summaryrefslogtreecommitdiff
path: root/7194.txt
diff options
context:
space:
mode:
Diffstat (limited to '7194.txt')
-rw-r--r--7194.txt1719
1 files changed, 1719 insertions, 0 deletions
diff --git a/7194.txt b/7194.txt
new file mode 100644
index 0000000..28221f9
--- /dev/null
+++ b/7194.txt
@@ -0,0 +1,1719 @@
+The Project Gutenberg EBook of The Adventures of Tom Sawyer, Part 2.
+by Mark Twain (Samuel Clemens)
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Adventures of Tom Sawyer, Part 2.
+
+Author: Mark Twain (Samuel Clemens)
+
+Release Date: June 29, 2004 [EBook #7194]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TOM SAWYER, PART 2. ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+ THE ADVENTURES OF TOM SAWYER
+ BY
+ MARK TWAIN
+ (Samuel Langhorne Clemens)
+
+ Part 2
+
+
+
+CHAPTER IV
+
+THE sun rose upon a tranquil world, and beamed down upon the peaceful
+village like a benediction. Breakfast over, Aunt Polly had family
+worship: it began with a prayer built from the ground up of solid
+courses of Scriptural quotations, welded together with a thin mortar of
+originality; and from the summit of this she delivered a grim chapter
+of the Mosaic Law, as from Sinai.
+
+Then Tom girded up his loins, so to speak, and went to work to "get
+his verses." Sid had learned his lesson days before. Tom bent all his
+energies to the memorizing of five verses, and he chose part of the
+Sermon on the Mount, because he could find no verses that were shorter.
+At the end of half an hour Tom had a vague general idea of his lesson,
+but no more, for his mind was traversing the whole field of human
+thought, and his hands were busy with distracting recreations. Mary
+took his book to hear him recite, and he tried to find his way through
+the fog:
+
+"Blessed are the--a--a--"
+
+"Poor"--
+
+"Yes--poor; blessed are the poor--a--a--"
+
+"In spirit--"
+
+"In spirit; blessed are the poor in spirit, for they--they--"
+
+"THEIRS--"
+
+"For THEIRS. Blessed are the poor in spirit, for theirs is the kingdom
+of heaven. Blessed are they that mourn, for they--they--"
+
+"Sh--"
+
+"For they--a--"
+
+"S, H, A--"
+
+"For they S, H--Oh, I don't know what it is!"
+
+"SHALL!"
+
+"Oh, SHALL! for they shall--for they shall--a--a--shall mourn--a--a--
+blessed are they that shall--they that--a--they that shall mourn, for
+they shall--a--shall WHAT? Why don't you tell me, Mary?--what do you
+want to be so mean for?"
+
+"Oh, Tom, you poor thick-headed thing, I'm not teasing you. I wouldn't
+do that. You must go and learn it again. Don't you be discouraged, Tom,
+you'll manage it--and if you do, I'll give you something ever so nice.
+There, now, that's a good boy."
+
+"All right! What is it, Mary, tell me what it is."
+
+"Never you mind, Tom. You know if I say it's nice, it is nice."
+
+"You bet you that's so, Mary. All right, I'll tackle it again."
+
+And he did "tackle it again"--and under the double pressure of
+curiosity and prospective gain he did it with such spirit that he
+accomplished a shining success. Mary gave him a brand-new "Barlow"
+knife worth twelve and a half cents; and the convulsion of delight that
+swept his system shook him to his foundations. True, the knife would
+not cut anything, but it was a "sure-enough" Barlow, and there was
+inconceivable grandeur in that--though where the Western boys ever got
+the idea that such a weapon could possibly be counterfeited to its
+injury is an imposing mystery and will always remain so, perhaps. Tom
+contrived to scarify the cupboard with it, and was arranging to begin
+on the bureau, when he was called off to dress for Sunday-school.
+
+Mary gave him a tin basin of water and a piece of soap, and he went
+outside the door and set the basin on a little bench there; then he
+dipped the soap in the water and laid it down; turned up his sleeves;
+poured out the water on the ground, gently, and then entered the
+kitchen and began to wipe his face diligently on the towel behind the
+door. But Mary removed the towel and said:
+
+"Now ain't you ashamed, Tom. You mustn't be so bad. Water won't hurt
+you."
+
+Tom was a trifle disconcerted. The basin was refilled, and this time
+he stood over it a little while, gathering resolution; took in a big
+breath and began. When he entered the kitchen presently, with both eyes
+shut and groping for the towel with his hands, an honorable testimony
+of suds and water was dripping from his face. But when he emerged from
+the towel, he was not yet satisfactory, for the clean territory stopped
+short at his chin and his jaws, like a mask; below and beyond this line
+there was a dark expanse of unirrigated soil that spread downward in
+front and backward around his neck. Mary took him in hand, and when she
+was done with him he was a man and a brother, without distinction of
+color, and his saturated hair was neatly brushed, and its short curls
+wrought into a dainty and symmetrical general effect. [He privately
+smoothed out the curls, with labor and difficulty, and plastered his
+hair close down to his head; for he held curls to be effeminate, and
+his own filled his life with bitterness.] Then Mary got out a suit of
+his clothing that had been used only on Sundays during two years--they
+were simply called his "other clothes"--and so by that we know the
+size of his wardrobe. The girl "put him to rights" after he had dressed
+himself; she buttoned his neat roundabout up to his chin, turned his
+vast shirt collar down over his shoulders, brushed him off and crowned
+him with his speckled straw hat. He now looked exceedingly improved and
+uncomfortable. He was fully as uncomfortable as he looked; for there
+was a restraint about whole clothes and cleanliness that galled him. He
+hoped that Mary would forget his shoes, but the hope was blighted; she
+coated them thoroughly with tallow, as was the custom, and brought them
+out. He lost his temper and said he was always being made to do
+everything he didn't want to do. But Mary said, persuasively:
+
+"Please, Tom--that's a good boy."
+
+So he got into the shoes snarling. Mary was soon ready, and the three
+children set out for Sunday-school--a place that Tom hated with his
+whole heart; but Sid and Mary were fond of it.
+
+Sabbath-school hours were from nine to half-past ten; and then church
+service. Two of the children always remained for the sermon
+voluntarily, and the other always remained too--for stronger reasons.
+The church's high-backed, uncushioned pews would seat about three
+hundred persons; the edifice was but a small, plain affair, with a sort
+of pine board tree-box on top of it for a steeple. At the door Tom
+dropped back a step and accosted a Sunday-dressed comrade:
+
+"Say, Billy, got a yaller ticket?"
+
+"Yes."
+
+"What'll you take for her?"
+
+"What'll you give?"
+
+"Piece of lickrish and a fish-hook."
+
+"Less see 'em."
+
+Tom exhibited. They were satisfactory, and the property changed hands.
