying on the ground. Oh, by the Blessed
+Virgin! did I not feel as if a bucket of icy cold water was emptied all
+over me?--but so it happens, unless one keeps all one's eyes upon
+children. Good Heaven! if it had gone into your eye! Unfortunately it
+happened to be the right hand. "As long as I live," said I, "never
+again shall any child in my charge get hold of a knife or scissors, or
+any other edge tool." 'Twas lucky for me that both my master and
+mistress were gone on a journey. "Yes, yes! this shall be a warning to
+me for the rest of my life," said I--Gemini, Gemini! I might have lost
+my place, I might--God forgive you, you naughty boy--but, thank Heaven!
+it healed fairly, all but that ugly scar.
+
+CHARLES. I do not comprehend one word of all that you are talking
+about.
+
+DANIEL. Eh? eh? that was the time! was it not? How many a ginger-cake,
+and biscuit, and macaroon, have I slipped into your bands--I was always
+so fond of you. And do you recollect what you said to me down in the
+stable, when I put you upon old master's hunter, and let you scamper
+round the great meadow? "Daniel!" said you, "only wait till I am grown
+a big man, and you shall be my steward, and ride in the coach with me."
+"Yes," said I, laughing, "if heaven grants me life and health, and you
+are not ashamed of the old man," I said, "I shall ask you to let me have
+the little house down in the village, that has stood empty so long; and
+then I will lay in a few butts of good wine, and turn publican in my old
+age." Yes, you may laugh, you may laugh! Eh, young gentleman, have you
+quite forgotten all that? You do not want to remember the old man, so
+you carry yourself strange and loftily;--but, you are my jewel of a
+young master, for all that. You have, it is true, been a little bit
+wild--don't be angry!--as young blood is apt to be! All may be well yet
+in the end.
+
+CHARLES (falls on his neck). Yes! Daniel! I will no longer hide it
+from you! I am your Charles, your lost Charles! And now tell me, how
+does my Amelia?
+
+DANIEL (begins to cry). That I, old sinner, should live to have this
+happiness--and my late blessed master wept so long in vain! Begone,
+begone, hoary old head! Ye weary bones, descend into the grave with
+joy! My lord and master lives! my own eyes have beheld him!
+
+CHARLES. And he will keep his promise to you. Take that, honest
+graybeard, for the old hunter (forces a heavy purse upon him). I have
+not forgotten the old man.
+
+DANIEL. How? What are you doing? Too much! You have made a mistake.
+
+CHARLES. No mistake, Daniel! (DANIEL is about to throw himself on his
+knees before him.) Rise! Tell me, how does my Amelia?
+
+DANIEL. Heaven reward you! Heaven reward you! O gracious me! Your
+Amelia will never survive it, she will die for joy?
+
+CHARLES (eagerly). She has not forgotten me then?
+
+DANIEL. Forgotten you? How can you talk thus? Forgotten you, indeed!
+You should have been there, you should have seen how she took on, when
+the news came of your death, which his honor caused to be spread
+abroad--
+
+CHARLES. What do you say? my brother--
+
+DANIEL. Yes, your brother; his honor, your brother--another day I will
+tell you more about it, when we have time--and how cleverly she sent him
+about his business when he came a wooing every blessed day, and offered
+to make her his countess. Oh, I must go; I must go and tell her; carry
+her the news (is about to run of).
+
+CHARLES. Stay! stay! she must not know--nobody must know, not even my
+brother!
+
+DANIEL. Your brother? No, on no account; he must not know it!
+Certainly not! If he know not already more than he ought to know. Oh,
+I can tell you, there are wicked men, wicked brothers, wicked masters;
+but I would not for all my master's gold be a wicked servant. His honor
+thought you were dead.
+
+CHARLES. Humph! What are you muttering about?
+
+DANIEL (in a half-suppressed voice). And to be sure when a man rises
+from the dead thus uninvited--your brother was the sole heir of our late
+master!
+
+CHARLES. Old man! what is it you are muttering between your teeth, as
+if some dreadful secret were hovering on your tongue which you fear to
+utter, and yet ought? Out with it!
+
+DANIEL. But I would rather gnaw my old bones with hunger, and suck my
+own blood for thirst, than gain a life of luxury by murder.
+ [Exit hastily.]
+
+CHARLES (starting up, after a terrible pause). Betrayed! Betrayed! It
+flashes upon my soul like lightning! A, fiendish trick! A murderer and
+a robber through fiend-like machinations! Calumniated by him! My
+letters falsified, suppressed! his heart full of love! Oh, what a
+monstrous fool was I! His fatherly heart full of love! oh, villainy,
+villainy! It would have cost me but once kneeling at his feet--a tear
+would have done it--oh blind, blind fool that I was! (running up
+against the wall). I might have been happy--oh villainy, villainy!
+
+Knavishly, yes, knavishly cheated out of all happiness in this life!
+(He runs up and down in a rage.) A murderer, a robber, all through a
+knavish trick! He was not even angry! Not a thought of cursing ever
+entered his heart. Oh, miscreant! inconceivable, hypocritical,
+abominable miscreant!
+
+ Enter KOSINSKY.
+
+KOSINSKY. Well, captain, where are you loitering? What is the matter?
+You are for staying here some time longer, I perceive?
+
+CHARLES. Up! Saddle the horses! Before sunset we must be over the
+frontier!
+
+KOSINSKY. You are joking.
+
+CHARLES (in a commanding tone). Quick! quick! delay not! leave every
+thing behind! and let no eye see you!
+ (Exit KOSINSKY.)
+
+I fly from these walls. The least delay might drive me raving road; and
+he my father's son! Brother! brother! thou hast made me the most
+miserable wretch on earth; I never injured thee; this was not brotherly.
+Reap the fruits of thy crime in quiet, my presence shall no longer
+embitter thy enjoyment--but, surely, this was not acting like a brother.
+May oblivion shroud thy misdeed forever, and death not bring it back to
+light.
+
+ Enter KOSINSKY.
+
+KOSINSKY. The horses are ready saddled, you can mount as soon as you
+please.
+
+CHARLES. Why in such haste? Why so urgent? Shall I see her no more?
+
+KOSINSKY. I will take off the bridles again, if you wish it; you bade
+me hasten head over heels.
+
+CHARLES. One more farewell! one more! I must drain this poisoned cup
+of happiness to the dregs, and then--Stay, Kosinsky! Ten minutes more--
+behind, in the castle yard--and we gallop off.
+
+
+
+
+ Scene IV.--In the Garden.
+
+AMELIA. "You are in tears, Amelia!" These were his very words--and
+spoken with such expressionsuch a voice!--oh, it summoned up a thousand
+dear remembrances!--scenes of past delight, as in my youthful days of
+happiness, my golden spring-tide of love. The nightingale sung with the
+same sweetness, the flowers breathed the same delicious fragrance, as
+when I used to hang enraptured on his neck.*
+
+ *[Here, in the acting edition, is added, 'Assuredly, if the spirits
+ of the departed wander among the living, then must this stranger be
+ Charles's angel!']
+
+Ha! false, perfidious heart! And dost thou seek thus artfully to veil
+thy perjury? No, no! begone forever from my soul, thou sinful image!
+I have not broken my oath, thou only one! Avaunt, from my soul, ye
+treacherous impious wishes! In the heart where Charles reigns no son
+of earth may dwell. But why, my soul, dost thou thus constantly, thus
+obstinately turn towards this stranger? Does he not cling to my heart
+in the very image of my only one! Is he not his inseparable companion
+in my thoughts? "You are in tears, Amelia?" Ha! let me fly from him!--
+--fly!--never more shall my eyes behold this stranger!
+ [CHARLES opens the garden gate.]
+
+AMELIA (starting). Hark! hark! did I not hear the gate creak? (She
+perceives CHARLES and starts up.) He?--whither?--what? I am rooted to
+the spot,--I can not fly! Forsake me not, good Heaven! No! thou shalt
+not tear me from my Charles! My soul has no room for two deities, I am
+but a mortal maid! (She draws the picture of CHARLES from her bosom.)
+Thou, my Charles! be thou my guardian angel against this stranger, this
+invader of our loves! At thee will I look, at thee, nor turn away my
+eyes--nor cast one sinful look towards him! (She sits silent, her eyes
+fixed upon the picture.)
+
+CHARLES. You here, Lady Amelia?--and so sad? and a tear upon that
+picture? (AMELIA gives him no answer.) And who is the happy man for
+whom these silver drops fall from an angel's eyes? May I be permitted
+to look at--(He endeavors to look at the picture.)
+
+AMELIA. No--yes--no!
+
+CHARLES (starting back). Ha--and does he deserve to be so idolized?
+Does he deserve it?
+
+AMELIA. Had you but known him!
+
+CHARLES. I should have envied him.
+
+AMELIA. Adored, you mean.
+
+CHARLES. Ha!
+
+AMELIA. Oh, you would so have loved him?---there was so much, so much
+in his face--in his eyes--in the tone of his voice,--which was so like
+yours--that I love so dearly! (CHARLES casts his eyes down to the
+ground.) Here, where you are standing, he has stood a thousand times--
+and by his side, one who, by his side, forgot heaven and earth. Here
+his eyes feasted on nature's most glorious panorama,--which, as if
+conscious of his approving glance, seemed to increase in beauty under
+the approbation of her masterpiece. Here he held the audience of the
+air captive with his heavenly music. Here, from this bush, he plucked
+roses, and plucked those roses for me. Here, here, he lay on my neck;
+here he imprinted burning kisses on my lips, and the flowers hung their
+heads with pleasure beneath the foot-tread of the lovers.*
+
+ *[In the acting edition the scene changes materially at this point,
+ and the most sentimental part of the whole drama is transformed
+ into the most voluptuous. The stage direction here is,--(They give
+ way to their transports without control, and mingle their kisses.
+ MOOR hangs in ecstacy on her lips, while she sinks half delirious
+ on the couch.) O Charles! now avenge thyself; my vow is broken.
+
+ MOOR (tearing himself away from her, as if in frenzy). Can this be
+ hell that still pursues me! (Gazing on her.) I felt so happy!
+
+ AMELIA (perceiving the ring upon her finger, starts up from the
+ couch). What! Art thou still there--on that guilty hand? Witness
+ of my perjury. Away with thee! (She pulls the ring from her
+ finger and gives it to CHARLES.) Take it--take it, beloved
+ seducer! and with it what I hold most sacred--take my all--my
+ Charles! (She falls back upon the couch.)
+
+ MOOR (changes color). O thou Most High! was this thy almighty
+ will? It is the very ring I gave her in pledge of our mutual
+ faith. Hell be the grave of love! She has returned my ring.
+
+ AMELIA (terrified). Heavens! What is the matter? Your eyes roll
+ wildly, and your lips are pale as death! Ah! woe is me. And are
+ the pleasures of thy crime so soon forgotten?
+
+ MOOR (suppressing his emotion). 'Tis nothing! Nothing! (Raising
+ his eyes to heaven.) I am still a man! (He takes of his own ring
+ and puts it on AMELIA'S finger.) In return take this! sweet fury of
+ my heart! And with it what I hold most sacred--take my all--my
+ Amelia!
