summaryrefslogtreecommitdiff
path: root/8164-h/8164-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '8164-h/8164-h.htm')
-rw-r--r--8164-h/8164-h.htm619
1 files changed, 86 insertions, 533 deletions
diff --git a/8164-h/8164-h.htm b/8164-h/8164-h.htm
index 7df538a..792b57f 100644
--- a/8164-h/8164-h.htm
+++ b/8164-h/8164-h.htm
@@ -1,19 +1,15 @@
<!DOCTYPE html>
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<html lang="en">
<head>
- <meta charset="UTF-8">
- <title>
- My Man Jeeves | Project Gutenberg
- </title>
+ <meta charset="utf-8">
+ <title>My Man Jeeves | Project Gutenberg</title>
<link rel="icon" href="images/cover.jpg" type="image/x-cover">
- <style> /* <![CDATA[ */
-
-
-body { margin-left: 20%;
- margin-right: 20%;
+ <style>
+body { margin-left: 10%;
+ margin-right: 10%;
text-align: justify; }
-h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+h1, h2, h3, h4, h5, .h2, .h3 {text-align: center; font-style: normal; font-weight:
normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
h1 {font-size: 300%;
@@ -22,8 +18,8 @@ h1 {font-size: 300%;
letter-spacing: 0.12em;
word-spacing: 0.2em;
text-indent: 0em;}
-h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
-h3 {font-size: 130%; margin-top: 1em;}
+h2, .h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3, .h3 {font-size: 130%; margin-top: 1em;}
h4 {font-size: 120%;}
h5 {font-size: 110%;}
@@ -72,39 +68,18 @@ a:visited {color:blue; text-decoration:none}
a:hover {color:red}
</style>
-
</head>
-
<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of My Man Jeeves, by P. G. Wodehouse</div>
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: My Man Jeeves</div>
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: P. G. Wodehouse</div>
-<div style='display:block; margin:1em 0'>Release Date: June 24, 2003 [eBook #8164]<br>
-[Most recently updated: February 6, 2024]</div>
-<div style='display:block; margin:1em 0'>Language: English</div>
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Suzanne L. Shell, Charles Franks and the Online Distributed Proofreading Team</div>
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK MY MAN JEEVES ***</div>
-
+<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 8164 ***</div>
<div class="fig" style="width:55%;">
<img src="images/cover.jpg" style="width:100%;" alt="[Illustration]">
</div>
<h1>My Man Jeeves</h1>
-<h2 class="no-break">by P. G. Wodehouse</h2>
+<div class="h2">by P. G. Wodehouse</div>
-<h3>1919</h3>
+<div class="h3">1919</div>
<hr>
@@ -148,7 +123,7 @@ country where you are located before using this eBook.
<div class="chapter">
-<h2><a name="chap01"></a>LEAVE IT TO JEEVES</h2>
+<h2><a id="chap01"></a>LEAVE IT TO JEEVES</h2>
<p>
Jeeves&mdash;my man, you know&mdash;is really a most extraordinary chap. So
@@ -467,7 +442,7 @@ I boiled down Corky&rsquo;s painful case into a few well-chosen words.
</p>
<p>
-&ldquo;So you see what it amount to, Jeeves. We want you to suggest some way by
+&ldquo;So you see what it amounts to, Jeeves. We want you to suggest some way by
which Mr. Worple can make Miss Singer&rsquo;s acquaintance without getting on
to the fact that Mr. Corcoran already knows her. Understand?&rdquo;
</p>
@@ -534,7 +509,7 @@ mentioned.&rdquo;
<p>
&ldquo;Why should not the young lady write a small volume, to be
entitled&mdash;let us say&mdash;<i>The Children&rsquo;s Book of American
-Birds</i>, and dedicate it to Mr. Worple! A limited edition could be published
+Birds</i>, and dedicate it to Mr. Worple? A limited edition could be published
at your expense, sir, and a great deal of the book would, of course, be given
over to eulogistic remarks concerning Mr. Worple&rsquo;s own larger treatise on
the same subject. I should recommend the dispatching of a presentation copy to
@@ -1361,6 +1336,8 @@ Corky and I looked at the picture, then at each other in an awed way. Jeeves
was right. There could be no other title.
