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+<title>Friends in Council, by Arthur Helps</title>
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+<pre>
+
+The Project Gutenberg eBook, Friends in Council, by Arthur Helps
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Friends in Council
+ First Series
+
+
+Author: Arthur Helps
+
+
+
+Release Date: July 25, 2014 [eBook #7438]
+[This file was first posted on April 30, 2003]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK FRIENDS IN COUNCIL***
+</pre>
+<p>This eBook was produced by Les Bowler.</p>
+<p style="text-align: center"><span
+class="GutSmall">CASSELL&rsquo;S NATIONAL LIBRARY.</span></p>
+
+<div class="gapshortline">&nbsp;</div>
+<h1>Friends in Council</h1>
+<p style="text-align: center">First Series</p>
+
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><span
+class="GutSmall">BY</span></p>
+<p style="text-align: center">SIR ARTHUR HELPS.</p>
+<p style="text-align: center">
+<a href="images/tpb.jpg">
+<img alt=
+"Decorative graphic"
+title=
+"Decorative graphic"
+src="images/tps.jpg" />
+</a></p>
+<p style="text-align: center">CASSELL &amp; COMPANY, Limited:</p>
+<p style="text-align: center"><span
+class="GutSmall"><i>LONDON</i></span><span class="GutSmall">,
+</span><span class="GutSmall"><i>PARIS &amp;
+MELBOURNE</i></span><span class="GutSmall">.</span></p>
+<p style="text-align: center"><span
+class="GutSmall">1891.</span></p>
+<h2>INTRODUCTION.</h2>
+<p><span class="smcap">Arthur Helps</span> was born at Streatham
+on the 10th of July, 1813.&nbsp; He went at the age of sixteen to
+Eton, thence to Trinity College, Cambridge.&nbsp; Having
+graduated B.A. in 1835, he became private secretary to the Hon.
+T. Spring Rice, who was Chancellor of the Exchequer in Lord
+Melbourne&rsquo;s Cabinet, formed in April, 1835.&nbsp; This was
+his position at the beginning of the present reign in June,
+1837.</p>
+<p>In 1839&mdash;in which year he graduated M.A.&mdash;Arthur
+Helps was transferred to the service of Lord Morpeth, who was
+Irish Secretary in the same ministry.&nbsp; Lord
+Melbourne&rsquo;s Ministry was succeeded by that of Sir Robert
+Peel in September, 1841, and Helps then was appointed a
+Commissioner of French, Danish, and Spanish Claims.&nbsp; In 1841
+he published &ldquo;Essays Written in the Intervals of
+Business.&rdquo;&nbsp; Their quiet thoughtfulness was in accord
+with the spirit that had given value to his services as private
+secretary to two ministers of State.&nbsp; In 1844 that little
+book was followed by another on &ldquo;The Claims of
+Labour,&rdquo; dealing with the relations of employers to
+employed.&nbsp; There was the same scholarly simplicity and grace
+of style, the same interest in things worth serious
+attention.&nbsp; &ldquo;We say,&rdquo; he wrote, towards the
+close, &ldquo;that Kings are God&rsquo;s Vicegerents upon Earth;
+but almost every human being has, at one time or other of his
+life, a portion of the happiness of those around him in his
+power, which might make him tremble, if he did but see it in all
+its fulness.&rdquo;&nbsp; To this book Arthur Helps added an
+essay &ldquo;On the Means of Improving the Health and Increasing
+the Comfort of the Labouring Classes.&rdquo;</p>
+<p>His next book was this First Series of &ldquo;Friends in
+Council,&rdquo; published in 1847, and followed by other series
+in later years.&nbsp; There were many other writings of his, less
+popular than they would have been if the same abilities had been
+controlled by less good taste.&nbsp; His &ldquo;History of the
+Conquest of the New World&rdquo; in 1848, and of &ldquo;The
+Spanish Conquest of America,&rdquo; in four volumes, from 1855 to
+1861, preceded his obtaining from his University, in 1864, the
+honorary degree of D.C.L.&nbsp; In June, 1860, Arthur Helps was
+made Clerk of the Privy Council, and held that office of high
+trust until his death on the 7th of March, 1875.&nbsp; He had
+become Sir Arthur in 1872.</p>
+<p style="text-align: right">H. M.</p>
+<h2>CHAPTER I.</h2>
+<p><span class="smcap">None</span> but those who, like myself,
+have once lived in intellectual society, and then have been
+deprived of it for years, can appreciate the delight of finding
+it again.&nbsp; Not that I have any right to complain, if I were
+fated to live as a recluse for ever.&nbsp; I can add little, or
+nothing, to the pleasure of any company; I like to listen rather
+than to talk; and when anything apposite does occur to me, it is
+generally the day after the conversation has taken place.&nbsp; I
+do not, however, love good talk the less for these defects of
+mine; and I console myself with thinking that I sustain the part
+of a judicious listener, not always an easy one.</p>
+<p>Great, then, was my delight at hearing last year that my old
+pupil, Milverton, had taken a house which had long been vacant in
+our neighbourhood.&nbsp; To add to my pleasure, his college
+friend, Ellesmere, the great lawyer, also an old pupil of mine,
+came to us frequently in the course of the autumn.&nbsp;
+Milverton was at that time writing some essays which he
+occasionally read to Ellesmere and myself.&nbsp; The
+conversations which then took place I am proud to say that I have
+chronicled.&nbsp; I think they must be interesting to the world
+in general, though of course not so much so as to me.</p>
+<p>Milverton and Ellesmere were my favourite pupils.&nbsp; Many
+is the heartache I have had at finding that those boys, with all
+their abilities, would do nothing at the University.&nbsp; But it
+was in vain to urge them.&nbsp; I grieve to say that neither of
+them had any ambition of the right kind.&nbsp; Once I thought I
+had stimulated Ellesmere to the proper care and exertion; when,
+to my astonishment and vexation, going into his rooms about a
+month before an examination, I found that, instead of getting up
+his subjects, like a reasonable man, he was absolutely
+endeavouring to invent some new method for proving something
+which had been proved before in a hundred ways.&nbsp; Over this
+he had wasted two days, and from that moment I saw it was useless
+to waste any more of my time and patience in urging a scholar so
+indocile for the beaten path.</p>
+<p>What tricks he and Milverton used to play me, pretending not
+to understand my demonstration of some mathematical problem,
+inventing all manner of subtle difficulties, and declaring they
+could not go on while these stumbling-blocks lay in their
+way!&nbsp; But I am getting into college gossip, which may in no
+way delight my readers.&nbsp; And I am fancying, too, that
+Milverton and Ellesmere are the boys they were to me; but I am
+now the child to them.&nbsp; During the years that I have been
+quietly living here, they have become versed in the ways of the
+busy world.&nbsp; And though they never think of asserting their
+superiority, I feel it, and am glad to do so.</p>
+<p>My readers would, perhaps, like one to tell them something of
+the characters of Ellesmere and Milverton; but it would ill
+become me to give that insight into them, which I, their college
+friend and tutor, imagine I have obtained.&nbsp; Their friendship
+I could never understand.&nbsp; It was not on the surface very
+warm, and their congeniality seemed to result more from one or
+two large common principles of thought than from any peculiar
+similarity of taste, or from great affection on either
+side.&nbsp; Yet I should wrong their friendship if I were to
+represent it otherwise than a most true-hearted one; more so,
+perhaps, than some of softer texture.&nbsp; What needs be seen of
+them individually will be by their words, which I hope I have in
+the main retained.</p>
+<p>The place where we generally met in fine weather was on the
+lawn before Milverton&rsquo;s house.&nbsp; It was an eminence
+which commanded a series of valleys sloping towards the
+sea.&nbsp; And, as the sea was not more than nine miles off, it
+was a matter of frequent speculation with us whether the
+landscape was bounded by air or water.&nbsp; In the first valley
+was a little town of red brick houses, with poplars coming up
+amongst them.&nbsp; The ruins of a castle, and some water which,
+in olden times, had been the lake in &ldquo;the
+pleasaunce,&rdquo; were between us and the town.&nbsp; The clang
+of an anvil, or the clamour of a horn, or busy
+wheelwright&rsquo;s sounds, came faintly up to us when the wind
+was south.</p>
+<p>I must not delay my readers longer with my gossip, but bring
+them at once into the conversation that preceded our first
+reading.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Milverton</i>.&nbsp; I tell you, Ellesmere, these are the
+only heights I care to look down from, the heights of natural
+scenery.</p>
+<p><i>Ellesmere</i>.&nbsp; Pooh! my dear Milverton, it is only
+because the particular mounds which the world calls heights, you
+think you have found out to be but larger ant-heaps.&nbsp;
+Whenever you have cared about anything, a man more fierce and
+unphilosophical in the pursuit of it I never saw.&nbsp; To
+influence men&rsquo;s minds by writing for them, is that no
+ambition?</p>
+<p><i>Milverton</i>.&nbsp; It may be, but I have it not.&nbsp;
+Let any kind critic convince me that what I am now doing is
+useless, or has been done before, or that, if I leave it undone,
+some one else will do it to my mind; and I should fold up my
+papers, and watch the turnips grow in that field there, with a
+placidity that would, perhaps, seem very spiritless to your now
+restless and ambitious nature, Ellesmere.</p>
+<p><i>Ellesmere</i>.&nbsp; If something were to happen which will
+not, then&mdash;O Philosophy, Philosophy, you, too, are a good
+old nurse, and rattle your rattles for your little people, as
+well as old Dame World can do for hers.&nbsp; But what are we to
+have to-day for our first reading?</p>
+<p><i>Milverton</i>.&nbsp; An Essay on Truth.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, had I known this before, it is
+not the novelty of the subject which would have dragged me up the
+hill to your house.&nbsp; By the way, philosophers ought not to
+live upon hills.&nbsp; They are much more accessible, and I think
+quite as reasonable, when, Diogenes-like, they live in tubs upon
+flat ground.&nbsp; Now for the essay.</p>
+<h3>TRUTH.</h3>
+<p>Truth is a subject which men will not suffer to grow
+old.&nbsp; Each age has to fight with its own falsehoods: each
+man with his love of saying to himself and those around him
+pleasant things and things serviceable for to-day, rather than
+the things which are.&nbsp; Yet a child appreciates at once the
+divine necessity for truth; never asks, &ldquo;What harm is there
+in saying the thing that is not?&rdquo; and an old man finds, in
+his growing experience, wider and wider applications of the great
+doctrine and discipline of truth.</p>
+<p>Truth needs the wisdom of the serpent as well as the
+simplicity of the dove.&nbsp; He has gone but a little way in
+this matter who supposes that it is an easy thing for a man to
+speak the truth, &ldquo;the thing he troweth;&rdquo; and that it
+is a casual function, which may be fulfilled at once after any
+lapse of exercise.&nbsp; But, in the first place, the man who
+would speak truth must know what he troweth.&nbsp; To do that, he
+must have an uncorrupted judgment.&nbsp; By this is not meant a
+perfect judgment or even a wise one, but one which, however it
+may be biassed, is not bought&mdash;is still a judgment.&nbsp;
+But some people&rsquo;s judgments are so entirely gained over by
+vanity, selfishness, passion, or inflated prejudices and fancies
+long indulged in; or they have the habit of looking at everything
+so carelessly, that they see nothing truly.&nbsp; They cannot
+interpret the world of reality.&nbsp; And this is the saddest
+form of lying, &ldquo;the lie that sinketh in,&rdquo; as Bacon
+says, which becomes part of the character and goes on eating the
+rest away.</p>
+<p>Again, to speak truth, a man must not only have that martial
+courage which goes out, with sound of drum and trumpet, to do and
+suffer great things; but that domestic courage which compels him
+to utter small sounding truths in spite of present inconvenience
+and outraged sensitiveness or sensibility.&nbsp; Then he must not
+be in any respect a slave to self-interest.&nbsp; Often it seems
+as if but a little misrepresentation would gain a great good for
+us; or, perhaps, we have only to conceal some trifling thing,
+which, if told, might hinder unreasonably, as we think, a
+profitable bargain.&nbsp; The true man takes care to tell,
+notwithstanding.&nbsp; When we think that truth interferes at one
+time or another with all a man&rsquo;s likings, hatings, and
+wishes, we must admit, I think, that it is the most comprehensive
+and varied form of self-denial.</p>
+<p>Then, in addition to these great qualities, truth-telling in
+its highest sense requires a well-balanced mind.&nbsp; For
+instance, much exaggeration, perhaps the most, is occasioned by
+an impatient and easily moved temperament which longs to convey
+its own vivid impressions to other minds, and seeks by amplifying
+to gain the full measure of their sympathy.&nbsp; But a true man
+does not think what his hearers are feeling, but what he is
+saying.</p>
+<p>More stress might be laid than has been on the intellectual
+requisites for truth, which are probably the best part of
+intellectual cultivation; and as much caused by truth as causing
+it. <a name="citation12"></a><a href="#footnote12"
+class="citation">[12]</a>&nbsp; But, putting the requisites for
+truth at the fewest, see of how large a portion of the character
+truth is the resultant.&nbsp; If you were to make a list of those
+persons accounted the religious men of their respective ages, you
+would have a ludicrous combination of characters essentially
+dissimilar.&nbsp; But true people are kindred.&nbsp; Mention the
+eminently true men, and you will find that they are a
+brotherhood.&nbsp; There is a family likeness throughout
+them.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>If we consider the occasions of exercising truthfulness and
+descend to particulars, we may divide the matter into the
+following heads:&mdash;truth to oneself&mdash;truth to mankind in
+general&mdash;truth in social relations&mdash;truth in
+business&mdash;truth in pleasure.</p>
+<p>1.&nbsp; Truth to oneself.&nbsp; All men have a deep interest
+that each man should tell himself the truth.&nbsp; Not only will
+he become a better man, but he will understand them better.&nbsp;
+If men knew themselves, they could not be intolerant to
+others.</p>
+<p>It is scarcely necessary to say much about the advantage of a
+man knowing himself for himself.&nbsp; To get at the truth of any
+history is good; but a man&rsquo;s own history&mdash;when he
+reads that truly, and, without a mean and over-solicitous
+introspection, knows what he is about and what he has been about,
+it is a Bible to him.&nbsp; &ldquo;And David said unto Nathan, I
+have sinned before the Lord.&rdquo;&nbsp; David knew the truth
+about himself.&nbsp; But truth to oneself is not merely truth
+about oneself.&nbsp; It consists in maintaining an openness and
+justness of soul which brings a man into relation with all
+truth.&nbsp; For this, all the senses, if you might so call them,
+of the soul must be uninjured&mdash;that is, the affections and
+the perceptions must be just.&nbsp; For a man to speak the truth
+to himself comprehends all goodness; and for us mortals can only
+be an aim.</p>
+<p>2.&nbsp; Truth to mankind in general.&nbsp; This is a matter
+which, as I read it, concerns only the higher natures.&nbsp;
+Suffice it to say, that the withholding large truths from the
+world may be a betrayal of the greatest trust.</p>
+<p>3.&nbsp; Truth in social relations.&nbsp; Under this head come
+the practices of making speech vary according to the person
+spoken to; of pretending to agree with the world when you do not;
+of not acting according to what is your deliberate and
+well-advised opinion because some mischief may be made of it by
+persons whose judgment in this matter you do not respect; of
+maintaining a wrong course for the sake of consistency; of
+encouraging the show of intimacy with those whom you never can be
+intimate with; and many things of the same kind.&nbsp; These
+practices have elements of charity and prudence as well as fear
+and meanness in them.&nbsp; Let those parts which correspond to
+fear and meanness be put aside.&nbsp; Charity and prudence are
+not parasitical plants which require boles of falsehood to climb
+up upon.&nbsp; It is often extremely difficult in the mixed
+things of this world to act truly and kindly too; but therein
+lies one of the great trials of man, that his sincerity should
+have kindness in it, and his kindness truth.</p>
+<p>4.&nbsp; Truth in business.&nbsp; The more truth you can get
+into any business, the better.&nbsp; Let the other side know the
+defects of yours, let them know how you are to be satisfied, let
+there be as little to be found as possible (I should say
+nothing), and if your business be an honest one, it will be best
+tended in this way.&nbsp; The talking, bargaining, and delaying
+that would thus be needless, the little that would then have to
+be done over again, the anxiety that would be put aside, would
+even in a worldly way be &ldquo;great gain.&rdquo;&nbsp; It is
+not, perhaps, too much to say, that the third part of men&rsquo;s
+lives is wasted by the effect, direct or indirect, of
+falsehoods.</p>
+<p>Still, let us not be swift to imagine that lies are never of
+any service.&nbsp; A recent Prime Minister said, that he did not
+know about truth always prevailing and the like; but lies had
+been very successful against his government.&nbsp; And this was
+true enough.&nbsp; Every lie has its day.&nbsp; There is no
+preternatural inefficacy in it by reason of its falseness.&nbsp;
+And this is especially the case with those vague injurious
+reports which are no man&rsquo;s lies, but all men&rsquo;s
+carelessness.&nbsp; But even as regards special and unmistakable
+falsehood, we must admit that it has its success.&nbsp; A
+complete being might deceive with wonderful effect; however, as
+nature is always against a liar, it is great odds in the case of
+ordinary mortals.&nbsp; Wolsey talks of</p>
+
+<blockquote><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;Negligence<br
+/>
+Fit for a fool to fall by,&rdquo;</p>
+</blockquote>
+<p>when he gives Henry the wrong packet; but the Cardinal was
+quite mistaken.&nbsp; That kind of negligence was just the thing
+of which far-seeing and thoughtful men are capable; and which, if
+there were no higher motive, should induce them to rely on truth
+alone.&nbsp; A very close vulpine nature, all eyes, all ears, may
+succeed better in deceit.&nbsp; But it is a sleepless
+business.&nbsp; Yet, strange to say, it is had recourse to in the
+most spendthrift fashion, as the first and easiest thing that
+comes to hand.</p>
+<p>In connection with truth in business, it may be observed that
+if you are a truthful man, you should be watchful over those whom
+you employ; for your subordinate agents are often fond of lying
+for your interests, as they think.&nbsp; Show them at once that
+you do not think with them, and that you will disconcert any of
+their inventions by breaking in with the truth.&nbsp; If you
+suffer the fear of seeming unkind to prevent your thrusting
+well-meant inventions aside, you may get as much pledged to
+falsehoods as if you had coined and uttered them yourself.</p>
+<p>5.&nbsp; Truth in pleasure.&nbsp; Men have been said to be
+sincere in their pleasures; but this is only that the taste and
+habits of men are more easily discernible in pleasure than in
+business.&nbsp; The want of truth is as great a hindrance to the
+one as to the other.&nbsp; Indeed, there is so much insincerity
+and formality in the pleasurable department of human life,
+especially in social pleasures, that instead of a bloom there is
+a slime upon it, which deadens and corrupts the thing.&nbsp; One
+of the most comical sights to superior beings must be to see two
+human creatures with elaborate speech and gestures making each
+other exquisitely uncomfortable from civility: the one pressing
+what he is most anxious that the other should not accept, and the
+other accepting only from the fear of giving offence by
+refusal.&nbsp; There is an element of charity in all this too;
+and it will be the business of a just and refined nature to be
+sincere and considerate at the same time.&nbsp; This will be
+better done by enlarging our sympathy, so that more things and
+people are pleasant to us, than by increasing the civil and
+conventional part of our nature, so that we are able to do more
+seeming with greater skill and endurance.&nbsp; Of other false
+hindrances to pleasure, such as ostentation and pretences of all
+kinds, there is neither charity nor comfort in them.&nbsp; They
+may be got rid of altogether, and no moaning made over
+them.&nbsp; Truth, which is one of the largest creatures, opens
+out the way to the heights of enjoyment, as well as to the depths
+of self-denial.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>It is difficult to think too highly of the merits and delights
+of truth; but there is often in men&rsquo;s minds an exaggerated
+notion of some bit of truth, which proves a great assistance to
+falsehood.&nbsp; For instance, the shame of some particular small
+falsehood, exaggeration, or insincerity, becomes a bugbear which
+scares a man into a career of false dealing.&nbsp; He has begun
+making a furrow a little out of the line, and he ploughs on in it
+to try and give some consistency and meaning to it.&nbsp; He
+wants almost to persuade himself that it was not wrong, and
+entirely to hide the wrongness from others.&nbsp; This is a
+tribute to the majesty of truth; also to the world&rsquo;s
+opinion about truth.&nbsp; It proceeds, too, upon the notion that
+all falsehoods are equal, which is not the case; or on some fond
+craving for a show of perfection, which is sometimes very
+inimical to the reality.&nbsp; The practical, as well as the
+high-minded, view in such cases, is for a man to think how he can
+be true now.&nbsp; To attain that, it may, even for this world,
+be worth while for a man to admit that he is inconsistent, and
+even that he has been untrue.&nbsp; His hearers, did they know
+anything of themselves, would be fully aware that he was not
+singular, except in the courage of owning his insincerity.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; That last part requires thinking
+about.&nbsp; If you were to permit men, without great loss of
+reputation, to own that they had been insincere, you might break
+down some of that majesty of truth you talk about.&nbsp; And bad
+men might avail themselves of any facilities of owning
+insincerity, to commit more of it.&nbsp; I can imagine that the
+apprehension of this might restrain a man from making any such
+admission as you allude to, even if he could make up his mind to
+do it otherwise.</p>
+<p><i>Milverton</i>.&nbsp; Yes; but can anything be worse than a
+man going on in a false course?&nbsp; Each man must look to his
+own truthfulness, and keep that up as well as he can, even at the
+risk of saying, or doing, something which may be turned to ill
+account by others.&nbsp; We may think too much about this
+reflection of our external selves.&nbsp; Let the real self be
+right.&nbsp; I am not so fanciful as to expect men to go about
+clamouring that they have been false; but at no risk of letting
+people see that, or of even being obliged to own it, should they
+persevere in it.</p>
+<p><i>Dunsford</i>.&nbsp; Milverton is right, I think.</p>
+<p><i>Ellesmere</i>.&nbsp; Do not imagine that I am behind either
+of you in a wish to hold up truth.&nbsp; My only doubt was as to
+the mode.&nbsp; For my own part, I have such faith in truth that
+I take it mere concealment is in most cases a mischief.&nbsp; And
+I should say, for instance, that a wise man would be sorry that
+his fellows should think better of him than he deserves.&nbsp; By
+the way, that is a reason why I should not like to be a writer of
+moral essays, Milverton&mdash;one should be supposed to be so
+very good.</p>
+<p><i>Milverton</i>.&nbsp; Only by thoughtless people then.&nbsp;
+There is a saying given to Rousseau, not that he ever did say it,
+for I believe it was a misprint, but it was a possible saying for
+him, &ldquo;Chaque homme qui pense est
+m&eacute;chant.&rdquo;&nbsp; Now, without going the length of
+this aphorism, we may say that what has been well written has
+been well suffered.</p>
+<blockquote><p>&ldquo;He best can paint them who has felt them
+most.&rdquo;</p>
+</blockquote>
+<p>And so, though we should not exactly declare that writers who
+have had much moral influence have been wicked men, yet we may
+admit that they have been amongst the most struggling, which
+implies anything but serene self-possession and perfect
+spotlessness.&nbsp; If you take the great ones, Luther,
+Shakespeare, Goethe, you see this at once.</p>
+<p><i>Dunsford</i>.&nbsp; David, St. Paul.</p>
+<p><i>Milverton</i>.&nbsp; Such men are like great rocks on the
+seashore.&nbsp; By their resistance, terraces of level land are
+formed; but the rocks themselves bear many scars and ugly
+indents, while the sea of human difficulty presents the same
+unwrinkled appearance in all ages.&nbsp; Yet it has been driven
+back.</p>
+<p><i>Ellesmere</i>.&nbsp; But has it lost any of its bulk, or
+only gone elsewhere?&nbsp; One part of the resemblance certainly
+is that these same rocks, which were bulwarks, become, in their
+turn, dangers.</p>
+<p><i>Milverton</i>.&nbsp; Yes, there is always loss in that
+way.&nbsp; It is seldom given to man to do unmixed good.&nbsp;
+But it was not this aspect of the simile that I was thinking of:
+it was the scarred appearance.</p>
+<p><i>Dunsford</i>.&nbsp; Scars not always of defeat or flight;
+scars in the front.</p>
+<p><i>Milverton</i>.&nbsp; Ah, it hardly does for us to talk of
+victory or defeat, in these cases; but we may look at the contest
+itself as something not bad, terminate how it may.&nbsp; We
+lament over a man&rsquo;s sorrows, struggles, disasters, and
+shortcomings; yet they were possessions too.&nbsp; We talk of the
+origin of evil and the permission of evil.&nbsp; But what is
+evil?&nbsp; We mostly speak of sufferings and trials as good,
+perhaps, in their result; but we hardly admit that they may be
+good in themselves.&nbsp; Yet they are knowledge&mdash;how else
+to be acquired, unless by making men as gods, enabling them to
+understand without experience.&nbsp; All that men go through may
+be absolutely the best for them&mdash;no such thing as evil, at
+least in our customary meaning of the word.&nbsp; But, you will
+say, they might have been created different and higher.&nbsp; See
+where this leads to.&nbsp; Any sentient being may set up the same
+claim: a fly that it had not been made a man; and so the end
+would be that each would complain of not being all.</p>
+<p><i>Ellesmere</i>.&nbsp; Say it all over again, my dear
+Milverton: it is rather hard.&nbsp; [Milverton did so, in nearly
+the same words.]&nbsp; I think I have heard it all before.&nbsp;
+But you may have it as you please.&nbsp; I do not say this
+irreverently, but the truth is, I am too old and too earthly to
+enter upon these subjects.&nbsp; I think, however, that the view
+is a stout-hearted one.&nbsp; It is somewhat in the same vein of
+thought that you see in Carlyle&rsquo;s works about the contempt
+of happiness.&nbsp; But in all these cases, one is apt to think
+of the sage in &ldquo;Rasselas,&rdquo; who is very wise about
+human misery till he loses his daughter.&nbsp; Your fly
+illustration has something in it.&nbsp; Certainly when men talk
+big about what might have been done for man, they omit to think
+what might be said, on similar grounds, for each sentient
+creature in the universe.&nbsp; But here have we been meandering
+off into origin of evil, and uses of great men, and wickedness of
+writers, etc., whereas I meant to have said something about the
+essay.&nbsp; How would you answer what Bacon maintains?&nbsp;
+&ldquo;A mixture of a lie doth ever add pleasure.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; He is not speaking of the lies of
+social life, but of self-deception.&nbsp; He goes on to class
+under that head &ldquo;vain opinions, flattering hopes, false
+valuations, imaginations as one would.&rdquo;&nbsp; These things
+are the sweetness of &ldquo;the lie that sinketh in.&rdquo;&nbsp;
+Many a man has a kind of mental kaleidoscope, where the bits of
+broken glass are his own merits and fortunes, and they fall into
+harmonious arrangements and delight him&mdash;often most
+mischievously and to his ultimate detriment, but they are a
+present pleasure.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, I am going to be true in my
+pleasures: to take a long walk alone.&nbsp; I have got a
+difficult case for an opinion, which I must go and think
+over.</p>
+<p><i>Dunsford</i>.&nbsp; Shall we have another reading
+tomorrow?</p>
+<p><i>Milverton</i>.&nbsp; Yes, if you are both in the humour for
+it.</p>
+<h2>CHAPTER II.</h2>
+<p><span class="smcap">As</span> the next day was fine, we agreed
+to have our reading in the same spot that I have described
+before.&nbsp; There was scarcely any conversation worth noting,
+until after Milverton had read us the following essay on
+Conformity.</p>
+<h3>CONFORMITY.</h3>
+<p>The conformity of men is often a far poorer thing than that
+which resembles it amongst the lower animals.&nbsp; The monkey
+imitates from imitative skill and gamesomeness: the sheep is
+gregarious, having no sufficient will to form an independent
+project of its own.&nbsp; But man often loathes what he imitates,
+and conforms to what he knows to be wrong.</p>
+<p>It will ever be one of the nicest problems for a man to solve
+how far he shall profit by the thoughts of other men, and not be
+enslaved by them.&nbsp; He comes into the world, and finds
+swaddling clothes ready for his mind as well as his body.&nbsp;
+There is a vast scheme of social machinery set up about him; and
+he has to discern how he can make it work with him and for him,
+without becoming part of the machinery himself.&nbsp; In this lie
+the anguish and the struggle of the greatest minds.&nbsp; Most
+sad are they, having mostly the deepest sympathies, when they
+find themselves breaking off from communion with other
+minds.&nbsp; They would go on, if they could, with the opinions
+around them.&nbsp; But, happily, there is something to which a
+man owes a larger allegiance than to any human affection.&nbsp;
+He would be content to go away from a false thing, or quietly to
+protest against it; but in spite of him the strife in his heart
+breaks into burning utterance by word or deed.</p>
+<p>Few, however, are those who venture, even for the shortest
+time, into that hazy world of independent thought, where a man is
+not upheld by a crowd of other men&rsquo;s opinions, but where he
+must find a footing of his own.&nbsp; Among the mass of men,
+there is little or no resistance to conformity.&nbsp; Could the
+history of opinions be fully written, it would be seen how large
+a part in human proceedings the love of conformity, or rather the
+fear of non-conformity, has occasioned.&nbsp; It has triumphed
+over all other fears; over love, hate, pity, sloth, anger, truth,
+pride, comfort, self-interest, vanity, and maternal love.&nbsp;
+It has torn down the sense of beauty in the human soul, and set
+up in its place little ugly idols which it compels us to worship
+with more than Japanese devotion.&nbsp; It has contradicted
+Nature in the most obvious things, and been listened to with
+abject submission.&nbsp; Its empire has been no less extensive
+than deep-seated.&nbsp; The serf to custom points his finger at
+the slave to fashion&mdash;as if it signified whether it is an
+old or a new thing which is irrationally conformed to.&nbsp; The
+man of letters despises both the slaves of fashion and of custom,
+but often runs his narrow career of thought, shut up, though he
+sees it not, within close walls which he does not venture even to
+peep over.</p>
+<p>It is hard to say in what department of human thought and
+endeavour conformity has triumphed most.&nbsp; Religion comes to
+one&rsquo;s mind first; and well it may when one thinks what men
+have conformed to in all ages in that matter.&nbsp; If we pass to
+art, or science, we shall see there too the wondrous slavery
+which men have endured&mdash;from puny fetters, moreover, which
+one stirring thought would, as we think, have burst
+asunder.&nbsp; The above, however, are matters not within every
+one&rsquo;s cognisance; some of them are shut in by learning or
+the show of it; and plain &ldquo;practical&rdquo; men would say,
+they follow where they have no business but to follow.&nbsp; But
+the way in which the human body shall be covered is not a thing
+for the scientific and the learned only: and is allowed on all
+hands to concern, in no small degree, one half at least of the
+creation.&nbsp; It is in such a simple thing as dress that each
+of us may form some estimate of the extent of conformity in the
+world.&nbsp; A wise nation, unsubdued by superstition, with the
+collected experience of peaceful ages, concludes that female feet
+are to be clothed by crushing them.&nbsp; The still wiser nations
+of the west have adopted a swifter mode of destroying health, and
+creating angularity, by crushing the upper part of the female
+body.&nbsp; In such matters nearly all people conform.&nbsp; Our
+brother man is seldom so bitter against us, as when we refuse to
+adopt at once his notions of the infinite.&nbsp; But even
+religious dissent were less dangerous and more respectable than
+dissent in dress.&nbsp; If you want to see what men will do in
+the way of conformity, take a European hat for your subject of
+meditation.&nbsp; I dare say there are twenty-two millions of
+people at this minute each wearing one of these hats in order to
+please the rest.&nbsp; As in the fine arts, and in architecture,
+especially, so in dress, something is often retained that was
+useful when something else was beside it.&nbsp; To go to
+architecture for an instance, a pinnacle is retained, not that it
+is of any use where it is, but in another kind of building it
+would have been.&nbsp; That style of building, as a whole, has
+gone out of fashion, but the pinnacle has somehow or other kept
+its ground and must be there, no one insolently going back to
+first principles and asking what is the use and object of
+building pinnacles.&nbsp; Similar instances in dress will occur
+to my readers.&nbsp; Some of us are not skilled in such affairs;
+but looking at old pictures we may sometimes see how modern
+clothes have attained their present pitch of frightfulness and
+inconvenience.&nbsp; This matter of dress is one in which,
+perhaps, you might expect the wise to conform to the foolish; and
+they have.</p>
+<p>When we have once come to a right estimate of the strength of
+conformity, we shall, I think, be more kindly disposed to
+eccentricity than we usually are.&nbsp; Even a wilful or an
+absurd eccentricity is some support against the weighty
+common-place conformity of the world.&nbsp; If it were not for
+some singular people who persist in thinking for themselves, in
+seeing for themselves, and in being comfortable, we should all
+collapse into a hideous uniformity.</p>
+<p>It is worth while to analyse that influence of the world which
+is the right arm of conformity.&nbsp; Some persons bend to the
+world in all things, from an innocent belief that what so many
+people think must be right.&nbsp; Others have a vague fear of the
+world as of some wild beast which may spring out upon them at any
+time.&nbsp; Tell them they are safe in their houses from this
+myriad-eyed creature: they still are sure that they shall meet
+with it some day, and would propitiate its favour at any
+sacrifice.&nbsp; Many men contract their idea of the world to
+their own circle, and what they imagine to be said in that circle
+of friends and acquaintances is their idea of public
+opinion&mdash;&ldquo;as if,&rdquo; to use a saying of
+Southey&rsquo;s, &ldquo;a number of worldlings made a
+world.&rdquo;&nbsp; With some unfortunate people, the much
+dreaded &ldquo;world&rdquo; shrinks into one person of more
+mental power than their own, or perhaps merely of coarser nature;
+and the fancy as to what this person will say about anything they
+do, sits upon them like a nightmare.&nbsp; Happy the man who can
+embark his small adventure of deeds and thoughts upon the shallow
+waters round his home, or send them afloat on the wide sea of
+humanity, with no great anxiety in either case as to what
+reception they may meet with!&nbsp; He would have them steer by
+the stars, and take what wind may come to them.</p>
+<p>A reasonable watchfulness against conformity will not lead a
+man to spurn the aid of other men, still less to reject the
+accumulated mental capital of ages.&nbsp; It does not compel us
+to dote upon the advantages of savage life.&nbsp; We would not
+forego the hard-earned gains of civil society because there is
+something in most of them which tends to contract the natural
+powers, although it vastly aids them.&nbsp; We would not, for
+instance, return to the monosyllabic utterance of barbarous men,
+because in any formed language there are a thousand snares for
+the understanding.&nbsp; Yet we must be most watchful of
+them.&nbsp; And in all things, a man must beware of so conforming
+himself as to crush his nature and forego the purpose of his
+being.&nbsp; We must look to other standards than what men may
+say or think.&nbsp; We must not abjectly bow down before rules
+and usages; but must refer to principles and purposes.&nbsp; In
+few words, we must think, not whom we are following, but what we
+are doing.&nbsp; If not, why are we gifted with individual life
+at all?&nbsp; Uniformity does not consist with the higher forms
+of vitality.&nbsp; Even the leaves of the same tree are said to
+differ, each one from all the rest.&nbsp; And can it be good for
+the soul of a man &ldquo;with a biography of his own like to no
+one else&rsquo;s,&rdquo; to subject itself without thought to the
+opinions and ways of others: not to grow into symmetry, but to be
+moulded down into conformity?</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; Well, I rather like that essay.&nbsp;
+I was afraid, at first, it was going to have more of the fault
+into which you essay writers generally fall, of being a comment
+on the abuse of a thing, and not on the thing itself.&nbsp; There
+always seems to me to want another essay on the other side.&nbsp;
+But I think, at the end, you protect yourself against
+misconstruction.&nbsp; In the spirit of the essay, you know, of
+course, that I quite agree with you.&nbsp; Indeed, I differ from
+all the ordinary biographers of that independent gentleman,
+Don&rsquo;t Care.&nbsp; I believe Don&rsquo;t Care came to a good
+end.&nbsp; At any rate he came to some end.&nbsp; Whereas numbers
+of people never have beginning, or ending, of their own.&nbsp; An
+obscure dramatist, Milverton, whom we know of, makes one of his
+characters say, in reply to some world-fearing wretch:</p>
+
+<blockquote><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;While
+you, you think<br />
+What others think, or what you think they&rsquo;ll say,<br />
+Shaping your course by something scarce more tangible<br />
+Than dreams, at best the shadows on the stream<br />
+Of aspen leaves by flickering breezes swayed&mdash;<br />
+Load me with irons, drive me from morn till night,<br />
+I am not the utter slave which that man is<br />
+Whose sole word, thought, and deed are built on what<br />