+
+ AMELIA (starting up). Your Amelia!
+
+ MOOR (mournfully). Oh, she was such a lovely maiden, and faithful
+ as an angel. When we parted we exchanged rings, and vowed eternal
+ constancy. She heard that I was dead--believed it--yet remained
+ constant to the dead. She heard again that I was living--yet
+ became faithless to the living. I flew into her arms--was happy
+ as--the blest in Paradise. Think what my heart was doomed to feel,
+ Amelia! She gave me back my ring--she took her own.
+
+ AMELIA (her eyes fixed on the earth in amazement). 'Tis strange,
+ most strange! 'Tis horrible!
+
+ MOOR. Ay, strange and horrible! My child, there is much--ay, much
+ for man to learn ere his poor intellect can fathom the decrees of
+ Him who smiles at human vows and weeps at human projects. My
+ Amelia is an unfortunate maiden!
+
+ AMELIA. Unfortunate! Because she rejected you?
+
+ MOOR. Unfortunate. Because she embraced the man she betrayed.
+
+ AMELIA (with melancholy tenderness). Oh, then, she is indeed
+ unfortunate! From my soul I pity her! She shall be my sister.
+ But there is another and a better world."
+
+
+CHARLES. He is no more?
+
+AMELIA. He sails on troubled seas--Amelia's love sails with him. He
+wanders through pathless, sandy deserts--Amelia's love clothes the
+burning sand with verdure, and the barren shrubs with flowers. Southern
+suits scorch his bare head, northern snows pinch his feet, tempestuous
+hail beats down on his temples, but Amelia's love lulls him to sleep in
+the midst of the storm. Seas, and mountains, and skies, divide the
+lovers--but their souls rise above this prison-house of clay, and meet
+in the paradise of love. You appear sad, count!
+
+CHARLES. These words of love rekindle my love.
+
+AMELIA (pale). What? You love another? Alas! what have I said?
+
+CHARLES. She believed me dead, and in my supposed death she remained
+faithful to me--she heard again that I was alive, and she sacrificed for
+me the crown of a saint. She knows that I am wandering in deserts, and
+roaming about in misery, yet her love follows me on wings through
+deserts and through misery. Her name, too, like yours, is Amelia.
+
+AMELIA. How I envy your Amelia!
+
+CHARLES. Oh, she is an unhappy maid. Her love is fixed upon one who is
+lost--and it can never--never be rewarded.
+
+AMELIA. Say not so! It will be rewarded in heaven. Is it not agreed
+that there is a better world, where mourners rejoice, and where lovers
+meet again?
+
+CHARLES. Yes, a world where the veil is lifted--where the phantom love
+will make terrible discoveries--Eternity is its name. My Amelia is an
+unhappy maid.
+
+AMELIA. Unhappy, and loves you?*
+
+ *[In the acting edition the scene closes with a different
+ denouement. Amelia here says, "Are all unhappy who live with you,
+ and bear the name of Amelia.
+ "CHARLES. Yes, all--when they think they embrace an angel, and
+ find in their arms--a murderer. Alas, for my Amelia! She is
+ indeed unfortunate.
+ "AMELIA (with an expression of deep affliction). Oh, I must weep
+ for her.
+ "CHARLES (grasping her hand, and pointing to the ring). Weep for
+ thyself.
+ "AMELIA (recognizing the ring). Charles! Charles! O heaven and
+ earth!
+ (She sinks fainting; the scene closes.)"]
+
+
+CHARLES. Unhappy, because she loves me! What if I were a murderer?
+How, Lady Amelia, if your lover could reckon you up a murder for every
+one of your kisses? Woe to my Amelia! She is an unhappy maid.
+
+AMELIA (gayly rising). Ha! What a happy maid am I! My only one is a
+reflection of Deity, and Deity is mercy and compassion! He could not
+bear to see a fly suffer. His soul is as far from every thought of
+blood as the sun is from the moon. (CHARLES suddenly turns away into a
+thicket, and looks wildly out into the landscape. AMELIA sings, playing
+the guitar.)
+
+ Oh! Hector, wilt thou go forevermore,
+ Where fierce Achilles, on the blood-stained shore,
+ Heaps countless victims o'er Patroclus' grave?
+ Who then thy hapless orphan boy will rear,
+ Teach him to praise the gods and hurl the spear,
+ When thou art swallowed up in Xanthus' wave?
+
+CHARLES (silently tunes the guitar, and plays).
+
+ Beloved wife!--stern duty calls to arms
+ Go, fetch my lance! and cease those vain alarms!
+
+ [He flings the guitar away, and rushes off.]
+
+
+
+
+ SCENE V.--A neighboring forest. Night. An old ruined
+ castle in the centre of the scene.
+
+ The band of ROBBERS encamped on the ground.
+
+ The ROBBERS singing.
+
+ To rob, to kill, to wench, to fight,
+ Our pastime is, and daily sport;
+ The gibbet claims us morn and night,
+ So let's be jolly, time is short.
+
+ A merry life we lead, and free,
+ A life of endless fun;
+ Our couch is 'neath the greenwood tree,
+ Through wind and storm we gain our fee,
+ The moon we make our sun.
+ Old Mercury is our patron true,
+ And a capital chap for helping us through.
+
+ To-day we make the abbot our host,
+ The farmer rich to-morrow;
+ And where we shall get our next day's roast,
+ Gives us nor care nor sorrow.
+
+ And, when with Rhenish and rare Moselle
+ Our throats we have been oiling,
+ Our courage burns with a fiercer swell,
+ And we're hand and glove with the Lord of Hell,
+ Who down in his flames is broiling.
+
+ For fathers slain the orphans' cries,
+ The widowed mothers' moan and wail,
+ Of brides bereaved the whimpering sighs,
+ Like music sweet, our ears regale.
+
+ Beneath the axe to see them writhe,
+ Bellow like calves, fall dead like flies;
+ Such bonny sights, and sounds so blithe,
+ With rapture fill our eats and eyes.
+
+ And when at last our death-knell rings--
+ The devil take that hour!
+ Payment in full the hangman brings,
+ And off the stage we scour.
+ On the road a glass of good liquor or so,
+ Then hip! hip! hip! and away we go!
+
+
+SCHWEITZER. The night is far advanced, and the captain has not yet
+returned.
+
+RAZ. And yet he promised to be back before the clock struck eight.
+
+SCHWEITZER. Should any harm have befallen him, comrades, wouldn't we
+kindle fires! ay, and murder sucking babes?
+
+SPIEGEL. (takes RAZMANN aside). A word in your ear, Razmann!
+
+SCHWARZ (to GRIMM). Should we not send out scouts?
+
+GRIMM. Let him alone. He no doubt has some feat in hand that will put
+us to shame.
+
+SCHWEITZER. Then you are out, by old Harry! He did not part from us
+like one that had any masterpiece of roguery in view. Have you
+forgotten what he said as he marched us across the heath? "The fellow
+that takes so much as a turnip out of a field, if I know it, leaves his
+head behind him, as true as my name is Moor." We dare not plunder.
+
+RAZ. (aside to SPIEGELBERG). What are you driving at? Speak plainer.
+
+SPIEGEL. Hush! hush! I know not what sort of a notion you and I have of
+liberty, that we should toil under the yoke like bullocks, while we are
+making such wonderful fine speeches about independence. I like it not.
+
+SCHWEITZER (to GRIMM). What crotchet has that swaggering booby got in
+his numskull, I wonder?
+
+RAZ. (aside to SPIEGELBERG). Is it the captain you mean?--
+
+SPIEGEL. Hush! I tell you; hush! He has got his eavesdroppers all
+around us. Captain, did you say? Who made him captain over us? Has he
+not, in fact, usurped that title, which by right belongs to me? What?
+Is it for this that we stake our lives--that we endure all the splenetic
+caprices of fortunes--that we may in the end congratulate ourselves upon
+being the serfs of a slave? Serfs! When we might be princes? By
+heaven! Razmann, I could never brook it.
+
+SCHWEITZER (overhearing him--to the others). Yes--there's a hero for
+you! He is just the man to do mighty execution upon frogs with stones.
+The very breath of his nostrils, when he sneezes, would blow you through
+the eye of a needle.
+
+SPIEGEL. (to RAZMANN). Yes--and for years I have been intent upon it.
+There must be an alteration, Razmann. If you are the man I always took
+you for--Razmann! He is missing--he is almost given up--Razmann--
+methinks his hour is come. What? does not the color so much as mount to
+your cheek when you hear the chimes of liberty ringing in your ears?
+Have you not courage enough to take the hint?
+
+RAZ. Ha! Satan! What bait art thou spreading for my soul?
+
+SPIEGEL. Does it take? Good! then follow me! I have marked in what
+direction he slunk off. Come along! a brace of pistols seldom fail;
+and then--we shall be the first to strangle sucking babes. (He
+endeavors to draw him of.)
+
+SCHWEITZER (enraged, draws his sword). Ha! caitiff! I have overheard
+you! You remind me, at the right moment, of the Bohemian forest! Were
+not you the coward that began to quail when the cry arose, "the enemy is
+coming!" I then swore by my soul--(They fight, SPIEGELBERG is killed.)
+To the devil with thee, assassin!
+
+ROBBERS (in agitation). Murder! murder!--Schweitzer!--Spiegelberg!--
+Part them!
+
+SCHWEITZER (throwing the sword on the body). There let him rot! Be
+still, my comrades! Don't let such a trifle disturb you. The brute has
+always been inveterate against the captain and has not a single scar on
+his whole body. Once more, be still. Ha, the scoundrel! He would stab
+a man behind his back--skulk and murder! Is it for this that the hot
+sweat has poured down us in streams? that we may sneak out of the world
+at last like contemptible wretches? The brute! Is it for this that we
+have lived in fire and brimstone? To perish at last like rats?
+
+GRIMM. But what the devil, comrade, were you after? What were you
+quarreling about? The captain will be furious.
+
+SCHWEITZER. Be that on my head. And you, wretch (to RAZMANN) you were
+his accomplice, you! Get out of my sight! Schufterle was another of
+your kidney, but he has met his deserts in Switzerland--has been hanged,
+as the captain prophesied. (A shot is heard.)
+
+SCHWARZ (jumping up). Hark! a pistol shot! (Another shot is heard.)
+Another! Hallo! the captain!
+
+GRIMM. Patience! If it be he, there will be a third. (The third shot
+is heard.)
+
+SCHWARZ. 'Tis he! 'Tis the captain! Absent yourself awhile,
+Schweitzer--till we explain to him! (They fire.)
+
+ Enter CHARLES VON MOOR and KOSINSKY.
+
+SCHWEITZER (running to meet them). Welcome, captain. I have been
+somewhat choleric in your absence. (He conducts him to the corpse.) Be
+you judge between him and me. He meant to waylay and assassinate you.
+
+ROBBERS (in consternation). What; the captain?
+
+CHARLES (after fixing his eyes for some time upon the corpse, with a
+sudden burst of feeling). Oh, incomprehensible finger of the avenging
+Nemesis! Was it not he whose siren song seduced me to be what I am?
+Let this sword be consecrated to the dark goddess of retribution! That
+was not thy deed, Schweitzer.
