initial commit of ebook 7093HEADmain

28 files changed, 471 insertions, 0 deletions

diff --git a/music/Op59_no2_1.MUS b/music/Op59_no2_1.MUS
new file mode 100644
index 0000000..bd9c502
--- /dev/null
+++ b/music/Op59_no2_1.MUS
diff --git a/music/Op59_no2_2.MUS b/music/Op59_no2_2.MUS
new file mode 100644
index 0000000..e29bf65
--- /dev/null
+++ b/music/Op59_no2_2.MUS
diff --git a/music/Op59_no2_3.MUS b/music/Op59_no2_3.MUS
new file mode 100644
index 0000000..c9140a8
--- /dev/null
+++ b/music/Op59_no2_3.MUS
diff --git a/music/Op59_no2_4.MUS b/music/Op59_no2_4.MUS
new file mode 100644
index 0000000..14c4bf2
--- /dev/null
+++ b/music/Op59_no2_4.MUS
diff --git a/music/lvb_op59n2_mvmt1_notes.txt b/music/lvb_op59n2_mvmt1_notes.txt
new file mode 100644
index 0000000..8feba88
--- /dev/null
+++ b/music/lvb_op59n2_mvmt1_notes.txt
@@ -0,0 +1,96 @@
+L. van Beethoven   Op 59 No. 2 - Movement 1 Notes/Comments
+
+Changes are relative to the Breitkopf & Haertelin (B&H) score
+grk - 1 Feb 2003
+Bar 18 - Vc - Note: Should the last 1/8 notes be slurred or tied
+              to match the rest of parts - left as separate notes 
+              like the B&H score - also bar 48
+Bar 25 - Va - last two 1/16 notes should be staccato
+Bar 38-40 - V1 - Notes shown at actual pitch, not 8va as 
+                 indicated in B&H score
+Bar 45 - V1 - Last two 1/8 notes should be staccato
+Bar 48 - Vc - Note: Should the last 1/8 notes be slurred or tied
+              to match the rest of parts - left as separate notes 
+              like the B&H score - also bar 18
+Bar 50 - Va - what is indicated as an 'F' in beat one should be 
+              an 'sF'
+Bar 53/54 - - Use of staccato is not consistent in this bar.
+              To be consistent with bars 49 & 50 all 1/16 notes in 
+              Bars 53 & 54 should be staccato and no dotted 1/8th 
+              notes would be staccato
+         V1,V2,Va,Vc - set all 1/16 notes in bars 53 and 54 
+              staccato
+         Va - Removed stacato on second dotted 1/8 note in bar 53
+Bar 55 - V2 - Changed first 1/8 note to staccato to be consistent 
+              with Va
+Bar 64-65 - Vc -  The slur from the last 1/8 note of bar 64 to
+                  the first 1/16 note of bar 65 should be removed.
+                  The slur is not consistent with other parts and 
+                  does not fit the following sF - same as bar 206-207
+Bar 66 - V1 - First two 1/16 notes should be slurred to be 
+              consistent
+Bar 69 - Va - The last 1/16 note should not be slurred into bar 70
+Bar 70 -   - All quarter notes should be staccato
+         V2 - first quarter note made staccato
+         Vc - both quarter notes made staccato
+Bar 71 - V1 - It is assumed that the fifth 1/16 note is a B flat.
+              (The score is not clear at this place.)
+Bar 71 - Va - The last 1/16 note should not be slurred into bar 72
+Bar 76 - Va - both 1/4 notes should be staccato
+Bar 78 - V1 - the first 1/4 note should be staccato
+         Vc - the second 1/4 note should be staccato
+Bar 90 - Vc - the fourth and fifth 1/8 notes should be tied or 
+              slurred and the sixth 1/8 note should be staccato
+Bar 115 - V1 - The second 1/4 note should be staccato
+Bar 122 - Vc - The last three 1/8 notes should be slurred (like V2)
+Bar 134 - Va - First beat should be marked 'sF' ( like V2)
+Bar 135 - Va - First two 1/8 notes should be tied/slurred (like V2)
+Bar 142 - Va - The slur should end on the last 1/16th note 
+               (like V1 & V2)
+Bar 146 - V1 - The 1/4 note should be staccato (like other parts)
+Bar 156 - Vc - Decresendo symbol missing
+Bar 161 - Vc - Note: in TIFF files, there is a cresendo label and 
+                     slur that were not included in the scan
+Bar 163 - V1 - last two 1/16 notes should be staccato 
+               (to be consistent)
+Bar 166 - V1 - It is not clear in B&H score if first grace not is 
+               D Natural or D Sharp - D Sharp used
+Bar 170 - V1 - First 1/6 note detached from slur (like V2 and Va)
+Bar 170 - V1/Va - First 1/16 note marked staccato 
+               (to be consistent)
+Bar 188 - Va - Slur in second half of bar should include all 
+               six of the 1/6th notes
+Bar 188 - Note: B&H score has different slurring for V2 and Va.
