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| author | nfenwick <nfenwick@pglaf.org> | 2025-04-14 15:21:10 -0700 |
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| committer | nfenwick <nfenwick@pglaf.org> | 2025-04-14 15:21:10 -0700 |
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diff --git a/75865-h/75865-h.htm b/75865-h/75865-h.htm new file mode 100644 index 0000000..9f39c45 --- /dev/null +++ b/75865-h/75865-h.htm @@ -0,0 +1,784 @@ +<!DOCTYPE html> +<html lang="en"> +<head> + <meta charset="UTF-8"> + <title> + Mind reading | Project Gutenberg + </title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover"> + <style> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2{ + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: 33.5%; + margin-right: 33.5%; + clear: both; +} + +hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +@media print { hr.chap {display: none; visibility: hidden;} } + +div.chapter {page-break-before: always;} +h2.nobreak {page-break-before: avoid;} + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: small; + text-align: right; + font-style: normal; + font-weight: normal; + font-variant: normal; + text-indent: 0; +} /* page numbers */ + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +/* Images */ + +img { + max-width: 100%; + height: auto; +} +img.w100 {width: 100%;} + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +/* Poetry */ +/* uncomment the next line for centered poetry */ +.poetry-container {display: flex; justify-content: center;} +.poetry-container {text-align: center;} +.poetry {text-align: left; margin-left: 5%; margin-right: 5%;} +.poetry .stanza {margin: 1em auto;} +.poetry .verse {text-indent: -3em; padding-left: 3em;} + +/* Transcriber's notes */ +.transnote {background-color: #E6E6FA; + color: black; + font-size:small; + padding:0.5em; + margin-bottom:5em; + font-family:sans-serif, serif; +} + +/* >>+++ START ADDITIONS +++<< */ + +.p1 {margin-top: 1em;} + +h2.nobreak {page-break-before: avoid; padding-top: 0em;} +.nobreak {page-break-before: avoid; padding-top: 0em;} + +.boxit{ + max-width: 24em; + padding: 0.75em; + border: 0.25em solid black; + margin: 0 auto; } + +.displayinline{display:inline-block; line-height:1} + +/*CSS to set font sizes*/ +/*font sizes for non-header font changes*/ +.xxlargefont{font-size: xx-large} +.xlargefont{font-size: x-large} +.boldfont{font-weight:bold} + +/* >>+++ END ADDITIONS +++<< */ + +/* >>+++ START MODIFICATIONS +++<< */ + +/* Poetry indents */ +.poetry .indent0 {text-indent: -3em;} +.poetry .indent1 {text-indent: -2.5em;} + +/* Illustration classes */ +.illowp46 {width: 46%;} +.x-ebookmaker .illowp46 {width: 100%;} + +/* >>+++ END MODIFICATIONS +++<< */ + </style> +</head> +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 75865 ***</div> + +<figure class="figcenter illowp46" style="max-width: 63.5625em;"> + <img class="w100" src="images/cover.jpg" alt="Cover."> +</figure> + +<hr class="tb x-ebookmaker-drop"> + + +<div class="chapter"> +<div class="boxit"> +<p class="center xxlargefont boldfont">PRICE 5 CENTS.</p> + + +<h1 class="nobreak">MIND<br> +READING.</h1> + + +<p class="center boldfont" style="line-height:1.5;word-spacing:0.25em"> +HOW TO READ PEOPLE’S<br> +THOUGHTS. A CORRECT<br> +EXPLANATION. BY<br> +W. E. SKINNER.</p> + +<p class="center xlargefont p1">MULTUM IN PARVO LIBRARY.</p> + +<p class="center">Entered at Boston Post Office as second<br> +class matter. Published by A. B. Courtney,<br> +Room 74, 45 Milk Street, Boston.</p> + +<div class="center"> +<p class="displayinline xlargefont" style="vertical-align:top">Vol. 3.</p> +<p class="displayinline center" style="vertical-align:top; margin-left:0.5em; margin-right:0.5em"><span class="smcap">April</span>, 1896.<br> +Published Monthly.</p> +<p class="displayinline xlargefont" style="vertical-align:top">No. 29</p></div> +<p class="center">Subscription Price, 50 Cents Per Year. +</p></div></div> + +<div class="chapter"> +<p><span class="pagenum">[2]</span></p> +<hr class="chap x-ebookmaker-drop"> +<p class="center xxlargefont nobreak" style="margin-bottom:1em">MIND READING.</p> +<h2 class="nobreak">Secrets of Mind Reading.</h2> + + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“Star to star vibrates light, can soul to soul</div> + <div class="verse indent1">Strike through a finer element than its own?”</div> + </div> +</div> +</div> +</div> + +<p>Many pages have been, and probably, will be, +devoted to lengthy essays on the art, science, and +theory of so called mind reading.</p> + +<p>To the average reader such an essay is dull and +uninteresting as well as uninstructive, and of no +practical use.</p> + +<p>Rare instances of genuine thought transference +there may be, they are not general, and not possible +to even the most susceptible people in a promiscuous +and usually unsympathetic audience.