+
+SCHWEITZER. By heaven, it was mine, though! and, as the devil lives,
+it is not the worst deed I have done in my time. (Turns away moodily.)
+
+CHARLES (absorbed in thought). I comprehend--Great Ruler in heaven--
+I comprehend. The leaves fall from the trees, and my autumn is come.
+Remove this object from my sight! (The corpse of SPIEGELBERG is carried
+out.)
+
+GRIMM. Give us your orders, captain! What shall we do next?
+
+CHARLES. Soon--very soon--all will be accomplished. Hand me my lute;
+I have lost myself since I have been there. My lute, I say--I must
+nurse up my strength again. Leave me!
+
+ROBBERS. 'Tis midnight, captain.
+
+CHARLES. They were only stage tears after all. Let me bring to memory
+the song of the old Roman, that my slumbering genius may wake up again.
+Hand me my lute. Midnight, say you?
+
+SCHWARZ. Yes, and past, too! Our eyes are as heavy as lead. For three
+days we have not slept a wink.
+
+CHARLES. What? does balmy sleep visit the eyes of murderers? Why doth
+it flee mine? I never was a coward, nor a villain. Lay yourselves to
+rest. At day-break we march.
+
+ROBBERS. Good night, captain. (They stretch them selves on the ground
+and fall asleep.)
+
+
+ Profound silence. CHARLES VON MOOR takes up his
+ guitar, and plays.
+
+
+BRUTUS.
+Oh, be ye welcome, realms of peace and rest!
+Receive the last of all the sons of Rome!
+From dread Philippi's field, where all the best
+Fell bleeding in her cause, I wearied come.
+Cassius, no more! And Rome now prostrate laid!
+My brethren all lie weltering in their gore!
+No refuge left but Hades' gloomy shade;
+No hope remains!--No world for Brutus more!
+
+CAESAR.
+Who's he that, with a hero's lofty bearing,
+Comes striding o'er yon mountain's rocky bed?
+Unless my eyes deceive, that noble daring
+Bespeaks the Roman warrior's fearless tread.
+Whence, son of Tiber, do thy footsteps bend!
+Say, stands the seven-billed city firmly yet?
+No Caesar there, to be the soldiers friend!
+Full oft has he that orphaned city wept.
+
+BRUTUS.
+Ha! thou of three-and-twenty wounds! Avaunt!
+Thou unblest shade, what calls thee back to light?
+Down with thee, down, to Pluto's deepest haunt,
+And shroud thy form in black, eternal night,
+Proud mourner! triumph not to learn our fall!
+Phillippi's altars reek with freedom's blood?
+The bier of Brutus is Rome's funeral pall;
+He Minos seeks. Hence to thy Stygian flood!
+
+CAESAR.
+That death-stroke, Brutus, which thy weapon hurled!
+Thou, too, Brutus?--that thou shouldst be my foe!
+Oh, son! It was thy father! Son! The world
+Was thine by heritage! Now proudly go,
+Well mayst thou claim to be the chief in glory,
+'Twas thy fell sword that pierced thy father's heart!
+Now go--and at yon gates relate thy story--
+Say Brutus claims to be the chief in glory,
+'Twas his fell sword that pierced his father's heart!
+Go--Now thou'rt told what staid me on this shore,
+Grim ferryman, push off, and swiftly ply thine oar.
+
+BRUTUS.
+Stay, father, stay! Within the whole bright round
+Of Sol's diurnal course I knew but one
+Who to compare with Caesar could be found;
+And that one, Caesar, thou didst call thy son!
+'Twas only Caesar could destroy a Rome;
+Brutus alone that Caesar could withstand--
+Where Brutus lives, must Caesar die! Thy home
+Be far from mine. I'll seek another land.
+
+ [He lays down his guitar, and walks to and
+ fro in deep meditation.]
+
+Who will give me certainty! All is so dark--a confused labyrinth--no
+outlet--no guiding star. Were but all to end with this last gasp of
+breath. To end, like an empty puppet-show. But why then this burning
+thirst after happiness? Wherefore this ideal of unattained perfection?
+This looking to an hereafter for the fulfilment of our hopes? If the
+paltry pressure of this paltry thing (putting a pistol to his head)
+makes the wise man and the fool--the coward and the brave--the noble and
+the villain equal?--the harmony which pervades the inanimate world is so
+divinely perfect--why, then, should there be such discord in the
+intellectual? No! no! there must be something beyond, for I have not
+yet attained to happiness.
+
+Think ye that I will tremble, spirits of my slaughtered victims? No,
+I will not tremble. (Trembling violently.) The shrieks of your dying
+agonies--your black, convulsive features--your ghastly bleeding wounds--
+what are they all but links of one indissoluble chain of destiny, which
+hung upon the temperament of my father, the life's blood of my mother,
+the humors of my nurses and tutors, and even upon the holiday pastimes
+of my childhood! (Shaking with horror.) Why has my Perillus made of me
+a brazen bull, whose burning entrails yearn after human flesh? (He
+lifts the pistol again to his head.)
+
+Time and Eternity!--linked together by a single instant! Fearful key,
+which locks behind me the prisonhouse of life, and opens before me the
+habitations of eternal night--tell me--oh, tell me--whither--whither
+wilt thou lead me? Strange, unexplored land! Humanity is unnerved at
+the fearful thought, the elasticity of our finite nature is paralyzed,
+and fancy, that wanton ape of the senses, juggles our credulity with
+appalling phantoms. No! no! a man must be firm. Be what thou wilt,
+thou undefined futurity, so I remain but true to myself. Be what thou
+wilt, so I but take this inward self hence with me. External forms are
+but the trappings of the man. My heaven and my hell is within.
+
+What if Thou shouldst doom me to be sole inhabitant of some burnt-out
+world which thou hast banished from thy sight, where darkness and never-
+ending desolation were all my prospect; then would my creative brain
+people the silent waste with its own images, and I should have eternity
+for leisure to unravel the complicated picture of universal
+wretchedness. Or wilt thou make me pass through ever-repeated births
+and ever-changing scenes of misery, stage by stage*--to annihilation?
+
+ [This and other passages will remind the reader of Cato's soliloquy
+ "It must be so, Plato; thou reasonest well." But the whole bears a
+ strong resemblance to Hamlet's "To be or not to be;" and some
+ passages in Measure for Measure, Act iii, Sc. 1.]
+
+Can I not burst asunder the life-threads woven for me in another world
+as easily as I do these? Thou mayest reduce me into nothing; but Thou
+canst not take from me this power. (He loads the pistol, and then
+suddenly pauses.) And shall I then rush into death from a coward fear
+of the ills of life? Shall I yield to misery the palm of victory over
+myself? No! I will endure it! (He flings the pistol away.) Misery
+shall blunt its edge against my pride! Be my destiny fulfilled! (It
+grows darker and darker.)
+
+HERMANN (coming through the forest). Hark! hark! the owl screeches
+horribly--the village clock strikes twelve. Well, well--villainy is
+asleep--no listeners in these wilds. (He goes to the castle and
+knocks.) Come forth, thou man of sorrow! tenant of the miserable
+dungeon! thy meal awaits thee.
+
+CHARLES (stepping gently back, unperceived). What means this?
+
+VOICE (from within the castle). Who knocks? Is it you, Hermann, my
+raven?
+
+HERMANN. Yes, 'tis Hermann, your raven. Come to the grating and eat.
+(Owls are screeching.) Your night companions make a horrid noise, old
+man! Do you relish your repast?
+
+VOICE. Yes--I was very hungry. Thanks to thee, thou merciful sender of
+ravens, for this thy bread in the wilderness! And how is my dear child,
+Hermann?
+
+HERMANN. Hush!--hark!--A noise like snoring! Don't you hear something?
+
+VOICE. What? Do you hear anything?
+
+HERMANN. 'Tis the whistling of the wind through the crannies of the
+tower--a serenading which makes one's teeth chatter, and one's nails
+turn blue. Hark! tis there again. I still fancy I hear snoring. You
+have company, old man. Ugh! ugh! ugh!
+
+VOICE. Do you see anything?
+
+HERMANN. Farewell! farewell! this is a fearful place. Go down into
+your bole,--thy deliverer, thy avenger is above. Oh! accursed son! (Is
+about to fly.)
+
+CHARLES (stepping forth with horror). Stand!
+
+HERMANN (screaming). Oh, me!*
+
+ *[In the acting edition Hermann, instead of this, says,--
+ 'Tis one of his spies for certain, I have lost all fear (draws his
+ sword). Villain, defend yourself! You have a man before you.]
+
+ MOOR. I'll have an answer (strikes the sword out of his hand).
+ What boots this childish sword-play? Didst thou not speak of
+ vengeance? Vengeance belongs especially to me--of all men on
+ earth. Who dares interfere with my vocation?
+
+ HERMANN (starts back in affright). By heaven! That man was not
+ born of woman. His touch withers like the stroke of death.
+
+ VOICE. Alas, Hermann! to whom are you speaking?
+
+ MOOR. What! still those sounds? What is going on there? (Runs
+ towards the tower.) Some horrible mystery, no doubt, lies concealed
+ in that tower. This sword shall bring it to light.
+
+ HERMANN (comes forward trembling). Terrible stranger! art thou
+ the demon of this fearful desert--or perhaps 'one of the ministers
+ of that unfathonable retribution who make their circuit in this
+ lower world, and take account of all the deeds of darkness? Oh!
+ if thou art, be welcome to this tower of horrors!
+
+ MOOR. Well guessed, wanderer of the night! You have divined my
+ function. Exterminating Angel is my name; but I am flesh and blood
+ like thee. Is this some miserable wretch, cast out of men, and
+ buried in this dungeon? I will loosen his chains. Once more,
+ speak! thou voice of terror Where is the door?
+
+ HERMANN. As soon could Satan force the gates of heaven as thou
+ that door. Retire, thou man of might! The genius of the wicked is
+ beyond the ordinary powers of man.
+
+ MOOR. But not the craft of robbers. (He takes some pass-keys from
+ his pocket.) For once I thank heaven I've learned that craft!
+ These keys would mock hell's foresight. (He takes a key, and opens
+ the gate of the tower. An old man comes from below emaciated like
+ a skeleton. MOOR springs back with of right.) Horrible spectre!
+ my father!
+
+CHARLES. Stand! I say.
+
+HERMANN. Woe! woe! woe! now all is discovered!
+
+CHARLES. Speak! Who art thou? What brought thee here? Speak!
+
+HERMANN. Mercy, mercy! gracious sir! Hear but one word before you
+kill me.
+
+CHARLES (drawing his sword). What am I to hear?
+
+HERMANN. 'Tis true, he forbade me at the peril of my life--but I could
+not help it--I dare not do otherwise--a God in heaven--your own
+venerable father there--pity for him overcame me. Kill me, if you will!
+
+CHARLES. There's some mystery here--Out with it! Speak! I must know
+all.
+
+VOICE (from the castle). Woe! woe! Is it you, Hermann, that are
+speaking? To whom are you speaking, Hermann?
+
+CHARLES. Some one else down there? What is the meaning of all this?
