summaryrefslogtreecommitdiff
path: root/old/68824-0.txt
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-02-02 22:17:11 -0800
committernfenwick <nfenwick@pglaf.org>2025-02-02 22:17:11 -0800
commit71b7decd232f79eab53c02f58dce785498398e54 (patch)
treec12618903c71b453568f9a2d7d0dce2ed31fed31 /old/68824-0.txt
parent36afbfc51173f7de569b5c06fcfa7b722b30f7ba (diff)
NormalizeHEADmain
Diffstat (limited to 'old/68824-0.txt')
-rw-r--r--old/68824-0.txt3948
1 files changed, 0 insertions, 3948 deletions
diff --git a/old/68824-0.txt b/old/68824-0.txt
deleted file mode 100644
index 9045454..0000000
--- a/old/68824-0.txt
+++ /dev/null
@@ -1,3948 +0,0 @@
-The Project Gutenberg eBook of Lewesdon Hill: with other poems, by
-William Crowe
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Lewesdon Hill: with other poems
-
-Author: William Crowe
-
-Release Date: August 23, 2022 [eBook #68824]
-
-Language: English
-
-Produced by: Bryan Ness and the Online Distributed Proofreading Team at
- https://www.pgdp.net (This file was produced from images
- generously made available by The Internet Archive/American
- Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK LEWESDON HILL: WITH OTHER
-POEMS ***
-
-
-
-
-
-
-LEWESDON HILL.
-
-
-
-
- LEWESDON HILL,
- WITH
- OTHER POEMS.
-
- BY
- THE REV. WILLIAM CROWE,
- PUBLIC ORATOR OF THE UNIVERSITY OF OXFORD.
-
- Χαιρ’ ω πεδον αγχιαλον,
- Και μ’ ευπλοιᾳ πεμψον αμεμπτως
- Ενθ’ ἡ μεγαλη μοιρα κομιζει,
- ——χῳ πανδαματωρ
- Δαιμων, ος ταυτ’ επεκρανεν.
-
- SOPH.
-
- Farewell thy printless sands and pebbly shore!
- I hear the white surge beat thy coast no more,
- Pure, gentle source of the high, rapturous mood!—
- —Where’er, like the great Flood, by thy dread force
- Propell’d—shape Thou my calm, my blameless course,
- Heaven, Earth, and Ocean’s Lord!—and Father of the Good!
-
- ***
-
- A CORRECTED AND MUCH ENLARGED EDITION, WITH NOTES.
-
- LONDON:
- JOHN MURRAY, ALBEMARLE-STREET.
- 1827.
-
- LONDON:
- PRINTED BY THOMAS DAVISON, WHITEFRIARS.
-
-
-
-
-ADVERTISEMENT.
-
-
-The Hill which gives title to the following Poem is situated in the
-western part of Dorsetshire. This choice of a subject, to which the
-Author was led by his residence near the spot, may seem perhaps to
-confine him to topics of mere rural and local description. But he begs
-leave here to inform the Reader that he has advanced beyond those narrow
-limits to something more general and important. On the other hand he
-trusts, that in his farthest excursions the connexion between him and
-his subject will easily be traced. The few notes which are subjoined he
-thought necessary to elucidate the passages to which they refer. He will
-only add in this place, from Hutchins’s History of Dorsetshire, (vol.
-i. p. 366), what is there said of Lewesdon (or, as it is now corruptly
-called, Lewson): “This and Pillesdon Hill surmount all the hills, though
-very high, between them and the sea. Mariners call them the _Cow and
-Calf_, in which forms they are fancied to appear, being eminent sea-marks
-to those who sail upon the coast.”
-
-To the top of this Hill the Author describes himself as walking on a May
-morning.
-
-
-
-
- TO THE
-
- RIGHT REV. FATHER IN GOD JONATHAN,
-
- LORD BISHOP OF ST. ASAPH,
- WHO, IN A LEARNED, FREE, AND LIBERAL AGE,
- IS HIMSELF MOST HIGHLY DISTINGUISHED
- BY EXTENSIVE, USEFUL, AND ELEGANT LEARNING,
- BY A DISINTERESTED SUPPORT OF FREEDOM,
- AND BY A TRULY CHRISTIAN LIBERALITY OF MIND,
-
- THIS POEM,
-
- WITH ALL RESPECT, IS DEDICATED
- BY HIS LORDSHIP’S MOST OBLIGED
- AND MOST OBEDIENT SERVANT,
-
- THE AUTHOR.
-
-_Jan. 1788._
-
-
-
-
-CONTENTS.
-
-
- Page
-
- LEWESDON HILL 1
-
- Notes 41
-
- Inscribed beneath the picture of an ass 61
-
- Ode to the Lyric Muse. Spoken in the Theatre at the installation
- of Lord North, chancellor of the university of Oxford 64
-
- Verses intended to have been spoken in the Theatre to the Duke
- of Portland, at his installation as chancellor of the
- university of Oxford, in the year 1793 70
-
- On the Death of Captain Cook 75
-
- Elegy to the memory of Dr. W. Hayes, professor of music in the
- university of Oxford 80
-
- The World. Intended as an apology for not writing. By a Lady 82
-
- The British Theatre. Written in 1775 84
-
- On two Publications, entitled Editions of two of our Poets 89
-
- The Spleen 92
-
- Lines written with a pencil in a lady’s almanac 98
-
- To a young gentlewoman, with Thomson’s Seasons, doubled down at
- the story of Palemon and Lavinia 101
-
- Sonnet 103
-
- Sonnet to Petrarch 105
-
- To a lady, who desired some specimens of the author’s poetry 107
-
- Epitaph on a child who died of a scarlet fever in the fifteenth
- month of his age, 1802 108
-
- Epitaph on Sir Charles Turner, bart. in the family mausoleum at
- Kirk Leatham, Yorkshire 109
-
- Lines written at the tomb of William of Wykeham, in Winchester
- cathedral 111
-
- Translation of a Greek inscription upon a fountain 112
-
- From Lucretius
-
- sæpius olim
- Religio peperit scelerosa.—Lib. I. v. 83. 114
-
- From Lucretius
-
- Suave, mari magno turbantibus.—Lib. II. v. 1. 117
-
- From Lucretius
-
- Avia Pieridum peragro loca.—Lib. IV. v. 1. 119
-
- Psalm LXXII. abridged, and adapted to a particular tune 120
-
- Midnight Devotion. Written in the great storm, 1822 123
-
- Silbury Hill 125
-
- To the Daisy 127
-
- Fragment 129
-
- From Purchase’s Pilgrimage, versified and designed as a motto
- to “Voyages for the Discovery of a N. W. Passage” 131
-
- Fragment 133
-
- The rape of Proserpine 135
-
- Sonnet 137
-
- Song 139
-
- Song 141
-
- Song 142
-
- To a lady going to her family in Ireland 143
-
- To the Sun 144
-
- Song 146
-
- To a lady, fortune-telling with cards 148
-
- Epigram 150
-
- On two English poets, who flourished in the former half of the
- last century, and published complimentary verses on each other 152
-
- Verses to the honour of the London Pastrycook, who marked “No
- popery” on his pies, &c. 154
-
- On the funeral of ⸺, in a hearse and six, followed by a mourning
- coach and four 157
-
- Parody on Dryden’s “Three poets,” &c. 160
-
- Epigram 161
-
- An expostulatory supplication to Death, after the decease of
- Dr. Burney 162
-
- On the decease of Horne Tooke 163
-
- Inscription for the granite sarcophagus brought from Alexandria
- to the British Museum 164
-
- Inscription for a statue of field-marshal Suworow 166
-
- On field-marshal Suworow. A dialogue 169
-
- On F. W. the king of Prussia’s ineffectual attempt on Warsaw 171
-
- Political advice to the members of the French Convention.
- A dialogue 176
-
- Written when Buonaparte was altering the governments of Germany 178
-
- Suggested by reading Dryden’s Britannia Rediviva, a poem on the
- prince born on the 10th of June, 1688 179
-
- Succession 183
-
- Epigram 186
-
- On the increase of human life 188
-
- Ode to the king of France. 1823 189
-
- Verses spoken in the Theatre, Oxford, at the installation of the
- chancellor, Lord Grenville, July 10, 1810, by Henry Crowe, a
- commoner of Wadham College 193
-
- Ad Musas 198
-
- Ηως
- Εργων ἡγητειρα, βιου προπολε θνητοισιν—Or. Hym. 199
-
- Jepthæ Votum 202
-
- Palmyra 204
-
- Ad Hyacinthum. 1791 206
-
- Romulus. Scriptus 1803 208
-
- Helena Insula 215
-
- On Captain Sir M. Murray, wounded at the Westminster election 221
-
- Amnestia Infida 222
-
- Psalm CXIV. 223
-
- Psalm CXXXIII. 225
-
- Psalm CXXXVII. 226
-
- In obitum senis academici, Thomæ Pryor, Armigeri 228
-
- In obitum J. N. Oxoniensis, 1783 229
-
- Bene est cui Deus dederit
- Parca quod satis est manu.—Hor. Lib. 3. Od. 16. 230
-
- ΕΙΣ ΚΟΣΣΥΦΟΝ 232
-
- Inscriptio in Horto auctoris apud Alton in com. Wilt. 234
-
- Epicedium 237
-
- De Seipso, mandatum auctoris 239
-
-
-
-
-LEWESDON HILL.
-
-
- Up to thy Summit, LEWESDON, to the brow
- Of yon proud rising, where the lonely thorn
- Bends from the rude South-east with top cut sheer
- By his keen breath, along the narrow track,
- By which the scanty-pastured sheep ascend
- Up to thy furze-clad summit, let me climb,—
- My morning exercise,—and thence look round
- Upon the variegated scene, of hills
- And woods and fruitful vales, and villages
- Half hid in tufted orchards, and the sea
- Boundless, and studded thick with many a sail.
-
- Ye dew-fed vapours, nightly balm, exhaled
- From earth, young herbs and flowers, that in the morn
- Ascend as incense to the Lord of day,
- I come to breathe your odours; while they float
- Yet near this surface, let me walk embathed
- In your invisible perfumes, to health
- So friendly, nor less grateful to the mind,
- Administering sweet peace and cheerfulness.
-
- How changed is thy appearance, beauteous hill!
- Thou hast put off thy wintry garb, brown heath
- And russet fern, thy seemly-colour’d cloak
- To bide the hoary frosts and dripping rains
- Of chill December, and art gaily robed
- In livery of the spring: upon thy brow
- A cap of flowery hawthorn, and thy neck
- Mantled with new-sprung furze and spangles thick
- Of golden bloom: nor lack thee tufted woods
- Adown thy sides: tall oaks of lusty green,
- The darker fir, light ash, and the nesh tops
- Of the young hazel join, to form thy skirts
- In many a wavy fold of verdant wreath:—
- So gorgeously hath Nature drest thee up
- Against the birth of May: and, vested so,
- Thou dost appear more gracefully array’d
- Than Fashion’s worshippers, whose gaudy shows,
- Fantastical as are a sick man’s dreams,
- From vanity to costly vanity
- Change ofter than the moon. Thy comely dress,
- From sad to gay returning with the year,
- Shall grace thee still till Nature’s self shall change.
-
- These are the beauties of thy woodland scene
- At each return of spring: yet some[1] delight
- Rather to view the change; and fondly gaze
- On fading colours, and the thousand tints
- Which Autumn lays upon the varying leaf:
- I like them not, for all their boasted hues
- Are kin to Sickliness; mortal Decay
- Is drinking up their vital juice; that gone,
- They turn to sear and yellow. Should I praise
- Such false complexions, and for beauty take
- A look consumption-bred? As soon, if gray
- Were mixt in young Louisa’s tresses brown,
- I’d call it beautiful variety,
- And therefore dote on her. Yet I can spy
- A beauty in that fruitful change, when comes
- The yellow Autumn and the hopes o’ the year
- Brings on to golden ripeness; nor dispraise
- The pure and spotless form of that sharp time,
- When January spreads a pall of snow
- O’er the dead face of th’ undistinguish’d earth.
- Then stand I in the hollow comb beneath,
- And bless this friendly mount, that weather-fends
- My reed-roof’d cottage, while the wintry blast
- From the thick north comes howling: till the Spring
- Return, who leads my devious steps abroad,
- To climb, as now, to LEWESDON’S airy top.
-
- Above the noise and stir of yonder fields
- Uplifted, on this height I feel the mind
- Expand itself in wider liberty.
- The distant sounds break gently on my sense,
- Soothing to meditation: so methinks,
- Even so, sequester’d from the noisy world,
- Could I wear out this transitory being
- In peaceful contemplation and calm ease.
- But Conscience, which still censures on our acts,
- That awful voice within us, and the sense
- Of an Hereafter, wake and rouse us up
- From such unshaped retirement; which were else
- A blest condition on this earthly stage.
- For who would make his life a life of toil
- For wealth, o’erbalanced with a thousand cares;
- Or power, which base compliance must uphold;
- Or honour, lavish’d most on courtly slaves;
- Or fame, vain breath of a misjudging world;
- Who for such perishable gaudes would put
- A yoke upon his free unbroken spirit,
- And gall himself with trammels and the rubs
- Of this world’s business; so he might stand clear
- Of judgment and the tax of idleness
- In that dread audit, when his mortal hours
- (Which now with soft and silent stealth pace by)
- Must all be counted for? But, for this fear,
- And to remove, according to our power,
- The wants and evils of our brother’s state,
- ’Tis meet we justle with the world; content,
- If by our sovereign Master we be found
- At last not profitless: for worldly meed,
- Given or withheld, I deem of it alike.
-
- From this proud eminence on all sides round
- Th’ unbroken prospect opens to my view,
- On all sides large; save only where the head
- Of Pillesdon rises, Pillesdon’s lofty Pen:
- So call (still rendering to his ancient name
- Observance due) that rival Height south-west,
- Which like a rampire bounds the vale beneath.
- There woods, there blooming orchards, there are seen
- Herds ranging, or at rest beneath the shade
- Of some wide-branching oak; there goodly fields
- Of corn, and verdant pasture, whence the kine
- Returning with their milky treasure home
- Store the rich dairy: such fair plenty fills
- The pleasant vale of Marshwood, pleasant now,
- Since that the Spring has deck’d anew the meads
- With flowery vesture, and the warmer sun
- Their foggy moistness drain’d; in wintry days
- Cold, vapourish, miry, wet, and to the flocks
- Unfriendly, when autumnal rains begin
- To drench the spungy turf: but ere that time
- The careful shepherd moves to healthier soil,
- Rechasing, lest his tender ewes should coath[2]
- In the dank pasturage. Yet not the fields
- Of _Evesham_, nor that ample valley named
- Of the _White Horse_, its antique monument
- Carved in the chalky bourne, for beauty and wealth
- Might equal, though surpassing in extent,
- This fertile vale, in length from LEWESDON’S base
- Extended to the sea, and water’d well
- By many a rill; but chief with thy clear stream,
- Thou nameless Rivulet, who, from the side
- Of LEWESDON softly welling forth, dost trip
- Adown the valley, wandering sportively.
- Alas, how soon thy little course will end!
- How soon thy infant stream shall lose itself
- In the salt mass of waters, ere it grow
- To name or greatness! Yet it flows along
- Untainted with the commerce of the world,
- Nor passing by the noisy haunts of men;
- But through sequester’d meads, a little space,
- Winds secretly, and in its wanton path
- May cheer some drooping flower, or minister
- Of its cool water to the thirsty lamb:
- Then falls into the ravenous sea, as pure
- As when it issued from its native hill.
-
- So to thine early grave didst thou run on,
- Spotless Francesca, so, after short course,
- Thine innocent and playful infancy
- Was swallowed up in death, and thy pure spirit
- In that illimitable gulf which bounds
- Our mortal continent. But not there lost,
- Not there extinguish’d, as some falsely teach,
- Who can talk much and learnedly of life,
- Who know our frame and fashion, who can tell
- The substance and the properties of man,
- As they had seen him made,—aye and stood by
- Spies on Heaven’s work. They also can discourse
- Wisely, to prove that what must be must be,
- And show how thoughts are jogg’d out of the brain
- By a mechanical impulse; pushing on
- The minds of us, poor unaccountables,
- To fatal resolution. Know they not,
- That in this mortal life, whate’er it be,
- We take the path that leads to good or evil,
- And therein find our bliss or misery?