</p> + +<p>The <i lang="la">modus operandi</i> here given is the method +used by Stuart Cumberland, the late Washington +Bishop and others who might be termed professional +mind readers.</p> + +<p>This system is known as “muscle reading” and +ethereal influence, thought waves, and other uncertain +and generally unreliable things form no +part of the programme.</p> + +<p><span class="pagenum">[3]</span></p> + +<p>The usual feats of the mind reader who gives +public exhibitions are to find concealed articles, +write names, pick out keys thought of on piano +or similar instrument.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">How To Find a Hidden Pin.</h2> +</div> + + +<p>Request that some one produce an ordinary pin.</p> + +<p>Allow yourself to be blindfolded and accompanied +to a separate room by some person in the audience, +in whom spectators place confidence. +While you are thus voluntarily exiled, one person +in the auditorium (whether it be parlor or theater) +is to fix his mind upon some place, then slowly +walk there and hide the pin. He then returns to +his seat. The others who are present, of course +know where the article is.</p> + +<p>You are now taken into the auditorium. The +person who hid the pin is requested to come and +take your hand, you being blindfolded. Ask him +to fix his right hand flatly upon yours, facing in +the same direction, <i lang="la">i. e.</i>, his fingers are placed +against yours. You now place your hand upon the +back of his, thus holding his hand in a sort of vice. +In order to hold his hand as above described, it +will be necessary for him to remain close to your +side, yet he should not otherwise come in contact +with you. Now tell him to fix his mind intently +upon the spot where the pin is hidden, and that<span class="pagenum">[4]</span> +you will lead him to the locality. The secret of +doing this seemingly supernatural feat is as +follows:</p> + +<p>Relax your vice-like position of hands, so that +if he desired he could pull his hand away without +much friction. Now, although you have not the +remotest knowledge (and you should not have any +idea) as to where the pin is hidden, start off suddenly +in some direction and request that he follow +you, but go so fast at first that you will pull away +from his hand. By practice <em>you will learn that if +you have started in the proper direction, he will +willingly accompany you, if you have started in +another direction, he will unconsciously hold +back</em>. His resistance will be very slight, almost +unperceptible, except to a practiced operator. +Let us suppose that you have found that you are +going in the right direction, move along fast. +When it is time to turn, his mind being intently +fixed upon the place he wants to go to, will unconsciously, +but very naturally, control his muscles, +so that he will at once show a slight resistance, +and if you take immediate action upon this “hint” +and turn, he will either “favor” you or show +more resistance, according to whether you turn +in correct or incorrect direction. When you have +approached near to the spot, there will be more +resistance or freedom in accompanying you.<span class="pagenum">[5]</span> +Then your fine work begins. Change the position +of hands so that his forms the vice while your right +hand is the one between. Your left hand is now +extended as a “feeler.” Request that while he attentively +watches your left hand, he also keep his +mind more intently than ever upon the location +of the object. Raise your left hand up, at the +same time raising your right hand slightly upward. +If his thoughts are upon a place that is +above the usual level of your hands, he will willingly +raise his hands (which are on your right hand +flatly,) or if the article is hidden low, he will resist, +but favor your hands when you begin to move +them downward. Thus you can closely locate the +article.</p> + +<p>If you are not blindfolded tightly, you can quite +easily see what is below your nose, and this may +enable you to catch sight of the pin and pick it up +more readily, otherwise follow your “cues.”</p> + +<p>A well known gentleman who is now a professional +mind reader once paid one hundred dollars +for the foregoing.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">The Whole Secret.</h2></div> + + +<p>The whole secret is in the fact that if a person +is intently thinking of some object in a certain +place, his head will generally unconsciously lean +toward the spot in question. If he is walking<span class="pagenum">[6]</span> +with a mind reader, who declares that he is about +to go to the certain spot, the person will involuntarily +aid him in doing so, as has been indicated. +Some performers do not adopt the first position of +hands, and then change them when probably near +the object, as described, but instead, use the last +named position entirely, thus leaving the left hand +of the operator free at all times.