+(Runs towards the castle.) It is some prisoner whom mankind have cast
+off! I will loosen his chains. Voice! Speak! Where is the door?
+
+HERMANN. Oh, have mercy, sir--seek no further, I entreat--for mercy's
+sake desist! (He stops his way.)
+
+CHARLES. Locks, bolts, and bars, away! It must come out. Now, for the
+first time, come to my aid, thief-craft! (He opens the grated iron door
+with, housebreaking tools. An OLD MAN, reduced to a skeleton, comes up
+from below.)
+
+THE OLD MAN. Mercy on a poor wretch! Mercy!
+
+CHARLES (starts back in terror). That is my father's voice!
+
+OLD MOOR. I thank thee, merciful Heaven! The hour of deliverance has
+arrived.
+
+CHARLES. Shade of the aged Moor! what has disturbed thee in thy grave?
+Has thy soul left this earth charged with some foul crime that bars the
+gates of Paradise against thee? Say?--I will have masses read, to send
+thy wandering spirit to its home. Hast thou buried in the earth the
+gold of widows and orphans, that thou art driven to wander howling
+through the midnight hour? I will snatch the hidden treasure from the
+clutches of the infernal dragon, though he should vomit a thousand
+redhot flames upon me, and gnash his sharp teeth against my sword. Or
+comest thou, at my request, to reveal to me the mysteries of eternity?
+Speak, thou! speak! I am not the man to blanch with fear!
+
+OLD MOOR. I am not a spirit. Touch me--I live but oh! a life indeed of
+misery!
+
+CHARLES. What! hast thou not been buried?
+
+OLD MOOR. I was buried--that is to say, a dead dog lies in the vault of
+my ancestors, and I have been pining for three long moons in this dark
+and loathsome dungeon, where no sunbeam shines, no warm breeze
+penetrates, where no friend is seen, where the hoarse raven croaks and
+owls screech their midnight concert.
+
+CHARLES. Heaven and earth! Who has done this?
+
+OLD MOOR. Curse him not! 'Tis my son, Francis, who did this.
+
+CHARLES. Francis? Francis? Oh, eternal chaos!
+
+OLD MOOR. If thou art a man, and hast a human heart--oh! my unknown
+deliverer--then listen to a father's miseries which his own sons have
+heaped upon him. For three long moons I have moaned my pitiful tale to
+these flinty walls--but all my answer was an empty echo, that seemed to
+mock my wailings. Therefore, if thou art a man, and hast a human
+heart--
+
+CHARLES. That appeal might move even wild beasts to pity.
+
+OLD MOOR. I lay upon a sick bed, and had scarcely begun to recover a
+little strength, after a dangerous illness, when a man was brought to
+me, who pretended that my first-born had fallen in battle. He brought a
+sword stained with his blood, and his last farewell--and said that my
+curse had driven him into battle, and death, and despair.
+
+CHARLES (turning away in violent agitation). The light breaks in upon
+me!
+
+OLD MOOR. Hear me on! I fainted at the dreadful news. They must have
+thought me dead; for, when I recovered my senses, I was already in my
+coffin, shrouded like a corpse. I scratched against the lid. It was
+opened--'twas in the dead of night--my son Francis stood before me--
+"What!" said he, with a tremendous voice, "wilt thou then live forever?"
+--and with this he slammed-to the lid of the coffin. The thunder of
+these words bereft me of my senses; when I awoke again, I felt that the
+coffin was in motion, and being borne on wheels. At last it was opened
+--I found myself at the entrance of this dungeon--my son stood before
+me, and the man, too, who had brought me the bloody sword from Charles.
+I fell at my son's feet, and ten times I embraced his knees, and wept,
+and conjured, and supplicated, but the supplications of a father reached
+not his flinty heart. "Down with the old carcass!" said he, with a
+voice of thunder, "he has lived too long;"--and I was thrust down
+without mercy, and my son Francis closed the door upon Me.
+
+CHARLES. Impossible!--impossible! Your memory or senses deceive you.
+
+OLD MOOR. Oh, that it were so! But hear me on, and restrain your rage!
+There I lay for twenty hours, and not a soul cared for my misery. No
+human footstep treads this solitary wild, for 'tis commonly believed
+that the ghosts of my ancestors drag clanking chains through these
+ruins, and chant their funeral dirge at the hour of midnight. At last
+I heard the door creak again on its hinges; this man opened it, and
+brought me bread and water. He told me that I had been condemned to die
+of hunger, and that his life was in danger should it be discovered that
+he fed me. Thus has my miserable existence been till now sustained--but
+the unceasing cold--the foul air of my filthy dungeon--my incurable
+grief--have exhausted my strength, and reduced my body to a skeleton. A
+thousand times have I implored heaven, with tears, to put an end to my
+sufferings--but doubtless the measure of my punishment is not
+fulfilled,--or some happiness must be yet in store for me, for which he
+deigns thus miraculously to preserve me. But I suffer justly--my
+Charles! my Charles!--and before there was even a gray hair on his Head!
+
+CHARLES. Enough! Rise! ye stocks, ye lumps of ice! ye lazy unfeeling
+sleepers! Up! will none of you awake? (He fires a pistol over their
+heads.)
+
+THE ROBBERS (starting up). Ho! hallo! hallo! what is the matter?
+
+CHARLES. Has not that tale shaken you out of your sleep? 'Tis enough
+to break the sleep eternal! See here, see here! The laws of the world
+have become mere dice-play; the bonds of nature are burst asunder; the
+Demon of Discord has broken loose, and stalks abroad triumphant! the Son
+has slain his Father!
+
+THE ROBBERS. What does the captain say?
+
+CHARLES. Slain! did I say? No, that is too mild a term! A son has
+a thousand-fold broken his own father on the wheel,--impaled, racked,
+flayed him alive!--but all these words are too feeble to express what
+would make sin itself blush and cannibals shudder. For ages, no devil
+ever conceived a deed so horrible. His own father!--but see, see him!
+he has fainted away! His own father--the son--into this dungeon--cold--
+naked--hungry--athirst--Oh! see, I pray you, see!--'tis my own father,
+in very truth it is.
+
+THE ROBBERS (come running and surround the old man). Your father?
+Yours?
+
+SCHWEITZER (approaches him reverently, and falls on his knees before
+him). Father of my captain! let me kiss thy feet! My dagger is at thy
+command.
+
+CHARLES. Revenge, revenge, revenge! thou horribly injured, profaned
+old man! Thus, from this moment, and forever, I rend in twain all ties
+of fraternity. (He rends his garment from top to bottom.) Here, in the
+face of heaven, I curse him--curse every drop of blood which flows in
+his veins! Hear me, O moon and stars! and thou black canopy of night,
+that lookest down upon this horror! Hear me, thrice terrible avenger.
+Thou who reignest above yon pallid orb, who sittest an avenger and a
+judge above the stars, and dartest thy fiery bolts through darkness on
+the head of guilt! Behold me on my knees behold me raise this hand
+aloft in the gloom of night--and hear my oath--and may nature vomit me
+forth as some horrible abortion from out the circle of her works if I
+break that oath! Here I swear that I will never more greet the light of
+day, till the blood of that foul parricide, spilt upon this stone, reeks
+in misty vapor towards heaven. (He rises.)
+
+ROBBERS. 'Tis a deed of hell! After this, who shall call us villains?
+No! by all the dragons of darkness we never have done anything half so
+horrible.
+
+CHARLES. True! and by all the fearful groans of those whom your daggers
+have despatched--of those who on that terrible day were consumed by
+fire, or crushed by the falling tower--no thought of murder or rapine
+shall be harbored in your breast, till every man among you has dyed his
+garments scarlet in this monster's blood. It never, I should think,
+entered your dreams, that it would fall to your lot to execute the
+great decrees of heaven? The tangled web of our destiny is unravelled!
+To-day, to-day, an invisible power has ennobled our craft! Worship Him
+who has called you to this high destiny, who has conducted you hither,
+and deemed ye worthy to be the terrible angels of his inscrutable
+judgments! Uncover your heads! Bow down and kiss the dust, and rise up
+sanctified. (They kneel.)
+
+SCHWEITZER. Now, captain, issue your commands! What shall we do?
+
+CHARLES. Rise, Schweitzer! and touch these sacred locks! (Leading him
+to his father, and putting a lock of hair in his hand.) Do you remember
+still, how you, cleft the skull of that Bohemian trooper, at the moment
+his sabre was descending on my head, and I had sunk down on my knees,
+breathless and exhausted? 'Twas then I promised thee a reward that
+should be right royal. But to this hour I have never been able to
+discharge that debt.
+
+SCHWEITZER. You swore that much to me, 'tis true; but let me call you
+my debtor forever!
+
+CHARLES. No; now will I repay thee, Schweitzer! No mortal has yet been
+honored as thou shalt be. I appoint thee avenger of my father's wrongs!
+(SCHWEITZER rises.)
+
+SCHWEITZER. Mighty captain! this day you have, for the first time, made
+me truly proud! Say, when, where, how shall I smite him?
+
+CHARLES. The minutes are sacred. You must hasten to the work. Choose
+the best of the band, and lead them straight to the count's castle!
+Drag him from his bed, though he sleep, or he folded in the arms of
+pleasure! Drag him from the table, though he be drunk! Tear him from
+the crucifix, though he lie on his knees before it! But mark my words--
+I charge thee, deliver him into my hands alive! I will hew that man to
+pieces, and feed the hungry vultures with his flesh, who dares but graze
+his skin, or injure a single hair of his head! I must have him whole.
+Bring him to me whole and alive, and a million shall be thy reward.
+I'll plunder kings at the risk of my life, but thou shalt have it, and
+go free as air. Thou hast my purpose--see it done!
+
+SCHWEITZER. Enough, captain! here is my hand upon it. You shall see
+both of us, or neither. Come, Schweitzer's destroying angels, follow
+me! (Exit with a troop.)
+
+CHARLES. The rest of you disperse in the forest--I remain here.
+
+
+
+
+ ACT V.
+
+ SCENE I. A vista of rooms. Dark night.
+
+ Enter DANIEL, with a lantern and a bundle.
+
+DANIEL. Farewell, dear home! How many happy days have I enjoyed within
+these walls, while my old master lived. Tears to thy memory, thou whom
+the grave has long since devoured! He deserves this tribute from an old
+servant. His roof was the asylum of orphans, the refuge of the
+destitute, but this son has made it a den of murderers. Farewell, thou
+dear floor! How often has old Daniel scrubbed thee! Farewell, dear
+stove, old Daniel takes a heavy leave of thee. All things had grown so
+familiar to thee,--thou wilt feel it sorely, old Eleazar. But heaven
+preserve me through grace from the wiles and assault of the tempter.
+Empty I came hither--empty I will depart,--but my soul is saved! (He is
+in the act of going out, when he is met by FRANCIS, rushing in, in his
+dressing-gown.) Heaven help me! Master! (He puts out his lantern.)
+
+FRANCIS. Betrayed! betrayed! The spirit of the dead are vomited from
+their graves. The realm of death, shaken out of its eternal slumber,
+roars at me, "Murderer, murderer!" Who moves there?
