summaryrefslogtreecommitdiff
path: root/9545.txt
blob: 4ba9d9ea8a7ceecb8ef4b1debd8452fe957fd8ac (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
2441
2442
2443
2444
2445
2446
2447
2448
2449
2450
2451
2452
2453
2454
2455
2456
2457
2458
2459
2460
2461
2462
2463
2464
2465
2466
2467
2468
2469
2470
2471
2472
2473
2474
2475
2476
2477
2478
2479
2480
2481
2482
2483
2484
2485
2486
2487
2488
2489
2490
2491
2492
2493
2494
2495
2496
2497
2498
2499
2500
2501
2502
2503
2504
2505
2506
2507
2508
2509
2510
2511
2512
2513
2514
2515
2516
2517
2518
2519
2520
2521
2522
2523
2524
2525
2526
2527
2528
2529
2530
2531
2532
2533
2534
2535
2536
2537
2538
2539
2540
2541
2542
2543
2544
2545
2546
2547
2548
2549
2550
2551
2552
2553
2554
2555
2556
2557
2558
2559
2560
2561
2562
2563
2564
2565
2566
2567
2568
2569
2570
2571
2572
2573
2574
2575
2576
2577
2578
2579
2580
2581
2582
2583
2584
2585
2586
2587
2588
2589
2590
2591
2592
2593
2594
2595
2596
2597
2598
2599
2600
2601
2602
2603
2604
2605
2606
2607
2608
2609
2610
2611
2612
2613
2614
2615
2616
2617
2618
2619
2620
2621
2622
2623
2624
2625
2626
2627
2628
2629
2630
2631
2632
2633
2634
Project Gutenberg's Punchinello, Vol. 1, No. 11, June 11, 1870, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punchinello, Vol. 1, No. 11, June 11, 1870

Author: Various

Posting Date: January 18, 2013 [EBook #9545]
Release Date: December, 2005
First Posted: October 7, 2003

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, JUNE 11, 1870 ***




Produced by Cornell University, Joshua Hutchinson, Sandra
Brown and PG Distributed Proofreaders











CONANT'S

PATENT BINDERS

FOR

"PUNCHINELLO,"

to preserve the paper for binding, will be sent, post-paid,
on receipt of One Dollar, by

PUNCHINELLO PUBLISHING CO.,

83 Nassau Street, New York City.

       *       *       *       *       *

TO NEWS-DEALERS.

PUNCHINELLO'S MONTHLY.

The Weekly Numbers for May,

Bound in a Handsome Cover,

Is Now Ready. Price, Fifty Cents.

THE TRADE

Supplied by the

AMERICAN NEWS COMPANY,

Who are now prepared to receive Orders.

       *       *       *       *       *

HARRISON BRADFORD & CO.'S

STEEL PENS.

These Pens are of a finer quality, more durable, and cheaper than any other
Pen in the market. Special attention is called to the following grades, as
being better suited for business purposes than any Pen manufactured. The

"5O5," "22," and the "Anti-Corrosive,"

we recommend for Bank and Office use.

D. APPLETON & CO.,

Sole Agents for United States.

       *       *       *       *       *

[Sidenote: See 15th page for Extra Premiums.]

       *       *       *       *       *

[Illustration: Vol. I No. 11.]

PUNCHINELLO

SATURDAY, JUNE 11, 1870.

PUBLISHED BY THE

PUNCHINELLO PUBLISHING COMPANY,

83 NASSAU STREET, NEW YORK.

       *       *       *       *       *

THE MYSTERY OF MR. E. DROOD,

By ORPHEUS C. KERR,

In this Number and will be continued Weekly

       *       *       *       *       *

APPLICATIONS FOR ADVERTISING IN

"PUNCHINELLO"

SHOULD BE ADDRESSED TO

J. NICKERSON,

ROOM No. 4,

No. 83 Nassau Street

       *       *       *       *       *

DIBBLEEANIA,

and

Japonica Juice

FOR THE HAIR.

