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+<title>Friends in Council (First Series)</title>
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+<h2>
+<a href="#startoftext">Friends in Council (First Series), by Sir Arthur Helps</a>
+</h2>
+<pre>
+The Project Gutenberg EBook of Friends in Council (First Series)
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+Title: Friends in Council (First Series)
+
+Author: Sir Arthur Helps
+
+Release Date: February, 2005 [EBook #7438]
+[This file was first posted on April 30, 2003]
+
+Edition: 10
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+Language: English
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+Character set encoding: US-ASCII
+</pre>
+<p><a name="startoftext"></a></p>
+<p>This etext was produced by Les Bowler, St. Ives, Dorset.</p>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<h1>FRIENDS IN COUNCIL (First Series)<br />BY SIR ARTHUR HELPS.</h1>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<h2>INTRODUCTION BY HENRY MORLEY.</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Arthur Helps was born at Streatham on the 10th of July, 1813.&nbsp;
+He went at the age of sixteen to Eton, thence to Trinity College, Cambridge.&nbsp;
+Having graduated B.A. in 1835, he became private secretary to the Hon.
+T. Spring Rice, who was Chancellor of the Exchequer in Lord Melbourne&rsquo;s
+Cabinet, formed in April, 1835.&nbsp; This was his position at the beginning
+of the present reign in June, 1837.</p>
+<p>In 1839 - in which year he graduated M.A. - Arthur Helps was transferred
+to the service of Lord Morpeth, who was Irish Secretary in the same
+ministry.&nbsp; Lord Melbourne&rsquo;s Ministry was succeeded by that
+of Sir Robert Peel in September, 1841, and Helps then was appointed
+a Commissioner of French, Danish, and Spanish Claims.&nbsp; In 1841
+he published &ldquo;Essays Written in the Intervals of Business.&rdquo;&nbsp;
+Their quiet thoughtfulness was in accord with the spirit that had given
+value to his services as private secretary to two ministers of State.&nbsp;
+In 1844 that little book was followed by another on &ldquo;The Claims
+of Labour,&rdquo; dealing with the relations of employers to employed.&nbsp;
+There was the same scholarly simplicity and grace of style, the same
+interest in things worth serious attention.&nbsp; &ldquo;We say,&rdquo;
+he wrote, towards the close, &ldquo;that Kings are God&rsquo;s Vicegerents
+upon Earth; but almost every human being has, at one time or other of
+his life, a portion of the happiness of those around him in his power,
+which might make him tremble, if he did but see it in all its fulness.&rdquo;&nbsp;
+To this book Arthur Helps added an essay &ldquo;On the Means of Improving
+the Health and Increasing the Comfort of the Labouring Classes.&rdquo;</p>
+<p>His next book was this First Series of &ldquo;Friends in Council,&rdquo;
+published in 1847, and followed by other series in later years.&nbsp;
+There were many other writings of his, less popular than they would
+have been if the same abilities had been controlled by less good taste.&nbsp;
+His &ldquo;History of the Conquest of the New World&rdquo; in 1848,
+and of &ldquo;The Spanish Conquest of America,&rdquo; in four volumes,
+from 1855 to 1861, preceded his obtaining from his University, in 1864,
+the honorary degree of D.C.L.&nbsp; In June, 1860, Arthur Helps was
+made Clerk of the Privy Council, and held that office of high trust
+until his death on the 7th of March, 1875.&nbsp; He had become Sir Arthur
+in 1872.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;H.
+M.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h2>FRIENDS IN COUNCIL.</h2>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER I.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>None but those who, like myself, have once lived in intellectual
+society, and then have been deprived of it for years, can appreciate
+the delight of finding it again.&nbsp; Not that I have any right to
+complain, if I were fated to live as a recluse for ever.&nbsp; I can
+add little, or nothing, to the pleasure of any company; I like to listen
+rather than to talk; and when anything apposite does occur to me, it
+is generally the day after the conversation has taken place.&nbsp; I
+do not, however, love good talk the less for these defects of mine;
+and I console myself with thinking that I sustain the part of a judicious
+listener, not always an easy one.</p>
+<p>Great, then, was my delight at hearing last year that my old pupil,
+Milverton, had taken a house which had long been vacant in our neighbourhood.&nbsp;
+To add to my pleasure, his college friend, Ellesmere, the great lawyer,
+also an old pupil of mine, came to us frequently in the course of the
+autumn.&nbsp; Milverton was at that time writing some essays which he
+occasionally read to Ellesmere and myself.&nbsp; The conversations which
+then took place I am proud to say that I have chronicled.&nbsp; I think
+they must be interesting to the world in general, though of course not
+so much so as to me.</p>
+<p>Milverton and Ellesmere were my favourite pupils.&nbsp; Many is the
+heartache I have had at finding that those boys, with all their abilities,
+would do nothing at the University.&nbsp; But it was in vain to urge
+them.&nbsp; I grieve to say that neither of them had any ambition of
+the right kind.&nbsp; Once I thought I had stimulated Ellesmere to the
+proper care and exertion; when, to my astonishment and vexation, going
+into his rooms about a month before an examination, I found that, instead
+of getting up his subjects, like a reasonable man, he was absolutely
+endeavouring to invent some new method for proving something which had
+been proved before in a hundred ways.&nbsp; Over this he had wasted
+two days, and from that moment I saw it was useless to waste any more
+of my time and patience in urging a scholar so indocile for the beaten
+path.</p>
+<p>What tricks he and Milverton used to play me, pretending not to understand
+my demonstration of some mathematical problem, inventing all manner
+of subtle difficulties, and declaring they could not go on while these
+stumbling-blocks lay in their way!&nbsp; But I am getting into college
+gossip, which may in no way delight my readers.&nbsp; And I am fancying,
+too, that Milverton and Ellesmere are the boys they were to me; but
+I am now the child to them.&nbsp; During the years that I have been
+quietly living here, they have become versed in the ways of the busy
+world.&nbsp; And though they never think of asserting their superiority,
+I feel it, and am glad to do so.</p>
+<p>My readers would, perhaps, like one to tell them something of the
+characters of Ellesmere and Milverton; but it would ill become me to
+give that insight into them, which I, their college friend and tutor,
+imagine I have obtained.&nbsp; Their friendship I could never understand.&nbsp;
+It was not on the surface very warm, and their congeniality seemed to
+result more from one or two large common principles of thought than
+from any peculiar similarity of taste, or from great affection on either
+side.&nbsp; Yet I should wrong their friendship if I were to represent
+it otherwise than a most true-hearted one; more so, perhaps, than some
+of softer texture.&nbsp; What needs be seen of them individually will
+be by their words, which I hope I have in the main retained.</p>
+<p>The place where we generally met in fine weather was on the lawn
+before Milverton&rsquo;s house.&nbsp; It was an eminence which commanded
+a series of valleys sloping towards the sea.&nbsp; And, as the sea was
+not more than nine miles off, it was a matter of frequent speculation
+with us whether the landscape was bounded by air or water.&nbsp; In
+the first valley was a little town of red brick houses, with poplars
+coming up amongst them.&nbsp; The ruins of a castle, and some water
+which, in olden times, had been the lake in &ldquo;the pleasaunce,&rdquo;
+were between us and the town.&nbsp; The clang of an anvil, or the clamour
+of a horn, or busy wheelwright&rsquo;s sounds, came faintly up to us
+when the wind was south.</p>
+<p>I must not delay my readers longer with my gossip, but bring them
+at once into the conversation that preceded our first reading.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Milverton</i>.&nbsp; I tell you, Ellesmere, these are the only
+heights I care to look down from, the heights of natural scenery.</p>
+<p><i>Ellesmere</i>.&nbsp; Pooh! my dear Milverton, it is only because
+the particular mounds which the world calls heights, you think you have
+found out to be but larger ant-heaps.&nbsp; Whenever you have cared
+about anything, a man more fierce and unphilosophical in the pursuit
+of it I never saw.&nbsp; To influence men&rsquo;s minds by writing for
+them, is that no ambition?</p>
+<p><i>Milverton</i>.&nbsp; It may be, but I have it not.&nbsp; Let any
+kind critic convince me that what I am now doing is useless, or has
+been done before, or that, if I leave it undone, some one else will
+do it to my mind; and I should fold up my papers, and watch the turnips
+grow in that field there, with a placidity that would, perhaps, seem
+very spiritless to your now restless and ambitious nature, Ellesmere.</p>
+<p><i>Ellesmere</i>.&nbsp; If something were to happen which will not,
+then - O Philosophy, Philosophy, you, too, are a good old nurse, and
+rattle your rattles for your little people, as well as old Dame World
+can do for hers.&nbsp; But what are we to have to-day for our first
+reading?</p>
+<p><i>Milverton</i>.&nbsp; An Essay on Truth.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, had I known this before, it is not
+the novelty of the subject which would have dragged me up the hill to
+your house.&nbsp; By the way, philosophers ought not to live upon hills.&nbsp;
+They are much more accessible, and I think quite as reasonable, when,
+Diogenes-like, they live in tubs upon flat ground.&nbsp; Now for the
+essay.</p>
+<p>TRUTH.</p>
+<p>Truth is a subject which men will not suffer to grow old.&nbsp; Each
+age has to fight with its own falsehoods: each man with his love of
+saying to himself and those around him pleasant things and things serviceable
+for to-day, rather than the things which are.&nbsp; Yet a child appreciates
+at once the divine necessity for truth; never asks, &ldquo;What harm
+is there in saying the thing that is not?&rdquo; and an old man finds,
+in his growing experience, wider and wider applications of the great
+doctrine and discipline of truth.</p>
+<p>Truth needs the wisdom of the serpent as well as the simplicity of
+the dove.&nbsp; He has gone but a little way in this matter who supposes
+that it is an easy thing for a man to speak the truth, &ldquo;the thing
+he troweth;&rdquo; and that it is a casual function, which may be fulfilled
+at once after any lapse of exercise.&nbsp; But, in the first place,
+the man who would speak truth must know what he troweth.&nbsp; To do
+that, he must have an uncorrupted judgment.&nbsp; By this is not meant
+a perfect judgment or even a wise one, but one which, however it may
+be biassed, is not bought - is still a judgment.&nbsp; But some people&rsquo;s
+judgments are so entirely gained over by vanity, selfishness, passion,
+or inflated prejudices and fancies long indulged in; or they have the
+habit of looking at everything so carelessly, that they see nothing
+truly.&nbsp; They cannot interpret the world of reality.&nbsp; And this
+is the saddest form of lying, &ldquo;the lie that sinketh in,&rdquo;
+as Bacon says, which becomes part of the character and goes on eating
+the rest away.</p>
+<p>Again, to speak truth, a man must not only have that martial courage
+which goes out, with sound of drum and trumpet, to do and suffer great
+things; but that domestic courage which compels him to utter small sounding
+truths in spite of present inconvenience and outraged sensitiveness
+or sensibility.&nbsp; Then he must not be in any respect a slave to
+self-interest.&nbsp; Often it seems as if but a little misrepresentation
+would gain a great good for us; or, perhaps, we have only to conceal
+some trifling thing, which, if told, might hinder unreasonably, as we
+think, a profitable bargain.&nbsp; The true man takes care to tell,
+notwithstanding.&nbsp; When we think that truth interferes at one time
+or another with all a man&rsquo;s likings, hatings, and wishes, we must
+admit, I think, that it is the most comprehensive and varied form of
+self-denial.</p>
+<p>Then, in addition to these great qualities, truth-telling in its
+highest sense requires a well-balanced mind.&nbsp; For instance, much
+exaggeration, perhaps the most, is occasioned by an impatient and easily
+moved temperament which longs to convey its own vivid impressions to
+other minds, and seeks by amplifying to gain the full measure of their
+sympathy.&nbsp; But a true man does not think what his hearers are feeling,
+but what he is saying.</p>
+<p>More stress might be laid than has been on the intellectual requisites
+for truth, which are probably the best part of intellectual cultivation;
+and as much caused by truth as causing it. <a name="citation12"></a><a href="#footnote12">{12}</a>&nbsp;
+But, putting the requisites for truth at the fewest, see of how large
+a portion of the character truth is the resultant.&nbsp; If you were
+to make a list of those persons accounted the religious men of their
+respective ages, you would have a ludicrous combination of characters
+essentially dissimilar.&nbsp; But true people are kindred.&nbsp; Mention
+the eminently true men, and you will find that they are a brotherhood.&nbsp;
+There is a family likeness throughout them.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>If we consider the occasions of exercising truthfulness and descend
+to particulars, we may divide the matter into the following heads: -
+truth to oneself - truth to mankind in general - truth in social relations
+- truth in business - truth in pleasure.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>1.&nbsp; Truth to oneself.&nbsp; All men have a deep interest that
+each man should tell himself the truth.&nbsp; Not only will he become
+a better man, but he will understand them better.&nbsp; If men knew
+themselves, they could not be intolerant to others.</p>
+<p>It is scarcely necessary to say much about the advantage of a man
+knowing himself for himself.&nbsp; To get at the truth of any history
+is good; but a man&rsquo;s own history - when he reads that truly, and,
+without a mean and over-solicitous introspection, knows what he is about
+and what he has been about, it is a Bible to him.&nbsp; &ldquo;And David
+said unto Nathan, I have sinned before the Lord.&rdquo;&nbsp; David
+knew the truth about himself.&nbsp; But truth to oneself is not merely
+truth about oneself.&nbsp; It consists in maintaining an openness and
+justness of soul which brings a man into relation with all truth.&nbsp;
+For this, all the senses, if you might so call them, of the soul must
+be uninjured - that is, the affections and the perceptions must be just.&nbsp;
+For a man to speak the truth to himself comprehends all goodness; and
+for us mortals can only be an aim.</p>
+<p>2.&nbsp; Truth to mankind in general.&nbsp; This is a matter which,
+as I read it, concerns only the higher natures.&nbsp; Suffice it to
+say, that the withholding large truths from the world may be a betrayal
+of the greatest trust.</p>
+<p>3.&nbsp; Truth in social relations.&nbsp; Under this head come the
+practices of making speech vary according to the person spoken to; of
+pretending to agree with the world when you do not; of not acting according
+to what is your deliberate and well-advised opinion because some mischief
+may be made of it by persons whose judgment in this matter you do not
+respect; of maintaining a wrong course for the sake of consistency;
+of encouraging the show of intimacy with those whom you never can be
+intimate with; and many things of the same kind.&nbsp; These practices
+have elements of charity and prudence as well as fear and meanness in
+them.&nbsp; Let those parts which correspond to fear and meanness be
+put aside.&nbsp; Charity and prudence are not parasitical plants which
+require boles of falsehood to climb up upon.&nbsp; It is often extremely
+difficult in the mixed things of this world to act truly and kindly
+too; but therein lies one of the great trials of man, that his sincerity
+should have kindness in it, and his kindness truth.</p>
+<p>4.&nbsp; Truth in business.&nbsp; The more truth you can get into
+any business, the better.&nbsp; Let the other side know the defects
+of yours, let them know how you are to be satisfied, let there be as
+little to be found as possible (I should say nothing), and if your business
+be an honest one, it will be best tended in this way.&nbsp; The talking,
+bargaining, and delaying that would thus be needless, the little that
+would then have to be done over again, the anxiety that would be put
+aside, would even in a worldly way be &ldquo;great gain.&rdquo;&nbsp;
+It is not, perhaps, too much to say, that the third part of men&rsquo;s
+lives is wasted by the effect, direct or indirect, of falsehoods.</p>
+<p>Still, let us not be swift to imagine that lies are never of any
+service.&nbsp; A recent Prime Minister said, that he did not know about
+truth always prevailing and the like; but lies had been very successful
+against his government.&nbsp; And this was true enough.&nbsp; Every
+lie has its day.&nbsp; There is no preternatural inefficacy in it by
+reason of its falseness.&nbsp; And this is especially the case with
+those vague injurious reports which are no man&rsquo;s lies, but all
+men&rsquo;s carelessness.&nbsp; But even as regards special and unmistakable
+falsehood, we must admit that it has its success.&nbsp; A complete being
+might deceive with wonderful effect; however, as nature is always against
+a liar, it is great odds in the case of ordinary mortals.&nbsp; Wolsey
+talks of</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;Negligence<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Fit
+for a fool to fall by,&rdquo;</p>
+<p>when he gives Henry the wrong packet; but the Cardinal was quite
+mistaken.&nbsp; That kind of negligence was just the thing of which
+far-seeing and thoughtful men are capable; and which, if there were
+no higher motive, should induce them to rely on truth alone.&nbsp; A
+very close vulpine nature, all eyes, all ears, may succeed better in
+deceit.&nbsp; But it is a sleepless business.&nbsp; Yet, strange to
+say, it is had recourse to in the most spendthrift fashion, as the first
+and easiest thing that comes to hand.</p>
+<p>In connection with truth in business, it may be observed that if
+you are a truthful man, you should be watchful over those whom you employ;
+for your subordinate agents are often fond of lying for your interests,
+as they think.&nbsp; Show them at once that you do not think with them,
+and that you will disconcert any of their inventions by breaking in
+with the truth.&nbsp; If you suffer the fear of seeming unkind to prevent
+your thrusting well-meant inventions aside, you may get as much pledged
+to falsehoods as if you had coined and uttered them yourself.</p>
+<p>5.&nbsp; Truth in pleasure.&nbsp; Men have been said to be sincere
+in their pleasures; but this is only that the taste and habits of men
+are more easily discernible in pleasure than in business.&nbsp; The
+want of truth is as great a hindrance to the one as to the other.&nbsp;
+Indeed, there is so much insincerity and formality in the pleasurable
+department of human life, especially in social pleasures, that instead
+of a bloom there is a slime upon it, which deadens and corrupts the
+thing.&nbsp; One of the most comical sights to superior beings must
+be to see two human creatures with elaborate speech and gestures making
+each other exquisitely uncomfortable from civility: the one pressing
+what he is most anxious that the other should not accept, and the other
+accepting only from the fear of giving offence by refusal.&nbsp; There
+is an element of charity in all this too; and it will be the business
+of a just and refined nature to be sincere and considerate at the same
+time.&nbsp; This will be better done by enlarging our sympathy, so that
+more things and people are pleasant to us, than by increasing the civil
+and conventional part of our nature, so that we are able to do more
+seeming with greater skill and endurance.&nbsp; Of other false hindrances
+to pleasure, such as ostentation and pretences of all kinds, there is
+neither charity nor comfort in them.&nbsp; They may be got rid of altogether,
+and no moaning made over them.&nbsp; Truth, which is one of the largest
+creatures, opens out the way to the heights of enjoyment, as well as
+to the depths of self-denial.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>It is difficult to think too highly of the merits and delights of
+truth; but there is often in men&rsquo;s minds an exaggerated notion
+of some bit of truth, which proves a great assistance to falsehood.&nbsp;
+For instance, the shame of some particular small falsehood, exaggeration,
+or insincerity, becomes a bugbear which scares a man into a career of
+false dealing.&nbsp; He has begun making a furrow a little out of the
+line, and he ploughs on in it to try and give some consistency and meaning
+to it.&nbsp; He wants almost to persuade himself that it was not wrong,
+and entirely to hide the wrongness from others.&nbsp; This is a tribute
+to the majesty of truth; also to the world&rsquo;s opinion about truth.&nbsp;
+It proceeds, too, upon the notion that all falsehoods are equal, which
+is not the case; or on some fond craving for a show of perfection, which
+is sometimes very inimical to the reality.&nbsp; The practical, as well
+as the high-minded, view in such cases, is for a man to think how he
+can be true now.&nbsp; To attain that, it may, even for this world,
+be worth while for a man to admit that he is inconsistent, and even
+that he has been untrue.&nbsp; His hearers, did they know anything of
+themselves, would be fully aware that he was not singular, except in
+the courage of owning his insincerity.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i>.&nbsp; That last part requires thinking about.&nbsp;
+If you were to permit men, without great loss of reputation, to own
+that they had been insincere, you might break down some of that majesty
+of truth you talk about.&nbsp; And bad men might avail themselves of
+any facilities of owning insincerity, to commit more of it.&nbsp; I
+can imagine that the apprehension of this might restrain a man from
+making any such admission as you allude to, even if he could make up
+his mind to do it otherwise.</p>
+<p><i>Milverton</i>.&nbsp; Yes; but can anything be worse than a man
+going on in a false course?&nbsp; Each man must look to his own truthfulness,
+and keep that up as well as he can, even at the risk of saying, or doing,
+something which may be turned to ill account by others.&nbsp; We may
+think too much about this reflection of our external selves.&nbsp; Let
+the real self be right.&nbsp; I am not so fanciful as to expect men
+to go about clamouring that they have been false; but at no risk of
+letting people see that, or of even being obliged to own it, should
+they persevere in it.</p>
+<p><i>Dunsford</i>.&nbsp; Milverton is right, I think.</p>
+<p><i>Ellesmere</i>.&nbsp; Do not imagine that I am behind either of
+you in a wish to hold up truth.&nbsp; My only doubt was as to the mode.&nbsp;
+For my own part, I have such faith in truth that I take it mere concealment
+is in most cases a mischief.&nbsp; And I should say, for instance, that
+a wise man would be sorry that his fellows should think better of him
+than he deserves.&nbsp; By the way, that is a reason why I should not
+like to be a writer of moral essays, Milverton - one should be supposed
+to be so very good.</p>
+<p><i>Milverton</i>.&nbsp; Only by thoughtless people then.&nbsp; There
+is a saying given to Rousseau, not that he ever did say it, for I believe
+it was a misprint, but it was a possible saying for him, &ldquo;Chaque
+homme qui pense est m&eacute;chant.&rdquo;&nbsp; Now, without going
+the length of this aphorism, we may say that what has been well written
+has been well suffered.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;He best can paint them who has
+felt them most.&rdquo;</p>
+<p>And so, though we should not exactly declare that writers who have
+had much moral influence have been wicked men, yet we may admit that
+they have been amongst the most struggling, which implies anything but
+serene self-possession and perfect spotlessness.&nbsp; If you take the
+great ones, Luther, Shakespeare, Goethe, you see this at once.</p>
+<p><i>Dunsford</i>.&nbsp; David, St. Paul.</p>
+<p><i>Milverton</i>.&nbsp; Such men are like great rocks on the seashore.&nbsp;
+By their resistance, terraces of level land are formed; but the rocks
+themselves bear many scars and ugly indents, while the sea of human
+difficulty presents the same unwrinkled appearance in all ages.&nbsp;
+Yet it has been driven back.</p>
+<p><i>Ellesmere</i>.&nbsp; But has it lost any of its bulk, or only
+gone elsewhere?&nbsp; One part of the resemblance certainly is that
+these same rocks, which were bulwarks, become, in their turn, dangers.</p>
+<p><i>Milverton</i>.&nbsp; Yes, there is always loss in that way.&nbsp;
+It is seldom given to man to do unmixed good.&nbsp; But it was not this
+aspect of the simile that I was thinking of: it was the scarred appearance.</p>
+<p><i>Dunsford</i>.&nbsp; Scars not always of defeat or flight; scars
+in the front.</p>
+<p><i>Milverton</i>.&nbsp; Ah, it hardly does for us to talk of victory
+or defeat, in these cases; but we may look at the contest itself as
+something not bad, terminate how it may.&nbsp; We lament over a man&rsquo;s
+sorrows, struggles, disasters, and shortcomings; yet they were possessions
+too.&nbsp; We talk of the origin of evil and the permission of evil.&nbsp;
+But what is evil?&nbsp; We mostly speak of sufferings and trials as
+good, perhaps, in their result; but we hardly admit that they may be
+good in themselves.&nbsp; Yet they are knowledge - how else to be acquired,
+unless by making men as gods, enabling them to understand without experience.&nbsp;
+All that men go through may be absolutely the best for them - no such
+thing as evil, at least in our customary meaning of the word.&nbsp;
+But, you will say, they might have been created different and higher.&nbsp;
+See where this leads to.&nbsp; Any sentient being may set up the same
+claim: a fly that it had not been made a man; and so the end would be
+that each would complain of not being all.</p>
+<p><i>Ellesmere</i>.&nbsp; Say it all over again, my dear Milverton:
+it is rather hard.&nbsp; [Milverton did so, in nearly the same words.]&nbsp;
+I think I have heard it all before.&nbsp; But you may have it as you
+please.&nbsp; I do not say this irreverently, but the truth is, I am
+too old and too earthly to enter upon these subjects.&nbsp; I think,
+however, that the view is a stout-hearted one.&nbsp; It is somewhat
+in the same vein of thought that you see in Carlyle&rsquo;s works about
+the contempt of happiness.&nbsp; But in all these cases, one is apt
+to think of the sage in &ldquo;Rasselas,&rdquo; who is very wise about
+human misery till he loses his daughter.&nbsp; Your fly illustration
+has something in it.&nbsp; Certainly when men talk big about what might
+have been done for man, they omit to think what might be said, on similar
+grounds, for each sentient creature in the universe.&nbsp; But here
+have we been meandering off into origin of evil, and uses of great men,
+and wickedness of writers, etc., whereas I meant to have said something
+about the essay.&nbsp; How would you answer what Bacon maintains?&nbsp;
+&ldquo;A mixture of a lie doth ever add pleasure.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; He is not speaking of the lies of social
+life, but of self-deception.&nbsp; He goes on to class under that head
+&ldquo;vain opinions, flattering hopes, false valuations, imaginations
+as one would.&rdquo;&nbsp; These things are the sweetness of &ldquo;the
+lie that sinketh in.&rdquo;&nbsp; Many a man has a kind of mental kaleidoscope,
+where the bits of broken glass are his own merits and fortunes, and
+they fall into harmonious arrangements and delight him - often most
+mischievously and to his ultimate detriment, but they are a present
+pleasure.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, I am going to be true in my pleasures:
+to take a long walk alone.&nbsp; I have got a difficult case for an
+opinion, which I must go and think over.</p>
+<p><i>Dunsford</i>.&nbsp; Shall we have another reading tomorrow?</p>
+<p><i>Milverton</i>.&nbsp; Yes, if you are both in the humour for it.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER II.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>As the next day was fine, we agreed to have our reading in the same
+spot that I have described before.&nbsp; There was scarcely any conversation
+worth noting, until after Milverton had read us the following essay
+on Conformity.</p>
+<p>CONFORMITY.</p>
+<p>The conformity of men is often a far poorer thing than that which
+resembles it amongst the lower animals.&nbsp; The monkey imitates from
+imitative skill and gamesomeness: the sheep is gregarious, having no
+sufficient will to form an independent project of its own.&nbsp; But
+man often loathes what he imitates, and conforms to what he knows to
+be wrong.</p>
+<p>It will ever be one of the nicest problems for a man to solve how
+far he shall profit by the thoughts of other men, and not be enslaved
+by them.&nbsp; He comes into the world, and finds swaddling clothes
+ready for his mind as well as his body.&nbsp; There is a vast scheme
+of social machinery set up about him; and he has to discern how he can
+make it work with him and for him, without becoming part of the machinery
+himself.&nbsp; In this lie the anguish and the struggle of the greatest
+minds.&nbsp; Most sad are they, having mostly the deepest sympathies,
+when they find themselves breaking off from communion with other minds.&nbsp;
+They would go on, if they could, with the opinions around them.&nbsp;
+But, happily, there is something to which a man owes a larger allegiance
+than to any human affection.&nbsp; He would be content to go away from
+a false thing, or quietly to protest against it; but in spite of him
+the strife in his heart breaks into burning utterance by word or deed.</p>
+<p>Few, however, are those who venture, even for the shortest time,
+into that hazy world of independent thought, where a man is not upheld
+by a crowd of other men&rsquo;s opinions, but where he must find a footing
+of his own.&nbsp; Among the mass of men, there is little or no resistance
+to conformity.&nbsp; Could the history of opinions be fully written,
+it would be seen how large a part in human proceedings the love of conformity,
+or rather the fear of non-conformity, has occasioned.&nbsp; It has triumphed
+over all other fears; over love, hate, pity, sloth, anger, truth, pride,
+comfort, self-interest, vanity, and maternal love.&nbsp; It has torn
+down the sense of beauty in the human soul, and set up in its place
+little ugly idols which it compels us to worship with more than Japanese
+devotion.&nbsp; It has contradicted Nature in the most obvious things,
+and been listened to with abject submission.&nbsp; Its empire has been
+no less extensive than deep-seated.&nbsp; The serf to custom points
+his finger at the slave to fashion - as if it signified whether it is
+an old or a new thing which is irrationally conformed to.&nbsp; The
+man of letters despises both the slaves of fashion and of custom, but
+often runs his narrow career of thought, shut up, though he sees it
+not, within close walls which he does not venture even to peep over.</p>
+<p>It is hard to say in what department of human thought and endeavour
+conformity has triumphed most.&nbsp; Religion comes to one&rsquo;s mind
+first; and well it may when one thinks what men have conformed to in
+all ages in that matter.&nbsp; If we pass to art, or science, we shall
+see there too the wondrous slavery which men have endured - from puny
+fetters, moreover, which one stirring thought would, as we think, have
+burst asunder.&nbsp; The above, however, are matters not within every
+one&rsquo;s cognisance; some of them are shut in by learning or the
+show of it; and plain &ldquo;practical&rdquo; men would say, they follow
+where they have no business but to follow.&nbsp; But the way in which
+the human body shall be covered is not a thing for the scientific and
+the learned only: and is allowed on all hands to concern, in no small
+degree, one half at least of the creation.&nbsp; It is in such a simple
+thing as dress that each of us may form some estimate of the extent
+of conformity in the world.&nbsp; A wise nation, unsubdued by superstition,
+with the collected experience of peaceful ages, concludes that female
+feet are to be clothed by crushing them.&nbsp; The still wiser nations
+of the west have adopted a swifter mode of destroying health, and creating
+angularity, by crushing the upper part of the female body.&nbsp; In
+such matters nearly all people conform.&nbsp; Our brother man is seldom
+so bitter against us, as when we refuse to adopt at once his notions
+of the infinite.&nbsp; But even religious dissent were less dangerous
+and more respectable than dissent in dress.&nbsp; If you want to see
+what men will do in the way of conformity, take a European hat for your
+subject of meditation.&nbsp; I dare say there are twenty-two millions
+of people at this minute each wearing one of these hats in order to
+please the rest.&nbsp; As in the fine arts, and in architecture, especially,
+so in dress, something is often retained that was useful when something
+else was beside it.&nbsp; To go to architecture for an instance, a pinnacle
+is retained, not that it is of any use where it is, but in another kind
+of building it would have been.&nbsp; That style of building, as a whole,
+has gone out of fashion, but the pinnacle has somehow or other kept
+its ground and must be there, no one insolently going back to first
+principles and asking what is the use and object of building pinnacles.&nbsp;
+Similar instances in dress will occur to my readers.&nbsp; Some of us
+are not skilled in such affairs; but looking at old pictures we may
+sometimes see how modern clothes have attained their present pitch of
+frightfulness and inconvenience.&nbsp; This matter of dress is one in
+which, perhaps, you might expect the wise to conform to the foolish;
+and they have.</p>
+<p>When we have once come to a right estimate of the strength of conformity,
+we shall, I think, be more kindly disposed to eccentricity than we usually
+are.&nbsp; Even a wilful or an absurd eccentricity is some support against
+the weighty common-place conformity of the world.&nbsp; If it were not
+for some singular people who persist in thinking for themselves, in
+seeing for themselves, and in being comfortable, we should all collapse
+into a hideous uniformity.</p>
+<p>It is worth while to analyse that influence of the world which is
+the right arm of conformity.&nbsp; Some persons bend to the world in
+all things, from an innocent belief that what so many people think must
+be right.&nbsp; Others have a vague fear of the world as of some wild
+beast which may spring out upon them at any time.&nbsp; Tell them they
+are safe in their houses from this myriad-eyed creature: they still
+are sure that they shall meet with it some day, and would propitiate
+its favour at any sacrifice.&nbsp; Many men contract their idea of the
+world to their own circle, and what they imagine to be said in that
+circle of friends and acquaintances is their idea of public opinion
+- &rdquo;as if,&rdquo; to use a saying of Southey&rsquo;s, &ldquo;a
+number of worldlings made a world.&rdquo;&nbsp; With some unfortunate
+people, the much dreaded &ldquo;world&rdquo; shrinks into one person
+of more mental power than their own, or perhaps merely of coarser nature;
+and the fancy as to what this person will say about anything they do,
+sits upon them like a nightmare.&nbsp; Happy the man who can embark
+his small adventure of deeds and thoughts upon the shallow waters round
+his home, or send them afloat on the wide sea of humanity, with no great
+anxiety in either case as to what reception they may meet with!&nbsp;
+He would have them steer by the stars, and take what wind may come to
+them.</p>
+<p>A reasonable watchfulness against conformity will not lead a man
+to spurn the aid of other men, still less to reject the accumulated
+mental capital of ages.&nbsp; It does not compel us to dote upon the
+advantages of savage life.&nbsp; We would not forego the hard-earned
+gains of civil society because there is something in most of them which
+tends to contract the natural powers, although it vastly aids them.&nbsp;
+We would not, for instance, return to the monosyllabic utterance of
+barbarous men, because in any formed language there are a thousand snares
+for the understanding.&nbsp; Yet we must be most watchful of them.&nbsp;
+And in all things, a man must beware of so conforming himself as to
+crush his nature and forego the purpose of his being.&nbsp; We must
+look to other standards than what men may say or think.&nbsp; We must
+not abjectly bow down before rules and usages; but must refer to principles
+and purposes.&nbsp; In few words, we must think, not whom we are following,
+but what we are doing.&nbsp; If not, why are we gifted with individual
+life at all?&nbsp; Uniformity does not consist with the higher forms
+of vitality.&nbsp; Even the leaves of the same tree are said to differ,
+each one from all the rest.&nbsp; And can it be good for the soul of
+a man &ldquo;with a biography of his own like to no one else&rsquo;s,&rdquo;
+to subject itself without thought to the opinions and ways of others:
+not to grow into symmetry, but to be moulded down into conformity?</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;----</p>
+<p><i>Ellesmere</i>.&nbsp; Well, I rather like that essay.&nbsp; I was
+afraid, at first, it was going to have more of the fault into which
+you essay writers generally fall, of being a comment on the abuse of
+a thing, and not on the thing itself.&nbsp; There always seems to me
+to want another essay on the other side.&nbsp; But I think, at the end,
+you protect yourself against misconstruction.&nbsp; In the spirit of
+the essay, you know, of course, that I quite agree with you.&nbsp; Indeed,
+I differ from all the ordinary biographers of that independent gentleman,
+Don&rsquo;t Care.&nbsp; I believe Don&rsquo;t Care came to a good end.&nbsp;
+At any rate he came to some end.&nbsp; Whereas numbers of people never
+have beginning, or ending, of their own.&nbsp; An obscure dramatist,
+Milverton, whom we know of, makes one of his characters say, in reply
+to some world-fearing wretch:</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;While
+you, you think<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What others think,
+or what you think they&rsquo;ll say,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Shaping
+your course by something scarce more tangible<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Than
+dreams, at best the shadows on the stream<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Of
+aspen leaves by flickering breezes swayed - <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Load
+me with irons, drive me from morn till night,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I
+am not the utter slave which that man is<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Whose
+sole word, thought, and deed are built on what<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The
+world may say of him.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Never mind the obscure dramatist.&nbsp; But,
+Ellesmere, you really are unreasonable, if you suppose that, in the
+limits of a short essay, you can accurately distinguish all you write
+between the use and the abuse of a thing.&nbsp; The question is, will
+people misunderstand you - not, is the language such as to be logically
+impregnable?&nbsp; Now, in the present case, no man will really suppose
+it is a wise and just conformity that I am inveighing against.</p>
+<p><i>Ellesmere</i>.&nbsp; I am not sure of that.&nbsp; If everybody
+is to have independent thought, would there not be a fearful instability
+and want of compactness?&nbsp; Another thing, too - conformity often
+saves so much time and trouble.</p>
+<p><i>Milverton</i>.&nbsp; Yes; it has its uses.&nbsp; I do not mean,
+in the world of opinion and morality, that it should be all elasticity
+and no gravitation; but at least enough elasticity to preserve natural
+form and independent being.</p>
+<p><i>Ellesmere</i>.&nbsp; I think it would have been better if you
+had turned the essay another way, and instead of making it on conformity,
+had made it on interference.&nbsp; That is the greater mischief and
+the greater folly, I think.&nbsp; Why do people unreasonably conform?&nbsp;
+Because they feel unreasonable interference.&nbsp; War, I say, is interference
+on a small scale compared with the interference of private life.&nbsp;
+Then the absurdity on which it proceeds; that men are all alike, or
+that it is desirable that they should be; and that what is good for
+one is good for all.</p>
+<p><i>Dunsford</i>.&nbsp; I must say, I think, Milverton, you do not
+give enough credit for sympathy, good-nature, and humility as material
+elements in the conformity of the world.</p>
+<p><i>Ellesmere</i>.&nbsp; I am not afraid, my dear Dunsford, of the