+
+DANIEL (frightened). Help, holy Virgin! help! Is it you, my gracious
+master, whose shrieks echo so terribly through the castle that every one
+is aroused out of his sleep?
+
+FRANCIS. Sleep? And who gave thee leave to sleep? Go, get lights!
+(Exit DANIEL. Enter another servant.) No one shall sleep at this hour.
+Do you hear? All shall be awake--in arms--let the guns be loaded! Did
+you not see them rushing through yon vaulted passages?
+
+SERVANT. See whom, my lord?
+
+FRANCIS. Whom? you dolt, slave! And do you, with a cold and vacant
+stare, ask me whom? Have they not beset me almost to madness? Whom?
+blockhead! whom? Ghosts and demons! How far is the night advanced?
+
+SERVANT. The watch has just called two.
+
+FRANCIS. What? will this eternal night last till doomsday? Did you
+hear no tumult near? no shout of victory? no trampling of horses?
+Where is Char--the Count, I would say?
+
+SERVANT. I know not, my lord.
+
+FRANCIS. You know not? And are you too one of his gang? I'll tread
+your villain's heart out through your ribs for that infernal "I know
+not!" Begone, fetch the minister!
+
+SERVANT. My lord!
+
+FRANCIS. What! Do you grumble? Do you demur? (Exit servant hastily.)
+Do my very slaves conspire against me? Heaven, earth, and hell--all
+conspire against me!
+
+DANIEL (returns with a lighted candle). My lord!
+
+FRANCIS. Who said I trembled? No!--'twas but a dream. The dead still
+rest in their graves! Tremble! or pale? No, no! I am calm--quite
+tranquil.
+
+DANIEL. You are as pale as death, my lord; your voice is weak and
+faltering.
+
+FRANCIS. I am somewhat feverish. When the minister comes be sure you
+say I am in a fever. Say that I intend to be bled in the morning.
+
+DANIEL. Shall I give you some drops of the balsam of life on sugar?
+
+FRANCIS. Yes, balsam of life on sugar! The minister will not be here
+just yet. My voice is weak and faltering. Give me of the balsam of
+life on sugar!
+
+DANIEL. Let me have the keys, I will go down to the closet and get it.
+
+FRANCIS. No! no! no! Stay!--or I will go with you. You see I must not
+be left alone! How easily I might, you see--faint--if I should be left
+alone. Never mind, never mind! It will pass off--you must not leave
+me.
+
+DANIEL. Indeed, Sir, you are ill, very ill.
+
+FRANCIS. Yes, just so, just so, nothing more. And illness, you know,
+bewilders the brain, and breeds strange and maddening dreams. What
+signify dreams? Dreams come from the stomach and cannot signify
+anything. Is it not so, Daniel? I had a very comical dream just now.
+(He sinks down fainting.)
+
+DANIEL. Oh, merciful heaven! what is this? George!--Conrad!
+Sebastian! Martin! Give but some sign of life! (Shaking him.) Oh, the
+Blessed Virgin! Oh, Joseph! Keep but your reason! They will say I
+have murdered him! Lord have mercy upon me!
+
+FRANCIS (confused). Avaunt!--avaunt!--why dost thou glare upon me thus,
+thou horrible spectre? The time for the resurrection of the dead is not
+yet come.
+
+DANIEL. Merciful heavens! he has lost his senses.
+
+FRANCIS (recovering himself gradually). Where am I? You here, Daniel?
+What have I said? Heed it not. I have told a lie, whatever I said.
+Come, help me up! 'T was only a fit of delirium--because--because--I
+have not finished my night's rest.
+
+DANIEL. If John were but here! I'll call for help--I'll send for the
+physician.
+
+FRANCIS. Stay! Seat yourself by my side on this sofa! There. You are
+a sensible man, a good man. Listen to my dream!
+
+DANIEL. Not now; another time! Let me lead you to bed; you have great
+need of rest.
+
+FRANCIS. No, no; I prythee, listen, Daniel, and have a good laugh at
+me. You must know I fancied that I held a princely banquet, my heart
+was merry, and I lay stretched on the turf in the castle garden; and all
+on a sudden--it was at midday--and all on a sudden--but mind you have a
+good laugh at me!
+
+DANIEL. All on a sudden.
+
+FRANCIS. All on a sudden a tremendous peal of thunder struck upon my
+slumbering ear; I started up staggering and trembling; and lo, it seemed
+as if the whole hemisphere had burst forth in one flaming sheet of fire,
+and mountains, and cities, and forests melted away like wax in the
+furnace; and then rose a howling whirlwind, which swept before it the
+earth, and the sea, and heaven; then came a sound, as from brazen
+trumpets, "Earth, give up thy dead: sea, give up thy dead!" and the open
+plains began to heave, and to cast up skulls, and ribs, and jawbones,
+and legs, which drew together into human bodies, and then came sweeping
+along in dense, interminable masses--a living deluge. Then I looked up,
+and to! I stood at the foot of the thundering Sinai, and above me was a
+multitude, and below me a multitude; and on the summit of the mountain,
+on three smoking thrones, sat three men, before whose gaze all creation
+trembled.
+
+DANIEL. Why, this is a living picture of the day of judgment.
+
+FRANCIS. Did I not tell you? Is it not ridiculous stuff? And one
+stepped forth who, to look upon, was like a starlight night; he had in
+his hand a signet ring of iron, which he held up between the east and
+the west, and said, "Eternal, holy, just, immutable! There is but one
+truth; there is but one virtue! Woe, woe, woe! to the doubting sinner!"
+Then stepped forth a second, who had in his hand a flashing mirror,
+which he held up between the east and west, and said, "This is the
+mirror of truth; hypocrisy and deceit cannot look on it." Then was I
+terrified, and so were all, for we saw the forms of snakes, and tigers,
+and leopards reflected from that fearful mirror. Then stepped forth a
+third, who had in his hand a brazen balance, which he held up between
+the east and the west, and said, "Approach, ye sons of Adam! I weigh
+your thoughts in the balance of my wrath! and your deeds with the weight
+of my fury!"
+
+DANIEL. The Lord have mercy upon me!
+
+FRANCIS. They all stood pale and trembling, and every heart was panting
+with fearful expectation. Then it seemed to me as if I heard my name
+called the first from out the thunders of the mountain, and the
+innermost marrow froze within my bones, and my teeth chattered loudly.
+Presently the clang of the balance was heard, the rocks sent forth
+thunders, and the hours glided by, one after the other, towards the left
+scale, and each threw into it a mortal sin!
+
+DANIEL. Oh, may God forgive you!
+
+FRANCIS. He forgave me not! The left scale grew mountains high, but the
+other, filled with the blood of atonement, still outweighed it. At last
+came an old man, heavily bowed down with grief, his arm gnawed through
+with raging hunger. Every eye turned away in horror from the sight. I
+knew the man--he cut off a lock of his silver hair, and cast it into the
+scale of my sins, when to! in an instant, it sank down to the abyss, and
+the scale of atonement flew up on high. Then heard I a voice, issuing
+like thunder from the bowels *[Some editions of the original read Rauch
+(smoke), some Bauch, as translated.] of the mountain, "Pardon, pardon to
+every sinner of the earth and of the deep! Thou alone art rejected!"
+(A profound pause.) Well, why don't you laugh?
+
+DANIEL. Can I laugh while my flesh creeps? Dreams come from above.
+
+FRANCIS. Pshaw! pshaw! Say not so! Call me a fool, an idiot, an
+absurd fool! Do, there's a good Daniel, I entreat of you; have a hearty
+laugh at me!
+
+DANIEL. Dreams come from God. I will pray for you.
+
+FRANCIS. Thou liest, I tell thee. Go, this instant, run! be quick!
+see where the minister tarries all this time; tell him to come quickly,
+instantly! But, I tell thee, thou liest!
+
+DANIEL. Heaven have mercy upon you!
+ [Exit.]
+
+FRANCIS. Vulgar prejudice! mere superstition! It has not yet been
+proved that the past is not past and forgotten, or that there is an eye
+above this earth to take account of what passes on it. Humph! Humph!
+But whence, then, this fearful whisper to my soul? Is there really an
+avenging judge above the stars? No, no! Yes, yes! A fearful monitor
+within bears witness that there is One above the stars who judgeth!
+What! meet the avenger above the stars this very night? No, no! I say.
+All is empty, lonely, desolate, beyond the stars. Miserable subterfuge,
+beneath which thy cowardice seeks to hide itself. And if there should
+be something in it after all? No! no! it cannot be. I insist that it
+cannot be! But yet, if there should be! Woe to thee if thy sins should
+all have been registered above!--if they should be counted over to thee
+this very night! Why creeps this shudder through my frame? To die!
+Why does that word frighten me thus? To give an account to the Avenger,
+there, above the stars! and if he should be just--the wails of orphans
+and widows, of the oppressed, the tormented, ascending to his ears, and
+be be just? Why have they been afflicted? And why have I been
+permitted to trample upon them?
+
+ Enter PASTOR MOSER.
+
+MOSER. Your lordship sent for me! I am surprised! The first time in
+my life! Is it to scoff at religion, or does it begin to make you
+tremble?
+
+FRANCIS. I may scoff or I may tremble, according as you shall answer
+me. Listen to me, Moser, I will prove that you are a fool, or wish to
+make fools of others, and you shall answer me. Do you hear? At the
+peril of your life you shall answer me.
+
+MOSER. 'Tis a higher Being whom you summon before your tribunal. He
+will answer you hereafter.
+
+FRANCIS. I will be answered now, this instant, that I may not commit
+the contemptible folly of calling upon the idol of the vulgar under the
+pressure of suffering. I have often, in bumpers of Burgundy, tauntingly
+pledged you in the toast, "There is no God!" Now I address myself to
+you in earnest, and I tell you there is none? You shall oppose me with
+all the weapons in your power; but with the breath of my lips I will
+blow them away.
+
+MOSER. 'Twere well that you could also blow away the thunder which will
+alight upon your proud soul with ten thousand times ten thousand tons'
+weight! That omniscient God, whom you--fool and miscreant--are denying
+in the midst of his creation, needeth not to justify himself by the
+mouth of dust. He is as great in your tyrannies as in the sweetest
+smile of triumphant virtue.
+
+FRANCIS. Uncommonly well said, parson. Thus I like you.
+
+MOSER. I stand here as steward of a greater Master, and am addressing
+one who, like myself, is a sinner--one whom I care not to please. I
+must indeed be able to work miracles, to extort the acknowledgment from
+your obdurate wickedness--but if your conviction is so firm, why have
+you sent for me in the middle of the night?
+
+FRANCIS. Because time hangs heavy on my hands, and the chess-board has
+ceased to have any attraction. I wish to amuse myself in a tilt with
+the parson. Your empty terrors will not unman my courage. I am well
+aware that those who have come off short in this world look forward to
+eternity; but they will be sadly disappointed. I have always read that
+our whole body is nothing more than a blood-spring, and that, with its
+last drop, mind and thought dissolve into nothing. They share all the
+infirmities of the body; why, then, should they not cease with its
+dissolution? Why not evaporate in its decomposition? Let a drop of
+water stray into your brain, and life makes a sudden pause, which
+borders on non-existence, and this pause continued is death. Sensation
+is the vibration of a few chords, which, when the instrument is broken,
+cease to sound. If I raze my seven castles--if I dash this Venus to
+pieces--there is an end of their symmetry and beauty. Behold! thus is
+it with your immortal soul!
