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diff --git a/75924-h/75924-h.htm b/75924-h/75924-h.htm new file mode 100644 index 0000000..8289cda --- /dev/null +++ b/75924-h/75924-h.htm @@ -0,0 +1,10959 @@ +<!DOCTYPE html> +<html lang="en"> + +<head> + +<link rel="icon" href="images/img-cover.jpg" type="image/x-cover"> + +<meta charset="utf-8"> + +<title> +The Project Gutenberg eBook of Labyrinth, by Gertrude Diamant +</title> + +<style> +body { color: black; + background: white; + margin-right: 10%; + margin-left: 10%; + font-family: "Times New Roman", serif; + text-align: justify } + +p {text-indent: 1.5em } + +p.noindent {text-indent: 0% } + +p.t1 {text-indent: 0% ; + font-size: 200%; + text-align: center } + +p.t2 {text-indent: 0% ; + font-size: 150%; + text-align: center } + +p.t2b {text-indent: 0% ; + font-size: 150%; + font-weight: bold; + text-align: center } + +p.t3 {text-indent: 0% ; + font-size: 100%; + text-align: center } + +p.t3b {text-indent: 0% ; + font-size: 100%; + font-weight: bold; + text-align: center } + +p.t4 {text-indent: 0% ; + font-size: 80%; + text-align: center } + +p.t4b {text-indent: 0% ; + font-size: 80%; + font-weight: bold; + text-align: center } + +p.t5 {text-indent: 0% ; + font-size: 60%; + text-align: center } + +h1 { text-align: center } +h2 { text-align: center } +h3 { text-align: center } +h4 { text-align: center } +h5 { text-align: center } + +p.poem {text-indent: 0%; + margin-left: 10%; } + +p.thought {text-indent: 0% ; + letter-spacing: 2em ; + text-align: center } + +p.letter {text-indent: 1.5em; + margin-left: 10% ; + margin-right: 10% } + +p.footnote {text-indent: 0% ; + font-size: 80%; + margin-left: 10% ; + margin-right: 10% } + +.smcap { font-variant: small-caps } + +p.transnote {text-indent: 0% ; + margin-left: 10% ; + margin-right: 10% } + +p.quote {text-indent: 4% ; + margin-left: 0% ; + margin-right: 0% } + +p.finis { font-size: larger ; + text-align: center ; + text-indent: 0% ; + margin-left: 0% ; + margin-right: 0% } + +p.capcenter { margin-left: 0; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + font-weight: normal; + float: none ; + clear: both ; + text-indent: 0%; + text-align: center } + +img.imgcenter { margin-left: auto; + margin-bottom: 0; + margin-top: 1%; + margin-right: auto; } + +</style> + +</head> + +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 75924 ***</div> + +<p><br><br></p> + +<p class="capcenter"> +<a id="img-title"></a> +<br> +<img class="imgcenter" src="images/img-title.jpg" alt="Title page"> +</p> + +<h1> +<br><br> + LABYRINTH<br> +</h1> + +<p class="t3b"> + <i>A Novel</i><br> +</p> + +<p><br></p> + +<p class="t3"> + BY<br> +</p> + +<p class="t2"> + GERTRUDE DIAMANT<br> +</p> + +<p><br><br></p> + +<p class="t3"> + PUBLISHED IN NEW YORK BY<br> + COWARD-MCCANN, INC.<br> + IN THE YEAR 1929<br> +</p> + +<p><br><br><br></p> + +<p class="t4"> + COPYRIGHT, 1929, BY<br> + COWARD-MCCANN, INC.<br> + ALL RIGHTS RESERVED<br> +</p> + +<p><br><br></p> + +<p class="t4"> + <i>Printed in the U. S. A.</i><br> +</p> + +<p><br><br><br></p> + +<p><a id="chap01"></a></p> + +<h3> +CHAPTER I +</h3> + +<p> +There are times when the city is +mysterious ... a city remembered from ancient +times, something for the conqueror to desire. +He has fields and gardens and wide rivers +running between the hills; but he looks toward the +city and longs for it, he marshals his soldiers in +bright array, for they are going to woo the city. +The mystery of tall buildings panelled with sky, +buildings whose surface is a multitude of window-eyes +which are void of pupil, except when the sun +shines on them and they blaze with a momentary +glance; or when they are lighted at night and +look out with myriad pin-points of vision. The +city that is a magician's box. He has taken squares +and squares more than anyone can count and +craftily arranged them until there are cubes, and +devised it so intricately that the people are trapped +in a labyrinth of cubes, and move incessantly within +them but cannot escape. +</p> + +<p> +No one can fathom this endless repetition of +cubes, or the manner in which they are contained +within each other, or the lives of the people that +are trapped in them. It is like a pattern that +repeats itself forever, that cannot stop ... forever +drawn on by the compulsion of its own lines. Only +when there is a flaw in the pattern can one see it, +when the eye can halt a moment, looking profoundly +at a slight imperfect detail ... a beggar motionless +in the crowded street, who turns to look after +each one that goes by, his head like a queer pendulum +ticking off every person that passes. Or it may +be that while waiting on the elevated platform and +looking into the tenements, someone sees the doll +which the little girl who lives there has laid to sleep. +It is all wrapped up in a blanket and slumbers near +the window, against the trembling pane, against the +wind of the trains. In the busy city it has a still +infinitesimal being, like something in the woods that +lives its life curled up in a leaf, and is not aware of +its dying. +</p> + +<p> +Though it has a long and devious way to the tops +of the buildings, smoke curls out in the same +primitive arabesque by which it lifted itself from the +earth ... the tiny white plume that dances on the +tips of the skyscrapers the same steps that it danced +from the earth. Even the sky reveals its secret +kinship with the earth. For there are strange +sunsets ... layers of red and yellow, dark and raw +like pigments still in the rock, as if the huge invisible +cliff of the sky had been quarried out to show its +colored interior. From that burning core of the +sky the people in the street seem to be fleeing, +moving in a stealthy retreat, never once looking back +because what they saw was too fearful to be looked +at again. Sound passes away. All the noises of the +street whirl themselves into a funnel of sound, and +only the small pointed end of it can be heard, which +is faint and distant as humming. It is the undertone +of all the people, a negation of sound because +it is all their voices merging. And because of the +radiance from which they are fleeing their faces are +hidden in shadow ... they are beings without +faces, a new and undreamed race whose lineaments +are still in solution. Or perhaps they bear the +archaic features of an old Aztec race; or else, +having wearied of all things, of going to work and +returning, of harrying their bodies in the tortuous +intercourse of love, they have willed to erase their +faces: that the face should break through its +outworn ritual and arrange itself otherwise. +</p> + +<p> +And is it strange that the face should change? +The navel too is a mysteriously convoluted part +of the body, and here may be an inchoate face ... or +that all the people should turn with one impulse +and flee from the sun, a sudden madness upon them? +For in the legends we learn that a whole city could +be bewitched ... that a good or bad curse was +laid upon each city by someone who entered it +unknown, and was refused bread at this door, or given +water at another. And we learn that the prince +going forth on his adventures is told: in this city +they will all be weaving; here they will all be +dancing in the streets; in another place everyone will +be laughing; and in the last city you come to they +will all be fleeing away from the sun, a silent stealthy +retreat into nowhere. Indeed it is only the curse +that the people are fleeing away from the sun ... their +machines are only the curse, and if each day +they call out the number of those who are killed +by the machines it is because the spell grows old +and cannot function perfectly any more. Newsboys +are running through the streets shouting: +fourteen killed ... But nobody hears them, +because it is known too well that everyone must die. +They have news too of a building that fell, but no +one is curious. There is an infection in steel that +spreads, that runs amuck through its secret veins +and makes all the vast rigid body of the city a fluid +of bricks. But they are content to let these things +be, grown listless with the knowledge of their doom. +Here on the corner they are barking for Jesus, +with singing and drums and a conclave of bonnets. +Yet nobody stops to buy ... he is no longer a +satisfactory scapegoat. His body is effete with too +many wounds, he is worn out with centuries of the +crucifix. They will have another scapegoat, one +whose body is virgin. Here a long-haired man +stands in a place where they are building, under +two steel beams that make a huge snout rooting +upward into the sky, and talks and talks ... while +his eyes are craftily watching everyone that +passes. But they will not listen any more ... +words are meaningless pellets of sound. And now +a troop of soldiers comes by, drawn through them +like a bright ribbon, with flags dipping above and +a bugle lifting its throat to bray skyward. But +each profile is young and austere under its helmet, +each is a silent fear glimpsed through all the +mummery. But all this is a bazar of miracles where +there is nothing to buy. They will have smaller +magic, they will forget themselves looking here and +there at smaller wonders ... a man selling a device +of feathers whirling at the end of a stick, or a doll +that jigs on a little black board. And here they +are crowded together and staring so hard that their +eyes seem to produce the miracle by the power of +their concerted gaze ... a peddler selling three +knives for a quarter. And here is a top balancing +itself, dancing for them, swerving daintily on its +single pointed foot, and they watch as intently as if +a graceful young girl were dancing for them. Their +eyes grow bright and they feel a lust for swift +motion. They have forgotten for a moment that they +must die, and there is nothing in the world but the +joyous dancing of the top. Surely then the spell +can be ended ... if only one person remembered +that there is choice, if only one person said: this +is only the curse. +</p> + +<p> +But at last the silent stealthy retreat into nowhere +is over, and in the deserted city nothing stirs ... only +the lightning runs mouse-like through the sky. +Because there is no longer a light in any window, or +the shape of a human being to be the pupil of it, the +buildings stare at each other with blinded eyes; and +in the darkness the city dreams of a new people that +will come with the day ... while it lies in a caul of +mist that morning tears apart, insisting on birth. +</p> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +Lighter. He could feel a tension in the room as +of something about to strike. He could feel the +darkness whirring itself up as a clock does before +it strikes. He listened for morning to strike. He +raged within himself because it was morning, +because the outlines of things came before his eyes +and stared at him with their number and finality: +six beds, four on this side and two on the other ... one +table next to each bed, four legs to each table, +four legs to each bed, one man to each bed, three +windows ... because everything stared at him +with one question that he had been trying not to +hear: Well, what are you going to do? Well, what +<i>is</i> there to do? Listen ... that's easy ... spend +the rest of my life listening to the noises +in my head. Sounds as if all the scales I'd ever +played were running riot. Turn them into a +symphony. Start now and find out what +happens ... seems they burst and collapse ... the long +wheezing sound of collapse. Microscopic balloons +bursting and collapsing inside his head ... fair-day +inside my head. Turn over now, shift the noises +to the other side. As he turned, an unpleasant +thought ... what was it? Searching for it and +afraid to find it ... the feeling you get when your +teeth bite into something hard, and you keep on +eating, afraid of finding the hard spot again +... Turn over, anyway. Shift the noises to the other +side. But they don't seem to be moving any more, +feels as if each one has fallen into place. Doctor, +I have all the noises in place. Dr. Gaynor (as if +lecturing): "Excellent, excellent! Now do you +recall the game we used to play as youngsters? A +little round case, the top made of glass, with tiny +white balls in it, and holes for the balls to fall +into ... the trick being to roll the balls into place by +tilting the box this way and that. Now just keep +that in mind. If the noises fall out, keep wagging +your head around. After a while you'll be able to +get them into place in no time." But doctor, what +game does Biondi play when he lies awake twitching +his chin that way? Here's a good question, +doctor. When does he <i>win</i>? Again ... the hard +bitter taste in his mouth! Ruth ... in the center +of all his thoughts the hard kernel that he bit on. +To forget her for a while ... to sleep, thrust +himself back into the darkness. Why should I want +to move again? The sheets and the blankets have +hardened on me ... a long time ago they were +poured over me, and now they have hardened into a +mould. Why should I want to move again? I am +tired ... I am so tired. How about this when he +comes? Doctor, I don't want to be born. No good +will come of it, doctor. Let me lie in the womb of +the sheets, this way, my body folded up. "But +my dear young man, we <i>must</i> discharge you, now +that you're well." Dr. Gaynor has his hands on +my bed, leaning on them like forepaws. Four-footed +... that's what he is. The way he leans +over each bed, gives him a chance to be four-footed +again. Sick of seeing his short bow-legs under his +haunches ... needs a curve of tail between to make +it complete. Can you see Poldy? Poldy's remembering +to be grown-up. Keeps shutting his lips when +they fall open. <i>He</i> doesn't want to, either, doctor. +"Nonsense ... everything wants." +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +Lighter. That time it skipped a beat. Turn over +and try to sleep. But instead his mind went back +to his childhood. As he lay in the hospital bed +trying to sleep, his childhood became a vast water +around him, and each time that he dozed off, a little +of it flowed in ... filled it up as water from the +sea fills up, in the holes that children dig in the sand. +In the winter, he remembered, spit froze on the +streets in little round slabs that he tried not to slip +on. Women put shawls over their heads, and the +fringes fell down on their shoulders. From the back +they looked like birds. In the winter men warmed +themselves with their arms, a flaying motion, as if +they suddenly felt guilty of something and had to +do penance on the streets. Christopher ... who +ran errands for the tailor, who had a lobe of soft +flesh hanging like an ornament from his left ear. +Christopher standing alone in a dark hallway, +stroking his ear and smiling to himself. He had envied +Christopher, for the lobe of soft flesh that could be +felt at secret times, that gave pliantly between his +fingers. His mother ... he remembered her less +than the woman who came to do the washing +... whom he watched as she bent over the +tub, and followed to the roof to see her hanging +the clothes. Under her skirt her buttocks +were shaped like large leaves, and when she +stepped sideways they shook like leaves on the stem +of her body. One time she put a clothes-pin in her +mouth, and when she took it out he could see the +beads of saliva on it shining for a second in the +sun. Then he counted to himself the number it was +from the end, so that he would not touch it when +he took the things down at night ... +</p> + +<p> +Somebody sighing and turning over in bed ... Geraghty +walking around in the dark. In the bed +next to him, Poldy muttering something that sounded +like an answer to a question in his dream. Forgot +himself and answered that one out loud ... how +far towards morning? He could not tell when +morning would strike. He curled up his legs and tried +to sleep, but the past kept flooding in on him +... curious things from his childhood flowed in and +drifted about ... Christopher feeling his ear in +the dark hallway ... the women's shawls that +were strange birds, women with fringed +bird-shoulders walking before him. White knuckles +... the game of white knuckles! a secret greeting that +he had with the other boys, to lift his hand in front +of him and clench it until the knuckles showed +white. As he tried it under the blanket a sharp +pain went into his arm ... my hand is too weak +to clench itself... +</p> + +<p> +Weakness coming over him like a wave, the +shallow wave that is left to creep back into the sea. +Weakness receding into his body so that he could +not move, so that he was held in the mould of +the sheets, too weak to break through. Lying on +the hill that time ... his fingers clamping +themselves into the earth, his cheek to the earth +... and from the corner of his eye seeing a cloud come +over him, feeling it pin him to the earth with one +taut thread of light. For a moment, then, he could +not break through. The earth and the air and the +sky were moulded around him, and his body ... the +careless shape it made when he flung himself +down ... was only the empty space inside the +mould ... To be back again, lying on the hill. +To thrust himself into the darkness again, flood +the deepest plane of his mind with sleep ... a +level shore where nothing could lodge and be left +for him when the water receded; where there would +be no questions, no place for the past to come up and +wake him with its swishing back and forth ... +</p> + +<p> +How the napkins smelled of yeast one night. +"Well, why don't you eat?" Because the napkins +smell yeasty ... it was the night the tree fell in +the storm, and lay clear across the street. Strange +to see the trunk lying on the pavement, strange to +see the boys riding the trunk. He remembered +how they swung in the branches all day, and +forgot themselves and the street, and became mythical +creatures who have only a tree-life. But at night +when the others were gone, he had bent over and +looked at the roots still fastened in the earth, +writhing against each other with arms that were embraced +in a terrible struggle. Then he had wondered why +the pavement had not burst over the place where +the roots were struggling for so long, and the tree +became something evil that he ran away from, that +grew in his dreams that night ... an evil and +brooding presence. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +Five. Somewhere in a distant part of the building +he heard it, he counted five strokes and heard +them repeated in the corridors. Strange and sad +it sounded to hear the clocks striking out of the +silence. For the moment that he listened his being +was suspended in longing for some remote wonder +of his childhood. He heard the clocks speaking +with the sudden utterance of birds ... he thought +that somewhere in a distant part of the building +there were three birds perching on a dark branch, +and giving off in their sleep the same formula of +sound ... and that he was a little boy again +listening to it. Surely he had lived this moment before, +for the infinite sadness of it was something +remembered ... the dark branch in the woods was +remembered ... perhaps from some picture in a +child's book ... Poldy waking up ... but +suppose I said it? Doctor, I don't want to be born. +See, I have shaped the sheets around me, a snug +womb. "Nonsense ... everything wants." Patient +pleads to remain in hospital ... try it out +on your newspaper headline. Nonsense ... But +still-born children! Ah, how about that ... +</p> + +<p> +Dozing off and dreaming of a strange child-birth. +It was a drill. First the orderlies came in and ranged +themselves against the wall. Then the nurses came +and stood along the opposite wall. Dr. Gaynor +came in and stood in the center of the room, and +all the men were listening to him. They were lying +down and sound asleep, yet they were listening. +Dr. Gaynor stood in the center of the room and +said: "We are going to have a drill. We are going +to drill you on being born. The signal will be the +clapping of my hands." He clapped his hands, and +all the men swung out of bed with their legs first, +holding them stiff and erect so that every pair of +legs made an arc in the air; and the arcs remained in +the air and shaped themselves into windows, rounded +cathedral windows and someone was going in and +out the windows. +</p> + +<p> +Geraghty. He can't sleep. In and out the +windows ... in and out the beds. Geraghty weaving +himself in and out of the beds all night, as if he +were a spool from which string was being unwound, +weaving the string in and out of the beds as one +does with an intricate bundle. Can't sleep until +he's tied the beds securely. That's why he looks +so craftily at the doctor in the morning ... keeps +them all guessing why he can't sleep. "Couldn't +sleep again, doctor, just couldn't sleep." +</p> + +<p><br></p> + +<p> +Doctor (leaning four-footed on the bed and turning +his head to look out of the window): Couldn't +sleep? +</p> + +<p> +Geraghty: I don't know what it is, doctor. +</p> + +<p> +Doctor (still looking out of the window): The +drugs didn't help? +</p> + +<p> +Geraghty: Not much ... slept at the beginning, +but then I had to get up and walk around. +</p> + +<p> +Doctor answers by tapping the right hind leg. +</p> + +<p> +Geraghty (raising himself on his elbow, sudden +terror in his voice): Doctor, what do you think it is? +</p> + +<p><br></p> + +<p> +Doctor stands erect, frowning at him ... Geraghty +looking back, a wide impudent stare that +seems to change into secret laughter. I'll tell you +a secret, Geraghty ... Dr. Gaynor smells yeasty. +He has a white handkerchief in his pocket that gives +off a yeasty smell. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +Turn over and try to sleep. He turned, hitting +his arm against the wall. Someone in the room +answered the sound, speaking out of his dream +... look at the sun. Who splashed it on the sky that +way? Looks like paint splashed on a palette +... another cloudy day. Doctor, give me a brush. I +want to use that splash of paint ... yes, that one +... see what color it is. Only one splash of paint +on that whole big palette. Incredibly stupid. Seems +to be a green light on the shade ... sign of going +crazy, to see new colors in things ... look at +Biondi trying to concentrate ... if that isn't! He +must be having a difficult dream ... +</p> + +<p> +Biondi frowning in his sleep, with the sheet tucked +under his chin like a napkin looked suddenly childish +and comic. Biondi turned, and a little wedge of +sunlight lay on his back, as if it were a doctor's +instrument being moved carefully, thoughtfully +... searching out something that was hidden +underneath. And Biondi lying under it so patiently +... he pitied him. I'll see Biondi when I'm gone, be +back to see him. Nonsense! The man had a +disgusting way of clicking his tongue, and his face +never looked clean. Two beds away ... the large +man sleeping with his hands folded prayerfully +under his cheek ... the heavy flesh collected under +his eyes ... like another pair to see with when +his eyes are closed. Two tiers of eyes staring at +him ... turn away, can't bear that staring. +Poldy's ear creeping out of the sheet, a peculiar look +of listening to it. So this is your big day. Well, +what are you going to do? Sleep. No, the room is +too crowded. Oh God, all the listening and staring +in the room... +</p> + +<p> +Strange how much light is coming out. +DiarrhÅ“a ... the darkness can't stop itself. Well, they +should be waking across the street. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +He raised himself on his elbow and looked across +Poldy, down and across to a window where the shade +was half-way up, a dark outer shade showing a +little way across the top, all carefully measured like +the curtains of a stage. Very well, then, begin. The +man comes out first... +</p> + +<p> +A man came to the window and stood looking +down into the street. His collar stuck out at a +tangent from his neck, and while he looked thoughtfully +into the street he kept pinching the flesh of +his throat. Then he went away and the window was +blank for a while, but by careful watching one could +catch the flash of a white table-cloth. Now it's the +woman's turn ... comes to the window and raises +the shade, lifts her hand with it, so that the sleeve +of her kimona falls back, and you can see the brown +wrinkled flesh of her elbow. Next the man sits +down at the table with his back to the window. His +legs are curled round the chair, and while he waits +for things to be brought he strokes the back of his +hair. When they are through eating, the woman +stands up and turns off the light ... After that +he could not see anything. The window went dark +and opaque, like the glass of a slide when no figures +are being reflected on it. The lights went out in all +the windows, and all the buildings he could see from +the hospital became distant and opaque, a picture +hung so that no detail of it could be seen. There +<i>were</i> pictures of that kind ... the one in my aunt's +bedroom. At first only a long white figure lying on +a bed, the rest of the canvas in shadow; and he was +about to turn away when a face came out of the +shadow and stared at him ... an angry old man +with a long white beard. Then he saw other faces, +all gazing out with a stern and terrible +concentration ... and every wayward curving of line +became a face, and every blur of shadow was turned +into a face, until he felt that the picture had +surrounded him ... rushing out and colliding with +my aunt in the hall. "But is anything chasing you? +Well, then, don't rush so..." +</p> + +<p> +"What did you say?" Dr. Gaynor asked. I said +don't let it surround me. Dr. Gaynor could not hear +very well, and he had to repeat the words over and +over again, making the sounds crisper each time +until the sentence was chopped into eight separate +ticks, and his tongue ached with the effort of +saying it. I said: don't let it surround me... +</p> + +<p> +"But what?" +</p> + +<p> +"The picture. It's badly hung. I can't see the +faces." +</p> + +<p> +"Ah, yes, you used to paint..." +</p> + +<p> +"No, I used to play ... Poldy used to paint. +Still I know something about it. But I can't see +any of the faces. The light is bad." +</p> + +<p> +"I said he may <i>not</i> go blind..." +</p> + +<p> +"The light is bad, doctor, pull up the shade. The +light is very bad. I can't see the picture clearly." +</p> + +<p> +"What picture?" +</p> + +<p> +"The one out there, with the windows. The oil +coagulated when I painted it. The oil lumped into +windows ... they blur the picture. Oil paintings +must be hung right." +</p> + +<p> +"Yes ... yes ... I see..." +</p> + +<p> +"But the light is <i>still</i> bad. There isn't enough +light, I say. You don't know how the darkness +presses on the back of my neck." +</p> + +<p> +"Is that better?" Dr. Gaynor lifted the shade +slowly, imperceptibly, and stood near the window +pinching the flesh of his throat and looking +thoughtfully at the men lying in bed. +</p> + +<p> +"But can't you lift it higher, doctor?" He heard +his voice sounding as if it were going to cry. "You +don't know how the darkness presses on the back +of my neck..." +</p> + +<p> +"Well, is <i>that</i> better..." +</p> + +<p> +But now, as the shade was raised all the way, +there was a tremulous motion in the picture. Soon +it began to quiver within itself, and while he noted +this with a feeling of horror, he saw the doctor seize +the picture in his hand and hold it out like a tray. +And he saw that the picture was made up of brightly-colored +fragments, each fragment shaped differently, +but all put together to look like the buildings that +he saw from the hospital. And he noted further, +with a painfully oppressive feeling that this discovery +had some ominous significance, that the picture +had never really been painted, but only put +together like a puzzle. "You see, it's a puzzle," the +doctor said, "and this is the way"—he rattled the +fragments on the tray until two or three bounced +off—"to break it." Then with a stupid smile on his +face Dr. Gaynor continued rattling the tray, and +there was no end to the picture, there was no end to +the pieces of it that fell on his bed ... showering +down on him in a rain of fragments too bright for +his eyes, suffocating him so that he could not shout +to the doctor to stop; and piling around him so +that, if he did not stand up or raise his arms, they +would cover him and bury him. But just when he +thought they were closing in over his head, the +fragments disappeared, and the faces of his friends were +looking at him ... stern and mask-like in expression. +And he recognized the man who stood at the +window pinching the flesh of his throat; and +Dr. Gaynor's face went in and out of the others +winking like a firefly. There was the face of Ruth, too +... an archway of hair and her face between; but +the horror of it was that her face was void like the +door-space between the arch. And a clear voice +said: the picture surrounded you. Then he awoke. +An orderly was at the window. He had raised the +shade all the way and the sunlight streamed in, +making everything brightly-colored like the +fragments in his dream. +</p> + +<p> +"Very clear day," the orderly said. +</p> + +<p> +"Yes, promises to be warm." +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +Sunlight lay on the city ... a scourge of sunlight. +But from the hospital window there was no +longer the city ... only a set of building blocks +small and distant as toys. Blocks laid out by some +child who was not yet old enough to play with them, +who didn't know how to pile them into a pattern or +arrange them according to size ... who knew only +which was the top and which was the base, and put +the blocks together and considered it sufficient that +all their tops were to the sky, and all their bases to +the earth. And beyond the buildings was the ragged +edge of the city, with boats nosing in at the docks +... coming to be nursed. When a lot of boats came +together and stayed for a while in the docks they +looked like young at the nipples of their mother. +But all this was silent. No sound came from the +city, and nothing happened to it except sun and +rain. He had looked at it for hours together until +it lost perspective, lost depth and height, and had +only one plane ... until it looked to him like a +vaudeville backdrop waiting there to be rolled up, +staring desolately after the voice of the comedians +is gone. +</p> + +<p> +"Very far up..." the orderly said. But how +far. The bottom may be miles below ... there +may not be any bottom, only the walls of the +buildings shooting down. Sidewalks ... a temporary +scaffolding, so that they should have something to +walk on. But they'd better not stamp on it or it +will fall through. +</p> + +<p> +A dream of stepping into the hospital elevator. It +plunged down and could not stop itself, and he went +over to the colored man who operated it and tapped +him on the shoulder. Did you miss the sidewalk? +"Yes, I seem to have missed it." And they +continued going down, neither of them concerned over +what had happened. Finally he grew tired of this. +He went over to the colored man again. Reverse it, +he said. And on the instant they were catapulted +back to the top. "You see," the colored man +observed sagely, picking his teeth, "you can reach the +top but you can never reach the bottom..." +</p> + +<p> +The orderly crossing the room and standing in +the doorway, waving his hand at the window ... yes, +great view. Something stopping in the room. +What was it that stopped just now? What was it +that stopped when the orderly went out? Geraghty +... Geraghty standing near his bed and looking +down at it, getting in and sighing heavily. Came +to the end of the string, and now he can sleep. But +Biondi is waking up ... can tell by the way his +chin begins to twitch... +</p> + +<p> +All day Biondi lay in bed twitching his chin so +that tiny parallel arches appeared on it, holding it +so for a second and smoothing it out again. The +moment his chin stopped twitching he fell asleep +... like the animals. They fall asleep easily +... just fold a wing or put their heads away or lift +a leg and they're asleep. All Biondi has to do is to +stop twitching his chin. I'll try this one on him: +Doctor, what should I do to fall asleep? Doctor +(thinking profoundly): "Shutting the eyes is good." No, +don't shut your eyes ... the others will stare +at you. I'll tell you a great secret, doctor, lean +over, that's it. The eyes are not only to see with +... they are to prevent others from seeing us. +Doctor (with astonishment): "Indeed." Yes, it's +true. I found it out. You can't be stared at so +easily if your eyes are open. "Oh come, now, he +may <i>not</i> go blind." Yes, but suppose he does ... the +worst part of it will be the staring that he won't +be able to repel with his eyes. He'll have to stay +alone most of the time ... being blind is not so +bad when you're alone. Isn't that true, doctor? +Doctor (lecturing): "Now the blind man that came +in here the other day ... you noticed that he +walked with his head back? Blindness requires a +whole re-adjustment of the body. You balance +with the eyes, too. He'll have to learn +that..." Doctor (continuing to lecture and leaning on the +bed, four-footed): "But we don't really <i>know</i> +whether he'll go blind. In many cases vision has +been retained. We are often fortunately +disappointed ... (smiling here, and quickening his +words) yes, yes, very often disappointed..." +</p> + +<p> +In school that time when I was sent to be +disciplined ... the dean rubbing his hands and +saying: "But we don't really <i>know</i> if you're bad ... I'm +satisfied that most people are good. I'm satisfied +if only a few people are bad." Why doesn't +Dr. Gaynor say it ... I'm satisfied if only a <i>few</i> +people go blind ... Well, shut your eyes and try +to imagine it ... geometry ... if Poldy goes +blind will he see geometry all his life ... +</p> + +<p> +She wrote it all down backhand and blotted as +she went along ... name, Lewis Orling ... birth, +December 12, 1894 ... age, married, wife's +name, history, war record, diseases, religion ... +all in ten lines and three for remarks ... I'll give +Dr. Gaynor a recipe for creating new people. +Dr. Gaynor (lecturing): To create new people, take all +the hospital charts out of the files, cut into little +strips, shake in a basket until they are thoroughly +mixed, then let fall on large pieces of cardboard, +a handful of strips at a time ... paste the +fragments together ... How would <i>I</i> come out? ... it +really can't make any difference, though. Everybody +here has a souvenir ... just a <i>lit</i>tle <i>sou</i>venir +of the war. But why does Biondi get fat on his? +</p> + +<p> +He turned and examined Biondi's face, the grayish +overflowing cheeks. He noticed his hand as it +held the sheet, puffed so that the knuckles showed as +minute purple dots, and the joints as dark creases. +Biondi's flesh filled him with loathing, it seemed like +an evil compensation for the loss of his legs ... a +senseless mathematical equation stubbornly working +itself out. Hatred for Biondi rose in his throat, +screwed it tight so that he felt he was suffocating. +Hatred for all the men lying in bed. All night he +had been lying awake, bearing for them the whole +burden of consciousness. All night, with inevitable +suction, the busy thoughts of their sleep had flowed +into his wakefulness ... and now he hated them +for the way in which they had used him. He hated +them for their easy acceptance of what had been +done to them. The trick of it! The monstrous +trick of the whole thing, that for his hope of fame +and for everything he had been before the war, he +had only the noises in his head to listen to ... only +the constant fine whirring in his head. Like the end +of a record, somebody forgot to take the needle +off ... And again the bitter taste of Ruth in his +mouth. Now it came to him with the impact of +something first discovered that he would have to go +back to her that day; and in that moment his hatred +flowed over to her... +</p> + +<p> +But meanwhile he was staring at Biondi, and the +force of his stare made Biondi open his eyes. "They +change the beds around every day," Biondi observed +drowsily ... then scratched his cheek with +a rapid vibration of his forefinger, tucked the sheet +under his chin and went to sleep again ... I +enter Biondi's dream, he woke to let me in. Why +can't <i>I</i> sleep, I also am tired. Too late, too late +... no burrowing back any more, there is no darkness +left to let me in. +</p> + +<p> +But he seemed to be in utter darkness, and going +down a flight of irregular stairs. His body jerked +when a step was too shallow, and was carried down +to be gently landed on those steps that were too +high. But on one of the shallow steps, and just +after he had been aware of taking it with an abrupt +movement of his foot, he fell asleep. +</p> + +<p><br></p> + +<p class="t3"> +2 +</p> + +<p> +At nine-thirty that morning Lewis and Poldy +stepped out of the hospital together. At the +entrance they paused, wondering which way to turn. +Then, agreeing silently and indifferently, they faced +about and walked down Fifth Avenue. +</p> + +<p> +Neither of them spoke. Poldy walked with his +head drooping forward and his eyes fixed on the +pavement, and Lewis was painfully conscious that +his suit was too big for him. He kept plucking at +the sleeves to shorten them, and pulling the coat +forward on his shoulders. At last these motions made +Poldy turn to look at him. "I have a suit in Levine's +office which ought to fit me better," Lewis said. +But Poldy did not answer. +</p> + +<p> +At fifty-ninth street they stopped to wait for the +traffic to change. For the first time Poldy glanced +around him, looking wonderingly at the people and +the buildings. He turned to Lewis and spoke in a +low voice. "Don't you think that night nurse was +beautiful?" he asked, frowning anxiously. "Don't +you think so?" But before Lewis answered he +turned away again, his eyes intently watching the +pavement. Now and then as they walked his hands +fluttered to his tie, and without looking up or +slowing his pace he tried to loosen it, stretching his +neck absurdly as if he felt it was choking him. They +walked rapidly, speeding up as they went, until +Lewis had to take Poldy's arm to prevent him from +breaking into a run. +</p> + +<p> +Poldy took occasion then to speak again. "Do +you know what I think, Lewis?" he asked, lowering +his voice secretively. +</p> + +<p> +"Well ... what?" +</p> + +<p> +"Dr. Gaynor was sorry when we left ... he was +pretty sorry about it. And did you see Biondi's +face! His jaw just dropped, like that, you know. +As though he didn't know right along that we were +leaving today." +</p> + +<p> +Something in his friend's voice made Lewis turn +and look at him intently. As Poldy's hands kept +fluttering to his tie, he noted how small they were +... the perfect small-boned modeling of the fingers +that seemed to be always engaged in such busy and +ineffectual motion. Many times before he had +observed this, and always with a feeling of pity for +Poldy, as if in some way the hands were a betrayal +of the strong and well-formed body. But today he +saw it with a slight disgust. He found himself +wishing that Poldy would leave him; at the same time he +knew he was afraid to be alone. While they were +together he felt himself still secure, still held in the +world of illness which had walled him in. Poldy, +walking beside him with his abstracted air, his +slack profile ... the lips parted and always moist +... made a defense around him, holding off the +threat of ordinary life. And so, though Lewis knew +he should have turned his steps westward, though he +thought of all the things that had to be done, they +continued to walk together. And always there was +this absurd speeding up of their pace, until it seemed +they were engaged in a walking race with each other +and people turned to stare at them. Lewis took +Poldy's arm. "See here, Poldy," he said irritably, +"we don't have to walk so fast. Don't you see how +we're rushing?" But when Poldy obediently slackened +his pace, going too slowly this time, he stopped +short and faced him angrily. +</p> + +<p> +"See here, Poldy, what are you going to do? You +can't walk the streets all day." +</p> + +<p> +"Why not, I'd like to know?" +</p> + +<p> +"Something might happen to you." +</p> + +<p> +Poldy withdrew his arm pettishly. "Oh, what +could happen to me <i>now</i>! That's a good one." He +turned away frowning, absorbed in watching +the automobiles ... looking at the wheels as they +came within range of his vision and following their +motion with his eyes as far as he could without +turning his head. And in this intent observation of the +wheels, with his head bent forward and rigid, there +was something secretive and guilty. So wrapt was +he that when the time came to cross he started +nervously and looked up, bewildered. As he followed +the lines of a tall building to its far-away pyramid +top, his gaze widened with childish wonder. He +stared at it and then looked away, sighing as at a +problem that had to be given up. Finally he +remembered Lewis's question. "I'd like to walk +around a while," he said. +</p> + +<p> +"What will you do after?" +</p> + +<p> +Poldy considered. "Go to Bannerman's ... he +has my pictures ... I must see what they're like. +I really don't remember." He laughed shortly. +"Say, did you <i>see</i> Biondi's face when we left? His +jaw just dropped ... like that, you know. Yet he +knew right along—" +</p> + +<p> +Lewis turned from him impatiently. "I think +we had better part now, Poldy," he said. "It's +stupid to walk around this way." And when Poldy +looked at him, not understanding, Lewis drew him +into the shadow of a building and gave directions +on what he was to do, enforcing each with a tap +on the shoulder. The last was that Poldy should +call him up at night and they would tell each other +what had befallen them during the day. Poldy +nodded and walked away. But he had gone only +a short distance when he turned and came back to +Lewis, and stood before him, his eyes transfixed +with a look of intense pleading. +</p> + +<p> +"Lewis ... do you know what I really wish?" +he began in a low hurried voice. "I wish I had made +a promise ... I wish someone had made me promise +that I would do a special thing, spend my life +doing it ... and that I had to do it now. Then +everything would be simple. I don't know what +<i>sort</i> of thing, though..." He stopped abruptly +and looked at Lewis with troubled eyes. There was +something else that he tried to say, but unable to +find words for it he swung round on his heel and +walked jauntily away. Lewis stood alone. As he +watched Poldy's going he knew a beginning was +made, he faced the obligation to set his own affairs +in motion. He too turned briskly and walked in +the opposite direction. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +But after a while he felt tired. The energy which +had made him leave Poldy was gone, and he turned +into a quiet side street, walking against sidewalks +so bright with sun that they struck like a blare of +sound. He drew his cap over his eyes until he could +see only what came just in front of him. With his +hands curled up in his sleeves so that they seemed +to be swinging empty, and coasting near the buildings +for guidance, he gave himself up to his wanderings +... to the feeling of exhaustion that was +settling around him, a fine film of it through which +everything was strained. +</p> + +<p> +Poldy was gone. Lewis remembered now that +their parting on the street-corner had been like the +parting in a fairy-tale: each to his separate +adventure after the common fate in which they had been +bewitched. And as the fairy-tale also taught, they +were to meet at night and tell what had befallen +them. But, Lewis asked himself, what <i>could</i> befall? +In his heart was the deep conviction that all +adventures were at an end ... resentment that now he +was forced to go about again, continuing his life. +As he walked through the streets and tried to think +of the future, he felt like someone unwillingly awake +... someone who expected to sleep all night but +opens his eyes after a while, and is forced to lie +that way, painfully feeling his own awareness. From +the war and the hospital years he had been forcibly +awakened ... they had been a profound sleep in +which everything had rusted away within him. +What could it matter then if anything <i>did</i> befall? +Experience was now nothing to be desired, it was +valuable only because it could be recounted to Poldy +at night. Poldy! All his thoughts kept swinging +back and forth about Poldy, as if they were leashed +to one center. Somewhere near him he was walking +about, they might even encounter each other at the +casual turning of a corner. But the fear of it made +Lewis energetic again, he walked briskly to the +corner and stopped there, and threw his head far back +so that he could read the sign-post from under the +brim of his cap. Where was he? The answer gave +him a shock. He was near his home ... <i>she</i> was +near ... he might even have coasted past the house +and been seen by her. As he stood there looking up +in panic and wondering what to do, a tiny figure +swam up before his eyes ... seemed to hover +between him and the lamp-post ... a miniature +statue swathed in gauze, something he must have +seen somewhere and forgotten, until this moment +when it came back to him strangely invested with +meaning. It was swathed in hospital gauze that +went in spirals around it, and somehow made an +intricate cross in back ... went over the face of +the statue in so many thicknesses that the head +looked ovoid, nothing but a little peak in front to +indicate that there were features. And in the +transfixed moment that he saw it Lewis decided not to +go back to her ... not yet, he pleaded with himself. +Better to walk around a while, to be alone for +a while longer. He turned from the sign-post and +found that he was at a point where many streets +intersected. He chose the one that he was facing +because it would lead him far away. