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-The Project Gutenberg eBook of The professor's experiment, Vol. 1 (of
-3), by Margaret Wolfe Hungerford
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: The professor's experiment, Vol. 1 (of 3)
- A novel
-
-Author: Margaret Wolfe Hungerford
-
-Release Date: December 7, 2022 [eBook #69494]
-
-Language: English
-
-Produced by: Richard Tonsing and the Online Distributed Proofreading
- Team at https://www.pgdp.net (This file was produced from
- images generously made available by The Internet Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK THE PROFESSOR'S EXPERIMENT,
-VOL. 1 (OF 3) ***
-
-
- THE PROFESSOR’S EXPERIMENT
-
-
-
-
- MRS. HUNGERFORD’S NOVELS
-
- ‘_Mrs. Hungerford has well deserved the title of being one of the most
- fascinating novelists of the day. The stories written by her are the
- airiest, lightest, and brightest imaginable, full of wit, spirit, and
- gaiety; but they contain, nevertheless, touches of the most exquisite
- pathos. There is something good in all of them._’—ACADEMY.
-
- =A MAIDEN ALL FORLORN=, and other Stories. Post 8vo., illustrated
- boards, 2s.; cloth limp, =2s. 6d.=
-
-‘There is no guile in the novels of the authoress of “Molly Bawn,” nor
-any consistency or analysis of character; but they exhibit a faculty
-truly remarkable for reproducing the rapid small-talk, the shallow but
-harmless “chaff” of certain strata of modern fashionable
-society.’—_Spectator._
-
- =IN DURANCE VILE=, and other Stories. Post 8vo., illustrated boards,
- 2s.; cloth limp, =2s. 6d.=
-
-‘Mrs. Hungerford’s Irish girls have always been pleasant to meet upon
-the dusty pathways of fiction. They are flippant, no doubt, and often
-sentimental, and they certainly flirt, and their stories are told often
-in rather ornamental phrase and with a profusion of the first person
-singular. But they are charming all the same.’—_Academy._
-
- =A MENTAL STRUGGLE.= Post 8vo., illustrated boards, 2s.; cloth limp,
- =2s. 6d.=
-
-‘She can invent an interesting story, she can tell it well, and she
-trusts to honest, natural, human emotions and interests of life for her
-materials.’—_Spectator._
-
- =A MODERN CIRCE.= Post 8vo., illustrated boards, 2s.; cloth limp,
- =2s. 6d.=
-
-‘Mrs. Hungerford is a distinctly amusing author.... In all her books
-there is a “healthy absenteeism” of ethical purpose, and we have derived
-more genuine pleasure from them than probably the most earnest student
-has ever obtained from a chapter of “Robert Elsmere.”’—_Saturday
-Review._
-
- =MARVEL.= Post 8vo., illustrated boards, 2s.; cloth, =2s. 6d.=
-
-‘The author has long since created an imaginary world, peopled with more
-or less natural figures; but her many admirers acknowledge the easy
-grace and inexhaustible _verve_ that characterize her scenes of
-Hibernian life, and never tire of the type of national heroine she has
-made her own.’—_Morning Post._
-
- =LADY VERNER’S FLIGHT.= Crown 8vo., cloth extra, =3s. 6d.=; post 8vo.,
- illustrated boards, 2s.; cloth limp, =2s. 6d.=
-
-‘There are in “Lady Verner’s Flight” several of the bright young
-people who are wont to make Mrs. Hungerford’s books such very
-pleasant reading.... In all the novels by the author of “Molly Bawn”
-there is a breezy freshness of treatment which makes them most
-agreeable.’—_Spectator._
-
- =THE RED-HOUSE MYSTERY.= Crown 8vo., cloth extra, =3s. 6d.=
-
-‘Mrs. Hungerford is never seen to the best advantage when not dealing
-with the brighter sides of life, or seeming to enjoy as much as her
-readers the ready sallies and laughing jests of her youthful personages.
-In her present novel, however, the heroine, if not all smiles and mirth,
-is quite as taking as her many predecessors, while the spirit of
-uncontrolled mischief is typified in the American heiress.’—_Morning
-Post._
-
- =THE THREE GRACES.= 2 vols., crown 8vo., =10s.= net.
-
-‘It is impossible to deny that Mrs. Hungerford is capable of writing a
-charming love-story, and that she proves her capacity to do so in “The
-Three Graces.”’—_Academy._
-
- LONDON: CHATTO & WINDUS, PICCADILLY.
-
-
-
-
- THE
- PROFESSOR’S EXPERIMENT
- =A Novel=
-
-
- BY
-
- MRS. HUNGERFORD
-
- AUTHOR OF
- ‘MOLLY BAWN,’ ‘THE RED-HOUSE MYSTERY,’ ‘THE THREE GRACES,’ ‘LADY
- VERNER’S FLIGHT,’ ETC.
-
-[Illustration]
-
- IN THREE VOLUMES
-
- VOL. I.
-
-
- =London=
- CHATTO & WINDUS, PICCADILLY
- 1895
-
-
-
-
- THE
-
- PROFESSOR’S EXPERIMENT
-
-
-
-
- CHAPTER I.
-
- ‘Thoughts are but dreams till their effects be tried.’
-
-
-The lamp was beginning to burn low; so was the fire. But neither of the
-two people in the room seemed to notice anything. The Professor had got
-upon his discovery again, and once there, no man living could check him.
-He had flung his arms across the table towards his companion, and the
-hands, with the palms turned upwards, marked every word as he uttered
-it, thumping the knuckles on the table here, shaking some imaginary
-disbeliever there—and never for a moment quiet—such old, lean,
-shrivelled, capable hands!
-
-He was talking eagerly, as though the words flowed to him faster than he
-could utter them. This invention of his—this supreme discovery—would
-make a revolution in the world of science.
-
-The young man looking back at him from the other side of the table
-listened intently. He was a tall man of about eight-and-twenty, and if
-not exactly handsome, very close to it. His eyes were dark, and somewhat
-sombre, and his mouth was thin-lipped, but kind, and suggestive of a
-nature that was just, beyond everything, if hardly sympathetic. It was a
-beautiful mouth, at all events, and as he was clean-shaven, one could
-see it as it was, without veiling of any kind. Perhaps the one
-profession of all others that most fully declares itself in the face of
-its sons is that of the law. A man who has been five years a barrister
-is seldom mistaken for anything else. Paul Wyndham was a barrister, and
-a rising one—a man who loved his profession for its own sake, and strove
-and fought to make a name in it, though no such struggle was needful for
-his existence, as from his cradle his lines had fallen to him in
-pleasant places. He was master of a good fortune, and heir to a title
-and ten thousand a year whenever it should please Providence to take his
-uncle, old Lord Shangarry, to an even more comfortable home than that
-which he enjoyed at present.
-
-The Professor had been his tutor years ago, and the affection that
-existed between them in those far-off years had survived the changes of
-time and circumstance. The Professor loved him—and him only on all this
-wide earth. Wyndham had never known a father; the Professor came as near
-as any parent could, and in this new wild theory of the old man’s he
-placed implicit faith. It sounded wild, no doubt—it was wild—but there
-was not in all Ireland a cleverer man than the Professor, and who was to
-say but it might have some grand new meaning in it?
-
-‘You are sure of it?’ he said, looking at the Professor with anxious but
-admiring eyes.
-
-‘Sure! I have gone into it, I have studied it for twenty years, I tell
-you. What, man, d’ye think I’d speak of it even to you, if I weren’t
-sure? I tell ye—I tell ye’—he grew agitated and intensely Irish here—‘it
-will shake the world!’
-
-The phrase seemed to please him; he drew his arms off the table and lay
-back in his chair as if revelling in it—as if chewing the sweet cud of
-it in fancy. He saw in his mind a day when in that old college of his
-over there, only a few streets away—in Trinity College—he should rise,
-and be greeted by his old chums and his new pupils, and the whole world
-of Dublin, with cheers and acclamations. Nay! it would be more than
-that—there would be London, and Vienna, and Berlin. He put Berlin last
-because, perhaps, he longed most of all for its applause; but in these
-dreamings he came back always to old Trinity, and found the greatest
-sweetness in the laurels to be gained there.
-
-‘There can’t be a mistake,’ he went on, more now as if reasoning with
-himself than with his visitor, who was watching him, and was growing a
-little uneasy at the pallor that was showing itself round his nose and
-mouth—a pallor he had noticed very often of late when the old man was
-unduly excited or interested. ‘I have gone through it again and again.
-There is nothing new, of course, under the sun, and there can be little
-doubt but that it is an anæsthetic known to the Indians of Southern
-America years ago, and the Peruvians. There are records, but nothing
-sufficient to betray the secret. It was by the merest accident, as I
-have told you, that I stumbled on it. I have made many experiments. I
-have gone cautiously step by step, until now all is sure. So much for
-one hour. So much for six, so much for twenty-four, so much’—his voice
-rose almost to a scream, and he thumped his hand violently on the
-table—‘for seven days—for seven months!’
-
-His voice broke off, and he sank back in his chair. The young man went
-quickly to a cupboard and poured out a glass of some white cordial.
-
-‘Thank you—thank you,’ said the Professor, swallowing the nauseous
-mixture hurriedly, as though regretting the waste of time it took to
-drink it.
-
-‘Why talk any more to-night?’ said the young man anxiously; ‘I am going
-abroad in a few days, but I can come again to see you to-morrow. It is
-late.’ He glanced at the clock, which pointed to ten minutes past
-eleven. The movement he made in pointing pushed aside his overcoat and
-showed that he was in evening dress. He had evidently been dining out,
-and had dropped in to see the Professor—an old trick of his—on his way
-home.
-
-‘I must talk while I can,’ said the Professor, smiling. The cordial,
-whatever it was, had revived him, and he sat up and looked again at his
-companion with eyes that were brilliant. ‘As for this pain here,’
-touching his side, ‘it is nothing—nothing. What I want to say, Paul, is
-this’—he bent towards Wyndham, and his lips quivered again with
-excitement: ‘If I could send a human creature to sleep for seven months,
-then why not for seven years—for ever?’
-
-Wyndham looked at him incredulously.
-
-‘But the last time——’
-
-‘The last time you were here, I had not quite perfected my discovery.
-But since then some of my experiments have led me to think—to be
-absolutely certain—that life can be sustained, with all the appearance
-of death upon the subject, for a full week at all events.’
-
-‘And when consciousness returns?’
-
-‘The subject treated wakes to life again in exactly the same condition
-as when he or she fell asleep—without loss of brain or body power.’
-
-‘Seven days! A long time!’ The young man smiled. ‘You bring back old
-thoughts and dreams. Are you a second Friar Laurence? Even he, though he
-could make the fair Juliet sleep till all believed her dead, could not
-prolong that unfortunate deception beyond a certain limit.
-
- ‘“And in this borrowed likeness of shrunk death
- Thou shalt continue two-and-forty hours.”
-
-‘Less than two days—and yet, thou conjurer’—he slapped the Professor’s
-arm gaily—‘you would talk of keeping one in death’s bonds for years!’
-
-‘Ay, years!’ The Professor looked back at him, and his eyes shone. Old
-age seemed to slip from him, and for the moment a transient youth was
-his again. ‘This is but a beginning—a mere start; but if it succeeds—if
-life can be sustained by means of this drug alone for seven days, why
-not for months and years?’
-
-‘You forget one thing,’ said the young man. ‘Who would care for it? Why
-should one care to lie asleep for years?’
-
-‘Many!’ said the Professor slowly.
-
-He ceased, and a strange gloom shadowed his face. His thoughts had
-evidently gone backward into a long-dead past—a past that still lived.
-‘Have you no imagination?’ he said at last reproachfully. ‘Think,
-boy—think! When affliction falls on one, when a grievous sorrow tears
-the heart, who would not wish for an oblivion that would be longer than
-a sleeping-draught could give, and less pernicious than suicide?’
-
-‘The same refusal in both cases to meet and face one’s doom,’ said the
-young man. ‘You would create a new generation of cowards.’
-
-‘Pshaw! there will be cowards without me,’ said the Professor. ‘But
-here, again, take another case. A man, we will say, has had his leg cut
-off—well, let him sleep until the leg is well, and he will escape all
-the twinges, the agonizing pains of the recovery. This is but one
-instance; all surgical cases could be treated so, and so much pain saved
-in this most painful world.’
-
-‘Ah, I confess a charm lies there!’ said Wyndham.
-
-‘It does. And yet it is to the other thought I lean—to the dread of
-memory where grief and shame lie.’ The Professor’s gaunt face lost again
-its short return of youth, and grew grim, and aged, and white. ‘See,’ he
-leant towards Wyndham, and pressed him into a chair beside the dying
-fire, ‘to you—to you alone I have revealed this matter: not so much
-because you have been my pupil, as that you have a hold on me. You think
-me dry, and hard, and old. All that is true. But’—his voice grew if
-possible harsher than ever—‘I have an affection for you.’
-
-It seemed almost ludicrous to think of the Professor as having an
-affection for anything beyond his science and his discovery, with his
-bald head, and his bleared eyes, and his cold, forbidding face. The
-young man gazed at him with pardonable astonishment. That the Professor
-liked him, trusted him, was quite easy to understand—but the word
-‘affection’!
-
-‘It surprises you,’ said the old man slowly, perhaps a little sadly.
-‘Yet there was a time——’ He moved and poked the fire into a sullen
-blaze. ‘I married,’ he said presently. ‘And she—well, I loved her, I
-think. It seems hard to remember now, it is so long ago, but I believe I
-had a heart then, and it was hers. She died.’ He poked the fire again,
-and most of it fell into the grate—it was all cinders by this time, and
-the younger man shivered. ‘It was well. Looking back upon it now,’ said
-the Professor coldly, ‘I am glad she died. She would have interfered
-with my studies. Her death left me free; but for that freedom, I should
-never have found out this.’ He tapped some papers lying loosely on the
-table—three or four pages, no more, with only a line or two upon
-them—vague suggestions of the great discovery that was to shake the
-world, so vague as to be useless to anyone but himself.
-
-‘You had no children, then?’ asked Wyndham, who had never even heard
-that he was married until now.
-
-‘One.’ The Professor paused, and the silence grew almost insupportable.
-‘He, too, is dead. And that, too, is well. He was of no use. He only
-burdened the world.’
-
-‘But——’
-
-‘Not a question——’ The old man silenced him. ‘I cast him off.’ There was
-something terrible in the indifference with which he said this. ‘He was
-a fool—a criminal one. I heard later that he had married—no doubt as
-great a fool as himself. I hope so. Set a thief to catch a thief, you
-know.’
-
-He laughed bitterly—the cruel, mirthless laugh of the embittered old.
-‘For the rest, I know nothing,’ he said.
-
-‘You made no inquiries?’
-
-‘None. Why should I?’
-
-‘He was your son.’
-
-‘Well, does that make a black thing white? No—no! My son—my child is
-here!’ He touched the loose papers with a loving hand.
-
-Wyndham did not pursue the subject further, and as if to show that it
-was ended, he stooped and threw some coals upon the fire that now seemed
-to be at its last gasp. A tiny smoke flew up between the fresh lumps,
-and after that came a little uncertain blaze. The fire had caught the
-coals.
-
-The Professor had gone back to his heart’s desire.
-
-‘To see the blossom of my labour bear fruit—that is my sole, my last
-demand from life. I have so short a time to live that I would hasten the
-fulfilment of my hopes.’
-
-‘You mean——’
-
-‘That I want to see the drug used on a human being. I have approached
-the matter with some of the authorities at Kilmainham, with a view to
-getting a condemned criminal to experiment upon; but up to this I have
-been refused, and in such a presumptuous manner as leads me to fear I
-shall never receive a better answer. Surely a man respited for seven
-days, as has been the case occasionally, might as well risk those seven
-days in the cause of science.’
-
-Wyndham shrugged his shoulders. ‘I have never met that man,’ said he.
-But the Professor did not hear him.
-
-‘The most humane people in the world,’ said he, ‘refuse help to the man
-who has devoted twenty years of his life to the cause of humanity. Such
-an anæsthetic as mine would work a revolution in the world of medicine.
-As I have told you, a man might not only be unconscious whilst a limb
-was being lopped off, but might remain so until the wound was healed,
-and then, made free of pain and perfectly well, be able to take his part
-in the world again.’
-
-‘It sounds like a fairy-tale,’ said Wyndham, smiling. ‘You have, I
-suppose, made many experiments?’
-
-‘On animals, yes—and of late without a single failure; but on a human
-body, no. As yet no opportunity has been afforded me. Either jealousy or
-fear has stopped my march, which I feel would be a triumphal one were
-the road made clear. I tell you I have addressed many leading men of
-science on the subject. I have asked them to be present. I would have
-everything above board, as you who know me can testify. I would have all
-men look on and bear witness to the splendour of my discovery.’ Here
-again the Professor’s strange deep eyes grew brilliant, once again that
-queer flash of a youth long ago departed was his. ‘I would have it shown
-to all the world in a blaze of light. But no man will take heed or
-listen. They laugh. They scoff. They will not countenance the chance of
-my killing someone; as if’—violently—‘the loss of one poor human life
-was to be counted, when the relief of millions is in the balance.’
-
-He sank back as if exhausted, and then went on, his tone hard, yet
-excited:
-
-‘Now it has come to this. If the chance were given me of trying my
-discovery on man, woman, or child, I should take it, without the
-sanction of the authorities, and with it that other chance of being
-hanged afterwards if the experiment failed.’
-
-‘You feel so sure as that?’ questioned Wyndham. The old man’s enthusiasm
-had caught him. He too was looking eager and excited.
-
-‘Sure!’ The Professor rose, gaunt, haggard, and with eyes that flashed
-fire beneath the pent brows that overhung them. ‘I would stake my
-soul—nay, more, my reputation—on the success of my discovery. Oh for a
-chance to prove it!’
-
-At this moment there was a low knock at the door.
-
-
-
-
- CHAPTER II.
-
- ‘Of all things tired thy lips look weariest.’
- * * * * *
- ‘What shall I do to be for ever known?’
-
-
-The handle was turned, and the door opened with a considerable amount of
-caution (the Professor did not permit interruptions). It was evidently,
-however, the caution of one who was suppressing badly a wild desire to
-make a rush into the room, and presently a man’s head appeared round the
-corner of the door, and after it his body. He came a yard or two beyond
-the threshold, and then stood still. His reddish hair was standing out a
-little, and his small twinkling Irish eyes were blinking nervously. He
-looked eagerly first at the younger man, who was his master, and then at
-the Professor, and then back again at Wyndham.
-
-‘Well, Denis?’ said the latter, a little impatiently.
-
-‘If ye plaze, sir, there’s an unfortunate young faymale on the steps
-below.’
-
-The Professor frowned. As if such an ordinary occurrence as that should
-be allowed to interfere with a discussion on the great discovery!
-Wyndham spoke.
-
-‘If she is noisy or troublesome, you had better call a policeman,’ he
-said indifferently.
-
-‘Noisy! Divil a sound out of her,’ said Denis. ‘She looks for all the
-world, yer honour, as if there wasn’t a spark o’ life left in her.
-Sthretched in the hall she is, an’ the colour o’ death.’
-
-‘In the hall?’ said Wyndham quickly. ‘I thought you said she was on the
-steps.’
-
-‘She was. She’—cautiously—‘was. But——’ He paused and scanned anxiously
-the two faces before him. ‘It’s bitther cowld outside to-night, so I tuk
-her in.’
-
-And, indeed, though the month was May, a searching wind was shaking the
-city, and biting into the hearts of young and old. As often happens in
-that ‘merrie month,’ a light fall of snow was whitening the tops of the
-houses.
-
-‘I had better see to this,’ said the young man, rising. He left the
-room, followed by Denis (who had stopped to throw a few more coals on
-the now cheerful fire), and went down to the cold, bare, hideous hall
-below. The light from the solitary gas-lamp scarcely lit it, and it took
-him a few seconds to discern something that lay on the worn tarpaulin at
-the lower end of it. At last he made it out, and, stepping nearer, saw
-that it was the figure of a young and very slight girl. She was lying on
-the ground, her back supported against a chair, and Wyndham could see
-that Denis had folded an old coat of the Professor’s that usually hung
-on the hat-stand, and placed it behind her head.
-
-The light was so dim that he could not see what she was like; but
-stooping over her, he felt her hands, and found that they were cold as
-ice. Instinct, however, told him that life still ran within her veins,
-and lifting her quickly in his arms, he carried her upstairs to the room
-he had just left, and where the Professor still sat, so lost in fresh
-dreams of the experiment yet to be made that he started as Wyndham
-re-entered the room with his strange burden; it was, indeed, with
-difficulty that he brought his mind back to the present moment. He had
-forgotten why the young man had left the room.
-
-‘She seems very ill,’ said Wyndham. His man had followed him, and now,
-through a sign from his master, he pulled forward a huge armchair, in
-which Wyndham placed the unconscious girl.
-
-The Professor came nearer and stared down at her. She was very
-young—hardly eighteen—but already Misery or Want, or both, had seized
-and laid their cruel hands upon her, dabbing in dark bistre shades
-beneath her eyes, and making sad hollows in her pallid cheeks. The lips,
-white now, were firmly closed as if in death, but something about the
-formation of them suggested the idea that even in life they could be
-firm too.
-
-It was a face that might be beautiful if health had warmed it, and if
-joy had found a seat within the heart that now seemed at its last ebb.
-The lashes lying on the white, cold cheek were singularly long and dark,
-and Wyndham roused himself suddenly to find himself wondering what could
-be the colour of the eyes that lay hidden behind that wonderful fringe.
-
-Her gown was of blue serge, neatly, even elegantly made, and the collar
-and cuffs she wore were quite primitive in their whiteness and
-simplicity. She had no hat or cloak with her, but a little gray woollen
-shawl had been evidently twisted round her head. Now it had fallen back,
-leaving all the glory of her rich chestnut hair revealed.
-
-Involuntarily the young man glanced at her left hand.
-
-There was no ring there. An intense wave of pity swept over him.
-Another! Dear God! what cruel sorrows lie within this world of Yours!
-
-The face was so young, so free of hardness, vice, or taint of any kind,
-that his very heart bled for her. Misery alone seemed to mark it. That
-was deeply stamped. Looking at her, he almost hoped that she would never
-wake again—that she was really dead; but even as this thought crossed
-his mind, she stirred, sighed softly, and opened her eyes.
-
-For awhile she gazed at them—on the Professor, impassive, silent; on the
-younger man, anxious, pained—and then with a sharp, quick movement she
-released herself from the arm Wyndham had placed round her, and raised
-herself to a sitting posture. There was such terror in her eyes as she
-did this that the younger man hastened to reassure her.
-
-‘You are quite safe here,’ he said kindly. The girl looked at him, then
-cast a frightened glance past him, and over his shoulder, as though
-looking fearfully for some dreaded object. ‘My man found you on the
-steps outside. You were ill—fainting, he said—so he brought you in here
-to’—with a gesture towards the Professor—‘this gentleman’s house.’
-
-The girl looked anxiously at the Professor, who nodded as in duty bound,
-but who seemed unmistakably bored, for all that, and angry enough to
-frighten her afresh.
-
-‘If you will tell us where you live,’ said Wyndham gently, ‘we shall see
-that you are taken back there.’
-
-The girl shrank visibly. She caught the little shawl that had slipped
-from her, and drew it round her head once more, almost hiding her face.
-
-‘I can find my own way,’ she said. The voice was low, musical; it
-trembled, and as she moved forward to pass Wyndham, so did she. She even
-tottered, so much, indeed, that she was obliged to catch hold of a table
-near to keep herself from falling.
-
-‘It is impossible for you to walk to-night,’ said the young man
-earnestly. ‘And there is no necessity for it. My servant is at your
-disposal; he can call a cab for you, and he is quite to be trusted; he
-will see you to your home.’
-
-The girl hesitated for a moment, then lifted her heavy eyes to his.
-
-‘I have no home,’ she said.
-
-It was a very forlorn answer, and it went to Wyndham’s heart. God help
-her, poor girl! whoever she was. He glanced again at her clothes, which
-were decidedly above the average of the extremely wretched, and he was
-conscious of a certain curiosity with regard to her—a distinctly kindly
-one.
-
-The girl caught the glance and turned away her head.
-
-‘You can at least say where you want to be driven,’ said he gravely, but
-with sympathy; he hesitated for a moment, and then went on. ‘No
-questions will be asked,’ he said.
-
-She made no answer to this, and while he waited for one the Professor
-broke in impatiently:
-
-‘Come, girl, speak! Where do you want to go? Where do you live?’
-
-On this followed another shorter silence, and then at last she spoke.
-
-‘I shall not go back,’ she said. Her tone was low, but defiant, and very
-firm.
-
-‘That means you will not tell,’ said the Professor. ‘Then go—do you
-hear—go! You are interrupting us here.’ He motioned towards the door,
-where Denis stood mute as a sentinel; he was, indeed, an old soldier,
-for the matter of that.
-
-The girl stepped quickly, eagerly forward, but Wyndham stopped her
-imperatively, and standing between her and the door, he spoke to the
-Professor.
-
-‘It is impossible to turn her out at this hour—in this weather.’ He
-stopped, and now looked at the girl and spoke to her.
-
-‘Why can’t you trust us?’ he said, with angry reproach. ‘Why can’t you
-let us do something for you? You must have a home somewhere, however
-bad.’
-
-The girl thus addressed turned upon him suddenly with miserable passion
-shining in her large, dark eyes.
-
-‘I have not,’ she said. ‘Under the sky of God, there is no creature so
-homeless as I am.’
-
-Her passion was so great that it struck the listeners into silence. She
-made a little gesture with her arms suggestive of awful weariness, then
-spoke again:
-
-‘There was a place where I lived yesterday. It was not a home. I shall
-not live there again. I have left it. I shall not go back.’
-
-‘But where, then, are you going?’ asked Wyndham impulsively.
-
-‘I don’t know.’ She drew her breath slowly, heavily. It was hardly a
-sigh. There was enough misery in it for ten sighs. But her passion was
-all gone, and a terrible indifference had taken its place; and there was
-such consummate despair in her tone as might have touched even the
-Professor. But it did not. He had begun to study her. He was always
-studying people, and now a curious expression had crept into his face.
-He leaned forward and peered at her. There was no compassion in the
-glance, no interest whatever in her as a suffering human thing; but
-there was a sudden sharp interest in her as a means to a desired end.
-Thought was in his glance, and a wild longing that was fast growing to a
-hope.
-
-‘Have you no plans, then?’ asked the young man. His tone was sad. He had
-looked into the depths of her dark eyes, and found there no guile at
-all.
-
-‘None!’ She was silent awhile, and then very slowly she raised her head;
-her brows contracted, and she looked past them both into vacancy. If she
-was communing with her own heart, the results were very sad. Despair
-itself gathered in her eyes. She turned presently and looked at Wyndham.
-‘I wish,’ said she, with a forlorn look, ‘that I had the courage to
-die.’
-
-It was unutterably sad, this young creature, with all her life before
-her, praying for courage to end it; craving for death in the midst of
-life, wishing she had the courage to escape from a world that had
-evidently given her but a sorry welcome.
-
-Wyndham looked round at the Professor as if expecting him to join in his
-commiseration for this poor, unhappy child, but what he saw in the
-Professor’s face checked him. It startled him, and stopped the tide of
-sympathy for a time—as great floods will for the moment always catch and
-carry with them the milder rushes of the rivers near.
-
-The Professor’s face was indeed a study. It was radiant—alight with a
-strange and sudden hope. His piercing eyes were fixed immovably upon the
-girl. They seemed to burn into her as though demanding and compelling an
-answering glance from hers.
-
-She obeyed the call; slowly, languidly she lifted her head.
-
-‘So you would die?’ said he.
-
-‘Yes.’ The word fell listlessly from her lips; but she stared straight
-at him as she said it, and her young unhappy face looked nearly as gray
-as the old merciless one bending over it.
-
-‘Then why live?’ pursued he. ‘Death is easy.’
-
-‘No, it is hard,’ she said. ‘And I am afraid of pain.’
-
-‘If there were no pain, you would risk it, then?’
-
-She hesitated. His glance was now, indeed, so wild, so full of frantic
-eagerness, that it might readily have frightened one older in the
-world’s ways. To Wyndham, waiting, watching, it occurred that the
-Professor was like a spider creeping towards its prey. He shuddered.
-
-‘Speak, girl, speak!’ said the Professor. His agitation was intense, and
-almost beyond control. Here—here to his hand was his chance. Was he to
-have it at last, or lose it for ever? Wyndham could stand it no longer;
-he went quickly forward, and, standing between the Professor and the
-girl, took the former by the shoulders and pushed him gently backwards
-and out of hearing.
-
-‘If this drug of yours possesses the lifegiving properties you speak
-of,’ said he sternly, ‘why speak to her of death? Do you honestly
-believe in this experiment? Or do you fear it—when you suggest this sort
-of suicide to her?’
-
-‘I fear nothing,’ said the old man. ‘But we are all mortal. We can all
-err, even in our surest judgments. The very cleverest of us can be
-deceived. The experiment—though I do not believe it—might fail.’
-
-At the word ‘fail’ he roused.
-
-‘It will not! It cannot!’ he cried, with vehemence. ‘But in the meantime
-I would give her her chance, too. She shall know the worst that may
-befall her.’
-
-‘Why not tell her all?’ said the young man anxiously. ‘It’—he hesitated
-and coloured faintly—‘it would give her her chance perhaps in another
-world if your experiment failed. It would take from her—in part—the sin
-of deliberately destroying herself.’
-
-The Professor shrugged his shoulders. He thought it waste of time, this
-preparing for another world—another Judge.
-
-‘You think, then, that I should tell her?’
-
-‘I do. I think, too,’ said Wyndham strongly, ‘that if your experiment
-succeeds you should consider yourself indebted to her for ever.’
-
-‘I shall see to her future, of course.’
-
-‘If,’ said the young man gloomily, ‘anyone could see to the future of
-such a one as she is!’
-
-The Professor looked at him.
-
-‘You are out of sorts to-night,’ he said. ‘Your natural instinct is
-deadened in you. That girl does not belong to the class of which you are
-thinking. Whatever has driven her to her present desperate state of
-mind, it is not impurity.’
-
-‘You think that?’ Wyndham looked doubtful, but was still conscious of a
-faint wave of relief; and the Professor, watching him, smiled, the
-tolerant smile of one who understands the cranks and follies of poor
-human nature.
-
-‘If so,’ said Wyndham quickly, ‘she should surely not be subjected to
-this experiment at all. She——’
-
-‘For all that, I shall not lose this chance,’ said the Professor
-shortly. He turned and went back to the girl.
-
-She was sitting in the same attitude as when he left her—her hands
-clenched upon her knees, her eyes staring into the fire. God alone knew
-what she saw there. She did not change her position, but sat like that,
-immovable as a statue, as the Professor expounded his experiment to her,
-and then asked her the cold, unsympathetic question as to whether, now
-she knew what the risk was, she would accept it. It might mean death,
-but if not, it would mean safety and protection in the future.
-
-When he had finished, she turned her sombre eyes on his.
-
-‘I will take the risk,’ she said.
-
-Wyndham made a movement as if to speak, but the Professor checked him.
-
-‘Of course, if the experiment is successful,’ he said, ‘I shall provide
-for you for life.’
-
-‘I hope you will not have to provide for me,’ she said.
-
-At this, a little silence fell upon the room, that seemed to chill it.
-The Professor broke it.
-
-‘You agree, then?’
-
-‘I agree.’ She rose, and held out her hand. ‘Give me the draught.’
-
-Wyndham started, his voice vibrating with horror.
-
-‘No, no!’ he cried. ‘She does not understand; and’—to the
-Professor—‘neither do you. If this thing fails, it will mean murder.
-Think, I entreat you, before it is too late to think. That
-girl’—pointing to the young stranger, who was standing regarding him
-with a dull curiosity—‘she is but a child. She cannot know her own mind.
-She ought not to be allowed to settle so stupendous a question. Look at
-her!’ His voice shook. ‘Many a happier girl at her age would still be in
-her schoolroom. She is so young that, whatever her wrongs, her sorrows
-may be, she has still time before her to conquer or live them down.
-Professor, I implore you, do not go on with this.’
-
-The Professor rested a contemptuous glance on him for a moment, then
-swept it from him, and addressed the girl.