+essay doing much harm.&nbsp; There is a power of sleepy conformity in
+the world.&nbsp; You may just startle your conformists for a minute,
+but they gravitate into their old way very soon.&nbsp; You talk of their
+humility, Dunsford, but I have heard people who have conformed to opinions,
+without a pretence of investigation, as arrogant and intolerant towards
+anybody who differed from them, as if they stood upon a pinnacle of
+independent sagacity and research.</p>
+<p><i>Dunsford</i>.&nbsp; One never knows, Ellesmere, on which side
+you are.&nbsp; I thought you were on mine a minute or two ago; and now
+you come down upon me with more than Milverton&rsquo;s anti-conforming
+spirit.</p>
+<p><i>Ellesmere</i>.&nbsp; The greatest mischief, as I take it, of this
+slavish conformity, is in the reticence it creates.&nbsp; People will
+be, what are called, intimate friends, and yet no real interchange of
+opinion takes place between them.&nbsp; A man keeps his doubts, his
+difficulties, and his peculiar opinions to himself.&nbsp; He is afraid
+of letting anybody know that he does not exactly agree with the world&rsquo;s
+theories on all points.&nbsp; There is no telling the hindrance that
+this is to truth.</p>
+<p><i>Milverton</i>.&nbsp; A great cause of this, Ellesmere, is in the
+little reliance you can have on any man&rsquo;s secrecy.&nbsp; A man
+finds that what, in the heat of discussion, and in the perfect carelessness
+of friendship, he has said to his friend, is quoted to people whom he
+would never have said it to; knowing that it would be sure to be misunderstood,
+or half-understood, by them.&nbsp; And so he grows cautious; and is
+very loth to communicate to anybody his more cherished opinions, unless
+they fall in exactly with the stream.&nbsp; Added to which, I think
+there is in these times less than there ever was of a proselytising
+spirit; and people are content to keep their opinions to themselves
+- more perhaps from indifference than from fear.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, I agree with you.</p>
+<p>By the way, I think your taking dress as an illustration of extreme
+conformity is not bad.&nbsp; Really it is wonderful the degree of square
+and dull hideousness to which, in the process of time and tailoring,
+and by severe conformity, the human creature&rsquo;s outward appearance
+has arrived.&nbsp; Look at a crowd of men from a height, what an ugly
+set of ants they appear!&nbsp; Myself, when I see an Eastern man, one
+of the people attached to their embassies, sweeping by us in something
+flowing and stately, I feel inclined to take off my hat to him (only
+that I think the hat might frighten him), and say, Here is a great,
+unhatted, uncravated, bearded man, not a creature clipt and twisted
+and tortured into tailorhood.</p>
+<p><i>Dunsford</i>.&nbsp; Ellesmere broke in upon me just now, so that
+I did not say all that I meant to say.&nbsp; But, Milverton, what would
+you admit that we are to conform to?&nbsp; In silencing the general
+voice, may we not give too much opportunity to our own headstrong suggestions,
+and to wilful licence?</p>
+<p><i>Milverton</i>.&nbsp; Yes: to be somewhat deaf to the din of the
+world may be no gain, even loss, if then we only listen more to the
+worst part of ourselves; but in itself it is a good thing to silence
+that din.&nbsp; It is at least a beginning of good.&nbsp; If anything
+good is then gained, it is not a sheepish tendency, but an independent
+resolve growing out of our nature.&nbsp; And, after all, when we talk
+of non-conformity, it may only be that we non-conform to the immediate
+sect of thought or action about us, to conform to a much wider thing
+in human nature.</p>
+<p><i>Ellesmere</i>.&nbsp; Ah me! how one wants a moral essayist always
+at hand to enable one to make use of moral essays.</p>
+<p><i>Milverton</i>.&nbsp; Your rules of law are grand things - the
+proverbs of justice; yet has not each case its specialities, requiring
+to be argued with much circumstance, and capable of different interpretations?&nbsp;
+Words cannot be made into men.</p>
+<p><i>Dunsford</i>.&nbsp; I wonder you answer his sneers, Milverton.</p>
+<p><i>Ellesmere</i>.&nbsp; I must go and see whether words cannot be
+made into guineas: and then guineas into men is an easy thing.&nbsp;
+These trains will not wait even for critics, so, for the present, good-bye.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER III.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Ellesmere soon wrote us word that he would be able to come down again;
+and I agreed to be at Worth-Ashton (Milverton&rsquo;s house) on the
+day of his arrival.&nbsp; I had scarcely seated myself at our usual
+place of meeting before the friends entered, and after greeting me,
+the conversation thus began:</p>
+<p><i>Ellesmere</i>.&nbsp; Upon my word, you people who live in the
+country have a pleasant time of it.&nbsp; As Milverton was driving me
+from the station through Durley Wood, there was such a rich smell of
+pines, such a twittering of birds, so much joy, sunshine, and beauty,
+that I began to think, if there were no such place as London, it really
+would be very desirable to live in the country.</p>
+<p><i>Milverton</i>.&nbsp; What a climax!&nbsp; But I am always very
+suspicious, when Ellesmere appears to be carried away by any enthusiasm,
+that it will break off suddenly, like the gallop of a post-horse.</p>
+<p><i>Dunsford</i>.&nbsp; Well, what are we to have for our essay!</p>
+<p><i>Milverton</i>.&nbsp; Despair.</p>
+<p><i>Ellesmere</i>.&nbsp; I feel equal to anything just now, and so,
+if it must be read sometime or other, let us have it now.</p>
+<p><i>Milverton</i>.&nbsp; You need not be afraid.&nbsp; I want to take
+away, not to add gloom.&nbsp; Shall I read?</p>
+<p>We assented, and he began.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>DESPAIR.</p>
+<p>Despair may be serviceable when it arises from a temporary prostration
+of spirits: during which the mind is insensibly healing, and her scattered
+power silently returning.&nbsp; This is better than to be the sport
+of a teasing hope without reason.&nbsp; But to indulge in despair as
+a habit is slothful, cowardly, short-sighted; and manifestly tends against
+Nature.&nbsp; Despair is then the paralysis of the soul.</p>
+<p>These are the principal causes of despair - remorse, the sorrows
+of the affections, worldly trouble, morbid views of religion, native
+melancholy.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>REMORSE.</p>
+<p>Remorse does but add to the evil which bred it, when it promotes,
+not penitence, but despair.&nbsp; To have erred in one branch of our
+duties does not unfit us for the performance of all the rest, unless
+we suffer the dark spot to spread over our whole nature, which may happen
+almost unobserved in the torpor of despair.&nbsp; This kind of despair
+is chiefly grounded on a foolish belief that individual words or actions
+constitute the whole life of man: whereas they are often not fair representatives
+of portions even of that life.&nbsp; The fragments of rock in a mountain
+stream may tell much of its history, are in fact results of its doings,
+but they are not the stream.&nbsp; They were brought down when it was
+turbid; it may now be clear: they are as much the result of other circumstances
+as of the action of the stream; their history is fitful: they give us
+no sure intelligence of the future course of the stream, or of the nature
+of its waters; and may scarcely show more than that it has not been
+always as it is.&nbsp; The actions of men are often but little better
+indications of the men themselves.</p>
+<p>A prolonged despair arising from remorse is unreasonable at any age,
+but if possible, still more so when felt by the young.&nbsp; To think,
+for example, that the great Being who made us could have made eternal
+ruin and misery inevitable to a poor half-fledged creature of eighteen
+or nineteen!&nbsp; And yet how often has the profoundest despair from
+remorse brooded over children of that age and eaten into their hearts.</p>
+<p>There is frequently much selfishness about remorse.&nbsp; Put what
+has been done at the worst.&nbsp; Let a man see his own evil word, or
+deed, in full light, and own it to be black as hell itself.&nbsp; He
+is still here.&nbsp; He cannot be isolated.&nbsp; There still remain
+for him cares and duties; and, therefore, hopes.&nbsp; Let him not in
+imagination link all creation to his fate.&nbsp; Let him yet live in
+the welfare of others, and, if it may be so, work out his own in this
+way: if not, be content with theirs.&nbsp; The saddest cause of remorseful
+despair is when a man does something expressly contrary to his character:
+when an honourable man, for instance, slides into some dishonourable
+action; or a tender-hearted man falls into cruelty from carelessness;
+or, as often happens, a sensitive nature continues to give the greatest
+pain to others from temper, feeling all the time, perhaps, more deeply
+than the persons aggrieved.&nbsp; All these cases may be summed up in
+the words, &ldquo;That which I would not that I do,&rdquo; the saddest
+of all human confessions, made by one of the greatest men.&nbsp; However,
+the evil cannot be mended by despair.&nbsp; Hope and humility are the
+only supports under this burden.&nbsp; As Mr. Carlyle says,</p>
+<p>&ldquo;What are faults, what are the outward details of a life; if
+the inner secret of it, the remorse, temptations, true, often-baffled,
+never-ended struggle of it, be forgotten.&nbsp; &lsquo;It is not in
+man that walketh to direct his steps.&rsquo;&nbsp; Of all acts, is not,
+for a man, <i>repentance</i> the most divine?&nbsp; The deadliest sin,
+I say, were that same supercilious consciousness of no sin; that is
+death: the heart so conscious is divorced from sincerity, humility,
+and fact; is dead: it is &lsquo;pure&rsquo; as dead dry sand is pure.&nbsp;
+David&rsquo;s life and history, as written for us in those Psalms of
+his, I consider to be the truest emblem ever given of a man&rsquo;s
+moral progress and warfare here below.&nbsp; All earnest souls will
+ever discern in it the faithful struggle of an earnest human soul towards
+what is good and best.&nbsp; Struggle often baffled, sore baffled, down
+as into entire wreck; yet a struggle never ended; ever, with tears,
+repentance, true unconquerable purpose, begun anew.&nbsp; Poor human
+nature! is not a man&rsquo;s walking, in truth, always that: a &lsquo;succession
+of falls!&rsquo;&nbsp; Man can do no other.&nbsp; In this wild element
+of a Life, he has to struggle onwards; now fallen, deep abased; and
+ever, with tears, repentance, with bleeding heart, he has to rise again,
+struggle again still onwards.&nbsp; That his struggle be a faithful
+unconquerable one: this is the question of questions.&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>THE SORROWS OF THE AFFECTIONS.</p>
+<p>The loss by death of those we love has the first place in these sorrows.&nbsp;
+Yet the feeling in this case, even when carried to the highest, is not
+exactly despair, having too much warmth in it for that.&nbsp; Not much
+can be said in the way of comfort on this head.&nbsp; Queen Elizabeth,
+in her hard, wise way, writing to a mother who had lost her son, tells
+her that she will be comforted in time; and why should she not do for
+herself what the mere lapse of time will do for her?&nbsp; Brave words!
+and the stern woman, more earnest than the sage in &ldquo;Rasselas,&rdquo;
+would have tried their virtue on herself.&nbsp; But I fear they fell
+somewhat coldly on the mother&rsquo;s ear.&nbsp; Happily, in these bereavements,
+kind Nature with her opiates, day by day administered, does more than
+all the skill of the physician moralists.&nbsp; Sir Thomas Browne says,</p>
+<p>&ldquo;Darkness and light divide the course of time, and oblivion
+shares with memory a great part even of our living beings; we slightly
+remember our felicities, and the smartest strokes of affliction leave
+but short smart upon us.&nbsp; Sense endureth no extremities, and sorrows
+destroy us or themselves.&nbsp; To weep into stones are fables.&nbsp;
+Afflictions induce callosities, miseries are slippery, or fall like
+snow upon us, which, notwithstanding, is no unhappy stupidity.&nbsp;
+To be ignorant of evils to come, and forgetful of evils past, is a merciful
+provision in Nature, whereby we digest the mixture of our few and evil
+days, and our delivered senses not relapsing into cutting remembrances,
+our sorrows are not kept raw by the edge of repetitions.&rdquo;</p>
+<p>The good knight thus makes much comfort out of our physical weakness.&nbsp;
+But something may be done in a very different direction, namely, by
+spiritual strength.&nbsp; By elevating and purifying the sorrow, we
+may take it more out of matter, as it were, and so feel less the loss
+of what is material about it.</p>
+<p>The other sorrows of the affections which may produce despair, are
+those in which the affections are wounded, as jealousy, love unrequited,
+friendship betrayed and the like.&nbsp; As, in despair from remorse,
+the whole life seems to be involved in one action: so in the despair
+we are now considering, the whole life appears to be shut up in the
+one unpropitious affection.&nbsp; Yet human nature, if fairly treated,
+is too large a thing to be suppressed into despair by one affection,
+however potent.&nbsp; We might imagine that if there were anything that
+would rob life of its strength and favour, it is domestic unhappiness.&nbsp;
+And yet how numerous is the bond of those whom we know to have been
+eminently unhappy in some domestic relation, but whose lives have been
+full of vigorous and kindly action.&nbsp; Indeed the culture of the
+world has been largely carried on by such men.&nbsp; As long as there
+is life in the plant, though it be sadly pent in, it will grow towards
+any opening of light that is left for it.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>WORLDLY TROUBLE.</p>
+<p>This appears too mean a subject for despair, or, at least, unworthy
+of having any remedy, or soothing thought out of it.&nbsp; Whether a
+man lives in a large room or a small one, rides or is obliged to walk,
+gets a plenteous dinner every day, or a sparing one, do not seem matters
+for despair.&nbsp; But the truth is, that worldly trouble, such for
+instance, as loss of fortune, is seldom the simple thing that poets
+would persuade us.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;The little or the much she gave
+is quietly resigned;<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Content
+with poverty, my soul I arm,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And
+virtue, though in rags will keep me warm.&rdquo;</p>
+<p>So sings Dryden, paraphrasing Horace, but each of them with their
+knowledge of the world, cross-questioned in prose, could have told us
+how the stings of fortune really are felt.&nbsp; The truth is, that
+fortune is not exactly a distinct isolated thing which can be taken
+away - &rdquo;and there an end.&rdquo;&nbsp; But much has to be severed,
+with undoubted pain in the operation.&nbsp; A man mostly feels that
+his reputation for sagacity, often his honour, the comfort, too, or
+supposed comfort, of others are embarked in his fortunes.&nbsp; Mere
+stoicism, and resolves about fitting fortune to oneself, not oneself
+to fortune, though good things enough in their way, will not always
+meet the whole of the case.&nbsp; And a man who could bear personal
+distress of any kind with Spartan indifference, may suffer himself to
+be overwhelmed by despair growing out of worldly trouble.&nbsp; A frequent
+origin of such despair, as indeed of all despair (not by any means excluding
+despair from remorse), is pride.&nbsp; Let a man say to himself, &ldquo;I
+am not the perfect character I meant to be; this is not the conduct
+I had imagined for myself; these are not the fortunate circumstances
+I had always intended to be surrounded by.&rdquo;&nbsp; Let him at once
+admit that he is on a lower level than his ideal one; and then see what
+is to be done there.&nbsp; This seems the best way of treating all that
+part of worldly trouble which consists of self-reproval.&nbsp; We scarcely
+know of any outward life continuously prosperous (and a very dull one
+it would be): why should we expect the inner life to be one course of
+unbroken self-improvement, either in prudence, or in virtue?</p>
+<p>Before a man gives way to excessive grief about the fortunes of his
+family being lost with his own, he should think whether he really knows
+wherein lies the welfare of others.&nbsp; Give him some fairy power,
+inexhaustible purses or magic lamps, not, however, applying to the mind;
+and see whether he could make those whom he would favour good or happy.&nbsp;
+In the East, they have a proverb of this kind, Happy are the children
+of those fathers who go to the Evil One.&nbsp; But for anything that
+our Western experience shows, the proverb might be reversed, and, instead
+of running thus, Happy are the sons of those who have got money anyhow,
+it might be, Happy are the sons of those who have failed in getting
+money.&nbsp; In fact, there is no sound proverb to be made about it
+either way.&nbsp; We know nothing about the matter.&nbsp; Our surest
+influence for good or evil over others is, through themselves.&nbsp;
+Our ignorance of what is physically good for any man may surely prevent
+anything like despair with regard to that part of the fortunes of others
+dear to us, which, as we think, is bound up with our own.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>MORBID VIEWS OF RELIGION.</p>
+<p>As religion is the most engrossing subject that can be presented
+to us, it will be considered in all states of mind and by all minds.&nbsp;
+It is impossible but that the most hideous and perverted views of religion
+must arise.&nbsp; To combat the particular views which may be supposed
+to cause religious despair, would be too theological an undertaking
+for this essay.&nbsp; One thing only occurs to me to say, namely, that
+the lives and the mode of speaking about themselves adopted by the founders
+of Christianity, afford the best contradiction to religious melancholy
+that I believe can be met with.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>NATIVE MELANCHOLY.</p>
+<p>There is such a thing.&nbsp; Jacques, without the &ldquo;sundry contemplation&rdquo;
+of his travels, or any &ldquo;simples&rdquo; to &ldquo;compound&rdquo;
+his melancholy form, would have ever been wrapped in a &ldquo;most humorous
+sadness.&rdquo;&nbsp; It was innate.&nbsp; This melancholy may lay its
+votaries open to any other cause of despair, but having mostly some
+touch of philosophy (if it be not absolutely morbid), it is not unlikely
+to preserve them from any extremity.&nbsp; It is not acute, but chronic.</p>
+<p>It may be said in its favour that it tends to make men indifferent
+to their own fortunes.&nbsp; But then the sorrow of the world presses
+more deeply upon them.&nbsp; With large open hearts, the untowardness
+of things present, the miseries of the past, the mischief, stupidity,
+and error which reign in the world, at times almost crush your melancholy
+men.&nbsp; Still, out of their sadness may come their strength, or,
+at least, the best direction of it.&nbsp; Nothing, perhaps, is lost;
+not even sin - much less sorrow.</p>
+<p><i>Ellesmere</i>.&nbsp; I am glad you have ended as you have: for,
+previously, you seemed to make too much of getting rid of all distress
+of mind.&nbsp; I always liked that passage in &ldquo;Philip van Artevelde,&rdquo;
+where Father John says,</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;He that lacks time to mourn,
+lacks time to mend.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Eternity
+mourns that.&rdquo;</p>
+<p>You have a better memory than I have: how does it go on?</p>
+<p><i>Milverton</i>.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;&rsquo;Tis
+an ill cure<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;For life&rsquo;s
+worst ills, to have no time to feel them.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Where
+sorrow&rsquo;s held intrusive and turned out,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;There
+wisdom will not enter, nor true power,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Nor
+aught that dignifies humanity.&rdquo;</p>
+<p>Still this does not justify despair, which was what I was writing
+about.</p>
+<p><i>Ellesmere</i>.&nbsp; Perhaps it was not a just criticism of mine.&nbsp;
+One part of the subject you have certainly omitted.&nbsp; You do not
+tell us how much there often is of physical disorder in despair.&nbsp;
+I dare say you will think it a coarse and unromantic mode of looking
+at things; but I must confess I agree with what Leigh Hunt has said
+somewhere, that one can walk down distress of mind - even remorse, perhaps.</p>
+<p><i>Milverton</i>.&nbsp; Yes; I am for the Peripatetics against all
+other philosophers.</p>
+<p><i>Ellesmere</i>.&nbsp; By the way, there is a passage in one of
+Hazlitt&rsquo;s essays, I thought of while you were reading, about remorse
+and religious melancholy.&nbsp; He speaks of mixing up religion and
+morality; and then goes on to say, that Calvinistic notions have obscured
+and prevented self-knowledge. <a name="citation42"></a><a href="#footnote42">{42}</a></p>
+<p>Give me the essay - there is a passage I want to look at.&nbsp; This
+comparison of life to a mountain stream, the rocks brought down by it
+being the actions, is too much worked out.&nbsp; When we speak of similes
+not going on four legs, it implies, I think, that a simile is at best
+but a four-legged animal.&nbsp; Now this is almost a centipede of a
+simile.&nbsp; I think I have had the same thought as yours here, and
+I have compared the life of an individual to a curve.&nbsp; You both
+smile.&nbsp; Now I thought that Dunsford at any rate would be pleased
+with this reminiscence of college days.&nbsp; But to proceed with my
+curve.&nbsp; You may have numbers of the points through which it passes
+given, and yet know nothing of the nature of the curve itself.&nbsp;
+See, now, it shall pass through here and here, but how it will go in
+the interval, what is the law of its being, we know not.&nbsp; But this
+simile would be too mathematical, I fear.</p>
+<p><i>Milverton</i>.&nbsp; I hold to the centipede.</p>
+<p><i>Ellesmere</i>.&nbsp; Not a word has Dunsford said all this time.</p>
+<p><i>Dunsford</i>.&nbsp; I like the essay.&nbsp; I was not criticising
+as we went along, but thinking that perhaps the greatest charm of books
+is, that we see in them that other men have suffered what we have.&nbsp;
+Some souls we ever find who could have responded to all our agony, be
+it what it may.&nbsp; This at least robs misery of its loneliness.</p>
+<p><i>Ellesmere</i>.&nbsp; On the other hand, the charm of intercourse
+with our fellows, when we are in sadness, is that they do not reflect
+it in any way.&nbsp; Each keeps his own trouble to himself, and often
+pretending to think and care about other things, comes to do so for
+the time.</p>
+<p><i>Dunsford</i>.&nbsp; Well, but you might choose books which would
+not reflect your troubles.</p>
+<p><i>Ellesmere</i>.&nbsp; But the fact of having to make a choice to
+do this, does away, perhaps, with some part of the benefit: whereas,
+in intercourse with living men, you take what you find, and you find
+that neither your trouble, nor any likeness of it, is absorbing other
+people.&nbsp; But this is not the whole reason: the truth is, the life
+and impulses of other men are catching; you cannot explain exactly how
+it is that they take you out of yourself.</p>
+<p><i>Milverton</i>.&nbsp; No man is so confidential as when he is addressing
+the whole world.&nbsp; You find, therefore, more comfort for sorrow
+in books than in social intercourse.&nbsp; I mean more direct comfort;
+for I agree with what Ellesmere says about society.</p>
+<p><i>Ellesmere</i>.&nbsp; In comparing men and books, one must always
+remember this important distinction - that one can put the books down
+at any time.&nbsp; As Macaulay says, &ldquo;Plato is never sullen.&nbsp;
+Cervantes is never petulant.&nbsp; Demosthenes never comes unseasonably.&nbsp;
+Dante never stays too long.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Besides, one can manage to agree so well,
+intellectually, with a book; and intellectual differences are the source
+of half the quarrels in the world.</p>
+<p><i>Ellesmere</i>.&nbsp; Judicious shelving!</p>
+<p><i>Milverton</i>.&nbsp; Judicious skipping will nearly do.&nbsp;
+Now when one&rsquo;s friend, or oneself, is crotchety, dogmatic, or
+disputatious, one cannot turn over to another day.</p>
+<p><i>Ellesmere</i>.&nbsp; Don&rsquo;t go, Dunsford.&nbsp; Here is a
+passage in the essay I meant to have said something about - &rdquo;why
+should we expect the inner life to be one course of unbroken self-improvement,&rdquo;
+etc. - You recollect?&nbsp; Well, it puts me in mind of a conversation
+between a complacent poplar and a grim old oak, which I overheard the
+other day.&nbsp; The poplar said that it grew up quite straight, heavenwards,
+that all its branches pointed the same way, and always had done so.&nbsp;
+Turning to the oak, which it had been talking at before for some time,
+the poplar went on to remark, that it did not wish to say anything unfriendly
+to a brother of the forest, but those warped and twisted branches seemed
+to show strange struggles.&nbsp; The tall thing concluded its oration
+by saying, that it grew up very fast, and that when it had done growing,
+it did not suffer itself to be made into huge floating engines of destruction.&nbsp;
+But different trees had different tastes.&nbsp; There was then a sound
+from the old oak, like an &ldquo;ah&rdquo; or a &ldquo;whew,&rdquo;
+or, perhaps, it was only the wind amongst its resisting branches; and
+the gaunt creature said that it had had ugly winds from without and
+cross-grained impulses from within; that it knew it had thrown out awkwardly
+a branch here and a branch there, which would never come quite right
+again it feared; that men worked it up, sometimes for good and sometimes
+for evil - but that at any rate it had not lived for nothing.&nbsp;
+The poplar began again immediately, for this kind of tree can talk for
+ever, but I patted the old oak approvingly and went on.</p>
+<p><i>Milverton</i>.&nbsp; Well, your trees divide their discourse somewhat
+Ellesmerically: they do not talk with the simplicity La Fontaine&rsquo;s
+would; but there is a good deal in them.&nbsp; They are not altogether
+sappy.</p>
+<p><i>Ellesmere</i>.&nbsp; I really thought of this fable of mine the
+other day, as I was passing the poplar at the end of the valley, and
+I determined to give it you on the first occasion.</p>
+<p><i>Dunsford</i>.&nbsp; I hope, Ellesmere, you do not intend to put
+sarcastic notions into the sap of our trees hereabouts.&nbsp; There&rsquo;s
+enough of sarcasm in you to season a whole forest.</p>
+<p><i>Ellesmere</i>.&nbsp; Dunsford is afraid of what the trees may
+say to the country gentlemen, and whether they will be able to answer
+them.&nbsp; I will be careful not to make the trees too clever.</p>
+<p><i>Milverton</i>.&nbsp; Let us go and try if we can hear any more
+forest talk.&nbsp; The winds, shaped into voices by the leaves, say
+many things to us at all times.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER IV.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>In the course of our walk Milverton promised to read the following
+essay on Recreation the next day.&nbsp; I have no note of anything that
+was said before the reading.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>RECREATION.</p>
+<p>This subject has not had the thought it merits.&nbsp; It seems trivial.&nbsp;
+It concerns some hours in the daily life of each of us; but it is not
+connected with any subject of human grandeur, and we are rather ashamed
+of it.&nbsp; Schiller has some wise, but hard words that relate to it.&nbsp;
+He perceives the pre-eminence of the Greeks, who could do many things.&nbsp;
+He finds that modern men are units of great nations; but not great units
+themselves.&nbsp; And there is some room for this reasoning of his.</p>
+<p>Our modern system of division of labour divides wits also.&nbsp;
+The more necessity there is, therefore, for funding in recreation something
+to expand men&rsquo;s intelligence.&nbsp; There are intellectual pursuits
+almost as much divided as pin-making; and many a man goes through some
+intellectual process, for the greater part of his working hours, which
+corresponds with the making of a pin&rsquo;s head.&nbsp; Must there
+not be some danger of a general contraction of mind from this convergence
+of attention upon something very small, for so considerable a portion
+of a man&rsquo;s life?</p>
+<p>What answer can civilisation give to this?&nbsp; It can say that
+greater results are worked out by the modern system; that though each
+man is doing less himself than he might have done in former days, he
+sees greater and better things accomplished; and that his thoughts,
+not bound down by his petty occupation, travel over the work of the
+human family.&nbsp; There is a great deal, doubtless, in this argument;
+but man is not altogether an intellectual recipient.&nbsp; He is a constructive
+animal also.&nbsp; It is not the knowledge that you can pour into him
+that will satisfy him, or enable him to work out his nature.&nbsp; He
+must see things for himself; he must have bodily work and intellectual
+work different from his bread-getting work; or he runs the danger of
+becoming a contracted pedant with a poor mind and a sickly body.</p>
+<p>I have seen it quoted from Aristotle, that the end of labour is to
+gain leisure.&nbsp; It is a great saying.&nbsp; We have in modern times
+a totally wrong view of the matter.&nbsp; Noble work is a noble thing,
+but not all work.&nbsp; Most people seem to think that any business
+is in itself something grand; that to be intensely employed, for instance,
+about something which has no truth, beauty, or usefulness in it, which
+makes no man happier or wiser, is still the perfection of human endeavour,
+so that the work be intense.&nbsp; It is the intensity, not the nature,
+of the work that men praise.&nbsp; You see the extent of this feeling
+in little things.&nbsp; People are so ashamed of being caught for a
+moment idle, that if you come upon the most industrious servants or
+workmen whilst they are standing looking at something which interests
+them, or fairly resting, they move off in a fright, as if they were
+proved, by a moment&rsquo;s relaxation, to be neglectful of their work.&nbsp;
+Yet it is the result that they should mainly be judged by, and to which
+they should appeal.&nbsp; But amongst all classes, the working itself,
+incessant working, is the thing deified.&nbsp; Now what is the end and
+object of most work?&nbsp; To provide for animal wants.&nbsp; Not a
+contemptible thing by any means, but still it is not all in all with
+man.&nbsp; Moreover, in those cases where the pressure of bread-getting
+is fairly past, we do not often find men&rsquo;s exertions lessened
+on that account.&nbsp; There enter into their minds as motives, ambition,
+a love of hoarding, or a fear of leisure - things which, in moderation,
+may be defended or even justified; but which are not so peremptory,
+and upon the face of them excellent, that they at once dignify excessive
+labour.</p>
+<p>The truth is, that to work insatiably requires much less mind than
+to work judiciously, and less courage than to refuse work that cannot
+be done honestly.&nbsp; For a hundred men whose appetite for work can
+be driven on by vanity, avarice, ambition, or a mistaken notion of advancing
+their families, there is about one who is desirous of expanding his
+own nature and the nature of others in all directions, of cultivating
+many pursuits, of bringing himself and those around him in contact with
+the universe in many points, of being a man and not a machine.</p>
+<p>It may seem as if the preceding arguments were directed rather against
+excessive work than in favour of recreation.&nbsp; But the first object
+in an essay of this kind should be to bring down the absurd estimate
+that is often formed of mere work.&nbsp; What ritual is to the formalist,
+or contemplation to the devotee, business is to the man of the world.&nbsp;
+He thinks he cannot be doing wrong as long as he is doing that.</p>
+<p>No doubt hard work is a great police agent.&nbsp; If everybody were
+worked from morning till night and then carefully locked up, the register
+of crimes might be greatly diminished.&nbsp; But what would become of
+human nature?&nbsp; Where would be the room for growth in such a system
+of things?&nbsp; It is through sorrow and mirth, plenty and need, a
+variety of passions, circumstances, and temptations, even through sin
+and misery, that men&rsquo;s natures are developed.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Again, there are people who would say, &ldquo;Labour is not all;
+we do not object to the cessation of labour - a mere provision for bodily
+ends; but we fear the lightness and vanity of what you call recreation.&rdquo;&nbsp;
+Do these people take heed of the swiftness of thought - of the impatience
+of thought?&nbsp; What will the great mass of men be thinking of, if
+they are taught to shun amusements and the thoughts of amusement?&nbsp;
+If any sensuality is left open to them, they will think of that.&nbsp;
+If not sensuality, then avarice, or ferocity for &ldquo;the cause of
+God,&rdquo; as they would call it.&nbsp; People who have had nothing
+else to amuse them have been very apt to indulge themselves in the excitement
+of persecuting their fellow creatures.</p>
+<p>Our nation, the northern part of it especially, is given to believe
+in the sovereign efficacy of dulness.&nbsp; To be sure, dulness and
+solid vice are apt to go hand in hand.&nbsp; But then, according to
+our notions, dulness is in itself so good a thing - almost a religion.</p>
+<p>Now, if ever a people required to be amused, it is we sad-hearted
+Anglo-Saxons.&nbsp; Heavy eaters, hard thinkers, often given up to a
+peculiar melancholy of our own, with a climate that for months together
+would frown away mirth if it could - many of us with very gloomy thoughts
+about our hereafter - if ever there were a people who should avoid increasing
+their dulness by all work and no play, we are that people.&nbsp; &ldquo;They
+took their pleasure sadly,&rdquo; says Froissart, &ldquo;after their
+fashion.&rdquo;&nbsp; We need not ask of what nation Froissart was speaking.</p>
+<p>There is a theory which has done singular mischief to the cause of
+recreation and of general cultivation.&nbsp; It is that men cannot excel
+in more things than one; and that if they can, they had better be quiet
+about it.&nbsp; &ldquo;Avoid music, do not cultivate art, be not known
+to excel in any craft but your own,&rdquo; says many a worldly parent,
+thereby laying the foundation of a narrow, greedy character, and destroying
+means of happiness and of improvement which success, or even real excellence,
+in one profession only cannot give.&nbsp; This is, indeed, a sacrifice
+of the end of living for the means.</p>
+<p>Another check to recreation is the narrow way in which people have
+hitherto been brought up at schools and colleges.&nbsp; The classics
+are pre-eminent works.&nbsp; To acquire an accurate knowledge of them
+is an admirable discipline.&nbsp; Still, it would be well to give a
+youth but few of these great works, and so leave time for various arts,
+accomplishments, and knowledge of external things exemplified by other
+means than books.&nbsp; If this cannot be done but by over-working,
+then it had better not be done; for of all things, that must be avoided.&nbsp;
+But surely it can be done.&nbsp; At present, many a man who is versed
+in Greek metre, and afterwards full of law reports, is childishly ignorant
+of Nature.&nbsp; Let him walk with an intelligent child for a morning,
+and the child will ask him a hundred questions about sun, moon, stars,
+plants, birds, building, farming, and the like, to which he can give
+very sorry answers, if any; or, at the best, he has but a second-hand
+acquaintance with Nature.&nbsp; Men&rsquo;s conceits are his main knowledge.&nbsp;
+Whereas, if he had any pursuits connected with Nature, all Nature is
+in harmony with it, is brought into his presence by it, and it affords
+at once cultivation and recreation.</p>
+<p>But, independently of those cultivated pursuits which form a high
+order of recreation, boyhood should never pass without the boy&rsquo;s
+learning several modes of recreation of the humbler kind.&nbsp; A parent
+or teacher seldom does a kinder thing by the child under his care than
+when he instructs it in some manly exercise, some pursuit connected
+with Nature out of doors, or even some domestic game.&nbsp; In hours
+of fatigue, anxiety, sickness, or worldly ferment, such means of amusement
+may delight the grown-up man when other things would fail.</p>
+<p>An indirect advantage, but a very considerable one, attendant upon
+various modes of recreation, is, that they provide opportunities of
+excelling in something to boys and men who are dull in things which
+form the staple of education.&nbsp; A boy cannot see much difference
+between the nominative and the genitive cases - still less any occasion
+for aorists - but he is a good hand at some game or other; and he keeps
+up his self-respect, and the respect of others for him, upon his prowess
+in that game.&nbsp; He is better and happier on that account.&nbsp;
+And it is well, too, that the little world around him should know that
+excellence is not all of one form.</p>
+<p>There are no details about recreation in this essay, the object here
+being mainly to show the worth of recreation, and to defend it against
+objections from the over-busy and the over-strict.&nbsp; The sense of
+the beautiful, the desire for comprehending Nature, the love of personal
+skill and prowess, are not things implanted in men merely to be absorbed
+in producing and distributing the objects of our most obvious animal
+wants.&nbsp; If civilisation required this, civilisation would be a
+failure.&nbsp; Still less should we fancy that we are serving the cause
+of godliness when we are discouraging recreation.&nbsp; Let us be hearty
+in our pleasures, as in our work, and not think that the gracious Being
+Who has made us so open-hearted to delight, looks with dissatisfaction
+at our enjoyment, as a hard taskmaster might, who in the glee of his
+slaves could see only a hindrance to their profitable working.&nbsp;
+And with reference to our individual cultivation, we may remember that
+we are not here to promote incalculable quantities of law, physic, or
+manufactured goods, but to become men - not narrow pedants, but wide-seeing,
+mind-travelled men.&nbsp; Who are the men of history to be admired most?&nbsp;
+Those whom most things became - who could be weighty in debate, of much
+device in council, considerate in a sick-room, genial at a feast, joyous
+at a festival, capable of discourse with many minds, large-souled, not
+to be shrivelled up into any one form, fashion, or temperament.&nbsp;
+Their contemporaries would have told us that men might have various
+accomplishments and hearty enjoyments, and not for that be the less
+effective in business, or less active in benevolence.&nbsp; I distrust
+the wisdom of asceticism as much as I do that of sensuality; Simeon
+Stylites no less than Sardanapalus.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i>.&nbsp; You alluded to Schiller at the beginning
+of the essay: can you show me his own words?&nbsp; I have a lawyer&rsquo;s
+liking for the best evidence.</p>
+<p><i>Milverton</i>.&nbsp; When we go in, I will show you some passages
+which bear me out in what I have made him say - at least, if the translation
+is faithful. <a name="citation53"></a><a href="#footnote53">{53}</a></p>
+<p><i>Ellesmere</i>.&nbsp; I have had a great respect for Schiller ever
+since I heard that saying of his about death, &ldquo;Death cannot be
+an evil, for it is universal.&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Very noble and full of faith.</p>
+<p><i>Ellesmere</i>.&nbsp; Touching the essay, I like it well enough;
+but, perhaps, people will expect to find more about recreation itself
+- not only about the good of it, but what it is, and how it is to be
+got.</p>
+<p><i>Milverton</i>.&nbsp; I do not incline to go into detail about
+the matter.&nbsp; The object was to say something for the respectability
+of recreation, not to write a chapter of a book of sports.&nbsp; People
+must find out their own ways of amusing themselves.</p>
+<p><i>Ellesmere</i>.&nbsp; I will tell you what is the paramount thing
+to be attended to in all amusements - that they should be short.&nbsp;
+Moralists are always talking about &ldquo;short-lived&rdquo; pleasures:
+would that they were!</p>
+<p><i>Dunsford</i>.&nbsp; Hesiod told the world, some two thousand years
+ago, how much greater the half is than the whole.</p>
+<p><i>Ellesmere</i>.&nbsp; Dinner-givers and managers of theatres should
+forthwith be made aware of that fact.&nbsp; What a sacrifice of good
+things, and of the patience and comfort of human beings, a cumbrous
+modern dinner is!&nbsp; I always long to get up and walk about.</p>
+<p><i>Dunsford</i>.&nbsp; Do not talk of modern dinners.&nbsp; Think
+what a Roman dinner must have been.</p>
+<p><i>Milverton</i>.&nbsp; Very true.&nbsp; It has always struck me
+that there is something quite military in the sensualism of the Romans
+- an &ldquo;arbiter bibendi&rdquo; chosen, and the whole feast moving
+on with fearful precision and apparatus of all kinds.&nbsp; Come, come!