+Then Tom traded a couple of white alleys for three red tickets, and
+some small trifle or other for a couple of blue ones. He waylaid other
+boys as they came, and went on buying tickets of various colors ten or
+fifteen minutes longer. He entered the church, now, with a swarm of
+clean and noisy boys and girls, proceeded to his seat and started a
+quarrel with the first boy that came handy. The teacher, a grave,
+elderly man, interfered; then turned his back a moment and Tom pulled a
+boy's hair in the next bench, and was absorbed in his book when the boy
+turned around; stuck a pin in another boy, presently, in order to hear
+him say "Ouch!" and got a new reprimand from his teacher. Tom's whole
+class were of a pattern--restless, noisy, and troublesome. When they
+came to recite their lessons, not one of them knew his verses
+perfectly, but had to be prompted all along. However, they worried
+through, and each got his reward--in small blue tickets, each with a
+passage of Scripture on it; each blue ticket was pay for two verses of
+the recitation. Ten blue tickets equalled a red one, and could be
+exchanged for it; ten red tickets equalled a yellow one; for ten yellow
+tickets the superintendent gave a very plainly bound Bible (worth forty
+cents in those easy times) to the pupil. How many of my readers would
+have the industry and application to memorize two thousand verses, even
+for a Dore Bible? And yet Mary had acquired two Bibles in this way--it
+was the patient work of two years--and a boy of German parentage had
+won four or five. He once recited three thousand verses without
+stopping; but the strain upon his mental faculties was too great, and
+he was little better than an idiot from that day forth--a grievous
+misfortune for the school, for on great occasions, before company, the
+superintendent (as Tom expressed it) had always made this boy come out
+and "spread himself." Only the older pupils managed to keep their
+tickets and stick to their tedious work long enough to get a Bible, and
+so the delivery of one of these prizes was a rare and noteworthy
+circumstance; the successful pupil was so great and conspicuous for
+that day that on the spot every scholar's heart was fired with a fresh
+ambition that often lasted a couple of weeks. It is possible that Tom's
+mental stomach had never really hungered for one of those prizes, but
+unquestionably his entire being had for many a day longed for the glory
+and the eclat that came with it.
+
+In due course the superintendent stood up in front of the pulpit, with
+a closed hymn-book in his hand and his forefinger inserted between its
+leaves, and commanded attention. When a Sunday-school superintendent
+makes his customary little speech, a hymn-book in the hand is as
+necessary as is the inevitable sheet of music in the hand of a singer
+who stands forward on the platform and sings a solo at a concert
+--though why, is a mystery: for neither the hymn-book nor the sheet of
+music is ever referred to by the sufferer. This superintendent was a
+slim creature of thirty-five, with a sandy goatee and short sandy hair;
+he wore a stiff standing-collar whose upper edge almost reached his
+ears and whose sharp points curved forward abreast the corners of his
+mouth--a fence that compelled a straight lookout ahead, and a turning
+of the whole body when a side view was required; his chin was propped
+on a spreading cravat which was as broad and as long as a bank-note,
+and had fringed ends; his boot toes were turned sharply up, in the
+fashion of the day, like sleigh-runners--an effect patiently and
+laboriously produced by the young men by sitting with their toes
+pressed against a wall for hours together. Mr. Walters was very earnest
+of mien, and very sincere and honest at heart; and he held sacred
+things and places in such reverence, and so separated them from worldly
+matters, that unconsciously to himself his Sunday-school voice had
+acquired a peculiar intonation which was wholly absent on week-days. He
+began after this fashion:
+
+"Now, children, I want you all to sit up just as straight and pretty
+as you can and give me all your attention for a minute or two. There
+--that is it. That is the way good little boys and girls should do. I see
+one little girl who is looking out of the window--I am afraid she
+thinks I am out there somewhere--perhaps up in one of the trees making
+a speech to the little birds. [Applausive titter.] I want to tell you
+how good it makes me feel to see so many bright, clean little faces
+assembled in a place like this, learning to do right and be good." And
+so forth and so on. It is not necessary to set down the rest of the
+oration. It was of a pattern which does not vary, and so it is familiar
+to us all.
+
+The latter third of the speech was marred by the resumption of fights
+and other recreations among certain of the bad boys, and by fidgetings
+and whisperings that extended far and wide, washing even to the bases
+of isolated and incorruptible rocks like Sid and Mary. But now every
+sound ceased suddenly, with the subsidence of Mr. Walters' voice, and
+the conclusion of the speech was received with a burst of silent
+gratitude.
+
+A good part of the whispering had been occasioned by an event which
+was more or less rare--the entrance of visitors: lawyer Thatcher,
+accompanied by a very feeble and aged man; a fine, portly, middle-aged
+gentleman with iron-gray hair; and a dignified lady who was doubtless
+the latter's wife. The lady was leading a child. Tom had been restless
+and full of chafings and repinings; conscience-smitten, too--he could
+not meet Amy Lawrence's eye, he could not brook her loving gaze. But
+when he saw this small new-comer his soul was all ablaze with bliss in
+a moment. The next moment he was "showing off" with all his might
+--cuffing boys, pulling hair, making faces--in a word, using every art
+that seemed likely to fascinate a girl and win her applause. His
+exaltation had but one alloy--the memory of his humiliation in this
+angel's garden--and that record in sand was fast washing out, under
+the waves of happiness that were sweeping over it now.
+
+The visitors were given the highest seat of honor, and as soon as Mr.
+Walters' speech was finished, he introduced them to the school. The
+middle-aged man turned out to be a prodigious personage--no less a one
+than the county judge--altogether the most august creation these
+children had ever looked upon--and they wondered what kind of material
+he was made of--and they half wanted to hear him roar, and were half
+afraid he might, too. He was from Constantinople, twelve miles away--so
+he had travelled, and seen the world--these very eyes had looked upon
+the county court-house--which was said to have a tin roof. The awe
+which these reflections inspired was attested by the impressive silence
+and the ranks of staring eyes. This was the great Judge Thatcher,
+brother of their own lawyer. Jeff Thatcher immediately went forward, to
+be familiar with the great man and be envied by the school. It would
+have been music to his soul to hear the whisperings:
+
+"Look at him, Jim! He's a going up there. Say--look! he's a going to
+shake hands with him--he IS shaking hands with him! By jings, don't you
+wish you was Jeff?"
+
+Mr. Walters fell to "showing off," with all sorts of official
+bustlings and activities, giving orders, delivering judgments,
+discharging directions here, there, everywhere that he could find a
+target. The librarian "showed off"--running hither and thither with his
+arms full of books and making a deal of the splutter and fuss that
+insect authority delights in. The young lady teachers "showed off"
+--bending sweetly over pupils that were lately being boxed, lifting
+pretty warning fingers at bad little boys and patting good ones
+lovingly. The young gentlemen teachers "showed off" with small
+scoldings and other little displays of authority and fine attention to
+discipline--and most of the teachers, of both sexes, found business up
+at the library, by the pulpit; and it was business that frequently had
+to be done over again two or three times (with much seeming vexation).
+The little girls "showed off" in various ways, and the little boys
+"showed off" with such diligence that the air was thick with paper wads
+and the murmur of scufflings. And above it all the great man sat and
+beamed a majestic judicial smile upon all the house, and warmed himself
+in the sun of his own grandeur--for he was "showing off," too.
+
+There was only one thing wanting to make Mr. Walters' ecstasy
+complete, and that was a chance to deliver a Bible-prize and exhibit a
+prodigy. Several pupils had a few yellow tickets, but none had enough
+--he had been around among the star pupils inquiring. He would have given
+worlds, now, to have that German lad back again with a sound mind.
