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+Project Gutenberg EBook The Poetical Works of O. W. Holmes, Volume 1.
+Earlier Poems (1830-1836)
+#15 in our series by Oliver Wendell Holmes, Sr.
+
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+**Welcome To The World of Free Plain Vanilla Electronic Texts**
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+
+Title: The Poetical Works of Oliver Wendell Holmes
+ Earlier Poems (1830-1836)
+
+Author: Oliver Wendell Holmes, Sr.
+
+Release Date: January, 2005 [Etext #7388]
+[Yes, we are more than one year ahead of schedule]
+[Most recently updated: April 22, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK POETRY OF O. W. HOLMES, V1 ***
+
+
+
+This eBook was produced by David Widger [widger@cecomet.net]
+
+
+
+
+
+ THE POETICAL WORKS
+
+ OF
+
+ OLIVER WENDELL HOLMES
+
+
+ 1893
+ (Printed in three volumes)
+
+
+CONTENTS
+
+TO MY READERS
+
+EARLIER POEMS (1830-1836).
+ OLD IRONSIDES
+ THE LAST LEAF
+ THE CAMBRIDGE CHURCHYARD
+ TO AN INSECT
+ THE DILEMMA
+ MY AUNT
+ REFLECTIONS OF A PROUD PEDESTRIAN
+ DAILY TRIALS, BY A SENSITIVE MAN
+ EVENING, BY A TAILOR
+ THE DORCHESTER GIANT
+ TO THE PORTRAIT OF "A LADY"
+ THE COMET
+ THE Music-GRINDERS
+ THE TREADMILL SONG
+ THE SEPTEMBER GALE
+ THE HEIGHT OF THE RIDICULOUS
+ THE LAST READER
+ POETRY : A METRICAL ESSAY
+
+
+
+
+TO MY READERS
+
+NAY, blame me not; I might have spared
+Your patience many a trivial verse,
+Yet these my earlier welcome shared,
+So, let the better shield the worse.
+
+And some might say, "Those ruder songs
+Had freshness which the new have lost;
+To spring the opening leaf belongs,
+The chestnut-burs await the frost."
+
+When those I wrote, my locks were brown,
+When these I write--ah, well a-day!
+The autumn thistle's silvery down
+Is not the purple bloom of May
+
+Go, little book, whose pages hold
+Those garnered years in loving trust;
+How long before your blue and gold
+Shall fade and whiten in the dust?
+
+O sexton of the alcoved tomb,
+Where souls in leathern cerements lie,
+Tell me each living poet's doom!
+How long before his book shall die?
+
+It matters little, soon or late,
+A day, a month, a year, an age,--
+I read oblivion in its date,
+And Finis on its title-page.
+
+Before we sighed, our griefs were told;
+Before we smiled, our joys were sung;
+And all our passions shaped of old
+In accents lost to mortal tongue.
+
+In vain a fresher mould we seek,--
+Can all the varied phrases tell
+That Babel's wandering children speak
+How thrushes sing or lilacs smell?
+
+Caged in the poet's lonely heart,
+Love wastes unheard its tenderest tone;
+The soul that sings must dwell apart,
+Its inward melodies unknown.
+
+Deal gently with us, ye who read
+Our largest hope is unfulfilled,--
+The promise still outruns the deed,--
+The tower, but not the spire, we build.
+
+Our whitest pearl we never find;
+Our ripest fruit we never reach;
+The flowering moments of the mind
+Drop half their petals in our speech.
+
+These are my blossoms; if they wear
+One streak of morn or evening's glow,
+Accept them; but to me more fair
+The buds of song that never blow.
+April 8, 1862.
+
+
+
+
+
+ EARLIER POEMS
+
+ 1830-1836 OLD IRONSIDES
+
+This was the popular name by which the frigate Constitution
+was known. The poem was first printed in the Boston Daily
+Advertiser, at the time when it was proposed to break up the
+old ship as unfit for service. I subjoin the paragraph which
+led to the writing of the poem. It is from the Advertiser of
+Tuesday, September 14, 1830:--
+
+"Old Ironsides.--It has been affirmed upon good authority
+that the Secretary of the Navy has recommended to the Board of
+Navy Commissioners to dispose of the frigate Constitution. Since
+it has been understood that such a step was in contemplation we
+have heard but one opinion expressed, and that in decided
+disapprobation of the measure. Such a national object of interest,
+so endeared to our national pride as Old Ironsides is, should
+never by any act of our government cease to belong to the Navy,
+so long as our country is to be found upon the map of nations.
+In England it was lately determined by the Admiralty to cut the
+Victory, a one-hundred gun ship (which it will be recollected bore
+the flag of Lord Nelson at the battle of Trafalgar,) down to a
+seventy-four, but so loud were the lamentations of the people upon
+the proposed measure that the intention was abandoned. We
+confidently anticipate that the Secretary of the Navy will in like
+manner consult the general wish in regard to the Constitution, and
+either let her remain in ordinary or rebuild her whenever the
+public service may require."--New York Journal of Commerce.
+
+The poem was an impromptu outburst of feeling and was published
+on the next day but one after reading the above paragraph.
+
+AY, tear her tattered ensign down
+Long has it waved on high,
+And many an eye has danced to see
+That banner in the sky;
+Beneath it rung the battle shout,
+And burst the cannon's roar;--
+The meteor of the ocean air
+Shall sweep the clouds no more.
+
+Her deck, once red with heroes' blood,
+Where knelt the vanquished foe,
+When winds were hurrying o'er the flood,
+And waves were white below,
+No more shall feel the victor's tread,
+Or know the conquered knee;--
+The harpies of the shore shall pluck
+The eagle of the sea!
+
+Oh better that her shattered hulk
+Should sink beneath the wave;
+Her thunders shook the mighty deep,
+And there should be her grave;
+Nail to the mast her holy flag,
+Set every threadbare sail,
+And give her to the god of storms,
+The lightning and the gale!
+
+
+
+
+
+THE LAST LEAF
+
+This poem was suggested by the appearance in one of our
+streets of a venerable relic of the Revolution, said to be one
+of the party who threw the tea overboard in Boston Harbor. He
+was a fine monumental specimen in his cocked hat and knee
+breeches, with his buckled shoes and his sturdy cane. The smile
+with which I, as a young man, greeted him, meant no disrespect to
+an honored fellow-citizen whose costume was out of date, but whose
+patriotism never changed with years. I do not recall any earlier
+example of this form of verse, which was commended by the fastidious
+Edgar Allan Poe, who made a copy of the whole poem which I have
+in his own handwriting. Good Abraham Lincoln had a great liking
+for the poem, and repeated it from memory to Governor Andrew,
+as the governor himself told me.
+
+I SAW him once before,
+As he passed by the door,
+And again
+The pavement stones resound,
+As he totters o'er the ground
+With his cane.
+
+They say that in his prime,
+Ere the pruning-knife of Time
+Cut him down,
+Not a better man was found
+By the Crier on his round
+Through the town.
+
+But now he walks the streets,
+And he looks at all he meets
+Sad and wan,
+And he shakes his feeble head,
+That it seems as if he said,
+"They are gone."
+
+The mossy marbles rest
+On the lips that he has prest
+In their bloom,
+And the names he loved to hear
+Have been carved for many a year
+On the tomb.
+
+My grandmamma has said--
+Poor old lady, she is dead
+Long ago--
+That he had a Roman nose,
+And his cheek was like a rose
+In the snow.
+
+But now his nose is thin,
+And it rests upon his chin
+Like a staff,
+And a crook is in his back,
+And a melancholy crack
+In his laugh.
+
+I know it is a sin
+For me to sit and grin
+At him here;
+But the old three-cornered hat,
+And the breeches, and all that,
+Are so queer!
+
+And if I should live to be
+The last leaf upon the tree
+In the spring,
+Let them smile, as I do now,
+At the old forsaken bough
+Where I cling.
+
+
+
+
+
+THE CAMBRIDGE CHURCHYARD
+
+OUR ancient church! its lowly tower,
+Beneath the loftier spire,
+Is shadowed when the sunset hour
+Clothes the tall shaft in fire;
+It sinks beyond the distant eye
+Long ere the glittering vane,
+High wheeling in the western sky,
+Has faded o'er the plain.
+
+Like Sentinel and Nun, they keep
+Their vigil on the green;
+One seems to guard, and one to weep,
+The dead that lie between;
+And both roll out, so full and near,
+Their music's mingling waves,
+They shake the grass, whose pennoned spear
+Leans on the narrow graves.