-
-‘You are willing?’ he said.
-
-‘Yes.’ She spoke quite firmly, but she was looking at Wyndham. It was a
-strange look, made up of surprise and some other feeling hardly defined.
-
-‘She is not all,’ broke in Wyndham again, vehemently. ‘There is you to
-be considered, too. If this sleep of your making terminates fatally,
-have you considered the consequences to yourself?’
-
-The Professor smiled. He pointed to the girl, who stood marble-white
-beneath the dull gaslight.
-
-‘Like her, I take the risk,’ he said. ‘I think I told you a little while
-ago that I would chance the hanging.’ His smile—a very unpleasant
-one—faded suddenly, and his manner grew brusque and arrogant.
-‘There—enough,’ he said. ‘Stand aside, man. Do you think that now—now
-when at last my hour has come—I am likely to let it slip, though death
-itself lay before me?’
-
-‘For God’s sake, Professor, think yet a moment!’ said the younger man,
-holding him in his grasp. ‘She is young—so young!... To take a life like
-that!’
-
-‘I am going to take no life’—coldly. ‘I see now that you never had any
-faith in me at all.’
-
-‘I believe in you as no other man does,’ rejoined Wyndham hotly. ‘But
-surely at this supreme moment a doubt may be allowed me. If this thing
-were done openly in the eye of day, in sight of all men, it were well;
-but to try so deadly an experiment here, at midnight—with no witnesses,
-as it were—great heavens! you must see the pitfall you are laying for
-yourself. If this experiment fails——’
-
-‘It will not fail,’ said the Professor coldly. ‘In the meantime’—he cast
-a scornful glance at him—‘if you are afraid of being called as a
-witness, it is’—pointing to the door—‘still open to you to avoid such a
-disagreeability.’
-
-Their eyes met.
-
-‘I don’t think I have deserved that,’ said the other proudly, and all at
-once in this queer hour both men felt that the tie that had bound them
-for years was stronger than they knew.
-
-‘Stay, then,’ said the Professor.
-
-He went into an inner room and returned with a phial and glass, and
-advanced towards the girl with an almost buoyant step. There was,
-indeed, an exhilaration in his whole air, that amounted almost to
-madness. He looked wild—spectral, indeed—in the dim light of the
-solitary lamp, with his white hair thrown back and his eyes shining
-fiercely beneath the rugged brows.
-
-‘Are you ready?’ he asked.
-
-She made a slight gesture of assent, and went a step or two to meet him.
-She was deadly pale, but she stood without support of any kind. The
-Professor poured some of the pale fluid from the phial into the glass
-with a hand that never faltered, and the girl took it with a hand that
-faltered quite as little; but before she could raise it to her lips,
-Wyndham caught her arm.
-
-‘Stop!’ cried he, as if choking. ‘Have you thought—have you considered
-that there is no certainty in this drug?’ Her eyes rested for a moment
-on his.
-
-‘I thought there was a certainty,’ she said slowly.
-
-‘A certainty of death, perhaps,’ said he, poignant fear in his tone. ‘At
-this last moment I appeal to you, for your own sake. Don’t take it. If
-you do, it is doubtful whether you will ever come back to life again.’
-
-She looked at him steadily.
-
-‘I hope there is no doubt,’ she said. She raised the glass and drank its
-contents to the dregs.
-
-As she did so, some clock in the silent city outside struck the midnight
-hour.
-
-
-
-
- CHAPTER III.
-
- ‘A land of darkness, as darkness itself, and of the shadow of death;
- without any order, and where the light is as darkness.’
-
-
-Morning had broken through the sullen gloom of night, and still the two
-men watched beside the couch on which the girl lay, seemingly, in all
-the tranquillity of death. The Professor’s drug had been calculated to
-keep her asleep for exactly six hours. So long a time would be a test.
-If she lived, and woke at the right time, then he would try again. He
-would make it worth her while. For the younger man, during this anxious
-vigil, there had been passing lapses of memory, that he, however, would
-have disdained to acknowledge as sleep; but with the old man there had
-been no question of oblivion, and now, as the vital moment drew near
-that should test the truth of the great discovery, even Wyndham grew
-abnormally wide-awake, and with nervous heart-sinkings watched the pale,
-death-like face of the girl.
-
-Could it be unreal? Wyndham rose once and bent over her. No faintest
-breath came from her lips or nostrils; the whole face had taken the
-pinched, ashen appearance of one who had lain for a full day dead. The
-hands were waxen, and the forehead too. He shuddered and drew back. At
-that moment he told himself that she was dead, and that he had
-undoubtedly assisted at a form of murder.
-
-He turned to the Professor, who was sitting watch in hand, counting the
-moments. He would have spoken, but the old man’s grim face forbade him.
-He was waiting. At twelve o’clock the girl had sunk into a slumber so
-profound, so representative of death, that Wyndham had uttered an
-exclamation of despair, and had told himself she was indeed struck down
-by the Destroyer, and now when six o’clock strikes she ought to rise
-from her strange slumbers if the Professor’s drug possessed the powerful
-properties attributed to it by its discoverer.
-
-As Wyndham stood watching the Professor, a sound smote upon his ear.
-One! Again the city clock was tolling the hour. The Professor rose; his
-face was ghastly. One, two, three, four, five, six!
-
-Six! The Professor bent down over the girl, and Wyndham went near to
-him, to be ready to help him when the moment came—when the truth was
-made clear to him that his discovery had failed. Wyndham himself had
-long ago given up hope, but he feared for the old man, to whom his
-discovery had been more than life or love for over twenty years.
-
-The Professor still stood peering into the calm face. Six, and no sign,
-no change!
-
-Already the sun’s rays were beginning to peep sharply through the
-window; there was a slight stir in the street below. Six-thirty, and
-still the Professor stood gazing on the quiet figure, as motionless as
-it. Seven o’clock, and still no movement. The face, now lovely in its
-calm, was as marble, and the limbs lay rigid, the fingers lightly
-locked. Death, death alone could look like that!
-
-Half-past seven! As the remorseless clock recorded the time, the
-Professor suddenly threw up his arms.
-
-‘She is dead!’ he said. ‘Oh, my God!’
-
-He reeled forward, and the young man caught him in his arms. He was
-almost insensible, and was gasping for breath. Wyndham carried him into
-an adjoining room and laid him on a bed, and, finding him cold, covered
-him with blankets. This, so far as it went, was well enough for the
-moment, but what was the next step to be? The old man lay gasping, and
-evidently there was but a short step between his state and that of his
-victim outside. Yet how to send for a doctor with that victim outside?
-To the Professor, whose hours were numbered, it would mean little or
-nothing; but to him, Wyndham, it would mean, if not death, eternal
-disgrace. He drew a long breath and bent over the Professor, who was now
-again sensible.
-
-‘Shall I send for Marks or Drewd?’ he asked, naming two of the leading
-physicians in Dublin.
-
-The Professor grasped his arm; his face grew frightful.
-
-‘No one—no one!’ he gasped. ‘Are you mad? Do you think I would betray my
-failure to the world? To have them laugh—deride——’ He fell back, gasping
-still, but menacing the young man with his eye. By degrees the fury of
-his glance relaxed, and he fell into a sort of slumber, always holding
-Wyndham’s arm, however, as if fearing he should go. He seemed stronger,
-and Wyndham knelt by the bed, wondering vaguely what was going to be the
-end of it all, and whether it would be possible to remove the corpse
-outside without detection. There was Denis—Denis was faithful, and could
-be trusted.
-
-Presently the Professor roused from his fit of unconsciousness. He
-looked up at the young man, and his expression was terrible. Despair in
-its worse form disfigured his features. The dream of a life had been
-extinguished. He tried to speak, but at first words failed him, then,
-‘All the years—all the years!’ he mumbled. Wyndham understood, and his
-heart bled. The old man had given the best years of his life to his
-discovery, and now——
-
-‘I have killed her!’ went on the Professor, after a minute or two.
-
-‘Science has killed her,’ said Wyndham.
-
-‘No; I, with my cursed pride of belief in myself—I have killed her,’
-persisted the old man. ‘I would to God it were not so!’ He did not
-believe in anything but science, yet he appealed to the Creator
-occasionally, as some moderns still do to Jove. His lean fingers beat
-feebly on the blankets. ‘A failure—a failure,’ he kept muttering, his
-eyes fixed on vacancy. ‘I go to my grave a failure! I set my soul on it.
-I believed in it, and it was naught.’ He was rambling, but presently he
-sprang into a sitting posture, his eyes afire once more. ‘I believe in
-it still!’ he shouted. ‘Oh, for time, for life, to prove.... O God, if
-there is a God, grant me a few more days!’ He fell into a violent fit of
-shivering, and Wyndham gently laid him back in his bed, and covered him
-again with the blankets, where he lay sullen, powerless.
-
-‘Try not to think,’ implored the young man.
-
-‘Think—think—what else is left to me? Oh, Paul!’ He stretched out his
-arm and caught Wyndham. ‘That it should be a failure after all. I
-wish——’ He paused, and then went on: ‘I wish I had not tried it upon
-her; she was young. She was a pretty creature, too. She was like ...
-someone——’ He broke off.
-
-‘She was a mere waif and stray,’ said Wyndham, trying to harden his
-voice.
-
-‘She was no waif or stray of the sort you mean,’ said the Professor.
-‘Her face—was not like that. There’—pointing to the room outside—‘go;
-look on her for yourself, and read the truth of what I say.’
-
-‘It is not necessary,’ said the young man, with a slight shudder. And
-again a silence fell between them. It was again broken by the Professor.
-
-‘She was full of life,’ he said; ‘and I took it.’
-
-‘She wished you to take it,’ said Wyndham, who felt choking. Her blood
-seemed to lie heavily on him. Had he not seen, countenanced her murder?
-The Professor did not seem to hear him; his head had fallen forward, and
-he was muttering again.
-
-‘She is dead!’ he whispered to himself. He made a vague but tragic
-gesture; and then, after a little while, ‘Dead!’ he said again. His head
-had sunk upon his breast. It was a strange scene. Here the Professor
-dying—out there the girl dead—and between them he, Paul Wyndham. What
-lay before him?
-
-He roused himself with an effort from his horrible thoughts, and made a
-faint effort to withdraw his hand from the Professor’s; but though the
-latter had fallen into a doze, he still felt the attempt at withdrawal,
-and tightened his clutch on Wyndham; and all at once it seemed to the
-young man as though the years had rolled backward, and he was still the
-pupil, and this old man his tutor, and the days were once more present
-when he had been ordered here and there, and had taken his directions
-from him, and loved and reverenced him, stern and repellent as he was,
-as perhaps no tutor had ever been reverenced before.
-
-After a little while the Professor’s grasp relaxed, and Wyndham rose to
-his feet. A shrinking from entering the room beyond was combated by a
-wild desire to go there and look once again upon the slender form of the
-girl lying in death’s sweet repose upon her couch. He went to the door,
-hesitated involuntarily for a second or two, and then entered.
-
-How still is death! And how apart! Nothing can approach it or move it.
-He looked at her long and earnestly, and all at once it came to him that
-she was beautiful. He had not thought her beautiful last night, but now
-the dignity of death had touched her, and her fear and her indifference
-and her despair had dropped from her, and the face shone lovely—the
-features chiselled, and a vague smile upon the small, closed lips. He
-noticed one thing, and it struck him as strange—that pinched look about
-the features that he had noticed an hour ago was gone now. The mouth was
-soft, the rounded chin curved as if in life. Almost there seemed a
-little bloom upon the pale, cold cheeks.
-
-With a heavy sigh he turned away, and, leaning his arm upon the
-mantelshelf, gave himself up a prey to miserable thought. The fire had
-died out long ago, and the morning was cold and raw, and from under the
-ill-fitting door a little harsh wind was rushing. The Professor, though
-actually a rich man, had never cared to change the undesirable house
-that had sheltered him when first he tried a fall with fortune, and,
-conquering it, came out at once to the front as a man not to be despised
-in the world of science.
-
-What was to be done? The Professor would have to see a doctor, even if
-the medical man were brought in without his knowledge. Would it be
-possible to remove the—that girl—and trust to to-night for her removal
-to——To where? Again he lost himself in a sea of agonized doubt and
-uncertainty.
-
-Denis would still be here, of course; but what could Denis do? He fell
-back upon all the old methods of concealing dead bodies he had ever
-heard of, but everything seemed impossible. What fools all those others
-must have been! Well, he could give himself up and explain matters; but
-then the Professor—to have his great discovery derided and held up to
-ridicule! The old man’s look, as he saw it a little while ago, seemed to
-forbid his betrayal of his defeat. Great heavens! what was to be done?
-
-He drew himself up with a heavy sigh, and passed his hand across his
-eyes, then turned to go back to the inner room to see if the Professor
-was still sleeping. As he went he tried to avoid glancing at the couch
-where the dead form lay, but when he got close, some force stronger than
-his will compelled him to look at it. And as he looked he felt turned
-into stone. He seemed frozen to the spot on which he stood; his eyes
-refused to remove themselves from what they saw. Staring like one
-benumbed, he told himself at last that he was going mad. How otherwise
-could he see this thing? Sweat broke out on his forehead, and a cry
-escaped him. The corpse was looking at him!
-
-
-
-
- CHAPTER IV.
-
- ‘Look, then, into thine heart and write!’
-
-
-Very intently, too, and as if surprised or trying to remember. Her large
-eyes seemed singularly brilliant, and for a while the only thing living
-about her. But all at once, as though memory had returned, she sprang to
-her feet and stood, strong, and utterly without support, and questioned
-him with those eyes silently but eloquently. The queerest thing about it
-all to Wyndham was that, instead of being enfeebled by the strange
-draught she had drunk, she looked younger, more vigorous, and altogether
-another person from the forlorn, poor child of eight hours ago. Her eyes
-were now like stars, her lips red and warm; the drug had, beyond doubt,
-a property that even the Professor had never dreamt of; it gave not only
-rest, but renewed health and life to those who drank it.
-
-Seeing Wyndham did not or could not speak, she did.
-
-‘I am alive—alive!’ she cried, with young and happy exultation. Where
-was the desire for death that lay so heavily on her only a few hours
-ago? It was all gone. Now it was plain that she desired life—life only.
-Her voice rang through the room fresh and clear, filling it with music
-of a hope renewed, and so penetrating that it even pierced into the room
-beyond. And as it reached it, another cry broke forth—a cry this time
-old and feeble.
-
-Wyndham rushed to answer it, taking with him his last memory of the
-girl, as she then stood, with her arms thrown out as if in quick
-delight, and her whole strange, beautiful face one ray of gladness.
-
-The Professor was sitting up in bed a mere wreck, but with expectation
-on every feature. He was trembling visibly.
-
-‘That voice!’ he whispered wildly—‘that voice! I know it. Long years ago
-I knew it. Boy, speak—tell me, whose voice was that?’
-
-Wyndham knelt down beside him, and took his hand in his. He, too, was
-trembling excessively, and his eyes were full of tears.
-
-‘Sir,’ he said softly, ‘she is alive.’
-
-‘She—she—who?’ asked the Professor. He bent forward; his features were
-working.
-
-‘That girl ... last night.... She lives, sir. Your experiment has not
-failed, after all.’
-
-He feared to look at the Professor when he had said this, and bent his
-head, leaning his forehead on the wrinkled hand he held. It quivered
-slightly beneath him, but not much, and presently the old man spoke.
-
-‘She lives?’ His voice was stronger now. Wyndham looked up, and found
-the Professor looking almost his normal self, and with that expression
-in his eyes that the young man knew as meaning a sharp calculation.
-
-‘Yes; I have spoken to her. Will you see her?’
-
-‘No.’ The Professor silenced him by a gesture. He was evidently in the
-midst of a quick calculation now.
-
-‘The hour she woke?’ he asked presently, with such a vigorous ring in
-his tone that Wyndham rose to his feet astonished.
-
-‘Two minutes ago.’
-
-‘Hah!’ The Professor went back to his calculations. Presently a shout
-broke from him. ‘I see it now!’ he cried victoriously; ‘I see where the
-mistake lay! Fool that I was not to have seen it before! It was a
-miscalculation, but one easy to be rectified. An hour or two will do it.
-Here, help me up, Paul.’
-
-‘But, Professor, it is impossible; you must rest; you——’
-
-‘Not another moment, not one, I tell you!’ cried the Professor
-furiously. He lunged out of bed. ‘This thing must be seen to at once.
-What time can any man be sure of, that he should waste it? The discovery
-must be assured. And what time have I?’
-
-He fell forward; he had fainted. Wyndham laid him back, and rushed
-frantically into the next room.
-
-The girl was standing just where he had left her. But her arms were
-outstretched no longer; they were better employed—they were doing up her
-hair.
-
-There was a glass on a wall opposite to him, and by this she was trying
-to bring herself back to as perfect a state of respectability as
-circumstances permitted her.
-
-‘You must go,’ said Wyndham, ‘and at once. Do you hear—at once?’
-
-And, indeed, it was imperative that she should be out of the house
-before the arrival of the doctor, for whom he was now about to go.
-
-She rose. And suddenly gladness died from her face, her arms dropped to
-her sides; something of the old misery, but not all, settled down on her
-once more.
-
-‘I can go,’ she said. ‘I—I am not so afraid now, when it is day; but—he
-said——’
-
-Poor child! she had remembered the bargain of the night before. She had
-not thought it worthy of thought then, believing Death indeed lay before
-her when she drank that draught; but when she woke, when memory returned
-to her (and it always came quickly after such a draught as that), she
-had gladly told herself that now all her troubles were at an end, that
-the old man would provide for her, protect her. And now this young man,
-so forbidding, so unkind, with his harsh voice and ways; and yet last
-night he had seemed so kind!
-
-‘He is dying!’ said Wyndham shortly. ‘A doctor must be summoned without
-delay. I shall arrange for your going—for your safety; but you must be
-quick.’ He rang the bell for Denis, who was waiting for him below. The
-Professor’s only servant was a charwoman, who left nightly at ten, and
-did not return till the same time next morning.
-
-‘You need provide for nothing,’ said the girl. She caught up the little
-shawl that had been wrapped round her last night, and moved towards the
-door.
-
-‘Stay a moment; you can’t go like this,’ said the young man
-distractedly. ‘I have a servant who will take you to some place
-of safety. It is impossible that you should go like this.
-Why’—awkwardly—‘you haven’t even got a bonnet.’
-
-She stopped and looked at him.
-
-‘It is not you who are responsible,’ she said. ‘And’—she drew her breath
-quickly—‘after all, no one is. I took that drug of my own accord, of my
-own will, but he did promise to—to—— But if he is dying?’ She looked at
-him anxiously, making the last speech a question.
-
-‘I am afraid so.’
-
-‘Then that is at an end.’ She went towards the door.
-
-‘Wait for my servant,’ entreated he, following her and laying a hand
-upon her arm. ‘I cannot allow you to go like this.’
-
-‘I don’t see what it is to you,’ said she.
-
-‘It is much—a great deal. For one thing, the Professor, if he recovers,
-would never forgive me for letting you go out of his life without
-reparation—without the fulfilment of his promise to you. He is indebted
-to you, remember. It’—eagerly—‘was a bargain. And, after all, if you
-throw off his responsibility now, where will you go? You say you have no
-home—no——’
-
-‘Nothing! nothing!’ she said. He could see her face pale again, and
-again that dreadful look of despair, of hopelessness, that had crowned
-her last night, aged and made miserable her face.
-
-He turned gladly from the sad contemplation of it to address Denis, who
-had entered the room, his small twinkling eyes as bright as ever; but,
-then, he had slept tranquilly the whole night through by a kitchen fire
-that would have been hard to rival in heat and brilliancy. Amongst all
-Denis’s many virtues, one stood out: he could always be depended on to
-look after himself. And really that is a great thing in a faithful
-servant; so many of them like to pose as martyrs in the cause.
-
-Wyndham led his servant a little aside.
-
-‘You see this——’ He hesitated for a word, and then said, ‘young lady;
-you will take her away at once. There is not a moment to be lost. Get
-her out of the house directly. I am going for a doctor. The Professor is
-seriously ill. Do you understand? You are to lose no time. You must take
-her away at once.’
-
-Denis stared at him in the appallingly nonunderstanding way that
-belongs, I believe, to Irish servants alone. It doesn’t mean that they
-don’t understand; it only means that they are taking it all in, with a
-cleverness that few other servants can show at a moment’s notice.
-
-‘An’ where, yer honour?’
-
-‘Anywhere out of this!’
-
-This struck him as abominably unfeeling, and he added hastily: ‘To the
-safest place you know—the very safest. I depend upon you, Denis. Treat
-her as you would your own daughter.’
-
-
-
-
- CHAPTER V.
-
- ‘For the shades are about us that hover
- When darkness is half withdrawn,
- And the skirts of the dead Night cover
- The face of the live new Dawn.’
-
-
-The doctors when they came could do nothing for him. The Professor,
-though hardly an old man as the ordinary acceptation of the word goes,
-being still within the seventies, had so burnt out his candle at both
-ends that all the science in Europe could not have kept him alive for
-another twenty-four hours. A spice of gruesome mirth seemed to fall into
-the situation when their declaration was laid bare and one thought of
-the great discovery.
-
-Wyndham was the one who thought of it, and a wild longing to rouse the
-old man, who was now sunk into an oblivion that presaged death, and
-compel him even in his death-throes to reveal the secret that might
-bring even him back to life, seized upon him. But he felt it was
-impossible, and presently the two great men went downstairs to consult
-each other, and he was left alone with his dying friend.
-
-They had hardly gone when, watching as he incessantly did the face of
-the Professor, he noticed a change. He bent over him.
-
-‘Why doesn’t she speak now,’ said the Professor. He was thinking of the
-girl’s voice—a voice that had taken him back to his early days in some
-strange way.
-
-‘Master,’ said Wyndham—he, too, had gone back to the old days—‘you are
-thinking——’
-
-‘Of her. They said she was dead.’
-
-‘Who was dead?’ asked Wyndham.
-
-At this the old man roused. He had not known Wyndham’s voice the first
-time, but now he did, and he turned and looked at him; and presently
-consciousness once more grew within his eyes.
-
-‘It is you, boy. And where is she?’
-
-‘She? The girl, you mean?’
-
-‘Yes.... I promised her. You remember.... It is late now, very late ...
-and I must sleep. But ... a word, boy.... I have left you all, and
-she ... out of it ... you must give her ... give her....’ He sank back.
-
-‘All—all,’ said Wyndham eagerly.
-
-‘No ... no’—he rallied wonderfully—‘three hundred a year—that for a
-girl.... The rest is yours.... But see to her.... I can trust you. You
-are a good boy. But your Greek, boy—your Greek is bad—your aorists are
-weak. You must mend—you must mend....’
-
-His dying eyes tried to take the old stern look as they rested on
-Wyndham, the look he used to give the boy when his Greek or his Latin
-verses were hardly up to the mark, but presently it changed and softened
-into a wider light. ‘The boy,’ in the last of all moments, was forgotten
-for the love that was strongest of all.
-
-‘She was very like my wife,’ he gasped faintly, and fell back and died.
-
- * * * * *
-
-It was all over. The doctors had taken their departure, and the old
-dismal house was very still. The Professor had died in the morning, and
-it was quite night again before Wyndham had time to think of ordinary
-matters. It was the presence of Denis, who had come up to see, probably,
-how his master had continued to live so long without him, that brought
-back the thought of the girl to Wyndham’s mind.
-
-‘Where did you take her?’ he asked listlessly. Even as the words passed
-his lips he knew it was most important that she should be found again.
-She was now the inheritress of three hundred a year—no mean thing for a
-girl who only last night was ready and willing to die of want, amongst
-other things, no doubt.
-
-‘To the Cottage, sir.’
-
-‘To——’ Wyndham gazed at him as if too astonished to give way to the
-words that evidently lay very near to his tongue.
-
-‘The Cottage, sir. Yer own place, sir.’
-
-‘The Cottage,’ repeated Wyndham, now breaking forth in earnest. ‘What
-the devil did you take her there for?’
-
-His extreme anger would have cowed perhaps any other servant in Europe
-save Denis. That good man stood to his guns without a flinch.
-
-‘Fegs, sir, ’tis you can answer that,’ said he, with quite an
-encouraging air.
-
-‘What d’ye mean, Denis?’ demanded Wyndham almost violently.
-
-‘I’m manin’—what I’m manin’,’ said Denis, who certainly was not violent
-at all. ‘Ye know yourself, sir, that the first thing ye said to me about
-the crathur was to take her to the safest place ye knew.’
-
-‘Well?’ said Wyndham, with anger he tried hard to stifle.
-
-‘Faix, yer honour, it seemed to me that the safest place I knew for the
-young lady was the house that belonged to yer honour.’
-
-This no doubt was distinctly flattering, but at the moment the flattery
-did not appeal to Wyndham. The girl down there—and what the deuce was he
-to do with her? And what would all the people round be thinking?—for the
-most part country folk. The Cottage lay twenty miles outside Dublin. The
-Rector, Mr. Barry, would for one be positively enraged. He would require
-all sorts of explanations.
-
-Denis had waited for a reply, but finding none, now went on:
-
-‘Anything wrong, sir?’
-
-‘Anything!’ said Wyndham. ‘Were you mad that you should take a—a person
-like that down to my house? A girl found lying on the Professor’s
-doorstep! Good heavens, man! what could you mean by it?’
-
-He exaggerated a little when he said ‘my house.’ As a fact, he lived
-very little in the Cottage, only using it when he felt tired and
-overdone by work. His real home was to be found in rooms in
-Dublin—pleasant rooms in Upper Merrion Street. There he entertained his
-bachelor friends, and was highly regarded by his landlady. He was one of
-those men—more usual than the coming young lady believes—who thought a
-great deal more of their work, and their reading, and their golf, than
-of the opposite sex.
-
-‘Well, sir, there’s this,’ said Denis, who had remained beautifully
-calm. ‘Besides tellin’ me I was to take her to a safe place, ye
-specially said as she was to be thrated as me own daughter. I remimber
-the words well. Now, ye know well, sir, havin’ bin intimate with me an’
-Bridget since ye wur in yer first throusers, that we haven’t a child
-between us; an’ yet for all that I tuck it for manin’ that the young
-lady was to be given to Bridget.’
-
-‘You took a great deal upon yourself then,’ said Wyndham.
-
-‘Maybe so,’ said Denis, pursing up his lips. ‘But ye said as how she was
-to be thrated like that; an’ if a girl was my daughter—why, I’d take her
-to Bridget.’
-
-It was impossible to go into this involved affair. Wyndham dismissed him
-with a gesture; but Denis dallied at the door.
-
-‘I suppose there’s something wrong, sir?’ persisted he.
-
-‘Nothing,’ said Wyndham, putting a match to his cigar, ‘except that you
-are the most infernal ass I ever met.’
-
-With a heavy heart Wyndham, assisted by a physician of great note, had
-gone through the Professor’s papers. There were few of them, and with
-regard to the experiment only a few useless notes here and there,
-principally written on the backs of envelopes. There was nothing
-connected—nothing that could be used. The Professor, it seemed, had been
-in the habit of writing on his brain, and on that only. Alas! there was
-nothing left wherewith to carry on the great discovery.
-
-Wyndham abandoned his search with a sigh. There was no doubt now that
-the wonderful experiment was lost to all time. With this sad ending of
-it he told himself he had closed one chapter in his life, but he made a
-mistake there; the chapter was only beginning.
-
-
-
-
- CHAPTER VI.
-
- ‘In her is highe beauty without pride,
- And youth withoute greenhood or folly.
- To all her workes virtue is her guide.
- Humbless hath slain in her all tyranny:
- She is the mirror of all courtesy,
- Her heart a very chamber of holiness,
- Her hand minister of freedom for almess.’
- CHAUCER.
-
-
-‘No!’ says Susan. The word is not a denial; it is merely an ejaculative
-expression of the most extreme astonishment, largely mingled with
-disbelief.
-
-The sun is glinting through the trees in the old orchard right down on
-her head, striking a light from the glancing knitting-needles she has
-now let fall into her lap. This old orchard is the happy hunting-ground
-of the Barry children old and young—the place which they rush to in
-their joyous moments, the place which they crawl to with their griefs
-and woes. To-day neither joys nor griefs are near them, and it is out of
-sheer love alone for its mossy old apple-trees and its sunlit corners
-that Susan had tripped in here a while ago with a dilapidated old novel
-tucked into her apron pocket, and the eternal sock with the heel half
-turned between her pretty fingers. After her had straggled Betty, a
-slender creature of sixteen, and Tom, the baby. Tom was five, but he was
-always the baby, there having been no more babies after him, principally
-because his mother died when he was born. And last of all came Bonnie,
-the little cripple, hopping sadly on his crutches, until Susan saw him,
-and ran back to him and caught him in her arms, and placed him beside
-her on the warm soft grass, putting out her much-washed cotton skirt
-that he might sit upon it, and so be protected from even an imaginary
-damp, and had cuddled him up to her, to the many droppings of the
-stitches of the long-suffering heel.
-
-Carew, who came between Betty and Susan, was away, fishing somewhere in
-the Crosby river, and Jacky had not put in an appearance since
-breakfast. How on earth his lessons are going to be prepared between
-this—two o’clock—and five, makes Susan wonder anxiously. Why doesn’t he
-come home? What can he be doing?
-
-She has hardly got further than this in her thoughts of the truant, when
-suddenly he appears upon the scene, a very rosy, bright-eyed rascal, big
-with news. Indeed, it was the coming of Jacky, and the astounding
-revelation in his opening sentence—that he had sprung upon them in a
-most unprincipled way, without a word of warning—that had drawn from
-Susan that heavily emphasized ‘No!’
-
-She speaks again now.
-
-‘I don’t believe it,’ she says.
-
-‘Oh, Susan, why not?’ asks Betty, who is sitting with her hands folded
-behind her head, perhaps because if she brought them forward she might
-find some knitting to do, too. Idle hands they are, only made for
-mischief; so is the face to which they belong.
-
-‘Because it’s nonsense,’ says Susan, shrugging her shoulders, and
-drawing Bonnie closer to her. ‘And, besides, I don’t want to believe
-it.’
-
-‘Oh, I do!’ says Betty, with a little grin from under her big sun-hat.
-‘Go on, Jacky.’
-
-‘I saw her, I saw her plain,’ says Jacky, his rosy round face fired with
-joy at the thought of being for once the bearer of important news. ‘She
-was walking about in the garden.’
-
-‘In,’ from Susan, in a severe tone, ‘Mr. Wyndham’s garden?’
-
-‘Yes, in there.’ Jacky now looks as though he is going to burst. ‘Why
-don’t you believe me? I saw her, I tell you. I saw her quite plain. An’
-her hair is dark, a lot darker than yours, an she’s got a blue frock
-like your Sunday one, only better.’
-
-Susan interrupts him with dignity.
-
-‘I don’t see how Mrs. Denis’s——’ Denis’s wife was always called Mrs.
-Denis; if she had any other name, it was sunk beneath insuperable
-barriers. Mr. and Mrs. Denis she and her husband had been since the
-priest poured his blessing down upon them and made them one in the old
-chapel built on the rock at the end of the village. This rock gave the
-parish priest a distinct crow over the Protestant clergyman.
-
-‘Ye would quote me the Scriptures, would ye?’ Father McFane would call
-to Mr. Barry as the latter drove by the chapel in his Norwegian on his
-way to the church beyond. ‘An’ what did St. Paul say? “Like a house
-founded upon a rock.” Why, here’s the rock, man. Come in! come in! where
-are ye going?’
-
-It occurred every Sunday, and Mr. Barry would smile back at Father
-McFane, and nod his head, for the two, indeed, were great friends, as
-the Protestants and Roman Catholics often are in small places, until
-someone comes in to them with wild news and absurd tidings from
-incendiaries outside to upset the loving work of years.
-
-‘I don’t see how Mrs. Denis’s niece or cousin, or whatever she is,
-should have a better gown than mine,’ says she.
-
-‘But she isn’t Mrs. Denis’s cousin, she’s too young,’ says Jacky. ‘She’s
-a girl, and she was pulling the flowers like anything, and if she
-belonged to Mrs. Denis she wouldn’t be let do that.’
-
-Jacky’s English is always horrible.
-
-‘Oh, you’ve dreamt the whole thing!’ says Susan contemptuously. ‘Run
-away and play.’ She has forgotten about the lessons.