</p>
+<hr>
+
<p>
&ldquo;Jeeves,&rdquo; I said. It was a few weeks later, and I had just finished
looking at the comic section of the <i>Sunday Star</i>. &ldquo;I&rsquo;m an
@@ -1433,7 +1410,7 @@ always right. You&rsquo;ve got to consider that, you know. What?
<div class="chapter">
-<h2><a name="chap02"></a>JEEVES AND THE UNBIDDEN GUEST</h2>
+<h2><a id="chap02"></a>JEEVES AND THE UNBIDDEN GUEST</h2>
<p>
I&rsquo;m not absolutely certain of my facts, but I rather fancy it&rsquo;s
@@ -1659,7 +1636,7 @@ was a relief to find that time had healed the wound and all that sort of thing
enough to make her tell her pals to look me up. What I mean is, much as I liked
America, I didn&rsquo;t want to have England barred to me for the rest of my
natural; and, believe me, England is a jolly sight too small for anyone to live
-in with Aunt Agatha, if she&rsquo;s really on the warpath. So I braced on
+in with Aunt Agatha, if she&rsquo;s really on the warpath. So I was braced on
hearing these kind words and smiled genially on the assemblage.
</p>
@@ -1669,7 +1646,7 @@ of assistance to us.&rdquo;
</p>
<p>
-&ldquo;Rather? Oh, rather! Absolutely!&rdquo;
+&ldquo;Rather! Oh, rather! Absolutely!&rdquo;
</p>
<p>
@@ -2100,7 +2077,7 @@ soul of the party, he were to catch my reproving eye he might ease up a trifle
on the revelry. So the next night I took him along to supper with me. It was
the last time. I&rsquo;m a quiet, peaceful sort of chappie who has lived all
his life in London, and I can&rsquo;t stand the pace these swift sportsmen from
-the rural districts set. What I mean to say is this, I&rsquo;m all for rational
+the rural districts set. What I mean to say is, I&rsquo;m all for rational
enjoyment and so forth, but I think a chappie makes himself conspicuous when he
throws soft-boiled eggs at the electric fan. And decent mirth and all that sort
of thing are all right, but I do bar dancing on tables and having to dash all
@@ -2895,7 +2872,7 @@ you know, Jeeves, you&rsquo;re&mdash;well, you absolutely stand alone!&rdquo;
<div class="chapter">
-<h2><a name="chap03"></a>JEEVES AND THE HARD-BOILED EGG</h2>
+<h2><a id="chap03"></a>JEEVES AND THE HARD-BOILED EGG</h2>
<p>
Sometimes of a morning, as I&rsquo;ve sat in bed sucking down the early cup of
@@ -3287,7 +3264,7 @@ the time I&rsquo;d dressed and had my morning tea and was leaning out of the
window, watching the street for Bicky and his uncle. It was one of those jolly,
peaceful mornings that make a chappie wish he&rsquo;d got a soul or something,
and I was just brooding on life in general when I became aware of the dickens
-of a spate in progress down below. A taxi had driven up, and an old boy in a
+of a spat in progress down below. A taxi had driven up, and an old boy in a
top hat had got out and was kicking up a frightful row about the fare. As far
as I could make out, he was trying to get the cab chappie to switch from New
York to London prices, and the cab chappie had apparently never heard of London
@@ -3871,7 +3848,7 @@ successful.&rdquo;
<p>
&ldquo;Well, any way, when we get it I&rsquo;ll make it up to five hundred.
-Bicky&rsquo;ll never know. Do you suspect Mr. Bickersteth would suspect
+Bicky&rsquo;ll never know. Do you suppose Mr. Bickersteth would suspect
anything, Jeeves, if I made it up to five hundred?&rdquo;
</p>
@@ -4365,6 +4342,9 @@ resigned to it. &ldquo;Very well, my boy,&rdquo; he said.