- And this includes all reasonable ends
- Of knowledge or of being; farther to go
- Is toil unprofitable, and th’ effect
- Most perilous wandering. Yet of this be sure,
- Where freedom is not, there no virtue is:
- If there be none, this world is all a cheat,
- And the divine stability of Heaven
- (That assured seat for good men after death)
- Is but a transient cloud, display’d so fair
- To cherish virtuous hope, but at our need
- Eludes the sense, and fools our honest faith,
- Vanishing in a lie. If this be so,
- Were it not better to be born a beast,
- Only to feel what is, and thus to ’scape
- The aguish fear that shakes the afflicted breast
- With sore anxiety of what shall be—
- And all for nought? Since our most wicked act
- Is not our sin, and our religious awe
- Delusion, if that strong Necessity
- Chains up our will. But that the mind is free,
- The Mind herself, best judge of her own state,
- Is feelingly convinced; nor to be moved
- By subtle words, that may perplex the head,
- But ne’er persuade the heart. Vain argument,
- That with false weapons of Philosophy
- Fights against Hope, and Sense, and Nature’s strength!
-
- See how the Sun, here clouded, afar off
- Pours down the golden radiance of his light
- Upon the enridged sea; where the black ship
- Sails on the phosphor-seeming waves. So fair,
- But falsely-flattering, was yon surface calm,
- When forth for India sail’d, in evil time,
- That Vessel, whose disastrous fate, when told,
- Fill’d every breast with horror, and each eye
- With piteous tears, so cruel was the loss[3].
- Methinks I see her, as, by the wintry storm
- Shatter’d and driven along past yonder Isle,
- She strove, her latest hope, by strength or art,
- To gain the port within it, or at worst
- To shun that harbourless and hollow coast
- From Portland eastward to the Promontory[4],
- Where still St. Alban’s high built chapel stands.
- But art nor strength avail her—on she drives,
- In storm and darkness to the fatal coast:
- And there ’mong rocks and high-o’erhanging cliffs
- Dash’d piteously, with all her precious freight
- Was lost, by Neptune’s wild and foamy jaws
- Swallow’d up quick! The richliest-laden ship
- Of spicy Ternate, or that Annual, sent
- To the Philippines o’er the Southern main
- From Acapulco, carrying massy gold,
- Were poor to this;—freighted with hopeful Youth,
- And Beauty, and high Courage undismayed
- By mortal terrors, and paternal Love
- Strong, and unconquerable even in death—
- Alas, they perish’d all, all in one hour!
-
- Now yonder high way view, wide-beaten, bare
- With ceaseless tread of men and beasts, and track
- Of many indenting wheels, heavy and light,
- That in their different courses as they pass,
- Rush violently down precipitate,
- Or slowly turn, oft resting, up the steep.
- Mark how that road, with mazes serpentine,
- From Shipton’s[5] bottom to the lofty down
- Winds like a path of pleasure, drawn by art
- Through park or flowery garden for delight.
- Nor less delightful this—if, while he mounts
- Not wearied, the free Journeyer will pause
- To view the prospect oft, as oft to see
- Beauty still changing: yet not so contrived
- By fancy, or choice, but of necessity,
- By soft gradations of ascent to lead
- The labouring and way-worn feet along,
- And make their toil less toilsome. Half way up,
- Or nearer to the top, behold a cot,
- O’er which the branchy trees, those sycamores,
- Wave gently: at their roots a rustic bench
- Invites to short refreshment, and to taste
- What grateful beverage the house may yield
- After fatigue, or dusty heat; thence call’d
- The TRAVELLER’S REST. Welcome, embower’d seat,
- Friendly repose to the slow passenger
- Ascending, ere he takes his sultry way
- Along th’ interminable road, stretch’d out
- Over th’ unshelter’d down; or when at last
- He has that hard and solitary path
- Measured by painful steps. And blest are they,
- Who in life’s toilsome journey may make pause
- After a march of glory: yet not such
- As rise in causeless war, troubling the world
- By their mad quarrel, and in fields of blood
- Hail’d victors, thence renown’d, and call’d on earth
- Kings, heroes, demi-gods, but in high Heaven
- Thieves, ruffians, murderers; these find no repose:
- Thee rather, patriot Conqueror, to thee
- Belongs such rest; who in the western world,
- Thine own deliver’d country, for thyself
- Hast planted an immortal grove, and there,
- Upon the glorious mount of Liberty
- Reposing, sit’st beneath the palmy shade.
-
- And Thou, not less renown’d in like attempt
- Of high achievement, though thy virtue fail’d
- To save thy little country, Patriot Prince,
- Hero, Philosopher—what more could they
- Who wisely chose thee, PAOLI, to bless
- Thy native Isle, long struggling to be free?
- But Heaven allow’d not—yet may’st thou repose
- After thy glorious toil, secure of fame
- Well-earn’d by virtue: while ambitious France,
- Who stretch’d her lawless hand to seize thine isle,
- Enjoys not rest or glory; with her prey
- Gorged but not satisfied, and craving still
- Against th’ intent of Nature. See Her now
- Upon the adverse shore, her Norman coast,
- Plying[6] her monstrous labour unrestrained!
- A rank of castles in the rough sea sunk,
- With towery shape and height, and armed heads
- Uprising o’er the surge; and these between,
- Unmeasurable mass of ponderous rock
- Projected many a mile to rear her wall
- Midst the deep waters. She, the mighty work
- Still urging, in her arrogant attempt,
- As with a lordly voice to the Ocean cries,
- ‘Hitherto come, no farther; here be staid
- ‘The raging of thy waves; within this bound
- ‘Be all my haven’—and therewith takes in
- A space of amplest circuit, wide and deep,
- Won from the straiten’d main: nor less in strength
- Than in dimensions, giant-like in both,—
- On each side flank’d with citadels and towers
- And rocky walls, and arches massy proof
- Against the storm of war. Compared with this
- Less[7] and less hazardous emprize achieved
- Resistless Alexander, when he cast
- The strong foundations of that high-raised mound
- Deep in the hostile waves, his martial way,
- Built on before him up to sea-girt Tyre.
- Nor[8] aught so bold, so vast, so wonderful,
- At Athos or the fetter’d Hellespont,
- Imagined in his pride that Asian vain,
- Xerxes,—but ere he turn’d from Salamis
- Flying through the blood-red waves in one poor bark,
- Retarded by thick-weltering carcasses.
- Nor[9] yet that elder work (if work it were,
- Not fable) raised upon the Phrygian shore,
- (Where lay the fleet confederate against Troy,
- A thousand ships behind the vasty mole
- All shelter’d) could with this compare, though built
- It seem’d, of greatness worthy to create
- Envy in the immortals; and at last
- Not overthrown without th’ embattled aid
- Of angry Neptune. So may He once more
- Rise from his troubled bed, and send his waves,
- Urged on to fury by contending winds,
- With horned violence to push and whelm
- This pile, usurping on his watry reign!
-
- From hostile shores returning, glad I look
- On native scenes again; and first salute
- Thee, Burton[10], and thy lofty cliff, where oft
- The nightly blaze is kindled; further seen
- Than erst was that love-tended cresset, hung
- Beside the Hellespont: yet not like that
- Inviting to the hospitable arms
- Of Beauty and Youth, but lighted up, the sign
- Of danger, and of ambush’d foes to warn
- The stealth-approaching Vessel, homeward bound
- From Havre or the Norman isles, with freight
- Of wines and hotter drinks, the trash of France,
- Forbidden merchandize. Such fraud to quell
- Many a light skiff and well-appointed sloop
- Lies hovering near the coast, or hid behind
- Some curved promontory, in hope to seize
- These contraband: vain hope! on that high shore
- Station’d, th’ associates of their lawless trade
- Keep watch, and to their fellows off at sea
- Give the known signal; they with fearful haste
- Observant, put about the ship, and plunge
- Into concealing darkness. As a fox,
- That from the cry of hounds and hunters’ din
- Runs crafty down the wind, and steals away
- Forth from his cover, hopeful so t’ elude
- The not yet following pack,—if chance the shout
- Of eager or unpractised boy betray
- His meditated flight, back he retires
- To shelter him in the thick wood: so these
- Retiring, ply to south, and shun the land
- Too perilous to approach: and oft at sea
- Secure (or ever nigh the guarded coast
- They venture) to the trackless deep they trust
- Their forfeitable cargo, rundlets small,
- Together link’d upon their cable’s length,
- And to the shelving bottom sunk and fixt
- By stony weights; till happier hour arrive
- To land it on the vacant beach unrisk’d.
-
- But what is yonder Hill[11], whose dusky brow
- Wears, like a regal diadem, the round
- Of ancient battlements and ramparts high,
- And frowns upon the vales? I know thee not—
- Thou hast no name, no honourable note,
- No chronicle of all thy warlike pride,
- To testify what once thou wert, how great,
- How glorious, and how fear’d. So perish all,
- Who seek their greatness in dominion held
- Over their fellows, or the pomp of war,
- And be as thou forgotten, and their fame
- Cancell’d like thine! But thee in after times
- Reclaim’d to culture, Shepherds visited,
- And call’d thee Orgarston; so thee they call’d
- Of Orgar, Saxon Earl, the wealthy sire
- Of fair Elfrida; She, whose happy Bard
- Has with his gentle witchery so wrought
- Upon our sense, that we can see no more
- Her mad ambition, treacherous cruelty,
- And purple robes of state with royal blood
- Inhospitably stain’d; but in their place
- Pure faith, soft manners, filial duty meek,
- Connubial love, and stoles of saintly white.
-
- Sure ’tis all false what poets fondly tell
- Of rural innocence and village love;
- Else had thy simple annals, Nethercombe,
- Who bosom’d in the vale below dost look
- This morn so cheerful, been unstain’d with crimes,
- Which the pale rustic shudders to relate.
- There lived, the blessing of her father’s age,—
- I fable not, nor will with fabled names
- Varnish a melancholy tale all true,—
- A lowly maid; lowly, but like that flower,
- Which grows in lowly place, and thence has name,
- Lily o’ the vale, within her parent leaves
- As in retreat she lives; yet fair and sweet
- Above the gaudiest Blooms, that flaunt abroad,
- And play with every wanton breath of Heaven.
- Thus innocent, her beauties caught the eye
- Of a young villager, whose vows of love
- Soon won her easy faith: her sire meantime,
- Alas! nor knowing nor suspecting ought,
- Till that her shape, erewhile so graceful seen,
- (Dian first rising after change was not
- More delicate) betray’d her secret act,
- And grew to guilty fulness: then farewell
- Her maiden dignity, and comely pride,
- And virtuous reputation. But this loss
- Worse follow’d, loss of shame, and wilful wreck
- Of what was left her yet of good, or fair,
- Or decent: now her meek and gentle voice
- To petulant turn’d; her simply-neat attire
- To sluttish tawdry: her once timid eye
- Grew fix’d, and parley’d wantonly with those
- It look’d on. Change detestable! For she,
- Erewhile the light of her fond father’s house,
- Became a grievous darkness: but his heart
- Endured not long; all in despair he went
- Into the chambers of the grave, to seek
- A comfortless repose from sorrow and shame.
- What then befell this daughter desolate?
- For He, the partner of her earliest fault,
- Had left her, false perhaps, or in dislike
- Of her light carriage. What could then befall,
- What else, but of her self-injurious life
- The too sad penance—hopeless penury,
- Loathsome disease unpitied, and thereto
- The brand of all-avoided infamy
- Set on her, like the fearful token o’er
- A plague-infested house:—at length to death
- Impatient and distract she made bold way.
-
- Fain would I view thee, Corscombe, fain would hail
- The ground where Hollis[12] lies; his choice retreat,
- Where, from the busy world withdrawn, he lived
- To generous Virtue, and the holy love
- Of Liberty, a dedicated spirit;
- And left his ashes there; still honouring
- Thy fields, with title given of patriot names,
- But more with his untitled sepulchre.
- That envious ridge conceals thee from my sight,
- Which, passing o’er thy place north-east, looks on
- To Sherburne’s ancient towers and rich domains,
- The noble Digby’s mansion; where he dwells
- Inviolate, and fearless of thy curse,
- War-glutted Osmund,[13] superstitious Lord!
- Who with Heaven’s justice for a bloody life
- Madest thy presumptuous bargain; giving more
- Than thy just having to redeem thy guilt,
- And darest bid th’ Almighty to become
- The minister of thy curse. But sure it fell,
- So bigots fondly judged, full sure it fell
- With sacred vengeance pointed on the head
- Of many a bold usurper: chief on thine
- (Favourite of Fortune once, but last her thrall),
- Accomplish’d[14] Raleigh! in that lawless day
- When, like a goodly hart, thou wert beset
- With crafty blood-hounds, lurching for thy life,
- While as they feign’d to chase thee fairly down;
- And that foul Scot, the minion-kissing King,
- Pursued with havoc in the tyrannous hunt.
-
- How is it vanish’d in a hasty spleen,
- The Tor of Glastonbury! Even but now
- I saw the hoary pile cresting the top
- Of that north-western hill; and in this Now
- A cloud hath pass’d on it, and its dim bulk
- Becomes annihilate, or if not, a spot
- Which the strain’d vision tires itself to find.
-
- And even so fares it with the things of earth
- Which seem most constant: there will come the cloud
- That shall infold them up, and leave their place
- A seat for Emptiness. Our narrow ken
- Reaches too far, when all that we behold
- Is but the havoc of wide-wasting Time,
- Or what he soon shall spoil. His outspread wings
- (Which bear him like an eagle o’er the earth)
- Are plumed in front so downy soft, they seem
- To foster what they touch, and mortal fools
- Rejoice beneath their hovering: woe the while!
- For in that indefatigable flight
- The multitudinous strokes incessantly
- Bruise all beneath their cope, and mark on all
- His secret injury; on the front of man
- Gray hairs and wrinkles; still as Time speeds on
- Hard and more hard his iron pennons beat
- With ceaseless violence; nor overpass,
- Till all the creatures of this nether world
- Are one wide quarry: following dark behind,
- The cormorant Oblivion swallows up
- The carcasses that Time has made his prey.
-
- But, hark! the village clock strikes nine—the chimes
- Merrily follow, tuneful to the sense
- Of the pleased clown attentive, while they make
- False-measured melody on crazy bells.
- O wond’rous Power of modulated sound!
- Which, like the air (whose all-obedient shape
- Thou makest thy slave), canst subtilly pervade
- The yielded avenues of sense, unlock
- The close affections, by some fairy path
- Winning an easy way through every ear,
- And with thine unsubstantial quality
- Holding in mighty chains the hearts of all;
- All, but some cold and sullen-temper’d spirits,
- Who feel no touch of sympathy or love.
-
- Yet what is music, and the blended power
- Of voice with instruments of wind and string?
- What but an empty pageant of sweet noise?
- ’Tis past: and all that it has left behind
- Is but an echo dwelling in the ear
- Of the toy-taken fancy, and beside,
- A void and countless hour in life’s brief day.
-
- But ill accords my verse with the delights
- Of this gay month:—and see the Villagers
- Assembling jocund in their best attire
- To grace this genial morn. Now I descend
- To join the worldly crowd; perchance to talk,
- To think, to act as they: then all these thoughts,
- That lift th’ expanded heart above this spot
- To heavenly musing, these shall pass away
- (Even as this goodly prospect from my view)
- Hidden by near and earthy-rooted cares.
- So passeth human life—our better mind
- Is as a Sunday’s garment, then put on
- When we have nought to do; but at our work
- We wear a worse for thrift. Of this enough:
- To-morrow for severer thought; but now
- To breakfast, and keep festival to-day.
-
-
-NOTES.
-
-
-Note 1, page 4, line 10.
-
- _At each return of spring: yet some delight, &c._
-
-An adventitious beauty, arising from that gradual decay, which loosens
-the withering leaf, gilds the autumnal landscape with a temporary
-splendor superior to the verdure of spring, or the luxuriance of summer.
-The infinitely various and ever-changing hues of the leaves at this
-season, melting into every soft gradation of tint and shade, have long
-engaged the imitation of the painter, and are equally happy ornaments in
-the description of the poet.—Aikin’s Essay on the Character of Thompson’s
-Seasons, prefixed to his edition of them, 1791.
-
-
-Note 2, p. 10, line 7.
-
- _Rechasing, lest his tender ewes should coath._
-
-To _coath_, Skinner says, is a word common in Lincolnshire, and
-signifies, to _faint_. He derives it from the Anglo-Saxon coðe, a
-_disease_. In Dorsetshire it is in common use, but it is used of sheep
-only: a _coathed_ sheep is a _rotten_ sheep; to _coath_ is to _take the
-rot. Rechasing_ is also a term in that county appropriated to flocks:
-_to chase and rechase_ is to drive sheep at certain times from one sort
-of ground to another, or from one parish to another.