The most effective Soothing and Stimulating Compounds
ever offered to the public for the

Removal of Scarf, Dandruff, &c.

For consultation, apply at

WILLIAM DIBBLEE'S,

Ladies' Hair Dresser and Wig Maker.

854 BROADWAY, N. Y. City.

       *       *       *       *       *

FURNITURE

E. W. HUTCHINGS & SON,

Manufacturers of

Rich and Plain Furniture

AND DECORATIONS.

Nos. 99 and 101 Fourth Avenue,

Formerly 475 Broadway,

(Near A. T. Stewart & Co.'s.) NEW YORK

Where a general assortment can be had at moderate prices.

_Wood Mantels, Pier and Mantel Frames and Wainscoting
made to order from designs_

       *       *       *       *       *

PHELAN & COLLENDER,

MANUFACTURERS OF

STANDARD AMERICAN BILLIARD TABLES,

WAREROOMS AND OFFICE,

738 BROADWAY, NEW YORK.

       *       *       *       *       *

NEW YORK CITIZEN

and

ROUND TABLE,

A Literary, Political, and Sporting paper

with the beat writers in each department. Published every
Saturday.

PRICE, TEN CENTS.

32 Beekman Street

       *       *       *       *       *

WEVILL & HAMMAR,

Wood Engravers

208 BROADWAY

NEW YORK

       *       *       *       *       *

Thomas J. Rayner & Co.,

29 Liberty Street, New York,

MANUFACTURERS OF THE

FINEST CIGARS

_Made in the United States._

All sizes and styles. Prices very moderate. Samples sent
to any responsible house. Also importers of the

"FUSBOS" BRAND,

Equal in quality to the best of the Havana market, and,
from ten to twenty per cent cheaper.

_Restaurant, Bar, Hotel, and Saloon trade will save money
by calling at_

No. 29 LIBERTY STREET.

       *       *       *       *       *

ERIE RAILWAY.

TRAINS LEAVE DEPOTS

Foot of Chambers Street

and

Foot of Twenty-Third Street,

AS FOLLOWS:

Through Express Trains leave Chambers Street at 8 A.M., 10 A.M., 5:30 P.M.,
and 7:00 P.M., (daily); leave 23d Street at 7:45 A.M., 9:45 A.M., and 5:15
and 6:45 P.M. (daily.) New and improved Drawing-Room Coaches will accompany
the 10:00 A.M. train through to Buffalo, connecting at Hornellsville  with
magnificent Sleeping Coaches running  through to Cleveland and Galion.
Sleeping Coaches will accompany the 8:00 A.M. train from Susquehanna to
Buffalo, the 5:30 P.M. train from New York to Buffalo, and the 7:00 P.M.
train from New York to Rochester, Buffalo and Cincinnati. An Emigrant train
leaves daily at 7:30 P.M.

FOR PORT JERVIS AND WAY, *11:30 A.M., and 4:30 P.M., (Twenty-third Street,
*11:15 A.M. and 4:15 P.M.)

FOR MIDDLETOWN AND WAY, at 3:30 P.M.,(Twenty-third Street, 3:15 P.M.); and,
Sundays only, 8:30 A.M. (Twenty-third Street, 8:15 P.M.)

FOR GREYCOURT AND WAY, at *8:30 A.M., (Twenty-third Street, 8:15 A.M.)

FOR NEWBURGH AND WAY, at 8:00 A.M., 3:30 and 4:30 P.M. (Twenty-third Street
7:45 A.M., 3:15 and 4:15 P.M.)

FOR SUFFERN AND WAY, 5:00 P.M. and 6:00 P.M. (Twenty-third Street, 4:45 and
5:45 P.M.) Theatre Train, *ll:30 P.M. (Twenty-third Street, *11 P.M.)