+the world&rsquo;s improving, Ellesmere.</p>
+<p><i>Ellesmere</i>.&nbsp; Had the Romans public dinners?&nbsp; Answer
+me that.&nbsp; Imagine a Roman, whose theory, at least, of a dinner
+was that it was a thing for enjoyment, whereas we often look on it as
+a continuation of the business of the day - I say, imagine a Roman girding
+himself up, literally girding himself up to make an after-dinner speech.</p>
+<p><i>Milverton</i>.&nbsp; I must allow that is rather a barbarous practice.</p>
+<p><i>Ellesmere</i>.&nbsp; If charity, or politics, cannot be done without
+such things, I suppose they are useful in their way; but let nobody
+ever imagine that they are a form of pleasure.&nbsp; People smearing
+each other over with stupid flattery, and most of the company being
+in dread of receiving some compliment which should oblige them to speak!</p>
+<p><i>Dunsford</i>.&nbsp; I should have thought, now, that you would
+always have had something to say, and therefore that you would not be
+so bitter against after-dinner speaking.</p>
+<p><i>Ellesmere</i>.&nbsp; No; when I have nothing to say, I can say
+nothing.</p>
+<p><i>Milverton</i>.&nbsp; Would it not be a pleasant thing if rich
+people would ask their friends sometimes to public amusements - order
+a play for them, for instance - or at any rate, provide some manifest
+amusement?&nbsp; They might, occasionally with great advantage, abridge
+the expense of their dinners; and throw it into other channels of hospitality.</p>
+<p><i>Ellesmere</i>.&nbsp; Ah, if they would have good acting at their
+houses, that would be very delightful; but I cannot say that the being
+taken to any place of public amusement would much delight me.&nbsp;
+By the way, Milverton, what do you say of theatres in the way of recreation?&nbsp;
+This decline of the drama, too, is a thing you must have thought about:
+let us hear your notions.</p>
+<p><i>Milverton</i>.&nbsp; I think one of the causes sometimes assigned,
+that reading is more spread, is a true and an important one; but, otherwise,
+I fancy that the present decline of the drama depends upon very small
+things which might be remedied.&nbsp; As to a love of the drama going
+out of the human heart, that is all nonsense.&nbsp; Put it at the lowest,
+what a great pleasure it is to hear a good play read.&nbsp; And again,
+as to serious pursuits unfitting men for dramatic entertainments, it
+is quite the contrary.&nbsp; A man, wearied with care and business,
+would find more change of ideas with less fatigue, in seeing a good
+play, than in almost any other way of amusing himself.</p>
+<p><i>Dunsford</i>.&nbsp; What are the causes then of the decline of
+the drama?</p>
+<p><i>Milverton</i>.&nbsp; In England, or rather in London, - for London
+is England for dramatic purposes; in London, then, theatrical arrangements
+seem to be framed to drive away people of sense.&nbsp; The noisome atmosphere,
+the difficult approach, the over-size of the great theatres, the intolerable
+length of performances.</p>
+<p><i>Ellesmere</i>.&nbsp; Hear! hear!</p>
+<p><i>Milverton</i>.&nbsp; The crowding together of theatres in one
+part of the town, the lateness of the hours - </p>
+<p><i>Ellesmere</i>.&nbsp; The folly of the audience, who always applaud
+in the wrong place - </p>
+<p><i>Dunsford</i>.&nbsp; There is no occasion to say any more; I am
+quite convinced.</p>
+<p><i>Milverton</i>.&nbsp; But these annoyances need not be.&nbsp; Build
+a theatre of moderate dimensions; give it great facility of approach;
+take care that the performances never exceed three hours; let lions
+and dwarfs pass by without any endeavour to get them within the walls;
+lay aside all ambition of making stage waves which may almost equal
+real Ramsgate waves to our cockney apprehensions.&nbsp; Of course there
+must be good players and good plays.</p>
+<p><i>Ellesmere</i>.&nbsp; Now we come to the part of Hamlet.</p>
+<p><i>Milverton</i>.&nbsp; Good players and good plays are both to be
+had if there were good demand for them.&nbsp; But, I was going to say,
+let there be all these things, especially let there be complete ventilation,
+and the theatre will have the most abundant success.&nbsp; Why, that
+one thing alone, the villainous atmosphere at most public places, is
+enough to daunt any sensible man from going to them.</p>
+<p><i>Dunsford</i>.&nbsp; There should be such a choice of plays - not
+merely Chamberlain-clipt - as any man or woman could go to.</p>
+<p><i>Milverton</i>.&nbsp; There should be certainly, but how is such
+a choice to be made, if the people who could regulate it, for the most
+part, stay away?&nbsp; It is a dangerous thing, the better classes leaving
+any great source of amusement and instruction wholly, or greatly, to
+the less refined classes.</p>
+<p><i>Dunsford</i>.&nbsp; Yes, I must confess it is.</p>
+<p>Great part of your arguments apply to musical as well as to theatrical
+entertainments.&nbsp; Do you find similar results with respect to them?</p>
+<p><i>Milverton</i>.&nbsp; Why, they are not attended by any means as
+they would be, or made what they might be, if the objections I mentioned
+were removed.</p>
+<p><i>Dunsford</i>.&nbsp; What do you say to the out-of-door entertainments
+for a town population?</p>
+<p><i>Milverton</i>.&nbsp; As I said before, my dear Dunsford, I cannot
+give you a chapter of a &ldquo;Book of Sports.&rdquo;&nbsp; There ought,
+of course, to be parks for all quarters of the town: and I confess it
+would please me better to see, in holiday times and hours of leisure,
+hearty games going on in these parks, than a number of people sauntering
+about in uncomfortably new and unaccustomed clothes.</p>
+<p><i>Ellesmere</i>.&nbsp; Do you not see, Dunsford, that, like a cautious
+official man, he does not want to enter into small details, which have
+always an air of ridicule?&nbsp; He is not prepared to pledge himself
+to cricket, golf, football, or prisoner&rsquo;s bars; but in his heart
+he is manifestly a Young Englander - without the white waistcoat.&nbsp;
+Nothing would please him better than to see in large letters, on one
+of those advertising vans, &ldquo;Great match!&nbsp; Victoria Park!!&nbsp;
+Eleven of Fleet Street against the Eleven of Saffron Hill!!!&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Well, there is a great deal in the spirit
+of Young England that I like very much, indeed that I respect.</p>
+<p><i>Ellesmere</i>.&nbsp; I should like the Young England party better
+myself if I were quite sure there was no connection between them and
+a clan of sour, pity-mongering people, who wash one away with eternal
+talk about the contrast between riches and poverty; with whom a poor
+man is always virtuous; and who would, if they could, make him as envious
+and as discontented as possible.</p>
+<p><i>Milverton</i>.&nbsp; Nothing can be more strikingly in contrast
+with such thinkers than Young England.&nbsp; Young Englanders, according
+to the best of their theories, ought to be men of warm sympathy with
+all classes.&nbsp; There is no doubt of this, that very seldom does
+any good thing arise, but there comes an ugly phantom of a caricature
+of it, which sidles up against the reality, mouths its favourite words
+as a third-rate actor does a great part, under-mimics its wisdom, over-acts
+its folly, is by half the world taken for it, goes some way to suppress
+it in its own time, and, perhaps, lives for it in history.</p>
+<p><i>Ellesmere</i>.&nbsp; Well brought out, that metaphor, but I don&rsquo;t
+know that it means more than that the followers of a system do in general
+a good deal to corrupt it, or that when a great principle is worked
+into human affairs, a considerable accretion of human folly and falseness
+mostly grows round it: which things some of us had a suspicion of before.</p>
+<p><i>Dunsford</i>.&nbsp; To go back to the subject.&nbsp; What would
+you do for country amusements, Milverton?&nbsp; That is what concerns
+me, you know.</p>
+<p><i>Milverton</i>.&nbsp; Athletic amusements go on naturally here:
+do not require so much fostering as in towns.&nbsp; The commons must
+be carefully kept: I have quite a Cobbettian fear of their being taken
+away from us under some plausible pretext or other.&nbsp; Well, then,
+it strikes me that a great deal might be done to promote the more refined
+pleasures of life among our rural population.&nbsp; I hope we shall
+live to see many of Hullah&rsquo;s pupils playing an important part
+in this way.&nbsp; Of course, the foundation for these things may best
+be laid at schools; and is being laid in some places, I am happy to
+say.</p>
+<p><i>Ellesmere</i>.&nbsp; Humph, music, sing-song!</p>
+<p><i>Milverton</i>.&nbsp; Don&rsquo;t you observe, Dunsford, that when
+Ellesmere wants to attack us, and does not exactly see how, he mutters
+to himself sarcastically, sneering himself up, as it were, to the attack.</p>
+<p><i>Ellesmere</i>.&nbsp; You and Dunsford are both wild for music,
+from barrel-organs upwards.</p>
+<p><i>Milverton</i>.&nbsp; I confess to liking the humblest attempts
+at melody.</p>
+<p><i>Dunsford</i>.&nbsp; I feel as Sir Thomas Browne tells us he felt,
+that &ldquo;even that vulgar and tavern music, which makes one man merry,
+another mad, strikes in me a deep fit of devotion and a profound contemplation
+of the first composer.&nbsp; There is something in it of divinity more
+than the ear discovers; it is an hieroglyphical and shadowed lesson
+of the whole world and creatures of God: such a melody to the ear as
+the whole world well understood, would afford the understanding.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Apropos of music in country places, when
+I was going about last year in the neighbouring county, I saw such a
+pretty scene at one of the towns.&nbsp; They had got up a band, which
+played once a week in the evening.&nbsp; It was a beautiful summer evening,
+and the window of my room at the end overlooked the open space they
+had chosen for their performances.&nbsp; There was the great man of
+the neighbourhood in his carriage looking as if he came partly on duty,
+as well as for pleasure.&nbsp; Then there were burly tradesmen, with
+an air of quiet satisfaction, sauntering about, or leaning against railings.&nbsp;
+Some were no doubt critical - thought that Will Miller did not play
+as well as usual this evening.&nbsp; Will&rsquo;s young wife, who had
+come out to look again at him in his band dress (for the band had a
+uniform), thought differently.&nbsp; Little boys broke out into imaginary
+polkas, having some distant reference to the music: not without grace
+though.&nbsp; The sweep was pre-eminent: as if he would say, &ldquo;Dirty
+and sooty as I am I have a great deal of fun in me.&nbsp; Indeed, what
+would May-day be but for me?&rdquo;&nbsp; Studious little boys of the
+free-school, all green grasshopper-looking, walked about as boys knowing
+something of Latin.&nbsp; Here and there went a couple of them in childish
+loving way, with their arms about each other&rsquo;s necks.&nbsp; Matrons
+and shy young maidens sat upon the door-steps near.&nbsp; Many a merry
+laugh filled up the interludes of music.&nbsp; And when evening came
+softly down upon us, the band finished with &ldquo;God save the Queen,&rdquo;
+the little circle of those who would hear the last note moved off, there
+was a clattering of shutters, a shining of lights through casement-windows,
+and soon the only sound to be heard was the rough voice of some villager,
+who would have been too timid to adventure anything by daylight, but
+now sang boldly out as he went homewards.</p>
+<p><i>Ellesmere</i>.&nbsp; Very pretty, but it sounds to me somewhat
+fabulous.</p>
+<p><i>Milverton</i>.&nbsp; I assure you - </p>
+<p><i>Ellesmere</i>.&nbsp; Yes, you were tired, had a good dinner, read
+a speech for or against the corn-laws, fell asleep of course, and had
+this ingenious dream, which, to this day, you believe to have been a
+reality.&nbsp; I understand it all.</p>
+<p><i>Milverton</i>.&nbsp; I wish I could have many more such dreams.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER V.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Our last conversation broke off abruptly on the entrance of a visitor:
+we forgot to name a time for our next meeting; and when I came again,
+I found Milverton alone in his study.&nbsp; He was reading Count Rumford&rsquo;s
+essays.</p>
+<p><i>Dunsford</i>.&nbsp; So you are reading Count Rumford.&nbsp; What
+is it that interests you there?</p>
+<p><i>Milverton</i>.&nbsp; Everything he writes about.&nbsp; He is to
+me a delightful writer.&nbsp; He throws so much life into all his writings.&nbsp;
+Whether they are about making the most of food or fuel, or propounding
+the benefits of bathing, or inveighing against smoke, it is that he
+went and saw and did and experimented himself upon himself.&nbsp; His
+proceedings at Munich to feed the poor are more interesting than many
+a novel.&nbsp; It is surprising, too, how far he was before the world
+in all the things he gave his mind to.</p>
+<p>Here Ellesmere entered.</p>
+<p><i>Ellesmere</i>.&nbsp; I heard you were come, Dunsford: I hope we
+shall have an essay to-day.&nbsp; My critical faculties have been dormant
+for some days, and want to be roused a little.&nbsp; Milverton was talking
+to you about Count Rumford when I came in, was he not?&nbsp; Ah, the
+Count is a great favourite with Milverton when he is down here; but
+there is a book upstairs which is Milverton&rsquo;s real favourite just
+now, a portentous-looking book; some relation to a blue-book, something
+about sewerage, or health of towns, or public improvements, over which
+said book our friend here goes into enthusiasms.&nbsp; I am sure if
+it could be reduced to the size of that tatterdemalion Horace that he
+carries about, the poor little Horace would be quite supplanted.</p>
+<p><i>Milverton</i>.&nbsp; Now, I must tell you, Dunsford, that Ellesmere
+himself took up this book he talks about, and it was a long time before
+he put it down.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, there is something in real life, even
+though it is in the unheroic part of it, that interests one.&nbsp; I
+mean to get through the book.</p>
+<p><i>Dunsford</i>.&nbsp; What are we to have to-day for our essay?</p>
+<p>Milverton.&nbsp; Let us adjourn to the garden, and I will read you
+an essay on Greatness, if I can find it.</p>
+<p>We went to our favourite place, and Milverton read us the following
+essay.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>GREATNESS.</p>
+<p>You cannot substitute any epithet for great, when you are talking
+of great men.&nbsp; Greatness is not general dexterity carried to any
+extent; nor proficiency in any one subject of human endeavour.&nbsp;
+There are great astronomers, great scholars, great painters, even great
+poets who are very far from great men.&nbsp; Greatness can do without
+success and with it.&nbsp; William is greater in his retreats than Marlborough
+in his victories.&nbsp; On the other hand, the uniformity of C&aelig;sar&rsquo;s
+success does not dull his greatness.&nbsp; Greatness is not in the circumstances,
+but in the man.</p>
+<p>What does this greatness then consist in?&nbsp; Not in a nice balance
+of qualities, purposes, and powers.&nbsp; That will make a man happy,
+a successful man, a man always in his right depth.&nbsp; Nor does it
+consist in absence of errors.&nbsp; We need only glance back at any
+list that can be made of great men, to be convinced of that.&nbsp; Neither
+does greatness consist in energy, though often accompanied by it.&nbsp;
+Indeed, it is rather the breadth of the waters than the force of the
+current that we look to, to fulfil our idea of greatness.&nbsp; There
+is no doubt that energy acting upon a nature endowed with the qualities
+that we sum up in the word cleverness, and directed to a few clear purposes,
+produces a great effect, and may sometimes be mistaken for greatness.&nbsp;
+If a man is mainly bent upon his own advancement, it cuts many a difficult
+knot of policy for him, and gives a force and distinctness to his mode
+of going on which looks grand.&nbsp; The same happens if he has one
+pre-eminent idea of any kind, even though it should be a narrow one.&nbsp;
+Indeed, success in life is mostly gained by unity of purpose; whereas
+greatness often fails by reason of its having manifold purposes, but
+it does not cease to be greatness on that account.</p>
+<p>If greatness can be shut up in qualities, it will be found to consist
+in courage and in openness of mind and soul.&nbsp; These qualities may
+not seem at first to be so potent.&nbsp; But see what growth there is
+in them.&nbsp; The education of a man of open mind is never ended.&nbsp;
+Then, with openness of soul, a man sees some way into all other souls
+that come near him, feels with them, has their experience, is in himself
+a people.&nbsp; Sympathy is the universal solvent.&nbsp; Nothing is
+understood without it.&nbsp; The capacity of a man, at least for understanding,
+may almost be said to vary according to his powers of sympathy.&nbsp;
+Again, what is there that can counteract selfishness like sympathy?&nbsp;
+Selfishness may be hedged in by minute watchfulness and self-denial,
+but it is counteracted by the nature being encouraged to grow out and
+fix its tendrils upon foreign objects.</p>
+<p>The immense defect that want of sympathy is, may be strikingly seen
+in the failure of the many attempts that have been made in all ages
+to construct the Christian character, omitting sympathy.&nbsp; It has
+produced numbers of people walking up and down one narrow plank of self-restraint,
+pondering over their own merits and demerits, keeping out, not the world
+exactly, but their fellow-creatures from their hearts, and caring only
+to drive their neighbours before them on this plank of theirs, or to
+push them headlong.&nbsp; Thus, with many virtues, and much hard work
+at the formation of character, we have had splendid bigots or censorious
+small people.</p>
+<p>But sympathy is warmth and light too.&nbsp; It is, as it were, the
+moral atmosphere connecting all animated natures.&nbsp; Putting aside,
+for a moment, the large differences that opinions, language, and education
+make between men, look at the innate diversity of character.&nbsp; Natural
+philosophers were amazed when they thought they had found a new-created
+species.&nbsp; But what is each man but a creature such as the world
+has not before seen?&nbsp; Then think how they pour forth in multitudinous
+masses, from princes delicately nurtured to little boys on scrubby commons,
+or in dark cellars.&nbsp; How are these people to be understood, to
+be taught to understand each other, but by those who have the deepest
+sympathies with all?&nbsp; There cannot be a great man without large
+sympathy.&nbsp; There may be men who play loud-sounding parts in life
+without it, as on the stage, where kings and great people sometimes
+enter who are only characters of secondary import - deputy great men.&nbsp;
+But the interest and the instruction lie with those who have to feel
+and suffer most.</p>
+<p>Add courage to this openness we have been considering, and you have
+a man who can own himself in the wrong, can forgive, can trust, can
+adventure, can, in short, use all the means that insight and sympathy
+endow him with.</p>
+<p>I see no other essential characteristics in the greatness of nations
+than there are in the greatness of individuals.&nbsp; Extraneous circumstances
+largely influence nations as individuals; and make a larger part of
+the show of the former than of the latter; as we are wont to consider
+no nation great that is not great in extent or resources, as well as
+in character.&nbsp; But of two nations, equal in other respects, the
+superiority must belong to the one which excels in courage and openness
+of mind and soul.</p>
+<p>Again, in estimating the relative merits of different periods of
+the world, we must employ the same tests of greatness that we use to
+individuals.&nbsp; To compare, for instance, the present and the past.&nbsp;
+What astounds us most in the past is the wonderful intolerance and cruelty:
+a cruelty constantly turning upon the inventors: an intolerance provoking
+ruin to the thing it would foster.&nbsp; The most admirable precepts
+are thrown from time to time upon this cauldron of human affairs, and
+oftentimes they only seem to make it blaze the higher.&nbsp; We find
+men devoting the best part of their intellects to the invariable annoyance
+and persecution of their fellows.&nbsp; You might think that the earth
+brought forth with more abundant fruitfulness in the past than now,
+seeing that men found so much time for cruelty, but that you read of
+famines and privations which these latter days cannot equal.&nbsp; The
+recorded violent deaths amount to millions.&nbsp; And this is but a
+small part of the matter.&nbsp; Consider the modes of justice; the use
+of torture, for instance.&nbsp; What must have been the blinded state
+of the wise persons (wise for their day) who used torture?&nbsp; Did
+they ever think themselves, &ldquo;What should we not say if we were
+subjected to this?&rdquo;&nbsp; Many times they must really have desired
+to get at the truth; and such was their mode of doing it.&nbsp; Now,
+at the risk of being thought &ldquo;a laudator&rdquo; of time present,
+I would say, here is the element of greatness we have made progress
+in.&nbsp; We are more open in mind and soul.&nbsp; We have arrived (some
+of us at least) at the conclusion that men may honestly differ without
+offence.&nbsp; We have learned to pity each other more.&nbsp; There
+is a greatness in modern toleration which our ancestors knew not.</p>
+<p>Then comes the other element of greatness, courage.&nbsp; Have we
+made progress in that?&nbsp; This is a much more dubious question.&nbsp;
+The subjects of terror vary so much in different times that it is difficult
+to estimate the different degrees of courage shown in resisting them.&nbsp;
+Men fear public opinion now as they did in former times the Star Chamber;
+and those awful goddesses, Appearances, are to us what the Fates were
+to the Greeks.&nbsp; It is hardly possible to measure the courage of
+a modern against that of an ancient; but I am unwilling to believe but
+that enlightenment must strengthen courage.</p>
+<p>The application of the tests of greatness, as in the above instance,
+is a matter of detail and of nice appreciation, as to the results of
+which men must be expected to differ largely: the tests themselves remain
+invariable - openness of nature to admit the light of love and reason,
+and courage to pursue it.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i>.&nbsp; I agree to your theory, as far as openness
+of nature is concerned; but I do not much like to put that half-brute
+thing, courage, so high.</p>
+<p><i>Milverton</i>.&nbsp; Well, you cannot have greatness without it:
+you may have well-intentioned people and far-seeing people; but if they
+have no stoutness of heart, they will only be shifty or remonstrant,
+nothing like great.</p>
+<p><i>Ellesmere</i>.&nbsp; You mean will, not courage.&nbsp; Without
+will, your open-minded, open-hearted man may be like a great, rudderless
+vessel driven about by all winds: not a small craft, but a most uncertain
+one.</p>
+<p><i>Milverton</i>.&nbsp; No, I mean both: both will and courage.&nbsp;
+Courage is the body to will.</p>
+<p><i>Ellesmere</i>.&nbsp; I believe you are right in that; but do not
+omit will.&nbsp; It amused me to see how you brought in one of your
+old notions - that this age is not contemptible.&nbsp; You scribbling
+people are generally on the other side.</p>
+<p><i>Milverton</i>.&nbsp; You malign us.&nbsp; If I must give any account
+for my personal predilection for modern times, it consists perhaps in
+this, that we may now speak our mind.&nbsp; What Tennyson says of his
+own land,</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;The land where, girt with friend
+or foe,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A man may say the thing
+he will,&rdquo; - </p>
+<p>may be said, in some measure, of the age in which we live.&nbsp;
+This is an inexpressible comfort.&nbsp; This doubles life.&nbsp; These
+things surely may be said in favour of the present age, not with a view
+to puff it up, but so far to encourage ourselves, as we may by seeing
+that the world does not go on for nothing, that all the misery, blood,
+and toil that have been spent, were not poured out in vain.&nbsp; Could
+we have our ancestors again before us, would they not rejoice at seeing
+what they had purchased for us: would they think it any compliment to
+them to extol their times at the expense of the present, and so to intimate
+that their efforts had led to nothing?</p>
+<p><i>Ellesmere</i>.&nbsp; &ldquo;I doubt,&rdquo; as Lord Eldon would
+have said; no, upon second thoughts, I do not doubt.&nbsp; I feel assured
+that a good many of these said ancestors you are calling up would be
+much discomforted at finding that all their suffering had led to no
+sure basis of persecution of the other side.</p>
+<p><i>Dunsford</i>.&nbsp; I wonder, Ellesmere, what you would have done
+in persecuting times.&nbsp; What escape would your sarcasm have found
+for itself?</p>
+<p><i>Milverton</i>.&nbsp; Some orthodox way, I daresay.&nbsp; I do
+not think he would have been particularly fond of martyrdom.</p>
+<p><i>Ellesmere</i>.&nbsp; No.&nbsp; I have no taste for making torches
+for truth, or being one: I prefer humane darkness to such illumination.&nbsp;
+At the same time one cannot tell lies; and if one had been questioned
+about the incomprehensibilities which men in former days were so fierce
+upon, one must have shown that one disagreed with all parties.</p>
+<p><i>Dunsford</i>.&nbsp; Do not say &ldquo;one:&rdquo;&nbsp; <i>I</i>
+should not have disagreed with the great Protestant leaders in the Reformation,
+for instance.</p>
+<p><i>Ellesmere</i>.&nbsp; Humph.</p>
+<p><i>Milverton</i>.&nbsp; If we get aground upon the Reformation, we
+shall never push off again - else would I say something far from complimentary
+to those Protestant proceedings which we may rather hope were Tudoresque
+than Protestant.</p>
+<p><i>Ellesmere</i>.&nbsp; No, that is not fair.&nbsp; The Tudors were
+a coarse, fierce race; but it will not do to lay the faults of their
+times upon them only.&nbsp; Look at Elizabeth&rsquo;s ministers.&nbsp;
+They had about as much notion of religious tolerance as they had of
+Professor Wheatstone&rsquo;s telegraph.&nbsp; It was not a growth of
+that age.</p>
+<p><i>Milverton</i>.&nbsp; I do not know.&nbsp; You have Cardinal Pole
+and the Earl of Essex, both tolerant men in the midst of bigots.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, as you said, Milverton, we shall never
+push off, if we once get aground on this subject.</p>
+<p><i>Dunsford</i>.&nbsp; I am in fault: so I will take upon myself
+to bring you quite away from the Reformation.&nbsp; I have been thinking
+of that comparison in the essay of the present with the past.&nbsp;
+Such comparisons seem to me very useful, as they best enable us to understand
+our own times.&nbsp; And, then, when we have ascertained the state and
+tendency of our own age, we ought to strive to enrich it with those
+qualities which are complementary to its own.&nbsp; Now with all this
+toleration, which delights you so much, dear Milverton, is it not an
+age rather deficient in caring about great matters?</p>
+<p><i>Milverton</i>.&nbsp; If you mean great speculative matters, I
+might agree with you; but if you mean what I should call the greatest
+matters, such as charity, humanity, and the like, I should venture to
+differ with you, Dunsford.</p>
+<p><i>Dunsford</i>.&nbsp; I do not like to see the world indifferent
+to great speculative matters.&nbsp; I then fear shallowness and earthiness.</p>
+<p>Milverton.&nbsp; It is very difficult to say what the world is thinking
+of now.&nbsp; It is certainly wrong to suppose that this is a shallow
+age because it is not driven by one impulse.&nbsp; As civilisation advances,
+it becomes more difficult to estimate what is going on, and we set it
+all down as confusion.&nbsp; Now there is not one &ldquo;great antique
+heart,&rdquo; whose beatings we can count, but many impulses, many circles
+of thought in which men are moving many objects.&nbsp; Men are not all
+in the same state of progress, so cannot be moved in masses as of old.&nbsp;
+At one time chivalry urged all men, then the Church, and the phenomena
+were few, simple, and broad, or at least they seem so in history.</p>
+<p><i>Ellesmere</i>.&nbsp; Very true; still I agree somewhat with Dunsford,
+that men are not agitated as they used to be by the great speculative
+questions.&nbsp; I account for it in this way, that the material world
+has opened out before us, and we cannot but look at that, and must play
+with it and work at it.&nbsp; I would say, too, that philosophy had
+been found out, and there is something in that.&nbsp; Still, I think
+if it were not for the interest now attaching to material things, great
+intellectual questions, not exactly of the old kind, would arise and
+agitate the world.</p>
+<p><i>Milverton</i>.&nbsp; There is one thing in my mind that may confirm
+your view.&nbsp; I cannot but think that the enlarged view we have of
+the universe must in some measure damp personal ambition.&nbsp; What
+is it to be a King, Sheik, Tetrarch, or Emperor, over a bit of a little
+bit?&nbsp; Macbeth&rsquo;s speech, &ldquo;we&rsquo;d jump the life to
+come,&rdquo; is a thing a man with modern lights, however madly ambitious,
+would hardly utter.</p>
+<p><i>Dunsford</i>.&nbsp; Religious lights, Milverton.</p>
+<p><i>Milverton</i>.&nbsp; Of course not, if he had them; but I meant
+scientific lights.&nbsp; Sway over our fellow-creatures, at any rate
+anything but mental sway, has shrunk into less proportions.</p>
+<p><i>Ellesmere</i>.&nbsp; I have been looking over the essay.&nbsp;
+I think you may put in somewhere - that that age would probably be the
+greatest in which there was the least difference between great men and
+the people in general - when the former were only neglected, not hunted
+down.</p>
+<p><i>Milverton</i>.&nbsp; Yes.</p>
+<p><i>Ellesmere</i>.&nbsp; You are rather lengthy here about the cruelties
+to be found in history; but we are apt to forget these matters.</p>
+<p><i>Milverton</i>.&nbsp; They always press upon my mind.</p>
+<p><i>Dunsford</i>.&nbsp; And on mine.&nbsp; I do not like to read much
+of history for that very reason.&nbsp; I get so sick at heart about
+it all.</p>
+<p><i>Milverton</i>.&nbsp; Ah, yes, history is a stupendous thing.&nbsp;
+To read it is like looking at the stars; we turn away in awe and perplexity.&nbsp;
+Yet there is some method running through the little affairs of man as
+through the multitude of suns, seemingly to us as confused as routed
+armies in full flight.</p>
+<p><i>Dunsford</i>.&nbsp; Some law of love.</p>
+<p><i>Ellesmere</i>.&nbsp; I am afraid it is not in the past alone that
+we should be awestruck with horrors: we, who have a slave-trade still
+on earth.&nbsp; But, to go back to the essay, I like what you say about
+the theory of constructing the Christian character without geniality;
+only you do not go far enough.&nbsp; You are afraid.&nbsp; People are
+for ever talking, especially you philanthropical people, about making
+others happy.&nbsp; I do not know any way so sure of making others happy
+as of being so oneself, to begin with.&nbsp; I do not mean that people
+are to be self-absorbed; but they are to drink in nature and life a
+little.&nbsp; From a genial, wisely-developed man good things radiate;
+whereas you must allow, Milverton, that benevolent people are very apt
+to be one-sided and fussy, and not of the sweetest temper if others
+will not be good and happy in their way.</p>
+<p><i>Milverton</i>.&nbsp; That is really not fair.&nbsp; Of course,
+acid, small-minded people carry their narrow notions and their acidity
+into their benevolence.&nbsp; Benevolence is no abstract perfection.&nbsp;
+Men will express their benevolence according to their other gifts or
+want of gifts.&nbsp; If it is strong, it overcomes other things in the
+character which would be hindrances to it; but it must speak in the
+language of the soul it is in.</p>
+<p><i>Ellesmere</i>.&nbsp; Come, let us go and see the pigs.&nbsp; I
+hear them grunting over their dinners in the farmyard.&nbsp; I like
+to see creatures who can be happy without a theory.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER VI.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>The next time that I came over to Worth-Ashton it was raining, and
+I found my friends in the study.</p>
+<p>&ldquo;Well, Dunsford,&rdquo; said Ellesmere, &ldquo;is it not comfortable
+to have our sessions here for once, and to be looking out on a good
+solid English wet day?&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Rather a fluid than a solid.&nbsp; But I agree
+with you in thinking it is very comfortable here.</p>
+<p><i>Ellesmere</i>.&nbsp; I like to look upon the backs of books.&nbsp;
+First I think how much of the owner&rsquo;s inner life and character
+is shown in his books; then perhaps I wonder how he got such a book
+which seems so remote from all that I know of him - </p>
+<p><i>Milverton</i>.&nbsp; I shall turn my books the wrong side upwards
+when you come into the study.</p>
+<p><i>Ellesmere</i>.&nbsp; But what amuses me most is to see the odd
+way in which books get together, especially in the library of a man
+who reads his books and puts them up again wherever there is room.&nbsp;
+Now here is a charming party: &ldquo;A Treatise on the Steam-Engine&rdquo;
+between &ldquo;Locke on Christianity&rdquo; and Madame de Stael&rsquo;s
+&ldquo;Corinne.&rdquo;&nbsp; I wonder what they talk about at night
+when we are all asleep.&nbsp; Here is another happy juxtaposition: old
+Clarendon next to a modern metaphysician whom he would positively loathe.&nbsp;
+Here is Sadler next to Malthus, and Horsley next to Priestley; but this
+sort of thing happens most in the best regulated libraries.&nbsp; It
+is a charming reflection for controversial writers, that their works
+will be put together on the same shelves, often between the same covers;
+and that, in the minds of educated men, the name of one writer will
+be sure to recall the name of the other.&nbsp; So they go down to posterity
+as a brotherhood.</p>
+<p><i>Milverton</i>.&nbsp; To complete Ellesmere&rsquo;s theory, we
+may say that all those injuries to books which we choose to throw upon
+some wretched worm, are but the wounds from rival books.</p>
+<p><i>Ellesmere</i>.&nbsp; Certainly.&nbsp; But now let us proceed to
+polish up the weapons of another of these spiteful creatures.</p>
+<p><i>Dunsford</i>.&nbsp; Yes.&nbsp; What is to be our essay to-day,
+Milverton?</p>
+<p><i>Milverton</i>.&nbsp; Fiction.</p>
+<p><i>Ellesmere</i>.&nbsp; Now, that is really unfortunate.&nbsp; Fiction
+is just the subject to be discussed - no, not discussed, talked over
+- out of doors on a hot day, all of us lying about in easy attitudes
+on the grass, Dunsford with his gaiters forming a most picturesque and
+prominent figure.&nbsp; But there is nothing complete in this life.&nbsp;
+&ldquo;Surgit amari aliquid:&rdquo; and so we must listen to Fiction
+in arm-chairs.</p>
+<p>FICTION.</p>
+<p>The influence of works of fiction is unbounded.&nbsp; Even the minds
+of well-informed people are often more stored with characters from acknowledged
+fiction than from history or biography, or the real life around them.&nbsp;
+We dispute about these characters as if they were realities.&nbsp; Their
+experience is our experience; we adopt their feelings, and imitate their
+acts.&nbsp; And so there comes to be something traditional even in the
+management of the passions.&nbsp; Shakespeare&rsquo;s historical plays
+were the only history to the Duke of Marlborough.&nbsp; Thousands of
+Greeks acted under the influence of what Achilles or Ulysses did, in
+Homer.&nbsp; The poet sings of the deeds that shall be.&nbsp; He imagines
+the past; he forms the future.</p>
+<p>Yet how surpassingly interesting is real life when we get an insight
+into it.&nbsp; Occasionally a great genius lifts up the veil of history,
+and we see men who once really were alive, who did not always live only
+in history; or, amidst the dreary page of battles, levies, sieges, and
+the sleep-inducing weavings and unweavings of political combination,
+we come, ourselves, across some spoken or written words of the great
+actors of the time, and are then fascinated by the life and reality
+of these things.&nbsp; Could you have the life of any man really portrayed
+to you, sun-drawn as it were, its hopes, its fears, its revolutions
+of opinion in each day, its most anxious wishes attained, and then,
+perhaps, crystallising into its blackest regrets - such a work would
+go far to contain all histories, and be the greatest lesson of love,
+humility, and tolerance, that men had ever read.</p>
+<p>Now fiction does attempt something like the above.&nbsp; In history
+we are cramped by impertinent facts that must, however, be set down;
+by theories that must be answered; evidence that must be weighed; views
+that must be taken.&nbsp; Our facts constantly break off just where
+we should wish to examine them most closely.&nbsp; The writer of fiction
+follows his characters into the recesses of their hearts.&nbsp; There
+are no closed doors for him.&nbsp; His puppets have no secrets from
+their master.&nbsp; He plagues you with no doubts, no half-views, no
+criticism.&nbsp; Thus they thought, he tells you; thus they looked,
+thus they acted.&nbsp; Then, with every opportunity for scenic arrangement
+(for though his characters are confidential with him, he is only as
+confidential with his reader as the interest of the story will allow),
+it is not to be wondered at that the majority of readers should look
+upon history as a task, but tales of fiction as a delight.</p>
+<p>The greatest merit of fiction is the one so ably put forward by Sir
+James Mackintosh, namely, that it creates and nourishes sympathy.&nbsp;
+It extends this sympathy, too, in directions where, otherwise, we hardly
+see when it would have come.&nbsp; But it may be objected that this
+sympathy is indiscriminate, and that we are in danger of mixing up virtue
+and vice, and blurring both, if we are led to sympathise with all manner
+of wrong-doers.&nbsp; But, in the first place, virtue and vice are so
+mixed in real life, that it is well to be somewhat prepared for that
+fact; and, moreover, the sympathy is not wrongly directed.&nbsp; Who
+has not felt intense sympathy for Macbeth?&nbsp; Yet could he be alive
+again, with evil thoughts against &ldquo;the gracious Duncan,&rdquo;
+and could he see into all that has been felt for him, would that be
+an encouragement to murder?&nbsp; The intense pity of wise people for
+the crimes of others, when rightly represented, is one of the strongest
+antidotes against crime.&nbsp; We have taken the extreme case of sympathy
+being directed towards bad men.&nbsp; How often has fiction made us
+sympathise with obscure suffering and retiring greatness, with the world-despised,
+and especially with those mixed characters in whom we might otherwise
+see but one colour - with Shylock and with Hamlet, with Jeanie Deans
+and with Claverhouse, with Sancho Panza as well as with Don Quixote.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>On the other hand, there is a danger of too much converse with fiction