</p> + +<p>The secret of picking out certain notes or keys +on a piano is similar. In this case move your left +hand quickly from one end to the other, at the +same time moving your right hand. Your accompanist +will involuntarily hesitate somewhere, then +you may stop and move your left hand over a very +limited space until you finally settle upon the exact +spot.</p> + +<p>To write a name thought of, is the most difficult +of all. This is done on a large blackboard. With +chalk in your left hand, mark out lines in shape +of letters. The person whose thought you are +reading will assist you without knowing he is doing +so.</p> + +<p>Other feats are done on the same principle.</p> + +<p>If the person whom you are operating with, does +not keep his mind intently upon what you require +you will not be as likely to succeed. If you fail, +you can ascribe this as the reason. The late Foster, +a celebrated “spiritualist” used to tell names<span class="pagenum">[7]</span> +by picking out letters on children’s toy alphabet +blocks. This he did in a similar way to that +described for finding certain keys on a piano.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Choose Your “Subject.”</h2></div> + + +<p>Pick out your “subject” or person whom you +will operate with carefully. Avoid those of the +extremely skeptical or “know it all” kind. Do not +try to do much with women, unless they are aged +and believe you to be a medium; in fact those who +believe in you will be your best assistants. Do +not select as an accompanist, a person who is +about your own age; such a person is usually jealous, +and does not want you to succeed. Avoid +lawyers and doctors as assistants; they are recognized +as being more adept in all things than the +balance of mankind, therefore they will oppose +you on general principles. The best “subjects” +are clergymen, aged people and believers in spiritualism. +Although most mind readers allow pins +to be hidden, a knife, or pocket book will do quite +as well and is easier to locate when near.</p> + +<p>Before trying anything of this sort in public, +practice well. Remember that you cannot acquire +all in a day.</p> + +<p>This is the full secret of mind reading as it is +practiced in the parlors or on the stage by people +who make it their business.</p> + +<p><span class="pagenum">[8]</span></p> + +<p>By careful practice at home you can after a few +weeks become an expert if you wish.</p> + +<p>It doesn’t require a professional mind reader to +discover that a man thinks more of a beautiful +well formed woman, than he does of a woman +with a “muddy” skin or flat chest.</p> + +<p>Women who wish to become beautiful, or men +who wish to see their wives and sweethearts beautiful +should write to Mrs. Helen Marko, Box 3032, +N. Y. City, for her private circular regarding bust +development, and fair complexion.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Superfluous Hair.</h2></div> + + +<p>Many ladies are suffering from superfluous hair +on the face, neck or arms. This hair can be removed +quickly, easily and it will never return if +Rex Hair Renewer is used. This marvelous preparation +costs but one dollar a bottle. Send money +order to <span class="smcap">Rex Medical Co.</span>, Philadelphia, Pa.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Big Philadelphia Offer.</h2></div> + + +<p>To introduce our celebrated Pacific Tea, we will +send 1 package, postpaid, for 12c., and will mail +with it, <em>free</em>, 1 beautiful gold-plated neck chain, +nearly 1 yard long, 1 silver-plated thimble and 1 +gold pen. To get all, send 12c., stamps, to <span class="smcap">Rex +Company</span>, Box 494, Philadelphia, Pa.</p> +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p><span class="pagenum">[9]</span></p> + +<h2 class="nobreak">Three Meals a Day.</h2></div> + + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">Ma an’ the girls, at break o’ day,</div> + <div class="verse indent0">They’re up an’ at it, workin’ away,</div> + <div class="verse indent0">Flyin’ round as spry’s can be,</div> + <div class="verse indent0">(Pervidin’ for pa an’ the boys, you see,)</div> + <div class="verse indent0">Don’t do nothin’ only cook,</div> + <div class="verse indent0">An’ cook, an’ cook, an’ cook, an’ cook;—</div> + <div class="verse indent0">Beef, beans, biscuits, sass, an’ stew,</div> + <div class="verse indent0">Cookies an’ pies, and a lot more, too;</div> + <div class="verse indent0">An’ when she’s done, my ma’ll say, “There!</div> + <div class="verse indent0">Clean beat out, I do declare.</div> + <div class="verse indent0">Might do somethin’,” my ma she’ll say,</div> + <div class="verse indent0">“Only for gettin’ three meals a day!”