+
+The stranger parts the flaunting weeds,
+Whose seeds the winds have strown
+So thick, beneath the line he reads,
+They shade the sculptured stone;
+The child unveils his clustered brow,
+And ponders for a while
+The graven willow's pendent bough,
+Or rudest cherub's smile.
+
+But what to them the dirge, the knell?
+These were the mourner's share,--
+The sullen clang, whose heavy swell
+Throbbed through the beating air;
+The rattling cord, the rolling stone,
+The shelving sand that slid,
+And, far beneath, with hollow tone
+Rung on the coffin's lid.
+
+The slumberer's mound grows fresh and green,
+Then slowly disappears;
+The mosses creep, the gray stones lean,
+Earth hides his date and years;
+But, long before the once-loved name
+Is sunk or worn away,
+No lip the silent dust may claim,
+That pressed the breathing clay.
+
+Go where the ancient pathway guides,
+See where our sires laid down
+Their smiling babes, their cherished brides,
+The patriarchs of the town;
+Hast thou a tear for buried love?
+A sigh for transient power?
+All that a century left above,
+Go, read it in an hour!
+
+The Indian's shaft, the Briton's ball,
+The sabre's thirsting edge,
+The hot shell, shattering in its fall,
+The bayonet's rending wedge,--
+Here scattered death; yet, seek the spot,
+No trace thine eye can see,
+No altar,--and they need it not
+Who leave their children free!
+
+Look where the turbid rain-drops stand
+In many a chiselled square;
+The knightly crest, the shield, the brand
+Of honored names were there;--
+Alas! for every tear is dried
+Those blazoned tablets knew,
+Save when the icy marble's side
+Drips with the evening dew.
+
+Or gaze upon yon pillared stone,
+The empty urn of pride;
+There stand the Goblet and the Sun,--
+What need of more beside?
+Where lives the memory of the dead,
+Who made their tomb a toy?
+Whose ashes press that nameless bed?
+Go, ask the village boy!
+
+Lean o'er the slender western wall,
+Ye ever-roaming girls;
+The breath that bids the blossom fall
+May lift your floating curls,
+To sweep the simple lines that tell
+An exile's date and doom;
+And sigh, for where his daughters dwell,
+They wreathe the stranger's tomb.
+
+And one amid these shades was born,
+Beneath this turf who lies,
+Once beaming as the summer's morn,
+That closed her gentle eyes;
+If sinless angels love as we,
+Who stood thy grave beside,
+Three seraph welcomes waited thee,
+The daughter, sister, bride
+
+I wandered to thy buried mound
+When earth was hid below
+The level of the glaring ground,
+Choked to its gates with snow,
+And when with summer's flowery waves
+The lake of verdure rolled,
+As if a Sultan's white-robed slaves
+Had scattered pearls and gold.
+
+Nay, the soft pinions of the air,
+That lift this trembling tone,
+Its breath of love may almost bear
+To kiss thy funeral stone;
+And, now thy smiles have passed away,
+For all the joy they gave,
+May sweetest dews and warmest ray
+Lie on thine early grave!
+
+When damps beneath and storms above
+Have bowed these fragile towers,
+Still o'er the graves yon locust grove
+Shall swing its Orient flowers;
+And I would ask no mouldering bust,
+If e'er this humble line,
+Which breathed a sigh o'er other's dust,
+Might call a tear on mine.
+
+
+
+
+
+TO AN INSECT
+
+The Katydid is "a species of grasshopper found in the United
+States, so called from the sound which it makes."--Worcester.
+I used to hear this insect in Providence, Rhode Island, but I
+do not remember hearing it in Cambridge, Massachusetts, where
+I passed my boyhood. It is well known in other towns in the
+neighborhood of Boston.
+
+I LOVE to hear thine earnest voice,
+Wherever thou art hid,
+Thou testy little dogmatist,
+Thou pretty Katydid
+Thou mindest me of gentlefolks,--
+Old gentlefolks are they,--
+Thou say'st an undisputed thing
+In such a solemn way.
+
+Thou art a female, Katydid
+I know it by the trill
+That quivers through thy piercing notes,
+So petulant and shrill;
+I think there is a knot of you
+Beneath the hollow tree,--
+A knot of spinster Katydids,---
+Do Katydids drink tea?
+
+Oh tell me where did Katy live,
+And what did Katy do?
+And was she very fair and young,
+And yet so wicked, too?
+Did Katy love a naughty man,
+Or kiss more cheeks than one?
+I warrant Katy did no more
+Than many a Kate has done.
+
+Dear me! I'll tell you all about
+My fuss with little Jane,
+And Ann, with whom I used to walk
+So often down the lane,
+And all that tore their locks of black,
+Or wet their eyes of blue,--
+Pray tell me, sweetest Katydid,
+What did poor Katy do?
+
+Ah no! the living oak shall crash,
+That stood for ages still,
+The rock shall rend its mossy base
+And thunder down the hill,
+Before the little Katydid
+Shall add one word, to tell
+The mystic story of the maid
+Whose name she knows so well.
+
+Peace to the ever-murmuring race!
+And when the latest one
+Shall fold in death her feeble wings
+Beneath the autumn sun,
+Then shall she raise her fainting voice,
+And lift her drooping lid,
+And then the child of future years
+Shall hear what Katy did.
+
+
+
+
+
+THE DILEMMA
+
+Now, by the blessed Paphian queen,
+Who heaves the breast of sweet sixteen;
+By every name I cut on bark
+Before my morning star grew dark;
+By Hymen's torch, by Cupid's dart,
+By all that thrills the beating heart;
+The bright black eye, the melting blue,--
+I cannot choose between the two.
+
+I had a vision in my dreams;--
+I saw a row of twenty beams;
+From every beam a rope was hung,
+In every rope a lover swung;
+I asked the hue of every eye
+That bade each luckless lover die;
+Ten shadowy lips said, heavenly blue,
+And ten accused the darker hue.
+
+I asked a matron which she deemed
+With fairest light of beauty beamed;
+She answered, some thought both were fair,--
+Give her blue eyes and golden hair.
+I might have liked her judgment well,
+But, as she spoke, she rung the bell,
+And all her girls, nor small nor few,
+Came marching in,--their eyes were blue.
+
+I asked a maiden; back she flung
+The locks that round her forehead hung,
+And turned her eye, a glorious one,
+Bright as a diamond in the sun,
+On me, until beneath its rays
+I felt as if my hair would blaze;
+She liked all eyes but eyes of green;
+She looked at me; what could she mean?
+
+Ah! many lids Love lurks between,
+Nor heeds the coloring of his screen;
+And when his random arrows fly,
+The victim falls, but knows not why.
+Gaze not upon his shield of jet,
+The shaft upon the string is set;
+Look not beneath his azure veil,
+Though every limb were cased in mail.
+
+Well, both might make a martyr break
+The chain that bound him to the stake;
+And both, with but a single ray,
+Can melt our very hearts away;
+And both, when balanced, hardly seem
+To stir the scales, or rock the beam;
+But that is dearest, all the while,
+That wears for us the sweetest smile.
+
+
+
+
+
+MY AUNT
+
+MY aunt! my dear unmarried aunt!
+Long years have o'er her flown;
+Yet still she strains the aching clasp
+That binds her virgin zone;
+I know it hurts her,--though she looks
+As cheerful as she can;
+Her waist is ampler than her life,
+For life is but a span.
+
+My aunt! my poor deluded aunt!
+Her hair is almost gray;
+Why will she train that winter curl
+In such a spring-like way?
+How can she lay her glasses down,
+And say she reads as well,
+When through a double convex lens
+She just makes out to spell?
+
+Her father--grandpapa I forgive
+This erring lip its smiles--
+Vowed she should make the finest girl
+Within a hundred miles;
+He sent her to a stylish school;
+'T was in her thirteenth June;
+And with her, as the rules required,
+"Two towels and a spoon."
+
+They braced my aunt against a board,
+To make her straight and tall;
+They laced her up, they starved her down,
+To make her light and small;
+They pinched her feet, they singed her hair,
+They screwed it up with pins;--
+Oh never mortal suffered more
+In penance for her sins.
+
+So, when my precious aunt was done,
+My grandsire brought her back;
+(By daylight, lest some rabid youth
+Might follow on the track;)
+"Ah!" said my grandsire, as he shook
+Some powder in his pan,
+"What could this lovely creature do
+Against a desperate man!"