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +Towards nightfall he found himself in the park. +All day he had not stopped to eat or rest; and now, +exhausted from his wanderings, he sat down on a +bench that faced the avenue, intending to have a +nap before he went home. But hardly had he +stretched his legs and settled his hands in his +pockets, when a strange alertness came over him. +He felt the indefinite light and steady droning of +traffic and the movement of people merging together +into a heightened silence, in which some word was +about to sound ... some revelation that would +change everything, and make it possible for him to +rise and go home as if there had never been any +interruption. But only the thought of Christopher +swam insistently into his mind; and he asked +himself why it had troubled him all day ... why he +remembered for the first time today all the delight +and terror that he felt, in that moment when they +had come upon Christopher standing alone and +stroking his ear in the dark hallway. Craftily, now, +he understood ... that Christopher had taught +him all the subtle ways in which the body gives +pleasure, that now he too could go apart with his +pain, as Christopher had done with his deformity, +and make a privacy of it where nothing could reach +him ... where Ruth's love could not reach him or +the memory of his past. So much had his +childhood served him ... he had this to begin his +life with. And from the war, he asked ... was +there nothing to remember from the war, nothing +swishing back and forth in his mind from all that +rich cargo of debris? He could think only of the +time with Poldy ... how Poldy burst out crying +in the middle of the road, standing there with the +tears running down his cheeks, ashamed to put his +hands to his face, ashamed to look up. "But everything +is over now, Poldy. Look how quiet it is." And +Poldy taking his hand as if he wanted to crush +it and looking at Lewis with anger and hatred in his +eyes. "Tell me, will it happen again? Will I cry +this way again?" Except for that there was +nothing to remember. He could not look back at his +past, he did not want it to exist. His past baffled +him, as if he were looking into a room where he +could see all that went on, without being able to hear +what was said or distinguish the faces of those who +were in it. Though the room was brightly lighted +and people came and went before the window, all +their gestures were detached and unreal, it was all a +mysterious pantomime. Sound was muffled in it, +and on every face was the impassive stern overtone +of a mask. For him there would be neither past nor +future, but only a timeless isolation of pain. He +would not make any concession to the past ... no, +not the first one, which was to accept her love +again; for fear it might act as a breach, and all the +things which he had forgotten ... all the things +he had desired ... would come flooding back on +him. Before he rose from the bench he warned +himself: not to accept Ruth's love again, but to +harden himself against his memories, and live with +her as if they were strangers to each other. So he +would hold himself intact, so the gesture of pain +would be frozen into permanence ... +</p> + +<p> +Lewis rose to go home. On his way, however, +he decided to stop at Levine's office first and change +his suit, and there to call up Poldy. +</p> + +<p><br></p> + +<p class="t3"> +3 +</p> + +<p> +They had been talking for hours. Levine's back +was to the lamp, his face shadowed save for the +bright prismatic play of his glasses. Lewis sat +opposite. Between them the desk bore the burden +of their gestures. Lewis kept striking it with his +clenched fist when he talked, or nervously smoothing +it with his palm whenever he was forced to listen. +Levine sat massive and immobile, his hands for the +most part clasped in front of him, except when the +word he wanted did not come. Then he would +release his right hand, and putting the thumb and +forefinger together, shake off an invisible drop of +water ... a gesture which seemed to have the +virtue of bringing the right word to mind. From +the ambush of shadow in which he sat Levine +studied his caller, his face never once relaxed from +the curious expression with which he had first greeted +him. +</p> + +<p> +It was true, he noted, that Lewis's appearance had +changed little. There were the same quick resentful +motions of his small brown eyes, the same nervous +gestures and voluble speech. If the war had made +any change in him it had been merely to accentuate +his mannerisms, to give them a hysterical tempo. +Otherwise there was the same expression of the +face ... an expression slightly fanatic, due perhaps +to the sparsity with which it was fleshed ... an +air of strain about the features, which seemed to be +always peaked with the effort of staying together +... a strained expression about the nostrils, which +were clamped too tightly into the upper lip and had +a trick of whitening whenever Lewis was angered. +As his friend spoke to him, Levine noticed it often +... this sudden concentrated pallor about the +nostrils; and he sensed that under the voluble +reminiscences and abrupt outbursts of laughter, +there was a current of anger ... whenever they +stopped speaking he could feel it almost physically +present, waiting for a reckoning. Yes, all that had +been said so far, Levine told himself, was nothing. +He understood that Lewis had sought him out for +something special that had to be said, to have the +reckoning with his anger in his presence. So in a +long silence that fell between them, he leaned +forward and spoke in a low voice. "Tell me," he said, +"why didn't you go home first?" +</p> + +<p> +Lewis flashed a look at him that was half +sulkiness, half appreciation. "You might understand that +yourself, I think." +</p> + +<p> +"But you see, I don't," Levine said humbly. +"Well, no ... perhaps I do. There are so many +things, at least, to understand by it..." +</p> + +<p> +But Lewis was staring at him with fascinated +eyes, as if he were held spellbound in an idea that +had just occurred to him. He took from his pocket +four tiny pieces of newspaper, each one folded +small as a thumb-nail. These he opened and +smoothed out on the desk. +</p> + +<p> +"I'd like to tell you something," he said slowly. +"It <i>is</i> a sort of explanation. But first you'll have +to read these. I cut them out of newspapers," he +added carelessly, "various times, when I had +nothing better to do." +</p> + +<p> +Frowning, and holding the paper so close to his +face that he seemed to be smelling it, Levine read: +</p> + +<p class="letter"> +Last night a fire broke out in the town hall +during a performance of the Brahms' <i>Requiem</i>, +given by the Ascension Choral Society. Flames +were discovered by an usher in the cloak room +on the balcony, and the extinguishers +immediately applied. It required the quick action of +the fire department, however, to prevent the +flames from spreading. The audience left in +good order, except for a slight panic at one of +the exits, which occurred when one of the +ushers had difficulty in opening a door. +</p> + +<p> +Levine put it aside and glanced up inquiringly. +"Read them all," Lewis said, shoving them across +the desk. "They're pretty much alike, though." There +was a peculiar expression on his face, a look +of distrust and cunning while he watched his friend +read. At one time he rose and began to pace +excitedly around the room, rapping everything as he +passed. More and more seriously, scarcely daring +to look up and ask the meaning of it, Levine read: +</p> + +<p class="letter"> +Last night a performance of <i>Faust</i> at the +Opera House was temporarily interrupted by +the discovery of fire in one of the property +rooms. A fifteen minute delay in raising the +curtain on the third act caused considerable +impatience and anxiety among the audience. +The flames were extinguished by stage hands +before any serious damage occurred. +</p> + +<p class="noindent"> +and, +</p> + +<p class="letter"> +Fire, attributed to the careless lighting of a +cigarette, burned the Trentini Theatre to the +ground, last night between nine and ten o'clock. +The fire broke out during a performance of +<i>Cosa Sia</i>, and there was a general stampede to +the exits. Fireman Conrad Meltzi was fatally +injured when a section of the balcony collapsed. +</p> + +<p class="noindent"> +The last one was different: +</p> + +<p class="letter"> +A performance of <i>The Sunken Bell</i> was +interrupted last night at the Playhouse by a +disturbance in the audience, due to the +sudden illness of one of the women spectators. +Dr. Alfred Downing who attended the patient +announced that she had given birth to a boy in +the women's rest room. +</p> + +<p><br></p> + +<p> +"Interesting! All very interesting!" Levine +exclaimed on finishing. He took off his glasses and +polished them, speaking meanwhile in a brisk +professorial manner. "As I see it, there's a common +element in all these notices. In each case a performance +seems to have been interrupted. In three cases +a fire caused the interruption, in one the premature +delivery of a child under unfavorable circumstances. +Now if we proceed from this point, our next step—" +he looked inquiringly at Lewis. "Our next step, I +should say, is to find out ... discover, I should +say, what the symbols involved..." +</p> + +<p> +"Do you think it was foolish?" Lewis interrupted. +</p> + +<p> +"Think what foolish..." +</p> + +<p> +"To collect those ... the papers you were +reading." He leaned forward impulsively and swept +them off the desk. "A hundred times I've been on +the point of throwing them away, and yet I couldn't. +I treasured them as if they were valuable coins. I +insisted on keeping them every time they searched +my pockets for things to throw away. People +looked at me queerly. Something wrong here, you +know, up here." He rapped his forehead three times +and burst out laughing. "Yet it's awfully simple. +I kept those papers," Lewis began, deliberately +tapping off the words on the desk, "as a record of +my life ... a simple, clear-cut record of my life. +In each case, as you say, a performance is interrupted +by fire. Fire is the war, of course, the years +I've been away. Now isn't that easy? Don't you +feel it when you read it?" He half-rose in his chair +and thrust himself forward at Levine, a fixed +triumphant expression on his face. Levine, intent on +polishing his glasses, looked up gravely. +</p> + +<p> +"Say you're sitting in a theatre," Lewis continued +hurriedly. "Say you're listening to the performance +... a beautiful and deliberate performance. +And suddenly some one cries fire, and instead you +find yourself listening to the horrible crackling of +the flames and screams of terror, and the sound of +feet trampling over human bodies. Only—and this +is the worst part of it—<i>through</i> your panic you still +hear the performance going on, even through your +terror. Faint and far away you hear it completing +itself. And while you struggle and scream and +trample over the others you're still listening to it, +a thousand times more beautiful and majestic +because it comes to you through the fire. But now +suppose—" He sat down abruptly, still staring +across at Levine with that fixed expression of +triumph. +</p> + +<p> +"What should we suppose?" Levine asked mildly. +</p> + +<p> +Lewis looked down and spoke more slowly, finding +the words with difficulty. "Suppose that moment +... the moment of panic terror which should +normally last only a second," he said, "were to be +prolonged indefinitely. Suppose a person was destined +to a lifetime of it ... to be haunted by the music +even in his terror. If we could imagine such a +person, if there was a person who had that fate..." +</p> + +<p> +"Then what?" Levine interrupted drily. +</p> + +<p> +But Lewis could not go on. His face flushed and +now he felt a painful quivering in both eyelids, so +violent that he wanted to shade his eyes with his +hands, to hide it from Levine's scrutiny. "Well, take +me for such a person," he finished, looking away +shamefacedly. +</p> + +<p> +Levine continued meditatively polishing his +glasses. After a while he asked, "When did you +figure all this out?" +</p> + +<p> +"Oh, a long time ago ... too long ago," Lewis +said wearily. "I got my first idea of it, I remember, +one day during the war, when I came across that +notice you read about the theatre burning down. +Quite accidentally, while I was standing near a +flight of steps, I remember, and happened to look +down, and I saw an American newspaper lying on +the ground. I read that part over and over again, +while the paper was still lying on the ground, +without knowing why it excited me so. Then I bent +down and tore it out and put it away in my pocket. +After that—weeks after, I remember—the meaning +of it flashed on me. But there were a great many +things that went before, before I could understand +it." +</p> + +<p> +"Well, what went before?" Levine held his glasses +in front of him, turning them this way and that to +catch the light from the window. +</p> + +<p> +"There's something I'd have to explain first." +</p> + +<p> +"Namely..." +</p> + +<p> +Lewis hesitated. "The queer ways," he began +slowly, "in which people amuse themselves +... comfort themselves when they suffer. Probably +you don't know." He spread his hands in a gesture +of helplessness. "Of course they thought I was +acting queerly, collecting those papers and saving +them ... but only because they never noticed the +queer ways that people have of comforting themselves. +There was a fellow, for instance, who seized +every scrap of tin foil he could lay hands on, and +cut it up into the shape of nickels, and rubbed +the design from real nickels on it so that it looked +like real money. He must have had a fortune in +make-believe nickels ... he carried them around +in his pocket and acted as if everyone were +trying to steal them. Whenever there was anything +to eat, chocolate or cheese that came wrapped in +tin foil, he cared more about getting the wrapper +than the food. He was so greedy for it that he +regularly traded his share of food for it. I lost +track of him after a while, but I saw him again one +time lying in bed, and making the artificial nickels +with the one arm and few fingers he had left. So +you see," he looked swiftly at Levine and turned +away again, "once you have seen things like +that...." +</p> + +<p> +"My dear young man," Levine said drily, "you +don't have to justify your ways to me." +</p> + +<p> +"I'm glad, though, that I threw them away." Lewis +sighed and touched the papers gingerly with +his foot. Meanwhile Levine's gray eyes were fixed +on Lewis. With his glasses off, their expression +was mild, slightly astonished. Yet there was in +that very mildness a hint of something implacable. +There was, in Levine's eyes, infinite kindliness, but +also infinite insistence ... eyes possessed of +implacable patience, that would inevitably draw from +whatever they looked at the intimate secret of that +thing. Lewis looked away and tried to fixate the +narrow line of red ribbon that showed on the typewriter, +but the quivering in his eyelids began again +and he was forced to look down. He began to trace +imaginary circles on the desk, and while he gave +his recital in a voice scarcely audible, he seemed +intent on the circles he was making, now very +rapidly, now slowly. +</p> + +<p> +"It happened to me first," he said, "while I was +waiting on line. There is, of course, endless waiting +on line. It's not the least of the things one has +to go through. This time we were standing in a +narrow hallway, all leaning against the wall—some +of us with our backs to the wall and our arms +folded; and these were the ones who had their +heads back as if they were sleeping standing up. +And others standing sideways, crouching against +the wall as though they had to support it. I think +I remember the way we stood so well because it +seemed at that moment as if we were all asleep, +instead of standing and waiting on line. We were +all so listless and tired. Nobody spoke, nobody +cared any more whether the doctor's door would +ever open again and call the next one in. It made +the place where we were unnaturally quiet, the sort +of quiet that happens only when there are people +together who have been silent for a long time. And +while I was standing there, and probably <i>because</i> it +was so quiet—I didn't know what it was to be in a +quiet place for months together—I began to hear +music ... an orchestra playing in the distance, but +very clearly. So far away and sad, it seemed to me +that I had never heard music before or known how +sad it could be. It sounded very distinct, playing +a triumphal march.... I heard it from the +beginning to the last note, and after the last note it +stopped. Only when it stopped, I realized that it +hadn't been triumphant, but mournful ... and +that all the time it had been going farther away while +it played. And then suddenly, suddenly it +seemed—" Lewis stopped, his lips twitching so that he +could not speak. He sat in silence for a moment, +rapping the desk violently with his clenched fist. +"How do these things happen?" he asked harshly. +"Perhaps <i>you</i> know all about it, Levine. How did +it happen that the music I heard then ... that +march being played somewhere in the distance, +became the symbol for my life ... no, it <i>was</i> my life. +It was all the past I had ever lived, every day I +ever lived, every moment. Do you believe it, Levine, +that a man can suddenly <i>hear</i> his life?" He stared +across at his friend with an absurd expression. "But +it wasn't ordinary listening," he continued, raising +his voice angrily as if someone had challenged +him. "I tell you I felt a shock of recognition. I +listened to it with horror, as though a physical +presence, a ghost in the form of sound, were +confronting me...." +</p> + +<p> +Levine was about to speak, but Lewis motioned +for silence. "And after that it came back to me +... in the midst of the fighting, when I could +not even hear my own shouting, it would come back +clearly ... screaming above the noise, never +played too fast, but only magnified somehow a +thousand times. And in every moment of pain, or when +it was intensely quiet ... especially when it was +quiet ... or when I couldn't sleep, I heard it again, +at such times soft and far away. But often as I +heard it, there it was—the strange feeling that my +own life was speaking to me." +</p> + +<p> +"Yet after a while," Lewis continued, intent again +on the circles his finger traced, "after a while the +experience became a sort of horror to me. I lived +every minute in fear of it, and once that fear got +hold of me, the war seemed to go on in another +world, and I did my share of it in a trance. That +time is all a blur to me. My real life was the fear +of hearing the music. I could face danger, then, +without thinking of it, I could kill without knowing +it, because I had gone into a stupor of fear. And +the strange thing is that it wasn't the fear of +anything around me—all the things that threatened my +life—but only the fear of hearing the music, the +horror that at the next moment I would hear it +playing. 'Very well,' I said to myself, quite calmly, +'that's what they mean by going insane.' And I +might have gone insane, if not for finding the notice +that way. It's so trivial that it sounds ridiculous +to speak of it ... yet in some way it had the +power to relieve the tension ... it cleared things +up for me and lifted me out of my stupor into the +world again...." +</p> + +<p> +Lewis paused and looked directly at Levine for +the second time in his narrative ... a swift +suspicious glance. "Shall I continue," he asked sharply, +"or does it sound stupid to you?" +</p> + +<p> +"No ... no ... go on." +</p> + +<p> +"But it <i>is</i> stupid," Lewis insisted, watching him. +</p> + +<p> +It seemed for a time as if Levine had forgotten +Lewis. He had been pacing back and forth while +he listened, measuring his route diagonally across +the room, never varying it by a single step. Now +he stopped near the window and busied himself with +rubbing off the specks of paint that were spattered +on the glass. He went to the typewriter and blew +away the dust that lay on it in a thin film. Then +a picture on the wall claimed his attention. This +he straightened carefully, measuring it by the line +of white moulding. In all these actions there was +an air of profound absorption. +</p> + +<p> +"No, I don't think it's stupid," he said, standing +back to observe the effect of the picture. +</p> + +<p> +"It <i>was</i> stupid," Lewis insisted in a nettled voice. +"Perhaps I did go insane ... mildly, without +knowing it..." +</p> + +<p> +Levine shrugged his shoulders. "Go on with the story." +</p> + +<p> +"Well, you have to know first," Lewis resumed, +his voice deliberately careless, "that I was a +musician before the war." +</p> + +<p> +"I know. And now?" +</p> + +<p> +"Now? Why—why that's all over with ... head +noises ... tinnitus aurium, the technical +name." He laughed self-consciously. "And so it +was natural that I should think of my life in terms +of music ... as a symphony, let us say, that I +was conducting ... something being conducted +very deliberately to its end. You understand that +I didn't see all this in a flash. It's a matter which +I had to figure out, a part occurring to me now and +then, and I pieced it together. But I must have been +thinking about it for a long time without knowing +it. I must have said: my life <i>will</i> be a performance, +it will be deliberate. I know that all the steps were +planned in my mind, they were to follow each other +inevitably like the movements of a symphony. But +perhaps..." Lewis paused and stared thoughtfully +... "perhaps one has no right to be so +deliberate about living ... or triumphant either? +Perhaps there was something wrong with that ... I've +often wondered." He was silent, rubbing his +forehead and frowning. "Well, what does it matter +anyway," he resumed. "At any rate the first step +was already over—the first movement, I ought to +say. And I began to hear the second, a few +introductory notes, that is, nothing more. Do you +remember that picture of me at the piano?" +</p> + +<p> +"You mean the one where you were playing and +looking over your shoulder?" +</p> + +<p> +Lewis nodded. "The shoulder was too coquettish, +by the way. Just nervousness that made me +lift it a little when they snapped me." +</p> + +<p> +"Why no, I didn't notice." +</p> + +<p> +"It was, though. You can't imagine how I suffered +because of that shoulder. I thought: it's +impossible that anyone will take me seriously after +that picture. But there it was the next morning +... 'a name that will rank with the greatest +... a musical talent of the first magnitude.' You know, +those two phrases kept going through my head for +weeks after, practically deafening me. It was +terrible, like having the words of a popular song in +your head. One time it occurred to me, just as I +was starting to play, that the first one ... about +the name that would rank ... made the opening +words for my minuet ... the one that goes this +way..." he hummed a few measures, emphasizing +the time with short rhythmic movements of his +right hand. "It seemed to me it was actually +written for those words, light but sort of important. +Or sometimes I amused myself by arranging the +words like notes. A musical talent of the first +magnitude ... that's sixth-eighth time. A name +that will rank with the greatest, either three-quarter +or..." +</p> + +<p> +Lewis stopped and burst out laughing ... a +paroxysm of laughing and coughing that made the +tears stream from his eyes. He put his handkerchief +to his mouth and looked over it at Levine, his eyes +widening with an expression of surprise, that turned +into alarm as the coughing continued. When at last +he was able to withdraw the handkerchief, his face +was red and he turned away sheepishly. +</p> + +<p> +"No, really," he said, wiping his eyes, "I shouldn't +laugh. It's nothing to laugh at, I assure you." +</p> + +<p> +Levine sat down and looked thoughtfully at Lewis. +He clasped his hands in front of him, then released +the right hand and shook off an invisible drop of +water from his thumb and forefinger. But the +gesture failed him, and he rose abruptly and continued +with his pacing back and forth. For a long time +he seemed absorbed in his own thoughts, until a +knock at the door roused him. He opened it to +admit a stout little man whom he addressed as +Lustbader. Lustbader sat down in a corner of the room, +and with a quick dainty movement vaulted one leg +across the other. +</p> + +<p> +"I'll wait, I'll wait!" he protested, looking brightly +from Levine to Lewis. "Nothing special, Levine, +just a friendly call." And by way of establishing +this, he looked off into the distance, whistling, and +occupied himself with throwing his cane from one +hand to the other. This he did with a skill and +precision that fascinated Lewis. +</p> + +<p> +Later, when Lustbader removed his hat, he revealed +that the fringe of hair on his head, his eyebrows +and eyelashes, even the little tuft of mustache, +were all of the same color ... a dull brick +red, which seemed to cast a reflected glow on his +cheeks; and not merely of the same color, but +perfectly matched in shading and texture. And this +uniform coloring made his face look so unreal, so +much as if it were made up for a masquerade, that +Lewis found himself unable to take his eyes from +the newcomer. He was staring open-mouthed when +Levine called him to attention, and he realized that +they were being introduced. +</p> + +<p> +"Lewis Orling, whom you may be able to use in +your theatre, a musician before the war, but he's +been out of things for a long time—" +</p> + +<p> +Lustbader interrupted with an imperious motion +of his hand. "The name is no good," he said, and +then, nodding genially to everything that Levine +said, he permitted him to continue. "Excellent! +Very excellent!" he said, when Levine had finished. +"We have a musical audience in the theatre ... he'll +appreciate that. Besides, he can work up a +little orchestra later on. Go around tomorrow, +Levine will give you the address, and ask for +Mr. Lange. Be sure you say Lan-ge, in two syllables +like that. He always insists on it." He looked from +one to the other with a droll wink, and then burst +into a mighty laugh, from which he abruptly extricated +himself. Switching on a most serious expression, +he stared at Lewis as if he were noticing him +for the first time. +</p> + +<p> +"The name is entirely too short," he said +emphatically. "But we can fix it, we can fix it. How +about adding something? Orlingoff? No, that +won't do. Have to make it something Italian, you +know. Antonini is one I've often used. Now when +will you report, Antonini? Tomorrow, say, at +three?" +</p> + +<p> +Lewis nodded as if hypnotized. He looked toward +Levine, but seeing him absorbed in sorting out +papers, he took his leave with a muttered and +self-conscious good-bye to Lustbader. As he went down +the stairs, a feeling of complete weariness and +indifference to everything overcame him. But he +remembered, on his way home, to call up Bannerman, +to find out whether Poldy had been there. He was +told that Poldy had not been heard from all day. +</p> + +<p><br></p> + +<p class="t3"> +4 +</p> + +<p> +The subway train ran out of the station, flashing +sparks from the rear like a sudden bright excretion. +Poldy stood on the platform looking after it +... listening to the wheels spinning themselves out in +the distance, spinning themselves into a sharp needle +of sound that went probing through his brain. +</p> + +<p> +It seemed to him that everyone knew his purpose, +everyone was waiting for it to happen ... walking +impatiently around him, glancing at him +slyly as they passed. He wanted to say to them, +"Be patient ... in a little while..." Even the +newsboy grew tired. He put down his papers +angrily, slapped the back of his hands to his +buttocks, and began to dance up and down on his +heels. "Wait ... only wait," Poldy wanted to +plead with him. "I've been afraid all day ... in +a little while ... when the next train comes it will +happen." And while he thought of these words, the +newsboy looked at him as if he understood, and sat +down on his papers and patiently watched the tracks. +</p> + +<p> +Poldy wondered whether he had spoken out loud +and the boy had really heard, or whether it was +only a coincidence that he sat down that way and +watched the tracks. It was strange. It was all +part of the strange feeling that had come over him +since the moment he left Lewis and continued his +way alone ... a feeling that he could not tell +any more what part of reality he dreamed to +himself, made up as he went along, and what part +actually existed. A painful feeling that he had +entered into a waking dream, and that everything +that happened ... faces he saw and words that +he heard ... played up to it, like actors called on +to improvise ... a dream that he was powerless +to stop and could not escape from by waking. There +were only unexpected moments when it was suddenly +lifted from him; and then he would look around +self-consciously, ashamed of what had happened +in his fantasy, ashamed of what he had made the +others say and do... +</p> + +<p> +But now it seemed to be growing darker. He +could feel the darkness hanging lower over his eyes +each time, as if he were being slowly blindfolded. +Everything was quiet. The noise of the trains and +the clapping of turnstiles and the shouts of the +newsboys had all stopped together. Nothing was +left of it but the silent shuffling of feet around him, +like the part of a parade where there is no music. +</p> + +<p> +And now a tall negro carrying a monkey wrench +came walking down the platform. He picked out +one of the slot machines and began to pry it loose +from the steel pillar. He turned, as he worked, +with his cheek to the mirror, and Poldy could see +his eye reflected. All around it there was heavy +wrinkled flesh, and his eye nested snugly in the flesh, +white and round as an egg. And when the negro +looked down, he seemed to be covering the egg and +laughing to himself because he had hidden it. +</p> + +<p> +"When he is through he will put the slot machine +on his head and bend his knees outward, and walk +down the platform that way, frightening them..." +and he smiled, knowing what would happen. But +the newsboy turned to him severely. +</p> + +<p> +"There's a train coming," the newsboy said. +</p> + +<p> +"I can't hear it." +</p> + +<p> +"There's a train coming." +</p> + +<p> +"Let me alone ... I feel sleepy." +</p> + +<p> +And Poldy closed his eyes and dozed off at once; +but every time that his head seemed to fall into +something which was cool and bottomless water, and +then to be catapulted to the surface again, he would +open his eyes and give a long, low whistle: "Did you +see that one?" But the boy stood up as if he had +just reminded himself of something. He picked up +one of the papers and waved it over his head, +turning himself slowly around under it. "Fourteen +killed," he intoned, "fourteen killed..." +</p> + +<p> +"You needn't turn around that way." +</p> + +<p> +"Ah ... but watch this." Bubbles of saliva +began to wink at the corners of his mouth, he curved +the paper over his head for a sail and whirled +himself faster and faster, crying to all the mirrors of +the air: "Fourteen killed ... fourteen killed..." +until they were caught in a network of voices, in +the whirling deafening center of it, and every voice +was calling in the same pitch and rhythm: "Fourteen +killed..." +</p> + +<p> +Poldy put his hands to his ears. "Stop them +now," he said irritably. The boy stopped whirling at +once and it was quiet again. +</p> + +<p> +"Besides, fourteen what? It might be rabbits." +</p> + +<p> +"There's a train coming..." +</p> + +<p> +The whistle of the train sounded in the distance. +His eyes grew blurred with a vision of wheels +... an imprint of wheels whirling wherever he turned, +and in the hollow rim of each wheel a curve of light +swinging, swishing itself gleefully to and fro. He +shut his eyes, but with a cunning quick motion they +began to rotate under his eyelids, swifter and swifter +rotating in their narrow framework, until they beat +against it with a fury of imprisoned motion ... until +his head was set quivering with the impact, +and his whole body fluttered back and forth in the +air like some huge tuning fork. "Now ... now," +the boy whispered ecstatically. But instead Poldy +put his hand out and caught the steel pillar +near him, he waited with fingers clamped to the +shaft until the train passed. Again he saw it flash +an excretion of light, he heard the wheels spinning +themselves out in the distance. Then the wheels +under his eyelids stopped turning, his body touched +with something hard and rigid, was steady again +... nothing was left but a slow deliberate pulse in +his head like part of a machine that has to swing +itself still.... +</p> + +<p> +Poldy went to the bench and sat down. The +newsboy followed, staring at him rapt and attentive, +and once he thrust his cap back from his forehead +with an excited motion. +</p> + +<p> +"It won't happen," Poldy said humbly. "But +there's a man walking on the tracks, it may happen +to him." +</p> + +<p> +"You were afraid." +</p> + +<p> +"I'll buy a paper. Will that fix it?" +</p> + +<p> +The boy handed him the paper without answering +and walked away. He was almost out of sight +when a wind blew his blouse out in back, as if he +were flashing back an obscene gesture. +</p> + +<p> +And now the man came strolling out of the tunnel. +There was something queer about his face. All the +features sagged into the right cheek, as if the face +had been fluid once and congealed while it was being +held at the wrong angle. He was very short and +thin, and a large red can was attached to his side, +like the strange cylinders that insects wear. He +was filling it with papers, prying them out from the +tiny crevices under the tracks, rubbing them for a +moment between his fingers and slipping them away. +But once he glanced up and saw that everyone was +watching him. Then he seemed to be frightened and +he crossed over to the platform and paced back +and forth in front of it, peering into all the spaces +underneath for a place where he could crawl in. +There, where no one would see him, he would shift +his cylinder to his back, fold his arms and legs under +him and go to sleep.... +</p> + +<p> +But in a little while this man on the tracks was +going to be run over. It was known beforehand to +Poldy. He knew it by the way the man was +standing ... in shoes that were too big for him, and +turned out and sprawling away from each other +... the same way that the shoes looked in his +dream: that a man had been run over and the crowd +gathered to see him, and all they could see was his +shoes sticking out from under the wheels, sprawling +away from each other at a crazy angle. He knew +it because he remembered the wheels ... how a +curve of light sat swinging in each wheel, swishing +itself gleefully to and fro with a foreknowledge of +its prey. +</p> + +<p> +So he turned to the old man sitting near him. +"There's a fellow down there on the tracks who's +going to be run over." +</p> + +<p> +The old man did not answer. +</p> + +<p> +"He looks Jewish," Poldy thought, "and he's a +peddler. There's a fellow down there on the tracks +who is going to be run over." +</p> + +<p> +But the old man shifted his bundle and moved +away. He had a handkerchief tied over his chin, +and there was something bulging out underneath. +His hand was trembling with palsy, and he held it +close to his body and tilted his head to one side, +listening to the trembling of his hand, as if to a +very faint ticking. After a few minutes he looked +at Poldy with a crafty sideways glance. "Do you +hear it?" he asked. +</p> + +<p> +Poldy heard it, and the sound of his palsy was +so loud that it reverberated through the whole +station, it vibrated in his ears, deafening him. +</p> + +<p> +"Stop it!" he snapped. +</p> + +<p> +The old man's eyes widened innocently. "Stop +what?" +</p> + +<p> +"That noise you're making with your hand." +</p> + +<p> +"What noise?" +</p> + +<p> +"I tell you it's making me deaf," Poldy retorted +angrily, and he caught the old man's hand and held +it in his; but under his palm he could feel it craftily +vibrating, like a still thing that a little boy picks +up, and it suddenly begins to wiggle. He dropped +it then, and the old man put it near him again and +went on listening to it. +</p> + +<p> +"Besides, what have you under your handkerchief? +Why is your chin covered that way? There +must be something loathsome on it." +</p> + +<p> +The old man fingered his chin and looked archly +at him. +</p> + +<p> +"There's a man down on the tracks who's going to +be run over," Poldy said. "Ah ... I knew that +would interest you." +</p> + +<p> +"But how do you know?" +</p> + +<p> +"By his shoes." +</p> + +<p> +"By his shoes?" +</p> + +<p> +"Exactly ... did you ever stop to notice your +shoes just after you've slipped them off? They +stand there at a crazy angle ... nobody ever +walks that way...." +</p> + +<p> +"I seem to remember something like that." +</p> + +<p> +"Well, that's the way he's standing down there +on the tracks, and that's how his shoes will look +when they stick out from under the wheels." +</p> + +<p> +"Indeed!" He looked admiringly at Poldy. +</p> + +<p> +"Yes," Poldy continued. "You can see how the +crowd shuffles around him, as if they're waiting for +a tardy performer. They want to see him turn +his feet out like a clown when he's lying under the +wheels ... and his face will be fluid again..." +</p> + +<p> +"Fluid?" +</p> + +<p> +"Ah ... there's the whistle..." +</p> + +<p> +They stood up and went to the edge of the platform, +and the old man's fingers were thrumming his +handkerchief, as if he wanted to tear it away. +People drifted here and there, uncertain where it +would happen. The train whistled in short frantic +bleats, but the man on the tracks was standing +quietly before it, looking up at it with infinite +wonder on his face, and once he lifted his hand and +flapped it weakly. That was comical, as if a timid +patient were trying to wave the dentist away, when +he takes up a new instrument. Meanwhile the old +man was scurrying around on the edge of the crowd. +Poldy took his arm and drew him aside. +</p> + +<p> +"Don't be excited," he advised. "I've a riddle." +</p> + +<p> +"Yes?" +</p> + +<p> +"Why are people always standing on the edge of +a crowd and thinking they see something?" +</p> + +<p> +With his free arm the old man gesticulated +frantically towards the train. +</p> + +<p> +"Look ... look at that..." Poldy continued. +"It's much more fun back here. Just stay here +and see how their buttocks quiver. You can tell +everything that's happening by watching their +buttocks." +</p> + +<p> +But now the people seemed to be going off in +different directions, and the old man looked at Poldy +in alarm. "What is it ... what is it? Has +nothing happened?" +</p> + +<p> +"Wait ... only wait. It's teasing them for a +while. Did you ever see anyone holding a piece +of candy in the air and teasing the children with it?" +</p> + +<p> +"Of course ... of course." +</p> + +<p> +"They don't know where to stand, because the +candy is being waved around all the time. That's +how it is." +</p> + +<p> +The old man wagged his finger playfully against +his chin. "Ah ... I see, I see..." he murmured. +But now Poldy noted with terror that the old man +could not stop wagging his finger, but that it went +faster and faster, almost tearing away the handkerchief. +And he knew that he was waking at last from +the dream; for he remembered that in every dream +there is the moment when one of the actors will not +go on with it; he keeps doing the same thing over +and over, and the dreamer is forced to wake up. +But because of his disobedience, that actor in the +dream is still with him when he awakes, masked +with reality and slyly arranging his speech so that it +sounds like a continuation of the dream. So Poldy +awoke, and found that he was standing next to the +old man, and that he had just stepped aside to let +him see the accident better. And the old man was +looking down into the tracks with a sorrowful face, +and murmuring: "Ah, I see ... I see." Meanwhile +his finger took the handkerchief from his chin, +and there was nothing underneath but his beard. +"And he was a young man, too," he added softly, +turning to Poldy. "You noticed him on the tracks, +didn't you? We were sitting there on the bench." +</p> + +<p> +Poldy nodded. +</p> + +<p> +"And his shoes too big for him. Ach! the poor +fellow!" +</p> + +<p> +And it was all as he had foreseen. The shoes were +sticking out from under the train and sprawling +away from each other, as if someone had placed +them carelessly outside the door; and now he +thought the old man turned to him accusingly, as +though in his dream they had been in some secret +place together, and willed that it should happen. +</p> + +<p> +"A young man, wasn't he?" +</p> + +<p> +"Yes, a young man." +</p> + +<p> +"Didn't have time to get away?" +</p> + +<p> +"I don't know..." +</p> + +<p> +"Did he hear the whistle?" +</p> + +<p> +"No..." +</p> + +<p> +A policeman came and ordered them all to move +back against the wall. They retreated before him, +walking backward with their eyes fixed on the +tracks as if they were hypnotized. "Yes, watch +... watch..." Poldy told himself bitterly. +"It will all be this way when it happens to you. +You thought of suicide quickly but you will see little +by little what it is like. You catch something in +your hand quickly, but you open your hand slowly +to see what it is...." +</p> + +<p> +But now for a time there was nothing to do. It +was like a badly-written play that lags ... new +players drifted in at regular intervals in response +to a silent unsuspected cue. They made desultory +gestures and spoke sometimes. The newsboy came +running the whole length of the platform. He sat +down on his bundle of papers, put his hands on his +knees and rode them back and forth, never once +looking at the tracks. He seemed to care only to +sit there, riding his hands back and forth on his +knees. The brakeman came out of the train and +jumped down on the tracks, and looked at the shoes +for a long time, and then at the wheels and then +at the train, involved in strange calculations of his +own. At length his face grew puzzled, as if he +could not fathom the relation between all these +things. He took off his gloves and dusted them +against the platform. Then he leaped up cheerfully +and hailed the policeman. A man appeared from +nowhere, swinging a lantern and shouting: "Back +her up ... back her up." +</p> + +<p> +"Here, here ... what's the hurry?" the policeman +called back. "It'll keep." +</p> + +<p> +A soldier stepped out of the crowd and planted +himself near the policeman. "Say ... perhaps +he's living yet," he said. +</p> + +<p> +"Brother, that's an idea." +</p> + +<p> +"Sure ... you never can tell." +</p> + +<p> +The policeman winked at the others and burst +into a hearty laugh. They moved nearer and some +who were going away turned back, looking eagerly +from the policeman to the soldier, as if they were +two performers whose repartee would lead up to +a joke for all of them. +</p> + +<p> +"You never know what you can pick up living," +the soldier began. +</p> + +<p> +"No, you don't." +</p> + +<p> +The old man kept twitching Poldy's coat. "He +lies dead," he whispered. "He lies dead and they +quarrel." +</p> + +<p> +"Strangest thing how they keep on living +... I've seen it." +</p> + +<p> +"You certainly have," the policeman agreed +cordially. He had been facing the crowd, but now +he wheeled around to the soldier and raised his +voice. "Well, now, suppose he is living..." +</p> + +<p> +The soldier stared at him, completely entranced +by the finality of that question. But to Poldy, +looking intently at the feet under the wheels, it +seemed as if there was a slight movement. The +right foot seemed to turn itself inward, with the +indifferent movement of a very tired sleeper. "Then +if I dream it again tonight," he thought, "I must +revise the position of the shoes." But now the old +man was twitching Poldy's coat again. His face +was pale and he fingered his beard nervously. "The +train's moving back," he whispered. They had been +coaxing the train backward, and it was moving +away reluctantly. The man with the lantern +swung it into the air, and the train stood still. +Then they ran to the edge of the platform, swift +as a litter of kittens when the plate is uncovered, +and turned away again, each with the memory of +it on his face. The old man mounted the stairs +with Poldy. He tucked the handkerchief over his +chin and went away. The newsboy ran down the +street waving his paper and shouting: Fourteen +killed ... There was one thought in Poldy's +mind that came to him fluently and impersonally, +as if he were reading it: he had gone down into the +subway to commit suicide, but the death of the man +on the tracks had given him a reprieve. There was +one word that he kept repeating to himself as he +walked ... tomorrow. +</p> + +<p><br><br><br></p> + +<p><a id="chap02"></a></p> + +<h3> +CHAPTER II +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +It was several weeks after his interview with +Lewis that Levine stepped out of his office into +a street swept with wind and rain. It was welcome +to him, tired out by an afternoon spent in +unraveling the evidence in a case that was pre-empting +the headlines of all papers. He ducked against the +oblique advance of the rain, buttoned his coat across +his throat, and resolved to walk the three miles to +Bannerman's studio. Poldy had not been heard +from since the day he left the hospital, and Levine +was going to look at his pictures, his curiosity about +them heightened by the fact of Poldy's disappearance. +By looking at the pictures, Levine thought, +he might be able to predict whether Poldy would +return or not; though he could hardly have told what +would be the cue for this revelation, what evidence +in the pictures would guide him. There was, moreover, +a certain portrait that he wanted to see, in the +presence of which he thought he might decide things +that were troubling him, that he mused over as he +strode forward against the rain. +</p> + +<p> +The streets were deserted. Walking alone in his +long rain-coat, and with his head and huge shoulders +thrust forward, Levine looked like a mythical figure +doomed to appear in storms when all others are +indoors. He walked rapidly, save when his glasses +became too wet and a temporary blindness overtook +him. Then he had to seek the shelter of a doorway +to take them off and dry them. It was almost dark +when he knocked at Bannerman's door, and found +his friend working in bathrobe and stocking feet. +Bannerman turned to him, revealing a forehead that +was wet and shining from cold applications. +</p> + +<p> +"Levine," he announced, "I'm a chart ... a +regular chart." He paused and gingerly fished out +a napkin from the bowl of water that stood under +his easel. "I'm going to hire myself out to a clinic. +I'm convinced that medical science has a great deal +to learn from me. And why am I a chart? Because +I can tell where every nerve is located by +the pains I have. For instance, why does it suddenly +catch me here? Right here, on this particular spot, +whenever I put my foot down? Because there's +a nerve there, of course, nearer the surface than the +others." He lifted his foot and laid his finger with +great precision on the tip of his heel. "May be a +nerve there that they don't know about as yet. +Never in the left foot, you understand, but always +in the right. Now that must be significant. Or +take this ... the fleshy part of the arm up here. +There's a nerve here that's specially vicious. How +do I know? It just barks whenever I move. As +for my back, there's a whole mob of them there. +Yes, sir ... a tribe of them. And one of them acts +like a streak of lightning. Now watch this." He +ducked his head forward and held his face contorted +for a moment. "Aha ... there it is," he called +out triumphantly, and demonstrated with his hand. +"From the right shoulder blade across to the left +ribs, then straight around my middle losing itself +in the navel. I don't mention my head. That's +entirely too complicated. But God! What a freak +I am. Come in, ladies and gentlemen, and see the +human chart. An illuminated chart, lit up by pains. +What do you say, Levine, do you know of a good +clinic that I can hire myself out to?" +</p> + +<p> +"Nothing but your cervical plexus," Levine +answered, taking off his hat and contemplating its +wet surface. "But if your devotion to science is +so keen, why not donate your carcass after death? +It will mean much more to them." +</p> + +<p> +"Now as to that," Bannerman lifted his finger +admonishingly, "I don't know. I'm sensitive about +it. No, I shouldn't like it at all. But here I am, +quite willing to give my living carcass. I'd stand +up before them and say: Gentlemen, watch! In +another moment a pain will light up somewhere else, +and you may draw your conclusions accordingly. +Then we would all wait breathlessly, and suddenly, +when it catches me here in the forearm my hand +would fly to the spot, and they'd all say: Ah, +there! ... there must be something right there. And +they would all fall on their notebooks and write: +Right forearm, peculiarly vicious; twinges every +two minutes. Don't you think it's a brilliant plan?" +</p> + +<p> +"I think it's plain exhibitionism. But incidentally, +if it gratifies you at all to know it, you're +probably developing a first-class case of neuritis. +If I were you I'd give up painting for a while." +</p> + +<p> +"Hm ... neuritis," Bannerman said suspiciously. +"What are the symptoms?" +</p> + +<p> +"Oh no ... oh no," Levine chortled. "You +don't get <i>me</i> to tell the symptoms. People develop +too much pride about such matters. A woman that +I had for a client once got very confidential with me, +and came into my office one day, sick ... sick as +a dog. This was wrong with her and that was wrong +with her, and half a dozen other things, that she +recounted for a half-hour in a heartbroken voice." Levine +stopped to wring his hat into the bowl where +Bannerman's wet napkin was floating. "Well, by +the time she was through I decided she was a perfect +case of catarrhal enteritis. Yes, sir, I built up a +beautiful case for her, by picking a symptom here +and a symptom there—those that I needed, you +understand—and discarding others that didn't help +the case. And then, when we were all through and +she was quite enthusiastic, a dreadful thing +happened. 