</div> + </div> + <div class="stanza"> + <div class="verse indent0">Pa an’ the boys, at break o’ day,</div> + <div class="verse indent0">They’re up an’ out, an’ workin’ away,</div> + <div class="verse indent0">Hustlin’ round as spry’s can be,</div> + <div class="verse indent0">(Pervidin’ for ma an’ the girls, you see,)</div> + <div class="verse indent0">Plowin’, fencin’, mowin’ too,</div> + <div class="verse indent0">Choppin’ an’ plantin’,—the hul day through!</div> + <div class="verse indent0">An’ then they’ll jest come home, an’ eat,</div> + <div class="verse indent0">An’ eat, an’ eat, an’ eat, an’ eat;</div> + <div class="verse indent0">An’ when he’s through, my pa’ll say, “There!</div> + <div class="verse indent0">Feel like a new man, I declare.</div> + <div class="verse indent0">Couldn’t do nothin’,” my pa he’ll say,</div> + <div class="verse indent0">“Only for gettin’ three meals a day!”</div> + </div> +</div> +</div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Human Hair in Warships.</h2></div> + + +<p>A fact that has recently come to light shows a<span class="pagenum">[10]</span> +new use to which human hair has been put. During +the last year or two tons of hair have been +packed between the plates of a certain part of war +vessels. Hair is very elastic, and thus affords a +most effective backing to metal. Again, it is being +used very satisfactorily to form a kind of +fender, which is thrown over the side of a vessel +to prevent her scraping against the dock—to take +the place, in fact, of more commonly used rope +coils.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Don’t Miss This.</h2></div> + + +<p>Clip this out. We will send you a beautiful +double Diamond ring, 9 new books, 1 pretty handkerchief +and catalogue, all postpaid in one bundle +for 10 cents. Address <span class="smcap">W. S. Everett & Co.</span>, +Lynn, Mass.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">His Glasses Stolen Off His Nose.</h2></div> + + +<p>He is a well-known figure in Chicago, particularly +among the old settlers. It was 4 o’clock and +the daily afternoon stream of homegoers had set +in. He had made his uneventful way from his +editorial sanctum, as he does, with few exceptions, +every day in the year, to the stairs on Congress +street, which lead to the trains on the Alley +L road. As is his wont, he was pursuing a wholly +subjective train of thought as he jostled along<span class="pagenum">[11]</span> +with the tide of humanity which was moving up +the stairs to board a train.</p> + +<p>Suddenly, just as he was reaching the landing, +his gold-bowed spectacles were swept off his nose +and he found himself dazed and blinking, too +much astonished for the moment to cry out, and +quite unable to see anything distinctly. As soon +as he fairly realized what had happened he cried +out:</p> + +<p>“I’ve been robbed! Officer! Where is an officer?” +While the usual stampede which invariably +attends excitement of any sort in a crowd was +going on the train moved off, and the officer put +in an appearance. By this time the editor, full of +years and experience, who had of a truth had his +property stolen before his very eyes, had reflected +that probably his spectacles were already in a +pawn shop, and also that he did not care to see +his name in print in connection with the incident. +He, therefore, coolly stated to the officer that he +had been the victim of a practical joke, and made +his way home as best he could, not being able to +see anything distinctly.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Lot of Goods Free.</h2></div> + + +<p>To reduce our stock we will send 1 case fine perfumery, +2 choice books, 2 elegant handkerchiefs +and catalogue all free, postpaid, if you send us six<span class="pagenum">[12]</span> +1 cent stamps for mailing. <span class="smcap">U. S. Supply Co.</span>, +Lynn, Mass.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Took the Prescription.</h2></div> + + +<p>A bachelor had the blues, and applied to a doctor +for some medicine. The doctor inquired into +his case, and wrote a prescription in Latin, which +the bachelor took to a drug store. Translated, +the prescription read:</p> + +<p>“Seventeen yards of silk, with a woman in it.”</p> + +<p>After the druggist got through laughing, the +bachelor proposed to a lady that evening, and was +married in two weeks.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Life of a Locomotive.</h2></div> + + +<p>Some careful experiments which have been +made in England prove that the life of a locomotive +is about 500,000 “train miles.” In other words, +that a locomotive of the latest improved pattern +will run 500,000 miles before wearing out so as to +be useless. In making this run of 500,000 miles, +the fire box will have to be renewed three times, +the wheel tires five or six times and the crank +axles from three to five times.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Couldn’t Bluff Her.</h2></div> + + +<p>I was at the railroad offices to see the manager, +and while I waited for him a little, old woman in +a poke bonnet and a homespun dress and carrying +a long used umbrella in her hand, came upstairs<span class="pagenum">[13]</span> +and, after looking around she walked up to me +and said:</p> + +<p>“Waitin’ to see the boss, I reckon?”