+
+Alas! nor chariot, nor barouche,
+Nor bandit cavalcade,
+Tore from the trembling father's arms
+His all-accomplished maid.
+For her how happy had it been
+And Heaven had spared to me
+To see one sad, ungathered rose
+On my ancestral tree.
+
+
+
+
+
+REFLECTIONS OF A PROUD PEDESTRIAN
+
+I SAW the curl of his waving lash,
+And the glance of his knowing eye,
+And I knew that he thought he was cutting a dash,
+As his steed went thundering by.
+
+And he may ride in the rattling gig,
+Or flourish the Stanhope gay,
+And dream that he looks exceeding big
+To the people that walk in the way;
+
+But he shall think, when the night is still,
+On the stable-boy's gathering numbers,
+And the ghost of many a veteran bill
+Shall hover around his slumbers;
+
+The ghastly dun shall worry his sleep,
+And constables cluster around him,
+And he shall creep from the wood-hole deep
+Where their spectre eyes have found him!
+
+Ay! gather your reins, and crack your thong,
+And bid your steed go faster;
+He does not know, as he scrambles along,
+That he has a fool for his master;
+
+And hurry away on your lonely ride,
+Nor deign from the mire to save me;
+I will paddle it stoutly at your side
+With the tandem that nature gave me!
+
+
+
+
+
+DAILY TRIALS
+
+BY A SENSITIVE MAN
+
+OH, there are times
+When all this fret and tumult that we hear
+Do seem more stale than to the sexton's ear
+His own dull chimes.
+
+Ding dong! ding dong!
+The world is in a simmer like a sea
+Over a pent volcano,--woe is me
+All the day long!
+
+From crib to shroud!
+Nurse o'er our cradles screameth lullaby,
+And friends in boots tramp round us as we die,
+Snuffling aloud.
+
+At morning's call
+The small-voiced pug-dog welcomes in the sun,
+And flea-bit mongrels, wakening one by one,
+Give answer all.
+
+When evening dim
+Draws round us, then the lonely caterwaul,
+Tart solo, sour duet, and general squall,--
+These are our hymn.
+
+Women, with tongues
+Like polar needles, ever on the jar;
+Men, plugless word-spouts, whose deep fountains are
+Within their lungs.
+
+Children, with drums
+Strapped round them by the fond paternal ass;
+Peripatetics with a blade of grass
+Between their thumbs.
+
+Vagrants, whose arts
+Have caged some devil in their mad machine,
+Which grinding, squeaks, with husky groans between,
+Come out by starts.
+
+Cockneys that kill
+Thin horses of a Sunday,--men, with clams,
+Hoarse as young bisons roaring for their dams
+From hill to hill.
+
+Soldiers, with guns,
+Making a nuisance of the blessed air,
+Child-crying bellmen, children in despair,
+Screeching for buns.
+
+Storms, thunders, waves!
+Howl, crash, and bellow till ye get your fill;
+Ye sometimes rest; men never can be still
+But in their graves.
+
+
+
+
+
+EVENING
+
+BY A TAILOR
+
+DAY hath put on his jacket, and around
+His burning bosom buttoned it with stars.
+Here will I lay me on the velvet grass,
+That is like padding to earth's meagre ribs,
+And hold communion with the things about me.
+Ah me! how lovely is the golden braid
+That binds the skirt of night's descending robe!
+The thin leaves, quivering on their silken threads,
+Do make a music like to rustling satin,
+As the light breezes smooth their downy nap.
+
+Ha! what is this that rises to my touch,
+So like a cushion? Can it be a cabbage?
+It is, it is that deeply injured flower,
+Which boys do flout us with;--but yet I love thee,
+Thou giant rose, wrapped in a green surtout.
+Doubtless in Eden thou didst blush as bright
+As these, thy puny brethren; and thy breath
+Sweetened the fragrance of her spicy air;
+But now thou seemest like a bankrupt beau,
+Stripped of his gaudy hues and essences,
+And growing portly in his sober garments.
+
+Is that a swan that rides upon the water?
+Oh no, it is that other gentle bird,
+Which is the patron of our noble calling.
+I well remember, in my early years,
+When these young hands first closed upon a goose;
+I have a scar upon my thimble finger,
+Which chronicles the hour of young ambition.
+My father was a tailor, and his father,
+And my sire's grandsire, all of them were tailors;
+They had an ancient goose,--it was an heirloom
+From some remoter tailor of our race.
+It happened I did see it on a time
+When none was near, and I did deal with it,
+And it did burn me,--oh, most fearfully!
+
+It is a joy to straighten out one's limbs,
+And leap elastic from the level counter,
+Leaving the petty grievances of earth,
+The breaking thread, the din of clashing shears,
+And all the needles that do wound the spirit,
+For such a pensive hour of soothing silence.
+Kind Nature, shuffling in her loose undress,
+Lays bare her shady bosom;--I can feel
+With all around me;--I can hail the flowers
+That sprig earth's mantle,--and yon quiet bird,
+That rides the stream, is to me as a brother.
+The vulgar know not all the hidden pockets,
+Where Nature stows away her loveliness.
+But this unnatural posture of the legs
+Cramps my extended calves, and I must go
+Where I can coil them in their wonted fashion.
+
+
+
+
+
+THE DORCHESTER GIANT
+
+The "pudding-stone" is a remarkable conglomerate found very
+abundantly in the towns mentioned, all of which are in the neighborhood
+of Boston. We used in those primitive days to ask friends to _ride_
+with us when we meant to take them to _drive_ with us.
+
+THERE was a giant in time of old,
+A mighty one was he;
+He had a wife, but she was a scold,
+So he kept her shut in his mammoth fold;
+And he had children three.
+
+It happened to be an election day,
+And the giants were choosing a king
+The people were not democrats then,
+They did not talk of the rights of men,
+And all that sort of thing.
+
+Then the giant took his children three,
+And fastened them in the pen;
+The children roared; quoth the giant, "Be still!"
+And Dorchester Heights and Milton Hill
+Rolled back the sound again.
+
+Then he brought them a pudding stuffed with plums,
+As big as the State-House dome;
+Quoth he, "There 's something for you to eat;
+So stop your mouths with your 'lection treat,
+And wait till your dad comes home."
+
+So the giant pulled him a chestnut stout,
+And whittled the boughs away;
+The boys and their mother set up a shout,
+Said he, "You 're in, and you can't get out,
+Bellow as loud as you may."
+
+Off he went, and he growled a tune
+As he strode the fields along;
+'T is said a buffalo fainted away,
+And fell as cold as a lump of clay,
+When he heard the giant's song.
+
+But whether the story 's true or not,
+It is n't for me to show;
+There 's many a thing that 's twice as queer
+In somebody's lectures that we hear,
+And those are true, you know.
+
+What are those lone ones doing now,
+The wife and the children sad?
+Oh, they are in a terrible rout,
+Screaming, and throwing their pudding about,
+Acting as they were mad.
+
+They flung it over to Roxbury hills,
+They flung it over the plain,
+And all over Milton and Dorchester too
+Great lumps of pudding the giants threw;
+They tumbled as thick as rain.
+
+Giant and mammoth have passed away,
+For ages have floated by;
+The suet is hard as a marrow-bone,
+And every plum is turned to a stone,
+But there the puddings lie.
+
+And if, some pleasant afternoon,
+You 'll ask me out to ride,
+The whole of the story I will tell,
+And you shall see where the puddings fell,
+And pay for the punch beside.
+
+
+
+
+
+TO THE PORTRAIT OF "A LADY"
+IN THE ATHENAEUM GALLERY
+
+WELL, Miss, I wonder where you live,
+I wonder what's your name,
+I wonder how you came to be
+In such a stylish frame;
+Perhaps you were a favorite child,
+Perhaps an only one;
+Perhaps your friends were not aware
+You had your portrait done
+
+Yet you must be a harmless soul;
+I cannot think that Sin
+Would care to throw his loaded dice,
+With such a stake to win;
+I cannot think you would provoke
+The poet's wicked pen,
+Or make young women bite their lips,
+Or ruin fine young men.
+
+Pray, did you ever hear, my love,
+Of boys that go about,
+Who, for a very trifling sum,
+Will snip one's picture out?
+I'm not averse to red and white,
+But all things have their place,
+I think a profile cut in black
+Would suit your style of face!
+
+I love sweet features; I will own
+That I should like myself
+To see my portrait on a wall,
+Or bust upon a shelf;
+But nature sometimes makes one up
+Of such sad odds and ends,
+It really might be quite as well
+Hushed up among one's friends!