+leading us into dream-land, or rather into lubber-land.&nbsp; Of course
+this &ldquo;too much converse&rdquo; implies large converse with inferior
+writers.&nbsp; Such writers are too apt to make life as they would have
+it for themselves.&nbsp; Sometimes, also, they must make it to suit
+booksellers&rsquo; rules.&nbsp; Having such power over their puppets
+they abuse it.&nbsp; They can kill these puppets, change their natures
+suddenly, reward or punish them so easily, that it is no wonder they
+are led to play fantastic tricks with them.&nbsp; Now, if a sedulous
+reader of the works of such writers should form his notions of real
+life from them, he would occasionally meet with rude shocks when he
+encountered the realities of that life.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>For my own part, notwithstanding all the charms of life in swiftly-written
+novels, I prefer real life.&nbsp; It is true that, in the former, everything
+breaks off round, every little event tends to some great thing, everybody
+one meets is to exercise some great influence for good or ill upon one&rsquo;s
+fate.&nbsp; I take it for granted one fancies oneself the hero.&nbsp;
+Then all one&rsquo;s fancy is paid in ready money, or at least one can
+draw upon it at the end of the third volume.&nbsp; One leaps to remote
+wealth and honour by hairbreadth chances; and one&rsquo;s uncle in India
+always dies opportunely.&nbsp; To be sure the thought occurs, that if
+this novel life could be turned into real life, one might be the uncle
+in India and not the hero of the tale.&nbsp; But that is a trifling
+matter, for at any rate one should carry on with spirit somebody else&rsquo;s
+story.&nbsp; On the whole, however, as I said before, I prefer real
+life, where nothing is tied up neatly, but all in odds and ends; where
+the doctrine of compensation enters largely, where we are often most
+blamed when we least deserve it, where there is no third volume to make
+things straight, and where many an Augustus marries many a Belinda,
+and, instead of being happy ever afterwards, finds that there is a growth
+of trials and troubles for each successive period of man&rsquo;s life.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>In considering the subject of fiction, the responsibility of the
+writers thereof is a matter worth pointing out.&nbsp; We see clearly
+enough that historians are to be limited by facts and probabilities;
+but we are apt to make a large allowance for the fancies of writers
+of fiction.&nbsp; We must remember, however, that fiction is not falsehood.&nbsp;
+If a writer puts abstract virtues into book-clothing, and sends them
+upon stilts into the world, he is a bad writer: if he classifies men,
+and attributes all virtue to one class and all vice to another, he is
+a false writer.&nbsp; Then, again, if his ideal is so poor, that he
+fancies man&rsquo;s welfare to consist in immediate happiness; if he
+means to paint a great man and paints only a greedy one, he is a mischievous
+writer and not the less so, although by lamplight and amongst a juvenile
+audience, his coarse scene-painting should be thought very grand.&nbsp;
+He may be true to his own fancy, but he is false to Nature.&nbsp; A
+writer, of course, cannot get beyond his own ideal: but at least he
+should see that he works up to it: and if it is a poor one, he had better
+write histories of the utmost concentration of dulness, than amuse us
+with unjust and untrue imaginings.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i>.&nbsp; I am glad you have kept to the obvious things
+about fiction.&nbsp; It would have been a great nuisance to have had
+to follow you through intricate theories about what fiction consists
+in, and what are its limits, and so on.&nbsp; Then we should have got
+into questions touching the laws of representation generally, and then
+into art, of which, between ourselves, you know very little.</p>
+<p><i>Dunsford</i>.&nbsp; Talking of representation, what do you two,
+who have now seen something of the world, think about representative
+government?</p>
+<p><i>Ellesmere</i>.&nbsp; Dunsford plumps down upon us sometimes with
+awful questions: what do you think of all philosophy? or what is your
+opinion of life in general?&nbsp; Could not you throw in a few small
+questions of that kind, together with your representative one, and we
+might try to answer them all at once.&nbsp; Dunsford is only laughing
+at us, Milverton.</p>
+<p><i>Milverton</i>.&nbsp; No, I know what was in Dunsford&rsquo;s mind
+when he asked that question.&nbsp; He has had his doubts and misgivings,
+when he has been reading a six nights&rsquo; debate (for the people
+in the country I daresay do read those things), whether representative
+government is the most complete device the human mind could suggest
+for getting at wise rulers.</p>
+<p><i>Ellesmere</i>.&nbsp; It is a doubt which has crossed my mind.</p>
+<p><i>Milverton</i>.&nbsp; And mine; but the doubt, if it has ever been
+more than mere petulance, has not had much practical weight with me.&nbsp;
+Look how the business of the world is managed.&nbsp; There are a few
+people who think out things, and a few who execute.&nbsp; The former
+are not to be secured by any device.&nbsp; They are gifts.&nbsp; The
+latter may be well chosen, have often been well chosen, under other
+forms of government than the representative one.&nbsp; I believe that
+the favourites of kings have been a superior race of men.&nbsp; Even
+a fool does not choose a fool for a favourite.&nbsp; He knows better
+than that: he must have something to lean against.&nbsp; But between
+the thinkers and the doers (if, indeed, we ought to make such a distinction),
+<i>what a number of useful links there are in a representative government</i>
+on account of the much larger number of people admitted into some share
+of government.&nbsp; What general cultivation must come from that, and
+what security!&nbsp; Of course, everything has its wrong side; and from
+this number of people let in there comes declamation and claptrap and
+mob-service, which is much the same thing as courtiership was in other
+times.&nbsp; But then, to make the comparison a fair one, you must take
+the wrong side of any other form of government that has been devised.</p>
+<p><i>Dunsford</i>.&nbsp; Well, but so much power centring in the lower
+house of Parliament, and the getting into Parliament being a thing which
+is not very inviting to the kind of people one would most like to see
+there, do you not think that the ablest men are kept away?</p>
+<p><i>Milverton</i>.&nbsp; Yes; but if you make your governing body
+a unit or a ten, or any small number, how is this power, unless it is
+Argus-eyed, and myriad-minded, and right-minded too, to choose the right
+men any better than they are found now?&nbsp; The great danger, as it
+appears to me, of representative government is lest it should slide
+down from representative government to delegate government.&nbsp; In
+my opinion, the welfare of England, in great measure, depends upon what
+takes place at the hustings.&nbsp; If, in the majority of instances,
+there were abject conduct there, electors and elected would be alike
+debased; upright public men could not be expected to arise from such
+beginnings; and thoughtful persons would begin to consider whether some
+other form of government could not forthwith be made out.</p>
+<p><i>Ellesmere</i>.&nbsp; I have a supreme disgust for the man who
+at the hustings has no opinion beyond or above the clamour round him.&nbsp;
+How such a fellow would have kissed the ground before a Pompadour, or
+waited for hours in a Buckingham&rsquo;s antechamber, only to catch
+the faintest beam of reflected light from royalty.</p>
+<p>But I declare we have been just like schoolboys talking about forms
+of government and so on.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;For forms of government let
+fools contest,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That which is
+<i>worst</i> administered is best,&rdquo; - </p>
+<p>that is, representative government.</p>
+<p><i>Milverton</i>.&nbsp; I should not like either of you to fancy,
+from what I have been saying about representative government, that I
+do not see the dangers and the evils of it.&nbsp; In fact, it is a frequent
+thought with me of what importance the House of Lords is at present,
+and of how much greater importance it might be made.&nbsp; If there
+were Peers for life, and official members of the House of Commons, it
+would, I think, meet most of your objections, Dunsford.</p>
+<p><i>Dunsford</i>.&nbsp; I suppose I am becoming a little rusty and
+disposed to grumble, as I grow old; but there is a good deal in modern
+government which seems to me very rude and absurd.&nbsp; There comes
+a clamour, partly reasonable; power is deaf to it, overlooks it, says
+there is no such thing; then great clamour; after a time, power welcomes
+that, takes it to its arms, says that now it is loud it is very wise,
+wishes it had always been clamour itself.</p>
+<p><i>Ellesmere</i>.&nbsp; How many acres do you farm, Dunsford?&nbsp;
+How spiteful you are!</p>
+<p><i>Dunsford</i>.&nbsp; I am not thinking of Corn Laws alone, as you
+fancy, Master Ellesmere.&nbsp; But to go to other things.&nbsp; I quite
+agree, Milverton, with what you were saying just now about the business
+of the world being carried on by few, and the thinking few being in
+the nature of gifts to the world, not elicited by King or Kaiser.</p>
+<p><i>Milverton</i>.&nbsp; The mill-streams that turn the clappers of
+the world arise in solitary places.</p>
+<p><i>Ellesmere</i>.&nbsp; Not a bad metaphor, but untrue.&nbsp; Aristotle,
+Bacon - </p>
+<p><i>Milverton</i>.&nbsp; Well, I believe it would be much wiser to
+say, that we cannot lay down rules about the highest work; either when
+it is done, where it will be done, or how it can be made to be done.&nbsp;
+It is too immaterial for our measurement; for the highest part even
+of the mere business of the world is in dealing with ideas.&nbsp; It
+is very amusing to observe the misconceptions of men on these points.&nbsp;
+They call for what is outward - can understand that, can praise it.&nbsp;
+Fussiness and the forms of activity in all ages get great praise.&nbsp;
+Imagine an active, bustling little pr&aelig;tor under Augustus, how
+he probably pointed out Horace to his sons as a moony kind of man, whose
+ways were much to be avoided, and told them it was a weakness in Augustus
+to like such idle men about him instead of men of business.</p>
+<p><i>Ellesmere</i>.&nbsp; Or fancy a bustling Glasgow merchant of Adam
+Smith&rsquo;s day watching him.&nbsp; How little would the merchant
+have dreamt what a number of vessels were to be floated away by the
+ink in the Professor&rsquo;s inkstand; and what crashing of axes, and
+clearing of forests in distant lands, the noise of his pen upon the
+paper portended.</p>
+<p><i>Milverton</i>.&nbsp; It is not only the effect of the still-working
+man that the busy man cannot anticipate, but neither can he comprehend
+the present labour.&nbsp; If Horace had told my pr&aelig;tor that</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;Abstinuit Venere et vino, sudavit
+et alsit,&rdquo;</p>
+<p>&ldquo;What, to write a few lines!&rdquo; would his pr&aelig;torship
+have cried out.&nbsp; &ldquo;Why, I can live well and enjoy life; and
+I flatter myself no one in Rome does more business.&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; All of it only goes to show how little we
+know of each other, and how tolerant we ought to be of others&rsquo;
+efforts.</p>
+<p><i>Milverton</i>.&nbsp; The trials that there must be every day without
+any incident that even the most minute household chronicler could set
+down: the labours without show or noise!</p>
+<p><i>Ellesmere</i>.&nbsp; The deep things that there are which, with
+unthinking people, pass for shallow things, merely because they are
+clear as well as deep.&nbsp; My fable of the other day, for instance
+- which instead of producing any moral effect upon you two, only seemed
+to make you both inclined to giggle.</p>
+<p><i>Milverton</i>.&nbsp; I am so glad you reminded me of that.&nbsp;
+I, too, fired with a noble emulation, have invented a fable since we
+last met which I want you to hear.&nbsp; I assure you I did not mean
+to laugh at yours: it was only that it came rather unexpectedly upon
+me.&nbsp; You are not exactly the person from whom one should expect
+fables.</p>
+<p><i>Dunsford</i>.&nbsp; Now for the fable.</p>
+<p><i>Milverton</i>.&nbsp; There was a gathering together of creatures
+hurtful and terrible to man, to name their king.&nbsp; Blight, mildew,
+darkness, mighty waves, fierce winds, Will-o&rsquo;-the-wisps, and shadows
+of grim objects, told fearfully their doings and preferred their claims,
+none prevailing.&nbsp; But when evening came on, a thin mist curled
+up, derisively, amidst the assemblage, and said, &ldquo;I gather round
+a man going to his own home over paths made by his daily footsteps;
+and he becomes at once helpless and tame as a child.&nbsp; The lights
+meant to assist him, then betray.&nbsp; You find him wandering, or need
+the aid of other Terrors to subdue him.&nbsp; I am, alone, confusion
+to him.&rdquo;&nbsp; And all the assemblage bowed before the mist, and
+made it king, and set it on the brow of many a mountain, where, when
+it is not doing evil, it may be often seen to this day.</p>
+<p><i>Dunsford</i>.&nbsp; Well, I like that fable: only I am not quite
+clear about the meaning.</p>
+<p><i>Ellesmere</i>.&nbsp; You had no doubt about mine.</p>
+<p><i>Dunsford</i>.&nbsp; Is the mist calumny, Milverton?</p>
+<p><i>Ellesmere</i>.&nbsp; No, prejudice, I am sure.</p>
+<p><i>Dunsford</i>.&nbsp; Familiarity with the things around us, obscuring
+knowledge?</p>
+<p><i>Milverton</i>.&nbsp; I would rather not explain.&nbsp; Each of
+you make your own fable of it.</p>
+<p><i>Dunsford</i>.&nbsp; Well, if ever I make a fable, it shall be
+one of the old-fashioned sort, with animals for the speakers, and a
+good easy moral.</p>
+<p><i>Ellesmere</i>.&nbsp; Not a thing requiring the notes of seven
+German metaphysicians.&nbsp; I must go and talk a little to my friends
+the trees, and see if I can get any explanation from them.&nbsp; It
+is turning out a beautiful day after all, notwithstanding my praise
+of its solidity.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER VII.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>We met as usual at our old spot on the lawn for our next reading.&nbsp;
+I forget what took place before reading, except that Ellesmere was very
+jocose about our reading &ldquo;Fiction&rdquo; in-doors, and the following
+&ldquo;November Essay,&rdquo; as he called it, &ldquo;under a jovial
+sun, and with the power of getting up and walking away from each other
+to any extent.&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>ON THE ART OF LIVING WITH OTHERS.</p>
+<p>The &ldquo;Iliad&rdquo; for war; the &ldquo;Odyssey&rdquo; for wandering;
+but where is the great domestic epic?&nbsp; Yet it is but commonplace
+to say, that passions may rage round a tea-table, which would not have
+misbecome men dashing at one another in war-chariots; and evolutions
+of patience and temper are performed at the fireside, worthy to be compared
+with the Retreat of the Ten Thousand.&nbsp; Men have worshipped some
+fantastic being for living alone in a wilderness; but social martyrdoms
+place no saints upon the calendar.</p>
+<p>We may blind ourselves to it if we like, but the hatreds and disgusts
+that there are behind friendship, relationship, service, and, indeed,
+proximity of all kinds, is one of the darkest spots upon earth.&nbsp;
+The various relations of life, which bring people together, cannot,
+as we know, be perfectly fulfilled except in a state where there will,
+perhaps, be no occasion for any of them.&nbsp; It is no harm, however,
+to endeavour to see whether there are any methods which may make these
+relations in the least degree more harmonious now.</p>
+<p>In the first place, if people are to live happily together, they
+must not fancy, because they are thrown together now, that all their
+lives have been exactly similar up to the present time, that they started
+exactly alike, and that they are to be for the future of the same mind.&nbsp;
+A thorough conviction of the difference of men is the great thing to
+be assured of in social knowledge: it is to life what Newton&rsquo;s
+law is to astronomy.&nbsp; Sometimes men have a knowledge of it with
+regard to the world in general: they do not expect the outer world to
+agree with them in all points, but are vexed at not being able to drive
+their own tastes and opinions into those they live with.&nbsp; Diversities
+distress them.&nbsp; They will not see that there are many forms of
+virtue and wisdom.&nbsp; Yet we might as well say, &ldquo;Why all these
+stars; why this difference; why not all one star?&rdquo;</p>
+<p>Many of the rules for people living together in peace follow from
+the above.&nbsp; For instance, not to interfere unreasonably with others,
+not to ridicule their tastes, not to question and re-question their
+resolves, not to indulge in perpetual comment on their proceedings,
+and to delight in their having other pursuits than ours, are all based
+upon a thorough perception of the simple fact that they are not we.</p>
+<p>Another rule for living happily with others is to avoid having stock
+subjects of disputation.&nbsp; It mostly happens, when people live much
+together, that they come to have certain set topics, around which, from
+frequent dispute, there is such a growth of angry words, mortified vanity,
+and the like, that the original subject of difference becomes a standing
+subject for quarrel; and there is a tendency in all minor disputes to
+drift down to it.</p>
+<p>Again, if people wish to live well together, they must not hold too
+much to logic, and suppose that everything is to be settled by sufficient
+reason.&nbsp; Dr. Johnson saw this clearly with regard to married people,
+when he said, &ldquo;Wretched would be the pair above all names of wretchedness,
+who should be doomed to adjust by reason every morning all the minute
+detail of a domestic day.&rdquo;&nbsp; But the application should be
+much more general than he made it.&nbsp; There is no time for such reasonings,
+and nothing that is worth them.&nbsp; And when we recollect how two
+lawyers, or two politicians, can go on contending, and that there is
+no end of one-sided reasoning on any subject, we shall not be sure that
+such contention is the best mode for arriving at truth.&nbsp; But certainly
+it is not the way to arrive at good temper.</p>
+<p>If you would be loved as a companion, avoid unnecessary criticism
+upon those with whom you live.&nbsp; The number of people who have taken
+out judges&rsquo; patents for themselves is very large in any society.&nbsp;
+Now it would be hard for a man to live with another who was always criticising
+his actions, even if it were kindly and just criticism.&nbsp; It would
+be like living between the glasses of a microscope.&nbsp; But these
+self-elected judges, like their prototypes, are very apt to have the
+persons they judge brought before them in the guise of culprits.</p>
+<p>One of the most provoking forms of the criticism above alluded to
+is that which may be called criticism over the shoulder.&nbsp; &ldquo;Had
+I been consulted,&rdquo; &ldquo;Had you listened to me,&rdquo; &ldquo;But
+you always will,&rdquo; and such short scraps of sentences may remind
+many of us of dissertations which we have suffered and inflicted, and
+of which we cannot call to mind any soothing effect.</p>
+<p>Another rule is, not to let familiarity swallow up all courtesy.&nbsp;
+Many of us have a habit of saying to those with whom we live such things
+as we say about strangers behind their backs.&nbsp; There is no place,
+however, where real politeness is of more value than where we mostly
+think it would be superfluous.&nbsp; You may say more truth, or rather
+speak out more plainly, to your associates, but not less courteously
+than you do to strangers.</p>
+<p>Again, we must not expect more from the society of our friends and
+companions than it can give, and especially must not expect contrary
+things.&nbsp; It is something arrogant to talk of travelling over other
+minds (mind being, for what we know, infinite); but still we become
+familiar with the upper views, tastes, and tempers of our associates.&nbsp;
+And it is hardly in man to estimate justly what is familiar to him.&nbsp;
+In travelling along at night, as Hazlitt says, we catch a glimpse into
+cheerful-looking rooms with light blazing in them, and we conclude involuntarily
+how happy the inmates must be.&nbsp; Yet there is heaven and hell in
+those rooms - the same heaven and hell that we have known in others.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>There are two great classes of promoters of social happiness - cheerful
+people, and people who have some reticence.&nbsp; The latter are more
+secure benefits to society even than the former.&nbsp; They are non-conductors
+of all the heats and animosities around them.&nbsp; To have peace in
+a house, or a family, or any social circle, the members of it must beware
+of passing on hasty and uncharitable speeches, which, the whole of the
+context seldom being told, is often not conveying but creating mischief.&nbsp;
+They must be very good people to avoid doing this; for let Human Nature
+say what it will, it likes sometimes to look on at a quarrel, and that
+not altogether from ill-nature, but from a love of excitement, for the
+same reason that Charles II. liked to attend the debates in the Lords,
+because they were &ldquo;as good as a play.&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>We come now to the consideration of temper, which might have been
+expected to be treated first.&nbsp; But to cut off the means and causes
+of bad temper is, perhaps, of as much importance as any direct dealing
+with the temper itself.&nbsp; Besides, it is probable that in small
+social circles there is more suffering from unkindness than ill-temper.&nbsp;
+Anger is a thing that those who live under us suffer more from than
+those who live with us.&nbsp; But all the forms of ill-humour and sour-sensitiveness,
+which especially belong to equal intimacy (though indeed, they are common
+to all), are best to be met by impassiveness.&nbsp; When two sensitive
+persons are shut up together, they go on vexing each other with a reproductive
+irritability. <a name="citation93"></a><a href="#footnote93">{93}</a>&nbsp;
+But sensitive and hard people get on well together.&nbsp; The supply
+of temper is not altogether out of the usual laws of supply and demand.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Intimate friends and relations should be careful when they go out
+into the world together, or admit others to their own circle, that they
+do not make a bad use of the knowledge which they have gained of each
+other by their intimacy.&nbsp; Nothing is more common than this, and
+did it not mostly proceed from mere carelessness, it would be superlatively
+ungenerous.&nbsp; You seldom need wait for the written life of a man
+to hear about his weaknesses, or what are supposed to be such, if you
+know his intimate friends, or meet him in company with them.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Lastly, in conciliating those we live with, it is most surely done,
+not by consulting their interests, nor by giving way to their opinions,
+so much as by not offending their tastes.&nbsp; The most refined part
+of us lies in this region of taste, which is perhaps a result of our
+whole being rather than a part of our nature, and, at any rate, is the
+region of our most subtle sympathies and antipathies.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>It may be said that if the great principles of Christianity were
+attended to, all such rules, suggestions, and observations as the above
+would be needless.&nbsp; True enough!&nbsp; Great principles are at
+the bottom of all things; but to apply them to daily life, many little
+rules, precautions, and insights are needed.&nbsp; Such things hold
+a middle place between real life and principles, as form does between
+matter and spirit, moulding the one and expressing the other.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i>.&nbsp; Quite right that last part.&nbsp; Everybody
+must have known really good people, with all Christian temper, but having
+so little Christian prudence as to do a great deal of mischief in society.</p>
+<p><i>Dunsford</i>.&nbsp; There is one case, my dear Milverton, which
+I do not think you have considered: the case where people live unhappily
+together, not from any bad relations between them, but because they
+do not agree about the treatment of others.&nbsp; A just person, for
+instance, who would bear anything for himself or herself, must remonstrate,
+at the hazard of any disagreement, at injustice to others.</p>
+<p><i>Milverton</i>.&nbsp; Yes.&nbsp; That, however, is a case to be
+decided upon higher considerations than those I have been treating of.&nbsp;
+A man must do his duty in the way of preventing injustice, and take
+what comes of it.</p>
+<p><i>Ellesmere</i>.&nbsp; For people to live happily together, the
+real secret is that they should not live too much together.&nbsp; Of
+course, you cannot say that; it would sound harsh, and cut short the
+essay altogether.</p>
+<p>Again, you talk about tastes and &ldquo;region of subtle sympathies,&rdquo;
+and all that.&nbsp; I have observed that if people&rsquo;s vanity is
+pleased, they live well enough together.&nbsp; Offended vanity is the
+great separator.&nbsp; You hear a man (call him B) saying that he is
+really not himself before So-and-so; tell him that So-and-so admires
+him very much and is himself rather abashed before B, and B is straightway
+comfortable, and they get on harmoniously together, and you hear no
+more about subtle sympathies or antipathies.</p>
+<p><i>Dunsford</i>.&nbsp; What a low view you do take of things sometimes,
+Ellesmere!</p>
+<p><i>Milverton</i>.&nbsp; I should not care how low it was, but it
+is not fair - at least, it does not contain the whole matter.&nbsp;
+In the very case he has put, there was a subtle embarrassment between
+B and So-and-so.&nbsp; Well, now, let these people not merely meet occasionally,
+but be obliged to live together, without any such explanation as Ellesmere
+has imagined, and they will be very uncomfortable from causes that you
+cannot impute to vanity.&nbsp; It takes away much of the savour of life
+to live amongst those with whom one has not anything like one&rsquo;s
+fair value.&nbsp; It may not be mortified vanity, but unsatisfied sympathy,
+which causes this discomfort.&nbsp; B thinks that the other does not
+know him; he feels that he has no place with the other.&nbsp; When there
+is intense admiration on one side, there is hardly a care in the mind
+of the admiring one as to what estimation he is held in.&nbsp; But,
+in ordinary cases, some clearly defined respect and acknowledgment of
+worth is needed on both sides.&nbsp; See how happy a man is in any office
+or service who is acknowledged to do something well.&nbsp; How comfortable
+he is with his superiors!&nbsp; He has his place.&nbsp; It is not exactly
+a satisfaction of his vanity, but an acknowledgment of his useful existence
+that contents him.&nbsp; I do not mean to say that there are not innumerable
+claims for acknowledgment of merit and service made by rampant vanity
+and egotism, which claims cannot be satisfied, ought not to be satisfied,
+and which, being unsatisfied, embitter people.&nbsp; But I think your
+word Vanity will not explain all the feelings we have been talking about.</p>
+<p><i>Ellesmere</i>.&nbsp; Perhaps not.</p>
+<p><i>Dunsford</i>.&nbsp; Certainly not.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, at any rate, you will admit that there
+is a class of dreadfully humble people who make immense claims at the
+very time that they are explaining that they have no claims.&nbsp; They
+say they know they cannot be esteemed; they are well aware that they
+are not wanted, and so on, all the while making it a sort of grievance
+and a claim that they are not what they know themselves not to be; whereas,
+if they did but fall back upon their humility, and keep themselves quiet
+about their demerits, they would be strong then, and in their place
+and happy, doing what they could.</p>
+<p><i>Milverton</i>.&nbsp; It must be confessed that these people do
+make their humility somewhat obnoxious.&nbsp; Yet, after all, you allow
+that they know their deficiencies, and they only say, &ldquo;I know
+I have not much to recommend me, but I wish to be loved, nevertheless.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; Ah, if they only said it a few times!&nbsp;
+Besides, there is a little envy mixed up with the humility that I mean.</p>
+<p><i>Dunsford</i>.&nbsp; Travelling is a great trial of people&rsquo;s
+ability to live together.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes.&nbsp; Lavater says that you do not know
+a man until you have divided an inheritance with him; but I think a
+long journey with him will do.</p>
+<p><i>Milverton</i>.&nbsp; Well, and what is it in travelling that makes
+people disagree?&nbsp; Not direct selfishness, but injudicious management;
+stupid regrets, for instance, at things not being different from what
+they are, or from what they might have been, if &ldquo;the other route&rdquo;
+had been chosen; fellow-travellers punishing each other with each other&rsquo;s
+tastes; getting stock subjects of disputation; laughing unseasonably
+at each other&rsquo;s vexations and discomforts; and endeavouring to
+settle everything by the force of sufficient reason, instead of by some
+authorised will, or by tossing up.&nbsp; Thus, in the short time of
+a journey, almost all modes and causes of human disagreement are brought
+into action.</p>
+<p><i>Ellesmere</i>.&nbsp; My favourite one not being the least - over-much
+of each other&rsquo;s company.</p>
+<p>For my part, I think one of the greatest bores of companionship is,
+not merely that people wish to fit tastes and notions on you just as
+they might the first pair of ready-made shoes they meet with, a process
+amusing enough to the bystander, but exquisitely uncomfortable to the
+person being ready-shod: but that they bore you with never-ending talk
+about their pursuits, even when they know that you do not work in the
+same groove with them, and that they cannot hope to make you do so.</p>
+<p><i>Dunsford</i>.&nbsp; Nobody can accuse you of that fault, Ellesmere:
+I never heard you dilate much upon anything that interested you, though
+I have known you have some pet subject, and to be working at it for
+months.&nbsp; But this comes of your coldness of nature.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, it might bear a more favourable construction.&nbsp;
+But to go back to the essay.&nbsp; It only contemplates the fact of
+people living together as equals, if we may so say; but in general,
+of course, you must add some other relationship or connection than that
+of merely being together.</p>
+<p><i>Milverton</i>.&nbsp; I had not overlooked that; but there are
+certain general rules in the matter that may be applied to nearly all
+relationship, just as I have taken that one from Johnson, applied by
+him to married life, about not endeavouring to settle all things by
+reasoning, and have given it a general application which, I believe,
+it will bear.</p>
+<p><i>Ellesmere</i>.&nbsp; There is one thing that I should think must
+often make women very unreasonable and unpleasant companions.&nbsp;
+Oh, you may both hold up your hands and eyes, but I am not married,
+and can say what I please.&nbsp; Of course you put on the proper official
+look of astonishment; and I will duly report it.&nbsp; But I was going
+to say that Chivalry, which has doubtless done a great deal of good,
+has also done a great deal of harm.&nbsp; Women may talk the greatest
+unreason out of doors, and nobody kindly informs them that it is unreason.&nbsp;
+They do not talk much before clever men, and when they do, their words
+are humoured and dandled as children&rsquo;s sayings are.&nbsp; Now,
+I should fancy - mind, I do not want either of you to say that my fancy
+is otherwise than quite unreasonable - I should fancy that when women
+have to hear reason at home it must sound odd to them.&nbsp; The truth
+is, you know, we cannot pet anything much without doing it mischief.&nbsp;
+You cannot pet the intellect, any more than the will, without injuring
+it.&nbsp; Well then, again, if you put people upon a pedestal and do
+a great deal of worship around them, I cannot think but the will in
+such cases must become rather corrupted, and that lessons of obedience
+must fall rather harshly - </p>
+<p><i>Dunsford</i>.&nbsp; Why, you Mahometan, you Turk of a lawyer -
+would you do away with all the high things of courtesy, tenderness for
+the weaker, and - </p>
+<p><i>Milverton</i>.&nbsp; No, I see what he means; and there is something
+in it.&nbsp; Many a woman is brought up in unreason and self-will from
+these causes that he has given, as many a man from other causes; but
+there is one great corrective that he has omitted, and which is, that
+all forms, fashions, and outward things have a tendency to go down before
+realities when they come hand to hand together.&nbsp; Knowledge and
+judgment prevail.&nbsp; Governing is apt to fall to the right person
+in private as in public affairs.</p>
+<p><i>Ellesmere</i>.&nbsp; Those who give way in public affairs, and
+let the men who can do a thing do it, are so far wise that they know
+what is to be done, mostly.&nbsp; But the very things I am arguing against
+are the unreason and self-will, which being constantly pampered, do
+not appreciate reason or just sway.&nbsp; Besides, is there not a force
+in ill-humour and unreason to which you constantly see the wisest bend?&nbsp;
+You will come round to my opinion some day.&nbsp; I do not want, though,
+to convince you.&nbsp; It is no business of mine.</p>
+<p><i>Milverton</i>.&nbsp; Well, I may be wrong, but I think, when we
+come to consider education, I can show you how the dangers you fear
+may be greatly obviated, without Chivalry being obliged to put on a
+wig and gown, and be wise.</p>
+<p><i>Dunsford</i>.&nbsp; Meanwhile, let us enjoy the delightful atmosphere
+of courtesy, unreasonable sometimes, if you like, which saves many people
+being put down with the best arguments in the most convincing manner,
+or being weighed, estimated, and given way to, so as not to spoil them.</p>
+<p><i>Ellesmere</i>.&nbsp; Do not tell, either of you, what I have been
+saying.&nbsp; I shall always be poked up into some garret when I come
+to see you, if you do.</p>
+<p><i>Dunsford</i>.&nbsp; I think the most curious thing, as regards
+people living together, is the intense ignorance they sometimes are
+in of each other.&nbsp; Many years ago, one or other of you said something
+of this kind to me, and I have often thought of it since.</p>
+<p><i>Milverton</i>.&nbsp; People fulfil a relation towards each other,
+and they only know each other in that relation, especially if it is
+badly managed by the superior one; but any way the relationship involves
+some ignorance.&nbsp; They perform orbits round each other, each gyrating,
+too, upon his own axis, and there are parts of the character of each
+which are never brought into view of the other.</p>
+<p><i>Ellesmere</i>.&nbsp; I should carry this notion of yours, Milverton,
+farther than you do.&nbsp; There is a peculiar mental relation soon
+constituted between associates of any kind, which confines and prevents
+complete knowledge on both sides.&nbsp; Each man, in some measure therefore,
+knows others only through himself.&nbsp; Tennyson makes Ulysses say,</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;I am a part of all that I have
+seen;&rdquo;</p>
+<p>it might have run,</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;I am a part of all that I have
+heard.&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Ellesmere becoming metaphysical and transcendental!</p>
+<p><i>Ellesmere</i>.&nbsp; Well, well, we will leave these heights,
+and descend in little drops of criticism.&nbsp; There are two or three
+things you might have pointed out, Milverton.&nbsp; Perhaps you would
+say that they are included in what you have said, but I think not.&nbsp;
+You talk of the mischief of much comment on each other amongst those
+who live together.&nbsp; You might have shown, I think, that in the
+case of near friends and relations this comment also deepens into interference
+- at least it partakes of that nature.&nbsp; Friends and relations should,
+therefore, be especially careful to avoid needless comments on each
+other.&nbsp; They do just the contrary.&nbsp; That is one of the reasons
+why they often hate one another so much.</p>
+<p><i>Dunsford</i>.&nbsp; Ellesmere!</p>
+<p><i>Ellesmere</i>.&nbsp; Protest, if you like, my dear Dunsford.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dissentient,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;1.&nbsp;
+Because I wish it were not so.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2.&nbsp;
+Because I am sorry that it is.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;(Signed)
+DUNSFORD.</p>
+<p><i>Milverton</i>.&nbsp; &ldquo;Hate&rdquo; is too strong a word,
+Ellesmere; what you say would be true enough, if you would put &ldquo;are
+not in sympathy with.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; &ldquo;Have a quiet distaste for.&rdquo;&nbsp;
+That is the proper medium.&nbsp; Now, to go to another matter.&nbsp;
+You have not put the case of over-managing people, who are tremendous
+to live with.</p>
+<p><i>Milverton</i>.&nbsp; I have spoken about &ldquo;interfering unreasonably
+with others.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; That does not quite convey what I mean.&nbsp;
+It is when the manager and the managee are both of the same mind as
+to the thing to be done; but the former insists, and instructs, and
+suggests, and foresees, till the other feels that all free agency for
+him is gone.</p>
+<p><i>Milverton</i>.&nbsp; It is a sad thing to consider how much of
+their abilities people turn to tiresomeness.&nbsp; You see a man who
+would be very agreeable if he were not so observant: another who would
+be charming, if he were deaf and dumb: a third delightful, if he did
+not vex all around him with superfluous criticism.</p>
+<p><i>Ellesmere</i>.&nbsp; A hit at me that last, I suspect.&nbsp; But
+I shall go on.&nbsp; You have not, I think, made enough merit of independence
+in companionship.&nbsp; If I were to put into an aphorism what I mean,
+I should say, Those who depend wholly on companionship are the worst
+companions; or thus: Those deserve companionship who can do without
+it.&nbsp; There, Mr. Aphoriser General, what do you say to that?</p>
+<p><i>Milverton</i>.&nbsp; Very good, but - </p>
+<p><i>Ellesmere</i>.&nbsp; Of course a &ldquo;but&rdquo; to other people&rsquo;s
+aphorisms, as if every aphorism had not buts innumerable.&nbsp; We critics,
+you know, cannot abide criticism.&nbsp; We do all the criticism that
+is needed ourselves.&nbsp; I wonder at the presumption sometimes of