+
+And now at this moment, when hope was dead, Tom Sawyer came forward
+with nine yellow tickets, nine red tickets, and ten blue ones, and
+demanded a Bible. This was a thunderbolt out of a clear sky. Walters
+was not expecting an application from this source for the next ten
+years. But there was no getting around it--here were the certified
+checks, and they were good for their face. Tom was therefore elevated
+to a place with the Judge and the other elect, and the great news was
+announced from headquarters. It was the most stunning surprise of the
+decade, and so profound was the sensation that it lifted the new hero
+up to the judicial one's altitude, and the school had two marvels to
+gaze upon in place of one. The boys were all eaten up with envy--but
+those that suffered the bitterest pangs were those who perceived too
+late that they themselves had contributed to this hated splendor by
+trading tickets to Tom for the wealth he had amassed in selling
+whitewashing privileges. These despised themselves, as being the dupes
+of a wily fraud, a guileful snake in the grass.
+
+The prize was delivered to Tom with as much effusion as the
+superintendent could pump up under the circumstances; but it lacked
+somewhat of the true gush, for the poor fellow's instinct taught him
+that there was a mystery here that could not well bear the light,
+perhaps; it was simply preposterous that this boy had warehoused two
+thousand sheaves of Scriptural wisdom on his premises--a dozen would
+strain his capacity, without a doubt.
+
+Amy Lawrence was proud and glad, and she tried to make Tom see it in
+her face--but he wouldn't look. She wondered; then she was just a grain
+troubled; next a dim suspicion came and went--came again; she watched;
+a furtive glance told her worlds--and then her heart broke, and she was
+jealous, and angry, and the tears came and she hated everybody. Tom
+most of all (she thought).
+
+Tom was introduced to the Judge; but his tongue was tied, his breath
+would hardly come, his heart quaked--partly because of the awful
+greatness of the man, but mainly because he was her parent. He would
+have liked to fall down and worship him, if it were in the dark. The
+Judge put his hand on Tom's head and called him a fine little man, and
+asked him what his name was. The boy stammered, gasped, and got it out:
+
+"Tom."
+
+"Oh, no, not Tom--it is--"
+
+"Thomas."
+
+"Ah, that's it. I thought there was more to it, maybe. That's very
+well. But you've another one I daresay, and you'll tell it to me, won't
+you?"
+
+"Tell the gentleman your other name, Thomas," said Walters, "and say
+sir. You mustn't forget your manners."
+
+"Thomas Sawyer--sir."
+
+"That's it! That's a good boy. Fine boy. Fine, manly little fellow.
+Two thousand verses is a great many--very, very great many. And you
+never can be sorry for the trouble you took to learn them; for
+knowledge is worth more than anything there is in the world; it's what
+makes great men and good men; you'll be a great man and a good man
+yourself, some day, Thomas, and then you'll look back and say, It's all
+owing to the precious Sunday-school privileges of my boyhood--it's all
+owing to my dear teachers that taught me to learn--it's all owing to
+the good superintendent, who encouraged me, and watched over me, and
+gave me a beautiful Bible--a splendid elegant Bible--to keep and have
+it all for my own, always--it's all owing to right bringing up! That is
+what you will say, Thomas--and you wouldn't take any money for those
+two thousand verses--no indeed you wouldn't. And now you wouldn't mind
+telling me and this lady some of the things you've learned--no, I know
+you wouldn't--for we are proud of little boys that learn. Now, no
+doubt you know the names of all the twelve disciples. Won't you tell us
+the names of the first two that were appointed?"
+
+Tom was tugging at a button-hole and looking sheepish. He blushed,
+now, and his eyes fell. Mr. Walters' heart sank within him. He said to
+himself, it is not possible that the boy can answer the simplest
+question--why DID the Judge ask him? Yet he felt obliged to speak up
+and say:
+
+"Answer the gentleman, Thomas--don't be afraid."
+
+Tom still hung fire.
+
+"Now I know you'll tell me," said the lady. "The names of the first
+two disciples were--"
+
+"DAVID AND GOLIAH!"
+
+Let us draw the curtain of charity over the rest of the scene.
+
+
+
+CHAPTER V
+
+ABOUT half-past ten the cracked bell of the small church began to
+ring, and presently the people began to gather for the morning sermon.
+The Sunday-school children distributed themselves about the house and
+occupied pews with their parents, so as to be under supervision. Aunt
+Polly came, and Tom and Sid and Mary sat with her--Tom being placed
+next the aisle, in order that he might be as far away from the open
+window and the seductive outside summer scenes as possible. The crowd
+filed up the aisles: the aged and needy postmaster, who had seen better
+days; the mayor and his wife--for they had a mayor there, among other
+unnecessaries; the justice of the peace; the widow Douglass, fair,
+smart, and forty, a generous, good-hearted soul and well-to-do, her
+hill mansion the only palace in the town, and the most hospitable and
+much the most lavish in the matter of festivities that St. Petersburg
+could boast; the bent and venerable Major and Mrs. Ward; lawyer
+Riverson, the new notable from a distance; next the belle of the
+village, followed by a troop of lawn-clad and ribbon-decked young
+heart-breakers; then all the young clerks in town in a body--for they
+had stood in the vestibule sucking their cane-heads, a circling wall of
+oiled and simpering admirers, till the last girl had run their gantlet;
+and last of all came the Model Boy, Willie Mufferson, taking as heedful
+care of his mother as if she were cut glass. He always brought his
+mother to church, and was the pride of all the matrons. The boys all
+hated him, he was so good. And besides, he had been "thrown up to them"
+so much. His white handkerchief was hanging out of his pocket behind, as
+usual on Sundays--accidentally. Tom had no handkerchief, and he looked
+upon boys who had as snobs.
+
+The congregation being fully assembled, now, the bell rang once more,
+to warn laggards and stragglers, and then a solemn hush fell upon the
+church which was only broken by the tittering and whispering of the
+choir in the gallery. The choir always tittered and whispered all
+through service. There was once a church choir that was not ill-bred,
+but I have forgotten where it was, now. It was a great many years ago,
+and I can scarcely remember anything about it, but I think it was in
+some foreign country.
+
+The minister gave out the hymn, and read it through with a relish, in
+a peculiar style which was much admired in that part of the country.
+His voice began on a medium key and climbed steadily up till it reached
+a certain point, where it bore with strong emphasis upon the topmost
+word and then plunged down as if from a spring-board:
+
+ Shall I be car-ri-ed toe the skies, on flow'ry BEDS of ease,
+
+ Whilst others fight to win the prize, and sail thro' BLOODY seas?
+
+He was regarded as a wonderful reader. At church "sociables" he was
+always called upon to read poetry; and when he was through, the ladies
+would lift up their hands and let them fall helplessly in their laps,
+and "wall" their eyes, and shake their heads, as much as to say, "Words
+cannot express it; it is too beautiful, TOO beautiful for this mortal
+earth."
+
+After the hymn had been sung, the Rev. Mr. Sprague turned himself into
+a bulletin-board, and read off "notices" of meetings and societies and
+things till it seemed that the list would stretch out to the crack of
+doom--a queer custom which is still kept up in America, even in cities,
+away here in this age of abundant newspapers. Often, the less there is
+to justify a traditional custom, the harder it is to get rid of it.