+
+MOSER. So says the philosophy of your despair. But your own heart,
+which knocks against your ribs with terror even while you thus argue,
+gives your tongue the lie. These cobwebs of systems are swept away by
+the single word--"Thou must die!" I challenge you, and be this the
+test: If you maintain your firmness in the hour of death; if your
+principles do not then miserably desert you, you shall be admitted to
+have the best of the argument. But if, in that dread hour, the least
+shudder creeps over you, then woe be to you! you have deceived yourself.
+
+FRANCIS (disturbed). If in the hour of death a shudder creeps over me?
+
+MOSER. I have seen many such wretches before now, who set truth at
+defiance up to that point; but at the approach of death the illusion
+vanished. I will stand at your bedside when you are dying--I should
+much like to see a tyrant die. I will stand by, and look you
+steadfastly in the face when the physician takes your cold, clammy hand,
+and is scarcely able to detect your expiring pulse; and when he looks
+up, and, with a fearful shake of the head, says to you, "All human aid
+is in vain!" Beware, at that moment, beware, lest you look like Richard
+and Nero!
+
+FRANCIS. No! no!
+
+MOSER. Even that very "No" will then be turned to a howling "Yea!" An
+inward tribunal, which you can no longer cheat with sceptical delusions,
+will then wake up and pass judgment upon you. But the waking up will be
+like that of one buried alive in the bowels of the churchyard; there
+will come remorse like that of the suicide who has committed the fatal
+act and repents it;--'twill be a flash of lightning suddenly breaking in
+upon the midnight darkness of your life! There will be one look, and,
+if you can sustain that, I will admit that you have won!
+
+FRANCIS (walking up and down restlessly). Cant! Priestly cant!
+
+MOSER. Then, for the first time, will the sword of eternity pass
+through your soul;--and then, for the first time, too late, the thought
+of God will wake up a terrible monitor, whose name is Judge. Mark this,
+Moor; a thousand lives hang upon your beck; and of those thousand every
+nine hundred and ninety-nine have been rendered miserable by you. You
+wanted but the Roman empire to be a Nero, the kingdom of Peru to be a
+Pizarro. Now do you really think that the Almighty will suffer a worm
+like you to play the tyrant in His world and to reverse all his
+ordinances? Do you think the nine hundred and ninety-nine were created
+only to be destroyed, only to serve as puppets in your diabolical game?
+Think it not! He will call you to account for every minute of which you
+have robbed them, every joy that you have poisoned, every perfection
+that you have intercepted. Then, if you can answer Him--then, Moor,
+I will admit that you have won.
+
+FRANCIS. No more, not another word! Am I to be at the mercy of thy
+drivelling fancies?
+
+MOSER. Beware! The different destinies of mankind are balanced with
+terrible nicety. The scale of life which sinks here will rise there,
+and that which rises here will sink there. What was here temporary
+affliction will there be eternal triumph; and what here was temporary
+triumph will there be eternal despair.
+
+FRANCIS (rushing savagely upon him.) May the thunder of heaven strike
+thee dumb, thou lying spirit! I will tear thy venomed tongue out of thy
+mouth!
+
+MOSER. Do you so soon feel the weight of truth? Before I have brought
+forward one single word of evidence? Let me first proceed to the
+proofs--
+
+FRANCIS. Silence! To hell with thee and thy proofs! The soul is
+annihilated, I tell thee, and I will not be gainsaid!
+
+MOSER. That is what the spirits of the bottomless pit are hourly
+moaning for; but heaven denies the boon. Do you hope to escape from the
+Avenger's arm even in the solitary waste of nothingness? If you climb
+up into heaven, he is there! if you make your bed in hell, behold he is
+there also! If you say to the night, "Hide me!" and to the darkness,
+"Cover me!" even the night shall be light about you, and darkness blaze
+upon your damned soul like a noonday sun.
+
+FRANCIS. But I do not wish to be immortal--let them be so that like;
+I have no desire to hinder them. I will force him to annihilate me;
+I will so provoke his fury that he may utterly destroy me. Tell me
+which are the greatest sins--which excite him to the most terrible
+wrath?
+
+MOSER. I know but two. But men do not commit these, nor do men even
+dream of them.
+
+FRANCIS. What are they?
+
+MOSER (very significantly). Parricide is the name of the one;
+fratricide of the other. Why do you turn so suddenly pale?
+
+FRANCIS. What, old man? Art thou in league with heaven or with hell?
+Who told thee that?
+
+MOSER. Woe to him that hath them both upon his soul! It were better
+for that man that he had never been born! But be at peace; you have no
+longer either a father or a brother!
+
+FRANCIS. Ha! what! Do you know no greater sin? Think again! Death,
+heaven, eternity, damnation, hang upon thy lips. Not one greater?
+
+MOSER. No, not one
+
+FRANCIS (falling back in a chair). Annihilation! annihilation!
+
+MOSER. Rejoice, then, rejoice! Congratulate yourself! With all your
+abominations you are yet a saint in comparison with a parricide. The
+curse that falls upon you is a love ditty in comparison with the curse
+that lies upon him. Retribution--
+
+FRANCIS (starting up). Away with thee! May the graves open and swallow
+thee ten thousand fathoms deep, thou bird of ill omen! Who bade thee
+come here? Away, I tell thee, or I will run thee through and through!
+
+MOSER. Can mere "priestly cant" excite a philosopher to such a pitch of
+frenzy? Why not blow it away with a breath of your lips?
+ (Exit.)
+
+ [FRANCIS throws himself about in his chair in
+ terrible agitation. Profound stillness.]
+
+ Enter a SERVANT, hastily
+
+SERVANT. The Lady Amelia has fled. The count has suddenly disappeared.
+
+ Enter DANIEL, in great alarm.
+
+DANIEL. My lord, a troop of furious horsemen are galloping down the
+hill, shouting "murder! murder!" The whole village is in alarm.
+
+FRANCIS. Quick! let all the bells be tolled--summon everyone to the
+chapel--let all fall on their knees--pray for me. All prisoners shall
+be released and forgiven--I will make two and threefold restitution to
+the poor--I will--why don't you run? Do call in the father confessor,
+that he may give me absolution for my sins. What! are you not gone yet?
+(The uproar becomes more audible.)
+
+DANIEL. Heaven have mercy upon me, poor sinner! Can I believe you
+in earnest, sir? You, who always made a jest of religion? How many
+a Bible and prayer-book have you flung at my bead when by chance you
+caught me at my devotions?
+
+FRANCIS. No more of this. To die! think of it! to die! It will be too
+late! (The voice of SCHWEITZER is heard, loud and furious.) Pray for
+me, Daniel! Pray, I entreat you!
+
+DANIEL. I always told you,--"you hold prayer in such contempt; but take
+heed! take heed! when the fatal hour comes, when the waters are flowing
+in upon your soul, you will be ready to give all the treasures of the
+world for one little Christian prayer." Do you see it now? What abuse
+you used to heap on me! Now you feel it! Is it not so!
+
+FRANCIS (embracing him violently). Forgive me! my dear precious jewel
+of a Daniel, forgive me! I will clothe you from head to foot--do but
+pray. I will make quite a bridegroom of you--I will--only do pray--
+I entreat you--on my knees, I conjure you. In the devil's name, pray!
+why don't you pray? (Tumult in the streets, shouts and noises.)
+
+SCHWEIT. (in the street). Storm the place! Kill all before you!
+Force the gates! I see lights! He must be there!
+
+FRANCIS (on his knees). Listen to my prayer, O God in heaven! It is
+the first time--it shall never happen again. Hear me, God in heaven!
+
+DANIEL. Mercy on me! What are you saying? What a wicked prayer!
+
+ Uproar of the PEOPLE, rushing in.
+
+PEOPLE. Robbers! murderers! Who makes such a dreadful noise at this
+midnight hour!
+
+SCHWEIT (still in the street). Beat them back, comrades! 'Tis the
+devil, come to fetch your master. Where is Schwarz with his troop?
+Surround the castle, Grimm! Scale the walls!
+
+GRIMM. Bring the firebrands. Either we must up or he must down. I will
+throw fire into his halls.
+
+FRANCIS (praying). Oh Lord! I have been no common murderer--I have
+been guilty of no petty crimes, gracious Lord--
+
+DANIEL. Heaven be merciful to us! His very prayers are turned to sins.
+(Stones and firebrands are hurled up from below; the windows fall in
+with a crash; the castle takes fire.)
+
+FRANCIS. I cannot pray. Here! and here! (striking his breast and his
+forehead) All is so void--so barren! (Rises from his knees.) No, I will
+not pray. Heaven shall not have that triumph, nor hell that pastime.
+
+DANIEL. O holy Virgin! Help! save! The whole castle is in flames!
+
+FRANCIS. There, take this sword! Quick! Run it right through my body,
+that these fiends may not he in time to make holiday sport of me. (The
+fire increases.)
+
+DANIEL. Heaven forbid? Heaven forbid! I would send no one before his
+time to heaven, much less to--(He runs away).
+
+FRANCIS (following him with a ghastly stare, after a pause).
+To hell, thou wouldst say. Indeed! I scent something of the kind.
+(In delirium.) Are these their triumphant yells? Do I hear you
+hissing, ye serpents of the abyss? They force their way up--they
+besiege the door! Why do I shrink from this biting steel? The door
+cracks--it yields--there is no escape! Ha! then do thou have mercy upon
+me! (He tears away the golden cord from his hat, and strangles
+himself.)*
+
+ *[In the acting edition, Francis attempts to throw himself into the
+ flames, but is prevented by the robbers, and taken alive. He is
+ then brought before his brother, in chains, for sentence.
+ SCHWEITZER says, "I have fulfilled my word, and brought him alive."
+ GRIMM. "We tore him out of the flames and the castle is in ashes."
+ After confronting Francis with his father, and a reproachful
+ interview between the brothers, Charles delegates the judgment on
+ Francis to Schweitzer and Kosinsky, but for himself forgives him in
+ these words: "Thou hast robbed me of heaven's bliss! Be that sin
+ blotted out! Thy doom is sealed--perdition is thy lot! But I
+ forgive thee, brother." Upon this CHARLES embraces and leaves him;
+ the ROBBERS however, thrust FRANCIS into the dungeon where he had
+ immured his father, laughing in a savage manner. Beyond this the
+ fate of Francis is left undetermined. Schweitzer, instead of
+ killing himself, is made partaker, with Kosinsky, of Moor's
+ estate.]
+
+ Enter SCHWEITZER and his band.
+
+SCHWEITZER. Murderous wretch, where art thou? Did you see how they
+fled? Has he so few friends? Where has the beast crawled to?
+
+GRIMM (stumbles over the corpse). Stay! what is this lying in the way?
+Lights here.
+
+SCHWARZ. He has been beforehand with us. Put up your swords. There he
+lies sprawling like a dead dog.