+The world may say of him.&rdquo;</p>
+</blockquote>
+<p><i>Milverton</i>.&nbsp; Never mind the obscure
+dramatist.&nbsp; But, Ellesmere, you really are unreasonable, if
+you suppose that, in the limits of a short essay, you can
+accurately distinguish all you write between the use and the
+abuse of a thing.&nbsp; The question is, will people
+misunderstand you&mdash;not, is the language such as to be
+logically impregnable?&nbsp; Now, in the present case, no man
+will really suppose it is a wise and just conformity that I am
+inveighing against.</p>
+<p><i>Ellesmere</i>.&nbsp; I am not sure of that.&nbsp; If
+everybody is to have independent thought, would there not be a
+fearful instability and want of compactness?&nbsp; Another thing,
+too&mdash;conformity often saves so much time and trouble.</p>
+<p><i>Milverton</i>.&nbsp; Yes; it has its uses.&nbsp; I do not
+mean, in the world of opinion and morality, that it should be all
+elasticity and no gravitation; but at least enough elasticity to
+preserve natural form and independent being.</p>
+<p><i>Ellesmere</i>.&nbsp; I think it would have been better if
+you had turned the essay another way, and instead of making it on
+conformity, had made it on interference.&nbsp; That is the
+greater mischief and the greater folly, I think.&nbsp; Why do
+people unreasonably conform?&nbsp; Because they feel unreasonable
+interference.&nbsp; War, I say, is interference on a small scale
+compared with the interference of private life.&nbsp; Then the
+absurdity on which it proceeds; that men are all alike, or that
+it is desirable that they should be; and that what is good for
+one is good for all.</p>
+<p><i>Dunsford</i>.&nbsp; I must say, I think, Milverton, you do
+not give enough credit for sympathy, good-nature, and humility as
+material elements in the conformity of the world.</p>
+<p><i>Ellesmere</i>.&nbsp; I am not afraid, my dear Dunsford, of
+the essay doing much harm.&nbsp; There is a power of sleepy
+conformity in the world.&nbsp; You may just startle your
+conformists for a minute, but they gravitate into their old way
+very soon.&nbsp; You talk of their humility, Dunsford, but I have
+heard people who have conformed to opinions, without a pretence
+of investigation, as arrogant and intolerant towards anybody who
+differed from them, as if they stood upon a pinnacle of
+independent sagacity and research.</p>
+<p><i>Dunsford</i>.&nbsp; One never knows, Ellesmere, on which
+side you are.&nbsp; I thought you were on mine a minute or two
+ago; and now you come down upon me with more than
+Milverton&rsquo;s anti-conforming spirit.</p>
+<p><i>Ellesmere</i>.&nbsp; The greatest mischief, as I take it,
+of this slavish conformity, is in the reticence it creates.&nbsp;
+People will be, what are called, intimate friends, and yet no
+real interchange of opinion takes place between them.&nbsp; A man
+keeps his doubts, his difficulties, and his peculiar opinions to
+himself.&nbsp; He is afraid of letting anybody know that he does
+not exactly agree with the world&rsquo;s theories on all
+points.&nbsp; There is no telling the hindrance that this is to
+truth.</p>
+<p><i>Milverton</i>.&nbsp; A great cause of this, Ellesmere, is
+in the little reliance you can have on any man&rsquo;s
+secrecy.&nbsp; A man finds that what, in the heat of discussion,
+and in the perfect carelessness of friendship, he has said to his
+friend, is quoted to people whom he would never have said it to;
+knowing that it would be sure to be misunderstood, or
+half-understood, by them.&nbsp; And so he grows cautious; and is
+very loth to communicate to anybody his more cherished opinions,
+unless they fall in exactly with the stream.&nbsp; Added to
+which, I think there is in these times less than there ever was
+of a proselytising spirit; and people are content to keep their
+opinions to themselves&mdash;more perhaps from indifference than
+from fear.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, I agree with you.</p>
+<p>By the way, I think your taking dress as an illustration of
+extreme conformity is not bad.&nbsp; Really it is wonderful the
+degree of square and dull hideousness to which, in the process of
+time and tailoring, and by severe conformity, the human
+creature&rsquo;s outward appearance has arrived.&nbsp; Look at a
+crowd of men from a height, what an ugly set of ants they
+appear!&nbsp; Myself, when I see an Eastern man, one of the
+people attached to their embassies, sweeping by us in something
+flowing and stately, I feel inclined to take off my hat to him
+(only that I think the hat might frighten him), and say, Here is
+a great, unhatted, uncravated, bearded man, not a creature clipt
+and twisted and tortured into tailorhood.</p>
+<p><i>Dunsford</i>.&nbsp; Ellesmere broke in upon me just now, so
+that I did not say all that I meant to say.&nbsp; But, Milverton,
+what would you admit that we are to conform to?&nbsp; In
+silencing the general voice, may we not give too much opportunity
+to our own headstrong suggestions, and to wilful licence?</p>
+<p><i>Milverton</i>.&nbsp; Yes: to be somewhat deaf to the din of
+the world may be no gain, even loss, if then we only listen more
+to the worst part of ourselves; but in itself it is a good thing
+to silence that din.&nbsp; It is at least a beginning of
+good.&nbsp; If anything good is then gained, it is not a sheepish
+tendency, but an independent resolve growing out of our
+nature.&nbsp; And, after all, when we talk of non-conformity, it
+may only be that we non-conform to the immediate sect of thought
+or action about us, to conform to a much wider thing in human
+nature.</p>
+<p><i>Ellesmere</i>.&nbsp; Ah me! how one wants a moral essayist
+always at hand to enable one to make use of moral essays.</p>
+<p><i>Milverton</i>.&nbsp; Your rules of law are grand
+things&mdash;the proverbs of justice; yet has not each case its
+specialities, requiring to be argued with much circumstance, and
+capable of different interpretations?&nbsp; Words cannot be made
+into men.</p>
+<p><i>Dunsford</i>.&nbsp; I wonder you answer his sneers,
+Milverton.</p>
+<p><i>Ellesmere</i>.&nbsp; I must go and see whether words cannot
+be made into guineas: and then guineas into men is an easy
+thing.&nbsp; These trains will not wait even for critics, so, for
+the present, good-bye.</p>
+<h2>CHAPTER III.</h2>
+<p><span class="smcap">Ellesmere</span> soon wrote us word that
+he would be able to come down again; and I agreed to be at
+Worth-Ashton (Milverton&rsquo;s house) on the day of his
+arrival.&nbsp; I had scarcely seated myself at our usual place of
+meeting before the friends entered, and after greeting me, the
+conversation thus began:</p>
+<p><i>Ellesmere</i>.&nbsp; Upon my word, you people who live in
+the country have a pleasant time of it.&nbsp; As Milverton was
+driving me from the station through Durley Wood, there was such a
+rich smell of pines, such a twittering of birds, so much joy,
+sunshine, and beauty, that I began to think, if there were no
+such place as London, it really would be very desirable to live
+in the country.</p>
+<p><i>Milverton</i>.&nbsp; What a climax!&nbsp; But I am always
+very suspicious, when Ellesmere appears to be carried away by any
+enthusiasm, that it will break off suddenly, like the gallop of a
+post-horse.</p>
+<p><i>Dunsford</i>.&nbsp; Well, what are we to have for our
+essay!</p>
+<p><i>Milverton</i>.&nbsp; Despair.</p>
+<p><i>Ellesmere</i>.&nbsp; I feel equal to anything just now, and
+so, if it must be read sometime or other, let us have it now.</p>
+<p><i>Milverton</i>.&nbsp; You need not be afraid.&nbsp; I want
+to take away, not to add gloom.&nbsp; Shall I read?</p>
+<p>We assented, and he began.</p>
+<h3>DESPAIR.</h3>
+<p>Despair may be serviceable when it arises from a temporary
+prostration of spirits: during which the mind is insensibly
+healing, and her scattered power silently returning.&nbsp; This
+is better than to be the sport of a teasing hope without
+reason.&nbsp; But to indulge in despair as a habit is slothful,
+cowardly, short-sighted; and manifestly tends against
+Nature.&nbsp; Despair is then the paralysis of the soul.</p>
+<p>These are the principal causes of despair&mdash;remorse, the
+sorrows of the affections, worldly trouble, morbid views of
+religion, native melancholy.</p>
+<h3>REMORSE.</h3>
+<p>Remorse does but add to the evil which bred it, when it
+promotes, not penitence, but despair.&nbsp; To have erred in one
+branch of our duties does not unfit us for the performance of all
+the rest, unless we suffer the dark spot to spread over our whole
+nature, which may happen almost unobserved in the torpor of
+despair.&nbsp; This kind of despair is chiefly grounded on a
+foolish belief that individual words or actions constitute the
+whole life of man: whereas they are often not fair
+representatives of portions even of that life.&nbsp; The
+fragments of rock in a mountain stream may tell much of its
+history, are in fact results of its doings, but they are not the
+stream.&nbsp; They were brought down when it was turbid; it may
+now be clear: they are as much the result of other circumstances
+as of the action of the stream; their history is fitful: they
+give us no sure intelligence of the future course of the stream,
+or of the nature of its waters; and may scarcely show more than
+that it has not been always as it is.&nbsp; The actions of men
+are often but little better indications of the men
+themselves.</p>
+<p>A prolonged despair arising from remorse is unreasonable at
+any age, but if possible, still more so when felt by the
+young.&nbsp; To think, for example, that the great Being who made
+us could have made eternal ruin and misery inevitable to a poor
+half-fledged creature of eighteen or nineteen!&nbsp; And yet how
+often has the profoundest despair from remorse brooded over
+children of that age and eaten into their hearts.</p>
+<p>There is frequently much selfishness about remorse.&nbsp; Put
+what has been done at the worst.&nbsp; Let a man see his own evil
+word, or deed, in full light, and own it to be black as hell
+itself.&nbsp; He is still here.&nbsp; He cannot be
+isolated.&nbsp; There still remain for him cares and duties; and,
+therefore, hopes.&nbsp; Let him not in imagination link all
+creation to his fate.&nbsp; Let him yet live in the welfare of
+others, and, if it may be so, work out his own in this way: if
+not, be content with theirs.&nbsp; The saddest cause of
+remorseful despair is when a man does something expressly
+contrary to his character: when an honourable man, for instance,
+slides into some dishonourable action; or a tender-hearted man
+falls into cruelty from carelessness; or, as often happens, a
+sensitive nature continues to give the greatest pain to others
+from temper, feeling all the time, perhaps, more deeply than the
+persons aggrieved.&nbsp; All these cases may be summed up in the
+words, &ldquo;That which I would not that I do,&rdquo; the
+saddest of all human confessions, made by one of the greatest
+men.&nbsp; However, the evil cannot be mended by despair.&nbsp;
+Hope and humility are the only supports under this burden.&nbsp;
+As Mr. Carlyle says,</p>
+<blockquote><p>&ldquo;What are faults, what are the outward
+details of a life; if the inner secret of it, the remorse,
+temptations, true, often-baffled, never-ended struggle of it, be
+forgotten.&nbsp; &lsquo;It is not in man that walketh to direct
+his steps.&rsquo;&nbsp; Of all acts, is not, for a man,
+<i>repentance</i> the most divine?&nbsp; The deadliest sin, I
+say, were that same supercilious consciousness of no sin; that is
+death: the heart so conscious is divorced from sincerity,
+humility, and fact; is dead: it is &lsquo;pure&rsquo; as dead dry
+sand is pure.&nbsp; David&rsquo;s life and history, as written
+for us in those Psalms of his, I consider to be the truest emblem
+ever given of a man&rsquo;s moral progress and warfare here
+below.&nbsp; All earnest souls will ever discern in it the
+faithful struggle of an earnest human soul towards what is good
+and best.&nbsp; Struggle often baffled, sore baffled, down as
+into entire wreck; yet a struggle never ended; ever, with tears,
+repentance, true unconquerable purpose, begun anew.&nbsp; Poor
+human nature! is not a man&rsquo;s walking, in truth, always
+that: a &lsquo;succession of falls!&rsquo;&nbsp; Man can do no
+other.&nbsp; In this wild element of a Life, he has to struggle
+onwards; now fallen, deep abased; and ever, with tears,
+repentance, with bleeding heart, he has to rise again, struggle
+again still onwards.&nbsp; That his struggle be a faithful
+unconquerable one: this is the question of questions.&rdquo;</p>
+</blockquote>
+<h3>THE SORROWS OF THE AFFECTIONS.</h3>
+<p>The loss by death of those we love has the first place in
+these sorrows.&nbsp; Yet the feeling in this case, even when
+carried to the highest, is not exactly despair, having too much
+warmth in it for that.&nbsp; Not much can be said in the way of
+comfort on this head.&nbsp; Queen Elizabeth, in her hard, wise
+way, writing to a mother who had lost her son, tells her that she
+will be comforted in time; and why should she not do for herself
+what the mere lapse of time will do for her?&nbsp; Brave words!
+and the stern woman, more earnest than the sage in
+&ldquo;Rasselas,&rdquo; would have tried their virtue on
+herself.&nbsp; But I fear they fell somewhat coldly on the
+mother&rsquo;s ear.&nbsp; Happily, in these bereavements, kind
+Nature with her opiates, day by day administered, does more than
+all the skill of the physician moralists.&nbsp; Sir Thomas Browne
+says,</p>
+<blockquote><p>&ldquo;Darkness and light divide the course of
+time, and oblivion shares with memory a great part even of our
+living beings; we slightly remember our felicities, and the
+smartest strokes of affliction leave but short smart upon
+us.&nbsp; Sense endureth no extremities, and sorrows destroy us
+or themselves.&nbsp; To weep into stones are fables.&nbsp;
+Afflictions induce callosities, miseries are slippery, or fall
+like snow upon us, which, notwithstanding, is no unhappy
+stupidity.&nbsp; To be ignorant of evils to come, and forgetful
+of evils past, is a merciful provision in Nature, whereby we
+digest the mixture of our few and evil days, and our delivered
+senses not relapsing into cutting remembrances, our sorrows are
+not kept raw by the edge of repetitions.&rdquo;</p>
+</blockquote>
+<p>The good knight thus makes much comfort out of our physical
+weakness.&nbsp; But something may be done in a very different
+direction, namely, by spiritual strength.&nbsp; By elevating and
+purifying the sorrow, we may take it more out of matter, as it
+were, and so feel less the loss of what is material about it.</p>
+<p>The other sorrows of the affections which may produce despair,
+are those in which the affections are wounded, as jealousy, love
+unrequited, friendship betrayed and the like.&nbsp; As, in
+despair from remorse, the whole life seems to be involved in one
+action: so in the despair we are now considering, the whole life
+appears to be shut up in the one unpropitious affection.&nbsp;
+Yet human nature, if fairly treated, is too large a thing to be
+suppressed into despair by one affection, however potent.&nbsp;
+We might imagine that if there were anything that would rob life
+of its strength and favour, it is domestic unhappiness.&nbsp; And
+yet how numerous is the bond of those whom we know to have been
+eminently unhappy in some domestic relation, but whose lives have
+been full of vigorous and kindly action.&nbsp; Indeed the culture
+of the world has been largely carried on by such men.&nbsp; As
+long as there is life in the plant, though it be sadly pent in,
+it will grow towards any opening of light that is left for
+it.</p>
+<h3>WORLDLY TROUBLE.</h3>
+<p>This appears too mean a subject for despair, or, at least,
+unworthy of having any remedy, or soothing thought out of
+it.&nbsp; Whether a man lives in a large room or a small one,
+rides or is obliged to walk, gets a plenteous dinner every day,
+or a sparing one, do not seem matters for despair.&nbsp; But the
+truth is, that worldly trouble, such for instance, as loss of
+fortune, is seldom the simple thing that poets would persuade
+us.</p>
+<blockquote><p>&ldquo;The little or the much she gave is quietly
+resigned;<br />
+Content with poverty, my soul I arm,<br />
+And virtue, though in rags will keep me warm.&rdquo;</p>
+</blockquote>
+<p>So sings Dryden, paraphrasing Horace, but each of them with
+their knowledge of the world, cross-questioned in prose, could
+have told us how the stings of fortune really are felt.&nbsp; The
+truth is, that fortune is not exactly a distinct isolated thing
+which can be taken away&mdash;&ldquo;and there an
+end.&rdquo;&nbsp; But much has to be severed, with undoubted pain
+in the operation.&nbsp; A man mostly feels that his reputation
+for sagacity, often his honour, the comfort, too, or supposed
+comfort, of others are embarked in his fortunes.&nbsp; Mere
+stoicism, and resolves about fitting fortune to oneself, not
+oneself to fortune, though good things enough in their way, will
+not always meet the whole of the case.&nbsp; And a man who could
+bear personal distress of any kind with Spartan indifference, may
+suffer himself to be overwhelmed by despair growing out of
+worldly trouble.&nbsp; A frequent origin of such despair, as
+indeed of all despair (not by any means excluding despair from
+remorse), is pride.&nbsp; Let a man say to himself, &ldquo;I am
+not the perfect character I meant to be; this is not the conduct
+I had imagined for myself; these are not the fortunate
+circumstances I had always intended to be surrounded
+by.&rdquo;&nbsp; Let him at once admit that he is on a lower
+level than his ideal one; and then see what is to be done
+there.&nbsp; This seems the best way of treating all that part of
+worldly trouble which consists of self-reproval.&nbsp; We
+scarcely know of any outward life continuously prosperous (and a
+very dull one it would be): why should we expect the inner life
+to be one course of unbroken self-improvement, either in
+prudence, or in virtue?</p>
+<p>Before a man gives way to excessive grief about the fortunes
+of his family being lost with his own, he should think whether he
+really knows wherein lies the welfare of others.&nbsp; Give him
+some fairy power, inexhaustible purses or magic lamps, not,
+however, applying to the mind; and see whether he could make
+those whom he would favour good or happy.&nbsp; In the East, they
+have a proverb of this kind, Happy are the children of those
+fathers who go to the Evil One.&nbsp; But for anything that our
+Western experience shows, the proverb might be reversed, and,
+instead of running thus, Happy are the sons of those who have got
+money anyhow, it might be, Happy are the sons of those who have
+failed in getting money.&nbsp; In fact, there is no sound proverb
+to be made about it either way.&nbsp; We know nothing about the
+matter.&nbsp; Our surest influence for good or evil over others
+is, through themselves.&nbsp; Our ignorance of what is physically
+good for any man may surely prevent anything like despair with
+regard to that part of the fortunes of others dear to us, which,
+as we think, is bound up with our own.</p>
+<h3>MORBID VIEWS OF RELIGION.</h3>
+<p>As religion is the most engrossing subject that can be
+presented to us, it will be considered in all states of mind and
+by all minds.&nbsp; It is impossible but that the most hideous
+and perverted views of religion must arise.&nbsp; To combat the
+particular views which may be supposed to cause religious
+despair, would be too theological an undertaking for this
+essay.&nbsp; One thing only occurs to me to say, namely, that the
+lives and the mode of speaking about themselves adopted by the
+founders of Christianity, afford the best contradiction to
+religious melancholy that I believe can be met with.</p>
+<h3>NATIVE MELANCHOLY.</h3>
+<p>There is such a thing.&nbsp; Jacques, without the
+&ldquo;sundry contemplation&rdquo; of his travels, or any
+&ldquo;simples&rdquo; to &ldquo;compound&rdquo; his melancholy
+form, would have ever been wrapped in a &ldquo;most humorous
+sadness.&rdquo;&nbsp; It was innate.&nbsp; This melancholy may
+lay its votaries open to any other cause of despair, but having
+mostly some touch of philosophy (if it be not absolutely morbid),
+it is not unlikely to preserve them from any extremity.&nbsp; It
+is not acute, but chronic.</p>
+<p>It may be said in its favour that it tends to make men
+indifferent to their own fortunes.&nbsp; But then the sorrow of
+the world presses more deeply upon them.&nbsp; With large open
+hearts, the untowardness of things present, the miseries of the
+past, the mischief, stupidity, and error which reign in the
+world, at times almost crush your melancholy men.&nbsp; Still,
+out of their sadness may come their strength, or, at least, the
+best direction of it.&nbsp; Nothing, perhaps, is lost; not even
+sin&mdash;much less sorrow.</p>
+<p><i>Ellesmere</i>.&nbsp; I am glad you have ended as you have:
+for, previously, you seemed to make too much of getting rid of
+all distress of mind.&nbsp; I always liked that passage in
+&ldquo;Philip van Artevelde,&rdquo; where Father John says,</p>
+<blockquote><p>&ldquo;He that lacks time to mourn, lacks time to
+mend.<br />
+Eternity mourns that.&rdquo;</p>
+</blockquote>
+<p>You have a better memory than I have: how does it go on?</p>
+<p><i>Milverton</i>.</p>
+
+<blockquote><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;&rsquo;Tis
+an ill cure<br />
+For life&rsquo;s worst ills, to have no time to feel them.<br />
+Where sorrow&rsquo;s held intrusive and turned out,<br />
+There wisdom will not enter, nor true power,<br />
+Nor aught that dignifies humanity.&rdquo;</p>
+</blockquote>
+<p>Still this does not justify despair, which was what I was
+writing about.</p>
+<p><i>Ellesmere</i>.&nbsp; Perhaps it was not a just criticism of
+mine.&nbsp; One part of the subject you have certainly
+omitted.&nbsp; You do not tell us how much there often is of
+physical disorder in despair.&nbsp; I dare say you will think it
+a coarse and unromantic mode of looking at things; but I must
+confess I agree with what Leigh Hunt has said somewhere, that one
+can walk down distress of mind&mdash;even remorse, perhaps.</p>
+<p><i>Milverton</i>.&nbsp; Yes; I am for the Peripatetics against
+all other philosophers.</p>
+<p><i>Ellesmere</i>.&nbsp; By the way, there is a passage in one
+of Hazlitt&rsquo;s essays, I thought of while you were reading,
+about remorse and religious melancholy.&nbsp; He speaks of mixing
+up religion and morality; and then goes on to say, that
+Calvinistic notions have obscured and prevented self-knowledge.
+<a name="citation42"></a><a href="#footnote42"
+class="citation">[42]</a></p>
+<p>Give me the essay&mdash;there is a passage I want to look
+at.&nbsp; This comparison of life to a mountain stream, the rocks
+brought down by it being the actions, is too much worked
+out.&nbsp; When we speak of similes not going on four legs, it
+implies, I think, that a simile is at best but a four-legged
+animal.&nbsp; Now this is almost a centipede of a simile.&nbsp; I
+think I have had the same thought as yours here, and I have
+compared the life of an individual to a curve.&nbsp; You both
+smile.&nbsp; Now I thought that Dunsford at any rate would be
+pleased with this reminiscence of college days.&nbsp; But to
+proceed with my curve.&nbsp; You may have numbers of the points
+through which it passes given, and yet know nothing of the nature
+of the curve itself.&nbsp; See, now, it shall pass through here
+and here, but how it will go in the interval, what is the law of
+its being, we know not.&nbsp; But this simile would be too
+mathematical, I fear.</p>
+<p><i>Milverton</i>.&nbsp; I hold to the centipede.</p>
+<p><i>Ellesmere</i>.&nbsp; Not a word has Dunsford said all this
+time.</p>
+<p><i>Dunsford</i>.&nbsp; I like the essay.&nbsp; I was not
+criticising as we went along, but thinking that perhaps the
+greatest charm of books is, that we see in them that other men
+have suffered what we have.&nbsp; Some souls we ever find who
+could have responded to all our agony, be it what it may.&nbsp;
+This at least robs misery of its loneliness.</p>
+<p><i>Ellesmere</i>.&nbsp; On the other hand, the charm of
+intercourse with our fellows, when we are in sadness, is that
+they do not reflect it in any way.&nbsp; Each keeps his own
+trouble to himself, and often pretending to think and care about
+other things, comes to do so for the time.</p>
+<p><i>Dunsford</i>.&nbsp; Well, but you might choose books which
+would not reflect your troubles.</p>
+<p><i>Ellesmere</i>.&nbsp; But the fact of having to make a
+choice to do this, does away, perhaps, with some part of the
+benefit: whereas, in intercourse with living men, you take what
+you find, and you find that neither your trouble, nor any
+likeness of it, is absorbing other people.&nbsp; But this is not
+the whole reason: the truth is, the life and impulses of other
+men are catching; you cannot explain exactly how it is that they
+take you out of yourself.</p>
+<p><i>Milverton</i>.&nbsp; No man is so confidential as when he
+is addressing the whole world.&nbsp; You find, therefore, more
+comfort for sorrow in books than in social intercourse.&nbsp; I
+mean more direct comfort; for I agree with what Ellesmere says
+about society.</p>
+<p><i>Ellesmere</i>.&nbsp; In comparing men and books, one must
+always remember this important distinction&mdash;that one can put
+the books down at any time.&nbsp; As Macaulay says, &ldquo;Plato
+is never sullen.&nbsp; Cervantes is never petulant.&nbsp;
+Demosthenes never comes unseasonably.&nbsp; Dante never stays too
+long.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Besides, one can manage to agree so
+well, intellectually, with a book; and intellectual differences
+are the source of half the quarrels in the world.</p>
+<p><i>Ellesmere</i>.&nbsp; Judicious shelving!</p>
+<p><i>Milverton</i>.&nbsp; Judicious skipping will nearly
+do.&nbsp; Now when one&rsquo;s friend, or oneself, is crotchety,
+dogmatic, or disputatious, one cannot turn over to another
+day.</p>
+<p><i>Ellesmere</i>.&nbsp; Don&rsquo;t go, Dunsford.&nbsp; Here
+is a passage in the essay I meant to have said something
+about&mdash;&ldquo;why should we expect the inner life to be one
+course of unbroken self-improvement,&rdquo; etc.&mdash;You
+recollect?&nbsp; Well, it puts me in mind of a conversation
+between a complacent poplar and a grim old oak, which I overheard
+the other day.&nbsp; The poplar said that it grew up quite
+straight, heavenwards, that all its branches pointed the same
+way, and always had done so.&nbsp; Turning to the oak, which it
+had been talking at before for some time, the poplar went on to
+remark, that it did not wish to say anything unfriendly to a
+brother of the forest, but those warped and twisted branches
+seemed to show strange struggles.&nbsp; The tall thing concluded
+its oration by saying, that it grew up very fast, and that when
+it had done growing, it did not suffer itself to be made into
+huge floating engines of destruction.&nbsp; But different trees
+had different tastes.&nbsp; There was then a sound from the old
+oak, like an &ldquo;ah&rdquo; or a &ldquo;whew,&rdquo; or,
+perhaps, it was only the wind amongst its resisting branches; and
+the gaunt creature said that it had had ugly winds from without
+and cross-grained impulses from within; that it knew it had
+thrown out awkwardly a branch here and a branch there, which
+would never come quite right again it feared; that men worked it
+up, sometimes for good and sometimes for evil&mdash;but that at
+any rate it had not lived for nothing.&nbsp; The poplar began
+again immediately, for this kind of tree can talk for ever, but I
+patted the old oak approvingly and went on.</p>
+<p><i>Milverton</i>.&nbsp; Well, your trees divide their
+discourse somewhat Ellesmerically: they do not talk with the
+simplicity La Fontaine&rsquo;s would; but there is a good deal in
+them.&nbsp; They are not altogether sappy.</p>
+<p><i>Ellesmere</i>.&nbsp; I really thought of this fable of mine
+the other day, as I was passing the poplar at the end of the
+valley, and I determined to give it you on the first
+occasion.</p>
+<p><i>Dunsford</i>.&nbsp; I hope, Ellesmere, you do not intend to
+put sarcastic notions into the sap of our trees hereabouts.&nbsp;
+There&rsquo;s enough of sarcasm in you to season a whole
+forest.</p>
+<p><i>Ellesmere</i>.&nbsp; Dunsford is afraid of what the trees
+may say to the country gentlemen, and whether they will be able
+to answer them.&nbsp; I will be careful not to make the trees too
+clever.</p>
+<p><i>Milverton</i>.&nbsp; Let us go and try if we can hear any
+more forest talk.&nbsp; The winds, shaped into voices by the
+leaves, say many things to us at all times.</p>
+<h2>CHAPTER IV.</h2>
+<p><span class="smcap">In</span> the course of our walk Milverton
+promised to read the following essay on Recreation the next
+day.&nbsp; I have no note of anything that was said before the
+reading.</p>
+<h3>RECREATION.</h3>
+<p>This subject has not had the thought it merits.&nbsp; It seems
+trivial.&nbsp; It concerns some hours in the daily life of each
+of us; but it is not connected with any subject of human
+grandeur, and we are rather ashamed of it.&nbsp; Schiller has
+some wise, but hard words that relate to it.&nbsp; He perceives
+the pre-eminence of the Greeks, who could do many things.&nbsp;
+He finds that modern men are units of great nations; but not
+great units themselves.&nbsp; And there is some room for this
+reasoning of his.</p>
+<p>Our modern system of division of labour divides wits
+also.&nbsp; The more necessity there is, therefore, for funding
+in recreation something to expand men&rsquo;s intelligence.&nbsp;
+There are intellectual pursuits almost as much divided as
+pin-making; and many a man goes through some intellectual
+process, for the greater part of his working hours, which
+corresponds with the making of a pin&rsquo;s head.&nbsp; Must
+there not be some danger of a general contraction of mind from
+this convergence of attention upon something very small, for so
+considerable a portion of a man&rsquo;s life?</p>
+<p>What answer can civilisation give to this?&nbsp; It can say
+that greater results are worked out by the modern system; that
+though each man is doing less himself than he might have done in
+former days, he sees greater and better things accomplished; and
+that his thoughts, not bound down by his petty occupation, travel
+over the work of the human family.&nbsp; There is a great deal,
+doubtless, in this argument; but man is not altogether an
+intellectual recipient.&nbsp; He is a constructive animal
+also.&nbsp; It is not the knowledge that you can pour into him
+that will satisfy him, or enable him to work out his
+nature.&nbsp; He must see things for himself; he must have bodily
+work and intellectual work different from his bread-getting work;
+or he runs the danger of becoming a contracted pedant with a poor
+mind and a sickly body.</p>
+<p>I have seen it quoted from Aristotle, that the end of labour
+is to gain leisure.&nbsp; It is a great saying.&nbsp; We have in
+modern times a totally wrong view of the matter.&nbsp; Noble work
+is a noble thing, but not all work.&nbsp; Most people seem to
+think that any business is in itself something grand; that to be
+intensely employed, for instance, about something which has no
+truth, beauty, or usefulness in it, which makes no man happier or
+wiser, is still the perfection of human endeavour, so that the
+work be intense.&nbsp; It is the intensity, not the nature, of
+the work that men praise.&nbsp; You see the extent of this
+feeling in little things.&nbsp; People are so ashamed of being
+caught for a moment idle, that if you come upon the most
+industrious servants or workmen whilst they are standing looking
+at something which interests them, or fairly resting, they move
+off in a fright, as if they were proved, by a moment&rsquo;s
+relaxation, to be neglectful of their work.&nbsp; Yet it is the
+result that they should mainly be judged by, and to which they
+should appeal.&nbsp; But amongst all classes, the working itself,
+incessant working, is the thing deified.&nbsp; Now what is the
+end and object of most work?&nbsp; To provide for animal
+wants.&nbsp; Not a contemptible thing by any means, but still it
+is not all in all with man.&nbsp; Moreover, in those cases where
+the pressure of bread-getting is fairly past, we do not often
+find men&rsquo;s exertions lessened on that account.&nbsp; There
+enter into their minds as motives, ambition, a love of hoarding,
+or a fear of leisure&mdash;things which, in moderation, may be
+defended or even justified; but which are not so peremptory, and
+upon the face of them excellent, that they at once dignify
+excessive labour.</p>
+<p>The truth is, that to work insatiably requires much less mind
+than to work judiciously, and less courage than to refuse work
+that cannot be done honestly.&nbsp; For a hundred men whose
+appetite for work can be driven on by vanity, avarice, ambition,
+or a mistaken notion of advancing their families, there is about
+one who is desirous of expanding his own nature and the nature of
+others in all directions, of cultivating many pursuits, of
+bringing himself and those around him in contact with the
+universe in many points, of being a man and not a machine.</p>
+<p>It may seem as if the preceding arguments were directed rather
+against excessive work than in favour of recreation.&nbsp; But
+the first object in an essay of this kind should be to bring down
+the absurd estimate that is often formed of mere work.&nbsp; What
+ritual is to the formalist, or contemplation to the devotee,
+business is to the man of the world.&nbsp; He thinks he cannot be
+doing wrong as long as he is doing that.</p>
+<p>No doubt hard work is a great police agent.&nbsp; If everybody
+were worked from morning till night and then carefully locked up,
+the register of crimes might be greatly diminished.&nbsp; But
+what would become of human nature?&nbsp; Where would be the room
+for growth in such a system of things?&nbsp; It is through sorrow
+and mirth, plenty and need, a variety of passions, circumstances,
+and temptations, even through sin and misery, that men&rsquo;s
+natures are developed.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>Again, there are people who would say, &ldquo;Labour is not
+all; we do not object to the cessation of labour&mdash;a mere
+provision for bodily ends; but we fear the lightness and vanity
+of what you call recreation.&rdquo;&nbsp; Do these people take
+heed of the swiftness of thought&mdash;of the impatience of
+thought?&nbsp; What will the great mass of men be thinking of, if
+they are taught to shun amusements and the thoughts of
+amusement?&nbsp; If any sensuality is left open to them, they
+will think of that.&nbsp; If not sensuality, then avarice, or
+ferocity for &ldquo;the cause of God,&rdquo; as they would call
+it.&nbsp; People who have had nothing else to amuse them have
+been very apt to indulge themselves in the excitement of
+persecuting their fellow creatures.</p>
+<p>Our nation, the northern part of it especially, is given to
+believe in the sovereign efficacy of dulness.&nbsp; To be sure,
+dulness and solid vice are apt to go hand in hand.&nbsp; But
+then, according to our notions, dulness is in itself so good a
+thing&mdash;almost a religion.</p>
+<p>Now, if ever a people required to be amused, it is we
+sad-hearted Anglo-Saxons.&nbsp; Heavy eaters, hard thinkers,
+often given up to a peculiar melancholy of our own, with a
+climate that for months together would frown away mirth if it
+could&mdash;many of us with very gloomy thoughts about our
+hereafter&mdash;if ever there were a people who should avoid
+increasing their dulness by all work and no play, we are that
+people.&nbsp; &ldquo;They took their pleasure sadly,&rdquo; says
+Froissart, &ldquo;after their fashion.&rdquo;&nbsp; We need not
+ask of what nation Froissart was speaking.</p>
+<p>There is a theory which has done singular mischief to the
+cause of recreation and of general cultivation.&nbsp; It is that
+men cannot excel in more things than one; and that if they can,
+they had better be quiet about it.&nbsp; &ldquo;Avoid music, do
+not cultivate art, be not known to excel in any craft but your
+own,&rdquo; says many a worldly parent, thereby laying the
+foundation of a narrow, greedy character, and destroying means of
+happiness and of improvement which success, or even real
+excellence, in one profession only cannot give.&nbsp; This is,
+indeed, a sacrifice of the end of living for the means.</p>
+<p>Another check to recreation is the narrow way in which people
+have hitherto been brought up at schools and colleges.&nbsp; The
+classics are pre-eminent works.&nbsp; To acquire an accurate
+knowledge of them is an admirable discipline.&nbsp; Still, it
+would be well to give a youth but few of these great works, and
+so leave time for various arts, accomplishments, and knowledge of
+external things exemplified by other means than books.&nbsp; If
+this cannot be done but by over-working, then it had better not
+be done; for of all things, that must be avoided.&nbsp; But
+surely it can be done.&nbsp; At present, many a man who is versed
+in Greek metre, and afterwards full of law reports, is childishly
+ignorant of Nature.&nbsp; Let him walk with an intelligent child
+for a morning, and the child will ask him a hundred questions
+about sun, moon, stars, plants, birds, building, farming, and the
+like, to which he can give very sorry answers, if any; or, at the
+best, he has but a second-hand acquaintance with Nature.&nbsp;
+Men&rsquo;s conceits are his main knowledge.&nbsp; Whereas, if he
+had any pursuits connected with Nature, all Nature is in harmony
+with it, is brought into his presence by it, and it affords at
+once cultivation and recreation.</p>
+<p>But, independently of those cultivated pursuits which form a
+high order of recreation, boyhood should never pass without the
+boy&rsquo;s learning several modes of recreation of the humbler
+kind.&nbsp; A parent or teacher seldom does a kinder thing by the
+child under his care than when he instructs it in some manly
+exercise, some pursuit connected with Nature out of doors, or
+even some domestic game.&nbsp; In hours of fatigue, anxiety,
+sickness, or worldly ferment, such means of amusement may delight
+the grown-up man when other things would fail.</p>
+<p>An indirect advantage, but a very considerable one, attendant
+upon various modes of recreation, is, that they provide
+opportunities of excelling in something to boys and men who are
+dull in things which form the staple of education.&nbsp; A boy
+cannot see much difference between the nominative and the
+genitive cases&mdash;still less any occasion for
+aorists&mdash;but he is a good hand at some game or other; and he
+keeps up his self-respect, and the respect of others for him,
+upon his prowess in that game.&nbsp; He is better and happier on
+that account.&nbsp; And it is well, too, that the little world
+around him should know that excellence is not all of one
+form.</p>
+<p>There are no details about recreation in this essay, the
+object here being mainly to show the worth of recreation, and to
+defend it against objections from the over-busy and the
+over-strict.&nbsp; The sense of the beautiful, the desire for
+comprehending Nature, the love of personal skill and prowess, are
+not things implanted in men merely to be absorbed in producing
+and distributing the objects of our most obvious animal
+wants.&nbsp; If civilisation required this, civilisation would be
+a failure.&nbsp; Still less should we fancy that we are serving
+the cause of godliness when we are discouraging recreation.&nbsp;