-
-The author having ventured to introduce some provincial and other terms,
-takes this occasion to say, that it is a liberty in which he has not
-indulged himself, but when he conceived them to be allowable for the sake
-of ornament or expression.
-
-
-Note 3, page 16, line 4.
-
- _With piteous tears, so cruel was the loss._
-
-The distressful condition of the Halswell here alluded to is thus
-circumstantially described in the narrative of her loss, p. 13.
-
-“Thursday the 5th, at two in the morning, the wind came to the southward,
-blew fresh, and the weather was very thick; at noon Portland was seen,
-bearing N. by E. distance two or three leagues; at eight at night it
-blew a strong gale at S. and at this time the Portland lights were seen
-bearing N. W. distance four or five leagues, when they wore ship, and
-got her head to the westward; but finding they lost ground upon that
-tack, they wore again, and kept stretching on eastward, in hopes to have
-weathered Peverel-point, in which case they intended to have anchored in
-Studland Bay: at 11 at night it cleared, and they saw St. Alban’s-head
-a mile and a half to the leeward of them; upon which they took in sail
-immediately, and let go the small bower anchor, which brought up the
-ship at a whole cable, and she rode for about an hour, but then drove;
-they now let go the sheet anchor, and wore away a whole cable, and the
-ship rode for about two hours longer, when she drove again. They were
-then driving very fast on shore, and might expect every moment to strike!”
-
-
-Note 4, page 16, line 10.
-
- _From Portland eastward to the Promontory._
-
-“Not far from this (Encombe) stands _St. Aldene_’s Chapel; which took
-name from the dedication to St. Adeline, the first bishop of Sherbourne
-in this shire: but now it serves for a sea-mark.”—Coker’s Survey of
-Dorsetshire, p. 47.
-
-“Near the sea is the high land of _St. Aldhelm_’s, commonly called _St.
-Alban_’s, a noted sea-mark. The cliff here is 147 yards perpendicular. On
-this promontory, about a mile south of _Worth_, stands a chapel of the
-same name.” Hutchins’s Dorsetsh. vol. i. p. 228. But this headland is not
-marked by name in Hutchins’s map. “The very utter part of _St. Aldhelm_’s
-point is five miles from _Sandwich_ (_Swanwich_).”—Lel. Itin. vol. iii.
-p. 53.
-
-
-Note 5, page 18, line 6.
-
- _From Shipton’s bottom to the lofty down._
-
-Shipton is a hill, which, according to common report, is so called from
-its shape; the top of it being formed like a ship with the keel upwards.
-It stands three miles from Bridport on the road towards London; which
-road passes by the foot of it to the North.
-
-
-Note 6, page 22, line 1.
-
- _Plying her monstrous labour unrestrained._
-
-The works now carrying on at Cherburgh, (A. D. 1787) to make a haven
-for ships of war, are principally the following. Of these however it
-is not intended to give a full description; but only to mention some
-particulars, from which an idea may be formed of the greatness of the
-scheme.
-
-In the open sea, above a league from the town, and within half a mile
-west of a rock called _L’isle Pelée_, a pier is begun, with design of
-conducting it on to the shore somewhat beyond _Point Hommet_, about
-two miles westward of Cherburgh. In order to this, a strong frame of
-timber-work, of the shape of a truncated cone, having been constructed on
-the beach, was buoyed out, and sunk in a depth of water; which at lowest
-ebb is 35 feet, and where the tide rises near 20 feet. The diameter of
-this cone at bottom is about 60 yards, its height 70 feet; and the area
-on its top large enough to receive a battery of cannon, with which it is
-hereafter to be fortified. Its solid contents are 2500 French toises;
-which, in our measure (allowing the French foot to be to the English as
-144 to 135), will amount to 24,250 cubic yards nearly. Several other
-cones, of equal dimensions, are sunk at convenient distances from each
-other, forming the line of the pier: their number, when complete, it
-is said, will be forty. As soon as any one of these is carried to its
-place, it is filled with stones, which are dug from mount _Rouille_ and
-other rocks near the coast, and brought on horses to the shore: whence
-they are conveyed to the cones in vessels of forty, sixty, or eighty
-tons burden. In like manner, but with much greater labour and expense,
-the spaces between the cones are filled up with stones thrown loosely
-into the sea, till the heap is raised above the water. On this mass, as
-on a foundation, a wall of masonry-work is to be erected. The length
-of the whole is near five miles. On _L’isle Pelée_ and _Point Hommet_
-before-mentioned large fortifications are constructed bomb-proof, to
-defend the haven and pier. It is the opinion of some persons that
-this stupendous mole may be injured or destroyed by what is called a
-ground-sea, _i. e._ a sea when the waters are agitated to the bottom: and
-this happens when a strong wind, after having put the waves in motion,
-suddenly shifts to the opposite quarter. The description given in the
-Poem of this vast undertaking closes with an allusion to this opinion.
-
-
-Note 7, page 23, lines 5 and 6.
-
- _Less and less hazardous emprize achieved_
- _Resistless Alexander._
- Quint. Curt. lib. 4, cap. 2, 3.
-
-
-Note 8, page 23, line 10.
-
- _Nor aught so bold, so vast, so wonderful._
-
- ——creditur olim
- Velificatus Athos—
- Densa cadavera prora.
- JUV. Sat. x. v. 173. 186.
-
-
-Note 9, page 24, line 2.
-
- _Nor yet that elder work._
-
- ——τειχος εδειμαν,——
- ——αμαλδυνηται Αχαιων.
- HOM. IL. vii. v. 436. 463.
-
- Ὡσ ὁ μεν εν κλισιησι,—
- ——καλλιροον ὑδωρ.
- IL. xii. v. 1, 33.
-
-
-Note 10, page 25, line 3.
-
- _Thee, Burton, and thy lofty cliff._
-
-Burton is a village near the sea, lying S. E. from Lewesdon, and about
-two miles S. of Shipton hill before mentioned. The cliff is among the
-loftiest of all upon that coast; and smugglers often take advantage of
-its height for the purpose related in the poem.
-
-
-Note 11, page 27, line 11.
-
- _But what is yonder Hill, whose dusky brow._
-
-“Eggardon Hill is a very high hill, and gives name to the hundred. Mr.
-Coker says it is uncertain whether it takes its name from Edgar, king of
-the West Saxons, or from Orgarus, earl of Cornwall: and indeed this last
-derivation is the truest; there being little reason to doubt that it is
-the old _Orgarestone_. The camp on the brow of this hill is a large and
-strong fortification, and seems to be Roman.”—Hutchins’s Dorset, vol.
-i. p. 289; where there is an engraving of this camp. But Hutchins has
-misrepresented Mr. Coker, who indeed prefers the derivation from Orgar.
-His words are these: “That it takes name from Edgar, the West Saxon king,
-I dare not affirm, having nothing to prove it but the nearnesse of the
-name. It better likes me to think this the place which in Doomsday-book
-is called Orgareston; but whether it take name from Orgareus, earl of
-Cornwall, I know not; though I think I should run into no great error to
-believe it.”—Coker’s Survey of Dorsetshire, p. 26.
-
-
-Note 12, page 33, line 2.
-
- _The ground where Hollis lies; his choice retreat._
-
-“Mr. Hollis, in order to preserve the memory of those heroes and patriots
-for whom he had a veneration, as the assertors and defenders of his
-country, called many of the farms and fields in his estate at Corscombe
-by their names; and by these names they are still distinguished. In the
-middle of one of those fields, not far from his house, he ordered his
-corpse to be deposited in a grave ten feet deep; and that the field
-should be immediately ploughed over, that no trace of his burial-place
-might remain.”—Memoirs of Thomas Hollis, Esq. vol. i. p. 481.
-
-
-Note 13, page 34, line 1.
-
- _War-glutted Osmund, superstitious lord!_
-
-Of the strange curse belonging to Shireburne-Castle. From a MS. of
-the late Bishop of Ely (Bishop John More) now in the Royal Library at
-Cambridge.
-
-“Osmund, a Norman knight, who had served _William_ Duke of _Normandy_
-from his youth, in all his wars against the French king, and the duke’s
-(_William_’s) subjects, with much valour and discretion, for all his
-faithful service (when his master had by conquest obteyned the crown
-of England) was rewarded with many great gifts; among the which was
-the earldome of _Dorsett_, and the gift of many other possessions,
-whereof the castle and baronie of _Sherburne_ were parcell. But Osmund,
-in the declyninge of his age, calling to mynde the great effusion of
-blood which, from his infancie, he had shedd; he resolved to leave all
-worldly delights, and betake himself to a religious life, the better
-to contemplate on his former sinnes, and to obteyn pardon for them.
-And, with much importunitie, having gotten leave of the kinge (who was
-unwilling to want the assistance of so grave and worthy a counsellor)
-to resign his temporal honors; and having obteyned the bishoprick of
-_Sarum_, he gave _Sherburne_, with other lands, to the bishoprick. To
-which gift he annexed this curse:—
-
-“‘That whosoever should take those lands from the bishoprick, or
-diminish them in great or in small, should be accursed, not only in this
-world, but also in the world to come; unless in his life-time he made
-restitution thereof.’ And so he died bishop of Sarum.”
-
-Those lands continued in the possession of his successors till the reign
-of King Stephen, who took them away: “whereupon (says this account) his
-prosperity forsook him.” King Stephen being dead, “these lands came into
-the hands of some of the _Montagues_ (after earles of _Sarum_), who
-whilest they held the same, underwent many disasters. For one or other
-of them fell by misfortune. And finally, all the males of them became
-extinct, and the earldome received an end in their name. So ill was their
-success.”
-
-After this the lands were restored to the bishoprick; but were taken away
-a second time by the Duke of Somerset, in the reign of Edward VI.; “when
-the duke, being hunting in the parke of _Sherburne_, he was sent for
-presently unto the kinge (to whome he was protector) and at his coming
-up to _London_, was forthwith committed unto the _Tower_, and shortly
-after lost his head.” The lands then, in a suit at law, were adjudged to
-the Bishop of Sarum; and so remained, “till Sir Walter Raleigh procured
-a grant of them; he afterwards unfortunately lost them, and at last his
-head also. Upon his attainder they came, by the king’s gift, to Prince
-_Henry_; who died not long after the possession thereof. After Prince
-_Henry_’s death, the Earle of _Somerset_ (_Carr_) did possesse them.
-Finally, he lost them, and many other fortunes.”—Peck’s Desid. Cur. Lib.
-14. No. 6.
-
-
-Note 14, page 34, line 11.
-
- _Accomplish’d Raleigh! in that lawless day._
-
-“How Dr. _John Coldwell_, of a physitian, became a bishop, I have heard
-by more than a good many; and I will briefly handle it, and as tenderly
-as I can; bearing myself equal between the living (Sir _Walter Raleigh_)
-and the dead (Bishop _Coldwell_). Yet the manifest judgements of God
-on both of them I may not pass over with silence. And to speak first
-of the knight, who carried off the _Spolia opima_ of the bishoprick.
-He, having gotten _Sherborne_ castle, park, and parsonage, was in those
-days in so great favour with the queen, as I may boldly say, that with
-less suit than he was fain to make to her, ere he could perfect this
-his purchase, and with less money than he bestowed since in _Sherborne_
-(in building, and buying out leases, and in drawing the river through
-rocks into his garden), he might, very justly, and without offence of
-either church or state, have compassed a much better purchase. Also, as
-I have been truly informed, he had a presage before he first attempted
-it, which did foreshow it would turn to his ruin, and might have kept
-him from meddling with it, _Si mens non læva fuisset_: for, as he was
-riding post between _Plymouth_ and the court (as many times he did upon
-no small employments), this castle being right in the way, he cast such
-an eye upon it as _Ahab_ did upon _Naboth_’s vineyard. And, once above
-the rest, being talking of it (of the commodiousness of the place,
-of the strength of the seat, and how easily it might be got from the
-bishoprick), suddenly over and over came his horse, that his very face
-(which was then thought a very good face) plowed up the earth where he
-fell. This fall was ominous, I make no question; and himself was apt to
-construe it so. But his brother _Adrian_ would needs have him interpret
-it as a conqueror, that his fall presaged the quiet possession of it.
-And accordingly, for the present, it so fell out. So that with much
-labor, cost, envy, and obloquy, he got it _habendum et tenendum_ to him
-and his heirs. But see what became of him. In the public joy and jubilee
-of the whole realm (when favor, peace, and pardon, were offered even to
-offenders), he who in wit, in wealth, in courage, was inferior to few,
-fell suddenly (I cannot tell how) into such a downfall of despair, as his
-greatest enemy would not have wished him so much harm, as he would have
-done himself. Can any man be so willfully blind as not to see, and say,
-_Digitus Dei hic est_!”—Harrington’s Brief View, p. 88.
-
- * * * * *
-
-To these Notes are added the following, taken from Æschylus, to show the
-resemblance between the expressions of that author and certain passages
-in this poem.
-
- ——Let me walk embathed
- In your invisible perfumes.—P. 2, v. 16.
-
- Τις οδμα προσεπτα μ’ αφεγγης; Prom. Vinc. 115.
-
- ——For worldly meed,
- Given or withheld, I deem of it alike.—P. 8, v. 98.
-
- ου δ’ αινειν ειτε με ψεγειν θελεις,
- Ομοιον. Agam. 1412.
-
- The aguish fear that shakes th’ afflicted breast
- With sore anxiety of what shall be—
- And all for nought.—P. 14, v. 179.
-
- ματαιος εκ γυκτων φοβας
- Κινει, ταρασσει, και διωκεται πολεως
- Χαλχηκλατῳ πλαστιγγι λυμανθεν δεμας. Choeph. 286.
-
- To shun that harbourless and hollow coast.—P. 16, v. 204.
-
- μολοντες αλιμενον χθονα
- Ες νυκτ’ αποστειχοντος ἡλιου, φιλει
- Ωδινα τικτειν νυξ χυβερνητῃ σοφῳ. Supplices, 775.
-
- ——the promontory
- Where still St. Alban’s high-built chapel stands.—P. 16. v. 205.
-
- Την αιπυνωτον αμφι Δωδωνην, ινα
- Μαντεια θωκος τ’ εστι Θεσπρωτου Διος. Prom. Vinct. 829.
-
- Was lost, by Neptune’s wild and foamy jaws
- Swallow’d up quick.—P. 17, v. 211.
-
- ενθεν εκραγησονταιν ποτε
- Ποταμοι πυρος δαπτοντες αγριαις γναθοις. Prom. Vinct. 367.
-
- Alas! they perish’d all: all in one hour!—P. 17, v. 220.
-
-In the Persæ the Chorus demand of Xerxes what was become of his friends
-the Nobles; he answers, “I left them wrecked on the shores of Salamis:”
-they ask farther, “Where is Pharnuchus and Ariomardus? Where is the royal
-Sebalces?” &c. Xerxes replies,
-
- Ιω, ιω, μοι μοι
- παντες
- Ενι πιτυλῳ,
- (Ε, ε, ε,) τλαμονες
- Ασπαιρουσι χερσῳ. 978.
-
- ——flank’d with citadels and towers,
- And rocky walls, and arches massy-proof
- Against the storm of war.—P. 23, v. 292.
-
- Συ δ’ ωστε νηος κεδνος διακοστροφος
- Φραξαι πολισμα, πριν καταιγισαι πνοας
- Αρεος. Sept. cont. Theb. 62.
-
- With horned violence to push and whelm
- This pile.—P. 24, v. 319.
-
- ἁι δε, κερωτυπουμεναι βιᾳ
- Χειμωνοτυφῳ, συν ζαλῃ τ’ ομβροκτυπῳ. Agam. 664.
-
-Χειμωνοτυφῳ; so I read the passage, instead of Χειμωνι, τυφω, κτλ.
-
-In the Supplices of this author there is a similar phrase on a similar
-subject,
-
- Πεμψατε ποντονδ’, ενθα δε λαιλαπι
- Χειμωνοτυπῳ, βροντη στεροπη
- Τ’, ομβροφοροισι τ’ ανεμοις αγριας
- Αλος αντησαντες ολοιντο. 34.
-
-In the Clouds of Aristophanes, A. 1. S. 4, this word occurs,
-ἑκατογκεφαλατυφω, and the Scholiast says, in τυφων or τυφως the first
-syllable is long.
-
- To generous Virtue, and the holy love
- Of liberty, a dedicated spirit.—P. 33, v. 433.
-
-In the Eumenides the Fury calls Orestes
-
- δαιμοναν σκια
- Εμοι τραφεις τε και καθιερωμενος. 303.