</p> + +<p>“Yes.”</p> + +<p>“So’m I. Ever see him befo’?”</p> + +<p>“Never.”</p> + +<p>“Wall, I hev. He’s a bluffer. He’ll jest try to +out-holler yo’. If he can’t do that he will sulk like +a mewl. If yo’ don’t seem to kear fur that then +he’ll order yo’ out. Then’s the time you want to +draw back yo’r umbrella, like this, and pint it at +him, like this, and let him see he’s got to cum +down or you’ll make a hole right threw him. Bin +run over by the railroad?”</p> + +<p>“No.”</p> + +<p>“Had hogs or cattle run over?”</p> + +<p>“No.”</p> + +<p>“Wall, keep an eye on him in thar’, and don’t +take no bluff.”</p> + +<p>Half an hour later I met her downstairs. She +had several greenbacks in her hand, and seemed +to be in a pleasant frame of mind.</p> + +<p>“Did you succeed?” I queried.</p> + +<p>“Yo’ jest shout that I did!” she replied, shaking +the money at me. “Went in thar’ and crooked my +finger at him and sez:</p> + +<p>“Cum down! Yo’r ole railroad has smashed +him all to squash and has to pay fer it!”</p> + +<p><span class="pagenum">[14]</span></p> + +<p>“‘How much?’ sez he.</p> + +<p>“‘Twenty dollars,’ sez I.</p> + +<p>“‘Make it fifteen, or I punch!’</p> + +<p>“‘Wal, say fifteen.’”</p> + +<p>“And so you had a hog run over and got $15 for +it?” I asked.</p> + +<p>“Hawg? Hawg? Who said hawg!” she demanded. +“No, sah! The railroad ran over my ole man and +scattered him along fur seven miles and I do believe +if I’d struck for $16 I’d hev got it plump +down in my hand!”</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">How a One-legged Boy Rides.</h2></div> + + +<p>A one-legged newsboy in Buffalo serves a route +of papers by whirling on a bicycle. His wooden +leg is so fitted that it turns one of the pedals.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">What Willie Said.</h2></div> + + +<p>The minister, it was expected, would spend the +evening with the family, and Mrs. Williams was +most anxious that her little boy should appear at +his best.</p> + +<p>“Now, Willie,” she said, “Dr. Schultz will ask +you your name, and you must tell him it is ‘Willie.’ +And he will ask you how old you are, and +then you must say, ‘Five.’ And he will want to +know where bad little boys go, and you must tell +him, ‘They go to hell.’ Do you understand?”</p> + +<p><span class="pagenum">[15]</span></p> + +<p>Not content with a repetition once or twice, Mrs. +Williams drilled him again and again in the +answers.</p> + +<p>Dr. Schultz came as expected, and, after a short +conversation with the hostess, lifted the child on +his knee, and said:</p> + +<p>“Well, my little fellow, can you tell me your +name?”</p> + +<p>Imagine the surprise of the reverend doctor, +when, like a flash, came the answer:</p> + +<p>“Willie. Five years old. Go to hell.”</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Vacation Over.</h2></div> + + +<p>Wiggins—What makes you look so glum, Bliggins? +Is your vacation over?</p> + +<p>Bliggins—No; I did not have a vacation, but my +wife did and it is over.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Grave Peril.</h2></div> + + +<p>Never call on a lady after drinking, says an exchange. +It is very dangerous. Many a young +man has become engaged that way.</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">English as She is Spoke.</h2></div> + + +<p>An intelligent foreigner is said to have expressed +himself after the following fashion on the absurdities +of the English language: “When I discovered +that if I was quick I was fast, if I stood firm<span class="pagenum">[16]</span> +I was fast, if I spent too freely I was fast, and +that not to eat was to fast, I was discouraged; +but when I came across this sentence, ‘The first +one won one one-dollar prize,’ I was tempted to +give up English and learn some other language.”</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Properly Put.</h2></div> + + +<p>“Miss Isabel, you are not at all like other girls.”</p> + +<p>“That is not a compliment, Mr. Spooner; you +should say that other girls are not at all like me.”</p> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h2 class="nobreak">Insulted.</h2></div> + + +<p>“Mabel is dreadfully vexed.”</p> + +<p>“What is the matter?”</p> + +<p>“Somebody asked her to read a paper at an old +settlers’ meeting.”</p> + +<hr class="tb x-ebookmaker-drop"> + +<div class="chapter"> +<div class="transnote"> +<h2 style="margin-top: 0em">Transcriber’s Note:</h2> + +<p>Punctuation has been made consistent.</p> +</div></div> +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 75865 ***</div> +</body> +</html> + diff --git a/75865-h/images/cover.jpg b/75865-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..a0ef218 --- /dev/null +++ b/75865-h/images/cover.jpg |