&ldquo;What-o!&rdquo; said Bicky. &ldquo;All right, then.&rdquo;
</p>
+<hr>
+
+
<p>
&ldquo;Jeeves,&rdquo; I said. Bicky had taken the old boy off to dinner to
celebrate, and we were alone. &ldquo;Jeeves, this has been one of your best
@@ -4436,7 +4416,7 @@ popped off.
<div class="chapter">
-<h2><a name="chap04"></a>ABSENT TREATMENT</h2>
+<h2><a id="chap04"></a>ABSENT TREATMENT</h2>
<p>
I want to tell you all about dear old Bobbie Cardew. It&rsquo;s a most
@@ -4508,7 +4488,7 @@ romance.
Bobbie broke the news to me at the club one evening, and next day he introduced
me to her. I admired her. I&rsquo;ve never worked myself&mdash;my name&rsquo;s
Pepper, by the way. Almost forgot to mention it. Reggie Pepper. My uncle Edward
-was Pepper, Wells, and Co., the Colliery people. He left me a sizable chunk of
+was Pepper, Wells, and Co., the colliery people. He left me a sizable chunk of
bullion&mdash;I say I&rsquo;ve never worked myself, but I admire any one who
earns a living under difficulties, especially a girl. And this girl had had a
rather unusually tough time of it, being an orphan and all that, and having had
@@ -4538,7 +4518,7 @@ could happen to a man.
</p>
<p>
-But we now come to the incident of the quiet Dinner, and it&rsquo;s just here
+But we now come to the incident of the Quiet Dinner, and it&rsquo;s just here
that love&rsquo;s young dream hits a snag, and things begin to occur.
</p>
@@ -4596,7 +4576,7 @@ Eskimo tea-party.
</p>
<p>
-He started in straightway. He seemed glad to have someone to talk to about it.
+He started in straightaway. He seemed glad to have someone to talk to about it.
</p>
<p>
@@ -4772,7 +4752,7 @@ shaping, you&rsquo;re due for a nasty knock before you know what&rsquo;s hit
you. You&rsquo;ve got to make an effort. Don&rsquo;t say you can&rsquo;t. This
two quid business shows that, even if your memory is rocky, you can remember
some things. What you&rsquo;ve got to do is to see that wedding anniversaries
-and so on are included in the list. It may be a brainstrain, but you
+and so on are included in the list. It may be a brains-train, but you
can&rsquo;t get out of it.&rdquo;
</p>
@@ -5395,7 +5375,7 @@ There is one born every minute.&rdquo;
<div class="chapter">
-<h2><a name="chap05"></a>HELPING FREDDIE</h2>
+<h2><a id="chap05"></a>HELPING FREDDIE</h2>
<p>
I don&rsquo;t want to bore you, don&rsquo;t you know, and all that sort of rot,
@@ -5676,9 +5656,6 @@ Freddie sank into a chair and groaned.
<p>
&ldquo;This isn&rsquo;t her cousin, you idiot!&rdquo; he said.
-</p>
-
-<p>
&ldquo;He&rsquo;s no relation at all. He&rsquo;s just a kid she happened to
meet on the beach. She had never seen him before in her life.&rdquo;
</p>
@@ -6177,7 +6154,7 @@ me. &ldquo;May I come up?&rdquo;
She didn&rsquo;t wait for an answer. She just came. She seemed to be that sort
of girl. She came up on the veranda and started fussing over the kid. And six
feet away, mind you, Freddie smiting the piano in the sitting-room. It was a
-dash disturbing situation, don&rsquo;t you know. At any minute Freddie might
+dashed disturbing situation, don&rsquo;t you know. At any minute Freddie might
take it into his head to come out on to the veranda, and we hadn&rsquo;t even
begun to rehearse him in his part.