-
- So fares it with the things of earth
- Which seem most constant: there will come the cloud
- That shall enfold them up.—P. 35, v. 466.
-
- Ιω βροτεια πραγματ’· ευτυχουντα μεν
- Σκια τις αντρεψειεν. Agam. 1336.
-
- The multitudinous strokes incessantly
- Bruise all, &c.—P. 36, v. 478.
-
-There is a singular similarity in the length of the words here, and in
-the following passage of the Choephori, where Electra speaks of the
-murder of her father; intending, perhaps, to express the multitude of
-wounds by the polysyllabic term;
-
- πολυπλαγκτα δ’ ην ιδειν
- Επασσυτεροτριβη τα χερος ορεγματα. 423.
-
-
-
-
-POEMS.
-
-
-
-
-INSCRIBED BENEATH THE PICTURE OF AN ASS.
-
-
- Meek animal, whose simple mien
- Provokes th’ insulting eye of Spleen
- To mock the melancholy trait
- Of patience in thy front display’d,
- By thy Great Author fitly so pourtray’d,
- To character the sorrows of thy fate;
- Say, Heir of misery, what to thee
- Is life?—A long, long, gloomy stage
- Through the sad vale of labour and of pain!
- No pleasure hath thine youth, no rest thine age,
- Nor in the vasty round of this terrene
- Hast thou a friend to set thee free,
- Till Death, perhaps too late,
- In the dark evening of thy cheerless day,
- Shall take thee, fainting on thy way,
- From the rude storm of unresisted hate.
-
- Yet dares the erroneous crowd to mark
- With folly thy despised race,
- Th’ ungovernable pack, who bark
- With impious howlings in Heaven’s awful face,
- If e’er on their impatient head
- Affliction’s bitter show’r is shed.
-
- But ’tis the weakness of thy kind
- Meekly to bear the inevitable sway;
- The wisdom of the human mind
- Is to murmur and obey.
-
-
-
-
-ODE TO THE LYRIC MUSE.
-
-SPOKEN IN THE THEATRE AT THE INSTALLATION OF LORD NORTH, CHANCELLOR OF
-THE UNIVERSITY OF OXFORD.
-
-
- STROPHE I.
-
- Fair sov’reign of the golden lyre,
- Descend, Thalia, from th’ enchanted grove
- Of Mona, where thou lov’st to rove,
- List’ning the echoes of thy Druid quire;
- The ling’ring sounds that yet respire
- Waked by the breezes of the Western main;
- And bring some high and solemn strain,
- Such as was heard that solemn day
- When Rome’s dread Eagle stoop’d to prey
- On Mona’s free-born sons, while Liberty
- Struck on the magic harp her dying song.—
- Dealing vengeance on her foes,
- The mortal Genius of battle rose,
- And call’d Despair and Death to lead her host along.
-
- STROPHE II.
-
- O, Muse divine! whene’er thy strain
- Devotes the tyrant head to shame,
- The Patriot Virtues brighten in thy train;
- And Glory hears the loud appeal;
- And thou, unconquerable flame,
- First-born of ancient Freedom, Public Zeal:
- Thou in the dark and dreary hour
- When Tyranny her dragon-wing outspread,
- And Sloth a sullen influence shed,
- And every coward Vice that loves the night
- Revell’d on Corsica’s ill-fated shore;
- Thou didst one dauntless heart inflame,
- Lo, PAOLI, father of his country, came,
- And with a giant-voice
- Cried, “Liberty!” unto the drowsy race
- That slept in Slav’ry’s dull embrace;
- Roused at the sound, they hail’d thy glorious choice,
- And ev’ry manly breast
- Shook off the unnerving load of rest;
- And Virtue chasing the foul forms of night,
- Rose like a summer sun, and shed a golden light.
-
- ANTISTROPHE I.
-
- But, ah! how sunk her veiled head,
- Untimely dimm’d by Gaul’s o’ershadowing pow’r—
- And shalt thou rise, fair isle, no more?
- Thy patriot heroes sleep among the dead:
- Thy gallant virtues all are fled;
- Save Fortitude, sole refuge from despair.
- O Gaul, Oppression’s blood-stain’d heir,
- Let me not tell how, taught by thee,
- England’s rude sons smote Liberty
- On Vincent’s sable rock, her Indian throne:—
- Not unavenged; for in her cause the sky
- Storms and fiery vapours pour’d,
- While Pestilence waved wide his tainted sword
- To smite[15]...
-
- EPODE.
-
- Then, O Thalia! let thy sacred shell
- Wake the lofty sounds that swell
- With rapture unreproved the patriot breast!
- Robed in her many-colour’d vest
- On Isis’ banks shall Science stand,
- Waving in her bounteous hand
- A wond’rous chaplet; high reward
- Of toils, by public virtue dared:
- And while to claim the envied meed
- Fair Fame her vot’ries leads, thy voice,
- O Muse, shall join th’ applauded choice
- That fix’d the glorious wreath on FREDERICK’s honour’d head!
-
-[15] The remainder of this, and the whole of the second antistrophe, were
-not repeated in the theatre, having been suppressed by the academical
-authorities, on account of their political sentiments, and subsequently
-lost.
-
-
-
-
-VERSES INTENDED TO HAVE BEEN SPOKEN IN THE THEATRE TO THE DUKE OF
-PORTLAND, AT HIS INSTALLATION AS CHANCELLOR OF THE UNIVERSITY OF OXFORD,
-IN THE YEAR 1793.
-
-
- In evil hour, and with unhallow’d voice,
- Profaning the pure gift of Poesy,
- Did he begin to sing, He, first who sung
- Of arms and combats, and the proud array
- Of warriors on th’ embattled plain, and raised
- Th’ aspiring spirit to hopes of fair renown
- By deeds of violence!—For since that time
- Th’ imperious victor oft, unsatisfied
- With bloody spoil and tyrannous conquest, dares
- To challenge fame and honour; and too oft
- The poet, bending low, to lawless pow’r
- Hath paid unseemly reverence, yea, and brought
- Streams clearest of th’ Aonian fount to wash
- Blood-stain’d Ambition. If the stroke of war
- Fell certain on the guilty head, none else,
- If they that make the cause might taste th’ effect,
- And drink, themselves, the bitter cup they mix,
- Then might the bard (tho’ child of peace) delight
- To twine fresh wreaths around the Conqueror’s brow;
- Or haply strike his high-toned harp, to swell
- The trumpet’s martial sound, and bid them on
- Whom Justice arms for vengeance: but, alas!
- That undistinguishing and deathful storm
- Beats heaviest on th’ exposed innocent,
- And they that stir its fury, while it raves,
- Stand at safe distance, send their mandate forth
- Unto the mortal ministers that wait
- To do their bidding.—Ah! who then regards
- The widow’s tears, the friendless orphan’s cry,
- And Famine, and the ghastly train of woes
- That follow at the dogged heels of War?
- They, in the pomp and pride of victory
- Rejoicing, o’er the desolated earth,
- As at an altar wet with human blood,
- And flaming with the fire of cities burnt,
- Sing their mad hymns of triumph; hymns to God,
- O’er the destruction of his gracious works!
- Hymns to the Father, o’er his slaughter’d sons!
-
- Detested be their sword! abhorr’d their name,
- And scorn’d the tongues that praise them!—Happier Thou,
- Of peace and science friend, hast held thy course
- Blameless and pure; and such is thy renown.
- And let that secret voice within thy breast
- Approve thee, then shall these high sounds of praise
- Which thou hast heard be as sweet harmony,
- Beyond this Concave to the starry sphere
- Ascending, where the spirits of the blest
- Hear it well pleased:—For Fame can enter Heaven,
- If Truth and Virtue lead her; else, forbid,
- She rises not above this earthy spot;
- And then her voice, transient and valueless,
- Speaks only to the herd.—With other praise
- And worthier duty may She tend on Thee,
- Follow thee still with honour, such as time
- Shall never violate, and with just applause,
- Such as the wise and good might love to share.
-
-
-
-
-ON THE DEATH OF CAPTAIN COOK.
-
-
- I will not meditate in idle show
- Of labour’d lines my sorrow to relate;
- All artless as the tears my verse shall flow
- That good men weep for his untimely fate.
-
- The friends of peace and friends of human kind
- To mourn thy loss, adventurous Chief, agree;
- And all who love the bold or generous mind,
- And all who science love must weep for thee.
-
- By thee to soft Taheite’s sultry clime,
- By thee to chill Kamschatzcha’s frozen zone,
- And Isles ne’er view’d till George’s golden time
- Britannia’s mighty name at length was known.
-
- O how unlike Magellan! he who bent
- His daring sail to untried winds, and first
- The world encompass’d—save in sad event
- Of timeless death by savage hands accurst.
-
- The Arts of Peace He cared not to extend;
- For gold th’ untravel’d sea his bark explored,
- For lust of gold he rashly strove to bend
- The free-born Indian to his lawless sword.
-
- Not such the generous purpose of thy will;
- With zeal untired and patient toil it strove
- To make th’ untutor’d savage learn thy skill,
- And the fierce-manner’d tribes embrace thy love.
-
- For this thy vessel plough’d the stormy wave,
- For this the pendent globe thrice circled round,
- When the rude hand of some unconscious slave
- With brutal fury dealt the fatal wound.
-
- Hold! hold, Barbarian! shall the guilty strife
- Provoke to mortal acts thy frantic hand?
- Let fall thy stroke on some less-valued life;
- But save, O! save the Chieftain of the band!
-
- E’en hostile kings bade spare his honour’d head,
- The bloodless trophies of his fame bade spare;
- And Peace and Science wide their influence spread
- To guard him from the wasteful rage of war:
-
- In vain—he falls—he dies—behold him bleed—
- Ah wretched Isle! ah murderous, murderous race!
- The guilt, the memory of this ruffian deed
- What pains can expiate, or what time efface?
-
- Henceforth no ship shall spread her canvas wing
- To visit that inhospitable strand;
- Save that in after times if chance shall bring
- Some bark storm driven near the hateful land;
-
- Ev’n then the hardy mariner shall mourn;
- And as he views it rising from the main,
- Far from the inhuman shore his prow shall turn,
- Cursing the murderous isle where Cook was slain.
-
-
-
-
-ELEGY TO THE MEMORY OF DR. W. HAYES, PROFESSOR OF MUSIC IN THE UNIVERSITY
-OF OXFORD.
-
-_Set to Music by his Son and Successor, P. Hayes._
-
-
-SYMPHONY.
-
- These sounds of grief, this solemn air,
- To thee I sing, dear, honour’d shade!
- Hear, spirit of my father, hear!
- To thee these mournful rites are paid.
-
- _Here followed an Organ Movement, being a Psalm Tune
- of the Professor, Dr. Wm. Hayes._
-
- Such the last strains by thee were tried,
- Strains that to holy Choirs belong;
- While Age, that wasted all beside,
- Yet spared the sweetness of thy song.
-
- So pass’d he: nor approved alone
- In science; like his gentle art,
- His life was Music, and in tone
- With Virtue’s harmony his heart.
-
- O! let thy tuneful Spirit, to hear
- The melancholy strains we raise,
- Now stoop from that celestial sphere
- Where Music is the voice of Praise!
-
-
-
-
-THE WORLD[16].
-
-INTENDED AS AN APOLOGY FOR NOT WRITING.
-
-BY A LADY.
-
-
- Wide Habitation of the Sons of Men,
- Wherein the seeds of vice and virtue lie
- Mix’d, like the undigested Elements
- Ere Chaos lost his kingdom; where blind Chance
- With Passion holds divided anarchy;
- O! who can rightly scan thee, or describe?
- Subject ill suited to a Virgin’s Muse,
- That cannot praise, and is to blame untaught:
- Wherefore from this unprofitable theme
- She turns, leaving unsung its argument;
- Save that with careless hand her lute she strikes
- Lightly, nor hoping that the myrtle wreath
- Shall crown her unpremeditated lay.
-
-[16] This was among the subjects for a Prize Poem, given out by Sir John
-and Lady Miller at Bath Easton.
-
-
-
-
-THE BRITISH THEATRE.
-
-WRITTEN IN 1775.
-
-
- When first was rear’d the British Stage,
- Rude was the scene and weak the lay;
- The Bard explored the sacred Page,
- And holy Mystery form’d his Play.
-
- Th’ affections of the mortal breast
- In simple Moral next he sung,
- Each Vice[17] in human shape he drest,
- And to each Virtue[17] gave a tongue.
-
- Then ’gan the Comic Muse unfold
- In coarser jests her homely art:
- Of Gammer Gurton’s[18] loss she told,
- And laugh’d at Hodge’s awkward smart.
-
- Come from thy wildly-winding stream,
- First-born of Genius, SHAKSPEARE, come!
- The listening World attends thy theme,
- And bids each elder Bard[19] be dumb:
-
- For thou, within the human Mind
- Fix’d, as on thy peculiar throne,
- Sitt’st like a Deity inshrined;
- And either Muse is all thine own!
-
- Yet shall not Time’s rough hand destroy
- The scenes by learned Jonson writ;
- Nor shall Oblivion e’er enjoy
- The charms of Fletcher’s courtly wit:
-
- And still in matchless beauty live
- The numbers of that Lyric Strain
- Sung gayly to the Star of Eve
- By Comus and his jovial Train.
-
- Here sunk the Stage:—and dire alarms
- The Muse’s voice did overwhelm;
- For wounded Freedom call’d to arms,
- And Discord shook the embattled Realm.
-
- But Peace return’d; and with her came
- (Alas! how changed!) the tuneful Pair:
- Thalia’s eye should blench with shame,
- And her sad Sister weep to hear
-
- How the mask’d[20] Fair, in Charles’s reign,
- Her lewd and riotous Fancy fed
- At Killigrew’s debauchful scene,
- While hapless Otway pined for Bread.
-
- Thus the sweet Lark shall sing unheard,
- And Philomel sit silent by;
- While every vile and chattering bird
- Torments the grove with ribald cry.
-
- And see what witless Bards presume
- With buskin’d fools to rhyme and rage;
- While Mason’s idle Muse is dumb,
- And weary Garrick quits the Stage.
-
-[17] Personification of the passions in the moralities.
-
-[18] Gammer Gurton’s Needle is the oldest English comedy; the distress of
-it arises from the loss of the needle, which at last is discovered in her
-man Hodge’s breeches.
-
-[19] There were no plays of any note before Shakspeare.
-
-[20] The custom of that time, for fear of hearing indecencies, otherwise
-too gross to be supported.
-
-
-
-
-ON TWO PUBLICATIONS, ENTITLED EDITIONS OF TWO OF OUR POETS.
-
-
- When Critic Science first was known,
- Somewhere upon the Muse’s ground
- The PRUNING KNIFE OF WIT was thrown;
- Not that which Aristarchus found:
-
- That had a stout and longer blade,
- Would at one stroke cut off a limb;
- This knife was delicately made,
- Not to dismember, but to trim.
-
- With a short harmless edge a-top,
- ’Twas made like our prize-fighting swords;
- Pages and Chapters ’twould not lop,
- But cut off syllables and words.
-
- Well did it wear; and might have worn
- Full many an age, yet ne’er the worse;
- Till Bentley’s hand its edge did turn
- On Milton’s adamantine verse.
-
- Warburton seized the blunted tool,
- Scarce fit for Oyster-opening Drab:
- For Critic use ’twas now too dull,
- But tho’ it would not cut, ’twould stab;
-
- Then Shakspeare bled, with every friend
- That loved the Bard:—he threaten’d further;
- And God knows what had been the end,
- Had not Tom Edwards cried out “Murther!”
-
- Confounded at the fearful word,
- Awhile he hid the felon steel;
- Now gives it Mason, lends it H—;
- Ah! see what Gray and Cowley feel!
-
-
-
-
-THE SPLEEN.
-
-
- I am not of their mind who say
- The World degenerates every day;
- Nor like to hear a churl exclaim,
- In rapture at Queen Bess’s name,
- And cry, “What happy times were those
- “When Ladies with the sun uprose,
- “And for their breakfast did not fear
- “To eat roast-beef and drink strong-beer!
- “Then buxom health and sprightly grace
- “Enliven’d every blooming face,
- “Blooming with roses all its own;
- “And rouge, tea, vapours, were unknown.”
-
- Nature, still changing, still the same,
- Hath so contrived this worldly frame,
- That every age shall duly share
- The good or ill that flows from Her.