'Do you have diarrhÅ“a?' I asked. 'Are +your excreta green in color?' No ... no ... that +wasn't the case at all. Conditions were quite +otherwise in fact. 'Very well, then,' I said, 'it isn't +catarrhal enteritis at all.' Would you believe it +... she was completely broken up! She wilted, +she was crushed. I tried to fix it for her when I +saw how disappointed she was. We searched +together among all the other symptoms, those we +had discarded, to see whether there was anything +we had overlooked that might fit in. There wasn't, +of course. Her case was completely ruined. +'Madam,' I said, 'go to a specialist. This matter is +very complicated.' And she did, and she called me +up some weeks later, and she was just chirping with +happiness. 'He says,' she said over the telephone, +'it's a <i>perfect</i> case of an infected liver.' Emphasis +on the perfect, you understand. Yes, my boy, it was +so perfect that she died of it a month later. Why +she had to. What's that you're making?" +</p> + +<p> +Bannerman covered the object he was working +on. "It's a doll," he said sheepishly. +</p> + +<p> +"Really? Well, why not?" +</p> + +<p> +"Oh, I wouldn't bother with a thing like this if +I weren't called upon to do it. It's for a bazar. +Several well-known artists have been asked to make +dolls and I'm among them. Do you know about +the Young People's Philanthropic League? It's +a wonderful idea. No one can belong unless they're +under twenty-three. The idea," he concluded +sententiously, "is to enlist the youth of the country." +</p> + +<p> +"Yes ... I see. Some old procuress runs it, I suppose?" +</p> + +<p> +"What do you mean?" +</p> + +<p> +"There are some women," Levine began, striding +about the studio and whirling his arms in an effort +to dry himself, "<i>old</i> women, who, finding that they +can no longer solicit men, compromise by soliciting +youth. Young people become a sex to them +... a disgusting vice. I'm right, that an old woman +runs it?" +</p> + +<p> +Bannerman looked thoughtfully before him. +"Well, there's Mrs. Wainwright," he said slowly, "a +sort of preserved woman. But come to think of it +now, she does give you the feeling of being old as +mother earth, just because she's so preserved. +Incidentally, Levine, you're sprinkling water on that +picture. There's the faucet in the bathroom that +I use as a hatrack." +</p> + +<p> +"Yes, I saw one of them the other day," Levine +continued after a temporary retirement to the +bathroom. "I was standing on the steps of the library +and she came sailing along with her victims, and +mounted the steps and took out all sorts of banners +and posters, and prepared for some sort of +demonstration. Whew! ... how she reeked of being +old. And in the midst of it, while she was fluttering +around and giving directions, she stopped before +one of the rather better-looking girls, and chirps +out: What I like about you young people is your +<i>youngness</i>. Yes, take my word for it. Whenever +a movement has the word youth in it, be sure one +of these old procuresses runs it." +</p> + +<p> +Bannerman continued to look thoughtful for a +while and then sighed by way of dismissing the +problem. "Well, anyway," he said, "they're running +this bazar and all the well-known artists are making +dolls for it. No specifications as to what sort +of dolls ... so I had a very original idea. Now +the others, I'm sure, are all making <i>dolls</i> ... the +usual pretty little girls. I," Bannerman continued, +removing the cloth from his work with a spectacular +flourish, "am making a man-doll. Levine, what do +you say to that?" +</p> + +<p> +Levine gave a long appreciative whistle. "Not +bad! Not bad at all," he said crisply, holding the +doll at arm's length. "Complete ... horribly +complete. Shoes, laces, socks, tie, and ... can +it be? Cuff buttons. How did you manage it all, +Bannerman? It's marvelous. There isn't a thing +omitted. Marvelous ... these little buttons in the +crutch of his pants." +</p> + +<p> +Flushing at Levine's praise, Bannerman took the +doll and balanced it tenderly on his palm. "It's +quite an idea, isn't it, to make a man-doll. I thought +it would make a hit. And when I thought of doing +it, I decided to make it complete, as you say. No +point to it otherwise." +</p> + +<p> +Levine was studying it with narrowed eyes. +"Bannerman," he began, "come to think of it, you've +hit off one of the major faults of our American +civilization." +</p> + +<p> +Bannerman nodded approval. +</p> + +<p> +"I mean the complete degeneration of dolls. Do +you realize what has happened to dolls in this +country? How completely they've been feminized? A +degenerate fate, a terrible fate for a noble and +ancient species. Take any of the dolls of ancient +civilizations. We find they are always man-dolls, +and always beautifully complete. But here in +America, the doll—" +</p> + +<p> +"Precisely," Bannerman finished. "In fact that's +how I got the idea. I saw some Chinese dolls in a +window, male of the species, and something of what +you said struck me then and there. It's a beginning +... a humble beginning." +</p> + +<p> +"And what is the purpose of the doll?" Levine +continued with a rhetorical wave of his hand. "To +throw the civilized being into relief by means of +miniature. Very good. Yet what will excavators +two thousand years from now, let us say, be able to +learn about Americans today, if there should be +only dolls to go by? After a while, having found +nothing but women dolls, they will exclaim with +horror: What, were there no men in those times?" +</p> + +<p> +Bannerman, absorbed in adjusting an infinitesimal +belt around the waist of his man-doll, nodded +cordially at Levine's harangue. The pins in his mouth +made him pucker his lips and scowl. "I can't +talk while I'm doing this," he announced thickly, +as soon as there was only one pin left in his mouth. +"If you don't mind, Levine, play by yourself a +while. If you want to see Poldy's pictures, they're +off in that corner. Truth is, I've never taken the +wrappings off. You'll have to undress them yourself." +</p> + +<p> +Except for occasional grunts from Bannerman, +when operations on the doll became too difficult, +and the sound of Levine's movements as he unwound +the cloth from Poldy's pictures, there was silence +in the room. Levine worked awkwardly, making +too many motions around the canvas, and all but +stepping into one of the pictures. As they emerged +he stood them against the wall, scarcely looking at +them, reserving them for a time when they could be +contemplated at leisure. "What sort of a chap was +this Poldy?" he asked. +</p> + +<p> +Bannerman, with his lips shut severely on the +pins, looked at Levine and shrugged his shoulders. +</p> + +<p> +"I thought he came here to paint." +</p> + +<p> +Bannerman nodded. After a while he removed +the pins, putting his hand to his mouth with a motion +as if he had just eaten a cherry and wanted to get +rid of the pit. "Look at his portrait," he said, +noisily sucking back a thread of saliva. "He did the +usual self-portrait. Not a bad likeness, either. +About the only one of his pictures that he did well. +Personally, I don't think much of a painter who +doesn't do women." +</p> + +<p> +Standing away from it, his head to one side, +Levine studied Poldy's self-portrait for a long time. +"Rather good-looking," he pronounced slowly. +"Yes, quite good-looking. The dark and romantic +type." +</p> + +<p> +"Too much jaw-bone," Bannerman said. +</p> + +<p> +"A little, perhaps. Makes the face weak ... too +Christ-like." +</p> + +<p> +"Yes, I think myself he was the weak +sort." Bannerman's voice came muffled and distant from +the closet in which he was rummaging. "He used +to tear in here at any time of the day ... or night, +for that matter, to paint something that was on his +mind. Now one never has to be so urgent about +things. The results are always better if you take +it easy. Then there wasn't any scheme or central +idea in his work as far as I could figure out +... no vision. Then take his peculiar attitude towards +his money. It sort of frightened him. He went pale +if you mentioned it, looked almost guilty..." Bannerman's +voice grew fainter and trailed off into +silence. He emerged and took up the man-doll again, +his face once more severe and concentrated above +it. "The hair," he mused in the interval between +pins, "will give me a lot of trouble. Whether it +should be straight or curly..." +</p> + +<p> +"Make him bald." +</p> + +<p> +Bannerman continued to work in silence. +"Straight will make him too ferocious," he mused +again, "curly is too effeminate. Did you say make +him bald?" +</p> + +<p> +"Make him bald, I said." +</p> + +<p> +"But why?" +</p> + +<p> +"Because," and Levine felt his own hair ruefully, +"baldness is the formal hair-comb of the civilized +American, isn't it? It's always been a sign of +civilization to do something decorative with the hair, +so he solves the problem by letting it fall out. +Behold in me a living example." He stroked his +hair, rubbing the thinning surfaces with a woebegone +look. "Bannerman," he sighed, "take my word +for it. There's nothing more formal, more civilized +than baldness." +</p> + +<p> +"Curly..." Bannerman said wistfully. For a +long time he held the doll on his palm, his eye fixed +tenderly and speculatively on its tiny celluloid +scalp. Then he put it down and began to stretch +himself to a loud vocal accompaniment, in the midst +of which he paused abruptly to pluck off the little +white threads that clung to his bathrobe. These he +rolled between his fingers into a pill of perfect +roundness, which he carefully mounted on a wooden +cube. +</p> + +<p> +"Personally," he began, carrying the cube aloft +with sacrificial solemnity, "I don't think much of +painters who don't do women. Now a woman's +body is all you need. There isn't any arrangement +of planes or masses that you can't achieve with a +little ... research. And the chances for +composition are endless ... positively endless. And +then, what's equally important—in addition to pure +composition, you have the woman there too. Instead +of—" He shuddered and looked fearfully in the +direction of Poldy's pictures, "oranges!" +</p> + +<p> +Levine did not answer, too absorbed in unwrapping +the pictures, and Bannerman put the cube down +on a table in the center of the room and stepped +back, surveying the arrangement with his head on +one side. In the midst of his survey, however, his +face suddenly contorted itself into a comic expression +of pain, he collapsed groaning into a chair. "I +swear to you, Levine, I swear that two muscles +changed places just then. Oh lord, oh lord ... why +do my muscles play leap frog inside of me?" +</p> + +<p> +"Where was it?" +</p> + +<p> +"Here ... right here in the shoulder blade." +</p> + +<p> +"Yes, just where it would be. Take my advice," +Levine said, setting one of Poldy's pictures against +the wall, "and give up painting for a while." +</p> + +<p> +For a long time Bannerman sat there, lifting his +hand from time to time to his shoulder, with a +fearful expression. He rose after a while and walked +about the room, picking his steps carefully, as if +he had the pains nicely balanced and did not want +to jar them. Then he fetched an apple from out +of the confusion of his paint tubes, and sat down +again, holding it in his hand. When Levine looked +round in the fading light, he saw Bannerman's plump +white fingers vaguely and brightly outlined against +the apple, and for a moment he had the feeling that +the fingers were a five-petalled calyx, part of the +fruit, and that Bannerman would have to pry them +away. He felt sorry for his friend. Though there +was too much flesh to Bannerman, it did not +barricade him in, but seemed rather to be porous +... to leave him more exposed than others. And he +tried to carry it off so gallantly, his head ticking +from side to side when he walked, a light accompaniment +to the major lilt of his body. It struck Levine +for the first time, when he saw his friend sitting +there with the apple, that he had always to be +holding something; and after the core had been slowly +and analytically consumed, he observed how Bannerman +sat and rubbed his finger-tips lightly against +each other, the auto-erotic play of his fingers when +there was nothing to hold. But at length Bannerman +rose and gathered his bath-robe around him. +He announced that he would take a bath, in a tone +of finality which seemed to indicate that this would +solve everything. Soon sounds of splashing and +singing emerged from the bathroom. +</p> + +<p> +Left alone with the pictures, Levine was able to +look at them more carefully. None of them had +names, he noticed, and only one bore a signature +almost illegibly scrawled ... Leopold Crayle. +Another, the profile of a woman with dark flowing +hair and protruding teeth, had writing on it: Hold +this upside down. He did this, and so regarded, the +profile took on a strange quality, the teeth growing +out of the flesh like shining white petals. Levine +stared at it for a long time. +</p> + +<p> +Besides this there was a picture of three oranges +floating against a black background that might +have been a curtain; their surfaces were of a bright +unnatural yellow, and in one there had been an +attempt to present a mottled skin, but all that it +looked like was a rash of green dots. There was a +boy leaning out of a window, his hair of a fiery +red; a landscape in the midst of which rose a +mountain shaped like a pyramid, sculpted into steps on +one side, and a tall white-robed figure standing on +the third step. On the top of the mountain a +goat-like animal stood with one foot lifted, and at the +base three-quarters of a sun was visible, with rays +of every bright color. There was a strange animal +floating through a rain of stars, with five red-colored +teats arranged between its dainty curved legs. And +the last picture showed a group of kitchen objects +on a dazzling white table-cloth. All these Levine +looked at. He saw that the drawing was bad and +the paint laid on thick and uneven. Yet there was +something in the pictures that held his attention. +In the darkness of the room a dazzling brightness +of color radiated from them, it seemed that all the +yellow in the world had converged on the three +oranges. Though he could not guess at the meaning +of the mountain and the goat-like animal on top, +or the strange creature with floating legs that went +through the sky, he saw that the artist had caught +the brightness of things, seeing as a child does, +perhaps ... dazzling color before shape or meaning +can be discerned ... and that the sense of this +brightness had been so urgent and terrible that he +had forced his hand into drawing it. And then there +was that other picture which Levine had come +specially to see, the one of Marah Howard. Here +too there was a brightness to be caught, but not +to be snared so easily by color. As Levine studied +the picture, holding it on his knees and peering at +it in the dim light, he saw that Poldy had faithfully +remembered the small child-like features, and +faithfully traced the perfect oval of her face. But the +eyes looked out at him too brightly. He knew this +was wrong, he knew by heart the calm glance of +those eyes, that always seemed to have just alighted +with the simple and indifferent movement of a bird. +Her hair was straight, falling away from each side +of the swift part, and curling up at the ends; and +it had pleased Poldy to paint it in separate sheaves, +so that she seemed to be wearing long brown petals +drooping downward. Studying this caprice of the +artist, Levine realized how much more faithful it +was to her than any literal portraiture. In the +formal yet child-like headdress, the two natures in +her were expressed ... that mixture of child and +woman which seemed to be reflected also in her +body ... in the slight flexible torso and the +slow-moving limbs. It seemed always as if she had just +paused from swift motion, as if a heaviness were +creeping into her limbs, a transformation growing +on her from the earth; her body, like that of the +maidens in mythology, always on the point of +beginning its tree-life. This too Poldy must have +observed. But in the picture there was no hint of +that fluent motion which her body possessed, +whether still or moving; the figure stood heavily in +the canvas, with one hand needlessly, foolishly +upraised. In an access of anger at this gesture, Levine +put the portrait from him, resentful that Poldy had +clutched at this brightness, feeling a sudden +revulsion for the pictures that stood before him. +Decidedly Poldy would not come back. There was +nothing here to recall him, perhaps he had even +forgotten the paintings. And even if he remembered, +yet what was there to come back to? Here, +for a moment, Poldy had tried to possess the +bewildering world in some way, to create a unity for +himself ... and there were only absurd fragments. +His mind dwelled in the shadowed periphery of +things ... what center was sufficiently bright to +lure him and hold him? For a time, perhaps, he +had seen in Marah the central brightness of all +things, he had probably come one night in haste +to paint her, to possess her in that way along with +whatever else dazzled him. Again Levine studied +the portrait, with its intently staring eyes and petal +hair, and the grotesque admonishing gesture, and +his gorge rose with anger against Poldy. And yet, +he reflected bitterly, had he himself any right to +possession? Not, certainly, by that act which +constitutes the technical ownership of a woman, not by +any token except his own desire. That he should +desire her physically! There was, to Levine, +something infinitely humiliating in this, a sense that he +had been tricked ... tricked into a wish that, by +the profoundest standards of his being, he knew to +be false to himself ... yet from which there was +no escape until it had been fulfilled. And he knew +that the whole burden of it rested with him. She +was too secure in herself either to desire him or +repel him. She would never give him a sign, +imprisoned as she was in the perfect balance of her +nature ... the balancing of mind and body against +each other to the point of complete stillness. He +knew that she could only take him passively, when +the time came that he willed it. +</p> + +<p> +Then why did he hesitate? What was it that +caused him to hesitate, torturing himself day after +day, ashamed when he thought of it, and unable to +put it from his mind? It was a time for pairing off, +he reflected. There was nothing else to do in the +world, of any importance. It was a time when men +and women paired off like children playing on the +shore, saying: "Here we will dig a hole and see what +comes into our cup." So that each couple caught +from the sea a tiny circle of brackish water. "It +will be brackish..." Levine said to himself, and +the word satisfied him for a moment and seemed +to make things clearer. +</p> + +<p> +Bitterly pondering these things, Levine walked +back and forth in the dark studio, taking a zigzag +path through the statues and pictures. Meanwhile +he was conscious of a presence in the room, something +watching him with a cunning infinitesimal eye. +He stooped down in the dark and looked at +Bannerman's man-doll. "Yes, complete..." he said +again, "terribly complete..." Holding it gingerly +in his fingers, he carried the doll to the mantle and +turned it with its back to the room. Tired now and +bewildered, he sat down in an old rocker and shut +his eyes. And now he remembered Poldy again, +and what he had written ... hold this upside down. +In those words he beheld all the vastness of Poldy's +dream. He heard also their infinite pleading. +</p> + +<p><br></p> + +<p class="t3"> +2 +</p> + +<p> +Early next morning Levine was awakened by the +telephone. "Be up," a voice commanded. "I'll be +over in ten minutes with important news." He +recognized the voice of his colleague, a slight lisp +in it that always flashed before his mind the vision +of a pink tongue struggling against large teeth. +Reluctantly Levine started to dress, feeling stiff +from a sleepless night, and unequal to the impending +interview. When he was ready he went to the +door and unlocked it, then sat down at the desk, his +hands clasped patiently before him. And this +fore-handed unlocking of the door, this posture of +waiting at the desk, were strange to him. Strange also +to find that he could not bring himself to say come +in, when he heard the knocking. Clandon knocked +several times, waited, coughed, rattled the knob and +discovered he could enter. "Don't you ever lock +this door?" he asked as he hung up his hat and sat +down opposite Levine. He took a newspaper from +his pocket and laid it folded before him. +Unconsciously imitating Levine's immobile pose, he +clasped his hands over it. +</p> + +<p> +"Levine," he said impressively, "the Eldridge +case is cleared up. Last night at 8:55 Smith +confessed. Out of a clear sky ... suddenly called +for his lawyer and sat down on the bed and recited +it from beginning to end. Out of a clear sky, mind +you, after he'd been holding out so long that some +people almost began to think he was innocent. Look +at that." He unfolded the paper and held it up +before him like a bulletin. "'Smith confesses under +attorney's cross-fire.'" +</p> + +<p> +Levine looked at the headlines. "What of it?" he asked. +</p> + +<p> +"What <i>of</i> it! That's a silly question, it seems +to me." Clandon's face emerged above the paper +with lifted eyebrows. "Can't you see that if Smith +confessed, Konig is likely to do it, too? They catch +it from each other. Why, it's—it's tremendously +important," he spluttered, his face reddening. "It +will shorten the prosecution by months." +</p> + +<p> +Levine lowered his eyes, as if the headlines that +Clandon held before him were too bright. +</p> + +<p> +"Shorten it by months, I say, a question of +months. The best thing that could happen just now. +Once Konig hears of it, he'll tell, all right. You see +if the contagion doesn't get him. Yes ... nothing, +I repeat, nothing that we could think of could have +been more fortunate for us at this moment." +</p> + +<p> +"Not that," he continued briskly, unfolding a +packet of legal papers, "I haven't just the right +questions for the next grilling. Sat up all night +fixing them, and somewhere among them, you can +be sure, is <i>the</i> question ... the one that always +betrays them. You never can tell which one it is, +but it's always there. Remember, Levine, what I +always say when things begin to drag. Keep +turning corners. Never go straight ahead. Keep +turning corners. Suddenly you'll turn the right corner +and find what you want. Keep asking questions. +Suddenly you'll find the right question. Read them." He +handed the packet to Levine, and waited with his +head thrown back, studying the ceiling. "Good, +don't you think?" he asked, when the papers were +returned to him and he was folding them back in +his wallet. Levine did not answer, and midway in +his manÅ“uvers Clandon paused, his head half +turned away, looking at Levine with a coquettish +smile. "Good, don't you think?" +</p> + +<p> +"I think they're quite good." +</p> + +<p> +"Rather ... rather. Something there that's +sure to trip him up. We've got to make more of +a to-do, I decided, over his failure to mention the +money he borrowed. The big question is, the crux +of the whole situation is: Why did he hide the fact +that he borrowed money from her?" +</p> + +<p> +Levine mused. "Four dollars ... the sum was +so small he was probably ashamed of it." +</p> + +<p> +"Ah, but that's where you're wrong," Clandon +snapped. "Just where you're wrong! <i>Because</i> the +sum was so small, why should he hide it? Why? +unless there was a pretty good reason for it. Now +if he had borrowed four hundred dollars, or forty, +or even fourteen, let us say—yes, even so small +a sum as fourteen, then one could understand a +certain desire to conceal it. He doesn't want us +to know how far he was indebted to his victim. +Now that's logical. But when a man goes out of +his way to conceal the fact that he borrowed four +dollars, out of his way, mind you..." he finished +by shaking his head solemnly. +</p> + +<p> +"I'll tell you what," Levine said, rousing +himself with too much energy from the reverie into +which he had fallen while Clandon spoke. "We'll +go over the questions again this afternoon. I'll be +at your office at three, how's that?" +</p> + +<p> +"You just saw them." +</p> + +<p> +"Yes, but I want to read them more carefully, +that's all. Just now, when you handed them to me, +I merely glanced at them. The truth is..." he +paused and looked imploringly at Clandon, trying +to placate his fierce stare, "I merely counted them. +Thirty, aren't there?" +</p> + +<p> +"Thirty!" the word clicked. Clandon paused, +his hat suspended above him, arrested in its descent +on the thin yellowish hair. In that posture he stood +and surveyed Levine, his eyes moving deliberately +from the bright hexagonal glasses down to Levine's +red slippers. "Nothing to change, I hope?" +</p> + +<p> +"No, I think not. In fact I'm sure of it. I just +want to look them over when I'm less tired." +</p> + +<p> +"As you say," Clandon answered with elaborate +courtesy. "At three, then, in my office. You might, +however, read the account of Smith's confession +before that. Only for Smith read Konig. 'Konig +confesses under attorney's cross-fire.' How does +that sound to you?" His voice came back in an +indrawn falsetto. "Try it over ... try it over," +he sang from the doorway. +</p> + +<p> +Levine took the paper and began to read; but +just as Clandon was disappearing, he looked up as +if reminded of something. +</p> + +<p> +"Konig can't confess," he said sharply, "unless +he's guilty." +</p> + +<p> +The door was hastily shut and Clandon turned +and stared at him. "Do you doubt it?" he asked +softly. +</p> + +<p> +"I don't know..." +</p> + +<p> +A perceptible time elapsed before Clandon spoke +again, with forefinger wagging impressively. "All +I can say, Levine, all I can say, is that such an +attitude on your part makes the prosecution of the +case extremely difficult. Besides, it's unheard of. +I might say it foredooms us to defeat. It would +be better to resign now, Levine, than to go on in this +spirit. But fortunately ... fortunately for us, I +<i>know</i> he is guilty." +</p> + +<p> +"How do you know?" +</p> + +<p> +Again Clandon looked at Levine, curiously, as if +his friend had suddenly changed color before his +eyes. "By the evidence," he snapped, and stopped. +The tip of his tongue struggled ineffectually against +his teeth, and above this struggle his eyes looked +at Levine with mute reproach. At last he turned +and slammed the door behind him. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +Levine put the paper away from him with an +expression of infinite disgust. There was a tightening +in his throat, as if each detail that he had been +reading had crammed him too full. He was not +interested in the confession, he read almost without +grasping the meaning of the sentences. What struck +him was the routine of things ... how, once Smith +had announced a desire to confess, one step followed +inevitably on the other. It seemed as if a +machinery was set in motion over which no one had +any control, and that there was no end or purpose +to it, and yet the motions had to start at a certain +cue and could not stop themselves. It was this +nausea with the routine of it that Levine felt now, +that made him put the paper aside with the swift +angry movement of one who has suddenly had +enough. +</p> + +<p> +He rose to walk off his anger. Yes, Clandon was +a fool, he reflected, with his turning the right corner, +his theory of the question. In his own time a man +confessed. Nothing that others could do to him +could hasten that time. Had there not been the +case, some time ago, of Edward Reddick ... who, +a year after others had been tried for his crime +and acquitted, had written to the police announcing +himself as the murderer? And when they refused +to heed it, had he not come in person and +proved to them step by step that he was guilty? +Because, Levine told himself, a man can be glutted +with his crime; he can have too much of it to keep +to himself, and when that time came he vomited +it out, and then one said he confessed. Glutted +... that was the word to remember ... and strangely +enough, with that word his irritation passed. He +sat down on the bed, and feeling calm again, began +to take off his slippers and change into his shoes. +He remembered now how Clandon had looked just +before he turned and slammed the door. Those eyes +glaring fiercely at him above the struggling tongue +and teeth ... what were they like? You might +think of the prow of a ship with a struggling of +waves at its base, and two lights staring steadfastly +above them. Clandon's eyes were the lights +and his tongue and teeth churned under them. The +pity of it ... that Clandon had been unable to +say what he wanted. Levine smiled to himself +as he finished tying his shoes, deftly tightening the +bows. +</p> + +<p> +But he was still bending over when the telephone +rang again. The sudden anger that filled +him projected him across the room, but there he +stopped as if paralyzed. He seemed to be trying +to speak to the instrument above the anger in his +throat and the noise of the ringing, and at last the +words came harshly from him.... "What do you +want ... what do you want of me?" An expression +of defiance settled on his face, he stared at the +telephone as if to show it that he would brazen out +the ringing. And not until it had stopped did he +turn away, to lie on the bed feeling ill and exhausted +from his paroxysm. For the time that he lay there +his mind was a complete void, until a question, +sounding distinctly in the room as though someone +were speaking it, made him sit up again. Who is +glutted? ... the question said. +</p> + +<p> +Yes, how strange that he had not understood +before this that the word applied to himself. And +having found the word, one had, he reflected, already +found the solution. It was clear that he could not +go on with his work. The steps he must take were +simple and inevitable: first to see Clandon and tell +him that he would resign from the Konig case ... then +he could reflect on the next move. Perhaps +to go away. That too was obvious. But where +and for what purpose? Well, later he could answer +those questions. It was sufficient now to know that +he must go away, escape somewhere. It was foolish, +foolish to talk only of criminals confessing. +There was a time when everyone became glutted +with what he was doing. Now it was his own turn +to confess... +</p> + +<p> +Then he must call Clandon to cancel the three +o'clock appointment. With that the solution began +immediately. But then what reason to give? What +could he say, so that Clandon would not come +around to protest? Why not go there at three and +count the questions again? Levine lifted the +receiver, keeping his thumb on the hook. He held it +to his ear for a moment, and then put it back, softly, +as though someone might overhear him. Suddenly +all his anger was concentrated on Clandon. It was +Clandon who bound him to everything, who stood +before him blocking the way to escape, with his +tongue and teeth churning foolishly in his face. +Again Levine made an effort to call him, clenching +his hand around the stem of the telephone as if he +would crush it. A voice kept asking for the number, +and he listened, trying to think of the number, +unable to recall it, though a moment before it had been +in his mind. Then very softly, in fear of being +overheard by the voice, he put the receiver back. He +spoke out loud: Sit down ... sit down, you fool, +and think... +</p> + +<p> +What was he doing ... what was happening to +him? Think.... But he did not think. He was +only aware of himself sitting at the desk and +resting his head on his hands ... he could only recall +everything he had done since Clandon left, with a +sudden sense of the strangeness of his behavior and +a realization of his loneliness—the loneliness of his +anger which no one saw. Now he felt like someone +groping in a dark room, who becomes aware, because +of the darkness, of all the gestures he makes +... stretching his arms in front of him, letting his +hand crawl along the table, frowning and pursing +his lips. In a dark room ... who could see him +or hear? Twice he had spoken out loud... +</p> + +<p> +And only a moment ago the solution seemed so +clear ... Then finding the right word, Levine +reflected bitterly, was not enough. Now, having +come to the end of all words, he longed for +unconsciousness, for a way to forget himself, even if +it was only being absorbed in some casual trifling +thing that was near him. In his childhood, he +recalled, this had always been the solution ... the +tired drifting reverie that came when his passion +was over. And now, remembering this, he raised +his head and stared before him, and let himself +become absorbed with the pattern of the wall-paper, +tracing the intricate winding of it ... until for a +while he did forget himself. Then he found +something else ... the two gold oblongs in the wall, +each with its black electric socket; and for the first +time he noted that they were close to each other, +one oblong put in vertically and the other +horizontally ... and merely noting this fact gave him +a curious indifferent pleasure. And then he seemed +to see Bannerman standing near them, as if it were +a picture he had painted, and Bannerman waved his +hands at the electric plugs and said: "Well, what do +you think of <i>that</i>?" After which Bannerman +stepped back and put his head on one side and +continued: "Good, isn't it! You see the idea ... I'll +explain it to you. There are two women and they're +both fat. Only one is fat latitudinally, and the other +is fat longitudinally. It is," Bannerman concluded +profoundly, "the <i>idea</i> of the picture." +</p> + +<p> +Then Levine's reverie shifted to Marah ... He +thought of her sleeping; her dancing body, having +taken all its poses while it was awake, lying straight +and still now in a negation of them ... in a +gesture that was an erasure of all dancing. He saw +the straight limbs with their perfectly carved cheek +of muscle, blue-gold with hair and veins; and the +faint line of the thighs, where the thighs are cupped +in an ancient attitude of prayer. Her body lay +immobile, no other pattern to it than its own intrinsic +lines. Her body lay remote from him and +unattainable ... and, having come to this word, +Levine knew that his thoughts had reached their +completion. And again he tried to assign the blame +... whether it was his own fault, the fear—no, the +<i>faith</i>—that it would taste brackish to him; or +whether it was the perfect circle of Marah's nature, +as yet so shut-in and complete that nothing could +enter it ... +</p> + +<p> +And again finding no answer to this question, he +gave himself over to the story of how they had met +... a story that he told himself often, hoping to +find some comfort in it, a little assurance that they +were in some way fated to each other, because of +the strange and devious way in which they had met. +But here a voice said with sarcastic inflection, +"Strange and devious?" And Levine had to stop +and explain patiently that for him to have acted +impulsively was indeed strange and devious. +"Over-emphasis, then," the voice said sharply, adding, +"she is merely the foil for your impulse." He smiled +bitterly in acknowledgment, admitting that it was +true he had never seen her clearly ... But rather +than go astray any further in these thoughts, he +gave himself over to the story, beginning with that +hot crowded day when he had been walking through +the streets ... so tired that he seemed to move on +the larger propelling motion of the crowd, rather +than by his own efforts. +</p> + +<p> +Merely for a place to rest he had entered a +theatre, and spent the first numbers in accustoming +his eyes to the dark, uneasy in the vast auditorium +until he could discern the balconies and arched +dome; and the faint outline of faces all around him, +that looked so listlessly, so somnolently at +everything that passed before them. By an effort he +concentrated on the stage. Dancers were moving +there, black silhouettes that seemed intent on a +business of their own, indifferent to anyone watching. +He found himself following one dancer through +all the intricate threading to and fro, because, he +thought, of something familiar in her gestures. And +as this conviction grew, a feeling of intense +excitement rose within him, he had the illusion that he +could see her face and that he had known it for a +long time. He thought too he could see the expression +of her eyes, changing with the movements of her +head. +</p> + +<p> +Later he knew that this sense of recognition had +been only a memory ... the composite memory +of women which he had gathered all his life, of +all the women he had ever seen dancing swiftly +and joyously in pictures; and that now it was +concentrated, suddenly and with the terrific force +of something too long diffused. But at the time +nothing had seemed strange to him. When he came +in from the street he was committed to a new world +and to a mood of acceptance; and nothing that he +thought or felt at the time surprised him. Besides, +he knew that whenever he was too tired things like +that happened. Through the breach in his +consciousness that tiredness made, old sentimentalities +flowed in ... feelings that he was inclined to laugh +at otherwise. And they came with a special +vengeance, because he had withstood them so long... +</p> + +<p> +He had hardly noticed the rest of the performance, +all his senses dazed with a new feeling. And +it had not occurred to him that he would ever have +to leave the theatre, until there was a concerted +movement of people going out. But, as he drifted +out with them, he had stopped, hardly aware a +second beforehand that he was going to do it ... and +inquired the way backstage of one of the ushers. +After that, the moments of standing confused and +self-conscious in endless corridors, wondering which +way to turn, while a young man in shirt-sleeves +stared at him, and shifted his pipe in his mouth to +stare better ... then asked Levine a question that +demanded his telling the whole story. Incredible +it was to be standing in that corridor telling what he +wanted to the young man in shirt sleeves. He was, +perhaps, dreaming aloud and consciously; and a +specially painful moment in his dream came when +the young man took the pipe from his mouth and +held it suspended in air, as if this was a sight that +required staring at with all his features. +</p> + +<p> +She had not looked as he imagined. He was not +even sure that she was the one whose movements +he watched in the theatre. Yet what did it matter? +Of its own momentum, now, the adventure went +on ... she was for all times identified with the +dancing figure he had singled out. He remembered +also that she had not laughed. Recalling it now, +Levine pressed his hands to his forehead, pressed +his eyes until he could see them wavering in his +palms.... trying to savor again the wonder of +that moment when he spoke and she had not laughed. +But the next moment something made his hands +fly apart, he looked out at the room, wide-eyed and +thoughtful. Was it that which bound him to her, +then ... his gratitude for her not laughing? +Somberly, his glance transfixed, Levine considered +... It would be a strange thing if he was bound +all his life, only because of his gratitude for that +moment; if all along he had been deceiving himself, +and only now the mechanism of it was clear to him. +The mechanism of it ... he smiled at that word. +How many words are coming to me today, he +thought. But he covered his eyes again, and +something within him said wearily: what of it ... what +of it. People were bound to each other in stranger +ways... +</p> + +<p> +At last Levine rose and went over to the mirror. +He put his glasses on and a new expression came +into his face.. He leaned forward and studied his +reflection curiously. "You're a strange fellow, +Levine," he said aloud. "You always think you have +escaped, but something..." he leaned closer, +"something always overtakes you." And now it +seemed like a very easy thing to call up Clandon +and say he would not come. +</p> + +<p><br></p> + +<p class="t3"> +3 +</p> + +<p> +At three o'clock that afternoon he was walking +with Marah. The morning was far away. Of all +the morning turmoil only one question remained, and +this kept going through his head with a rhythm that +was part joyous surprise, part reproach. The +question was: did you believe in this ... Because +it was so good to be walking with her, he knew that +he should have believed in it that morning; he knew +that if he had only taken the time to believe it, +nothing could have troubled him from that moment +forth. +</p> + +<p> +Did you believe in this ... It was always his +custom, he told himself as he strode along +... conscious of Marah's quick and irregular steps +beside him ... never to believe in the next moment. +When he despaired there was no future time +... from the earliest years of his life he remembered +it was so. He remembered the long nights when +he lay awake, tortured by the conviction that his +suffering would not end; and how, strangely and +unexpectedly, there had always been the next day. +How, also, the custom had developed of asking +himself: did you believe in this ... And now, +with the same old ring of delight and reproach the +question long forgotten returned to him. "Fool +... fool," he laughed to himself. "It was so simple." +</p> + +<p> +He was walking fast, gaining momentum with +each step, until he lost the sense of movement and +was aware of it only by the flight of trees and bushes +beside him. Though Marah tried to keep up with +him she had to make little running steps now and +then, and she laughed softly at this as if she were +cheating him in a game. There was a certain +impersonality in the air ... neither sun nor wind, +yet the air was a sharp and definite presence. +Behind them as they walked the buildings of the city +lost in height and distinctness, and one time when +Levine glanced back they seemed to have moved +closer together and to be crouching in ambuscade. +</p> + +<p> +"Look, Marah," he cried with delighted surprise, +"doesn't it seem to you the buildings have moved +closer together? Doesn't it seem as if they had been +watching us pass, and like people when they watch +something strange passing, they move closer together +as the strange thing goes farther away?" +</p> + +<p> +They laughed together, and Marah had to study +the effect with narrowed eyes before they turned +and continued on their way. But they had gone +only a short distance ahead when something darted +from the bushes and flew against her face, stinging +with the impact of its wings. She turned her cheek +to Levine, fearful that there was a mark on it. +</p> + +<p> +"I don't think so," Levine answered, stopping to +inspect it. +</p> + +<p> +"They say," Marah observed, shutting her eyes, +her face upturned for Levine's inspection, "that if +you take the honey away from bees in winter, you +must give them sugar instead." +</p> + +<p> +"Yes, you have to make candy for them." +</p> + +<p> +"And they say that if bees have no place to put +their honey they suffer terribly." +</p> + +<p> +"Yes, I've heard that you have to build them +a place to put their honey. If you don't, they go +elsewhere." He examined her cheek carefully once +more and released her. "Why, it's nothing," he said +gaily, "only the force of the wings that hurt you. +Now you would think that if you stayed twenty +yards away from a bee-hive and molested them from +that distance, you would be absolutely safe. But a +friend of mine says he once shot into a hive twenty +yards away and they flew for him anyway..." +</p> + +<p> +As they strode manfully ahead, echoes of their +talk lingered in Levine's mind. It seemed to him, +after a while, that in speaking of the bees they had +just been speaking of a strange people, and he +thought this over, remembering that it had often +been so in his boyhood. In his boyhood, he +remembered, they used to sit around recounting to each +other the habits of an animal ... saying, for +instance, they never attack; or, they spend most of +their time in water; or, they hide all winter. And +then it happened that the animal they were telling +about became so mysterious to him, so much like an +eccentric person, that he used to think it was +listening to them, he had even been frightened of its +presence while they talked. But now it was good to +have this feeling again ... the second time in their +walk that a definite gesture of his boyhood came +back to him. It made him laugh and catch Marah's +hand as she ran her few steps to keep up with him. +"Very well, then, a little slower..." +</p> + +<p> +But he could not go more slowly, he could not +help striking the trees as he passed or leaping for +the low branches. Marah glanced at him shyly +and tried not to notice that he missed the branches +every time. She had never before known him to +behave so much like a small boy, to laugh so +unreasonably; and because of this there was a heaviness +in her heart. In his strange gaiety she felt +a subtle threat to herself, she knew the heaviness +in her heart for fear ... the fear that today she +would no longer be able to escape him. For a +while she smiled in response to his gaiety with an +abstracted air, as someone does who is busy and +has to be companionable to a child. But after a +time his sudden irresponsible outbursts of laughter +repelled her, she found that she did not want to +look any more at his huge body leaping up for the +branches. "Let's sit down," she said sharply, and +stopped short. "I'm tired." So they found a +shaded circle of grass, ringed in with boulders that +served, as they rested, for backs. But Levine, his +gaiety suddenly at an end, looked at her with a +puzzled expression. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +After a while Marah took off her hat and crushed +it into her pocket. She thrust her hair back so that +it curled in a soft panel for her face, against which +the taut finely-modeled cheeks were more clearly +defined. Swiftly her mood changed. Lying flat +on her stomach, her feet waving in the air, she +looked up at Levine ... at his glasses in which +the sun made bright prisms that shifted themselves +like a kaleidoscope whenever he moved. His +serious stare she returned with equal solemnity, and +spoke in a solemn manner. +</p> + +<p> +"Your eyes behind your glasses," she began, +"look for all the world like fish staring out of a +bowl ... just as mournful. Tell me, what do fish +think about when they stare out so mournfully?" +</p> + +<p> +Levine picked up a twig that lay near him, and +began to rub a thin rut into the earth. The twig +broke under his hand and he threw it away. "Shall +I tell you what I was thinking about?" he asked +slowly. And in answer to her nod he said, "I was +thinking, just then, that I first fell in love with you +on account of your shoes." +</p> + +<p> +Her eyes widened incredulously. +</p> + +<p> +"It's the way you lie there," Levine continued +earnestly, "that reminds me of the time when I +found you asleep in my room. You were lying with +your face to the wall, and I remember that as I +stood there looking at you I noticed your shoes. +They were very tiny, I remember, with very high +heels, and I saw how they were fastened to your +feet. I can't really explain the feeling I had at that +moment, Marah. But then I saw how your feet +were imprisoned, and it made me feel such tenderness +for you, and pity..." He ignored her quick +impudent laughter. "I think I began to love you +from that moment." +</p> + +<p> +Her laughter arrested by the constrained tone +of his last words, Marah pondered this. She was +about to speak when a party of ragged little boys +appeared in the clearing, held an excited conference, +and all but leaped over her as they continued +on their flight. Later came a straggler, who +stopped to say breathlessly, "Which way +... which way..." But before they could answer he +too was off. Marah looked after him. "So ... you +pitied me," she said. +</p> + +<p> +"But not in the way you think," Levine answered +quickly, his eyes pleading for respite from her +mockery. "It was more understanding than pity, +Marah. In that moment I understood how many +things bound you ... how you were bound by +your beauty. I saw then that you were two +persons ... the Marah that thought and saw, and +the Marah that men saw. And when I understood +that I forgave you a great many things." +</p> + +<p> +"Oh, what did you forgive me?" she asked +lightly. +</p> + +<p> +Levine pondered in his turn. "I don't know +... I don't know," he said slowly. "Perhaps," +he added almost to himself, "I think there is +something to forgive because..." +</p> + +<p> +She caught him up sharply. "Because of what?" +</p> + +<p> +He looked away, and an involuntary bitter smile +curved his lips. "Because I feel hurt..." he +said. +</p> + +<p> +She did not answer and a long silence fell +between them, in which only the occasional clash of +their glances betrayed the interplay of their +thoughts. In this silence they heard people talking +and laughing on the other side of the boulders, +and after a while they knew they were no longer +thinking of each other, but only listening to the +words and laughter that drifted toward them. +Levine stood up without warning and spoke in a +petulant whisper. "How many people do you think +there are on the other side?" +</p> + +<p> +Marah listened. "I can distinguish only three +voices." +</p> + +<p> +"And someone who laughs all the time." +</p> + +<p> +"No, the laugh belongs to the man with the deep +voice." +</p> + +<p> +"No, it belongs to another person who doesn't +talk at all, but only laughs." +</p> + +<p> +She looked up at him wonderingly. +</p> + +<p> +"I tell you there's someone there who laughs +and doesn't do any talking," he insisted irritably. +"Laughs in a way that nauseates me." He +gathered their things and walked away, looking +angrily in the direction of the voices. His face +was red when he sat down and he did not look at +her. "It wouldn't be so bad," he muttered, "if +he said something once in a while." And he +seemed so unhappy that she put her hand on his +arm and tried to console him, patting it awkwardly. +"I'm sorry, Joseph. Let's go away from here. We +can go where it's altogether quiet." +</p> + +<p> +"No, I'm quite all right here, thank you. It's +fairly quiet here. Let me put my head in your lap +instead." +</p> + +<p> +"Do you know what I wish, Marah?" he said +after a while, shutting his eyes against the bright +blue of the sky. "I wish I could lie this way all +day, with nothing to do but listen. I wish I could +hear the wind at this moment. There would be +something healthful in it...." He paused, +observing thoughtfully the fluted brown trunk of the +tree that shaded them, and the floating branches +above it. "Sometimes I amuse myself," he +continued and smiled a little at his own words, "by +thinking of all the sounds that no one hears. When +part of a glacier cracks and rumbles away by +itself ... to be present at such a lonely sound. +Or when it thunders, I should like to be alone in +the hills, listening to it. But I would be satisfied +at this moment if only I could hear the wind. It +would be healthful for me. Or what do you +say..." he looked up at her, smiling and shading +his eyes. "Is it all because my head is in your lap?" +</p> + +<p> +Though Marah touched his forehead and the +arched line of his eyebrows lightly with her fingers, +in her expression as she looked down at him, and +in that gesture of her fingers, there was something +wondering and remote, something puzzled. She +did not speak ... only in answer to Levine's +insistent look she smiled slowly. Then he shut +his eyes and was silent for a long time, she thought +he must have fallen asleep. +</p> + +<p> +"Joseph ... Joseph," she called softly. +</p> + +<p> +But he did not stir until a long time after, until +the sun came suddenly through the leaves and +touched his face, and he opened his eyes and +looked up at her without surprise, as if she were +part of his dream. "Do I tire you, Marah?" he +asked. +</p> + +<p> +"No, I'm all right." +</p> + +<p> +"Strange for me to sleep in the day-time," he +mused, "and out-of-doors too." +</p> + +<p> +"I called to you." +</p> + +<p> +"Did you? I thought I heard it from very far +away, and I tried to struggle back to you. But +it was better to sleep." +</p> + +<p> +"It's quiet here..." +</p> + +<p> +"Yes..." He closed his eyes and listened for +the quiet, feeling it all about them, complete and +authentic. On his face now was the expression of +a small boy who is content. He reached his hands +up to Marah and drew her face towards him, and +kissed her gently. "<i>Now</i> I am happy..." +</p> + +<p> +"But this morning," he continued, frowning a +little, "do you know what happened to me this +morning, Marah? I was very unhappy, and I +heard a ringing in my ears, and it seemed that the +only way I could forget my unhappiness was to +listen to that sound in my ears. But a voice +warned me, 'Don't listen to it.' Because this was +like one of the perils in the fairy-tale ... if you +once listened to it, then you would have to spend +your whole life listening to it." He looked up at +her, and there was infinite fear in his eyes. +"Marah," he cried in a low voice, and it seemed +as though he were calling to her from a great +distance ... "don't let me listen to it. Help me, +Marah, not to hear it." +</p> + +<p> +"Do you hear it now?" she asked softly. +</p> + +<p> +He sighed, as though something that had been +troubling him for a long time was settled at last. +After a while he shut his eyes and spoke with low +halting words, seeming to listen for each word first +before he could say it aloud. +</p> + +<p> +"When I was little, Marah," he said, "I had the +dream of spending my whole life alone on a hill, +from which I could see both the rising and the +setting sun. Sometimes that dream comes back to +me now ... the earliest thing I desired, before I +knew there were people in the world. But now it +seems sad to me, a little terrifying. And do you +know why it seems that way now? Because your +presence has come into the world ... because all +that loneliness of nature that I used to desire, is +now only the loneliness of your not being there. +And so my earliest, my profoundest wish is lost +to me ... the impersonal is lost to me. Do you +understand that, Marah? Do you know what I +have lost for you?" +</p> + +<p> +"If you knew," he continued, looking up at her +and smiling again at his own words, "you would see +how humble I am, how dependent on your favor. +Because there is this difference. I could have the +other thing that I desired whenever I wanted it, +at my own pleasure. But having you ... well +that, you see, is entirely dependent on you. Marah, +do you see my humility before you?" But when +she did not answer again, he sat up and looked +away from her. "You see, at any rate," he said +bitterly, "that I am not ashamed to parade it." +</p> + +<p> +With a motion that was awkward and swift as +a boy's she reached to him; but Levine mistook the +gesture, and she tried to ward him off with +outstretched arms, her eyes averted in terror. But all +her movements to release herself would not avail, +and she shut her eyes against him, waiting passively +until he had finished, her face rigid with its +expression of secrecy and fear. He looked at her +with troubled eyes. "What is it, Marah?" he +cried. "Dear child of mine, can't you tell me what +it is?" +</p> + +<p> +But she sat for a long time with eyes half-shut +and oblique, and sighed deeply as if she were +trying to awaken herself. From this trance she +turned to him at last, with a look in which there +seemed to be a profound and final understanding +of things. "Yes, I think I know what it is..." +she said faintly. But seeing how Levine was brooding +in his turn, his face haggard with displeasure +at himself, she rallied and laughed lightly, and +drew close to him with a penitent gesture. +</p> + +<p> +"But it's only a superstition," she said, "that +occurred to me this moment." +</p> + +<p> +"Yes, tell me what it is..." +</p> + +<p> +Marah folded her hands in her lap and looked +before her, her eyes darkened with their burden +of unwilling knowledge. "I believe," she said +slowly, "in this: that nothing can happen to me +unless I wished for it in my childhood ... that +everything that does happen to me is in some way +a fulfillment of a wish that I made as a child." She +paused, musing for the right words. "And +these wishes," she continued, "were made without +my knowing it, and only by seeing what happens +to me now can I tell what they were. It <i>seems</i> +to me so," she added, frowning a little. "I can't +tell why I believe it ... yet it seems to me so, +I think it must be so for everyone." +</p> + +<p> +Pausing in his motion of feeling the blades of +grass between his thumb and forefinger, Levine +pondered her words. +</p> + +<p> +"Why, that must be true," he nodded gravely. +"It seems so to me, also. But tell me, Marah," he +added smiling, "did you wish for me?" +</p> + +<p> +"I don't know..." she smiled back to him. +</p> + +<p> +"But it doesn't really matter," he retorted gaily, +"because I know that I wished for you, Marah. I know that." +</p> + +<p> +"But in a way I did," Marah continued thoughtfully, +laying her hand on his arm and looking at +him with steadfast eyes. "Because I remember +that one day in my childhood I made a pact with +myself ... that I must never forget myself, never +lose myself in anything that happened to me. +Though why ... <i>why</i> I made the pact," she mused, +"what happened that made me warn myself, that I +can't seem to remember at all. But I remember +saying to myself: always <i>know</i> what is happening to +you ... always be watchful..." She stopped +and raised her eyes to him with a swift appealing +glance. "Do you understand that, Joseph?" she +asked sadly. "Do you see in what way I wished for you?" +</p> + +<p> +He did understand, and to hide from her the +completeness and bitterness of his knowledge, he +turned away. Again he felt baffled by the perfect +balance of her nature, that security which kept +her apart from the world, content to be merely +watchful. Though he remembered such a time in +his own life, he had also the bitter knowledge of +what followed ... how from being too watchful +he had grown weary, and come to desire forgetfulness +... a way to forget himself the one thing +he had never achieved. "It's not true, Marah," he +said harshly. "It's not true that you don't want +to forget yourself..." +</p> + +<p> +But she did not answer, and they sat for a long +time in silence, until, like the swift change of mood +in a song, Levine's anger and bitterness left him, +and a sudden happiness assailed him, in which he +knew all their words for nonsense. "Marah..." +he called from his happiness, "Marah..." But +she watched him sprawling grotesquely over the +earth, his hands caressing the grass, his lips pressed +to the ground, and again there was something +remote in her expression, something slightly puzzled. +She saw him tearing the grass and cupping it in his +hands, and lifting it to his lips as though he would +drink it. And she discerned in it the pantomime +of possessing her. For a moment there seemed to +be in her body the gesture of submission, a feeling +of paralysis before Levine's will ... simultaneously +she felt disgust for what she saw. +</p> + +<p> +"We'd better go," she said sharply, "it's late." +</p> + +<p> +"Why ... what has happened, Marah? What +have I done?" +</p> + +<p> +"I don't like this ... this smelling under the +armpits." +</p> + +<p> +"Oh, I see..." Levine sat up and looked at her +angrily. He gathered their things and they rose +and walked for a long time without speaking. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +They came at last to a place where there were +many small birches standing as in a stockade, with +the skeletons of large trees lying among them. +Where one birch had started to grow along the +ground ... its trunk horizontal with the earth +... and then turned sharply upwards, they sat +down to rest. The place was very quiet. Once a +large bird started from the ground with a snort +of wings, and Marah looked for it with startled +eyes. But otherwise nothing moved. When the +sun broke through the leaves it was as if a group +of dancers with one motion had turned up the +bright side of their fans. When the sun went away +it seemed that the fans were being slowly closed. +Levine looked up at a large maple that stood +near them, and saw through the leaves a dark +lightning of branches. He noticed the dappled +effect of the leaves and saw what made it +... because on the edge of each bright leaf there was +a dark segment, where the shadow of another leaf +showed through. He noticed, also, that one of +the stones in the earth was glistening wet. "Spittle +of snakes," he said to himself, and he was surprised +that these words came to him. Things occurred +to him to do. He thought of swinging on one of +the branches of the maple tree, his knees curled up, +and then jumping down and letting the branch +rebound. He wanted to feel the smooth bark of the +birch trees with his finger-tips ... or take a twig +and probe the soft, damp-looking lumps of moss. +Yet nothing of this was necessary. It was not +necessary to talk, or to touch Marah in order to +feel her nearness. All their words, he felt, had been +spoken; and there was nothing left now but the +drift of impressions ... the lazy backwash of his +mood, like a wave that had broken in its full height. +He felt this rhythm, he felt the recession of his +troubled mood. He was at peace in this moment, +and his peace would not be troubled again for all +the time that he was with Marah. He turned to +her. "Now I have you both," he said softly. +</p> + +<p> +She was sitting with her chin on her hand, looking +thoughtfully before her; but rousing herself +once and glancing around she caught sight of a +tree that had the first red leaves of autumn. Her +gray eyes rested on it with startled delight, and she +touched Levine's arm with a gesture as if the tree +were swiftly moving away. "Do you know what I +have to say to myself when the trees turn color?" She +laughed to herself with sheer pleasure at the +sight ... "I'm almost afraid of it ... and so I +keep saying to myself: is it any different from their +being green..." To see the childlike delight in +her eyes, and to hear her laughter and words, was +for Levine an exquisite moment of forgetfulness. +</p> + +<p> +But now it was growing darker, and with one +accord they rose and stood uncertainly confronting +each other. "Are you tired, Marah?" he asked. +She smiled to him, as if she had not understood the +question, yet wished to show that she had heard. +"Shall we lie in that little open space and look up +at the sky?" and she nodded silently. They lay +down where they could see a stretch of sky fretted +at its edges with the dark silhouette of leaves, and +listened for a long time to the silence gathering +around them, to a distant and ominous murmur +that seemed to come from a great distance. +</p> + +<p> +"Trucks on the state road...." Levine observed +drowsily. It seemed to him that he was +sleeping. The patch of sky that he saw between the +trees, the faint sprinkle of stars, the fantastic shape +of the leaves against the sky ... here what seemed +to be the head of a gigantic horse rearing up from +the earth ... all this was a scene such as only +a dream could put together. It was too perfect, +he said to himself, too allegorical.... If only +he could consciously will that the dream should +continue, and that Marah should always be in it +... part of the allegory, the meaning and core of +it. If only he could lie forever in his waking dream, +that seemed to rest him more profoundly than sleep. +</p> + +<p> +After a time Marah sat up and clasped her hands +round her knees. In the dark she looked lonely +and child-like, and she put her head down on her +knees as if she was very tired. "I had such a +strange feeling just this moment," she said. "I was +looking up at the sky and I lost all sense of +looking up. I had the feeling that I was on board +ship, looking at very still blue water all around me. +Is it true, do you think, that you can forget you're +looking upwards, and think you're looking down +on the sky?" +</p> + +<p> +"But it should be true..." Levine said, speaking +softly and reluctantly, unwilling to break his +waking dream with speech ... "Yes ... why +shouldn't we be able to look upward long enough, +until all our senses are accustomed to it, and it seems +no different from looking down?" +</p> + +<p> +"And the sky is really all around the earth," +Marah continued in a drowsy voice. "You see it +going down to the horizon..." +</p> + +<p> +She lay down again, sighing. The darkness +moved closer about them, and a single mournful cry +of some animal came from the woods ... a note +hoarse and bird-like. A long time after, when the +cry had been forgotten in the silence, Levine spoke. +"Didn't it sound as if there was an idiot boy in the +woods..." +</p> + +<p> +"Because animals cry out that way," he mused +to himself, "like idiot boys. They open their +mouths and a sound comes out, and you can't tell +whether there is joy or sorrow in their souls..." +</p> + +<p> +The cry was repeated, and Marah drew closer to +him. Now it was so dark that they could not see +anything beyond the place where they lay, and only +the white outline of Marah's arms circling her head +in an attitude of complete relaxation relieved the +shadow. Almost palpably they felt the silence and +darkness deepening around them, like stealthy water +in which they were being slowly trapped. They rose, +knowing that this time they were not to part, and +they looked into each other's faces and saw +confirmation of it. Marah drew towards him with a +quick confiding gesture, and he could only guess +by her words at the sweet and child-like fear in +her heart. "Oh, where shall we go now," she cried +softly, "where shall we go now..." +</p> + +<p><br><br><br></p> + +<p><a id="chap03"></a></p> + +<h3> +CHAPTER III +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +Yes, Lewis was getting stouter. He stood +before the glass that hung in his room, +examining his face with chin thrust +forward. "I <i>am</i> getting stouter," he said to himself, +and lightly touched the flesh over his cheek-bones. +The fact struck him as curious. Since the day he +had left the hospital, since that brief and futile +reckoning with his anger in Levine's office, nothing +in the way of good fortune had befallen him. He +had returned unwillingly to Ruth, and taken up the +work at Lustbader's as if still under the spell of +that first moment when Lustbader engaged him. +In all this he felt there was nothing to make him +happy ... and yet it was certain that he was +getting stouter. He thrust his face closer to the +mirror and pinched his cheeks with an angry panic +motion. In sudden terror he remembered Biondi, +and the loathing that had filled him at the thought +of Biondi's flesh ... +</p> + +<p> +Yet it was true, he admitted, that his life at the +moment had a sufficiently pleasant rhythm. The +work at Lustbader's was not difficult ... he liked +the quiet and isolation of the house to which they +had moved on the outskirts of the city. He could +rise in the morning when he pleased, and stroll +through the tidy streets before going to work. Then +there was the long trip in the subway with the +certainty of the dark and cool theatre at the end. +And if he came early enough, there were the few +hours when he was alone and played only for +himself. With Lustbader, moreover, he was on the +best of terms. For one night when the lights of +the theatre were out and the building empty, +Lustbader, more drunk than usual, had called him into +his office, intending, as he said, to give Lewis his +most intimate confidences. In the course of their +conversation it had developed that Lustbader was +the victim of a grave misconception. "You see in +me, Antonini," he had said, resting his head on his +hand and speaking as though he were about to +cry, "a man who has never been taken seriously. +And why? Because my hair is red, and my +eyelashes are red, and my moustache is red. Yet what's +so peculiar about that? Wasn't all the hair on the +body meant to match? And suppose it is peculiar +... tell me, does it make me any the less real? +Ah, believe me, Antonini, you don't know what it +is to be so perfectly matched. It's too much for +people. Wherever I go they smile. And the +women ... <i>they</i> certainly don't know how to take +it." He had lapsed into mournful contemplation, +from which he roused himself to beg Lewis to take +a more enlightened view. Lewis had reassured him, +and after that night Lustbader treated him with +special consideration, even suggesting that he +organize a quartet in order that he might draw a larger +salary. But Lewis had been content with things +as they were ... he had desired only that the +routine of things continue. Even the thought of +Poldy came to him less and less. Tonight, the +first time that he stopped to take stock of himself, +as if emerging from the shock which had come with +his leaving the hospital ... tonight he did not +think of Poldy at all. +</p> + +<p> +But it was hot in the room, and he turned away +from the mirror and went to the window to look +out ... across the level land and low-lying lights, +to the place where the buildings of the city were +faintly visible ... to the searchlights playing +over the river in a perpetual crossing and re-crossing, +lifting themselves like the snouts of huge +primeval animals lying somewhere below the +horizon. He heard faintly a distant murmur from +the city, and near at hand the sound of Ruth's +footsteps going rhythmically back and forth in the +yard. +</p> + +<p> +Sharply and suddenly, as if he were seeing it for +the first time, the scene came to him ... he +glimpsed it as a vast and quietly-colored canvas, +of which he saw the abstract arrangement and +balance ... his own dark figure at the window +... Ruth walking alone and thoughtfully below it +... the level field of lights and the far-away fanwise +motion of the searchlights. And with this poignant +momentary sense of how the whole earth was spread +out beneath him, and the masses of things balanced +on it, there came the feeling that it was good to be +on the earth's surface ... good to be alive and +poised on the broad plane of earth; a feeling that +he had not known since boyhood, that he thought +could never visit him again. In that moment he +wished that Ruth would speak to him with some +old reassuring word, breaking the silence which had +come between them since he returned from the +hospital. In his heart he called to her +... understanding that in some way she was part of the +moment, of the longing and pleasure that was in +it. But she continued to walk back and forth +unaware of him, and at last baffled and a little angry +because she did not notice him, he turned away +from the window and sat down at the piano. He +tried a few notes and stopped, and put his elbows +softly on the black keys, resting his head in his +hands. +</p> + +<p> +How strange, he thought, how strange that this +feeling of happiness had come to him ... that for +a while he had been able to forget his anger and +resentment. There was in it the same pleasure and +discomfort that might come from interrupting a +habitual motion ... as if a certain gesture of his +hands that went on unceasingly had been arrested +for a moment. Strange too, this longing for Ruth, +a longing which he had just felt so urgently and +profoundly that it terrified him. A moment before +he had not suspected it was there ... he had +thought himself secure from her in his isolation of +pain, and the feeling that there was something to +be ashamed of. But now for the first time since +his return he had glimpsed the chaos in his soul, +it had been flashed out from his calm like a +complicated landscape flashed out from the sky at night. +And now that it was over he was left more bewildered, +with the same feeling of terror at what was +happening to him that he had felt before, when he +stood before the mirror remembering Biondi's flesh. +</p> + +<p> +But why didn't she speak to him? Why was +there this silence between them, in which their few +words rang out with a cruel and terrible distinctness? +He remembered that they had loved each +other in the past. In the past their love had been +a place where they were intimately together +... yet now they were strangers, often he had the +painful feeling that his eyes could not see her clearly. +Now they were like two people who have walked +by each other on the road, and then look back and +find that the road has curved in such a way that +they can no longer see each other. Which of them, +then, had turned the corner? Whose fault was it +... whose fault, he questioned bitterly, that they +could no longer see one another? Yours, +something reproached him ... because he had come +back to her unwillingly, because he thought she +would be ashamed of him, and had countered in his +heart with anger and hatred. Yet he knew that +secretly he had wanted Ruth to comfort him +... secretly he had hoped that on the first day she would +take him to her and say comforting words. If this +had not happened ... if the first night had passed +and the first day, and all the days after, and she +had not spoken, then it was really, true that she +was ashamed of him. She had even denied him +her body, and it was this that especially confused +and humiliated him. For if she repelled him +whenever he tried to touch her, how very great must +be her shame of him, how loathsome he had become. +And at the thought of it Lewis felt his +breath come more quickly, he felt his throat +tightening again with hatred for her. +</p> + +<p> +In a curious desire to see her, to study her out of +his anger, he went to the window and looked out. +She was walking near the wall of the house, her +head thrust forward, her eyes fixed thoughtfully +on the ground. For a moment as he listened her +footsteps seemed to be speaking sadly to him ... to +be the symbolic language of the thoughts that +came to her as she walked alone. And again he +wanted to call to her, lifting from his eyes the +painful feeling that they could not see her clearly. And +the burden of his call, the words of it ... what +would that be? "Where are you, Ruth..." he +could call to her, "where are you..." And she +would hear him and know that he longed for her. +But when he waited and she did not look up at him, +he remembered that he had come to study her +objectively, to put her at a distance by watching. His +cue now was to watch her all the time ... as she +went about her work in the house ... when she +walked in the yard, when she spoke to him. Always +to be watching her, and so keep her at a distance ... +</p> + +<p> +But how tall she looked and unreal, pacing back +and forth in her long skirt, like a woman out of an +old and sad legend. When she passed under the +window he could see the glistening blackness of her +straight hair, parted in the center and drawn back +in a knot. "Italian hair," he said to himself, +unexpectedly and dispassionately, as if he were +examining a picture. She walked slowly, with a certain +queer hesitation, as though the ground might not +be firm beneath her feet. He had the curious +feeling that she was walking barefoot. And sometimes +she was startled by a slight noise, and looked around, +seeming bewildered to find herself pacing back and +forth. +</p> + +<p> +It did not seem possible that she could be walking +so close to him and not feel his presence at the +window; yet when he caught a glimpse of her face +he saw in it an expression completely turned in on +itself ... a strange and brooding look, as if one +thought came continually to her mind, which she +could not understand at all, yet which had to be +turned this way and that and examined again and +again, calling for perpetual wonder. In this one +thought she seemed to be spellbound, caught in its +terrifying strangeness, trying to shake it from her +with this trance-like pacing back and forth. And +because of it she could forget his presence and +everything around her, she was even unaware of the +expression on her face ... the strange beauty that +it had of something completely absorbed and +unconscious of itself. He stood at the window watching, +feeling almost afraid of her, of this new wonder +of her face. And when she stopped at the far end +of her walk and rested with her hand to the wall, +he was startled almost to outcry by the intent +glance with which she gazed before her ... the +intraverted look of a statue whose features have +grown to one expression for centuries... +</p> + +<p> +What was she thinking of? What thought was +it, he wondered, that held her spellbound, and was +so strange and bewildering that since the first +moment it occurred to her, all her days had been +passed in a stupor of trying to understand it. He +remembered times when he came upon her brooding +alone, and she would lower her eyes secretively, +fix them for a moment in mysterious somnolence +... then lift them with a swift glance of reproach, +as if it lay in his power to free her. There would be +a bittersweet tumult in his heart at the thought that +she brooded over him, and was puzzled and unhappy +for the ending of their love. Yet in the next +instant he would question it ... why did she not +speak to him if this was true ... why was there +only question and answer between them, her +answers always simple and courteous, like echoes +of his question ... and if he did not seek her out +with questioning, why was there only silence? And +though he recalled from the past the sort of person +she was ... one to whom words did not come +easily ... yet now there seemed to him a treacherous +quality in her silence. In it he heard many +things ... her scorn, her censure, her shame. It +terrified him now with its infinite meanings... +</p> + +<p> +But now she became aware of him, and stopped +under the window and looked up inquiringly. He +was irritated because she had spied him too late, +after the moment of his longing was over. "Why +don't you go to bed?" he said sharply. She +answered in a low voice that it was too hot, and +stood near the wall with one hand lifted, letting her +finger-tips play lightly along the part of her hair. +Lewis waited for her to speak further, and when +she remained silent he turned away from the +window with a gesture of weary finality. The +room seemed suddenly too small for his anger. He +fled from the room and the house, walking in a +trance of speed until he came out of the dark road +to the main street. There the number of people +made him slacken his pace. He permitted himself +to be caught up into the rhythm of their march, +losing for a while all the torturing sense of his own +identity and the anger that had driven him forth. +</p> + +<p> +On each side as he walked people caught up +with him and passed him. He could feel their +bodies flowing by with the bobbing motion of +debris on a swift stream. But after a few blocks +he felt wearied with the constant motion of people +passing him and their endless number. There were +too many people in the world, he told himself +... too many noises also. Day after day the noises in +his head to listen to ... by now he had learned +how cunningly they could adjust themselves ... weak +and timid when it was quiet, proportioned +to the silence. But at other times trying to +out-scream the sounds around him, as if they could +hear them and felt a hysterical contagion. He +longed for only a moment's freedom from them, +for only one moment of absolute silence. And it +was true after all, he resumed, that his life was +hateful to him, and the fact that he was growing +stouter was only a trick of his flesh. It was true +that he hated the work at Lustbader's ... that he +was nauseated with the necessity to sit and play +for people who weren't listening, and felt infinitely +humiliated each day at the indifferent going of the +audience. It would be better to give up the work +at Lustbader's and find something else to do, not +so intimately associated with his past. Better also +to leave Ruth, rather than continue their living +together as strangers. For a while he tried to plan +this seriously; but the feeling of dizziness that +overcame him made him stop short in his thoughts and +warn himself ... that these paroxysms were +dangerous, that he could not afford to let himself +grow discontented. These were the dangerous +moments, he warned himself ... when, because +of his discontent, he began to desire something +more than his life could give him, to long wildly +for a new and undefined fulfillment. Then he could +see how precarious was the stillness of his mind +... that it was only the apparent stillness of +something whirling so fast that no drop could spill +... but if once the motion slackened, if it eased for only +a moment, then everything that had been held in +balance by it would fly apart. He knew that he +must never permit any let-down in this excitement +of his mind ... there must always be something, +something to keep up its swift motion. +</p> + +<p> +But what would that be, he asked himself? What +was there left for him now, exiled from Ruth's +love, unable to play any more, unable to hear things +clearly? What was there left save to hold fast to +the routine of his life, letting the rhythm of it, +accumulating from day to day, convince him at last +that he was living. It was so for everyone else +... for all these bodies that bobbed past him. They +moved in an insect activity, and repeated it in time +and repeated it in each other, so that they might feel +doubly sure of themselves. They moved daily in +an insect migration, and everything they did was +automatic, and their love was unclean ... men +and women living together, and with too long +familiarity and handling of each other's bodies their +love became incestuous. He too should be content +to live as they did, he should not slacken his +pace and be thoughtful on the street ... but +even while he hastened his step his throat tightened +with hatred for them, for that air of urgency which +they always had, which was so skilful an imitation +on their part of insect importance. No, he told +himself ... it was not so easy for him ... he +knew the trick that had been played on him. And +his anger seemed to deafen him, so that he heard +for a moment the absolute silence that he craved +... and he stopped bewildered, fearing that it was +the end of the whirling, the sudden jar of silence +that comes when the machinery stops. At first he +wanted to shout to them for help, he wanted to lay +hold of someone and cry out what had happened. +But in that interlude of silence he heard a thought +speaking clearly to him ... that he must begin to +work on a symphony, and that he would be famous +through this work, that through it he would +express all that had happened to him, and it would +lift him out of the incognito in which he now lived. +An incredible lightness of heart came over him, a +desire to laugh and embrace the people who passed +him ... for it seemed that now he heard the music +of his own life again, and could conduct it once +more to a triumphant conclusion. He had found +too a further recess from Ruth, where she could +watch him, puzzled and shut out in her turn. +Strange that it had not occurred to him before, that +something so obvious should be so slow in coming +to him... +</p> + +<p> +But here somebody jostled him, and Lewis realized +that he had been standing still and staring at +the sidewalk. Informally, then, the noises resumed, +and he started to walk again, but still with the +feeling of lightness in his heart. +</p> + +<p><br></p> + +<p class="t3"> +2 +</p> + +<p> +It did not leave him for many days ... days in +which cloud-sweeps of music played about him +... endless panoramas of music that kept merging and +separating, folding and unfolding, with the prodigality, +the ceaselessness of insanity. Days when he +heard terrific and intricate harmonies ... the +accompaniment for profound dancing, for the +courteous minuet of the worlds. When the noises in +his head opened up new vistas, arranging and +rearranging themselves in kaleidoscopes of sound, +from which he caught an occasional pattern of +rhythm and melody, at the undreamed exquisiteness +of which he held his breath. When everything was +saturated with music, and every object that he +looked at gave off musical sound like a property of +its matter ... and all the motions of his hand +gave off music, as simply as the motion of a whip +gives off the swishing sound. All day and even +through the thin wall of his sleep he listened, and +the meaning of what he heard comprehended all +words, was the infinite meaning of things that lies +beyond any word that has ever been spoken. +Meanwhile he went about pale and absorbed, going +through his work with the mechanical gestures of +a sleep-walker. People stared at him, who had the +expression of someone lost in the nightmare of his +own ecstasy. But the end came at last. He sat +down one evening to recall what he had heard, his +pencil finely-sharpened and poised over the staff. +</p> + +<p><br></p> + +<p class="t3"> +3 +</p> + +<p> +And at times they would come back to him ... themes +that moved so inevitably from phrase to +phrase, in which he heard so clearly the implicit +harmonies, that to record them was only the labor +of putting down the notes on the staff. At other +times he was baffled, working for days without +adding anything ... humming over and over in his +mind the parts that were already written, until they +grew sterile with the repetition and he could not +hear them any more. Then in a sudden impotence +he would sit and stare at the notes, believing that +they might begin to move around on the page, or +that in some mysterious way he could conjure them, +as if they were round black symbols on a chart of +magic. But when nothing happened and the whole +work seemed futile, his nostrils whitened with +suppressed fury, he would take his work in his hands +with a furious desire to tear it ... or when Ruth +was in the room he would turn on her, as if it was +her quiet presence in the room or some casual movement +of hers that caused his failure. And on nights +when this happened sleep was not for either of +them, but with careful and crafty questioning he +sought to call her to account ... why had she +removed the picture of herself that hung in his room +... why had she re-arranged things? And she +would answer