</p>
@@ -6369,7 +6346,7 @@ business had certainly gone with a bang!
<div class="chapter">
-<h2><a name="chap06"></a>RALLYING ROUND OLD GEORGE</h2>
+<h2><a id="chap06"></a>RALLYING ROUND OLD GEORGE</h2>
<p>
I think one of the rummiest affairs I was ever mixed up with, in the course of
@@ -6392,7 +6369,7 @@ scheduled, George having just reached his twenty-fifth birthday, to hand over
to him a legacy left by one of George&rsquo;s aunts, for which he had been
trustee. The aunt had died when George was quite a kid. It was a date that
George had been looking forward to; for, though he had a sort of
-income&mdash;an income, after-all, is only an income, whereas a chunk of
+income&mdash;an income, after all, is only an income, whereas a chunk of
o&rsquo; goblins is a pile. George&rsquo;s uncle was in Monte Carlo, and had
written George that he would come to London and unbelt; but it struck me that a
far better plan was for George to go to his uncle at Monte Carlo instead. Kill
@@ -6933,11 +6910,14 @@ his letter. He gave a kind of grunt of surprise at the first paragraph.
<p>
He handed me the letter, and directly I started in on it I saw why he had
-grunted. This is how it ran:
+grunted. This is how it ran:—
</p>
<p class="letter">
-&ldquo;My dear George&mdash;I shall be seeing you to-morrow, I hope; but I
+&ldquo;My dear George,&mdash;
+</p>
+
+<p>I shall be seeing you to-morrow, I hope; but I
think it is better, before we meet, to prepare you for a curious situation that
has arisen in connection with the legacy which your father inherited from your
Aunt Emily, and which you are expecting me, as trustee, to hand over to you,
@@ -6953,10 +6933,10 @@ claimants, he may prove to be an impostor, but meanwhile his intervention will,
I fear, cause a certain delay before I can hand over your money to you. It will
be necessary to go into a thorough examination of credentials, etc., and this
will take some time. But I will go fully into the matter with you when we
-meet.&mdash;Your affectionate uncle,
+meet.
</p>
-<p class="right">
+<p class="right">&mdash;Your affectionate uncle,<br>
&ldquo;A<small>UGUSTUS</small> A<small>RBUTT</small>.&rdquo;
</p>
@@ -7224,7 +7204,7 @@ world.
</p>
<p>
-Everything went right till lunch-time. George sat in the shade on the foredeck
+Everything went right till lunch-time. George sat in the shade on the fore-deck
talking to Stella most of the time. When the gong went and the rest had started
to go below, he drew me back. He was beaming.
</p>
@@ -7398,7 +7378,7 @@ fellow with his genius for preserving a trouser-crease.
</p>
<p>
-I found George on the foredeck. What is it Shakespeare or somebody says about
+I found George on the fore-deck. What is it Shakespeare or somebody says about
some fellow&rsquo;s face being sicklied o&rsquo;er with the pale cast of care?
George&rsquo;s was like that. He looked green.
</p>
@@ -7768,9 +7748,11 @@ preserver.&rdquo;
Sturgis?&rdquo;
</p>
+<hr>
+
<p>
There&rsquo;s just one bit more. After dinner that night I came up for a smoke,
-and, strolling on to the foredeck, almost bumped into George and Stella. They
+and, strolling on to the fore-deck, almost bumped into George and Stella. They
seemed to be having an argument.
</p>
@@ -7829,7 +7811,7 @@ I popped.
<div class="chapter">
-<h2><a name="chap07"></a>DOING CLARENCE A BIT OF GOOD</h2>
+<h2><a id="chap07"></a>DOING CLARENCE A BIT OF GOOD</h2>
<p>
Have you ever thought about&mdash;and, when I say thought about, I mean really
@@ -7874,11 +7856,14 @@ thing had ended as it had done.