- Thus we, a spleenful race, are free
- From magic and from sorcery;
- While those who lived with good Queen Bess
- (As they that know the truth confess)
- Tho’ Spleen and Vapours there were none,
- Had Imps and Witches many a one;
- And he who, ’cause he has not seen,
- Will not believe, hath ne’er, I ween,
- With due attention mused upon
- Thy page, O BRITISH SOLOMON!
-
- Thus far in preface—Now I’ll tell
- How Spleen arose, when Witchcraft fell.
- By vengeful laws the Wizard brood
- Long harass’d and at last subdued,
- Their black Familiars all repair
- Before the throne of Lucifer,
- With sad petitions, setting forth
- Their many grievances on earth,
- What torments they were doom’d to bear
- While tending on their Witches there:
- Some drown’d, to prove their innocence,
- Or, ’scaping, hang’d on that pretence;
- Some burnt within their steeple hats,
- Some nine times murder’d in their Cats:
- Brief, they petition’d to enjoy
- Some less adventurous employ,
- Since witchcraft now was thought so common
- They were not safe in an old woman.
-
- Their suit was granted—up they came
- New-liveried in sulphur flame,
- With licence thro’ the realm to range;
- But, with their pow’r, their name they change.
- Magic no longer now is seen,
- And what was Witchcraft once, is Spleen:
- Yet still they most delight to vex,
- As first they did, the female sex;
- And still, like an old witch’s charm,
- They tease, but have no power to harm.
-
- Tho’ Doctors otherwise have told,
- The tale is true that I unfold:
- And with my system suits the name,
- For Spleen and Vapours are the same;
- And all the country people know
- That these, ascending from below,
- Are DEVILS of peculiar hue,
- And from their colour call them BLUE.
-
-
-
-
-LINES WRITTEN WITH A PENCIL IN A LADY’S ALMANAC.
-
-
- Go happy lines, yet fearful go,
- To meet Louisa’s secret eye!
- Tell what I wish her heart should know,
- Yet, rather than declare, I die.
-
- Perhaps she’ll scorn ye, and despise
- The tribute of a heart so poor—
- Too valueless to be the prize
- Of Beauty, proudest conqueror.
-
- Then tell her that her touch alone
- Destroys your pencil’d forms with ease;
- And say your fate is like my own,
- To be or not, as she shall please.
-
- But should her gentleness now spare,
- Pass one short year, and ye are not!
- A little year shall send you where
- You’ll perish among things forgot;
-
- Yet so, how envied should you be!
- For who is he would not prefer
- Before an immortality,
- To live a year, a day with Her?
-
- I fear she’ll turn ye all to jest:
- Then let her know I’ve made my prayer,
- That, when by beaux, smart beaux, carest,
- She ne’er may feel a tender care!
-
- But while they sigh, or kneel, or vow,
- Think it all done in sport and play;
- Or write love-rhymes (as I do now),
- Laugh, but not trust a word they say.
-
-
-
-
-TO A YOUNG GENTLEWOMAN, WITH THOMSON’S SEASONS, DOUBLED DOWN AT THE STORY
-OF PALEMON AND LAVINIA.
-
-
- Anna, when you shall read in this true tale
- How young Lavinia from her lowly state
- Was led to splendor, wealth, and dignity,
- By generous Palemon wooed and won
- To be his bride, (such happy fortune found
- Her virtues, and deserved no less)—so think
- Your beauty, temper’d with sweet bashful grace
- Of modesty and native elegance,
- So think these charms—not sparingly bestow’d
- But in the pride and prodigality
- Of liberal Nature, fashioning her work
- To a rare excellence,—these shall inflame
- Each generous heart with love, and the dear hope
- To win your gentle favour, and possess
- A lovelier Lavinia found in you.
-
-
-
-
-SONNET.
-
-
- Ah! where is hid, if still it may survive
- The canker’d tooth of Age and Time’s despight,
- Ah! where is hid that Orb of glass so bright,
- That Merlin for King Ryence did contrive;
- That wond’rous Orb so bright, wherein did live,
- Or ever Time had brought them into light,
- The forms of things unborn, which to the sight
- Its high-enchanted power would strangely give!—
- For Hope, with counterfeit of this true Glass,
- Doth so beguile the lover’s easy mind,
- Still turning it to Fancy’s idiot eye,
- That Reason’s self forgets her majesty
- To join the gaze; till the fond phantoms pass,
- And Grief and stern Repentance rise behind.
-
-
-
-
-SONNET TO PETRARCH.
-
-
- O for that shell, whose melancholy sound,
- Heard in Valclusa by the lucid stream
- Of laurel-shaded Sorga, spread thy theme,
- Fair Laura and her scorn, to all around
- High-built Avignon, on the rocky mound
- That banks the impetuous Rhone, and like a steam
- From some rich incense rising, to the extreme
- Of desolate Hesperia did rebound,
- And gently waked the Muses:—so might I,
- Studious of song like thee, and ah! too like
- In sad complaint of ill-requited love,
- So might I, hopeless now, have power to strike
- Such notes, as lovers’ tears should sanctify,
- And cold Fidele’s melting sighs approve.
-
-
-
-
-TO A LADY, WHO DESIRED SOME SPECIMENS OF THE AUTHOR’S POETRY.
-
-
- Let not Eliza bid me now rehearse
- The unvalued rhymes that long forgotten lie:
- For all unfit is my rude-fashioned Verse
- To meet the censure of her curious eye:
-
- But for her sake a subject could I choose
- To draw down fame and envy on the Bard,
- Thy lovely Self should be my theme and Muse,
- And thy sweet smile, Eliza, my reward.
-
-
-
-
-EPITAPH ON A CHILD WHO DIED OF A SCARLET FEVER IN THE FIFTEENTH MONTH OF
-HIS AGE. 1802.
-
-
- Though thou wert dear, for lovely was thy form,
- And fair thy mind, and hopeful from thy birth;
- Though sudden was the pestilential storm
- That beat thy tender blossom to the earth;
- For thee we grieve not; certain that the soul
- Yet sinless, bursting from its earthy clod,
- Is borne on angel wings beyond the pole,
- Where infant innocence hath place with God.
-
-
-
-
-EPITAPH ON SIR CHARLES TURNER, BART. IN THE FAMILY MAUSOLEUM AT KIRK
-LEATHAM, YORKSHIRE.
-
-
- Beneath this hallow’d vault, this awful shade,
- Amidst his generous Forefathers laid,
- Lo TURNER sleeps, the latest of his race,
- In prime of manhood given to Death’s embrace.
- Heir of their name, and of their virtues heir,
- His heart was liberal, courteous, brave, sincere.
- Nor that his only praise; his patient mind,
- Cheerful in grief, in agony resign’d,
- Long bore the tedious hours of cureless pain,
- Which Love and Friendship strove to soothe in vain.
- Farewell, dear Consort of my happier days!
- To Thee this duty thy THERESA pays,
- Lamenting still for Thee, ’till fate shall join
- Her kindred spirit and her dust with thine.
-
-
-
-
-LINES WRITTEN AT THE TOMB OF WILLIAM OF WYKEHAM, IN WINCHESTER CATHEDRAL.
-
-
- Wykeham, around thy venerable tomb
- With fond affection still thy children come;
- And tho’ no more the loud-voiced hymn they sing,
- Still silent prayers and heartfelt wishes bring,
- That thy departed Spirit, secure and blest,
- May with the destined heirs of glory rest;
- And, for thy pious bounty here bestow’d,
- Treasure in Heaven may have, and joy in God!
-
-
-
-
-TRANSLATION OF A GREEK INSCRIPTION UPON A FOUNTAIN[21].
-
- Αγροτα συν ποιμυαις, κ. τ. λ. Vitruvius, Lib. 8. c. 3.
-
-
- Shepherd, if thirst oppress thee, while thy flock
- Thou lead’st at noon by this Arcadian spring,
- Here freely drink thy fill, and freely bring
- Around my Naïads all thy fleecy stock:
-
- But in the water wash not, lest thou feel
- Loathing, and strange antipathy to wine;
- Such power it hath to make thee hate the vine,
- E’er since my fount did Prœtus’ daughters heal;—
- For here Melampus bathed them, here he cast
- A spell to purge their madness off, and hold
- The secret taint; what time from Argos old
- To rough Arcadia’s mountain heights he past.
-
-[21] There was a fountain in Arcadia, which had the reputation of
-creating an aversion to wine in whoever happened to bathe in it, although
-the water was innocent and wholesome to drink: and the tradition was,
-that it had received this singular property from Melampus, a celebrated
-physician of antiquity, when he made use of it to cure certain Arcadian
-princesses, the daughters of Prœtus, of a strange species of madness.
-These young ladies fancied themselves to be changed into cows. The story
-is frequently alluded to by the poets; both Ovid and Virgil mention it.
-
-
-
-
-FROM LUCRETIUS.
-
- sæpius olim
- Religio peperit scelerosa.—Lib. I. v. 83.
-
-
- Yet Superstition has of old brought forth
- More impious wickedness; witness that time
- In Aulis, when at Dian’s temple met
- Th’ associate Princes, Chiefs, the prime of Greece,
- And stain’d her altar with the virgin blood
- Of Iphigenia: o’er her youthful locks
- They bound the fillets; on her cheeks she felt
- The dress of sacrifice: but when she saw
- Beside the altar her dear father stand
- In sorrow, and for his sake the ministers
- Hiding their knife, and all the assembly round
- Weeping at sight of her; when this she saw,
- Struck mute with terror, on her knees she sunk.
- Ah! then in vain she called upon her king,
- Her father, urged him by a parent’s love
- To save his wretched child; while ruthless hands
- Bore her all trembling to the altar’s base;
- Not for her nuptials, not for holy rites
- Of Hymen, tended on with dance and song;
- But for a foul and bloody sacrifice.
- So fell this chaste and tearful victim, slain
- Ev’n in her marriage hour; and all to free
- Their wind-bound Navy from the fancied let
- Of adverse Deities, to such a guilt
- Could Superstition prompt a father’s heart.
-
-
-
-
-FROM LUCRETIUS.
-
- Suave, mari magno turbantibus.—Lib. II. v. 1.
-
-
- Sweet is it, when the stormy winds have roused
- The boisterous ocean, from on shore to view
- The toiling mariner; not that the pain
- Of others gives us pleasure, but for that
- To see what ills we ’scape ourselves is sweet:
- And it is sweet, when armies on the plain
- Array’d for battle join in mortal strife,
- To stand aloof from danger and look on:
- But nothing sweeter is, than all serene
- In the strong towers of wisdom high to dwell,
- And thence look down upon the wandering race
- Of men, that vainly seek the path of life;
- Vying in genius, or nobility;
- With unabated labour, night and day
- Striving to rise supreme in wealth or power.
-
-
-
-
-FROM LUCRETIUS.
-
- Avia Pieridum peragro loca.—Lib. IV. v. 1.
-
-
- Pierian heights, the Muses’ trackless haunts
- And wilds untrodden erst by mortal feet,
- O’er these I wander, haply there to find
- New flowers and fountains new; I love to drink
- Of the pure stream fresh-welling, and to cull
- A wreath of orient hues and odours rare,
- Whence never poet yet his chaplet wove.
-
-
-
-
-PSALM LXXII. ABRIDGED, AND ADAPTED[22] TO A PARTICULAR TUNE.
-
-
- Lord, to the King thy judgments give,
- Give to his Son thy righteousness:
- So shall thy people safely live,
- So he thy chosen flock shall bless.
-
- Great his dominion, large his sway
- O’er earth and ocean shall extend:
- Him shall remotest isles obey,
- Him the wide sea from end to end.
-
- War and the battle then shall cease,
- Then righteous men in favour stand;
- Peace shall return, a lasting peace;
- Plenty again shall store the land.
-
- While He, with choicest blessings crown’d,
- Long on his throne shall sit sublime;
- Honour’d by all the nations round,
- Honour’d by Kings of every clime.
-
- Blest be our God for these fair days,
- These happy days that rise again!
- O may his glorious name and praise
- Fill all the earth! Amen, amen.
-
-[22] By adapted, is here meant, partly, that the accented syllables in
-the verse coincide with the accented notes of the tune.
-
-
-
-
-MIDNIGHT DEVOTION.
-
-WRITTEN IN THE GREAT STORM, 1822.
-
-
- When the storm’s increasing roar,
- In the fearful hour of night,
- And the blast that rives my door
- Start the sleepers with affright;
-
- While the fierce descending rain
- And the warring winds of heaven
- All embattled rush amain
- On my fragile window driven;
-
- I, for those who bide this pelting,
- Breathe a prayer of charity,
- And, my soul with pity melting,
- Heavenly Father, call on Thee.
-
-
-
-
-SILBURY HILL[23].
-
-
- O thou, to whom in the olden time was raised
- Yon ample Mound, not fashion’d to display
- An artful structure, but with better skill
- Piled massive, to endure through many an age,
- How simple, how majestic is thy tomb!
- When temples and when palaces shall fall,
- And mighty cities moulder into dust,
- When to their deep foundations Time shall shake
- The strong-based pyramids, shall thine remain
- Amid the general ruin unsubdued,
- Uninjured as the everlasting hills,
- And mock the feeble power of storms and Time.
-
-[23] Silbury Hill is a Barrow of the largest size. It stands close by the
-road from London to Bath: 80 miles west from Hyde-Park Corner.
-
-
-
-
-TO THE DAISY.
-
-
- Gentle flower, young April’s pride,
- Say not Nature hath denied
- Thee her bounty or her grace,
- Though thou lack the Rose’s face.
-
- Where she spreads her carpet green
- There thy maiden form is seen,
- Drest in robes of purest white,
- Ever constant in her sight,
- But at will to wanton wild,
- Like a playful darling child.
-
- Thee she tends in summer days,
- And the nibbling ewes that graze
- Spare to crop her favourite:
- And the Fairies, when by night
- Their green paths they quaintly tread,
- Walk not o’er thy sleeping head.
-
-
-
-
-FRAGMENT.
-
-
- King Richard in the gray Tower sate,
- Captive of Austria’s haughty Lord,
- In a strange land, unhonour’d, unexplored,
- To felon durance changed his royal state.
- Pale was his haggard eye,
- And sunk his cheek, to stern captivity
- In all—all but in his Lion heart subdued:
- He sate in melancholy solitude,
- And sadly gazed upon the setting sun,
- As down the heavenly road,
- That all with purple glow’d,
- It wested toward his realm of Albion.
-
-
-
-
-FROM PURCHASE’S PILGRIMAGE, VERSIFIED AND DESIGNED AS A MOTTO TO “VOYAGES
-FOR THE DISCOVERY OF A N. W. PASSAGE.”
-
-
- How shall I admire
- Your courage, ye marine Adventurers?
- Worthies, beyond all names of worthiness!
- Who can endure alike the Sun so long
- Present or absent; and without a dread
- Encounter foggy mist, tempestuous sleet,
- Cold blasts, with snows and hail in th’ frozen air,
- And those unequal seas which might amaze
- All ears and eyes, yea, and make Neptune’s self
- To quake with chilly fear when he beholds:
- When his huge Monsters, Icy Isles, disdaining
- His sovereignty, and the Sun’s hot violence,
- Muster upon those watery plains, for war,
- Continual war; and wheresoe’er they rush
- Make winds and waves give back, till, in the shock,
- Crashing and rending their congealed sides,
- They split themselves with their own massiness.
-
-
-
-
-FRAGMENT.
-
-
- But who is He shall put his daring hand
- To Love’s mysterious Harp, and with rude touch
- Discordant violate the silver string
- Whose note is sweeter than the balmy South
- Impregn’d with soft Æolian harmony!
- The Song of Love is like an Angel’s voice
- Attuned to heavenly music; and once heard
- On this Terrestrial; when the Bard of Thrace
- Bewail’d his lost Euridice, it drew
- The wild Inhabitants to hear his Lyre;—
- Yea savage Beasts and Things inanimate
- To listen to his dulcet melody:—
- Such power is in the magic sounds of Love.
-
-
-
-
-THE RAPE OF PROSERPINE.
-
-
- O for the thousand flowers that erst did bloom
- In that Sicilian Valley wild,
- Where golden Ceres left her Child
- Conceal’d from all the Sons of Jove,
- So to elude th’ inevitable doom
- Of Fate, and stronger Love!
- In vain.—The grisly Monarch of the Dead,
- Stern Dis, uprears his gloomy head
- Mid the black smoke and ruddy flames that wrap
- Around old Ætna’s smould’ring top;
- There, as the wandering Nymph he view’d,
- Awhile in blank amaze he stood
- Till Love to fury roused his blood.