+
+SCHWEITZER. Dead! What! dead? Dead without me? 'Tis a lie, I say.
+Mark how quickly he will spring upon his feet! (Shakes him). Hollo!
+up with you? There is a father to be murdered.
+
+GRIMM. Spare your pains. He is as dead as a log.
+
+SCHWEITZER (steps aside from him). Yes, his game is up! He is dead!
+dead! Go back and tell my captain he is as dead as a log. He will not
+see me again. (Blows his brains out.)
+
+
+
+
+ SCENE II.--The scene the same as the last scene of the preceding Act.
+
+ OLD MOOR seated on a stone; CHARLES VON MOOR opposite;
+ ROBBERS scattered through the wood.
+
+CHARLES. He does not come! (Strikes his dagger against a stone till
+the sparks fly.)
+
+OLD MOOR. Let pardon be his punishment--redoubled love my vengeance.
+
+CHARLES. No! by my enraged soul that shall not be! I will not permit
+it. He shall bear that enormous load of crime with him into eternity!--
+what else should I kill him for?
+
+OLD MOOR (bursting into tears). Oh my child!
+
+CHARLES. What! you weep for him? In sight of this dungeon?
+
+OLD MOOR. Mercy! oh mercy! (Wringing his hands violently.) Now--now my
+son is brought to judgment!
+
+CHARLES (starting). Which son?
+
+OLD MOOR. Ha! what means that question?
+
+CHARLES. Nothing! nothing!
+
+OLD MOOR. Art thou come to make a mockery of my grief?
+
+CHARLES. Treacherous conscience! Take no heed of my words!
+
+OLD MOOR. Yes, I persecuted a son, and a son persecutes me in return.
+It is the finger of God. Oh my Charles! my Charles! If thou dost hover
+around me in the realms of peace, forgive me! oh forgive me!
+
+CHARLES (hastily). He forgives you! (Checking himself.) If he is
+worthy to be called your son, he must forgive you!
+
+OLD MOOR. Ha! he was too noble a son for me. But I will go to him with
+my tears, my sleepless nights, my racking dreams. I will embrace his
+knees, and cry--cry aloud--"I have sinned against heaven and before
+thee; I am no longer worthy to be called thy father!"
+
+CHARLES (in deep emotion). Was he very dear to you--that other son?
+
+OLD MOOR. Heaven is my witness, how much I loved him. Oh, why did I
+suffer myself to be beguiled by the arts of a wicked son? I was an
+envied father among the fathers of the world--my children full of
+promise, blooming by my side! But--oh that fatal hour!--the demon of
+envy entered into the heart of my younger son--I listened to the
+serpent--and--lost both my children! (Hides his countenance.)
+
+CHARLES (removes to a distance from him). Lost forever!
+
+OLD MOOR. Oh, deeply do I feel the words of Amelia. The spirit of
+vengeance spoke from her lips. "In vain wilt thou stretch forth thy
+dying hands after a son, in vain fancy thou art grasping the warm hands
+of thy Charles,--he will never more stand by thy bedside."
+
+ (CHARLES stretches out his hand to him with averted face.)
+
+Oh, that this were the hand of my Charles! But he is laid far away in
+the narrow house--he is sleeping the iron sleep--he hears not the voice
+of my lamentation. Woe is me! to die in the arms of a stranger? No son
+left--no son left to close my eyes!
+
+CHARLES (in violent emotion). It must be so--the moment has arrived.
+Leave me--(to the ROBBERS.) And yet--can I restore his son to him?
+Alas! No! I cannot restore him that son! No! I will not think of it.
+
+OLD MOOR. Friend! what is that you were muttering?
+
+CHARLES. Your son--yes, old man--(faltering) your son--is--lost
+forever!
+
+OLD MOOR. Forever?
+
+CHARLES (looking up to heaven in bitter anguish). Oh this once--keep my
+soul from sinking--sustain me but this once!
+
+OLD MOOR. Forever, did you say.
+
+CHARLES. Ask no more! I said forever!
+
+OLD MOOR. Stranger, stranger! why didst thou drag me forth from the
+dungeon to remind me of my sorrows?
+
+CHARLES. And what if I were now to snatch his blessing?--snatch it like
+a thief, and steal away with the precious prize? A father's blessing,
+they say, is never lost.
+
+OLD MOOR. And is my Francis too lost?
+
+CHARLES (falling on his knees before him). 'Twas I who burst the bars
+of your dungeon. I crave thy blessing!
+
+OLD MOOR (sorrowfully). Oh that thou shouldst destroy the son!--thou,
+the father's deliverer! Behold! Heaven's mercy is untiring, and we
+pitiful worms let the sun go down upon our wrath. (Lays his hand upon
+the head of CHARLES.) Be thou happy, even as thou shalt be merciful!
+
+CHARLES (rising much affected). Oh!--where is my manhood? My sinews
+are unstrung--the sword drops from my hand.
+
+OLD MOOR. How lovely a thing it is when brethren dwell together in
+unity; as the dewdrops of heaven that fall upon the mountains of Zion.
+Learn to deserve that happiness, young man, and the angels of heaven
+will sun themselves in thy glory. Let thy wisdom be the wisdom of gray
+hairs, but let thy heart be the heart of innocent childhood.
+
+CHARLES. Oh, for a foretaste of that happiness! Kiss me, divine old
+man!
+
+OLD MOOR (kissing him). Think it thy father's kiss; and I will think I
+am kissing my son. Canst thou too weep?
+
+CHARLES. I felt as if it were my father's kiss! Woe unto me, were they
+to bring him now!
+
+ (The companions of SCHWEITZER enter in a silent and mournful
+ procession, hanging down their heads and hiding their faces.)
+
+CHARLES. Good heaven! (Retreats horror-struck, and seeks to hide
+himself. They pass by him his face is averted. Profound silence. They
+halt.)
+
+GRIMM (in a subdued tone). My captain!
+
+ [CHARLES does not answer and steps farther back.]
+
+SCHWARZ. Dear captain!
+
+ [CHARLES retreats still farther.]
+
+GRIMM. 'Tis not our fault, captain!
+
+CHARLES (without looking at them). Who are ye?
+
+GRIMM. You do not look at us! Your faithful followers.
+
+CHARLES. Woe to ye, if ye are faithful to me!
+
+GRIMM. The last farewell from your servant Schweitzer!--
+
+CHARLES (starting). Then ye have not found him?
+
+SCHWARZ. Found him dead.
+
+CHARLES (leaping up with joy). Thanks, O Sovereign Ruler of all things!
+--Embrace me, my children!--Mercy be henceforward our watchword!--Now,
+were that too surmounted,--all would be surmounted.
+
+ Enter ROBBERS with AMELIA.
+
+ROBBERS. Hurrah! hurrah! A prize, a splendid prize!
+
+AMELIA (with hair dishevelled). The dead, they cry, have arisen at his
+voice--My uncle alive--in this wood--Where is he? Charles? Uncle!--Ha?
+(She rushes into the arms, of OLD MOOR.)
+
+OLD MOOR. Amelia! my daughter! Amelia! (Holds her tightly grasped in
+his arms.)
+
+CHARLES (starting back). Who brings this image before my eyes.
+
+AMELIA (tearing herself away from the old man, rushes upon CHARLES, and
+embraces him in an ecstasy of delight). I have him, O ye stars! I have
+him!
+
+CHARLES (tearing himself away, to the ROBBERS). Let us be gone,
+comrades! The arch fiend has betrayed me!
+
+AMELIA. My bridegroom, my bridegroom! thou art raving! Ha! 'Tis with
+delight! Why, then, am I so cold, so unfeeling, in the midst of this
+tumult of happiness?
+
+OLD MOOR (rousing himself). Bridegroom? Daughter! my daughter! Thy
+bridegroom?*
+
+ *[Instead of this the stage edition has, "Come my children! Thy
+ hand, Charles--and thine, Amelia. Oh! I never looked for such
+ happiness on this side the grave. Here let me unite you forever."]
+
+AMELIA. His forever! He forever, ever, mine! Oh! ye heavenly powers!
+support me in this ecstasy of bliss, lest I sink beneath its weight!
+
+CHARLES. Tear her from my neck! Kill her! Kill him! Kill me--
+yourselves--everybody! Let the whole world perish! (About to rush of.)
+
+AMELIA. Whither? what? Love! eternity! happiness! never-ending joys!
+and thou wouldst fly?
+
+CHARLES. Away, away! most unfortunate of brides! See with thine own
+eves; ask, and hear it with thine own ears! Most miserable of fathers!
+Let me escape hence forever!
+
+AMELIA. Support me! for heaven's sake support me! It is growing dark
+before my eyes! He flies!
+
+CHARLES. Too late! In vain! Your curse, father! Ask me no more!
+I am--I have--your curse--your supposed curse! Who enticed me hither?
+(Rushing upon the ROBBERS with drawn sword.) Which of you enticed me
+hither, ye demons of the abyss? Perish, then, Amelia! Die, father!
+Die, for the third time, through me! These, thy deliverers, are Robbers
+and Murderers! Thy Charles is their Captain! (OLD MOOR expires.)
+
+ [AMELIA stands silent and transfixed like a statue.
+ The whole band are mute. A fearful pause.]
+
+CHARLES (rushing against an oak). The souls of those I have strangled
+in the intoxication of love--of those whom I crushed to atoms in the
+sacredness of sleep--of those whom--Ha! ha! ha! do you hear the powder-
+magazine bursting over the heads of women in travail? Do you see the
+flames creeping round the cradles of sucklings? That is our nuptial
+torch; those shrieks our wedding music! Oh! he forgetteth none of these
+things!--he knoweth how to connect the--links in the chain of life.
+Therefore do love's delights elude my grasp; therefore is love given me
+for a torment! This is retribution!
+
+AMELIA. 'Tis all true! Thou Ruler in heaven! 'Tis all true! What
+have I done, poor innocent lamb? I have loved this man!
+
+CHARLES. This is more than a man can endure. Have I not heard death
+hissing at me from more thousands of barrels, and never yet moved a
+hair's breadth out of its way. And shall I now be taught to tremble
+like a woman? tremble before a woman! No! a woman shall not conquer my
+manly courage! Blood! blood! 'tis but a fit of womanish feeling. I
+must glut myself with blood; and this will pass away. (He is about to
+fly.)
+
+AMELIA (sinking into his arms). Murderer! devil! I cannot--angel--
+leave thee!
+
+CHARLES (thrusting her from him). Away! insidious serpent! Thou
+wouldst make a mockery of my frenzy; but I will bid defiance to my
+tyrant destiny. What! art thou weeping? O ye relentless, malicious
+stars! She pretends to weep, as if any soul could weep for me!
+(AMELIA falls on his neck.) Ha! what means this? She shuns me not--she
+spurns me not. Amelia! hast thou then forgotten? Dost thou remember
+whom thou art embracing, Amelia?
+
+AMELIA. My only one, mine, mine forever!
+
+CHARLES (recovering himself in an ecstasy of joy). She forgives me, she
+loves me! Then am I pure as the ether of heaven, for she loves me!