-
-‘Oh, you are a marplot! I am going to believe in Jacky for once in my
-life. Don’t go, Jacky! Jacky, come back! If you don’t, Aunt Jemima will
-make you do your lessons.’
-
-This has a magical effect. Jacky swerves round.
-
-‘She is there,’ says he indignantly. ‘I did see her.’ He seems to dwell
-on this fact with gusto. ‘An’ she’s not Mrs. Denis’s niece. An’ old
-Meany down by the mill says she’s been there for four weeks.’
-
-‘The plot is thickening,’ says Betty lazily. ‘’Tis a clever villain,
-whoever she is; fancy her being here for four weeks without the very
-size of her shoes being known throughout the length and breadth of
-Curraghcloyne! Four days ought to have done it. Go on, Jacky! Had she a
-cloven foot by any chance?’
-
-‘No; but’—and Jacky’s eyes widen, and he seems to swell—‘Meany says
-she’s a prisoner.’
-
-‘A what?’
-
-‘Yes, a real prisoner. She’s not let go out of the place. Mrs. Denis
-never opens the front-gate now, but comes out by the little green one we
-can see from the hall-door, an’ even that’s locked when she comes out
-an’ goes back again, Meany says.’
-
-‘Mrs. Denis very seldom comes out by any other,’ says Susan.
-
-‘But she doesn’t always lock it behind her,’ puts in Betty, who is
-evidently beginning to enjoy herself.
-
-‘Now she locks the front-gate too,’ says Jacky triumphantly.
-
-‘It’s perfectly thrilling,’ declares Betty, sitting up and growing
-openly interested. Betty is frivolous. ‘A prisoner, and a young girl.
-Can she be the long-lost princess of our infancy? And imprisoned by Mr.
-Wyndham! Oh, the terrible man!’
-
-‘She is of course a friend of Mrs. Denis’s,’ says Susan, with the grand
-air of one who will have the truth at any price, and who is bent on
-dismissing all theories save the practical one. ‘It’s the most natural
-thing in the world. We all know Mr. Wyndham told her he wouldn’t come
-down for a month or two, and so she is entertaining a niece or a cousin,
-or something.’
-
-‘She isn’t a niece of Mrs. Denis’s, any way,’ persists Jacky
-obstinately; ‘she’—with a hopeful, yet doubtful glance at Betty, whose
-latest idea has struck him—‘she is much more like a—a princess.’ Again
-he looks at Betty, as if expecting her to bring him through this
-difficulty of her own making; but Betty fails him, as she fails most
-people.
-
-‘After all, I dismiss the romantic element,’ says she, nursing her knees
-and swaying herself indolently to and fro in the warm sunshine. ‘I
-incline now towards the supernatural. Susan,’ addressing her elder
-sister with due solemnity, ‘perhaps she is a ghost.’ Her face thus
-uplifted is sufficiently like Susan’s to let all the world know they are
-of kin; but Betty’s face, piquante, provocative, as it is, lacks the
-charm of Susan’s. Betty is pretty, nay, perhaps something more, for the
-Barrys are a handsome race; but Susan—Susan is lovely. It is useless
-saying her nose is not pure Greek, that her mouth wants this or that,
-that her forehead is a trifle too low. Susan, when all is said, when
-long argument has been used, remains what she was before—lovely. The
-smiling, earnest lips, the liquid eyes, the rippling, sunny hair—all
-these might be another girl’s, but yet that other girl would not be
-Susan. Oh, beauteous Susan! with your youthful, starry eyes and tender,
-mirthful, timid air, I would that a brush, and not a pen, might paint
-you!
-
-‘A ghost! Nonsense,’ says she, now contemptuously.
-‘But’—thoughtfully—‘what a queer story!’ And again, with a wrathful
-glance at Jacky: ‘After all, I don’t believe a word of it.’
-
-‘Oh, I do! I want to,’ says Betty, who revels in sensations. ‘And the
-ghost development is beautiful. I’d rather see a ghost than anything. As
-you looked, Jacky, did she vanish into thin air?’
-
-‘No; only round the corner,’ says Jacky reluctantly. He would evidently
-have liked the vanishing trick.
-
-‘Very disappointing! But perhaps that’s her way of doing it. Corners are
-always so convenient.’
-
-‘If the gates are all locked,’ says Susan, turning suddenly a
-magisterial eye upon her brother, ‘may I ask how you saw her?’
-
-‘Ah, that’s part of it! That,’ says Betty, ‘is where the fire and
-brimstone come in. That’s what makes her a ghost. It isn’t everybody can
-see through stone walls,’ says she, lowering her voice mysteriously, and
-glancing at the staring Jacky. ‘She had evidently the power to turn Mrs.
-Denis’s walls into glass! It’s very unlucky, Jacky, for ghosts to fall
-in love with people, and I’m sorry to say I think this one has developed
-a mad fancy for you.’
-
-‘She hasn’t!’ says Jacky, who is now extremely pale.
-
-‘Circumstances point to it,’ says Betty, who is nothing if not a tease.
-‘And when ghosts fall in love, they do dreadful things to people. Things
-like this!’ She has risen, and is now advancing on the stricken Jacky
-with her slender arms uplifted, and long fingers pointed downwards and
-arranged like claws. She has taken to a sort of prance, a high-stepping
-walk that brings her knees upwards and her toes outward, and she has
-worked her face out of all recognition in an abominable grin. All this
-taken together proves too much for Jacky, who, his face now visibly
-paler, descends precipitately upon Susan.
-
-Susan has been seeing to the comfort of her little Bonnie, and has
-therefore been ignorant of Betty’s flight of fancy until the moment when
-Jacky stumbles somewhat heavily against her, and looking up, she sees
-Betty’s diabolical pose.
-
-‘Betty, don’t!’ says she, glancing back to Jacky’s face, which is,
-indeed, a mixture of pluck and abject terror.
-
-‘Would you not warn him, then?’ says Betty reproachfully, returning,
-however, to her ordinary appearance, and making an aside at Bonnie, a
-pretence at shooting him with her first finger and thumb, that sends the
-delicate little creature into fits of laughter. ‘Poor old Jacky!’
-returning to the charge. ‘It isn’t for nothing that ghosts reveal
-themselves. It is easy to see that this one has her eye on you!’
-
-‘She hasn’t,’ says Jacky again, who is on the point of tears. He is
-evidently not partial to ghosts. ‘And it wasn’t through a glass wall I
-saw her—it was——’ He stops dead short.
-
-‘Yes?’ says Susan, still severely. ‘Do be quiet, Betty, and let him
-speak. It was——’
-
-‘Through the hole in the wall near the garden,’ confesses Jacky
-doggedly, but somewhat shamefacedly.
-
-‘You see, it was through the wall, after all!’ says Betty, breaking into
-a delighted laugh. ‘She’ll get you, Jacky—she’ll get you yet.’
-
-‘I don’t think it is a very nice thing to peep through other people’s
-walls into their grounds,’ says Susan, more from the point of view that
-she is the eldest sister, and bound to say a word in season now and
-then, than from any feeling of horror at the act. All boys peep through
-holes in walls, when lucky enough to find them. ‘How would you like it,’
-says she, ‘if you were found doing it?’
-
-‘But I wasn’t found,’ retorts Jacky sulkily.
-
-‘Susan,’ Betty breaks into the argument with a vivacity all her own,
-‘you have no more morality than a cat. You are teaching him all wrong.
-It isn’t the not being found out, Jacky, that is of importance, as Susan
-is most erroneously bent on impressing upon you; it is the fact of
-peeping in itself that makes you the’—shaking her finger at
-him—‘miserable sinner that you are!’
-
-‘Sinner yourself!’ says Jacky, now driven to desperation and the most
-unreserved impertinence. ‘I often saw you look through the hole in the
-wall yourself.’
-
-At this, instead of being annoyed, both Susan and Betty give way to
-inextinguishable mirth; whereupon Jacky, who had, perhaps, hoped that
-his shot would take effect, prepares once more to march away. But Betty,
-making a sudden grab at him, catches him by his trousers.
-
-‘Wait awhile,’ cries she, still shaking with laughter. ‘Susan, seize his
-arm. Tell us the rest of it. Was she——’
-
-‘I won’t tell you anything; and I’m sorry I told you a word at all. Let
-me go, Betty. D’ye hear? You are tearing my breeches.’
-
-‘And you are tearing our hearts,’ says Betty, ‘Jacky darling. Go on;
-don’t be a cross cat, now. Was she——’
-
-‘Twice as pretty as you, any way,’ says Jacky, with virulence.
-
-‘Is that all? Poor girl! says Betty, who is very hard to beat. ‘Prettier
-than Susan?’
-
-‘Yes, lots.’
-
-‘She must be a real princess, then, and no ghost. I’d like to leave a
-card upon her. Perhaps you would kindly push it through the hole in the
-wall, Jacky.’
-
-This is adding to the insult, and Jacky, with the loss of a button or
-two, and serious injury to his suspenders, breaks away.
-
-‘There now!’ says he, beginning to cry. ‘Look what you’ve done; and no
-one to mend it; and Aunt Maria will be angry, and father will give me
-twenty lines——’ Sobs check his utterance.
-
-Susan rises hurriedly, and, with a whispered word to Bonnie, she passes
-him on to Betty, who, in spite of her carelessness, receives the little
-fragile creature with loving arms, hugging him to her, and beginning to
-ransack her memory for a story to tell him, such as his soul loveth;
-then Susan, slipping her arm round Jacky’s shoulder, whispers soft
-comforts to him. He shall come in now and do his lessons with her, so
-that father shall not be vexed this evening, and after dinner (the
-Rector’s family dined at two, and had high tea at seven) she would take
-him with her up to Crosby Park.
-
-Jacky’s recovery is swift; his sobs cease, and he graciously allows
-himself to be kissed. To go to Crosby Park is always a joy—the big,
-huge, handsome place, with its long gardens and glass houses, and, best
-of all, its absentee landlord.
-
-It is, indeed, quite ten years since George Crosby has been at the Park,
-and in all probability ten more years are likely to elapse before he
-comes again. The last accounts of him were from Africa, where he had had
-a most unpleasantly near interview with a lion, but had got off with a
-whole skin and another not quite so whole: the lion had come to grief.
-
-
-
-
- CHAPTER VII.
-
- ‘Where there is mystery, it is generally supposed that there must also
- be evil.’
-
-
-It is three o’clock as Susan, with Jacky in tow, leaves the Rectory gate
-and goes up the village towards the broad road beyond that mounts
-steepwards to Crosby Park. Curraghcloyne possesses but one street, and a
-very small one, too; but as a set-off to that it teems with interest.
-
-This morning a pig-fair was held in the ‘fair-field,’ a square mass of
-beaten earth, anything but ‘fair,’ and as unlike a field as possible;
-and now that the ‘payers of the rint’ have been mercifully removed,
-bought, or sold, the unsightly patch is covered by young colts, that are
-being ridden up and down by their owners, with a view to showing them
-off; whilst in the far part of the field, over there, cows, sheep, and
-donkeys are changing owners.
-
-Here, in the main street, much lively conversation is going on. On the
-right, Salter, the hardware man—a virulent Methodist, who calls himself
-a Protestant—is retailing to a hushed and delighted group the very
-latest ritualistic news of the curate just lately imported, and who, if
-a most estimable man, is undoubtedly abominably ugly. Short and stout
-and ill-made, poor Mr. Haldane has not proved a success amongst the
-Protestants of the parish. His views are extreme, and so are his looks,
-and, as Betty most unkindly put it, he should, on his ordination, have
-been at once despatched by the Bishop of the diocese as a missionary to
-the Cannibal Islands, with a view to getting rid of him as quickly as
-possible. He is a sore trial to Mr. Barry, the Rector of the parish, and
-Susan’s father. But he had to replace the last curate in a hurry, that
-young man having resigned his charge at a moment’s notice, because the
-Rector would not give his sanction to having matins at six a.m., he
-said; but in reality because Susan had, the evening before, rejected him
-with a haste that deprived him of all hope.
-
-Just now the excitement amongst the groups at Salter’s is growing
-intense. The curate had been knocked down. No! But he had fallen—and so
-on, and so on. A few shops lower down comes Mr. Murphy, the
-undertaker’s. He, too, as indeed do all the shopkeepers in
-Curraghcloyne, stands in the front of his shop-door, chatting to all who
-come and go. A little, fat, jolly man, rather useless you would think in
-a solemn business like his, and yet the best undertaker, for all that,
-in the seven parishes round. Perhaps it is well to have a cheerful
-person of that sort to dispel the dreadful gloom of death. However it
-is, he is a universal favourite, and no wonder, when I tell you he is
-the man in all Curraghcloyne who can tell you most about the babies!—the
-ones come, the ones to come immediately, and those in the middle
-distance! The gayest, happiest little man in the town, with a wife as
-rosy as himself, and quite a crowd of embryo little undertakers swarming
-round his knees. But these, and many more of the Curraghcloyne
-celebrities, sink into insignificance before Ricketty, the proprietor of
-the Crosby Arms Hotel. This name is painted on a swinging signboard,
-with a huge boar beneath, the crest of the Crosbys from all time.
-
-Ricketty—his name was once Richards, but time and many devoted
-friendships has brought it down to Ricketty—is a huge benign Irishman,
-with the biggest jaw in Europe and the smallest eyes. To his bones flesh
-has grown, until now he might have exhibited himself in the most
-fastidious show in New York as the ‘Last of the race of Anak,’ or some
-such attractive title.
-
-And as most big men are, so is he—the mildest-mannered man on earth; who
-would have run away if he had been asked to scuttle a ship, and who
-would have fainted if the idea of cutting the throat even of a mouse had
-been suggested to him. One side of his hotel has the usual bar blind up
-in it, behind which is a parlour, where on special occasions the
-politicians congregate to air their eloquence. The other side is given
-up to a fancy shop, kept by his sister, Miss Ricketty.
-
-Miss Ricketty is the wit, and therefore the scourge, of the village
-(very little wit suffices for a village such as Curraghcloyne), and
-though nearly stone-deaf, knows more of the ‘goings on’ of her
-neighbours than anyone else in the small town.
-
-Of course there is a bank and a post-office in Curraghcloyne. And a
-town-hall, where the future tenors and sopranos of the world sometimes
-‘kindly consent’ to sing to the poor people round them. And there is the
-draper’s shop called ‘The Emporium,’ very justly, of course; and there
-is a market-place too, where everyone says the beef and mutton are both
-bad and dear. But even the interest of all these fails before the
-caustic tongue of Miss Ricketty.
-
-Just as Susan reaches the window of the hotel that holds Miss Ricketty’s
-show of notepaper, ballads, bull’s-eyes, woollen mufflers, the latest
-thing in veils ten years old, and the flotsam and jetsam of various
-seasons past, she finds herself face to face with Wyndham.
-
-‘You have come back!’ says she involuntarily. She is glad to see him. He
-is—well, scarcely an old friend, because the distances between his
-comings and goings to the Cottage make such broad margins on the leaf of
-time that he has hardly come into quite close contact with the family at
-the Rectory. But they have known him for a long time, and they have
-liked him, and there is a good deal of soft, pleasurable welcome in the
-glance that Susan gives him. He has been away now, she tells herself,
-quite two months.
-
-‘Yes,’ says Wyndham, smiling. His smile is a little preoccupied,
-however. ‘And how are you, Jacky? My goodness, how we are grown! You’ll
-be as big as Ricketty presently if you don’t put a weight on your head.’
-
-Jacky sniggles, but, like Wyndham’s smile, his sniggles are a little
-preoccupied. Having shaken hands with the latter, he retires behind
-Susan, and wonders if Wyndham is going up to the Cottage, and if he is,
-will the ghost catch him? He rather hopes it. It would leave
-him—Jacky—free, any way, and Mr. Wyndham is a big man and would be a
-better match for her.
-
-Susan, too, is thinking of the ghost. As Wyndham is facing now, the
-Cottage lies before him. Is he going to see the mysterious ‘prisoner’?
-Perhaps he is married to her! This seems delightful—like an old romance,
-so much nicer than the commonplace marriages of to-day. She scans
-Wyndham’s face swiftly with a view to saying something nice and kind to
-him, if she sees anything there to help her to believe in this
-sentimental marriage. But evidently she sees nothing, because she says
-nothing. After all, she tells herself, it is of course a secret.
-
-‘I hope you will come in and see father,’ she says presently, when she
-and Wyndham have discussed the town and its inhabitants, and she has
-told him all the news. He is in the habit of sleeping at the Cottage
-whenever he does come down, and in the habit, too, of spending his
-evenings at the Rectory, which is only just over the way from the
-Cottage.
-
-‘Not to-night, I’m afraid,’ says Wyndham. ‘I must go back to town by the
-evening train.’
-
-A slight frown gathers on his brow, but he dismisses it as he bids her
-good-bye.
-
-‘Remember me to him,’ he says quickly, absently. He pinches Jacky’s ear,
-and is gone.
-
-Susan, who has been inveigled into a promise concerning bull’s-eyes, is
-now led triumphantly into Miss Ricketty’s shop, where that spinster is
-discovered in an Old English attitude, her body being screwed out of all
-shape in her endeavour to catch sight of someone going down the street.
-Her window is quite blocked up by her shoulders, and her deafness
-prevents her from knowing of Susan’s coming until Jacky, falling over
-her left leg, which is sticking out behind in mid air, brings her back
-to the perpendicular and a view of Susan.
-
-She is a small woman, thin to a fault, and shrewd-visaged, with a
-quizzical eye and a bonnet. The latter is of the historic coal-scuttle
-shape, and must have been a most admirable purchase when
-bought—‘warranted to wear,’ in the truest sense of the word, as it has
-lasted without a break for at least fifty years. As no one in
-Curraghcloyne ever saw her ‘outside of it,’ and as she is popularly
-supposed to sleep in it, it may safely be regarded as a sound article;
-even her worst enemy had once been heard to say that, ‘no matther how
-great an ould fool she was wid her tongue,’ she had made no mistake
-about ‘the bonnet.’
-
-‘An’ is that you, Miss Susan, me dear?’ says she, when Jacky has picked
-himself up, and she has ceased to rub her ankle. ‘Ye’re as welcome as
-the flowers in May, though divil a flower we had this year, wid the rain
-an’ all. Ye’re not in a hurry, miss, are ye, now? Ye can spare a minute
-to the ould maid? Come in, then.’
-
-She opens the little gate that hinges on to her little counter, and
-draws Susan inside, to her ‘parlour,’ as she calls the tiny space
-within—a cosy spot in truth, where in the winter a fire burns briskly,
-and with a wall lined with bottles that make glad the souls of children.
-To Susan Barry the old maid has given all the heart that remains from
-her worship of her giant brother. Perhaps it is the almost childish
-sweetness of her manner that has won the old maid’s heart, or else the
-young unconscious beauty of her—beauty being dear to the Irish heart.
-However it is, she has a warm corner in Miss Ricketty’s.
-
-‘An’ how’s your good aunt?’ says the spinster, adjusting the bonnet with
-one hand, whilst with the other she pulls out from under the counter a
-huge ear-trumpet, half a yard long, and big enough at the speaking end
-to engulf Susan’s small and shapely head. ‘She’s been expectin’ that
-clutch o’ eggs I promised her, no doubt; but them hens o’ mine might as
-well be cocks for all the eggs we get out of them.’
-
-‘Aunt Jemima knows that eggs are scarce now,’ cries Susan, softly, into
-the gulf.
-
-‘Scarce! ’Tis nothin’ them ungrateful hens is doin’ for us now, an’ we
-who coddled ’em up all the winther. The saints forgive thim! Miss
-Susan’—leaning towards the girl, and speaking with the suppressed
-emotion of the born gossip—‘was that Misther Wyndham as wint up the
-street just now?’
-
-‘Yes,’ says Susan. ‘I was talking to him just before I came in here.’
-
-‘No! Blessed Vargin!’ says Miss Ricketty, recoiling; she had, of course,
-been the first to hear of the mysterious stranger at the Cottage, and
-had, indeed, told the news to her brother, under promise of secrecy,
-that she knew he would not keep. Nor did she want him to keep it. How
-can you gossip unless you have someone to gossip with? That is why
-people spread scandals.
-
-‘And what was he saying?’ asks she presently, when she has produced a
-little box of figs and given them to Jacky, with a view to keeping him
-quiet until she has got the last word of news out of Susan.
-
-‘Nothing, I think,’ says Susan, running over mentally her late
-conversation with Wyndham. ‘He won’t have time to see father to-night,
-because he is going back to town by the evening train.’
-
-‘Is that what he says?’ Miss Ricketty gives her bonnet a push. ‘Faith,
-he’s full of smartness. An’ did he tell ye nothin’ at all?’
-
-‘Oh, it was I who told him everything,’ says Susan. ‘He wanted to know
-how the new curate was going on, for one thing, and——’
-
-‘If ’twas Misther Haldane he was askin’ afther so kindly, I could a’
-tould him somethin’,’ says Miss Ricketty. ‘But never mind him! What else
-was Misther Wyndham sayin’?’
-
-‘There was not time to say anything,’ says Susan, laughing. ‘He was in a
-hurry, and so was I—at least, Jacky was; he wants you to give him two
-pennyworth of bull’s-eyes. Though, really, after those figs——’
-
-‘Miss Susan’—the old maid puts Susan’s last remark aside with an
-eloquent gesture—‘have ye heard anything sthrange about the Cottage
-lately?’
-
-Susan starts, and Jacky comes to a dead set, the last fig between his
-finger and thumb. Jacky must be far gone indeed when, having anything
-edible between his fingers, he delays about putting it between his lips.
-
-‘Ye have, I see,’ says Miss Ricketty. ‘I’m tould, me dear,’ looking
-behind her, and beside her, and to the door, and now, for even better
-security, putting up her opened palm to one side of her mouth, ‘that
-there’s a young—a’—she hesitates as if to choose a word, then comes to a
-safe conclusion—‘a faymale there,’ she says.
-
-‘There’s a girl there, I think,’ says Susan nervously. ‘At least’—here
-Jacky looks at her appealingly, and she changes her sentence—‘someone
-says there is. A niece, or a friend of Mrs. Denis’s, I suppose.’
-
-‘Arrah! Suppose!’ says Miss Ricketty with considerable eloquence, but
-without committing herself.
-
-‘Well, if not that,’ says Susan, who is full of her late romantic idea
-about a secret marriage between the unknown and Wyndham,
-‘perhaps—perhaps Mr. Wyndham knows something about her.’
-
-Miss Ricketty turns sharply, and looks at her. But the girl’s lovely,
-open, tranquil face betrays nothing but a soft enthusiasm. A sense of
-amusement fills Miss Ricketty’s breast.
-
-‘Fegs, I’m thinkin’ ye’re on the right thrack,’ says she evenly.
-
-‘You won’t say it again, Miss Ricketty, will you?’ says Susan; ‘but I
-have thought—at least, it has occurred to me—that perhaps she’s Mr.
-Wyndham’s wife.’
-
-This is a little too much for Miss Ricketty. She gives way suddenly to a
-fit of coughing, and, turning her back to Susan, dives under the
-counter, whether to recover from a very proper confusion, or to indulge
-in very improper laughter, can now, alas! never be known. When she
-emerges, however, her face is a fine crimson.
-
-‘That would be very romantic, wouldn’t it?’ says Susan, looking at her
-and speaking softly, yet with a pretty delight. ‘A marriage like that,
-with nobody knowing anything except they two, you know; and I feel sure
-she is lovely, and Mr. Wyndham is very nice-looking too, and after
-awhile perhaps we shall know her. He will introduce us to her, and we
-shall be friends, and——’
-
-‘’Tis a beautiful story,’ says Miss Ricketty, breaking in with unction.
-‘An’ beautiful stories, we all know, come thrue. I wish ye joy o’ the
-bride at the Cottage, Miss Susan; but I wouldn’t be for intherferin’ wid
-the young married people too soon if I were you, me dear.’
-
-‘Of course, I shouldn’t do that,’ says Susan hastily, her fair face
-growing earnest. ‘But I thought that if——’
-
-‘Well, ye’d betther wait, I think,’ says Miss Ricketty. ‘’Tis bad bein’
-in a hurry, as Misther Haldane found out last night.’
-
-‘Mr. Haldane! What has happened to him?’
-
-‘Fegs, miss, it seems that last night, as he was descendin’ the steps
-from the vesthry, he thripped, God help us! an’ fell on his ugly mug an’
-broke his front teeth.’
-
-‘Oh, how dreadful!’ says Susan, real compassion in her tone, though the
-new curate is rather farther beyond the range of her sympathy than even
-the old. ‘I wonder father hasn’t heard of it.’
-
-‘It seems the poor gintleman is keeping it dark,’ says Miss Ricketty,
-‘wid the thought of gettin’ thim put in agin widout anyone knowin’.
-But’—wrathfully—‘’twill be no use for him. I see that villain of a
-Salter down there’—with a glance out of the window—‘tellin’ every wan of
-it. Why, ye must have seen him yerself, miss, as ye come by.’ And
-suddenly Susan does remember the crowd round Salter’s shop-door, with
-Salter himself in its midst. ‘He’s got hould of it, for sure, and if he
-has ’twill be short shrift for Misther Haldane.’
-
-‘But why?’ asks Susan.
-
-‘Why, this, miss! He hates your clergy because he’s not in wid ye, like.
-A Methody he is; an’ Mr. Haldane goes agin his grain, wid the candles
-an’ the flowers an’ that, an’ he says how that Mr. Haldane had a dhrop
-too much last night when he thripped on the vesthry stairs.’
-
-‘What a shame!’ says Susan indignantly. ‘I know for a fact that Mr.
-Haldane is——’
-
-‘Yes, of course, miss. But that’s how thim Methodys does. An’ as for
-that Salter himself, I don’t believe in him. ’Tis a power o’ whisky he
-can get undher his own belt widout bein’ found out, until his timper is
-up. I know for a fact that ’twas only a week ago that he bate his poor
-wife until she let a screech out of her that would have waked Father
-D’Arcy himself, only that the seven sleepers aren’t a patch on him.’
-
-It appears she cannot even spare her parish priest! Susan, who has
-risen, and who is now dragging Jacky from under the counter, where he
-has been in hot pursuit of a kitten, bids her old friend good-bye for
-the present.
-
-‘You’ll tell Miss Barry about the clutch,’ says the spinster; and ‘Yes!’
-shouts Susan into the terminus, a little louder than usual, perhaps,
-because Miss Ricketty lifts up her hand and shakes it at her
-reproachfully.
-
-‘Wan would think I was deaf,’ says she tragically, whereupon both she
-and Susan laugh together. The girl’s happy mirth—seen if not
-heard—delights the old maid behind the counter.
-
-‘Good-bye, me dear, an’ God bless you!’ says she, and, disdaining to
-even see Susan’s pennies, she thrusts a big parcel of sweets into
-Jacky’s small hands.
-
-‘Keep a few for Masther Bonnie,’ whispers she, as she kisses him and
-sends him after his sister.
-
-At the door, however, Susan turns back, and once more calls down the
-trumpet:
-
-‘You will contradict that thing about Mr. Haldane, won’t you?’ says she;
-‘surely it is bad enough that he should have lost his front teeth,
-without having scandalous stories spread about him. Besides, they will
-make father very unhappy.’
-
-‘I’ll look afther him,’ says Miss Ricketty, ‘if only to oblige ye, me
-dear; though, I think, I’m not wantin’. Providence seems to have his eye
-on that young man.’
-
-‘Oh, poor man! I’m afraid not,’ says Susan; ‘he was ugly enough before,
-and now his front teeth are gone!’
-
-‘That’s it,’ says Miss Ricketty; ‘whin next ye look at him, ye’ll see
-what a fine openin’ the Lord has made for him.’
-
-The last vision Susan has of Miss Ricketty shows her leaning back in her
-chair, with her apron over her bonnet, convulsed with joy at her own
-wit.
-
-
-
-
- CHAPTER VIII.
-
- ‘Nature often enshrines gallant and noble hearts in weak
- bosoms—oftenest, God bless her! in female breasts.’
-
-
-Quite close to the gardens Susan meets one of the under-gardeners at
-Crosby Park.
-
-‘I suppose Master Jacky and I can go in and see the gardens, Brown?’
-
-‘Oh yes, miss, o’ course. But I’m afraid there’s no one there. As it
-happens, no one’s working there to-day. ’Tis a holiday, you know, miss.
-An’ the gates are locked.’
-
-It happens, indeed, to be a saint’s day, or holiday—one of the
-innumerable saints’ days that are held sacred in Ireland, and on which
-no man will work, if he is a Roman Catholic labourer, though the loss of
-the day’s hire is a severe strain upon his slender resources. And the
-funny part of this arrangement is that, though they are too religious to
-support their families by working on these days, they never know what
-saint’s day it is, or anything in the world about him—or her.
-
-‘Oh!’ says Susan; she had forgotten about its being a holiday, though
-both the maids had gone to chapel in the morning, leaving her and Betty
-to make up the many beds. Her tone is so disappointed that Brown drags
-out a key from his trousers pocket.
-
-‘If ye’ll take this, miss, ye can let yoself in, an’ ye can lave it at
-the lodge wid Mrs. Donovan whin ye’re goin’ back.’
-
-‘Oh, thank you, Brown!’ says Susan joyfully; and diving into her pocket,
-she produces twopence (it is quite a sum for Susan, whose pennies are
-very scarce), and gives it to him, an instinct born with her—a sort of
-pride—compelling her to reward the underling. And yet she had refused to
-give Tommy—the baby, the youngest of all, and the dearest to her of the
-children after Bonnie—a halfpenny out of that twopence only this
-morning.
-
-‘Thank you, miss,’ says Brown, with considerably more gratitude than he
-would have shown another if she had given him half a crown, and Susan,
-who had paid for the key quite as much for her own sake as for Jacky’s,
-goes on her way rejoicing.
-
-Yes, the gate is locked. Susan, having unlocked it, carefully removes
-the key, locks it on the other side, and goes down the broad, beautiful,
-scented path with Jacky beside her. Some of the houses are near, but not
-so worthy of notice as those that come after, and through these they
-hurry to the great glass ones beyond—where the roses are all a-growing,
-all a-blowing, in magnificent profusion—that are always kept up in a
-very perfect state, though the master of them be in the Soudan or North
-America, or among the highest peaks of the Andes.
-
-Between these two sets of houses runs a wall, now laden with
-cherry-trees in full fruit, and as Susan and her brother emerge from the
-seedling-house into the freer air, she catches sight of something that
-brings her to a standstill.
-
-Against the wall where the cherries are growing stands a ladder, and on
-the top of it—a man.
-
-Now, Susan knows all the gardeners at Crosby Park, and even those
-beneath them, and certainly this man is not one of them.
-
-She turns and retreats on Jacky, who is just behind her, and for a
-moment fear covers her. She has never been brought face to face with a
-thief before—few girls have been—and a desire to fly is the thought
-uppermost in her breast. She glances upward fearfully to the figure on
-the top of the wall, who is hastily pulling off the cherries and
-dropping them into the basket he has slung on to the top of the ladder.
-She draws her breath quickly. Could anything be more premeditated—could
-anything show more plainly what a determined rogue he is? And to-day of
-all days! A holiday, when, of course, he knew that all the gardeners
-would be away, and the place safe to him! No doubt he had climbed the
-outside wall—thieves can do anything—and had found the ladder inside
-with which to rob poor Mr. Crosby, who is now goodness knows how many
-miles away.
-
-Susan stands rooted to the ground, not knowing whether to stay or fly.
-Old stories of heroines return to her, and it seems to her that it would
-be base to steal away now and say nothing; even if she happened to gain
-the walk outside, it is doubtful whether she should meet any servant,
-this being a saint’s day; and if she did, would he be willing to tackle
-a real live thief single-handed? As she hesitates, she again looks at
-the man, and notices that he is glancing from right to left, hesitating,
-as if either uneasy or else with a view to choosing the best fruit. Both
-ideas anger her, but the second more than the first. Uneasy? of course
-he is! And no wonder, too! A thief must necessarily be uneasy. And to
-attempt to steal here, in this lovely secluded place!