+                Both should be the same. No changes made
+Bar 190 - Vc - fourth and fifth 1/8 notes should be slurred and 
+               sixth 1/8 note should be staccato  
+               (to be consistent with V1,V2,Va)
+Bar 193 - V2 - 'dolce' label should be included 
+Bar 206 - V2,Va - 1/4 notes should be changed to tied 1/8 notes 
+               to be consistent with bars 200 - 205 (or bars 
+               200-205 changed from tied 1/8 notes to 1/4 notes)
+Bar 206-207 - Vc -  The slur from the last 1/8 note of bar 206 to
+                  the first 1/16 note of bar 207 should be removed.
+                  The slur is not consistent with other parts and 
+                  does not fit the following sF - same as bar 64-65
+Bar 211 - V1 - first two 1/16 notes should be slurred 
+               (to be consistent)
+Bar 212 - V1 - The seventh and eighth 1/6 notes should be slurred
+               and not staccato 
+               (to be consistent with bar 71 and elsewhere)
+Bar 213 - V1,V2 - all 1/4 notes should be staccato 
+               (to be consistent)
+Bar 223 - Va - Decresendo sign should be shown on this score
+Bar 231/232 - Va - The Slur marks and the tie position are 
+               confusing, as indicated, the last three 1/8 notes 
+               in Bar 231 are slurred as is all of Bar232. But 
+               the two slur groups are connected by a tie. 
+               The result should be the same as a single 
+               slur covering all nine 1/8 notes.
+               Left as originally indicated in B&H score.
+Bar 252 - V1 - See comment for Va in Bar 231/232
+------------------------------------
+
+
+
+
diff --git a/music/lvb_op59n2_mvmt2_notes.txt b/music/lvb_op59n2_mvmt2_notes.txt
new file mode 100644
index 0000000..ab0a077
--- /dev/null
+++ b/music/lvb_op59n2_mvmt2_notes.txt
@@ -0,0 +1,86 @@
+
+L. van Beethoven   Op 59  No. 2 - Movement 2 Notes/Comments
+
+Changes are relative to the Breitkopf & Haertelin (B&H) score
+grk 6 Feb 2003
+
+Note: I came across a term in this score that I did not recogize 
+      and is not in my references. I looked up the term and 
+      include the definition here:
+      Mancando - a directive to perform a certain passage of a 
+                 composition with decreasing volume, or for the 
+                 volume to grow quieter, and die away. 
+       (www.music.vt.edu/musicdictionary/textm/Mancando.html)
+
+Bar 4 - V2 - Should beat 4 be a rest ? (Same question as bar 55)
+Bar 10 - V1 - Last two 1/16th notes should be staccato to be
+              consistent.
+Bar 29 - Va - Should the third and fourth 1/4 notes be ties ?
+              Left un-tied.
+Bar 32 - Vc - Should the third and fourth 1/4 notes be ties ?
+              Left un-tied.
+Bar 33 - 
+Bar 48 - V1 - B&H Score indicates that first 3 beats are slurred 
+              and last 2 beats are slurred (slurs cross over). 
+              Changed to first 2 beats slurred and last 2 beats 
+              slurred - this is consistent with later usage.
+Bar 55 - Va - Should beat 4 be a rest ? (Same question as bar 4)
+Bar 56 - V2 - The 1/2 notes should be slurred to be consistent with
+              with Va and Vc
+Bar 56/57 - Va - the last 1/2 note in bar 56 should be slurred 
+              into bar 57 to be consistent.
+Bar 62 - V1 - B&H slurring does not look right. First group of 
+              three 1/8 notes slurred - second group, second 1/8
+              note slurred into next bar - Changed to second group
+              of 1/8 notes slurred (and not into next bar) - 
+              same as V2
+Bar 64,65,67 - V1 - Last triplet 1/8 note should be staccato
+Bar 63-66 - Va - Note: The first two notes of the last triplet set 
+                 in these bars are not tied or slurred. This is not
+                 consistent with other parts throughout this section.