+
+
+
+
+
+THE COMET
+
+THE Comet! He is on his way,
+And singing as he flies;
+The whizzing planets shrink before
+The spectre of the skies;
+Ah! well may regal orbs burn blue,
+And satellites turn pale,
+Ten million cubic miles of head,
+Ten billion leagues of tail!
+
+On, on by whistling spheres of light
+He flashes and he flames;
+He turns not to the left nor right,
+He asks them not their names;
+One spurn from his demoniac heel,--
+Away, away they fly,
+Where darkness might be bottled up
+And sold for "Tyrian dye."
+
+And what would happen to the land,
+And how would look the sea,
+If in the bearded devil's path
+Our earth should chance to be?
+Full hot and high the sea would boil,
+Full red the forests gleam;
+Methought I saw and heard it all
+In a dyspeptic dream!
+
+I saw a tutor take his tube
+The Comet's course to spy;
+I heard a scream,--the gathered rays
+Had stewed the tutor's eye;
+I saw a fort,--the soldiers all
+Were armed with goggles green;
+Pop cracked the guns! whiz flew the balls!
+Bang went the magazine!
+
+I saw a poet dip a scroll
+Each moment in a tub,
+I read upon the warping back,
+"The Dream of Beelzebub;"
+He could not see his verses burn,
+Although his brain was fried,
+And ever and anon he bent
+To wet them as they dried.
+
+I saw the scalding pitch roll down
+The crackling, sweating pines,
+And streams of smoke, like water-spouts,
+Burst through the rumbling mines;
+I asked the firemen why they made
+Such noise about the town;
+They answered not,--but all the while
+The brakes went up and down.
+
+I saw a roasting pullet sit
+Upon a baking egg;
+I saw a cripple scorch his hand
+Extinguishing his leg;
+I saw nine geese upon the wing
+Towards the frozen pole,
+And every mother's gosling fell
+Crisped to a crackling coal.
+
+I saw the ox that browsed the grass
+Writhe in the blistering rays,
+The herbage in his shrinking jaws
+Was all a fiery blaze;
+I saw huge fishes, boiled to rags,
+Bob through the bubbling brine;
+And thoughts of supper crossed my soul;
+I had been rash at mine.
+
+Strange sights! strange sounds! Oh fearful dream!
+Its memory haunts me still,
+The steaming sea, the crimson glare,
+That wreathed each wooded hill;
+Stranger! if through thy reeling brain
+Such midnight visions sweep,
+Spare, spare, oh, spare thine evening meal,
+And sweet shall be thy sleep!
+
+
+
+
+
+THE MUSIC-GRINDERS
+
+THERE are three ways in which men take
+One's money from his purse,
+And very hard it is to tell
+Which of the three is worse;
+But all of them are bad enough
+To make a body curse.
+
+You're riding out some pleasant day,
+And counting up your gains;
+A fellow jumps from out a bush,
+And takes your horse's reins,
+Another hints some words about
+A bullet in your brains.
+
+It's hard to meet such pressing friends
+In such a lonely spot;
+It's very hard to lose your cash,
+But harder to be shot;
+And so you take your wallet out,
+Though you would rather not.
+
+Perhaps you're going out to dine,--
+Some odious creature begs
+You'll hear about the cannon-ball
+That carried off his pegs,
+And says it is a dreadful thing
+For men to lose their legs.
+
+He tells you of his starving wife,
+His children to be fed,
+Poor little, lovely innocents,
+All clamorous for bread,--
+And so you kindly help to put
+A bachelor to bed.
+
+You're sitting on your window-seat,
+Beneath a cloudless moon;
+You hear a sound, that seems to wear
+The semblance of a tune,
+As if a broken fife should strive
+To drown a cracked bassoon.
+
+And nearer, nearer still, the tide
+Of music seems to come,
+There's something like a human voice,
+And something like a drum;
+You sit in speechless agony,
+Until your ear is numb.
+
+Poor "home, sweet home" should seem to be
+A very dismal place;
+Your "auld acquaintance" all at once
+Is altered in the face;
+Their discords sting through Burns and Moore,
+Like hedgehogs dressed in lace.
+
+You think they are crusaders, sent
+From some infernal clime,
+To pluck the eyes of Sentiment,
+And dock the tail of Rhyme,
+To crack the voice of Melody,
+And break the legs of Time.
+
+But hark! the air again is still,
+The music all is ground,
+And silence, like a poultice, comes
+To heal the blows of sound;
+It cannot be,--it is,--it is,--
+A hat is going round!
+
+No! Pay the dentist when he leaves
+A fracture in your jaw,
+And pay the owner of the bear
+That stunned you with his paw,
+And buy the lobster that has had
+Your knuckles in his claw;
+
+But if you are a portly man,
+Put on your fiercest frown,
+And talk about a constable
+To turn them out of town;
+Then close your sentence with an oath,
+And shut the window down!
+
+And if you are a slender man,
+Not big enough for that,
+Or, if you cannot make a speech,
+Because you are a flat,
+Go very quietly and drop
+A button in the hat!
+
+
+
+
+
+THE TREADMILL SONG
+
+THE stars are rolling in the sky,
+The earth rolls on below,
+And we can feel the rattling wheel
+Revolving as we go.
+Then tread away, my gallant boys,
+And make the axle fly;
+Why should not wheels go round about,
+Like planets in the sky?
+
+Wake up, wake up, my duck-legged man,
+And stir your solid pegs
+Arouse, arouse, my gawky friend,
+And shake your spider legs;
+What though you're awkward at the trade,
+There's time enough to learn,--
+So lean upon the rail, my lad,
+And take another turn.
+
+They've built us up a noble wall,
+To keep the vulgar out;
+We've nothing in the world to do
+But just to walk about;
+So faster, now, you middle men,
+And try to beat the ends,--
+It's pleasant work to ramble round
+Among one's honest friends.
+
+Here, tread upon the long man's toes,
+He sha'n't be lazy here,--
+And punch the little fellow's ribs,
+And tweak that lubber's ear,--
+He's lost them both,--don't pull his hair,
+Because he wears a scratch,
+But poke him in the further eye,
+That is n't in the patch.
+
+Hark! fellows, there 's the supper-bell,
+And so our work is done;
+It's pretty sport,--suppose we take
+A round or two for fun!
+If ever they should turn me out,
+When I have better grown,
+Now hang me, but I mean to have
+A treadmill of my own!
+
+
+
+
+
+THE SEPTEMBER GALE
+
+ This tremendous hurricane occurred on the 23d of September, 1815.
+ I remember it well, being then seven years old. A full account of
+ it was published, I think, in the records of the American Academy
+ of Arts and Sciences. Some of my recollections are given in The
+ Seasons, an article to be found in a book of mine entitled Pages
+ from an Old Volume of Life.
+
+I'M not a chicken; I have seen
+Full many a chill September,
+And though I was a youngster then,
+That gale I well remember;
+The day before, my kite-string snapped,
+And I, my kite pursuing,
+The wind whisked off my palm-leaf hat;
+For me two storms were brewing!
+
+It came as quarrels sometimes do,
+When married folks get clashing;
+There was a heavy sigh or two,
+Before the fire was flashing,--
+A little stir among the clouds,
+Before they rent asunder,--
+A little rocking of the trees,
+And then came on the thunder.
+
+Lord! how the ponds and rivers boiled!
+They seemed like bursting craters!
+And oaks lay scattered on the ground
+As if they were p'taters;
+And all above was in a howl,
+And all below a clatter,--
+The earth was like a frying-pan,
+Or some such hissing matter.
+
+It chanced to be our washing-day,
+And all our things were drying;
+The storm came roaring through the lines,
+And set them all a flying;
+I saw the shirts and petticoats
+Go riding off like witches;
+I lost, ah! bitterly I wept,--
+I lost my Sunday breeches!
+
+I saw them straddling through the air,
+Alas! too late to win them;
+I saw them chase the clouds, as if
+The devil had been in them;
+They were my darlings and my pride,
+My boyhood's only riches,--
+"Farewell, farewell," I faintly cried,--
+"My breeches! Oh my breeches!"
+
+That night I saw them in my dreams,
+How changed from what I knew them!
+The dews had steeped their faded threads,
+The winds had whistled through them
+I saw the wide and ghastly rents
+Where demon claws had torn them;
+A hole was in their amplest part,
+As if an imp had worn them.