<p>
This letter I&rsquo;m telling you about arrived one morning out of a blue sky,
-as it were. It ran like this:
+as it were. It ran like this:—
</p>
<p class="letter">
-&ldquo;MY DEAR OLD REGGIE,&mdash;What ages it seems since I saw anything of
+&ldquo;MY DEAR OLD REGGIE,&mdash;
+</p>
+<p class="letter">
+What ages it seems since I saw anything of
you. How are you? We have settled down here in the most perfect old house, with
a lovely garden, in the middle of delightful country. Couldn&rsquo;t you run
down here for a few days? Clarence and I would be so glad to see you. Bill is
@@ -7921,6 +7906,8 @@ talking about, and, if he said the course was so topping, it must be something
special. So I went.
</p>
+<hr>
+
<p>
Old Bill met me at the station with the car. I hadn&rsquo;t come across him for
some months, and I was glad to see him again. And he apparently was glad to see
@@ -8848,7 +8835,10 @@ Then he gave a sort of wheezy grunt.
<p>
&ldquo;The gang! The burglars! They <i>have</i> been here, and they have taken
Clarence&rsquo;s picture!&rdquo; He paused. &ldquo;It might have been mine! My
-Venus!&rdquo; he whispered It was getting most fearfully painful, you know, but
+Venus!&rdquo; he whispered.
+</p>
+
+<p>It was getting most fearfully painful, you know, but
he had to know the truth.
</p>
@@ -8888,7 +8878,7 @@ He jumped at it and straightened it out.
<p>
&ldquo;What! What are you talking about? Do you think I don&rsquo;t know my own
-picture&mdash;my child&mdash;my Venus. See! My own signature in the corner. Can
+picture&mdash;my child&mdash;my Venus? See! My own signature in the corner. Can
you read, boy? Look: &lsquo;Matthew Yeardsley.&rsquo; This is <i>my</i>
picture!&rdquo;
</p>
@@ -8927,11 +8917,11 @@ the circumstances, how about it?&rdquo;
<div class="chapter">
-<h2><a name="chap08"></a>THE AUNT AND THE SLUGGARD</h2>
+<h2><a id="chap08"></a>THE AUNT AND THE SLUGGARD</h2>
<p>
Now that it&rsquo;s all over, I may as well admit that there was a time during
-the rather funny affair of Rockmetteller Todd when I thought that Jeeves was
+the rather rummy affair of Rockmetteller Todd when I thought that Jeeves was
going to let me down. The man had the appearance of being baffled.
</p>
@@ -8975,7 +8965,7 @@ twenty-nine days of the year he rested. I didn&rsquo;t know there was enough
money in poetry to support a chappie, even in the way in which Rocky lived; but
it seems that, if you stick to exhortations to young men to lead the strenuous
life and don&rsquo;t shove in any rhymes, American editors fight for the stuff.
-Rocky showed me one of his things once. It began:
+Rocky showed me one of his things once. It began:—
</p>
<p class="poem">
@@ -8993,7 +8983,7 @@ Be!
<p>
It was printed opposite the frontispiece of a magazine with a sort of scroll
-round it, and a picture in the middle of a fairly-nude chappie, with bulging
+round it, and a picture in the middle of a fairly nude chappie, with bulging
muscles, giving the rising sun the glad eye. Rocky said they gave him a hundred
dollars for it, and he stayed in bed till four in the afternoon for over a
month.