- He call’d his ebon Car and Steeds of fire:
- They came, and with the headlong torrent’s speed
- Down to the lily-spangled mead
- They bore their mighty Sire:
- Swift in his arms the fainting Maid he took,
- Then drove impetuous on, while all Sicilia shook.
-
-
-
-
-SONNET.
-
-
- O thou, to whom my heart (no longer mine)
- Doth yield itself a captive love-subdued;
- Fair goodly frame of Nature’s work divine
- To inchase the gem thy mind more fair and good,
- Let not thy scorn pursue the Muse’s Son,
- For gentle is his mind, and pure his flame,
- And for thy love he shall inscribe thy name
- Among those Fair whose peerless beauty won
- Renown from ancient bards, on harp and lyre
- So sweetly sounded, that the wondering Earth,
- Thro’ all her climes, yet listens to the strain.
- O meekly-blooming Flower, if on thy birth
- Soft Pity shed her dew, quench not his fire,
- Quench not his hallow’d fire with cold disdain.
-
-
-
-
-SONG.
-
-
- When PHŒBUS, for what crime unknown,
- Was exiled from the Courts of Jove,
- And to this earth came mournful down,
- Of all things else bereft, but love;
-
- (For that pure Fire feels not the storms
- That shake or change this worldly frame;
- Immortal as the soul it warms,
- It burns in unextinguish’d flame—)
-
- His fingers to the lyre he turn’d,
- Then all with chords of sorrow strung;
- The lost delights of heaven he mourn’d,
- But more her loss, for whom he sung:
-
- He sung so sweetly that the strain
- Drew pity from the gods above;
- They call’d the wanderer back again,
- And gave the MUSE to crown his love.
-
-
-
-
-SONG.
-
-
- To thy cliffs, rocky SEATON, adieu!
- And adieu to the roar of thy seas!
- And adieu to the Girl, whose insensible heart
- Is as hard and as sullen as these!
-
- Forget the fond echoes you heard!
- Forget my fond hope and my strain!
- My strain is neglected and dead is my hope:—
- But you never shall hear me complain——
- To thy cliffs, rocky SEATON, adieu!
-
-
-
-
-SONG.
-
-
- Gentle Stream, whose wild meanders
- Cheer the birds and feed the flowers,
- While by thee Amelia wanders,
- Wilt thou soothe her pensive hours?
-
- If the world were at my bidding,
- Music should her steps attend,
- And where’er her feet were treading,
- Flowers should bloom, and sweets ascend.
-
-
-
-
-SONG.
-
-TO A LADY GOING TO HER FAMILY IN IRELAND.
-
-
- Will you go, Mary, from me?
- Is it choice, or love or duty,
- That you trust your worth and beauty
- Upon the stormy Sea?
-
- Can you hope, Mary, to find,
- Tho’ you rove the wide world over,
- Friends so true, so fond a Lover,
- As you leave here behind?
-
-
-
-
-TO THE SUN.
-
-
- O Thou whose inextinguishable eye
- Now sleeps beneath the ocean stream,
- Whether the star of morn shall call thee forth
- To pour thy rich and fiery beam
- Through the wide arch of an unclouded sky;
- Or whether the rude North
- Shall o’er thy head his showery mantle cast,
- Making the dank earth shiver at his blast;
- Welcome alike to me! the genial day
- That gave my fair Eliza birth
- Needs not thy gaudy smile to make it glad:
- Still cheer the spleeny race of earth
- With the warm lustre of thy fostering ray;
- On me in vain are shed
- Thy beams and unregarded, while I prove
- The dearer influence of Her smiles and love.
-
-
-
-
-SONG.
-
-
- Artless words of unfeign’d passion
- With harmonious numbers join’d,
- Soothly try your soft persuasion
- On Eliza’s gentle mind!
-
- For her ear alone intended,
- Other censure nought regard:
- If by her you are commended,
- ’Tis enough for your reward.
-
- But why thus you seek to move her
- Strive not further to explain!—
- If her heart will not discover,
- You or I should tell in vain.
-
-
-
-
-TO A LADY, FORTUNE-TELLING WITH CARDS.
-
-
- Dear Nancy, if you wish to know
- What Fate reserves in store for you,
- Ask not the idle cards to show,—
- I’ll tell as wisely, and as true.
-
- For I will take a magic Book
- Of characters divinely fair;
- Upon thy lovely Self I’ll look,
- And read, dear Girl, thy fortune there.
-
- By those love-darting Eyes I find
- How many hearts their empire own;
- I see the sweetness of thy mind
- That keeps the hearts those eyes have won.
-
- Yet none among so many hearts,
- Nor any you shall yet subdue,
- Should you join all their better parts,
- Can make a heart to merit you.
-
- Now, shall I look into your breast
- And see what Heart is favour’d there?—
- No,—be that fatal Truth suppress’d,
- Lest I should sink in my despair!
-
-
-
-
-EPIGRAM.
-
-
- From two domestic acts of pious zeal
- Learn what calamities sad mortals feel.
- When Lord GEORGE GORDON of the Pope afeard,
- (That was before he show’d a Jewish beard)
- When he his Whiggish Mob had raised, they fly
- On poor Lord MANSFIELD’S harmless Library.
- Then were his legal Writings, precious store,
- Burnt, or dispersed as Sibyl’s leaves of yore.
- Twelve years elapsed from that disastrous tide,
- And lo! another storm from t’other side!
- In vengeance on their Presbyterian foes
- The loyal Mob of Birmingham arose;
- And as their zeal for _Church and King_ grew hot,
- All PRIESTLEY’S books and papers went to pot.
- Losses like these till then we never saw;
- Priestley’s Divinity and Mansfield’s Law.
-
-
-
-
-ON TWO ENGLISH POETS, WHO FLOURISHED IN THE FORMER HALF OF THE LAST
-CENTURY, AND PUBLISHED COMPLIMENTARY VERSES ON EACH OTHER.
-
-
- Edward, thy Ode’s too long by half,
- Stephen’s Reply might spare a quarter:
- Now, in my judgment, Stephen’s song
- Is as much better, as ’tis shorter.
-
- Edward declares, though Milton’s lines
- Rise to an unexampled height,
- That, in heroics, Stephen shines
- Like Milton, and almost as bright.
-
- Stephen for quittance makes reply,
- That nothing in the world could hinder
- (Except his native modesty)
- Edward from taking place of Pindar.
-
- Stephen and Edward all this while
- Are lying to each other’s face;
- Edward can do ’t in bolder style,
- But Stephen with a better grace.
-
-
-
-
-VERSES TO THE HONOUR OF THE LONDON PASTRYCOOK, WHO MARKED “NO POPERY” ON
-HIS PIES, &C.
-
-
- I’ll sing the praise of Mr. B⸺,
- Whose Pastry, watchful for the Church,
- Whene’er it sees, or fears, a Plot,
- Starts from his counter, piping hot,
- To warn us of the dire intent,
- And, like himself, is eloquent.
- Pale Biscuits and stout Gingerbread
- Th’ alarm of danger widely spread;
- Then quaking Custards join the cry,
- And Tartlets squeak, “No Popery!”
-
- Defender of the Faith! rare Cook,
- Who mak’st thy Pastry-shop a Book
- As formidable, and much more read
- Than that which our eighth HENRY made,
- Whose Church-of-England oven bakes
- Protestant Appletarts and Cakes!
- Children that feed upon thy Pies
- Grow in religion as in size;
- While, often as their mouths they ope,
- They chew destruction to the Pope.
-
- Fame shall desert th’ ingenious Quaker
- To celebrate our Cross-bun Baker;
- Whose willing Pupils, apter far
- Than all the school of Lancaster,
- Shall read, and eat, his name enroll’d
- On Cakes of Gingerbread in gold.
-
-
-
-
-ON THE FUNERAL OF ⸺, IN A HEARSE AND SIX, FOLLOWED BY A MOURNING COACH
-AND FOUR.
-
-
- What, SAVE-ALL in a Hearse convey’d!
- And _six_ brave Nags to draw _the Dead_!
- ’Tis ruin!—Why, ’tis more by _five_
- Than e’er convey’d him while _alive_.
- And look, what follows!—more and more
- Profusion, in a _Coach and Four_!
-
- Such waste of what thou liv’dst to save,
- Might break the quiet of thy Grave.
- In what slow pomp the Rogues advance,
- Courting, as ’twere, Extravagance!
- O! the vast charge of every night!
- They revel, and set nothing by ’t;
- But give to have thee lie in state,
- More than thou e’er paid’st there for meat.
- What else?—their dead and useless load
- They carry on the _Turnpike_ road,
- Paying—but they care nothing, they,
- How many Gates there be to pay.—
- Plague on the Gates! how thick they are!
- Five pounds will soon be squander’d here.
- Another—and another yet!
- And _Half-a-crown_ at every Gate;
- Those Gates which thou didst alway shun,
- To save thy _Pence_ from every one.
- Alas! this needless cost is more
- Than all th’ extravagance before!
- To stop such charge, at least, arise
- And show them—where the _Bye-way_ lies!
-
-
-
-
-PARODY ON DRYDEN’S “THREE POETS,” &c.
-
-
- Three Poets, born in different lands and ages,
- Three different Heroes took to grace their pages:
- The first, a Buonaparte, fierce to fight;
- The next, a Methodistic Hypocrite:
- No human character combined more evil,
- So Milton for his Hero took the Devil.
-
-
-
-
-EPIGRAM.
-
-
- When first the Devil came in Milton’s view
- A swindging Tail[24] upon his rump there grew:
- But when in Pandæmomium he appears
- How alter’d is his form! no tail he wears.
- Such difference in that Personage is seen
- As Milton by himself perceived, between
- His full-grown Epic and his stripling Ode—
- His tadpole Devil had become a Toad.
-
-[24]
-
- ——th’ old Dragon—
- ——wroth to see his kingdom fail,
- Swindges the scaly horror of his folded tail.
- _Ode on the Nativity._
-
-
-
-
-
-AN EXPOSTULATORY SUPPLICATION TO DEATH, AFTER THE DECEASE OF DR. BURNEY.
-
-
- Thou Trojan Death! thou worse than Trojan foe
- To English Greeks, the best of Greeks we know!
- In three we boasted; three we had of late,
- Rare Burney, matchless Porson, and the great
- ΤΟΝ ΔΕΙΝΑ, props and pillars of our state;
- Two thou hast ravish’d from us; and the land
- Watches in anxious fear thy threat’ning hand.
- Two thou hast ravish’d, but we can’t resign a
- ΤΟΝ ΔΕΙΝΑ yet awhile,—O spare ΤΟΝ ΔΕΙΝΑ.
-
-
-
-
-ON THE DECEASE OF HORNE TOOKE.
-
-
- Horne Tooke is gone—rejoice and sing,
- Ye Placemen, and ye Tools of a King!
- He is gone!—then be his faults forgiven,
- And let us hope he’s gone to Heaven.
- That is a prayer you ought to make
- If not for love, for interest’ sake;
- For should he go to t’other place,
- Think how he’ll plague your hireling race.
-
-
-
-
-INSCRIPTION FOR THE GRANITE SARCOPHAGUS BROUGHT FROM ALEXANDRIA TO THE
-BRITISH MUSEUM.
-
-
- This was the tomb of Alexander,
- The Macedonian great Commander,
- Who dealt about his killing blows
- Alike among his friends and foes:
- Who went on plundering, burning, stabbing,
- Carouzing, catamiting, drabbing,
- Kept a Castrato[25] for his punk,
- And died[26] heroically drunk:
- And if at last he went to hell,
- I warrant he deserved it well;
- Whate’er is said by flatt’ring Mitford,
- Who thinks he is gone to heav’n, and fit for ’t.
-
-[25] Q. Curt. b. x. c. 3. &c.
-
-[26] Athenæus, b. 10. c. 9. p. 434. Αλεξανδρος λαβων (το ποτηριον)
-_εσπασε_ μεν _γενναιως_,——εκ τουτου νοσησας απεθανε. Alexander took the
-cup, and _pulled nobly_ at it.
-
-Mem. It held near a gallon, and he had emptied it once already.
-
-
-
-
-INSCRIPTION FOR A STATUE OF FIELD-MARSHAL SUWOROW.
-
-
- This was a Warrior of renown,
- A Hero bred, and born to kill;
- Who scrupled not to shed his own[27],
- When he lack’d other blood to spill.
- And often would he turn his arms
- On those within his bosom bred,
- And quell by fire the mighty swarms[28]
- That with his life-blood he had fed.
- His person, cover’d o’er with glory,
- In truth was little clean or nice;
- And ’tis a question in his story,
- Whether he kill’d more men[29] or lice.
-
-[27] It is related of him, that in his march to the attack of Oczakow,
-he proceeded with such rapidity at the head of his men, that they began
-to murmur at the fatigues which they endured. The marshal, apprised of
-the circumstance, after a long day’s march, drew up his men in a hollow
-square, and addressing them said, that “his legs had that day discovered
-some symptoms of mutiny, as they refused to second the impulses of his
-mind, which urged him forward to the attack of the enemy’s fortress.”
-He then ordered his boots to be taken off, and some of the drummers
-to advance and flog his legs, which was done till they bled very
-considerably. He then put on his boots very coolly, expressing his hope
-that his legs would in future better know how to discharge their duty.
-His army afterwards marched on without a murmur.
-
-[28] Suworow affectoit beaucoup de simplicité et de rudesse. On le voyoit
-quelquefois ôter sa chemise au milieu des Cosaques, et la fain chauffer,
-en disant que c’étoit _pour tuer ses poux_. Vie de Catherine II. tome ii.
-p. 373.
-
-[29] The number of men slaughtered by this hero was at the rate of more
-than thirty a week, reckoning from the day of his birth to the age of 69
-years, according to the account given in the history of his campaigns, by
-Frederic Anthing.
-
-
-
-
-ON FIELD-MARSHAL SUWOROW. A DIALOGUE.
-
-
- _A._ This Hero, though delighting much in blood,
- Was yet a tender-hearted creature.—_B._ Good.
-
- _A._ Without remorse he slaughter’d Turk and Pole,
- But still his nerves were very weak.—_B._ Poor soul!
-
- _A._ And he became a prey to grief, for why,
- His master frown’d upon him.—_B._ O fie! fie!
-
- _A._ Unkindness did his gentle heartstrings crack,
- And so the Hero came to an end.—_B._ Good lack!
-
- _A._ That one so valiant and so meek, is’t fit he
- Should go at last to the devil?—_B._ What a pity!
-
-
-
-
-ON F. W. THE KING OF PRUSSIA’S INEFFECTUAL ATTEMPT ON WARSAW.
-
-
- When Frederic, when the Usurper turn’d
- With baffled arms and insolence abash’d,
- From fearless Warsaw’s radiant walls,
- (For, crested with the Sons of Liberty,
- Then stood they fearless and secure,)
- No less than was that mount in Israel once,
- Where Angels rode in fiery guard
- Around the Prophet[30]. Ever such defence
- Be made for freedom, and usurpers
- Abated and confounded in their pride,
- As Frederic now! He, when he turn’d,
- Thus gave mad utterance to his spleeny mood:—
- This royal merchandise of war
- That wont to bring towns, cities, provinces,
- To kings for profit, is become
- A losing trade, or only serves to enrich
- My shrewder neighbours, they who fight
- In quarrels not their own, and wisely sell
- The lives, unprofitable else,
- Of their obedient multitude: but I,
- Cursed be the hour I did so, I
- Who had the wealthiest of the world my dupe,
- England, to pay me lavish hire
- For service ne’er perform’d, must needs, O fool!
- To this most perilous venture run
- On mine own credit: therefore am I made
- A very bankrupt; all my hopes
- Of victory, dominion, fortune, fame,
- All ruin’d, and my royal word,
- My promises and threats alike held vile
- As the vain Brunswick’s menaces,
- Horrible once, now laugh’d at and despised.
- For who now fears me, or believes?—
- But let me from this ruinous assault,
- With what is left me, safe retire,
- And I will yet regain the credulous ear
- Of Her, whose unexhausted wealth
- Exceeds all measure but her easy faith,
- Good England:——O that I were now
- In England, with my royal Brother there,
- Giving a false alarm in jest
- To Weymouth town, and Buckinghamshire Captains[31].
-
-[30] “And when the servant of the man of God was risen early, and gone
-forth, behold, an Host compassed the city both with horses and chariots.
-And his servant said unto him, Alas, my master! how shall we do? And he
-answered, fear not; for they that be with us are more than they that be
-with them. And Elisha prayed, and said, Lord, I pray thee, open his eyes,
-that he may see. And the Lord opened the eyes of the young man, and he
-saw: and behold, the mountain was full of horses and chariots of fire
-round about Elisha.”—2 Kings, ch. vi. v. 15, &c.