+you wretched authors.&nbsp; But to proceed.&nbsp; You have not said
+anything about the mischief of superfluous condolence amongst people
+who live together.&nbsp; I flatter myself that I could condole anybody
+out of all peace of mind.</p>
+<p><i>Milverton</i>.&nbsp; All depends upon whether condolence goes
+with the grain, or against the grain, of vanity.&nbsp; I know what you
+mean, however: For instance, it is a very absurd thing to fret much
+over other people&rsquo;s courses, not considering the knowledge and
+discipline that there is in any course that a man may take.&nbsp; And
+it is still more absurd to be constantly showing the people fretted
+over that you are fretting over them.&nbsp; I think a good deal of what
+you call superfluous condolence would come under the head of superfluous
+criticism.</p>
+<p><i>Ellesmere</i>.&nbsp; Not altogether.&nbsp; In companionship, when
+an evil happens to one of the circle, the others should simply attempt
+to share and lighten it, not to expound it, or dilate on it, or make
+it the least darker.&nbsp; The person afflicted generally apprehends
+all the blackness sufficiently.&nbsp; Now, unjust abuse by the world
+is to me like the howling of the wind at night when one is warm within.&nbsp;
+Bring any draught of it into one&rsquo;s house though, and it is not
+so pleasant.</p>
+<p><i>Dunsford</i>.&nbsp; Talking of companionship, do not you think
+there is often a peculiar feeling of home where age or infirmity is?&nbsp;
+The arm-chair of the sick or the old is the centre of the house.&nbsp;
+They think, perhaps, that they are unimportant; but all the household
+hopes and cares flow to them and from them.</p>
+<p><i>Milverton</i>.&nbsp; I quite agree with you.&nbsp; What you have
+just depicted is a beautiful sight, especially when, as you often see,
+the age or infirmity is not in the least selfish or exacting.</p>
+<p><i>Ellesmere</i>.&nbsp; We have said a great deal about the companionship
+of human beings; but, upon my word, we ought to have kept a few words
+for our dog friends.&nbsp; Rollo has been lolling out his great tongue,
+and looking wistfully from face to face, as we each began our talk.&nbsp;
+A few minutes ago he was quite concerned, thinking I was angry with
+you, when I would not let you &ldquo;but&rdquo; my aphorism.&nbsp; I
+am not sure which of the three I should rather go out walking with now:
+Dunsford, Rollo, Milverton.&nbsp; The middle one is the safest companion.&nbsp;
+I am sure not to get out of humour with him.&nbsp; But I have no objection
+to try the whole three: only I vote for much continuity of silence,
+as we have had floods of discussion to-day.</p>
+<p><i>Dunsford</i>.&nbsp; Agreed!</p>
+<p><i>Ellesmere</i>.&nbsp; Come, Rollo, you may bark now, as you have
+been silent, like a wise dog, all the morning.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER VIII.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>It was arranged, during our walk, that Ellesmere should come and
+stay a day or two with me, and see the neighbouring cathedral, which
+is nearer my house than Milverton&rsquo;s.&nbsp; The visit over, I brought
+him back to Worth-Ashton.&nbsp; Milverton saw us coming, walked down
+the hill to meet us, and after the usual greetings, began to talk to
+Ellesmere.</p>
+<p><i>Milverton</i>.&nbsp; So you have been to see our cathedral.&nbsp;
+I say &ldquo;our,&rdquo; for when a cathedral is within ten miles of
+us, we feel a property in it, and are ready to battle for its architectural
+merits.</p>
+<p><i>Ellesmere</i>.&nbsp; You know I am not a man to rave about cathedrals.</p>
+<p><i>Milverton</i>.&nbsp; I certainly do not expect you to do so.&nbsp;
+To me a cathedral is mostly somewhat of a sad sight.&nbsp; You have
+Grecian monuments, if anything so misplaced can be called Grecian, imbedded
+against and cutting into Gothic pillars; the doors shut for the greater
+part of the day; only a little bit of the building used: beadledom predominant;
+the clink of money here and there; white-wash in vigour; the singing
+indifferent; the sermons not indifferent but bad; and some visitors
+from London forming, perhaps, the most important part of the audience;
+in fact, the thing having become a show.&nbsp; We look about, thinking
+when piety filled every corner, and feel that the cathedral is too big
+for the Religion which is a dried-up thing that rattles in this empty
+space.</p>
+<p><i>Ellesmere</i>.&nbsp; This is the boldest simile I have heard for
+a long time.&nbsp; My theory about cathedrals is very different, I must
+confess.</p>
+<p><i>Dunsford</i>.&nbsp; Theory!</p>
+<p><i>Ellesmere</i>.&nbsp; Well, &ldquo;theory&rdquo; is not the word
+I ought to have used - feeling then.&nbsp; My feeling is, how strong
+this creature was, this worship, how beautiful, how alluring, how complete;
+but there was something stronger - truth.</p>
+<p><i>Milverton</i>.&nbsp; And more beautiful?</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, and far more beautiful.</p>
+<p><i>Milverton</i>.&nbsp; Doubtless, to the free spirits who brought
+truth forward.</p>
+<p><i>Ellesmere</i>.&nbsp; You are only saying this, Milverton, to try
+what I will say; but, despite of all sentimentalities, you sympathise
+with any emancipation of the human mind, as I do, however much the meagreness
+of Protestantism may be at times distasteful to you.</p>
+<p><i>Milverton</i>.&nbsp; I did not say I was anxious to go back.&nbsp;
+Certainly not.&nbsp; But what says Dunsford?&nbsp; Let us sit down on
+his stile and hear what he has to say.</p>
+<p><i>Dunsford</i>.&nbsp; I cannot talk to you about this subject.&nbsp;
+If I tell you of all the merits (as they seem to me) of the Church of
+England, you will both pick what I say to pieces, whereas if I leave
+you to fight on, one or the other will avail himself of those arguments
+on which our Church is based.</p>
+<p><i>Milverton</i>.&nbsp; Well, Dunsford, you are very candid, and
+would make a complete diplomatist: truth-telling being now pronounced
+(rather late in the day) the very acme of diplomacy.&nbsp; But do you
+not own that our cathedrals are sadly misused?</p>
+<p><i>Dunsford</i>.&nbsp; Now, very likely, if more were made of them,
+you, and men who think like you, would begin to cry out &ldquo;superstition&rdquo;;
+and would instantly turn round and inveigh against the uses which you
+now, perhaps, imagine for cathedrals.</p>
+<p><i>Milverton</i>.&nbsp; Well, one never can answer for oneself; but
+at any rate, I do not see what is the meaning of building new churches
+in neighbourhoods where there are already the noblest buildings suitable
+for the same purposes.&nbsp; Is there a church religion, and is there
+a cathedral religion?</p>
+<p><i>Ellesmere</i>.&nbsp; You cannot make the present fill the garb
+of the past, Milverton, any more than you could make the past fill that
+of the present.&nbsp; Now, as regards the very thing you are about to
+discuss to-day, if it be the same you told us in our last walk - Education:
+if you are only going to give us some institution for it, I daresay
+it may be very good for to-day, or for this generation, but it will
+have its sere and yellow leaf, and there will be a time when future
+Milvertons, in sentimental mood, will moan over it, and wish they had
+it and all that has grown up to take its place at the same time.&nbsp;
+But all this is what I have often heard you say yourself in other words.</p>
+<p><i>Dunsford</i>.&nbsp; This is very hard doctrine, and not quite
+sound, I think.&nbsp; In getting the new gain, we always sacrifice something,
+and we should look with some pious regard to what was good in the things
+which are past.&nbsp; That good is generally one which, though it may
+not be equal to the present, would make a most valuable supplement to
+it.</p>
+<p><i>Milverton</i>.&nbsp; I would try and work in the old good thing
+with the new, not as patchwork though, but making the new thing grow
+out in such a way as to embrace the old advantage.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, we must have the essay before we branch
+out into our philosophy.&nbsp; Pleasure afterwards - I will not say
+what comes first.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>EDUCATION.</p>
+<p>The word education is so large, that one may almost as well put &ldquo;world,&rdquo;
+or &ldquo;the end and object of being,&rdquo; at the head of an essay.&nbsp;
+It should, therefore, soon be declared what such a heading does mean.&nbsp;
+The word education suggests chiefly to some minds what the State can
+do for those whom they consider its young people - the children of the
+poorer classes: to others it presents the idea of all the training that
+can be got for money at schools and colleges, and which can be fairly
+accomplished and shut in at the age of one-and-twenty.&nbsp; This essay,
+however, will not be a treatise on government education, or other school
+and college education, but will only contain a few points in reference
+to the general subject, which may escape more methodical and enlarged
+discussions.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>In the first place, as regards government education, it must be kept
+in mind that there is a danger of its being too interfering and formal,
+of its overlying private enterprise, insisting upon too much uniformity,
+and injuring local connections and regards.&nbsp; Education, even in
+the poorest acceptance of the word, is a great thing: but the harmonious
+intercourse of different ranks, if not a greater, is a more difficult
+one; and we must not gain the former at any considerable sacrifice of
+the latter.</p>
+<p>There is another point connected with this branch of the subject
+which requires, perhaps, to be noted.&nbsp; If government provision
+is made in any case, might it not be combined with private payment in
+other cases, or enter in the way of rewards, so as to do good throughout
+each step of the social ladder?&nbsp; The lowest kind of school education
+is a power, and it is desirable that the gradations of this power should
+correspond to other influences which we know to be good.&nbsp; For instance,
+a hard-working man saves something to educate his children; if he can
+get a little better education for them than other parents of his own
+rank for theirs, it is an incentive and a reward to him, and the child&rsquo;s
+bringing up at home is a thing which will correspond to this better
+education at school.&nbsp; In this there are the elements at once of
+stability and progress.</p>
+<p>These views may possibly seem too refined, but at any rate they require
+consideration.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>The next branch of the subject is the ordinary education of young
+persons not of the poorest classes, with which the State has hitherto
+had little or nothing to do.&nbsp; This may be considered under four
+heads: religious, moral, intellectual, and physical education.&nbsp;
+With regard to the first, there is not much that can be put into rules
+about it.&nbsp; Parents and tutors will naturally be anxious to impress
+those under their charge with the religious opinions which they themselves
+hold.&nbsp; In doing this, however, they should not omit to lay a foundation
+for charity towards people of other religious opinions.&nbsp; For this
+purpose, it may be requisite to give a child a notion that there are
+other creeds besides that in which it is brought up itself.&nbsp; And
+especially, let it not suppose that all good and wise people are of
+its church or chapel.&nbsp; However desirable it may appear to the person
+teaching that there should be such a thing as unity of religion, yet
+as the facts of the world are against his wishes, and as this is the
+world which the child is to enter, it is well that the child should
+in reasonable time be informed of these facts.&nbsp; It may be said
+in reply that history sufficiently informs children on these points.&nbsp;
+But the world of the young is the domestic circle; all beyond is fabulous,
+unless brought home to them by comment.&nbsp; The fact, therefore, of
+different opinions in religious matters being held by good people should
+sometimes be dwelt upon, instead of being shunned, if we would secure
+a ground-work of tolerance in a child&rsquo;s mind.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>INTELLECTUAL EDUCATION.</p>
+<p>In the intellectual part of education there is the absolute knowledge
+to be acquired, and the ways of acquiring knowledge to be gained.&nbsp;
+The latter of course form the most important branch.&nbsp; They can,
+in some measure, be taught.&nbsp; Give children little to do, make much
+of its being accurately done.&nbsp; This will give accuracy.&nbsp; Insist
+upon speed in learning, with careful reference to the original powers
+of the pupil.&nbsp; This speed gives the habit of concentrating attention,
+one of the most valuable of mental habits.&nbsp; Then cultivate logic.&nbsp;
+Logic is not the hard matter that is fancied.&nbsp; A young person,
+especially after a little geometrical training, may soon be taught to
+perceive where a fallacy exists, and whether an argument is well sustained.&nbsp;
+It is not, however, sufficient for him to be able to examine sharply
+and to pull to pieces.&nbsp; He must learn how to build.&nbsp; This
+is done by method.&nbsp; The higher branches of method cannot be taught
+at first.&nbsp; But you may begin by teaching orderliness of mind.&nbsp;
+Collecting, classifying, contrasting and weighing facts, are some of
+the processes by which method is taught.&nbsp; When these four things,
+accuracy, attention, logic, and method are attained, the intellect is
+fairly furnished with its instruments.</p>
+<p>As regards the things to be taught, they will vary to some extent
+in each age.&nbsp; The general course of education pursued at any particular
+time may not be the wisest by any means, and greatness will overleap
+it and neglect it, but the mass of men may go more safely and comfortably,
+if not with the stream, at least by the side of it.</p>
+<p>In the choice of studies too much deference should not be paid to
+the bent of a young person&rsquo;s mind.&nbsp; Excellence in one or
+two things which may have taken the fancy of a youth (or which really
+may suit his genius) will ill compensate for a complete ignorance of
+those branches of study which are very repugnant to him; and which are,
+therefore, not likely to be learnt when he has freedom in the choice
+of his studies.</p>
+<p>Amongst the first things to be aimed at in the intellectual part
+of education is variety of pursuit.&nbsp; A human being, like a tree,
+if it is to attain to perfect symmetry, must have light and air given
+to it from all quarters.&nbsp; This may be done without making men superficial.&nbsp;
+Scientific method may be acquired without many sciences being learnt.&nbsp;
+But one or two great branches of science must be accurately known.&nbsp;
+So, too, the choice works of antiquity may be thoroughly appreciated
+without extensive reacting.&nbsp; And passing on from mere learning
+of any kind, a variety of pursuits, even in what may be called accomplishments,
+is eminently serviceable.&nbsp; Much may be said of the advantage of
+keeping a man to a few pursuits, and of the great things done thereby
+in the making of pins and needles.&nbsp; But in this matter we are not
+thinking of the things that are to be done, but of the persons who are
+to do them.&nbsp; Not wealth but men.&nbsp; A number of one-sided men
+may make a great nation, though I much incline to doubt that; but such
+a nation will not contain a number of great men.</p>
+<p>The very advantage that flows from division of labour, and the probable
+consequences that men&rsquo;s future bread-getting pursuits will be
+more and more sub-divided, and therefore limited, make it the more necessary
+that a man should begin life with a broad basis of interest in many
+things which may cultivate his faculties and develop his nature.&nbsp;
+This multifariousness of pursuit is needed also in the education of
+the poor.&nbsp; Civilisation has made it easy for a man to brutalise
+himself: how is this to be counteracted but by endowing him with many
+pursuits which may distract him from vice?&nbsp; It is not that kind
+of education which leads to no employment in after-life that will do
+battle with vice.&nbsp; But when education enlarges the field of life-long
+good pursuits, it becomes formidable to the soul&rsquo;s worst enemies.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>MORAL EDUCATION.</p>
+<p>In considering moral education we must recollect that there are three
+agents in this matter - the child himself, the influence of his grown-up
+friends, and that of his contemporaries.&nbsp; All that his grown-up
+friends tell him in the way of experience goes for very little, except
+in palpable matters.&nbsp; They talk of abstractions which he cannot
+comprehend: and the &ldquo;Arabian Nights&rdquo; is a truer world to
+him than that they talk of.&nbsp; Still, though they cannot furnish
+experience, they can give motives.&nbsp; Indeed, in their daily intercourse
+with the child, they are always doing so.&nbsp; For instance, truth,
+courage, and kindness are the great moral qualities to be instilled.&nbsp;
+Take courage, in its highest form - moral courage.&nbsp; If a child
+perpetually hears such phrases (and especially if they are applied to
+his own conduct), as, &ldquo;What people will say,&rdquo; &ldquo;How
+they will look at you,&rdquo; &ldquo;What they will think,&rdquo; and
+the like, it tends to destroy all just self-reliance in that child&rsquo;s
+mind, and to set up instead an exaggerated notion of public opinion,
+the greatest tyrant of these times.&nbsp; People can see this in such
+an obvious thing as animal courage.&nbsp; They will avoid over-cautioning
+children against physical dangers, knowing that the danger they talk
+much about will become a bug-bear to the child which it may never get
+rid of.&nbsp; But a similar peril lurks in the application of moral
+motives.&nbsp; Truth, courage, and kindness are likely to be learnt,
+or not, by children, according as they hear and receive encouragement
+in the direction of these pre-eminent qualities.&nbsp; When attempt
+is made to frighten a child with these worldly maxims, &ldquo;What will
+be said of you?&rdquo; &ldquo;Are you like such a one?&rdquo; and such
+things, it is meant to draw him under the rule of grown-up respectability.&nbsp;
+The last thing thought of by the parent or teacher is, that such maxims
+will bring the child under the especial guidance of the most unscrupulous
+of his contemporaries.&nbsp; They will use ridicule and appeal to their
+little world, which will be his world, and ask, &ldquo;What will be
+said&rdquo; of him.&nbsp; There should be some stuff in him of his own
+to meet these awful generalities.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>PHYSICAL EDUCATION.</p>
+<p>The physical education of children is a very simple matter, too simple
+to be much attended to without great perseverance and resolution on
+the part of those who care for the children.&nbsp; It consists, as we
+all know, in good air, simple diet, sufficient exercise, and judicious
+clothing.&nbsp; The first requisite is the most important, and by far
+the most frequently neglected.&nbsp; This neglect is not so unreasonable
+as it seems.&nbsp; It arises from pure ignorance.&nbsp; If the mass
+of mankind knew what scientific men know about the functions of the
+air, they would be as careful in getting a good supply of it as of their
+other food.&nbsp; All the people that ever were supposed to die of poison
+in the middle ages, and that means nearly everybody whose death was
+worth speculating about, are not so many as those who die poisoned by
+bad air in the course of any given year.&nbsp; Even a slightly noxious
+thing, which is constant, affecting us every moment of the day, must
+have considerable influence; but the air we breathe is not a thing that
+slightly affects us, but one of the most important elements of life.&nbsp;
+Moreover, children are the most affected by impurity of air.&nbsp; We
+need not weary ourselves with much statistics to ascertain this.&nbsp;
+One or two broad facts will assure us of it.&nbsp; In Nottingham there
+is a district called Byron Ward, &ldquo;the densest and worst-conditioned
+quarter of the town.&rdquo;&nbsp; A table has been made by Mr. William
+Hawksley of the mortality of equal populations in different parts of
+the town:</p>
+<p>&ldquo;On comparing the diagram No. 1, relating to Park Ward, with
+the diagram No. 7, relating to Byron Ward, it will be seen that the
+heavier pressure of the causes of mortality occasions in the latter
+district such an undue destruction of early life, that towards 100 deaths,
+however occurring, Byron Ward contributes fifty per cent. more of children
+under five years of age than the Park Ward, for the former sends sixty
+children to an early grave, while the latter sends only forty.&rdquo;
+<a name="citation116a"></a><a href="#footnote116a">{116a}</a></p>
+<p>Mr. Hawksley, the former witness alluded to, goes on to say - </p>
+<p>&ldquo;It has been long known that, with increase of years, up to
+that period of life which has been denominated the second childhood,
+the human constitution becomes gradually more resistful, and as it were
+slowly hardened against the repeated attacks of those more acute disorders,
+incident to an inferior degree of sanitary civilisation, by which large
+portions of an infant population are continually overcome and rapidly
+swept away.&nbsp; From the operation of these and more extraneous influences
+of a disturbing character, an infant population is almost entirely exempted;
+and on this account it is considered that an infant population constitutes,
+as it were, a delicate barometer, from which we may derive more early
+and more certain indications of the presence and comparative force of
+local causes of mortality and disease than can be obtained from the
+more general methods of investigation usually pursued.&rdquo;</p>
+<p>The above evidence is confirmed by Mr. Toynbee: - </p>
+<p>&ldquo;The disease of hydrocephalus, of water in the brain, so fatal
+to children, I find associated with symptoms of scrofula, and arising
+in abundance in these close rooms.&nbsp; I believe water in the brain,
+in the class of patients whom I visit, to be almost wholly a scrofulous
+affection.&rdquo;&nbsp; <a name="citation116b"></a><a href="#footnote116b">{116b}</a></p>
+<p>But supposing people aware of the necessity for good air, and therefore
+for ventilation, what is to be done?&nbsp; In houses in great towns
+certainly, and I should say in all houses, some of the care and expense
+that are devoted to ornamental work, which when done is often a care,
+a trouble, an eyesore, and a mischief, should be given to modes of ventilation,
+<a name="citation117a"></a><a href="#footnote117a">{117a}</a> sound
+building, abundant access of light, largeness of sleeping-rooms, and
+such useful things.&nbsp; Less ormolu and tinsel of all kinds in the
+drawing-rooms, and sweeter air in the regions above.&nbsp; Similar things
+may be done for and by the poor. <a name="citation117b"></a><a href="#footnote117b">{117b}</a>&nbsp;
+And it need hardly be said that those people who care for their children,
+if of any enlightenment at all, will care greatly for the sanitary condition
+of their neighbourhood generally.&nbsp; At present you will find at
+many a rich man&rsquo;s door <a name="citation117c"></a><a href="#footnote117c">{117c}</a>
+a nuisance which is poisoning the atmosphere that his children are to
+breathe, but which he could entirely cure for less than one day&rsquo;s
+ordinary expenses.</p>
+<p>I am afraid that ventilation is very little attended to in school-rooms,
+either for rich or poor.&nbsp; Now it may be deliberately said that
+there is very little learned in any school-room that can compensate
+for the mischief of its being learned in the midst of impure air.&nbsp;
+This is a thing which parents must look to, for the grown-up people
+in the school-rooms, though suffering grievously themselves from insufficient
+ventilation, will be unobservant of it. <a name="citation118"></a><a href="#footnote118">{118}</a>&nbsp;
+In every system of government inspection, ventilation must occupy a
+prominent part.</p>
+<p>The advantage of simple food for children is a thing that people
+have found out.&nbsp; And as regards exercise, children happily make
+great efforts to provide a sufficiency of this for themselves.&nbsp;
+In clothing, the folly and conformity of grown-up people enter again.&nbsp;
+Loving mothers, in various parts of the world, carry about at present,
+I believe, and certainly in times past, carried their little children
+strapped to a board, with nearly as little power of motion as the board
+itself.&nbsp; Could we get the returns of stunted miserable beings,
+or of deaths, from this cause, they would be something portentous.&nbsp;
+Less in degree, but not less fatally absurd in principle, are many of
+the strappings, bandages, and incipient stays for children amongst us.&nbsp;
+They are all mischievous.&nbsp; Allow children, at any rate, some freedom
+of limbs, some opportunity of being graceful and healthy.&nbsp; Give
+Nature - dear motherly, much-abused Nature - some chance of forming
+these little ones according to the beneficent intentions of Providence,
+and not according to the angular designs of ill-educated men and women.</p>
+<p>I do not say that attention to the above matters of good air, judicious
+clothing, and freedom from bandages, will absolutely secure health,
+because these very things may have been so ill attended to in the parents
+or in the parental stock as to have introduced special maladies; but
+at least they are the most important objects to be minded now; and,
+perhaps, the more to be minded in the children of those who have suffered
+most from neglect in these particulars.</p>
+<p>When we are considering the health of children, it is imperative
+not to omit the importance of keeping their brains fallow, as it were,
+for several of the first years of their existence.&nbsp; The mischief
+perpetrated by a contrary course in the shape of bad health, peevish
+temper, and developed vanity, is incalculable.&nbsp; It would not be
+just to attribute this altogether to the vanity of parents; they are
+influenced by a natural fear lest their children should not have all
+the advantages of other children.&nbsp; Some infant prodigy which is
+a standard of mischief throughout its neighbourhood misleads them.&nbsp;
+But parents may be assured that this early work is not by any means
+all gain, even in the way of work.&nbsp; I suspect it is a loss; and
+that children who begin their education late, as it would be called,
+will rapidly overtake those who have been in harness long before them.&nbsp;
+And what advantage can it be that the child knows more at six years
+old than its compeers, especially if this is to be gained by a sacrifice
+of health which may never be regained?&nbsp; There may be some excuse
+for this early book-work in the case of those children who are to live
+by manual labour.&nbsp; It is worth while, perhaps, to run the risk
+of some physical injury to them, having only their early years in which
+we can teach them book-knowledge.&nbsp; The chance of mischief, too,
+will be less, being more likely to be counteracted by their after-life.&nbsp;
+But for a child who has to be at book-work for the first twenty-one
+years of its life, what folly it is to exhaust in the least the mental
+energy, which, after all, is its surest implement.</p>
+<p>A similar course of argument applies to taking children early to
+church, and to over-developing their minds in any way.&nbsp; There is
+no knowing, moreover, the disgust and weariness that may grow up in
+the minds of young persons from their attention being prematurely claimed.&nbsp;
+We are now, however, looking at early study as a matter of health; and
+we may certainly put it down in the same class with impure air, stimulating
+diet, unnecessary bandages, and other manifest physical disadvantages.&nbsp;
+Civilised life, as it advances, does not seem to have so much repose
+in it, that we need begin early in exciting the mind, for fear of the
+man being too lethargical hereafter.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>EDUCATION OF WOMEN.</p>
+<p>It seems needful that something should be said specially about the
+education of women.&nbsp; As regards their intellects they have been
+unkindly treated - too much flattered, too little respected.&nbsp; They
+are shut up in a world of conventionalities, and naturally believe that
+to be the only world.&nbsp; The theory of their education seems to be,
+that they should not be made companions to men, and some would say,
+they certainly are not.&nbsp; These critics, however, in the high imaginations
+they justly form of what women&rsquo;s society might be to men, forget,
+perhaps, how excellent a thing it is already.&nbsp; Still the criticism
+is not by any means wholly unjust.&nbsp; It appears rather as if there
+had been a falling off since the olden times in the education of women.&nbsp;
+A writer of modern days, arguing on the other side, has said, that though
+we may talk of the Latin and Greek of Lady Jane Grey and Queen Elizabeth,
+yet we are to consider that that was the only learning of the time,
+and that many a modern lady may be far better instructed, although she
+knew nothing of Latin and Greek.&nbsp; Certain it is, she may know more
+facts, have read more books: but this does not assure us that she may
+not be less conversable, less companionable.&nbsp; Wherein does the
+cultivated and thoughtful man differ from the common man?&nbsp; In the
+method of his discourse.&nbsp; His questions upon a subject in which
+he is ignorant are full of interest.&nbsp; His talk has a groundwork
+of reason.&nbsp; This rationality must not be supposed to be dulness.&nbsp;
+Folly is dull.&nbsp; Now, would women be less charming if they had more
+power, or at least more appreciation, of reasoning?&nbsp; Their flatterers
+tell them that their intuition is such that they need not man&rsquo;s
+slow processes of thought.&nbsp; One would be very sorry to have a grave
+question of law that concerned oneself decided upon by intuitive judges,
+or a question of fact by intuitive jurymen.&nbsp; And so of all human
+things that have to be canvassed, it is better, and more amusing too,
+that they should be discussed according to reason.&nbsp; Moreover, the
+exercise of the reasoning faculties gives much of the pleasure which
+there is in solid acquirements; so that the obvious facts in life and
+history will hardly be acquired by those who are not in the habit of
+reasoning upon them.&nbsp; Hence it comes, that women have less interest
+in great topics, and less knowledge of them, than they might have.</p>
+<p>Again, if either sex requires logical education, it is theirs.&nbsp;
+The sharp practice of the world drives some logic into the most vague
+of men; women are not so schooled.</p>
+<p>But, supposing the deficiency we have been considering to be admitted,
+how is it to be remedied?&nbsp; Women&rsquo;s education must be made
+such as to ensure some accuracy and reasoning.&nbsp; This may be done
+with any subject of education, and is done with men, whatever they learn,
+because they are expected to produce and use their requirements.&nbsp;
+But the greatest object of intellectual education, the improvement of
+the mental powers, is as needful for one sex as the other, and requires
+the same means in both sexes.&nbsp; The same accuracy, attention, logic,
+and method that are attempted in the education of men should be aimed
+at in that of women.&nbsp; This will never be sufficiently attended
+to, as there are no immediate and obvious fruits from it.&nbsp; And,
+therefore, as it is probable, from the different career of women to
+that of men, that whatever women study will not be studied with the
+same method and earnestness as it would be by men, what a peculiar advantage
+there is in any study for them, in which no proficiency whatever can
+be made without some use of most of the qualities we desire for them.&nbsp;
+Geometry, for instance, is such a study.&nbsp; It may appear pedantic,
+but I must confess that Euclid seems to me a book for the young of both
+sexes.&nbsp; The severe rules upon which the acquisition of the dead
+languages is built would of course be a great means for attaining the
+logical habits in question.&nbsp; But Latin and Greek is a deeper pedantry
+for women than geometry, and much less desirable on many accounts: and
+geometry would, perhaps, suffice to teach them what reasoning is.&nbsp;
+I daresay, too, there are accomplishments which might be taught scientifically;
+and so even the prejudice against the manifest study of science by women
+be conciliated.&nbsp; But the appreciation of reasoning must be got
+somehow.</p>
+<p>It is a narrow view of things to suppose that a just cultivation
+of women&rsquo;s mental powers will take them out of their sphere: it
+will only enlarge that sphere.&nbsp; The most cultivated women perform
+their common duties best.&nbsp; They see more in those duties.&nbsp;
+They can do more.&nbsp; Lady Jane Grey would, I daresay, have bound
+up a wound, or managed a household, with any unlearned woman of her
+day.&nbsp; Queen Elizabeth did manage a kingdom: and we find no pedantry
+in her way of doing it.</p>
+<p>People who advocate a better training for women must not, necessarily,
+be supposed to imagine that men and women are by education to be made
+alike, and are intended to fulfil most of the same offices.&nbsp; There
+seems reason for thinking that a boundary line exists between the intellects
+of men and women which, perhaps, cannot be passed over from either side.&nbsp;
+But, at any rate, taking the whole nature of both sexes, and the inevitable
+circumstances which cause them to differ, there must be such a difference
+between men and women that the same intellectual training applied to
+both would produce most dissimilar results.&nbsp; It has not, however,
+been proposed in these pages to adopt the same training: and would have
+been still less likely to be proposed if it could be shown that such
+training would tend to make men and women unpleasantly similar to each
+other.&nbsp; The utmost that has been thought of here is to make more
+of women&rsquo;s faculties, not by any means to translate them into
+men&rsquo;s - if such a thing were possible, which, we may venture to
+say, is not.&nbsp; There are some things that are good for all trees
+- light, air, room - but no one expects by affording some similar advantages
+of this kind to an oak and a beech, to find them assimilate, though
+by such means the best of each may be produced.</p>
+<p>Moreover, it should be recollected that the purpose of education
+is not always to foster natural gifts, but sometimes to bring out faculties
+that might otherwise remain dormant; and especially so far as to make
+the persons educated cognisant of excellence in those faculties in others.&nbsp;
+A certain tact and refinement belong to women, in which they have little
+to learn from the first: men, too, who attain some portion of these
+qualities, are greatly the better for them, and I should imagine not
+less acceptable on that account to women.&nbsp; So, on the other side,
+there may be an intellectual cultivation for women which may seem a
+little against the grain, which would not, however, injure any of their
+peculiar gifts - would, in fact, carry those gifts to the highest, and
+would increase withal, both to men and women, the pleasure of each other&rsquo;s
+society.</p>
+<p>There is a branch of general education which is not thought at all
+necessary for women; as regards which, indeed, it is well if they are
+not brought up to cultivate the opposite.&nbsp; Women are not taught
+to be courageous.&nbsp; Indeed, to some persons courage may seem as
+unnecessary for women as Latin and Greek.&nbsp; Yet there are few things
+that would tend to make women happier in themselves, and more acceptable
+to those with whom they live, than courage.&nbsp; There are many women
+of the present day, sensible women in other things, whose panic-terrors
+are a frequent source of discomfort to themselves and those around them.&nbsp;
+Now, it is a great mistake to imagine that harshness must go with courage;
+and that the bloom of gentleness and sympathy must all be rubbed off
+by that vigour of mind which gives presence of mind, enables a person
+to be useful in peril, and makes the desire to assist overcome that
+sickliness of sensibility which can only contemplate distress and difficulty.&nbsp;
+So far from courage being unfeminine, there is a peculiar grace and
+dignity in those beings who have little active power of attack or defence,
+passing through danger with a moral courage which is equal to that of
+the strongest.&nbsp; We see this in great things.&nbsp; We perfectly
+appreciate the sweet and noble dignity of an Anne Bullen, a Mary Queen
+of Scots, or a Marie Antoinette.&nbsp; We see that it is grand for these
+delicately-bred, high-nurtured, helpless personages to meet Death with
+a silence and a confidence like his own.&nbsp; But there would be a
+similar dignity in women&rsquo;s bearing small terrors with fortitude.&nbsp;
+There is no beauty in fear.&nbsp; It is a mean, ugly, dishevelled creature.&nbsp;
+No statue can be made of it that a woman would like to see herself like.</p>
+<p>Women are pre-eminent in steady endurance of tiresome suffering:
+they need not be far behind men in a becoming courage to meet that which
+is sudden and sharp.&nbsp; The dangers and the troubles, too, which
+we may venture to say they now start at unreasonably, are many of them
+mere creatures of the imagination - such as, in their way, disturb high-mettled
+animals brought up to see too little, and therefore frightened at any
+leaf blown across the road.</p>
+<p>We may be quite sure that, without losing any of the most delicate
+and refined of feminine graces, women may be taught not to give way
+to unreasonable fears, which should belong no more to the fragile than
+to the robust.</p>
+<p>There is no doubt that courage may in some measure be taught.&nbsp;
+We agree that the lower kinds of courage are matter of habit, therefore
+of teaching: and the same thing holds good to some extent of all courage.&nbsp;
+Courage is as contagious as fear.&nbsp; The saying is, that the brave
+are the sons and daughters of the brave; but we might as truly say that
+they must be brought up by the brave.&nbsp; The great novelist, when
+he wants a coward descended from a valorous race, does well to take
+him from his clan and bring him up in an unwarlike home. <a name="citation126"></a><a href="#footnote126">{126}</a>&nbsp;
+Indeed, the heroic example of other days is in great part the source
+of courage of each generation; and men walk up composedly to the most
+perilous enterprises, beckoned onwards by the shades of the brave that
+were.&nbsp; In civil courage, moral courage, or courage shown in the
+minute circumstances of everyday life, the same law is true.&nbsp; Courage
+may be taught by precept, enforced by example, and is good to be taught
+to men, women, and children.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>EDUCATION TO HAPPINESS.</p>
+<p>It is a curious phenomenon in human affairs, that some of those matters