+Bar 68 - V1 - last 1/8 note in first triplet group should be 
+              staccato
+Bar 70 - V2,Vc - Pattern assumed to be triplet 1/8 notes, 
+                 1/8 note,1/8 rest  - repeat pattern
+Bar 72 - Vc - Pattern assumed to be triplet 1/8 notes, 1/8 note
+                 ,1/8 rest  - repeat pattern
+Bar 73 - Vc - Pattern assumed to be triplet 1/8ths (rest, 1/8 note,
+               1/8 note), 1/8 note,1/8 rest  - repeat pattern
+Bar 79,80 - Va - First 1/4th Note should be staccato
+Bar 84 - Vc - All notes in bar should be staccato
+Bar 85 to 91 - Vc - B&H shows note pattern as 1/8 note tied to 
+               1/16, 16 note - Earlier it was dotted 1/8 note 
+               and 1/16  note. To be consistent with the usage 
+               in earlier  measures, the dotted 1/8 note - 
+               1/16 note pattern will be used.
+Bar 86 - Vc - B&H shows last two note groups slurred - This is 
+               not consistent useage - No slur will be used.
+Bar 108 - Va - Last two 1/4 notes - should these be tied to be 
+               consistent with Vc ? 
+                No changes made (e.g. left separate)
+Bar 112 - Vc - The notes in this bar should be staccato to 
+               be consistent.
+Bar 113 - Va,Vc - Mancando directive is shown for V1,V2,Va. Vc 
+                  pattern is similar V1&V2, so it would seem that 
+                  Vc should get the mancando directive, not Va. 
+                  This would be consistent w/usage in bars 33-34. 
+Bar 134 - Vc - All notes should be be staccato
+Bar 145-146 - V2,Va - Should the triplets be staccato ? 
+                       (No change made)
+Bar 147 - V2 - Slur is shown as starting in bar 146 - The slur 
+               should start in bar 147
+Bar 148 - Va - The first two notes are shown as C natural and C 
+               sharp and are tied. This pattern is not consistent
+               with the other note/pitch useage, nor is it 
+               consistent with the C Natural in V2 - 
+               Change both to C Natural.
+Bar 157 - Vc - This staff should also show the "hairpin" (cresc 
+               then decresc) markings (like V1,V2 and Va).
+
+
+
+
+               
+           
+
+
diff --git a/music/lvb_op59n2_mvmt3_notes.txt b/music/lvb_op59n2_mvmt3_notes.txt
new file mode 100644
index 0000000..a9524b7
--- /dev/null
+++ b/music/lvb_op59n2_mvmt3_notes.txt
@@ -0,0 +1,47 @@
+L. Van Beethoven    Op 59 No. 2 - Movement 3 Notes/Comments
+
+Changes are relative to the Breitkopf & Haertelin (B&H) score
+grk 11 Feb 2003
+
+Bar 15 - V2,Va,Vc - Added 'p' as initial dynamic indicatoin
+Bar 18 - Vc - In the score the pitches of the last two 1/8 notes
+              are not clear. They are assumed to be F sharps.
+Bar 19 - V2 - The first two 1/8 notes should be staccato (like V1)
+Bars 42 - 43 - V1 - The last 1/8 note in  bar 42 should be tied 
+                    to the first 1/8 note in bar 43 to be 
+                    consistent with surrounding bars
+Bars 48-49 - V1 - The first 1/8 note should be staccato
+Bar 61 - V2 - The slur should include all notes in the bar
+Bar 67 - V2 - The last 1/8 note should be staccato
+Bar 74 - Vc - The last 1/8 note should be staccato
+Bar 84 - V2 - Added 'mp' as a beginning dynamic from which to 
+              begin the crescendo
+Bar 87 - Va - All 1/8 notes should be staccato
+Bar 93 - V2 - The 1/8 notes should be staccato to be consistent 
+              with previous use
+Bars 94 - 95 - V2 - The last two 1/8 notes should be staccato 
+              to be consistent
+Bar 96 - V2 - All three 1/8 notes should be staccato to be 
+              consistent
+Bar 99 - Vc - Added 'p' as a beginning dynamic (like V1)
+Bar 99 - Vc - Both 1/8 notes should be staccato based on 
+              previous use
+Bar 99 - Va - The first two 1/8 notes should be slurred and the 
+              last two 1/8 notes staccato based on prior use
+Bars 102-104 - V2 - All 1/8 notes should be staccato
+Bar 106 - V2 - The last 1/4 note should be staccato
+Bars 113-114 - Vc - All unslurred/untied 1/8 notes should be 
+               staccato based on previous use.