+
+I have had many happy years,
+And tailors kind and clever,
+But those young pantaloons have gone
+Forever and forever!
+And not till fate has cut the last
+Of all my earthly stitches,
+This aching heart shall cease to mourn
+My loved, my long-lost breeches!
+
+
+
+
+
+THE HEIGHT OF THE RIDICULOUS
+
+I WROTE some lines once on a time
+In wondrous merry mood,
+And thought, as usual, men would say
+They were exceeding good.
+
+They were so queer, so very queer,
+I laughed as I would die;
+Albeit, in the general way,
+A sober man am I.
+
+I called my servant, and he came;
+How kind it was of him
+To mind a slender man like me,
+He of the mighty limb.
+
+"These to the printer," I exclaimed,
+And, in my humorous way,
+I added, (as a trifling jest,)
+"There'll be the devil to pay."
+
+He took the paper, and I watched,
+And saw him peep within;
+At the first line he read, his face
+Was all upon the grin.
+
+He read the next; the grin grew broad,
+And shot from ear to ear;
+He read the third; a chuckling noise
+I now began to hear.
+
+The fourth; he broke into a roar;
+The fifth; his waistband split;
+The sixth; he burst five buttons off,
+And tumbled in a fit.
+
+Ten days and nights, with sleepless eye,
+I watched that wretched man,
+And since, I never dare to write
+As funny as I can.
+
+
+
+
+
+THE LAST READER
+
+I SOMETIMES sit beneath a tree
+And read my own sweet songs;
+Though naught they may to others be,
+Each humble line prolongs
+A tone that might have passed away
+But for that scarce remembered lay.
+
+I keep them like a lock or leaf
+That some dear girl has given;
+Frail record of an hour, as brief
+As sunset clouds in heaven,
+But spreading purple twilight still
+High over memory's shadowed hill.
+
+They lie upon my pathway bleak,
+Those flowers that once ran wild,
+As on a father's careworn cheek
+The ringlets of his child;
+The golden mingling with the gray,
+And stealing half its snows away.
+
+What care I though the dust is spread
+Around these yellow leaves,
+Or o'er them his sarcastic thread
+Oblivion's insect weaves
+Though weeds are tangled on the stream,
+It still reflects my morning's beam.
+
+And therefore love I such as smile
+On these neglected songs,
+Nor deem that flattery's needless wile
+My opening bosom wrongs;
+For who would trample, at my side,
+A few pale buds, my garden's pride?
+
+It may be that my scanty ore
+Long years have washed away,
+And where were golden sands before
+Is naught but common clay;
+Still something sparkles in the sun
+For memory to look back upon.
+
+And when my name no more is heard,
+My lyre no more is known,
+Still let me, like a winter's bird,
+In silence and alone,
+Fold over them the weary wing
+Once flashing through the dews of spring.
+
+Yes, let my fancy fondly wrap
+My youth in its decline,
+And riot in the rosy lap
+Of thoughts that once were mine,
+And give the worm my little store
+When the last reader reads no more!
+
+
+
+
+
+ POETRY:
+
+ A METRICAL ESSAY, READ BEFORE THE PHI BETA KAPPA SOCIETY,
+ HARVARD UNIVERSITY, AUGUST, 1836
+
+ TO CHARLES WENTWORTH UPHAM, THE FOLLOWING METRICAL ESSAY IS
+AFFECTIONATELY INSCRIBED.
+
+This Academic Poem presents the simple and partial views of a young
+person trained after the schools of classical English verse as
+represented by Pope, Goldsmith, and Campbell, with whose lines his
+memory was early stocked. It will be observed that it deals chiefly with
+the constructive side of the poet's function. That which makes him a
+poet is not the power of writing melodious rhymes, it is not the
+possession of ordinary human sensibilities nor even of both these
+qualities in connection with each other. I should rather say, if I were
+now called upon to define it, it is the power of transfiguring the
+experiences and shows of life into an aspect which comes from his
+imagination and kindles that of others. Emotion is its stimulus and
+language furnishes its expression; but these are not all, as some might
+infer was the doctrine of the poem before the reader.
+
+A common mistake made by young persons who suppose themselves to have
+the poetical gift is that their own spiritual exaltation finds a true
+expression in the conventional phrases which are borrowed from the
+voices of the singers whose inspiration they think they share.
+
+Looking at this poem as an expression of some aspects of the /ars
+poetica/, with some passages which I can read even at this mature period
+of life without blushing for them, it may stand as the most serious
+representation of my early efforts. Intended as it was for public
+delivery, many of its paragraphs may betray the fact by their somewhat
+rhetorical and sonorous character.
+
+SCENES of my youth! awake its slumbering fire!
+Ye winds of Memory, sweep the silent lyre!
+Ray of the past, if yet thou canst appear,
+Break through the clouds of Fancy's waning year;
+Chase from her breast the thin autumnal snow,
+If leaf or blossom still is fresh below!
+
+Long have I wandered; the returning tide
+Brought back an exile to his cradle's side;
+And as my bark her time-worn flag unrolled,
+To greet the land-breeze with its faded fold,
+So, in remembrance of my boyhood's time,
+I lift these ensigns of neglected rhyme;
+Oh, more than blest, that, all my wanderings through,
+My anchor falls where first my pennons flew!
+
+ . . . . . . . . .
+
+The morning light, which rains its quivering beams
+Wide o'er the plains, the summits, and the streams,
+In one broad blaze expands its golden glow
+On all that answers to its glance below;
+Yet, changed on earth, each far reflected ray
+Braids with fresh hues the shining brow of day;
+Now, clothed in blushes by the painted flowers,
+Tracks on their cheeks the rosy-fingered hours;
+Now, lost in shades, whose dark entangled leaves
+Drip at the noontide from their pendent eaves,
+Fades into gloom, or gleams in light again
+From every dew-drop on the jewelled plain.
+
+
+We, like the leaf, the summit, or the wave,
+Reflect the light our common nature gave,
+But every sunbeam, falling from her throne,
+Wears on our hearts some coloring of our own
+Chilled in the slave, and burning in the free,
+Like the sealed cavern by the sparkling sea;
+Lost, like the lightning in the sullen clod,
+Or shedding radiance, like the smiles of God;
+Pure, pale in Virtue, as the star above,
+Or quivering roseate on the leaves of Love;
+Glaring like noontide, where it glows upon
+Ambition's sands,--the desert in the sun,--
+Or soft suffusing o'er the varied scene
+Life's common coloring,--intellectual green.
+
+Thus Heaven, repeating its material plan,
+Arched over all the rainbow mind of man;
+But he who, blind to universal laws,
+Sees but effects, unconscious of their cause,--
+Believes each image in itself is bright,
+Not robed in drapery of reflected light,--
+Is like the rustic who, amidst his toil,
+Has found some crystal in his meagre soil,
+And, lost in rapture, thinks for him alone
+Earth worked her wonders on the sparkling stone,
+Nor dreams that Nature, with as nice a line,
+Carved countless angles through the boundless mine.
+
+Thus err the many, who, entranced to find
+Unwonted lustre in some clearer mind,
+Believe that Genius sets the laws at naught
+Which chain the pinions of our wildest thought;
+Untaught to measure, with the eye of art,
+The wandering fancy or the wayward heart;
+Who match the little only with the less,
+And gaze in rapture at its slight excess,
+Proud of a pebble, as the brightest gem
+Whose light might crown an emperor's diadem.
+
+And, most of all, the pure ethereal fire
+Which seems to radiate from the poet's lyre
+Is to the world a mystery and a charm,
+An AEgis wielded on a mortal's arm,
+While Reason turns her dazzled eye away,
+And bows her sceptre to her subject's sway;
+And thus the poet, clothed with godlike state,
+Usurped his Maker's title--to create;
+He, whose thoughts differing not in shape, but dress,
+What others feel more fitly can express,
+Sits like the maniac on his fancied throne,
+Peeps through the bars, and calls the world his own.