+in which education is most potent should have been amongst the least
+thought of as branches of it.&nbsp; What you teach a boy of Latin and
+Greek may be good; but these things are with him but a little time of
+each day in his after-life.&nbsp; What you teach him of direct moral
+precepts may be very good seed: it may grow up, especially if it have
+sufficient moisture from experience; but then, again, a man is, happily,
+not doing obvious right or wrong all day long.&nbsp; What you teach
+him of any bread-getting art may be of some import to him, as to the
+quantity and quality of bread he will get; but he is not always with
+his art.&nbsp; With himself he is always.&nbsp; How important, then,
+it is, whether you have given him a happy or a morbid turn of mind;
+whether the current of his life is a clear wholesome stream, or bitter
+as Marah.&nbsp; The education to happiness is a possible thing - not
+to a happiness supposed to rest upon enjoyments of any kind, but to
+one built upon content and resignation.&nbsp; This is the best part
+of philosophy.&nbsp; This enters into the &ldquo;wisdom&rdquo; spoken
+of in the Scriptures.&nbsp; Now it can be taught.&nbsp; The converse
+is taught every day and all day long.</p>
+<p>To take an example.&nbsp; A sensitive disposition may descend to
+a child; but it is also very commonly increased, and often created.&nbsp;
+Captiousness, sensitiveness, and a Martha-like care for the things of
+this world, are often the direct fruits of education.&nbsp; All these
+faults of the character, and they are amongst the greatest, may be summed
+up in a disproportionate care for little things.&nbsp; This is rather
+a growing evil.&nbsp; The painful neatness and exactness of modern life
+foster it.&nbsp; Long peace favours it.&nbsp; Trifles become more important,
+great evils being kept away.&nbsp; And so, the tide of small wishes
+and requirements gains upon us fully as fast as we can get out of its
+way by our improved means of satisfying them.&nbsp; Now the unwholesome
+concern that many parents and governors manifest as to small things
+must have a great influence on the governed.&nbsp; You hear a child
+reprimanded about a point of dress, or some trivial thing, as if it
+had committed a treachery.&nbsp; The criticisms, too, which it hears
+upon others are often of the same kind.&nbsp; Small omissions, small
+commissions, false shame, little stumbling-blocks of offence, trifling
+grievances of the kind that Dr. Johnson, who had known hunger, stormed
+at Mrs. Thrale for talking about, are made much of; general dissatisfaction
+is expressed that things are not complete, and that everything in life
+is not turned out as neat as a Long-Acre carriage; commands are expected
+to be fulfilled by agents, upon very rapid and incomplete orders, exactly
+to the mind of the person ordering; - these ways, to which children
+are very attentive, teach them in their turn to be querulous, sensitive,
+and full of small cares and wishes.&nbsp; And when you have made a child
+like this, can you make a world for him that will satisfy him?&nbsp;
+Tax your civilisation to the uttermost: a punctilious, tiresome disposition
+expects more.&nbsp; Indeed, Nature, with her vague and flowing ways,
+cannot at all fit in with a right-angled person.&nbsp; Besides, there
+are other precise, angular creatures, and these sharp-edged persons
+wound each other terribly.&nbsp; Of all the things which you can teach
+people, after teaching them to trust in God, the most important is,
+to put out of their hearts any expectation of perfection, according
+to their notions, in this world.&nbsp; This expectation is at the bottom
+of a great deal of the worldliness we hear so much reprehended, and
+necessarily gives to little things a most irrational importance.</p>
+<p>Observe the effect of this disproportionate care for little things
+in the disputes of men.&nbsp; A man who does so care, has a garment
+embroidered with hooks which catch at everything that passes by.&nbsp;
+He finds many more causes of offence than other men; and each offence
+is a more bitter thing to him than to others.&nbsp; He does not expect
+to be offended.&nbsp; Poor man!&nbsp; He goes through life wondering
+that he is the subject of general attack, and that the world is so quarrelsome.</p>
+<p>The result of a bad education in developing undue care for trifles
+may be seen in its effect on domestic government and government in general.&nbsp;
+If those in power have this fault, they will make the persons under
+them miserable by petty, constant blame; or they will make them indifferent
+to all blame.&nbsp; If this fault is in the governed, they will captiously
+object to all the ways and plans of their superiors, not knowing the
+difficulty of doing anything; they will expect miracles of attention,
+justice, and temper, which the rough-hewed ways of men do not admit
+of; and they will repine and tease the life out of those in authority.&nbsp;
+Sometimes both superiors and inferiors, governors and governed, have
+this fault.&nbsp; This must often happen in a family, and is a fearful
+punishment to the elders of it.&nbsp; Scarcely any goodness of disposition,
+and what are called great qualities, can make such difficult materials
+work well together.</p>
+<p>But I end with somewhat of the same argument as I began with, namely,
+that as a man lives more with himself than with art, science, or even
+with his fellows, a wise teacher, having before him the intent to make
+a happy-minded man of his pupil, will try to lay a groundwork of divine
+contentment in him.&nbsp; If he cannot make him easily pleased, he will
+at least try and prevent him from being easily disconcerted.&nbsp; Why,
+even the self-conceit that makes people indifferent to small things,
+wrapping them in an atmosphere of self-satisfaction, is welcome in a
+man compared to that querulousness which makes him an enemy to all around.&nbsp;
+But most commendable is that easiness of mind which is easy because
+it is tolerant, because it does not look to have everything its own
+way, because it expects anything but smooth usage in its course here,
+because it has resolved to manufacture as few miseries out of small
+evils as can be.</p>
+<p>Most of us know what it is to vex our minds because we cannot recall
+some name or trivial thing which has escaped our memory for the moment.&nbsp;
+But then we think how foolish this is, what little concern it is to
+us.&nbsp; We are right in that; yet any defect of memory is a great
+concern compared to many of the trifling niceties, comforts, offences,
+and rectangularities which, perhaps, we do not think it an ignoble use
+of heart and time to waste ourselves upon.&nbsp; It would be well enough
+to entertain the rabble of small troubles and offences, if we could
+lay them aside with the delightful facility of children, who, after
+an agony of tears, are soon found laughing or asleep.&nbsp; But the
+chagrin and vexation of grown-up people are grown-up too; and, however
+childish in their origin, are not to be laughed or danced or slept away
+in childlike simple-heartedness.</p>
+<p>We must not imagine that too much stress can well be laid upon the
+importance of an education to contentment, for it comes under the head
+of those things which are not adjuncts or acquisitions for a man, but
+which form the texture of his being.&nbsp; What a man has learnt is
+of importance; but what he is, what he can do, what he will become,
+are more significant things.&nbsp; Finally, it may be remarked, that,
+to make education a great work, we must have the educators great; that
+book-learning is mainly good as it gives us a chance of coming into
+the company of greater and better minds than the average of men around
+us; and that individual greatness and goodness are the things to be
+aimed at rather than the successful cultivation of those talents which
+go to form some eminent membership of society.&nbsp; Each man is a drama
+in himself - has to play all the parts in it; is to be king and rebel,
+successful and vanquished, free and slave; and needs a bringing-up fit
+for the universal creature that he is.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i>.&nbsp; You have been unexpectedly merciful to us.&nbsp;
+The moment I heard the head of the essay given out, there flitted before
+my frightened mind volumes of reports, Battersea schools, Bell, Wilderspin,
+normal farms, National Society, British Schools, interminable questions
+about how religion might be separated altogether from secular education,
+or so much religion taught as all religious sects could agree in.&nbsp;
+These are all very good things and people to discuss, I daresay; but,
+to tell the truth, the whole subject sits heavy on my soul.&nbsp; I
+meet a man of inexhaustible dulness, and he talks to me for three hours
+about some great subject - this very one of education, for instance
+- till I sit entranced by stupidity, thinking the while, &ldquo;And
+this is what we are to become by education - to be like you.&rdquo;&nbsp;
+Then I see a man like D---, a judicious, reasonable, conversable being,
+knowing how to be silent too - a man to go through a campaign with -
+and I find he cannot read or write.</p>
+<p><i>Milverton</i>.&nbsp; This sort of contrast is just the thing to
+strike you, Ellesmere: and yet you know as well as any of us that to
+bring forward such contrasts by way of depreciating education would
+be most unreasonable.&nbsp; There are three things that go to make a
+man - the education that most people mean by education; then the education
+that goes deeper, the education of the soul; and, thirdly, a man&rsquo;s
+gifts of Nature.&nbsp; I agree with all you say about D---; he never
+says a foolish thing, and does a great many judicious ones.&nbsp; But
+look what a clever face he has.&nbsp; There are gifts of Nature for
+you.&nbsp; Then, again, although he cannot read or write, he may have
+been most judiciously brought up in other respects.&nbsp; He may have
+had two, therefore, out of the three elements of education.&nbsp; What
+such instances would show, I believe, if narrowly looked into, is the
+immense importance of the education of heart and temper.</p>
+<p>I feel with you in some measure about the dulness of the subject
+of education.&nbsp; But then it extends to all things of the institution
+kind.&nbsp; Men must have a great deal of pedantry, routine, and folly
+of all sorts, in any large matter they undertake.&nbsp; I had had this
+feeling for a long time (you know the way in which you have a thing
+in your mind, although you have never said it out exactly even to yourself)
+- well, I came upon a passage of Emerson&rsquo;s which I will try to
+quote, and then I knew what it was that I had felt.</p>
+<p>&ldquo;We are full of mechanical actions.&nbsp; We must needs intermeddle,
+and have things in our own way, until the sacrifices and virtues of
+society are odious.&nbsp; Love should make joy; but our benevolence
+is unhappy.&nbsp; Our Sunday-schools, and churches, and pauper societies,
+are yokes to the neck.&nbsp; We pain ourselves to please nobody.&nbsp;
+There are natural ways of arriving at the same ends at which these aim,
+but do not arrive.&nbsp; Why should all virtue work in one and the same
+way?&rdquo; . . . &ldquo;And why drag this dead weight of a Sunday-school
+over the whole of Christendom?&nbsp; It is natural and beautiful that
+childhood should inquire, and maturity should teach; but it is time
+enough to answer questions when they are asked.&nbsp; Do not shut up
+the young people against their will in a pew, and force the children
+to ask them questions for an hour against their will.&rdquo;</p>
+<p>Now, without agreeing with him in all points, we may sympathise with
+him.</p>
+<p><i>Ellesmere</i>.&nbsp; I agree with him.</p>
+<p><i>Dunsford</i>.&nbsp; I knew you would.&nbsp; You love an extreme.</p>
+<p><i>Milverton</i>.&nbsp; But look now.&nbsp; It is well to say, &ldquo;It
+is natural and beautiful that the young should ask and the old should
+teach&rdquo;; but then the old should be capable of teaching, which
+is not the case we have to deal with.&nbsp; Institutions are often only
+to meet individual failings.&nbsp; Let there be more instructed elders,
+and the &ldquo;dead weight&rdquo; of Sunday-schools would be less needed.</p>
+<p>I think the result of our thoughts would be, that there should be
+as much life, joy, and Nature put into teaching as can be; but I, for
+one, am not prepared to say that the most mechanical process is not
+better than none.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, you have now shut up the subject, according
+to your fashion, in a rounded sentence; and you think after that there
+is nothing more to be said.&nbsp; But I say it goes to my heart - </p>
+<p><i>Dunsford</i>.&nbsp; What is that?</p>
+<p><i>Ellesmere</i>.&nbsp; To my heart to see the unmerciful quantity
+of instruction that little children go through on a Sunday.&nbsp; I
+suppose I am a very wicked man; but I know how wearied I should have
+been, at any time of my life, if so much virtuous precept and good doctrine
+had been poured into me.</p>
+<p><i>Milverton</i>.&nbsp; Well, I will not fight certainly for anything
+that is to make Sunday a wearisome day for children.&nbsp; Indeed, what
+I meant by putting more joy and life into teaching was, that in such
+a thing as this Sunday-schooling, for instance, a judicious man, far
+from being anxious to get a certain quantity of routine done about it,
+would do with the least - would endeavour to connect it with something
+interesting - would, in a word, love children, and not Sunday-schools.</p>
+<p><i>Ellesmere</i>.&nbsp; Ah, we will have no more about Sunday-schools.&nbsp;
+I know we all agree in reality, although Dunsford has been looking very
+grave and has not said a word.&nbsp; I wanted to tell you that I think
+you are quite right, Milverton, in saying a good deal about multifariousness
+of pursuit.&nbsp; You see a wretch of a pedant who knows all about tetrameters
+or statutes of uses, but who, as you hinted an essay or two ago, can
+hardly answer his child a question as they walk about the garden together.&nbsp;
+The man has never given a good thought or look to Nature.&nbsp; Well
+then, again, what a stupid thing it is that we are not all taught music.&nbsp;
+Why learn the language of many portions of mankind, and leave the universal
+language of the feelings, as you would call it, unlearnt?</p>
+<p><i>Milverton</i>.&nbsp; I quite agree with you; but I thought you
+always set your face, or rather your ears, against music.</p>
+<p><i>Dunsford</i>.&nbsp; So did I.</p>
+<p><i>Ellesmere</i>.&nbsp; I should like to know all about it.&nbsp;
+It is not to my mind that a cultivated man should be quite thrown out
+by any topic of conversation, or that there should be any form of human
+endeavour or accomplishment which he has no conception of.</p>
+<p><i>Dunsford</i>.&nbsp; I liked what you said, Milverton, about the
+philosophy of making light of many things, and the way of looking at
+life that may thus be given to those we educate.&nbsp; I rather doubted
+at first, though, whether you were not going to assign too much power
+to education in the modification of temper.&nbsp; But, certainly, the
+mode of looking at the daily events of life, little or great, and the
+consequent habits of captiousness or magnanimity, are just the matters
+which the young especially imitate their elders in.</p>
+<p><i>Milverton</i>.&nbsp; You see, the very worst kind of tempers are
+established upon the fretting care for trifles that I want to make war
+upon in the essay.&nbsp; A man is choleric.&nbsp; Well, it is a very
+bad thing; it tends to frighten those about him into falseness.&nbsp;
+He has outrageous bursts of temper.&nbsp; He is humble for days afterwards.&nbsp;
+His dependants rather like him after all.&nbsp; They know that &ldquo;his
+bark is worse than his bite.&rdquo;&nbsp; Then there is your gloomy
+man, often a man who punishes himself most - perhaps a large-hearted,
+humorous, but sad man, at the same time liveable with.&nbsp; He does
+not care for trifles.&nbsp; But it is your acid-sensitive (I must join
+words like Mirabeau&rsquo;s Grandison-Cromwell, to get what I mean),
+and your cold, querulous people that need to have angels to live with
+them.&nbsp; Now education has often had a great deal to do with the
+making of these choice tempers.&nbsp; They are somewhat artificial productions.&nbsp;
+And they are the worst.</p>
+<p><i>Dunsford</i>.&nbsp; You know a saying attributed to the Bishop
+of&nbsp; --- about temper.&nbsp; No?&nbsp; Somebody, I suppose, was
+excusing something on the score of temper, to which the Bishop replied,
+&ldquo;Temper is nine-tenths of Christianity.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; There is an appearance we see in Nature,
+not far from here, by the way, that has often put me in mind of the
+effect of temper upon men.&nbsp; It is in the lowlands near the sea,
+where, when the tide is not up (the man out of temper), there is a slimy,
+patchy, diseased-looking surface of mud and sick seaweed.&nbsp; You
+pass by in a few hours, there is a beautiful lake, water up to the green
+grass (the man in temper again), and the whole landscape brilliant with
+reflected light.</p>
+<p><i>Ellesmere</i>.&nbsp; And to complete the likeness, the good temper
+and the full tide last about the same time - with some men at least.&nbsp;
+It is so like you, Milverton, to have that simile in your mind.&nbsp;
+There is nothing you see in Nature, but you must instantly find a parallel
+for it in man.&nbsp; Sermons in stones you will not see, else I am sure
+you might.&nbsp; Here is a good hard flint for you to see your next
+essay in.</p>
+<p><i>Milverton</i>.&nbsp; It will do very well, as my next will be
+on the subject of population.</p>
+<p><i>Ellesmere</i>.&nbsp; What day are we to have it?&nbsp; I think
+I have a particular engagement for that day.</p>
+<p><i>Milverton</i>.&nbsp; I must come upon you unawares.</p>
+<p><i>Ellesmere</i>.&nbsp; After the essay you certainly might.&nbsp;
+Let us decamp now and do something great in the way of education - teach
+Rollo, though he is but a short-haired dog, to go into the water.&nbsp;
+That will be a feat.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER IX.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>Ellesmere succeeded in persuading Rollo to go into the water, which
+proved more, he said, than the whole of Milverton&rsquo;s essay, how
+much might be done by judicious education.&nbsp; Before leaving my friends,
+I promised to come over again to Worth-Ashton in a day or two, to hear
+another essay.&nbsp; I came early and found them reading their letters.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>&ldquo;You remember Annesleigh at college,&rdquo; said Milverton,
+&ldquo;do you not, Dunsford?&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Yes.</p>
+<p><i>Milverton</i>.&nbsp; Here is a long letter from him.&nbsp; He
+is evidently vexed at the newspaper articles about his conduct in a
+matter of ----, and he writes to tell me that he is totally misrepresented.</p>
+<p><i>Dunsford</i>.&nbsp; Why does he not explain this publicly?</p>
+<p><i>Milverton</i>.&nbsp; Yes, you naturally think so at first, but
+such a mode of proceeding would never do for a man in office, and rarely,
+perhaps, for any man.&nbsp; At least, so the most judicious people seem
+to think.&nbsp; I have known a man in office bear patiently, without
+attempting any answer, a serious charge which a few lines would have
+entirely answered, indeed, turned the other way.&nbsp; But then he thought,
+I imagine, that if you once begin answering, there is no end to it,
+and also, which is more important, that the public journals were not
+a tribunal which he was called to appear before.&nbsp; He had his official
+superiors.</p>
+<p><i>Dunsford</i>.&nbsp; It should be widely known and acknowledged
+then, that silence does not give consent in these cases.</p>
+<p><i>Milverton</i>.&nbsp; It is known, though not, perhaps, sufficiently.</p>
+<p><i>Dunsford</i>.&nbsp; What a fearful power this anonymous journalism
+is!</p>
+<p><i>Milverton</i>.&nbsp; There is a great deal certainly that is mischievous
+in it; but take it altogether, it is a wonderful product of civilisation
+- morally too.&nbsp; Even as regards those qualities which would in
+general, to use a phrase of Bacon&rsquo;s, &ldquo;be noted as deficients&rdquo;
+in the press, in courtesy and forbearance, for example, it makes a much
+better figure than might have been expected; as any one would testify,
+I suspect, who had observed, or himself experienced, the temptations
+incident to writing on short notice, without much opportunity of after-thought
+or correction, upon subjects about which he had already expressed an
+opinion.</p>
+<p><i>Dunsford</i>.&nbsp; Is the anonymousness absolutely necessary?</p>
+<p><i>Milverton</i>.&nbsp; I have often thought whether it is.&nbsp;
+If the anonymousness were taken away, the press would lose much of its
+power; but then, why should it not lose a portion of its power, if that
+portion is only built upon some delusion?</p>
+<p><i>Ellesmere</i>.&nbsp; It is a question of expediency.&nbsp; As
+government of all kinds becomes better managed, there is less necessity
+for protection for the press.&nbsp; It must be recollected, however,
+that this anonymousness (to coin a word) may not only be useful to protect
+us from any abuse of power, but that at least it takes away that temptation
+to discuss things in an insufficient manner which arises from personal
+fear of giving offence.&nbsp; Then, again, there is an advantage in
+considering arguments without reference to persons.&nbsp; If well-known
+authors wrote for the press and gave their signatures, we should often
+pass by the arguments unfairly, saying, &ldquo;Oh, it is only so-and-so:
+that is the way he always looks at things,&rdquo; without seeing whether
+it is the right way for the occasion in question.</p>
+<p><i>Milverton</i>.&nbsp; But take the other side, Ellesmere.&nbsp;
+What national dislikes are fostered by newspaper articles, and - </p>
+<p><i>Ellesmere</i>.&nbsp; Articles in reviews and by books.</p>
+<p><i>Milverton</i>.&nbsp; Yes, but somehow or other, people imagine
+that newspapers speak the opinion of a much greater number of people
+- </p>
+<p><i>Ellesmere</i>.&nbsp; Do not let us talk any more about it.&nbsp;
+We may become wise enough and well-managed enough to do without this
+anonymousness: we may not.&nbsp; How it would astound an ardent Whig
+or Radical of the last generation if we could hear such a sentiment
+as this - as a toast we will say - &rdquo;The Press: and may we become
+so civilised as to be able to take away some of its liberty.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; It may be put another way: &ldquo;May it
+become so civilised that we shall not want to take away any of its liberty.&rdquo;&nbsp;
+But I see you are tired of this subject.&nbsp; Shall we go on the lawn
+and have our essay?</p>
+<p>We assented, and Milverton read the following: - </p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>UNREASONABLE CLAIMS IN SOCIAL AFFECTIONS AND RELATIONS.</p>
+<p>We are all apt to magnify the importance of whatever we are thinking
+about, which is not to be wondered at; for everything human has an outlet
+into infinity, which we come to perceive on considering it.&nbsp; But
+with a knowledge of this tendency, I still venture to say that, of all
+that concerns mankind, this subject has, perhaps, been the least treated
+of in regard to its significance.&nbsp; For once that unreasonable expectations
+of gratitude have been reproved, ingratitude has been denounced a thousand
+times; and the same may be said of inconstancy, unkindness in friendship,
+neglected merit and the like.</p>
+<p>To begin with ingratitude.&nbsp; Human beings seldom have the demands
+upon each other which they imagine; and for what they have done they
+frequently ask an impossible return.&nbsp; Moreover, when people really
+have done others a service, the persons benefited often do not understand
+it.&nbsp; Could they have understood it, the benefactor, perhaps, would
+not have had to perform it.&nbsp; You cannot expect gratitude from them
+in proportion to your enlightenment.&nbsp; Then, again, where the service
+is a palpable one, thoroughly understood, we often require that the
+gratitude for it should bear down all the rest of the man&rsquo;s character.&nbsp;
+The dog is the very emblem of faithfulness; yet I believe it is found
+that he will sometimes like the person who takes him out and amuses
+him more than the person who feeds him.&nbsp; So, amongst bipeds, the
+most solid service must sometimes give way to the claims of congeniality.&nbsp;
+Human creatures are, happily, not to be swayed by self-interest alone:
+they are many-sided creatures; there are numberless modes of attaching
+their affections.&nbsp; Not only like likes like, but unlike likes unlike.</p>
+<p>To give an instance which must often occur.&nbsp; Two persons, both
+of feeble will, act together: one as superior, the other as inferior.&nbsp;
+The superior is very kind; the inferior is grateful.&nbsp; Circumstances
+occur to break this relation.&nbsp; The inferior comes under a superior
+of strong will, who is not, however, as tolerant and patient as his
+predecessor.&nbsp; But this second superior soon acquires unbounded
+influence over the inferior: if the first one looks on, he may wonder
+at the alacrity and affection of his former subordinate towards the
+new man, and talk much about ingratitude.&nbsp; But the inferior has
+now found somebody to lean upon and to reverence.&nbsp; And he cannot
+deny his nature and be otherwise than he is.&nbsp; In this case it does
+not look like ingratitude, except perhaps to the complaining person.&nbsp;
+But there are doubtless numerous instances in which, if we saw all the
+facts clearly, we should no more confirm the charge of ingratitude than
+we do here.</p>
+<p>Then, again, we seldom make sufficient allowance for the burden which
+there is in obligation, at least to all but great and good minds.&nbsp;
+There are some people who can receive as heartily as they would give;
+but the obligation of an ordinary person to an ordinary person is more
+apt to be brought to mind as a present sore than as a past delight.</p>
+<p>Amongst the unreasonable views of the affections, the most absurd
+one has been the fancy that love entirely depends upon the will; still
+more that the love of others for us is to be guided by the inducements
+which seem probable to us.&nbsp; We have served them; we think only
+of them; we are their lovers, or fathers, or brothers: we deserve and
+require to be loved and to have the love proved to us.&nbsp; But love
+is not like property: it has neither duties nor rights.&nbsp; You argue
+for it in vain; and there is no one who can give it you.&nbsp; It is
+not his or hers to give.&nbsp; Millions of bribes and infinite arguments
+cannot prevail.&nbsp; For it is not a substance, but a relation.&nbsp;
+There is no royal road.&nbsp; We are loved as we are lovable to the
+person loving.&nbsp; It is no answer to say that in some cases the love
+is based on no reality, but is solely in the imagination - that is,
+that we are loved not for what we are, but for what we are fancied to
+be.&nbsp; That will not bring it any more into the dominions of logic;
+and love still remains the same untamable creature, deaf to advocacy,
+blind to other people&rsquo;s idea of merit, and not a substance to
+be weighed or numbered at all.</p>
+<p>Then, as to the complaints about broken friendship.&nbsp; Friendship
+is often outgrown; and his former child&rsquo;s clothes will no more
+fit a man than some of his former friendships.&nbsp; Often a breach
+of friendship is supposed to occur when there is nothing of the kind.&nbsp;
+People see one another seldom; their courses in life are different;
+they meet, and their intercourse is constrained.&nbsp; They fancy that
+their friendship is mightily cooled.&nbsp; But imagine the dearest friends,
+one coming home after a long sojourn, the other going out to new lands:
+the ships that carry these meet: the friends talk together in a confused
+way not relevant at all to their friendship, and, if not well assured
+of their mutual regard, might naturally fancy that it was much abated.&nbsp;
+Something like this occurs daily in the stream of the world.&nbsp; Then,
+too, unless people are very unreasonable, they cannot expect that their
+friends will pass into new systems of thought and action without new
+ties of all kinds being created, and some modification of the old ones
+taking place.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>When we are talking of exorbitant claims made for the regard of others,
+we must not omit those of what is called neglected merit.&nbsp; A man
+feels that he has abilities or talents of a particular kind, that he
+has shown them, and still he is a neglected man.&nbsp; I am far from
+saying that merit is sufficiently looked out for: but a man may take
+the sting out of any neglect of his merits by thinking that at least
+it does not arise from malice prepense, as he almost imagines in his
+anger.&nbsp; Neither the public, nor individuals, have the time, or
+will, resolutely to neglect anybody.&nbsp; What pleases us, we admire
+and further: if a man in any profession, calling, or art, does things
+which are beyond us, we are as guiltless of neglecting him as the Caffres
+are of neglecting the differential calculus.&nbsp; Milton sells his
+&ldquo;Paradise Lost&rdquo; for ten pounds; there is no record of Shakespeare
+dining much with Queen Elizabeth.&nbsp; And it is Utopian to imagine
+that statues will be set up to right men in their day.</p>
+<p>The same arguments which applied to the complaints of ingratitude,
+apply to the complaints of neglected merit.&nbsp; The merit is oftentimes
+not understood.&nbsp; Be it ever so manifest, it cannot absorb men&rsquo;s
+attention.&nbsp; When it is really great, it has not been brought out
+by the hope of reward, any more than the kindest services by the hope
+of gratitude.&nbsp; In neither case is it becoming or rational to be
+clamorous about payment.</p>
+<p>There is one thing that people hardly ever remember, or, indeed,
+have imagination enough to conceive; namely, the effect of each man
+being shut up in his individuality.&nbsp; Take a long course of sayings
+and doings in which many persons have been engaged.&nbsp; Each one of
+them is in his own mind the centre of the web, though, perhaps, he is
+at the edge of it.&nbsp; We know that in our observations of the things
+of sense, any difference in the points from which the observation is
+taken gives a different view of the same thing.&nbsp; Moreover, in the
+world of sense, the objects and the points of view are each indifferent
+to the rest; but in life the points of views are centres of action that
+have had something to do with the making of the things looked at.&nbsp;
+If we could calculate the moral parallax arising from these causes,
+we should see, by the mere aid of the intellect, how unjust we often
+are in our complaints of ingratitude, inconstancy, and neglect.&nbsp;
+But without these nice calculations, such errors of view may be corrected
+at once by humility, a more sure method than the most enlightened appreciation
+of the cause of error.&nbsp; Humility is the true cure for many a needless
+heartache.</p>
+<p>It must not be supposed that in thus opposing unreasonable views
+of social affections, anything is done to dissever such affections.&nbsp;
+The Duke of Wellington, writing to a man in a dubious position of authority,
+says &ldquo;The less you claim, the more you will have.&rdquo;&nbsp;
+This is remarkably true of the affections; and there is scarcely anything
+that would make men happier than teaching them to watch against unreasonableness
+in their claims of regard and affection; and which at the same time
+would be more likely to ensure their getting what may be their due.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i> (clapping his hands).&nbsp; An essay after my heart:
+worth tons of soft trash.&nbsp; In general you are amplifying duties,
+telling everybody that they are to be so good to every other body.&nbsp;
+Now it is as well to let every other body know that he is not to expect
+all he may fancy from everybody.&nbsp; A man complains that his prosperous
+friends neglect him: infinitely overrating, in all probability, his
+claims, and his friends&rsquo; power of doing anything for him.&nbsp;
+Well, then, you may think me very hard, but I say that the most absurd
+claims are often put forth on the ground of relationship.&nbsp; I do
+not deny that there is something in blood, but it must not be made too
+much of.&nbsp; Near relations have great opportunities of attaching
+each other; if they fail to use these, I do not think it is well to
+let them imagine that mere relationship is to be the talisman of affection.</p>
+<p><i>Dunsford</i>.&nbsp; I do not see exactly how to answer all that
+you or Milverton have said; but I am not prepared, as official people
+say, to agree with you.&nbsp; I especially disagree with what Milverton
+has said about love.&nbsp; He leaves much too little power to the will.</p>
+<p><i>Milverton</i>.&nbsp; I daresay I may have done so.&nbsp; These
+are very deep matters, and any one view about them does not exhaust
+them.&nbsp; I remember C---- once saying to me that a man never utters
+anything without error.&nbsp; He may even think of it rightly; but he
+cannot bring it out rightly.&nbsp; It turns a little false, as it were,
+when it quits the brain and comes into life.</p>
+<p><i>Ellesmere</i>.&nbsp; I thought you would soon go over to the soft
+side.&nbsp; Here, Rollo; there&rsquo;s a good dog.&nbsp; You do not
+form unreasonable expectations, do you?&nbsp; A very little petting
+puts you into an ecstasy, and you are much wiser than many a biped who
+is full of his claims for gratitude, and friendship, and love, and who
+is always longing for well-merited rewards to fall into his mouth.&nbsp;
+Down, dog!</p>
+<p><i>Milverton</i>.&nbsp; Poor animal! it little knows that all this
+sudden notice is only by way of ridiculing us.&nbsp; Why I did not maintain
+my ground stoutly against Dunsford is, that I am always afraid of pushing
+moral conclusions too far.&nbsp; Since we have been talking, I think
+I see more clearly than I did before what I mean to convey by the essay
+- namely, that men fall into unreasonable views respecting the affections
+<i>from imagining that the general laws of the mind are suspended for
+the sake of the affections.</i></p>
+<p><i>Dunsford</i>.&nbsp; That seems safer ground.</p>
+<p><i>Milverton</i>.&nbsp; Now to illustrate what I mean by a very similar
+instance.&nbsp; The mind is avid of new impressions.&nbsp; It &ldquo;travels
+over,&rdquo; or thinks it travels over, another mind; and, though it
+may conceal its wish for &ldquo;fresh fields and pastures new,&rdquo;
+it does so wish.&nbsp; However harsh, therefore, and unromantic it may
+seem, the best plan is to humour Nature, and not to exhaust by overfrequent
+presence the affection of those whom we would love, or whom we would
+have to love us.&nbsp; I would not say, after the manner of Rochefoucauld,
+that the less we see of people the more we like them; but there are
+certain limits of sociality; and prudent reserve and absence may find
+a place in the management of the tenderest relations.</p>
+<p><i>Dunsford</i>.&nbsp; Yes, all this is true enough: I do not see
+anything hard in this.&nbsp; But then there is the other side.&nbsp;
+Custom is a great aid to affection.</p>
+<p><i>Milverton</i>.&nbsp; Yes.&nbsp; All I say is, do not fancy that
+the general laws are suspended for the sake of any one affection.</p>
+<p><i>Dunsford</i>.&nbsp; Still this does not go to the question whether
+there is not something more of will in affection than you make out.&nbsp;
+You would speak of inducements and counter-inducements, aids and hindrances;
+but I cannot but think you are limiting the power of will, and therefore
+limiting duty.&nbsp; Such views tend to make people easily discontented
+with each other, and prevent their making efforts to get over offences,
+and to find out what is lovable in those about them.</p>
+<p><i>Ellesmere</i>.&nbsp; Here we are in the deep places again.&nbsp;
+I see you are pondering, Milverton.&nbsp; It is a question, as a minister
+would say when Parliament perplexes him, that we must go to the country
+upon; each man&rsquo;s heart will, perhaps, tell him best about it.&nbsp;
+For my own part, I think that the continuance of affection, as the rise
+of it, depends more on the taste being satisfied, or at least not disgusted,
+than upon any other single thing.&nbsp; Our hearts may be touched at
+our being loved by people essentially distasteful to us, whose modes
+of talking and acting are a continual offence to us; but whether we
+can love them in return is a question.</p>
+<p><i>Milverton</i>.&nbsp; Yes, we can, I think.&nbsp; I begin to see
+that it is a question of degree.&nbsp; The word love includes many shades
+of meaning.&nbsp; When it includes admiration, of course we cannot be
+said to love those in whom we see nothing to admire.&nbsp; But this
+seldom happens in the mixed characters of real life.&nbsp; The upshot
+of it all seems to me to be, that, as Guizot says of civilisation, every
+impulse has room; so in the affections, every inducement and counter-inducement
+has its influence; and the result is not a simple one, which can be
+spoken of as if it were alike on all occasions and with all men.</p>
+<p><i>Dunsford</i>.&nbsp; I am still unanswered, I think, Milverton.&nbsp;
+What you say is still wholly built upon inducements, and does not touch
+the power of will.</p>
+<p><i>Milverton</i>.&nbsp; No; it does not.</p>
+<p><i>Ellesmere</i>.&nbsp; We must leave that alone.&nbsp; Infinite
+piles of books have not as yet lifted us up to a clear view of that
+matter.</p>
+<p><i>Dunsford</i>.&nbsp; Well, then, we must leave it as a vexed question;
+but let it be seen that there is such a question.&nbsp; Now, as to another
+thing; you speak, Milverton, of men&rsquo;s not making allowance enough
+for the unpleasant weight of obligation.&nbsp; I think that weight seems
+to have increased in modern times.&nbsp; Essex could give Bacon a small
+estate, and Bacon could take it comfortably, I have no doubt.&nbsp;
+That is a much more wholesome state of things among friends than the
+present.</p>
+<p><i>Milverton</i>.&nbsp; Yes, undoubtedly.&nbsp; An extreme notion
+about independence has made men much less generous in receiving.</p>
+<p><i>Dunsford</i>.&nbsp; It is a falling off, then.&nbsp; There was
+another comment I had to make.&nbsp; I think, when you speak about the
+exorbitant demands of neglected merit, you should say more upon the
+neglect of the just demands of merit.</p>
+<p><i>Milverton</i>.&nbsp; I would have the Government and the public
+in general try by all means to understand and reward merit, especially
+in those matters wherein excellence cannot, otherwise, meet with large
+present reward.&nbsp; But, to say the truth, I would have this done,
+not with the view of fostering genius so much as of fulfilling duty:
+I would say to a minister - it is becoming in you - it is well for the
+nation, to reward, as far as you can, and dignify, men of genius.&nbsp;