+Bars 118-119 - V2 - The last two 1/8 notes in each bar should 
+               be staccato
+Bar 120 - V2 - All three 1/8 notes should be staccato
+Bar 120 - V1 - The lst two 1/8 notes should be staccato
+Bar 125 - Vc - Both 1/4 notes should be staccato
+Bars 131 -132 - V1 - The slur should be in bar 132 only
+Bars 133-134 - V1 - The slur should be in bar 134 only
+Bar 135 - V1 - The 1/4 notes should be tied or slurred
+Bar 139 - Vc - The last 1/4 note should be staccato 
+               (at the end of the slur)
+Bar 139 - Vc - It is assumed that Vc is also to 'dim.'
+
+
diff --git a/music/lvb_op59n2_mvmt4_midi_notes.txt b/music/lvb_op59n2_mvmt4_midi_notes.txt
new file mode 100644
index 0000000..bb1d724
--- /dev/null
+++ b/music/lvb_op59n2_mvmt4_midi_notes.txt
@@ -0,0 +1,44 @@
+L. van Beethoven    Op 59  No 2 - Movement 4 - MIDI File Comments
+
+These are comments about the MIDI file where there were 
+"significant"differences between the Breitkopf & Haertlin (B&H) 
+score.  Generally, these are note pitch values.
+The B&H score was treated as being correct and the Finale file was 
+changed to match the score.
+grk 14 Feb 2003
+
+
+Bar 107 - V2 - The MIDI file had a first note of G where the score 
+               showed a C.
+Bar 107 - Va - The MIDI file had a first note of E where the score
+               showed a 'C'
+
+Bars 129 - 137  -  V2 - The MIDI file contained different pitches
+                        than the B&H score
+		Bar		MIDI		Score
+		129		eee		eggg
+		130		EEFnatFnat	ggab
+ 		131		eeee	 	cggg
+		132		EEFnatFnat	ggab
+		133		eggFnat		cggg
+		134		edcb		gggg
+		135	Rhythm is same as V1	ggaa 	
+		136	Rhythm is same as V1	ggaa
+		137		ebee		geeg
+
+Bars 129 - 137 -     Va - Significant note pitch differences
+		Bar		MIDI		Score
+		129	Double stop missing
+		130	last 1/8 -b		Fnat
+		131	first 1/8 - c		e
+		132	last 1/8 - B		f
+		133	first 1/8 - c		e
+			last 1/8 - d		g/e double stop
+		134	first note - c		g/e double stop
+			second note  d		g/e double stop
+		137	second note - g		b
+
+Var 137 - Vc - MIDI shows four 'e' (in octave below middle C)
+               score shows last three and octave lower.
+
+
diff --git a/music/lvb_op59n2_mvmt4_notes.txt b/music/lvb_op59n2_mvmt4_notes.txt
new file mode 100644
index 0000000..97809a5
--- /dev/null
+++ b/music/lvb_op59n2_mvmt4_notes.txt
@@ -0,0 +1,95 @@
+L. van Beethoven    Op 59  No 2 - Movement 4 - Notes/Comments
+
+Changes are relative to the Breitkopf & Haertelin (B&H) score.
+grk 17 Feb 2003
+
+Bars 2 - 20 - V2,Va,Vc - Staccato should continue through 
+                          the range.
+Bar 7 - V1 - The grace note should be included in the slur
+Bar 8 - V1 - The slur should include all notes in the bar.
+Bar 23 - 28 - V2,Va,Vc - Staccato should continue through 
+                         the range
+Bar 28 - V1 - All notes should be staccato
+Bars 29 - 33 - Va,Vc - All notes should be staccato
+Bars 36 - 38 - V2,Va,Vc - All notes should be staccato
+Bars 39 - 47 - Va,Vc - All notes should be staccato
+Bars 41 - 47 - V2 - All notes should be staccato
+Bars 53 - 56 - V2 - All notes should be staccato
+Bars 58 - 59 - V2 - All notes should be staccato
+Bar 65 - Va,Vc - 1/4 note that completes tie from bar 64 is 
+                 missing.