-
-The owner of Crosby Park has been so long away that Susan has almost
-adopted his place as her own. Many years ago Mr. Crosby, who had been a
-pupil of Mr. Barry’s, had given directions that every member of the
-Barry family should have free right to his grounds, and Susan, once come
-to years of discretion—not so long ago—has taken great advantage of this
-kindly permission. It is so near to the Vicarage, and so lovely! All its
-walks and pretty windings are so well known to her. They have been much
-to her, indeed, during all these years, though so little to the actual
-possessor of them, who has evidently found more pleasure in shooting
-grizzlies than in cultivating cherries.
-
-That now someone has come to steal these cherries seems dreadful to
-Susan. With that poor man away, too—at the end of the world probably,
-shooting, or being shot by, some of those awful Indians! Again she casts
-her frightened glance at the thief, still high on his ladder and secure
-from detection now that all the servants are away; and something in his
-air—an insolent security, perhaps—drives her to action.
-
-No, she will not fly! She will tell him, at all events, what she thinks
-of him before flying. She makes her way straight to the foot of the
-ladder, wrath in her bosom, and addresses him.
-
-‘I wonder you aren’t ashamed of yourself!’ cries she, righteous
-indignation in her tones and in her lovely uplifted eyes.
-
-The sweet voice rings up the ladder. The start that the thief on the top
-of it gives, when he hears her, condemns him to all eternity in Susan’s
-eyes. ‘No one,’ argues Susan to herself, ‘ever starts unless he is
-guilty.’ Susan is very young.
-
-The man casts a sidelong glance at her. It is so one-sided that Susan
-hardly sees him, but evidently he is trembling, conscience-stricken,
-because he makes no reply.
-
-‘Come down!’ says Susan again, her courage mounting with the occasion.
-Her tone is now severely calm, and without a vestige of fear. After all,
-he is a poor creature whom even a girl can frighten, so small is the
-courage of the unrighteous! ‘Do you know what you are doing? You’—with
-accumulated scorn—‘are stealing!’
-
-This terrible charge brings the culprit round. He sinks upon the topmost
-rung of the ladder, as if overcome, and pulls his cap over his eyes,
-evidently to avoid recognition. Says Susan to herself: ‘He is ashamed,
-poor creature!’ and seeing the abject attitude of the wretch, she grows
-bolder, and presses the wondering Jacky to her side, and tells him to
-take courage. This poor man will not kill them. No—no, indeed.
-
-‘Yes, stealing,’ repeats she, her fair, beautiful face uplifted to the
-sinner’s above her. There is a second pause, during which, perhaps, the
-sinner takes note of it.
-
-‘I——’ begins he, then pauses. Susan’s eyes are looking into his, and
-Susan’s face, implacable and austere, no doubt has daunted him. But
-Susan tells herself that conscious guilt has rendered him silent. After
-awhile, however, he makes another attempt.
-
-‘I——’ says he again, and again stops. It is contemptible! Susan turns a
-scornful glance upon him.
-
-‘It is not to be defended,’ says she. ‘To steal from a garden like this!
-From a garden that the owner has so kindly left open to many people—who
-has besides been so kind, and who has helped all the poor in the
-district. He has given forty blankets where another has given ten, and
-coals without restriction everywhere. And these beautiful gardens,
-too—he has given these as a recreation to some who have no lovely
-gardens of their own; and now you take advantage of a day like this,
-when all the servants are away, to defraud this kind, kind man and steal
-his cherries. Oh, how can you bear to be so bad?’
-
-‘If you would hear me!’ begins the man on the top of the ladder, in a
-low tone. He is evidently immensely touched by the scorn of the young
-evangelist below, because his voice is very low and uncertain.
-
-‘There is nothing to be said,’ says Susan, her eyes gleaming with honest
-disgust. ‘There is no excuse for you. You are here stealing Mr. Crosby’s
-cherries, and, as I said before, you ought to be ashamed of yourself.’
-
-‘Still, miss, if you would listen a moment!’ He has pulled his cap even
-closer over his brows.
-
-‘You needn’t do that,’ says Susan. ‘Poor creature! you need not be
-afraid of me; I will not give you up to justice!’
-
-‘Thank you kindly, miss,’ comes from the wretched creature behind the
-cap. He is evidently struggling with emotion.
-
-‘I don’t want you to thank me,’ says Susan, who is feeling inclined to
-cry. She has often read of thieves, but never met one until now, and it
-seems to her, all at once, that they are decidedly interesting, so ready
-to hear—to receive admonition, too. ‘I want you to promise me that for
-the future you will abstain from—from thieving of any sort.’
-
-‘I’ll promise you, miss—I will indeed. I’d promise you anything.’ Poor
-thing! he seems quite overcome. ‘But, miss, I wasn’t really stealing
-just now.’
-
-‘Oh, nonsense!’ says Susan; a revulsion of feeling makes her once again
-hard to him. Confession is good for the soul, but denial—and such a
-useless denial, too, caught in the act as he is—savours of folly, that
-worst of all things, for which there is no forgiveness.
-
-‘Do you think I did not see you? Why, look at that basket; it is nearly
-full. How can you say you were not stealing those cherries? Better to
-show some regret than to carry off your crime in such a barefaced way.’
-
-It is hardly barefaced, the unhappy culprit’s face being now quite
-hidden by his cap.
-
-‘Just think,’ says Susan, her clear, sweet voice trembling with grief
-because of this sinner; ‘if you had a garden, would you like people to
-come into it and steal your fruit?’
-
-The poor thief is evidently beginning to feel the situation acutely. He
-has taken out his handkerchief in a surreptitious fashion, and is
-rubbing his eyes with it.
-
-‘I shouldn’t mind if it was you, miss,’ says he, in a stifled tone.
-
-Poor thing! he is evidently very sorry.
-
-‘You won’t give me up, miss?’
-
-‘No, no!’ cries Susan hastily. ‘But I do hope you see and are grieved
-for what you are doing. When people are so good and so generous as to
-let other people go through their grounds and get a great deal of
-enjoyment out of them, I think the least those others may do is to
-respect them, and their shrubs, and fruit, and flowers.’
-
-‘You’re right, miss. I seem as if I never saw it like that till now.’
-
-‘Ah! that’s what they all say,’ says Susan sadly, and with a sigh. She
-has a good deal to do with her father’s impenitent penitents. ‘But you
-are no doubt from some distant parish. A tramp, I suppose,’ says Susan,
-with another sigh. ‘At all events, I am sure you do not belong to this
-part of the world, as your voice is strange to me.’
-
-‘I’ve come a long way, miss, indeed.’
-
-‘Poor man! Perhaps you are hungry,’ says Susan. Again she searches her
-pocket, and produces the last coin in it—the last coin she has in the
-world, for the matter of that—and lays a sixpenny bit on the lowest rung
-of the ladder.
-
-‘Perhaps this may help you,’ says she. ‘I’m sorry I haven’t any more,
-but I haven’t. And now remember I expect you to keep your promise. I
-shall not report you, or get you into trouble of any sort; in fact,
-this’—gently—‘shall be a secret between you and me; but I do expect you
-to go away without those cherries, and with the promise never to steal
-again.’
-
-‘I promise you that, miss, most gratefully. I’ll never steal again. But,
-miss, might I give the cherries to you or the young gentleman?’
-
-‘No, no!’ says Susan in horror. She catches Jacky’s hand and draws him
-away from temptation. After going a yard or two, however, she looks
-back; and the thief, who has been looking after her, again pulls his cap
-hurriedly over his guilty face.
-
-‘The gate is locked,’ says she; ‘how will you get out?’
-
-‘The way I came, miss,’ says the bad man, with open signs of contrition.
-
-‘I see—yes,’ says Susan sadly. ‘But go at once. I trust you—remember.’
-
-‘I’ll never forget it, miss,’ says the unhappy man, sinking down upon
-the ladder and covering his face with his hands.
-
-‘Jacky,’ says Susan, when they have left the garden and locked the door
-carefully behind them, ‘if you ever say a word about that poor creature,
-I’ll never think the same of you again. Do you hear? He is a wretched
-thief; but I have given my word not to betray him, and you must give
-your word too. Poor man! I think he was sincerely sorry. You won’t say a
-word at home or anywhere, Jacky?’
-
-‘No,’ says Jacky. He looks at her. ‘Why couldn’t you have taken the
-cherries?’ says he.
-
-It takes the entire remainder of the walk home to make the ‘why’ clear
-to him.
-
-
-
-
- CHAPTER IX.
-
- ‘He knew not what to say,
- And so he swore!’
-
-
-Wyndham, when he met Susan, had been in rather a disgusted mood. Shortly
-after the Professor’s death he had gone to Norway for a month with the
-friend whom he had arranged to go with on the morning following the
-luckless night that had seen the last of the Professor’s experiment. He
-had induced his friend to wait for him—the latter consenting with rather
-a bad grace—until the Professor’s funeral was over and his affairs
-looked into. He had had a last conversation with Denis about the
-uninvited guest whom the latter had taken to the Cottage, and had told
-him to find a suitable home for her at once, comfortable—luxurious even,
-if necessary, as she was now undoubtedly the possessor of three hundred
-a year—but, at all events, to get her out of the Cottage without further
-delay. He spoke peremptorily, and Denis promised all things; yet only
-yesterday, on his return, he had heard from Denis’s own lips that still
-that girl was located in the Cottage.
-
-‘Didn’t I tell you to get her a home somewhere else?’
-
-‘Ye did, sir—ye did. Faix, I don’t wondher ye’re mad, but ‘twasn’t aisy
-to do it.’
-
-‘To do what?’—firmly.
-
-‘To get her to go.’
-
-‘What nonsense! A girl like that—as if she could resist! Why, one would
-think there wasn’t a policeman anywhere. Do you mean to tell me she
-refused to go?’
-
-‘No, sir; that’s not me manin’. ’Tis that ould fool of a wife o’ mine.
-It seems she got set upon her wan way or another, an’ do all I could I
-couldn’t git her to turn the young lady out. “There’s room for us all
-here,” says Bridget. “But that’s not his ordhers,” says I—manin’ you,
-sir. “But whin is she to go?” says she. “That’s nothing to me,” says I.
-“’Tis so,” says she. “A comfortable home he tould ye to git for her, and
-where’ll she find wan but here?” An’ divil a fut I could move her from
-that. Don’t you iver get married, Misther Paul; it will be the undoin’
-o’ ye. Ye won’t have a mind o’ yer own in six months.’
-
-‘I’ve a mind now, any way,’ says Wyndham, still swearing, ‘and that is
-to get rid of you without another second’s notice.’
-
-‘An’ I’m not surprised, sir,’ says Denis, drawing himself up and
-saluting. He is an old soldier. ‘It was most flagrant disobadience. But
-what can ye do wid a woman, sir? Fegs, nothing—nothing at all. They
-carries all before thim—even a man’s conscience. When Bridget refused to
-let her go, what could I do?’ He pauses satisfied, having put the blame
-upon his particular Eve. ‘Is it yer wish that I tackle Bridget agin,
-sir?’
-
-‘No; I shall go down to Curraghcloyne myself to-morrow,’ says Wyndham,
-getting rid of him with a gesture.
-
-He had gone down, had met Susan, had read something in her face that
-seemed to him (whose senses were very much alive to impressions on the
-subject) to be studying him—wondering at him. It was with a still more
-enraged feeling he left her, and went on to the Cottage, where, to his
-supreme indignation, he found, for the first time on record, the
-entrance-gate locked.
-
-Good heavens! What could be the meaning of this? Were they determined to
-compromise him in the eyes of the world? When he has rung the bell until
-it is hopelessly smashed, someone comes to the gate, and without opening
-it says, in a voice evidently meant to alarm any unwelcome intruder:
-
-‘Who’s there?’
-
-‘Only the master of this place,’ says Wyndham grimly, who has recognised
-Mrs. Denis’s handsome brogue even under these new conditions. Indeed, it
-would be hard to mistake it anywhere; as Fitzgerald, who knows her,
-says, ‘you could sit on it at any moment without the slightest chance of
-a breakdown.’
-
-‘Glory be!’ comes in a muffled tone from Mrs. Denis, and, with
-tremendous fuss and flurry, she draws the bolt, unlocks the gate, and
-opens it wide to Wyndham.
-
-‘Oh, yer honour, who’d a’ thought to see yerself this day! Faix, I
-thought ’twas still in thim haythin countries ye were. Sure, if I’d
-known I’d have had the gates open to yer honour; and I hope ye’ll
-forgive me cap, sir—I’ve another wan just ironed, an’——’
-
-‘Are you preparing for a siege?’ demands Wyndham grimly; ‘or what may be
-the reason of this “barring out” on your part? Anything threatening on
-the part of the Land Leaguers or the Home Rulers round here?’
-
-‘Oh, law, sir! How could ye think o’ sich a thing? It was only that the
-young lady, sir, was a trifle nervous.’
-
-‘She will have to take her nerves somewhere else,’ says the barrister.
-‘Now, Mrs. Denis, I hear from your husband that it is your fault that
-this—this distinctly undesirable person is still a resident in my
-house.’
-
-Mrs. Denis, who has been bowing and scraping up to this, now grows
-suddenly alert.
-
-‘Arrah, what are ye sayin’ at all?’ says she. ‘D’ye mane to tell me that
-Denis knew ye were come back, and niver give me tale or todin’s of it?’
-
-‘That is altogether beside the question. The thing is——’
-
-‘Faix, the raal thing is this,’ says Mrs. Denis, ‘that I’ll break ivery
-bone in that thraitor’s skin the next time I see him! Why,’ says she,
-squaring her arms and growing so wrathful that the questionable cap on
-the top of her head begins to quiver, ‘sixpence would have brought any
-boy down from Dublin wid the news of yer return, and’—with a truly noble
-declaration of an innate dishonesty—‘I could thin have’—she stops
-herself, happily, at the last moment—‘made mesilf clane to meet ye,’
-says she.
-
-Wyndham, who is sufficiently Irish himself to put in the broken
-paragraph, smiles coldly.
-
-‘I am not going to discuss Denis with you,’ says he. ‘What I want to
-know is why these gates are locked.’
-
-‘Well, sir, there was this: when the young lady came she was that upset
-wid bad thratement of wan sort or another that she seemed to be
-tremblin’ all over. But whin I questioned her as to what ailed her, not
-a word could I git out of her. I put her to bed, an’ she just clung to
-the wall like, turnin’ an’ twistin’ her purty head, an’ always keepin’
-away from me, an’ refusin’ the tay even, till the night came down upon
-us. Ye will remimber, sir, that it was in the airly mornin’ that
-Denis——’ At this word she breaks off, and grows again intensely angry.
-
-‘That varmint,’ says she, ‘what did he mane by not tellin’ me? Wait till
-I get me hands on him!’
-
-‘Yes, the early morning,’ says Wyndham, bringing her back somewhat
-impatiently to the place where she had broken off.
-
-‘Well, yes, sir. I beg yer pardon. She come in the airly mornin, an’ I
-could see at once that she was very sad at her heart, an’ so I just tuk
-her in as I tell ye, for Denis, though a divil all out in most
-ways’—here again a most ominous frown settles on her forehead—‘is still
-a man to be depended on where a woman is concerned. And so I tuk her in
-to oblige ye, sir.’
-
-‘To oblige me!’ says Wyndham.
-
-‘Well, sir, I thought so thin. An’’—she pauses, and looks straight at
-him—‘an’ ye’ll nivver regret it, sir. If ye saw her a bit afther she
-came, an’ her delight at yer purty place! “Why, there’s flowers
-growin’,” she’d say, as if she never see them before, except whin
-sellin’! “And, Mrs. Denis,” says she, “I like these walls,” says she.
-“They is so high,” says she. “An’ it would be very hard for anyone,”
-says she, “to git through thim, or even to look over thim.” Faith, ’tis
-little the crayture knows of the boys round here, I said to meself whin
-she said that. But I declare to ye, sir, it went to me heart whin she
-said it, for it made it plain to me like that there was someone in her
-life that she was thinkin’ of, that she didn’t want to get through these
-walls or over thim aither. If he did, I could gather from what she said
-that it would be wid no good intintions towards herself.’
-
-‘Has she said anything as to where she came from or who she is?’ asks
-Wyndham, with most disgraceful want of sympathy for this moving story.
-
-‘No, sir, sorra a word, barrin’ that she was very unhappy until yer
-honour sint her here.’
-
-‘Till I sent her here! What on earth do you mean?’ says Wyndham
-indignantly. ‘You must know very well that it was that blundering idiot
-of a husband of yours that brought her here.’
-
-‘Fegs, ’tis plain that ye know Denis, any way,’ says Denis’s wife
-complacently. ‘Idjit is the word for him, sure enough! But however it
-is, sir, the poor young lady is very continted here entirely,
-an’’—waxing enthusiastic—‘’twould do your heart good to hear her singin’
-about the garden, for all the world like wan o’ thim nate little
-thrushes.’
-
-This expectation on Mrs. Denis’s part, that he will find delight in the
-thought of the unwelcome stranger making herself at home in his garden
-and singing there like a ‘nate little thrush,’ naturally adds fuel to
-the fire that already is burning vigorously in Wyndham’s breast.
-
-‘Look here,’ says he, so fiercely that Mrs. Denis starts backwards,
-‘you’ve taken a wrong impression of me altogether, if you think I shall
-for one moment sanction the presence of that girl here. Your husband has
-got me into this mess with his confounded stupidity, but I can trust
-myself to get out of it—and I expect you to understand at once that your
-“thrush”’—scornfully—‘will be out of this within twenty-four hours.’
-
-With this he brushes by her, his temper—never very sweet—now
-considerably the worse for wear.
-
-Nice situation, by Jove! If it comes to the old man’s ears there will be
-the devil to pay; and it’s sure to. He had felt there was something
-queer in his aunt’s and Josephine’s manner yesterday when he called at
-their house in Fitzwilliam Square. Why, if it gets about, there isn’t
-one in forty amongst his acquaintances who will believe in the real
-facts of the case.... It is a most confounded affair altogether. If he
-hadn’t gone abroad, trusting—like the fool that he was—in Denis’s
-ability to get her out of the Cottage at once, he could have done it
-himself, and so speedily that no one would ever have been the wiser
-about it. But now it has gone a little too far; people, no doubt, are
-beginning to talk. Well, it shall go no farther. He will put an end to
-it at once—this moment.
-
-
-
-
- CHAPTER X.
-
- ‘My heart is sad and heavy,
- In this merry month of May,
- As I stand beneath the lime-tree
- On the bastion old and gray.’
-
-
-‘This moment’ has come. As Mrs. Denis, routed, but by no means
-vanquished, disappears hastily round one corner of the pretty cottage,
-someone else comes round the other. A young girl, singing sweetly,
-merrily, though in a subdued voice. Just as she reaches her corner she
-looks behind her; her singing ceases, and an amused look brightens her
-face—a face that has known much sadness. Again she looks behind her, as
-if expecting something, this time turning her back on Wyndham; and now,
-a moment later, a huge dog tears across the grass and literally flings
-himself upon the girl, whose tall but slender frame seems to give way
-beneath his canine embraces. For a second only; then she recovers
-herself, her pliant body sways forward, and, catching the dog’s handsome
-head in her arms, a merry tussle ensues between them. It is almost a
-dance, so agile is the girl, so bent is the dog on entering into the
-spirit of the fun with all his heart.
-
-Wyndham, watching, feels no sense of amusement. Indignation is still
-full upon him, and now it grows more intense as he sees the dog—his
-dog—a brute hitherto devoted to himself, lavishing its affection upon an
-utter stranger.
-
-He makes an impatient movement, which the dog’s quick eye sees, and,
-bolting from his late companion, he comes bounding towards Wyndham, from
-whom, it must be confessed, he gets but a poor welcome.
-
-The girl, turning, surprised at the dog’s desertion of her, becomes
-suddenly aware that there is someone beyond, and as Wyndham emerges into
-sight she makes a movement to fly, then stands stricken, as if turned to
-stone.
-
-It is impossible, under the circumstances, but that she should be known
-to Wyndham; but as he looks at her he tells himself that, if he had not
-known that Denis had brought her down here on the morning of the
-Professor’s death, he would never have recognised her. Her dress, for
-one thing, is so different. Of course he had found time to send a cheque
-to Mrs. Moriarty before going abroad for the use of the ‘waif,’ as he
-had somehow called the girl to himself, not knowing her name—a sum
-handsome enough to dress her as the young heiress of a most unexpected
-three hundred a year should be dressed—and it comes to him now that the
-‘waif’ had not been slow in the spending of it. No doubt Mrs. Moriarty
-had been the ‘middle man,’ but the ‘waif’ had known what she was about,
-or else some well-born instinct had directed her.
-
-‘Well born!’ Pah! A poor, miserable girl like that, with a shawl thrown
-over her head when first he saw her—and yet, her face, her feet——
-
-He can see them from beneath her petticoats. They are not like mice, by
-any means, but they are of the proportions usually assigned to those who
-have many grandfathers, and they are very delicately clad.
-
-If he had not recognised her at all at first, she had barely recognised
-him. That was because of the surprise—the shock, perhaps. She had almost
-come to believe in the possibility of living here always and alone,
-never seeing anyone except kind Mrs. Moriarty and Nero, the dog.
-
-She has turned as white as death; and Wyndham, looking at her, tells
-himself it is the memory of that last dreadful night, when she had
-accepted death as her portion, rather than the life that lies behind
-her, that has blanched her cheeks and brought that terror into her eyes.
-
-But in a minute all these theories of the clever barrister are distilled
-and float into air.
-
-Having seen him, and dwelt upon his face, the colour in her own face has
-crept back, and with a sharp sigh of relief she draws nearer to him
-slowly, the dog, who has gone back to her, following, his muzzle in her
-hand.
-
-‘I—I thought you were a stranger,’ says she faintly.
-
-It is an odd sentence. A stranger! What else is he to her? Her manner,
-however, makes it clear to him that she has lived, since her entrance
-into the Cottage, in constant dread of being discovered by someone, and
-of being dragged back to a former existence—to which death, as she had
-proved to him that night, seems far preferable.
-
-This accounts for the locked gates, and the girl’s admiration for the
-walls—an admiration that no doubt has but little to do with the ivy and
-the Virginian creeper, now throwing out its palest leaves of green, and
-the other trailing glories that have lifted them into a dream of beauty.
-
-‘Your thought was very nearly right,’ says Wyndham, with a cold smile;
-he is quite unmoved by the nervous pallor and the frightened expression
-on the young face before him. Barristers after a while get accustomed to
-young, frightened faces, and lose their interest in them. ‘But, no
-doubt, you remember me?’
-
-He pauses, and the girl looks at him for a moment.
-
-‘Yes,’ says she slowly, her eye sinking to the ground. That last
-dreadful scene, in which he had played so conspicuous a part, and when
-in the sullenness of her despair she had welcomed death, lies once again
-clear as a picture to her eyes. She shudders, and a faint moisture
-breaks out upon her forehead.
-
-‘I am glad to see you quite recovered,’ says he in a tone which belies
-his words. ‘If you will be so good as to come indoors, I should like to
-speak to you for a few minutes about your future.’
-
-His tone is so curt, so positively unpleasant, that the girl, colouring
-deeply and without another word, moves towards the hall-door of the
-charming cottage, and leads the way through the porch—so exquisitely
-festooned with delicate greeneries—into the long many-windowed room
-beyond. This room runs the entire length of the house, and overlooks the
-garden. As she goes a deep melancholy falls upon her. What has he come
-to say? Why is his manner so unkind? That night—that awful night—he had
-seemed to befriend her—to take her part—and now——
-
-‘You are of course aware,’ says Wyndham formally, when they have reached
-the drawing-room—the drawing-room that used to be his, but that now
-seems to slip out of his possession, as he sees the slender figure of
-the girl turn after his entrance, as if to receive him. ‘You are of
-course aware that the late Professor, Mr. Hennessy, left you three
-hundred a year?’
-
-The girl, standing midway between one of the windows and Wyndham, makes
-a slight affirmative movement of her head. She would have spoken, but
-words failed her.
-
-‘That was in accordance with his promise to you. If the experiment
-failed, well’—with a careless shrug—‘there was nothing. If it was
-successful—you were to be the gainer by it.’
-
-His voice is clear, unemotional; there is a sort of ‘laying down the
-law’ about it that takes every spark of sympathy that there might have
-been quite out of it.
-
-‘Yes.’ This time she manages to speak, but she colours as she speaks,
-and blushes very painfully; and now her eyes seek the ground. If one
-were to exactly describe her, one would say—but very reluctantly, I
-think—that she looks ashamed.
-
-‘With three hundred a year you should be able to——’
-
-She interrupts him.
-
-‘It is too much—far too much,’ says she, with an effort. ‘I don’t want
-so much as that. Fifty pounds a year would be enough; I am sure I
-could——’
-
-She stops.
-
-‘All that is beyond question,’ says the barrister coldly. ‘It was the
-Professor’s wish that you should have three hundred a year, and now that
-he is gone, there can be no further argument about it. He has no near
-relations so far as I can make out, so that there is no reason why you
-should not accept the money left to you by him. What I came to-day for
-was, not about the Professor’s gift to you, but to know what you intend
-to do with it.’
-
-‘With it?’
-
-‘Yes; what, in fact, are you going to do?’
-
-‘What am I going to do?’ She looks up at him for the first time; a
-startled expression grows in her large dark eyes.
-
-‘We all have a future before us,’ says Wyndham, ‘and you——’ He hesitates
-here, hardly knowing how to go on with those earnest eyes on his. ‘Of
-course I feel that, for the time being, I am in a sense bound to look
-after you, the Professor being an old friend of mine, and you——’ Again
-he stops. It seems impossible, indeed, to refer to that strange scene
-where he had had so prominent a part. ‘You will understand,’ says he,
-‘that the Professor wished you to be placed in an assured position, and
-he left me to see to that.’
-
-Here the girl makes a sharp movement of her hands descriptive of fear.
-
-‘Naturally,’ says Wyndham, in answer to that swift movement of the
-pretty hands, ‘you object to my interference. But I must ask your
-forbearance in a matter that’—with a steady look at her—‘does not
-concern me in the slightest degree. You must really forgive me if I seem
-impatient; but, as you are aware, I know nothing about you, and to look
-after you as the Professor asked me to do requires thought. I am in
-complete ignorance about you. I can see that you are educated, but
-beyond that I know nothing.’
-
-‘Ah! you know nothing indeed,’ says she quickly. ‘I am not educated. I
-know hardly anything. I am one of the most ignorant people alive.’
-
-‘And yet——’
-
-‘I have read anything I could find to read,’ interrupts she; ‘and at one
-time I went to a day-school, but that is all.’
-
-‘I see,’ says Wyndham. His tone is indifferent, but, inwardly, curiosity
-is stirring him. So little education, and yet so calm, so refined a
-manner! Who is this girl, with her well-bred air, but with, too, the
-little touches here and there that betray the fact of her having lived
-not only out of the fashionable world, but very far from even the
-outskirts of it? What whim of fate has given her that shapely head,
-those shell-like ears and pointed fingers, yet given her into the
-clutches of the middle classes?
-
-‘You would wish to enlarge your studies?’ asks he presently.
-
-For the first time since she came towards him, in the garden outside,
-she now lets her eyes rest frankly upon his.
-
-‘Oh, if I could!’ says she.
-
-‘That is very easily to be managed, I should think. You have three
-hundred a year of your own, and can command advantages that hitherto, I
-imagine, from what you say, have been withheld from you.’ He waits a
-moment, as if expecting her to speak, to make some comment on his words,
-but she remains mute.
-
-‘If you could tell me something of yourself—your history—what brought
-you to this,’ says Wyndham, ‘it might make matters simpler for both you
-and me.’
-
-The girl shrinks backwards as though he had struck her.
-
-‘No, no!’ cries she quickly.
-
-
-
-
- CHAPTER XI.
-
- ‘I wept in my dream, for I fancied
- That you had forsaken me;
- I woke, and all night I lay weeping
- Till morning, bitterly.’
-
-
-Wyndham lifts his brows.
-
-‘Pray do not distress yourself,’ says he. ‘It is a free country; you can
-speak or be silent, just as you wish. It had merely occurred to me that
-there might be friends of yours naturally very anxious about you, and
-that I might convey to them a message from you.’
-
-The unsympathetic nature of his tone has restored the girl to her usual
-manner more than anything else could have done. She glances at him.
-
-‘Friends!’ says she bitterly.
-
-‘At all events,’ says Wyndham, who has now begun to acknowledge his
-curiosity with regard to her even to himself, and is determined on
-pushing the matter as far as possible, ‘there must be someone on the
-look-out for you.’
-
-At this she turns as white as death.
-
-‘Is there? Have you seen—have you’—she looks as though she is about to
-faint—‘heard anything?’
-
-‘Nothing—nothing at all!’ exclaims he quickly, a little shocked at her
-agitation, that seems excessive. ‘Do not be frightened; I assure you I
-know as little of anyone connected with you as I know of yourself.’
-
-Here again he gives her an opening, if she wishes to make a declaration
-of any sort, and again she remains mute. There is something even
-obstinately silent in her whole air.
-
-Her hands in her lap are tightly clasped, as though to help her to keep
-her secret to all eternity.
-
-‘You will not confide in me, I see,’ says he, with a little contemptuous
-shrug; ‘and, after all, there is no earthly reason why you should. I am
-as great a stranger to you as you are to me, and if I spoke at all it
-was, believe me, because I fancied I might be of some assistance to you.
-But women nowadays have taken the reins into their own hands, and I have
-no doubt that you will be able to manage your own affairs to perfection.
-In the meantime, however, if I can be of the slightest use to you in
-looking out for a suitable home, for instance, I hope you understand I
-shall be delighted to do all I can.’
-
-The girl has drawn nearer during this speech, and is now standing before
-him, the frightened eyes uplifted and her breath coming short and fast.
-‘You mean—but here—can I not—might I not—a home, you said——’
-
-‘Well, yes,’ says Wyndham. ‘A home where you might have a companion and
-be very comfortable; but not here, you know.’
-
-‘But——’
-
-‘You can’t stay here, I’m afraid,’ says Wyndham, who, between his anger
-and his suspicions of her, is beginning to wish he had never been born.
-
-The girl turns away from him, in so far that only her profile now can be
-seen, whilst her right hand has caught hold of the back of a chair near
-her, as if for support.
-
-‘But why?’ asks she, in a low tone. ‘Mrs. Moriarty likes me to be here.’
-
-‘But, you see,’ says Wyndham gravely, ‘it is my house, and not Mrs.
-Moriarty’s.’
-
-‘Yes.’ She looks at him as if hardly understanding, but presently an
-expression grows upon her face that gives him to know that she thinks
-him churlish.
-
-‘It is quite a big house,’ says she.
-
-There is a pause—a pause in which he tells himself that evidently up to
-this she had been accustomed to houses of very cramped limits. The
-Circular Road in Dublin would supply such houses, built for respectable
-artisans and clerks in commercial places, and the best of the decent
-strata that cover the earth and are of the earth earthy. The Circular
-Road, or some other road, has no doubt supplied the kind of house to
-which the girl has been accustomed—this girl, with her pale patrician
-face and her singular strength of mind. It is she who at last breaks the
-silence. ‘There is plenty of room for me,’ says she.
-
-‘I know—of course I know that,’ says Wyndham hurriedly. ‘But then, you
-see, it—it wouldn’t do, you see.’
-
-He looks deliberately at her, as if to explain his meaning, but, nothing
-coming of the look, he falls back once more upon facts.
-
-‘I come here sometimes,’ says he.
-
-‘Yes; Mrs. Denis told me that,’ says the girl. ‘But’—eagerly—‘I
-shouldn’t be in the way at all. I could stay in that little room
-belonging to Mrs. Denis—that little room off the kitchen.’
-
-‘Oh, that isn’t it,’ says Wyndham, frowning in his embarrassment. How
-the deuce is one to say it plainly to a girl who can’t, or won’t, or
-doesn’t understand! ‘The fact is——’ He has begun with the greatest
-bravery, determined to explain the situation at all hazards; but,
-happening to meet her eyes, this clever barrister, who has faced many a
-barefaced criminal victoriously, breaks down. The eyes he has looked
-into are full of tears.
-
-‘Look here,’ says he almost savagely, ‘it’s out of the question! Do you
-hear?’ His tone is so terribly abrupt that it strikes cold to the heart
-of the poor girl looking at him. If he is going to turn her out of this
-house, this haven of refuge, where—where can she go?