+Let us be hearty in our pleasures, as in our work, and not think
+that the gracious Being Who has made us so open-hearted to
+delight, looks with dissatisfaction at our enjoyment, as a hard
+taskmaster might, who in the glee of his slaves could see only a
+hindrance to their profitable working.&nbsp; And with reference
+to our individual cultivation, we may remember that we are not
+here to promote incalculable quantities of law, physic, or
+manufactured goods, but to become men&mdash;not narrow pedants,
+but wide-seeing, mind-travelled men.&nbsp; Who are the men of
+history to be admired most?&nbsp; Those whom most things
+became&mdash;who could be weighty in debate, of much device in
+council, considerate in a sick-room, genial at a feast, joyous at
+a festival, capable of discourse with many minds, large-souled,
+not to be shrivelled up into any one form, fashion, or
+temperament.&nbsp; Their contemporaries would have told us that
+men might have various accomplishments and hearty enjoyments, and
+not for that be the less effective in business, or less active in
+benevolence.&nbsp; I distrust the wisdom of asceticism as much as
+I do that of sensuality; Simeon Stylites no less than
+Sardanapalus.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; You alluded to Schiller at the
+beginning of the essay: can you show me his own words?&nbsp; I
+have a lawyer&rsquo;s liking for the best evidence.</p>
+<p><i>Milverton</i>.&nbsp; When we go in, I will show you some
+passages which bear me out in what I have made him say&mdash;at
+least, if the translation is faithful. <a
+name="citation53"></a><a href="#footnote53"
+class="citation">[53]</a></p>
+<p><i>Ellesmere</i>.&nbsp; I have had a great respect for
+Schiller ever since I heard that saying of his about death,
+&ldquo;Death cannot be an evil, for it is universal.&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Very noble and full of faith.</p>
+<p><i>Ellesmere</i>.&nbsp; Touching the essay, I like it well
+enough; but, perhaps, people will expect to find more about
+recreation itself&mdash;not only about the good of it, but what
+it is, and how it is to be got.</p>
+<p><i>Milverton</i>.&nbsp; I do not incline to go into detail
+about the matter.&nbsp; The object was to say something for the
+respectability of recreation, not to write a chapter of a book of
+sports.&nbsp; People must find out their own ways of amusing
+themselves.</p>
+<p><i>Ellesmere</i>.&nbsp; I will tell you what is the paramount
+thing to be attended to in all amusements&mdash;that they should
+be short.&nbsp; Moralists are always talking about
+&ldquo;short-lived&rdquo; pleasures: would that they were!</p>
+<p><i>Dunsford</i>.&nbsp; Hesiod told the world, some two
+thousand years ago, how much greater the half is than the
+whole.</p>
+<p><i>Ellesmere</i>.&nbsp; Dinner-givers and managers of theatres
+should forthwith be made aware of that fact.&nbsp; What a
+sacrifice of good things, and of the patience and comfort of
+human beings, a cumbrous modern dinner is!&nbsp; I always long to
+get up and walk about.</p>
+<p><i>Dunsford</i>.&nbsp; Do not talk of modern dinners.&nbsp;
+Think what a Roman dinner must have been.</p>
+<p><i>Milverton</i>.&nbsp; Very true.&nbsp; It has always struck
+me that there is something quite military in the sensualism of
+the Romans&mdash;an &ldquo;arbiter bibendi&rdquo; chosen, and the
+whole feast moving on with fearful precision and apparatus of all
+kinds.&nbsp; Come, come! the world&rsquo;s improving,
+Ellesmere.</p>
+<p><i>Ellesmere</i>.&nbsp; Had the Romans public dinners?&nbsp;
+Answer me that.&nbsp; Imagine a Roman, whose theory, at least, of
+a dinner was that it was a thing for enjoyment, whereas we often
+look on it as a continuation of the business of the day&mdash;I
+say, imagine a Roman girding himself up, literally girding
+himself up to make an after-dinner speech.</p>
+<p><i>Milverton</i>.&nbsp; I must allow that is rather a
+barbarous practice.</p>
+<p><i>Ellesmere</i>.&nbsp; If charity, or politics, cannot be
+done without such things, I suppose they are useful in their way;
+but let nobody ever imagine that they are a form of
+pleasure.&nbsp; People smearing each other over with stupid
+flattery, and most of the company being in dread of receiving
+some compliment which should oblige them to speak!</p>
+<p><i>Dunsford</i>.&nbsp; I should have thought, now, that you
+would always have had something to say, and therefore that you
+would not be so bitter against after-dinner speaking.</p>
+<p><i>Ellesmere</i>.&nbsp; No; when I have nothing to say, I can
+say nothing.</p>
+<p><i>Milverton</i>.&nbsp; Would it not be a pleasant thing if
+rich people would ask their friends sometimes to public
+amusements&mdash;order a play for them, for instance&mdash;or at
+any rate, provide some manifest amusement?&nbsp; They might,
+occasionally with great advantage, abridge the expense of their
+dinners; and throw it into other channels of hospitality.</p>
+<p><i>Ellesmere</i>.&nbsp; Ah, if they would have good acting at
+their houses, that would be very delightful; but I cannot say
+that the being taken to any place of public amusement would much
+delight me.&nbsp; By the way, Milverton, what do you say of
+theatres in the way of recreation?&nbsp; This decline of the
+drama, too, is a thing you must have thought about: let us hear
+your notions.</p>
+<p><i>Milverton</i>.&nbsp; I think one of the causes sometimes
+assigned, that reading is more spread, is a true and an important
+one; but, otherwise, I fancy that the present decline of the
+drama depends upon very small things which might be
+remedied.&nbsp; As to a love of the drama going out of the human
+heart, that is all nonsense.&nbsp; Put it at the lowest, what a
+great pleasure it is to hear a good play read.&nbsp; And again,
+as to serious pursuits unfitting men for dramatic entertainments,
+it is quite the contrary.&nbsp; A man, wearied with care and
+business, would find more change of ideas with less fatigue, in
+seeing a good play, than in almost any other way of amusing
+himself.</p>
+<p><i>Dunsford</i>.&nbsp; What are the causes then of the decline
+of the drama?</p>
+<p><i>Milverton</i>.&nbsp; In England, or rather in
+London,&mdash;for London is England for dramatic purposes; in
+London, then, theatrical arrangements seem to be framed to drive
+away people of sense.&nbsp; The noisome atmosphere, the difficult
+approach, the over-size of the great theatres, the intolerable
+length of performances.</p>
+<p><i>Ellesmere</i>.&nbsp; Hear! hear!</p>
+<p><i>Milverton</i>.&nbsp; The crowding together of theatres in
+one part of the town, the lateness of the hours&mdash;</p>
+<p><i>Ellesmere</i>.&nbsp; The folly of the audience, who always
+applaud in the wrong place&mdash;</p>
+<p><i>Dunsford</i>.&nbsp; There is no occasion to say any more; I
+am quite convinced.</p>
+<p><i>Milverton</i>.&nbsp; But these annoyances need not
+be.&nbsp; Build a theatre of moderate dimensions; give it great
+facility of approach; take care that the performances never
+exceed three hours; let lions and dwarfs pass by without any
+endeavour to get them within the walls; lay aside all ambition of
+making stage waves which may almost equal real Ramsgate waves to
+our cockney apprehensions.&nbsp; Of course there must be good
+players and good plays.</p>
+<p><i>Ellesmere</i>.&nbsp; Now we come to the part of Hamlet.</p>
+<p><i>Milverton</i>.&nbsp; Good players and good plays are both
+to be had if there were good demand for them.&nbsp; But, I was
+going to say, let there be all these things, especially let there
+be complete ventilation, and the theatre will have the most
+abundant success.&nbsp; Why, that one thing alone, the villainous
+atmosphere at most public places, is enough to daunt any sensible
+man from going to them.</p>
+<p><i>Dunsford</i>.&nbsp; There should be such a choice of
+plays&mdash;not merely Chamberlain-clipt&mdash;as any man or
+woman could go to.</p>
+<p><i>Milverton</i>.&nbsp; There should be certainly, but how is
+such a choice to be made, if the people who could regulate it,
+for the most part, stay away?&nbsp; It is a dangerous thing, the
+better classes leaving any great source of amusement and
+instruction wholly, or greatly, to the less refined classes.</p>
+<p><i>Dunsford</i>.&nbsp; Yes, I must confess it is.</p>
+<p>Great part of your arguments apply to musical as well as to
+theatrical entertainments.&nbsp; Do you find similar results with
+respect to them?</p>
+<p><i>Milverton</i>.&nbsp; Why, they are not attended by any
+means as they would be, or made what they might be, if the
+objections I mentioned were removed.</p>
+<p><i>Dunsford</i>.&nbsp; What do you say to the out-of-door
+entertainments for a town population?</p>
+<p><i>Milverton</i>.&nbsp; As I said before, my dear Dunsford, I
+cannot give you a chapter of a &ldquo;Book of
+Sports.&rdquo;&nbsp; There ought, of course, to be parks for all
+quarters of the town: and I confess it would please me better to
+see, in holiday times and hours of leisure, hearty games going on
+in these parks, than a number of people sauntering about in
+uncomfortably new and unaccustomed clothes.</p>
+<p><i>Ellesmere</i>.&nbsp; Do you not see, Dunsford, that, like a
+cautious official man, he does not want to enter into small
+details, which have always an air of ridicule?&nbsp; He is not
+prepared to pledge himself to cricket, golf, football, or
+prisoner&rsquo;s bars; but in his heart he is manifestly a Young
+Englander&mdash;without the white waistcoat.&nbsp; Nothing would
+please him better than to see in large letters, on one of those
+advertising vans, &ldquo;Great match!&nbsp; Victoria Park!!&nbsp;
+Eleven of Fleet Street against the Eleven of Saffron
+Hill!!!&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Well, there is a great deal in the
+spirit of Young England that I like very much, indeed that I
+respect.</p>
+<p><i>Ellesmere</i>.&nbsp; I should like the Young England party
+better myself if I were quite sure there was no connection
+between them and a clan of sour, pity-mongering people, who wash
+one away with eternal talk about the contrast between riches and
+poverty; with whom a poor man is always virtuous; and who would,
+if they could, make him as envious and as discontented as
+possible.</p>
+<p><i>Milverton</i>.&nbsp; Nothing can be more strikingly in
+contrast with such thinkers than Young England.&nbsp; Young
+Englanders, according to the best of their theories, ought to be
+men of warm sympathy with all classes.&nbsp; There is no doubt of
+this, that very seldom does any good thing arise, but there comes
+an ugly phantom of a caricature of it, which sidles up against
+the reality, mouths its favourite words as a third-rate actor
+does a great part, under-mimics its wisdom, over-acts its folly,
+is by half the world taken for it, goes some way to suppress it
+in its own time, and, perhaps, lives for it in history.</p>
+<p><i>Ellesmere</i>.&nbsp; Well brought out, that metaphor, but I
+don&rsquo;t know that it means more than that the followers of a
+system do in general a good deal to corrupt it, or that when a
+great principle is worked into human affairs, a considerable
+accretion of human folly and falseness mostly grows round it:
+which things some of us had a suspicion of before.</p>
+<p><i>Dunsford</i>.&nbsp; To go back to the subject.&nbsp; What
+would you do for country amusements, Milverton?&nbsp; That is
+what concerns me, you know.</p>
+<p><i>Milverton</i>.&nbsp; Athletic amusements go on naturally
+here: do not require so much fostering as in towns.&nbsp; The
+commons must be carefully kept: I have quite a Cobbettian fear of
+their being taken away from us under some plausible pretext or
+other.&nbsp; Well, then, it strikes me that a great deal might be
+done to promote the more refined pleasures of life among our
+rural population.&nbsp; I hope we shall live to see many of
+Hullah&rsquo;s pupils playing an important part in this
+way.&nbsp; Of course, the foundation for these things may best be
+laid at schools; and is being laid in some places, I am happy to
+say.</p>
+<p><i>Ellesmere</i>.&nbsp; Humph, music, sing-song!</p>
+<p><i>Milverton</i>.&nbsp; Don&rsquo;t you observe, Dunsford,
+that when Ellesmere wants to attack us, and does not exactly see
+how, he mutters to himself sarcastically, sneering himself up, as
+it were, to the attack.</p>
+<p><i>Ellesmere</i>.&nbsp; You and Dunsford are both wild for
+music, from barrel-organs upwards.</p>
+<p><i>Milverton</i>.&nbsp; I confess to liking the humblest
+attempts at melody.</p>
+<p><i>Dunsford</i>.&nbsp; I feel as Sir Thomas Browne tells us he
+felt, that &ldquo;even that vulgar and tavern music, which makes
+one man merry, another mad, strikes in me a deep fit of devotion
+and a profound contemplation of the first composer.&nbsp; There
+is something in it of divinity more than the ear discovers; it is
+an hieroglyphical and shadowed lesson of the whole world and
+creatures of God: such a melody to the ear as the whole world
+well understood, would afford the understanding.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Apropos of music in country places,
+when I was going about last year in the neighbouring county, I
+saw such a pretty scene at one of the towns.&nbsp; They had got
+up a band, which played once a week in the evening.&nbsp; It was
+a beautiful summer evening, and the window of my room at the end
+overlooked the open space they had chosen for their
+performances.&nbsp; There was the great man of the neighbourhood
+in his carriage looking as if he came partly on duty, as well as
+for pleasure.&nbsp; Then there were burly tradesmen, with an air
+of quiet satisfaction, sauntering about, or leaning against
+railings.&nbsp; Some were no doubt critical&mdash;thought that
+Will Miller did not play as well as usual this evening.&nbsp;
+Will&rsquo;s young wife, who had come out to look again at him in
+his band dress (for the band had a uniform), thought
+differently.&nbsp; Little boys broke out into imaginary polkas,
+having some distant reference to the music: not without grace
+though.&nbsp; The sweep was pre-eminent: as if he would say,
+&ldquo;Dirty and sooty as I am I have a great deal of fun in
+me.&nbsp; Indeed, what would May-day be but for me?&rdquo;&nbsp;
+Studious little boys of the free-school, all green
+grasshopper-looking, walked about as boys knowing something of
+Latin.&nbsp; Here and there went a couple of them in childish
+loving way, with their arms about each other&rsquo;s necks.&nbsp;
+Matrons and shy young maidens sat upon the door-steps near.&nbsp;
+Many a merry laugh filled up the interludes of music.&nbsp; And
+when evening came softly down upon us, the band finished with
+&ldquo;God save the Queen,&rdquo; the little circle of those who
+would hear the last note moved off, there was a clattering of
+shutters, a shining of lights through casement-windows, and soon
+the only sound to be heard was the rough voice of some villager,
+who would have been too timid to adventure anything by daylight,
+but now sang boldly out as he went homewards.</p>
+<p><i>Ellesmere</i>.&nbsp; Very pretty, but it sounds to me
+somewhat fabulous.</p>
+<p><i>Milverton</i>.&nbsp; I assure you&mdash;</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, you were tired, had a good
+dinner, read a speech for or against the corn-laws, fell asleep
+of course, and had this ingenious dream, which, to this day, you
+believe to have been a reality.&nbsp; I understand it all.</p>
+<p><i>Milverton</i>.&nbsp; I wish I could have many more such
+dreams.</p>
+<h2>CHAPTER V.</h2>
+<p><span class="smcap">Our</span> last conversation broke off
+abruptly on the entrance of a visitor: we forgot to name a time
+for our next meeting; and when I came again, I found Milverton
+alone in his study.&nbsp; He was reading Count Rumford&rsquo;s
+essays.</p>
+<p><i>Dunsford</i>.&nbsp; So you are reading Count Rumford.&nbsp;
+What is it that interests you there?</p>
+<p><i>Milverton</i>.&nbsp; Everything he writes about.&nbsp; He
+is to me a delightful writer.&nbsp; He throws so much life into
+all his writings.&nbsp; Whether they are about making the most of
+food or fuel, or propounding the benefits of bathing, or
+inveighing against smoke, it is that he went and saw and did and
+experimented himself upon himself.&nbsp; His proceedings at
+Munich to feed the poor are more interesting than many a
+novel.&nbsp; It is surprising, too, how far he was before the
+world in all the things he gave his mind to.</p>
+<p>Here Ellesmere entered.</p>
+<p><i>Ellesmere</i>.&nbsp; I heard you were come, Dunsford: I
+hope we shall have an essay to-day.&nbsp; My critical faculties
+have been dormant for some days, and want to be roused a
+little.&nbsp; Milverton was talking to you about Count Rumford
+when I came in, was he not?&nbsp; Ah, the Count is a great
+favourite with Milverton when he is down here; but there is a
+book upstairs which is Milverton&rsquo;s real favourite just now,
+a portentous-looking book; some relation to a blue-book,
+something about sewerage, or health of towns, or public
+improvements, over which said book our friend here goes into
+enthusiasms.&nbsp; I am sure if it could be reduced to the size
+of that tatterdemalion Horace that he carries about, the poor
+little Horace would be quite supplanted.</p>
+<p><i>Milverton</i>.&nbsp; Now, I must tell you, Dunsford, that
+Ellesmere himself took up this book he talks about, and it was a
+long time before he put it down.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, there is something in real life,
+even though it is in the unheroic part of it, that interests
+one.&nbsp; I mean to get through the book.</p>
+<p><i>Dunsford</i>.&nbsp; What are we to have to-day for our
+essay?</p>
+<p>Milverton.&nbsp; Let us adjourn to the garden, and I will read
+you an essay on Greatness, if I can find it.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>We went to our favourite place, and Milverton read us the
+following essay.</p>
+<h3>GREATNESS.</h3>
+<p>You cannot substitute any epithet for great, when you are
+talking of great men.&nbsp; Greatness is not general dexterity
+carried to any extent; nor proficiency in any one subject of
+human endeavour.&nbsp; There are great astronomers, great
+scholars, great painters, even great poets who are very far from
+great men.&nbsp; Greatness can do without success and with
+it.&nbsp; William is greater in his retreats than Marlborough in
+his victories.&nbsp; On the other hand, the uniformity of
+C&aelig;sar&rsquo;s success does not dull his greatness.&nbsp;
+Greatness is not in the circumstances, but in the man.</p>
+<p>What does this greatness then consist in?&nbsp; Not in a nice
+balance of qualities, purposes, and powers.&nbsp; That will make
+a man happy, a successful man, a man always in his right
+depth.&nbsp; Nor does it consist in absence of errors.&nbsp; We
+need only glance back at any list that can be made of great men,
+to be convinced of that.&nbsp; Neither does greatness consist in
+energy, though often accompanied by it.&nbsp; Indeed, it is
+rather the breadth of the waters than the force of the current
+that we look to, to fulfil our idea of greatness.&nbsp; There is
+no doubt that energy acting upon a nature endowed with the
+qualities that we sum up in the word cleverness, and directed to
+a few clear purposes, produces a great effect, and may sometimes
+be mistaken for greatness.&nbsp; If a man is mainly bent upon his
+own advancement, it cuts many a difficult knot of policy for him,
+and gives a force and distinctness to his mode of going on which
+looks grand.&nbsp; The same happens if he has one pre-eminent
+idea of any kind, even though it should be a narrow one.&nbsp;
+Indeed, success in life is mostly gained by unity of purpose;
+whereas greatness often fails by reason of its having manifold
+purposes, but it does not cease to be greatness on that
+account.</p>
+<p>If greatness can be shut up in qualities, it will be found to
+consist in courage and in openness of mind and soul.&nbsp; These
+qualities may not seem at first to be so potent.&nbsp; But see
+what growth there is in them.&nbsp; The education of a man of
+open mind is never ended.&nbsp; Then, with openness of soul, a
+man sees some way into all other souls that come near him, feels
+with them, has their experience, is in himself a people.&nbsp;
+Sympathy is the universal solvent.&nbsp; Nothing is understood
+without it.&nbsp; The capacity of a man, at least for
+understanding, may almost be said to vary according to his powers
+of sympathy.&nbsp; Again, what is there that can counteract
+selfishness like sympathy?&nbsp; Selfishness may be hedged in by
+minute watchfulness and self-denial, but it is counteracted by
+the nature being encouraged to grow out and fix its tendrils upon
+foreign objects.</p>
+<p>The immense defect that want of sympathy is, may be strikingly
+seen in the failure of the many attempts that have been made in
+all ages to construct the Christian character, omitting
+sympathy.&nbsp; It has produced numbers of people walking up and
+down one narrow plank of self-restraint, pondering over their own
+merits and demerits, keeping out, not the world exactly, but
+their fellow-creatures from their hearts, and caring only to
+drive their neighbours before them on this plank of theirs, or to
+push them headlong.&nbsp; Thus, with many virtues, and much hard
+work at the formation of character, we have had splendid bigots
+or censorious small people.</p>
+<p>But sympathy is warmth and light too.&nbsp; It is, as it were,
+the moral atmosphere connecting all animated natures.&nbsp;
+Putting aside, for a moment, the large differences that opinions,
+language, and education make between men, look at the innate
+diversity of character.&nbsp; Natural philosophers were amazed
+when they thought they had found a new-created species.&nbsp; But
+what is each man but a creature such as the world has not before
+seen?&nbsp; Then think how they pour forth in multitudinous
+masses, from princes delicately nurtured to little boys on
+scrubby commons, or in dark cellars.&nbsp; How are these people
+to be understood, to be taught to understand each other, but by
+those who have the deepest sympathies with all?&nbsp; There
+cannot be a great man without large sympathy.&nbsp; There may be
+men who play loud-sounding parts in life without it, as on the
+stage, where kings and great people sometimes enter who are only
+characters of secondary import&mdash;deputy great men.&nbsp; But
+the interest and the instruction lie with those who have to feel
+and suffer most.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>Add courage to this openness we have been considering, and you
+have a man who can own himself in the wrong, can forgive, can
+trust, can adventure, can, in short, use all the means that
+insight and sympathy endow him with.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>I see no other essential characteristics in the greatness of
+nations than there are in the greatness of individuals.&nbsp;
+Extraneous circumstances largely influence nations as
+individuals; and make a larger part of the show of the former
+than of the latter; as we are wont to consider no nation great
+that is not great in extent or resources, as well as in
+character.&nbsp; But of two nations, equal in other respects, the
+superiority must belong to the one which excels in courage and
+openness of mind and soul.</p>
+<p>Again, in estimating the relative merits of different periods
+of the world, we must employ the same tests of greatness that we
+use to individuals.&nbsp; To compare, for instance, the present
+and the past.&nbsp; What astounds us most in the past is the
+wonderful intolerance and cruelty: a cruelty constantly turning
+upon the inventors: an intolerance provoking ruin to the thing it
+would foster.&nbsp; The most admirable precepts are thrown from
+time to time upon this cauldron of human affairs, and oftentimes
+they only seem to make it blaze the higher.&nbsp; We find men
+devoting the best part of their intellects to the invariable
+annoyance and persecution of their fellows.&nbsp; You might think
+that the earth brought forth with more abundant fruitfulness in
+the past than now, seeing that men found so much time for
+cruelty, but that you read of famines and privations which these
+latter days cannot equal.&nbsp; The recorded violent deaths
+amount to millions.&nbsp; And this is but a small part of the
+matter.&nbsp; Consider the modes of justice; the use of torture,
+for instance.&nbsp; What must have been the blinded state of the
+wise persons (wise for their day) who used torture?&nbsp; Did
+they ever think themselves, &ldquo;What should we not say if we
+were subjected to this?&rdquo;&nbsp; Many times they must really
+have desired to get at the truth; and such was their mode of
+doing it.&nbsp; Now, at the risk of being thought &ldquo;a
+laudator&rdquo; of time present, I would say, here is the element
+of greatness we have made progress in.&nbsp; We are more open in
+mind and soul.&nbsp; We have arrived (some of us at least) at the
+conclusion that men may honestly differ without offence.&nbsp; We
+have learned to pity each other more.&nbsp; There is a greatness
+in modern toleration which our ancestors knew not.</p>
+<p>Then comes the other element of greatness, courage.&nbsp; Have
+we made progress in that?&nbsp; This is a much more dubious
+question.&nbsp; The subjects of terror vary so much in different
+times that it is difficult to estimate the different degrees of
+courage shown in resisting them.&nbsp; Men fear public opinion
+now as they did in former times the Star Chamber; and those awful
+goddesses, Appearances, are to us what the Fates were to the
+Greeks.&nbsp; It is hardly possible to measure the courage of a
+modern against that of an ancient; but I am unwilling to believe
+but that enlightenment must strengthen courage.</p>
+<p>The application of the tests of greatness, as in the above
+instance, is a matter of detail and of nice appreciation, as to
+the results of which men must be expected to differ largely: the
+tests themselves remain invariable&mdash;openness of nature to
+admit the light of love and reason, and courage to pursue it.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; I agree to your theory, as far as
+openness of nature is concerned; but I do not much like to put
+that half-brute thing, courage, so high.</p>
+<p><i>Milverton</i>.&nbsp; Well, you cannot have greatness
+without it: you may have well-intentioned people and far-seeing
+people; but if they have no stoutness of heart, they will only be
+shifty or remonstrant, nothing like great.</p>
+<p><i>Ellesmere</i>.&nbsp; You mean will, not courage.&nbsp;
+Without will, your open-minded, open-hearted man may be like a
+great, rudderless vessel driven about by all winds: not a small
+craft, but a most uncertain one.</p>
+<p><i>Milverton</i>.&nbsp; No, I mean both: both will and
+courage.&nbsp; Courage is the body to will.</p>
+<p><i>Ellesmere</i>.&nbsp; I believe you are right in that; but
+do not omit will.&nbsp; It amused me to see how you brought in
+one of your old notions&mdash;that this age is not
+contemptible.&nbsp; You scribbling people are generally on the
+other side.</p>
+<p><i>Milverton</i>.&nbsp; You malign us.&nbsp; If I must give
+any account for my personal predilection for modern times, it
+consists perhaps in this, that we may now speak our mind.&nbsp;
+What Tennyson says of his own land,</p>
+<blockquote><p>&ldquo;The land where, girt with friend or foe,<br
+/>
+A man may say the thing he will,&rdquo;&mdash;</p>
+</blockquote>
+<p>may be said, in some measure, of the age in which we
+live.&nbsp; This is an inexpressible comfort.&nbsp; This doubles
+life.&nbsp; These things surely may be said in favour of the
+present age, not with a view to puff it up, but so far to
+encourage ourselves, as we may by seeing that the world does not
+go on for nothing, that all the misery, blood, and toil that have
+been spent, were not poured out in vain.&nbsp; Could we have our
+ancestors again before us, would they not rejoice at seeing what
+they had purchased for us: would they think it any compliment to
+them to extol their times at the expense of the present, and so
+to intimate that their efforts had led to nothing?</p>
+<p><i>Ellesmere</i>.&nbsp; &ldquo;I doubt,&rdquo; as Lord Eldon
+would have said; no, upon second thoughts, I do not doubt.&nbsp;
+I feel assured that a good many of these said ancestors you are
+calling up would be much discomforted at finding that all their
+suffering had led to no sure basis of persecution of the other
+side.</p>
+<p><i>Dunsford</i>.&nbsp; I wonder, Ellesmere, what you would
+have done in persecuting times.&nbsp; What escape would your
+sarcasm have found for itself?</p>
+<p><i>Milverton</i>.&nbsp; Some orthodox way, I daresay.&nbsp; I
+do not think he would have been particularly fond of
+martyrdom.</p>
+<p><i>Ellesmere</i>.&nbsp; No.&nbsp; I have no taste for making
+torches for truth, or being one: I prefer humane darkness to such
+illumination.&nbsp; At the same time one cannot tell lies; and if
+one had been questioned about the incomprehensibilities which men
+in former days were so fierce upon, one must have shown that one
+disagreed with all parties.</p>
+<p><i>Dunsford</i>.&nbsp; Do not say &ldquo;one:&rdquo;&nbsp;
+<i>I</i> should not have disagreed with the great Protestant
+leaders in the Reformation, for instance.</p>
+<p><i>Ellesmere</i>.&nbsp; Humph.</p>
+<p><i>Milverton</i>.&nbsp; If we get aground upon the
+Reformation, we shall never push off again&mdash;else would I say
+something far from complimentary to those Protestant proceedings
+which we may rather hope were Tudoresque than Protestant.</p>
+<p><i>Ellesmere</i>.&nbsp; No, that is not fair.&nbsp; The Tudors
+were a coarse, fierce race; but it will not do to lay the faults
+of their times upon them only.&nbsp; Look at Elizabeth&rsquo;s
+ministers.&nbsp; They had about as much notion of religious
+tolerance as they had of Professor Wheatstone&rsquo;s
+telegraph.&nbsp; It was not a growth of that age.</p>
+<p><i>Milverton</i>.&nbsp; I do not know.&nbsp; You have Cardinal
+Pole and the Earl of Essex, both tolerant men in the midst of
+bigots.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, as you said, Milverton, we shall
+never push off, if we once get aground on this subject.</p>
+<p><i>Dunsford</i>.&nbsp; I am in fault: so I will take upon
+myself to bring you quite away from the Reformation.&nbsp; I have
+been thinking of that comparison in the essay of the present with
+the past.&nbsp; Such comparisons seem to me very useful, as they
+best enable us to understand our own times.&nbsp; And, then, when
+we have ascertained the state and tendency of our own age, we
+ought to strive to enrich it with those qualities which are
+complementary to its own.&nbsp; Now with all this toleration,
+which delights you so much, dear Milverton, is it not an age
+rather deficient in caring about great matters?</p>
+<p><i>Milverton</i>.&nbsp; If you mean great speculative matters,
+I might agree with you; but if you mean what I should call the
+greatest matters, such as charity, humanity, and the like, I
+should venture to differ with you, Dunsford.</p>
+<p><i>Dunsford</i>.&nbsp; I do not like to see the world
+indifferent to great speculative matters.&nbsp; I then fear
+shallowness and earthiness.</p>
+<p><i>Milverton</i>.&nbsp; It is very difficult to say what the
+world is thinking of now.&nbsp; It is certainly wrong to suppose
+that this is a shallow age because it is not driven by one
+impulse.&nbsp; As civilisation advances, it becomes more
+difficult to estimate what is going on, and we set it all down as
+confusion.&nbsp; Now there is not one &ldquo;great antique
+heart,&rdquo; whose beatings we can count, but many impulses,
+many circles of thought in which men are moving many
+objects.&nbsp; Men are not all in the same state of progress, so
+cannot be moved in masses as of old.&nbsp; At one time chivalry
+urged all men, then the Church, and the phenomena were few,
+simple, and broad, or at least they seem so in history.</p>
+<p><i>Ellesmere</i>.&nbsp; Very true; still I agree somewhat with
+Dunsford, that men are not agitated as they used to be by the
+great speculative questions.&nbsp; I account for it in this way,
+that the material world has opened out before us, and we cannot
+but look at that, and must play with it and work at it.&nbsp; I
+would say, too, that philosophy had been found out, and there is
+something in that.&nbsp; Still, I think if it were not for the
+interest now attaching to material things, great intellectual
+questions, not exactly of the old kind, would arise and agitate
+the world.</p>
+<p><i>Milverton</i>.&nbsp; There is one thing in my mind that may
+confirm your view.&nbsp; I cannot but think that the enlarged
+view we have of the universe must in some measure damp personal
+ambition.&nbsp; What is it to be a King, Sheik, Tetrarch, or
+Emperor, over a bit of a little bit?&nbsp; Macbeth&rsquo;s
+speech, &ldquo;we&rsquo;d jump the life to come,&rdquo; is a
+thing a man with modern lights, however madly ambitious, would
+hardly utter.</p>
+<p><i>Dunsford</i>.&nbsp; Religious lights, Milverton.</p>
+<p><i>Milverton</i>.&nbsp; Of course not, if he had them; but I
+meant scientific lights.&nbsp; Sway over our fellow-creatures, at
+any rate anything but mental sway, has shrunk into less
+proportions.</p>
+<p><i>Ellesmere</i>.&nbsp; I have been looking over the
+essay.&nbsp; I think you may put in somewhere&mdash;that that age
+would probably be the greatest in which there was the least
+difference between great men and the people in general&mdash;when
+the former were only neglected, not hunted down.</p>
+<p><i>Milverton</i>.&nbsp; Yes.</p>
+<p><i>Ellesmere</i>.&nbsp; You are rather lengthy here about the
+cruelties to be found in history; but we are apt to forget these
+matters.</p>
+<p><i>Milverton</i>.&nbsp; They always press upon my mind.</p>
+<p><i>Dunsford</i>.&nbsp; And on mine.&nbsp; I do not like to
+read much of history for that very reason.&nbsp; I get so sick at
+heart about it all.</p>
+<p><i>Milverton</i>.&nbsp; Ah, yes, history is a stupendous
+thing.&nbsp; To read it is like looking at the stars; we turn
+away in awe and perplexity.&nbsp; Yet there is some method
+running through the little affairs of man as through the
+multitude of suns, seemingly to us as confused as routed armies
+in full flight.</p>
+<p><i>Dunsford</i>.&nbsp; Some law of love.</p>
+<p><i>Ellesmere</i>.&nbsp; I am afraid it is not in the past
+alone that we should be awestruck with horrors: we, who have a
+slave-trade still on earth.&nbsp; But, to go back to the essay, I
+like what you say about the theory of constructing the Christian
+character without geniality; only you do not go far enough.&nbsp;
+You are afraid.&nbsp; People are for ever talking, especially you
+philanthropical people, about making others happy.&nbsp; I do not
+know any way so sure of making others happy as of being so
+oneself, to begin with.&nbsp; I do not mean that people are to be
+self-absorbed; but they are to drink in nature and life a
+little.&nbsp; From a genial, wisely-developed man good things
+radiate; whereas you must allow, Milverton, that benevolent
+people are very apt to be one-sided and fussy, and not of the
+sweetest temper if others will not be good and happy in their
+way.</p>
+<p><i>Milverton</i>.&nbsp; That is really not fair.&nbsp; Of
+course, acid, small-minded people carry their narrow notions and
+their acidity into their benevolence.&nbsp; Benevolence is no
+abstract perfection.&nbsp; Men will express their benevolence
+according to their other gifts or want of gifts.&nbsp; If it is
+strong, it overcomes other things in the character which would be
+hindrances to it; but it must speak in the language of the soul
+it is in.</p>
+<p><i>Ellesmere</i>.&nbsp; Come, let us go and see the
+pigs.&nbsp; I hear them grunting over their dinners in the
+farmyard.&nbsp; I like to see creatures who can be happy without
+a theory.</p>
+<h2>CHAPTER VI.</h2>
+<p><span class="smcap">The</span> next time that I came over to
+Worth-Ashton it was raining, and I found my friends in the
+study.</p>
+<p>&ldquo;Well, Dunsford,&rdquo; said Ellesmere, &ldquo;is it not
+comfortable to have our sessions here for once, and to be looking
+out on a good solid English wet day?&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Rather a fluid than a solid.&nbsp; But
+I agree with you in thinking it is very comfortable here.</p>
+<p><i>Ellesmere</i>.&nbsp; I like to look upon the backs of
+books.&nbsp; First I think how much of the owner&rsquo;s inner
+life and character is shown in his books; then perhaps I wonder
+how he got such a book which seems so remote from all that I know
+of him&mdash;</p>
+<p><i>Milverton</i>.&nbsp; I shall turn my books the wrong side
+upwards when you come into the study.</p>
+<p><i>Ellesmere</i>.&nbsp; But what amuses me most is to see the
+odd way in which books get together, especially in the library of
+a man who reads his books and puts them up again wherever there
+is room.&nbsp; Now here is a charming party: &ldquo;A Treatise on
+the Steam-Engine&rdquo; between &ldquo;Locke on
+Christianity&rdquo; and Madame de Stael&rsquo;s
+&ldquo;Corinne.&rdquo;&nbsp; I wonder what they talk about at
+night when we are all asleep.&nbsp; Here is another happy
+juxtaposition: old Clarendon next to a modern metaphysician whom
+he would positively loathe.&nbsp; Here is Sadler next to Malthus,
+and Horsley next to Priestley; but this sort of thing happens
+most in the best regulated libraries.&nbsp; It is a charming
+reflection for controversial writers, that their works will be
+put together on the same shelves, often between the same covers;
+and that, in the minds of educated men, the name of one writer
+will be sure to recall the name of the other.&nbsp; So they go
+down to posterity as a brotherhood.</p>
+<p><i>Milverton</i>.&nbsp; To complete Ellesmere&rsquo;s theory,
+we may say that all those injuries to books which we choose to
+throw upon some wretched worm, are but the wounds from rival
+books.</p>
+<p><i>Ellesmere</i>.&nbsp; Certainly.&nbsp; But now let us
+proceed to polish up the weapons of another of these spiteful
+creatures.</p>
+<p><i>Dunsford</i>.&nbsp; Yes.&nbsp; What is to be our essay
+to-day, Milverton?</p>
+<p><i>Milverton</i>.&nbsp; Fiction.</p>
+<p><i>Ellesmere</i>.&nbsp; Now, that is really unfortunate.&nbsp;
+Fiction is just the subject to be discussed&mdash;no, not
+discussed, talked over&mdash;out of doors on a hot day, all of us
+lying about in easy attitudes on the grass, Dunsford with his
+gaiters forming a most picturesque and prominent figure.&nbsp;
+But there is nothing complete in this life.&nbsp; &ldquo;Surgit
+amari aliquid:&rdquo; and so we must listen to Fiction in
+arm-chairs.</p>
+<h3>FICTION.</h3>
+<p>The influence of works of fiction is unbounded.&nbsp; Even the
+minds of well-informed people are often more stored with
+characters from acknowledged fiction than from history or
+biography, or the real life around them.&nbsp; We dispute about
+these characters as if they were realities.&nbsp; Their
+experience is our experience; we adopt their feelings, and
+imitate their acts.&nbsp; And so there comes to be something
+traditional even in the management of the passions.&nbsp;
+Shakespeare&rsquo;s historical plays were the only history to the
+Duke of Marlborough.&nbsp; Thousands of Greeks acted under the
+influence of what Achilles or Ulysses did, in Homer.&nbsp; The
+poet sings of the deeds that shall be.&nbsp; He imagines the
+past; he forms the future.</p>
+<p>Yet how surpassingly interesting is real life when we get an
+insight into it.&nbsp; Occasionally a great genius lifts up the
+veil of history, and we see men who once really were alive, who