+Bar 65 - Va - First (e.g. missing) 1/4 should be staccato to be 
+              consistent.
+Bar 67 - Va,Vc - 1/4 note that completes tie from bar 66 is 
+                 missing.
+Bar 90 - V1 - The third 1/8 note is staccato
+Bar 91 - V2 - The third 1/8 note is staccato
+Bar 92 - Va - The third 1/8 note is staccato
+Bar 95 - Vc - The third 1/8 note is staccato
+Bar 98 - V1 - The third 1/8 note is staccato
+Bars 107 - 139 - V2,Va,Vc - These bars should be staccato with a
+                            1/4,1/8,1/4,1/8 pattern, the same
+                            as bars 1-20 & 23-33.
+Bar 142 - Vc - It is assumed that the 'Fp' applies to Vc as well.
+Bar 143 - Va - It is not clear from the printed score whether the
+               last 1/8 note is E natural or F natural. 
+               (The note is not clear in the printing.)
+               F natural has been used in output file.
+Bars 147 - 149 - V1 - Staccato should continue from bar 146.
+Bars 151 - 153 - Vc - Staccato should continue from bar 150.
+Bars 154 - 157 - V1 - Should be staccato to be consistent
+Bars 158 - 161 - Vc - Should be staccato to be consistent
+Bars 162 - 165 - Va,Vc - All 1/8 notes should be staccato to 
+                         be consistent.
+Bar 173 - V1 - Staccato should continue from bar 171-172.
+Bars 176 - V1 - Staccato should continue from bar 175.
+Bar 176 - V2,Va - All notes should be staccato to be consistent.
+Bars 190 - 191 - Va,Vc - Should there be slurs across the bar
+                         line to be consistent with other places
+                         with this pattern ??? - No change made.
+Bars 200 - 205 - V1 - The last (third) 1/8 note of each set
+                      should be staccato.
+Bar 201 - V1 - The third 1/8 note is assumed to be an F sharp.
+               The print copy is hard to read.
+Bar 201 - V1 - The last 1/8 note is assumed to be a G sharp.
+               The print copy is hard to read.
+Bar 211 - Va,Vc - The quarter note ending the tie from bar 210
+                  is missing.
+Bar 213 - V1 - The slur should start in Bar 213 (not 212).
+Bar 213 - V2,Va - The quarter note ending the tie from bar 212
+                  is missing.
+Bars 251 - 273 - V1,V2,Va,Vc - The third note (1/4) in the 
+                               slurred figure should always
+                               be staccato.
+Bars 275 - 283 - V2 - Should all be staccato to be consistent.
+Bars 275 - 295 - Va,Vc - Should all be staccato to be consistent.
+Bars 289 - 295 - V2 - Should all be staccato to be consistent.
+Bar 281 - V1 - The slur should start on the first 1/8 note.
+Bar 287 - V1 - The slur should end on the second 1/8 note.
+Bar 289 - V1 - This bar should be staccato to be consistent.
+Bar 290 - V1 - The slur should not extend to the 1/2 note.
+Bars 292 - 299 - V1 - The third 1/8 note (at end of slur) 
+                      should be staccato.
+Bar 333 - Va - All notes should be staccato
+Bar 340 - V1 - The last 1/8 note is assumed to be a B flat.
+               The print copy is hard to read.
+Bar 354 - Va - The slur should start on the second 1/2 note
+Bar 356 - Va - The slur should start on the second 1/2 note
+Bars 358-359 - Va - A tie is indicated between the whole note 
+                    D flat in bar 358 and the first 1/2 note C
+                    in bar 359. This wont work ! The C in bar
+                    359 is the end of the slur beginning in bar 356.
+Bars 372 - 384 - V2,Va,Vc - All notes should be staccato 
+                            for consistency.
+Bars 386,388,390  - V2,Va,Vc - All notes should be staccato 
+                            for consistency.
+Bars 387,389,391,404  - V1 - All notes should be staccato 
+                            for consistency.
+Bars 397 - 404  - V2,Va,Vc - All notes should be staccato 
+                            for consistency.