him obediently, a suggestion of +weariness in her slow obedient answers. All night +they lay in bed exhausting their words ... until +it seemed to Ruth as if their words had become a +symbolic intercourse, more exacting and insatiable +than the intercourse of their bodies ... and she +would lie still and thoughtful in the long interval +between his questions, like someone not entirely +absorbed by her passion, with much leisure to think +in the midst of it. Why had she removed the +picture of herself that hung in his room ... and she +answered him obediently: how she had noticed that +he looked angrily about him when he worked, and +she had not wished him to look at her picture in that +way. But in that slow obedience of all her answers +there was great weariness and indifference, as if +it was only a way of disguising her words, the way +she had found at last of speaking to him and yet +guarding the secrecy of her thoughts. These, now, +were more important to her. All day to whatever +she did her thoughts were an insistent accompaniment, +and in bed they had to be counted again, told +over every night like prayers before she could fall +asleep.... +</p> + +<p> +First, she remembered, there were the days just +after his return. From the beginning he had been +strange to her, and yet she had not suspected +anything, she had been willing to wait. When the +newness of things wore off, she had told herself, he +would look around once more and remember her. +And at first it had been easy to find reasons: it was +moving to the new house that pre-occupied him, or +the work at Lustbader's ... but when time passed +and he did not change she saw how excuses could +multiply themselves, how she was put off indefinitely. +Then had come a period of panic, when she +felt the strangeness settling between them like a +stealthy gathering of mist, and was powerless to +stop it. When she had tried to snare his attention +... foolishly, in ways that made her ashamed +to remember ... placing something new where +he would see it ... a vase of green glass or a +bright square of silk for the wall. There had been +for a moment a magic in everything she bought, a +belief that everything must change because this or +that was brought into the house. And when these +had failed she thought the fault must be in herself. +Then what do I need? she had asked, standing in +front of the mirror and examining herself. "I am +too dark ... too sombre-looking...." and this +discovery had filled her with a sense of guilt, she +was ashamed because she was not light-hearted... +</p> + +<p> +So everything had ended in shame and confusion. +And now that all her thoughts were over, now +that she had counted them like prayer beads, what +was there left to do save to lie rigid and wait for +sleep? Though each night she was conscious of +her body and its sweetness going to waste, she knew +it was better to lie alone. In the loneliness of her +body there was, somehow, a little cause for pride +... there was also hope, an element in their +relations that was still in solution. Each night when +they lay in bed she felt the separateness of their +bodies as a question, and she feared that if she +gave herself to him the question would be answered, +and there would be no longer any hope for her ... only +complete humiliation. Better, then, to lie with +her fantasy ... to feel her body as if it were a +statue, immobile yet conscious. So in some ancient +evil court women were used ... arranged naked as +adornments for the corners of the palace, on their +knees and under a towering headdress, so that they +might be more rigid and unreal. So she thought +of herself, a slave-woman whose body was turning +into stone, while near her a long and dispassionate +intercourse was occurring. +</p> + +<p> +She would lie so long without moving that Lewis +would raise himself on his elbow and turn to look +at her ... seeing her face white between the lines +of its Gothic hair, and her eyes staring upward, +gleaming like black stones. Angrily he would +repeat his question... +</p> + +<p><br></p> + +<p class="t3"> +4 +</p> + +<p> +But she had put back the picture and arranged +everything as it was before. Yet one afternoon +when she entered his room, she found Lewis sitting +disconsolately over his work, resting his head on +his hands and staring before him. He turned on +her with unexpected ferocity. "Why did you +change things around? Everything is going wrong +since then." +</p> + +<p> +Ruth hesitated whether to speak, and then asked +indifferently, "Why, what is wrong..." +</p> + +<p> +"You should never have meddled," Lewis insisted +petulantly. "Did I ask you to come in and arrange +things? Did I ask you to spy on me?" +</p> + +<p> +Ruth sat down, her arm on the back of the chair, +her fingers musingly feeling the part in her hair. +At her feet was a pile of papers torn into deliberate +tiny scraps. These she stared at and then touched +with the tip of her foot. The action infuriated +Lewis. He went over to her and caught her wrist, +so that she drew away from him with a cry of pain. +</p> + +<p> +"I tell you we can't go on this way," he said +bitterly. "It must end. We can't go on with this +crime." +</p> + +<p> +"What is the crime?" she asked, with weary +automatic curiosity. "Tell me what crime you +mean. Have <i>I</i> committed it?" +</p> + +<p> +She fixed her dark eyes on him for a moment, +and then turned her attention again to the papers on +the floor, shifting them about with the tip of her foot, +trying to arrange them into a circle. In this +occupation she was profoundly absorbed, hardly aware +of him. Only once she frowned. When he said, "It +would be better for me to be alone," she frowned as +if she could not understand the words, but had +caught them between her eyebrows, and would hold +them that way to be considered in the future. +Meanwhile, with delicate and intent movements of +her foot she perfected the circle of papers. +</p> + +<p> +Then she rose and went into the bedroom. For +the colloquy that she was going to have it seemed +necessary to let down her hair first, and lay the +hair-pins carefully away. She leaned forward and stared +at herself in the glass, still frowning. "What was +my crime?" she asked softly, and lowered her eyes +in thought. "Why no, it wasn't that," she reasoned. +"Something went wrong with the music. My crime +was only to be present." She smiled at this and +looked at her reflection triumphantly. "Yes, my +crime was that I was present." But immediately +she leaned closer, and looked into her eyes that +were now large and startled. "But suppose that is +a crime," she whispered. Because she did not know +what to say ... because there was a terrible +finality in that question, she turned away from the +glass, and a wave of dizziness and terror swept over +her. One thought came to her mind ... flight +... to go away from him instantly, to make the +house suddenly empty of her presence. In a moment +this became so urgent that she did not stop to do +more than comb her hair and brush the dust from +her dress. Softly she opened the door, and reassuring +herself that she was unobserved, she went lightly +down the stairs. Where she was going or what she +would do was not clear to her ... she only knew +that it was urgent that he be left alone, that Lewis +should feel the emptiness of the house at once. She +struck out in the direction of open country, +unconsciously turning from the street that would lead +her among people. Walking so swiftly that she +seemed to be moving in a dream, she came to the +state road, and not until she had gone far into the +country did she stop. Then as if awakening she +looked around her. Suddenly tired, she turned +back a few paces to the ending of a stone fence, +and sat down there, surveying the scene around her +with a listless interest in its details. +</p> + +<p> +She saw a field in which the gathered and tented +wheat lay in a quiet encampment, and in the stillness +she heard the dry rustling of bugs through the +stalks. A row of little pines stood near the edge +of the field, their trunks no bigger than branches. +She looked at them and thought of children standing +in a row, stretching on thin legs to see which +was tallest. Across the road and a little beyond the +place where she sat there was a white farmhouse +under dark trees, and she heard the voices of men +shouting in the distance. She sat there looking +indifferently at the field, or letting her eye travel +listlessly over the tall grass and flowers at her feet. +For a long time she followed the movements of a +white butterfly that caromed against her knees, she +sat so still; or noted how, in the least wind, the tall +grasses bent toward each other. A loud humming +of some insect, sounding near her like a man's voice, +made her start. She jumped up hastily and looked +around, then seeing what it was she sat down again, +smiling self-consciously at her fright. Now she +remembered things she had passed on the road. At +one house two children had been standing in a +doorway, regarding her curiously; and when she looked +back the children in the doorway had strangely +multiplied themselves into a group of all sizes, all +staring at her with one expression of astonishment. +Another time she had followed a road that led +unexpectedly to a house, and she had turned and +walked away quickly, while two old women on the +porch called to her, each one holding an egg in her +hand, arrested in the act of counting. These details +came back to her now, with the strange overtone +of something she might have read about in a +fairy-tale. And the field of wheat before her and the +young pines stretching to see which was tallest +seemed unreal as the picture in a child's book. She +felt rather foolish now. She had achieved that +sudden emptiness of the house which had seemed +at the moment of her flight so urgent and precious +to her ... but now what to do? Return? No +... she must stay away longer. She bestirred +herself and walked on more slowly. But now she +felt faint and exhausted and sat down to rest +wherever she could find a little shade. At length she +came to the end of the state road and faced a +country lane, unshaded and desolate-looking. Here a +man was working in the fields, and when he saw her +he rested on his hoe, watching her as she stood +uncertainly at the cross-roads. "Where are you +going?" he called. Ruth went over to him. "I +don't know..." she began confusedly, feeling the +blood mount in her cheeks. "What's off that way?" +</p> + +<p> +"Up there," he said, and seemed to be figuring +it out, "up there's the lake, but it's so hot on that +road, you'll get cooked." +</p> + +<p> +She considered a moment, thanked him and +turned back. One time she stopped and leaned +against a tree, laughing and crying at the same +time. "You'll get cooked..." she repeated to +herself. +</p> + +<p> +It seemed to her as she retraced her steps that +there was an eternity of time before she would +reach the place where she had rested. Things +she had noticed on her way seemed to have moved +farther apart, the sky was overcast, and behind her +there was a constant rumbling of thunder ... when +she reached the white farmhouse heavy drops +were falling. In terror of the storm she stood in +front of the house, wishing that someone would +call to her. But only a huge dog came bounding +out, and when she lifted her arms he leaped at her. +For a long time she tried to ward him off, standing +there in the center of his leaping, swishing her arms +back and forth, fearing that at any moment the +grotesque duel between them would end. Her breath +came in short gasps, she tried to call for help, but +her terror prevented her. At last she raised her +voice. "Call off your dog," she cried hoarsely, and +blushed at the boldness of shouting that way. Two +young girls appeared on the porch and called to the +dog, and then, after a short consultation with each +other, invited her in. The storm broke as they +entered the kitchen. There the shades were drawn +and the lights turned on, giving the effect of night. +</p> + +<p> +They permitted her to sit alone on a low stool +near the window. When the rain slackened and +it grew lighter, the girls raised the shades and +turned off the lights, and busied themselves once +more with their sewing. Infinitely pleasant to +Ruth was the tidy kitchen and the sound of the +clock ticking and the rain outside ... a quiet +interlude in which she lived for the time the calm +house-bound life of the two girls, in which her own +unhappiness did not exist. In a desultory manner +the girls talked while they sewed. +</p> + +<p> +"Do you think they are coming back here to live?" +</p> + +<p> +"It's hard to say," the taller one answered. +"They wrote that they were selling the place." +</p> + +<p> +"And didn't say what they would do after?" +</p> + +<p> +"No, he likes it out there." +</p> + +<p> +The first one who had spoken stooped to pick up +a skein of silk from the floor. "I think this red +is too bright," she said, holding it up to the light. +"Tell me," she continued after a long silence. "Are +you ever lonesome here?" +</p> + +<p> +The other hesitated. "No ... not really +lonesome," she said thoughtfully. "I have my moods +of course, but I'm not lonesome for any particular +person, or any place either. It's just..." she +sighed and looked down at her work. "But it's +very nice here," she added. +</p> + +<p> +From time to time they glanced shyly at Ruth, +and becoming conscious of her presence they would +be silent. She wished they would forget her +entirely, that she could lose her own identity and sit +there forever, listening to their quiet dialogue. For +there seemed to be something so impersonal in what +they said, an indifference in their manner of +speaking, that gave her a strange sense of peace. She +saw them as beings still content with their world +and secure in the little details of it ... still +untouched by desire, by the knowledge that would +make of the whole world a prison of one person. +"Not for any particular person..." the taller +one had said. Ruth remembered the words as if +they had been spoken for her. There was only one +place in the world, she knew, where she could dare +to exist, and that was near Lewis. She was not +strong enough to be without him ... she would +accept any terms, only to be near him. And having +made this confession she felt infinitely degraded, +she felt that if the two girls could have looked into +her heart they would have recoiled with horror. +In all that they were yet to learn this would seem +to them most terrible ... that they should +become so bound, that the whole world should +become a prison of one person. And could they not +tell what was in her heart? Wasn't it known to +them already? Why was she walking alone this +way, if not because she was unhappy for someone? +Her cheeks flushed with shame at the thought that +they understood her ... she wished she could +hide from them, feeling too exposed when they +looked at her with their swift glances. +</p> + +<p> +But now she realized that they wanted her to go. +"It's cleared up," they urged gently. Ruth sighed +and rose, and stood for a while glancing around +the room, lingering on its neatness, on the shining +clock and the pictures, which she saw through their +eyes as dear possessions. She looked out and saw +that it was clearing, and over the wheat field there +was the reddish glow of sunset. "Yes, I'll be going," +she said reluctantly. They followed her courteously +to the door. +</p> + +<p><br></p> + +<p class="t3"> +5 +</p> + +<p> +Ruth knew, as she walked down the road, that +they were watching her go, and while they could +see her she kept her head up bravely. But as soon +as a turning of the road effaced the house, she sat +down and gave way to a passionate angry outburst +of tears. There was not so much sorrow in it as +anger for all the things that had happened to her, +for everything that was yet to occur. She had +thought to flee, and had given herself the momentary +satisfaction of making the house empty of her +presence. But that was all ... that was all she could +accomplish. She clenched her hands and beat them +against the stone ... "I am not strong enough," +she said aloud, with bitter anguish in her voice. +"It's true ... I am not strong enough...." +</p> + +<p> +Lewis was standing outside, looking anxiously +up and down the street. +</p> + +<p> +"Where have you been?" he asked reproachfully. +"I was looking for you...." +</p> + +<p> +She stood in the doorway resting, her hand to +her heart. Of a sudden an expression of pain +crossed her face. "Lewis," she said faintly, and +looked at him, her eyes wide with fear. "Put your +hand on my heart. Isn't it beating too fast?" He +obeyed her, but the feeling of her heart beating +under her wet dress was repulsive to him, as if she +had asked him to touch a wound. He forced +himself to hold his hand there and shook his head. +"Where have you been?" he repeated. "I've been +looking for you...." +</p> + +<p> +Upstairs in the bedroom she lay down, feeling +her forehead burning hot and the blood beating in +it with imprisoned fury. She lay alone for a long +time, until the room grew dark and her eyes closed +in uneasy slumber. Lewis woke her, bending over +and awkwardly touching her forehead. +</p> + +<p> +"Does your heart hurt any more?" he asked. +</p> + +<p> +"No ... I'm all right..." and she turned away from him. +</p> + +<p> +"You have fever, Ruth..." +</p> + +<p> +"No, it's nothing," she repeated sharply. "Let +me alone." +</p> + +<p> +But after a while she turned to him, and he could +see her face bewildered and pale in the darkness. +</p> + +<p> +"Tell me, Lewis," she said, her voice low and +reluctant. "Why do you torture me?" +</p> + +<p> +He pondered her question. "Why no ... that's +not true," he said harshly. "We torture each +other." +</p> + +<p> +"But why ... why..." The word was repeated +with dull insistence, with the unhappy +petulant tone of someone who has asked a question +too long. And it seemed natural that silence should +follow her question, having in it the quality of a +profound answer. +</p> + +<p> +Nothing could be more terrible to her than his +caress on that night. While there had been the +separateness of their bodies, she had felt a little +cause for pride. But she knew this for the end of +everything, she knew, now, that her degradation +was complete. +</p> + +<p><br><br><br></p> + +<p><a id="chap04"></a></p> + +<h3> +CHAPTER IV +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +The turning of a corner suddenly thrust +Poldy against the march of homecoming +workers. He shocked with a squad of +young girls walking arm in arm, a taut buoyant +line. They giggled and wavered for a moment, +unwilling to break the lovely repeated pattern of their +arms. Then the line swung away from him like +a slackened whip. He walked forward, progressing +in a blind zigzag, his eyes closed against the sun. +But it seemed to him after a while as if he were +no longer walking, but being drawn onward by the +suction of all those bodies moving against him +... as if they were mute automatons being moved on +the belt of some vast machine, and he was part of +the machine that had to move counterwise ... a +unique intimate part, articulating with the crowd. +"Surely I am not to die yet," he said to himself +... "surely there is a way to be saved." And +there came to him a word that he wanted to cry out, +a strange word that he had never heard before, +which held the secret of all things. Fast as he +was walking, the sense of walking was lost to him. +He yielded himself passively to the motion, he felt +his body in complete subjection to the will of the +machine on which they all moved ... and the +word within him was urgent as matter that had to +be voided, he felt prophetic powers closing upon +him, because he was haunted by the impishness of +a word. But soon he became afraid because they +moved against him too swiftly. He wanted to fling +his arms out as children do and call out +mischievously, "Stop!" ... to see them storm against his +arms, a mute animal terror in their eyes as the huge +belt moved on relentlessly, leaving them behind. +He wanted to trick them with the word, to fling it +into that orderly route ... cry it with his arms +stretched straight above him and his fingers spread +wide. And at the clang of it panic would spread +through them, they would drift confusedly here and +there ... a viscous flow of bodies, as if they were +held on a plate being tipped different ways. It +was no word that he had ever heard before ... a +foreign word of three syllables ... and as he +groped for it in his mind it came to him. +"Kuramos!" he would shout ... "Kuramos...." +</p> + +<p> +But now the lust for something unknown swept +over the people; and because there was a man on +the street selling something, who was so short that +he could not be seen from the outside of the crowd, +they thought that <i>there</i> was the miracle ... in +that mysterious axis around which the crowd was +ranged. And those on the outside began to ask, +"What is it?" and to conjecture what it was. And +the question spread, some hearing it with joy and +others with terror, each one answering it according +to his desire. Soon the street was blocked, and +those on the outside fought with those who were +nearer; and each one who came in contact with the +fighting could not withstand it, until everyone was +struggling with his neighbor, wrestling blindly with +the thing that opposed him ... and the little man +in the center stopped flourishing his knives and +looked at them with terror. He climbed up to his +wagon and lay on it with his belly to the boards, +and reached down to draw up his signs and his +satchel; and they closed in on the space where he +had been standing. +</p> + +<p> +Just then it was that Poldy saw a figure standing +quietly in the turmoil, a man with a face that was +indescribably narrow, the eyes and mouth switched +about as if they were trying to adjust themselves +lengthwise. The face smiled and blew hard at a +whistle. Policemen came running from all sides, +as though they had been lying in wait for the cue. +Their clubs sputtered in the crowd, and there +followed an insane waving of arms as those who +were fighting tried to clutch at the clubs, still +bucking their heads at those who were near them. The +man lying in his wagon curled himself up in the +farthest corner of it. And he did not dare crawl +down again until they were all dispersed, moving +once more away from the sun in an orderly rout. +Poldy touched his forehead. It was bleeding and +his mouth ached. The fellow who blew the whistle +was coming toward him, smiling apologetically. +</p> + +<p><br></p> + +<p class="t3"> +2 +</p> + +<p> +On closer inspection Poldy decided that it was +not so much the narrowness of his face which had +twisted the eyes and mouth. The nose too was +slightly out of focus, and it seemed to act like an +axis on which the other features were turned. The +result was an expression of perpetual slyness, a +winking-off to someone in the distance. The fellow +had one leg longer than the other, and it was only +when he tried to walk fast that this sly expression +of his face changed. Then his whole face was +contorted ... his mouth hung open, too much of the +lower lip exposed, and his eyelids quivered, his +whole body seeming to shake with inward laughter. +He came close to Poldy, stood at attention and +clicked his heels. But in order to do so he had +to bend back a little and sideways, a swaggering +pose with a hint of pugnaciousness in it, as though +he were preparing to leap forward and attack. +</p> + +<p> +"I saw you being clubbed," he announced, and +bowed very courteously. "My card." +</p> + +<p> +Poldy took it mechanically. He was still wiping +blood from his forehead and felt in no humor to +speak. He pocketed the card and was about to go +away, when the cripple caught his arm and begged +him to read it. It was elaborately printed: "David +Solner, Expert on Authority." +</p> + +<p> +"A very original title," Poldy remarked politely. +</p> + +<p> +The fellow threw his head back and burst out +laughing. "<i>I</i> thought it was." He jerked his thumb +at the policemen. "They don't know who I am, +of course." +</p> + +<p> +"No ... I suppose not." +</p> + +<p> +"They always play right into my hands. Oh it's +too easy, much too easy. But just then..." He +drew nearer and put his hand on Poldy's shoulder +with great good fellowship. "Just then I had real +action." +</p> + +<p> +"I'm glad you were not disappointed," Poldy +said in his best manner. "However, I must be +going." But he had gone only a few steps when +he felt a tugging at his arm. The expert on +authority's face had elongated itself as if it were +elastic, there was a look of consternation at the +prospect of Poldy's departure. And this look poised +paradoxically above the swaggering pose of his +body made him seem so forlorn that Poldy had not +the heart to turn away. He suffered himself to be +led into the park, where they settled themselves on +one of the benches around the fountain. The +cripple's walk registered his joy, growing so ecstatic +with all its elaborate bending and twisting, that it +seemed to be all a mimicry ... as if he were only +clowning it for the children, and might turn around +any minute and say, "How did you like that? Now +watch this one." When he sat down he crossed +his legs and swung his long foot with a delicate +rhythmic motion, almost maidenly. At last he +turned to Poldy. +</p> + +<p> +"As you see, I'm a cripple," he began in a very +matter-of-fact voice. "Cripples very often are +beggars. Is that right?" +</p> + +<p> +Poldy nodded. +</p> + +<p> +"But sometimes you see a beggar who doesn't +seem to be crippled. Is that right?" +</p> + +<p> +Again Poldy nodded. The catechism seemed to +have been memorized and rehearsed many times, +and he felt that the safest answer was a silent one. +</p> + +<p> +"But in that case," the fellow continued, "what +do you do?" +</p> + +<p> +Poldy was confused. "I forget where we were +at," he said humbly. "If you'll only repeat..." +</p> + +<p> +David began again with stern emphasis. "If +you see a beggar who is <i>not</i> crippled, what should +you do? ... What should you do?" he repeated, +leaning forward and regarding Poldy slyly. Poldy +hesitated. "Really, now, I don't know," he said. +"I've never thought of the situation." +</p> + +<p> +"Think ... think..." +</p> + +<p> +Poldy frowned and pursed his lips, making an +elaborate display of thinking. His decision seemed +to be of great importance to the cripple, who was +regarding him with an expression of challenging +slyness. At length Poldy ventured an opinion. +</p> + +<p> +"I might count his fingers," he said slowly. +</p> + +<p> +"Right!" and David slapped his thighs gleefully. +"Count his fingers. Right! Now I know that +you're a man I can talk to. Yes, I can trust you. +In fact I knew it the moment I saw you in the +crowd, but I never talk to anyone until he can +answer that question. Because, of course, there +may not be the correct number of fingers. You +have to be clever to find that out. Well, you're one +of the clever ones, I see. I can trust you. But +now it's your turn. Ask me any question." +</p> + +<p> +"Well now..." Poldy thought for a moment. +"Of course," he observed briskly, "you have other +work besides ... beside your work as expert on +authority?" +</p> + +<p> +David spread his hands in negation. "A cripple!" +he sighed. "How can I work? ... Well, I do +run errands." +</p> + +<p> +"Your work as an expert on authority doesn't +pay, then?" +</p> + +<p> +"No ... oh, no. It's a labor of love." He +turned to Poldy with a challenging look, a hint that +he desired further questioning. But Poldy was +silent, and finally David was forced to talk. +</p> + +<p> +"I make toys, too..." +</p> + +<p> +"Indeed." +</p> + +<p> +"Oh, yes. You should see them." He brought +out a little cardboard figure from his pocket, the +face drawn in with the regularity of a child's +drawing, a fringe of hair on the forehead to heighten +the stupid expression. Little red strings were tied +to the head and arms and legs, terminating in an +intricate knot whose loops were kept apart by pins. +David held it nonchalantly in his hand for a while, +to let the intricacy of it register on Poldy. Then +with a rapid movement of his thumb and forefinger +he manipulated the pins. The cardboard man began +to dance, an insane ecstatic dance. +</p> + +<p> +"It's marvelous ... marvelous," Poldy said. +"But what is it for?" +</p> + +<p> +David nudged him with his elbow and looked +well pleased. "I knew it, I knew it," he crowed. +"I knew you would ask. Clever, isn't it?" +</p> + +<p> +"Exceedingly." +</p> + +<p> +"It took me almost two years to make it. Some +people would say it shows real inventive power, +wouldn't they..." +</p> + +<p> +"And not be far from the truth." +</p> + +<p> +"Here ... see if you can do it." +</p> + +<p> +Poldy touched the doll gingerly. Its staring +mechanical face affected him almost with terror. +He remembered a man he had once seen at a fair +... standing in one of the booths, his face painted +so that it looked like a doll's, and another man +lecturing on him ... now ladies and gentlemen, +step inside and you will see them cut Bimbo in two. +And with that the man had been given a hearty push, +and he stumbled a few steps, never once relaxing +the doll-like expression of his face. Then he +recovered his balance, and raised his hands again with +marionette rigidity. Poldy had felt sick at heart +at this mummery, at the man's degradation before +the crowd. Unwillingly he manipulated David's +toy, while the owner looked on approvingly. "Do +you know, I had a model for that head?" +</p> + +<p> +"Yes ... it's very lifelike." +</p> + +<p> +"Oh, no ... it's not lifelike at all. I don't call +myself an artist. This fellow who was my model +used to come into the hospital. He moved his head +just the way that the doll does ... all day, mind +you. Wait..." He fumbled nervously in his +pocket, but only a crumpled piece of paper was +forthcoming. +</p> + +<p> +"I can't find it," he said forlornly. +</p> + +<p> +"Isn't it on the paper?" +</p> + +<p> +"No..." He threw the paper away and turned +his back to Poldy and stared morosely at the +pavement. He even stopped swinging his leg. Poldy +tried to rally him. +</p> + +<p> +"Why do you carry it ... the doll?" And +David at once rewarded him with a grateful glance, +the leg started to swing again, he clasped his knees +and held his elbows rigid with delight. +</p> + +<p> +"I was waiting for you to ask. Listen. When +I was in the hospital I had nothing to do. So I +decided to figure out how many times this fellow +wagged his head, by the minute, you understand. +That's what I was looking for. I thought I had the +paper in my pocket with the figures on it. So one +morning I said to the nurse, 'Give me your watch.' 'What +do you want it for?' she asks. 'I want to +count my pulse.' 'No ... that's not what you +want it for.' 'I want to see what time it is.' 'Well, +I'll tell you the time.' 'I want to see what kind of +a watch it is. I used to fix watches...'" +</p> + +<p> +"Really! You're expert in many ways, I see." +</p> + +<p> +"No, not in the least. I only told her that." +</p> + +<p> +"And did she give you the watch then?" +</p> + +<p> +"Oh, no. She wouldn't give it to me for that +reason either. So at last I said to her: 'Well, I +want to count the number of times a minute that +Joe wags his head.' She didn't believe that at all, +so she laughed and gave me the watch. Then I +called Joe over to my bed. 'Joe,' I said, 'come talk +to me....' and I held the watch in my hand and +counted it by the minute hand, just as the doctor +counts your pulse." +</p> + +<p> +"A very interesting experiment. And the result?" +</p> + +<p> +Once more David flashed him an approving look. +He searched his pocket again, but this time nothing +was forthcoming, and an expression of alarm came +over his face, unfolding down from his forehead +like a mask. First the eyebrows elevated +themselves, making the apex of a triangle, the nostrils +distended, the lower lip dropped. He held the +expression for a moment, then switched it off. "I +can't find it," he announced sadly. +</p> + +<p> +"Perhaps you remember?" +</p> + +<p> +"No ... no ... But tell me, what do you +think?" His face brightened and he looked at Poldy +anxiously. "Perhaps I never did it?" +</p> + +<p> +"Oh, it's altogether likely..." +</p> + +<p> +But this accommodating answer had an electric +effect on David. He jumped away from Poldy to +the end of the bench, and lowered his eyes sullenly. +"Ah ... I knew I couldn't trust you ... I knew +it," he muttered, and he would not talk to Poldy for +a long time. +</p> + +<p> +"But you started to tell me why you keep that +doll," Poldy coaxed. +</p> + +<p> +"Oh, <i>that</i>," his mood changed again and he +flashed an appreciative smile at Poldy, as if he had +a bright pupil who was asking the right questions. +"I'll tell you. After I got that idea about Joe, I +decided to figure out how many times a day I swing +to one side. Now allowing sixteen hours to the day, +since there's nothing doing while I sleep, and about +thirty-one swings a minute, it gives you sixteen +times sixty times thirty-one, which is twenty-nine +thousand seven hundred and sixty. But allowing +three hours when I'm standing still and two hours +when I work at the press—I press clothes in a +shop—I subtract five times sixty times thirty-one, +which is nine thousand three hundred, leaving ... do +you follow?" +</p> + +<p> +"Continue, continue." +</p> + +<p> +"Oh, there's nothing to continue about," he ended +sullenly. "Don't you see it now?" +</p> + +<p> +"I confess that I don't." +</p> + +<p> +"You can guess, can't you?" +</p> + +<p> +"I'm not good at guessing." +</p> + +<p> +"Well, never mind," David said sulkily. "I knew +I couldn't trust you." +</p> + +<p> +"I'd <i>like</i> to know...." Poldy said with great +humility. +</p> + +<p> +David leaned closer toward him and tapped off +his words in the manner of one closing a deal. +"Now don't you think I deserve something for all +that?" he whispered. +</p> + +<p> +"Of course ... of course." +</p> + +<p> +"There you are!" He sprang back and raised +his voice briskly. "Did they get you? Tell me, +did they get you?" +</p> + +<p> +"I don't know what you mean..." +</p> + +<p> +David burst out laughing. "The war ... the +war. You had to go?" +</p> + +<p> +"I had to go." +</p> + +<p> +"Mmm ... I thought so. But tell me, didn't +you foresee it?" +</p> + +<p> +"Foresee it!" +</p> + +<p> +"Yes, of course. Tell me now," his voice became +smoothly argumentative, he eyed Poldy in the +manner of a storekeeper who has to persuade a +difficult customer, "Tell me, what did you expect? +Now if you had been crippled, say ... if something +had been the matter with you <i>then</i> ... well, +that would have been different, wouldn't it..." Poldy +felt an impulse to strike him, but David +seemed to divine the trembling in his arm, and +rebounded to his former position. "Well, never +mind," he said airily. "Strange title that, on my +card. Don't you think so?" +</p> + +<p> +"It's very strange." +</p> + +<p> +"You saw me blow the whistle..." +</p> + +<p> +"Yes, I saw you." +</p> + +<p> +"That's part of my job." +</p> + +<p> +"Indeed." +</p> + +<p> +"Wherever people," David began with strongly +marked accents, "wherever people are being bullied +... I'm there! I watch it! If things are too slow +I blow the whistle. It's a delicate matter too, +knowing when to blow it. But it's quite all right, you +see. I'm in it myself. Now this leg, you might +say," he stretched it grandly, "bullies me all the +time. It's my authority. 'Swing,' it says ... I +swing. That's why I figure that I have a right to +enjoy myself. They owe me something for this, I +say." +</p> + +<p> +"And do you find many diversions?" +</p> + +<p> +"Oh, I know where to look," he said mysteriously. +"Did you read in the papers the other day of a +meeting here in the square? I follow the papers and so +I know where to go. There was a riot here and one +man was killed. The club hit him wrong ... they +can't always be careful about such matters. You +should have seen his head wobble before he fell, just +as if he was saying, 'This is all wrong, <i>all</i> +wrong.' Besides, wherever they build." +</p> + +<p> +"Build, you say?" +</p> + +<p> +"Yes, build ... put up buildings. There's +generally a chance there of seeing somebody killed. +They fall down. Now have you ever watched a man +trying to balance himself on a beam a hundred feet +in the air?" +</p> + +<p> +"No, not particularly..." +</p> + +<p> +David nudged him ecstatically. "<i>There's</i> something, +now ... The way he has to dance around +... that's authority, too. Do you see it now?" +</p> + +<p> +"It grows clearer to me." +</p> + +<p> +"Now, have you ever noticed a crowd being driven +back when they want to see something?" +</p> + +<p> +"I seem to remember it..." +</p> + +<p> +"They walk backwards. Strange thing, isn't it, +to see people all walking backward." He mused for +a time, and resumed in the manner of someone +pleasantly reminiscing. "I had a great show once +when I was riding on the ferry. They had some +soldiers on the island that they were punishing. +Made them work right on the edge of the island +... picking up the stones that they have there or +laying them down, I couldn't tell which. One slip +and they would be in the water, and no one caring +to save them. I think that's important, don't you?" +</p> + +<p> +"Important?" +</p> + +<p> +"Yes," David nodded. "It's important that they +knew no one would save them. That's what made +it so interesting. I ran to the railing and leaned +over to see it clearer—" +</p> + +<p> +"Yes, I can imagine that it was highly entertaining." +</p> + +<p> +"Oh no, that was nothing," David retorted. "In +fact, the whole thing was rather dull until a wind +came up, and then their shirts blew out in back, like +big white balloons that they were attached to. And +their legs looked so tiny and helpless, you'd think +they were bugs being held in the air." David +paused, laughing heartily at the picture he conjured +up, looking at Poldy for appreciation. "You've +seen that, haven't you?" +</p> + +<p> +"Yes ... I recall it now..." +</p> + +<p> +"Now you don't look as though you could balance +yourself on wet stones..." He eyed Poldy +shrewdly. +</p> + +<p> +"I've never tried, to tell the truth." +</p> + +<p> +"Could you stand on top of a ladder that was +steep as a wall, and paint without holding on to +anything?" +</p> + +<p> +Poldy considered. +</p> + +<p> +"No, I'm afraid you couldn't," David said +severely. "You had a hard time of it in the war +... didn't you..." +</p> + +<p> +Poldy turned on him a wide and troubled glance, +but David only looked back innocently. After a +while David made a loud clicking sound and bit +his under lip, releasing it slowly, letting it slide from +his teeth as though he were sucking a delicate flavor +from his thoughts. Behind the coarse long hairs +of his lashes his eyes shifted back and forth +... Poldy felt he could almost hear them buzzing like +insects behind a hedge. He rose to go, feeling a +sudden repulsion towards the cripple, and in some +way that was not clear to him, degraded by their +conversation. Again he had the desire to strike +him, but the expert on authority looked back at him +with an expression of sad and profound innocence. +After a moment David too stood up, and pointed +excitedly toward the fountain. "Look ... look," +he breathed. And Poldy saw a tatterdemalion +fellow followed by a crowd of urchins, who kept +their way a little to one side of the main stream of +people. The boys were torturing their quarry by +the simple device of advancing toward him in a +body, and scattering the moment he made a motion +to strike them. As the game gained speed the figure +in the center became more and more frenzied, +striking in all directions with its arms ... until the +dark silhouette looked like that of a many-armed +god performing for his worshippers. Poldy heard +David laughing beside him, a constrained and +secretive laugh, as though the peculiar flavor of the +joke were known only to him. "Look ... look," +he breathed again. "Oh, I can't stand it..." He +took the whistle from his pocket and blew it, and +the boys dispersed. When the policeman came he +seized the man by the collar, and the man, with +an obliging motion, ducked his head forward so as +to give him a firmer hold. And now that it was +over David stretched himself luxuriantly. +</p> + +<p> +"I'll be going too," he announced. "I have a job +on for tonight." +</p> + +<p> +"A job?" +</p> + +<p> +"Yes, it's around here. I may get round to it +if I'm not too busy. At eight o'clock. Have you +my card?" +</p> + +<p> +"It will be a valued memento." +</p> + +<p> +"Will you come to see me sometime? The address +is on the card. Come tonight," he added +slyly, "and we can go out together." +</p> + +<p> +Poldy hesitated. He did not know whether his +strange friend attracted or repelled him, but there +was a certain exhilaration that he felt in his +presence, a new gaiety that came to him when he could +fall in with the other's laughter. Moreover there +was the feeling that he was to be made privy to some +secret entertainment, they two being the only ones +in the whole city to share it. He nodded and they +parted on cordial terms. Poldy stood and watched +David swinging off towards the eastern side of the +park, hitting the posts as he walked and sometimes +giving an extra rap to a favored post. And now that +he was alone, Poldy saw that the sunset had faded, +nothing left of it but an afterglow reflected on the +faces of the people who passed ... a pink softness +on every face that made it look too naked. +Now flesh was revealed as something too weak to +stand the caprice of steel with which it was +surrounded. "They should have made something +stronger than flesh when they invented everything +else," Poldy mused. But of a sudden he started to +run across the park to the street where he had been +walking before. He came to a place that advertised +fortune-telling. There was a huge picture of a +Hindu in front, and it was just as he had suspected. +Under the picture was the word Kuramos. +</p> + +<p><br></p> + +<p class="t3"> +3 +</p> + +<p> +They were collecting money in front of the +library. A blanket was spread on the street and +people threw in coins or bills. When the blanket +had been laid at the beginning, a poor woman +stopped and threw down three pennies. After that +nobody gave for a long time. Young girls went +about shouting shrilly, and a bugler stood by, +lifting his horn valiantly and glancing at the empty +blanket each time he had to stop and wipe his lips. +At last a dollar bill fluttered down from one of the +busses, but a wind swept it down the street and a +crippled soldier stopped it. Quicker than anyone +could bend down he put his knee on it, and held +it so until someone stooped down to him and drew +the dollar bill out. The soldier smiled up jovially +and went on his way. After that the blanket filled +rapidly, a fever of throwing money seized those who +passed. Those who had never given to beggars, +who had never dared to throw a coin from them +... all those to whom the process of giving or +taking money was carefully hedged in as though it +were obscene, threw all they had into the blanket. +They threw it awkwardly and with a look of guilt, +because it seemed as if the privacy of things had +been violated ... as if, because of this public and +shameless giving, the world had changed, and people +might stop and void themselves anywhere, and no +one would wonder at it. +</p> + +<p> +A crowd gathered, watching a man writing figures +on a blackboard, each number higher than the last. +But Poldy could not understand it ... the +relation between the numbers being written and the +bright metal circles and oblong papers that lay +in the blanket. He could not recognize them any +more as coins and dollar bills. They had become +for him color and shape, geometric patterns without +value. And after a while he saw that few +glanced any more at the numbers on the blackboard; +but everyone counted each thing that fell +into the blanket, seeing also that it was only a shape +and a texture, a sign that someone had given. +</p> + +<p> +At times as Poldy rested on the library steps +he passed into a stupor, from which he emerged +to see things more intensely, with a sense that he +must use his reprieve ... store up the sights and +sounds that were on this earth against the time of +darkness that threatened him. Sometimes, in the +vivid afternoon light, the city seemed like a +brightly-figured rug that someone was shaking before him, +and he had to catch the pattern of it as it rippled +in front of his eyes. Then he wanted to call out, +"Don't shake it so fast ... hold it still a +moment." And as if he had been heard he would see the +tapestry suddenly clear and still before him ... and +figures and things would begin to move on it +with a slow precision, with a single action that +seemed to be the whole story of what they could do. +</p> + +<p> +Now he found himself staring at a man and a +woman who were sitting opposite him. The +woman's face had three sores on it, rosy and +pointed like little nipples. Her hands and her body +were swollen, only her lips were finely moulded +with the delicacy of pain. The man said nothing +to her, only looked at her from time to time. +"Well..." Poldy thought, apologetically ... "well, +they're not in very good condition, but they +could be sold for a pair." +</p> + +<p> +Then it was a beggar woman who was stopping +in front of everyone for alms, her palm cringing to +her breast and her fingers cupped. "Not because +she is afraid," he said, "but to strike more +suddenly." And when she came and stood near him, +he remembered ... count her fingers, count her +fingers. But the sum of her fingers was correct. +"Ah, but that won't do. You'll have to be more +crippled than that before I give you anything." And +he looked deliberately before him, to a place +across the street where they were building. There +he saw a tent made of two steel beams meeting and +filled in with sky, and he saw four men dancing in +it ... an archaic dance, their knees charging and +their hands lifted to a rope. The men were silent, +no cry or song passed between them, no voice of +anyone directing. Yet they moved in the unison +of a perfect dance, feeling the rhythm from the +vibration of the rope against their palms. Poldy +watched the step with delight, and leaned forward +to see it more clearly, forgetting the beggar woman. +</p> + +<p> +And now a preacher came and mounted the steps +to a sufficient distance above the street. People +gathered, assembling in different places like +well-trained resonators for his voice. Poldy did not +notice this swift gathering of the crowd, its rising +around him like stealthy water, until he was trapped +in it ... standing on the topmost step near the +preacher and looking down at them. But the sight +of all the faces lifted to him was terrifying, and it +seemed that while they were listening to the +preacher they were also intently staring at him. A +feeling of dizziness came over him, a panic of all +his senses, in which he saw everything suddenly +distorted and ominous. +</p> + +<p> +First it was the glasses ... The preacher was +wearing glasses, and the light splintered them into +prisms that kept swarming back and forth over +his eyes, devouring them. But sometimes it seemed +to Poldy that the prisms stopped in their feasting +and stared at him, with a direct and terrible +scrutiny. Otherwise nothing was clear. The faces +that looked up at him seemed to waver and turn +into loosely-tied balloons ... he could feel the +strings that held them fastened in his eyes. There +were no other faces. The faces had dissolved into +a white foam that drifted waywardly over the +shoulders of the crowd, that was teased upward by +the wind of the preacher's voice. The faces were +swinging back and forth over the shoulders of the +crowd with an ominous softness, like waters about +to spring ... +</p> + +<p> +It was hot on the steps. He had been standing +so long that his body was going numb with the +heat. He could feel his thighs fusing into a +paralysis, and the desire to walk and break their +cohesion came over him with physical pain. He +wanted to move, he wanted to hide himself from the +faces that were swinging back and forth, preparing +to spring at him. Yet he was held there against +his will ... the voice of the preacher held him, as +it went slyly from one pitch to another, like the +delicate passes of a hand hypnotising someone. He +was held by the preacher's glasses, with the prisms +swarming back and forth over them and devouring +the preacher's eyes ... +</p> + +<p> +But now the voice asked them a question ... "What +was it ... what was it?" Poldy said to +himself. He had heard it only a second ago, and +now he could not remember it. He saw the +preacher's hands spread wide like an echo of it +... he noticed the fingers, how white they were and +puffed high between the joints ... and he felt +for a moment that he had caught at something to +steady him, that he could look at the hand spread +high in the air and stay his dizziness. But what was +he saying ... what was he saying? Strange that +he could not understand words any more +... Everyone understood, everyone was laughing. He +saw two women who stood near-by turn and smile +to each other with pleased and knowing expressions +... just as if they were hearing a child play +the difficult part of his lesson. Then again there +was nothing but the tide of faces, and the preacher's +glasses drifting on them ... drifting back and +forth with the stupid insistence of something +floating on water ... +</p> + +<p> +And now he heard an old woman in the crowd +murmuring amen. He heard the sound of her amens +like timid chirps, and then he saw a bird come and +perch on the rim of the fountain. He closed his +eyes and listened to the bird chirping ... such +faint slow ones ... and after that there came a +soft steaming sound, that he knew was being made +by the old woman. Right there before the people +she threw back her head and let the sound steam +softly out of her lips. It was terrible and +disgusting. He was afraid to open his eyes and see it. But +it stopped at last and he heard instead the voice of +a thousand people shouting, ever farther and +farther away ... until that too changed and became +the preacher's voice, and the voice went on alone, +probing the silence like a fine and insistent needle. +Yes, it was the voice that was hurting him +... hurting everyone with its dainty probing motions. +A mass operation was being performed, and the +preacher, by slyly changing his voice, was taking up +one fine instrument after another. Somewhere in +the crowd a man lifted his hand begging the +preacher to stop ... a silly helpless motion, as +though the man was under an anesthetic. And still +the faces were drifting above the shoulders of the +crowd ... teased upward by the preacher's voice, +weary of levelness ... looking for someone who +would serve as a pillar for them to dance around. +But at last the sermon ended, and the choir stood up +to sing.... +</p> + +<p> +Then there was only a moment. The faces +found him ... they leaped upon him in an orgy +of whirling, he was the smooth shining cup in the +center of their whirling, he was the hollow funnel +dancing like a top in the core of a whirlpool. +Nothing could save him from the faces dancing closer +and closer upon him, from the moment when, in +their frenzy, they would close in on the center of +their whirling. But just when he thought this +would happen, he saw the bird perching again on +the rim of the fountain. Its body was tilted to one +side like a child's pencil stroke. It was going to +fall but it flew away instead, and then, through the +roaring sound around him, Poldy heard his own +strange thought ... "Birds never fall, because +they can spread a net of wings to catch themselves +in time..." The bird came back and he saw +its eye. The eye was a bubble that had come up +to the surface of feathers and stayed there looking +out. It was a tiny vortex swirling into bright black +immobility. The bird tilted its head and the eye +did not spill over ... "A bird's eye does not spill +because its axis can balance the waters around it +... I can balance the faces..." At that they +receded from him. Here and there, with lazy +convergence the foam shaped itself into features, and +he looked up to see the preacher bending over him. +"Are you all right now?" the preacher asked. +</p> + +<p> +Poldy smiled and suffered them to raise him and +help him walk to one of the benches. He was +ashamed of himself for fainting, and he turned +away, while they regarded him fearfully and sadly. +It was over now and the people departed. Only +the women lingered on the steps, strolling to and +fro, luxuriating in the slowness of their step, in the +tenderness of walking arm in arm. The starched +ripple of voile and tapping rain of high heels +accompanied them. Over that, their voices ... a soft +anarchic choir, fluttering up to a crescendo, pausing +like subsiding wings. Poldy heard them, and their +voices and the motion of their bodies had for him +an indescribable beauty ... +</p> + +<p> +Meanwhile the sun was going away. Windows +went blind one after another as the sun left them +... the purple shadow of a tall building splayed +down into the street, where it rose and flooded the +other buildings. The girls walked ever more slowly, +their feet on the steps turned outward with an +ancient barefoot placidity ... until the sun was +gone, and through the noise of the street day and +night could be heard together, as two notes of a +chord held for a moment in subtle equilibrium. +And now one of the women passed him again, walking +alone this time, preoccupied and frowning a +little. Their eyes met, and Poldy thought she must +have come back to speak to him. He rose and +stepped toward her, and looked eagerly into her +face; and when she turned away he caught her +arm, fearful that she would leave him. Seeing this, +and the girl's silent struggle to free herself, people +gathered around them. Poldy tried to flee, but +someone grasped his wrist and held him ... and +after that there was a bewildering succession of +places and people and voices, until he found +himself sitting alone. He did not understand what his +offense had been. He sat in his cell staring +miserably at the floor, wondering when they would let +him out, and whether he would be in time to meet +David. +</p> + +<p><br><br><br></p> + +<p><a id="chap05"></a></p> + +<h3> +CHAPTER V +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +The news of Poldy's arrest appeared in the +papers. Having saved a copy until one +Sunday morning when he had time, Levine +went to see Lewis with it. Lewis read the notice +without much interest; and watching him as he +read, Levine thought how well and contented Lewis +seemed. He rubbed the flesh between his eyebrows, +where his forehead felt as if it was tied into a knot, +he touched his cheeks that were taut with nights of +sleeplessness. "Yes, we have changed places," he +reflected bitterly. +</p> + +<p> +Lewis put the paper aside with a soft chuckle. +"But how could Poldy insult a woman?" he asked. +"He wouldn't, I think, know what to say." +</p> + +<p> +"It's newspaper parlance," Levine said. +"Incidentally, what does he live on?" +</p> + +<p> +"Why he had enough money with him to last a +long while. Besides, there's a fortune waiting for +him when he appears." +</p> + +<p> +"I suppose some of it should be used in tracing +him?" +</p> + +<p> +Lewis shrugged his shoulders. "What difference +does it make?" he asked brusquely. "He'll come +back when he's ready. As for the money, he always +felt rather guilty about it. Why ... I don't know. +He was one of those people who take everything to +heart." +</p> + +<p> +"But you were worried about him in the +beginning..." Levine said slowly. "When you left the +hospital..." +</p> + +<p> +Lewis fingered his chin and looked at a corner of +the room. "Yes, at the beginning ... But you +know," he added sharply, "I'm not responsible for +him." +</p> + +<p> +They were silent, aware that they were watching +each other. Self-consciously Lewis shifted his +posture, and Levine glanced about the room with a too +deliberate interest in its details. He saw now that +the most they could hope for would be short uneasy +interludes of conversation, with long silences +between. And he decided to leave as soon as he +could. +</p> + +<p> +"I suppose Lustbader pays you well?" +</p> + +<p> +"I've left Lustbader's ... Found something +better to do," Lewis added, in answer to Levine's +look of surprise. +</p> + +<p> +"That's very good, then." +</p> + +<p> +Again there was silence, during which Lewis +picked up the paper, and mechanically re-read the +notice of Poldy's arrest. +</p> + +<p> +"Where is Ruth?" Levine asked, when he had +finished. +</p> + +<p> +"She walks a great deal in back of the house +... that is, when I'm busy here." He made his +voice deliberately casual. "You're not looking +well..." +</p> + +<p> +Levine nodded. "Bothered ... bothered," he +repeated. "Nothing serious, but a few things +bother me." +</p> + +<p> +"I read that you resigned from the Konig case." +</p> + +<p> +"Yes, I resigned..." +</p> + +<p> +"And the other rumors..." +</p> + +<p> +"True also," Levine said with a wry smile. While +Lewis looked at him eagerly, he heard the words in +his head as if they were part of a game. "Changed +places ... changed places." +</p> + +<p> +"Are you going to be permanently out of it?" +</p> + +<p> +"I don't know," Levine answered slowly. +"There's no way of knowing." +</p> + +<p> +"I don't understand..." +</p> + +<p> +Levine seemed lost in thought, sitting with his +head resting on his hands and his fingers stretching +the flesh over his eyes as if he would tear it. +"No, there's no way of knowing," he burst out +angrily, "there's no way of telling what to do. They +say there are dreams to guide us, but that's all +nonsense. Even then you must ask: What is the +purpose of the dream, which part of it shall I believe?" +</p> + +<p> +"If you know what you want to do," Lewis said +decisively, "if you want to escape from anything, +then you must do it. I left Lustbader's the same +day that I made up my mind to do it." +</p> + +<p> +"Ah ... if you <i>know</i>," Levine retorted. "But +how can you be sure? They say that there are all +sorts of things to guide us, yet nothing is reliable. +If a dream comes to you that seems to express the +innermost purpose of your soul, even then you must +ask yourself in the morning, which part shall I +pick out? Here lately I dream constantly that I +am going through some elaborate ritual. I can't +tell you the queer feeling it gives me, of its being +a mysterious and profound ritual, which must be +carefully followed in every detail. The purpose +of it is never clear to me, but I know that I must +watch every gesture I make, or the ritual will be +broken and a terrible calamity will follow. There +are many people involved, and some of them are +in archaic dress, that seems to me to be Persian. +And things are handed from one to another, though +I cannot tell what they are. And always this fear +... this terrible fear that the ritual will be broken. +Every morning at the moment when I wake up I +think I know what it means. But then I ask myself, +which part of it shall I believe? Is the end, +the consummation of the ritual important, or my +fear that it will be broken? It would seem simple +to choose one or the other. Yet if you do, +something says: 'You have only <i>chosen</i>.' No," Levine +added, striking the table angrily with his fist. +"Nobody can tell what it means. They think they +know, but it isn't true. No one can discover the +innermost wish of his being." +</p> + +<p> +Lewis regarded him curiously. "I don't understand +that..." he said slowly. "I know what my +wish is, and I have obeyed it." +</p> + +<p> +"What is it?" +</p> + +<p> +There was a moment's hesitation before Lewis +spoke. "I was not made," he said somewhat +lamely, "to play the organ at Lustbader's." +</p> + +<p> +"What were you made for?" Levine asked mildly. +</p> + +<p> +"I'm working," Lewis began, lowering his voice +mysteriously, "on a symphony, that will mean fame +and money in the end..." +</p> + +<p> +Levine drew in his breath with a low whistle. +He was about to speak when the sound of Ruth's +footsteps interrupted him. She was coming up the +stairs, and her steps were slow and faltering, as +if she moved with great difficulty. He looked +inquiringly at Lewis. +</p> + +<p> +"Yes," Lewis nodded, speaking in a lower voice, +"two months ago. But it doesn't mean anything," +he added smiling craftily. "One can do that to +a woman merely to show one's power over her. It +means nothing." +</p> + +<p> +They waited in silence while Ruth made her slow +progress up the stairs, pausing often to rest, and +breathing heavily. Outside the door she seemed +to hesitate a long time; but at last she entered, and, +seeing Levine, greeted him with a look of silent +recognition. She sat down as one who has intruded +and wishes to be unobserved ... her head slightly +forward and her eyes downcast in an attitude of +listening. Only once did she look up, as though +she were about to say something over which she +had been pondering. But she did not speak, and +her expression of listening and thinking did not +change. At last, aware that her presence made +them silent, she rose and went out of the room, +moving always with a peculiar carefulness in her +walk, as if her body must not touch anything. +Lewis walked back and forth impatiently until she +was gone. +</p> + +<p> +"She pretends," he burst out bitterly, "she +pretends. There's no need for her to be so careful. +What is she afraid of? What does she think will +happen to her?" +</p> + +<p> +"You heard her on the stairs?" he continued +after a moment, his nostrils trembling and +showing white with anger. "And now, this ... this +horrible cake-walk. I know! Of course I know. +Well then, what does she expect me to do?" +</p> + +<p> +"Perhaps it has something to do with your leaving +Lustbader's," Levine said slowly. "You'll need +money." +</p> + +<p> +"No, that's not why she advertises herself that +way. It's a game she's playing with me. In case +I forget..." he broke off and regarded Levine +craftily. "Besides, there'll be more money in the +end than Lustbader could ever have paid me. I'll +be provided for," he added, clapping his fist against +his palm with confident briskness. +</p> + +<p> +While he prepared to go, Levine looked at Lewis +shrewdly. "If it's no good?" he asked softly. +</p> + +<p> +"If it's no good..." Lewis repeated and paused. +The muscles of his face quivered between a desire +to retort, and the impulse to laugh. He finished +by laughing needlessly long at the impossibility of +Levine's suggestion. Hearing it, Ruth came into +the room, and when Levine moved to the door she +followed him with unexpected swiftness. "What +do you think of it?" she asked in a low voice. "The +thing he's working on. Is it any good?" +</p> + +<p> +"It may be..." +</p> + +<p> +"But we have very little to live on. What should +we do?" +</p> + +<p> +"I don't know." Levine's voice was impatient. +"I don't know what to tell you. It seems necessary +to him." +</p> + +<p> +"No, it's not," Ruth said, her eyes flashing with +sudden defiance. "I tell you it's not." +</p> + +<p> +"How can you tell?" +</p> + +<p> +"It's not necessary," she repeated stubbornly. +"I know that it's not. It's stupid ... the whole +business is stupid." +</p> + +<p> +Levine stood uncertainly in the doorway, and +Lewis came over and regarded them curiously. +"Bannerman wants to know whether you care to +take Poldy's pictures," Levine said, raising his +voice casually. "Otherwise he'll throw them out. +They're in his way." +</p> + +<p> +"I don't want them," Lewis answered. He had +not thought of Poldy for a long time. But it was +about this time that he began to be haunted by +Poldy's face. Often when he walked in the crowded +streets he thought he saw it, and then something +would compel him to follow until he could catch a +better glimpse of the face, and assure himself that +he was mistaken. +</p> + +<p><br><br><br></p> + +<p><a id="chap06"></a></p> + +<h3> +CHAPTER VI +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +Life was very satisfactory to David Solner. +To begin with, he spent a great deal of time +away from the shop, delivering bundles of +basted coat lining ... a pleasant occupation since +it gave him liberty to roam around and observe +things. Then he had been specially fortunate some +time ago in witnessing the scene on the street, when +the police disbanded the gathering around the man +who was peddling knives. And lastly he had made +the acquaintance of Leopold Crayle, who had been +greatly impressed with what he said, had taken his +card, and came very often to visit him. Recalling +this, David stepped along briskly and smiled to +himself, hardly aware of all the complicated +machinery of his walking. He felt on playful terms +with his leg, and gave it an extra shake while he +was crossing the street. But this caused him to +loose his balance, and he careened towards a team +of horses that was rounding the curb. In terror +he glanced at the huge heads tossing above him, +he heard an outcry of hoofs and the voices of +people shouting. Then he felt himself thrown to +the paving, where he lay and waited. But finding +that nothing happened, he righted himself with great +dignity and sat down at the curb. Slowly he looked +around. A crowd had gathered, the driver standing +in the foreground, his hands on his hips; and while +the driver contemplated him in satirical silence, a +street cleaner came, brushed his paste of manure +and water under David's legs, walked around him +and continued on his way. +</p> + +<p> +All this was very humiliating. The expert on +authority looked as though he might burst into +tears. He lifted his hands before him, the fingers +spread wide, and with an elaborate jerk dropped +his head into his outstretched hands. Behind his +fingers his eyelids quivered like tiny wings caught +behind a screen. At last he parted his fingers a little +and looked out. Everyone had gone. +</p> + +<p> +And now it occurred to him that he was late, +and that Anna would scold him, and he wished he +were alone in a place where he could weep. He +wished that Mirelie would see him at this moment, +and pity him ... perhaps be kind enough to talk +to him. Then they would be friends, and nothing +else would matter any more. Yes, if only Mirelie +were not afraid of him, if they could only speak to +each other, then his whole life would change and he +would be happy. And he arose sadly and continued +on his way, thinking of her. And now he lifted his +arm and held it bent at the elbow, with the hand +drooping piteously; and at every step he contorted +his face into a grimace of distaste. So Mirelie might +see him when he came in, and comfort him at +last... +</p> + +<p> +But when he entered the shop it was so dark +that he could hardly tell which of the figures sitting +and sewing there was Mirelie. He could not see +the needles or thread, and the women who were +sewing and Anna and Mirelie moved their hands +in the air like witches performing a silent spell +together. When his footsteps sounded in the +doorway, Anna turned her head without looking up; +and while he waited for her to speak, David made +out the figure of Mirelie. She had put her sewing +aside and now looked mournfully toward the +window, and by the sad droop of her head and +the listless way she held her hands in her lap, David +knew that she had been crying. Then the spell +had not been a silent one, but done to the rhythm +of Anna's scolding ... her voice always balanced +on one key, yet with an overtone of hysteria, as +if at any moment it might veer away and run amuck +over the scale. +</p> + +<p> +"Late, my sweetheart," Anna began. "Two hours +late. You take a cripple for an errand boy and +that's your reward. A pile of coats waiting to be +pressed, and it takes him two hours to run around +the corner. Well, turn on the gas..." +</p> + +<p> +David almost skipped across the room, and lit +the gas, and set to work as quickly as he could. +And now, as he stood on the machine, balancing +himself with one foot on the trestle, he could look +his fill at Mirelie and notice everything she did. +Mirelie was a very thin little girl, with large breasts +that swung under her dress every time she moved, +and a braid of heavy black hair hanging down her +back. Her head always seemed to droop a little, +as if she was pulling forward against the weight +of her braid; and when she walked on the street +she held her thin arms folded in front of her, to hide +the swinging of her breasts. Sometimes when he +saw her sewing at the table David thought she was +a grown woman ... her expression was so serious, +her body looked so mature. But there would be a +sound on the street ... a hand-organ playing or +the whistle of the fire engine, or only the wind +... and she would drop her work and run to the window. +And by the way she stood there ... her knees +straight and stiff and her hands locked behind her +back ... David knew she was still a child. Even +now, though he could not hear anything himself, +something seemed to startle Mirelie, and she ran +to the window listening. "It is good," David said +to himself. "She has dreams, even while she is +awake." +</p> + +<p> +But Anna had been silent too long. "Look," +she said scornfully to the other women, "how fast +she runs. A little piece of offal, I tell you, but it +has legs." +</p> + +<p> +"Leave off ... leave off, Anna," they whispered +to her. +</p> + +<p> +"Now to the window, now to the door, now to that +corner, perhaps ... never to the same place +twice." She lifted her voice mockingly. "Tell me, +Mirelie, is he coming, your sweetheart?" +</p> + +<p> +"Leave off, Anna. There are always things for +a child to see." +</p> + +<p> +"Then you don't believe that she has a +sweetheart? Listen..." She paused and looked +around impressively. "Some day our Mirelie will +get married." +</p> + +<p> +At this they all laughed, and Anna nodded her +head triumphantly. "What makes her run to the +window that way? What does she think about, all +the time that she sits there sewing without saying +a word? Oh, she's a sly one, keeping him all to +herself. But some day she'll fool us all, and come +marching in with a husband on her arm. Yes, +there's a mate for everyone in this world, even for +Mirelie." +</p> + +<p> +The others worked away silently, but Anna was +not through yet. She folded her sewing and drew +the rocking chair closer to the table, and settled +herself comfortably. +</p> + +<p> +"I'll tell you how it is," she began, as if it were +going to be a very long story. "All her strength +goes into her hair. Hair grows best on deformed +things ... I've always noticed that. In the woods +near our town there used to be a dead tree. The +lightning struck it once and sliced right into the +trunk, and it never blossomed after that. But this +very tree, mind you, had fine green hair growing +out of the trunk year after year ... so long that +you could braid it. And everything else in that +forest died after a while, except the hair growing +out of the tree." +</p> + +<p> +"Really, Anna ... But the hair must have died too." +</p> + +<p> +"No, but it didn't," Anna retorted. "And I +remember that there was a dwarf in our town, and he +had long hair hanging down his back, just like a +girl's. Yes, it's quite true," she added +thoughtfully, "hair grows best on deformed things." +</p> + +<p> +Meanwhile Mirelie slipped back to her place, and +sat looking at Anna with eyes that seemed hypnotized. +She pretended that all the witches from the +fairy-tales were sitting around her and sewing, and +weaving a spell upon her, and the steady flow of +Anna's words was the terrible incantation. She +looked furtively at Anna's hands, and saw the balls +of her fingers like large full-fleshed petals, and it +terrified her that they were so large. It terrified +her when Anna laughed, throwing her head far +back and letting it fall forward again, as if it was +too heavy with laughter. But while she watched +this Mirelie pricked her finger, and Anna noticed +her sucking her thumb. +</p> + +<p> +"Handy one," she said. "Come here and let me +squeeze it for you." Timidly Mirelie extended her +hand, and Anna examined it curiously. "No blood +... not enough blood there to flow when she pricks +her thumb. Well, never mind the sewing, Mirelie, +since you're so good at it. See whether you can sweep." +</p> + +<p> +But as Mirelie took the broom from the corner +and began to sweep, tears came to her eyes. Her +broom turned up fine white threads that clung to +the cracks in the floor, and would not come out +unless she stooped down and plucked them with +her fingers. It was as if an invisible basting of +the floor was being ripped, and she said to herself: +"The floor was only basted together and now it +will come apart. Let it." And she bent lower to +hide her tears. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +After a while the two women put their sewing +away and went home, and Anna and David and +Mirelie had supper. Then David and Mirelie went +back to the shop and were alone there, yet they did +not speak to each other. It was as if they had +started to play a game ... a silent game, in which +there was some penalty if they were caught +looking at each other. But though this was the rule +of the game, Mirelie could tell each minute exactly +what David was doing. With sly glances she +followed him about the room, watched him when he +lit the gas ... turning the jet cautiously at first, +so that the flame showed thin and tight as a bud; +then with a quick twist of his hand flaring it up +into a leaf, and looking at her triumphantly. All +evening David was busy pressing things, and she +watched him dancing up and down on the machine, +and listened to the sound of the boards hissing +against each other. If they stayed together for a +long time she could hear all sorts of melodies +coming from them, and the pressing machine seemed +like a queer hurdy gurdy that could play by shutting +its lips tightly. But if David noticed her she +would look away quickly, and amuse herself by +trying to guess what sort of a person it would be to +buy each suit hanging in the window. There was +one suit especially ... blue with faint gray +stripes ... that made her think of David. She +could even imagine it was David hanging in the +window, with his arms drooping limply at his sides, +and the short curve of hanger for his head; and +often when she was alone in the shop, she wanted +to turn down the cuff of the right trouser, and shake +it in the air like David's long leg. But after a +while David would look away, and Mirelie could +watch him again as he worked and bent his head +forward into the light. Then she would notice the +long coarse hairs standing out from his eyebrows +like the stringy roots of something growing inside +his head, and she would try to count them. Most +of the time David did not seem to notice her, and +went about his work like a blind person who has no +need to stop and look around. But there always +came one time in the course of the evening ... and +always after he had leaped on the machine and was +standing there, lightly bouncing his body up and +down ... when he would turn and survey the shop +with an air of great surprise. And that was the +moment when he looked fully at Mirelie and their eyes +met, and all their careful playing of the game was +spoiled. Seeing her, David would purse his lips and +frown. But that only frightened Mirelie. At that +moment she was afraid that the machine would +suddenly begin to move, and he would ride toward her. +</p> + +<p> +Tonight, however, David seemed especially +preoccupied. He kept glancing at the clock or going +to the door and looking up and down the crowded +street. When at last there was a knock at the door +he bounded off the machine. Poldy came in and +stood uncertainly in the center of the room. +</p> + +<p> +"I'll be ready for you in a minute," David said +gaily, raising his forefinger to Poldy. He leaped +up on the machine again and nodded brightly to +his visitor. "Sit down on the couch." +</p> + +<p> +Poldy sat down without a word, and after a +moment's thought, stretched himself full length and +closed his eyes, conscious for the moment before he +closed them of Mirelie's solemn scrutiny. Mirelie, +noting with pleasure his dark hair and white face, +wondered whether this was the lover that Anna +had foretold for her. Often she speculated on what +it was to be married, and when Anna accused her +of thinking of a sweetheart her heart thumped as +if they had caught her stealing. Now she sat +stealthily watching the stranger; but as soon as +David was through with his work she was frightened +of his speaking to her, and she rose and slipped +out of the room. David went over to Poldy and +tapped him on the shoulder, but Poldy did not +stir. "Asleep..." David commented, as he bent +closer to look into his face. He stood for a while +frowning. "Oh, very well, then..." he said, and +shrugged his shoulders. He went to the door that +separated the shop from Mirelie's room and shut +it softly, very softly. And as soon as he had done +this anger seized him. All day it had been waiting, +and the soft shutting of the door was the cue +for it. +</p> + +<p><br></p> + +<p class="t3"> +2 +</p> + +<p> +It burst from the swollen veins of his throat and +flooded through his body, and beat against the flesh +of his palms. It set his body trembling so that he +stood with hands clenched against it, with fingers +clenched and defiant, trying to drive back the tide +of his rage. Meanwhile they ranged themselves +about him ... the beings who seek out mortals +to strike bargains with them, wherever there is a +ransom to give: disease or deformity or genius +... shadows that he could hardly see in the dark, with +the naked bodies of gigantic men; save where a +focus of more ancient flesh, still virulent, gave off +a wing or a curved fin, or webbed their long toes +together. They came and alighted with the rustling +motion of birds, and folded their limbs under them, +and perched in a semi-circle on the floor +... watching him. And now he thought it must come +... that mysterious accession of strength that he +brooded over day and night. Now he felt it was +coming upon him, while the potent flow of anger +was still in his body ... a wild chaotic strength, to +lift terrible weights and hurl them great distances, +so that everyone would look with astonishment, and +thousands of people would marvel at him and utter +his name with fear. "Is it too much?" he whispered +scornfully, "is it too much?" But they only +shifted their limbs with a noiseless motion, and the +tide of his rage recoiled on itself, and flowed back +into its secret channels again. He stood there +exhausted, peering bewilderedly into the darkness. +</p> + +<p> +After a while an idea came to him. He nodded +to himself. "Yes," he said, "I have been too hasty. +I have asked for it too openly, and besides I have +asked for the impossible. Perhaps they do not +know what I mean. Perhaps I can trick them into +something else. I will be very reasonable in my +demands, and I will appear innocent and take them +off their guard." +</p> + +<p> +So he turned on the light and took his ocarina +from the box, and sat down on the bed, his feet +curled easily round each other ... He began to +play ... sad, wayward trills that slipped impulsively +from one note to another; and while he played +he watched them craftily to see what they did, +noticing how they were moved by his music, how +they shifted imperceptibly into postures of +sadness. To himself, then, he said: "To play so that +everyone will listen and be unable to go away +... to play so that they will laugh or weep as I wish; +or perhaps..." he added in a conciliatory tone, +"let only Mirelie hear, and look at me solemnly. +Yes, we will let it go at that ... that only Mirelie +should hear." But though he looked towards the +door for a long time, though he looked and played, +Mirelie did not come in. He ended his playing and +remained sitting on the bed, resting his head in his +hands. +</p> + +<p> +But now the tallest of the figures perching on the +floor ... the one who held the center of the circle +and was their spokesman ... sighed lengthily. +He had been sitting with his knees drawn up and +his head sleeping on his folded arms; but now he +raised his head a little so that one bright eye was +visible, looking solemnly at David. Brightly it +glowed for a long time, yet he did not speak. +</p> + +<p> +"Well?" David asked impatiently. +</p> + +<p> +The eye continued to regard him. +</p> + +<p> +"If you've nothing to say," David began petulantly, +"then why are you here? You have no bargains +to strike today, I see. No, I wouldn't call +you a generous lot. Tell me, must I think of +something so small that you will shame yourselves and +give it to me? Shall I ask that my nails be rosy +or my teeth even at the edges? Such things, I've +heard, comfort some people. But thank you. I'm +not so easily satisfied." +</p> + +<p> +"Why aren't you?" the spokesman asked lazily, +and his eye quivered as if he wanted to go back to +sleep. +</p> + +<p> +"A fine question that! Why do you pretend that +you don't know?" +</p> + +<p> +The spokesman closed his eye and David thought +he had gone off into deep slumber. But at length +he remarked drowsily, "The trouble is, David, +you're too excited about being a cripple." +</p> + +<p> +David bolted up in bed and shot a reproachful +glance at him. The spokesman opened his eye and +looked back. "Yes, much too excited," he added. +"Look at <i>him</i>..." he pointed to Poldy. "<i>He</i> +doesn't want anything any more. He's ended +... positively ended. But you've been too excited all +your life." +</p> + +<p> +"Pretending again!" David retorted. "My +friend, you ought to be quite a success at shopping. +Yes, I've seen how the women sneer at the wares +they want to buy, while their fingers itch to be +holding them. Why are you here, then, if it's so little +to have found me? I suppose others have better +ransoms to give. Why not go to them?" +</p> + +<p> +"It's not such a wonderful ransom..." +</p> + +<p> +"Oh, no ... to be the puppet of my legs, to hop +along like a child's grotesque toy. They saw it in +the window with the other toys, and brought it +home because it would make them all laugh. To +carry myself down the street turning every face as +I pass, leaving a smoke of faces behind me like a +peace offering to my deformity. Could I only have +had one moment of my life when I could forget that +I was different..." +</p> + +<p> +The spokesman's eye opened wider as he listened. +"As for your being different," he began at +once, "from the very beginning there have been so +many weird shapes on this earth that we cannot +justly talk of anything being different. Consider +the deformity of all men who go about like the +trained horses at the circus reared up so as to make +a spectacle of the secret parts of their bodies, and +who, because of this vainglorious exhibition, have +to twist themselves around every time to look at +their dung. Now to pursue the subject further +... have you ever been to the circus?" +</p> + +<p> +"Yes, of course..." +</p> + +<p> +"You may have seen there a dog with two +tongues, let us say, or a wolf with a curved horn +... some such trifling thing for people to gape at. +Well, all that fuss is really quite ridiculous. All +that oh-ing and ah-ing with which they tickle +themselves from cage to cage. <i>They</i>, of course, cook +things up in pots and let them pour to the mould +of their dishes, and so they know what to expect. +But things were never cooked up in pots to begin +with. There's a constant spilling over all the time. +Your leg trickled down a little too long. Why be +so excited over it?" +</p> + +<p> +"Ah ... that's all very clever. But answer this +one: why did it happen to me?" +</p> + +<p> +"What makes you think it happened to you?" +</p> + +<p> +"Oh, come, now..." +</p> + +<p> +"No, don't be impatient. Because if that's what +has been bothering you, I think we can arrange it." +</p> + +<p> +"Arrange it?" +</p> + +<p> +"Yes," the spokesman winked solemnly. "If +you'll be agreeable, of course, and help me along." +</p> + +<p> +"Very well, go on." David lay down and turned +his face to the wall. +</p> + +<p> +"Yes, you sit in the theatre and you think the +actor on the stage is looking at you. It's a natural +thing now, isn't it..." +</p> + +<p> +"Go on, go on..." +</p> + +<p> +"Now let us assume that it happened to you." +</p> + +<p> +"Nonsense! That's no assumption." +</p> + +<p> +"Well, let us assume that it was <i>meant</i> to happen +to you. Is that better?" +</p> + +<p> +"Go on..." +</p> + +<p> +"In that case there had to be somebody to mean +it ... to correspond to the actor, let us say." +</p> + +<p> +"Yes..." +</p> + +<p> +"Someone who knew he was looking at you..." +</p> + +<p> +"Yes..." +</p> + +<p> +"And so this glance that the actor gave you is +the reason why you are crippled. But if there's +a reason for that, then there must also be a reason +for the fact, say..." +</p> + +<p> +"That Mirelie has black hair." +</p> + +<p> +"Precisely ... and that Anna has a mole on her +face." +</p> + +<p> +"And that Mirelie is thin..." +</p> + +<p> +"Precisely. And that a child was run over the +other day." +</p> + +<p> +"In short, a reason for everything." +</p> + +<p> +"Excellent! Excellent! You see it's a game you +can never stop. Each thing has a reason, as many +reasons as there are separate details which we can +comprehend in this world, and yet reasons again +for all the infinite happenings that we cannot know +about. Ah, but notice. You've cooked, haven't +you? You've said: here I shall salt and here and +here, until it is all salted. And then the strange +thing occurs. You taste it, and nothing is flavored +because you have salted everything. Salted, but +not salty. And so with your reasons. If +everything has a reason..." +</p> + +<p> +David turned around angrily. "Salted but not +salty..." he mimicked. "Keep your analogies. +Was it my fault that the actor looked at me?" +</p> + +<p> +"Or his fault that you sat where he looked?" +</p> + +<p> +"Clever ... very clever. But I'll tell you my +friend. You have never played some of the +children's games, and that's the trouble with you. +You've never looked at the pattern of the wallpaper, +saying to yourself: I can look at it this way, +and see spades with hearts between; or this way, +and see only the hearts in a row. Yes, if you had +ever looked at the pattern of wall-paper both ways, +you would know what an old trick it is." +</p> + +<p> +"Very well, then," the spokesman said mildly. +"I'm sorry. I just wanted to arrange it." +</p> + +<p> +"Besides, since you talk of cooking so much, I'll +take the same liberty. Things must be salted and +sugared. And some reasons are salt and some are +sweet ... we can tell by the flavor of things. So +that all your fine arguments only bring us to restate +the question. Why was I, so to speak, made salty?" +</p> + +<p> +The spokesman stared at him ... a little +stupidly, David thought. +</p> + +<p> +"Salty?" he repeated. +</p> + +<p> +David laughed bitterly. "Ah ... I see all this +talk of cooking won't do. Things were never cooked +up in pots to begin with. We'll try again. If +there is a person who corresponds to the actor, +and if he does look at us while he's acting ... what +does he want? It's his old lust for sacrifice, +and because he does not know whom to choose, he +looks and strikes someone with a sign of difference, +and then thinks he has something." +</p> + +<p> +At this the spokesman looked up brightly and +began to talk with garbling rapidity. "Ah, sacrifice, +to be sure. The bleeding heart torn from the living +offering by the forthright fingers of the priest. Fire, +or the spike, or the cross, as a background for the +gesture of agony. A somewhat morbid emphasis +on vivisection, I should say, yet in its way a rather +pretty pantomime of the real state of affairs. Well, +it's very natural for you to feel that way about it, +especially since you have the qualification of suffering; +and, as I said, it's the right idea though very +crudely expressed." +</p> + +<p> +"Then you admit..." +</p> + +<p> +The spokesman shook his head reproachfully. +"Patience," he urged, "we must think this out +carefully. Now as I mentioned before, these sacrificial +offerings were a rather apt pantomime of the real +state of affairs. For the whole idea behind a +sacrifice is to maintain a balance. Savages, who practiced +it, were still alert enough to feel the precarious +equilibrium of the universe, they glimpsed the +profound truth that everything is in a state of balance +that constantly strains towards disruption. And so +they made their infinitesimal contribution to +preserving that balance ... a rather superfluous +attempt, like blowing over the scales." +</p> + +<p> +David raised himself on his elbow and looked at +the spokesman. "What makes you think that all +things are in balance?" +</p> + +<p> +"Please," the spokesman began peevishly, "don't +behave that way. We have to start with something, +don't we? I chose that point of beginning because +I thought it would be the least offensive." +</p> + +<p> +"Very well, continue." David lay down again. +But the next moment he raised his head and asked: +"But why was the attempt superfluous?" +</p> + +<p> +"That's just the point." The spokesman's eye +quivered his approval. "Because, when the tension +of things was first established, it was not left to +the accidental activities of human beings to +maintain it. All the time, subtly and imperceptibly, +there is an adjustment going on that keeps things +in balance. As it applies to the human world, we +might state it crudely by saying that human beings +pay for each other. Invisible currency passes +between them which settles all their debts to each +other, voids all their accounts. Savages had some +inkling of this, when, realizing that they were the +debtors of their living sacrifice, they squared their +accounts by calling him a god. A little private +bribe, you understand, to put him in good humor. +And a great game, really ... this keeping things +balanced, and ideally suited as a pastime for +eternity; because you can't ever find two things that +are equal, and so your left hand and your right +hand are both kept busy, forever working the scales +with alternate motions. And you can't take a rest +for a minute, either..." +</p> + +<p> +"I can just picture it," David said admiringly. +"However, instance ... instance..." +</p> + +<p> +"We shall come to that. Now let us say that the +souls of people are tiny and intricate stones, with +points and facets and hollows ... each stone +marvelously small, yet convoluted a thousand different +ways. And let us say that each stone contains +within itself a unique magnetism, to attract +that single other stone with which it can articulate. +And so all the souls of the world are held together +in a chain, no thread going through the chain and +yet it can never fall apart. Love is not necessary. +It is only the name for a hysterical fear that the +souls may fall apart, the fear of those who do not +understand the intimate embrace of these tiny +stones, who do not know that their intercourse is +more profound than the intercourse of love..." +</p> + +<p> +"Well, continue," David interrupted peevishly. +"These fancies put me to sleep. You're an +ingenious one." +</p> + +<p> +"Now these stones work on each other with a +subtle attrition, and though their surfaces may +change, they cannot unlock themselves, because they +always change <i>into</i> each other. And sometimes one +can feel this silent imperceptible rotation of the +stones. Slowly it works, as if they were turning in +a profound dream." +</p> + +<p> +"Instance..." David repeated, sighing wearily. +</p> + +<p> +"Oh, very well then. Now what happened here a +few days ago?" +</p> + +<p> +"A child was run over." +</p> + +<p> +"You remember it?" +</p> + +<p> +"I saw it. The mother ran to the curb and +screamed at the fellow who was driving the truck, +and shook her fist at him. He only curled his head +around and looked back curiously, but he didn't +stop." +</p> + +<p> +"No, he didn't..." +</p> + +<p> +"She almost stepped on the little girl. Her skirt +fell over the child's face, and her foot even touched +the flesh of it, but she didn't seem to notice. Then +she kept turning around, upbraiding all those who +were watching her, because they hadn't stopped +the driver. She spun herself round with her arms +stretched out under her shawl, and her fingers +tearing at the fringes, pleading with them to tell her +why no one had stopped him. She only wanted the +reason, she said ... that would satisfy her. Then +she cursed them because no one had thrown himself +in front of the truck to <i>make</i> it stop, and next she +asked for the number of the truck, but nobody +knew it. They just stood there and looked at her +stupidly. And next she caught sight of a little boy +who had been playing with her child when it +happened..." David broke off and laughed heartily. +"You remember those circle games we used to play +in kindergarten..." he said. "Somebody stands +in the center of the circle and we all sing: 'Come +and choose your partner.' For all the world it was +just like one of those games." He was silent, +chuckling to himself. "Well, suddenly she ran over +to this little boy," he resumed briskly, "and stood +before him begging him to tell her the number of +the truck. The poor little fellow just looked around +sheepishly..." +</p> + +<p> +"And the child?" +</p> + +<p> +"Somebody carried it into the house. The mother +never seemed to care, though she stopped for a +moment and watched the fellow as he picked the +little girl up, and fixed her dress and put his hand +gently to the back of her head, just as if she were +asleep. After a while they brought out a chair +and the mother sat down and acted very petulant. If +anyone came over to her she shook her shoulders +like a peevish young girl. And then—" +</p> + +<p> +"I see that you're a very careful observer," the +spokesman interrupted politely. "And can you tell +me what's happening on the street now?" +</p> + +<p> +"Why, she's been on the street almost constantly +now for the last four days." +</p> + +<p> +"Four days, you say! I must see her." +</p> + +<p> +"No, don't trouble yourself. I can tell you all +about it. She's a very important personage now. +They say people come from blocks around just to +see her." +</p> + +<p> +"Sits and mourns for her child, I suppose..." +</p> + +<p> +"Oh, no, she's forgotten the child entirely. In +fact she's quite happy ... looks rosy and +bright-eyed. I never thought she could look so pretty. +You see, after the child's funeral she went directly +to a sign painter, and she had him paint her two +large signs. Something to this effect: I shall give +a reward to any person who can tell me the license +number of the truck that ran over and killed my +eight-year-old girl on the morning of ... I forget +the date. But she has the date and the place there +and the exact time, so that there can't be any +mistake. They say that the sign painter composed it +for her, and he did a very nice job ... different +sized letters, and some letters in red and others in +green. The sign is white, I think. And she has +these signs attached to her ... one in front and +one in back. And all day she parades around near +the place where it happened..." +</p> + +<p> +"Mm ... quite a curiosity. It's a liberal +reward, I suppose?" +</p> + +<p> +"No, she's poor. Not a thing to give. It's just +a figure of speech, this talk of a reward." +</p> + +<p> +"Now that's very interesting ... very." The +spokesman nodded judicially. "Her whole case, in +fact, hinges on that point. Everything would be +different if there <i>was</i> a reward. You see that, I +suppose." +</p> + +<p> +"Explain." +</p> + +<p> +"Because," the spokesman said thoughtfully, "if +she really wanted to know that license number, there +would be a real reward. Which proves, then, that +she doesn't want to know it. Looks well, you say?" +</p> + +<p> +"Rises early, fixes herself carefully and dresses +in her signs as if she was an actress preparing for +her entrance." David paused, suddenly tired of +his narrative and feeling very drowsy. He was +almost asleep when the spokesman's voice roused +him, saying lazily, "Well, now, doesn't that prove +it?" +</p> + +<p> +"Prove what..." David asked sleepily. "I've +forgotten." +</p> + +<p> +The spokesman's eye narrowed slyly. "That +people pay for each other," he said. +</p> + +<p> +"Explain ... explain." +</p> + +<p> +"Now wasn't," the spokesman began in a lazy +voice, "wasn't the life of this eight-year-old girl the +price that had to be paid first, before the mother +could parade herself between her two signs? And +didn't the child's death have to come about in just +this way? And wasn't it necessary for the driver +not to stop? For if he had stopped, then the mother +could not have put on her masquerade of signs, and +the child would have died for nothing. Now some +would say the driver was the villain in the case, +but I don't think so, I don't think so at all. Though +of course," he added thoughtfully, "it is a rather +heavy price for such a trifle. I shouldn't want to +argue the point. Though who knows? In the balancing +of all things it may not be exorbitant, neither +may the mother's parade be such a trifle as it +seems." +</p> + +<p> +There was a long silence, but after a while David +sat up and looked searchingly at the spokesman. +</p> + +<p> +"It's a lie," he said. +</p> + +<p> +"What is?" +</p> + +<p> +"It's a lie," he repeated angrily, "that people +pay for each other. And it's clever, very clever, my +friend, since you cannot understand words, but only +numbers, to set yourself up in bookkeeping. If you +knew the meaning of words, if only one word could +be made clear to you, then you would laugh at your +pretentious bookkeeping, you would laugh at everything +you've said tonight. A number must be balanced +all the time by another number. But a word +does not need to be balanced. Let us say it was +the mother's grief." +</p> + +<p> +"Now don't excite yourself. Let's remain friends. +For all I know," the spokesman added blandly, "it +may be a lie. But what makes you think so?" His +eyebrow moved toward the center of his forehead, +to meet the invisible puckering of the other eye, an +effect so comical that David had to laugh. +</p> + +<p> +"Well, have you read the fairy tales?" he asked +more kindly. +</p> + +<p> +"Which fairy tales? Please be specific." +</p> + +<p> +"All of them ... any one of them ... they're +all true, any way. But I was referring to the one +where the prince is supposed to go forth on +dangerous adventures. But while he keeps in his hand +a small round mirror and gazes at his reflection in +it, nothing can harm him, neither can he see all the +horrors through which he must pass." +</p> + +<p> +"A very magic mirror." +</p> + +<p> +"No, there you're mistaken. For the mirror is +an ordinary piece of looking-glass, a broken piece +that the goose-girl in his father's palace begged him +to take. But still, while he looks into it he does +not see the terrors that surround him." +</p> + +<p> +"A charming story," the spokesman yawned. +"How does it apply?" +</p> + +<p> +"Why, the mother," David said slowly, "has +found a mirror. And while she looks into it, she +will not know that her child is dead. It was often +a plant that had to be tended..." +</p> + +<p> +"Really?" The spokesman yawned again and +closed his eye. "Well, I wanted to arrange it," he +said drowsily. "I heard you saying one time, 'They +owe me something." +</p> + +<p> +"Ah ... that afternoon ... to him. To that +fool who sleeps, and who is, as you say, ended. +Wasn't that the word?" +</p> + +<p> +"Precisely..." +</p> + +<p> +"Tell me, did he believe it?" +</p> + +<p> +"Believe what?" +</p> + +<p> +"You know what I mean," David said impatiently. +"About my being an expert on authority." +</p> + +<p> +The spokesman opened his eye that quivered with +sleepiness. "Do <i>you</i> believe it?" +</p> + +<p> +David was silent, intently regarding him. +</p> + +<p> +"It's confusing now, isn't it..." +</p> + +<p> +David did not answer. +</p> + +<p> +"You pretend to enjoy it, but you don't. And that +means you don't believe it. Isn't that so? Isn't +it true," the spokesman coaxed, "that if you don't +enjoy a thing, then you really don't believe it?" +</p> + +<p> +Still David was silent. At last he spoke softly. +"So you too thought of that." +</p> + +<p> +"Oh, yes," the spokesman said cheerfully, "I +think of everything. But is it true?" he asked, and +looked at David, his eye glistening with eagerness +... "that you need the whole human race for a +payment? Now suppose they offered <i>you</i> a +sacrifice..." +</p> + +<p> +"Well, what? What would they give me?" David +asked sharply. +</p> + +<p> +"You said," the spokesman continued smoothly, +"that he strikes someone with a sign of difference, +and in that way he chooses a sacrifice. Now +suppose <i>you</i> were to try it." +</p> + +<p> +Again there was a long silence, the spokesman's +eye closing slowly, so that David wondered whether +he had fallen asleep. At last David broke the +silence, but his voice sounded far away, as if he +too were asleep. +</p> + +<p> +"Yes ... suppose it is Mirelie," he said softly. +"Whom you must strike with the sign of difference." +</p> + +<p> +"But Mirelie..." David said, and his voice +was troubled. "She is not like others." +</p> + +<p> +"Why not?" +</p> + +<p> +"She is not like others," David repeated, a note +of pleading in his voice. +</p> + +<p> +"Do you think she is too bright for you, then? +Do you think she is too proud and too free? Yet +in every person in the world there is the secret +power for shame. There is no one so wilful or +proud or free that he has lost it. And in nature +there is death. Death was provided, in order that +all things might be shamed. In nature there is no +bird or insect or flower so bright that it cannot die. +Besides," he added craftily, "she belongs to you." +</p> + +<p> +He waited for David to speak, and when there +was no answer he continued, his voice low and +thoughtful. "She belongs to you. It is you who +have the expert knowledge of degradation ... you +who have sounded the depths of it and searched +through all its intricate disguises. Each person +walks before you with his entrails exposed ... a +crowded, convoluted circle, like dainties in a +box that one sees through a little circle of +transparent paper. I tell you that <i>because</i> Mirelie is so +bright and free, she can be more humiliated ... she +is capable of greater degradation. And then +consider," the spokesman finished with a little laugh, +"she looked a long time at your friend there. He's +attractive." +</p> + +<p> +David only stared at the floor and said nothing. +</p> + +<p> +"Lastly," the spokesman's voice was now so +drowsy that David could hardly hear it, "as we said +before, people pay for each other. It will balance +... it will balance," the voice sang softly. "She +will even love her shame." And as he went off to +sleep he mused to himself. "For it must be that +the body loves everything that happens to it ... it +must be that..." +</p> + +<p> +David thought the spokesman was growing somewhat +repetitious, and he was glad when the voice +stopped. He rose then and turned off the light. +"So you do strike bargains," he observed to the +spokesman's sleeping figure. In the dark he went +to Mirelie's door and opened it softly. +</p> + +<p><br></p> + +<p class="t3"> +3 +</p> + +<p> +Mirelie lay in bed with her eyes wide open. She +saw the bureau where her ribbons hung, and the +chair with her clothes folded away, and the white +posts of her bed; and she was terrified at the +thought that she was seeing these things in the +dark, instead of being asleep. Besides, there was +a shadow swaying on the floor, that made her heart +stop beating whenever she looked at it. "Because," +she said to herself, "it might be David standing +there." +</p> + +<p> +"Anna," she called, when she could stand it no +longer, "I'm not asleep." +</p> + +<p> +"Well, then, turn over on the other side." +</p> + +<p> +Mirelie turned as quietly as she could and waited. +</p> + +<p> +"Anna," she called again in a terrified whisper. +"Why can't I sleep?" +</p> + +<p> +Anna's voice sounded angrily from the next +room. "Sleep, Mirelie," she said. "Your lover +won't come tonight." +</p> + +<p> +After that Mirelie did not dare to speak again, +and she lay in bed thinking of the day when she +would be married ... wondering why Anna always +laughed when she spoke of it. It was true, +of course. Some day she <i>would</i> get married, everyone +did. Even Anna had once been married. She +wore a wide gold ring on her left hand, and +whenever she was angry she made a rapping sound with +it on the table. There was also the picture of a +little man with whiskers in her bedroom.... +</p> + +<p> +But in the midst of these thoughts Mirelie heard +the sound of music coming from the shop. "That's +David playing the ocarina," she said to herself, and +she wanted to tell someone about it. She thought +it would be a great pleasure just to say aloud that +David was playing; and at last, though she was +afraid that Anna would scold her, she remarked +softly, "That's David playing..." But Anna did +not answer. +</p> + +<p> +How mournful it sounded and far away. Things +must be very sad for David to make him play that +way, and she wished she were not afraid of him, +but could go to him and comfort him. But now +the music stopped and she heard David walking +across the room to put the ocarina away. Only +it wasn't really hearing his footsteps. No, she felt +each step in her heart, as though her heart had +changed its rhythm and kept time with the swaying +of David's body ... the same thing that happens +when you're walking down the street, and a friend +catches up with you, walking faster. Then your +feet are confused for a moment, but in the end +they go faster too, step for step with your friend. +So it was every time Mirelie saw David walking +toward her ... her heart had been marching its +own way, but after its moment of confusion it kept +time with the swaying of David's body. +</p> + +<p> +And now Mirelie wondered whether anyone could +tell that this happened. If David knew, what +would he think of her? And if Anna knew, she +would say that David was her sweetheart. Yes, if +she could look into Mirelie's heart and see how it +changed step whenever David came near her, she +would surely say, "So it is David." Yet why should +David be her sweetheart, just because her heart +changed step that way? And as Mirelie brooded +over this, she understood that David was her sweetheart +because she was ashamed of that feeling; and +because she could make it come whenever she +pleased, even when David was far away; and +because it went through her whole body and out at +her finger-tips. Thinking of it now in bed, Mirelie +felt her cheeks grow red, and she wished she could +run away and never see David again. +</p> + +<p> +Then Mirelie dozed off and had a dream of a boy +and a girl she had seen that day, jumping rope in +front of the shop. They looked at each other all +the time as their bodies went up and down in the +circling frame of the rope ... and near them was +an old man who was stroking his cheeks with one +hand, as if he was trying to brush away invisible +webs that kept gathering around him. Though she +watched him for a long time, never once did he +stop stroking his cheeks. "He can't stop it, I +suppose," she said to herself, and that made her afraid +of the old man. But after a while Mirelie was +aware that something terrible was about to happen, +and the old man also knew it, and stroked his +cheeks faster. Mirelie wanted to cry out ... to +warn the boy and the girl who were jumping rope +together. But her voice would not come and she +could only stand there helplessly watching. And +at last she knew it had happened, by the way the +old man's fingers stretched themselves ... longer +and longer, as long as rulers, and laid themselves +daintily and stiffly to his cheek; by the way he +smiled at the boy and the girl, and turning to +Mirelie, said, "They are married." Then she +awoke, trembling and fearful, and saw that the door +to the shop was open, and David was standing +there. "Mirelie," he called softly, "Mirelie..." +</p> + +<p> +But in that moment she was no longer afraid, +neither afraid of David nor of the old man in her +dream. She heard David laughing with a strange +intense gaiety as he came to her. She lifted her +arms to him and felt his face close to hers, and +his eyelashes fluttering against her cheek. +</p> + +<p><br><br><br></p> + +<p><a id="chap07"></a></p> + +<h3> +CHAPTER VII +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +By slow and laborious stages the symphony +that Lewis Orling was working on progressed. +Though it was difficult work and +baffled him completely at times, he felt it shaping +under his hand, he became aware of its meaning. +And this was the allegory of the first movement... +</p> + +<p> +There were, first, four notes of a seeking nature +... four notes informed with a profound question, +that once stated was asked again, in the endless +repetition of the theme, in its intricate weaving +about. Yet what was this question and what was +it seeking? Who was it that asked? It was the +question of an exile, of someone longing for a place +once known, yet not for any country in the world +or for anything that the world could give. It was +the question of a soul smitten with memory and +knowing itself for lost ... the memory of its +childhood and the knowledge that it was alone and +lost in a strange world. For the world is strange +to everyone, and everyone is exiled in it ... because +in childhood each soul has lived its own +civilization, one that was never before known on the +earth ... because each childhood that has ever +been lived was a different civilization ... and +when the memory of it returns, the soul knows +itself for lost, the only survivor in a strange world. +So the four notes were seeking, turning despairingly +on themselves, running here and there with querulous +hope ... repeating their question over and +over with terrible insistence. But now, instead of +one clear instrument asking the question each time, +there came an interplay of the instruments, and +the question became louder and more insistent, until +it shouted with a frenzy of all the instruments. +And now it was no longer the voice of one soul, +but whole nations seeking, crying out ceaselessly on +their past with one despairing voice. The voice of +an army trapped in the mountains ... they look +up to the distant sky and back on the way they +have come, and know themselves caught in a +despairing pass... +</p> + +<p> +These were the things that Lewis heard in his +music, that seemed to speak from it. And in +moments when he heard this, he heard also an +overtone ... the sound of multitudes clapping, a vast +applause for him because he had said these things. +Then his breath would come more quickly, he +would feel his body tremble with eagerness to finish +it. And wonder filled him, that, sitting alone in his +room and with no other means than his pencil and +the paper ruled with the staff, he could make such +things known. It did not yet occur to him that +because of the very simplicity of it, there might be +some betrayal here, some form of self-deception. +</p> + +<p> +Meanwhile he was hardly aware of Ruth. He +did not seem to see her, or rather he saw her only in +a curious oblique way. When she was in the same +room with him, he was oblivious to her presence, as +if all the senses by which he might perceive her +had suddenly gone blind. And yet when he +happened to think of her, or when he saw anything +that suggested her, his heart would begin to beat +violently, and then he himself did not know whether +it beat with love or hatred. Though often he +questioned it, this oblique way of seeing her remained +a mystery to him ... a transference that kept its +secret, too obscure and cunning to reveal its meaning. +Yet one day, catching sight of her unexpectedly, +he was surprised to see how well she was looking, +how well her advancing pregnancy agreed with +her. He pretended now that the impulse which +had drawn him to her that night was only curiosity +to see her pregnant, a desire to show his power over +her. He tried to forget his moment of panic when +she returned ill from her flight, and the feeling of +guilt in his heart, which he had sought to expiate +by the most immediate means. He did not think +of their child. The reality of her pregnancy did not +exist for him, except as a symbol of his power. +</p> + +<p> +And it was true that Ruth seemed happier than +she had ever been before. Often now as she went +about her work she hummed to herself, with lips +tightly shut and thoughtful face. It was a weird +and toneless humming, yet there was about it an +intense gaiety. In those days too she was very +much out-of-doors, lying on the sparse grass in back +of the house, feeling the sun penetrate her flesh, +and the hard earth beneath her body ... giving +herself to the sun and wind, that touched her +without passion. Then her brain passed into a coma, +its placidity was almost a trance, in which the power +to think, the power to use words left her. But there +was meanwhile the profound thinking of her body, +and she arose each time with a feeling of renewed +contentment. It was also part of her ritual each +day, whenever Lewis was out, to take the book of +music that he worked on from his desk, and to sit +down near the window, holding it on her lap. She +would try to decipher the notes; with her finger +she would count off the intervals on the staff and +then look up thoughtfully, as if singing it in her +mind. And one time when she was through with +this, she closed the book and tore it in half, then +laid the two halves together and tore them, and +continued with it until the scraps in her hands were +too thick to be torn together, and she had to take +them separately. This she had done automatically, +with no more sense of what she did than if she had +been reading an unimportant letter, intending to +tear it up at the end as a matter of course, and +tearing it with her mind already on other things. +She disposed of the scraps and sat down at the +window to wait, feeling there would have to be +some explanation ... but feeling also impatient +because so simple and obvious a matter should +require explanation ... as if she were waiting for a +child who was going to be unreasonable for the loss +of some casual toy. +</p> + +<p> +But Lewis did not return until very late, and +it was not until the next day, when she was clearing +the dishes away from their supper that he came +into the kitchen and signalled to her mysteriously, +and she followed him back to his room. +</p> + +<p> +"Where is it..." he asked. +</p> + +<p> +She leaned in the doorway watching him. +"Where is what?" There was in her voice the +emphasis of complete bewilderment. +</p> + +<p> +"Where is the book that was here?" Lewis repeated, +his words sounding slightly breathless, his +hand sweeping through the pigeon-hole as if the +thing he looked for might materialize there. +</p> + +<p> +"I sent it away," she said slowly. +</p> + +<p> +"Where did you send it?" +</p> + +<p> +Ruth came in and sat down, and considered her +answer for a long time. "Why, I asked Levine where +it could be sent ... that time he was here. He +told me someone to send it to. Because," she added, +lifting her eyes to him with their expression of +innocent wonder, "you wanted that, didn't you?" +</p> + +<p> +He looked at her and moved towards her with +calm precision, the threat of an attack in his +deliberate approach. But near her he stopped and +put his hand to his forehead as if recalling +himself. Against the unnatural pallor of his face his +hand showed dark and grotesque. He tried to +speak, but there was only an insane sucking motion +of his lips. "Why did you do that?" he asked at +last. +</p> + +<p> +Ruth made a slight movement of impatience. +"I've told you, haven't I?" +</p> + +<p> +"Why did you do that?" he repeated querulously, +and then, coming close to her, he lowered his voice +to a whisper and thrust his face into hers. "You +must get it back..." +</p> + +<p> +She leaned back to escape the nearness of his +face, and looked up at him from under her +lowered-eyelids, half smiling. "Why should you want it +back?" +</p> + +<p> +"You must get it back," he repeated weakly. +</p> + +<p> +"But why ... Tell me why you want it back..." +</p> + +<p> +He did not answer, and suddenly, with unexpected +agility, she slipped from him and went to the door. +Lewis made as if to call to her, but instead there +was only that insane sucking motion of his lips. +The words were wrung from him, a strident harshness +in his voice. "Because it's no good..." +</p> + +<p> +She turned then, smiling to him from the doorway. +"Why, then, so much the better," she said +with cheerful finality. But Lewis followed her and +resumed his questioning ... his voice weak and +petulant now, his face twisted into an abstracted +frown. +</p> + +<p> +"To whom did you send it?" +</p> + +<p> +"I forget ... I forget..." +</p> + +<p> +"You must get it back..." +</p> + +<p> +"I can't, I tell you ... not yet." She gathered +up the table-cloth with angry swiftness, and shook +it out on the floor. "Because I tore it up," she +added, in a voice deliberately casual. Lewis stared +at the crumbs that scattered from the cloth, and +waited until they ceased rolling and lay still in a +haphazard pattern on the floor before he spoke +again. "You see," he said patiently, watching her +fold the cloth, "they will laugh at me." +</p> + +<p> +It struck her that there was something stupid in +the way he repeated this, and she motioned angrily +with her arm to be free of him. But he caught +hold of her elbow and she had to stand there, a +little in front of him, holding the table-cloth +ceremonially in her hand, and feeling his words breathed +on her cheek. A vivid flash of their position came +before her, and she burst out laughing. The sound +seemed to awaken Lewis from his trance, and he +looked at her ... his expression changing slowly +from its abstracted frown to one of grave wonder. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +Lewis went back to his room. In the short +transit between the kitchen and his room he had a +strange duality of vision, seeing himself walking +through the narrow hallway, entering the room and +going to the window ... seeing an aura of his +body moving with him in whatever he did, as when +the finger is pressed to the eyeball, and each thing +appears with double reflection. Standing at the +window, he saw that it was raining, and he noted +that everything was glistening wet ... the boards +in the fence, and the trees and every leaf of the +trees. And this fact, simple and irrefutable, that +when it rained nothing that was exposed could +escape from becoming wet, seemed to be revealed +to him for the first time. He saw the drops of +water on the pane, how each drop was suspended +on a fine thread of rain, and he saw that some of +the drops rolled all the way down, and others +stopped midway and others were arrested near the +top. For a long time he studied this, trying to +discover some law that determined it; but wearying +of this he went back to the desk and put his hand +once more into the pigeon-hole, sweeping it with +his fingers as if he was not certain that it was +empty... +</p> + +<p> +Meanwhile he was conscious of a feeling of +wonder. He was waiting for something ... he +was waiting for something to snap within him. And +yet it seemed as if this first moment of calm was +not to end after all ... it was stretching itself +infinitely, and he was watching it, a little breathless +and surprised, as if it was a conjuror's trick. +Or was this calm, he asked himself, the end of the +whirling, that moment he had foreseen when the +motion of his mind would slacken ... and all +things that had been held in place by the whirling +fly apart? But how, then, if this had happened, +could he reason about it ... how could he be +aware of it? Or was there something else here +... something more terrible than madness that had come +to him? Was there a profound confession in his +calm ... an admission that he had failed in his +work ... and was this his relief at its being +destroyed? But though he felt these questions +vaguely, he did not yet dare the answers. Best +not to be sitting alone now and thinking ... best +to bestir himself, he said, to find some diversion that +would tide him over this bewildering moment... +</p> + +<p><br><br><br></p> + +<p><a id="chap08"></a></p> + +<h3> +CHAPTER VIII +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +The room that Lewis entered was crowded +and noisy. Everything seemed to give off +sound ... the smoke floating densely overhead, +the men's glistening shirt fronts, like so many +instruments for percussion. Standing in the +doorway, too bewildered by the lights to see clearly, +Lewis tried at first to pick out a familiar voice. +Someone was rapping on the piano and shouting: +"Ladies and gentlemen, a duet ... a duet, ladies +and gentlemen," and Lewis tried to follow the rest +of it for a while, holding to a special thread in +the crazy pattern of noise. Soon that was too much +effort. He shut his eyes and listened to the voices. +They fused at some far-off point into one chord, +and he could hear that chord always on the verge of +dissolving; yet endlessly dragging on, swelling and +diminishing endlessly—as if someone who had fallen +asleep were directing it, with slow senseless motions +of the baton. He had almost gone to sleep listening +to it, when the sound of feet scuffling nearby +roused him. He opened his eyes and saw Poldy +struggling to free himself from his friends. His +face was wet with perspiration, he kept flapping +his elbows backward and turning from one to the +other, pleading with them in the high-pitched +hysterical voice of a child who is ready to cry. +"Listen, Jel, I just want to ask him. What harm +can it be if I ask him? Jel, will it hurt you if I +ask him?" +</p> + +<p> +"But Poldy! That's the eighth person you'll be asking tonight." +</p> + +<p> +Poldy looked at him in alarm. "I don't +remember," he muttered. He stopped struggling and +stood quietly between them, frowning at the floor. +After a while Jel nodded to his friend, and they +released him. "Go on, then," Jel said and pushed +him gently forward. "Ask." +</p> + +<p> +Poldy walked unsteadily. At one time he almost +toppled forward. He blushed then and looked back +quickly at his friends. When he was close to Lewis +he put his arm on his shoulder, and peered into +his face with troubled eyes. +</p> + +<p> +"What time is it, Lewis?" he whispered. +</p> + +<p> +"Ten minutes to nine, I think." +</p> + +<p> +Poldy nodded and looked off into the distance, +wrapped in profound calculations. At length he +roused himself and turned to Lewis. "Thank you +... thank you..." he said briskly, and walked +away. Lewis wanted to speak to him further, but +Poldy was gone too quickly. He turned inquiringly +to Poldy's friend. +</p> + +<p> +"Oh, don't mind him," Jel said cheerfully. "He's +just a little upset. Thinks he's made a great +discovery. He says it takes longer for an hour to pass +than it used to. Claims he's the only one who +notices it, but he says soon everyone will feel it. +Now <i>you</i> haven't noticed it, have you?" Jel looked +suspiciously at Lewis. "No, of course not..." +he laughed nervously. "Poldy's so clever, you +know, I thought there might be something in it. +But say ... suppose it did take longer for an +hour to pass ... can't see how it would, but +suppose it did ... it wouldn't matter anyway, now +would it?" +</p> + +<p> +"Why wouldn't it matter?" +</p> + +<p> +"Oh, we could get all the clocks to working faster +... or slower. Say, which is it? Would they have +to go faster or slower? Oh, hell! It's an awfully +mixed up business, and poor Poldy thinks he's got +it all figured out. Just look at him..." +</p> + +<p> +Poldy was standing alone in the center of the +room. He had opened his coat and hooked his right +thumb into his vest pocket. In his left hand he held +a watch, and stared at it with a harassed expression. +And as Lewis watched, the feeling came over +him that all the people in the room were behaving +with strange detachment ... each one, like Poldy +staring at the watch, wrapped in a special insanity +of talking or laughing or walking about or staring +... and when they seemed to be aware of each +other it was only incidental to their madness. And +now he heard an ominous undercurrent of speed in +the voices, a quickening up to a hysterical tempo. +"Ladies and gentlemen, a duet..." The man at +the piano rapped away with greater frenzy, his +voice climbed to a high whining note. "A duet, +ladies and gentlemen, listen to the duet." He +stopped and snatched a large napkin from the table, +fixed it on his head like a nurse's peaked cap, and +continued shouting. Nobody listened, and the +man's face grew red, he glared angrily at +everyone near him. In one corner of the room +Lustbader was performing tricks with a handkerchief +cocked over his fist. Somebody tried to snatch +the handkerchief away, and others lifted the tails +of his coat to see whether he had anything hidden +there. The magician's face contorted with rage. +He stuffed the handkerchief into his pocket and +turned on the offenders. "So! You don't believe +me!" he shouted. "Look! I will undress before +you." He took off his coat and collar, and was +about to undo his belt, when one of the men +snatched a scarf from the piano, and wrapped it +over Lustbader's shoulders, and led him away, his +face simpering with elaborate modesty. At the +piano two musicians were improvising a duet. They +banged out a series of wild arpeggios, paused and +leaned toward each other with maudlin ecstasy, then +fell furiously on the keys again. Now and then +they embraced, and with wracking sobs congratulated +each other on the state of harmony existing +between them. One of them had a round flat face +with spectacles attached, and while he played his +face seemed to float over the music, buoyed up by +its two circles of glass. Near-by was a group of +artists arguing excitedly and drawing imaginary +pictures in the air. A fat man stood by, his hands +on his hips, looking earnestly at that portion of the +air which they had chosen as their canvas, as if +the pictures all remained there in one crazy +design. But one of the painters, waving his arm too +freely, upset the victrola that was painfully and +asthmatically unwinding a symphony on the edge +of the piano. It fell to the floor and the record +broke. The red-faced man with the napkin on his +head stooped and picked up a small segment of +the symphony, looked at it curiously and then +slipped it into his pocket. From time to time as +he rapped on the piano he took the piece out and +consulted it, as if it was his watch. But nobody +noticed this either. +</p> + +<p> +But now Lewis distinguished Bannerman's voice +cutting its way through the others with its peculiar +nasal resonance. "You can't escape..." it was +saying angrily, "you can't escape." He went in the +direction of the voice, and saw that Bannerman, +slightly drunk and balancing himself perilously on +a sofa, was holding forth to a large audience. The +orator kept glancing about incessantly while he +spoke, trying to catch the eye of everyone in his +audience, so that his features ... small and finely +chiseled, and mounted on a liberal map of flesh +... looked more like a traveling exhibition of a +face, than an actual part of him. There was also +a faint air of sniffing about Bannerman's face +... it may have been the way he kept glancing about, +or perhaps the peculiar modeling of his nostrils that +was more apparent as he stood on the sofa elevated +above the others ... the nostrils not sufficiently +raised from the upper lip, slanting back too +precipitously. Lewis hovered on the outskirts of +the group, trying to listen. There were others there +whom he knew ... Clandon, who had the habit +of listening to every argument with an intent and +ghoulish expression, until the moment when he +could snap up an opinion and bottle it and label +it. And Levine was there, his head bent forward +in an attitude of listening, unconscious that Lewis +was present and watching him. +</p> + +<p> +"No, there's no escape," Bannerman repeated, +raising his voice and looking around self-consciously. +"Go through all the frenzies of experiment +that you please, ladies and gentlemen. I tell +you, you won't escape the female nude. Haven't +I seen them ... the bunch of mad artists jumping +through all the isms, like a pack of clowns going +through the hoops. And what was the end? The +damned bitch just stood around, waiting until they +could stop and look at her." +</p> + +<p> +"Cubism! Cubism!" he cried, after a moment's +pause. "Even that can't shake her. Ever notice +how the cubist canvases break out into violins and +vases? Regular eruptions of them. And why? +Because a violin is one of the instruments that +happens to approximate the female figure. It has +the hips..." he glared around, waiting for the +laughter to subside. "And a vase ... well, look!" He +took pencil and paper from his pocket, and holding +it up for all to see, sketched a typical cubistic +design on it. This he rapidly converted into a group +of plump nudes languidly conversing. +</p> + +<p> +"There you are! There you are!" he shouted, +flourishing the drawing. "Shut one eye and you +have what they call the breaking up of objects into +planes. Shut the other, and you see what's really +itching them. An evasion ... pure and simple. +Everything new in art is an evasion ... trying +to evade the nude. But take my word for it," he +bent down and tapped Levine solemnly on the chest +... "take my word for it, Levine, it won't +work." +</p> + +<p> +Levine removed the finger gingerly. "A rather +old obsession ... the female figure," he said drily. +</p> + +<p> +"Oh, Lord..." someone whispered ecstatically, +"did you see Lustbader shutting one eye and then +the other?" +</p> + +<p> +"And once an artist has realized <i>that</i>," Bannerman +finished grandly, "then everything else is +superfluous." +</p> + +<p> +"Clothes..." they suggested. +</p> + +<p> +"Why, of course," the speaker continued with +belligerent agreement. "Now clothes!" he said +impressively, and then stopped and began to search +through his pockets with an expression of great +anxiety. Having brought forth several objects that +seemed to surprise him by their presence in his +pockets, he at length extracted four golden thumb +tacks. These he put into his mouth, withdrawing +them as they were needed to tack his paper on the +wall. "Now clothes," he resumed, when the +drawing was successfully hung, "are a big hoax. +Started by the pretty women, because they couldn't +compete with the ugly ones in the nude." +</p> + +<p> +"Really, now!" the tall girl who was reclining +on the couch turned and looked up at him with +mock surprise. "Do you know," she said, addressing +the audience, "Banney's an awful strain on +me..." +</p> + +<p> +"Ladies and gentlemen, listen to the duet!..." +the voice rose in a frenzy of appeal. +</p> + +<p> +"Fancy having to be jealous of the ugly women," +the girl continued in an indistinct sleepy voice. +"There are so many more of them." Her hair was +too closely cropped, only a little yellow crest of it +rising unexpectedly from the top of her head; and +her face was too prognathic, shaped as if she might +begin whistling any moment. Bannerman looked +down at her thoughtfully, and then turned his mildly +glaring eye once more on his audience. "I'll take +an ugly woman for my model any day," he +challenged. "Beauty doesn't belong ... makes the +body insipid." +</p> + +<p> +"But say, Bannerman," a curly-headed fellow +on the outskirts of the group spoke in a high excited +voice. "What the devil has all this got to do with +saving the world? That's what we're after, you +know." +</p> + +<p> +"Everything, Twinem, everything," Clandon +assured him. "Didn't you hear? 