+With tears I thank thee, all-merciful Father! (He falls on his knees,
+and bursts into a violent fit of weeping.) The peace of my soul is
+restored; my sufferings are at an end. Hell is no more! Behold! oh
+behold! the child of light weeps on the neck of a repentant demon!
+(Rising and turning to the ROBBERS). Why are ye not weeping also?
+Weep, weep, ye are all so happy. O Amelia! Amelia! Amelia! (He hangs
+on her neck, they remain locked in a silent embrace.)
+
+A ROBBER (stepping forward enraged). Hold, traitor! This instant come
+from her arms! or I will speak a word that shall make thy ears tingle,
+and thy teeth chatter with horror! (He holds his sword between them.)
+
+AN AGED ROBBER. Remember the Bohemian forests! Dost thou hear? dost
+thou tremble? Remember the Bohemian forests, I tell thee! Faithless
+man! where are thy oaths? Are wounds so soon forgotten? Who staked
+fortune, honor, life itself for thee? Who stood by thee like walls, and
+like shields caught the blows which were aimed at thy life? Didst not
+thou then lift up thy hand and swear an iron oath never to forsake us,
+even as we forsook not thee? Base, perfidious wretch! and wouldst thou
+now desert us at the whining of a harlot?
+
+A THIRD ROBBER. Shame on thy perjury! The spirit of the immolated
+Roller, whom thou didst summon from the realms of death to attest thy
+oath, will blush at thy cowardice, and rise from his grave full armed to
+chastise thee.
+
+THE ROBBERS (all in disorder, tearing open their garments). See here!
+and here! Dost thou know these scars? Thou art ours! With our heart's
+blood we have bought thee, and thou art ours bodily, even though the
+Archangel Michael should seek to wrest thee out of the grasp of the
+fiery Moloch! Now! March with us! Sacrifice for sacrifice, Amelia for
+the band!
+
+CHARLES (releasing her hand). It is past! I would arise and return to
+my father; but heaven has said, "It shall not be!" (Coldly.) Blind fool
+that I was! why should I wish it? Is it possible for a great sinner to
+return? A great sinner never can return. That ought I long since to
+have known. Be still! I pray thee be still! 'Tis all as it should be.
+When He sought me I would not; now that I seek him, He will not. What
+can be more just? Do not roll about thine eyes so wildly. He--has no
+need of me. Has He not creatures in abundance? One he can easily
+spare, and that one am I. Come along, comrades!
+
+AMELIA (pulling him back). Stay, I beseech you! One blow! one deadly
+blow! Again forsaken! Draw thy sword, and have mercy upon me!
+
+CHARLES. Mercy has taken refuge among bears. I will not kill thee!
+
+AMELIA (embracing his knees). Oh, for heaven's sake! by all that is
+merciful! I ask no longer for love. I know that our stars fly from
+each other in opposition. Death is all I ask. Forsaken, forsaken!
+Take that word in all its dreadful import! Forsaken! I cannot survive
+it! Thou knowest well that no woman can survive that. All I ask is
+death. See, my hand trembles! I have not courage to strike the blow.
+I shrink from the gleaming blade! To thee it is so easy, so very easy;
+thou art a master in murder--draw thy sword, and make me happy!
+
+CHARLES. Wouldst thou alone be happy? Away with thee! I will kill no
+woman!
+
+AMELIA. Ha! destroyer! thou canst only kill the happy; they who are
+weary of existence thou sparest! (She glides towards the robbers.) Then
+do ye have mercy on me, disciples of murder! There lurks a bloodthirsty
+pity in your looks that is consoling to the wretched. Your master is a
+boaster and a coward.
+
+CHARLES. Woman, what dost thou say? (The ROBBERS turn away.)
+
+AMELIA. No friend? No; not even among these a friend? (She rises.)
+Well, then, let Dido teach me how to die! (She is going; a ROBBER takes
+aim at her.)
+
+CHARLES. Hold! dare it! Moor's Amelia shall die by no other hand than
+Moor's. (He strikes her dead.)
+
+THE ROBBERS. Captain! captain! what hast thou done? Art thou raving?
+
+CHARLES (with his eyes fixed on the body). One more pang and all will
+be over. She is immolated! Now, look on! have you any farther demand?
+Ye staked a life for me, a life which has ceased to be your own--a life
+full of infamy and shame! I have sacrificed an angel for you. Now!
+look upon her! Are you content?
+
+GRIMM. You have repaid your debt with usury. You have done all that man
+could do for his honor, and more. Now let's away.
+
+CHARLES. What say you? Is not the life of a saint for the life of a
+felon more than an equal exchange? Oh! I say unto you if every one of
+you were to--mount the scaffold, and to have his flesh torn from his
+bones piecemeal with red-hot pincers, through eleven long summer days of
+torture, yet would it not counterbalance these tears! (With a bitter
+laugh.) The scars! the Bohemian forests! Yes, yes! they must be
+repaid, of course!
+
+SCHWARZ. Compose yourself, captain! Come along with us! this is no
+sight for you. Lead us elsewhere!
+
+CHARLES. Stay! one word more before we proceed elsewhere. Mark me, ye
+malicious executioners of my barbarous nod! from this moment I cease to
+be your captain.*
+
+ *[The acting edition reads,--"Banditti! we are quits. This
+ bleeding corpse cancels my bond to you forever. From your own I
+ set you free." ROBBERS. "We are again your slaves till death!"
+ CHARLES. "No, no, no! We have done with each other. My genius
+ whispers me, 'Go no further, Moor. Here is the goal of humanity--
+ and thine!' Take back this bloody plume (throws it at their feet).
+ Let him who seeks to be your captain take it up."]
+
+With shame and horror I here lay down the bloody staff, under which you
+thought yourselves licensed to perpetrate your crimes and to defile the
+fair light of heaven with deeds of darkness. Depart to the right and to
+the left. We shall never more have aught in common.
+
+THE ROBBERS. Ha! coward! where are thy lofty schemes? were they but
+soap-bubbles, which disperse at the breath of a woman?*
+
+
+ *[In lieu of this soliloquy and what follows, to the end, the
+ acting edition has:--
+
+ R. MOOR. Dare not to scrutinize the acts of Moor. That is my last
+ command. Now, draw near--form a circle around me, and receive the
+ last words of your dying captain. (He surveys them attentively for
+ some time.) You have been devotedly faithful to me, faithful
+ beyond example. Had virtue bound you together as firmly as vice,
+ you would have been heroes, and your names recorded by mankind with
+ admiration. Go and offer your services to the state. Dedicate
+ your talents to the cause of a monarch who is waging war in
+ vindication of the rights of man. With this blessing I disband
+ you. Schweitzer and Kosinsky, do you stay. (The others disperse
+ slowly, with signs of emotion.)]
+
+
+
+ SCENE VIII.
+
+
+
+ R. MOOR, SCRWETTZER, and KOSINSKY.
+
+ R. MOOR. Give me thy right hand, Kosinsky--Schweitzer thy left.
+ (He takes their hands, and stands between, them; to KOSINSKY,)
+ Young man, thou art still pure-amongst the guilty thou alone art
+ guiltless! (To SCHWEITZER.) Deeply have I imbrued thy hand in
+ blood. 'Tis I who have done this. With this cordial grasp I take
+ back mine own. Schweitzer! thou art purified! (He raises their
+ hands fervently to heaven.) Father in heaven! here I restore them
+ to thee. They will be more devoted to thy service than those who
+ never fell. Of that I feel assured. (SCHWEITZER and KOSINSKY fall
+ on his neck with fervor.) Not now--not now, dear comrades. Spare
+ my feelings in this trying hour. An earldom has this day fallen to
+ my lot--a rich domain on which no malediction rests. Share it
+ between you, my children; become good citizens; and if for ten
+ human beings that I have destroyed you make but one happy, my soul
+ may yet be saved. Go--no farewell! In another world we may meet
+ again--or perhaps no more. Away! away! ere my fortitude desert me.
+ [Exeunt both, with downcast countenances.]
+
+
+ SCENE IX.
+
+ And I, too, am a good citizen. Do I not fulfil the extremity of
+ the law? Do I not honor the law? Do I not uphold and defend it?
+ I remember speaking to a poor officer on my way hither, who was
+ toiling as a day-laborer, and has eleven living children. A
+ thousand ducats have been offered to whoever shall deliver up the
+ great robber alive. That man shall be served. [Exit.]
+
+
+CHARLES. Oh! fool that I was, to fancy that I could amend the world by
+misdeeds and maintain law by lawlessness! I called it vengeance and
+equity. I presumed, O Providence! upon whetting out the notches of thy
+sword and repairing thy partialities. But, oh, vain trifling! here I
+stand on the brink of a fearful life, and learn, with wailing and
+gnashing of teeth, that two men like myself could ruin the whole edifice
+of the moral world. Pardon--pardon the boy who thought to forestall
+Thee; to Thee alone belongeth vengeance; Thou needest not the hand of
+man! But it is not in my power to recall the past; that which is ruined
+remains ruined; what I have thrown down will never more rise up again.
+Yet one thing is left me whereby I may atone to the offended majesty of
+the law and restore the order which I have violated. A victim is
+required--a victim to declare before all mankind how inviolable that
+majesty is--that victim shall be myself. I will be the death-offering!
+
+ROBBERS. Take his sword from him--he will kill himself.
+
+CHARLES. Fools that ye are! doomed to eternal blindness! Think ye
+that one mortal sin will expiate other mortal sins? Do you suppose that
+the harmony of the world would be promoted by such an impious discord?
+(Throwing his arms at their feet.) He shall have me alive. I go to
+deliver myself into the hands of justice.
+
+ROBBERS. Put him in chains! he has lost his senses!
+
+CHARLES. Not that I have any doubt but that justice would find me
+speedily enough if the powers above so ordained it. But she might
+surprise me in sleep, or overtake me in flight, or seize me with
+violence and the sword, and then I should have lost the only merit left
+me, that of making my death a free-will atonement. Why should I, like a
+thief, any longer conceal a life, which in the counsels of the heavenly
+ministry has long been forfeited?
+
+ROBBERS. Let him go. He is infected with the great-man-mania; he means
+to offer up his life for empty admiration.
+
+CHARLES. I might, 'tis true, be admired for it. (After a moment's
+reflection.) I remember, on my way hither, talking to a poor creature,
+a day-laborer, with eleven living children. A reward has been offered
+of a thousand louis-d'ors to any one who shall deliver up the great
+robber alive. That man shall be served.
+ [Exit.]
+
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE ROBBERS, BY SCHILLER ***
+
+****** This file should be named fs22w10.txt or fs22w10.zip *******
+
+Corrected EDITIONS of our eBooks get a new NUMBER, fs22w11.txt
+VERSIONS based on separate sources get new LETTER, fs22w10a.txt
+
+This eBook was produced by David Widger, widger@cecomet.net
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/fs22w10.zip b/old/fs22w10.zip
new file mode 100644
index 0000000..8db5178
--- /dev/null
+++ b/old/fs22w10.zip
Binary files differ
diff --git a/old/fs22w10h.zip b/old/fs22w10h.zip
new file mode 100644
index 0000000..23fa6e1
--- /dev/null
+++ b/old/fs22w10h.zip
Binary files differ