+
+And now the minister prayed. A good, generous prayer it was, and went
+into details: it pleaded for the church, and the little children of the
+church; for the other churches of the village; for the village itself;
+for the county; for the State; for the State officers; for the United
+States; for the churches of the United States; for Congress; for the
+President; for the officers of the Government; for poor sailors, tossed
+by stormy seas; for the oppressed millions groaning under the heel of
+European monarchies and Oriental despotisms; for such as have the light
+and the good tidings, and yet have not eyes to see nor ears to hear
+withal; for the heathen in the far islands of the sea; and closed with
+a supplication that the words he was about to speak might find grace
+and favor, and be as seed sown in fertile ground, yielding in time a
+grateful harvest of good. Amen.
+
+There was a rustling of dresses, and the standing congregation sat
+down. The boy whose history this book relates did not enjoy the prayer,
+he only endured it--if he even did that much. He was restive all
+through it; he kept tally of the details of the prayer, unconsciously
+--for he was not listening, but he knew the ground of old, and the
+clergyman's regular route over it--and when a little trifle of new
+matter was interlarded, his ear detected it and his whole nature
+resented it; he considered additions unfair, and scoundrelly. In the
+midst of the prayer a fly had lit on the back of the pew in front of
+him and tortured his spirit by calmly rubbing its hands together,
+embracing its head with its arms, and polishing it so vigorously that
+it seemed to almost part company with the body, and the slender thread
+of a neck was exposed to view; scraping its wings with its hind legs
+and smoothing them to its body as if they had been coat-tails; going
+through its whole toilet as tranquilly as if it knew it was perfectly
+safe. As indeed it was; for as sorely as Tom's hands itched to grab for
+it they did not dare--he believed his soul would be instantly destroyed
+if he did such a thing while the prayer was going on. But with the
+closing sentence his hand began to curve and steal forward; and the
+instant the "Amen" was out the fly was a prisoner of war. His aunt
+detected the act and made him let it go.
+
+The minister gave out his text and droned along monotonously through
+an argument that was so prosy that many a head by and by began to nod
+--and yet it was an argument that dealt in limitless fire and brimstone
+and thinned the predestined elect down to a company so small as to be
+hardly worth the saving. Tom counted the pages of the sermon; after
+church he always knew how many pages there had been, but he seldom knew
+anything else about the discourse. However, this time he was really
+interested for a little while. The minister made a grand and moving
+picture of the assembling together of the world's hosts at the
+millennium when the lion and the lamb should lie down together and a
+little child should lead them. But the pathos, the lesson, the moral of
+the great spectacle were lost upon the boy; he only thought of the
+conspicuousness of the principal character before the on-looking
+nations; his face lit with the thought, and he said to himself that he
+wished he could be that child, if it was a tame lion.
+
+Now he lapsed into suffering again, as the dry argument was resumed.
+Presently he bethought him of a treasure he had and got it out. It was
+a large black beetle with formidable jaws--a "pinchbug," he called it.
+It was in a percussion-cap box. The first thing the beetle did was to
+take him by the finger. A natural fillip followed, the beetle went
+floundering into the aisle and lit on its back, and the hurt finger
+went into the boy's mouth. The beetle lay there working its helpless
+legs, unable to turn over. Tom eyed it, and longed for it; but it was
+safe out of his reach. Other people uninterested in the sermon found
+relief in the beetle, and they eyed it too. Presently a vagrant poodle
+dog came idling along, sad at heart, lazy with the summer softness and
+the quiet, weary of captivity, sighing for change. He spied the beetle;
+the drooping tail lifted and wagged. He surveyed the prize; walked
+around it; smelt at it from a safe distance; walked around it again;
+grew bolder, and took a closer smell; then lifted his lip and made a
+gingerly snatch at it, just missing it; made another, and another;
+began to enjoy the diversion; subsided to his stomach with the beetle
+between his paws, and continued his experiments; grew weary at last,
+and then indifferent and absent-minded. His head nodded, and little by
+little his chin descended and touched the enemy, who seized it. There
+was a sharp yelp, a flirt of the poodle's head, and the beetle fell a
+couple of yards away, and lit on its back once more. The neighboring
+spectators shook with a gentle inward joy, several faces went behind
+fans and handkerchiefs, and Tom was entirely happy. The dog looked
+foolish, and probably felt so; but there was resentment in his heart,
+too, and a craving for revenge. So he went to the beetle and began a
+wary attack on it again; jumping at it from every point of a circle,
+lighting with his fore-paws within an inch of the creature, making even
+closer snatches at it with his teeth, and jerking his head till his
+ears flapped again. But he grew tired once more, after a while; tried
+to amuse himself with a fly but found no relief; followed an ant
+around, with his nose close to the floor, and quickly wearied of that;
+yawned, sighed, forgot the beetle entirely, and sat down on it. Then
+there was a wild yelp of agony and the poodle went sailing up the
+aisle; the yelps continued, and so did the dog; he crossed the house in
+front of the altar; he flew down the other aisle; he crossed before the
+doors; he clamored up the home-stretch; his anguish grew with his
+progress, till presently he was but a woolly comet moving in its orbit
+with the gleam and the speed of light. At last the frantic sufferer
+sheered from its course, and sprang into its master's lap; he flung it
+out of the window, and the voice of distress quickly thinned away and
+died in the distance.
+
+By this time the whole church was red-faced and suffocating with
+suppressed laughter, and the sermon had come to a dead standstill. The
+discourse was resumed presently, but it went lame and halting, all
+possibility of impressiveness being at an end; for even the gravest
+sentiments were constantly being received with a smothered burst of
+unholy mirth, under cover of some remote pew-back, as if the poor
+parson had said a rarely facetious thing. It was a genuine relief to
+the whole congregation when the ordeal was over and the benediction
+pronounced.
+
+Tom Sawyer went home quite cheerful, thinking to himself that there
+was some satisfaction about divine service when there was a bit of
+variety in it. He had but one marring thought; he was willing that the
+dog should play with his pinchbug, but he did not think it was upright
+in him to carry it off.
+
+
+
+CHAPTER VI
+
+MONDAY morning found Tom Sawyer miserable. Monday morning always found
+him so--because it began another week's slow suffering in school. He
+generally began that day with wishing he had had no intervening
+holiday, it made the going into captivity and fetters again so much
+more odious.
+
+Tom lay thinking. Presently it occurred to him that he wished he was
+sick; then he could stay home from school. Here was a vague
+possibility. He canvassed his system. No ailment was found, and he
+investigated again. This time he thought he could detect colicky
+symptoms, and he began to encourage them with considerable hope. But
+they soon grew feeble, and presently died wholly away. He reflected
+further. Suddenly he discovered something. One of his upper front teeth
+was loose. This was lucky; he was about to begin to groan, as a
+"starter," as he called it, when it occurred to him that if he came
+into court with that argument, his aunt would pull it out, and that
+would hurt. So he thought he would hold the tooth in reserve for the
+present, and seek further. Nothing offered for some little time, and
+then he remembered hearing the doctor tell about a certain thing that
+laid up a patient for two or three weeks and threatened to make him
+lose a finger. So the boy eagerly drew his sore toe from under the
+sheet and held it up for inspection. But now he did not know the
+necessary symptoms. However, it seemed well worth while to chance it,
+so he fell to groaning with considerable spirit.