+
+
+
+
+
+
diff --git a/music/parts/Op59_no2_1_Viola.MUS b/music/parts/Op59_no2_1_Viola.MUS
new file mode 100644
index 0000000..1bd1dde
--- /dev/null
+++ b/music/parts/Op59_no2_1_Viola.MUS
diff --git a/music/parts/Op59_no2_1_Violin1.MUS b/music/parts/Op59_no2_1_Violin1.MUS
new file mode 100644
index 0000000..bee52d5
--- /dev/null
+++ b/music/parts/Op59_no2_1_Violin1.MUS
diff --git a/music/parts/Op59_no2_2_Cello.MUS b/music/parts/Op59_no2_2_Cello.MUS
new file mode 100644
index 0000000..c0c33a9
--- /dev/null
+++ b/music/parts/Op59_no2_2_Cello.MUS
diff --git a/music/parts/Op59_no2_2_Viola.MUS b/music/parts/Op59_no2_2_Viola.MUS
new file mode 100644
index 0000000..daeb97a
--- /dev/null
+++ b/music/parts/Op59_no2_2_Viola.MUS
diff --git a/music/parts/Op59_no2_2_Violin1.MUS b/music/parts/Op59_no2_2_Violin1.MUS
new file mode 100644
index 0000000..45aeb7c
--- /dev/null
+++ b/music/parts/Op59_no2_2_Violin1.MUS
diff --git a/music/parts/Op59_no2_2_Violin2.MUS b/music/parts/Op59_no2_2_Violin2.MUS
new file mode 100644
index 0000000..1efd8fb
--- /dev/null
+++ b/music/parts/Op59_no2_2_Violin2.MUS
diff --git a/music/parts/Op59_no2_3_Cello.MUS b/music/parts/Op59_no2_3_Cello.MUS
new file mode 100644
index 0000000..ef8d4ae
--- /dev/null
+++ b/music/parts/Op59_no2_3_Cello.MUS
diff --git a/music/parts/Op59_no2_3_Viola.MUS b/music/parts/Op59_no2_3_Viola.MUS
new file mode 100644
index 0000000..a39684a
--- /dev/null
+++ b/music/parts/Op59_no2_3_Viola.MUS
diff --git a/music/parts/Op59_no2_3_Violin1.MUS b/music/parts/Op59_no2_3_Violin1.MUS
new file mode 100644
index 0000000..5a4680f
--- /dev/null
+++ b/music/parts/Op59_no2_3_Violin1.MUS
diff --git a/music/parts/Op59_no2_3_Violin2.MUS b/music/parts/Op59_no2_3_Violin2.MUS
new file mode 100644
index 0000000..23523b9
--- /dev/null
+++ b/music/parts/Op59_no2_3_Violin2.MUS
diff --git a/music/parts/Op59_no2_4 _1st Violin.MUS b/music/parts/Op59_no2_4 _1st Violin.MUS
new file mode 100644
index 0000000..b5cee01
--- /dev/null
+++ b/music/parts/Op59_no2_4 _1st Violin.MUS
diff --git a/music/parts/Op59_no2_4 _2nd Violin.MUS b/music/parts/Op59_no2_4 _2nd Violin.MUS
new file mode 100644
index 0000000..9e66b48
--- /dev/null
+++ b/music/parts/Op59_no2_4 _2nd Violin.MUS
diff --git a/music/parts/Op59_no2_4 _Cello.MUS b/music/parts/Op59_no2_4 _Cello.MUS
new file mode 100644
index 0000000..b6be492
--- /dev/null
+++ b/music/parts/Op59_no2_4 _Cello.MUS
diff --git a/music/parts/Op59_no2_4 _Viola.MUS b/music/parts/Op59_no2_4 _Viola.MUS
new file mode 100644
index 0000000..30ddaa8
--- /dev/null
+++ b/music/parts/Op59_no2_4 _Viola.MUS
diff --git a/music/parts/Op59_no2_Cello.MUS b/music/parts/Op59_no2_Cello.MUS
new file mode 100644
index 0000000..9313c26
--- /dev/null
+++ b/music/parts/Op59_no2_Cello.MUS
diff --git a/music/parts/Op59_no2_Viola.MUS b/music/parts/Op59_no2_Viola.MUS
new file mode 100644
index 0000000..7c5a597
--- /dev/null
+++ b/music/parts/Op59_no2_Viola.MUS
diff --git a/music/parts/Op59_no2_Violin1.MUS b/music/parts/Op59_no2_Violin1.MUS
new file mode 100644
index 0000000..3f6b60f
--- /dev/null
+++ b/music/parts/Op59_no2_Violin1.MUS
diff --git a/music/parts/Op59_no2_Violin2.MUS b/music/parts/Op59_no2_Violin2.MUS
new file mode 100644
index 0000000..7da7365
--- /dev/null
+++ b/music/parts/Op59_no2_Violin2.MUS
diff --git a/music/score_issues.txt b/music/score_issues.txt
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+++ b/music/score_issues.txt
@@ -0,0 +1,103 @@
+Beethoven Op 59 No. 3
+Issues with the "Dover" score - changes made in transcription.