-
-She struggles with herself, some touch of dignity that belongs to
-her—wherever she came from or whoever she is—giving her a certain
-strength.
-
-‘Of course—I see——’ She is beginning to stammer dreadfully. ‘I am sorry
-about it; but I thought—I fancied I could stay here. But now I can go—I
-can go somewhere. There must be other places, and, indeed, just now you
-told me there were other places, and that I could go to——’
-
-She struggles with the word ‘them,’ the last of her sad sentence, but
-can’t speak it; and now all her hard-found dignity gives way, to her
-everlasting shame, and to Wyndham’s terrible discomfiture she bursts
-into a passion of tears.
-
-‘Don’t do that,’ says Wyndham gruffly. It is impossible to conceal from
-himself the fact that he is frightened out of his life. Fear because of
-her tears is nothing, but it is with ever-increasing self-contempt that
-he knows that he is going even so far as to give in and let her stay at
-the Cottage. After all, there are many other places for him in this big
-world, but for her, perhaps, not so many; and she seems to have set her
-heart on this little spot, and, hang it all! why can’t she stop crying?
-
-‘Oh, I’m sorry,’ says she at last, trying passionately to stifle her
-sobs. She has turned away from him to the window, and there is something
-in her whole attitude so descriptive of despair, and fear, and shame,
-that, in spite of his anger, pity for her rises in his heart. ‘I don’t
-know why I’m crying; I don’t often cry. But if I leave this, where shall
-I go? where shall I hide myself?’
-
-What on earth has she done? Her words denote fear—a guilty fear. What if
-he should be about to take as a tenant for the Cottage a well known and
-hardened criminal, for whom, perhaps, the police are even now on the
-look-out? Her face, however, belies her tone; and, for the rest, he has
-not the courage to face again a flow of those pitiful tears. Stay she
-must.
-
-One last protest, however, he makes as a salve to his conscience.
-
-‘What do you see in this place that so attracts you?’ asks he, with
-ever-increasing grumpiness. The girl turns to him a flushed and tearful
-face.
-
-‘I never knew what a home could be like till I came here,’ says she.
-‘Never, never! You have had one—all the world has had one except me. It
-means new life to me. Oh’—bitterly—‘it is the only life I have ever
-known—the only happiness. If, sir’—she comes towards him and with a
-little impulsive action holds out her hands—‘if I might stay——’
-
-‘Well, you can,’ says he ungraciously.
-
-He gives in so suddenly, and she is naturally so unprepared for so quick
-a surrender, that for a moment she says nothing. Her eyes are fixed on
-him, however, as if trying to read him through; they are beautiful eyes,
-and Wyndham, his professional instincts on the alert, finds himself
-wondering what lies behind them in that brain of hers.
-
-‘Do you mean it?’ says she at last breathlessly; if you do, I cannot
-thank you enough. Oh, to stay here within these lovely walls!’
-Instinctively she glances out of the window to the ivy-clad walls, as if
-in their protection she finds great comfort. A moment later a cloud
-gathers on her forehead. ‘But you don’t like me to stay,’ she says.
-
-‘It doesn’t matter what I like,’ says Wyndham, who certainly does not
-shine on this occasion. ‘The arrangement we have come to now is that you
-are to rent this cottage from me, at what sum we can agree about later
-on.’
-
-‘To rent it? I shall, then, be—— It’— she tries to hide the joy in her
-eyes, feeling it to be indecent—‘it will belong to me?’
-
-‘Yes,’ says Wyndham. At this moment he feels very little more will make
-him positively hate her.
-
-‘It will no longer be yours?’ Her voice is trembling.
-
-‘In a sense, no.’ He turns and takes up his hat; this interview is
-getting too much for him. There will be an explosion shortly if she goes
-on like this.
-
-‘It seems very selfish,’ says the girl. She is looking at him, though
-for the last three minutes he has refused to look at her. ‘I am taking
-your house away from you.’
-
-‘There are other houses.’ He is now putting on his gloves.
-
-‘Ah! that is as true for me as for you.’
-
-‘We have come to an agreement, I think’—grimly. ‘Let us keep to it.’ He
-turns to the door.
-
-‘You are going?’ says she nervously. She follows him. ‘You——’ She stops,
-and courtesy compels him to look back. Two troubled eyes meet his.
-
-‘When——’ stammers she.
-
-‘I shall come down some day next week to make final arrangements,’ says
-he impatiently, and again takes a step or two away, getting so far this
-time as to turn the handle of the door. Here, however, again he glances
-back. She is standing where he last saw her, her young face looking
-troubled, frightened, and uncertain.
-
-‘Next week,’ repeats he jerkily. It is disagreeable to him to think that
-it is through his fault that the nervous anxiety has crept into her
-eyes. ‘And—er—good-bye.’ He certainly had not meant to do it, but he now
-holds out his hand to her, and with a little swift, eager movement she
-comes to him and slips her own into it.
-
-A slim little hand, and beautifully shaped, but brown, and looking a
-little as though it had done some hard work in its time, yet the grace
-with which she gives it to him is exquisite.
-
- * * * * *
-
-Just at the gate he meets Mrs. Denis again.
-
-‘This young lady,’ says he abruptly, ‘seems to have set her heart upon
-living here. It is extremely unpleasant for me, but she appears to have
-no other place to go to. She will therefore become my tenant. She will,
-you understand, take the Cottage from me.’
-
-‘Bless us an’ save us!’ says Mrs. Denis. ‘An’ yer honour—what will you
-do?’
-
-‘Keep out of it,’ says Wyndham coldly. ‘I suppose she will arrange to
-keep you on. She——What’s her name?’—sharply.
-
-‘I don’t know, sir; she don’t seem to like to spake about it. Miss Ella
-I calls her.’
-
-‘Ella? Did you say her Christian name was Ella?’
-
-‘Yes, sir.’
-
-‘Ah!’—thoughtfully. ‘Well, good-bye.’
-
-‘But, sir, you’ll be coming again?’
-
-‘Yes, next week, to arrange about the rent; not after that.’
-
-He strides through the gate and up the road.
-
-‘Faix, and I’m thinkin’ ye will,’ says Mrs. Denis, watching him with her
-arms akimbo till he disappears round the corner. ‘’Tis mighty purty eyes
-she’s got in that mighty purty head of hers. An’ so he’s not goin’ to
-turn her out, after all! Didn’t I tell you, Bridget Moriarty,’ rubbing
-her chin, on which a very handsome beard is growing, ‘that he’d soften
-whin he put his glance upon her?’
-
-
-
-
- CHAPTER XII.
-
- ‘Jest and youthful jollity,
- Quips and cranks, and wanton wiles,
- Nods and becks, and wreathed smiles.
-
-
-‘Where’s our beloved auntie?’ asks Mr. Fitzgerald, looking generally
-round him from his seat on the tail of Betty’s gown.
-
-It is the evening of the same day, and still divinely warm. Not yet has
-night made its first approach, and from bush to bush the birds are
-calling, as if in haste to get as much merriment out of the departing
-day as time will give them. From here—in the bushes round the
-tennis-ground, the one solitary court that Carew Barry and his cousin,
-Dom Fitzgerald, have made with their own hands, after a hard tussle with
-the Rector for the bit of ground, that seemed to him quite a big slice
-off his glebe—to the big syringa-tree beyond, the sweet, glad music of
-the birds swells and grows, filling the evening air with delicate
-throbbings. Ever the little creatures seem to call one to another;
-passionately sometimes, as if bursting their little throats in their
-wild joy, and anon softly, pleadingly, but always calling, calling,
-calling.
-
-From the old-fashioned garden beyond comes the scent of the roses—all
-old-world roses, as befits the garden, but none the less beautiful for
-that. The rose céleste and the white rose unique, the cabbage rose and
-the perfect rose of a hundred leaves, all lend their sweetness to the
-air; indeed, on this June evening the place is ‘on fire with roses.’
-
-The little group sitting on the edge of the tennis-ground seems very
-happy and contented—lazy, perhaps, is a better word. Susan, as usual,
-has Bonnie in her lap, and Tom, the baby, has fallen asleep with his
-head on Betty’s knee. Jacky, still full of memories of the awful burglar
-he had interviewed in the morning, is wondering whether he will raid the
-village to-night, and if so, whether he will carry off Aunt Jemima;
-whilst Carew, the eldest son, who is seventeen, and therefore a year
-younger than Susan, is lazily dwelling on the best choice of a stream
-for to-morrow’s fishing.
-
-His cousin, Dom Fitzgerald, is the first to break the lovely spell of
-silence that has fallen on them. He is a cousin of the Barrys, and a
-nephew of their father and of Miss Jemima Barry also, the Rector’s
-sister, who, since the death of her sister-in-law, has always lived with
-them, and who, if a most exemplary person, is certainly what is commonly
-described as ‘trying.’
-
-The parish of Curraghcloyne is small, the income even smaller. But if
-Providence, in giving Mr. Barry this parish as his special charge, had
-been niggardly to him in money matters, it had certainly made up to him
-lavishly in another respect—it had given him, for example, a large, and
-what promised to be an ever-increasing, family, so increasing, indeed,
-that it would ultimately have beaten the record but for the untimely
-death of Mrs. Barry, who had faded out of life at Tom’s birth. She was
-then just thirty-two, but she looked forty.
-
-To her husband, however, gazing at her dead face, surrounded by its
-lilies and white roses, she looked seventeen again—the age at which he
-had married her—and though he was a man entirely wrapped up in his books
-and theories, it is an almost certain thing that he never forgot her,
-and that he mourned and lamented for her as few men whose lives are set
-in smoother places do for their beloved.
-
-Miss Barry, his sister, came on the death of his wife and took
-possession of the house, Susan being then just thirteen. She had but a
-bare sum wherewith to clothe and keep herself, and was therefore of
-little use in helping the household where money was concerned; and it
-was therefore with a sense of thankfulness that the Rector four years
-ago accepted the charge of Dominick Fitzgerald, an orphan, and the son
-of a stepbrother of his wife.
-
-The poor, pretty wife was then a year dead, but he knew all about
-Dominick’s people. The Rector himself came of a good old Irish family,
-and his wife had been even more highly connected. Indeed, the lad who
-came to Mr. Barry four years ago, though he had inherited little from
-his father, would in all probability succeed to his uncle’s title and
-five or six thousand a year—a small thing for a baronet, but, still,
-worth having. Of course, there was always a chance that the uncle, a
-middle-aged man, might marry, though he was consumptive and generally an
-invalid; but all that lay in the future, and at present it was decided
-that the boy should be given a profession; but having proved remarkably
-idle and wild at school—though nothing disgraceful was ever laid to his
-charge—his uncle in one of his intervals of good health had desired that
-he should be sent down to Mr. Barry, for whom Sir Spencer Fitzgerald had
-an immense respect and a little fear, for a few reasons that need not be
-specified, though, if Sir Spencer only knew it, the Rector was the last
-man in the world to betray the secrets of anyone.
-
-The Rector accepted the charge gladly. He had passed several young men
-(who had been private pupils of his before his marriage) very
-successfully for the Civil Service, and he was doing his best for
-Dominick now, whom from the very first he liked, in spite of the
-reputation for idleness that came with him.
-
-Indeed, Dom Fitzgerald had fallen into the family circle as though it
-had been made for him, and had grown to be quite a brother to his
-new-found cousins. He at once grew fond of Susan, and became on the spot
-a chum of Carew’s, who was reading with his father for the army and
-expected to pass next year. And he quarrelled all day long with Betty,
-who accepted him as a ‘pal’ from the moment of his appearing. Betty
-inclined towards slang.
-
-As for the children, they all loved him; and, indeed, it must be said
-that he loved them, and spent a considerable amount of the fifty pounds
-allowed him for yearly pocket-money upon them.
-
-‘Well, where is she?’ persists he, turning a lazy eye from one to
-another, at last resting it on Susan.
-
-‘She has gone down to Father Murphy’s about Jane,’ says Susan
-reluctantly. ‘You know Jane is always breaking everything, and to-day
-she broke that old cup of our great-grandmother’s, and Aunt Jemima was
-very angry. She has gone to tell Father Murphy about it, and to say she
-will never take a Roman Catholic servant again unless he punishes Jane
-severely.’
-
-‘And Father Murphy will laugh,’ says Carew, with a shrug. ‘He knows she
-must take Catholic servants or do without them. All the Protestant girls
-of that class here are farmers’ daughters, and either won’t go into
-service at all, or else only to Lady O’Donovan’s or the O’Connors’.’
-
-‘Oh, you should have heard Jane!’ cries Betty, going off into one of her
-peals of laughter. ‘When Aunt Jemima had reduced her to a rage, she came
-in weeping to me. All the forlorn hopes fall back upon me.’
-
-‘True, even this poor old forlorn one,’ says Dom promptly, seizing his
-opportunity to lift his head from her gown to drop it upon her lap.
-
-After which there is a scuffle.
-
-‘Oh, never mind Dom!’ says Susan impatiently. ‘What did Jane say to you
-about the cup?’
-
-‘She said——Go away, Dom.’
-
-‘I’m sure she didn’t,’ says Dom, with an aggrieved air. ‘It’s an
-aspersion on my character, Susan. You don’t believe this, do you?’
-
-‘She said,’ goes on Betty, very properly taking no notice of the
-interruption: ‘“Law, Miss Betty, miss, did ye iver hear the like o’
-that? Did ye iver hear such a row about nothin’?”’
-
-‘“It wasn’t about nothing,” I said; “because you know how even father
-valued that cup, though an uglier thing I never saw in my life.”’
-
-‘“Fegs, I don’t know what ye call anythin’,” said Jane (she was crying
-all the time; you know how she can roar); “but yer aunt herself tould me
-that that cup is a hundhred years ould if a day, an’ wid that to make
-sich a screech over it! Faix, it must have bin rotten wid age, miss; an’
-no wondher it come to bits in me hands.”’
-
-They are all delighted with the story.
-
-‘I don’t think Aunt Jemima would have been so cross with poor Jane,’
-says Susan, in a low tone and with a glance round her to make sure of no
-one’s being within hearing, ‘but for those eggs this morning.’
-
-‘The eggs under the speckled hen?’ asks Jacky; ‘I heard her speaking
-about them. Won’t they come out?’
-
-Susan shakes her head, and Carew and Dominick edge a little out of
-sight. The latter, under a pretence of feeling too warm, hides his face
-under the big straw hat that Betty has thrown upon the grass beside her.
-
-‘They should have come out ten days ago,’ says Susan; ‘but they’—she
-casts an uncertain glance at Carew, who has turned over and is now lying
-with his face upon his arms, and is evidently developing ague-fever—‘but
-they didn’t.’
-
-‘Were they all addled?’ asks Jacky, with amazement.
-
-‘No; they were all boiled,’ says Susan.
-
-‘Boiled!’ says little Bonnie, sitting up with an effort. ‘Who boiled
-them—the hen?’
-
-At this there is a stifled roar from under Betty’s hat, whereupon the
-owner of it lifts it and discovers Mr. Fitzgerald plainly on the point
-of apoplexy.
-
-‘Just the sort of thing one would expect from you,’ says she scornfully.
-‘No wonder you want to hide your face; but you shan’t do it under my
-hat, anyhow.’
-
-‘Oh, Carew, think of that poor hen waiting and waiting for three weeks,
-and then for ten days more; I call it horrid,’ says Susan. ‘I really
-think you ought to be ashamed of yourselves, you two.’
-
-‘Ought we? Then we will be,’ says Dom; ‘never shall it be said that I
-shirked my duty, at all events. Carew, get out of that, and be ashamed
-of yourself instantly.’
-
-‘Oh, that’s all very fine,’ says Betty, ‘trying to get out of it like
-that; but let me tell you that I think——’
-
-However, what Betty may think of people who put boiled eggs under
-sitting hens is for ever lost to posterity, because at this moment Jane,
-with red eyes and a depressed demeanour, comes hurrying up to them
-across the small lawn, a covered basket in her hand.
-
-
-
-
- CHAPTER XIII.
-
- ‘O, coward conscience, how dost thou afflict me!’
-
-
-‘For you, miss,’ says she, handing the basket to Susan.
-
-Susan turns crimson. That basket! She knows it well.
-
-‘For me?’ stammers she.
-
-‘Yes, miss.’
-
-‘Who’—nervously—‘who brought it?’
-
-‘A boy, miss.’ For an instant Susan’s heart feels relief, but for an
-instant only.
-
-‘Whose boy?’ falters she.
-
-‘I don’t know, miss. He came an’ wint in a flash like. I hope, miss, as
-there isn’t anythin’ desthructive in it,’ says Jane, whose misfortunes
-of the morning have raised in her a pessimistic spirit. ‘They do say
-thim moonlighters are goin’ about agin.’
-
-‘Do you mean to say the—the messenger said nothing?’
-
-‘No, miss, except that it was for you. That was all, miss; and I’m not
-deaf, though I wish I was before I heard all that was said to me this
-mornin’ about an ould cup that——’ Here she lifts her apron and sniffs
-vigorously behind it.
-
-‘Oh, it can’t be for me,’ says Susan, with decision; ‘take it away,
-Jane. There has been some mistake, of course. Take it away at once. Do
-you hear? The—the boy will probably call for it again in a little time.’
-
-‘I don’t think he will, miss; he looked like a runaway,’ says Jane.
-
-‘Good heavens! how interesting,’ says Mr. Fitzgerald, breaking at last
-into the charmed silence that has held them all since the advent of Jane
-and the mysterious basket. ‘Who can this unknown admirer be? No doubt it
-contains roses’—staring at the basket—‘or heliotropes—heliotrope in the
-language of flowers means devotion! Susan, are you above a peep?’
-
-‘Yes, I am,’ says Susan hastily.
-
-‘I am not,’ says Betty, springing forward and pulling open the cover.
-‘Oh, I say, cherries! and such beauties, too! Susan, you are in luck!’
-
-‘And so are we,’ says Fitzgerald, putting a hand lightly over her
-shoulder and drawing up a bunch of the pretty fruit between his fingers.
-
-‘Oh, I think we ought not to eat them—I do indeed,’ says Susan, in a
-small agony. There can be no doubt now about the fact that the thief,
-repentant and struck to the very soul by her eloquent pleadings, had
-sought to redeem himself in her eyes by sending the stolen cherries to
-her. Whether with a view of giving her the pleasure of eating them, or
-with the higher desire of proving to her that he hadn’t devoured them,
-must, she feels and hopes (because to meet him again would be very
-unpleasant to her), for ever remain unknown.
-
-‘Poor fellow!’ thinks she, regarding the cherries with mixed emotions
-that are not altogether devoid of admiration for her own hitherto
-unimagined powers of persuasion; ‘he was certainly and sincerely
-penitent. One could see that.’ She feels quite an uplifting of her soul.
-Perhaps, who knows? she has been born as a worthy successor to Mrs. Fry,
-or some of those good people! But then, after all, it is, undoubtedly,
-to Mr. Crosby he should have made restitution, not to her. It is,
-however, difficult to restore Irish cherries—a rather perishable
-commodity—to an owner who happens to be at the moment in the middle of
-Africa, or America, or China, for all she knows.
-
-‘Not eat them!’ says Betty indignantly. ‘Why, what else are you going to
-do with them—make them into jam?’
-
-‘They are not mine—I’m sure they are not mine,’ says Susan. ‘Who, for
-instance, could have sent them?’
-
-Here Jacky makes a movement.
-
-‘Jacky, you know nothing!’ cries Susan, turning indignant, warning eyes
-upon him; whereupon Jacky, remembering his promise, subsides once again
-into dismal silence.
-
-‘Jacky, I smell a conspiracy,’ says Dominick, who has caught the look
-between them; ‘and you are the head-centre. Speak, boy, whilst yet there
-is time!’
-
-‘I’ve nothing to say,’ says Jacky sulkily; he is naturally of a somewhat
-morose disposition, and now feels positively ill at not being able to
-divulge the delightful story of which these glowing cherries are the
-result.
-
-‘Susan, I do believe you have at last got an admirer,’ says Carew, in
-the complimentary tone of the orthodox brother, who never can understand
-why on earth any fellow can admire his sister. ‘Come! out with it; he
-seems a sensible fellow, any way. Flowers are awful rot, but there’s
-something in cherries.’
-
-‘Betty, when I fall in love with you I’ll present you with a course of
-goodies,’ says Dominick, regarding that damsel with an encouraging eye.
-
-‘I have no admirers, as you all know,’ says Susan, her pale and lovely
-face a little heightened in colour. She is thinking with horror of what
-would have happened if that poor awful thief had brought them in person.
-But, of course, he was afraid.
-
-‘Perhaps Lady Millbank sent them,’ suggests Betty, after a violent
-discussion with Fitzgerald on the head of his last remark. ‘I saw her in
-town yesterday.’
-
-‘So did I,’ says Carew. ‘Like a sack—not tied in the middle.’
-
-Susan feels almost inclined in the emergencies of the moment to say
-‘Perhaps so,’ and let it stand at that, but conscience forbids her.
-
-‘She would have sent a footman and her card,’ says she dejectedly.
-‘No’—decidedly, and preparing to close up the basket—‘they are not meant
-for me, and even if they were, I could not accept them, unless I knew
-where they came from.’
-
-‘Do you mean that you are not going to give us some?’ says Betty,
-rising, not only figuratively, but actually, to the occasion, and
-standing over Susan. ‘I never heard anything so mean in all my life.’
-
-‘Susan,’ says Fitzgerald mildly but firmly, ‘if you think to escape
-alive from this spot with these cherries, let me at once warn you of a
-sense of impending danger.’
-
-‘Oh, I say, Susan, don’t be a fool!’ says Carew, turning his lazy length
-upon the grass, a manœuvre that brings him much closer to Susan and the
-cherries.
-
-‘It’s a beastly shame!’ says Jacky, in a growl. And at this little Tom,
-as if moved to the very soul, or stomach, sets up a piteous howl.
-
-Susan, with all the ‘young martyr’ air about her, looks sternly round.
-No; she will not give in, and it’s perfectly disgusting of them to think
-so much of eating things. Her glance finishes at Jacky, who is scowling
-and threatening her with the fellest of all fell eyes, and then descends
-at last on Bonnie—Bonnie, who is lying in her arms, his pretty, thin,
-patient little face against her shoulder. Poor little Bonnie! darling
-little Bonnie! who has said nothing—not a word—but whose gentle eyes are
-now resting on the fruit; Bonnie, whose appetite is always miserable—so
-difficult to please. Susan, seeing that silent, wistful glance, feels
-her heart sink within her.
-
-Must she—must she deny him, her poor little delicate boy, her best
-beloved of all the many that she loves? Oh, she must! she will be firm.
-These cherries really are not hers. Even for Bonnie she——
-
-The child stirs in her arms and sighs, the faintest, gentlest little
-sigh—only one who loved him could have heard it; but with that little
-sigh went out all Susan’s stern resolutions. Almost unconsciously her
-hand goes towards the basket that holds the cherries. Slowly, slowly at
-first, as if held back; but as it nears the glowing fruit it makes a
-rush, as it were, dives into it, and in a second more Bonnie’s thin
-little paws are filled with a huge and crimson bunch of the sweet
-cherries.
-
-Alas for Susan’s principles! They have all vanished away like snow in
-the sun, beneath two little pain-filled eyes.
-
-Alas for Susan’s principles again! As Bonnie’s white little face lights
-up as he catches the pretty fruit, and bites one of them in two with his
-sharp childish teeth, and as after that he lifts the other half of it to
-Susan’s mouth, and presses it against her closed but smiling lips, she
-does not refuse him. She opens her lips, and, against all her beliefs,
-lets the stolen thing glide between them. The happy laughter of the
-child as she takes the fruit is nectar to her, and in a little joyous
-way she hugs him to her, catching him against her breast; and though she
-does not know it, her one thought is this: ‘Let all things go so long as
-this one is happy.’
-
-And certainly Bonnie for the moment is happy with his cherries. But the
-cherry he gave her is the first and only one out of her basket that
-passes between her lips. And that is self-denial, I can tell you from
-experience, for a girl of eighteen.
-
-After this there is a general raid upon the basket, Betty and Fitzgerald
-being quite conspicuous in their efforts to secure the largest cherries,
-whilst Jacky runs them very hard. And Susan, afraid lest the supply
-should fail before Bonnie gets a handsome share, pulls him to her and
-fills his little hands. But her own hands? Never! Stern is her youthful
-virtue. Those stolen cherries! No, no, she could not touch them, and,
-besides, to watch Bonnie’s delight in them is enough for her.
-
-Bonnie! It seems such a sad critique upon the little fragile child
-racked with rheumatism and so sadly disabled by it.
-
-In happier days, when he was, in truth, the bonniest little being of
-them all, his poor mother—now mercifully in heaven—had given him the
-dear pet name. And of course it had clung to him through all the ills
-that followed.
-
-The beginning was so simple, so easy to be described. A wet day when the
-child had escaped from home and had been forgotten until the early
-dinner reminded them of him. There were so many to remember, and they
-all ran so loosely here and there, that up to that hour no one had
-missed him. His mother was dead. The keynote of course lay there. She
-was dead and lying in her grave for a year or more, and the young things
-who tried to take her place, when they had asked a question or two,
-never thought of Bonnie again. Carew, the eldest boy, then only twelve,
-did not appear at dinner either, and it was naturally and carelessly
-supposed that Bonnie was with him.
-
-Alas for little Bonnie! Late that night he was discovered and brought
-home, saturated to the skin, and almost lifeless. Asleep he had been
-found beneath the shade of a big beech-tree; and sleep eternal he would
-have known indeed had he not been discovered before morning by the
-frightened people from the Vicarage, who, when night set in, had gone
-hunting for him far and near. The Rector himself, roused from his notes
-and papers by Susan’s terrors, had joined in the search; but it was
-Susan who found him, tired, exhausted (after a ramble in which he had
-lost himself, poor little soul!), and wet through from the rain that had
-fallen incessantly since three o’clock in the afternoon.
-
-It was Susan who carried him home, staggering sometimes beneath the
-weight, but strong in the very misery of her fear. When at last home was
-reached, it was Susan who undressed him, and lay awake the long night
-through with him, holding him in her warm arms to heat his shivering
-little body. And, indeed, when the morning came he seemed nothing the
-worse for his exposure.
-
-But towards the evening he began to shiver again, and next day he was
-lying prone, racked with all the pangs of rheumatic fever. They twisted
-and tore his little frame, and though at the last the doctor pulled him
-through, and he rose again from his bed, it was but as a shadow of his
-former merry self—a stricken child, a cripple for life.
-
-Poor Susan—then thirteen—took it sorely to heart. Her mother in
-heaven—had she looked down that night when Bonnie lay under the dripping
-tree, and seen her pretty lamb alone, deserted?—the mother who had left
-him to Susan to look after and care for. She had seemed to think more of
-Bonnie in her dying moments than of the baby who had brought death to
-her with his own life. Susan had been left in charge, as it were—sweet
-Susan, who was barely twelve, and who, with her soft, shy ways and
-lovely face, should have been left in charge herself to someone capable
-of guiding her tender footsteps across earth’s thorny paths.
-
-Her remorse dwelt with her always, and became a burden to her, and made
-havoc of her colour for many a day. Of course she grew out of all
-that—youth, thank God, is always growing—and at last, after many days,
-joy came to her again, and all the glorious colour of life, and all the
-sweetness of it. But she never lost a little pulsing grief that came to
-her every now and then, telling her how she ought to have seen that
-Bonnie had not wandered so far afield.
-
-Oh, if only he could be made strong and well again. This was the heart
-of the sad song that she often sang for herself alone, when time was
-given her in her busy life.
-
-She had dreamed dreams of how it would be with the little lad if he
-could have been sent abroad. She had heard of certain baths, and of
-wonderful cures worked by them. If he could go abroad to one of them he
-might recover. But such baths were as far out of her reach as heaven
-itself. It seemed hard to Susan, to whom life was still a riddle. And
-she reproached herself always, and always mourned that there would never
-come a time when Bonnie would be strong again, as he was when his mother
-left him, and when she might meet that dear mother in heaven without
-fear of reproaches.
-
-All this lay in the background of Susan’s life, and now, as years grew,
-seldom came to the front. But the child was ever her first thought and
-her dearest delight, and the fact that he was not as his brothers were
-was the one little blot on the happiness of her young life.
-
-
-
-
- CHAPTER XIV.
-
- ‘O that this calculating soul would cease
- To forecast accidents, Time’s limping errors,
- And take the present, with the present’s peace,
- Instead of filling life’s poor day with terrors.’
-
-
-About seven o’clock, Wyndham (who had come up to Dublin by the afternoon
-train), going down Nassau Street, finds himself face to face with a
-tall, big, good-humoured-looking man of about thirty-two.
-
-‘Hallo! that you?’ cries the latter, stopping Wyndham, who, in somewhat
-preoccupied mood, would have gone by without seeing him. The
-preoccupation disappears at once, however, and it is with genuine
-pleasure that he grasps the hand held out to him.
-
-‘You, Crosby, of all men!’
-
-‘Even so.’
-
-‘Why, last week, when we met in Paris, you told me you were going to
-Vienna to see a friend there.’
-
-‘The friend came to me at Paris instead the very day after you left.’
-
-‘But I thought you had arranged with him to go on an expedition to some
-unpronounceable place in Africa?’
-
-‘So I had, but he proved disappointing. Hummed and hawed, said he
-couldn’t go just now, but perhaps a little later on. One saw through him
-at once. I told him I never travelled about with fellows’ wives, and
-that settled it.’
-
-‘He was going to be married?’
-
-‘Of course. Love was writ large all over him—in huge capitals. And he
-was in such a hurry over everything. People in love are always in a
-hurry—to get back. So I dismissed him with my blessing, and a bauble for
-the venturesome young woman he has chosen to explore life’s boundless
-ways with him. R.I.P. He’s done for; and a right good fellow he was,
-too! Well, what’s up with you?’
-
-‘With me?’
-
-‘Think I can’t see? You’re out of your luck in some way.’
-
-‘Nothing much, any way,’ says Wyndham, with an involuntary smile.
-
-‘Too vague—too vague by half,’ says Crosby, laughing. It is the
-happiest, heartiest laugh. ‘Come, what’s the matter? Out with it.
-Money?’
-
-‘No, no,’ says the barrister, laughing in turn.
-
-‘Still, there is something.’
-
-‘Is there? I don’t know,’ says Wyndham, in a tone half comical, half
-forlorn.
-
-At this Crosby thrusts his arm into his, and wheels him down the street.
-
-‘It must be hunger,’ says he gaily, seeing the other is not ready for
-confession yet. That the confession will come he knows perfectly well.
-Ever since they were boys together, Wyndham, whose brain was then, as
-now, very superior to Crosby’s, had still always given in to the
-personal attractions of the stronger and older boy, whose big fists
-often fought Wyndham’s battles for him on the public playground.
-
-Crosby had been a big boy then; he is a big man now, and, in spite of
-his adventurous wanderings by land and sea, looks younger than Wyndham,
-though he is actually four years older. A splendid man, bronzed,
-bearded, and broad-shouldered, with the grand look of one who has been
-through many a peril and many a fight, who has led a cleanly life, and
-can look the world in the face fearlessly. His eyes are large and blue,
-and full of life and gaiety. He has a heart as true as gold, and a
-strong right arm, good for the felling of a foe or the saving of a
-friend.
-
-‘For my own part, I’m starving,’ says he. ‘Come along; we’re near our
-club, and you’ll dine with me. Considering what a stranger I am in my
-own land, you’ll be able to help me out a bit. I feel as if I did not
-know anyone—that is, if you are not going anywhere else. There’s a
-wandering look about you. No? No other engagements? That’s good.’
-
-They have reached the steps of the Kildare Street Club by this time, and
-presently are in the pleasant dining-room.
-
-‘By the way, talking of engagements,’ says Crosby, between the soup and
-fish, ‘I have one for to-night, at your aunt’s—Mrs. Prior’s. In some odd
-fashion she heard I was in Dublin, and sent a card to the Gresham for
-me. You’—glancing at Wyndham’s evening dress—‘are going somewhere, too,
-perhaps?’
-
-‘There, too,’ says Wyndham. ‘I’ve got out of it a good deal lately; but
-it doesn’t do to offend her overmuch. She’s touchy. And the old man, my
-uncle, Lord Shangarry—you remember him, how he used to tip us at school
-long ago?—makes quite a point of my being civil to her.’