+
+But Sid slept on unconscious.
+
+Tom groaned louder, and fancied that he began to feel pain in the toe.
+
+No result from Sid.
+
+Tom was panting with his exertions by this time. He took a rest and
+then swelled himself up and fetched a succession of admirable groans.
+
+Sid snored on.
+
+Tom was aggravated. He said, "Sid, Sid!" and shook him. This course
+worked well, and Tom began to groan again. Sid yawned, stretched, then
+brought himself up on his elbow with a snort, and began to stare at
+Tom. Tom went on groaning. Sid said:
+
+"Tom! Say, Tom!" [No response.] "Here, Tom! TOM! What is the matter,
+Tom?" And he shook him and looked in his face anxiously.
+
+Tom moaned out:
+
+"Oh, don't, Sid. Don't joggle me."
+
+"Why, what's the matter, Tom? I must call auntie."
+
+"No--never mind. It'll be over by and by, maybe. Don't call anybody."
+
+"But I must! DON'T groan so, Tom, it's awful. How long you been this
+way?"
+
+"Hours. Ouch! Oh, don't stir so, Sid, you'll kill me."
+
+"Tom, why didn't you wake me sooner? Oh, Tom, DON'T! It makes my
+flesh crawl to hear you. Tom, what is the matter?"
+
+"I forgive you everything, Sid. [Groan.] Everything you've ever done
+to me. When I'm gone--"
+
+"Oh, Tom, you ain't dying, are you? Don't, Tom--oh, don't. Maybe--"
+
+"I forgive everybody, Sid. [Groan.] Tell 'em so, Sid. And Sid, you
+give my window-sash and my cat with one eye to that new girl that's
+come to town, and tell her--"
+
+But Sid had snatched his clothes and gone. Tom was suffering in
+reality, now, so handsomely was his imagination working, and so his
+groans had gathered quite a genuine tone.
+
+Sid flew down-stairs and said:
+
+"Oh, Aunt Polly, come! Tom's dying!"
+
+"Dying!"
+
+"Yes'm. Don't wait--come quick!"
+
+"Rubbage! I don't believe it!"
+
+But she fled up-stairs, nevertheless, with Sid and Mary at her heels.
+And her face grew white, too, and her lip trembled. When she reached
+the bedside she gasped out:
+
+"You, Tom! Tom, what's the matter with you?"
+
+"Oh, auntie, I'm--"
+
+"What's the matter with you--what is the matter with you, child?"
+
+"Oh, auntie, my sore toe's mortified!"
+
+The old lady sank down into a chair and laughed a little, then cried a
+little, then did both together. This restored her and she said:
+
+"Tom, what a turn you did give me. Now you shut up that nonsense and
+climb out of this."
+
+The groans ceased and the pain vanished from the toe. The boy felt a
+little foolish, and he said:
+
+"Aunt Polly, it SEEMED mortified, and it hurt so I never minded my
+tooth at all."
+
+"Your tooth, indeed! What's the matter with your tooth?"
+
+"One of them's loose, and it aches perfectly awful."
+
+"There, there, now, don't begin that groaning again. Open your mouth.
+Well--your tooth IS loose, but you're not going to die about that.
+Mary, get me a silk thread, and a chunk of fire out of the kitchen."
+
+Tom said:
+
+"Oh, please, auntie, don't pull it out. It don't hurt any more. I wish
+I may never stir if it does. Please don't, auntie. I don't want to stay
+home from school."
+
+"Oh, you don't, don't you? So all this row was because you thought
+you'd get to stay home from school and go a-fishing? Tom, Tom, I love
+you so, and you seem to try every way you can to break my old heart
+with your outrageousness." By this time the dental instruments were
+ready. The old lady made one end of the silk thread fast to Tom's tooth
+with a loop and tied the other to the bedpost. Then she seized the
+chunk of fire and suddenly thrust it almost into the boy's face. The
+tooth hung dangling by the bedpost, now.
+
+But all trials bring their compensations. As Tom wended to school
+after breakfast, he was the envy of every boy he met because the gap in
+his upper row of teeth enabled him to expectorate in a new and
+admirable way. He gathered quite a following of lads interested in the
+exhibition; and one that had cut his finger and had been a centre of
+fascination and homage up to this time, now found himself suddenly
+without an adherent, and shorn of his glory. His heart was heavy, and
+he said with a disdain which he did not feel that it wasn't anything to
+spit like Tom Sawyer; but another boy said, "Sour grapes!" and he
+wandered away a dismantled hero.
+
+Shortly Tom came upon the juvenile pariah of the village, Huckleberry
+Finn, son of the town drunkard. Huckleberry was cordially hated and
+dreaded by all the mothers of the town, because he was idle and lawless
+and vulgar and bad--and because all their children admired him so, and
+delighted in his forbidden society, and wished they dared to be like
+him. Tom was like the rest of the respectable boys, in that he envied
+Huckleberry his gaudy outcast condition, and was under strict orders
+not to play with him. So he played with him every time he got a chance.
+Huckleberry was always dressed in the cast-off clothes of full-grown
+men, and they were in perennial bloom and fluttering with rags. His hat
+was a vast ruin with a wide crescent lopped out of its brim; his coat,
+when he wore one, hung nearly to his heels and had the rearward buttons
+far down the back; but one suspender supported his trousers; the seat
+of the trousers bagged low and contained nothing, the fringed legs
+dragged in the dirt when not rolled up.
+
+Huckleberry came and went, at his own free will. He slept on doorsteps
+in fine weather and in empty hogsheads in wet; he did not have to go to
+school or to church, or call any being master or obey anybody; he could
+go fishing or swimming when and where he chose, and stay as long as it
+suited him; nobody forbade him to fight; he could sit up as late as he
+pleased; he was always the first boy that went barefoot in the spring
+and the last to resume leather in the fall; he never had to wash, nor
+put on clean clothes; he could swear wonderfully. In a word, everything
+that goes to make life precious that boy had. So thought every
+harassed, hampered, respectable boy in St. Petersburg.
+
+Tom hailed the romantic outcast:
+
+"Hello, Huckleberry!"
+
+"Hello yourself, and see how you like it."
+
+"What's that you got?"
+
+"Dead cat."
+
+"Lemme see him, Huck. My, he's pretty stiff. Where'd you get him ?"
+
+"Bought him off'n a boy."
+
+"What did you give?"
+
+"I give a blue ticket and a bladder that I got at the slaughter-house."
+
+"Where'd you get the blue ticket?"
+
+"Bought it off'n Ben Rogers two weeks ago for a hoop-stick."
+
+"Say--what is dead cats good for, Huck?"
+
+"Good for? Cure warts with."
+
+"No! Is that so? I know something that's better."
+
+"I bet you don't. What is it?"
+
+"Why, spunk-water."
+
+"Spunk-water! I wouldn't give a dern for spunk-water."
+
+"You wouldn't, wouldn't you? D'you ever try it?"