+
+There breathes no being but has some pretence
+To that fine instinct called poetic sense
+The rudest savage, roaming through the wild;
+The simplest rustic, bending o'er his child;
+The infant, listening to the warbling bird;
+The mother, smiling at its half-formed word;
+The boy uncaged, who tracks the fields at large;
+The girl, turned matron to her babe-like charge;
+The freeman, casting with unpurchased hand
+The vote that shakes the turret of the land;
+The slave, who, slumbering on his rusted chain,
+Dreams of the palm-trees on his burning plain;
+The hot-cheeked reveller, tossing down the wine,
+To join the chorus pealing "Auld lang syne";
+The gentle maid, whose azure eye grows dim,
+While Heaven is listening to her evening hymn;
+The jewelled beauty, when her steps draw near
+The circling dance and dazzling chandelier;
+E'en trembling age, when Spring's renewing air
+Waves the thin ringlets of his silvered hair;--
+All, all are glowing with the inward flame,
+Whose wider halo wreathes the poet's name,
+While, unenbalmed, the silent dreamer dies,
+His memory passing with his smiles and sighs!
+
+If glorious visions, born for all mankind,
+The bright auroras of our twilight mind;
+If fancies, varying as the shapes that lie
+Stained on the windows of the sunset sky;
+If hopes, that beckon with delusive gleams,
+Till the eye dances in the void of dreams;
+If passions, following with the winds that urge
+Earth's wildest wanderer to her farthest verge;--
+If these on all some transient hours bestow
+Of rapture tingling with its hectic glow,
+Then all are poets; and if earth had rolled
+Her myriad centuries, and her doom were told,
+Each moaning billow of her shoreless wave
+Would wail its requiem o'er a poet's grave!
+
+If to embody in a breathing word
+Tones that the spirit trembled when it heard;
+To fix the image all unveiled and warm,
+And carve in language its ethereal form,
+So pure, so perfect, that the lines express
+No meagre shrinking, no unlaced excess;
+To feel that art, in living truth, has taught
+Ourselves, reflected in the sculptured thought;--
+If this alone bestow the right to claim
+The deathless garland and the sacred name,
+Then none are poets save the saints on high,
+Whose harps can murmur all that words deny!
+
+But though to none is granted to reveal
+In perfect semblance all that each may feel,
+As withered flowers recall forgotten love,
+So, warmed to life, our faded passions move
+In every line, where kindling fancy throws
+The gleam of pleasures or the shade of woes.
+
+When, schooled by time, the stately queen of art
+Had smoothed the pathways leading to the heart,
+Assumed her measured tread, her solemn tone,
+And round her courts the clouds of fable thrown,
+The wreaths of heaven descended on her shrine,
+And wondering earth proclaimed the Muse divine.
+Yet if her votaries had but dared profane
+The mystic symbols of her sacred reign,
+How had they smiled beneath the veil to find
+What slender threads can chain the mighty mind!
+
+
+Poets, like painters, their machinery claim,
+And verse bestows the varnish and the frame;
+Our grating English, whose Teutonic jar
+Shakes the racked axle of Art's rattling car,
+Fits like mosaic in the lines that gird
+Fast in its place each many-angled word;
+From Saxon lips Anacreon's numbers glide,
+As once they melted on the Teian tide,
+And, fresh transfused, the Iliad thrills again
+From Albion's cliffs as o'er Achaia's plain
+The proud heroic, with, its pulse-like beat,
+Rings like the cymbals clashing as they meet;
+The sweet Spenserian, gathering as it flows,
+Sweeps gently onward to its dying close,
+Where waves on waves in long succession pour,
+Till the ninth billow melts along the shore;
+The lonely spirit of the mournful lay,
+Which lives immortal as the verse of Gray,
+In sable plumage slowly drifts along,
+On eagle pinion, through the air of song;
+The glittering lyric bounds elastic by,
+With flashing ringlets and exulting eye,
+While every image, in her airy whirl,
+Gleams like a diamond on a dancing girl!
+
+Born with mankind, with man's expanded range
+And varying fates the poet's numbers change;
+Thus in his history may we hope to find
+Some clearer epochs of the poet's mind,
+As from the cradle of its birth we trace,
+Slow wandering forth, the patriarchal race.
+
+
+
+ I.
+
+When the green earth, beneath the zephyr's wing,
+Wears on her breast the varnished buds of Spring;
+When the loosed current, as its folds uncoil,
+Slides in the channels of the mellowed soil;
+When the young hyacinth returns to seek
+The air and sunshine with her emerald beak;
+When the light snowdrops, starting from their cells,
+Hang each pagoda with its silver bells;
+When the frail willow twines her trailing bow
+With pallid leaves that sweep the soil below;
+When the broad elm, sole empress of the plain,
+Whose circling shadow speaks a century's reign,
+Wreathes in the clouds her regal diadem,--
+A forest waving on a single stem;--
+Then mark the poet; though to him unknown
+The quaint-mouthed titles, such as scholars own,
+See how his eye in ecstasy pursues
+The steps of Nature tracked in radiant hues;
+Nay, in thyself, whate'er may be thy fate,
+Pallid with toil or surfeited with state,
+Mark how thy fancies, with the vernal rose,
+Awake, all sweetness, from their long repose;
+Then turn to ponder o'er the classic page,
+Traced with the idyls of a greener age,
+And learn the instinct which arose to warm
+Art's earliest essay and her simplest form.
+
+To themes like these her narrow path confined
+The first-born impulse moving in the mind;
+In vales unshaken by the trumpet's sound,
+Where peaceful Labor tills his fertile ground,
+The silent changes of the rolling years,
+Marked on the soil or dialled on the spheres,
+The crested forests and the colored flowers,
+The dewy grottos and the blushing bowers,--
+These, and their guardians, who, with liquid names,
+Strephons and Chloes, melt in mutual flames,
+Woo the young Muses from their mountain shade,
+To make Arcadias in the lonely glade.
+
+Nor think they visit only with their smiles
+The fabled valleys and Elysian isles;
+He who is wearied of his village plain
+May roam the Edens of the world in vain.
+'T is not the star-crowned cliff, the cataract's flow,
+The softer foliage or the greener glow,
+The lake of sapphire or the spar-hung cave,
+The brighter sunset or the broader wave,
+Can warm his heart whom every wind has blown
+To every shore, forgetful of his own.
+
+Home of our childhood! how affection clings
+And hovers round thee with her seraph wings!
+Dearer thy hills, though clad in autumn brown,
+Than fairest summits which the cedars crown!
+Sweeter the fragrance of thy summer breeze
+Than all Arabia breathes along the seas!
+The stranger's gale wafts home the exile's sigh,
+For the heart's temple is its own blue sky!
+
+Oh happiest they, whose early love unchanged,
+Hopes undissolved, and friendship unestranged,
+Tired of their wanderings, still can deign to see
+Love, hopes, and friendship, centring all in thee!
+
+And thou, my village! as again I tread
+Amidst thy living and above thy dead;
+Though some fair playmates guard with charter fears
+Their cheeks, grown holy with the lapse of years;
+Though with the dust some reverend locks may blend,
+Where life's last mile-stone marks the journey's end;
+On every bud the changing year recalls,
+The brightening glance of morning memory falls,
+Still following onward as the months unclose
+The balmy lilac or the bridal rose;
+And still shall follow, till they sink once more
+Beneath the snow-drifts of the frozen shore,
+As when my bark, long tossing in the gale,
+Furled in her port her tempest-rended sail!
+
+What shall I give thee? Can a simple lay,
+Flung on thy bosom like a girl's bouquet,
+Do more than deck thee for an idle hour,
+Then fall unheeded, fading like the flower?
+Yet, when I trod, with footsteps wild and free,
+The crackling leaves beneath yon linden-tree,
+Panting from play or dripping from the stream,
+How bright the visions of my boyish dream
+Or, modest Charles, along thy broken edge,
+Black with soft ooze and fringed with arrowy sedge,
+As once I wandered in the morning sun,
+With reeking sandal and superfluous gun,
+How oft, as Fancy whispered in the gale,
+Thou wast the Avon of her flattering tale!
+Ye hills, whose foliage, fretted on the skies,
+Prints shadowy arches on their evening dyes,
+How should my song with holiest charm invest
+Each dark ravine and forest-lifting crest!
+How clothe in beauty each familiar scene,
+Till all was classic on my native green!
+
+As the drained fountain, filled with autumn leaves,
+The field swept naked of its garnered sheaves,
+So wastes at noon the promise of our dawn,
+The springs all choking, and the harvest gone.
+
+Yet hear the lay of one whose natal star
+Still seemed the brightest when it shone afar;
+Whose cheek, grown pallid with ungracious toil,
+Glows in the welcome of his parent soil;
+And ask no garlands sought beyond the tide,
+But take the leaflets gathered at your side.
+
+
+
+ II.