-
-‘To her, or——’
-
-‘My cousin?’ Wyndham lifts his brows. ‘I feel sure my cousin is as
-indifferent to me as I am to her.’ He pauses. ‘Still, I will not conceal
-from you that my uncle desires a marriage between us.’
-
-‘Is this the cause of your late depression?’ asks Crosby, with a
-quizzical expression.
-
-‘Not it,’ says Wyndham. ‘By-the-by’—a little hurriedly—‘what of that
-late adventure of yours in Siam? You were just telling me about it
-when——’
-
-Crosby at once plunges into the interrupted anecdote, bringing it,
-however, to a somewhat sharp close.
-
-‘You know what life is!’ says Wyndham a little moodily when it is over.
-‘I envy you; I often think I too should like to break off the threads of
-society that bind one in, and start on a career that would leave
-civilization and—its worries behind.’
-
-‘Its worries?’
-
-‘Well, gossip for one thing, and that delicate espionage that so often
-leads to the damning of a man.’
-
-‘Poor old boy! Got into deep water,’ thinks Crosby whilst toying with
-his champagne.
-
-‘Once in it, one never gets out of civilization,’ says he. ‘It sticks to
-one like a burr. Don’t hope for that when you start on the wild career
-you speak of. For myself, I like civilization. It’s clean, for one
-thing—savages don’t do much in the way of washing. But I confess I like
-wandering for wandering’s sake. It’s a mania with me. Here to-day and
-gone to-morrow—that’s the motto that suits me. Yet, I dare say, in time
-I shall get tired of it.’
-
-‘Not you. Where are you going next?’
-
-‘Not made up my mind yet. But I’ll tell you where I’ve been last—right
-into Arcadia! A difficult place to find nowadays, the savants tell you;
-but the savants, like the Cretans, are all liars. And in my Arcadia I
-fell in with an adventure, and met——’
-
-He pauses, and, leaning back in his chair, clasps his hands behind his
-head and gives way to silent laughter. Evidently some memory is amusing
-him.
-
-‘Someone who apparently was kind to you,’ says Wyndham indifferently,
-breaking off from the stem, but not eating, the purple grapes before
-him.
-
-‘Kind!’ says Crosby. ‘Hardly that.’
-
-‘Unkind?’
-
-‘More than that.’
-
-‘She told you——’
-
-‘That I was a thief.’ Wyndham’s indifference ceases for a moment.
-
-‘Strong language,’ says he.
-
-‘True, I assure you. Do I look like one? Ever since that terrible
-denunciation I have often asked myself whether so much knocking about as
-I have known has not ruffianized me in appearance, at all events.’
-
-‘Where on earth is the Arcadia you speak of?’ asks Wyndham.
-
-‘Well, to tell you everything, I went down to Curraghcloyne this morning
-to have a look at the old place.’
-
-‘What! There! Why, I was there to-day, too,’ says Wyndham, and then
-pauses, as if suddenly sorry he had spoken.
-
-‘We must have missed each other, then, and come up by different trains.’
-
-‘I suppose so,’ says Wyndham slowly. ‘And so your Arcadia is
-Curraghcloyne? Fancy an adventure there!’ He shrugs his shoulders, and
-leans back in his chair. ‘You have had so many real adventures that I
-expect you like to revel in imagining one now and then.’
-
-‘Perhaps so,’ says Crosby. ‘Still, even in Arcadia one doesn’t like to
-be called a thief. I say, it is getting late, isn’t it? Your aunt spoke
-of ten. It is now well after eleven. Buck up, my child, and let us on.’
-
-
-
-
- CHAPTER XV.
-
- ‘The web of our life is of mingled yarn,
- Good and ill together.’
-
-
-The rooms are crowded to excess, and it is with difficulty that Crosby
-and Wyndham make their way to the place where someone has told them
-their hostess is to be found. They have arrived very late, in spite of
-Crosby’s attempt at haste, so late, indeed, that already some of the
-guests are leaving—a fact that has somewhat embarrassed their journey up
-the staircase. The heat is intense, and the perfume of the many roses
-makes the air heavy.
-
-Quite at the end of the music-room Wyndham sees his aunt, and presently
-she, seeing him and Crosby in the doorway, makes them a faint
-salutation. The Hon. Mrs. Prior is a tall woman, with a high,
-aristocratic nose, fair hair, and blue eyes, now a little pale. She was
-the handsomest of the three daughters of Sir John Burke, and, what is
-not always the case, had made the best marriage. Her youngest sister,
-Kate, had, however, done very well, too, when she married James Wyndham,
-but the eldest sister had made a distinct fiasco of her life. She had
-run away with a ne’er-do-well, a certain Robert Haines, who came from no
-one knew where, and went no one knew where, either, taking Sir John’s
-favourite daughter with him. It was hushed up at the time, but the old
-man had caused ceaseless secret inquiries to be made for the missing
-daughter, always, however, without result. It was for a time a blot upon
-the family history, but it was forgotten after awhile, and Mrs. Prior
-and her daughter have for some time taken leading parts in Dublin
-society.
-
-A tall, thin woman is singing very beautifully as the two young men
-enter, and Mrs. Prior’s slight movement of recognition to her nephew
-conveys with it a desire that he should not seek her until the song has
-come to an end. And presently the last quivering note dies away upon the
-air, and the crowd is once more in motion. Lady H—— is being
-congratulated on the beauties of her voice by many people, and Mrs.
-Prior, having done her part, is now able to receive her nephew and
-Crosby without having to pause and wonder who she is to speak to next.
-
-Indeed, Lady H——’s singing has virtually wound up the evening. Few would
-care to sing after her, and now the rooms are beginning to look
-deserted.
-
-‘Always a laggard, Paul,’ says his aunt, who, having bidden good-bye to
-her principal guests, has left the rest to her daughter. ‘But I suppose
-something of it must be put down to to-night.’ She smiles at Crosby,
-whom she has known since he was a little boy. ‘You should have been here
-earlier, you two; she sang even better in the beginning of the evening.
-It was “Allan Water,” and you know how that would suit her voice. But
-now that you have come so late, you must stay a little later and have
-supper with Josephine and me.’
-
-She talks on to them in her cultivated yet somewhat hard voice, rising
-now and then to say good-bye to someone, until the rooms are quite
-cleared and her daughter is able to join them.
-
-Josephine Prior comes across the polished floor of the music-room to
-where they are sitting in a curtained recess; she is as tall as her
-mother, and as fair, and a little harder. Miss Prior is undoubtedly the
-handsomest girl in Dublin this season (now all but over), and has been
-for the past two or three. Tall, _distinguée_ and with irreproachable
-manners, there are very few who can outdo her. She sweeps up to them
-now, her pretty silken skirts falling gracefully around her, and her
-mother, rising, motions her into her own seat, that next to Wyndham’s,
-while she sinks into a chair on Crosby’s left.
-
-It had been a settled thing with Mrs. Prior for years that Josephine,
-her only child, should marry Paul Wyndham, who, though only a barrister,
-is still a very rising one, and heir to his grand-uncle, Lord Shangarry.
-To know Josephine a countess! There lay all the hope, all the ambition,
-of Mrs. Prior’s life, and the fact that old Lord Shangarry shared her
-hopes about this matter naturally led to the idea that in time it must
-be accomplished. If Paul were to offend his uncle, then—well, then, the
-title would be his indeed; but the enormous income now attached to it,
-not being entailed, could be left as Lord Shangarry wished. Few people
-fly in the face of Providence where thousands a year are concerned, and
-Mrs. Prior depended upon Wyndham’s common-sense to secure him as a
-husband for her daughter. As for Wyndham, though up to this not a
-syllable has passed between him and Josephine to bind him to her in any
-way, he has of late brought himself to believe that a marriage with her,
-considering the stakes, is not out of the question. She is a handsome
-girl, too, and as a countess would look the part.
-
-Now, as she seats herself beside him, he again acknowledges the beauty
-of her chiselled nose and chin. But——yes; there is a but. All at once it
-occurs to him that beauty is very seldom to be found in perfect
-features. The really artistic face has always one feature quite beyond
-the bounds of art. Strange that it had not occurred to him before!
-Still, Josephine is undoubtedly handsome.
-
-Josephine’s voice is like her mother’s—clear and very hard. She is
-talking now.
-
-‘Do you know we were down in your part of the world the other day?’ says
-she. ‘We were lunching with dear Lady Millbank, and then went on to your
-cottage. We wanted to get some flowers. You know how mean Lady Millbank
-is about her roses, so we decided on saying nothing to her, and trusting
-to your place. But when we got there’—with an elephantine attempt at
-playfulness—‘the cupboard was bare, at all events to us, because we
-could not get in.’
-
-‘Yes, so odd!’ says Mrs. Prior. ‘We rang, and rang, and rang, but no one
-came for quite a long time. At last your housekeeper appeared, a most
-disagreeable person, my dear Paul. She was, indeed, almost rude, and
-said she had your orders to admit nobody.’
-
-She looks back at Wyndham, who looks back at her with an immovable
-countenance.
-
-‘Not my orders, certainly,’ says he calmly. ‘I was abroad until the
-other day, you know, so I can hardly be responsible for Mrs. Moriarty’s
-manœuvres.’
-
-His voice is perfectly even, though a perfect storm of rage against Mrs.
-Denis is rendering him furious. Confound the woman! what does she mean
-by seeking to create a scandal out of a mere nothing—a mountain out of a
-mole-hill?
-
-Crosby, glancing at him steadily for a moment, turns his eyes away
-again, and breaks into the discussion.
-
-‘I am sorry you did not go up to my place,’ says he, addressing Miss
-Prior. ‘It is quite a terrible thing to contemplate, your having been in
-want of flowers.’
-
-‘Ah, but you weren’t there!’ says Josephine, with a mild attempt at
-coquetry. ‘If you had been, we might have made a raid on you.’
-
-‘Well, I’m at home now,’ says Crosby cheerfully. ‘You must come down
-some day soon, and help me to gather my roses.’
-
-‘You mean to stay, then?’ says Josephine, leaning a little towards him
-across her mother. She is quite bent on marrying her cousin, though she
-is as indifferent to him as he is to her; but in the meantime she is not
-above a slight flirtation with Crosby. To tell the truth, this big,
-good-humoured, handsome man appeals to her far more than Paul has ever
-done.
-
-‘Until the autumn, at all events,’ says he.
-
-As for Wyndham, he is still sitting mute, apparently listening to his
-aunt’s diatribes about society, and Dublin society in particular, but in
-reality raging over Mrs. Denis’s shortcomings, and the deplorable Irish
-sympathetic nature that has led her to sacrifice everything—even the
-excellent situation she has at the Cottage—to a mere passing fancy for a
-girl whom she has known at the longest for four or five weeks.
-
-Crosby, noting his abstraction, is still rattling along.
-
-‘Now, it’s a promise, Mrs. Prior, isn’t it? You’—here he glances
-deliberately at Josephine—‘you will come and look round my place soon,
-won’t you? I’m thinking of making up a little house-party in September
-or August, and I hope you and Miss Prior will leave a week open for me.’
-He throws a look over his shoulder. ‘You too, Wyndham?’
-
-‘Thank you,’ says Paul absently.
-
-‘What a charming idea!’ cries Josephine ecstatically. Here she decides
-upon clapping her hands, and she does it in her perfectly well-bred way.
-The result is deadly. ‘To stay with a bachelor! Mamma, you will
-consent?’
-
-Mamma consents. Josephine, again leaning towards Crosby, says something
-delightful to him. It has seemed to her since Crosby’s coming that to
-have two strings to your bow is a very desirable thing. Paul is well
-enough, and in the end, of course, she will marry him, though at times
-she has thought that he——But, of course, that is nonsense. He would be
-afraid to marry anyone else—afraid of his uncle. What a pity he is not
-Mr. Crosby, or Mr. Crosby Paul! Well, one can’t have everything one’s
-own way, after all, and there is the title. Lady Shangarry—Mrs. Crosby.
-Yes; the title counts. But really Paul is so very dull, and Mr. Crosby,
-though he has no title, so infinitely better off than Paul will ever be,
-and the Crosbys are an old family, dating back to—goodness knows when!
-Still, a title!
-
-Finally she gets back to the title, and stays there.
-
-‘But yes, really, dear Paul,’ Mrs. Prior is saying, ‘I think that
-housekeeper of yours, or caretaker, or whatever she is, takes too much
-upon her. I tried to explain to her I was your aunt, and, indeed, she
-has seen me several times, but I could not shake her determination to
-let no one in. Anyone might be excused for imagining that she was
-concealing something.’
-
-‘Garden-party for her own friends, no doubt,’ says Crosby. He has cast a
-half-amused, half-inquiring glance at Wyndham; but the latter’s face is
-impassive.
-
-‘I think it a little serious,’ says Mrs. Prior. ‘Young men, as a rule,
-are always imposed upon by women of her class—caretakers, of course, I
-mean,’ with a careful glance at the innocent Josephine. ‘Landladies and
-that. Do you think, dear Paul, that she is quite honest?’
-
-‘Quite, I think.’
-
-‘Then why this extraordinary step on her part—this locking out your very
-nearest and’—with an open glance at Josephine—‘dearest? No, no, George,’
-to Crosby, ‘you really must not jest on this subject. I feel it is quite
-important where Paul is concerned. You really know of no reason, Paul,
-why she should have forbidden us an entrance?’
-
-Is there meaning in the question? Wyndham looks at her steadily before
-replying.
-
-‘I was in France at the time,’ says he carelessly. ‘If she had a motive,
-how could I know it?’
-
-Crosby leans back and crosses his arms negligently. ‘What an idiotic
-equivocation!’ thinks he.
-
-‘You certainly ought to speak to her about it.’
-
-‘Of course I shall speak to her.’
-
-Crosby smiles.
-
-‘I really think you ought,’ says Mrs. Prior. ‘You can’—severely—‘mention
-me if you wish. I consider she behaved extremely badly. And I quite
-tremble for the dear little old place. You know it was an uncle of
-ours—a grand-uncle of yours—who left the place to your mother, and as
-girls we—that is, your aunts and I—used to be very fond of running up
-from your grandfather’s place in Kerry to spend a few weeks in it. We
-were all girls then—your mother, and I, and your——’ She stops, and
-sneezes most opportunely behind her lace handkerchief. The innocent
-Josephine had touched her foot under cover of her gown. Of course the
-aunt who had disappeared so unpleasantly had better not be mentioned.
-
-‘I hope, Paul, you will see that this woman keeps the dear old place in
-order,’ says Mrs. Prior rather hastily.
-
-‘To confess a dreadful truth,’ says Wyndham, smiling somewhat briefly,
-‘I have almost made up my mind to let the Cottage. It has been rather a
-burden to me of late. And——’
-
-‘To let it. But why?’
-
-‘Well, as you see yourself,’ says Wyndham desperately, ‘Mrs. Moriarty
-does not seem capable of looking after it. It is an awful bore, you
-know, and’—with a rush of affection hitherto unborn—‘the idea of her
-having kept you out of the place seems to put an end to my trust in her
-for ever.’
-
-Crosby flicks a little point of dust off his coat-sleeve. ‘Oh, the
-handsome liar!’ thinks he.
-
-‘But, my dear boy, you must not be too precipitate. A word to her would
-perhaps——’
-
-‘I’ve quite made up my mind,’ says Wyndham steadfastly. ‘I shall look
-out for a tenant.’
-
-‘Dear Paul!’ says Mrs. Prior, touched by this nephew-like act, ‘I of
-course appreciate your sweetness in this matter. It is very dear of you
-to be so angry about the woman’s incivility to me, and if you have made
-up your mind about getting a tenant for the dear old Cottage, I think I
-can help you.’
-
-Here Crosby leans forward. It is proving very interesting.
-
-‘You mustn’t take any trouble,’ says Wyndham; ‘I couldn’t allow you.’
-
-‘It will be no trouble—for you,’ says Josephine, breaking into the
-conversation very affectionately.
-
-‘Thanks awfully, but I think I’ve got a desirable tenant in my eye,’
-says Wyndham—‘one suitable in every respect.’
-
-‘The real thing is to know if he is solvent,’ says Mrs. Prior.
-
-‘Oh, I think so—I think so,’ says Wyndham thoughtfully.
-
-‘Is he young or old?’ asks Josephine, who feels she ought to show some
-interest in his affairs.
-
-Wyndham remains wrapt up in thought for a moment, then apparently wakes
-up.
-
-‘Oh, the tenant,’ says he dreamily. ‘Not old; no, not old!’
-
-‘At that rate you must introduce us to him,’ says Mrs. Prior, with quite
-surprising archness. ‘Solvent and not old! Quite a desirable
-acquaintance! What is his name, Paul?’
-
-‘I don’t know,’ says Wyndham.
-
-‘Not know? But, my dear Paul!’
-
-‘I positively don’t,’ says Wyndham, in quite a loud voice. It occurs to
-Crosby that now at last he is telling the truth, and that he is wildly
-glad at being able to do so. But the truth! Where does it come in?
-Crosby grows curious. ‘Strange as it may sound, the name is unknown to
-me. And for the matter of that nothing is settled. There have been only
-preliminaries. There must always be preliminaries, you know,’ talking
-briskly to his aunt.
-
-‘Well, be careful,’ says Mrs. Prior. ‘And whatever you do, Paul, don’t
-take a lady tenant. They are so difficult. Now promise me, Paul, you
-won’t take a lady as a tenant.’
-
-Providentially, at this moment the very late supper is announced, and
-Paul, rising, gives his arm to Josephine, after which the conversation
-drifts into other channels.
-
-
-
-
- CHAPTER XVI.
-
- ‘This is the short and long of it.’
-
-
-The moon is streaming brilliantly over the silent streets as the two men
-leaving Fitzwilliam Square turn presently into Stephen’s Green and then
-down Dawson Street. Crosby’s footsteps are bound for the Gresham Hotel,
-and Wyndham, who should have gone the other way, considering his rooms
-are in Elgin Road, walks with him silently, and so mechanically that it
-becomes at once plain to Crosby that he has lost himself a little in a
-world of troublous thought.
-
-Determining to let him find his way out of his mind’s labyrinth by
-himself, Crosby maintains a discreet silence, refraining even from good
-words and the whistle that has come to be part of him during his strange
-wanderings by sea and land, and is difficult to discard when in the
-midst of civilization.
-
-It is not until they have reached the railings that run round Trinity
-College, where the glorious light of the moon is lighting up the old and
-splendid pile, that Wyndham speaks.
-
-‘I’ve had the deuce of a time,’ says he.
-
-‘Well, I could see that,’ says Crosby, turning his cigar in his fingers.
-‘I’m rather disappointed in you, do you know, Paul. How you are to make
-a fortune out of your profession is to me a mystery. Throw it up. You
-are certainly not a liar born.’
-
-‘I’m in a tight place,’ says Wyndham disgustedly, ‘but I dare say I’ll
-get out of it. Well’—reluctantly—‘good-night.’
-
-‘Not a bit of it,’ says Crosby, tucking his arm into his; ‘come and have
-a pipe with me, and—if you can bring yourself to it—give voice to this
-worry of yours, and get it off your mind.’
-
-A pipe is a great help; soothed by it, and the influence of the society
-of his old chum, Wyndham, seated comfortably in a huge armchair in
-Crosby’s room, tells the latter the whole of his remarkable acquaintance
-with his unknown guest at the Cottage.
-
-It is, to confess the truth, a rather lame story, very lamely told; and
-at the close of it Wyndham looks at his friend, at least at as much of
-him as he can see, Crosby being now enclouded in smoke. He had been
-smoking very vigorously, indeed, all through the recital, and there had
-been moments when he had seemed to be choking, but whether altogether
-from the smoke Wyndham felt uncertain.
-
-‘Well, that’s the story,’ says he at last, flinging himself back in his
-chair.
-
-There is a short silence.
-
-‘Then I suppose you could not think of a better one?’ says Crosby,
-beginning to choke again.
-
-‘Oh, I knew how you’d take it—how any fellow would take it,’ says
-Wyndham wrathfully. ‘I can see that there isn’t a soul in the world who
-would believe such an idiotic story as mine. But there it is, and you
-can take it or leave it as you like. But for all that, Crosby, you ought
-to know me well enough to understand that I should not trouble myself to
-lie to you unless there was occasion for it.’
-
-At this Crosby gives way to a roar.
-
-‘Well, I honestly believe there’s no occasion now,’ says he; ‘and for
-the rest, dear old chap! of course I believe every word you have said.
-You must be thoroughly hipped, or you’d have seen how I was enjoying the
-joke. Come, it seems we have both had adventures in Arcadia, and that we
-have both come in rather sorry fashion out of them.’
-
-‘Oh, you—you can afford to speak of adventures,’ says Wyndham ruefully.
-‘You’re accustomed to them, but I—I confess this last and first has been
-enough for me. You who have faced lions——’
-
-‘Not so many, after all,’ interrupts Crosby, laughing. ‘Don’t magnify
-them like that. I’ve shot a few, I confess, but I only seem to remember
-seven. One does remember them when one’s face to face with them. But
-there is not such a lot to remember, after all.’
-
-‘It would serve, so far as I am concerned,’ says Wyndham frankly.
-‘Indeed, I think I could do with one—always supposing he was dead. As
-for how I feel now, it is as though I were in a den of them, and I doubt
-if I’ll come as well out of it as Daniel did.’
-
-Crosby regards him with an amused eye.
-
-‘Apropos your tenant,’ says he, ‘when are you going to introduce your
-aunt to your young man?’
-
-‘Oh, get out!’ says Wyndham.
-
-‘That’s a lion if you like,’ says Crosby.
-
-‘Which—my aunt or my tenant?’
-
-‘I haven’t seen the tenant. Still, it strikes me that she will be a
-lion, too. I’d get out of that den if I were you.’
-
-‘Well, I want to. But what’s one to do? I can’t get rid of either of my
-lions.’
-
-‘Not even of the tenant?’
-
-‘I don’t see how I can, now I have given my promise.’
-
-‘Well, introduce them to each other; that’s a capital suggestion if you
-will only look into it. Whilst they claw each other, you may be able to
-make your escape.’
-
-‘Introduce them?’ Wyndham pauses, as if sounding the proposition, then
-gives way to wrath. ‘Hang it!’ says he; ‘you are worse than Job’s three
-comforters all rolled into one.’
-
-
-
-
- CHAPTER XVII.
-
- ‘No hinge nor loop
- To hang a doubt on.’
-
-
-To-day is Sunday—the first Sunday since that eventful day when Susan had
-tackled and disarmed the thief, and certainly the warmest day that has
-come this season. In here in the church the heat is almost intolerable;
-and Susan, when the Litany begins, feels her devotion growing faint.
-
-She has, indeed, up to this had a good deal of troublous excitement. To
-keep one eye on Jacky, who had left home in a distinctly resentful mood,
-and the other on Tommy, who doesn’t believe in churches as a
-satisfactory playground, is a task to which few would be equal; and even
-now, when Tommy has been reduced to silence by Betty and lemon-drops,
-the excessive warmth of the day leaves Susan too tired to follow the
-beautiful service.
-
-Mechanically she says, ‘We beseech Thee to hear us, good Lord’; but her
-mind is wandering, and presently her eyes begin to wander too.
-
-The curate, how hideous he is, poor little man! and what a pity he is so
-painfully conscious of the loss of his front tooth! and what a lovely
-light that is from the window falling on his gown! It must be nice
-outside now. How the flies are buzzing on the panes, just like the
-organ! Maria Tanner should not be laughing like that; if father saw her
-he would be so angry, and Maria is such a nice girl, and so clever—took
-all the prizes at the diocesan examination last year—and her sister is
-considered quite an excellent housemaid by Lady Millbank. What a pretty
-bonnet Lady Millbank has on! Those violets suit her. Who is the man in
-the pew behind her? Why, that is the Crosby pew, and——
-
-For one awful minute Susan feels the walls of the church closing in upon
-her; a sensation of faintness, a trembling of the knees, oppress her.
-She is conscious of all this, and then the mist fades away.
-
-No, no; of course it is not true. It is impossible. A remarkable
-likeness, no more. She could laugh almost at her own folly, and very
-nearly does so in her nervous state; but providentially the sight of a
-gloomy black and white tablet, erected to the memory of a dead and gone
-Crosby, that stands out from the wall right before her, prevents this
-act of desecration.
-
-She—she will look again, if only to assure herself of her own folly.
-Slowly, slowly she lifts her eyes—the eyes that now are standing in a
-very white face—and looks with a desperate courage at the Crosby pew.
-Her eyes meet full the eyes of its one occupant, and then Susan tells
-herself that it is all over, and death alone is to be looked for.
-
-For the eyes of the Crosby pew man are the eyes of Susan’s thief. There
-can be no mistake about it any longer. The man who sits in Mr. Crosby’s
-pew and Susan’s repentant thief are one and the same.
-
-Her eyes seem to cling to his. In the fever of horror that has overtaken
-her, she feels as if she could never remove them. For a full minute the
-man in the Crosby pew and Susan kneel, staring at each other; and then
-suddenly something happens. Lady Millbank, who is sitting in the pew
-before that of the Crosbys, turns round and hands Susan’s thief a
-Prayer-book. That in itself would be very well—everyone should give a
-thief a Prayer-book—but Lady Millbank has accompanied her gift with a
-friendly nod of recognition, a charming smile—the smile that Susan so
-well knows, the smile that is only given to those whom Lady Millbank
-desires to honour or to be in with.
-
-It is all quite plain now. The thief is Mr. Crosby, and Susan with a
-groan lets her face fall upon her clasped hands, and hopes vainly for
-the earth to open and swallow her up quick.
-
-But the earth is a stupid thing, and never does anything nowadays. Not a
-single earthquake appears for Susan’s accommodation, and the good old
-church is not conscious of even a quiver. The service goes on. The
-Litany is done. They all rise from their knees, and the curate gives out
-a hymn:
-
- ‘“O Paradise! O Paradise!”’
-
-Poor Susan feels as if ‘O Purgatory!’ would be much nearer it, so far as
-she is concerned. She would have stopped the hymn there and then if she
-could, feeling utterly upset and nervous. But it would take a great many
-feelings to stop a church service when it is once in full swing; and the
-hymn goes on gaily in spite of Susan’s despair. It reaches, indeed, a
-most satisfactory ending, in spite of a slight contretemps occasioned by
-the one unlucky Protestant maid belonging to the Rectory, called Sarah.
-
-Poor Sarah has this day for the first time put on a hat of which a
-brilliant magenta feather is the principal feature. Hitherto it has not
-caught Miss Barry’s eye—a wonder in itself even greater than the magenta
-feather, as this estimable spinster, with a view to keeping the
-servants’ moral conduct perfect, has elected that they shall sit on a
-bench in the big square Rectory pew right before her and her nephew and
-nieces.
-
-It is at the beginning of the first verse that Miss Barry’s eye lights
-on the monstrosity in Sarah’s hat. Feathers and flowers are abominations
-in Miss Barry’s eyes when worn by the ‘common people,’ as she calls
-those beneath her in the social scale. How dare that impertinent girl
-come to church with such an immodest ornament on her head! What on earth
-is the world coming to? She must, she will, speak to her; impossible to
-let her enjoy that feather another second.
-
-If she can’t speak, she can at all events sing at her.
-
-She darts across the pew, and, leaning over Sarah’s shoulder, sings
-piercingly into her ear:
-
-“‘O Paradise! O Paradise.” Sarah, what do you mean?’ (Rising note.) ‘How
-dare’ (prolonged shriek on top note) ‘you wear that feather, girl! Where
-did you get that hat?’
-
-She is simply screaming this to the hymn-tune. You all know the hymn, of
-course, and can understand how Miss Barry’s voice rose to a shrill yell
-in the ‘dare.’ Sarah, with a convulsive start, turns round. It seems to
-her that this loud voice shouting in her ear must be heard by every
-other soul in the church; and frightened, ashamed, she sinks down into
-her seat, and prepares to hide herself and the magenta feather behind
-her Prayer-book. But at this breach of church etiquette Miss Barry grows
-even more incensed, and proceeds to rouse the wretched girl to a sense
-of her further iniquity by well-directed and vigorous punches and prods
-of her Prayer-book on her back. Whereon Sarah, dissolved in tears, rises
-to her feet once more. She is evidently on the verge of hysterics, and
-would have undoubtedly given way to them, but that at this moment Betty,
-who is afraid of nothing under heaven, lays her hand on Miss Barry’s
-arm, and forcibly pulls her back to her accustomed place.
-
-The hymn has now come to an end, and only Sarah’s stifled groanings are
-heard upon the air. Most people take these to be the buzzing of the
-innumerable bluebottles collected in the window-panes, so that the whole
-affair goes off better than might have been expected.
-
-Slowly, slowly, go the minutes; slower and slower still is the voice of
-the curate, as he intones the Commandments. The bluebottles, as if
-invigorated by it, buzz louder than ever, until poor Sarah’s sobs are
-completely drowned.
-
-The heat grows more and more intense. Jacky, beneath its pressure, has
-fallen sound asleep, and is now giving forth loud and handsome snorings.
-Miss Barry, horrified, makes frantic signs to Dominick, who is next to
-the culprit, to stop this unsolicited addition to the church music that
-Jacky has so ‘kindly consented’ to give, and Dom waves back at her
-wildly. No, no, of course. He quite understands; he will see that no one
-interferes with the dear boy’s slumbers on any account whatever. The
-wavings backwards and forwards grow fast and furious—furious on the part
-of Miss Barry, and really as fast as lightning on the part of Mr.
-Fitzgerald, who is having a thoroughly _bon quart d’heure_; but Carew
-ends it.
-
-He has been trying mentally to get through one of his papers for his
-next examination, and finding Jacky’s snores a deadly interruption to
-his thoughts, he fetches that resounding hero a telling kick on a part
-that shall be nameless, which brings him not only to his senses, but the
-floor.
-
-There is a momentary confusion in the Rectory pew; but as every member
-of the congregation is more or less drowsing, Jacky is picked up and
-restored to his seat before the real meaning of the confusion is known.
-And, indeed, when anyone does look, all the Barrys are sitting so demure
-and innocent that no one could connect them with anything out of the
-way. Susan, alone flushed and unnerved, in spite of her determination
-not to do it, looks quickly at the Crosby pew, to find the thief looking
-at her with a singular intensity of regard. It is at this moment that
-Susan, for the first time in her young, happy life, wakes to sympathy
-with those unfortunate people who sometimes wish that they were dead.
-
-The curate, a short, squat little man—a man so short, indeed, that a
-footstool has had to be placed in the pulpit for him to let the
-congregation see him as he preaches—is now droning away like the flies,
-‘shooting out shafts of eloquence to the bucolic mind’ is how he puts it
-when writing to his people; but even his people, if here, could hardly
-catch the shafts to-day. The fact is, he has not yet had time to get in
-the teeth he lost by his fall last week; and, however admirable his
-discourse may be, the beauties of it are known to him alone.
-
-The farmers who are awake are leaning forward, their hands to their ears
-to catch the Gospel words that never reach them. Lady Millbank has
-fallen gracefully asleep. Sarah is still weeping copiously, but now,
-thank Heaven, quietly. The curate, vainly striving to pronounce his
-‘this’ and his ‘that,’ grows more and more nervous. He leans over the
-pulpit, and thunders at the sleeping farmers and at the leading families
-around, in whose pews, too, Somnus is holding a full court. Farther and
-farther he leans, striving with his parishioners as much as with his
-teeth; a very passion of anxiety grows upon him. He lifts his arms from
-the desk before him—the desk that is supporting him—and waves them
-frantically.
-
-‘Hear—hear, my brethren,’ cries he. ‘Hear and see——’
-
-His cry, like the ‘Excelsior’ young man’s clarion, rings loud and clear.
-It wakes some of the sleepy members, who look up to see what it is all
-about. But when they do look up there is nothing to see.
-
-Most unexpectedly and disgracefully—considering its relation to the
-Church—the footstool has given way with a crash, and Mr. Haldane, the
-curate, has given way with it, and disappeared, holus bolus, into the
-big old pulpit.
-
-For quite a minute, though no doubt ‘to memory dear,’ the curate is
-certainly ‘lost to sight;’ and when at last he ventures once more to
-mount the offending stool, and look down at his parishioners, it is to
-find that the far larger half of them are gladly streaming down the
-aisle to the fresh air outside, under the fond delusion that ‘church is
-over.’