+
+"No, I hain't. But Bob Tanner did."
+
+"Who told you so!"
+
+"Why, he told Jeff Thatcher, and Jeff told Johnny Baker, and Johnny
+told Jim Hollis, and Jim told Ben Rogers, and Ben told a nigger, and
+the nigger told me. There now!"
+
+"Well, what of it? They'll all lie. Leastways all but the nigger. I
+don't know HIM. But I never see a nigger that WOULDN'T lie. Shucks! Now
+you tell me how Bob Tanner done it, Huck."
+
+"Why, he took and dipped his hand in a rotten stump where the
+rain-water was."
+
+"In the daytime?"
+
+"Certainly."
+
+"With his face to the stump?"
+
+"Yes. Least I reckon so."
+
+"Did he say anything?"
+
+"I don't reckon he did. I don't know."
+
+"Aha! Talk about trying to cure warts with spunk-water such a blame
+fool way as that! Why, that ain't a-going to do any good. You got to go
+all by yourself, to the middle of the woods, where you know there's a
+spunk-water stump, and just as it's midnight you back up against the
+stump and jam your hand in and say:
+
+ 'Barley-corn, barley-corn, injun-meal shorts,
+ Spunk-water, spunk-water, swaller these warts,'
+
+and then walk away quick, eleven steps, with your eyes shut, and then
+turn around three times and walk home without speaking to anybody.
+Because if you speak the charm's busted."
+
+"Well, that sounds like a good way; but that ain't the way Bob Tanner
+done."
+
+"No, sir, you can bet he didn't, becuz he's the wartiest boy in this
+town; and he wouldn't have a wart on him if he'd knowed how to work
+spunk-water. I've took off thousands of warts off of my hands that way,
+Huck. I play with frogs so much that I've always got considerable many
+warts. Sometimes I take 'em off with a bean."
+
+"Yes, bean's good. I've done that."
+
+"Have you? What's your way?"
+
+"You take and split the bean, and cut the wart so as to get some
+blood, and then you put the blood on one piece of the bean and take and
+dig a hole and bury it 'bout midnight at the crossroads in the dark of
+the moon, and then you burn up the rest of the bean. You see that piece
+that's got the blood on it will keep drawing and drawing, trying to
+fetch the other piece to it, and so that helps the blood to draw the
+wart, and pretty soon off she comes."
+
+"Yes, that's it, Huck--that's it; though when you're burying it if you
+say 'Down bean; off wart; come no more to bother me!' it's better.
+That's the way Joe Harper does, and he's been nearly to Coonville and
+most everywheres. But say--how do you cure 'em with dead cats?"
+
+"Why, you take your cat and go and get in the graveyard 'long about
+midnight when somebody that was wicked has been buried; and when it's
+midnight a devil will come, or maybe two or three, but you can't see
+'em, you can only hear something like the wind, or maybe hear 'em talk;
+and when they're taking that feller away, you heave your cat after 'em
+and say, 'Devil follow corpse, cat follow devil, warts follow cat, I'm
+done with ye!' That'll fetch ANY wart."
+
+"Sounds right. D'you ever try it, Huck?"
+
+"No, but old Mother Hopkins told me."
+
+"Well, I reckon it's so, then. Becuz they say she's a witch."
+
+"Say! Why, Tom, I KNOW she is. She witched pap. Pap says so his own
+self. He come along one day, and he see she was a-witching him, so he
+took up a rock, and if she hadn't dodged, he'd a got her. Well, that
+very night he rolled off'n a shed wher' he was a layin drunk, and broke
+his arm."
+
+"Why, that's awful. How did he know she was a-witching him?"
+
+"Lord, pap can tell, easy. Pap says when they keep looking at you
+right stiddy, they're a-witching you. Specially if they mumble. Becuz
+when they mumble they're saying the Lord's Prayer backards."
+
+"Say, Hucky, when you going to try the cat?"
+
+"To-night. I reckon they'll come after old Hoss Williams to-night."
+
+"But they buried him Saturday. Didn't they get him Saturday night?"
+
+"Why, how you talk! How could their charms work till midnight?--and
+THEN it's Sunday. Devils don't slosh around much of a Sunday, I don't
+reckon."
+
+"I never thought of that. That's so. Lemme go with you?"
+
+"Of course--if you ain't afeard."
+
+"Afeard! 'Tain't likely. Will you meow?"
+
+"Yes--and you meow back, if you get a chance. Last time, you kep' me
+a-meowing around till old Hays went to throwing rocks at me and says
+'Dern that cat!' and so I hove a brick through his window--but don't
+you tell."
+
+"I won't. I couldn't meow that night, becuz auntie was watching me,
+but I'll meow this time. Say--what's that?"
+
+"Nothing but a tick."
+
+"Where'd you get him?"
+
+"Out in the woods."
+
+"What'll you take for him?"
+
+"I don't know. I don't want to sell him."
+
+"All right. It's a mighty small tick, anyway."
+
+"Oh, anybody can run a tick down that don't belong to them. I'm
+satisfied with it. It's a good enough tick for me."
+
+"Sho, there's ticks a plenty. I could have a thousand of 'em if I
+wanted to."
+
+"Well, why don't you? Becuz you know mighty well you can't. This is a
+pretty early tick, I reckon. It's the first one I've seen this year."
+
+"Say, Huck--I'll give you my tooth for him."
+
+"Less see it."
+
+Tom got out a bit of paper and carefully unrolled it. Huckleberry
+viewed it wistfully. The temptation was very strong. At last he said:
+
+"Is it genuwyne?"
+
+Tom lifted his lip and showed the vacancy.
+
+"Well, all right," said Huckleberry, "it's a trade."
+
+Tom enclosed the tick in the percussion-cap box that had lately been
+the pinchbug's prison, and the boys separated, each feeling wealthier
+than before.
+
+When Tom reached the little isolated frame schoolhouse, he strode in
+briskly, with the manner of one who had come with all honest speed.
+He hung his hat on a peg and flung himself into his seat with
+business-like alacrity. The master, throned on high in his great
+splint-bottom arm-chair, was dozing, lulled by the drowsy hum of study.
+The interruption roused him.
+
+"Thomas Sawyer!"
+
+Tom knew that when his name was pronounced in full, it meant trouble.
+
+"Sir!"
+
+"Come up here. Now, sir, why are you late again, as usual?"
+
+Tom was about to take refuge in a lie, when he saw two long tails of
+yellow hair hanging down a back that he recognized by the electric
+sympathy of love; and by that form was THE ONLY VACANT PLACE on the
+girls' side of the schoolhouse. He instantly said:
+
+"I STOPPED TO TALK WITH HUCKLEBERRY FINN!"
+
+The master's pulse stood still, and he stared helplessly. The buzz of
+study ceased. The pupils wondered if this foolhardy boy had lost his
+mind. The master said:
+
+"You--you did what?"
+
+"Stopped to talk with Huckleberry Finn."
+
+There was no mistaking the words.
+
+"Thomas Sawyer, this is the most astounding confession I have ever
+listened to. No mere ferule will answer for this offence. Take off your
+jacket."