@@ -9068,7 +9058,7 @@ matter?&rdquo;
</p>
<p>
-At this point I fell asleep again. I woke to hear him saying:
+At this point I fell asleep again. I woke to hear him saying:—
</p>
<p>
@@ -9092,11 +9082,14 @@ and we want your advice.&rdquo;
<p>
He stood in the middle of the room, registering devotion to the cause, and
-Rocky started again:
+Rocky started again:—
</p>
<p class="letter">
-&ldquo;M<small>Y DEAR</small> R<small>OCKMETTELLER</small>.&mdash;I have been
+&ldquo;M<small>Y DEAR</small> R<small>OCKMETTELLER</small>,&mdash;
+</p>
+<p class="letter">
+I have been
thinking things over for a long while, and I have come to the conclusion that I
have been very thoughtless to wait so long before doing what I have made up my
mind to do now.&rdquo;
@@ -9108,7 +9101,7 @@ mind to do now.&rdquo;
<p>
&ldquo;It seems a little obscure at present, sir, but no doubt it becomes
-cleared at a later point in the communication.&rdquo;
+clearer at a later point in the communication.&rdquo;
</p>
<p>
@@ -9183,11 +9176,11 @@ York. I want you to be the life and soul of brilliant supper parties.<br>
me letters at least once a week giving me a full description of all you are
doing and all that is going on in the city, so that I may enjoy at second-hand
what my wretched health prevents my enjoying for myself. Remember that I shall
-expect full details, and that no detail is too trivial to interest.&mdash;Your
-affectionate Aunt,
+expect full details, and that no detail is too trivial to interest
</p>
<p class="right">
+&ldquo;Your affectionate Aunt,<br>
&ldquo;I<small>SABEL</small> R<small>OCKMETTELLER</small>.&rdquo;
</p>
@@ -9481,17 +9474,22 @@ her letters to Rocky, and it was full of life.
But then Rocky&rsquo;s letters, based on Jeeves&rsquo;s notes, were enough to
buck anybody up. It was rummy when you came to think of it. There was I, loving
the life, while the mere mention of it gave Rocky a tired feeling; yet here is
-a letter I wrote to a pal of mine in London:
+a letter I wrote to a pal of mine in London:—
+</p>
+
+<p class="letter">
+&ldquo;DEAR FREDDIE,—
</p>
<p class="letter">
-&ldquo;DEAR FREDDIE,&mdash;Well, here I am in New York. It&rsquo;s not a bad
+Well, here I am in New York. It&rsquo;s not a bad
place. I&rsquo;m not having a bad time. Everything&rsquo;s pretty all right.
The cabarets aren&rsquo;t bad. Don&rsquo;t know when I shall be back.
-How&rsquo;s everybody? Cheer-o!&mdash;Yours,
+How&rsquo;s everybody? Cheer-o!&mdash;&mdash;
</p>
<p class="right">
+&ldquo;Yours,<br>
&ldquo;B<small>ERTIE</small>.
</p>
@@ -9505,7 +9503,7 @@ couldn&rsquo;t have got the confounded thing on to the second page.
</p>
<p>
-Now here&rsquo;s old Rocky on exactly the same subject:
+Now here&rsquo;s old Rocky on exactly the same subject:—
</p>
<p class="letter">
@@ -10215,7 +10213,7 @@ get back to the flat.&rdquo;
</p>
<p>
-&ldquo;Don&rsquo;t come near the flat.&rdquo;
+&ldquo;Don&rsquo;t come near the flat!&rdquo;
</p>
<p>
@@ -10347,7 +10345,7 @@ round the cabarets once more, so as to try to forget, if only for the moment.
New York&rsquo;s a small place when it comes to the part of it that wakes up
just as the rest is going to bed, and it wasn&rsquo;t long before my tracks
began to cross old Rocky&rsquo;s. I saw him once at Peale&rsquo;s, and again at
-Frolics on the roof. There wasn&rsquo;t anybody with him either time except the
+Frolics on the Roof. There wasn&rsquo;t anybody with him either time except the
aunt, and, though he was trying to look as if he had struck the ideal life, it
wasn&rsquo;t difficult for me, knowing the circumstances, to see that beneath
the mask the poor chap was suffering. My heart bled for the fellow. At least,
@@ -10773,451 +10771,6 @@ THE END
</div><!--end chapter-->
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK MY MAN JEEVES ***</div>
-
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away&#8212;you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin-top:1em; font-size:1.1em; text-align:center'>START: FULL LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>THE FULL PROJECT GUTENBERG LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &#8226; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;’s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state’s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-
+<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 8164 ***</div>
</body>
-
</html>
-
-