+did not always live only in history; or, amidst the dreary page
+of battles, levies, sieges, and the sleep-inducing weavings and
+unweavings of political combination, we come, ourselves, across
+some spoken or written words of the great actors of the time, and
+are then fascinated by the life and reality of these
+things.&nbsp; Could you have the life of any man really portrayed
+to you, sun-drawn as it were, its hopes, its fears, its
+revolutions of opinion in each day, its most anxious wishes
+attained, and then, perhaps, crystallising into its blackest
+regrets&mdash;such a work would go far to contain all histories,
+and be the greatest lesson of love, humility, and tolerance, that
+men had ever read.</p>
+<p>Now fiction does attempt something like the above.&nbsp; In
+history we are cramped by impertinent facts that must, however,
+be set down; by theories that must be answered; evidence that
+must be weighed; views that must be taken.&nbsp; Our facts
+constantly break off just where we should wish to examine them
+most closely.&nbsp; The writer of fiction follows his characters
+into the recesses of their hearts.&nbsp; There are no closed
+doors for him.&nbsp; His puppets have no secrets from their
+master.&nbsp; He plagues you with no doubts, no half-views, no
+criticism.&nbsp; Thus they thought, he tells you; thus they
+looked, thus they acted.&nbsp; Then, with every opportunity for
+scenic arrangement (for though his characters are confidential
+with him, he is only as confidential with his reader as the
+interest of the story will allow), it is not to be wondered at
+that the majority of readers should look upon history as a task,
+but tales of fiction as a delight.</p>
+<p>The greatest merit of fiction is the one so ably put forward
+by Sir James Mackintosh, namely, that it creates and nourishes
+sympathy.&nbsp; It extends this sympathy, too, in directions
+where, otherwise, we hardly see when it would have come.&nbsp;
+But it may be objected that this sympathy is indiscriminate, and
+that we are in danger of mixing up virtue and vice, and blurring
+both, if we are led to sympathise with all manner of
+wrong-doers.&nbsp; But, in the first place, virtue and vice are
+so mixed in real life, that it is well to be somewhat prepared
+for that fact; and, moreover, the sympathy is not wrongly
+directed.&nbsp; Who has not felt intense sympathy for
+Macbeth?&nbsp; Yet could he be alive again, with evil thoughts
+against &ldquo;the gracious Duncan,&rdquo; and could he see into
+all that has been felt for him, would that be an encouragement to
+murder?&nbsp; The intense pity of wise people for the crimes of
+others, when rightly represented, is one of the strongest
+antidotes against crime.&nbsp; We have taken the extreme case of
+sympathy being directed towards bad men.&nbsp; How often has
+fiction made us sympathise with obscure suffering and retiring
+greatness, with the world-despised, and especially with those
+mixed characters in whom we might otherwise see but one
+colour&mdash;with Shylock and with Hamlet, with Jeanie Deans and
+with Claverhouse, with Sancho Panza as well as with Don
+Quixote.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>On the other hand, there is a danger of too much converse with
+fiction leading us into dream-land, or rather into
+lubber-land.&nbsp; Of course this &ldquo;too much converse&rdquo;
+implies large converse with inferior writers.&nbsp; Such writers
+are too apt to make life as they would have it for
+themselves.&nbsp; Sometimes, also, they must make it to suit
+booksellers&rsquo; rules.&nbsp; Having such power over their
+puppets they abuse it.&nbsp; They can kill these puppets, change
+their natures suddenly, reward or punish them so easily, that it
+is no wonder they are led to play fantastic tricks with
+them.&nbsp; Now, if a sedulous reader of the works of such
+writers should form his notions of real life from them, he would
+occasionally meet with rude shocks when he encountered the
+realities of that life.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>For my own part, notwithstanding all the charms of life in
+swiftly-written novels, I prefer real life.&nbsp; It is true
+that, in the former, everything breaks off round, every little
+event tends to some great thing, everybody one meets is to
+exercise some great influence for good or ill upon one&rsquo;s
+fate.&nbsp; I take it for granted one fancies oneself the
+hero.&nbsp; Then all one&rsquo;s fancy is paid in ready money, or
+at least one can draw upon it at the end of the third
+volume.&nbsp; One leaps to remote wealth and honour by
+hairbreadth chances; and one&rsquo;s uncle in India always dies
+opportunely.&nbsp; To be sure the thought occurs, that if this
+novel life could be turned into real life, one might be the uncle
+in India and not the hero of the tale.&nbsp; But that is a
+trifling matter, for at any rate one should carry on with spirit
+somebody else&rsquo;s story.&nbsp; On the whole, however, as I
+said before, I prefer real life, where nothing is tied up neatly,
+but all in odds and ends; where the doctrine of compensation
+enters largely, where we are often most blamed when we least
+deserve it, where there is no third volume to make things
+straight, and where many an Augustus marries many a Belinda, and,
+instead of being happy ever afterwards, finds that there is a
+growth of trials and troubles for each successive period of
+man&rsquo;s life.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>In considering the subject of fiction, the responsibility of
+the writers thereof is a matter worth pointing out.&nbsp; We see
+clearly enough that historians are to be limited by facts and
+probabilities; but we are apt to make a large allowance for the
+fancies of writers of fiction.&nbsp; We must remember, however,
+that fiction is not falsehood.&nbsp; If a writer puts abstract
+virtues into book-clothing, and sends them upon stilts into the
+world, he is a bad writer: if he classifies men, and attributes
+all virtue to one class and all vice to another, he is a false
+writer.&nbsp; Then, again, if his ideal is so poor, that he
+fancies man&rsquo;s welfare to consist in immediate happiness; if
+he means to paint a great man and paints only a greedy one, he is
+a mischievous writer and not the less so, although by lamplight
+and amongst a juvenile audience, his coarse scene-painting should
+be thought very grand.&nbsp; He may be true to his own fancy, but
+he is false to Nature.&nbsp; A writer, of course, cannot get
+beyond his own ideal: but at least he should see that he works up
+to it: and if it is a poor one, he had better write histories of
+the utmost concentration of dulness, than amuse us with unjust
+and untrue imaginings.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; I am glad you have kept to the obvious
+things about fiction.&nbsp; It would have been a great nuisance
+to have had to follow you through intricate theories about what
+fiction consists in, and what are its limits, and so on.&nbsp;
+Then we should have got into questions touching the laws of
+representation generally, and then into art, of which, between
+ourselves, you know very little.</p>
+<p><i>Dunsford</i>.&nbsp; Talking of representation, what do you
+two, who have now seen something of the world, think about
+representative government?</p>
+<p><i>Ellesmere</i>.&nbsp; Dunsford plumps down upon us sometimes
+with awful questions: what do you think of all philosophy? or
+what is your opinion of life in general?&nbsp; Could not you
+throw in a few small questions of that kind, together with your
+representative one, and we might try to answer them all at
+once.&nbsp; Dunsford is only laughing at us, Milverton.</p>
+<p><i>Milverton</i>.&nbsp; No, I know what was in
+Dunsford&rsquo;s mind when he asked that question.&nbsp; He has
+had his doubts and misgivings, when he has been reading a six
+nights&rsquo; debate (for the people in the country I daresay do
+read those things), whether representative government is the most
+complete device the human mind could suggest for getting at wise
+rulers.</p>
+<p><i>Ellesmere</i>.&nbsp; It is a doubt which has crossed my
+mind.</p>
+<p><i>Milverton</i>.&nbsp; And mine; but the doubt, if it has
+ever been more than mere petulance, has not had much practical
+weight with me.&nbsp; Look how the business of the world is
+managed.&nbsp; There are a few people who think out things, and a
+few who execute.&nbsp; The former are not to be secured by any
+device.&nbsp; They are gifts.&nbsp; The latter may be well
+chosen, have often been well chosen, under other forms of
+government than the representative one.&nbsp; I believe that the
+favourites of kings have been a superior race of men.&nbsp; Even
+a fool does not choose a fool for a favourite.&nbsp; He knows
+better than that: he must have something to lean against.&nbsp;
+But between the thinkers and the doers (if, indeed, we ought to
+make such a distinction), <i>what a number of useful links there
+are in a representative government</i> on account of the much
+larger number of people admitted into some share of
+government.&nbsp; What general cultivation must come from that,
+and what security!&nbsp; Of course, everything has its wrong
+side; and from this number of people let in there comes
+declamation and claptrap and mob-service, which is much the same
+thing as courtiership was in other times.&nbsp; But then, to make
+the comparison a fair one, you must take the wrong side of any
+other form of government that has been devised.</p>
+<p><i>Dunsford</i>.&nbsp; Well, but so much power centring in the
+lower house of Parliament, and the getting into Parliament being
+a thing which is not very inviting to the kind of people one
+would most like to see there, do you not think that the ablest
+men are kept away?</p>
+<p><i>Milverton</i>.&nbsp; Yes; but if you make your governing
+body a unit or a ten, or any small number, how is this power,
+unless it is Argus-eyed, and myriad-minded, and right-minded too,
+to choose the right men any better than they are found now?&nbsp;
+The great danger, as it appears to me, of representative
+government is lest it should slide down from representative
+government to delegate government.&nbsp; In my opinion, the
+welfare of England, in great measure, depends upon what takes
+place at the hustings.&nbsp; If, in the majority of instances,
+there were abject conduct there, electors and elected would be
+alike debased; upright public men could not be expected to arise
+from such beginnings; and thoughtful persons would begin to
+consider whether some other form of government could not
+forthwith be made out.</p>
+<p><i>Ellesmere</i>.&nbsp; I have a supreme disgust for the man
+who at the hustings has no opinion beyond or above the clamour
+round him.&nbsp; How such a fellow would have kissed the ground
+before a Pompadour, or waited for hours in a Buckingham&rsquo;s
+antechamber, only to catch the faintest beam of reflected light
+from royalty.</p>
+<p>But I declare we have been just like schoolboys talking about
+forms of government and so on.</p>
+<blockquote><p>&ldquo;For forms of government let fools
+contest,<br />
+That which is <i>worst</i> administered is
+best,&rdquo;&mdash;</p>
+</blockquote>
+<p>that is, representative government.</p>
+<p><i>Milverton</i>.&nbsp; I should not like either of you to
+fancy, from what I have been saying about representative
+government, that I do not see the dangers and the evils of
+it.&nbsp; In fact, it is a frequent thought with me of what
+importance the House of Lords is at present, and of how much
+greater importance it might be made.&nbsp; If there were Peers
+for life, and official members of the House of Commons, it would,
+I think, meet most of your objections, Dunsford.</p>
+<p><i>Dunsford</i>.&nbsp; I suppose I am becoming a little rusty
+and disposed to grumble, as I grow old; but there is a good deal
+in modern government which seems to me very rude and
+absurd.&nbsp; There comes a clamour, partly reasonable; power is
+deaf to it, overlooks it, says there is no such thing; then great
+clamour; after a time, power welcomes that, takes it to its arms,
+says that now it is loud it is very wise, wishes it had always
+been clamour itself.</p>
+<p><i>Ellesmere</i>.&nbsp; How many acres do you farm,
+Dunsford?&nbsp; How spiteful you are!</p>
+<p><i>Dunsford</i>.&nbsp; I am not thinking of Corn Laws alone,
+as you fancy, Master Ellesmere.&nbsp; But to go to other
+things.&nbsp; I quite agree, Milverton, with what you were saying
+just now about the business of the world being carried on by few,
+and the thinking few being in the nature of gifts to the world,
+not elicited by King or Kaiser.</p>
+<p><i>Milverton</i>.&nbsp; The mill-streams that turn the
+clappers of the world arise in solitary places.</p>
+<p><i>Ellesmere</i>.&nbsp; Not a bad metaphor, but untrue.&nbsp;
+Aristotle, Bacon&mdash;</p>
+<p><i>Milverton</i>.&nbsp; Well, I believe it would be much wiser
+to say, that we cannot lay down rules about the highest work;
+either when it is done, where it will be done, or how it can be
+made to be done.&nbsp; It is too immaterial for our measurement;
+for the highest part even of the mere business of the world is in
+dealing with ideas.&nbsp; It is very amusing to observe the
+misconceptions of men on these points.&nbsp; They call for what
+is outward&mdash;can understand that, can praise it.&nbsp;
+Fussiness and the forms of activity in all ages get great
+praise.&nbsp; Imagine an active, bustling little pr&aelig;tor
+under Augustus, how he probably pointed out Horace to his sons as
+a moony kind of man, whose ways were much to be avoided, and told
+them it was a weakness in Augustus to like such idle men about
+him instead of men of business.</p>
+<p><i>Ellesmere</i>.&nbsp; Or fancy a bustling Glasgow merchant
+of Adam Smith&rsquo;s day watching him.&nbsp; How little would
+the merchant have dreamt what a number of vessels were to be
+floated away by the ink in the Professor&rsquo;s inkstand; and
+what crashing of axes, and clearing of forests in distant lands,
+the noise of his pen upon the paper portended.</p>
+<p><i>Milverton</i>.&nbsp; It is not only the effect of the
+still-working man that the busy man cannot anticipate, but
+neither can he comprehend the present labour.&nbsp; If Horace had
+told my pr&aelig;tor that</p>
+<blockquote><p>&ldquo;Abstinuit Venere et vino, sudavit et
+alsit,&rdquo;</p>
+</blockquote>
+<p>&ldquo;What, to write a few lines!&rdquo; would his
+pr&aelig;torship have cried out.&nbsp; &ldquo;Why, I can live
+well and enjoy life; and I flatter myself no one in Rome does
+more business.&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; All of it only goes to show how little
+we know of each other, and how tolerant we ought to be of
+others&rsquo; efforts.</p>
+<p><i>Milverton</i>.&nbsp; The trials that there must be every
+day without any incident that even the most minute household
+chronicler could set down: the labours without show or noise!</p>
+<p><i>Ellesmere</i>.&nbsp; The deep things that there are which,
+with unthinking people, pass for shallow things, merely because
+they are clear as well as deep.&nbsp; My fable of the other day,
+for instance&mdash;which instead of producing any moral effect
+upon you two, only seemed to make you both inclined to
+giggle.</p>
+<p><i>Milverton</i>.&nbsp; I am so glad you reminded me of
+that.&nbsp; I, too, fired with a noble emulation, have invented a
+fable since we last met which I want you to hear.&nbsp; I assure
+you I did not mean to laugh at yours: it was only that it came
+rather unexpectedly upon me.&nbsp; You are not exactly the person
+from whom one should expect fables.</p>
+<p><i>Dunsford</i>.&nbsp; Now for the fable.</p>
+<p><i>Milverton</i>.&nbsp; There was a gathering together of
+creatures hurtful and terrible to man, to name their king.&nbsp;
+Blight, mildew, darkness, mighty waves, fierce winds,
+Will-o&rsquo;-the-wisps, and shadows of grim objects, told
+fearfully their doings and preferred their claims, none
+prevailing.&nbsp; But when evening came on, a thin mist curled
+up, derisively, amidst the assemblage, and said, &ldquo;I gather
+round a man going to his own home over paths made by his daily
+footsteps; and he becomes at once helpless and tame as a
+child.&nbsp; The lights meant to assist him, then betray.&nbsp;
+You find him wandering, or need the aid of other Terrors to
+subdue him.&nbsp; I am, alone, confusion to him.&rdquo;&nbsp; And
+all the assemblage bowed before the mist, and made it king, and
+set it on the brow of many a mountain, where, when it is not
+doing evil, it may be often seen to this day.</p>
+<p><i>Dunsford</i>.&nbsp; Well, I like that fable: only I am not
+quite clear about the meaning.</p>
+<p><i>Ellesmere</i>.&nbsp; You had no doubt about mine.</p>
+<p><i>Dunsford</i>.&nbsp; Is the mist calumny, Milverton?</p>
+<p><i>Ellesmere</i>.&nbsp; No, prejudice, I am sure.</p>
+<p><i>Dunsford</i>.&nbsp; Familiarity with the things around us,
+obscuring knowledge?</p>
+<p><i>Milverton</i>.&nbsp; I would rather not explain.&nbsp; Each
+of you make your own fable of it.</p>
+<p><i>Dunsford</i>.&nbsp; Well, if ever I make a fable, it shall
+be one of the old-fashioned sort, with animals for the speakers,
+and a good easy moral.</p>
+<p><i>Ellesmere</i>.&nbsp; Not a thing requiring the notes of
+seven German metaphysicians.&nbsp; I must go and talk a little to
+my friends the trees, and see if I can get any explanation from
+them.&nbsp; It is turning out a beautiful day after all,
+notwithstanding my praise of its solidity.</p>
+<h2>CHAPTER VII.</h2>
+<p><span class="smcap">We</span> met as usual at our old spot on
+the lawn for our next reading.&nbsp; I forget what took place
+before reading, except that Ellesmere was very jocose about our
+reading &ldquo;Fiction&rdquo; in-doors, and the following
+&ldquo;November Essay,&rdquo; as he called it, &ldquo;under a
+jovial sun, and with the power of getting up and walking away
+from each other to any extent.&rdquo;</p>
+<h3>ON THE ART OF LIVING WITH OTHERS.</h3>
+<p>The &ldquo;Iliad&rdquo; for war; the &ldquo;Odyssey&rdquo; for
+wandering; but where is the great domestic epic?&nbsp; Yet it is
+but commonplace to say, that passions may rage round a tea-table,
+which would not have misbecome men dashing at one another in
+war-chariots; and evolutions of patience and temper are performed
+at the fireside, worthy to be compared with the Retreat of the
+Ten Thousand.&nbsp; Men have worshipped some fantastic being for
+living alone in a wilderness; but social martyrdoms place no
+saints upon the calendar.</p>
+<p>We may blind ourselves to it if we like, but the hatreds and
+disgusts that there are behind friendship, relationship, service,
+and, indeed, proximity of all kinds, is one of the darkest spots
+upon earth.&nbsp; The various relations of life, which bring
+people together, cannot, as we know, be perfectly fulfilled
+except in a state where there will, perhaps, be no occasion for
+any of them.&nbsp; It is no harm, however, to endeavour to see
+whether there are any methods which may make these relations in
+the least degree more harmonious now.</p>
+<p>In the first place, if people are to live happily together,
+they must not fancy, because they are thrown together now, that
+all their lives have been exactly similar up to the present time,
+that they started exactly alike, and that they are to be for the
+future of the same mind.&nbsp; A thorough conviction of the
+difference of men is the great thing to be assured of in social
+knowledge: it is to life what Newton&rsquo;s law is to
+astronomy.&nbsp; Sometimes men have a knowledge of it with regard
+to the world in general: they do not expect the outer world to
+agree with them in all points, but are vexed at not being able to
+drive their own tastes and opinions into those they live
+with.&nbsp; Diversities distress them.&nbsp; They will not see
+that there are many forms of virtue and wisdom.&nbsp; Yet we
+might as well say, &ldquo;Why all these stars; why this
+difference; why not all one star?&rdquo;</p>
+<p>Many of the rules for people living together in peace follow
+from the above.&nbsp; For instance, not to interfere unreasonably
+with others, not to ridicule their tastes, not to question and
+re-question their resolves, not to indulge in perpetual comment
+on their proceedings, and to delight in their having other
+pursuits than ours, are all based upon a thorough perception of
+the simple fact that they are not we.</p>
+<p>Another rule for living happily with others is to avoid having
+stock subjects of disputation.&nbsp; It mostly happens, when
+people live much together, that they come to have certain set
+topics, around which, from frequent dispute, there is such a
+growth of angry words, mortified vanity, and the like, that the
+original subject of difference becomes a standing subject for
+quarrel; and there is a tendency in all minor disputes to drift
+down to it.</p>
+<p>Again, if people wish to live well together, they must not
+hold too much to logic, and suppose that everything is to be
+settled by sufficient reason.&nbsp; Dr. Johnson saw this clearly
+with regard to married people, when he said, &ldquo;Wretched
+would be the pair above all names of wretchedness, who should be
+doomed to adjust by reason every morning all the minute detail of
+a domestic day.&rdquo;&nbsp; But the application should be much
+more general than he made it.&nbsp; There is no time for such
+reasonings, and nothing that is worth them.&nbsp; And when we
+recollect how two lawyers, or two politicians, can go on
+contending, and that there is no end of one-sided reasoning on
+any subject, we shall not be sure that such contention is the
+best mode for arriving at truth.&nbsp; But certainly it is not
+the way to arrive at good temper.</p>
+<p>If you would be loved as a companion, avoid unnecessary
+criticism upon those with whom you live.&nbsp; The number of
+people who have taken out judges&rsquo; patents for themselves is
+very large in any society.&nbsp; Now it would be hard for a man
+to live with another who was always criticising his actions, even
+if it were kindly and just criticism.&nbsp; It would be like
+living between the glasses of a microscope.&nbsp; But these
+self-elected judges, like their prototypes, are very apt to have
+the persons they judge brought before them in the guise of
+culprits.</p>
+<p>One of the most provoking forms of the criticism above alluded
+to is that which may be called criticism over the shoulder.&nbsp;
+&ldquo;Had I been consulted,&rdquo; &ldquo;Had you listened to
+me,&rdquo; &ldquo;But you always will,&rdquo; and such short
+scraps of sentences may remind many of us of dissertations which
+we have suffered and inflicted, and of which we cannot call to
+mind any soothing effect.</p>
+<p>Another rule is, not to let familiarity swallow up all
+courtesy.&nbsp; Many of us have a habit of saying to those with
+whom we live such things as we say about strangers behind their
+backs.&nbsp; There is no place, however, where real politeness is
+of more value than where we mostly think it would be
+superfluous.&nbsp; You may say more truth, or rather speak out
+more plainly, to your associates, but not less courteously than
+you do to strangers.</p>
+<p>Again, we must not expect more from the society of our friends
+and companions than it can give, and especially must not expect
+contrary things.&nbsp; It is something arrogant to talk of
+travelling over other minds (mind being, for what we know,
+infinite); but still we become familiar with the upper views,
+tastes, and tempers of our associates.&nbsp; And it is hardly in
+man to estimate justly what is familiar to him.&nbsp; In
+travelling along at night, as Hazlitt says, we catch a glimpse
+into cheerful-looking rooms with light blazing in them, and we
+conclude involuntarily how happy the inmates must be.&nbsp; Yet
+there is heaven and hell in those rooms&mdash;the same heaven and
+hell that we have known in others.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>There are two great classes of promoters of social
+happiness&mdash;cheerful people, and people who have some
+reticence.&nbsp; The latter are more secure benefits to society
+even than the former.&nbsp; They are non-conductors of all the
+heats and animosities around them.&nbsp; To have peace in a
+house, or a family, or any social circle, the members of it must
+beware of passing on hasty and uncharitable speeches, which, the
+whole of the context seldom being told, is often not conveying
+but creating mischief.&nbsp; They must be very good people to
+avoid doing this; for let Human Nature say what it will, it likes
+sometimes to look on at a quarrel, and that not altogether from
+ill-nature, but from a love of excitement, for the same reason
+that Charles II. liked to attend the debates in the Lords,
+because they were &ldquo;as good as a play.&rdquo;</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>We come now to the consideration of temper, which might have
+been expected to be treated first.&nbsp; But to cut off the means
+and causes of bad temper is, perhaps, of as much importance as
+any direct dealing with the temper itself.&nbsp; Besides, it is
+probable that in small social circles there is more suffering
+from unkindness than ill-temper.&nbsp; Anger is a thing that
+those who live under us suffer more from than those who live with
+us.&nbsp; But all the forms of ill-humour and sour-sensitiveness,
+which especially belong to equal intimacy (though indeed, they
+are common to all), are best to be met by impassiveness.&nbsp;
+When two sensitive persons are shut up together, they go on
+vexing each other with a reproductive irritability. <a
+name="citation93"></a><a href="#footnote93"
+class="citation">[93]</a>&nbsp; But sensitive and hard people get
+on well together.&nbsp; The supply of temper is not altogether
+out of the usual laws of supply and demand.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>Intimate friends and relations should be careful when they go
+out into the world together, or admit others to their own circle,
+that they do not make a bad use of the knowledge which they have
+gained of each other by their intimacy.&nbsp; Nothing is more
+common than this, and did it not mostly proceed from mere
+carelessness, it would be superlatively ungenerous.&nbsp; You
+seldom need wait for the written life of a man to hear about his
+weaknesses, or what are supposed to be such, if you know his
+intimate friends, or meet him in company with them.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>Lastly, in conciliating those we live with, it is most surely
+done, not by consulting their interests, nor by giving way to
+their opinions, so much as by not offending their tastes.&nbsp;
+The most refined part of us lies in this region of taste, which
+is perhaps a result of our whole being rather than a part of our
+nature, and, at any rate, is the region of our most subtle
+sympathies and antipathies.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>It may be said that if the great principles of Christianity
+were attended to, all such rules, suggestions, and observations
+as the above would be needless.&nbsp; True enough!&nbsp; Great
+principles are at the bottom of all things; but to apply them to
+daily life, many little rules, precautions, and insights are
+needed.&nbsp; Such things hold a middle place between real life
+and principles, as form does between matter and spirit, moulding
+the one and expressing the other.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; Quite right that last part.&nbsp;
+Everybody must have known really good people, with all Christian
+temper, but having so little Christian prudence as to do a great
+deal of mischief in society.</p>
+<p><i>Dunsford</i>.&nbsp; There is one case, my dear Milverton,
+which I do not think you have considered: the case where people
+live unhappily together, not from any bad relations between them,
+but because they do not agree about the treatment of
+others.&nbsp; A just person, for instance, who would bear
+anything for himself or herself, must remonstrate, at the hazard
+of any disagreement, at injustice to others.</p>
+<p><i>Milverton</i>.&nbsp; Yes.&nbsp; That, however, is a case to
+be decided upon higher considerations than those I have been
+treating of.&nbsp; A man must do his duty in the way of
+preventing injustice, and take what comes of it.</p>
+<p><i>Ellesmere</i>.&nbsp; For people to live happily together,
+the real secret is that they should not live too much
+together.&nbsp; Of course, you cannot say that; it would sound
+harsh, and cut short the essay altogether.</p>
+<p>Again, you talk about tastes and &ldquo;region of subtle
+sympathies,&rdquo; and all that.&nbsp; I have observed that if
+people&rsquo;s vanity is pleased, they live well enough
+together.&nbsp; Offended vanity is the great separator.&nbsp; You
+hear a man (call him B) saying that he is really not himself
+before So-and-so; tell him that So-and-so admires him very much
+and is himself rather abashed before B, and B is straightway
+comfortable, and they get on harmoniously together, and you hear
+no more about subtle sympathies or antipathies.</p>
+<p><i>Dunsford</i>.&nbsp; What a low view you do take of things
+sometimes, Ellesmere!</p>
+<p><i>Milverton</i>.&nbsp; I should not care how low it was, but
+it is not fair&mdash;at least, it does not contain the whole
+matter.&nbsp; In the very case he has put, there was a subtle
+embarrassment between B and So-and-so.&nbsp; Well, now, let these
+people not merely meet occasionally, but be obliged to live
+together, without any such explanation as Ellesmere has imagined,
+and they will be very uncomfortable from causes that you cannot
+impute to vanity.&nbsp; It takes away much of the savour of life
+to live amongst those with whom one has not anything like
+one&rsquo;s fair value.&nbsp; It may not be mortified vanity, but
+unsatisfied sympathy, which causes this discomfort.&nbsp; B
+thinks that the other does not know him; he feels that he has no
+place with the other.&nbsp; When there is intense admiration on
+one side, there is hardly a care in the mind of the admiring one
+as to what estimation he is held in.&nbsp; But, in ordinary
+cases, some clearly defined respect and acknowledgment of worth
+is needed on both sides.&nbsp; See how happy a man is in any
+office or service who is acknowledged to do something well.&nbsp;
+How comfortable he is with his superiors!&nbsp; He has his
+place.&nbsp; It is not exactly a satisfaction of his vanity, but
+an acknowledgment of his useful existence that contents
+him.&nbsp; I do not mean to say that there are not innumerable
+claims for acknowledgment of merit and service made by rampant
+vanity and egotism, which claims cannot be satisfied, ought not
+to be satisfied, and which, being unsatisfied, embitter
+people.&nbsp; But I think your word Vanity will not explain all
+the feelings we have been talking about.</p>
+<p><i>Ellesmere</i>.&nbsp; Perhaps not.</p>
+<p><i>Dunsford</i>.&nbsp; Certainly not.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, at any rate, you will admit that
+there is a class of dreadfully humble people who make immense
+claims at the very time that they are explaining that they have
+no claims.&nbsp; They say they know they cannot be esteemed; they
+are well aware that they are not wanted, and so on, all the while
+making it a sort of grievance and a claim that they are not what
+they know themselves not to be; whereas, if they did but fall
+back upon their humility, and keep themselves quiet about their
+demerits, they would be strong then, and in their place and
+happy, doing what they could.</p>
+<p><i>Milverton</i>.&nbsp; It must be confessed that these people
+do make their humility somewhat obnoxious.&nbsp; Yet, after all,
+you allow that they know their deficiencies, and they only say,
+&ldquo;I know I have not much to recommend me, but I wish to be
+loved, nevertheless.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; Ah, if they only said it a few
+times!&nbsp; Besides, there is a little envy mixed up with the
+humility that I mean.</p>
+<p><i>Dunsford</i>.&nbsp; Travelling is a great trial of
+people&rsquo;s ability to live together.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes.&nbsp; Lavater says that you do
+not know a man until you have divided an inheritance with him;
+but I think a long journey with him will do.</p>
+<p><i>Milverton</i>.&nbsp; Well, and what is it in travelling
+that makes people disagree?&nbsp; Not direct selfishness, but
+injudicious management; stupid regrets, for instance, at things
+not being different from what they are, or from what they might
+have been, if &ldquo;the other route&rdquo; had been chosen;
+fellow-travellers punishing each other with each other&rsquo;s
+tastes; getting stock subjects of disputation; laughing
+unseasonably at each other&rsquo;s vexations and discomforts; and
+endeavouring to settle everything by the force of sufficient
+reason, instead of by some authorised will, or by tossing
+up.&nbsp; Thus, in the short time of a journey, almost all modes
+and causes of human disagreement are brought into action.</p>
+<p><i>Ellesmere</i>.&nbsp; My favourite one not being the
+least&mdash;over-much of each other&rsquo;s company.</p>
+<p>For my part, I think one of the greatest bores of
+companionship is, not merely that people wish to fit tastes and
+notions on you just as they might the first pair of ready-made
+shoes they meet with, a process amusing enough to the bystander,
+but exquisitely uncomfortable to the person being ready-shod: but
+that they bore you with never-ending talk about their pursuits,
+even when they know that you do not work in the same groove with
+them, and that they cannot hope to make you do so.</p>
+<p><i>Dunsford</i>.&nbsp; Nobody can accuse you of that fault,
+Ellesmere: I never heard you dilate much upon anything that
+interested you, though I have known you have some pet subject,
+and to be working at it for months.&nbsp; But this comes of your
+coldness of nature.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, it might bear a more favourable
+construction.&nbsp; But to go back to the essay.&nbsp; It only
+contemplates the fact of people living together as equals, if we
+may so say; but in general, of course, you must add some other
+relationship or connection than that of merely being
+together.</p>
+<p><i>Milverton</i>.&nbsp; I had not overlooked that; but there
+are certain general rules in the matter that may be applied to
+nearly all relationship, just as I have taken that one from
+Johnson, applied by him to married life, about not endeavouring
+to settle all things by reasoning, and have given it a general
+application which, I believe, it will bear.</p>
+<p><i>Ellesmere</i>.&nbsp; There is one thing that I should think
+must often make women very unreasonable and unpleasant
+companions.&nbsp; Oh, you may both hold up your hands and eyes,
+but I am not married, and can say what I please.&nbsp; Of course
+you put on the proper official look of astonishment; and I will
+duly report it.&nbsp; But I was going to say that Chivalry, which
+has doubtless done a great deal of good, has also done a great
+deal of harm.&nbsp; Women may talk the greatest unreason out of
+doors, and nobody kindly informs them that it is unreason.&nbsp;
+They do not talk much before clever men, and when they do, their
+words are humoured and dandled as children&rsquo;s sayings
+are.&nbsp; Now, I should fancy&mdash;mind, I do not want either
+of you to say that my fancy is otherwise than quite
+unreasonable&mdash;I should fancy that when women have to hear
+reason at home it must sound odd to them.&nbsp; The truth is, you
+know, we cannot pet anything much without doing it
+mischief.&nbsp; You cannot pet the intellect, any more than the
+will, without injuring it.&nbsp; Well then, again, if you put
+people upon a pedestal and do a great deal of worship around
+them, I cannot think but the will in such cases must become
+rather corrupted, and that lessons of obedience must fall rather
+harshly&mdash;</p>
+<p><i>Dunsford</i>.&nbsp; Why, you Mahometan, you Turk of a
+lawyer&mdash;would you do away with all the high things of
+courtesy, tenderness for the weaker, and&mdash;</p>
+<p><i>Milverton</i>.&nbsp; No, I see what he means; and there is
+something in it.&nbsp; Many a woman is brought up in unreason and
+self-will from these causes that he has given, as many a man from
+other causes; but there is one great corrective that he has
+omitted, and which is, that all forms, fashions, and outward
+things have a tendency to go down before realities when they come
+hand to hand together.&nbsp; Knowledge and judgment
+prevail.&nbsp; Governing is apt to fall to the right person in
+private as in public affairs.</p>
+<p><i>Ellesmere</i>.&nbsp; Those who give way in public affairs,
+and let the men who can do a thing do it, are so far wise that
+they know what is to be done, mostly.&nbsp; But the very things I
+am arguing against are the unreason and self-will, which being
+constantly pampered, do not appreciate reason or just sway.&nbsp;
+Besides, is there not a force in ill-humour and unreason to which
+you constantly see the wisest bend?&nbsp; You will come round to
+my opinion some day.&nbsp; I do not want, though, to convince
+you.&nbsp; It is no business of mine.</p>
+<p><i>Milverton</i>.&nbsp; Well, I may be wrong, but I think,
+when we come to consider education, I can show you how the
+dangers you fear may be greatly obviated, without Chivalry being
+obliged to put on a wig and gown, and be wise.</p>
+<p><i>Dunsford</i>.&nbsp; Meanwhile, let us enjoy the delightful
+atmosphere of courtesy, unreasonable sometimes, if you like,
+which saves many people being put down with the best arguments in
+the most convincing manner, or being weighed, estimated, and
+given way to, so as not to spoil them.</p>
+<p><i>Ellesmere</i>.&nbsp; Do not tell, either of you, what I
+have been saying.&nbsp; I shall always be poked up into some
+garret when I come to see you, if you do.</p>
+<p><i>Dunsford</i>.&nbsp; I think the most curious thing, as
+regards people living together, is the intense ignorance they
+sometimes are in of each other.&nbsp; Many years ago, one or
+other of you said something of this kind to me, and I have often
+thought of it since.</p>
+<p><i>Milverton</i>.&nbsp; People fulfil a relation towards each
+other, and they only know each other in that relation, especially
+if it is badly managed by the superior one; but any way the
+relationship involves some ignorance.&nbsp; They perform orbits
+round each other, each gyrating, too, upon his own axis, and
+there are parts of the character of each which are never brought
+into view of the other.</p>
+<p><i>Ellesmere</i>.&nbsp; I should carry this notion of yours,
+Milverton, farther than you do.&nbsp; There is a peculiar mental
+relation soon constituted between associates of any kind, which
+confines and prevents complete knowledge on both sides.&nbsp;
+Each man, in some measure therefore, knows others only through
+himself.&nbsp; Tennyson makes Ulysses say,</p>
+<blockquote><p>&ldquo;I am a part of all that I have
+seen;&rdquo;</p>
+</blockquote>
+<p>it might have run,</p>
+<blockquote><p>&ldquo;I am a part of all that I have
+heard.&rdquo;</p>
+</blockquote>
+<p><i>Dunsford</i>.&nbsp; Ellesmere becoming metaphysical and
+transcendental!</p>
+<p><i>Ellesmere</i>.&nbsp; Well, well, we will leave these
+heights, and descend in little drops of criticism.&nbsp; There
+are two or three things you might have pointed out,
+Milverton.&nbsp; Perhaps you would say that they are included in
+what you have said, but I think not.&nbsp; You talk of the
+mischief of much comment on each other amongst those who live