+
+But times were changed; the torch of terror came,
+To light the summits with the beacon's flame;
+The streams ran crimson, the tall mountain pines
+Rose a new forest o'er embattled lines;
+The bloodless sickle lent the warrior's steel,
+The harvest bowed beneath his chariot wheel;
+Where late the wood-dove sheltered her repose
+The raven waited for the conflict's close;
+The cuirassed sentry walked his sleepless round
+Where Daphne smiled or Amaryllis frowned;
+Where timid minstrels sung their blushing charms,
+Some wild Tyrtaeus called aloud, "To arms!"
+
+When Glory wakes, when fiery spirits leap,
+Roused by her accents from their tranquil sleep,
+The ray that flashes from the soldier's crest
+Lights, as it glances, in the poet's breast;--
+Not in pale dreamers, whose fantastic lay
+Toys with smooth trifles like a child at play,
+But men, who act the passions they inspire,
+Who wave the sabre as they sweep the lyre!
+
+Ye mild enthusiasts, whose pacific frowns
+Are lost like dew-drops caught in burning towns,
+Pluck as ye will the radiant plumes of fame,
+Break Caesar's bust to make yourselves a name;
+But if your country bares the avenger's blade
+For wrongs unpunished or for debts unpaid,
+When the roused nation bids her armies form,
+And screams her eagle through the gathering storm,
+When from your ports the bannered frigate rides,
+Her black bows scowling to the crested tides,
+Your hour has past; in vain your feeble cry
+As the babe's wailings to the thundering sky!
+
+Scourge of mankind! with all the dread array
+That wraps in wrath thy desolating way,
+As the wild tempest wakes the slumbering sea,
+Thou only teachest all that man can be.
+Alike thy tocsin has the power to charm
+The toil-knit sinews of the rustic's arm,
+Or swell the pulses in the poet's veins,
+And bid the nations tremble at his strains.
+
+The city slept beneath the moonbeam's glance,
+Her white walls gleaming through the vines of France,
+And all was hushed, save where the footsteps fell,
+On some high tower, of midnight sentinel.
+But one still watched; no self-encircled woes
+Chased from his lids the angel of repose;
+He watched, he wept, for thoughts of bitter years
+Bowed his dark lashes, wet with burning tears
+His country's sufferings and her children's shame
+Streamed o'er his memory like a forest's flame;
+Each treasured insult, each remembered wrong,
+Rolled through his heart and kindled into song.
+His taper faded; and the morning gales
+Swept through the world the war-song of Marseilles!
+
+Now, while around the smiles of Peace expand,
+And Plenty's wreaths festoon the laughing land;
+While France ships outward her reluctant ore,
+And half our navy basks upon the shore;
+From ruder themes our meek-eyed Muses turn
+To crown with roses their enamelled urn.
+
+If e'er again return those awful days
+Whose clouds were crimsoned with the beacon's blaze,
+Whose grass was trampled by the soldier's heel,
+Whose tides were reddened round the rushing keel,
+God grant some lyre may wake a nobler strain
+To rend the silence of our tented plain!
+When Gallia's flag its triple fold displays,
+Her marshalled legions peal the Marseillaise;
+When round the German close the war-clouds dim,
+Far through their shadows floats his battle-hymn;
+When, crowned with joy, the camps' of England ring,
+A thousand voices shout, "God save the King!"
+When victory follows with our eagle's glance,
+Our nation's anthem pipes a country dance!
+
+Some prouder Muse, when comes the hour at last,
+May shake our hillsides with her bugle-blast;
+Not ours the task; but since the lyric dress
+Relieves the statelier with its sprightliness,
+Hear an old song, which some, perchance, have seen
+In stale gazette or cobwebbed magazine.
+There was an hour when patriots dared profane
+The mast that Britain strove to bow in vain;
+And one, who listened to the tale of shame,
+Whose heart still answered to that sacred name,
+Whose eye still followed o'er his country's tides
+Thy glorious flag, our brave Old Ironsides
+From yon lone attic, on a smiling morn,
+Thus mocked the spoilers with his school-boy scorn.
+
+
+
+ III.
+
+When florid Peace resumed her golden reign,
+And arts revived, and valleys bloomed again,
+While War still panted on his-broken blade,
+Once more the Muse her heavenly wing essayed.
+Rude was the song: some ballad, stern and wild,
+Lulled the light slumbers of the soldier's child;
+Or young romancer, with his threatening glance
+And fearful fables of his bloodless lance,
+Scared the soft fancy of the clinging girls,
+Whose snowy fingers smoothed his raven curls.
+But when long years the stately form had bent,
+And faithless Memory her illusions lent,
+So vast the outlines of Tradition grew
+That History wondered at the shapes she drew,
+And veiled at length their too ambitious hues
+Beneath the pinions of the Epic Muse.
+
+Far swept her wing; for stormier days had brought
+With darker passions deeper tides of thought.
+The camp's harsh tumult and the conflict's glow,
+The thrill of triumph and the gasp of woe,
+The tender parting and the glad return,
+The festal banquet and the funeral urn,
+And all the drama which at once uprears
+Its spectral shadows through the clash of spears,
+From camp and field to echoing verse transferred,
+Swelled the proud song that listening nations heard.
+Why floats the amaranth in eternal bloom
+O'er Ilium's turrets and Achilles' tomb?
+Why lingers fancy where the sunbeams smile
+On Circe's gardens and Calypso's isle?
+Why follows memory to the gate of Troy
+Her plumed defender and his trembling boy?
+Lo! the blind dreamer, kneeling on the sand
+To trace these records with his doubtful hand;
+In fabled tones his own emotion flows,
+And other lips repeat his silent woes;
+In Hector's infant see the babes that shun
+Those deathlike eyes, unconscious of the sun,
+Or in his hero hear himself implore,
+"Give me to see, and Ajax asks no more!"
+
+Thus live undying through the lapse of time
+The solemn legends of the warrior's clime;
+Like Egypt's pyramid or Paestum's fane,
+They stand the heralds of the voiceless plain.
+Yet not like them, for Time, by slow degrees,
+Saps the gray stone and wears the embroidered frieze,
+And Isis sleeps beneath her subject Nile,
+And crumbled Neptune strews his Dorian pile;
+But Art's fair fabric, strengthening as it rears
+Its laurelled columns through the mist of years,
+As the blue arches of the bending skies
+Still gird the torrent, following as it flies,
+Spreads, with the surges bearing on mankind,
+Its starred pavilion o'er the tides of mind!
+
+In vain the patriot asks some lofty lay
+To dress in state our wars of yesterday.
+The classic days, those mothers of romance,
+That roused a nation for a woman's glance;
+The age of mystery, with its hoarded power,
+That girt the tyrant in his storied tower,
+Have passed and faded like a dream of youth,
+And riper eras ask for history's truth.
+
+On other shores, above their mouldering towns,
+In sullen pomp the tall cathedral frowns,
+Pride in its aisles and paupers at the door,
+Which feeds the beggars whom it fleeced of yore.
+Simple and frail, our lowly temples throw
+Their slender shadows on the paths below;
+Scarce steal the winds, that sweep his woodland tracks,
+The larch's perfume from the settler's axe,
+Ere, like a vision of the morning air,
+His slight--framed steeple marks the house of prayer;
+Its planks all reeking and its paint undried,
+Its rafters sprouting on the shady side,
+It sheds the raindrops from its shingled eaves
+Ere its green brothers once have changed their leaves.
+
+Yet Faith's pure hymn, beneath its shelter rude,
+Breathes out as sweetly to the tangled wood
+As where the rays through pictured glories pour
+On marble shaft and tessellated floor;--
+Heaven asks no surplice round the heart that feels,
+And all is holy where devotion kneels.
+Thus on the soil the patriot's knee should bend
+Which holds the dust once living to defend;
+Where'er the hireling shrinks before the free,
+Each pass becomes "a new Thermopylae"!
+Where'er the battles of the brave are won,
+There every mountain "looks on Marathon"!
+
+Our fathers live; they guard in glory still
+The grass-grown bastions of the fortressed hill;
+Still ring the echoes of the trampled gorge,
+With /God and Freedom. England and Saint George/!
+The royal cipher on the captured gun
+Mocks the sharp night-dews and the blistering sun;
+The red-cross banner shades its captor's bust,
+Its folds still loaded with the conflict's dust;
+The drum, suspended by its tattered marge,
+Once rolled and rattled to the Hessian's charge;
+The stars have floated from Britannia's mast,
+The redcoat's trumpets blown the rebel's blast.