+
+The master's arm performed until it was tired and the stock of
+switches notably diminished. Then the order followed:
+
+"Now, sir, go and sit with the girls! And let this be a warning to you."
+
+The titter that rippled around the room appeared to abash the boy, but
+in reality that result was caused rather more by his worshipful awe of
+his unknown idol and the dread pleasure that lay in his high good
+fortune. He sat down upon the end of the pine bench and the girl
+hitched herself away from him with a toss of her head. Nudges and winks
+and whispers traversed the room, but Tom sat still, with his arms upon
+the long, low desk before him, and seemed to study his book.
+
+By and by attention ceased from him, and the accustomed school murmur
+rose upon the dull air once more. Presently the boy began to steal
+furtive glances at the girl. She observed it, "made a mouth" at him and
+gave him the back of her head for the space of a minute. When she
+cautiously faced around again, a peach lay before her. She thrust it
+away. Tom gently put it back. She thrust it away again, but with less
+animosity. Tom patiently returned it to its place. Then she let it
+remain. Tom scrawled on his slate, "Please take it--I got more." The
+girl glanced at the words, but made no sign. Now the boy began to draw
+something on the slate, hiding his work with his left hand. For a time
+the girl refused to notice; but her human curiosity presently began to
+manifest itself by hardly perceptible signs. The boy worked on,
+apparently unconscious. The girl made a sort of noncommittal attempt to
+see, but the boy did not betray that he was aware of it. At last she
+gave in and hesitatingly whispered:
+
+"Let me see it."
+
+Tom partly uncovered a dismal caricature of a house with two gable
+ends to it and a corkscrew of smoke issuing from the chimney. Then the
+girl's interest began to fasten itself upon the work and she forgot
+everything else. When it was finished, she gazed a moment, then
+whispered:
+
+"It's nice--make a man."
+
+The artist erected a man in the front yard, that resembled a derrick.
+He could have stepped over the house; but the girl was not
+hypercritical; she was satisfied with the monster, and whispered:
+
+"It's a beautiful man--now make me coming along."
+
+Tom drew an hour-glass with a full moon and straw limbs to it and
+armed the spreading fingers with a portentous fan. The girl said:
+
+"It's ever so nice--I wish I could draw."
+
+"It's easy," whispered Tom, "I'll learn you."
+
+"Oh, will you? When?"
+
+"At noon. Do you go home to dinner?"
+
+"I'll stay if you will."
+
+"Good--that's a whack. What's your name?"
+
+"Becky Thatcher. What's yours? Oh, I know. It's Thomas Sawyer."
+
+"That's the name they lick me by. I'm Tom when I'm good. You call me
+Tom, will you?"
+
+"Yes."
+
+Now Tom began to scrawl something on the slate, hiding the words from
+the girl. But she was not backward this time. She begged to see. Tom
+said:
+
+"Oh, it ain't anything."
+
+"Yes it is."
+
+"No it ain't. You don't want to see."
+
+"Yes I do, indeed I do. Please let me."
+
+"You'll tell."
+
+"No I won't--deed and deed and double deed won't."
+
+"You won't tell anybody at all? Ever, as long as you live?"
+
+"No, I won't ever tell ANYbody. Now let me."
+
+"Oh, YOU don't want to see!"
+
+"Now that you treat me so, I WILL see." And she put her small hand
+upon his and a little scuffle ensued, Tom pretending to resist in
+earnest but letting his hand slip by degrees till these words were
+revealed: "I LOVE YOU."
+
+"Oh, you bad thing!" And she hit his hand a smart rap, but reddened
+and looked pleased, nevertheless.
+
+Just at this juncture the boy felt a slow, fateful grip closing on his
+ear, and a steady lifting impulse. In that vise he was borne across the
+house and deposited in his own seat, under a peppering fire of giggles
+from the whole school. Then the master stood over him during a few
+awful moments, and finally moved away to his throne without saying a
+word. But although Tom's ear tingled, his heart was jubilant.
+
+As the school quieted down Tom made an honest effort to study, but the
+turmoil within him was too great. In turn he took his place in the
+reading class and made a botch of it; then in the geography class and
+turned lakes into mountains, mountains into rivers, and rivers into
+continents, till chaos was come again; then in the spelling class, and
+got "turned down," by a succession of mere baby words, till he brought
+up at the foot and yielded up the pewter medal which he had worn with
+ostentation for months.
+
+
+
+CHAPTER VII
+
+THE harder Tom tried to fasten his mind on his book, the more his
+ideas wandered. So at last, with a sigh and a yawn, he gave it up. It
+seemed to him that the noon recess would never come. The air was
+utterly dead. There was not a breath stirring. It was the sleepiest of
+sleepy days. The drowsing murmur of the five and twenty studying
+scholars soothed the soul like the spell that is in the murmur of bees.
+Away off in the flaming sunshine, Cardiff Hill lifted its soft green
+sides through a shimmering veil of heat, tinted with the purple of
+distance; a few birds floated on lazy wing high in the air; no other
+living thing was visible but some cows, and they were asleep. Tom's
+heart ached to be free, or else to have something of interest to do to
+pass the dreary time. His hand wandered into his pocket and his face
+lit up with a glow of gratitude that was prayer, though he did not know
+it. Then furtively the percussion-cap box came out. He released the
+tick and put him on the long flat desk. The creature probably glowed
+with a gratitude that amounted to prayer, too, at this moment, but it
+was premature: for when he started thankfully to travel off, Tom turned
+him aside with a pin and made him take a new direction.
+
+Tom's bosom friend sat next him, suffering just as Tom had been, and
+now he was deeply and gratefully interested in this entertainment in an
+instant. This bosom friend was Joe Harper. The two boys were sworn
+friends all the week, and embattled enemies on Saturdays. Joe took a
+pin out of his lapel and began to assist in exercising the prisoner.
+The sport grew in interest momently. Soon Tom said that they were
+interfering with each other, and neither getting the fullest benefit of
+the tick. So he put Joe's slate on the desk and drew a line down the
+middle of it from top to bottom.
+
+"Now," said he, "as long as he is on your side you can stir him up and
+I'll let him alone; but if you let him get away and get on my side,
+you're to leave him alone as long as I can keep him from crossing over."
+
+"All right, go ahead; start him up."
+
+The tick escaped from Tom, presently, and crossed the equator. Joe
+harassed him awhile, and then he got away and crossed back again. This
+change of base occurred often. While one boy was worrying the tick with
+absorbing interest, the other would look on with interest as strong,
+the two heads bowed together over the slate, and the two souls dead to
+all things else. At last luck seemed to settle and abide with Joe. The
+tick tried this, that, and the other course, and got as excited and as
+anxious as the boys themselves, but time and again just as he would
+have victory in his very grasp, so to speak, and Tom's fingers would be
+twitching to begin, Joe's pin would deftly head him off, and keep
+possession. At last Tom could stand it no longer. The temptation was
+too strong. So he reached out and lent a hand with his pin. Joe was
+angry in a moment. Said he:
+
+"Tom, you let him alone."
+
+"I only just want to stir him up a little, Joe."
+
+"No, sir, it ain't fair; you just let him alone."
+
+"Blame it, I ain't going to stir him much."
+
+"Let him alone, I tell you."
+
+"I won't!"