+together.&nbsp; You might have shown, I think, that in the case
+of near friends and relations this comment also deepens into
+interference&mdash;at least it partakes of that nature.&nbsp;
+Friends and relations should, therefore, be especially careful to
+avoid needless comments on each other.&nbsp; They do just the
+contrary.&nbsp; That is one of the reasons why they often hate
+one another so much.</p>
+<p><i>Dunsford</i>.&nbsp; Ellesmere!</p>
+<p><i>Ellesmere</i>.&nbsp; Protest, if you like, my dear
+Dunsford.</p>
+<blockquote><p>Dissentient,</p>
+<p>1.&nbsp; Because I wish it were not so.</p>
+<p>2.&nbsp; Because I am sorry that it is.</p>
+<p style="text-align: right">(Signed) <span
+class="smcap">Dunsford</span>.</p>
+</blockquote>
+<p><i>Milverton</i>.&nbsp; &ldquo;Hate&rdquo; is too strong a
+word, Ellesmere; what you say would be true enough, if you would
+put &ldquo;are not in sympathy with.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; &ldquo;Have a quiet distaste
+for.&rdquo;&nbsp; That is the proper medium.&nbsp; Now, to go to
+another matter.&nbsp; You have not put the case of over-managing
+people, who are tremendous to live with.</p>
+<p><i>Milverton</i>.&nbsp; I have spoken about &ldquo;interfering
+unreasonably with others.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; That does not quite convey what I
+mean.&nbsp; It is when the manager and the managee are both of
+the same mind as to the thing to be done; but the former insists,
+and instructs, and suggests, and foresees, till the other feels
+that all free agency for him is gone.</p>
+<p><i>Milverton</i>.&nbsp; It is a sad thing to consider how much
+of their abilities people turn to tiresomeness.&nbsp; You see a
+man who would be very agreeable if he were not so observant:
+another who would be charming, if he were deaf and dumb: a third
+delightful, if he did not vex all around him with superfluous
+criticism.</p>
+<p><i>Ellesmere</i>.&nbsp; A hit at me that last, I
+suspect.&nbsp; But I shall go on.&nbsp; You have not, I think,
+made enough merit of independence in companionship.&nbsp; If I
+were to put into an aphorism what I mean, I should say, Those who
+depend wholly on companionship are the worst companions; or thus:
+Those deserve companionship who can do without it.&nbsp; There,
+Mr. Aphoriser General, what do you say to that?</p>
+<p><i>Milverton</i>.&nbsp; Very good, but&mdash;</p>
+<p><i>Ellesmere</i>.&nbsp; Of course a &ldquo;but&rdquo; to other
+people&rsquo;s aphorisms, as if every aphorism had not buts
+innumerable.&nbsp; We critics, you know, cannot abide
+criticism.&nbsp; We do all the criticism that is needed
+ourselves.&nbsp; I wonder at the presumption sometimes of you
+wretched authors.&nbsp; But to proceed.&nbsp; You have not said
+anything about the mischief of superfluous condolence amongst
+people who live together.&nbsp; I flatter myself that I could
+condole anybody out of all peace of mind.</p>
+<p><i>Milverton</i>.&nbsp; All depends upon whether condolence
+goes with the grain, or against the grain, of vanity.&nbsp; I
+know what you mean, however: For instance, it is a very absurd
+thing to fret much over other people&rsquo;s courses, not
+considering the knowledge and discipline that there is in any
+course that a man may take.&nbsp; And it is still more absurd to
+be constantly showing the people fretted over that you are
+fretting over them.&nbsp; I think a good deal of what you call
+superfluous condolence would come under the head of superfluous
+criticism.</p>
+<p><i>Ellesmere</i>.&nbsp; Not altogether.&nbsp; In
+companionship, when an evil happens to one of the circle, the
+others should simply attempt to share and lighten it, not to
+expound it, or dilate on it, or make it the least darker.&nbsp;
+The person afflicted generally apprehends all the blackness
+sufficiently.&nbsp; Now, unjust abuse by the world is to me like
+the howling of the wind at night when one is warm within.&nbsp;
+Bring any draught of it into one&rsquo;s house though, and it is
+not so pleasant.</p>
+<p><i>Dunsford</i>.&nbsp; Talking of companionship, do not you
+think there is often a peculiar feeling of home where age or
+infirmity is?&nbsp; The arm-chair of the sick or the old is the
+centre of the house.&nbsp; They think, perhaps, that they are
+unimportant; but all the household hopes and cares flow to them
+and from them.</p>
+<p><i>Milverton</i>.&nbsp; I quite agree with you.&nbsp; What you
+have just depicted is a beautiful sight, especially when, as you
+often see, the age or infirmity is not in the least selfish or
+exacting.</p>
+<p><i>Ellesmere</i>.&nbsp; We have said a great deal about the
+companionship of human beings; but, upon my word, we ought to
+have kept a few words for our dog friends.&nbsp; Rollo has been
+lolling out his great tongue, and looking wistfully from face to
+face, as we each began our talk.&nbsp; A few minutes ago he was
+quite concerned, thinking I was angry with you, when I would not
+let you &ldquo;but&rdquo; my aphorism.&nbsp; I am not sure which
+of the three I should rather go out walking with now: Dunsford,
+Rollo, Milverton.&nbsp; The middle one is the safest
+companion.&nbsp; I am sure not to get out of humour with
+him.&nbsp; But I have no objection to try the whole three: only I
+vote for much continuity of silence, as we have had floods of
+discussion to-day.</p>
+<p><i>Dunsford</i>.&nbsp; Agreed!</p>
+<p><i>Ellesmere</i>.&nbsp; Come, Rollo, you may bark now, as you
+have been silent, like a wise dog, all the morning.</p>
+<h2>CHAPTER VIII.</h2>
+<p><span class="smcap">It</span> was arranged, during our walk,
+that Ellesmere should come and stay a day or two with me, and see
+the neighbouring cathedral, which is nearer my house than
+Milverton&rsquo;s.&nbsp; The visit over, I brought him back to
+Worth-Ashton.&nbsp; Milverton saw us coming, walked down the hill
+to meet us, and after the usual greetings, began to talk to
+Ellesmere.</p>
+<p><i>Milverton</i>.&nbsp; So you have been to see our
+cathedral.&nbsp; I say &ldquo;our,&rdquo; for when a cathedral is
+within ten miles of us, we feel a property in it, and are ready
+to battle for its architectural merits.</p>
+<p><i>Ellesmere</i>.&nbsp; You know I am not a man to rave about
+cathedrals.</p>
+<p><i>Milverton</i>.&nbsp; I certainly do not expect you to do
+so.&nbsp; To me a cathedral is mostly somewhat of a sad
+sight.&nbsp; You have Grecian monuments, if anything so misplaced
+can be called Grecian, imbedded against and cutting into Gothic
+pillars; the doors shut for the greater part of the day; only a
+little bit of the building used: beadledom predominant; the clink
+of money here and there; white-wash in vigour; the singing
+indifferent; the sermons not indifferent but bad; and some
+visitors from London forming, perhaps, the most important part of
+the audience; in fact, the thing having become a show.&nbsp; We
+look about, thinking when piety filled every corner, and feel
+that the cathedral is too big for the Religion which is a
+dried-up thing that rattles in this empty space.</p>
+<p><i>Ellesmere</i>.&nbsp; This is the boldest simile I have
+heard for a long time.&nbsp; My theory about cathedrals is very
+different, I must confess.</p>
+<p><i>Dunsford</i>.&nbsp; Theory!</p>
+<p><i>Ellesmere</i>.&nbsp; Well, &ldquo;theory&rdquo; is not the
+word I ought to have used&mdash;feeling then.&nbsp; My feeling
+is, how strong this creature was, this worship, how beautiful,
+how alluring, how complete; but there was something
+stronger&mdash;truth.</p>
+<p><i>Milverton</i>.&nbsp; And more beautiful?</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, and far more beautiful.</p>
+<p><i>Milverton</i>.&nbsp; Doubtless, to the free spirits who
+brought truth forward.</p>
+<p><i>Ellesmere</i>.&nbsp; You are only saying this, Milverton,
+to try what I will say; but, despite of all sentimentalities, you
+sympathise with any emancipation of the human mind, as I do,
+however much the meagreness of Protestantism may be at times
+distasteful to you.</p>
+<p><i>Milverton</i>.&nbsp; I did not say I was anxious to go
+back.&nbsp; Certainly not.&nbsp; But what says Dunsford?&nbsp;
+Let us sit down on his stile and hear what he has to say.</p>
+<p><i>Dunsford</i>.&nbsp; I cannot talk to you about this
+subject.&nbsp; If I tell you of all the merits (as they seem to
+me) of the Church of England, you will both pick what I say to
+pieces, whereas if I leave you to fight on, one or the other will
+avail himself of those arguments on which our Church is
+based.</p>
+<p><i>Milverton</i>.&nbsp; Well, Dunsford, you are very candid,
+and would make a complete diplomatist: truth-telling being now
+pronounced (rather late in the day) the very acme of
+diplomacy.&nbsp; But do you not own that our cathedrals are sadly
+misused?</p>
+<p><i>Dunsford</i>.&nbsp; Now, very likely, if more were made of
+them, you, and men who think like you, would begin to cry out
+&ldquo;superstition&rdquo;; and would instantly turn round and
+inveigh against the uses which you now, perhaps, imagine for
+cathedrals.</p>
+<p><i>Milverton</i>.&nbsp; Well, one never can answer for
+oneself; but at any rate, I do not see what is the meaning of
+building new churches in neighbourhoods where there are already
+the noblest buildings suitable for the same purposes.&nbsp; Is
+there a church religion, and is there a cathedral religion?</p>
+<p><i>Ellesmere</i>.&nbsp; You cannot make the present fill the
+garb of the past, Milverton, any more than you could make the
+past fill that of the present.&nbsp; Now, as regards the very
+thing you are about to discuss to-day, if it be the same you told
+us in our last walk&mdash;Education: if you are only going to
+give us some institution for it, I daresay it may be very good
+for to-day, or for this generation, but it will have its sere and
+yellow leaf, and there will be a time when future Milvertons, in
+sentimental mood, will moan over it, and wish they had it and all
+that has grown up to take its place at the same time.&nbsp; But
+all this is what I have often heard you say yourself in other
+words.</p>
+<p><i>Dunsford</i>.&nbsp; This is very hard doctrine, and not
+quite sound, I think.&nbsp; In getting the new gain, we always
+sacrifice something, and we should look with some pious regard to
+what was good in the things which are past.&nbsp; That good is
+generally one which, though it may not be equal to the present,
+would make a most valuable supplement to it.</p>
+<p><i>Milverton</i>.&nbsp; I would try and work in the old good
+thing with the new, not as patchwork though, but making the new
+thing grow out in such a way as to embrace the old advantage.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, we must have the essay before we
+branch out into our philosophy.&nbsp; Pleasure afterwards&mdash;I
+will not say what comes first.</p>
+<h3>EDUCATION.</h3>
+<p>The word education is so large, that one may almost as well
+put &ldquo;world,&rdquo; or &ldquo;the end and object of
+being,&rdquo; at the head of an essay.&nbsp; It should,
+therefore, soon be declared what such a heading does mean.&nbsp;
+The word education suggests chiefly to some minds what the State
+can do for those whom they consider its young people&mdash;the
+children of the poorer classes: to others it presents the idea of
+all the training that can be got for money at schools and
+colleges, and which can be fairly accomplished and shut in at the
+age of one-and-twenty.&nbsp; This essay, however, will not be a
+treatise on government education, or other school and college
+education, but will only contain a few points in reference to the
+general subject, which may escape more methodical and enlarged
+discussions.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>In the first place, as regards government education, it must
+be kept in mind that there is a danger of its being too
+interfering and formal, of its overlying private enterprise,
+insisting upon too much uniformity, and injuring local
+connections and regards.&nbsp; Education, even in the poorest
+acceptance of the word, is a great thing: but the harmonious
+intercourse of different ranks, if not a greater, is a more
+difficult one; and we must not gain the former at any
+considerable sacrifice of the latter.</p>
+<p>There is another point connected with this branch of the
+subject which requires, perhaps, to be noted.&nbsp; If government
+provision is made in any case, might it not be combined with
+private payment in other cases, or enter in the way of rewards,
+so as to do good throughout each step of the social ladder?&nbsp;
+The lowest kind of school education is a power, and it is
+desirable that the gradations of this power should correspond to
+other influences which we know to be good.&nbsp; For instance, a
+hard-working man saves something to educate his children; if he
+can get a little better education for them than other parents of
+his own rank for theirs, it is an incentive and a reward to him,
+and the child&rsquo;s bringing up at home is a thing which will
+correspond to this better education at school.&nbsp; In this
+there are the elements at once of stability and progress.</p>
+<p>These views may possibly seem too refined, but at any rate
+they require consideration.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>The next branch of the subject is the ordinary education of
+young persons not of the poorest classes, with which the State
+has hitherto had little or nothing to do.&nbsp; This may be
+considered under four heads: religious, moral, intellectual, and
+physical education.&nbsp; With regard to the first, there is not
+much that can be put into rules about it.&nbsp; Parents and
+tutors will naturally be anxious to impress those under their
+charge with the religious opinions which they themselves
+hold.&nbsp; In doing this, however, they should not omit to lay a
+foundation for charity towards people of other religious
+opinions.&nbsp; For this purpose, it may be requisite to give a
+child a notion that there are other creeds besides that in which
+it is brought up itself.&nbsp; And especially, let it not suppose
+that all good and wise people are of its church or chapel.&nbsp;
+However desirable it may appear to the person teaching that there
+should be such a thing as unity of religion, yet as the facts of
+the world are against his wishes, and as this is the world which
+the child is to enter, it is well that the child should in
+reasonable time be informed of these facts.&nbsp; It may be said
+in reply that history sufficiently informs children on these
+points.&nbsp; But the world of the young is the domestic circle;
+all beyond is fabulous, unless brought home to them by
+comment.&nbsp; The fact, therefore, of different opinions in
+religious matters being held by good people should sometimes be
+dwelt upon, instead of being shunned, if we would secure a
+ground-work of tolerance in a child&rsquo;s mind.</p>
+<h3>INTELLECTUAL EDUCATION.</h3>
+<p>In the intellectual part of education there is the absolute
+knowledge to be acquired, and the ways of acquiring knowledge to
+be gained.&nbsp; The latter of course form the most important
+branch.&nbsp; They can, in some measure, be taught.&nbsp; Give
+children little to do, make much of its being accurately
+done.&nbsp; This will give accuracy.&nbsp; Insist upon speed in
+learning, with careful reference to the original powers of the
+pupil.&nbsp; This speed gives the habit of concentrating
+attention, one of the most valuable of mental habits.&nbsp; Then
+cultivate logic.&nbsp; Logic is not the hard matter that is
+fancied.&nbsp; A young person, especially after a little
+geometrical training, may soon be taught to perceive where a
+fallacy exists, and whether an argument is well sustained.&nbsp;
+It is not, however, sufficient for him to be able to examine
+sharply and to pull to pieces.&nbsp; He must learn how to
+build.&nbsp; This is done by method.&nbsp; The higher branches of
+method cannot be taught at first.&nbsp; But you may begin by
+teaching orderliness of mind.&nbsp; Collecting, classifying,
+contrasting and weighing facts, are some of the processes by
+which method is taught.&nbsp; When these four things, accuracy,
+attention, logic, and method are attained, the intellect is
+fairly furnished with its instruments.</p>
+<p>As regards the things to be taught, they will vary to some
+extent in each age.&nbsp; The general course of education pursued
+at any particular time may not be the wisest by any means, and
+greatness will overleap it and neglect it, but the mass of men
+may go more safely and comfortably, if not with the stream, at
+least by the side of it.</p>
+<p>In the choice of studies too much deference should not be paid
+to the bent of a young person&rsquo;s mind.&nbsp; Excellence in
+one or two things which may have taken the fancy of a youth (or
+which really may suit his genius) will ill compensate for a
+complete ignorance of those branches of study which are very
+repugnant to him; and which are, therefore, not likely to be
+learnt when he has freedom in the choice of his studies.</p>
+<p>Amongst the first things to be aimed at in the intellectual
+part of education is variety of pursuit.&nbsp; A human being,
+like a tree, if it is to attain to perfect symmetry, must have
+light and air given to it from all quarters.&nbsp; This may be
+done without making men superficial.&nbsp; Scientific method may
+be acquired without many sciences being learnt.&nbsp; But one or
+two great branches of science must be accurately known.&nbsp; So,
+too, the choice works of antiquity may be thoroughly appreciated
+without extensive reacting.&nbsp; And passing on from mere
+learning of any kind, a variety of pursuits, even in what may be
+called accomplishments, is eminently serviceable.&nbsp; Much may
+be said of the advantage of keeping a man to a few pursuits, and
+of the great things done thereby in the making of pins and
+needles.&nbsp; But in this matter we are not thinking of the
+things that are to be done, but of the persons who are to do
+them.&nbsp; Not wealth but men.&nbsp; A number of one-sided men
+may make a great nation, though I much incline to doubt that; but
+such a nation will not contain a number of great men.</p>
+<p>The very advantage that flows from division of labour, and the
+probable consequences that men&rsquo;s future bread-getting
+pursuits will be more and more sub-divided, and therefore
+limited, make it the more necessary that a man should begin life
+with a broad basis of interest in many things which may cultivate
+his faculties and develop his nature.&nbsp; This multifariousness
+of pursuit is needed also in the education of the poor.&nbsp;
+Civilisation has made it easy for a man to brutalise himself: how
+is this to be counteracted but by endowing him with many pursuits
+which may distract him from vice?&nbsp; It is not that kind of
+education which leads to no employment in after-life that will do
+battle with vice.&nbsp; But when education enlarges the field of
+life-long good pursuits, it becomes formidable to the
+soul&rsquo;s worst enemies.</p>
+<h3>MORAL EDUCATION.</h3>
+<p>In considering moral education we must recollect that there
+are three agents in this matter&mdash;the child himself, the
+influence of his grown-up friends, and that of his
+contemporaries.&nbsp; All that his grown-up friends tell him in
+the way of experience goes for very little, except in palpable
+matters.&nbsp; They talk of abstractions which he cannot
+comprehend: and the &ldquo;Arabian Nights&rdquo; is a truer world
+to him than that they talk of.&nbsp; Still, though they cannot
+furnish experience, they can give motives.&nbsp; Indeed, in their
+daily intercourse with the child, they are always doing so.&nbsp;
+For instance, truth, courage, and kindness are the great moral
+qualities to be instilled.&nbsp; Take courage, in its highest
+form&mdash;moral courage.&nbsp; If a child perpetually hears such
+phrases (and especially if they are applied to his own conduct),
+as, &ldquo;What people will say,&rdquo; &ldquo;How they will look
+at you,&rdquo; &ldquo;What they will think,&rdquo; and the like,
+it tends to destroy all just self-reliance in that child&rsquo;s
+mind, and to set up instead an exaggerated notion of public
+opinion, the greatest tyrant of these times.&nbsp; People can see
+this in such an obvious thing as animal courage.&nbsp; They will
+avoid over-cautioning children against physical dangers, knowing
+that the danger they talk much about will become a bug-bear to
+the child which it may never get rid of.&nbsp; But a similar
+peril lurks in the application of moral motives.&nbsp; Truth,
+courage, and kindness are likely to be learnt, or not, by
+children, according as they hear and receive encouragement in the
+direction of these pre-eminent qualities.&nbsp; When attempt is
+made to frighten a child with these worldly maxims, &ldquo;What
+will be said of you?&rdquo; &ldquo;Are you like such a
+one?&rdquo; and such things, it is meant to draw him under the
+rule of grown-up respectability.&nbsp; The last thing thought of
+by the parent or teacher is, that such maxims will bring the
+child under the especial guidance of the most unscrupulous of his
+contemporaries.&nbsp; They will use ridicule and appeal to their
+little world, which will be his world, and ask, &ldquo;What will
+be said&rdquo; of him.&nbsp; There should be some stuff in him of
+his own to meet these awful generalities.</p>
+<h3>PHYSICAL EDUCATION.</h3>
+<p>The physical education of children is a very simple matter,
+too simple to be much attended to without great perseverance and
+resolution on the part of those who care for the children.&nbsp;
+It consists, as we all know, in good air, simple diet, sufficient
+exercise, and judicious clothing.&nbsp; The first requisite is
+the most important, and by far the most frequently
+neglected.&nbsp; This neglect is not so unreasonable as it
+seems.&nbsp; It arises from pure ignorance.&nbsp; If the mass of
+mankind knew what scientific men know about the functions of the
+air, they would be as careful in getting a good supply of it as
+of their other food.&nbsp; All the people that ever were supposed
+to die of poison in the middle ages, and that means nearly
+everybody whose death was worth speculating about, are not so
+many as those who die poisoned by bad air in the course of any
+given year.&nbsp; Even a slightly noxious thing, which is
+constant, affecting us every moment of the day, must have
+considerable influence; but the air we breathe is not a thing
+that slightly affects us, but one of the most important elements
+of life.&nbsp; Moreover, children are the most affected by
+impurity of air.&nbsp; We need not weary ourselves with much
+statistics to ascertain this.&nbsp; One or two broad facts will
+assure us of it.&nbsp; In Nottingham there is a district called
+Byron Ward, &ldquo;the densest and worst-conditioned quarter of
+the town.&rdquo;&nbsp; A table has been made by Mr. William
+Hawksley of the mortality of equal populations in different parts
+of the town:</p>
+<blockquote><p>&ldquo;On comparing the diagram No. 1, relating to
+Park Ward, with the diagram No. 7, relating to Byron Ward, it
+will be seen that the heavier pressure of the causes of mortality
+occasions in the latter district such an undue destruction of
+early life, that towards 100 deaths, however occurring, Byron
+Ward contributes fifty per cent. more of children under five
+years of age than the Park Ward, for the former sends sixty
+children to an early grave, while the latter sends only
+forty.&rdquo; <a name="citation116a"></a><a href="#footnote116a"
+class="citation">[116a]</a></p>
+</blockquote>
+<p>Mr. Hawksley, the former witness alluded to, goes on to
+say&mdash;</p>
+<blockquote><p>&ldquo;It has been long known that, with increase
+of years, up to that period of life which has been denominated
+the second childhood, the human constitution becomes gradually
+more resistful, and as it were slowly hardened against the
+repeated attacks of those more acute disorders, incident to an
+inferior degree of sanitary civilisation, by which large portions
+of an infant population are continually overcome and rapidly
+swept away.&nbsp; From the operation of these and more extraneous
+influences of a disturbing character, an infant population is
+almost entirely exempted; and on this account it is considered
+that an infant population constitutes, as it were, a delicate
+barometer, from which we may derive more early and more certain
+indications of the presence and comparative force of local causes
+of mortality and disease than can be obtained from the more
+general methods of investigation usually pursued.&rdquo;</p>
+</blockquote>
+<p>The above evidence is confirmed by Mr. Toynbee:&mdash;</p>
+<blockquote><p>&ldquo;The disease of hydrocephalus, of water in
+the brain, so fatal to children, I find associated with symptoms
+of scrofula, and arising in abundance in these close rooms.&nbsp;
+I believe water in the brain, in the class of patients whom I
+visit, to be almost wholly a scrofulous affection.&rdquo;&nbsp;
+<a name="citation116b"></a><a href="#footnote116b"
+class="citation">[116b]</a></p>
+</blockquote>
+<p>But supposing people aware of the necessity for good air, and
+therefore for ventilation, what is to be done?&nbsp; In houses in
+great towns certainly, and I should say in all houses, some of
+the care and expense that are devoted to ornamental work, which
+when done is often a care, a trouble, an eyesore, and a mischief,
+should be given to modes of ventilation, <a
+name="citation117a"></a><a href="#footnote117a"
+class="citation">[117a]</a> sound building, abundant access of
+light, largeness of sleeping-rooms, and such useful things.&nbsp;
+Less ormolu and tinsel of all kinds in the drawing-rooms, and
+sweeter air in the regions above.&nbsp; Similar things may be
+done for and by the poor. <a name="citation117b"></a><a
+href="#footnote117b" class="citation">[117b]</a>&nbsp; And it
+need hardly be said that those people who care for their
+children, if of any enlightenment at all, will care greatly for
+the sanitary condition of their neighbourhood generally.&nbsp; At
+present you will find at many a rich man&rsquo;s door <a
+name="citation117c"></a><a href="#footnote117c"
+class="citation">[117c]</a> a nuisance which is poisoning the
+atmosphere that his children are to breathe, but which he could
+entirely cure for less than one day&rsquo;s ordinary
+expenses.</p>
+<p>I am afraid that ventilation is very little attended to in
+school-rooms, either for rich or poor.&nbsp; Now it may be
+deliberately said that there is very little learned in any
+school-room that can compensate for the mischief of its being
+learned in the midst of impure air.&nbsp; This is a thing which
+parents must look to, for the grown-up people in the
+school-rooms, though suffering grievously themselves from
+insufficient ventilation, will be unobservant of it. <a
+name="citation118"></a><a href="#footnote118"
+class="citation">[118]</a>&nbsp; In every system of government
+inspection, ventilation must occupy a prominent part.</p>
+<p>The advantage of simple food for children is a thing that
+people have found out.&nbsp; And as regards exercise, children
+happily make great efforts to provide a sufficiency of this for
+themselves.&nbsp; In clothing, the folly and conformity of
+grown-up people enter again.&nbsp; Loving mothers, in various
+parts of the world, carry about at present, I believe, and
+certainly in times past, carried their little children strapped
+to a board, with nearly as little power of motion as the board
+itself.&nbsp; Could we get the returns of stunted miserable
+beings, or of deaths, from this cause, they would be something
+portentous.&nbsp; Less in degree, but not less fatally absurd in
+principle, are many of the strappings, bandages, and incipient
+stays for children amongst us.&nbsp; They are all
+mischievous.&nbsp; Allow children, at any rate, some freedom of
+limbs, some opportunity of being graceful and healthy.&nbsp; Give
+Nature&mdash;dear motherly, much-abused Nature&mdash;some chance
+of forming these little ones according to the beneficent
+intentions of Providence, and not according to the angular
+designs of ill-educated men and women.</p>
+<p>I do not say that attention to the above matters of good air,
+judicious clothing, and freedom from bandages, will absolutely
+secure health, because these very things may have been so ill
+attended to in the parents or in the parental stock as to have
+introduced special maladies; but at least they are the most
+important objects to be minded now; and, perhaps, the more to be
+minded in the children of those who have suffered most from
+neglect in these particulars.</p>
+<p>When we are considering the health of children, it is
+imperative not to omit the importance of keeping their brains
+fallow, as it were, for several of the first years of their
+existence.&nbsp; The mischief perpetrated by a contrary course in
+the shape of bad health, peevish temper, and developed vanity, is
+incalculable.&nbsp; It would not be just to attribute this
+altogether to the vanity of parents; they are influenced by a
+natural fear lest their children should not have all the
+advantages of other children.&nbsp; Some infant prodigy which is
+a standard of mischief throughout its neighbourhood misleads
+them.&nbsp; But parents may be assured that this early work is
+not by any means all gain, even in the way of work.&nbsp; I
+suspect it is a loss; and that children who begin their education
+late, as it would be called, will rapidly overtake those who have
+been in harness long before them.&nbsp; And what advantage can it
+be that the child knows more at six years old than its compeers,
+especially if this is to be gained by a sacrifice of health which
+may never be regained?&nbsp; There may be some excuse for this
+early book-work in the case of those children who are to live by
+manual labour.&nbsp; It is worth while, perhaps, to run the risk
+of some physical injury to them, having only their early years in
+which we can teach them book-knowledge.&nbsp; The chance of
+mischief, too, will be less, being more likely to be counteracted
+by their after-life.&nbsp; But for a child who has to be at
+book-work for the first twenty-one years of its life, what folly
+it is to exhaust in the least the mental energy, which, after
+all, is its surest implement.</p>
+<p>A similar course of argument applies to taking children early
+to church, and to over-developing their minds in any way.&nbsp;
+There is no knowing, moreover, the disgust and weariness that may
+grow up in the minds of young persons from their attention being
+prematurely claimed.&nbsp; We are now, however, looking at early
+study as a matter of health; and we may certainly put it down in
+the same class with impure air, stimulating diet, unnecessary
+bandages, and other manifest physical disadvantages.&nbsp;
+Civilised life, as it advances, does not seem to have so much
+repose in it, that we need begin early in exciting the mind, for
+fear of the man being too lethargical hereafter.</p>
+<h3>EDUCATION OF WOMEN.</h3>
+<p>It seems needful that something should be said specially about
+the education of women.&nbsp; As regards their intellects they
+have been unkindly treated&mdash;too much flattered, too little
+respected.&nbsp; They are shut up in a world of
+conventionalities, and naturally believe that to be the only
+world.&nbsp; The theory of their education seems to be, that they
+should not be made companions to men, and some would say, they
+certainly are not.&nbsp; These critics, however, in the high
+imaginations they justly form of what women&rsquo;s society might
+be to men, forget, perhaps, how excellent a thing it is
+already.&nbsp; Still the criticism is not by any means wholly
+unjust.&nbsp; It appears rather as if there had been a falling
+off since the olden times in the education of women.&nbsp; A
+writer of modern days, arguing on the other side, has said, that
+though we may talk of the Latin and Greek of Lady Jane Grey and
+Queen Elizabeth, yet we are to consider that that was the only
+learning of the time, and that many a modern lady may be far
+better instructed, although she knew nothing of Latin and
+Greek.&nbsp; Certain it is, she may know more facts, have read
+more books: but this does not assure us that she may not be less
+conversable, less companionable.&nbsp; Wherein does the
+cultivated and thoughtful man differ from the common man?&nbsp;
+In the method of his discourse.&nbsp; His questions upon a
+subject in which he is ignorant are full of interest.&nbsp; His
+talk has a groundwork of reason.&nbsp; This rationality must not
+be supposed to be dulness.&nbsp; Folly is dull.&nbsp; Now, would
+women be less charming if they had more power, or at least more
+appreciation, of reasoning?&nbsp; Their flatterers tell them that
+their intuition is such that they need not man&rsquo;s slow
+processes of thought.&nbsp; One would be very sorry to have a
+grave question of law that concerned oneself decided upon by
+intuitive judges, or a question of fact by intuitive
+jurymen.&nbsp; And so of all human things that have to be
+canvassed, it is better, and more amusing too, that they should
+be discussed according to reason.&nbsp; Moreover, the exercise of
+the reasoning faculties gives much of the pleasure which there is
+in solid acquirements; so that the obvious facts in life and
+history will hardly be acquired by those who are not in the habit
+of reasoning upon them.&nbsp; Hence it comes, that women have
+less interest in great topics, and less knowledge of them, than
+they might have.</p>
+<p>Again, if either sex requires logical education, it is
+theirs.&nbsp; The sharp practice of the world drives some logic
+into the most vague of men; women are not so schooled.</p>
+<p>But, supposing the deficiency we have been considering to be
+admitted, how is it to be remedied?&nbsp; Women&rsquo;s education
+must be made such as to ensure some accuracy and reasoning.&nbsp;
+This may be done with any subject of education, and is done with
+men, whatever they learn, because they are expected to produce
+and use their requirements.&nbsp; But the greatest object of
+intellectual education, the improvement of the mental powers, is
+as needful for one sex as the other, and requires the same means
+in both sexes.&nbsp; The same accuracy, attention, logic, and
+method that are attempted in the education of men should be aimed
+at in that of women.&nbsp; This will never be sufficiently
+attended to, as there are no immediate and obvious fruits from
+it.&nbsp; And, therefore, as it is probable, from the different
+career of women to that of men, that whatever women study will
+not be studied with the same method and earnestness as it would
+be by men, what a peculiar advantage there is in any study for
+them, in which no proficiency whatever can be made without some
+use of most of the qualities we desire for them.&nbsp; Geometry,
+for instance, is such a study.&nbsp; It may appear pedantic, but
+I must confess that Euclid seems to me a book for the young of
+both sexes.&nbsp; The severe rules upon which the acquisition of
+the dead languages is built would of course be a great means for
+attaining the logical habits in question.&nbsp; But Latin and
+Greek is a deeper pedantry for women than geometry, and much less
+desirable on many accounts: and geometry would, perhaps, suffice
+to teach them what reasoning is.&nbsp; I daresay, too, there are
+accomplishments which might be taught scientifically; and so even
+the prejudice against the manifest study of science by women be
+conciliated.&nbsp; But the appreciation of reasoning must be got
+somehow.</p>
+<p>It is a narrow view of things to suppose that a just
+cultivation of women&rsquo;s mental powers will take them out of
+their sphere: it will only enlarge that sphere.&nbsp; The most
+cultivated women perform their common duties best.&nbsp; They see
+more in those duties.&nbsp; They can do more.&nbsp; Lady Jane
+Grey would, I daresay, have bound up a wound, or managed a
+household, with any unlearned woman of her day.&nbsp; Queen
+Elizabeth did manage a kingdom: and we find no pedantry in her
+way of doing it.</p>
+<p>People who advocate a better training for women must not,
+necessarily, be supposed to imagine that men and women are by
+education to be made alike, and are intended to fulfil most of
+the same offices.&nbsp; There seems reason for thinking that a
+boundary line exists between the intellects of men and women
+which, perhaps, cannot be passed over from either side.&nbsp;
+But, at any rate, taking the whole nature of both sexes, and the
+inevitable circumstances which cause them to differ, there must
+be such a difference between men and women that the same
+intellectual training applied to both would produce most
+dissimilar results.&nbsp; It has not, however, been proposed in
+these pages to adopt the same training: and would have been still
+less likely to be proposed if it could be shown that such
+training would tend to make men and women unpleasantly similar to
+each other.&nbsp; The utmost that has been thought of here is to
+make more of women&rsquo;s faculties, not by any means to
+translate them into men&rsquo;s&mdash;if such a thing were
+possible, which, we may venture to say, is not.&nbsp; There are
+some things that are good for all trees&mdash;light, air,
+room&mdash;but no one expects by affording some similar
+advantages of this kind to an oak and a beech, to find them
+assimilate, though by such means the best of each may be
+produced.</p>
+<p>Moreover, it should be recollected that the purpose of
+education is not always to foster natural gifts, but sometimes to
+bring out faculties that might otherwise remain dormant; and
+especially so far as to make the persons educated cognisant of
+excellence in those faculties in others.&nbsp; A certain tact and
+refinement belong to women, in which they have little to learn
+from the first: men, too, who attain some portion of these
+qualities, are greatly the better for them, and I should imagine
+not less acceptable on that account to women.&nbsp; So, on the
+other side, there may be an intellectual cultivation for women
+which may seem a little against the grain, which would not,
+however, injure any of their peculiar gifts&mdash;would, in fact,
+carry those gifts to the highest, and would increase withal, both
+to men and women, the pleasure of each other&rsquo;s society.</p>
+<p>There is a branch of general education which is not thought at
+all necessary for women; as regards which, indeed, it is well if
+they are not brought up to cultivate the opposite.&nbsp; Women
+are not taught to be courageous.&nbsp; Indeed, to some persons
+courage may seem as unnecessary for women as Latin and
+Greek.&nbsp; Yet there are few things that would tend to make
+women happier in themselves, and more acceptable to those with
+whom they live, than courage.&nbsp; There are many women of the
+present day, sensible women in other things, whose panic-terrors
+are a frequent source of discomfort to themselves and those
+around them.&nbsp; Now, it is a great mistake to imagine that
+harshness must go with courage; and that the bloom of gentleness
+and sympathy must all be rubbed off by that vigour of mind which
+gives presence of mind, enables a person to be useful in peril,
+and makes the desire to assist overcome that sickliness of
+sensibility which can only contemplate distress and
+difficulty.&nbsp; So far from courage being unfeminine, there is
+a peculiar grace and dignity in those beings who have little
+active power of attack or defence, passing through danger with a
+moral courage which is equal to that of the strongest.&nbsp; We
+see this in great things.&nbsp; We perfectly appreciate the sweet
+and noble dignity of an Anne Bullen, a Mary Queen of Scots, or a