+Whether you will do them any good or bring forth more of them, I do
+not know.</p>
+<p><i>Ellesmere</i>.&nbsp; Men of great genius are often such a sensitive
+race, so apt to be miserable in many other than pecuniary ways and want
+of public estimation, that I am not sure that distress and neglect do
+not take their minds off worse discomforts.&nbsp; It is a kind of grievance,
+too, that they like to have.</p>
+<p><i>Dunsford</i>.&nbsp; Really, Ellesmere, that is a most unfeeling
+speech.</p>
+<p><i>Milverton</i>.&nbsp; At any rate, it is right for us to honour
+and serve a great man.&nbsp; It is our nature to do so, if we are worth
+anything.&nbsp; We may put aside the question whether our honour will
+do him more good than our neglect.&nbsp; That is a question for him
+to look to.&nbsp; The world has not yet so largely honoured deserving
+men in their own time, that we can exactly pronounce what effect it
+would have upon them.</p>
+<p><i>Ellesmere</i>.&nbsp; Come, Rollo, let us leave these men of sentiment.&nbsp;
+Oh, you will not go, as your master does not move.&nbsp; Look how he
+wags his tail, and almost says, &ldquo;I should clearly like to have
+a hunt after the water-rat we saw in the pond the other day, but master
+is talking philosophy, and requires an intelligent audience.&rdquo;&nbsp;
+These dogs are dear creatures, it must be owned.&nbsp; Come, Milverton,
+let us have a walk.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER X.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>After the reading in the last chapter, my friends walked homewards
+with me as far as Durley Wood, which is about half-way between Worth-Ashton
+and my house.&nbsp; As we rested here, we bethought ourselves that it
+would be a pleasant spot for us to come to sometimes and read our essays.&nbsp;
+So we agreed to name a day for meeting there.&nbsp; The day was favourable,
+we met as we had appointed, and finding some beech logs lying very opportunely,
+took possession of them for our council.&nbsp; We seated Ellesmere on
+one that we called the woolsack, but which he said he felt himself unworthy
+to occupy in the presence of King Log, pointing to mine.&nbsp; These
+nice points of etiquette being at last settled, Milverton drew out his
+papers and was about to begin reading, when Ellesmere thus interrupted
+him: - </p>
+<p><i>Ellesmere</i>.&nbsp; You were not in earnest, Milverton, about
+giving us an essay on population?&nbsp; Because if so, I think I shall
+leave this place to you and Dunsford and the ants.</p>
+<p><i>Milverton</i>.&nbsp; I certainly have been meditating something
+of the sort; but have not been able to make much of it.</p>
+<p><i>Ellesmere</i>.&nbsp; If I had been living in those days when it
+first beamed upon mankind that the earth was round, I am sure I should
+have said, &ldquo;We know now the bounds of the earth: there are no
+interminable plains joined to the regions of the sun, allowing of indefinite
+sketchy outlines at the edges of maps.&nbsp; That little creature man
+will immediately begin to think that his world is too small for him.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; There has probably been as much folly uttered
+by political economy as against it, which is saying something.&nbsp;
+The danger as regards theories of political economy is the obvious one
+of their abstract conclusions being applied to concrete things.</p>
+<p><i>Ellesmere</i>.&nbsp; As if we were to expect mathematical lines
+to bear weights.</p>
+<p><i>Milverton</i>.&nbsp; Something like that.&nbsp; With a good system
+of logic pervading the public mind, this danger would of course be avoided;
+but such a state of mind is not likely to occur in any public that we
+or our grandchildren are likely to have to deal with.&nbsp; As it is,
+an ordinary man hears some conclusion of political economy, showing
+some particular tendency of things, which in real life meets with many
+counteractions of all kinds: but he, perhaps, adopts the conclusion
+without the least abatement, and would work it into life, as if all
+went on there like a rule-of-three sum.</p>
+<p><i>Ellesmere</i>.&nbsp; After all, this error arises from the man&rsquo;s
+not having enough political economy.&nbsp; It is not that a theory is
+good on paper, but unsound in real life.&nbsp; It is only that in real
+life you cannot get at the simple state of things to which the theory
+would rightly apply.&nbsp; You want many other theories and the just
+composition of them all to be able to work the whole problem.&nbsp;
+That being done (which, however, scarcely can be done), the result on
+paper might be read off as applicable at once to life.&nbsp; But now,
+touching the essay; since we are not to have population, what is it
+to be?</p>
+<p><i>Milverton</i>.&nbsp; Public improvements.</p>
+<p><i>Ellesmere</i>.&nbsp; Nearly as bad; but as this is a favourite
+subject of yours, I suppose it will not be polite to go away.</p>
+<p><i>Milverton</i>.&nbsp; No; you must listen.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>PUBLIC IMPROVEMENTS.</p>
+<p>What are possessions?&nbsp; To an individual, the stores of his own
+heart and mind pre-eminently.&nbsp; His truth and valour are amongst
+the first.&nbsp; His contentedness, or his resignation may be put next.&nbsp;
+Then his sense of beauty, surely a possession of great moment to him.&nbsp;
+Then all those mixed possessions which result from the social affections
+- great possessions, unspeakable delights, much greater than the gift
+last mentioned in the former class, but held on more uncertain tenure.&nbsp;
+Lastly, what are generally called possessions?&nbsp; However often we
+have heard of the vanity, uncertainty, and vexation that beset these
+last, we must not let this repetition deaden our minds to the fact.</p>
+<p>Now, national possessions must be estimated by the same gradation
+that we have applied to individual possessions.&nbsp; If we consider
+national luxury, we shall see how small a part it may add to national
+happiness.&nbsp; Men of deserved renown, and peerless women, lived upon
+what we should now call the coarsest fare, and paced the rushes in their
+rooms with as high, or as contented thoughts, as their better-fed and
+better-clothed descendants can boast of.&nbsp; Man is limited in this
+direction; I mean, in the things that concern his personal gratification;
+but when you come to the higher enjoyments, the expansive power both
+in him and them is greater.&nbsp; As Keats says,</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;A thing of beauty is a joy for
+ever;<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Its loveliness increases;
+it will never<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Pass into nothingness;
+but still will keep<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A bower
+quiet for us, and a sleep<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Full
+of sweet dreams, and health, and quiet breathing.&rdquo;</p>
+<p>What then are a nation&rsquo;s possessions?&nbsp; The great words
+that have been said in it; the great deeds that have been done in it;
+the great buildings, and the great works of art, that have been made
+in it.&nbsp; A man says a noble saying: it is a possession, first to
+his own race, then to mankind.&nbsp; A people get a noble building built
+for them: it is an honour to them, also a daily delight and instruction.&nbsp;
+It perishes.&nbsp; The remembrance of it is still a possession.&nbsp;
+If it was indeed pre-eminent, there will be more pleasure in thinking
+of it than in being with others of inferior order and design.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>On the other hand, a thing of ugliness is potent for evil.&nbsp;
+It deforms the taste of the thoughtless: it frets the man who knows
+how bad it is: it is a disgrace to the nation who raised it; an example
+and an occasion for more monstrosities.&nbsp; If it is a great building
+in a great city, thousands of people pass it daily, and are the worse
+for it, or at least not the better.&nbsp; It must be done away with.&nbsp;
+Next to the folly of doing a bad thing is that of fearing to undo it.&nbsp;
+We must not look at what it has cost, but at what it is.&nbsp; Millions
+may be spent upon some foolish device which will not the more make it
+into a possession, but only a more noticeable detriment.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>It must not be supposed that works of art are the only, or the chief,
+public improvements needed in any country.&nbsp; Wherever men congregate,
+the elements become scarce.&nbsp; The supply of air, light, and water
+is then a matter of the highest public importance: and the magnificent
+utilitarianism of the Romans should precede the nice sense of beauty
+of the Greeks.&nbsp; Or rather, the former should be worked out in the
+latter.&nbsp; Sanitary improvements, like most good works, may be made
+to fulfil many of the best human objects.&nbsp; Charity, social order,
+conveniency of living, and the love of the beautiful, may all be furthered
+by such improvements.&nbsp; A people is seldom so well employed as when,
+not suffering their attention to be absorbed by foreign quarrels and
+domestic broils, they bethink themselves of winning back those blessings
+of Nature which assemblages of men mostly vitiate, exclude, or destroy.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>Public improvements are sometimes most difficult in free countries.&nbsp;
+The origination of them is difficult there, many diverse minds having
+to be persuaded.&nbsp; The individual, or class, resistance to the public
+good is harder to conquer than in despotic states.&nbsp; And, what is
+most embarrassing, perhaps, individual progress in the same direction,
+or individual doings in some other way, form a great hindrance, sometimes,
+to public enterprise.&nbsp; On the other hand, the energy of a free
+people is a mine of public welfare; and individual effort brings many
+good things to bear in much shorter time than any government could be
+expected to move in.&nbsp; A judicious statesman considers these things;
+and sets himself especially to overcome those peculiar obstacles to
+public improvement which belong to the institutions of his country.&nbsp;
+Adventure in a despotic state, combined action in a free state, are
+the objects which peculiarly demand his attention.</p>
+<p>To return to works of art.&nbsp; In this also the genius of the people
+is to be heeded.&nbsp; There may have been, there may be, nations requiring
+to be diverted from the love of art to stern labour and industrial conquests.&nbsp;
+But certainly it is not so with the Anglo-Saxon race, or with the Northern
+races generally.&nbsp; Money may enslave them; logic may enslave them;
+art never will.&nbsp; The chief men, therefore, in these races will
+do well sometimes to contend against the popular current, and to convince
+their people that there are other sources of delight, and other objects
+worthy of human endeavour, than severe money-getting or more material
+successes of any kind.</p>
+<p>In fine, the substantial improvement, and even the embellishment
+of towns, is a work which both the central and local governing bodies
+in a country should keep a steady hand upon.&nbsp; It especially concerns
+them.&nbsp; What are they there for but to do that which individuals
+cannot do?&nbsp; It concerns them, too, as it tells upon the health,
+morals, education, and refined pleasures of the people they govern.&nbsp;
+In doing it, they should avoid pedantry, parsimony, and favouritism;
+and their mode of action should be large, considerate, and foreseeing.&nbsp;
+Large; inasmuch as they must not easily be contented with the second
+best in any of their projects.&nbsp; Considerate; inasmuch as they have
+to think what their people need most, not what will make most show.&nbsp;
+And therefore, they should be contented, for instance, at their work
+going on underground for a time, or in byways, if needful; the best
+charity in public works, as in private, being often that which courts
+least notice.&nbsp; Lastly, their work should be with foresight, recollecting
+that cities grow up about us like young people, before we are aware
+of it.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p><i>Ellesmere</i>.&nbsp; Another very merciful essay!&nbsp; When we
+had once got upon the subject of sanitary improvements, I thought we
+should soon be five fathom deep in blue-books, reports, interminable
+questions of sewerage, and horrors of all kinds.</p>
+<p><i>Milverton</i>.&nbsp; I am glad you own that I have been very tender
+of your impatience in this essay.&nbsp; People, I trust, are now so
+fully aware of the immense importance of sanitary improvements, that
+we do not want the elementary talking about such things that was formerly
+necessary.&nbsp; It is difficult, though, to say too much about sanitary
+matters, that is, if by saying much one could gain attention.&nbsp;
+I am convinced that the most fruitful source of physical evil to mankind
+has been impure air, arising from circumstances which might have been
+obviated.&nbsp; Plagues and pestilences of all kinds, cretinism too,
+and all scrofulous disorders, are probably mere questions of ventilation.&nbsp;
+A district may require ventilation as well as a house.</p>
+<p><i>Ellesmere</i>.&nbsp; Seriously speaking, I quite agree with you.&nbsp;
+And what delights me in sanitary improvements is, that they can hardly
+do harm.&nbsp; Give a poor man good air, and you do not diminish his
+self-reliance.&nbsp; You only add to his health and vigour - make more
+of a man of him.&nbsp; But now that the public mind, as it is facetiously
+called, has got hold of the idea of these improvements, everybody will
+be chattering about them.</p>
+<p><i>Milverton</i>.&nbsp; The very time when those who really do care
+for these matters should be watchful to make the most of the tide in
+their favour, and should not suffer themselves to relax their efforts
+because there is no originality now about such things.</p>
+<p><i>Dunsford</i>.&nbsp; Custom soon melts off the wings which Novelty
+alone has lent to Benevolence.</p>
+<p><i>Ellesmere</i>.&nbsp; And down comes the charitable Icarus.&nbsp;
+A very good simile, my dear Dunsford, but rather of the Latin-verse
+order.&nbsp; I almost see it worked into an hexameter and pentameter,
+and delighting the heart of an Eton boy.</p>
+<p><i>Dunsford</i>.&nbsp; Ellesmere is more than usually vicious to-day,
+Milverton.&nbsp; A great &ldquo;public improvement&rdquo; would be to
+clip the tongues of some of these lawyers.</p>
+<p><i>Ellesmere</i>.&nbsp; Possibly.&nbsp; I have just been looking
+again at that part of the essay, Milverton, where you talk of the little
+gained by national luxury.&nbsp; I think with you.&nbsp; There is an
+immensity of nonsense uttered about making people happy, which is to
+be done, according to happiness-mongers, by quantities of sugar and
+tea, and such-like things.&nbsp; One knows the importance of food, but
+there is no Elysium to be got out of it.</p>
+<p><i>Milverton</i>.&nbsp; I know what you mean.&nbsp; There is a kind
+of pity for the people now in vogue which is most effeminate.&nbsp;
+It is a sugared sort of Robespierre talk about &ldquo;The poor but virtuous
+People.&rdquo;&nbsp; To address such stuff to the people is not to give
+them anything, but to take away what they have.&nbsp; Suppose you could
+give them oceans of tea and mountains of sugar, and abundance of any
+luxury that you choose to imagine, but at the same time you inserted
+a hungry, envious spirit in them, what have you done?&nbsp; Then, again,
+this envious spirit, when it is turned to difference of station, what
+good can it do?&nbsp; Can you give station according to merit?&nbsp;
+Is life long enough for it?</p>
+<p><i>Ellesmere</i>.&nbsp; Of course we cannot always be weighing men
+with nicety, and saying, &ldquo;Here is your place, here yours.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Then, again, what happiness do you confer
+on men by teaching them to disrespect their superiors in rank, by turning
+all the embellishments which adorn various stations wrong side out,
+putting everything in its lowest form, and then saying, &ldquo;What
+do you see to admire here?&rdquo;&nbsp; You do not know what injury
+you may do a man when you destroy all reverence in him.&nbsp; It will
+be found out some day that men derive more pleasure and profit from
+having superiors than from having inferiors.</p>
+<p><i>Dunsford</i>.&nbsp; It is seldom that I bring you back to your
+subject, but we are really a long way off at present; and I want to
+know, Milverton, what you would do specifically in the way of public
+improvements.&nbsp; Of course you cannot say in an essay what you would
+do in such matters, but amongst ourselves.&nbsp; In London, for instance.</p>
+<p><i>Milverton</i>.&nbsp; The first thing for Government to do, Dunsford,
+in London, or any other great town, is to secure open spaces in it and
+about it.&nbsp; Trafalgar Square may be dotted with hideous absurdities,
+but it is an open space.&nbsp; They may collect together there specimens
+of every variety of meanness and bad taste; but they cannot prevent
+its being a better thing than if it were covered with houses.&nbsp;
+Public money is scarcely ever so well employed as in securing bits of
+waste ground and keeping them as open spaces.&nbsp; Then, as under the
+most favourable circumstances, we are likely to have too much carbon
+in the air of any town, we should plant trees to restore the just proportions
+of the air as far as we can. <a name="citation161"></a><a href="#footnote161">{161}</a>&nbsp;
+Trees are also what the heart and the eye desire most in towns.&nbsp;
+The Boulevards in Paris show the excellent effect of trees against buildings.&nbsp;
+There are many parts of London where rows of trees might be planted
+along the streets.&nbsp; The weighty dulness of Portland Place, for
+instance, might be thus relieved.&nbsp; Of course, in any scheme of
+public improvements, the getting rid of smoke is one of the first objects.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, smoke is a great abuse; but then there
+is something ludicrous about it, just as there is about sewerage.&nbsp;
+I believe, myself, that for one person that the Corn Laws have injured,
+a dozen have had their lives shortened and their happiness abridged
+in every way by these less palpable nuisances.&nbsp; But there is no
+grandeur in opposing them - no &ldquo;good cry&rdquo; to be raised.&nbsp;
+And so, as abuses cannot be met in our days but by agitation - a committee,
+secretaries, clerks, newspapers, and a review - and as agitation in
+this case holds out fewer inducements than usual, we have gone on year
+after year being poisoned by these various nuisances, at an incalculable
+expense of life and money.</p>
+<p><i>Milverton</i>.&nbsp; There is something in what you say, I think,
+but you press it too far; for of late these sanitary subjects have worked
+themselves into notice, as you yourself admit.</p>
+<p><i>Ellesmere</i>.&nbsp; Late indeed.</p>
+<p><i>Milverton</i>.&nbsp; Well, but to go on with schemes for improving
+London.&nbsp; Open spaces, trees - then comes the supply of water.&nbsp;
+This is one of the first things to be done.&nbsp; Philadelphia has given
+an example which all towns ought to imitate.&nbsp; It is a matter requiring
+great thought, and the various plans should be thoroughly canvassed
+before the choice is made.&nbsp; Great beauty and the highest utility
+may be combined in supplying a town like London with water.&nbsp; By
+the way, how much water do you think London requires daily?</p>
+<p><i>Ellesmere</i>.&nbsp; As much as the Serpentine and the water in
+St. James&rsquo;s Park.</p>
+<p><i>Milverton</i>.&nbsp; You are not so far out.</p>
+<p>Well, then, having gone through the largest things that must be attended
+to, we come to minor matters.&nbsp; It is a great pity that the system
+of building upon leases should be so commonly adopted.&nbsp; Nobody
+expects to live out the leasehold term which he takes to build upon.&nbsp;
+But things would be better done if people were more averse to having
+anything to do with leasehold property.&nbsp; C. always says that the
+modern lath-and-plaster system is a wickedness, and upon my word I think
+he is right.&nbsp; It is inconceivable to me how a man can make up his
+mind to build, or to do anything else, in a temporary, slight, insincere
+fashion.&nbsp; What has a man to say for himself who must sum up the
+doings of his life in this way, &ldquo;I chiefly employed myself in
+making or selling things which seemed to be good and were not, and nobody
+has occasion to bless me for anything I have done.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; Humph! you put it mildly.&nbsp; But the man
+has made perhaps seven per cent. off his money; or, if he has made no
+per cent., has ruined several men of his own trade, which is not to
+go for nothing when a man is taking stock of his good deeds.</p>
+<p><i>Milverton</i>.&nbsp; There is one thing I forgot to say, that
+we want more individual will in building, I think.&nbsp; As it is at
+present, a great builder takes a plot of ground and turns out innumerable
+houses, all alike, the same faults and merits running through each,
+thus adding to the general dulness of things.</p>
+<p><i>Ellesmere</i>.&nbsp; Lady Mary Wortley Montagu, when she came
+from abroad, remarked that all her friends seemed to have got into drawing-rooms
+which were like a grand piano, first a large square or oblong room,
+and then a small one.&nbsp; Quite Georgian, this style of architecture.&nbsp;
+But now I think we are improving immensely - at any rate in the outside
+of houses.&nbsp; By the way, Milverton, I want to ask you one thing:
+How is it that Governments and Committees, and the bodies that manage
+matters of taste, seem to be more tasteless than the average run of
+people?&nbsp; I will wager anything that the cabmen round Trafalgar
+Square would have made a better thing of it than it is.&nbsp; If you
+had put before them several prints of fountains, they would not have
+chosen those.</p>
+<p><i>Milverton</i>.&nbsp; I think with you, but I have no theory to
+account for it.&nbsp; I suppose that these committees are frequently
+hampered by other considerations than those which come before the public
+when they are looking at the work done; and this may be some excuse.&nbsp;
+There was a custom which I have heard prevailed in former days in some
+of the Italian cities, of making large models of the works of art that
+were to adorn the city, and putting them up in the places intended for
+the works when finished, and then inviting criticism.&nbsp; It would
+really be a very good plan in some cases.</p>
+<p><i>Ellesmere</i>.&nbsp; Now, Milverton, would you not forthwith pull
+down such things as Buckingham Palace and the National Gallery?&nbsp;
+Dunsford looks at me as if I were going to pull down the Constitution.</p>
+<p><i>Milverton</i>.&nbsp; I would pull them down to a certainty, or
+some parts of them at any rate; but whether &ldquo;forthwith&rdquo;
+is another question.&nbsp; There are greater things, perhaps, to be
+done first.&nbsp; We must consider, too,</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;That eternal want of pence<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Which
+vexes public men.&rdquo;</p>
+<p>Still, I think we ought always to look upon such buildings as temporary
+arrangements, and they vex one less then.&nbsp; The Palace ought to
+be in the higher part of the Park, perhaps on that slope opposite Piccadilly.</p>
+<p><i>Dunsford</i>.&nbsp; Well, it does amuse me the way in which you
+youngsters go on, pulling down, in your industrious imaginations, palaces
+and national galleries, building aqueducts and cloac&aelig; maxim&aelig;,
+forming parks, destroying smoke (so large a part of every Londoner&rsquo;s
+diet), and abridging plaster, without fear of Chancellors of the Exchequer,
+and the resistance of mankind in general.</p>
+<p><i>Milverton</i>.&nbsp; We must begin by thinking boldly about things.&nbsp;
+That is a larger part of any undertaking than it seems, perhaps.</p>
+<p><i>Dunsford</i>.&nbsp; We must, I am afraid, break off our pleasant
+employment of projecting public improvements, unless we mean to be dinnerless.</p>
+<p><i>Ellesmere</i>.&nbsp; A frequent fate of great projectors, I fear.</p>
+<p><i>Milverton</i>.&nbsp; Now then, homewards.</p>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<h3>CHAPTER XI.</h3>
+<div class="GutenbergBlankLines2"><br /><br /></div>
+<p>My readers will, perhaps, agree with me in being sorry to find that
+we are coming to the end of our present series.&nbsp; I say, &ldquo;my
+readers,&rdquo; though I have so little part in purveying for them,
+that I mostly consider myself one of them.&nbsp; It is no light task,
+however, to give a good account of a conversation; and I say this, and
+would wish people to try whether I am not right in saying so, not to
+call attention to my labour in the matter, but because it may be well
+to notice how difficult it is to report anything truly.&nbsp; Were this
+better known, it might be an aid to charity, and prevent some of those
+feuds which grow out of the poverty of man&rsquo;s power to express,
+to apprehend, to represent, rather than out of any malignant part of
+his nature.&nbsp; But I must not go on moralising.&nbsp; I almost feel
+that Ellesmere is looking over my shoulder, and breaking into my discourse
+with sharp words; which I have lately been so much accustomed to.</p>
+<p>I had expected that we should have many more readings this summer,
+as I knew that Milverton had prepared more essays for us.&nbsp; But
+finding, as he said, that the other subjects he had in hand were larger
+than he had anticipated, or was prepared for, he would not read even
+to us what he had written.&nbsp; Though I was very sorry for this -
+for I may not be the chronicler in another year - I could not but say
+he was right.&nbsp; Indeed, my ideas of literature, nourished as they
+have been in much solitude, and by the reading, if I may say so, mainly
+of our classical authors, are very high placed, though I hope not fantastical.&nbsp;
+And, therefore, I would not discourage anyone in expending whatever
+thought and labour might be in him upon any literary work.</p>
+<p>In fine, then, I did not attempt to dissuade Milverton from his purpose
+of postponing our readings: and we agreed that there should only be
+one more for the present.&nbsp; I wished it to be at our favourite place
+on the lawn, which had become endeared to me as the spot of many of
+our friendly councils.</p>
+<p>It was later than usual when I came over to Worth-Ashton for this
+reading; and as I gained the brow of the hill, some few clouds tinged
+with red were just grouping together to form the accustomed pomp upon
+the exit of the setting sun.&nbsp; I believe I mentioned in the introduction
+to our first conversation that the ruins of an old castle could be seen
+from our place of meeting.&nbsp; Milverton and Ellesmere were talking
+about it as I joined them.</p>
+<p><i>Milverton</i>.&nbsp; Yes, Ellesmere, many a man has looked out
+of those windows upon a sunset like this, with some of the thoughts
+that must come into the minds of all men on seeing this great emblem,
+the setting sun - has felt, in looking at it, his coming end, or the
+closing of his greatness.&nbsp; Those old walls must have been witness
+to every kind of human emotion.&nbsp; Henry the Second was there; John,
+I think; Margaret of Anjou and Cardinal Beaufort; William of Wykeham;
+Henry the Eighth&rsquo;s Cromwell; and many others who have made some
+stir in the world.</p>
+<p><i>Ellesmere</i>.&nbsp; And, perhaps, the greatest there were those
+who made no stir.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;The world knows nothing of its
+greatest men.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; I am slow to believe that.&nbsp; I cannot
+well reconcile myself to the idea that great capacities are given for
+nothing.&nbsp; They bud out in some way or other.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes, but it may not be in a noisy way.</p>
+<p><i>Milverton</i>.&nbsp; There is one thing that always strikes me
+very much in looking at the lives of men: how soon, as it were, their
+course seems to be determined.&nbsp; They say, or do, or think, something
+which gives a bias at once to the whole of their career.</p>
+<p><i>Dunsford</i>.&nbsp; You may go farther back than that, and speak
+of the impulses they got from their ancestors.</p>
+<p><i>Ellesmere</i>.&nbsp; Or the nets around them of other people&rsquo;s
+ways and wishes.&nbsp; There are many things, you see, that go to make
+men puppets.</p>
+<p><i>Milverton</i>.&nbsp; I was only noticing the circumstance that
+there was such a thing, as it appeared to me, as this early direction.&nbsp;
+But, if it has been ever so unfortunate, a man&rsquo;s folding his hands
+over it in a melancholy mood, and suffering himself to be made a puppet
+by it, is a sadly weak proceeding.&nbsp; Most thoughtful men have probably
+some dark fountains in their souls, by the side of which, if there were
+time, and it were decorous, they could let their thoughts sit down and
+wail indefinitely.&nbsp; That long Byron wail fascinated men for a time;
+because there is that in Human Nature.&nbsp; Luckily, a great deal besides.</p>
+<p><i>Ellesmere</i>.&nbsp; I delight in the helpful and hopeful men.</p>
+<p><i>Milverton</i>.&nbsp; A man that I admire very much, and have met
+with occasionally, is one who is always of use in any matter he is mixed
+up with, simply because he wishes that the best should be got out of
+the thing that is possible.&nbsp; There does not seem much in the description
+of such a character; but only see it in contrast with that of a brilliant
+man, for instance, who does not ever fully care about the matter in
+hand.</p>
+<p><i>Dunsford</i>.&nbsp; I can thoroughly imagine the difference.</p>
+<p><i>Milverton</i>.&nbsp; The human race may be bound up together in
+some mysterious way, each of us having a profound interest in the fortunes
+of the whole, and so, to some extent, of every portion of it.&nbsp;
+Such a man as I have described acts as though he had an intuitive perception
+of that relation, and therefore a sort of family feeling for mankind,
+which gives him satisfaction in making the best out of any human affair
+he has to do with.</p>
+<p>But we really must have the essay, and not talk any more.&nbsp; It
+is on History.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>HISTORY.</p>
+<p>Among the fathomless things that are about us and within us, is the
+continuity of time.&nbsp; This gives to life one of its most solemn
+aspects.&nbsp; We may think to ourselves: Would there could be some
+halting-place in life, where we could stay, collecting our minds, and
+see the world drift by us.&nbsp; But no: even while you read this, you
+are not pausing to read it.&nbsp; As one of the great French preachers,
+I think, says, We are embarked upon a stream, each in his own little
+boat, which must move uniformly onwards, till it ceases to move at all.&nbsp;
+It is a stream that knows &ldquo;no haste, no rest&rdquo;; a boat that
+knows no haven but one.</p>
+<p>This unbated continuity suggests the past as well as the future.&nbsp;
+We would know what mighty empires this stream of time has flowed through,
+by what battle-fields it has been tinged, how it has been employed towards
+fertility, and what beautiful shadows on its surface have been seized
+by art, or science, or great words, and held in time-lasting, if not
+in everlasting, beauty.&nbsp; This is what history tells us.&nbsp; Often
+in a faltering, confused, be-darkened way, like the deed it chronicles.&nbsp;
+But it is what we have, and we must make the best of it.</p>
+<p>The subject of this essay may be thus divided: Why history should
+be read - how it should be read - by whom it should be written - how
+it should be written - and how good writers of history should be called
+forth, aided, and rewarded.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>I.&nbsp; WHY HISTORY SHOULD BE READ.</p>
+<p>It takes us out of too much care for the present; it extends our
+sympathies; it shows us that other men have had their sufferings and
+their grievances; it enriches discourse, it enlightens travel.&nbsp;
+So does fiction.&nbsp; But the effect of history is more lasting and
+suggestive.&nbsp; If we see a place which fiction has treated of, we
+feel that it has some interest for us; but show us a spot where remarkable
+deeds have been done, or remarkable people have lived, and our thoughts
+cling to it.&nbsp; We employ our own imagination about it: we invent
+the fiction for ourselves.&nbsp; Again, history is at least the conventional
+account of things: that which men agree to receive as the right account,
+and which they discuss as true.&nbsp; To understand their talk, we must
+know what they are talking about.&nbsp; Again, there is something in
+history which can seldom be got from the study of the lives of individual
+men; namely, the movements of men collectively, and for long periods
+- of man, in fact, not of men.&nbsp; In history, the composition of
+the forces that move the world has to be analysed.&nbsp; We must have
+before us the law of the progress of opinion, the interruptions to it
+of individual character, the principles on which men act in the main,
+the trade winds, as we may say, in human affairs, and the recurrent
+storms which one man&rsquo;s life does not tell us of.&nbsp; Again,
+by the study of history, we have a chance of becoming tolerant travelling
+over the ways of many nations and many periods; and we may also acquire
+that historic tact by which we collect upon one point of human affairs
+the light of many ages.</p>
+<p>We may judge of the benefit of historical studies by observing what
+great defects are incident to the moral and political writers who know
+nothing of history.&nbsp; A present grievance, or what seems such, swallows
+up in their minds all other considerations; their little bottle of oil
+is to still the raging waves of the whole human ocean; their system,
+a thing that the historian has seen before, perhaps, in many ages, is
+to reconcile all diversities.&nbsp; Then they would persuade you that
+this class of men is wholly good, that wholly bad; or that there is
+no difference between good and bad.&nbsp; They may be shrewd men, considering
+what they have seen, but would be much shrewder if they could know how
+small a part that is of life.&nbsp; We may all refer to our boyhood,
+and recollect the time when we thought the things about us were the
+type of all things everywhere.&nbsp; That was, perhaps, after all no
+silly princess who was for feeding the famishing people on cakes.&nbsp;
+History takes us out of this confined circle of child-like thought;
+and shows us what are the perennial aims, struggles, and distractions
+of mankind.</p>
+<p>History has always been set down as the especial study for statesmen,
+and for men who take an interest in public affairs.&nbsp; For history
+is to nations what biography is to individual men.&nbsp; History is
+the chart and compass for national endeavour.&nbsp; Our early voyagers
+are dead: not a plank remains of the old ships that first essayed unknown
+waters; the sea retains no track; and were it not for the history of
+these voyages contained in charts, in chronicles, in hoarded lore of
+all kinds, each voyager, though he were to start with all the aids of
+advanced civilisation (if you could imagine such a thing without history),
+would need the boldness of the first voyager.</p>
+<p>And so it would be with the statesman, were the civil history of
+mankind unknown.&nbsp; We live to some extent in peace and comfort upon
+the results obtained for us by the chronicles of our forefathers.&nbsp;
+We do not see this without some reflection.&nbsp; But imagine what a
+full-grown nation would be if it knew no history - like a full-grown
+man with only a child&rsquo;s experience.</p>
+<p>The present is an age of remarkable experiences.&nbsp; Vast improvements
+have been made in several of the outward things that concern life nearly,
+from intercourse rapid as lightning to surgical operation without pain.&nbsp;
+We accept them all; still, the difficulties of government, the management
+of ourselves, our relations with others, and many of the prime difficulties
+of life remain but little subdued.&nbsp; History still claims our interest,
+is still wanted to make us think and act with any breadth of wisdom.</p>
+<p>At the same time, however, that we claim for history great powers
+of instruction, we must not imagine that the examples which it furnishes
+will enable its readers to anticipate the experience of life.&nbsp;
+An experienced man reads that C&aelig;sar did this or that, but he says
+to himself, &ldquo;I am not C&aelig;sar.&rdquo;&nbsp; Or, indeed, as
+is most probable, the reader has not to reject the application of the
+example to himself: for from first to last he sees nothing but experience
+for C&aelig;sar in what C&aelig;sar was doing.&nbsp; I think it may
+be observed, too, that general maxims about life gain the ear of the
+inexperienced, in preference to historical examples.&nbsp; But neither
+wise sayings nor historical examples can be understood without experience.&nbsp;
+Words are only symbols.&nbsp; Who can know anything soundly with respect
+to the complicated affections and struggles of life, unless he has experienced
+some of them?&nbsp; All knowledge of humanity spreads from within.&nbsp;
+So in studying history, the lessons it teaches must have something to
+grow round in the heart they teach.&nbsp; Our own trials, misfortunes,
+and enterprises are the best lights by which we can read history.&nbsp;
+Hence it is that many an historian may see far less into the depths
+of the very history he has himself written than a man who, having acted
+and suffered, reads the history in question with all the wisdom that
+comes from action and suffering.&nbsp; Sir Robert Walpole might naturally
+exclaim, &ldquo;Do not read history to me, for that, I know, must be
+false.&rdquo;&nbsp; But if he had read it, I do not doubt that he would
+have seen through the film of false and insufficient narrative into
+the depth of the matter narrated, in a way that men of great experience
+can alone attain to.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>II.&nbsp; HOW HISTORY SHOULD BE READ.</p>
+<p>I suppose that many who now connect the very word history with the
+idea of dulness, would have been fond and diligent students of history
+if it had had fair access to their minds.&nbsp; But they were set down
+to read histories which were not fitted to be read continuously, or
+by any but practised students.&nbsp; Some such works are mere framework,
+a name which the author of the <i>Statesman</i> applies to them; very
+good things, perhaps, for their purpose, but that is not to invite readers
+to history.&nbsp; You might almost as well read dictionaries with a
+hope of getting a succinct and clear view of language.&nbsp; When, in
+any narration, there is a constant heaping up of facts, made about equally
+significant by the way of telling them, a hasty delineation of characters,
+and all the incidents moving on as in the fifth act of a confused tragedy,