-
-[31] About the commencement of the war in 1793, the late king used to
-visit Weymouth for some weeks of the summer, when the Buckinghamshire
-militia attended his majesty as a guard of honour. It was during one of
-these visits that this military occurrence is reported to have taken
-place.
-
-
-
-
-POLITICAL ADVICE TO THE MEMBERS OF THE FRENCH CONVENTION. A DIALOGUE.
-
-
- “Messieurs of the Convention, Gentlemen!
- “Hav’n’t ye rebell’d against your sovereign?”—“Stuff.”
- “Deposed him?”—“Nonsense.” “Murder’d him?”—“What then?”
- “Usurp’d his place and kingdom?”—“Like enough!”
-
- “Hav’n’t ye bullied Princes far and near,
- “Encroach’d upon your neighbours, ’gainst all Law?
- “Without Religion, Honour, Faith, or Fear,
- “Sworn and forsworn yourselves?”—“O, ça ira.”
-
- “Nay, Gentlemen, I speak not to upbraid:
- “Rather, I’d say, you seem to need a spur:
- “Hav’n’t ye still some object of your dread,
- “Some innocent young Prince, your prisoner?
-
- “Poison him—stab him—put him out o’ th’ way—
- “Is that so monstrous?—Nay, you have a pattern:
- “Do as I bid you, then stand up, and say,
- “We are now upon a par with Royal Kattern.”
-
-
-
-
-WRITTEN WHEN BUONAPARTE WAS ALTERING THE GOVERNMENTS OF GERMANY.
-
-
- The Madman thought that he did climb
- Over the wall which bounds the universe;
- And there he saw how father Time
- Out of old Moons was busy cutting Stars.
-
- Thus o’er our globe Napoleon,
- As if old Time had lent him scythe and wings,
- Speeds and destroys, and for his fun
- From waning Emperors cuts out little Kings.
-
-
-
-
-SUGGESTED BY READING DRYDEN’S BRITANNIA REDIVIVA,
-
-_A Poem on the Prince, born on the 10th of June, 1688._
-
-
- When James the Second took his second spouse,
- The royal couple (as their Church allows)
- T’ obtain a son and heir devoutly pray’d,
- And call’d on many a popish saint for aid;
- By costly gifts and vows they sued to gain
- Th’ inestimable boon, nor sued in vain:
- A son was given; and as the story ran,
- Their saints convey’d the blessing in a warming-pan.
-
- And now th’ expected babe, howe’er it came,
- Was theirs; but living yet without a name.
- Why to this Child of prayer, this boon of Heaven,
- A name appropriate was not sooner given;
- What moved the royal sire to make delay,
- In such a case, ’tis difficult to say.
-
- Dryden suggests—go, read him if you doubt it,
- There was some brawl among the Saints about it.
- Good gracious folks, they could not yet agree;
- Each eager that the name his own should be:
- He thinks some wanted—but I dare not, I,
- Repeat what follows of the irreverend lie.
- Yet since I have curtail’d that Flatterer’s fable,
- I’ll piece it with another as I am able,
- And tell you the result of this celestial squabble.
-
- There stood an ancient One among the herd,
- Who took no part, nor utter’d yet a word;
- He seem’d not much acquainted with the rest;
- His port was manly, simple was his vest,
- And veil’d his head: but now he silence broke,
- And thus in slow and sober tones he spoke.
-
- “The Babe, your present care, shall have a name
- That all his life will follow him with shame.
- Both He, and whomsoe’er he shall engender,
- Will be deem’d spurious, and be call’d Pretender.”
-
- His words the saintly synod fill’d with rage,
- Nor felt they reverence for his rank or age;
- But with ungovernable fury big,
- Call’d him Apostate, Protestant, and Whig.
- Calm and composed, their cries awhile he bore,
- Nor deign’d to make defence, nor utter’d more,
- But, casting off his veil, naked he stood,
- And TRUTH’s resplendent form abash’d they view’d.
-
-
-
-
-SUCCESSION.
-
-
- After a bad oft comes a worse;
- Evil on evil, curse on curse:
- So James to Charles succeeds, who fitter?
- Of a French Popish mother’s litter
- This was the next and favourite whelp;
- He with Judge Jefferies’s help,
- A fell-fang’d lurcher, hot for blood,
- The gallant Algernon pursued;
- Hamper’d him basely in a Coop,
- Then ran him down, and cried whoo-whoop!
- But though so fierce to treat this man ill,
- His Jesuits used him like a spaniel;
- Rated him soundly, or carest,
- As served their ends and purpose best,
- Which not long after to his cost
- He felt, his crown and kingdom lost.
- Ev’n then these Masters gave not o’er,
- But taught him lessons as before;
- How he might render Heaven his debtor,
- And earn another crown and better:
- Told him, ’twas highly meritorious
- To exalt the Pope, and kill old Glorious:
- That what he did t’avenge his Father,
- He might do for himself, and rather.
- So with his Priests and his Assassins,
- By machinations, plots, compassings,
- He struggled long against hard odds
- To advance the Devil’s cause and God’s.
- Hopeless at last, his means all spent,
- He died a Murderer and a Saint.
-
-
-
-
-EPIGRAM.
-
- Ille Crucem sceleris pretium tulit, Hic Diadema.
-
-
- Good people of England, ’tis fit you should note
- What you get, or may suffer, for bribing a vote;
- And for an example we’ll bring to your view
- An Irish Lord and a Baronet Jew;
- The Jew and my Lord in a similar case—
- One pays a great fine, t’other holds a great place:
- My Lord is bedeck’d with a Ribbon and Garter,
- The Jew is in Jail for two years, lack a quarter.
- And now we’ll compare, if you please to allow us,
- The Jew in his Jail, with my Lord in the House:
- The Jew is surrounded by Felons and Debtors,
- And my Lord by some folks who are little their betters.
-
-
-
-
-ON THE INCREASE OF HUMAN LIFE.
-
-
- Fate deals out human life by seven-year spaces:
- Time was you would be thought in her good graces
- With nine of these; when David lived ’twas ten;
- If more She gave, ’twas only now and then,
- A few cold years of winter, and the last,
- Tho’ charged with toil and sorrow, quickly past.
- But in our age more bounteous Fate appears,
- And often grants a dozen-fold seven years;
- Nay, be but still and temperate like the Quakers,
- Perhaps she’ll make your dozen up a baker’s.
-
-
-
-
-ODE TO THE KING OF FRANCE. 1823.
-
-
- What moves thee, Louis, to forego
- The quiet of thy peaceful reign?
- Why challenge a reluctant foe,
- Rushing to war, war unprovoked, again?
- Examine well thine own estate,
- And check thy hostile march before it be too late.
-
- When first thou wert an exile from thy home,
- Unbroken was thy strength, thy health not wasted;
- But couldst thou now endure to roam,
- When both thy health and strength thou hast outlasted?
- With peace and plenty to thy throne restored,
- Perchance thou deem’st thyself adored:
- Thou seest around thee subjects bending low;
- But should misfortune now return,
- Be sure thou soon shalt know
- Thyself their hate, and all thy race their scorn.
-
- Where are thy men-at-arms, they, once who moved
- So lively at the warlike trumpet’s call?
- And where their chiefs, thy mareschals all,
- Heroes in many a glorious battle proved?—
- In stern repose each warrior lies.
- As flowers that all the darksome night
- Close themselves up, until the day-star rise,
- Then ope, and turn, as worshipping his light:
- So these, in sullen slumber now reclined,
- May soon awake, when thou shalt find
- Their worship and their service turn’d and gone,
- Toward their own day-star, the young Napoleon.
-
- And darest thou, presumptuous, now demand
- That Heaven shall speed thy mad career
- To spoil an unoffending land?
- And darest thou hope that Heaven will hear?
- Believe it not:—but for thyself beware;
- And learn to moderate thy prayer:
- Pray that kind Heaven will condescend
- To grant thee rest and safety till thine end;
- And for the consummation of thy lot,
- That old St. Denys will allow thee room
- To sleep uncensured and forgot,
- Among thy fathers in a silent tomb.
-
-
-
-
-VERSES SPOKEN IN THE THEATRE, OXFORD, AT THE INSTALLATION OF THE
-CHANCELLOR, LORD GRENVILLE, JULY 10, 1810, BY HENRY CROWE, A COMMONER OF
-WADHAM COLLEGE.
-
-
- Still through the realms of Europe far around
- Echoes the martial trump, the Battle’s sound:
- There many a nation, now subdued and broke,
- In sullen silence wears the Tyrant’s yoke:
- There the fierce Victor waves his sword, and there
- Stalks amid ruin, and the waste of war:
- And, where he bids the din of arms to cease,
- He calls the silent desolation—peace.
-
- Yet what his prize of glory? What the gain
- Of his wide conquest, of his thousands slain?—
- His guilty seat on thrones subverted stands;
- His trophies are the spoil of injured lands:
- For his dark brow no comely wreath is twined,
- But iron[32] crowns and blood-stain’d laurels bind.
-
- Far other objects here around us rise,
- The monuments of nobler victories.
- This splendid dome, yon goodly piles behold,
- This favour’d ground adorning, which of old
- Our first great Chief, a patriot Hero, chose
- “For Learning’s triumph o’er her barbarous foes[33]:”
- These are her honourable trophies; here
- No spoils of plunder’d provinces appear.
- Our hallow’d fanes, our lofty spires, were built
- By pure and bounteous hands unsoil’d with guilt.
- Pure also was the source: the bounty springs
- From holy Prelates, from religious Kings;
- Who in the peaceful walks of life pursued
- Their godlike occupation, doing good;
- And taught us, careless of a transient fame,
- Like them to seek a worthier meed, and claim
- Th’ immortal recompense that Heaven decrees
- For charitable toils, and generous works of peace.
-
- Is there, who nurtured in this happy seat,
- Still loves the Mansion, Learning’s choice retreat?—
- Who yet these groves will honour, where his youth
- Was early train’d to Virtue and to Truth;—
- Who liberal arts and useful Science wooes,
- And by the Muse beloved, protects the Muse;
- Whose patient labour and unabated zeal
- Pursues that nobles tend, his Country’s Weal;—
- Watchful, and resolute in her defence
- With counsel sage, and manly eloquence?—
- For Him fair Fame her clearest voice shall raise
- Till her high trumpet labours in his praise.
- He ’bove the Conqueror’s name shall be renown’d,
- Him Glory still shall follow, and around
- Laurels unstain’d, unfading palms, shall spread,
- Such as are now prepared for GRENVILLE’S honour’d head.
-
-[32] The iron crown of Italy.
-
-[33] Johnson’s Prologue, spoken at the opening of Drury-Lane, 1747.
-
-
-
-
-AD MUSAS.
-
-
- Dulce sub Autumnum, venienti frigore, mane
- Lacte novo relevare sitim; dulce oscula Nisæ
- Præripere, in fœno cum semisupina recenti
- Dormit, nuda sinu; sub vespere dulce vagari
- Quà vigil effundit liquidam Philomela querelam:
- At mihi dulcis amor Musarum ante omnia: vos O
- Pierides, vestro, precor, aspirate poetæ.
-
-
-
-
- Ηως
- Εργων ἡγητειρα, βιου προπολε θνητοισιν.
- Or. Hym.
-
-
- Roscida purpureos induta Aurora colores
- Ingreditur cœlo jam reseratque diem;
- Victoresque agitans currus nigra agmina Noctis
- Turbat, et ætherio dissipat astra polo.
- Eja, agite O Pueri, clarum prævertite Solem,
- Nec pigeat molles deseruisse toros.
- Igniferos etenim quicunque, aspexerit ortus,
- Ille levis facti præmia magna feret:
- Qualia non tulerit populi Moderator Eoi,
- Darius memori nobilitatus equo;
- Cui jubar exoriens primo vidisse suorum
- Persarum quondam regna superba dedit.
- Illi namque novo firmabit membra vigore,
- Lætaque componet lumina diva Salus.
- Tum validæ crescent generoso in pectore vires
- Stabit et ingenuo plurimus ore decor.
- Illum, seu tendit pellucida propter Ichini
- Flumina, sive jugum per, Catharina, tuum,
- Naiades excipient venientem ultroque juvabunt,
- Dum ciet ad prædam subsequiturque canes.
- Omnis ager suaves Illi spirabit odores,
- Illi dulce melos concinet omne nemus.
- Ille (licebit enim) Musas siquando vocârit,
- Inveniet faciles in sua vota Deas:
- Phœbo et gratus erit; neque Phœbus amicior ulli est
- Quam sua qui primo numina mane colit.
-
-
-
-
-JEPTHÆ VOTUM.
-
-
- Jam Voti reus infausti de Marte redibat
- JEPTHA; procul dulces emicuere Lares.
- Non litui sonus auditur, nec classica spirant;
- Corde dolens mutas Dux præit ipse manus.
- Ecce egressa foras venientem Nata salutat!
- Terruit aversum vox bene nota patrem;
- Filia! tene mori! (vocem primo abstulit angor,)
- Vota miser feci non revocanda Deo.
- At Virgo, pietas cui pectora confirmavit,
- Immota aspiciens retulit ore patrem;
- O Pater, O belli sævis defuncte periclis,
- Jeptha, vel in nòstro funere victor, Ave!
- Debita solve Deo, me, me in tua vota paratam,
- Filia non dubito pro Genitore mori.
-
-
-
-
-PALMYRA.
-
-
- Has moles murorum, has, O Palmyra! columnas
- Gens magna et fortes incoluere viri,
- Te dominam, metuere urbes, to cœrula ponti,
- Eöique tibi dona tulere Duces.
- Jam non ulla tuas hominum vox personat arces,
- Vastâ, urbe in medià, strage Ruina sedet.
- Sæpe etiam, nullo ventorum turbine pulsa,
- Immani subitò saxa fragore ruunt.
- Circum infinitus se pandit campus arenæ,
- Sibilat ambusto Dipsas anhela solo.
- In domibus sævi stabulant impunè Leones,
- Informesque Apri, noctivagæque Tigres.
- Obscænæ strident per putrida fana volucres,
- Et Stygius circum Bubo cubile struit.
- Humana instabili versantur cardine fata:
- En, Roma in Gothicum quanta caduca rogum!
- Invida det Fortuna diem, quo mens pia flebit
- Heu! mersam exitio te, Rhedycina, pari.
-
-
-
-
-AD HYACINTHUM. 1791.
-
-
- Quis primo te mense, quis impulit, O Hyacinthe,
- Ut tepidum Floræ desereres gremium?—
- Num forte audisti Volucrem, quæ, nuntia Veris
- Nunc vespertinum concinit ore melos?—
- Num Zephyri molles dulcique Favonius aura
- Lene susurrantes surgere te faciunt?
- Ah! ne te lædat Boreas! neu cana pruina
- Incidat in collum purpureumque caput!
- En (quod ego possum) hâc vitreâ te casside dono,
- Quæ gelido noctis tempore tegmen erit.
- Acceptum tibi enim refero, quod Thestilis hortum
- Non dedignetur visere sæpe meum.
- Tum pulchros laudat flores et laudat odorem;
- Et Dominus partem et tu quoque laudis habes.
- Ergo ferens puros in te fundam ipse liquores,
- Si mox defuerit fertilis imber aquæ.
- O multùm salve mihi, Floscule, semper amate;
- Et cito cum venias gratior ipse Rosis.
-
-
-
-
-ROMULUS.
-
-SCRIPTUS 1803.
-
-
- Rex ille Romæ Conditor, Remi frater,
- Unde unde natus, in latrociniis certe
- Nutritus, aptos possideret ut cives,
- Suisque moribus simillimum cœtum,
- Id nobile aperuit viris receptaclum
- Quod nuncupant Asylon, hoc volens nempé
- Ut seminario sibi novæ gentis
- Sentinam haberet urbium propinquarum.
-
- Huc undique ingens ut confluxerat turba,
- Statim parabat quos honoribus summis
- Augeret ex his, imperîque consortes
- Haberet, homines maxime fide claros,
- Virtutibusque præ sociis adornatos.
- Ergo, coactis civibus, legit centum
- Qui consulant populo velut pater proli,
- Vocatque Patres, plurimisque eos rebus
- Ornat, facitque Concilium Sacrosanctum.
-
- His constitutis, laude floruit multa
- Multos per annos, victor omnium late;
- Stupro, rapinis, cædibusque agens vitam,
- Et cuncta miscens; conniventibus Divis,
- Ea quippe magni vindicant sibi Heroes,
- Victoriarum jure parta tanquam sint,
- Aut, merita propter, atque facta præclare,
- In præmiorum parte habenda, sed parva.