+
+1st Movement
+Page 2 (bar 57) - viola part  spurious 'p'
+Page 3 (bar 75) - viola part - mising 1/8 rest at beginning of bar
+Page 5 and 6 (Bar 156-171 and 173-177) -  viola and cello parts - 
+           a 'dot' is shown at the beginning of the bar. 
+           It is assumed that this is a dot on the last note of 
+           the previous bar.
+           Also (bar 222) in violin 1 and 2.
+
+3rd Movement
+Page 15 (bar 15) - 1st violin - 1st note should be dotted
+           (printed score shows undotted quarter note).
+
+
+4th Movement
+Page 19 (bar 56) - violin 1 - first four 1/8 notes are not sluured
+Page 27 (bar 359) - violin 2 - 'fp' shown on score - to be consistent 
+           it should be 'sfp'
+=================
+
+ALL:
+
+o Selected MIDI | Duration, then scaled all notes to have 0 offsets 
+  for start and end time
+
+o Used articulation designer (double click on staccato) to change 
+  Playback Settings: deleted "Lower note value" and set higher 
+  to 75% instead of 40%
+
+o Used Plugin TG-tools SmartPlayback to add trills to Layer4
+
+Op59_no1_1
+m.35 Added Staccatos in Vl2 and Vla, 1/8 note in Vc.
+m.92 Added Staccatos in Vla and Vc
+m.167 Added Cautionary accidental vl.1
+m.178 Vl1 trill needs to extend as in 187-8
+
+Op59_no1_2
+m.186 Dflat after tie in 1st violin
+m.206 pizz. applied to all parts
+
+Op59_no1_3
+m.32 repositioned slur in Vl1
+m.34 deleted superfluous slur in Vla
+m.81 slur in Vl1
+
+Op59_no1_3
+m.308 Eflat in Vc
+m.310 G natural in Vl1
+
+=======================
+grk - 16 Jan 03
+
+Changes:
+1. Concatonated the separate movement files into a single file
+2. Edited out "artifacts" of the concatonation (features created 
+   with the expression tool end up applying to all staffs, regardless 
+   of the original definition).
+3. Split the single file into separate part files.
+4. Attempted to do reasonable pagebreaks on part files.
+5. Reviewed the part files against the original score and the 
+   four converted files that Goef returned for differences.
+6. Made all page sizes letter - (8 1/2 X 11 inch)
+
+Made the following changes to parts and consolidated score only:
+Movement 1
+m77 and 78 - First note in both bars should be 1/8 followed by 
+       1/8 rest in Va and Vc
+m101 - first four 1/16s should be slurred in Va
+m105 - 1/8th-1/4th combination on beats 2-3 should be staccato in 
+       Vl2,Va,Vc
+m108 - First ending "top bracket" had a gap which was closed
+m122 - dynamic marking of 'p' in Vc
+       (Note: Vl2 and Va should probably be marked the same)
+m153 - dynamic marking of 'f' in Vc
+m222 - dynamic marking of 'p' in Vc
+m223 - 'cresc' marking all parts at beginning of bar
+m248 - first beat should be 1/8th note and 1/8th rest in Vc
+
+Movement 2
+m17 - dynamic marking in Vl2 is shown as 'sf' in score 
+      changed to 'sfp' in Vl2 to be consistent with other parts
+m34 - 'cresc' in Vc at beginning of bar
+m46 - F-G double stop changed to G to match score in Vl1
+m95 - dynamic marking of 'p' on first notes for Va and Vc
+m136 - dynamic marking of 'pp' moved from m135 to match score
+m150 - 'cresc' added in Vc at beginning of bar
+m185 - 'f' marking in score, remains as 'sf' in Vl1 
+        - different than score no change from Goef file
+
+Movmement 3
+m54 - dynamic marking 'p' on last note in Vl1 & vl2
+
+Movement 4
+m162 - 'cresc' added in Va
+m359 - 'fp' marking in score - remains as 'sfp' in Vl2 as in 
+       Goef file
+
+
+