+the mind and memory refuse to be so treated; and the reading ends in
+nothing but a very slight and inaccurate acquaintance with the mere
+husk of the history.&nbsp; You cannot epitomise the knowledge that it
+would take years to acquire into a few volumes that may be read in as
+many weeks.</p>
+<p>The most likely way of attracting men&rsquo;s attention to historical
+subjects will be by presenting them with small portions of history,
+of great interest, thoroughly examined.&nbsp; This may give them the
+habit of applying thought and criticism to historical matters.</p>
+<p>For, as it is, how are people interested in history? and how do they
+master its multitudinous assemblage of facts?&nbsp; Mostly, perhaps,
+in this way.&nbsp; A man cares about some one thing, or person, or event,
+and plunges into its history, really wishing to master it.&nbsp; This
+pursuit extends: other points of research are taken up by him at other
+times.&nbsp; His researches begin to intersect.&nbsp; He finds a connection
+in things.&nbsp; The texture of his historic acquisitions gradually
+attains some substance and colour; and so at last he begins to have
+some dim notions of the myriads of men who came, and saw, and did not
+conquer - only struggled on as they best might, some of them - and are
+not.</p>
+<p>When we are considering how history should be read, the main thing
+perhaps is, that the person reading should desire to know what he is
+reading about, not merely to have read the books that tell of it.&nbsp;
+The most elaborate and careful historian must omit, or pass lightly
+over, many points of his subject.&nbsp; He writes for all readers, and
+cannot indulge private fancies.&nbsp; But history has its particular
+aspect for each man: there must be portions which he may be expected
+to dwell upon.&nbsp; And everywhere, even where the history is most
+laboured, the reader should have something of the spirit of research
+which was needful for the writer: if only so much as to ponder well
+the words of the writer.&nbsp; That man reads history, or anything else,
+at great peril of being thoroughly misled, who has no perception of
+any truthfulness except that which can be fully ascertained by reference
+to facts; who does not in the least perceive the truth, or the reverse,
+of a writer&rsquo;s style, of his epithets, of his reasoning, of his
+mode of narration.&nbsp; In life, our faith in any narration is much
+influenced by the personal appearance, voice, and gesture of the person
+narrating.&nbsp; There is some part of all these things in his writing;
+and you must look into that well before you can know what faith to give
+him.&nbsp; One man may make mistakes in names, and dates, and references,
+and yet have a real substance of truthfulness in him, a wish to enlighten
+himself and then you.&nbsp; Another may not be wrong in his facts, but
+have a declamatory or sophistical vein in him, much to be guarded against.&nbsp;
+A third may be both inaccurate and untruthful, caring not so much for
+anything as to write his book.&nbsp; And if the reader cares only to
+read it, sad work they make between them of the memories of former days.</p>
+<p>In studying history, it must be borne in mind that a knowledge is
+necessary of the state of manners, customs, wealth, arts, and science
+at the different periods treated of.&nbsp; The text of civil history
+requires a context of this knowledge in the mind of the reader.&nbsp;
+For the same reason, some of the main facts of the geography of the
+countries in question should be present to him.&nbsp; If we are ignorant
+of these aids to history, all history is apt to seem alike to us.&nbsp;
+It becomes merely a narrative of men of our own time, in our own country;
+and then we are prone to expect the same views and conduct from them
+that we do from our contemporaries.&nbsp; It is true that the heroes
+of antiquity have been represented on the stage in bag-wigs, and the
+rest of the costume of our grandfathers: but it was the great events
+of their lives that were thus told - the crisis of their passions -
+and when we are contemplating the representation of great passions and
+their consequences, all minor imagery is of little moment.&nbsp; In
+a long-drawn narrative, however, the more we have in our minds of what
+concerned the daily life of the people we read about, the better.&nbsp;
+And in general it may be said that history, like travelling, gives a
+return in proportion to the knowledge that a man brings to it.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>III.&nbsp; BY WHOM HISTORY SHOULD BE WRITTEN.</p>
+<p>Before entering directly on this part of the subject, it is desirable
+to consider a little the difficulties in the way of writing history.&nbsp;
+We all know the difficulty of getting at the truth of a matter which
+happened yesterday, and about which we can examine the living actors
+upon oath.&nbsp; But in history the most significant things may lack
+the most important part of their evidence.&nbsp; The people who were
+making history were not thinking of the convenience of future writers
+of history.&nbsp; Often the historian must contrive to get his insight
+into matters from evidence of men and things which is like bad pictures
+of them.&nbsp; The contemporary, if he knew the man, said of the picture,
+&ldquo;I should have known it, but it has very little of him in it.&rdquo;&nbsp;
+The poor historian, with no original before him, has to see through
+the bad picture into the man.&nbsp; Then, supposing our historian rich
+in well-selected evidence - I say well-selected, because, as students
+tell us, for many an historian one authority is of the same weight as
+another, provided they are both of the same age; still, how difficult
+is narration even to the man who is rich in well-selected evidence.&nbsp;
+What a tendency there is to round off a narrative into falsehood; or
+else by parenthesis to destroy its pith and continuity.&nbsp; Again,
+the historian knows the end of many of the transactions he narrates.&nbsp;
+If he did not, how differently often he would narrate them.&nbsp; It
+would be a most instructive thing to give a man the materials for the
+account of a great transaction, stopping short of the end, and then
+see how different would be his account from the ordinary ones.&nbsp;
+Fools have been hardly dealt with in the saying that the event is their
+master (&ldquo;eventus stultorum magister&rdquo;), seeing how it rules
+us all.&nbsp; And in nothing more than in history.&nbsp; The event is
+always present to our minds; along the pathways to it, the historian
+and the moralist have walked till they are beaten pathways, and we imagine
+that they were so to the men who first went along them.&nbsp; Indeed,
+we almost fancy that these ancestors of ours, looking along the beaten
+path, foresaw the event as we do; whereas, they mostly stumbled upon
+it suddenly in the forest.&nbsp; This knowledge of the end we must,
+therefore, put down as one of the most dangerous pitfalls which beset
+the writers of history.&nbsp; Then consider the difficulty in the &ldquo;composition,&rdquo;
+to use an artist&rsquo;s word, of our historian&rsquo;s picture.&nbsp;
+Before both the artist and the historian lies Nature as far as the horizon;
+how shall they choose that portion of it which has some unity and which
+shall represent the rest?&nbsp; What method is needful in the grouping
+of facts; what learning, what patience, what accuracy!</p>
+<p>By whom, then, should history be written?&nbsp; In the first place,
+by men of some experience in real life; who have acted and suffered;
+who have been in crowds, and seen, perhaps felt, how madly men can care
+about nothings; who have observed how much is done in the world in an
+uncertain manner, upon sudden impulses and very little reason; and who,
+therefore, do not think themselves bound to have a deep-laid theory
+for all things.&nbsp; They should be men who have studied the laws of
+the affections, who know how much men&rsquo;s opinions depend on the
+time in which they live, how they vary with their age and their position.&nbsp;
+To make themselves historians, they should also have considered the
+combinations amongst men and the laws that govern such things; for there
+are laws.&nbsp; Moreover our historians, like most men who do great
+things, must combine in themselves qualities which are held to belong
+to opposite natures; must at the same time be patient in research and
+vigorous in imagination, energetic and calm, cautious and enterprising.&nbsp;
+Such historians, wise, as we may suppose they will be, about the affair
+of other men, may, let us hope, be sufficiently wise about their own
+affairs to understand that no great work can be done without great labour,
+that no great labour ought to look for its reward.&nbsp; But my readers
+will exclaim as Rasselas to Imlac on hearing the requisites for a poet,
+&ldquo;Enough! thou hast convinced me that no human being can ever be
+an historian.&nbsp; Proceed with thy narration.&rdquo;</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>IV.&nbsp; HOW HISTORY SHOULD BE WRITTEN.</p>
+<p>One of the first things in writing history is for the historian to
+recollect that it is history he is writing.&nbsp; The narrative must
+not be oppressed by reflections, even by wise ones.&nbsp; Least of all
+should the historian suffer himself to become entangled by a theory
+or a system.&nbsp; If he does, each fact is taken up by him in a particular
+way: those facts that cannot be so handled cease to be his facts, and
+those that offer themselves conveniently are received too fondly by
+him.</p>
+<p>Then, although our historian must not be mastered by system, he must
+have some way of taking up his facts and of classifying them.&nbsp;
+They must not be mere isolated units in his eyes, else he is mobbed
+by them.&nbsp; And a man in the midst of a crowd, though he may know
+the names and nature of all the crowd, cannot give an account of their
+doings.&nbsp; Those who look down from the housetop must do that.</p>
+<p>But, above all things, the historian must get out of his own age
+into the time in which he is writing.&nbsp; Imagination is as much needed
+for the historian as the poet.&nbsp; You may combine bits of books with
+other bits of books, and so make some new combinations, and this may
+be done accurately, and, in general, much of the subordinate preparation
+for history may be accomplished without any great effort of imagination.&nbsp;
+But to write history in any large sense of the words, you must be able
+to comprehend other times.&nbsp; You must know that there is a right
+and wrong which is not your right and wrong, but yet stands upon the
+right and wrong of all ages and all hearts.&nbsp; You must also appreciate
+the outward life and colours of the period you write about.&nbsp; Try
+to think how the men you are telling of would have spent a day, what
+were their leading ideas, what they cared about.&nbsp; Grasp the body
+of the time, and give it to us.&nbsp; If not, and these men could look
+at your history, they would say, &ldquo;This is all very well; we daresay
+some of these things did happen; but we were not thinking of these things
+all day long.&nbsp; It does not represent us.&rdquo;</p>
+<p>After enlarging upon this great requisite, imagination, it seems
+somewhat prosaic to come down to saying that history requires accuracy.&nbsp;
+But I think I hear the sighs, and sounds more harsh than sighing, of
+those who have ever investigated anything, and found by dire experience
+the deplorable inaccuracy which prevails in the world.&nbsp; And, therefore,
+I would say to the historian almost as the first suggestion, &ldquo;Be
+accurate; do not make false references, do not mis-state: and men, if
+they get no light from you, will not execrate you.&nbsp; You will not
+stand in the way, and have to be explained and got rid of.&rdquo;</p>
+<p>Another most important matter in writing history, and that indeed
+in which the art lies, is the method of narrating.&nbsp; This is a thing
+almost beyond rules, like the actual execution in music or painting.&nbsp;
+A man might have fairness, accuracy, an insight into other times, great
+knowledge of facts, some power even of arranging them, and yet make
+a narrative out of it all, so protracted here, so huddled together there,
+the purpose so buried or confused, that men would agree to acknowledge
+the merit of the book and leave it unread.&nbsp; There must be a natural
+line of associations for the narrative to run along.&nbsp; The separate
+threads of the narrative must be treated separately, and yet the subject
+not be dealt with sectionally, for that is not the way in which the
+things occurred.&nbsp; The historian must, therefore, beware that those
+divisions of the subject which he makes for our ease and convenience,
+do not induce him to treat his subject in a flimsy manner.&nbsp; He
+must not make his story easy where it is not so.</p>
+<p>After all, it is not by rule that a great history is to be written.&nbsp;
+Most thinkers agree that the main object for the historian is to get
+an insight into the things which he tells of, and then to tell them
+with the modesty of a man who is in the presence of great events; and
+must speak about them carefully, simply, and with but little of himself
+or of his affections thrown into the narration.</p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p>V.&nbsp; HOW GOOD WRITERS OF HISTORY SHOULD BE CALLED FORTH, AIDED,
+AND REWARDED.</p>
+<p>Mainly by history being properly read.&nbsp; The direct ways of commanding
+excellence of any kind are very few, if any.&nbsp; When a State has
+found out its notable men, it should reward them, and will show its
+worthiness by its measure and mode of reward.&nbsp; But it cannot purchase
+them.&nbsp; It may do something in the way of aiding them.&nbsp; In
+history, for instance, the records of a nation may be discreetly managed,
+and some of the minor work, therefore, done to the hand of the historian.&nbsp;
+But the most likely method to ensure good historians is to have a fit
+audience for them.&nbsp; And this is a very difficult matter.&nbsp;
+In works of general literature, the circle of persons capable of judging
+is large; even in works of science or philosophy it is considerable:
+but in history, it is a very confined circle.&nbsp; To the general body
+of readers, whether the history they read is true or not is in no way
+perceptible.&nbsp; It is quite as amusing to them when it is told in
+one way as in another.&nbsp; There is always mischief in error: but
+in this case the mischief is remote, or seems so.&nbsp; For men of ordinary
+culture, even if of much intelligence, the difficulty of discerning
+what is true or false in the histories they read makes it a matter of
+the highest duty for those few persons who can give us criticism on
+historical works, at least to save us from insolent and mendacious carelessness
+in historical writers, if not by just encouragement to secure for nations
+some results not altogether unworthy of the great enterprise which the
+writing of history holds out itself to be.&nbsp; &ldquo;Hujus enim fidei
+exempla majorum, vicissitudines rerum, fundamenta prudenti&aelig; civilis,
+hominum denique nomen et fama commissa sunt.&rdquo; <a name="citation183"></a><a href="#footnote183">{183}</a></p>
+<div class="GutenbergBlankLines1"><br /></div>
+<p><i>Ellesmere</i>.&nbsp; Just wait a minute for me, and do not talk
+about the essay till I come back.&nbsp; I am going for Anster&rsquo;s
+<i>Faust</i>.</p>
+<p><i>Dunsford</i>.&nbsp; What has Ellesmere got in his head?</p>
+<p><i>Milverton</i>.&nbsp; I see.&nbsp; There is a passage where Faust,
+in his most discontented mood, falls foul of history - in his talk to
+Wagner, if I am not mistaken.</p>
+<p><i>Dunsford</i>.&nbsp; How beautiful it is this evening!&nbsp; Look
+at that yellow-green near the sunset.</p>
+<p><i>Milverton</i>.&nbsp; The very words that Coleridge uses.&nbsp;
+I always think of them when I see that tint.</p>
+<p><i>Dunsford</i>.&nbsp; I daresay his words were in my mind, but I
+have forgotten what you allude to.</p>
+<p>Milverton.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;O Lady! in this wan and heartless
+mood,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;To other thoughts by
+yonder throstle woo&rsquo;d,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;All
+this long eve, so balmy and serene,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Have
+I been gazing on the western sky,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And
+its peculiar tint of yellow-green:<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And
+still I gaze - and with how blank an eye!<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And
+those thin clouds above, in flakes and bars,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That
+give away their motion to the stars;<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Those
+stars that glide behind them or between,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Now
+sparkling, now bedimmed, but always seen:<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Yon
+crescent Moon as fixed as if it grew<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In
+its own cloudless, starless lake of blue;<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I
+see them all so excellently fair,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I
+see, not feel how beautiful they are.&rdquo;</p>
+<p><i>Dunsford</i>.&nbsp; Admirable!&nbsp; In the <i>Ode to Dejection</i>,
+is it not? where, too, there are those lines,</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;O Lady! we receive but what
+we give,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And in our life alone
+does Nature live.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; But here comes Ellesmere with triumphant
+look.&nbsp; You look as jovial, my dear Ellesmere, as if you were a
+Bentley that had found a false quantity in a Boyle.</p>
+<p><i>Ellesmere</i>.&nbsp; Listen and perpend, my historical friends.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;To us, my friend, the times
+that are gone by<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Are a mysterious
+book, sealed with seven seals:<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That
+which you call the spirit of ages past<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Is
+but, in truth, the spirit of some few authors<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In
+which those ages are beheld reflected,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;With
+what distortion strange heaven only knows.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Oh!
+often, what a toilsome thing it is<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;This
+study of thine - at the first glance we fly it.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A
+mass of things confusedly heaped together;<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A
+lumber-room of dusty documents,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Furnished
+with all approved court-precedents<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And
+old traditional maxims!&nbsp; History!<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Facts
+dramatised say rather - action - plot - <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sentiment,
+everything the writer&rsquo;s own,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;As
+it bests fits the web-work of his story,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;With
+here and there a solitary fact<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Of
+consequence, by those grave chroniclers,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Pointed
+with many a moral apophthegm,<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And
+wise old saws, learned at the puppet-shows.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; Yes; admirable lines; they describe to the
+life the very faults we have been considering as the faults of badly-written
+histories.&nbsp; I do not see that they do much more.</p>
+<p><i>Ellesmere</i>.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;To us, my friend, the times
+that are gone by<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Are a mysterious
+book.&rdquo; - </p>
+<p><i>Milverton</i>.&nbsp; Those two first lines are the full expression
+of Faust&rsquo;s discontent - unmeasured as in the presence of a weak
+man who could not check him.&nbsp; But, if you come to look at the matter
+closely, you will see that the time present is also in some sense a
+sealed book to us.&nbsp; Men that we live with daily we often think
+as little of as we do of Julius C&aelig;sar, I was going to say - but
+we know much less of them than of him.</p>
+<p><i>Ellesmere</i>.&nbsp; I did not mean to say that Faust spoke my
+sentiments about history in general.&nbsp; Still, there are periods
+of history which we have very few authors to tell us about, and I daresay
+in some of those cases the colouring of their particular minds gives
+us a false idea of the whole age they lived in.</p>
+<p><i>Dunsford</i>.&nbsp; This may have happened, certainly.</p>
+<p><i>Milverton</i>.&nbsp; We must be careful not to expect too much
+from the history of past ages, as a means of understanding the present
+age.&nbsp; There is something wanted besides the preceding history to
+understand each age.&nbsp; Each individual life may have a problem of
+its own, which all other biography accurately set down for us might
+not enable us to work out.&nbsp; So of each age.&nbsp; It has something
+in it not known before, and tends to a result which is not down in any
+books.</p>
+<p><i>Dunsford</i>.&nbsp; Yet history must be of greatest use in discerning
+this tendency.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes; but the Wagner sort of pedant would
+get entangled in his round of history - in his historical resemblances.</p>
+<p><i>Dunsford</i>.&nbsp; Now, Milverton, if you were called upon to
+say what are the peculiar characteristics of this age, what should you
+say?</p>
+<p><i>Ellesmere</i>.&nbsp; One of Dunsford&rsquo;s questions this, requiring
+a stout quarto volume with notes in answer.</p>
+<p><i>Milverton</i>.&nbsp; I would rather wait till I was called upon.&nbsp;
+I am apt to feel, after I have left off describing the character of
+any individual man, as if I had only just begun.&nbsp; And I do not
+see the extent of discourse that would be needful in attempting to give
+the characteristics of an age.</p>
+<p><i>Ellesmere</i>.&nbsp; I think you are prudent to avoid answering
+Dunsford&rsquo;s question.&nbsp; For my own part, I should prefer giving
+an account of the age we live in after we have come to the end of it
+- in the true historical fashion.&nbsp; And so, Dunsford, you must wait
+for my notions.</p>
+<p><i>Dunsford</i>.&nbsp; I am afraid, Milverton, if you were to write
+history, you would never make up your mind to condemn anybody.</p>
+<p><i>Milverton</i>.&nbsp; I hope I should not be so inconclusive.&nbsp;
+I certainly do dislike to see any character, whether of a living or
+a dead person, disposed of in a summary way.</p>
+<p><i>Ellesmere</i>.&nbsp; For once I will come to the rescue of Milverton.&nbsp;
+I really do not see that a man&rsquo;s belief in the extent and variety
+of human character, and in the difficulty of appreciating the circumstances
+of life, should prevent him from writing history - from coming to some
+conclusions.&nbsp; Of course such a man is not likely to write a long
+course of history; but that I hold has been a frequent error in historians
+- that they have taken up subjects too large for them.</p>
+<p><i>Milverton</i>.&nbsp; If there is as much to be said about men&rsquo;s
+character and conduct as I think there mostly is, why should we be content
+with shallow views of them?&nbsp; Take the outward form of these hills
+and valleys before us.&nbsp; When we have seen them a few times, we
+think we know them, but are quite mistaken.&nbsp; Approaching from another
+quarter, it is almost new ground to us.&nbsp; It is a long time before
+you master the outward form and semblance of any small piece of country
+that has much life and diversity in it.&nbsp; I often think of this,
+applying it to our little knowledge of men.&nbsp; Now, look there a
+moment: you see that house; close behind it is apparently a barren tract.&nbsp;
+In reality there is nothing of the kind there.&nbsp; A fertile valley
+with a great river in it, as you know, is between that house and the
+moors.&nbsp; But the plane of those moors and of the house is coincident
+from our present point of view.&nbsp; Had we not, as educated men, some
+distrust of the conclusions of our senses, we should be ready to swear
+that there was a lonely house on the border of the moors.&nbsp; It is
+the same in judging of men.&nbsp; We see a man connected with a train
+of action which is really not near him, absolutely foreign to him, perhaps,
+but in our eyes that is what he is always connected with.&nbsp; If there
+were not a Being who understands us immeasurably better than other men
+can, immeasurably better than we do ourselves, we should be badly off.</p>
+<p>Such precautionary thoughts as these must be useful, I contend.&nbsp;
+They need not make us indifferent to character, or prevent us from forming
+judgments where we must form them, but they show us what a wide thing
+we are talking about when we are judging the life and nature of a man.</p>
+<p><i>Ellesmere</i>.&nbsp; I am sure, Dunsford, you are already convinced:
+you seldom want more than a slight pretext for going over to the charitable
+side of things.&nbsp; You are only afraid of not dealing stoutly enough
+with bad things and people.&nbsp; Do not be afraid though.&nbsp; As
+long as you have me to abuse, you will say many unjust things against
+me, you know, so that you may waste yourself in good thoughts about
+the rest of the world, past and present.&nbsp; Do you know the lawyer&rsquo;s
+story I had in my mind then?&nbsp; &ldquo;Many times when I have had
+a good case,&rdquo; he said, &ldquo;I have failed; but then I have often
+succeeded with bad cases.&nbsp; And so justice is done.&rdquo;</p>
+<p><i>Milverton</i>.&nbsp; To return to the subject.&nbsp; It is not
+a sort of equalising want of thought about men that I desire; only not
+to be rash in a matter that requires all our care and prudence.</p>
+<p><i>Dunsford</i>.&nbsp; Well, I believe I am won over.&nbsp; But now
+to another point.&nbsp; I think, Milverton, that you have said hardly
+anything about the use of history as an incentive to good deeds and
+a discouragement to evil ones.</p>
+<p><i>Milverton</i>.&nbsp; I ought to have done so.&nbsp; Bolingbroke
+gives in his &ldquo;Letters on History,&rdquo; talking of this point,
+a passage from Tacitus, &ldquo;Pr&aelig;cipuum munus annalium,&rdquo;
+- can you go on with it, Dunsford?</p>
+<p><i>Dunsford</i>.&nbsp; Yes, I think I can.&nbsp; It is a passage
+I have often seen quoted.&nbsp; &ldquo;Pr&aelig;cipuum munus annalium,
+reor, ne virtutes sileantur; utque pravis dictis factisque ex posteritate
+et infami&acirc; metus sit.&rdquo;</p>
+<p><i>Ellesmere</i>.&nbsp; Well done; Dunsford may have invented it,
+though, for aught that we know, Milverton, and be passing himself off
+upon us for Tacitus.</p>
+<p><i>Milverton</i>.&nbsp; Then Bolingbroke goes on to say (I wish I
+could give you his own flowing words), that the great duty of history
+is to form a tribunal like that amongst the Egyptians which Diodorus
+tells of, where both common men and princes were tried after their deaths,
+and received appropriate honour or disgrace.&nbsp; The sentence was
+pronounced, he says, too late to correct or to recompense; but it was
+pronounced in time to render examples of general instruction to mankind.&nbsp;
+Now, what I was going to remark upon this is, that Bolingbroke understates
+his case.&nbsp; History well written is a present correction, and a
+foretaste of recompense, to the man who is now struggling with difficulties
+and temptations, now overcast by calumny and cloudy misrepresentation.</p>
+<p><i>Ellesmere</i>.&nbsp; Yes; many a man makes an appeal to posterity
+which will never come before the court; but if there were no such court
+of appeal - </p>
+<p><i>Milverton</i>.&nbsp; A man&rsquo;s conviction that justice will
+be done to him in history is a secondary motive, and not one which,
+of itself, will compel him to do just and great things; but, at any
+rate, it forms one of the benefits that flow from history, and it becomes
+stronger as histories are better written.&nbsp; Much may be said against
+care for fame; much also against care for present repute.&nbsp; There
+is a diviner impulse than either at the doing of any actions that are
+much worth doing.&nbsp; As a correction, however, this anticipation
+of the judgment of history may really be very powerful.&nbsp; It is
+a great enlightenment of conscience to read the opinions of men on deeds
+similar to those we are engaged in or meditating.</p>
+<p><i>Dunsford</i>.&nbsp; I think Bolingbroke&rsquo;s idea, which I
+imagine was more general than yours, is more important: namely, that
+this judicial proceeding, mentioned by Diodorus Siculus, gave significant
+lessons to all people, not merely to those who had any chance of having
+their names in history.</p>
+<p><i>Milverton</i>.&nbsp; Certainly: for this is one of Bolingbroke&rsquo;s
+chief points, if I recollect rightly.</p>
+<p><i>Ellesmere</i>.&nbsp; Our conversations are much better things
+than your essays, Milverton.</p>
+<p><i>Milverton</i>.&nbsp; Of course, I am bound to say so: but what
+made you think of that now?</p>
+<p><i>Ellesmere</i>.&nbsp; Why, I was thinking how in talk we can know
+exactly where we agree or differ.&nbsp; But I never like to interrupt
+the essay.&nbsp; I never know when it would come to an end if I did.&nbsp;
+And so it swims on like a sermon, having all its own way: one cannot
+put in an awkward question in a weak part, and get things looked at
+in various ways.</p>
+<p><i>Dunsford</i>.&nbsp; I suppose, then, Ellesmere, you would like
+to interrupt sermons.</p>
+<p><i>Ellesmere</i>.&nbsp; Why, yes, sometimes - do not throw sticks
+at me, Dunsford.</p>
+<p><i>Dunsford</i>.&nbsp; Well, it is absurd to be angry with you; because
+if you long to interrupt Milverton with his captious perhapses and probablys,
+of course you will be impatient with discourses which do, to a certain
+extent, assume that the preacher and the hearers are in unison upon
+great matters.</p>
+<p><i>Ellesmere</i>.&nbsp; I am afraid to say anything about sermons,
+for fear of the argumentum baculinum from Dunsford; for many essay writers,
+like Milverton, delight to wind up their paragraphs with complete little
+aphorisms - shutting up something certainly, but shutting out something
+too.&nbsp; I could generally pause upon them a little.</p>
+<p><i>Milverton</i>.&nbsp; Of course one may err, Ellesmere, in too
+much aphorising as in too much of anything.&nbsp; But your argument
+goes against all expression of opinion, which must be incomplete, especially
+when dealing with matters that cannot be circumscribed by exact definitions.&nbsp;
+Otherwise, a code of wisdom might be made which the fool might apply
+as well as the wisest man.&nbsp; Even the best proverb, though often
+the expression of the widest experience in the choicest language, can
+be thoroughly misapplied.&nbsp; It cannot embrace the whole of the subject,
+and apply in all cases like a mathematical formula.&nbsp; Its wisdom
+lies in the ear of the hearer.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, I not know that there is anything more
+to say about the essay.&nbsp; I suppose you are aware, Dunsford, that
+Milverton does not intend to give us any more essays for some time.&nbsp;
+He is distressing his mind about some facts which he wants to ascertain
+before he will read any more to us.&nbsp; I imagine we are to have something
+historical next.</p>
+<p><i>Milverton</i>.&nbsp; Something in which historical records are
+useful.</p>
+<p><i>Ellesmere</i>.&nbsp; Really it is wonderful to see how beautifully
+human nature accommodates itself to anything, even to the listening
+to essays.&nbsp; I shall miss them.</p>
+<p><i>Milverton</i>.&nbsp; You may miss the talk before and after.</p>
+<p><i>Ellesmere</i>.&nbsp; Well, there is no knowing how much of that
+is provoked (provoked is a good word, is it not?) by the essays.</p>
+<p><i>Dunsford</i>.&nbsp; Then, for the present, we have come to an
+end of our readings.</p>
+<p><i>Milverton</i>.&nbsp; Yes, but I trust at no distant time to have
+something more to try your critical powers and patience upon.&nbsp;
+I hope that that old tower will yet see us meet together here on many
+a sunny day, discussing various things in friendly council.</p>
+<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-----</p>
+<p>NOTES.</p>
+<p><a name="footnote12"></a><a href="#citation12">{12}</a> See <i>Statesman</i>,
+p. 30.</p>
+<p><a name="footnote42"></a><a href="#citation42">{42}</a> The passage
+which must have been alluded to is this: &ldquo;The stricter tenets
+of Calvinism, which allow no medium between grace and reprobation, and
+doom man to eternal punishment for every breach of the moral law, as
+an equal offence against Infinite truth and justice, proceed (like the
+paradoxical doctrine of the Stoics), from taking a half-view of this
+subject, and considering man as amenable only to the dictates of his
+understanding and his conscience, and not excusable from the temptations
+and frailty of human ignorance and passion.&nbsp; The mixing up of religion
+and morality together, or the making us accountable for every word,
+thought, or action, under no less a responsibility than our everlasting
+future welfare or misery, has also added incalculably to the difficulties
+of self-knowledge, has superinduced a violent and spurious state of
+feeling, and made it almost impossible to distinguish the boundaries
+between the true and false, in judging of human conduct and motives.&nbsp;
+A religious man is afraid of looking into the state of his soul, lest
+at the same time he should reveal it to heaven; and tries to persuade
+himself that by shutting his eyes to his true character and feelings,
+they will remain a profound secret, both here and hereafter.&rdquo;</p>
+<p><a name="footnote53"></a><a href="#citation53">{53}</a> This was
+one of the passages which Milverton afterwards read to us:-</p>
+<p>&ldquo;Thus, however much may be gained for the world as a whole
+by this fragmentary cultivation, it is not to be denied that the individuals
+whom it befalls are cursed for the benefit of the world.&nbsp; An athletic
+frame, it is true, is fashioned by gymnastic exercises; but a form of
+beauty only by free and uniform action.&nbsp; Just so the exertions
+of single talents can create extraordinary men indeed; but happy and
+perfect men only by their uniform temperature.&nbsp; And in what relation
+should we stand, then, to the past and coming ages, if the cultivation
+of human nature made necessary such a sacrifice?&nbsp; We should have
+been the slaves of humanity, and drudged for her century after century,
+and stamped upon our mutilated natures the humiliating traces of our
+bondage - that the coming race might nurse its moral healthfulness in
+blissful leisure, and unfold the free growth of its humanity!</p>
+<p>&ldquo;But can it be intended that man should neglect himself for
+any particular design?&nbsp; Ought Nature to deprive us, by its design,
+of a perfection which Reason, by its own, prescribes to us?&nbsp; Then
+it must be false that the development of single faculties makes the
+sacrifice of totality necessary; or, if indeed the law of Nature presses
+thus heavily, it becomes us to restore, by a higher art, this totality
+in our nature which art has destroyed.&rdquo; - <i>The Philosophical
+and &AElig;sthetical Letters and Essays of</i> SCHILLER, <i>Translated
+by</i> J. WEISS, pp. 74, 75.</p>
+<p><a name="footnote93"></a><a href="#citation93">{93}</a> Madame Necker
+de Saussure&rsquo;s maxim about firmness with children has suggested
+the above.&nbsp; &ldquo;Ce que plie ne peut servir d&rsquo;appui, et
+l&rsquo;enfant veut &ecirc;tre appuy&eacute;.&nbsp; Non-seulement il
+en a besoin, mais il le d&eacute;sire, mais sa tendresse la plus constante
+n&rsquo;est qu&rsquo;&agrave; ce prix.&nbsp; Si vous lui faites l&rsquo;effet
+d&rsquo;un autre enfant, si vous partagez ses passions, ses vacillations
+continuelles, si vous lui rendez tous ses mouvements en les augmentant,
+soit par la contrari&eacute;t&eacute;, soit par un exc&egrave;s de complaisance,
+il pourra se servir de vous comme d&rsquo;un jouet, mais non &ecirc;tre
+heureux en votre pr&eacute;sence; il pleurera, se mutinera, et bient&ocirc;t
+le souvenir d&rsquo;un temps de d&eacute;sordre et d&rsquo;humeur se
+liera avec votre id&eacute;e.&nbsp; Vous n&rsquo;avez pas &eacute;t&eacute;
+le soutien de votre enfant, vous ne l&rsquo;avez pas pr&eacute;serv&eacute;
+de cette fluctuation perp&eacute;tuelle de la volont&eacute;, maladie
+des &ecirc;tres faibles et livr&eacute;s &agrave; une imagination vive;
+vous n&rsquo;avez assur&eacute; ni sa paix, ni sa sagesse, ni son bonheur,
+pourquoi vous croirait-il sa m&egrave;re.&rdquo; - <i>L&rsquo;Education
+Progressive</i>, vol. i., p. 228.</p>
+<p><a name="footnote116a"></a><a href="#citation116a">{116a}</a> See
+<i>Health of Towns Report</i>, vol. i., p. 336.&nbsp; A similar result
+may be deduced from a similar table made by the Rev. J. Clay, of Preston.&nbsp;
+See the same Report and vol., p. 175.</p>
+<p><a name="footnote116b"></a><a href="#citation116b">{116b}</a> See
+<i>Health of Towns Report</i>, vol. i., p. 75.</p>
+<p><a name="footnote117a"></a><a href="#citation117a">{117a}</a> See
+Dr. Arnott&rsquo;s letter, <i>Claims of Labour</i>, p. 282.</p>
+<p><a name="footnote117b"></a><a href="#citation117b">{117b}</a> By
+zinc ventilators, for instance, in the windows and openings into the
+flues at the top of the rooms.&nbsp; See <i>Health of Towns Report</i>,
+1844, vol. i., pp. 76, 77.&nbsp; Mr.&nbsp; Coulhart&rsquo;s evidence.
+- <i>Ibid</i>., pp. 307, 308.</p>
+<p><a name="footnote117c"></a><a href="#citation117c">{117c}</a> There
+are several thousand gratings to sewers and drains which are utterly
+useless on account of their position, and positively injurious from
+their emanations. - Mr. Guthrie&rsquo;s evidence. - <i>Ibid</i>., vol.
+ii., p. 255.</p>
+<p><a name="footnote118"></a><a href="#citation118">{118}</a> Mr. Wood
+states that the masters and mistresses were generally ignorant of the
+depressing and unhealthy effects of the atmosphere which surrounded
+them, and he mentions the case of the mistress of a dame-school who
+replied, when he pointed out this to her, &ldquo;that the children thrived
+best in dirt!&rdquo; - <i>Health of Towns Report</i>, vol. i., pp. 146,
+147.</p>
+<p><a name="footnote126"></a><a href="#citation126">{126}</a> See &ldquo;The
+Fair Maid of Perth.&rdquo;</p>
+<p><a name="footnote161"></a><a href="#citation161">{161}</a> See &ldquo;Health
+of Towns Report,&rdquo; 1844, vol. i., p. 44.</p>
+<p><a name="footnote183"></a><a href="#citation183">{183}</a> Bacon,
+<i>de Augmentis Scientiarum</i>.</p>
+<div class="GutenbergBlankLines3"><br /><br /><br /></div>
+<p>End of the Project Gutenberg etext of Friends in Council</p>
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