+
+"You shall--he's on my side of the line."
+
+"Look here, Joe Harper, whose is that tick?"
+
+"I don't care whose tick he is--he's on my side of the line, and you
+sha'n't touch him."
+
+"Well, I'll just bet I will, though. He's my tick and I'll do what I
+blame please with him, or die!"
+
+A tremendous whack came down on Tom's shoulders, and its duplicate on
+Joe's; and for the space of two minutes the dust continued to fly from
+the two jackets and the whole school to enjoy it. The boys had been too
+absorbed to notice the hush that had stolen upon the school awhile
+before when the master came tiptoeing down the room and stood over
+them. He had contemplated a good part of the performance before he
+contributed his bit of variety to it.
+
+When school broke up at noon, Tom flew to Becky Thatcher, and
+whispered in her ear:
+
+"Put on your bonnet and let on you're going home; and when you get to
+the corner, give the rest of 'em the slip, and turn down through the
+lane and come back. I'll go the other way and come it over 'em the same
+way."
+
+So the one went off with one group of scholars, and the other with
+another. In a little while the two met at the bottom of the lane, and
+when they reached the school they had it all to themselves. Then they
+sat together, with a slate before them, and Tom gave Becky the pencil
+and held her hand in his, guiding it, and so created another surprising
+house. When the interest in art began to wane, the two fell to talking.
+Tom was swimming in bliss. He said:
+
+"Do you love rats?"
+
+"No! I hate them!"
+
+"Well, I do, too--LIVE ones. But I mean dead ones, to swing round your
+head with a string."
+
+"No, I don't care for rats much, anyway. What I like is chewing-gum."
+
+"Oh, I should say so! I wish I had some now."
+
+"Do you? I've got some. I'll let you chew it awhile, but you must give
+it back to me."
+
+That was agreeable, so they chewed it turn about, and dangled their
+legs against the bench in excess of contentment.
+
+"Was you ever at a circus?" said Tom.
+
+"Yes, and my pa's going to take me again some time, if I'm good."
+
+"I been to the circus three or four times--lots of times. Church ain't
+shucks to a circus. There's things going on at a circus all the time.
+I'm going to be a clown in a circus when I grow up."
+
+"Oh, are you! That will be nice. They're so lovely, all spotted up."
+
+"Yes, that's so. And they get slathers of money--most a dollar a day,
+Ben Rogers says. Say, Becky, was you ever engaged?"
+
+"What's that?"
+
+"Why, engaged to be married."
+
+"No."
+
+"Would you like to?"
+
+"I reckon so. I don't know. What is it like?"
+
+"Like? Why it ain't like anything. You only just tell a boy you won't
+ever have anybody but him, ever ever ever, and then you kiss and that's
+all. Anybody can do it."
+
+"Kiss? What do you kiss for?"
+
+"Why, that, you know, is to--well, they always do that."
+
+"Everybody?"
+
+"Why, yes, everybody that's in love with each other. Do you remember
+what I wrote on the slate?"
+
+"Ye--yes."
+
+"What was it?"
+
+"I sha'n't tell you."
+
+"Shall I tell YOU?"
+
+"Ye--yes--but some other time."
+
+"No, now."
+
+"No, not now--to-morrow."
+
+"Oh, no, NOW. Please, Becky--I'll whisper it, I'll whisper it ever so
+easy."
+
+Becky hesitating, Tom took silence for consent, and passed his arm
+about her waist and whispered the tale ever so softly, with his mouth
+close to her ear. And then he added:
+
+"Now you whisper it to me--just the same."
+
+She resisted, for a while, and then said:
+
+"You turn your face away so you can't see, and then I will. But you
+mustn't ever tell anybody--WILL you, Tom? Now you won't, WILL you?"
+
+"No, indeed, indeed I won't. Now, Becky."
+
+He turned his face away. She bent timidly around till her breath
+stirred his curls and whispered, "I--love--you!"
+
+Then she sprang away and ran around and around the desks and benches,
+with Tom after her, and took refuge in a corner at last, with her
+little white apron to her face. Tom clasped her about her neck and
+pleaded:
+
+"Now, Becky, it's all done--all over but the kiss. Don't you be afraid
+of that--it ain't anything at all. Please, Becky." And he tugged at her
+apron and the hands.
+
+By and by she gave up, and let her hands drop; her face, all glowing
+with the struggle, came up and submitted. Tom kissed the red lips and
+said:
+
+"Now it's all done, Becky. And always after this, you know, you ain't
+ever to love anybody but me, and you ain't ever to marry anybody but
+me, ever never and forever. Will you?"
+
+"No, I'll never love anybody but you, Tom, and I'll never marry
+anybody but you--and you ain't to ever marry anybody but me, either."
+
+"Certainly. Of course. That's PART of it. And always coming to school
+or when we're going home, you're to walk with me, when there ain't
+anybody looking--and you choose me and I choose you at parties, because
+that's the way you do when you're engaged."
+
+"It's so nice. I never heard of it before."
+
+"Oh, it's ever so gay! Why, me and Amy Lawrence--"
+
+The big eyes told Tom his blunder and he stopped, confused.
+
+"Oh, Tom! Then I ain't the first you've ever been engaged to!"
+
+The child began to cry. Tom said:
+
+"Oh, don't cry, Becky, I don't care for her any more."
+
+"Yes, you do, Tom--you know you do."
+
+Tom tried to put his arm about her neck, but she pushed him away and
+turned her face to the wall, and went on crying. Tom tried again, with
+soothing words in his mouth, and was repulsed again. Then his pride was
+up, and he strode away and went outside. He stood about, restless and
+uneasy, for a while, glancing at the door, every now and then, hoping
+she would repent and come to find him. But she did not. Then he began
+to feel badly and fear that he was in the wrong. It was a hard struggle
+with him to make new advances, now, but he nerved himself to it and
+entered. She was still standing back there in the corner, sobbing, with
+her face to the wall. Tom's heart smote him. He went to her and stood a
+moment, not knowing exactly how to proceed. Then he said hesitatingly:
+
+"Becky, I--I don't care for anybody but you."
+
+No reply--but sobs.
+
+"Becky"--pleadingly. "Becky, won't you say something?"
+
+More sobs.
+
+Tom got out his chiefest jewel, a brass knob from the top of an
+andiron, and passed it around her so that she could see it, and said:
+
+"Please, Becky, won't you take it?"
+
+She struck it to the floor. Then Tom marched out of the house and over
+the hills and far away, to return to school no more that day. Presently
+Becky began to suspect. She ran to the door; he was not in sight; she
+flew around to the play-yard; he was not there. Then she called:
+
+"Tom! Come back, Tom!"
+
+She listened intently, but there was no answer. She had no companions
+but silence and loneliness. So she sat down to cry again and upbraid
+herself; and by this time the scholars began to gather again, and she
+had to hide her griefs and still her broken heart and take up the cross
+of a long, dreary, aching afternoon, with none among the strangers
+about her to exchange sorrows with.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Adventures of Tom Sawyer, Part 2.
+by Mark Twain (Samuel Clemens)
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TOM SAWYER, PART 2. ***
+
+***** This file should be named 7194.txt or 7194.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/7/1/9/7194/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.