-
-These are the specially drowsy ones. The crash caused by the curate’s
-unpremeditated descent had roused them from their happy dreams, and, on
-opening their eyes, seeing no preacher in the pulpit, they had naturally
-come to the conclusion that the performance was at an end.
-
-Vain to call them back. Mr. Haldane spreads out his arms to heaven in a
-mournful appeal, but, hearing some unmistakable tittering to his left,
-turns, and incontinently flies.
-
-
-
-
- CHAPTER XVIII.
-
- ‘Life is thorny, and youth is vain!’
-
-
-Not so quickly as Susan, however. He could hardly have flown with the
-fleetness of that heart-troubled nymph. She—at the first chance, when
-her father, rising hurriedly at the flight of his curate, had breathed
-the blessing—had flown down the side-aisle and through the small oak
-door into the golden air outside; and from there into a small lane
-filled with flowering weeds, that led straight homewards.
-
-Running—racing, indeed—goes Susan, with her heart on fire, as her
-cheeks, and her lovely, child-like eyes darkened and bright with the
-sense of coming disaster.
-
-She does not draw breath until she finds herself safe in her own little
-room, with just five precious minutes (precious, unusual five minutes,
-gained only by that swift run that has left them all behind) in which to
-think out as calmly as she can what has befallen her.
-
-A thief! She had called him a thief! He—Mr. Crosby—the distinguished
-traveller! Oh! what is to become of her? Not even now, at this last
-gasp, does she try to persuade herself that the man in the Crosby pew
-was a fraud—that he wasn’t Mr. Crosby. She knows as positively as though
-she had been introduced to him that he is Mr. Crosby.
-
-Introduced to him! As if——She covers her face with her hands. No, no;
-there need be no fear of that. He will go away soon—at once. People say
-he cannot bear civilized life; that he always hankers after savages, and
-lions, and things. He will go away, of course. Oh, if only he will go
-away soon enough, and never come back! Susan, with her hands before her
-gentle eyes, has sudden dreams of people who have been devoured by
-lions, and for the first time fails to see the extreme horror of it.
-
-Yes, he will go away soon; and in the meantime—well, in the meantime it
-is very unlikely that she will come face to face with him.
-
-‘Susan, Susan! are you there?’
-
-‘Yes,’ says Susan. She goes to the door, and finds Jacky on the
-threshold of it.
-
-‘Dinner is ready,’ says that solemn youth; ‘and they sent me up for
-you.’
-
-‘I can’t come down,’ says Susan. ‘I have a headache. Jacky—dear, dear
-Jacky, say I have a headache. And I have, too—I have indeed. There won’t
-be any lie. The heat—you must have felt the heat in church—you fell
-asleep——’
-
-‘Yes, I know,’ says Jacky, in his queer way, that always expresses anger
-with difficulty suppressed. ‘You won’t come down, then?’
-
-‘No; I can’t—I——’ She lifts her hand to her head.
-
-Jacky hesitates, turns slowly, and then throws a glance at her.
-
-‘Susan, did you see that man in the Crosby pew?’
-
-Susan’s nerves being a little overwrought, she almost jumps at this.
-
-‘Yes, yes,’ says she in a hurried way.
-
-‘He was very like the thief, wasn’t he?’ says Jacky anxiously. Susan
-colours hotly.
-
-‘Nonsense, Jacky’—with a very poor attempt at scorn. ‘That gentleman in
-Mr. Crosby’s pew was, I think, Mr. Crosby himself, or, at all events,
-some friend of his.’
-
-‘Well, the thief was the image of him,’ says Jacky slowly. That’s the
-worst of Jacky, he is always so abominably slow. ‘I looked at him, and I
-said to myself, “That’s Susan’s thief,” and,’ with awful obstinacy, ‘I
-think it was, too.’
-
-‘No, no, no!’ says Susan. ‘It was Mr. Crosby, I tell you. I saw Lady
-Millbank nod and smile at him.’
-
-Jacky considers.
-
-‘Very well,’ says he, in a thoroughly unconvinced tone. He moves away a
-bit and then looks back. ‘If that is true,’ says he, ‘Mr. Crosby looks
-like a thief.’
-
- * * * * *
-
-At half-past three Susan, having come to the conclusion that sitting up
-here won’t help her out of her difficulty, wanders downstairs and into
-the schoolroom, where Betty makes much of her, and makes her sandwiches
-out of the still warm mutton, which, in spite of their nastiness and her
-headache, Susan devours with avidity. Hunger is a great sauce; no one
-has ever yet invented one to beat it. And perhaps, if all were known,
-Susan’s ache belongs more to the heart than the head. When the
-sandwiches are finished, she declares herself much better, and Jane
-coming to say that Lady Millbank is in the drawing-room, she rises, and
-expresses a desire to see her.
-
-Lady Millbank, or ‘the Sack,’ as the irreverent young Barrys always call
-her, thinks it the correct thing to be in with, and civil to, her
-Rector—without giving herself any unnecessary trouble. The drive from
-Millbank to the parish church is five good miles, so she always makes a
-point of lunching with some of her friends and taking afternoon tea at
-the Rectory. Even so far she would not have condescended, but that the
-Rector, poor as he is, has sprung from a good old stock, and that his
-wife was a connection of the late Sir Geoffrey Millbank.
-
-‘So sorry to hear you have been ill,’ says she, as Susan enters. Susan
-is a favourite of hers. ‘The heat, eh?’ She speaks exactly as she looks.
-She is one of those people who can be very gracious when they like, and
-perfectly abominable on other occasions. She is ugly and shapeless, and
-careless about her dress, but no one can mistake for a minute that she
-is well born.
-
-‘It was very warm,’ says Susan.
-
-‘You look pale, my dear. I think, Miss Barry, she ought not to go to
-church this evening.’
-
-‘No, no, of course not, Susan,’ says Miss Barry severely; she is sitting
-behind a wonderfully battered old teapot that has certainly seen
-service, and must have been pure at heart to have come out of the trial
-thus victoriously, though maimed and wounded. It is the pride of Miss
-Barry’s life, and has come down to the Rector after many days.
-
-‘I suppose you saw that George Crosby has come home?’ says Lady
-Millbank. ‘I had heard a rumour of his coming a week or so ago, but
-thought nothing of it. Such a man as he is can never be relied upon, and
-when he turned up actually alive last week, I was more surprised than I
-can tell you.’
-
-Last week! She had seen him, had talked with him. Had he told her?
-Susan’s heart sinks within her. Positive despair makes her raise her
-eyes and look at Lady Millbank. Oh, if——
-
-But Lady Millbank is still chatting on, and in her eyes, as they meet
-Susan’s, there is no _arrière-pensée_. No; he had not betrayed her.
-
-‘I don’t suppose we shall see much of him; he is always on the
-stampede,’ Lady Millbank is saying. ‘One would think from his habits
-that he was a criminal running before the law. I told him so. Ah’—rising
-suddenly and looking out of the window—‘there he is! And coming here! Of
-course, to call upon Mr. Barry. Your brother was a great friend of
-George Crosby’s father, I think. Eh?’
-
-‘There was a friendship,’ says Miss Barry. ‘Susan, how pale you are!
-Come out of that dark corner, child, and sit near the window. The air
-will do you good.’
-
-‘I like being here,’ says Susan quickly.
-
-There is no time to say any more. Susan’s ‘thief’ is in the room.
-
-
-
-
- CHAPTER XIX.
-
- ‘A secret is in my custody if I keep it; but if I blab it, it is I
- that am prisoner.’
-
-
-The Rector has come in, and has stayed to have a cup of tea with Mr.
-Crosby. Lady Millbank declares herself charmed and very jealous. He
-never leaves his beloved books to see her! Mr. Barry smiles, and then
-falls back upon the memories of Crosby’s father that are always so dear
-to him. He is a tall, gaunt man, severe, with a far-away look, and the
-indifferent air of those who live with dead authors, and who are,
-besides, a little worried by the money transactions of life.
-
-To have to think of the daily needs is hateful to Mr. Barry, who ought
-to have been a bachelor, with nothing but his notes to worry him, living
-in a world in which he could sit loosely. Even now he sometimes forgets
-how time flies, and to tell him that Susan is almost a woman grown would
-have roused him to quite an extraordinary wonder. The world goes on
-whilst he stands still, and to-day the dragging of him out of his shell,
-even to the ordinary business of a drawing-room conversation, has
-bewildered him. After a little while he retires.
-
-His sermons, his visits to the sick, the poor (he never visits the rich
-unless they specially send for him)—all these things concern him. But
-when he knows himself happiest is when his study-door is shut for the
-night to all intruders, and he can read, read, read, until the little
-hours begin to chime.
-
-As Crosby entered the drawing-room, Susan felt her heart stand still.
-She rose mechanically, and held out her hand to him as he came up to
-her, but she did not lift her eyes. She felt vaguely conscious that she
-had flushed over cheek and brow. Such a blush! So quick! so deep! Oh, he
-must have seen it, and known the meaning of it!
-
-If he did, he made no sign whatever; and until the departure of Lady
-Millbank he devoted himself to the Rector.
-
-When Lady Millbank rose to say good-bye, Susan told herself that now at
-last the ordeal was at an end, and that he would go too. But,
-apparently, he had no intention whatever of stirring. And the climax
-came when Dom and Carew asked him to come out into the garden and have a
-cigarette. The cigarettes were Dom’s. Mr. Crosby seemed only too willing
-to accept this lively invitation, and Dom, thrusting his arm through
-Betty’s, asked her to come along with him.
-
-‘And you, Miss Barry,’ says Crosby, now walking up deliberately to
-Susan, who is still sitting in her shady corner. The elder Miss Barry
-had gone out into the hall to bid Lady Millbank a last adieu, and tell
-her of the latest misdoings of the young women of the Christian
-Association in Curraghcloyne. ‘I hope you will come too.’
-
-‘Oh yes, Susan, come on,’ says Betty. ‘It’s lovely outside to-day, and
-father won’t be able to see the smoke through the beech hedge.’ The
-Rector objects to smoking, so that Dom and Carew have quite a time of it
-keeping their pipes and cigarettes out of his way.
-
-‘I hope you will come,’ says Crosby. He is bending over Susan now, and
-he has distinctly lowered his tone. ‘Do you know, I have come over
-to-day to see and thank you. I felt it quite my duty to do it.’
-
-‘To thank me?’ For the first time during the afternoon Susan looks
-straight at him. Her large and lovely eyes are full of wonderment. ‘To
-thank me?’
-
-‘Yes, indeed; I have great cause to be grateful to you,’ says Mr.
-Crosby, with such extreme earnestness and gravity that she rises. What
-if, after all, she was wrong, and the thief was not really Mr. Crosby?
-
-A cousin perhaps—a disagreeable one: cousins are very often
-disagreeable, and often, too, more like one than one’s own brothers are.
-Of course, if he was a kinsman, Mr. Crosby would be very grateful to her
-for hushing up the whole affair, and telling nobody. And yet——
-
-Again she lifts her eyes and studies his face. No, not even twins were
-ever so alike as this man and the man that stole the cherries.
-
-‘Are you coming?’ calls Betty impatiently, and Susan moves forward. In a
-moment she is stepping from the low sill of the Rectory drawing-room on
-to the little plot of grass beneath, disregarding Mr. Crosby’s hand as
-he holds it out to help her.
-
-She and he are well behind the others now, and Crosby speaks again.
-
-‘You don’t ask me why I am grateful,’ says he reproachfully. ‘Don’t you
-care to know? I care to tell you. I have had it on my mind since that
-day in the garden. You remember?’
-
-‘Yes,’ says Susan. She stops short, and confronts him with flushed
-cheeks and nervous eyes, but a little touch of courage that sits most
-charmingly upon her. ‘I do remember. You—you were the man who——’ She
-hesitates.
-
-‘Stole the cherries?’ suggests he.
-
-‘No’—coldly—‘who sat on the top of the ladder and made fun of me.’
-
-There is a little silence.
-
-‘That is a most unkind speech,’ says Crosby at last. ‘After all, I don’t
-feel as grateful now as I did a minute ago. I came here to-day to thank
-you for looking so kindly after my property, and you meet me with an
-accusation that absolutely strikes me dumb.’
-
-At this Susan cannot refrain from bitter jest.
-
-‘True,’ says she scornfully; ‘one can see how silent you are.’
-
-Mr. Crosby regards her with apparent awe, tempered with grief.
-
-‘If you persist in your present course,’ says he, ‘I shall commit
-suicide. There will be nothing else left for me to do.’
-
-‘In the meantime,’ says Susan, with astonishing spirit, ‘you had better
-come into the garden. They are expecting you.’
-
-Not so very much, after all. Betty, Carew, and Dom Fitzgerald are
-engaged in a lively discussion on Miss Barry’s wild attack on the
-unoffending Sarah in church this morning, and, in the delights of it,
-have almost forgotten Mr. Crosby. The children are playing about on the
-tennis-ground below, and Crosby’s eyes fall on Bonnie, as with great
-difficulty, and with the help of a stick, he tries to follow little Tom.
-Jacky, in the distance, is stretched on his stomach reading.
-
-‘Those are your brothers?’ asks Crosby, looking more deliberately at
-Bonnie, whose charming little face, though pale and emaciated, attracts
-him.
-
-‘Yes, I have four brothers and one sister.’
-
-‘Five brothers, I thought.’
-
-‘Oh no; Dominick Fitzgerald is our cousin. He lives with us nearly
-altogether, and father is coaching him for the Indian Civil.’
-
-‘Oh, I see. That little brother’—gently indicating Bonnie—‘does not look
-very strong.’
-
-‘No, he had rheumatic fever, and he has not been’—correcting herself
-hastily, as though it is impossible to her to say the more terrible
-word—‘very strong since.’
-
-‘What a beautiful face!’ says Crosby involuntarily. And, indeed, the
-loveliest flower of all this handsome Barry family is the little
-suffering cripple child.
-
-Susan is conscious for a moment of a choking in her throat. Oh, her
-little lovely darling brother! To hear him praised is a great joy to
-her, but with the joy follows pain unutterable. If only she had looked
-more closely after him! And poor, poor mamma, who had told her to be a
-mother to him! Then, all at once, she remembers the cherries, and how he
-had enjoyed them, and a queer passion of feeling, arising first of all
-from the fact that Crosby had admired the child, makes her turn to him.
-
-‘Mr. Crosby, I want to tell you something,’ says she timidly; ‘those
-cherries that you sent me’—he is about to tease her again, to pretend he
-knows nothing of the gift, but her face, pale now and filled with a
-strange but carefully-held-back emotion, keeps him silent—‘they gave
-Bonnie a happy half-hour. No matter how I am feeling towards you, about
-your pretending to be—you know—still, if only for the pleasure your
-cherries gave Bonnie, I feel intensely thankful to you. He is not
-strong, as you see. They say he will never be strong again, and it was
-my fault; for I forgot him one day—one day—and mamma was dead too. I was
-cross to you about your pretending to be a thief—I hope you won’t mind
-me?’
-
-It is such a childish speech, and there is such tragedy in the dark
-eyes! She has not broken down at all. There is not a suspicion of tears
-in her low, clear young voice, but that the child’s ill-health is a
-constant grief to her is not to be doubted for a moment.
-
-‘If it comes to that,’ says he slowly, ‘it is I who ought to apologize.
-And the worst of it is, I haven’t an apology ready. The plain truth is
-that I couldn’t resist the situation. If I could hope that you would try
-to forgive me——’
-
-He breaks off. Susan has looked at him, and through the deep gloom of a
-minute ago a smile has broken on her face. Such a smile! It makes her
-look about twelve years old, and is indescribably pretty. ‘What a lovely
-child!’ says Crosby to himself. She holds out her hand to him frankly.
-
-‘But don’t tell anybody,’ says she, in an eager little whisper.
-
-‘Tell! “Is thy servant——” But the brother over there catching cold on
-the grass with a book before him—he was with you, I think.’
-
-‘Ah, Jacky and I are chums!’ says she. This seems to settle the
-question. It occurs to Mr. Crosby that it would be rather nice to be
-chums with Susan, and he vaguely wonders if she would accept a chum who
-was not one of the family. Is Dominick a chum? But, then, he is one of
-the family. When Susan has chums, does she trust them—have little
-secrets with them? If so, he may clearly rise to the desired position in
-time. He is conscious of a sense of exhilaration as he tells himself
-that Susan once regarded him as a thief, and that he is bound by her to
-keep that regard a secret.
-
-‘Oh, there you are, Mr. Crosby!’ says Carew, stopping in his discussion
-with Betty; ‘come here and sit down.’
-
-‘Don’t sit on Betty, whatever you do,’ says Dominick from his place
-beside her on the grass; ‘she’d be sure to resent it. She takes after
-our own particular auntie in the way of temper. Susan, my
-darling’—making a grab at Susan’s ankle, which she has learned from long
-practice to avoid—‘come and sit down by me. No? Your brainpower must be
-weak. Have a cigarette, Mr. Crosby. You need not mind the girls. It is
-all we can do to keep our “baccy” from them.’
-
-‘If I wanted your nasty “baccy,”’ says Betty, ‘it isn’t likely you would
-be able to keep it from me. Give Mr. Crosby a match.’
-
-‘Thanks, I have one,’ says Crosby. He had accepted Dom’s offer of a
-cigarette without hesitation, and, indeed, would have smoked it to the
-bitter end rather than offend any member of the little group around him.
-They all please him; they all seem in unison with him—frank, happy,
-rollicking youngsters, without a scrap of real harm amongst them.
-Perhaps the secret of their success with Crosby lies in the fact that,
-in spite of his being well in the thirties, he is still a boy himself at
-heart, with a spice of mischief in him not to be controlled. The
-cigarette, however, proves very tolerable, and Susan having seated
-herself where he can distinctly see her, he feels that he is going to
-spend an uncommonly pleasant afternoon.
-
-‘It’s a shame to say Betty’s got a temper,’ says Susan. ‘I’m sure she
-hasn’t—not a bad one, any way.’
-
-‘You needn’t defend me, Susan,’ says Betty, clasping her long, lean arms
-behind her head. ‘I prefer to do it for myself, and’—with a fell glance
-at the doomed Dominick—‘I think I know where revenge lies.’
-
-‘I give in!’ cries Mr. Fitzgerald frantically. ‘Betty, pax!’
-
-‘Never,’ says Betty.
-
-‘If you burn my fly-book a second time, I warn you that there will be
-murder,’ says Dom; and then Betty has mercy.
-
-‘A public retractation, then!’ demands she viciously.
-
-‘A hundred of them. I swear to you, Mr. Crosby, that I wronged her, and
-that her temper is like that of an angel, and not a bit like our Aunt
-Jeremiah’s’—softly, ‘May I be forgiven!’
-
-‘Did you hear her in church?’ asks Carew, turning to Crosby. ‘Aunt
-Jemima, I mean, not Betty. She was mad with Sarah this morning——’
-
-Crosby looks rather helplessly round him.
-
-‘Another sister?’ asks he.
-
-‘No, no,’ says Susan, whilst the others explode; and Crosby, unable to
-resist their gaiety, joins in the merriment. ‘A servant——’
-
-‘Had a magenta feather in her hat!’ cries Betty, roaring with laughter,
-‘and Aunt Jemima hates feathers, and——’
-
-‘This is my story, Betty,’ interrupts Carew; ‘I insist on telling it.
-When the Paradise hymn began, Aunt Jemima saw the feather——’
-
-‘Pounced upon Sarah!’ cries Susan, who is nearly in hysterics. ‘Oh, did
-you see her? She sang the most dreadful things at her until the poor
-girl nearly fainted, and——’
-
-‘And then our only auntie punched her in the back with her Prayer-book,’
-puts in Dom. ‘Really, Betty, I did wrong you! You aren’t in it with her.
-She cussed and swore like anything, but worse than all, Susan, was her
-ribald rendering of music-hall songs within the sainted precincts of the
-church.’
-
-‘Nonsense, Dom! you spoil the story by exaggeration.’
-
-‘Exaggeration! My dear girl, didn’t you hear her? Why, she was shouting
-it! She got rather mixed up in the music—I’m bound to say the two times
-are not the same—but she managed it wonderfully. You heard her, Carew,
-didn’t you?
-
- ‘“Where did you get that hat?”
-
-I waited for the rest, but I suppose her courage failed her, or else the
-organ drowned it; at all events, the second line,
-
- ‘“Where did you get that tile?”
-
-did not come in. But I think we ought to speak to our auntie, Susan,
-don’t you? That sort of thing is very well outside, but in a church!
-Betty, you look as if you’d love to speak to somebody. We’ll put you on
-for this job. You shall expostulate with Aunt Jemima on her deplorable
-weakness for low-class comic songs.’
-
-‘I shall leave you to interview her on the subject,’ says Betty.
-
-‘Interview! What a splendid word!’ says Dom. ‘What’ll you sell it for?’
-But Betty very properly decides on not hearing him.
-
-Softly, sweetly, the sun is going down, topping the distant hills, and
-now falling behind them. A golden colour is lighting all around.
-Overhead the swallows are darting here and there, and from the beds of
-mignonette in the old-fashioned garden exquisite perfumes are wafted;
-and now ‘at shut of evening flowers’ faint breezes rise, and corners
-grow rich in shadows, and from the stream below comes a song that makes
-musical the happy hours.
-
-Crosby, with a sigh of distinct regret, rises to his feet.
-
-‘I fear I must go,’ says he.
-
-‘What, not so soon?’ cries Carew, getting up too. Indeed, as Crosby
-persists, though evidently with reluctance, in his determination to
-leave them, they all get up, the innate courtesy of this noisy group
-being their best point.
-
-‘Have another cigarette for the walk home?’ says Dom hospitably.
-
-‘We’ll all go with you to the gate!’ cries Betty.
-
-‘I suppose a big traveller like you doesn’t play tennis?’ says Carew
-diffidently, but with an essence of hope in his tone.
-
-‘Oh, don’t I!’ says Crosby; ‘I’m quite a dab at it, I can tell you! If I
-were to come down to-morrow afternoon, would there be any chance that
-any of you would be here to play a game with me?’
-
-He looks at Susan.
-
-‘We’ll all be here!’ cries Betty ecstatically. To have a new element
-thrown into their daily games seems too enchanting for anything. ‘You
-will come?’
-
-‘May I?’ says Crosby. Susan has not answered, and now he purposely
-addresses her.
-
-‘Oh, I hope you will!’ says she cordially. She had been thinking
-hurriedly if it would be possible to ask him to luncheon—to their early
-dinner. But with the children and Jane’s attendance! Oh no—a thousand
-times no! Yet it seems so inhospitable.
-
-‘Thank you, I should very much like to come. It is quite taking pity on
-an unfortunate bachelor,’ says he. And this being settled, they all in a
-body prepare to accompany him to the gate. Even little Tom runs up to
-them, and Bonnie, with uneven steps, hurries as fast as the poor mite
-can. Susan turns to help him, and Crosby, watching her for a moment,
-follows her, and, taking the child in his arms, without a word swings
-him to his shoulder.
-
-At the gate, having bidden them good-bye, and Dom having taken Bonnie on
-his back for a race home, Crosby looks at Susan.
-
-‘Are you fond of cherries?’ asks he. His face is profoundly grave, but
-she can see the twinkle in his eyes, and her own give him back a
-reproachful glance.
-
-This playing with fire is hardly prudent.
-
-‘Sometimes,’ says she demurely.
-
-‘And you, Bonnie?’ asks Crosby, pinching gently the child’s pale pretty
-cheek as he rests on Dominick’s back. ‘You like them, I’m sure. Well,
-I’ll send you some to-morrow and every day while they last, and perhaps
-the red of their cheeks will run into yours. See that it does, now.’
-
-The child laughs shyly, and Crosby turns to Susan again.
-
-‘Good-bye, Miss Barry.’
-
-‘Oh, don’t call her that!’ cries Betty. ‘That makes her sound like Aunt
-Jemima. Susan, tell him he can call you by your own name.’
-
-This handsome advice ought, thinks Crosby, to fill Susan with angry
-confusion. But it doesn’t.
-
-‘You may—you may indeed!’ says she, quite sweetly and naturally, looking
-him fair in the eyes. ‘I should like you to call me Susan, and I am very
-much obliged to you for promising the cherries to Bonnie.’
-
-She gives him her hand; he presses it, and goes up the road towards his
-home. A little thorn in his heart goes with him. If he had been her own
-age, would she so readily have permitted him to call her Susan? No doubt
-she regards him as quite a middle-aged old fellow, and truly, next to
-her youth, that promises to be eternal, he is nothing less.
-
-
-
-
- CHAPTER XX.
-
- ‘Fear oftentimes restraineth words,
- But makes not thoughts to cease.’
-
-
-The weather since the beginning of the summer has been exceptionally
-warm, and to-day has outdone itself.
-
-Here in the Cottage garden, surrounded by its ivied walls, the heat is
-excessive, and there is a certain languor in the lithe figure of the
-girl as she comes forward, the dog beside her, to greet Wyndham, that
-meets his eye. Perhaps nervousness has conduced to the pallor that is
-whitening her lips and brow, and is making even more striking the
-darkness of her appealing eyes. There is something about her so full of
-grief suppressed that he hastens to allay it.
-
-‘I have come, you see,’ says he—he holds out his hand, and she lays hers
-in it; he holds it a moment—‘to speak about our rent.’ He smiles at her.
-The smile, to tell the truth, is a little grim, and hardly reassures
-her. ‘I have come to the conclusion that, as you wish to become my
-tenant, you must pay me a huge rent.’
-
-‘Ah! and I have been thinking,’ says she very sadly, with the mournful
-air of one who is giving up all that is worth having in this world,
-‘that I shall not be your tenant at all, and shall never pay you any
-rent.’
-
-‘Do you mean to say,’ says Wyndham, reading her like a book, but
-humouring her mood, ‘that you’ve found another house more suited to
-you?’
-
-‘Oh no, it isn’t that. There is no house I shall ever like so well as
-this.’
-
-‘Then, let me tell you beforehand that I shall charge you a very
-handsome rent,’ persists Wyndham, trying to be genial. He smiles at her,
-but the smile is a dismal failure.
-
-‘I can’t accept your offer—I can’t indeed,’ says the girl, who, in spite
-of her protests, has brightened considerably beneath his apparent
-determination to let the Cottage to her. ‘This is your own house. Your
-mother gave it to you. Mrs. Denis has told me all about it, and if you
-give it to me you will never come here again.’
-
-‘I shall indeed—to collect my rent,’ says Wyndham, a little touched by
-her evident earnestness, and assuming a more natural air of lightness.
-
-‘Ah, that,’ says she. She pauses a moment, and then: ‘If’—timidly—‘you
-would promise to come here sometimes to see your dog and the flowers, I
-might think of it.... I could keep out of your way when you came. I
-could sit in my own room, and you could——’
-
-‘What a cheerful prospect for you!’ says he. ‘I’m not a very agreeable
-fellow, I know, when all is told; but I believe I am so far on the road
-to respectability as to be incapable of enjoying myself at the expense
-of another fellow-creature’s comfort. Fancy my taking the joys of the
-country with the knowledge that you were stifling in some cellar
-downstairs with a view to saving me from the annoyance of your
-presence!’
-
-‘It wouldn’t be a cellar, and it isn’t downstairs,’ says the girl
-anxiously. ‘It is a pretty little room upstairs.’
-
-‘It’s all the same,’ says Wyndham. ‘The prettiest little room in the
-world is a bore if one is imprisoned in it.’
-
-Silence follows upon this. Wyndham, going forward, stoops down to a bed
-of seedlings that he had ordered to be planted a month ago. They are in
-a very promising condition, and the regret he feels for this little home
-of his that is slipping through his fingers increases. And yet to thrust
-her out—he knows quite well now that he will never do that.
-
-‘Mr. Wyndham,’ says the girl—she is at his elbow now—‘don’t be so sorry
-about it; I shall go—to-morrow, if possible.’
-
-He is not prepared for this, nor for the soft breathings of her voice in
-his ear. He turns abruptly.
-
-‘All that is arranged,’ says he peremptorily. ‘You cannot go; you have
-nowhere to go to, as’—pointedly—‘you tell me. In the meantime, it is
-absolutely necessary that you should have someone to live with you.’
-
-‘There is Mrs. Denis,’ says she nervously.
-
-‘Not good enough for an heiress like you,’ returns he, smiling. Now that
-he has finally, most unwillingly and most ungraciously, given in to the
-fact that she is to be his tenant, he feels more kindly towards her, and
-more human. ‘You will want a lady companion to read with you—you say you
-wish to go on with your studies—and to go out with you.’
-
-‘Go out!’ She regards him with quick horror. ‘I shall never go out of
-this—never!’ cries she.
-
-The extraordinary passion of her manner checks him. She has sunk upon a
-garden-chair, as if incapable of supporting herself any longer; and from
-this she looks up at him with a sad and frightened face.
-
-‘I will leave,’ says she at last. It is a most mournful surrender of
-hope, and all things that make life still dear to her.
-
-‘There is no necessity for that,’ says Wyndham hurriedly. ‘If I knew
-more—if I knew how to help you—but’—breaking off abruptly—‘you yourself
-have decided against that. You must pardon me. You have already told me
-that you do not wish to tell me of yourself, your past——’
-
-She makes a little gesture with her hand. Wyndham, standing still upon
-the gravelled path, looks at her.
-
-‘I have been thinking about that,’ says she, ‘and’—with growing
-agitation—‘it has seemed very ungrateful of me to distrust you—you who
-have done so much for me, who are now giving up your lovely home for me.
-Mr. Wyndham’—rising and coming towards him—‘I have made up my mind; I
-will tell you all.’
-
-
- END OF VOL. I.
-
-
- BILLING AND SONS, PRINTERS, GUILDFORD.
-
-[Illustration]
-
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-
-
-
-
- [_July, 1895._
-
-[Illustration]
-
- =A List of Books Published by=
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- =ABOUT (EDMOND).—THE FELLAH=: An Egyptian Novel. Translated by Sir
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- =The Agony Column of “The Times.”=
- =Melancholy Anatomised=: Abridgment of Burton.
- =Poetical Ingenuities.= By W. T. DOBSON.
- =The Cupboard Papers.= By FIN-BEC.
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- =Animals and their Masters.= By Sir A. HELPS.
- =Social Pressure.= By Sir A. HELPS.
- =Curiosities of Criticism.= By H. J. JENNINGS.
- =The Autocrat of the Breakfast-Table.= By OLIVER WENDELL HOLMES.
- =Pencil and Palette.= By R. KEMPT.
- =Little Essays=: from LAMB’s Letters.
- =Forensic Anecdotes.= By JACOB LARWOOD.
- =Theatrical Anecdotes.= By JACOB LARWOOD.
- =Jeux d’Esprit.= Edited by HENRY S. LEIGH.
- =Witch Stories.= By E. LYNN LINTON.
- =Ourselves.= By E. LYNN LINTON.
- =Pastimes and Players.= By R. MACGREGOR.
- =New Paul and Virginia.= By W. H. MALLOCK.
- =The New Republic.= By W. H. MALLOCK.
- =Puck on Pegasus.= By H. C. PENNELL.
- =Pegasus Re-saddled.= By H. C. PENNELL.
- =Muses of Mayfair.= Edited by H. C. PENNELL.
- =Thoreau=: His Life and Aims. By H. A. PAGE.
- =Puniana.= By Hon. HUGH ROWLEY.
- =More Puniana.= By Hon. HUGH ROWLEY.
- =The Philosophy of Handwriting.=
- =By Stream and Sea.= By WM. SENIOR.
- =Leaves from a Naturalist’s Note-Book.= By Dr. ANDREW WILSON.
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-=THE GOLDEN LIBRARY.= Post 8vo, cloth limp, =2s.= per Volume.
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- =Diversions of the Echo Club.= BAYARD TAYLOR.
- =Songs for Sailors.= By W. C. BENNETT.
- =Lives of the Necromancers.= By W. GODWIN.
- =The Poetical Works of Alexander Pope.=
- =Scenes of Country Life.= By EDWARD JESSE.
- =Tale for a Chimney Corner.= By LEIGH HUNT.
- =The Autocrat of the Breakfast-Table.= By OLIVER WENDELL HOLMES.
- =La Mort d’Arthur=: Selections from MALLORY.