+Marie Antoinette.&nbsp; We see that it is grand for these
+delicately-bred, high-nurtured, helpless personages to meet Death
+with a silence and a confidence like his own.&nbsp; But there
+would be a similar dignity in women&rsquo;s bearing small terrors
+with fortitude.&nbsp; There is no beauty in fear.&nbsp; It is a
+mean, ugly, dishevelled creature.&nbsp; No statue can be made of
+it that a woman would like to see herself like.</p>
+<p>Women are pre-eminent in steady endurance of tiresome
+suffering: they need not be far behind men in a becoming courage
+to meet that which is sudden and sharp.&nbsp; The dangers and the
+troubles, too, which we may venture to say they now start at
+unreasonably, are many of them mere creatures of the
+imagination&mdash;such as, in their way, disturb high-mettled
+animals brought up to see too little, and therefore frightened at
+any leaf blown across the road.</p>
+<p>We may be quite sure that, without losing any of the most
+delicate and refined of feminine graces, women may be taught not
+to give way to unreasonable fears, which should belong no more to
+the fragile than to the robust.</p>
+<p>There is no doubt that courage may in some measure be
+taught.&nbsp; We agree that the lower kinds of courage are matter
+of habit, therefore of teaching: and the same thing holds good to
+some extent of all courage.&nbsp; Courage is as contagious as
+fear.&nbsp; The saying is, that the brave are the sons and
+daughters of the brave; but we might as truly say that they must
+be brought up by the brave.&nbsp; The great novelist, when he
+wants a coward descended from a valorous race, does well to take
+him from his clan and bring him up in an unwarlike home. <a
+name="citation126"></a><a href="#footnote126"
+class="citation">[126]</a>&nbsp; Indeed, the heroic example of
+other days is in great part the source of courage of each
+generation; and men walk up composedly to the most perilous
+enterprises, beckoned onwards by the shades of the brave that
+were.&nbsp; In civil courage, moral courage, or courage shown in
+the minute circumstances of everyday life, the same law is
+true.&nbsp; Courage may be taught by precept, enforced by
+example, and is good to be taught to men, women, and
+children.</p>
+<h3>EDUCATION TO HAPPINESS.</h3>
+<p>It is a curious phenomenon in human affairs, that some of
+those matters in which education is most potent should have been
+amongst the least thought of as branches of it.&nbsp; What you
+teach a boy of Latin and Greek may be good; but these things are
+with him but a little time of each day in his after-life.&nbsp;
+What you teach him of direct moral precepts may be very good
+seed: it may grow up, especially if it have sufficient moisture
+from experience; but then, again, a man is, happily, not doing
+obvious right or wrong all day long.&nbsp; What you teach him of
+any bread-getting art may be of some import to him, as to the
+quantity and quality of bread he will get; but he is not always
+with his art.&nbsp; With himself he is always.&nbsp; How
+important, then, it is, whether you have given him a happy or a
+morbid turn of mind; whether the current of his life is a clear
+wholesome stream, or bitter as Marah.&nbsp; The education to
+happiness is a possible thing&mdash;not to a happiness supposed
+to rest upon enjoyments of any kind, but to one built upon
+content and resignation.&nbsp; This is the best part of
+philosophy.&nbsp; This enters into the &ldquo;wisdom&rdquo;
+spoken of in the Scriptures.&nbsp; Now it can be taught.&nbsp;
+The converse is taught every day and all day long.</p>
+<p>To take an example.&nbsp; A sensitive disposition may descend
+to a child; but it is also very commonly increased, and often
+created.&nbsp; Captiousness, sensitiveness, and a Martha-like
+care for the things of this world, are often the direct fruits of
+education.&nbsp; All these faults of the character, and they are
+amongst the greatest, may be summed up in a disproportionate care
+for little things.&nbsp; This is rather a growing evil.&nbsp; The
+painful neatness and exactness of modern life foster it.&nbsp;
+Long peace favours it.&nbsp; Trifles become more important, great
+evils being kept away.&nbsp; And so, the tide of small wishes and
+requirements gains upon us fully as fast as we can get out of its
+way by our improved means of satisfying them.&nbsp; Now the
+unwholesome concern that many parents and governors manifest as
+to small things must have a great influence on the
+governed.&nbsp; You hear a child reprimanded about a point of
+dress, or some trivial thing, as if it had committed a
+treachery.&nbsp; The criticisms, too, which it hears upon others
+are often of the same kind.&nbsp; Small omissions, small
+commissions, false shame, little stumbling-blocks of offence,
+trifling grievances of the kind that Dr. Johnson, who had known
+hunger, stormed at Mrs. Thrale for talking about, are made much
+of; general dissatisfaction is expressed that things are not
+complete, and that everything in life is not turned out as neat
+as a Long-Acre carriage; commands are expected to be fulfilled by
+agents, upon very rapid and incomplete orders, exactly to the
+mind of the person ordering;&mdash;these ways, to which children
+are very attentive, teach them in their turn to be querulous,
+sensitive, and full of small cares and wishes.&nbsp; And when you
+have made a child like this, can you make a world for him that
+will satisfy him?&nbsp; Tax your civilisation to the uttermost: a
+punctilious, tiresome disposition expects more.&nbsp; Indeed,
+Nature, with her vague and flowing ways, cannot at all fit in
+with a right-angled person.&nbsp; Besides, there are other
+precise, angular creatures, and these sharp-edged persons wound
+each other terribly.&nbsp; Of all the things which you can teach
+people, after teaching them to trust in God, the most important
+is, to put out of their hearts any expectation of perfection,
+according to their notions, in this world.&nbsp; This expectation
+is at the bottom of a great deal of the worldliness we hear so
+much reprehended, and necessarily gives to little things a most
+irrational importance.</p>
+<p>Observe the effect of this disproportionate care for little
+things in the disputes of men.&nbsp; A man who does so care, has
+a garment embroidered with hooks which catch at everything that
+passes by.&nbsp; He finds many more causes of offence than other
+men; and each offence is a more bitter thing to him than to
+others.&nbsp; He does not expect to be offended.&nbsp; Poor
+man!&nbsp; He goes through life wondering that he is the subject
+of general attack, and that the world is so quarrelsome.</p>
+<p>The result of a bad education in developing undue care for
+trifles may be seen in its effect on domestic government and
+government in general.&nbsp; If those in power have this fault,
+they will make the persons under them miserable by petty,
+constant blame; or they will make them indifferent to all
+blame.&nbsp; If this fault is in the governed, they will
+captiously object to all the ways and plans of their superiors,
+not knowing the difficulty of doing anything; they will expect
+miracles of attention, justice, and temper, which the rough-hewed
+ways of men do not admit of; and they will repine and tease the
+life out of those in authority.&nbsp; Sometimes both superiors
+and inferiors, governors and governed, have this fault.&nbsp;
+This must often happen in a family, and is a fearful punishment
+to the elders of it.&nbsp; Scarcely any goodness of disposition,
+and what are called great qualities, can make such difficult
+materials work well together.</p>
+<p>But I end with somewhat of the same argument as I began with,
+namely, that as a man lives more with himself than with art,
+science, or even with his fellows, a wise teacher, having before
+him the intent to make a happy-minded man of his pupil, will try
+to lay a groundwork of divine contentment in him.&nbsp; If he
+cannot make him easily pleased, he will at least try and prevent
+him from being easily disconcerted.&nbsp; Why, even the
+self-conceit that makes people indifferent to small things,
+wrapping them in an atmosphere of self-satisfaction, is welcome
+in a man compared to that querulousness which makes him an enemy
+to all around.&nbsp; But most commendable is that easiness of
+mind which is easy because it is tolerant, because it does not
+look to have everything its own way, because it expects anything
+but smooth usage in its course here, because it has resolved to
+manufacture as few miseries out of small evils as can be.</p>
+<p>Most of us know what it is to vex our minds because we cannot
+recall some name or trivial thing which has escaped our memory
+for the moment.&nbsp; But then we think how foolish this is, what
+little concern it is to us.&nbsp; We are right in that; yet any
+defect of memory is a great concern compared to many of the
+trifling niceties, comforts, offences, and rectangularities
+which, perhaps, we do not think it an ignoble use of heart and
+time to waste ourselves upon.&nbsp; It would be well enough to
+entertain the rabble of small troubles and offences, if we could
+lay them aside with the delightful facility of children, who,
+after an agony of tears, are soon found laughing or asleep.&nbsp;
+But the chagrin and vexation of grown-up people are grown-up too;
+and, however childish in their origin, are not to be laughed or
+danced or slept away in childlike simple-heartedness.</p>
+<p>We must not imagine that too much stress can well be laid upon
+the importance of an education to contentment, for it comes under
+the head of those things which are not adjuncts or acquisitions
+for a man, but which form the texture of his being.&nbsp; What a
+man has learnt is of importance; but what he is, what he can do,
+what he will become, are more significant things.&nbsp; Finally,
+it may be remarked, that, to make education a great work, we must
+have the educators great; that book-learning is mainly good as it
+gives us a chance of coming into the company of greater and
+better minds than the average of men around us; and that
+individual greatness and goodness are the things to be aimed at
+rather than the successful cultivation of those talents which go
+to form some eminent membership of society.&nbsp; Each man is a
+drama in himself&mdash;has to play all the parts in it; is to be
+king and rebel, successful and vanquished, free and slave; and
+needs a bringing-up fit for the universal creature that he
+is.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; You have been unexpectedly merciful to
+us.&nbsp; The moment I heard the head of the essay given out,
+there flitted before my frightened mind volumes of reports,
+Battersea schools, Bell, Wilderspin, normal farms, National
+Society, British Schools, interminable questions about how
+religion might be separated altogether from secular education, or
+so much religion taught as all religious sects could agree
+in.&nbsp; These are all very good things and people to discuss, I
+daresay; but, to tell the truth, the whole subject sits heavy on
+my soul.&nbsp; I meet a man of inexhaustible dulness, and he
+talks to me for three hours about some great subject&mdash;this
+very one of education, for instance&mdash;till I sit entranced by
+stupidity, thinking the while, &ldquo;And this is what we are to
+become by education&mdash;to be like you.&rdquo;&nbsp; Then I see
+a man like D&mdash;, a judicious, reasonable, conversable being,
+knowing how to be silent too&mdash;a man to go through a campaign
+with&mdash;and I find he cannot read or write.</p>
+<p><i>Milverton</i>.&nbsp; This sort of contrast is just the
+thing to strike you, Ellesmere: and yet you know as well as any
+of us that to bring forward such contrasts by way of depreciating
+education would be most unreasonable.&nbsp; There are three
+things that go to make a man&mdash;the education that most people
+mean by education; then the education that goes deeper, the
+education of the soul; and, thirdly, a man&rsquo;s gifts of
+Nature.&nbsp; I agree with all you say about D&mdash;; he never
+says a foolish thing, and does a great many judicious ones.&nbsp;
+But look what a clever face he has.&nbsp; There are gifts of
+Nature for you.&nbsp; Then, again, although he cannot read or
+write, he may have been most judiciously brought up in other
+respects.&nbsp; He may have had two, therefore, out of the three
+elements of education.&nbsp; What such instances would show, I
+believe, if narrowly looked into, is the immense importance of
+the education of heart and temper.</p>
+<p>I feel with you in some measure about the dulness of the
+subject of education.&nbsp; But then it extends to all things of
+the institution kind.&nbsp; Men must have a great deal of
+pedantry, routine, and folly of all sorts, in any large matter
+they undertake.&nbsp; I had had this feeling for a long time (you
+know the way in which you have a thing in your mind, although you
+have never said it out exactly even to yourself)&mdash;well, I
+came upon a passage of Emerson&rsquo;s which I will try to quote,
+and then I knew what it was that I had felt.</p>
+<p>&ldquo;We are full of mechanical actions.&nbsp; We must needs
+intermeddle, and have things in our own way, until the sacrifices
+and virtues of society are odious.&nbsp; Love should make joy;
+but our benevolence is unhappy.&nbsp; Our Sunday-schools, and
+churches, and pauper societies, are yokes to the neck.&nbsp; We
+pain ourselves to please nobody.&nbsp; There are natural ways of
+arriving at the same ends at which these aim, but do not
+arrive.&nbsp; Why should all virtue work in one and the same
+way?&rdquo; . . . &ldquo;And why drag this dead weight of a
+Sunday-school over the whole of Christendom?&nbsp; It is natural
+and beautiful that childhood should inquire, and maturity should
+teach; but it is time enough to answer questions when they are
+asked.&nbsp; Do not shut up the young people against their will
+in a pew, and force the children to ask them questions for an
+hour against their will.&rdquo;</p>
+<p>Now, without agreeing with him in all points, we may
+sympathise with him.</p>
+<p><i>Ellesmere</i>.&nbsp; I agree with him.</p>
+<p><i>Dunsford</i>.&nbsp; I knew you would.&nbsp; You love an
+extreme.</p>
+<p><i>Milverton</i>.&nbsp; But look now.&nbsp; It is well to say,
+&ldquo;It is natural and beautiful that the young should ask and
+the old should teach&rdquo;; but then the old should be capable
+of teaching, which is not the case we have to deal with.&nbsp;
+Institutions are often only to meet individual failings.&nbsp;
+Let there be more instructed elders, and the &ldquo;dead
+weight&rdquo; of Sunday-schools would be less needed.</p>
+<p>I think the result of our thoughts would be, that there should
+be as much life, joy, and Nature put into teaching as can be; but
+I, for one, am not prepared to say that the most mechanical
+process is not better than none.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, you have now shut up the
+subject, according to your fashion, in a rounded sentence; and
+you think after that there is nothing more to be said.&nbsp; But
+I say it goes to my heart&mdash;</p>
+<p><i>Dunsford</i>.&nbsp; What is that?</p>
+<p><i>Ellesmere</i>.&nbsp; To my heart to see the unmerciful
+quantity of instruction that little children go through on a
+Sunday.&nbsp; I suppose I am a very wicked man; but I know how
+wearied I should have been, at any time of my life, if so much
+virtuous precept and good doctrine had been poured into me.</p>
+<p><i>Milverton</i>.&nbsp; Well, I will not fight certainly for
+anything that is to make Sunday a wearisome day for
+children.&nbsp; Indeed, what I meant by putting more joy and life
+into teaching was, that in such a thing as this Sunday-schooling,
+for instance, a judicious man, far from being anxious to get a
+certain quantity of routine done about it, would do with the
+least&mdash;would endeavour to connect it with something
+interesting&mdash;would, in a word, love children, and not
+Sunday-schools.</p>
+<p><i>Ellesmere</i>.&nbsp; Ah, we will have no more about
+Sunday-schools.&nbsp; I know we all agree in reality, although
+Dunsford has been looking very grave and has not said a
+word.&nbsp; I wanted to tell you that I think you are quite
+right, Milverton, in saying a good deal about multifariousness of
+pursuit.&nbsp; You see a wretch of a pedant who knows all about
+tetrameters or statutes of uses, but who, as you hinted an essay
+or two ago, can hardly answer his child a question as they walk
+about the garden together.&nbsp; The man has never given a good
+thought or look to Nature.&nbsp; Well then, again, what a stupid
+thing it is that we are not all taught music.&nbsp; Why learn the
+language of many portions of mankind, and leave the universal
+language of the feelings, as you would call it, unlearnt?</p>
+<p><i>Milverton</i>.&nbsp; I quite agree with you; but I thought
+you always set your face, or rather your ears, against music.</p>
+<p><i>Dunsford</i>.&nbsp; So did I.</p>
+<p><i>Ellesmere</i>.&nbsp; I should like to know all about
+it.&nbsp; It is not to my mind that a cultivated man should be
+quite thrown out by any topic of conversation, or that there
+should be any form of human endeavour or accomplishment which he
+has no conception of.</p>
+<p><i>Dunsford</i>.&nbsp; I liked what you said, Milverton, about
+the philosophy of making light of many things, and the way of
+looking at life that may thus be given to those we educate.&nbsp;
+I rather doubted at first, though, whether you were not going to
+assign too much power to education in the modification of
+temper.&nbsp; But, certainly, the mode of looking at the daily
+events of life, little or great, and the consequent habits of
+captiousness or magnanimity, are just the matters which the young
+especially imitate their elders in.</p>
+<p><i>Milverton</i>.&nbsp; You see, the very worst kind of
+tempers are established upon the fretting care for trifles that I
+want to make war upon in the essay.&nbsp; A man is
+choleric.&nbsp; Well, it is a very bad thing; it tends to
+frighten those about him into falseness.&nbsp; He has outrageous
+bursts of temper.&nbsp; He is humble for days afterwards.&nbsp;
+His dependants rather like him after all.&nbsp; They know that
+&ldquo;his bark is worse than his bite.&rdquo;&nbsp; Then there
+is your gloomy man, often a man who punishes himself
+most&mdash;perhaps a large-hearted, humorous, but sad man, at the
+same time liveable with.&nbsp; He does not care for
+trifles.&nbsp; But it is your acid-sensitive (I must join words
+like Mirabeau&rsquo;s Grandison-Cromwell, to get what I mean),
+and your cold, querulous people that need to have angels to live
+with them.&nbsp; Now education has often had a great deal to do
+with the making of these choice tempers.&nbsp; They are somewhat
+artificial productions.&nbsp; And they are the worst.</p>
+<p><i>Dunsford</i>.&nbsp; You know a saying attributed to the
+Bishop of &mdash; about temper.&nbsp; No?&nbsp; Somebody, I
+suppose, was excusing something on the score of temper, to which
+the Bishop replied, &ldquo;Temper is nine-tenths of
+Christianity.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; There is an appearance we see in
+Nature, not far from here, by the way, that has often put me in
+mind of the effect of temper upon men.&nbsp; It is in the
+lowlands near the sea, where, when the tide is not up (the man
+out of temper), there is a slimy, patchy, diseased-looking
+surface of mud and sick seaweed.&nbsp; You pass by in a few
+hours, there is a beautiful lake, water up to the green grass
+(the man in temper again), and the whole landscape brilliant with
+reflected light.</p>
+<p><i>Ellesmere</i>.&nbsp; And to complete the likeness, the good
+temper and the full tide last about the same time&mdash;with some
+men at least.&nbsp; It is so like you, Milverton, to have that
+simile in your mind.&nbsp; There is nothing you see in Nature,
+but you must instantly find a parallel for it in man.&nbsp;
+Sermons in stones you will not see, else I am sure you
+might.&nbsp; Here is a good hard flint for you to see your next
+essay in.</p>
+<p><i>Milverton</i>.&nbsp; It will do very well, as my next will
+be on the subject of population.</p>
+<p><i>Ellesmere</i>.&nbsp; What day are we to have it?&nbsp; I
+think I have a particular engagement for that day.</p>
+<p><i>Milverton</i>.&nbsp; I must come upon you unawares.</p>
+<p><i>Ellesmere</i>.&nbsp; After the essay you certainly
+might.&nbsp; Let us decamp now and do something great in the way
+of education&mdash;teach Rollo, though he is but a short-haired
+dog, to go into the water.&nbsp; That will be a feat.</p>
+<h2>CHAPTER IX.</h2>
+<p><span class="smcap">Ellesmere</span> succeeded in persuading
+Rollo to go into the water, which proved more, he said, than the
+whole of Milverton&rsquo;s essay, how much might be done by
+judicious education.&nbsp; Before leaving my friends, I promised
+to come over again to Worth-Ashton in a day or two, to hear
+another essay.&nbsp; I came early and found them reading their
+letters.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>&ldquo;You remember Annesleigh at college,&rdquo; said
+Milverton, &ldquo;do you not, Dunsford?&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Yes.</p>
+<p><i>Milverton</i>.&nbsp; Here is a long letter from him.&nbsp;
+He is evidently vexed at the newspaper articles about his conduct
+in a matter of &mdash;, and he writes to tell me that he is
+totally misrepresented.</p>
+<p><i>Dunsford</i>.&nbsp; Why does he not explain this
+publicly?</p>
+<p><i>Milverton</i>.&nbsp; Yes, you naturally think so at first,
+but such a mode of proceeding would never do for a man in office,
+and rarely, perhaps, for any man.&nbsp; At least, so the most
+judicious people seem to think.&nbsp; I have known a man in
+office bear patiently, without attempting any answer, a serious
+charge which a few lines would have entirely answered, indeed,
+turned the other way.&nbsp; But then he thought, I imagine, that
+if you once begin answering, there is no end to it, and also,
+which is more important, that the public journals were not a
+tribunal which he was called to appear before.&nbsp; He had his
+official superiors.</p>
+<p><i>Dunsford</i>.&nbsp; It should be widely known and
+acknowledged then, that silence does not give consent in these
+cases.</p>
+<p><i>Milverton</i>.&nbsp; It is known, though not, perhaps,
+sufficiently.</p>
+<p><i>Dunsford</i>.&nbsp; What a fearful power this anonymous
+journalism is!</p>
+<p><i>Milverton</i>.&nbsp; There is a great deal certainly that
+is mischievous in it; but take it altogether, it is a wonderful
+product of civilisation&mdash;morally too.&nbsp; Even as regards
+those qualities which would in general, to use a phrase of
+Bacon&rsquo;s, &ldquo;be noted as deficients&rdquo; in the press,
+in courtesy and forbearance, for example, it makes a much better
+figure than might have been expected; as any one would testify, I
+suspect, who had observed, or himself experienced, the
+temptations incident to writing on short notice, without much
+opportunity of after-thought or correction, upon subjects about
+which he had already expressed an opinion.</p>
+<p><i>Dunsford</i>.&nbsp; Is the anonymousness absolutely
+necessary?</p>
+<p><i>Milverton</i>.&nbsp; I have often thought whether it
+is.&nbsp; If the anonymousness were taken away, the press would
+lose much of its power; but then, why should it not lose a
+portion of its power, if that portion is only built upon some
+delusion?</p>
+<p><i>Ellesmere</i>.&nbsp; It is a question of expediency.&nbsp;
+As government of all kinds becomes better managed, there is less
+necessity for protection for the press.&nbsp; It must be
+recollected, however, that this anonymousness (to coin a word)
+may not only be useful to protect us from any abuse of power, but
+that at least it takes away that temptation to discuss things in
+an insufficient manner which arises from personal fear of giving
+offence.&nbsp; Then, again, there is an advantage in considering
+arguments without reference to persons.&nbsp; If well-known
+authors wrote for the press and gave their signatures, we should
+often pass by the arguments unfairly, saying, &ldquo;Oh, it is
+only so-and-so: that is the way he always looks at things,&rdquo;
+without seeing whether it is the right way for the occasion in
+question.</p>
+<p><i>Milverton</i>.&nbsp; But take the other side,
+Ellesmere.&nbsp; What national dislikes are fostered by newspaper
+articles, and&mdash;</p>
+<p><i>Ellesmere</i>.&nbsp; Articles in reviews and by books.</p>
+<p><i>Milverton</i>.&nbsp; Yes, but somehow or other, people
+imagine that newspapers speak the opinion of a much greater
+number of people&mdash;</p>
+<p><i>Ellesmere</i>.&nbsp; Do not let us talk any more about
+it.&nbsp; We may become wise enough and well-managed enough to do
+without this anonymousness: we may not.&nbsp; How it would
+astound an ardent Whig or Radical of the last generation if we
+could hear such a sentiment as this&mdash;as a toast we will
+say&mdash;&ldquo;The Press: and may we become so civilised as to
+be able to take away some of its liberty.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; It may be put another way: &ldquo;May
+it become so civilised that we shall not want to take away any of
+its liberty.&rdquo;&nbsp; But I see you are tired of this
+subject.&nbsp; Shall we go on the lawn and have our essay?</p>
+<p>We assented, and Milverton read the following:&mdash;</p>
+<h3>UNREASONABLE CLAIMS IN SOCIAL AFFECTIONS AND RELATIONS.</h3>
+<p>We are all apt to magnify the importance of whatever we are
+thinking about, which is not to be wondered at; for everything
+human has an outlet into infinity, which we come to perceive on
+considering it.&nbsp; But with a knowledge of this tendency, I
+still venture to say that, of all that concerns mankind, this
+subject has, perhaps, been the least treated of in regard to its
+significance.&nbsp; For once that unreasonable expectations of
+gratitude have been reproved, ingratitude has been denounced a
+thousand times; and the same may be said of inconstancy,
+unkindness in friendship, neglected merit and the like.</p>
+<p>To begin with ingratitude.&nbsp; Human beings seldom have the
+demands upon each other which they imagine; and for what they
+have done they frequently ask an impossible return.&nbsp;
+Moreover, when people really have done others a service, the
+persons benefited often do not understand it.&nbsp; Could they
+have understood it, the benefactor, perhaps, would not have had
+to perform it.&nbsp; You cannot expect gratitude from them in
+proportion to your enlightenment.&nbsp; Then, again, where the
+service is a palpable one, thoroughly understood, we often
+require that the gratitude for it should bear down all the rest
+of the man&rsquo;s character.&nbsp; The dog is the very emblem of
+faithfulness; yet I believe it is found that he will sometimes
+like the person who takes him out and amuses him more than the
+person who feeds him.&nbsp; So, amongst bipeds, the most solid
+service must sometimes give way to the claims of
+congeniality.&nbsp; Human creatures are, happily, not to be
+swayed by self-interest alone: they are many-sided creatures;
+there are numberless modes of attaching their affections.&nbsp;
+Not only like likes like, but unlike likes unlike.</p>
+<p>To give an instance which must often occur.&nbsp; Two persons,
+both of feeble will, act together: one as superior, the other as
+inferior.&nbsp; The superior is very kind; the inferior is
+grateful.&nbsp; Circumstances occur to break this relation.&nbsp;
+The inferior comes under a superior of strong will, who is not,
+however, as tolerant and patient as his predecessor.&nbsp; But
+this second superior soon acquires unbounded influence over the
+inferior: if the first one looks on, he may wonder at the
+alacrity and affection of his former subordinate towards the new
+man, and talk much about ingratitude.&nbsp; But the inferior has
+now found somebody to lean upon and to reverence.&nbsp; And he
+cannot deny his nature and be otherwise than he is.&nbsp; In this
+case it does not look like ingratitude, except perhaps to the
+complaining person.&nbsp; But there are doubtless numerous
+instances in which, if we saw all the facts clearly, we should no
+more confirm the charge of ingratitude than we do here.</p>
+<p>Then, again, we seldom make sufficient allowance for the
+burden which there is in obligation, at least to all but great
+and good minds.&nbsp; There are some people who can receive as
+heartily as they would give; but the obligation of an ordinary
+person to an ordinary person is more apt to be brought to mind as
+a present sore than as a past delight.</p>
+<p>Amongst the unreasonable views of the affections, the most
+absurd one has been the fancy that love entirely depends upon the
+will; still more that the love of others for us is to be guided
+by the inducements which seem probable to us.&nbsp; We have
+served them; we think only of them; we are their lovers, or
+fathers, or brothers: we deserve and require to be loved and to
+have the love proved to us.&nbsp; But love is not like property:
+it has neither duties nor rights.&nbsp; You argue for it in vain;
+and there is no one who can give it you.&nbsp; It is not his or
+hers to give.&nbsp; Millions of bribes and infinite arguments
+cannot prevail.&nbsp; For it is not a substance, but a
+relation.&nbsp; There is no royal road.&nbsp; We are loved as we
+are lovable to the person loving.&nbsp; It is no answer to say
+that in some cases the love is based on no reality, but is solely
+in the imagination&mdash;that is, that we are loved not for what
+we are, but for what we are fancied to be.&nbsp; That will not
+bring it any more into the dominions of logic; and love still
+remains the same untamable creature, deaf to advocacy, blind to
+other people&rsquo;s idea of merit, and not a substance to be
+weighed or numbered at all.</p>
+<p>Then, as to the complaints about broken friendship.&nbsp;
+Friendship is often outgrown; and his former child&rsquo;s
+clothes will no more fit a man than some of his former
+friendships.&nbsp; Often a breach of friendship is supposed to
+occur when there is nothing of the kind.&nbsp; People see one
+another seldom; their courses in life are different; they meet,
+and their intercourse is constrained.&nbsp; They fancy that their
+friendship is mightily cooled.&nbsp; But imagine the dearest
+friends, one coming home after a long sojourn, the other going
+out to new lands: the ships that carry these meet: the friends
+talk together in a confused way not relevant at all to their
+friendship, and, if not well assured of their mutual regard,
+might naturally fancy that it was much abated.&nbsp; Something
+like this occurs daily in the stream of the world.&nbsp; Then,
+too, unless people are very unreasonable, they cannot expect that
+their friends will pass into new systems of thought and action
+without new ties of all kinds being created, and some
+modification of the old ones taking place.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>When we are talking of exorbitant claims made for the regard
+of others, we must not omit those of what is called neglected
+merit.&nbsp; A man feels that he has abilities or talents of a
+particular kind, that he has shown them, and still he is a
+neglected man.&nbsp; I am far from saying that merit is
+sufficiently looked out for: but a man may take the sting out of
+any neglect of his merits by thinking that at least it does not
+arise from malice prepense, as he almost imagines in his
+anger.&nbsp; Neither the public, nor individuals, have the time,
+or will, resolutely to neglect anybody.&nbsp; What pleases us, we
+admire and further: if a man in any profession, calling, or art,
+does things which are beyond us, we are as guiltless of
+neglecting him as the Caffres are of neglecting the differential
+calculus.&nbsp; Milton sells his &ldquo;Paradise Lost&rdquo; for
+ten pounds; there is no record of Shakespeare dining much with
+Queen Elizabeth.&nbsp; And it is Utopian to imagine that statues
+will be set up to right men in their day.</p>
+<p>The same arguments which applied to the complaints of
+ingratitude, apply to the complaints of neglected merit.&nbsp;
+The merit is oftentimes not understood.&nbsp; Be it ever so
+manifest, it cannot absorb men&rsquo;s attention.&nbsp; When it
+is really great, it has not been brought out by the hope of
+reward, any more than the kindest services by the hope of
+gratitude.&nbsp; In neither case is it becoming or rational to be
+clamorous about payment.</p>
+<p>There is one thing that people hardly ever remember, or,
+indeed, have imagination enough to conceive; namely, the effect
+of each man being shut up in his individuality.&nbsp; Take a long
+course of sayings and doings in which many persons have been
+engaged.&nbsp; Each one of them is in his own mind the centre of
+the web, though, perhaps, he is at the edge of it.&nbsp; We know
+that in our observations of the things of sense, any difference
+in the points from which the observation is taken gives a
+different view of the same thing.&nbsp; Moreover, in the world of
+sense, the objects and the points of view are each indifferent to
+the rest; but in life the points of views are centres of action
+that have had something to do with the making of the things
+looked at.&nbsp; If we could calculate the moral parallax arising
+from these causes, we should see, by the mere aid of the
+intellect, how unjust we often are in our complaints of
+ingratitude, inconstancy, and neglect.&nbsp; But without these
+nice calculations, such errors of view may be corrected at once
+by humility, a more sure method than the most enlightened
+appreciation of the cause of error.&nbsp; Humility is the true
+cure for many a needless heartache.</p>
+<p>It must not be supposed that in thus opposing unreasonable
+views of social affections, anything is done to dissever such
+affections.&nbsp; The Duke of Wellington, writing to a man in a
+dubious position of authority, says &ldquo;The less you claim,
+the more you will have.&rdquo;&nbsp; This is remarkably true of
+the affections; and there is scarcely anything that would make
+men happier than teaching them to watch against unreasonableness
+in their claims of regard and affection; and which at the same
+time would be more likely to ensure their getting what may be
+their due.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i> (clapping his hands).&nbsp; An essay after my
+heart: worth tons of soft trash.&nbsp; In general you are
+amplifying duties, telling everybody that they are to be so good
+to every other body.&nbsp; Now it is as well to let every other
+body know that he is not to expect all he may fancy from
+everybody.&nbsp; A man complains that his prosperous friends
+neglect him: infinitely overrating, in all probability, his
+claims, and his friends&rsquo; power of doing anything for
+him.&nbsp; Well, then, you may think me very hard, but I say that
+the most absurd claims are often put forth on the ground of
+relationship.&nbsp; I do not deny that there is something in
+blood, but it must not be made too much of.&nbsp; Near relations
+have great opportunities of attaching each other; if they fail to
+use these, I do not think it is well to let them imagine that
+mere relationship is to be the talisman of affection.</p>
+<p><i>Dunsford</i>.&nbsp; I do not see exactly how to answer all
+that you or Milverton have said; but I am not prepared, as
+official people say, to agree with you.&nbsp; I especially
+disagree with what Milverton has said about love.&nbsp; He leaves
+much too little power to the will.</p>
+<p><i>Milverton</i>.&nbsp; I daresay I may have done so.&nbsp;
+These are very deep matters, and any one view about them does not
+exhaust them.&nbsp; I remember C&mdash; once saying to me that a
+man never utters anything without error.&nbsp; He may even think
+of it rightly; but he cannot bring it out rightly.&nbsp; It turns
+a little false, as it were, when it quits the brain and comes
+into life.</p>
+<p><i>Ellesmere</i>.&nbsp; I thought you would soon go over to
+the soft side.&nbsp; Here, Rollo; there&rsquo;s a good dog.&nbsp;
+You do not form unreasonable expectations, do you?&nbsp; A very
+little petting puts you into an ecstasy, and you are much wiser
+than many a biped who is full of his claims for gratitude, and
+friendship, and love, and who is always longing for well-merited
+rewards to fall into his mouth.&nbsp; Down, dog!</p>
+<p><i>Milverton</i>.&nbsp; Poor animal! it little knows that all
+this sudden notice is only by way of ridiculing us.&nbsp; Why I
+did not maintain my ground stoutly against Dunsford is, that I am
+always afraid of pushing moral conclusions too far.&nbsp; Since
+we have been talking, I think I see more clearly than I did
+before what I mean to convey by the essay&mdash;namely, that men
+fall into unreasonable views respecting the affections <i>from
+imagining that the general laws of the mind are suspended for the
+sake of the affections</i>.</p>
+<p><i>Dunsford</i>.&nbsp; That seems safer ground.</p>
+<p><i>Milverton</i>.&nbsp; Now to illustrate what I mean by a
+very similar instance.&nbsp; The mind is avid of new
+impressions.&nbsp; It &ldquo;travels over,&rdquo; or thinks it
+travels over, another mind; and, though it may conceal its wish
+for &ldquo;fresh fields and pastures new,&rdquo; it does so
+wish.&nbsp; However harsh, therefore, and unromantic it may seem,
+the best plan is to humour Nature, and not to exhaust by
+overfrequent presence the affection of those whom we would love,
+or whom we would have to love us.&nbsp; I would not say, after
+the manner of Rochefoucauld, that the less we see of people the
+more we like them; but there are certain limits of sociality; and
+prudent reserve and absence may find a place in the management of
+the tenderest relations.</p>
+<p><i>Dunsford</i>.&nbsp; Yes, all this is true enough: I do not
+see anything hard in this.&nbsp; But then there is the other
+side.&nbsp; Custom is a great aid to affection.</p>
+<p><i>Milverton</i>.&nbsp; Yes.&nbsp; All I say is, do not fancy
+that the general laws are suspended for the sake of any one
+affection.</p>
+<p><i>Dunsford</i>.&nbsp; Still this does not go to the question
+whether there is not something more of will in affection than you
+make out.&nbsp; You would speak of inducements and
+counter-inducements, aids and hindrances; but I cannot but think
+you are limiting the power of will, and therefore limiting
+duty.&nbsp; Such views tend to make people easily discontented
+with each other, and prevent their making efforts to get over
+offences, and to find out what is lovable in those about
+them.</p>
+<p><i>Ellesmere</i>.&nbsp; Here we are in the deep places
+again.&nbsp; I see you are pondering, Milverton.&nbsp; It is a
+question, as a minister would say when Parliament perplexes him,
+that we must go to the country upon; each man&rsquo;s heart will,
+perhaps, tell him best about it.&nbsp; For my own part, I think
+that the continuance of affection, as the rise of it, depends
+more on the taste being satisfied, or at least not disgusted,
+than upon any other single thing.&nbsp; Our hearts may be touched
+at our being loved by people essentially distasteful to us, whose
+modes of talking and acting are a continual offence to us; but
+whether we can love them in return is a question.</p>
+<p><i>Milverton</i>.&nbsp; Yes, we can, I think.&nbsp; I begin to
+see that it is a question of degree.&nbsp; The word love includes
+many shades of meaning.&nbsp; When it includes admiration, of
+course we cannot be said to love those in whom we see nothing to
+admire.&nbsp; But this seldom happens in the mixed characters of
+real life.&nbsp; The upshot of it all seems to me to be, that, as