'We can't save +the world until we understand the naked—which, +of course, means female—body.' Now stand by, +everyone, and Bannerman will show us how to do it." +</p> + +<p> +The numbers around Bannerman increased, and +others in the room glanced curiously in his +direction. Lustbader, who had seated himself at the +chess board rose, and scouted around for a while to +see what was happening. "Oh, it's nothing," he +reported disgustedly to his partner. "Bannerman's +helping them to understand the naked body or +something like that." +</p> + +<p> +"Drunk, probably..." +</p> + +<p> +"Go on, Bannerman, continue," Clandon urged. +But as soon as the lecture began again he seemed +to cease listening, waiting for the moment when +with practiced sleight-of-hand he could pounce on +an argument and label it. Levine only locked his +hands in back and smiled to himself. Uttering a +prodigious "Now!" and clearing his throat +professionally, Bannerman began once more. But +happening at the same moment to come too near the +edge of the sofa, he pitched forward. His body +stiffened as they caught him, and he was rotated +up again into place with the rigidity of a statue. +"Now the first thing to remember," he continued, +looking down at them and frowning severely, "is +that you fellows know nothing about it ... you +fellows with your prurient snooping around +museums and peeking into the studios. You can't +understand the human body, I say, until you're +steeped in nudity ... steeped in it, mind you. +And not the picayune nudity you see in the pictures. +You have to see collective nakedness ... many +women sitting around together unconscious of their +bodies, so that the poses they take are ancient and +instinctive..." +</p> + +<p> +"Ancient and instinctive ... that's pretty good." +</p> + +<p> +"Yes," Bannerman retorted, "flesh takes its own +poses, like stone and wood." +</p> + +<p> +"Well, continue, anyway." +</p> + +<p> +"Yes, go on, Bannerman." +</p> + +<p> +"Stone and wood..." Bannerman repeated, and +then stopped with a look of extreme alarm. +"Levine!" he bent down to him and lowered his +voice to a whisper. "Where were we at? No +... no ... never mind. I remember now." He +lapsed into a contemplation of space, and then +finished sententiously. "Then, and only then, ladies +and gentlemen, do you feel the reality of nakedness, +so much so, in fact, that nakedness no longer exists +for you!" +</p> + +<p> +"Hm ... the reality of nakedness. I like that." +</p> + +<p> +"Well, is <i>that</i> all?" +</p> + +<p> +"Ladies and gentlemen, listen to the duet." +</p> + +<p> +"How was it? How was it?" Lustbader called, +and receiving no answer he came trotting from his +chess game and looked excitedly from one to the +other. Seeing that the lecture was in danger of +ending he started to applaud for more, a presumption +which Bannerman quickly ended by an imperious +motion of his hand. "And then ... then," +he began fluently, and once more found himself +looking around confusedly. "Say, where were we +at, Levine?" But here the tall girl on the sofa +rose with a look of disgust, and Bannerman danced +three involuntary steps. "Levine," he said pitifully, +"hold my hand. And then, ladies and gentlemen, +you feel a power of fertility ... the same as you +feel in the woods on a damp day..." +</p> + +<p> +"I do <i>not</i>," Clandon said sternly. +</p> + +<p> +Bannerman looked at him reproachfully, and +continued with added dignity. "But you never +think of stamens and pistils when you're walking +in the woods, do you? Because, of course, we know +there is plant intercourse. Now plant intercourse," +he mused ... "queer thing. And in the same +manner, so to speak, you feel that men have nothing +to do with this fertility. It's a different thing, older +than sex ... and then..." +</p> + +<p> +But his audience was growing restive, and Clandon +leaped up on the sofa to prevent a dispersal. +"One minute, please," he signalled. "We're at the +power of fertility now. Has everyone got that? +Very well, then, continue." +</p> + +<p> +"Oh, there's nothing to continue," Bannerman +finished sulkily. "They don't want to listen, +anyway. But my last point was that then you +understand the livingness of flesh, and then you can't +kill anything, because..." +</p> + +<p> +"Ah! Just as I thought," Clandon interrupted +triumphantly. "It all comes down to the sanctity +of human life. Just as I thought." +</p> + +<p> +"Say, Bannerman, that's jolly." It was the +curly-headed young man called Twinem. "You know, it's +always fascinated me, this idea of saving the world, +because there are so many ways of doing it. No +end to them, really. This one's great. Naked +women hanging around all the time, so that we feel +the what-do-you-call-it? ... sanctity of human +life. Awfully ingenious, don't you think?" +</p> + +<p> +Laughter greeted his outburst, and Bannerman +stepped down with a final and completely-balanced +dignity. +</p> + +<p> +"Well ... amuse yourselves," he muttered. +</p> + +<p> +"Bannerman's right! Absolutely!" It was Lustbader +calling from the chess table, as he set up the +pieces with rapid plump fingers. "Haven't I +thought of it myself?" He gave the lecturer a +consoling wink. "Haven't I thought of it though!" +</p> + +<p> +He rose and planted himself in the center of the +room, his face flushed and ecstatic. "All the women +... all the women," he began. "No ... that +won't do. Watch me. <i>I'll</i> make a beginning." He +made a rapid survey of the room, then rubbed his +Punchinello nose meditatively. Finally he turned +and stared at one corner, at Marah who was +half-reclining in a large chair, and listlessly watching +the proceedings. He advanced to her on tiptoes, +pedalling the air with his fingers. And this stealthy +advance caused a sudden silence in the room, +everybody turned to watch it. Marah did not move, but +observed him with wide and curious eyes, her whole +attitude suggesting infinite curiosity for his touch. +He came close to her and tried to lift his hands to +her face, but unable to bring himself to it, he +wheeled himself round in a temper. "Can't we do +without that music?" he snapped, turning his red +face to the musicians. The music stopped abruptly, +and for the moment there was a complete hush, +during which Lustbader walked unsteadily back to the +chess table, and began to set up the pieces again. +Levine, who had been watching Marah intently, +turned away with a faint suggestion of contempt +in the shrug of his shoulders. +</p> + +<p> +"Bannerman," he said loudly, "that confirms my +theory." +</p> + +<p> +"Really ... how?" Bannerman's round face +flushed with pleasure. +</p> + +<p> +"Every human being ... every human being," +Levine began emphatically. +</p> + +<p> +"Yes, yes, go on..." +</p> + +<p> +"Has a favorite form of intoxication. Let me +congratulate you on the extremely original form of +yours." +</p> + +<p> +"I don't understand." +</p> + +<p> +"Well, you don't have to. The trouble with you, +Bannerman, is that you're such a confounded +sensualist. And you think everyone can remain on that +high plane of sensuality on which you generally +exist. But that's asking a little too much. The +average person isn't equal to it. Besides, that's +just where the big mistake lies ... in this idea +of the sanctity of life. Civilization is a nightmare +of safety because of it." +</p> + +<p> +"Oh, come, Levine, don't be fantastic again." +</p> + +<p> +Levine looked at Clandon with innocent eyes. He +shook the invisible drop of water from his thumb +and forefinger before speaking. "Anthropology," +he continued, "teaches us that a condition of such +abnormal safety as we suffer from now, never before +existed. We know, for instance, that primitive +man had innumerable chances for calamity ... at +least while geology was a going concern. +Mountains and rivers, glaciers and even continents, +cavorting around like kittens. And that's what we +need nowadays, that's what we miss ... the sense +of extreme terror, which is really the most profound +and religious of human emotions. When primitive +man had to pick up his household goods and keep +running, always just a few strides ahead of the +glaciers, looking back at the green wall of ice, and +feeling the chill on his—" +</p> + +<p> +Clandon burst into uproarious laughter. "Lord! +What a tableau!" Hearing it, Lustbader came to +the surface again from the depths of his chess +game. "Where ... where's the tableau?" he +inquired eagerly. +</p> + +<p> +"Oh, very well, then, he didn't run in front of +the glacier. It is, as you say, only a tableau. +However," Levine continued more seriously, "we may +safely posit a more liberal distribution of catastrophe +in primitive times, and it is, as I said, the +whole trouble. Civilization is a nightmare of +safety." +</p> + +<p> +"Say, Levine, how about the Day of Judgment?" +Twinem asked earnestly. "That'll be an awful +time, won't it?" +</p> + +<p> +"The Day of Judgment," Levine repeated +thoughtfully. "No, too far off. Besides, only an +article of faith. Not sound geology." +</p> + +<p> +Twinem looked crestfallen. "I never hit it +right," he said. +</p> + +<p> +"No, come to think of it, Twinem, there is +something to that. We may safely say that the Day of +Judgment supplied a great deal of the necessary +emotion of fear in the Middle Ages. Yes, come +to think of it, it was very efficient in satisfying that +nostalgia for terror, as we might call it. Only +nowadays we're too practical for it, we know too +much. We can't, I'm afraid, get much of a thrill +from brooding over the Day of Judgment." +</p> + +<p> +"Lack the imagination, don't we..." +</p> + +<p> +"Right, Twinem." +</p> + +<p> +"Need something active ... real. War, I +should say." +</p> + +<p> +"Twinem, you're a genius." At this verdict, Jel +embraced his friend and they marched fraternally +towards the refreshments. Poldy tried to follow +them, but something stopped him on the way. And +now, for the first time, it seemed that a quality +of silence came into the voices, they slackened their +rhythm. Two girls were conversing across the +room by means of signals, and the quick weaving +of their fingers seemed to make an area of silence +around them. Lustbader devoted himself to his +game, and his spongy little hand suspended over the +board looked like a mute held there to dull the +vibrations in the air. But this lasted for only a little +while. Without warning Lustbader jumped up from +his chair, upsetting the board with his violence. +</p> + +<p> +"I have it ... I have it!" he shouted. He +picked up a queen that had fallen to the floor, blew +a speck of dirt from it, and began to polish it with +his sleeve. "Any war that begins can be ended in +fifteen days ... fifteen days at the most. Everybody's +been looking for a way to do it, but nobody +ever thought of this." +</p> + +<p> +"Well?" +</p> + +<p> +"All the soldiers ... <i>all</i> the soldiers," he said +impressively, "should be made to strangle each other to death." +</p> + +<p> +"And then what...?" Clandon asked. +</p> + +<p> +"Why in fifteen days, fifteen at the most," he +sputtered, "it would be over. They can't strangle +each other forever, can they? They'd get tired. +Killing should be work, hard work." +</p> + +<p> +Nobody seemed impressed, and somewhat forlornly +Lustbader turned away. But seeing Poldy +standing near him, he took him aside and continued +to develop his idea more confidentially. "Why, +where I was in the country this summer," he said +rapidly, "there were three pigs, and the farmer's +boy used to say: 'You'll never <i>kill</i> that one +... she's too hard to kill.' And that's how it is. Now +in fifteen days..." +</p> + +<p> +Poldy had been following the motions of Lustbader's +hands as if they were new and fascinating +toys. As soon as it was over he began to cough, +putting his hands to his mouth and looking around +stealthily. It had started as a forced artificial +cough, but in a few seconds his face was red, tears +streamed from his eyes and his throat kept trembling +convulsively each time he tried to stop. The +others stood by helplessly, while Poldy backed into +a chair, always holding his hands to his mouth with +the dainty gesture of a bunny. +</p> + +<p> +"Stop it!" Levine commanded. He caught +Poldy's wrists, and drew his hands away from his +mouth. The coughing stopped, and while they were +still standing around Poldy, awkward and self-conscious, +they were startled by the noise of a deafening +explosion. It began with a tearing sound, as +of bricks bursting apart, and ended in a series of +long detonations. It seemed to come from the heart +of the city, and the room trembled with the impact +of it. Transfixed with terror, they stood and glanced +at each other, and nobody dared to move until it +was over. Then with a concerted movement, they +rushed to the windows and looked out. In subdued +voices at first, but later growing more secure +and controversial, they gave their conjectures. +There were two theories ... one, that it was only +the ordinary dynamiting in the course of erecting +a building; and the other that one of the +skyscrapers had collapsed. +</p> + +<p> +"But steel..." someone said. "Steel buildings +don't collapse." +</p> + +<p> +"Ah ... how do you know? They haven't been +up long enough for anyone to know." +</p> + +<p> +They were silent for a while, considering this and +noting the paleness still on their faces. +</p> + +<p> +"The framework of steel buildings," a low and +thoughtful voice was heard to observe, "is said by +some authorities to be undergoing a hidden but +certain process of rotting away." +</p> + +<p> +"That," Clandon said sententiously, "seems to me +stupid." +</p> + +<p> +"How..." +</p> + +<p> +"Why, it just seems inconceivably stupid to me +that we should be putting up buildings that were +doomed." +</p> + +<p> +"Why, yes," Twinem said eagerly, "we can't +imagine our engineers doing anything so stupid." +</p> + +<p> +"Or a whole civilization, for that matter," +somebody added. "Why, our whole civilization is +founded on steel, and one can't imagine our being +wrong about it." +</p> + +<p> +"On the contrary," Levine cut in, commanding +silence by the seriousness of his voice, "it seems to +me that every civilization must have in it the seeds +of its own dissolution. It seems to me that at +the heart of every civilization there must be some +colossal stupidity. It must be there, or there would +be no guarantee that the civilization was to end." +</p> + +<p> +"And is that important?" +</p> + +<p> +"For it to end? Yes." +</p> + +<p> +"Why ... can you tell us why, perhaps?" Clandon +said angrily. +</p> + +<p> +Levine shrugged his shoulders and turned away +from him. "Study the history of Greece or Rome, +and it will prove what obvious stupidities these +civilizations harbored within themselves. Perhaps this +faith of ours in the eternity of steel, this frantic +erecting of buildings that are rotting away within, +is the stupidity that we are furnishing for the future +to marvel at." +</p> + +<p> +"That is," Clandon corrected, "<i>if</i> they are rotting +away." +</p> + +<p> +Levine did not answer, and they were silent, +lingering uncertainly near the window or looking +uneasily into the street. In this silence they heard +a voice speaking for the first time that evening, +coming in meditatively though somewhat late, like +a clock that strikes pompously after the hour. +</p> + +<p> +"Bannerman's right now..." the voice said. +"I know what he means." The words were slightly +muffled by the process of mastication. They looked +into the other room, and saw a short gray-headed +man standing alone at the table, plying the +sandwiches and drinks. It had been a systematic and +lengthy procedure, to judge by the extensive ruins +of food around him, and not even the sound of the +explosion had interrupted it. The speaker was +eating now with a profound expression, his round +gray eyes always looking at the next object to be +attacked, thus keeping up an uninterrupted campaign. +</p> + +<p> +"Sintz, my child, eating again?" Clandon wagged +his finger playfully. He was usually called Sintz +because nobody could remember his real name, +except that it was very long and contained that +syllable somewhere; and "my child" was added +because his rosy little mouth and clear gray eyes made +him look like a little boy burgeoning out into his +first rotundity. +</p> + +<p> +"Yes, Bannerman's right," Sintz repeated, and +wiped away the crumbs that trickled down his chin. +"I know what he means. Now when I was a boy +we were starving most of the time. But there were +some crusts of bread so old and so moused-at that +we had to throw them away. And I remember that +every time I threw one of those old crusts away it +hurt me ... here..." he applied his wine-glass +to his heart. "I couldn't kill anything, either. No, +not even to wipe a roach off the wall, though God +knows we had enough of them. Now why have +I lost that feeling? Often I ask myself: how did it happen?" +</p> + +<p> +He stopped and looked around, like a confused +little boy who realizes that an ominous silence has +fallen on his elders. Clandon winked to the others +and stepped over to the table. +</p> + +<p> +"Couldn't throw a crust of bread away, you say..." +</p> + +<p> +Sintz nodded. +</p> + +<p> +"Well, Sintz my child, what do you call that?" He +pointed severely to the remains of food. +</p> + +<p> +"Yes, what?" Sintz repeated cordially, and looked +at the table. +</p> + +<p> +"Phew! Look how much you've eaten. You +contemptible little—breadbox!" Clandon lunged +forward as if to tickle his stomach, but Sintz caught +his arm and held on to it tightly. +</p> + +<p> +"Yes, what do you call that? Look ... just +look at that ... A fine exhibition ... to eat +like a garbage can. I eat and eat. Whenever I see +food, I eat. But that's not the worst of it. If it +were only that I wouldn't be so worried. You don't +know what I'm capable of." He whipped himself +round to the others. "Yes, you don't know what +I'm capable of," he continued solemnly. "My +mother had a little white dog once called Pierrot. +And one day she comes into my room and folds her +hands and says, 'Pierrot is dead.' Do you know +what I did? I burst out laughing. She just sat +there and looked at me. Now was it right to laugh?" +he asked sadly. +</p> + +<p> +A solitary chuckle exploded from Clandon, and +Sintz fixed him with a long puzzled stare. "Well, +I can see why you laugh," he said slowly. "You +don't know what I used to be. That's the whole +trouble." +</p> + +<p> +He was silent, munching his sandwich and +regarding them thoughtfully. But in the midst of +it he darted towards Clandon, caught at his lapel, +and lifted his face to him imploringly. "Listen, +Clandon, I'll prove it to you. Only tell me what +you want me to do, set me any task and I'll do +it here before all these people. Anything you say, +to show you what I'm capable of..." +</p> + +<p> +Clandon screwed up his eyes and tightened his +lips, tasting beforehand the special flavor of the +cruelty he would choose. After long thought he +shook himself loose from Sintz with an angry +gesture. "Hang it all, Sintz," he said irritably, "I +can't think of a thing. I believe you all right, if +that's what you want. But damned if I can think +of any way of being specially cruel." +</p> + +<p> +"Look here, Sintz..." it was Twinem, speaking +with paternal good-nature. "I think we could +arrange it. I've been awfully curious ever since I +can remember to know how it feels to have drops of +water falling on your forehead at long intervals. +Heard about it once in a book when I was little, as +a pet form of torture somewheres in the East +... China, I guess. And then I got a few boys to try +it on me, only they didn't have the patience to do +more than a few drops, and did them too quick. +I even put my head under the faucet, once when it +was dripping a little, to see how long I could stand +it. But the water stopped altogether, and I couldn't +regulate it again. Now, if you're willing..." +</p> + +<p> +Sintz regarded him fearfully, like a child that is +a little suspicious of the new game. +</p> + +<p> +"Would you, now? That's right. Clandon, old +boy, dive into the medicine chest and get an +eyedropper or ear syringe or some suitable instrument." +</p> + +<p> +Twinem placed a chair in the center of the room, +tucked a large napkin under his chin, sat down and +shut his eyes. The others gathered round as if +they were about to witness an operation. But +Clandon signalled them away and took charge of +it. He looked at Sintz critically, and announced, +"He needs gloves." Someone furnished a pair of +gloves that were too big for him and drooped at the +finger-ends, giving an appearance as if all his fingers +had been broken at the tips. Sintz looked at his +hands in alarm. He flourished them about and +when he saw that this caused everyone to laugh he +gave a few extra flourishes, folded his short arms +in front of him, and looked at Clandon defiantly. +"He needs a mask," Clandon said. Lustbader +produced his handkerchief, and tied it tightly over +Sintz's nose and mouth. +</p> + +<p> +"You have to turn him around and see which way +he faces when he's through." +</p> + +<p> +"He ought to have an apron." +</p> + +<p> +"Right. We'll turn him." +</p> + +<p> +"Why?" Sintz's voice was muffled and alarmed +behind the handkerchief. +</p> + +<p> +"Never mind why," Clandon answered. "It's +always done." He raised Sintz's gloved hands in an +attitude of astonishment and whirled him around. +But in the midst of his gyration Sintz caught at +Clandon's arm, and they almost fell together with +the effort to steady themselves. "Sure this isn't +a trick on me?" Sintz asked in a terrified whisper. +The handkerchief began to vibrate over his mouth +as if a tiny white muscle were set in motion there. +"Take it off, Clandon," he pleaded. "I can't +breathe." +</p> + +<p> +Again Clandon put his head on one side and +regarded him critically. "Twinem, I've an idea," he +announced solemnly. "The water must be hot." +</p> + +<p> +"Oh, I say, Clandon, that's ridiculous." Twinem +raised his head and opened his eyes. "You're not +going to heat the water specially, are you?" +</p> + +<p> +"Why not?" +</p> + +<p> +"Because it's ridiculous ... heating water +specially..." +</p> + +<p> +"Why is it ridiculous?" +</p> + +<p> +Twinem removed the napkin and rose angrily. +"It's absurd, that's all. Besides, I never heard that +the water was hot." +</p> + +<p> +"That may be," Levine said. "But then consider, +Twinem. A man devoted his whole lifetime to being +killed, in those times. But no one would think of +wasting time that way nowadays. We've just got +to hurry it a little." +</p> + +<p> +"Oh, all right then, go ahead. Only it's carrying +things a little too far." He sat down sullenly +and put his head back, whistling up at the ceiling +until they were ready. +</p> + +<p> +Sintz took the eye-dropper with trembling hands. +He brushed the curls back from Twinem's white +forehead and stared at it, as if it had turned into +a strange object. +</p> + +<p> +"How can I do it when his eyes quiver that way?" +he burst out at length. "Make him stop moving his +eyes that way." +</p> + +<p> +"Now, Sintz, I'll count three..." +</p> + +<p> +The little white muscle over Sintz's mouth began +to vibrate frantically. He flashed an imploring look +at Clandon, poised the eye-dropper over Twinem's +forehead, and ended by dusting it lightly with the +loose finger-tips of his left hand. +</p> + +<p> +"One." Clandon scored it off by raising his forefinger. +</p> + +<p> +"It makes me nervous ... his eyes quivering +that way." +</p> + +<p> +"Two." +</p> + +<p> +"I'll do it, the minute he stops screwing up his +eyes that way." +</p> + +<p> +Clandon wagged two fingers in the air, and was +about to declaim the last number, when Sintz turned +to him. "Do you know what..." he said quietly, +as if it had just occurred to him. "I can't do it. I +can't do it ... that's all." He put the eye-dropper +away and took off the handkerchief and gloves. His +forehead was wet with perspiration, and he fumbled +nervously for his handkerchief. "Lustbader, can I +use yours?" he asked humbly. +</p> + +<p> +"It's a damned messy business," Twinem announced, +sitting up with a disgusted grimace. There +was water trickling down from his forehead and he +wiped it hastily with the back of his hand. "Takes +too long anyway. Thank God, we kill people much +quicker." +</p> + +<p> +"We do ... we do!" Lustbader hugged himself +gleefully. "I said that was the trouble. Now in +fifteen days ... fifteen days at the most, if +everything is done by strangling. That's the only +condition I make ... all killing to be done by +strangling. Oh Lord, how simple." He picked +up the chess board and waltzed around with it, while +the pianist accompanied him with a furious scherzo. +"Stop it!" Lustbader commanded breathlessly from +the midst of his whirling. "How can I keep up +with that?" +</p> + +<p> +But here the man who had been rapping on the +piano raised his voice in a final effort. "Ladies and +gentlemen, a quartet. Clear the floor for the quartet." +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +The players were old and German-looking. They +played with curious indifference, looking as if they +were half asleep over their instruments. Only the +second violinist looked up alertly each time that a +new instrument came in. He had a sharp archaic +profile, the full eye almost completely visible in +profile; and the sculptured down-turning mouth +that gave a slight sourness to his expression. +Whenever one of the instruments was due to make its +entrance he would look at the player watchfully, +almost suspiciously, until the new motif was merged +with the others. While the others plied their strings +in enchanted detachment, he seemed to have a +secret joy in the playing from his foreknowledge of +the moves, from being part of the intricate +mechanism of the music. +</p> + +<p> +For the first time since he had entered the room +Lewis was able to look around him and to take +stock of his confused impressions. He realized that +he had been avoiding Poldy, that there was something +offensive to him in the green pallor of Poldy's +face, and that he felt in some way degraded by +Poldy's presence. He remembered too that several +times in the course of the evening Levine had fixed +his eyes on him with grave thoughtfulness. Now +he was conscious of a painful buzzing in his head, +and though he felt unnaturally hot, his forehead +was damp and cold when he touched it. He tried +to listen to the music, but he was too weary to follow +it as melody and rhythm. He was only vaguely +aware of its turnings, of the weaving in and out of +musical patterns ... he had the feeling of watching +dancers from a great distance, seeing faintly the +joining and parting in a long and tireless dance. +But there were times when he seemed not to hear +at all, when he found himself staring at the players +until they took on the appearance of a quaint +instrument working with a symmetry of arms. +</p> + +<p> +But now, on the high note of its long obbligato, +the cello came to an abrupt stop, and the rest of +the music spilled over suddenly into silence, little +odds and ends of sound tumbling after it. +</p> + +<p> +"What's the trouble?" the man at the piano asked +impatiently. "You were doing fine." +</p> + +<p> +"No, I can't play with him any more," the cellist +began, rising wrathfully and pointing his bow at +the second violinist. +</p> + +<p> +The second violinist looked at him in consternation. +"Why, what have I done? Roth, you're crazy." +</p> + +<p> +"You look at me as though you were afraid I +didn't know it was my turn. It's humiliating." +</p> + +<p> +"I ... <i>I</i> look at you..." +</p> + +<p> +The cellist loosened his bow and shook the hairs +violently. "No, I won't worry you any more," he +said bitterly. "Get some one you can trust." He +picked up his instrument and stalked out of the +room. +</p> + +<p> +"Isn't that too bad," the man at the piano said +sadly. "I thought they were doing so nicely." +</p> + +<p> +But now there was a commotion at the door, and +they saw Poldy trying to get out, Jel struggling with +him and trying to save his cigarette at the same time. +At last he had Poldy pinned to the wall. With his +free hand he signalled for help. +</p> + +<p> +"Damned fool!" he said. "Now he wants to run +down on the street. He says the first person he +meets..." +</p> + +<p> +Poldy nodded. "Yes, the first person I meet," he +repeated solemnly. +</p> + +<p> +"What about it ... what about it?" Levine put +his hands on Poldy's shoulders and spoke with +hypnotic rapidity. +</p> + +<p> +"The first person he meets will save him, he says." +</p> + +<p> +"Can I go?" Poldy looked at Levine, his lips +trembling. +</p> + +<p> +"Yes, go," Levine said gently. +</p> + +<p> +"Where's my hat, Jel?" +</p> + +<p> +"<i>I</i> don't know ... How should I know where +you put it?" +</p> + +<p> +"I need my hat." +</p> + +<p> +"Well, where is it?" +</p> + +<p> +Poldy turned to Levine. "I need my hat," he +whispered. +</p> + +<p> +They found one that was too small for him, that +perched absurdly on his head. Lustbader burst +out laughing. "O God ... O God, that's clever," +he gasped. "The first person he meets—will be a +woman." +</p> + +<p> +They heard the door close and a silence fell on +them. Some stood awkwardly at the door, others +ran to the window. +</p> + +<p> +"Well, what do you see?" Levine snapped. +</p> + +<p> +"Wait ... wait," Lustbader called gleefully. +"I made a bet with Jel that the first person he meets +will be a woman. Sure enough ... sure enough! +He's passing up the men. God! but that was +clever." +</p> + +<p> +"Where's he going?" +</p> + +<p> +"Heading for the park, now." +</p> + +<p> +"No, he's standing still." +</p> + +<p> +"He'll be run over." +</p> + +<p> +"Going to pieces that way ... I always +thought Poldy had more—" Jel stopped with a low +horrified whistle. "Well, if that wasn't a close +one!" +</p> + +<p> +"Look! Look!" Lustbader flung his arms out +ecstatically. "He's going up to a woman ... he's +talking to her. Hell! But that was clever. 'The +first person I meet...' What a game!" +</p> + +<p> +"That was my hat," someone said thoughtfully. +</p> + +<p> +"No, she's walking away. Wouldn't have him. +Now what is he waiting for." +</p> + +<p> +"A peculiarly Biblical obsession," Levine observed +drily. "To take the first person one meets as a sort +of godhead. Business of Jephtha's daughter." +</p> + +<p> +"But you know, I think there's something in +it." Bannerman settled himself in an easy chair and +lit his cigarette with luxuriant slowness. "It came +over me, once. A hot evening, I remember, when +I was sitting in my studio and seeing all the people +passing my window, and somehow I began to feel +sorry for them. And it came over me with +overpowering strength that I should rush out and follow +the first person I met, and be content to serve that +person all the time. I don't know what it was. A +sort of desire to love all the people in the world +by—" +</p> + +<p> +"Wallowing in one," Levine finished. +</p> + +<p> +"Wallowing?" +</p> + +<p> +"Yes. You're such a subtle nature, Bannerman, +that you have to wallow in the coarseness of other +people ... or rather in their ordinary-ness. +Besides, you wouldn't choose an ordinary person at +all." +</p> + +<p> +"Ah ... but that's where you're wrong. The +whole secret of the feeling lies in that ... that +I'd follow the most ordinary person. One who—" +</p> + +<p> +"Picks his teeth?" +</p> + +<p> +Bannerman frowned, nettled. "Well, why not? +Picks his teeth or his—" +</p> + +<p> +Levine laughed heartily. "Oh, <i>that</i>. Just as I +thought. So that's your idea of an ordinary person." +</p> + +<p> +"Why not? Why not?" Lustbader called from +the window. "Suppose he picked any part of his +body..." +</p> + +<p> +"Now tell me, Bannerman. Is Lustbader an +ordinary person?" +</p> + +<p> +"Well, now ... yes. I've seen him pick his nose." +</p> + +<p> +"Again just as I thought! No, Bannerman, you +don't know what an ordinary person is. A person's +being ordinary you consider a great curiosity, and +you ask for a visible sign of it ... a token. It's +a prurient interest, peculiar to people of your kind +... withdrawn, oblique natures—" +</p> + +<p> +Sintz's bright round eyes had been looking from +one to the other. "Now <i>I</i> once followed a man on +the street," he observed importantly. +</p> + +<p> +"There you are!" Bannerman triumphed. +</p> + +<p> +"No, wait ... not so fast. Now, Sintz, tell us +... why did you follow him?" +</p> + +<p> +"He picked up a cigarette butt from the street," +Sintz began reminiscently, in the manner of a very +important witness, "and put it in his pocket, and +I followed him." +</p> + +<p> +"But I object," Bannerman said. "The cigarette +butt means nothing." +</p> + +<p> +"Did you see him smoke it?" +</p> + +<p> +"Did I!" Sintz slapped his thigh. "What did I +follow him for?" +</p> + +<p> +"Exactly," Levine nodded. "The first thing you +know, Bannerman, that very ordinary person you +were following would have to commit murder or +suicide or incest, or you'd lose interest in him. +Smoke the cigarette butt, so to speak. Yes, even +if his being ordinary consisted merely in sporting +a pimple on his face, you'd have to get thrills of +horror every time you looked at it. Now isn't that +true?" +</p> + +<p> +"The most average person ... the most +average..." Bannerman repeated weakly. +</p> + +<p> +"Ah ... again ... the most average. Take it +from me, Bannerman, your real wish, that you're +not aware of, is to patronize some form of +abnormality. And if your person isn't abnormal, you +console yourself by saying he's at least the most +average. But then, being most average is a form +of abnormality in itself." +</p> + +<p> +Bannerman yawned and looked towards the window. +</p> + +<p> +"How's Poldy?" he asked. "Damn him, why +doesn't he come back? We can't wait here forever." +</p> + +<p> +"Oh, he'll come back," Lustbader said disgustedly. +"Couldn't decide which was the first person +he met." +</p> + +<p> +Lustbader turned away from the window, and +after a moment's profound thought, he took out his +handkerchief and tied it over his eyes. They +watched, expecting a trick. +</p> + +<p> +"Ladies and gentlemen," he began, mimicking +Poldy's voice. "The first person I meet ... the +first person I meet, I shall..." +</p> + +<p> +He advanced slowly as he had done before, walking +on tiptoes and pedalling the air with his fingers. +First he made for the wall, but there he turned +abruptly and pedalled himself to the corner where +Marah was sitting. He stood before her, and after +looking down at her with his blindfolded eyes, he +lifted his hands to her face and felt it with stiff, +heavy movements of his palm. She did not move +or close her eyes, her features were frozen in an +expression of curiosity about which there was +something more abandoned than desire. And at last, +baffled by her immobility, Lustbader tore the +handkerchief from his eyes and wheeled himself around, +and walked heavily back to the chess table. His +face was red and he avoided looking at anyone. +</p> + +<p> +"Well, I think I'll be going," Bannerman said. +He signalled to the tall girl reclining on the couch, +and she rose and followed him out of the room. +Jel and Twinem marched about in a loose but +affectionate embrace, looking for Poldy's hat. The man +who had to wear it found that it was too big for +him, and he walked out scowling, nothing visible +of his face but the indignant nostrils and +compressed lips. Sintz slipped away, looking unhappy +and forlorn. When they thought he had gone he +reappeared in the doorway and said timidly, +"Coming, Clandon?" Soon there were only a few people +in the room, and the chairs were visible in their +various attitudes ... some close to each other for +private dialogue, some in groups, or some off by +themselves, looking like the negative of a picture. +</p> + +<p> +And now Levine went over to Marah, and bent +down to her and spoke in a low voice. "Why did +you let him?" he asked earnestly. "Why did you +let him, Marah? Weren't you afraid?" +</p> + +<p> +She looked up at him a long time before answering. +"And if I wanted that ... if I wanted to be +afraid?" In the slow smile that curved her lips +there was a suggestion of triumph and challenge. +</p> + +<p> +"<i>I</i> know what she wants to be afraid of," Lustbader +called loudly from his game of chess. He was +playing with himself this time, trying to keep his +left hand directly opposite him so that it might +move like a separate entity. +</p> + +<p> +Levine's voice rang with unhappy reproach. "But +Lustbader ... Lustbader..." +</p> + +<p> +"Why not?" she countered lazily. +</p> + +<p> +"Then that counts me out?" He looked at her +with a stupid protracted smile. +</p> + +<p> +Marah nodded. +</p> + +<p> +"You're afraid, perhaps, that you will forget +yourself again? Perhaps I have become too +desirable, and because of your pact..." +</p> + +<p> +But she rose and stretched herself, an angry +muscular stretching of her arms, hands clenched. "I +don't know..." she said with sudden petulance. +"I only wish I could be happy. The only thing I +know is that I am not happy." +</p> + +<p> +"But you were happy that time with me, Marah," +he urged in a low voice. "You said you were." +</p> + +<p> +She stood uncertainly before him, her gray eyes +searching his face with an expression in which there +was both hope and weariness. "No," she said +sharply, "I don't think it's true." +</p> + +<p> +In the confused moment that followed, Levine +tried to speak, tried to lift his hand and touch her. +But he finished by clapping his palm and fist +together, with the gesture of having concluded an +important transaction. "So be it," he said, bowing +ceremoniously. "It only confirms my theory..." +his face, raised to look at her while his body was +still bowing, seemed dwarf-like and malicious +... "that all women insist on remaining virgin. When +they lose the gross virginity of the body, they find +themselves a new way to be inviolate. I think," he +added, standing erect and looking directly at her, +"that you will continue to remain unhappy. Well, I +wish you joy of him." +</p> + +<p> +But when he had reached the door she ran to him +swiftly, and laid her hand on his arm. "Are you +going?" she asked in a low incredulous voice, her +lips suddenly tremulous. +</p> + +<p> +"I think, Marah, I had better go," he said +gently. "It's really..." he hesitated, looking +away from her with a twisted smile ... "it's really +no use. I knew it wasn't, from the beginning." +</p> + +<p> +Simultaneously with Levine's shutting the door, +Lustbader set up a clicking motion of the tongue +and surveyed the game more intently. +</p> + +<p class="thought"> +* * * * * * * +</p> + +<p> +For a long time Poldy remained sitting in the +park. A woman came and sat down next to him, +and when he did not speak she turned and peered +curiously into his face. "Is that the dipper?" she +asked, pointing up at the sky, and bursting into a +laugh at her own question. But Poldy looked in +the direction of her finger without speaking. +</p> + +<p> +Meanwhile Lewis Orling and Levine walked +through the deserted streets. Lustbader and Marah +went home together. Marah was crying softly to +herself, and Lustbader glanced at her unhappily, +wondering what he could do. +</p> + +<p><br><br><br></p> + +<p><a id="chap09"></a></p> + +<h3> +CHAPTER IX +</h3> + +<p><br></p> + +<p class="t3"> +1 +</p> + +<p> +It was near morning when Lewis awoke. Still +drowsy with heavy sleep he lay on the couch, +aware of the morning light on the window, of +the pleasant rumbling of wheels in the street below. +As yet the light on the window was not the sun. +Too still and pale, it was only the intimation of +sunlight, and gave to his drowsy senses the feeling of +the whole earth still asleep, yet stirring in its sleep +with a mysterious premonition of morning. In a +part of the room that was still in shadow he saw +Levine. He sat with his head resting on his hand, +perhaps asleep. Or, if he was not sleeping, it was +the attitude of one who had come to the end of all +his thoughts, and found there was nothing to do, +nothing left but to remain motionless, keeping +automatically the posture of thinking. Without turning +his head, as if divining that Lewis was awake, +Levine spoke to him. "You slept well," he said. +</p> + +<p> +"And you?" Lewis asked softly. +</p> + +<p> +Levine shook his head. He turned his face for +the first time and his eyes showed dark and +haggard. "I have forgotten how. For me," he added +with a wry smile, "sleep is a lost art." +</p> + +<p> +Scarcely hearing Levine's words, too preoccupied +with the well-being of his own awakening, Lewis +stretched himself and rubbed his eyes. It did not +surprise him that he was fully dressed. He +remembered now what had happened ... how, after +hours of walking, they had come to Levine's +apartment, and he had flung himself down on the couch, +too exhausted to hope for sleep; and how, between +one word and the next sleep had overtaken him ... so +swiftly and skilfully, like a surgeon who has done +with it in one quick pass of his hand. Now he lay +awake remembering it, and in that wilfulness of his +being that had betrayed him into sleep, he felt there +was something to gladden him ... something that +stirred in him an obscure sense of gratitude. Yes, +he had slept well, and he had slept long. He had +lived intensely in his sleep, living out part of his +life in a profound symbolism. And though now +there was nothing he remembered from it, he knew +this part of his life was done with. Like actors +whose gestures have too profound an import to be +played before the audience, all the desires of his +being had hidden themselves from him, and acted +it out. And in this awakening there was also +the strange sense of convalescence, a feeling of +recovery from all the years which he had lived so +intensely in his sleep. Lightly his body lay on the +couch, scarcely aware of its own weight. And every +movement that he made was strange with an +unaccustomed lightness; and whatever he looked at +showed with a brilliance of line, as if the edges +were ablaze from their contact with light. +</p> + +<p> +He lifted his hand before him, and studied his +palm as though it was strange to him, and spread +his fingers apart and closed them again. And what +of Ruth? he asked himself.... What of his work? +Strange that he did not feel anger for her, that +in this moment he longed for her without reserve. +At the thought of returning to her there was the +old tumult in his heart, but now he understood its +meaning ... it was revealed to him as the baffled +speech of his body that had loved Ruth all the time. +He would return to Ruth and he would be happy +with her. As for his work, it was good that it had +been destroyed. He was free from it. Henceforth +the routine of his days would be sufficient, now he +understood that it was possible to live without +ecstasy. And though at this moment there was no +cause for him to rejoice, yet a sense of well-being +came over him, a strange and unreasonable +happiness; and in this he recognized again the +wilfulness of his being ... the wayward and laughing +will, that like a perverse child, was not impressed +by anything that had befallen him. +</p> + +<p> +And for the future? It would be hard at first.... +He would feel as if he were standing in an +empty room, in which there is still the memory of +things that have been there, and he would make +painful, baffled gestures toward them ... but it +was nothing he could not get used to. But here +Levine's voice roused him, sounding thoughtfully +in the quiet room. He had risen from his chair +and was standing at the window, looking down into +the city. +</p> + +<p> +"But there is one thought," he was saying, "that +you must not have when you lie awake ... the +way the world is being re-arranged by those who +are sleeping. Every night when I can't sleep, I +think of the strange world that is being created by +all the dreams of people who are sleeping. And +I feel as if I were alone in a madhouse, the only +sane person there. Only," he paused and shaded +his eyes from the light, "I wish I could join them." +</p> + +<p> +"It is too much to ask," he added, his voice +trembling with suppressed bitterness, "that one should +always be sane. It is too much to have only reality. +I am sick of my reality. I wish I could tear it +apart, wrench it ... distort it hideously. I wish +I could enter their madhouse and dream something +so filthy that it would turn my brain." He checked +himself with an ugly laugh. "No, this won't do," +he finished sharply. "This isn't the way to talk, +Joseph Levine. You've been thinking too long..." +</p> + +<p> +"I've been thinking too long," he continued, in +a voice that was again calm and self-contained. +"And besides," he added, a faint ironical smile +hovering about his lips, "it isn't so bad. I've +discovered at least that something is over for me. +There isn't much else to believe, but I think this +is left. We can always say..." the words were +chanted in a grotesque sing-song, "something is +over ... something is over." +</p> + +<p> +To Lewis the words took up the burden of his +own thoughts. "Something is over for me, too," +he said softly. He raised himself on his elbow and +leaned forward eagerly. "Do you remember that +night I came to you when I left the hospital? Do +you remember when I came bleating to you? Yes, +that is the word," he insisted with a delighted +involuntary laugh. "I came bleating to you. But +I can't understand now why I did it. Will you +forgive me?" +</p> + +<p> +"If you wish it, yes," Levine said with ironical +kindness. +</p> + +<p> +"But it was wrong ... it was wrong," Lewis +insisted. "I can't understand it. I can't +understand what I wanted. I wanted to whistle for the +world ... I thought the whole world would come +to my hand if only I whistled for it. But now +all that is over. I think that now," he continued +musingly, "I am content. Perhaps I shall be able +to live without ecstasy, without forgetfulness..." +</p> + +<p> +Levine sat down again, resting his head on his +hand and staring at the floor. "Content +... content..." he mimicked. "No ecstasy, no passion, +no forgetfulness ... the negative litany of our +day. Well, I too am content. Yes, why should I +complain? Something is over. Why should one +complain," he asked with bitter indifference, rapping +his forehead, "if there is still enough resilience here +to feel that something is over?" +</p> + +<p> +Lewis did not answer and there was a long silence +in the room. The light on the window grew +brighter, and sounds of stirring came up from the +street. Then he dozed off, a light and dreamless +slumber, from which he was awakened by the sound +of Levine's footsteps going back and forth on the +carpet. +</p> + +<p> +"There's news for both of us in the paper," +Levine said gently, pausing near the window and +nodding his head toward the paper that lay next +to Lewis on the couch. Lazily Lewis turned to read. +"So Konig confessed..." he said. +</p> + +<p> +"Yes, it seems he was guilty." And Levine added +with a constrained smile, "That makes me a fool." +</p> + +<p> +After a while Lewis sat up, his eyes bright with +their intuition. +</p> + +<p> +"And Poldy?" he asked. +</p> + +<p> +"Poldy is dead," Levine began in a low voice. +"There's a suicide reported that corresponds to +him." +</p> + +<p> +Lewis lay down again, staring up at the ceiling. +"It should have happened right away," he +said slowly. "It was best." He took the paper +to read, but the next moment put it away from him. +"No, I won't read it now..." +</p> + +<p> +They were silent, listening to the sounds that +came up to them from the awakening street +... from a great distance they seemed to hear them +... the muffled beat of a hammer, the rumbling of +wheels, footsteps ringing out on the pavement. And +while they listened the sounds became for them a +primitive language, speaking with a profound utterance +that they heard and tried to understand. +</p> + +<p><br></p> + +<p class="t3"> +2 +</p> + +<p> +The shadow of the wind running through the +leaves was on the floor. Under the scraps that lay +there ... silk and cotton and wool that were all +colors ... it ran more swiftly than anything she +had ever known. "What is swifter than the shadow +of the wind running through the leaves?" she said +to herself, and fell to wondering how it would look +in a place where there were many trees instead of +only one. Soon the sun came out. Then the sun +and the leaves lay together on the floor in a still +mosaic of gold and gray. Watching it, Mirelie +forgot the machines and the coat she was sewing, +and Anna's scolding voice ... she thought it was +a very quiet spot in the woods. Meanwhile the tip +of her needle looked up at her through the cloth, +like the bright watchful eye of an insect ... and +Anna began to scold her. +</p> + +<p> +"Only look at her now ... staring at the floor," +she said. "Three stitches and she's through." And, +"Say, Mirelie, what have you lost?" someone else called. +</p> + +<p> +"Go ... go to the door," Anna commanded. +"Be busy. Look for David. Perhaps he will come." +</p> + +<p> +So she went to the door and stood looking out. +At first there was nothing to see ... only a boy +and a girl jumping rope in a place where the sidewalk +was clear, facing in the circling frame of the +rope, looking at each other while their bodies went +up and down. And an old man was standing near, +who was stroking his cheeks all the time as if thin +fine webs kept gathering around them. But soon +she felt there was something swaying on the street. +In and out of the people it went, bending to one +side like part of a machine that has to move in a +different way, walking behind its shadow that kept +swinging wilfully away from it. Then her heart +changed its step, but she was no longer ashamed of +it ... she was no longer afraid of the old man +who had said in her dream, "They are married." +</p> + +<p> +"What is it that sways on the street and is not +the shadow of a tree?" she riddled to herself, and +looked eagerly among all the people to the place +where she could see it again. And now she saw +David clearly, walking very fast and looking toward +the shop, and there was a faint smile on his face. +She could tell, now, how it was: sideways for his +long right leg, up again for the other ... so all +the way down the street, until he had to stop at +a place where it was too crowded to pass. So she +added to her riddle: "And stands this way?" and +she bent her body a little to one side, like the branch +of a tree when it has a premonition of wind. And +now David was near the shop, looking eagerly ahead +to see whether Mirelie was waiting for him. And +now he was at her side, touching her hand. +</p> + +<p> +"Mirelie," he whispered, and he laughed softly to himself. +</p> + +<p><br><br><br><br></p> + +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 75924 ***</div> +</body> + +</html> + + diff --git a/75924-h/images/img-cover.jpg b/75924-h/images/img-cover.jpg Binary files differnew file mode 100644 index 0000000..a8f08dc --- /dev/null +++ b/75924-h/images/img-cover.jpg diff --git a/75924-h/images/img-title.jpg b/75924-h/images/img-title.jpg Binary files differnew file mode 100644 index 0000000..2a474f4 --- /dev/null +++ b/75924-h/images/img-title.jpg |