+
+Point to the summits where the brave have bled,
+Where every village claims its glorious dead;
+Say, when their bosoms met the bayonet's shock,
+Their only corselet was the rustic frock;
+Say, when they mustered to the gathering horn,
+The titled chieftain curled his lip in scorn,
+Yet, when their leader bade his lines advance,
+No musket wavered in the lion's glance;
+Say, when they fainted in the forced retreat,
+They tracked the snow-drifts with their bleeding feet,
+Yet still their banners, tossing in the blast,
+Bore Ever Ready, faithful to the last,
+Through storm and battle, till they waved again
+On Yorktown's hills and Saratoga's plain
+
+Then, if so fierce the insatiate patriot's flame,
+Truth looks too pale and history seems too tame,
+Bid him await some new Columbiad's page,
+To gild the tablets of an iron age,
+And save his tears, which yet may fall upon
+Some fabled field, some fancied Washington!
+
+
+
+ IV.
+
+But once again, from their AEolian cave,
+The winds of Genius wandered on the wave.
+Tired of the scenes the timid pencil drew,
+Sick of the notes the sounding clarion blew,
+Sated with heroes who had worn so long
+The shadowy plumage of historic song,
+The new-born poet left the beaten course,
+To track the passions to their living source.
+
+Then rose the Drama;--and the world admired
+Her varied page with deeper thought inspired
+Bound to no clime, for Passion's throb is one
+In Greenland's twilight or in India's sun;
+Born for no age, for all the thoughts that roll
+In the dark vortex of the stormy soul,
+Unchained in song, no freezing years can tame;
+God gave them birth, and man is still the same.
+So full on life her magic mirror shone,
+Her sister Arts paid tribute to her throne;
+One reared her temple, one her canvas warmed,
+And Music thrilled, while Eloquence informed.
+The weary rustic left his stinted task
+For smiles and tears, the dagger and the mask;
+The sage, turned scholar, half forgot his lore,
+To be the woman he despised before.
+O'er sense and thought she threw her golden chain,
+And Time, the anarch, spares her deathless reign.
+
+Thus lives Medea, in our tamer age,
+As when her buskin pressed the Grecian stage;
+Not in the cells where frigid learning delves
+In Aldine folios mouldering on their shelves,
+But breathing, burning in the glittering throng,
+Whose thousand bravoes roll untired along,
+Circling and spreading through the gilded halls,
+From London's galleries to San Carlo's walls!
+
+Thus shall he live whose more than mortal name
+Mocks with its ray the pallid torch of Fame;
+So proudly lifted that it seems afar
+No earthly Pharos, but a heavenly star,
+Who, unconfined to Art's diurnal bound,
+Girds her whole zodiac in his flaming round,
+And leads the passions, like the orb that guides,
+From pole to pole, the palpitating tides!
+
+
+
+ V.
+
+Though round the Muse the robe of song is thrown,
+Think not the poet lives in verse alone.
+Long ere the chisel of the sculptor taught
+The lifeless stone to mock the living thought;
+Long ere the painter bade the canvas glow
+With every line the forms of beauty know;
+Long ere the iris of the Muses threw
+On every leaf its own celestial hue,
+In fable's dress the breath of genius poured,
+And warmed the shapes that later times adored.
+
+Untaught by Science how to forge the keys
+That loose the gates of Nature's mysteries;
+Unschooled by Faith, who, with her angel tread,
+Leads through the labyrinth with a single thread,
+His fancy, hovering round her guarded tower,
+Rained through its bars like Danae's golden shower.
+
+He spoke; the sea-nymph answered from her cave
+He called; the naiad left her mountain wave
+He dreamed of beauty; lo, amidst his dream,
+Narcissus, mirrored in the breathless stream;
+And night's chaste empress, in her bridal play,
+Laughed through the foliage where Endymion lay;
+And ocean dimpled, as the languid swell
+Kissed the red lip of Cytherea's shell
+
+Of power,--Bellona swept the crimson field,
+And blue-eyed Pallas shook her Gorgon shield;
+O'er the hushed waves their mightier monarch drove,
+And Ida trembled to the tread of Jove!
+
+So every grace that plastic language knows
+To nameless poets its perfection owes.
+The rough-hewn words to simplest thoughts confined
+Were cut and polished in their nicer mind;
+Caught on their edge, imagination's ray
+Splits into rainbows, shooting far away;--
+From sense to soul, from soul to sense, it flies,
+And through all nature links analogies;
+He who reads right will rarely look upon
+A better poet than his lexicon!
+
+There is a race which cold, ungenial skies
+Breed from decay, as fungous growths arise;
+Though dying fast, yet springing fast again,
+Which still usurps an unsubstantial reign,
+With frames too languid for the charms of sense,
+And minds worn down with action too intense;
+Tired of a world whose joys they never knew,
+Themselves deceived, yet thinking all untrue;
+Scarce men without, and less than girls within,
+Sick of their life before its cares begin;--
+The dull disease, which drains their feeble hearts,
+To life's decay some hectic thrill's imparts,
+And lends a force which, like the maniac's power,
+Pays with blank years the frenzy of an hour.
+
+And this is Genius! Say, does Heaven degrade
+The manly frame, for health, for action made?
+Break down the sinews, rack the brow with pains,
+Blanch the right cheek and drain the purple veins,
+To clothe the mind with more extended sway,
+Thus faintly struggling in degenerate clay?
+
+No! gentle maid, too ready to admire,
+Though false its notes, the pale enthusiast's lyre;
+If this be genius, though its bitter springs
+Glowed like the morn beneath Aurora's wings,
+Seek not the source whose sullen bosom feeds
+But fruitless flowers and dark, envenomed weeds.
+
+But, if so bright the dear illusion seems,
+Thou wouldst be partner of thy poet's dreams,
+And hang in rapture on his bloodless charms,
+Or die, like Raphael, in his angel arms,
+Go and enjoy thy blessed lot,--to share
+In Cowper's gloom or Chatterton's despair!
+
+Not such were they whom, wandering o'er the waves,
+I looked to meet, but only found their graves;
+If friendship's smile, the better part of fame,
+Should lend my song the only wreath I claim,
+Whose voice would greet me with a sweeter tone,
+Whose living hand more kindly press my own,
+Than theirs,--could Memory, as her silent tread
+Prints the pale flowers that blossom o'er the dead,
+Those breathless lips, now closed in peace, restore,
+Or wake those pulses hushed to beat no more?
+
+Thou calm, chaste scholar! I can see thee now,
+The first young laurels on thy pallid brow,
+O'er thy slight figure floating lightly down
+In graceful folds the academic gown,
+On thy curled lip the classic lines that taught
+How nice the mind that sculptured them with thought,
+And triumph glistening in the clear blue eye,
+Too bright to live,--but oh, too fair to die!
+
+And thou, dear friend, whom Science still deplores,
+And Love still mourns, on ocean-severed shores,
+Though the bleak forest twice has bowed with snow
+Since thou wast laid its budding leaves below,
+Thine image mingles with my closing strain,
+As when we wandered by the turbid Seine,
+Both blessed with hopes, which revelled, bright and free,
+On all we longed or all we dreamed to be;
+To thee the amaranth and the cypress fell,--
+And I was spared to breathe this last farewell!
+
+But lived there one in unremembered days,
+Or lives there still, who spurns the poet's bays,
+Whose fingers, dewy from Castalia's springs,
+Rest on the lyre, yet scorn to touch the strings?
+Who shakes the senate with the silver tone
+The groves of Pindus might have sighed to own?
+Have such e'er been? Remember Canning's name!
+Do such still live? Let "Alaric's Dirge" proclaim!
+
+Immortal Art! where'er the rounded sky
+Bends o'er the cradle where thy children lie,
+Their home is earth, their herald every tongue
+Whose accents echo to the voice that sung.
+One leap of Ocean scatters on the sand
+The quarried bulwarks of the loosening land;
+One thrill of earth dissolves a century's toil
+Strewed like the leaves that vanish in the soil;
+One hill o'erflows, and cities sink below,
+Their marbles splintering in the lava's glow;
+But one sweet tone, scarce whispered to the air,
+From shore to shore the blasts of ages bear;
+One humble name, which oft, perchance, has borne
+The tyrant's mockery and the courtier's scorn,
+Towers o'er the dust of earth's forgotten graves,
+As once, emerging through the waste of waves,
+The rocky Titan, round whose shattered spear
+Coiled the last whirlpool of the drowning sphere!
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK POETRY OF O. W. HOLMES, V1 ***
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