- =Provincial Letters of Blaise Pascal.=
- =Maxims and Reflections of Rochefoucauld.=
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- =Wanderings in Patagonia.= By JULIUS BEERBOHM. Illustrated.
- =Camp Notes.= By FREDERICK BOYLE.
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- =Merrie England in the Olden Time.= By G. DANIEL. Illustrated by
- CRUIKSHANK.
- =Circus Life.= By THOMAS FROST.
- =Lives of the Conjurers.= By THOMAS FROST.
- =The Old Showmen and the Old London Fairs.= By THOMAS FROST.
- =Low-Life Deeps.= By JAMES GREENWOOD.
- =Wilds of London.= By JAMES GREENWOOD.
- =Tunis.= By Chev. HESSE-WARTEGG. 22 Illusts.
- =Life and Adventures of a Cheap Jack.=
- =World Behind the Scenes.= By P. FITZGERALD.
- =Tavern Anecdotes and Sayings.=
- =The Genial Showman.= By E. P. HINGSTON.
- =Story of London Parks.= By JACOB LARWOOD.
- =London Characters.= By HENRY MAYHEW.
- =Seven Generations of Executioners.=
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- Illustrated.
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- =Modest Little Sara.= By ALAN ST. AUBYN.
- =Seven Sleepers of Ephesus.= By M. E. COLERIDGE.
- =Taken from the Enemy.= By H. NEWBOLT.
- =A Lost Soul.= By W. L. ALDEN.
- =Dr. Palliser’s Patient.= By GRANT ALLEN.
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-=MY LIBRARY.= Printed on laid paper, post 8vo, half-Roxburghe, =2s. 6d.=
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-
- =Citation and Examination of William Shakspeare.= By W. S. LANDOR.
- =The Journal of Maurice de Guerin.=
- =Christie Johnstone.= By CHARLES READE.
- =Peg Woffington.= By CHARLES READE.
- =The Dramatic Essays of Charles Lamb.=
-
-=THE POCKET LIBRARY.= Post 8vo, printed on laid paper and hf.-bd., =2s.=
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- =The Essays of Elia.= By CHARLES LAMB.
- =Robinson Crusoe.= Illustrated by G. CRUIKSHANK.
- =Whims and Oddities.= By THOMAS HOOD. With 85 Illustrations.
- =The Barber’s Chair.= By DOUGLAS JERROLD.
- =Gastronomy.= By BRILLAT-SAVARIN.
- =The Epicurean=, &c. By THOMAS MOORE.
- =Leigh Hunt’s Essays.= Edited by E. OLLIER.
- =White’s Natural History of Selborne.=
- =Gulliver’s Travels=, &c. By Dean SWIFT.
- =Plays.= By RICHARD BRINSLEY SHERIDAN.
- =Anecdotes of the Clergy.= By JACOB LARWOOD.
- =Thomson’s Seasons.= Illustrated.
- =The Autocrat of the Breakfast-Table= and =The Professor at the
- Breakfast-Table=. By OLIVER WENDELL HOLMES.
-
-
- THE PICCADILLY NOVELS.
-
- LIBRARY EDITIONS OF NOVELS, many Illustrated, crown 8vo, cloth extra,
- =3s. 6d.= each.
-
- =By F. M. ALLEN.=
-
- Green as Grass.
-
- =By GRANT ALLEN.=
-
- Philistia.
- Babylon.
- Strange Stories.
- Beckoning Hand.
- In all Shades.
- The Tents of Shem.
- For Maimie’s Sake.
- The Devil’s Die.
- This Mortal Coil.
- The Great Taboo.
- Dumaresq’s Daughter.
- Blood Royal.
- Duchess of Powysland.
- Ivan Greet’s Masterpiece.
- The Scallywag.
-
- =By MARY ANDERSON.=
-
- Othello’s Occupation.
-
- =By EDWIN L. ARNOLD.=
-
- Phra the Phœnician.
- The Constable of St. Nicholas.
-
- =By ALAN ST. AUBYN.=
-
- A Fellow of Trinity.
- The Junior Dean.
- Master of St. Benedict’s.
- To His Own Master
- In Face of the World.
- Orchard Damerel.
-
- =By Rev. S. BARING GOULD.=
-
- Red Spider.
- Eve.
-
- =By ROBERT BARR.=
-
- In a Steamer Chair.
- From Whose Bourne.
-
- =By FRANK BARRETT.=
-
- The Woman of the Iron Bracelets.
-
- =By “BELLE.”=
-
- Vashti and Esther.
-
- =Sir W. BESANT & J. RICE.=
-
- My Little Girl.
- Case of Mr. Lucraft.
- This Son of Vulcan.
- The Golden Butterfly.
- By Celia’s Arbour.
- The Monks of Thelema.
- The Seamy Side.
- The Ten Years’ Tenant.
- Ready-Money Mortiboy.
- With Harp and Crown.
- ’Twas in Trafalgar’s Bay.
- The Chaplain of the Fleet.
-
- =By Sir WALTER BESANT.=
-
- All Sorts and Conditions of Men.
- The Captains’ Room.
- All in a Garden Fair.
- Herr Paulus.
- The Ivory Gate.
- The World Went Very Well Then.
- For Faith and Freedom.
- The Rebel Queen.
- Dorothy Forster.
- Uncle Jack.
- Children of Gibeon.
- Bell of St. Paul’s.
- To Call Her Mine.
- The Holy Rose.
- Armorel of Lyonesse.
- St. Katherine’s by the Tower.
- Verbena Camellia Stephanotis.
-
- =By Robert BUCHANAN.=
-
- Shadow of the Sword.
- A Child of Nature.
- Heir of Linne.
- The Martyrdom of Madeline.
- God and the Man.
- Love Me for Ever.
- Annan Water.
- Woman and the Man.
- The New Abelard.
- Foxglove Manor.
- Master of the Mine.
- Red and White Heather.
- Matt.
- Rachel Dene.
-
- =By J. MITCHELL CHAPPLE.=
-
- The Minor Chord.
-
- =By HALL CAINE.=
-
- The Shadow of a Crime.
- A Son of Hagar.
- The Deemster.
-
- =By MACLAREN COBBAN.=
-
- The Red Sultan.
- The Burden of Isabel.
-
-MORT. & FRANCES COLLINS.
-
- Transmigration.
- Blacksmith & Scholar.
- The Village Comedy.
- From Midnight to Midnight.
- You Play me False.
-
- =By WILKIE COLLINS.=
-
- Armadale.
- After Dark.
- No Name.
- Antonina.
- Basil.
- Hide and Seek.
- The Dead Secret.
- Queen of Hearts.
- My Miscellanies.
- The Woman in White.
- The Moonstone.
- Man and Wife.
- Poor Miss Finch.
- Miss or Mrs.?
- The New Magdalen.
- The Frozen Deep.
- The Two Destinies.
- The Law and the Lady.
- The Haunted Hotel.
- The Fallen Leaves.
- Jezebel’s Daughter.
- The Black Robe.
- Heart and Science.
- “I Say No.”
- Little Novels.
- The Evil Genius.
- The Legacy of Cain.
- A Rogue’s Life.
- Blind Love.
-
- =By DUTTON COOK.=
-
- Paul Foster’s Daughter.
-
- =By E. H. COOPER.=
-
- Geoffory Hamilton.
-
- =By V. CECIL COTES.=
-
- Two Girls on a Barge.
-
- =By C. EGBERT CRADDOCK.=
-
- His Vanished Star.
-
- =By H. N. CRELLIN.=
-
- Romances of the Old Seraglio.
-
- =By MATT CRIM.=
-
- Adventures of a Fair Rebel.
-
- =By B. M. CROKER.=
-
- Diana Barrington.
- Proper Pride.
- A Family Likeness.
- Pretty Miss Neville.
- A Bird of Passage.
- “To Let.”
- Outcast of the People.
-
- =By WILLIAM CYPLES.=
-
- Hearts of Gold.
-
- =By ALPHONSE DAUDET.=
-
- The Evangelist; or, Port Salvation.
-
- =By H. COLEMAN DAVIDSON.=
-
- Mr. Sadler’s Daughters.
-
- =By ERASMUS DAWSON.=
-
- The Fountain of Youth.
-
- =By JAMES DE MILLE.=
-
- A Castle in Spain.
-
- =By J. LEITH DERWENT.=
-
- Our Lady of Tears.
- Circe’s Lovers.
-
- =By DICK DONOVAN.=
-
- Tracked to Doom.
- Man from Manchester.
-
- =By A. CONAN DOYLE.=
-
- The Firm of Girdlestone.
-
- =By S. JEANNETTE DUNCAN.=
-
- A Daughter of To-day.
- Vernon’s Aunt.
-
- =By Mrs. ANNIE EDWARDES.=
-
- Archie Lovell.
-
- =By G. MANVILLE FENN.=
-
- The New Mistress.
- Witness to the Deed.
- The Tiger Lily.
- The White Virgin.
-
- =By PERCY FITZGERALD.=
-
- Fatal Zero.
-
- =By R. E. FRANCILLON.=
-
- One by One.
- A Dog and his Shadow.
- A Real Queen.
- King or Knave?
- Ropes of Sand.
- Jack Doyle’s Daughter.
-
-Pref. by Sir BARTLE FRERE.
-
- Pandurang Hari.
-
- =By EDWARD GARRETT.=
-
- The Capel Girls.
-
- =By PAUL GAULOT.=
-
- The Red Shirts.
-
- =By CHARLES GIBBON.=
-
- Robin Gray.
- Loving a Dream.
- The Golden Shaft.
-
- =By E. GLANVILLE.=
-
- The Lost Heiress.
- A Fair Colonist.
- The Fossicker.
-
- =By E. J. GOODMAN.=
-
- The Fate of Herbert Wayne.
-
- =By CECIL GRIFFITH.=
-
- Corinthia Marazion.
-
- =By SYDNEY GRUNDY.=
-
- The Days of his Vanity.
-
- =By THOMAS HARDY.=
-
- Under the Greenwood Tree.
-
- =By BRET HARTE.=
-
- A Waif of the Plains.
- A Ward of the Golden Gate.
- A Sappho of Green Springs.
- Col. Starbottle’s Client.
- Susy.
- Sally Dows.
- A Protégée of Jack Hamlin’s.
- Bell-Ringer of Angel’s.
- Clarence.
-
- =By JULIAN HAWTHORNE.=
-
- Garth.
- Ellice Quentin.
- Sebastian Strome.
- Dust.
- Fortune’s Fool.
- Beatrix Randolph.
- David Poindexter’s Disappearance.
- The Spectre of the Camera.
-
- =By Sir A. HELPS.=
-
- Ivan de Biron.
-
- =By I. HENDERSON.=
-
- Agatha Page.
-
- =By G. A. HENTY.=
-
- Rujub the Juggler.
- Dorothy’s Double.
-
- =By JOHN HILL.=
-
- The Common Ancestor.
-
- =By Mrs. HUNGERFORD.=
-
- Lady Verner’s Flight.
- The Red-House Mystery.
-
- =By Mrs. ALFRED HUNT.=
-
- The Leaden Casket.
- That Other Person.
- Self-Condemned.
- Mrs. Juliet.
-
- =By CUTCLIFFE HYNE.=
-
- Honour of Thieves.
-
- =By R. ASHE KING.=
-
- A Drawn Game.
- “The Wearing of the Green.”
-
- =By EDMOND LEPELLETIER.=
-
- Madame Sans-Gene.
-
- =By HARRY LINDSAY.=
-
- Rhoda Roberts.
-
- =By E. LYNN LINTON.=
-
- Patricia Kemball.
- Under which Lord?
- “My Love!”
- Ione.
- Paston Carew.
- Sowing the Wind.
- The Atonement of Leam Dundas.
- The World Well Lost.
- The One Too Many.
-
- =By H. W. LUCY.=
-
- Gideon Fleyce.
-
- =By JUSTIN MCCARTHY.=
-
- A Fair Saxon.
- Linley Rochford.
- Miss Misanthrope.
- Donna Quixote.
- Maid of Athens.
- Camiola.
- Waterdale Neighbours.
- My Enemy’s Daughter.
- Red Diamonds.
- Dear Lady Disdain.
- The Dictator.
- The Comet of a Season.
-
- =By GEORGE MACDONALD.=
-
- Heather and Snow.
- Phantastes.
-
- =By L. T. MEADE.=
-
- A Soldier of Fortune.
-
- =By BERTRAM MITFORD.=
-
- The Gun-Runner.
- The Luck of Gerard Ridgeley.
- The King’s Assegai.
- Renshaw Fanning’s Quest.
-
- =By J. E. MUDDOCK.=
-
- Maid Marian and Robin Hood.
-
- =By D. CHRISTIE MURRAY.=
-
- A Life’s Atonement.
- Joseph’s Coat.
- Coals of Fire.
- Old Blazer’s Hero.
- Val Strange.
- Hearts.
- A Model Father.
- By the Gate of the Sea.
- A Bit of Human Nature.
- First Person Singular.
- Cynic Fortune.
- The Way of the World.
- Bob Martin’s Little Girl.
- Time’s Revenges.
- A Wasted Crime.
- In Direst Peril.
- Mount Despair.
-
- =By MURRAY & HERMAN.=
-
- The Bishops’ Bible.
- One Traveller Returns.
- Paul Jones’s Alias.
-
- =By HUME NISBET.=
-
- “Bail Up!”
-
- =By W. E. NORRIS.=
-
- Saint Ann’s.
-
- =By G. OHNET.=
-
- A Weird Gift.
-
- =By OUIDA.=
-
- Held in Bondage.
- Strathmore.
- Chandos.
- Under Two Flags.
- Idalia.
- Cecil Castlemaine’s Gage.
- Tricotrin.
- Puck.
- Folle Farine.
- A Dog of Flanders.
- Pascarel.
- Signa.
- Princess Napraxine.
- Ariadne.
- Two Little Wooden Shoes.
- In a Winter City.
- Friendship.
- Moths.
- Ruffino.
- Pipistrello.
- A Village Commune.
- Bimbi.
- Wanda.
- Frescoes.
- Othmar.
- In Maremma.
- Syrlin.
- Guilderoy.
- Santa Barbara.
- Two Offenders.
-
- =By MARGARET A. PAUL.=
-
- Gentle and Simple.
-
- =By JAMES PAYN.=
-
- Lost Sir Massingberd.
- Less Black than We’re Painted.
- A Confidential Agent.
- A Grape from a Thorn.
- In Peril and Privation.
- The Mystery of Mirbridge.
- The Canon’s Ward.
- Walter’s Word.
- By Proxy.
- High Spirits.
- Under One Roof.
- From Exile.
- Glow-worm Tales.
- The Talk of the Town.
- Holiday Tasks.
- For Cash Only.
- The Burnt Million.
- The Word and the Will.
- Sunny Stories.
- A Trying Patient.
-
- =By Mrs. CAMPBELL PRAED.=
-
- Outlaw and Lawmaker.
- Christina Chard.
-
- =By E. C. PRICE.=
-
- Valentina.
- The Foreigners.
- Mrs. Lancaster’s Rival.
-
- =By RICHARD PRYCE.=
-
- Miss Maxwell’s Affections.
-
- =By CHARLES READE.=
-
- It is Never Too Late to Mend.
- The Double Marriage.
- Love Me Little, Love Me Long.
- The Cloister and the Hearth.
- The Course of True Love.
- The Autobiography of a Thief.
- Put Yourself in His Place.
- A Terrible Temptation.
- The Jilt.
- Singleheart and Doubleface.
- Good Stories of Men and other Animals.
- Hard Cash.
- Peg Woffington.
- Christie Johnstone.
- Griffith Gaunt.
- Foul Play.
- The Wandering Heir.
- A Woman-Hater.
- A Simpleton.
- A Perilous Secret.
- Readiana.
-
- =By Mrs. J. H. RIDDELL.=
-
- Weird Stories.
-
- =By AMELIE RIVES.=
-
- Barbara Dering.
-
- =By F. W. ROBINSON.=
-
- The Hands of Justice.
-
- =By DORA RUSSELL.=
-
- A Country Sweetheart.
-
- =By W. CLARK RUSSELL.=
-
- Ocean Tragedy.
- My Shipmate Louise.
- Alone on Wide Wide Sea.
- The Phantom Death.
- Is He the Man?
-
- =By JOHN SAUNDERS.=
-
- Guy Waterman.
- Bound to the Wheel.
- The Two Dreamers.
- The Lion in the Path.
-
- =By KATHARINE SAUNDERS.=
-
- Margaret and Elizabeth.
- Gideon’s Rock.
- The High Mills.
- Heart Salvage.
- Sebastian.
-
- =By HAWLEY SMART.=
-
- Without Love or Licence.
-
- =By T. W. SPEIGHT.=
-
- A Secret of the Sea.
-
- =By R. A. STERNDALE.=
-
- The Afghan Knife.
-
- =By BERTHA THOMAS.=
-
- Proud Maisie.
- The Violin-Player.
-
- =By ANTHONY TROLLOPE.=
-
- The Way we Live Now.
- Frau Frohmann.
- Scarborough’s Family.
- The Land-Leaguers.
-
- =By FRANCES E. TROLLOPE.=
-
- Like Ships upon the Sea.
- Anne Furness.
- Mabel’s Progress.
-
- =By IVAN TURGENIEFF, &c.=
-
- Stories from Foreign Novelists.
-
- =By MARK TWAIN.=
-
- The American Claimant.
- The £1,000,000 Bank-note.
- Tom Sawyer Abroad.
- Pudd’nhead Wilson.
-
- =By C. C. FRASER-TYTLER.=
-
- Mistress Judith.
-
- =By SARAH TYTLER.=
-
- Lady Bell.
- The Bride’s Pass.
- Buried Diamonds.
- The Blackhall Ghosts.
- The Macdonald Lass.
-
- =By ALLEN UPWARD.=
-
- The Queen against Owen.
- The Prince of Balkistan.
-
- =By E. A. VIZETELLY.=
-
- The Scorpion: A Romance of Spain.
-
- =By J. S. WINTER.=
-
- A Soldier’s Children.
-
- =By MARGARET WYNMAN.=
-
- My Flirtations.
-
- =By E. ZOLA.=
-
- The Downfall.
- The Dream.
- Dr. Pascal.
- Money.
- Lourdes.
-
-
- CHEAP EDITIONS OF POPULAR NOVELS.
-
- Post 8vo, illustrated boards, 2s. each.
-
- =By ARTEMUS WARD.=
-
- Artemus Ward Complete.
-
- =By EDMOND ABOUT.=
-
- The Fellah.
-
- =By HAMILTON AIDE.=
-
- Carr of Carrlyon.
- Confidences.
-
- =By MARY ALBERT.=
-
- Brooke Finchley’s Daughter.
-
- =By Mrs. ALEXANDER.=
-
- Maid, Wife or Widow?
- Valerie’s Fate.
-
- =By GRANT ALLEN.=
-
- Strange Stories.
- Philistia.
- Babylon.
- The Devil’s Die.
- This Mortal Coil.
- In all Shades.
- The Beckoning Hand.
- Blood Royal.
- For Maimie’s Sake.
- The Tents of Shem.
- The Great Taboo.
- Dumaresq’s Daughter.
- The Duchess of Powysland.
- Ivan Greet’s Masterpiece.
- The Scallywag.
-
- =By E. LESTER ARNOLD.=
-
- Phra the Phœnician.
-
- =By ALAN ST. AUBYN.=
-
- A Fellow of Trinity.
- The Junior Dean.
- Master of St. Benedict’s.
- To His Own Master.
-
- =By Rev. S. BARING GOULD.=
-
- Red Spider.
- Eve.
-
- =By FRANK BARRETT.=
-
- Fettered for Life.
- Little Lady Linton.
- Between Life & Death.
- The Sin of Olga Zassoulich.
- Folly Morrison.
- Lieut. Barnabas.
- Honest Davie.
- A Prodigal’s Progress.
- Found Guilty.
- A Recoiling Vengeance.
- For Love and Honour.
- John Ford; and His Helpmate.
-
- =By SHELSLEY BEAUCHAMP.=
-
- Grantley Grange.
-
- =By Sir WALTER BESANT.=
-
- Dorothy Forster.
- Children of Gibeon.
- Uncle Jack.
- Herr Paulus.
- All Sorts and Conditions of Men.
- The Captains’ Room.
- All in a Garden Fair.
- The World Went Very Well Then.
- For Faith and Freedom.
- To Call Her Mine.
- The Bell of St. Paul’s.
- Armorel of Lyonesse.
- The Holy Rose.
- The Ivory Gate.
- St. Katherine’s by the Tower.
- Verbena Camellia.
- The Rebel Queen.
-
-Sir W. BESANT & J. RICE.
-
- This Son of Vulcan.
- My Little Girl.
- The Case of Mr. Lucraft.
- The Golden Butterfly.
- By Celia’s Arbour.
- The Monks of Thelema.
- The Seamy Side.
- The Ten Years’ Tenant.
- Ready-Money Mortiboy.
- With Harp and Crown.
- ’Twas in Trafalgar’s Bay.
- The Chaplain of the Fleet.
-
- =By AMBROSE BIERCE.=
-
- In the Midst of Life.
-
- =By FREDERICK BOYLE.=
-
- Camp Notes.
- Savage Life.
- Chronicles of No man’s Land.
-
- =By BRET HARTE.=
-
- Californian Stories.
- Gabriel Conroy.
- The Luck of Roaring Camp.
- An Heiress of Red Dog.
- Flip.
- Maruja.
- A Phyllis of the Sierras.
- A Waif of the Plains.
- A Ward of the Golden Gate.
-
- =By HAROLD BRYDGES.=
-
- Uncle Sam at Home.
-
- =By ROBERT BUCHANAN.=
-
- Shadow of the Sword.
- A Child of Nature.
- God and the Man.
- Love Me for Ever.
- Foxglove Manor.
- The Master of the Mine.
- The Martyrdom of Madeline.
- Annan Water.
- The New Abelard.
- Matt.
- The Heir of Linne.
-
- =By HALL CAINE.=
-
- The Shadow of a Crime.
- A Son of Bagar.
- The Deemster.
-
- =By Commander CAMERON.=
-
- The Cruise of the “Black Prince.”
-
- =By Mrs. LOVETT CAMERON.=
-
- Deceivers Ever.
- Juliet’s Guardian.
-
- =By HAYDEN CARRUTH.=
-
- The Adventures of Jones.
-
- =By AUSTIN CLARE.=
-
- For the Love of a Lass.
-
- =By Mrs. ARCHER CLIVE.=
-
- Paul Ferroll.
- Why Paul Ferroll Killed his Wife.
-
- =By MACLAREN COBBAN.=
-
- The Cure of Souls.
- The Red Sultan.
-
- =By C. ALLSTON COLLINS.=
-
- The Bar Sinister.
-
- =By MORT. & FRANCES COLLINS.=
-
- Sweet Anne Page.
- Transmigration.
- From Midnight to Midnight.
- A Fight with Fortune.
- Sweet and Twenty.
- The Village Comedy.
- You Play Me False.
- Blacksmith and Scholar.
- Frances.
-
- =By WILKIE COLLINS.=
-
- Armadale.
- After Dark.
- No Name.
- Antonina.
- Basil.
- Hide and Seek.
- The Dead Secret.
- Queen of Hearts.
- Miss or Mrs.?
- The New Magdalen.
- The Frozen Deep.
- The Law and the Lady.
- The Two Destinies.
- The Haunted Hotel.
- A Rogue’s Life.
- My Miscellanies.
- The Woman in White.
- The Moonstone.
- Man and Wife.
- Poor Miss Finch.
- The Fallen Leaves.
- Jezebel’s Daughter.
- The Black Robe.
- Heart and Science.
- “I Say No!”
- The Evil Genius.
- Little Novels.
- Legacy of Cain.
- Blind Love.
-
- =By M. J. COLQUHOUN.=
-
- Every Inch a Soldier.
-
- =By DUTTON COOK.=
-
- Leo.
- Paul Foster’s Daughter.
-
- =By C. EGBERT CRADDOCK.=
-
- The Prophet of the Great Smoky Mountains.
-
- =By MATT CRIM.=
-
- Adventures of a Fair Rebel.
-
- =By B. M. CROKER.=
-
- Pretty Miss Neville.
- Diana Barrington.
- “To Let.”
- Bird of Passage.
- Proper Pride.
- A Family Likeness.
-
- =By W. CYPLES.=
-
- Hearts of Gold.
-
- =By ALPHONSE DAUDET.=
-
- The Evangelist; or, Port Salvation.
-
- =By ERASMUS DAWSON.=
-
- The Fountain of Youth.
-
- =By JAMES DE MILLE.=
-
- A Castle in Spain.
-
- =By J. LEITH DERWENT.=
-
- Our Lady of Tears.
- Circe’s Lovers.
-
- =By CHARLES DICKENS.=
-
- Sketches by Boz.
- Oliver Twist.
- Nicholas Nickleby.
-
- =By DICK DONOVAN.=
-
- The Man-Hunter.
- Tracked and Taken.
- Caught at Last!
- Wanted!
- Who Poisoned Hetty Duncan?
- Man from Manchester.
- A Detective’s Triumphs.
- In the Grip of the Law.
- From Information Received.
- Tracked to Doom.
- Link by Link.
- Suspicion Aroused.
- Dark Deeds.
- The Long Arm of the Law.
-
- =By Mrs. ANNIE EDWARDES.=
-
- A Point of Honour.
- Archie Lovell.
-
- =By M. BETHAM-EDWARDS.=
-
- Felicia.
- Kitty.
-
- =By EDW. EGGLESTON.=
-
- Roxy.
-
- =By G. MANVILLE FENN.=
-
- The New Mistress.
- Witness to the Deed.
-
- =By PERCY FITZGERALD.=
-
- Bella Donna.
- Never Forgotten.
- Polly.
- Fatal Zero.
- Second Mrs. Tillotson.
- Seventy-five Brooke Street.
- The Lady of Brantome.
-
- =By P. FITZGERALD= and others.
-
- Strange Secrets.
-
- =By ALBANY BE FONBLANQUE.=
-
- Filthy Lucre.
-
- =By R. E. FRANCILLON.=
-
- Olympia.
- One by One.
- A Real Queen.
- Queen Cophetua.
- King or Knave?
- Romances of the Law.
- Ropes of Sand.
- A Dog and his Shadow.
-
- =By HAROLD FREDERICK.=
-
- Seth’s Brother’s Wife.
- The Lawton Girl.
-
-Pref. by Sir BARTLE FRERE.
-
- Pandurang Hari.
-
- =By HAIN FRISWELL.=
-
- One of Two.
-
- =By EDWARD GARRETT.=
-
- The Capel Girls.
-
- =By GILBERT GAUL.=
-
- A Strange Manuscript.
-
- =By CHARLES GIBBON.=
-
- Robin Gray.
- Fancy Free.
- For Lack of Gold.
- What will the World Say?
- In Love and War.
- For the King.
- In Pastures Green.
- Queen of the Meadow.
- A Heart’s Problem.
- The Dead Heart.
- In Honour Bound.
- Flower of the Forest.
- The Braes of Yarrow.
- The Golden Shaft.
- Of High Degree.
- By Mead and Stream.
- Loving a Dream.
- A Hard Knot.
- Heart’s Delight.
- Blood-Money.
-
- =By WILLIAM GILBERT.=
-
- Dr. Austin’s Guests.
- James Duke.
- The Wizard of the Mountain.
-
- =By ERNEST GLANVILLE.=
-
- The Lost Heiress.
- A Fair Colonist.
- The Fossicker.
-
- =By HENRY GREVILLE.=
-
- A Noble Woman.
- Nikanor.
-
- =By CECIL GRIFFITH.=
-
- Corinthia Marazion.
-
- =By SYDNEY GRUNDY.=
-
- The Days of his Vanity.
-
- =By JOHN HABBERTON.=
-
- Brueton’s Bayou
- Country Luck.
-
- =By ANDREW HALLIDAY.=
-
- Every-day Papers.
-
- =By Lady DUFFUS HARDY.=
-
- Paul Wynter’s Sacrifice.
-
- =By THOMAS HARDY.=
-
- Under the Greenwood Tree.
-
- =By J. BERWICK HARWOOD.=
-
- The Tenth Earl.
-
- =By JULIAN HAWTHORNE.=
-
- Garth.
- Ellice Quentin.
- Fortune’s Fool.
- Miss Cadogna.
- Sebastian Strome.
- Dust.
- Beatrix Randolph.
- Love—or a Name.
- David Poindexter’s Disappearance.
- The Spectre of the Camera.
-
- =By Sir ARTHUR HELPS.=
-
- Ivan de Biron.
-
- =By HENRY HERMAN.=
-
- A Leading Lady.
-
- =By HEADON HILL.=
-
- Zambra the Detective.
-
- =By JOHN HILL.=
-
- Treason Felony.
-
- =By Mrs. CASHEL HOEY.=
-
- The Lover’s Creed.
-
- =By Mrs. GEORGE HOOPER.=
-
- The House of Raby.
-
- =By TIGHE HOPKINS.=
-
- Twixt Love and Duty.
-
- =By Mrs. HUNGERFORD.=
-
- A Maiden all Forlorn.
- In Durance Vile.
- Marvel.
- A Mental Struggle.
- A Modern Circe.
- Lady Verner’s Flight.
-
- =By Mrs. ALFRED HUNT.=
-
- Thornicroft’s Model.
- That Other Person.
- Self-Condemned.
- The Leaden Casket.
-
- =By JEAN INGELOW.=
-
- Fated to be Free.
-
- =By WM. JAMESON.=
-
- My Dead Self.
-
- =By HARRIETT JAY.=
-
- The Dark Colleen.
- Queen of Connaught.
-
- =By MARK KERSHAW.=
-
- Colonial Facts and Fictions.
-
- =By R. ASHE KING.=
-
- A Drawn Game.
- “The Wearing of the Green.”
- Passion’s Slave.
- Bell Barry.
-
- =By JOHN LEYS.=
-
- The Lindsays.
-
- =By E. LYNN LINTON.=
-
- Patricia Kemball.
- The World Well Lost.
- Under which Lord?
- Paston Carew.
- “My Love!”
- Ione.
- The Atonement of Leam Dundas.
- With a Silken Thread.
- The Rebel of the Family.
- Sowing the Wind.
-
- =By HENRY W. LUCY.=
-
- Gideon Fleyce.
-
- =By JUSTIN McCARTHY.=
-
- Dear Lady Disdain.
- Waterdale Neighbours.
- My Enemy’s Daughter.
- A Fair Saxon.
- Linley Rochford.
- Miss Misanthrope.
- Camiola.
- Donna Quixote.
- Maid of Athens.
- The Comet of a Season.
- The Dictator.
- Red Diamonds.
-
- =By HUGH MACCOLL.=
-
- Mr. Stranger’s Sealed Packet.
-
- =By AGNES MACDONELL.=
-
- Quaker Cousins.
-
- =By KATHARINE S. MACQUOID.=
-
- The Evil Eye.
- Lost Rose.
-
- =By W. H. MALLOCK.=
-
- A Romance of the Nineteenth Century.
- The New Republic.
-
- =By FLORENCE MARRYAT.=
-
- Open! Sesame!
- Fighting the Air.
- A Harvest of Wild Oats.
- Written in Fire.
-
- =By J. MASTERMAN.=
-
- Half-a-dozen Daughters.
-
- =By BRANDER MATTHEWS.=
-
- A Secret of the Sea.
-
- =By LEONARD MERRICK.=
-
- The Man who was Good.
-
- =By JEAN MIDDLEMASS.=
-
- Touch and Go.
- Mr. Dorillion.
-
- =By Mrs. MOLESWORTH.=
-
- Hathercourt Rectory.
-
- =By J. E. MUDDOCK.=
-
- Stories Weird and Wonderful.
- The Dead Man’s Secret.
- From the Bottom of the Deep.
-
- =By MURRAY and HERMAN.=
-
- One Traveller Returns.
- Paul Jones’s Alias.
- The Bishops’ Bible.
-
- =By D. CHRISTIE MURRAY.=
-
- A Model Father.
- Joseph’s Coat.
- Coals of Fire.
- Val Strange.
- Old Blazer’s Hero.
- Hearts.
- The Way of the World.
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- Tales for the Marines.
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-T. ADOLPHUS TROLLOPE.
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- Rachel Armstrong; or, Love and Theology.
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- =By EDMUND YATES.=
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- The Forlorn Hope.
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