+Guizot says of civilisation, every impulse has room; so in the
+affections, every inducement and counter-inducement has its
+influence; and the result is not a simple one, which can be
+spoken of as if it were alike on all occasions and with all
+men.</p>
+<p><i>Dunsford</i>.&nbsp; I am still unanswered, I think,
+Milverton.&nbsp; What you say is still wholly built upon
+inducements, and does not touch the power of will.</p>
+<p><i>Milverton</i>.&nbsp; No; it does not.</p>
+<p><i>Ellesmere</i>.&nbsp; We must leave that alone.&nbsp;
+Infinite piles of books have not as yet lifted us up to a clear
+view of that matter.</p>
+<p><i>Dunsford</i>.&nbsp; Well, then, we must leave it as a vexed
+question; but let it be seen that there is such a question.&nbsp;
+Now, as to another thing; you speak, Milverton, of men&rsquo;s
+not making allowance enough for the unpleasant weight of
+obligation.&nbsp; I think that weight seems to have increased in
+modern times.&nbsp; Essex could give Bacon a small estate, and
+Bacon could take it comfortably, I have no doubt.&nbsp; That is a
+much more wholesome state of things among friends than the
+present.</p>
+<p><i>Milverton</i>.&nbsp; Yes, undoubtedly.&nbsp; An extreme
+notion about independence has made men much less generous in
+receiving.</p>
+<p><i>Dunsford</i>.&nbsp; It is a falling off, then.&nbsp; There
+was another comment I had to make.&nbsp; I think, when you speak
+about the exorbitant demands of neglected merit, you should say
+more upon the neglect of the just demands of merit.</p>
+<p><i>Milverton</i>.&nbsp; I would have the Government and the
+public in general try by all means to understand and reward
+merit, especially in those matters wherein excellence cannot,
+otherwise, meet with large present reward.&nbsp; But, to say the
+truth, I would have this done, not with the view of fostering
+genius so much as of fulfilling duty: I would say to a
+minister&mdash;it is becoming in you&mdash;it is well for the
+nation, to reward, as far as you can, and dignify, men of
+genius.&nbsp; Whether you will do them any good or bring forth
+more of them, I do not know.</p>
+<p><i>Ellesmere</i>.&nbsp; Men of great genius are often such a
+sensitive race, so apt to be miserable in many other than
+pecuniary ways and want of public estimation, that I am not sure
+that distress and neglect do not take their minds off worse
+discomforts.&nbsp; It is a kind of grievance, too, that they like
+to have.</p>
+<p><i>Dunsford</i>.&nbsp; Really, Ellesmere, that is a most
+unfeeling speech.</p>
+<p><i>Milverton</i>.&nbsp; At any rate, it is right for us to
+honour and serve a great man.&nbsp; It is our nature to do so, if
+we are worth anything.&nbsp; We may put aside the question
+whether our honour will do him more good than our neglect.&nbsp;
+That is a question for him to look to.&nbsp; The world has not
+yet so largely honoured deserving men in their own time, that we
+can exactly pronounce what effect it would have upon them.</p>
+<p><i>Ellesmere</i>.&nbsp; Come, Rollo, let us leave these men of
+sentiment.&nbsp; Oh, you will not go, as your master does not
+move.&nbsp; Look how he wags his tail, and almost says, &ldquo;I
+should clearly like to have a hunt after the water-rat we saw in
+the pond the other day, but master is talking philosophy, and
+requires an intelligent audience.&rdquo;&nbsp; These dogs are
+dear creatures, it must be owned.&nbsp; Come, Milverton, let us
+have a walk.</p>
+<h2>CHAPTER X.</h2>
+<p><span class="smcap">After</span> the reading in the last
+chapter, my friends walked homewards with me as far as Durley
+Wood, which is about half-way between Worth-Ashton and my
+house.&nbsp; As we rested here, we bethought ourselves that it
+would be a pleasant spot for us to come to sometimes and read our
+essays.&nbsp; So we agreed to name a day for meeting there.&nbsp;
+The day was favourable, we met as we had appointed, and finding
+some beech logs lying very opportunely, took possession of them
+for our council.&nbsp; We seated Ellesmere on one that we called
+the woolsack, but which he said he felt himself unworthy to
+occupy in the presence of King Log, pointing to mine.&nbsp; These
+nice points of etiquette being at last settled, Milverton drew
+out his papers and was about to begin reading, when Ellesmere
+thus interrupted him:&mdash;</p>
+<p><i>Ellesmere</i>.&nbsp; You were not in earnest, Milverton,
+about giving us an essay on population?&nbsp; Because if so, I
+think I shall leave this place to you and Dunsford and the
+ants.</p>
+<p><i>Milverton</i>.&nbsp; I certainly have been meditating
+something of the sort; but have not been able to make much of
+it.</p>
+<p><i>Ellesmere</i>.&nbsp; If I had been living in those days
+when it first beamed upon mankind that the earth was round, I am
+sure I should have said, &ldquo;We know now the bounds of the
+earth: there are no interminable plains joined to the regions of
+the sun, allowing of indefinite sketchy outlines at the edges of
+maps.&nbsp; That little creature man will immediately begin to
+think that his world is too small for him.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; There has probably been as much folly
+uttered by political economy as against it, which is saying
+something.&nbsp; The danger as regards theories of political
+economy is the obvious one of their abstract conclusions being
+applied to concrete things.</p>
+<p><i>Ellesmere</i>.&nbsp; As if we were to expect mathematical
+lines to bear weights.</p>
+<p><i>Milverton</i>.&nbsp; Something like that.&nbsp; With a good
+system of logic pervading the public mind, this danger would of
+course be avoided; but such a state of mind is not likely to
+occur in any public that we or our grandchildren are likely to
+have to deal with.&nbsp; As it is, an ordinary man hears some
+conclusion of political economy, showing some particular tendency
+of things, which in real life meets with many counteractions of
+all kinds: but he, perhaps, adopts the conclusion without the
+least abatement, and would work it into life, as if all went on
+there like a rule-of-three sum.</p>
+<p><i>Ellesmere</i>.&nbsp; After all, this error arises from the
+man&rsquo;s not having enough political economy.&nbsp; It is not
+that a theory is good on paper, but unsound in real life.&nbsp;
+It is only that in real life you cannot get at the simple state
+of things to which the theory would rightly apply.&nbsp; You want
+many other theories and the just composition of them all to be
+able to work the whole problem.&nbsp; That being done (which,
+however, scarcely can be done), the result on paper might be read
+off as applicable at once to life.&nbsp; But now, touching the
+essay; since we are not to have population, what is it to be?</p>
+<p><i>Milverton</i>.&nbsp; Public improvements.</p>
+<p><i>Ellesmere</i>.&nbsp; Nearly as bad; but as this is a
+favourite subject of yours, I suppose it will not be polite to go
+away.</p>
+<p><i>Milverton</i>.&nbsp; No; you must listen.</p>
+<h3>PUBLIC IMPROVEMENTS.</h3>
+<p>What are possessions?&nbsp; To an individual, the stores of
+his own heart and mind pre-eminently.&nbsp; His truth and valour
+are amongst the first.&nbsp; His contentedness, or his
+resignation may be put next.&nbsp; Then his sense of beauty,
+surely a possession of great moment to him.&nbsp; Then all those
+mixed possessions which result from the social
+affections&mdash;great possessions, unspeakable delights, much
+greater than the gift last mentioned in the former class, but
+held on more uncertain tenure.&nbsp; Lastly, what are generally
+called possessions?&nbsp; However often we have heard of the
+vanity, uncertainty, and vexation that beset these last, we must
+not let this repetition deaden our minds to the fact.</p>
+<p>Now, national possessions must be estimated by the same
+gradation that we have applied to individual possessions.&nbsp;
+If we consider national luxury, we shall see how small a part it
+may add to national happiness.&nbsp; Men of deserved renown, and
+peerless women, lived upon what we should now call the coarsest
+fare, and paced the rushes in their rooms with as high, or as
+contented thoughts, as their better-fed and better-clothed
+descendants can boast of.&nbsp; Man is limited in this direction;
+I mean, in the things that concern his personal gratification;
+but when you come to the higher enjoyments, the expansive power
+both in him and them is greater.&nbsp; As Keats says,</p>
+<blockquote><p>&ldquo;A thing of beauty is a joy for ever;<br />
+Its loveliness increases; it will never<br />
+Pass into nothingness; but still will keep<br />
+A bower quiet for us, and a sleep<br />
+Full of sweet dreams, and health, and quiet breathing.&rdquo;</p>
+</blockquote>
+<p>What then are a nation&rsquo;s possessions?&nbsp; The great
+words that have been said in it; the great deeds that have been
+done in it; the great buildings, and the great works of art, that
+have been made in it.&nbsp; A man says a noble saying: it is a
+possession, first to his own race, then to mankind.&nbsp; A
+people get a noble building built for them: it is an honour to
+them, also a daily delight and instruction.&nbsp; It
+perishes.&nbsp; The remembrance of it is still a
+possession.&nbsp; If it was indeed pre-eminent, there will be
+more pleasure in thinking of it than in being with others of
+inferior order and design.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>On the other hand, a thing of ugliness is potent for
+evil.&nbsp; It deforms the taste of the thoughtless: it frets the
+man who knows how bad it is: it is a disgrace to the nation who
+raised it; an example and an occasion for more
+monstrosities.&nbsp; If it is a great building in a great city,
+thousands of people pass it daily, and are the worse for it, or
+at least not the better.&nbsp; It must be done away with.&nbsp;
+Next to the folly of doing a bad thing is that of fearing to undo
+it.&nbsp; We must not look at what it has cost, but at what it
+is.&nbsp; Millions may be spent upon some foolish device which
+will not the more make it into a possession, but only a more
+noticeable detriment.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>It must not be supposed that works of art are the only, or the
+chief, public improvements needed in any country.&nbsp; Wherever
+men congregate, the elements become scarce.&nbsp; The supply of
+air, light, and water is then a matter of the highest public
+importance: and the magnificent utilitarianism of the Romans
+should precede the nice sense of beauty of the Greeks.&nbsp; Or
+rather, the former should be worked out in the latter.&nbsp;
+Sanitary improvements, like most good works, may be made to
+fulfil many of the best human objects.&nbsp; Charity, social
+order, conveniency of living, and the love of the beautiful, may
+all be furthered by such improvements.&nbsp; A people is seldom
+so well employed as when, not suffering their attention to be
+absorbed by foreign quarrels and domestic broils, they bethink
+themselves of winning back those blessings of Nature which
+assemblages of men mostly vitiate, exclude, or destroy.</p>
+
+<div class="gapspace">&nbsp;</div>
+<p>Public improvements are sometimes most difficult in free
+countries.&nbsp; The origination of them is difficult there, many
+diverse minds having to be persuaded.&nbsp; The individual, or
+class, resistance to the public good is harder to conquer than in
+despotic states.&nbsp; And, what is most embarrassing, perhaps,
+individual progress in the same direction, or individual doings
+in some other way, form a great hindrance, sometimes, to public
+enterprise.&nbsp; On the other hand, the energy of a free people
+is a mine of public welfare; and individual effort brings many
+good things to bear in much shorter time than any government
+could be expected to move in.&nbsp; A judicious statesman
+considers these things; and sets himself especially to overcome
+those peculiar obstacles to public improvement which belong to
+the institutions of his country.&nbsp; Adventure in a despotic
+state, combined action in a free state, are the objects which
+peculiarly demand his attention.</p>
+<p>To return to works of art.&nbsp; In this also the genius of
+the people is to be heeded.&nbsp; There may have been, there may
+be, nations requiring to be diverted from the love of art to
+stern labour and industrial conquests.&nbsp; But certainly it is
+not so with the Anglo-Saxon race, or with the Northern races
+generally.&nbsp; Money may enslave them; logic may enslave them;
+art never will.&nbsp; The chief men, therefore, in these races
+will do well sometimes to contend against the popular current,
+and to convince their people that there are other sources of
+delight, and other objects worthy of human endeavour, than severe
+money-getting or more material successes of any kind.</p>
+<p>In fine, the substantial improvement, and even the
+embellishment of towns, is a work which both the central and
+local governing bodies in a country should keep a steady hand
+upon.&nbsp; It especially concerns them.&nbsp; What are they
+there for but to do that which individuals cannot do?&nbsp; It
+concerns them, too, as it tells upon the health, morals,
+education, and refined pleasures of the people they govern.&nbsp;
+In doing it, they should avoid pedantry, parsimony, and
+favouritism; and their mode of action should be large,
+considerate, and foreseeing.&nbsp; Large; inasmuch as they must
+not easily be contented with the second best in any of their
+projects.&nbsp; Considerate; inasmuch as they have to think what
+their people need most, not what will make most show.&nbsp; And
+therefore, they should be contented, for instance, at their work
+going on underground for a time, or in byways, if needful; the
+best charity in public works, as in private, being often that
+which courts least notice.&nbsp; Lastly, their work should be
+with foresight, recollecting that cities grow up about us like
+young people, before we are aware of it.</p>
+
+<div class="gapshortline">&nbsp;</div>
+<p><i>Ellesmere</i>.&nbsp; Another very merciful essay!&nbsp;
+When we had once got upon the subject of sanitary improvements, I
+thought we should soon be five fathom deep in blue-books,
+reports, interminable questions of sewerage, and horrors of all
+kinds.</p>
+<p><i>Milverton</i>.&nbsp; I am glad you own that I have been
+very tender of your impatience in this essay.&nbsp; People, I
+trust, are now so fully aware of the immense importance of
+sanitary improvements, that we do not want the elementary talking
+about such things that was formerly necessary.&nbsp; It is
+difficult, though, to say too much about sanitary matters, that
+is, if by saying much one could gain attention.&nbsp; I am
+convinced that the most fruitful source of physical evil to
+mankind has been impure air, arising from circumstances which
+might have been obviated.&nbsp; Plagues and pestilences of all
+kinds, cretinism too, and all scrofulous disorders, are probably
+mere questions of ventilation.&nbsp; A district may require
+ventilation as well as a house.</p>
+<p><i>Ellesmere</i>.&nbsp; Seriously speaking, I quite agree with
+you.&nbsp; And what delights me in sanitary improvements is, that
+they can hardly do harm.&nbsp; Give a poor man good air, and you
+do not diminish his self-reliance.&nbsp; You only add to his
+health and vigour&mdash;make more of a man of him.&nbsp; But now
+that the public mind, as it is facetiously called, has got hold
+of the idea of these improvements, everybody will be chattering
+about them.</p>
+<p><i>Milverton</i>.&nbsp; The very time when those who really do
+care for these matters should be watchful to make the most of the
+tide in their favour, and should not suffer themselves to relax
+their efforts because there is no originality now about such
+things.</p>
+<p><i>Dunsford</i>.&nbsp; Custom soon melts off the wings which
+Novelty alone has lent to Benevolence.</p>
+<p><i>Ellesmere</i>.&nbsp; And down comes the charitable
+Icarus.&nbsp; A very good simile, my dear Dunsford, but rather of
+the Latin-verse order.&nbsp; I almost see it worked into an
+hexameter and pentameter, and delighting the heart of an Eton
+boy.</p>
+<p><i>Dunsford</i>.&nbsp; Ellesmere is more than usually vicious
+to-day, Milverton.&nbsp; A great &ldquo;public improvement&rdquo;
+would be to clip the tongues of some of these lawyers.</p>
+<p><i>Ellesmere</i>.&nbsp; Possibly.&nbsp; I have just been
+looking again at that part of the essay, Milverton, where you
+talk of the little gained by national luxury.&nbsp; I think with
+you.&nbsp; There is an immensity of nonsense uttered about making
+people happy, which is to be done, according to
+happiness-mongers, by quantities of sugar and tea, and such-like
+things.&nbsp; One knows the importance of food, but there is no
+Elysium to be got out of it.</p>
+<p><i>Milverton</i>.&nbsp; I know what you mean.&nbsp; There is a
+kind of pity for the people now in vogue which is most
+effeminate.&nbsp; It is a sugared sort of Robespierre talk about
+&ldquo;The poor but virtuous People.&rdquo;&nbsp; To address such
+stuff to the people is not to give them anything, but to take
+away what they have.&nbsp; Suppose you could give them oceans of
+tea and mountains of sugar, and abundance of any luxury that you
+choose to imagine, but at the same time you inserted a hungry,
+envious spirit in them, what have you done?&nbsp; Then, again,
+this envious spirit, when it is turned to difference of station,
+what good can it do?&nbsp; Can you give station according to
+merit?&nbsp; Is life long enough for it?</p>
+<p><i>Ellesmere</i>.&nbsp; Of course we cannot always be weighing
+men with nicety, and saying, &ldquo;Here is your place, here
+yours.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Then, again, what happiness do you
+confer on men by teaching them to disrespect their superiors in
+rank, by turning all the embellishments which adorn various
+stations wrong side out, putting everything in its lowest form,
+and then saying, &ldquo;What do you see to admire
+here?&rdquo;&nbsp; You do not know what injury you may do a man
+when you destroy all reverence in him.&nbsp; It will be found out
+some day that men derive more pleasure and profit from having
+superiors than from having inferiors.</p>
+<p><i>Dunsford</i>.&nbsp; It is seldom that I bring you back to
+your subject, but we are really a long way off at present; and I
+want to know, Milverton, what you would do specifically in the
+way of public improvements.&nbsp; Of course you cannot say in an
+essay what you would do in such matters, but amongst
+ourselves.&nbsp; In London, for instance.</p>
+<p><i>Milverton</i>.&nbsp; The first thing for Government to do,
+Dunsford, in London, or any other great town, is to secure open
+spaces in it and about it.&nbsp; Trafalgar Square may be dotted
+with hideous absurdities, but it is an open space.&nbsp; They may
+collect together there specimens of every variety of meanness and
+bad taste; but they cannot prevent its being a better thing than
+if it were covered with houses.&nbsp; Public money is scarcely
+ever so well employed as in securing bits of waste ground and
+keeping them as open spaces.&nbsp; Then, as under the most
+favourable circumstances, we are likely to have too much carbon
+in the air of any town, we should plant trees to restore the just
+proportions of the air as far as we can. <a
+name="citation161"></a><a href="#footnote161"
+class="citation">[161]</a>&nbsp; Trees are also what the heart
+and the eye desire most in towns.&nbsp; The Boulevards in Paris
+show the excellent effect of trees against buildings.&nbsp; There
+are many parts of London where rows of trees might be planted
+along the streets.&nbsp; The weighty dulness of Portland Place,
+for instance, might be thus relieved.&nbsp; Of course, in any
+scheme of public improvements, the getting rid of smoke is one of
+the first objects.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, smoke is a great abuse; but then
+there is something ludicrous about it, just as there is about
+sewerage.&nbsp; I believe, myself, that for one person that the
+Corn Laws have injured, a dozen have had their lives shortened
+and their happiness abridged in every way by these less palpable
+nuisances.&nbsp; But there is no grandeur in opposing
+them&mdash;no &ldquo;good cry&rdquo; to be raised.&nbsp; And so,
+as abuses cannot be met in our days but by agitation&mdash;a
+committee, secretaries, clerks, newspapers, and a
+review&mdash;and as agitation in this case holds out fewer
+inducements than usual, we have gone on year after year being
+poisoned by these various nuisances, at an incalculable expense
+of life and money.</p>
+<p><i>Milverton</i>.&nbsp; There is something in what you say, I
+think, but you press it too far; for of late these sanitary
+subjects have worked themselves into notice, as you yourself
+admit.</p>
+<p><i>Ellesmere</i>.&nbsp; Late indeed.</p>
+<p><i>Milverton</i>.&nbsp; Well, but to go on with schemes for
+improving London.&nbsp; Open spaces, trees&mdash;then comes the
+supply of water.&nbsp; This is one of the first things to be
+done.&nbsp; Philadelphia has given an example which all towns
+ought to imitate.&nbsp; It is a matter requiring great thought,
+and the various plans should be thoroughly canvassed before the
+choice is made.&nbsp; Great beauty and the highest utility may be
+combined in supplying a town like London with water.&nbsp; By the
+way, how much water do you think London requires daily?</p>
+<p><i>Ellesmere</i>.&nbsp; As much as the Serpentine and the
+water in St. James&rsquo;s Park.</p>
+<p><i>Milverton</i>.&nbsp; You are not so far out.</p>
+<p>Well, then, having gone through the largest things that must
+be attended to, we come to minor matters.&nbsp; It is a great
+pity that the system of building upon leases should be so
+commonly adopted.&nbsp; Nobody expects to live out the leasehold
+term which he takes to build upon.&nbsp; But things would be
+better done if people were more averse to having anything to do
+with leasehold property.&nbsp; C. always says that the modern
+lath-and-plaster system is a wickedness, and upon my word I think
+he is right.&nbsp; It is inconceivable to me how a man can make
+up his mind to build, or to do anything else, in a temporary,
+slight, insincere fashion.&nbsp; What has a man to say for
+himself who must sum up the doings of his life in this way,
+&ldquo;I chiefly employed myself in making or selling things
+which seemed to be good and were not, and nobody has occasion to
+bless me for anything I have done.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; Humph! you put it mildly.&nbsp; But
+the man has made perhaps seven per cent. off his money; or, if he
+has made no per cent., has ruined several men of his own trade,
+which is not to go for nothing when a man is taking stock of his
+good deeds.</p>
+<p><i>Milverton</i>.&nbsp; There is one thing I forgot to say,
+that we want more individual will in building, I think.&nbsp; As
+it is at present, a great builder takes a plot of ground and
+turns out innumerable houses, all alike, the same faults and
+merits running through each, thus adding to the general dulness
+of things.</p>
+<p><i>Ellesmere</i>.&nbsp; Lady Mary Wortley Montagu, when she
+came from abroad, remarked that all her friends seemed to have
+got into drawing-rooms which were like a grand piano, first a
+large square or oblong room, and then a small one.&nbsp; Quite
+Georgian, this style of architecture.&nbsp; But now I think we
+are improving immensely&mdash;at any rate in the outside of
+houses.&nbsp; By the way, Milverton, I want to ask you one thing:
+How is it that Governments and Committees, and the bodies that
+manage matters of taste, seem to be more tasteless than the
+average run of people?&nbsp; I will wager anything that the
+cabmen round Trafalgar Square would have made a better thing of
+it than it is.&nbsp; If you had put before them several prints of
+fountains, they would not have chosen those.</p>
+<p><i>Milverton</i>.&nbsp; I think with you, but I have no theory
+to account for it.&nbsp; I suppose that these committees are
+frequently hampered by other considerations than those which come
+before the public when they are looking at the work done; and
+this may be some excuse.&nbsp; There was a custom which I have
+heard prevailed in former days in some of the Italian cities, of
+making large models of the works of art that were to adorn the
+city, and putting them up in the places intended for the works
+when finished, and then inviting criticism.&nbsp; It would really
+be a very good plan in some cases.</p>
+<p><i>Ellesmere</i>.&nbsp; Now, Milverton, would you not
+forthwith pull down such things as Buckingham Palace and the
+National Gallery?&nbsp; Dunsford looks at me as if I were going
+to pull down the Constitution.</p>
+<p><i>Milverton</i>.&nbsp; I would pull them down to a certainty,
+or some parts of them at any rate; but whether
+&ldquo;forthwith&rdquo; is another question.&nbsp; There are
+greater things, perhaps, to be done first.&nbsp; We must
+consider, too,</p>
+<blockquote><p>&ldquo;That eternal want of pence<br />
+Which vexes public men.&rdquo;</p>
+</blockquote>
+<p>Still, I think we ought always to look upon such buildings as
+temporary arrangements, and they vex one less then.&nbsp; The
+Palace ought to be in the higher part of the Park, perhaps on
+that slope opposite Piccadilly.</p>
+<p><i>Dunsford</i>.&nbsp; Well, it does amuse me the way in which
+you youngsters go on, pulling down, in your industrious
+imaginations, palaces and national galleries, building aqueducts
+and cloac&aelig; maxim&aelig;, forming parks, destroying smoke
+(so large a part of every Londoner&rsquo;s diet), and abridging
+plaster, without fear of Chancellors of the Exchequer, and the
+resistance of mankind in general.</p>
+<p><i>Milverton</i>.&nbsp; We must begin by thinking boldly about
+things.&nbsp; That is a larger part of any undertaking than it
+seems, perhaps.</p>
+<p><i>Dunsford</i>.&nbsp; We must, I am afraid, break off our
+pleasant employment of projecting public improvements, unless we
+mean to be dinnerless.</p>
+<p><i>Ellesmere</i>.&nbsp; A frequent fate of great projectors, I
+fear.</p>
+<p><i>Milverton</i>.&nbsp; Now then, homewards.</p>
+<h2>CHAPTER XI.</h2>
+<p><span class="smcap">My</span> readers will, perhaps, agree
+with me in being sorry to find that we are coming to the end of
+our present series.&nbsp; I say, &ldquo;my readers,&rdquo; though
+I have so little part in purveying for them, that I mostly
+consider myself one of them.&nbsp; It is no light task, however,
+to give a good account of a conversation; and I say this, and
+would wish people to try whether I am not right in saying so, not
+to call attention to my labour in the matter, but because it may
+be well to notice how difficult it is to report anything
+truly.&nbsp; Were this better known, it might be an aid to
+charity, and prevent some of those feuds which grow out of the
+poverty of man&rsquo;s power to express, to apprehend, to
+represent, rather than out of any malignant part of his
+nature.&nbsp; But I must not go on moralising.&nbsp; I almost
+feel that Ellesmere is looking over my shoulder, and breaking
+into my discourse with sharp words; which I have lately been so
+much accustomed to.</p>
+<p>I had expected that we should have many more readings this
+summer, as I knew that Milverton had prepared more essays for
+us.&nbsp; But finding, as he said, that the other subjects he had
+in hand were larger than he had anticipated, or was prepared for,
+he would not read even to us what he had written.&nbsp; Though I
+was very sorry for this&mdash;for I may not be the chronicler in
+another year&mdash;I could not but say he was right.&nbsp;
+Indeed, my ideas of literature, nourished as they have been in
+much solitude, and by the reading, if I may say so, mainly of our
+classical authors, are very high placed, though I hope not
+fantastical.&nbsp; And, therefore, I would not discourage anyone
+in expending whatever thought and labour might be in him upon any
+literary work.</p>
+<p>In fine, then, I did not attempt to dissuade Milverton from
+his purpose of postponing our readings: and we agreed that there
+should only be one more for the present.&nbsp; I wished it to be
+at our favourite place on the lawn, which had become endeared to
+me as the spot of many of our friendly councils.</p>
+<p>It was later than usual when I came over to Worth-Ashton for
+this reading; and as I gained the brow of the hill, some few
+clouds tinged with red were just grouping together to form the
+accustomed pomp upon the exit of the setting sun.&nbsp; I believe
+I mentioned in the introduction to our first conversation that
+the ruins of an old castle could be seen from our place of
+meeting.&nbsp; Milverton and Ellesmere were talking about it as I
+joined them.</p>
+<p><i>Milverton</i>.&nbsp; Yes, Ellesmere, many a man has looked
+out of those windows upon a sunset like this, with some of the
+thoughts that must come into the minds of all men on seeing this
+great emblem, the setting sun&mdash;has felt, in looking at it,
+his coming end, or the closing of his greatness.&nbsp; Those old
+walls must have been witness to every kind of human
+emotion.&nbsp; Henry the Second was there; John, I think;
+Margaret of Anjou and Cardinal Beaufort; William of Wykeham;
+Henry the Eighth&rsquo;s Cromwell; and many others who have made
+some stir in the world.</p>
+<p><i>Ellesmere</i>.&nbsp; And, perhaps, the greatest there were
+those who made no stir.</p>
+<blockquote><p>&ldquo;The world knows nothing of its greatest
+men.&rdquo;</p>
+</blockquote>
+<p><i>Milverton</i>.&nbsp; I am slow to believe that.&nbsp; I
+cannot well reconcile myself to the idea that great capacities
+are given for nothing.&nbsp; They bud out in some way or
+other.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, but it may not be in a noisy
+way.</p>
+<p><i>Milverton</i>.&nbsp; There is one thing that always strikes
+me very much in looking at the lives of men: how soon, as it
+were, their course seems to be determined.&nbsp; They say, or do,
+or think, something which gives a bias at once to the whole of
+their career.</p>
+<p><i>Dunsford</i>.&nbsp; You may go farther back than that, and
+speak of the impulses they got from their ancestors.</p>
+<p><i>Ellesmere</i>.&nbsp; Or the nets around them of other
+people&rsquo;s ways and wishes.&nbsp; There are many things, you
+see, that go to make men puppets.</p>
+<p><i>Milverton</i>.&nbsp; I was only noticing the circumstance
+that there was such a thing, as it appeared to me, as this early
+direction.&nbsp; But, if it has been ever so unfortunate, a
+man&rsquo;s folding his hands over it in a melancholy mood, and
+suffering himself to be made a puppet by it, is a sadly weak
+proceeding.&nbsp; Most thoughtful men have probably some dark
+fountains in their souls, by the side of which, if there were
+time, and it were decorous, they could let their thoughts sit
+down and wail indefinitely.&nbsp; That long Byron wail fascinated
+men for a time; because there is that in Human Nature.&nbsp;
+Luckily, a great deal besides.</p>
+<p><i>Ellesmere</i>.&nbsp; I delight in the helpful and hopeful
+men.</p>
+<p><i>Milverton</i>.&nbsp; A man that I admire very much, and
+have met with occasionally, is one who is always of use in any
+matter he is mixed up with, simply because he wishes that the
+best should be got out of the thing that is possible.&nbsp; There
+does not seem much in the description of such a character; but
+only see it in contrast with that of a brilliant man, for
+instance, who does not ever fully care about the matter in
+hand.</p>
+<p><i>Dunsford</i>.&nbsp; I can thoroughly imagine the
+difference.</p>
+<p><i>Milverton</i>.&nbsp; The human race may be bound up
+together in some mysterious way, each of us having a profound
+interest in the fortunes of the whole, and so, to some extent, of
+every portion of it.&nbsp; Such a man as I have described acts as
+though he had an intuitive perception of that relation, and
+therefore a sort of family feeling for mankind, which gives him
+satisfaction in making the best out of any human affair he has to
+do with.</p>
+<p>But we really must have the essay, and not talk any
+more.&nbsp; It is on History.</p>
+<h3>HISTORY.</h3>
+<p>Among the fathomless things that are about us and within us,
+is the continuity of time.&nbsp; This gives to life one of its
+most solemn aspects.&nbsp; We may think to ourselves: Would there
+could be some halting-place in life, where we could stay,
+collecting our minds, and see the world drift by us.&nbsp; But
+no: even while you read this, you are not pausing to read
+it.&nbsp; As one of the great French preachers, I think, says, We
+are embarked upon a stream, each in his own little boat, which
+must move uniformly onwards, till it ceases to move at all.&nbsp;
+It is a stream that knows &ldquo;no haste, no rest&rdquo;; a boat
+that knows no haven but one.</p>
+<p>This unbated continuity suggests the past as well as the
+future.&nbsp; We would know what mighty empires this stream of
+time has flowed through, by what battle-fields it has been
+tinged, how it has been employed towards fertility, and what
+beautiful shadows on its surface have been seized by art, or
+science, or great words, and held in time-lasting, if not in
+everlasting, beauty.&nbsp; This is what history tells us.&nbsp;
+Often in a faltering, confused, be-darkened way, like the deed it
+chronicles.&nbsp; But it is what we have, and we must make the
+best of it.</p>
+<p>The subject of this essay may be thus divided: Why history
+should be read&mdash;how it should be read&mdash;by whom it
+should be written&mdash;how it should be written&mdash;and how
+good writers of history should be called forth, aided, and
+rewarded.</p>
+<h3>I.&nbsp; WHY HISTORY SHOULD BE READ.</h3>
+<p>It takes us out of too much care for the present; it extends
+our sympathies; it shows us that other men have had their
+sufferings and their grievances; it enriches discourse, it
+enlightens travel.&nbsp; So does fiction.&nbsp; But the effect of
+history is more lasting and suggestive.&nbsp; If we see a place
+which fiction has treated of, we feel that it has some interest
+for us; but show us a spot where remarkable deeds have been done,
+or remarkable people have lived, and our thoughts cling to
+it.&nbsp; We employ our own imagination about it: we invent the
+fiction for ourselves.&nbsp; Again, history is at least the
+conventional account of things: that which men agree to receive
+as the right account, and which they discuss as true.&nbsp; To
+understand their talk, we must know what they are talking
+about.&nbsp; Again, there is something in history which can
+seldom be got from the study of the lives of individual men;
+namely, the movements of men collectively, and for long
+periods&mdash;of man, in fact, not of men.&nbsp; In history, the
+composition of the forces that move the world has to be
+analysed.&nbsp; We must have before us the law of the progress of
+opinion, the interruptions to it of individual character, the
+principles on which men act in the main, the trade winds, as we
+may say, in human affairs, and the recurrent storms which one
+man&rsquo;s life does not tell us of.&nbsp; Again, by the study
+of history, we have a chance of becoming tolerant travelling over
+the ways of many nations and many periods; and we may also
+acquire that historic tact by which we collect upon one point of
+human affairs the light of many ages.</p>
+<p>We may judge of the benefit of historical studies by observing
+what great defects are incident to the moral and political
+writers who know nothing of history.&nbsp; A present grievance,
+or what seems such, swallows up in their minds all other
+considerations; their little bottle of oil is to still the raging
+waves of the whole human ocean; their system, a thing that the
+historian has seen before, perhaps, in many ages, is to reconcile
+all diversities.&nbsp; Then they would persuade you that this
+class of men is wholly good, that wholly bad; or that there is no
+difference between good and bad.&nbsp; They may be shrewd men,
+considering what they have seen, but would be much shrewder if
+they could know how small a part that is of life.&nbsp; We may
+all refer to our boyhood, and recollect the time when we thought
+the things about us were the type of all things everywhere.&nbsp;
+That was, perhaps, after all no silly princess who was for
+feeding the famishing people on cakes.&nbsp; History takes us out
+of this confined circle of child-like thought; and shows us what
+are the perennial aims, struggles, and distractions of
+mankind.</p>
+<p>History has always been set down as the especial study for
+statesmen, and for men who take an interest in public
+affairs.&nbsp; For history is to nations what biography is to
+individual men.&nbsp; History is the chart and compass for
+national endeavour.&nbsp; Our early voyagers are dead: not a
+plank remains of the old ships that first essayed unknown waters;
+the sea retains no track; and were it not for the history of
+these voyages contained in charts, in chronicles, in hoarded lore
+of all kinds, each voyager, though he were to start with all the
+aids of advanced civilisation (if you could imagine such a thing
+without history), would need the boldness of the first
+voyager.</p>
+<p>And so it would be with the statesman, were the civil history
+of mankind unknown.&nbsp; We live to some extent in peace and
+comfort upon the results obtained for us by the chronicles of our
+forefathers.&nbsp; We do not see this without some
+reflection.&nbsp; But imagine what a full-grown nation would be
+if it knew no history&mdash;like a full-grown man with only a
+child&rsquo;s experience.</p>
+<p>The present is an age of remarkable experiences.&nbsp; Vast
+improvements have been made in several of the outward things that
+concern life nearly, from intercourse rapid as lightning to
+surgical operation without pain.&nbsp; We accept them all; still,
+the difficulties of government, the management of ourselves, our
+relations with others, and many of the prime difficulties of life
+remain but little subdued.&nbsp; History still claims our
+interest, is still wanted to make us think and act with any
+breadth of wisdom.</p>
+<p>At the same time, however, that we claim for history great
+powers of instruction, we must not imagine that the examples
+which it furnishes will enable its readers to anticipate the
+experience of life.&nbsp; An experienced man reads that
+C&aelig;sar did this or that, but he says to himself, &ldquo;I am
+not C&aelig;sar.&rdquo;&nbsp; Or, indeed, as is most probable,
+the reader has not to reject the application of the example to
+himself: for from first to last he sees nothing but experience
+for C&aelig;sar in what C&aelig;sar was doing.&nbsp; I think it
+may be observed, too, that general maxims about life gain the ear
+of the inexperienced, in preference to historical examples.&nbsp;
+But neither wise sayings nor historical examples can be
+understood without experience.&nbsp; Words are only
+symbols.&nbsp; Who can know anything soundly with respect to the
+complicated affections and struggles of life, unless he has
+experienced some of them?&nbsp; All knowledge of humanity spreads
+from within.&nbsp; So in studying history, the lessons it teaches
+must have something to grow round in the heart they teach.&nbsp;
+Our own trials, misfortunes, and enterprises are the best lights
+by which we can read history.&nbsp; Hence it is that many an
+historian may see far less into the depths of the very history he
+has himself written than a man who, having acted and suffered,
+reads the history in question with all the wisdom that comes from
+action and suffering.&nbsp; Sir Robert Walpole might naturally