-
- Verum Iste tandem morte plectitur digna,
- Serasque dat Senatui suo pœnas:
- Credo quod impius hisce Patribus sanctis
- Cœpit videri, aut forte iniquior paulo
- Quam ferre sane didicerant Senes justi.
- Decrevit itaque Concilium sacrosanctum,
- “Patres viderent ne quid hinc caperent damni
- Ipsi,” suoque supplicium Duci poscunt.
-
- At vero, ut ista in fabula mulier quondam
- Ex fele facta, pristinos tenuit mores,
- Sic hi recurrunt proprium ad ingenium quisque
- Notas per artes ut struant viro mortem,
- Pretiumque mortis immortalitatem dent.
-
- Ergo, advocata concione, Rex Romæ
- Cum sustineret grande nescio quod munus,
- Et rite staret medius in globo Patrum,
- Ecce inter inclytos Sicarios quidam,
- Princeps Senatus, confodit latus ferro;
- A tergo adortus, dexter artifex cædis,
- Et cui nefas fuit, aut piaculum quemquam
- Jugulare, ni mactâsset simplici plaga.
- Spoliat jacentem Prædo nobilis Regem,
- Antehac Asyli, nunc at Curiæ lumen,
- Lingua manuque præter cæteros audax.
- Jam proximi adsunt mos quibus fuit raptim
- Surrepta pecora dissecare secreto:
- Hi mortuum dispertiunt minutatim,
- Celeriter, ut solebant quum timendum esset
- Ne turpiter prehenderentur in furto.
- Hæc terminata pars; operique succedit,
- Quæ dissipandum curet clanculum corpus,
- Exercita olim callida manus fraude,
- Nec artis expers qua crumena tollatur
- Haud sentienti furis improbam dextram:
- Atqui profecto illius agminis Patres
- Tanto fuerunt numero quantum adæquare
- Concisa frustillatim membra vix possent,
- Ut quisque Laticlavius suam partem
- Haberet auferendam sub toga furtim.
-
- Ast interim tumultu fremere vesano,
- Et concitari suspicata fraudem Plebs:
- Regem reposcunt, nec abiisse adhuc credunt
- Sublime raptum turbine, hoc licet Patres
- Uno ore prædicent miraculum cuncti.
- Productus ergo Testis est, gravisque auctor
- Mendacii, prioris qui notam vitæ
- Pensare sanctitate visus est summa:
- Perjurioso facta est sic fides tandem,
- Sic Romulus datur Deus Indiges cœlo.
-
- Ecquando erit quum talis exitus vitæ
- Tibi parari possit, O decus nostri
- Et gloria ævi! solus omne qui belli
- Pacisque jus tibi arrogas, per Europen
- Late tyrannus, Buonaparte, Gallorum
- Patiens vocarier Consul, Dominus cum sis?
- O magne Corse, tempus jam satis longum
- Heros fuisti, quin fias abhinc Divus.
-
-
-
-
-HELENA INSULA.
-
-
- Avia Nereidum peragro loca, saxaque vasto
- Circumfusa mari, sævis objecta procellis
- Undique, et Australi sub sidere dissita longè.
-
- Insula parva quidem est, latuitque incognita quondam,
- Donec Ulyssipolis navale Tagique fluenta
- Linquentes Nautæ, post dira pericula ponti
- Vix tandem incolumes tenuerunt: tum, quia festo
- Visa die est Helenes, Helenæ de nomine Terram
- Dixerunt; nunc est productum nomen, Helēna.
-
- Insula parva quidem, et nullos habitura colonos,
- Ni procul a terris aliis, penitusque remota,
- Opportuna foret lassis succurrere nautis,
- Et requiem præbere brevem; namque omnia circum
- Aspera sunt, nulloque hominum subigenda labore,
- Sed tetra aspectu, et nigrantibus horrida saxis.
- Utque Giganteo certamine credere fas est
- Montesque scopulosque, quibus conscendere cœlum
- Tentabant, Jovis irati sub fulmine et igne
- Disjectos, jacuisse atrâ informique ruina;
- Sic etiam hæc convulsa adeo confusaque Tellus
- Stat, veluti ostendens dirupti rudera mundi.
-
- Hæc Terræ est facies, Pelagi neque mitior ora,
- Vix uno portu modicis adeunda carinis:
- Cætera, præcisis saxis circumundique cincta,
- Navibus accessum negat, exitiumque minatur.
-
- At quamvis sit triste solum, sit inhospita circum
- Ora maris, tamen omnino contemnere nolis;
- Quippe coercendis Captivis non magis aptus
- Est locus, aut toto custodia tutior orbe.
- Non tali regione fuit, neque carcere septus
- Ille, Tomitano qui flebilis Exul in agro
- Fœmineas misera fundebat voce querelas:
- Nec tam munito latebrosa Siberia claustro
- Constringit Sontes, qui, propter crimina missi
- Exilium in durum, per devia lustra ferarum
- Errantes victum quærunt, multoque labore
- Sollicitam tolerant vitam, quamvis ibi circum
- Sepserit acris Hyems altæ nivis aggere terram,
- Captivosque premat glaciali indagine cinctos.
-
- Et certè nullo nec tempore nec regione
- Vir talis tantusque severo carcere vixit
- Inclusus, qualem nunc insula claudit Helēna;
- Carcer captivo, et Captivus carcere dignus.
-
- Illic Cyrneii Proles vesana parentis
- Felix Prædo jacet, Bonaparte, haud utile mundo
- Editus exemplum, terras tot posse sub uno
- Esse viro. Cyrni fines, latebrasque suorum
- Deseruit, fatale malum, fulmenque quod omnes
- Percuteret pariter populos, et sidus iniquum
- Gentibus, et monstrum non aversabile votis.
- Quinctiam Oceano classes inferre parabat;
- Isset in occasus, mundi devexa secutus,
- Ambissetque polos: victrixque Britannia solùm
- Hunc potuit finem vesano ponere Regi.
-
- Ergo nunc tempus lætos agitare triumphos,
- Tristia quandoquidem cessarunt bella per orbem;
- Et, bello cessante, redit Pax optima terris,
- Et secura Quies, jamtandem Pace reducta,
- Salvaque Libertas, domito occlusoque Tyranno.
-
-In this Poem ten lines together (a few words excepted) are taken from an
-eminent Latin classic; which the writer mentions to avoid the imputation
-of plagiarism, but presumes not to point them out to the learned reader.
-
-
-
-
-ON CAPT. SIR M. MURRAY, WOUNDED AT THE WESTMINSTER ELECTION.
-
-
- Quem neque Mars potuit, neque mox Neptunus in undis,
- Illisa scopulo nave, domare virum,
- Hunc ignota manus vulnusque ignobile stravit
- Tentantem offenso sistere se populo.
- Quid tibi cum populo tali in certamine, Nauta?
- Horridior Marte est, surdior est scopulis.
- At qui Te immeritum posuit discrimine tali,
- Quam vellem Is tali vulnere concideret!
-
-
-
-
-AMNESTIA INFIDA.
-
-
- Heus Tu, tyrannica aucte nunc potentia!
- Adverte mentem, et memineris quid dixerit,
- Orator, olim commonens Antonium[34].
- “Judicia non times; ob innocentiam
- “Si non times, hoc laudo; sin quod es potens,
- “Nec lege vinctus non times, nescis ei
- “Quid sit timendum, illo modo qui non, timet?”
- Id crede dictum his qui sibi prætenderint,
- Crudeliter quod egerint, Amnestiam,
- Et facta iniqua lege iniqua munient.
-
-[34] Cic. Phil. 2. § 45.
-
-
-
-
-PSALM CXIV.
-
-
- Ægypti terram linquens Domus Israelis
- Haud sine divino numine carpit iter.
- En Pontus fugit aspiciens, Jordanus et ipse
- Ad fontem versis usque recurrit aquis.
- Tum quoque, ut exsultant agni prolesve caprarum,
- Sic scopuli et montes exiliere loco.
- Cur tu, Ponte, fugis? cur tu, Jordane, recurris?
- Cur scopuli et montes exiliere loco?
- Omniparens mater Tellus, tun’ quo duce nescis
- Insolitum hæc faciat gens iter? Ipsa treme,
- Præsentemque agnosce Deum, qui flumen arenis
- Edidit, et silices fundere jussit aquam:
- Cui placuit populum loca per deserta regenti
- Tandem in promissa sede locare suum.
-
-
-
-
-PSALM CXXXIII.
-
-
- Quale sodalitium fraternos inter amores
- Ducere sollicitæ jucunda oblivia vitæ!
- Gratius unguento est, quo summi incana madescens
- Barba Sacerdotis late diffundit odores.
- Talis ab arce tua, Sion, diffunditur aura,
- Sacro thure gravis, siquando roscidus Hermon
- Verticibus depasta suis armenta gregesque
- Mittit adurandos excelsa ad Templa Jehovæ,
- Unde salus terris promissa ac vita perennis.
-
-
-
-
-PSALM CXXXVII.
-
-
- Jam pridem captiva altum Babylonis ad amnem
- Turba sedebamus fixa dolore gravi;
- Ad salices juxta pendebant cymbala nostra,
- Et fractæ chelyes, et sine voce lyræ;
- Dum ferus illudens Victor cantare jubebat,
- Eja Sionæum jam resonate melos.
- Quî terra procul a patria cantabimus ægri?
- Possumus hic nostrum jam resonare melos?
- O Solymæ suaves, O nomen dulce Sionis,
- Si quando vestrûm non memor esse velim,
- Tum mea lingua, precor, sit muta et fixa palato,
- Fiat et ad solitos dextera inepta modos!
- At Tu crudelis Babylon, quæ duriter in nos
- Nunc sævis, nostris læta feroxque malis,
- Haud impune feres: O sit, precor, ille beatus
- Qui caput in vestrum hoc triste rependet opus:
- Qui natos aut ense tuos sine more trucidet,
- Aut duro illidat membra tenella solo.
-
-
-
-
-IN OBITUM SENIS ACADEMICI, THOMÆ PRYOR, ARMIGERI.
-
-
- Ουδ’ Οδυνης βελος οξυ δαμασσε νιν, ουδε νοσημα
- Λυσιμελες κατετηξε ταλαιπωρῃ διασηψει·
- Ηλθε δε δη Θανατος μαλακῳ εικασμενος ὑπνῳ
- Ομματα και θελξας, την ψυχην εξεκλοπευσεν.
-
-
-
-
-IN OBITUM J. N. OXONIENSIS, 1783.
-
-
- Πολλα ποθ’ ὑβρισθεις, και σκωμματα πολλ’ υπομεινας,
- Ως ατοπως διαγων τον βιον, ηδ’ αλογως,
- Ωλετ’ Ιωαννης θειῳ χειμωνι νοσησας·
- Ουκετ’ ονειδιζειν κειμενον, αλλ’ ελεειν.
-
-
-
-
- Bene est cui Deus dederit
- Parca quod satis est manu.
- Hor. Lib. 3. Od. 16.
-
-
- Οικον μεν τινα ναιω
- Στεινον, πηλοδομον, καλαμοστεφη,
- Ω κ’ επιβριθονται
- Παντοιων ανεμων θυελλαι,
- Ομβρος τε, βροντη τε Διος,
- Εκπαγλως φθεγξασα
- Χειμεριαις εν ωραις·
- Εγγυς τε ποντος,
- Επιβρεμων επακτιαις πετραισιν,
- Ασπετον ηχον ορωρει·
- Εγω δ’ ὁμως εκηλος ωδε παρμενω
- Συν φιλοισι τεκεσσι,
- Μουσῃ τε φιλῃ.
-
-January, 1791.
-
-
-
-
-ΕΙΣ ΚΟΣΣΥΦΟΝ.
-
-
- Αντι τεου μελεος, φιλε Κοσσυφε, ποικιλοτραυλου
- Ισθ’ εν εμῳ κηπῳ, παντοσε καρποφαγος.
- Ατρεμας εσθε, ξεινε, τα μεν κομαρα δροσοεντα,
- Και συκους θερινους, πορφυρεοντε βοτρυν.
- Αλλα ποθεις ταχ’ εκεινα τα μηλα (φερ’, ως καλον οζει)
- Και ταδε σαυτῳ εχοις, σφηκας απωσαμενος.
- Των δ’ αυ των κερασων περιφειδεο, πειναλεος περ,
- Τηρησας γαρ εχω Φυλλιδι δωρα ταδε.
- Ει δ’ αρα τωνδε φαγης, τοδε δεινοτατον σοι απειλω,
- (Οιδα γαρ εν δαφναις τεκνα σα κευθομενα)
- Ταυτα γε παντ’ αφελων, καλιης αμα, Φυλλιδι δωσω,
- Αντ’ εδανων καρπων δωμα νεοσσοκομον.
- Αλλα συγ’, ω δυστηνε, κινυρομενος περι παιδων,
- Φωνησεις τι κυκνων ἡδιον οιχομενων.
-
-
-
-
-INSCRIPTIO IN HORTO AUCTORIS APUD ALTON IN COM. WILT.
-
-
- M. S.
- GULIELMI CROWE,
- SIGNIF. LEG. IV.
- QUI CECIDIT IN ACIE,
- 8 DIE JAN. A.D. 1815. ÆT. S. 21.
-
- Hanc Ego quam felix annis melioribus Ulmum
- Ipse manu sevi, Tibi, dilectissime Fili,
- Consecro in æternum, Gulielme; vocabitur Arbos
- Hæc Tua, servabitque Tuum per sæcula nomen.
- Te, generose Puer, nil muneris hujus egentem,
- Te, jam perfunctum belli vitæque labore,
- Respexit Deus, et cælestibus intulit oris.
- Me tamen afflictum, me consolabitur ægrum,
- Hoc Tibi quod solvo, quamquam leve, pignus amoris.
- Quinetiam assidue hic veniam, lentæque senectæ
- De Te, dulce Caput, meditando, tempora ducam:
- Sæpe Tuam recolens formam, moresque decentes,
- Dictaque, tum sancto et sapienti corde profecta,
- Tum festiva quidem, et vario condita lepore.
- Id mihi nunc solamen erit dum vita manebit.
-
- Tu vero, quicunque olim successeris Hæres
- Sedibus his, oro, mœsti reverere Parentis;
- Nec tu sperne preces quas hac super Arbore fundo.
- Sit tibi non invisa, sit inviolata securi,
- Et, quantum Natura sinet, crescat, monumentum
- Egregii Juvenis, qui sævo est Marte peremptus,
- Fortiter ob patriam pugnando: sic Tibi constans
- Sit fortuna domus, sit nulli obnoxia damno;
- Nec videas unquam jucundi funera Nati.
-
-
-
-
-EPICEDIUM.
-
- HENRICUS CROWE, GEORGII FILIUS, AUCTORIS NEPOS
- MORTUUS EST IN AFRICA, JUXTA CARTHAGINEM,
- A.D. 1826. ÆT. S. 2.
- BREVI POST MORTEM EJUS MATER ENIXA EST FILIAM
- MATILDAM.
-
-
- Talis eras Henrice, ut non mage pulcher Julus
- Ille fuit, quem Diva Venus[35] (modo credere fas sit)
- Raptum ex hisce locis olim longeque remotum
- Idalio in luco mollique recondidit umbra;
- Illius inque locum dulcem submisit Amorem,
- Ne pater amissum graviter lugeret, at ipsum
- Falleret assimilis nato forma atque figura:
- A nobis Te, chare Puer, sic Fata tulerunt,
- Inque vicem dederunt pulchram dulcemque Matildam,
- Quæ Te, Henrice, refert oculis atque ore venusto.
-
-[35] Vid. Virg. Æn. 1.
-
-
-
-
-DE SEIPSO MANDATUM AUCTORIS.
-
-
- Hoc ubicunque cadet jaceat (modo sede sacrata)
- Magno nec luctu dignum neque funere corpus.
- Nec tumuli sit cura mei, neque carmina posco
- Quæ poterunt nomenque meum famamque perennem
- In tumulo servare; quid autem fama juvabit
- Posthuma, terrarum quamvis impleverit orbem?
- Spiritus alta petens cœli de vertice terras
- Despiciet, curasque hominum ridebit inanes.
-
- THE END.
-
- LONDON:
- PRINTED BY THOMAS DAVISON, WHITEFRIARS.
-
-*** END OF THE PROJECT GUTENBERG EBOOK LEWESDON HILL: WITH OTHER
-POEMS ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.