+exclaim, &ldquo;Do not read history to me, for that, I know, must
+be false.&rdquo;&nbsp; But if he had read it, I do not doubt that
+he would have seen through the film of false and insufficient
+narrative into the depth of the matter narrated, in a way that
+men of great experience can alone attain to.</p>
+<h3>II.&nbsp; HOW HISTORY SHOULD BE READ.</h3>
+<p>I suppose that many who now connect the very word history with
+the idea of dulness, would have been fond and diligent students
+of history if it had had fair access to their minds.&nbsp; But
+they were set down to read histories which were not fitted to be
+read continuously, or by any but practised students.&nbsp; Some
+such works are mere framework, a name which the author of the
+<i>Statesman</i> applies to them; very good things, perhaps, for
+their purpose, but that is not to invite readers to
+history.&nbsp; You might almost as well read dictionaries with a
+hope of getting a succinct and clear view of language.&nbsp;
+When, in any narration, there is a constant heaping up of facts,
+made about equally significant by the way of telling them, a
+hasty delineation of characters, and all the incidents moving on
+as in the fifth act of a confused tragedy, the mind and memory
+refuse to be so treated; and the reading ends in nothing but a
+very slight and inaccurate acquaintance with the mere husk of the
+history.&nbsp; You cannot epitomise the knowledge that it would
+take years to acquire into a few volumes that may be read in as
+many weeks.</p>
+<p>The most likely way of attracting men&rsquo;s attention to
+historical subjects will be by presenting them with small
+portions of history, of great interest, thoroughly
+examined.&nbsp; This may give them the habit of applying thought
+and criticism to historical matters.</p>
+<p>For, as it is, how are people interested in history? and how
+do they master its multitudinous assemblage of facts?&nbsp;
+Mostly, perhaps, in this way.&nbsp; A man cares about some one
+thing, or person, or event, and plunges into its history, really
+wishing to master it.&nbsp; This pursuit extends: other points of
+research are taken up by him at other times.&nbsp; His researches
+begin to intersect.&nbsp; He finds a connection in things.&nbsp;
+The texture of his historic acquisitions gradually attains some
+substance and colour; and so at last he begins to have some dim
+notions of the myriads of men who came, and saw, and did not
+conquer&mdash;only struggled on as they best might, some of
+them&mdash;and are not.</p>
+<p>When we are considering how history should be read, the main
+thing perhaps is, that the person reading should desire to know
+what he is reading about, not merely to have read the books that
+tell of it.&nbsp; The most elaborate and careful historian must
+omit, or pass lightly over, many points of his subject.&nbsp; He
+writes for all readers, and cannot indulge private fancies.&nbsp;
+But history has its particular aspect for each man: there must be
+portions which he may be expected to dwell upon.&nbsp; And
+everywhere, even where the history is most laboured, the reader
+should have something of the spirit of research which was needful
+for the writer: if only so much as to ponder well the words of
+the writer.&nbsp; That man reads history, or anything else, at
+great peril of being thoroughly misled, who has no perception of
+any truthfulness except that which can be fully ascertained by
+reference to facts; who does not in the least perceive the truth,
+or the reverse, of a writer&rsquo;s style, of his epithets, of
+his reasoning, of his mode of narration.&nbsp; In life, our faith
+in any narration is much influenced by the personal appearance,
+voice, and gesture of the person narrating.&nbsp; There is some
+part of all these things in his writing; and you must look into
+that well before you can know what faith to give him.&nbsp; One
+man may make mistakes in names, and dates, and references, and
+yet have a real substance of truthfulness in him, a wish to
+enlighten himself and then you.&nbsp; Another may not be wrong in
+his facts, but have a declamatory or sophistical vein in him,
+much to be guarded against.&nbsp; A third may be both inaccurate
+and untruthful, caring not so much for anything as to write his
+book.&nbsp; And if the reader cares only to read it, sad work
+they make between them of the memories of former days.</p>
+<p>In studying history, it must be borne in mind that a knowledge
+is necessary of the state of manners, customs, wealth, arts, and
+science at the different periods treated of.&nbsp; The text of
+civil history requires a context of this knowledge in the mind of
+the reader.&nbsp; For the same reason, some of the main facts of
+the geography of the countries in question should be present to
+him.&nbsp; If we are ignorant of these aids to history, all
+history is apt to seem alike to us.&nbsp; It becomes merely a
+narrative of men of our own time, in our own country; and then we
+are prone to expect the same views and conduct from them that we
+do from our contemporaries.&nbsp; It is true that the heroes of
+antiquity have been represented on the stage in bag-wigs, and the
+rest of the costume of our grandfathers: but it was the great
+events of their lives that were thus told&mdash;the crisis of
+their passions&mdash;and when we are contemplating the
+representation of great passions and their consequences, all
+minor imagery is of little moment.&nbsp; In a long-drawn
+narrative, however, the more we have in our minds of what
+concerned the daily life of the people we read about, the
+better.&nbsp; And in general it may be said that history, like
+travelling, gives a return in proportion to the knowledge that a
+man brings to it.</p>
+<h3>III.&nbsp; BY WHOM HISTORY SHOULD BE WRITTEN.</h3>
+<p>Before entering directly on this part of the subject, it is
+desirable to consider a little the difficulties in the way of
+writing history.&nbsp; We all know the difficulty of getting at
+the truth of a matter which happened yesterday, and about which
+we can examine the living actors upon oath.&nbsp; But in history
+the most significant things may lack the most important part of
+their evidence.&nbsp; The people who were making history were not
+thinking of the convenience of future writers of history.&nbsp;
+Often the historian must contrive to get his insight into matters
+from evidence of men and things which is like bad pictures of
+them.&nbsp; The contemporary, if he knew the man, said of the
+picture, &ldquo;I should have known it, but it has very little of
+him in it.&rdquo;&nbsp; The poor historian, with no original
+before him, has to see through the bad picture into the
+man.&nbsp; Then, supposing our historian rich in well-selected
+evidence&mdash;I say well-selected, because, as students tell us,
+for many an historian one authority is of the same weight as
+another, provided they are both of the same age; still, how
+difficult is narration even to the man who is rich in
+well-selected evidence.&nbsp; What a tendency there is to round
+off a narrative into falsehood; or else by parenthesis to destroy
+its pith and continuity.&nbsp; Again, the historian knows the end
+of many of the transactions he narrates.&nbsp; If he did not, how
+differently often he would narrate them.&nbsp; It would be a most
+instructive thing to give a man the materials for the account of
+a great transaction, stopping short of the end, and then see how
+different would be his account from the ordinary ones.&nbsp;
+Fools have been hardly dealt with in the saying that the event is
+their master (&ldquo;eventus stultorum magister&rdquo;), seeing
+how it rules us all.&nbsp; And in nothing more than in
+history.&nbsp; The event is always present to our minds; along
+the pathways to it, the historian and the moralist have walked
+till they are beaten pathways, and we imagine that they were so
+to the men who first went along them.&nbsp; Indeed, we almost
+fancy that these ancestors of ours, looking along the beaten
+path, foresaw the event as we do; whereas, they mostly stumbled
+upon it suddenly in the forest.&nbsp; This knowledge of the end
+we must, therefore, put down as one of the most dangerous
+pitfalls which beset the writers of history.&nbsp; Then consider
+the difficulty in the &ldquo;composition,&rdquo; to use an
+artist&rsquo;s word, of our historian&rsquo;s picture.&nbsp;
+Before both the artist and the historian lies Nature as far as
+the horizon; how shall they choose that portion of it which has
+some unity and which shall represent the rest?&nbsp; What method
+is needful in the grouping of facts; what learning, what
+patience, what accuracy!</p>
+<p>By whom, then, should history be written?&nbsp; In the first
+place, by men of some experience in real life; who have acted and
+suffered; who have been in crowds, and seen, perhaps felt, how
+madly men can care about nothings; who have observed how much is
+done in the world in an uncertain manner, upon sudden impulses
+and very little reason; and who, therefore, do not think
+themselves bound to have a deep-laid theory for all things.&nbsp;
+They should be men who have studied the laws of the affections,
+who know how much men&rsquo;s opinions depend on the time in
+which they live, how they vary with their age and their
+position.&nbsp; To make themselves historians, they should also
+have considered the combinations amongst men and the laws that
+govern such things; for there are laws.&nbsp; Moreover our
+historians, like most men who do great things, must combine in
+themselves qualities which are held to belong to opposite
+natures; must at the same time be patient in research and
+vigorous in imagination, energetic and calm, cautious and
+enterprising.&nbsp; Such historians, wise, as we may suppose they
+will be, about the affair of other men, may, let us hope, be
+sufficiently wise about their own affairs to understand that no
+great work can be done without great labour, that no great labour
+ought to look for its reward.&nbsp; But my readers will exclaim
+as Rasselas to Imlac on hearing the requisites for a poet,
+&ldquo;Enough! thou hast convinced me that no human being can
+ever be an historian.&nbsp; Proceed with thy
+narration.&rdquo;</p>
+<h3>IV.&nbsp; HOW HISTORY SHOULD BE WRITTEN.</h3>
+<p>One of the first things in writing history is for the
+historian to recollect that it is history he is writing.&nbsp;
+The narrative must not be oppressed by reflections, even by wise
+ones.&nbsp; Least of all should the historian suffer himself to
+become entangled by a theory or a system.&nbsp; If he does, each
+fact is taken up by him in a particular way: those facts that
+cannot be so handled cease to be his facts, and those that offer
+themselves conveniently are received too fondly by him.</p>
+<p>Then, although our historian must not be mastered by system,
+he must have some way of taking up his facts and of classifying
+them.&nbsp; They must not be mere isolated units in his eyes,
+else he is mobbed by them.&nbsp; And a man in the midst of a
+crowd, though he may know the names and nature of all the crowd,
+cannot give an account of their doings.&nbsp; Those who look down
+from the housetop must do that.</p>
+<p>But, above all things, the historian must get out of his own
+age into the time in which he is writing.&nbsp; Imagination is as
+much needed for the historian as the poet.&nbsp; You may combine
+bits of books with other bits of books, and so make some new
+combinations, and this may be done accurately, and, in general,
+much of the subordinate preparation for history may be
+accomplished without any great effort of imagination.&nbsp; But
+to write history in any large sense of the words, you must be
+able to comprehend other times.&nbsp; You must know that there is
+a right and wrong which is not your right and wrong, but yet
+stands upon the right and wrong of all ages and all hearts.&nbsp;
+You must also appreciate the outward life and colours of the
+period you write about.&nbsp; Try to think how the men you are
+telling of would have spent a day, what were their leading ideas,
+what they cared about.&nbsp; Grasp the body of the time, and give
+it to us.&nbsp; If not, and these men could look at your history,
+they would say, &ldquo;This is all very well; we daresay some of
+these things did happen; but we were not thinking of these things
+all day long.&nbsp; It does not represent us.&rdquo;</p>
+<p>After enlarging upon this great requisite, imagination, it
+seems somewhat prosaic to come down to saying that history
+requires accuracy.&nbsp; But I think I hear the sighs, and sounds
+more harsh than sighing, of those who have ever investigated
+anything, and found by dire experience the deplorable inaccuracy
+which prevails in the world.&nbsp; And, therefore, I would say to
+the historian almost as the first suggestion, &ldquo;Be accurate;
+do not make false references, do not mis-state: and men, if they
+get no light from you, will not execrate you.&nbsp; You will not
+stand in the way, and have to be explained and got rid
+of.&rdquo;</p>
+<p>Another most important matter in writing history, and that
+indeed in which the art lies, is the method of narrating.&nbsp;
+This is a thing almost beyond rules, like the actual execution in
+music or painting.&nbsp; A man might have fairness, accuracy, an
+insight into other times, great knowledge of facts, some power
+even of arranging them, and yet make a narrative out of it all,
+so protracted here, so huddled together there, the purpose so
+buried or confused, that men would agree to acknowledge the merit
+of the book and leave it unread.&nbsp; There must be a natural
+line of associations for the narrative to run along.&nbsp; The
+separate threads of the narrative must be treated separately, and
+yet the subject not be dealt with sectionally, for that is not
+the way in which the things occurred.&nbsp; The historian must,
+therefore, beware that those divisions of the subject which he
+makes for our ease and convenience, do not induce him to treat
+his subject in a flimsy manner.&nbsp; He must not make his story
+easy where it is not so.</p>
+<p>After all, it is not by rule that a great history is to be
+written.&nbsp; Most thinkers agree that the main object for the
+historian is to get an insight into the things which he tells of,
+and then to tell them with the modesty of a man who is in the
+presence of great events; and must speak about them carefully,
+simply, and with but little of himself or of his affections
+thrown into the narration.</p>
+<h3>V.&nbsp; HOW GOOD WRITERS OF HISTORY SHOULD BE CALLED FORTH,
+AIDED, AND REWARDED.</h3>
+<p>Mainly by history being properly read.&nbsp; The direct ways
+of commanding excellence of any kind are very few, if any.&nbsp;
+When a State has found out its notable men, it should reward
+them, and will show its worthiness by its measure and mode of
+reward.&nbsp; But it cannot purchase them.&nbsp; It may do
+something in the way of aiding them.&nbsp; In history, for
+instance, the records of a nation may be discreetly managed, and
+some of the minor work, therefore, done to the hand of the
+historian.&nbsp; But the most likely method to ensure good
+historians is to have a fit audience for them.&nbsp; And this is
+a very difficult matter.&nbsp; In works of general literature,
+the circle of persons capable of judging is large; even in works
+of science or philosophy it is considerable: but in history, it
+is a very confined circle.&nbsp; To the general body of readers,
+whether the history they read is true or not is in no way
+perceptible.&nbsp; It is quite as amusing to them when it is told
+in one way as in another.&nbsp; There is always mischief in
+error: but in this case the mischief is remote, or seems
+so.&nbsp; For men of ordinary culture, even if of much
+intelligence, the difficulty of discerning what is true or false
+in the histories they read makes it a matter of the highest duty
+for those few persons who can give us criticism on historical
+works, at least to save us from insolent and mendacious
+carelessness in historical writers, if not by just encouragement
+to secure for nations some results not altogether unworthy of the
+great enterprise which the writing of history holds out itself to
+be.&nbsp; &ldquo;Hujus enim fidei exempla majorum, vicissitudines
+rerum, fundamenta prudenti&aelig; civilis, hominum denique nomen
+et fama commissa sunt.&rdquo; <a name="citation183"></a><a
+href="#footnote183" class="citation">[183]</a></p>
+<p><i>Ellesmere</i>.&nbsp; Just wait a minute for me, and do not
+talk about the essay till I come back.&nbsp; I am going for
+Anster&rsquo;s <i>Faust</i>.</p>
+<p><i>Dunsford</i>.&nbsp; What has Ellesmere got in his head?</p>
+<p><i>Milverton</i>.&nbsp; I see.&nbsp; There is a passage where
+Faust, in his most discontented mood, falls foul of
+history&mdash;in his talk to Wagner, if I am not mistaken.</p>
+<p><i>Dunsford</i>.&nbsp; How beautiful it is this evening!&nbsp;
+Look at that yellow-green near the sunset.</p>
+<p><i>Milverton</i>.&nbsp; The very words that Coleridge
+uses.&nbsp; I always think of them when I see that tint.</p>
+<p><i>Dunsford</i>.&nbsp; I daresay his words were in my mind,
+but I have forgotten what you allude to.</p>
+<p><i>Milverton</i>.</p>
+<blockquote><p>&ldquo;O Lady! in this wan and heartless mood,<br
+/>
+To other thoughts by yonder throstle woo&rsquo;d,<br />
+&nbsp;&nbsp; All this long eve, so balmy and serene,<br />
+Have I been gazing on the western sky,<br />
+And its peculiar tint of yellow-green:<br />
+And still I gaze&mdash;and with how blank an eye!<br />
+And those thin clouds above, in flakes and bars,<br />
+That give away their motion to the stars;<br />
+Those stars that glide behind them or between,<br />
+Now sparkling, now bedimmed, but always seen:<br />
+Yon crescent Moon as fixed as if it grew<br />
+In its own cloudless, starless lake of blue;<br />
+I see them all so excellently fair,<br />
+I see, not feel how beautiful they are.&rdquo;</p>
+</blockquote>
+<p><i>Dunsford</i>.&nbsp; Admirable!&nbsp; In the <i>Ode to
+Dejection</i>, is it not? where, too, there are those lines,</p>
+<blockquote><p>&ldquo;O Lady! we receive but what we give,<br />
+And in our life alone does Nature live.&rdquo;</p>
+</blockquote>
+<p><i>Milverton</i>.&nbsp; But here comes Ellesmere with
+triumphant look.&nbsp; You look as jovial, my dear Ellesmere, as
+if you were a Bentley that had found a false quantity in a
+Boyle.</p>
+<p><i>Ellesmere</i>.&nbsp; Listen and perpend, my historical
+friends.</p>
+<blockquote><p>&ldquo;To us, my friend, the times that are gone
+by<br />
+Are a mysterious book, sealed with seven seals:<br />
+That which you call the spirit of ages past<br />
+Is but, in truth, the spirit of some few authors<br />
+In which those ages are beheld reflected,<br />
+With what distortion strange heaven only knows.<br />
+Oh! often, what a toilsome thing it is<br />
+This study of thine&mdash;at the first glance we fly it.<br />
+A mass of things confusedly heaped together;<br />
+A lumber-room of dusty documents,<br />
+Furnished with all approved court-precedents<br />
+And old traditional maxims!&nbsp; History!<br />
+Facts dramatised say rather&mdash;action&mdash;plot&mdash;<br />
+Sentiment, everything the writer&rsquo;s own,<br />
+As it bests fits the web-work of his story,<br />
+With here and there a solitary fact<br />
+Of consequence, by those grave chroniclers,<br />
+Pointed with many a moral apophthegm,<br />
+And wise old saws, learned at the puppet-shows.&rdquo;</p>
+</blockquote>
+<p><i>Milverton</i>.&nbsp; Yes; admirable lines; they describe to
+the life the very faults we have been considering as the faults
+of badly-written histories.&nbsp; I do not see that they do much
+more.</p>
+<p><i>Ellesmere</i>.</p>
+<blockquote><p>&ldquo;To us, my friend, the times that are gone
+by<br />
+Are a mysterious book.&rdquo;&mdash;</p>
+</blockquote>
+<p><i>Milverton</i>.&nbsp; Those two first lines are the full
+expression of Faust&rsquo;s discontent&mdash;unmeasured as in the
+presence of a weak man who could not check him.&nbsp; But, if you
+come to look at the matter closely, you will see that the time
+present is also in some sense a sealed book to us.&nbsp; Men that
+we live with daily we often think as little of as we do of Julius
+C&aelig;sar, I was going to say&mdash;but we know much less of
+them than of him.</p>
+<p><i>Ellesmere</i>.&nbsp; I did not mean to say that Faust spoke
+my sentiments about history in general.&nbsp; Still, there are
+periods of history which we have very few authors to tell us
+about, and I daresay in some of those cases the colouring of
+their particular minds gives us a false idea of the whole age
+they lived in.</p>
+<p><i>Dunsford</i>.&nbsp; This may have happened, certainly.</p>
+<p><i>Milverton</i>.&nbsp; We must be careful not to expect too
+much from the history of past ages, as a means of understanding
+the present age.&nbsp; There is something wanted besides the
+preceding history to understand each age.&nbsp; Each individual
+life may have a problem of its own, which all other biography
+accurately set down for us might not enable us to work out.&nbsp;
+So of each age.&nbsp; It has something in it not known before,
+and tends to a result which is not down in any books.</p>
+<p><i>Dunsford</i>.&nbsp; Yet history must be of greatest use in
+discerning this tendency.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes; but the Wagner sort of pedant
+would get entangled in his round of history&mdash;in his
+historical resemblances.</p>
+<p><i>Dunsford</i>.&nbsp; Now, Milverton, if you were called upon
+to say what are the peculiar characteristics of this age, what
+should you say?</p>
+<p><i>Ellesmere</i>.&nbsp; One of Dunsford&rsquo;s questions
+this, requiring a stout quarto volume with notes in answer.</p>
+<p><i>Milverton</i>.&nbsp; I would rather wait till I was called
+upon.&nbsp; I am apt to feel, after I have left off describing
+the character of any individual man, as if I had only just
+begun.&nbsp; And I do not see the extent of discourse that would
+be needful in attempting to give the characteristics of an
+age.</p>
+<p><i>Ellesmere</i>.&nbsp; I think you are prudent to avoid
+answering Dunsford&rsquo;s question.&nbsp; For my own part, I
+should prefer giving an account of the age we live in after we
+have come to the end of it&mdash;in the true historical
+fashion.&nbsp; And so, Dunsford, you must wait for my
+notions.</p>
+<p><i>Dunsford</i>.&nbsp; I am afraid, Milverton, if you were to
+write history, you would never make up your mind to condemn
+anybody.</p>
+<p><i>Milverton</i>.&nbsp; I hope I should not be so
+inconclusive.&nbsp; I certainly do dislike to see any character,
+whether of a living or a dead person, disposed of in a summary
+way.</p>
+<p><i>Ellesmere</i>.&nbsp; For once I will come to the rescue of
+Milverton.&nbsp; I really do not see that a man&rsquo;s belief in
+the extent and variety of human character, and in the difficulty
+of appreciating the circumstances of life, should prevent him
+from writing history&mdash;from coming to some conclusions.&nbsp;
+Of course such a man is not likely to write a long course of
+history; but that I hold has been a frequent error in
+historians&mdash;that they have taken up subjects too large for
+them.</p>
+<p><i>Milverton</i>.&nbsp; If there is as much to be said about
+men&rsquo;s character and conduct as I think there mostly is, why
+should we be content with shallow views of them?&nbsp; Take the
+outward form of these hills and valleys before us.&nbsp; When we
+have seen them a few times, we think we know them, but are quite
+mistaken.&nbsp; Approaching from another quarter, it is almost
+new ground to us.&nbsp; It is a long time before you master the
+outward form and semblance of any small piece of country that has
+much life and diversity in it.&nbsp; I often think of this,
+applying it to our little knowledge of men.&nbsp; Now, look there
+a moment: you see that house; close behind it is apparently a
+barren tract.&nbsp; In reality there is nothing of the kind
+there.&nbsp; A fertile valley with a great river in it, as you
+know, is between that house and the moors.&nbsp; But the plane of
+those moors and of the house is coincident from our present point
+of view.&nbsp; Had we not, as educated men, some distrust of the
+conclusions of our senses, we should be ready to swear that there
+was a lonely house on the border of the moors.&nbsp; It is the
+same in judging of men.&nbsp; We see a man connected with a train
+of action which is really not near him, absolutely foreign to
+him, perhaps, but in our eyes that is what he is always connected
+with.&nbsp; If there were not a Being who understands us
+immeasurably better than other men can, immeasurably better than
+we do ourselves, we should be badly off.</p>
+<p>Such precautionary thoughts as these must be useful, I
+contend.&nbsp; They need not make us indifferent to character, or
+prevent us from forming judgments where we must form them, but
+they show us what a wide thing we are talking about when we are
+judging the life and nature of a man.</p>
+<p><i>Ellesmere</i>.&nbsp; I am sure, Dunsford, you are already
+convinced: you seldom want more than a slight pretext for going
+over to the charitable side of things.&nbsp; You are only afraid
+of not dealing stoutly enough with bad things and people.&nbsp;
+Do not be afraid though.&nbsp; As long as you have me to abuse,
+you will say many unjust things against me, you know, so that you
+may waste yourself in good thoughts about the rest of the world,
+past and present.&nbsp; Do you know the lawyer&rsquo;s story I
+had in my mind then?&nbsp; &ldquo;Many times when I have had a
+good case,&rdquo; he said, &ldquo;I have failed; but then I have
+often succeeded with bad cases.&nbsp; And so justice is
+done.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; To return to the subject.&nbsp; It is
+not a sort of equalising want of thought about men that I desire;
+only not to be rash in a matter that requires all our care and
+prudence.</p>
+<p><i>Dunsford</i>.&nbsp; Well, I believe I am won over.&nbsp;
+But now to another point.&nbsp; I think, Milverton, that you have
+said hardly anything about the use of history as an incentive to
+good deeds and a discouragement to evil ones.</p>
+<p><i>Milverton</i>.&nbsp; I ought to have done so.&nbsp;
+Bolingbroke gives in his &ldquo;Letters on History,&rdquo;
+talking of this point, a passage from Tacitus,
+&ldquo;Pr&aelig;cipuum munus annalium,&rdquo;&mdash;can you go on
+with it, Dunsford?</p>
+<p><i>Dunsford</i>.&nbsp; Yes, I think I can.&nbsp; It is a
+passage I have often seen quoted.&nbsp; &ldquo;Pr&aelig;cipuum
+munus annalium, reor, ne virtutes sileantur; utque pravis dictis
+factisque ex posteritate et infami&acirc; metus sit.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; Well done; Dunsford may have invented
+it, though, for aught that we know, Milverton, and be passing
+himself off upon us for Tacitus.</p>
+<p><i>Milverton</i>.&nbsp; Then Bolingbroke goes on to say (I
+wish I could give you his own flowing words), that the great duty
+of history is to form a tribunal like that amongst the Egyptians
+which Diodorus tells of, where both common men and princes were
+tried after their deaths, and received appropriate honour or
+disgrace.&nbsp; The sentence was pronounced, he says, too late to
+correct or to recompense; but it was pronounced in time to render
+examples of general instruction to mankind.&nbsp; Now, what I was
+going to remark upon this is, that Bolingbroke understates his
+case.&nbsp; History well written is a present correction, and a
+foretaste of recompense, to the man who is now struggling with
+difficulties and temptations, now overcast by calumny and cloudy
+misrepresentation.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes; many a man makes an appeal to
+posterity which will never come before the court; but if there
+were no such court of appeal&mdash;</p>
+<p><i>Milverton</i>.&nbsp; A man&rsquo;s conviction that justice
+will be done to him in history is a secondary motive, and not one
+which, of itself, will compel him to do just and great things;
+but, at any rate, it forms one of the benefits that flow from
+history, and it becomes stronger as histories are better
+written.&nbsp; Much may be said against care for fame; much also
+against care for present repute.&nbsp; There is a diviner impulse
+than either at the doing of any actions that are much worth
+doing.&nbsp; As a correction, however, this anticipation of the
+judgment of history may really be very powerful.&nbsp; It is a
+great enlightenment of conscience to read the opinions of men on
+deeds similar to those we are engaged in or meditating.</p>
+<p><i>Dunsford</i>.&nbsp; I think Bolingbroke&rsquo;s idea, which
+I imagine was more general than yours, is more important: namely,
+that this judicial proceeding, mentioned by Diodorus Siculus,
+gave significant lessons to all people, not merely to those who
+had any chance of having their names in history.</p>
+<p><i>Milverton</i>.&nbsp; Certainly: for this is one of
+Bolingbroke&rsquo;s chief points, if I recollect rightly.</p>
+<p><i>Ellesmere</i>.&nbsp; Our conversations are much better
+things than your essays, Milverton.</p>
+<p><i>Milverton</i>.&nbsp; Of course, I am bound to say so: but
+what made you think of that now?</p>
+<p><i>Ellesmere</i>.&nbsp; Why, I was thinking how in talk we can
+know exactly where we agree or differ.&nbsp; But I never like to
+interrupt the essay.&nbsp; I never know when it would come to an
+end if I did.&nbsp; And so it swims on like a sermon, having all
+its own way: one cannot put in an awkward question in a weak
+part, and get things looked at in various ways.</p>
+<p><i>Dunsford</i>.&nbsp; I suppose, then, Ellesmere, you would
+like to interrupt sermons.</p>
+<p><i>Ellesmere</i>.&nbsp; Why, yes, sometimes&mdash;do not throw
+sticks at me, Dunsford.</p>
+<p><i>Dunsford</i>.&nbsp; Well, it is absurd to be angry with
+you; because if you long to interrupt Milverton with his captious
+perhapses and probablys, of course you will be impatient with
+discourses which do, to a certain extent, assume that the
+preacher and the hearers are in unison upon great matters.</p>
+<p><i>Ellesmere</i>.&nbsp; I am afraid to say anything about
+sermons, for fear of the argumentum baculinum from Dunsford; for
+many essay writers, like Milverton, delight to wind up their
+paragraphs with complete little aphorisms&mdash;shutting up
+something certainly, but shutting out something too.&nbsp; I
+could generally pause upon them a little.</p>
+<p><i>Milverton</i>.&nbsp; Of course one may err, Ellesmere, in
+too much aphorising as in too much of anything.&nbsp; But your
+argument goes against all expression of opinion, which must be
+incomplete, especially when dealing with matters that cannot be
+circumscribed by exact definitions.&nbsp; Otherwise, a code of
+wisdom might be made which the fool might apply as well as the
+wisest man.&nbsp; Even the best proverb, though often the
+expression of the widest experience in the choicest language, can
+be thoroughly misapplied.&nbsp; It cannot embrace the whole of
+the subject, and apply in all cases like a mathematical
+formula.&nbsp; Its wisdom lies in the ear of the hearer.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, I not know that there is
+anything more to say about the essay.&nbsp; I suppose you are
+aware, Dunsford, that Milverton does not intend to give us any
+more essays for some time.&nbsp; He is distressing his mind about
+some facts which he wants to ascertain before he will read any
+more to us.&nbsp; I imagine we are to have something historical
+next.</p>
+<p><i>Milverton</i>.&nbsp; Something in which historical records
+are useful.</p>
+<p><i>Ellesmere</i>.&nbsp; Really it is wonderful to see how
+beautifully human nature accommodates itself to anything, even to
+the listening to essays.&nbsp; I shall miss them.</p>
+<p><i>Milverton</i>.&nbsp; You may miss the talk before and
+after.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, there is no knowing how much of
+that is provoked (provoked is a good word, is it not?) by the
+essays.</p>
+<p><i>Dunsford</i>.&nbsp; Then, for the present, we have come to
+an end of our readings.</p>
+<p><i>Milverton</i>.&nbsp; Yes, but I trust at no distant time to
+have something more to try your critical powers and patience
+upon.&nbsp; I hope that that old tower will yet see us meet
+together here on many a sunny day, discussing various things in
+friendly council.</p>
+
+<div class="gapspace">&nbsp;</div>
+
+<div class="gapmediumline">&nbsp;</div>
+<p style="text-align: center"><span class="GutSmall">Printed by
+Cassell and Company, Limited, La Belle Sauvage, London,
+E.C.</span><br />
+<span class="GutSmall">12&mdash;391</span></p>
+<h2>FOOTNOTES.</h2>
+<p><a name="footnote12"></a><a href="#citation12"
+class="footnote">[12]</a>&nbsp; See <i>Statesman</i>, p. 30.</p>
+<p><a name="footnote42"></a><a href="#citation42"
+class="footnote">[42]</a>&nbsp; The passage which must have been
+alluded to is this: &ldquo;The stricter tenets of Calvinism,
+which allow no medium between grace and reprobation, and doom man
+to eternal punishment for every breach of the moral law, as an
+equal offence against Infinite truth and justice, proceed (like
+the paradoxical doctrine of the Stoics), from taking a half-view
+of this subject, and considering man as amenable only to the
+dictates of his understanding and his conscience, and not
+excusable from the temptations and frailty of human ignorance and
+passion.&nbsp; The mixing up of religion and morality together,
+or the making us accountable for every word, thought, or action,
+under no less a responsibility than our everlasting future
+welfare or misery, has also added incalculably to the
+difficulties of self-knowledge, has superinduced a violent and
+spurious state of feeling, and made it almost impossible to
+distinguish the boundaries between the true and false, in judging
+of human conduct and motives.&nbsp; A religious man is afraid of
+looking into the state of his soul, lest at the same time he
+should reveal it to heaven; and tries to persuade himself that by
+shutting his eyes to his true character and feelings, they will
+remain a profound secret, both here and hereafter.&rdquo;</p>
+<p><a name="footnote53"></a><a href="#citation53"
+class="footnote">[53]</a>&nbsp; This was one of the passages
+which Milverton afterwards read to us:&mdash;</p>
+<blockquote><p>&ldquo;Thus, however much may be gained for the
+world as a whole by this fragmentary cultivation, it is not to be
+denied that the individuals whom it befalls are cursed for the
+benefit of the world.&nbsp; An athletic frame, it is true, is
+fashioned by gymnastic exercises; but a form of beauty only by
+free and uniform action.&nbsp; Just so the exertions of single
+talents can create extraordinary men indeed; but happy and
+perfect men only by their uniform temperature.&nbsp; And in what
+relation should we stand, then, to the past and coming ages, if
+the cultivation of human nature made necessary such a
+sacrifice?&nbsp; We should have been the slaves of humanity, and
+drudged for her century after century, and stamped upon our
+mutilated natures the humiliating traces of our
+bondage&mdash;that the coming race might nurse its moral
+healthfulness in blissful leisure, and unfold the free growth of
+its humanity!</p>
+<p>&ldquo;But can it be intended that man should neglect himself
+for any particular design?&nbsp; Ought Nature to deprive us, by
+its design, of a perfection which Reason, by its own, prescribes
+to us?&nbsp; Then it must be false that the development of single
+faculties makes the sacrifice of totality necessary; or, if
+indeed the law of Nature presses thus heavily, it becomes us to
+restore, by a higher art, this totality in our nature which art
+has destroyed.&rdquo;&mdash;<i>The Philosophical and
+&AElig;sthetical Letters and Essays of</i> <span
+class="smcap">Schiller</span>, <i>Translated by</i> J. <span
+class="smcap">Weiss</span>, pp. 74, 75.</p>
+</blockquote>
+<p><a name="footnote93"></a><a href="#citation93"
+class="footnote">[93]</a>&nbsp; Madame Necker de Saussure&rsquo;s
+maxim about firmness with children has suggested the above.&nbsp;
+&ldquo;Ce que plie ne peut servir d&rsquo;appui, et
+l&rsquo;enfant veut &ecirc;tre appuy&eacute;.&nbsp; Non-seulement
+il en a besoin, mais il le d&eacute;sire, mais sa tendresse la
+plus constante n&rsquo;est qu&rsquo;&agrave; ce prix.&nbsp; Si
+vous lui faites l&rsquo;effet d&rsquo;un autre enfant, si vous
+partagez ses passions, ses vacillations continuelles, si vous lui
+rendez tous ses mouvements en les augmentant, soit par la
+contrari&eacute;t&eacute;, soit par un exc&egrave;s de
+complaisance, il pourra se servir de vous comme d&rsquo;un jouet,
+mais non &ecirc;tre heureux en votre pr&eacute;sence; il
+pleurera, se mutinera, et bient&ocirc;t le souvenir d&rsquo;un
+temps de d&eacute;sordre et d&rsquo;humeur se liera avec votre
+id&eacute;e.&nbsp; Vous n&rsquo;avez pas &eacute;t&eacute; le
+soutien de votre enfant, vous ne l&rsquo;avez pas
+pr&eacute;serv&eacute; de cette fluctuation perp&eacute;tuelle de
+la volont&eacute;, maladie des &ecirc;tres faibles et
+livr&eacute;s &agrave; une imagination vive; vous n&rsquo;avez
+assur&eacute; ni sa paix, ni sa sagesse, ni son bonheur, pourquoi
+vous croirait-il sa
+m&egrave;re.&rdquo;&mdash;<i>L&rsquo;Education Progressive</i>,
+vol. i., p. 228.</p>
+<p><a name="footnote116a"></a><a href="#citation116a"
+class="footnote">[116a]</a>&nbsp; See <i>Health of Towns
+Report</i>, vol. i., p. 336.&nbsp; A similar result may be
+deduced from a similar table made by the Rev. J. Clay, of
+Preston.&nbsp; See the same Report and vol., p. 175.</p>
+<p><a name="footnote116b"></a><a href="#citation116b"
+class="footnote">[116b]</a>&nbsp; See <i>Health of Towns
+Report</i>, vol. i., p. 75.</p>
+<p><a name="footnote117a"></a><a href="#citation117a"
+class="footnote">[117a]</a>&nbsp; See Dr. Arnott&rsquo;s letter,
+<i>Claims of Labour</i>, p. 282.</p>
+<p><a name="footnote117b"></a><a href="#citation117b"
+class="footnote">[117b]</a>&nbsp; By zinc ventilators, for
+instance, in the windows and openings into the flues at the top
+of the rooms.&nbsp; See <i>Health of Towns Report</i>, 1844, vol.
+i., pp. 76, 77.&nbsp; Mr. Coulhart&rsquo;s
+evidence.&mdash;<i>Ibid.</i>, pp. 307, 308.</p>
+<p><a name="footnote117c"></a><a href="#citation117c"
+class="footnote">[117c]</a>&nbsp; There are several thousand
+gratings to sewers and drains which are utterly useless on
+account of their position, and positively injurious from their
+emanations.&mdash;Mr. Guthrie&rsquo;s
+evidence.&mdash;<i>Ibid.</i>, vol. ii., p. 255.</p>
+<p><a name="footnote118"></a><a href="#citation118"
+class="footnote">[118]</a>&nbsp; Mr. Wood states that the masters
+and mistresses were generally ignorant of the depressing and
+unhealthy effects of the atmosphere which surrounded them, and he
+mentions the case of the mistress of a dame-school who replied,
+when he pointed out this to her, &ldquo;that the children thrived
+best in dirt!&rdquo;&mdash;<i>Health of Towns Report</i>, vol.
+i., pp. 146, 147.</p>
+<p><a name="footnote126"></a><a href="#citation126"
+class="footnote">[126]</a>&nbsp; See &ldquo;The Fair Maid of
+Perth.&rdquo;</p>
+<p><a name="footnote161"></a><a href="#citation161"
+class="footnote">[161]</a>&nbsp; See &ldquo;Health of Towns
+Report,&rdquo; 1844, vol. i., p. 44.</p>
+<p><a name="footnote183"></a><a href="#citation183"
+class="footnote">[183]</a>&nbsp; Bacon, <i>de Augmentis
+Scientiarum</i>.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK FRIENDS IN COUNCIL***</p>
+<pre>
+
+
+***** This file should be named 7438-h.htm or 7438-h.zip******
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