FOR PATERSON AND WAY, from Twenty-third Street Depot, at 6:45, 10:15 and
11:45 A.M.; *1:45 3:45, 5:15 and 6:45 P.M. From Chambers Street Depot at
6:45, 10:l5 A.M.; 12 M.; *1:45, 4:00, 5:15 and 6:45 P.M.

FOR HACKENSACK AND HILLSDALE, from Twenty-third  Street Depot, at 8:45 and
11:45 A.M.; $7:15 3:45, $5:15, 5:45, and $6:45 P.M. From Chambers Street
Depot, at 9:00 A.M.; 12:00 M.; $2:l5, 4:00 $5:l5, 6:00, and $6:45 P.M.

FOR PIERMONT, MONSEY AND WAY, from Twenty-third  Street Depot, at
8:45 A.M.; 12:45, {3:l5 4:15, 4:46 and {6:15 P.M., and, Saturdays only,
{12  midnight. From Chambers Street Depot, at 9:00 A.M.; 1:00, {3:30,
4:15, 5:00 and {6:30 P.M. Saturdays,  only, {12:00 midnight.

Tickets for passage and for apartments in Drawing-Room and Sleeping Coaches
can be obtained, and orders for the Checking and Transfer of Baggage  may
be left at the

COMPANY'S OFFICES:

241, 529, and 957 Broadway.
205 Chambers Street.
Cor. 125th Street & Third Ave., Harlem.
338 Fulton Street, Brooklyn.
Depots, foot of Chambers Street and foot
of Twenty-third Street, New York.
3 Exchange Place.
Long Dock Depot, Jersey City,
And of the Agents at the principal Hotels

WM. R. BARR,
_General Passenger Agent._

L. D. RUCKER,
_General Superintendent._

Daily. $For Hackensack only, {For Piermont only.

May 2D, 1870.

       *       *       *       *       *

MERCANTILE LIBRARY

Clinton Hall, Astor Place,

NEW YORK.

This is now the largest Circulating Library in America, the number of
volumes on its shelves being 114,000. About 1000 volumes are added each
month; and very large purchases are made of all new and popular works.
Books are delivered at members' residences for five cents each delivery.

TERMS OF MEMBERSHIP:

TO CLERKS, $1 INITIATION, $3 ANNUAL DUES.
TO OTHERS, $5 A YEAR.

Subscriptions Taken for Six Months.

BRANCH OFFICES

at

No. 76 Cedar St., New York,

and at

Yonkers, Norwalk, Stamford, and Elizabeth.

       *       *       *       *       *

AMERICAN

BUTTONHOLE, OVERSEAMING,

AND

SEWING-MACHINE CO.,

572 and 574 Broadway, New-York.


This great combination machine is the last and greatest improvement on
all the former machines, making, in addition to all work done on best
Lock-Stitch machines, beautiful

BUTTON AND EYELET HOLES,

in all fabrics.

Machine, with finely finished

OILED WALNUT TABLE AND COVER

complete, $75. Same machine, without the buttonhole parts,$50. This last
is beyond all question the simplest, easiest to manage and to keep in
order, of any machine in the market. Machines warranted, and full
instruction given to purchasers.

       *       *       *       *       *

[Illustration: HENRY SPEAR. PRINTER-LITHOGRAPHER STATIONER
BLANK BOOK MANUFACTURER.  82 WALL ST. NEW YORK.]

       *       *       *       *       *

J. NICKINSON

begs to announce to the friends of

"PUNCHINELLO"

residing in the country, that, for their convenience, he has
Made arrangements by which, on receipt of the price of

ANY STANDARD BOOK PUBLISHED.

the same will be forwarded, postage paid.

Parties desiring Catalogues of any of our Publishing Houses
can have the same forwarded by inclosing two stamps.

OFFICE OF

PUNCHINELLO PUBLISHING CO.

83 Nassau Street,

[P.O. Box 2783.]

       *       *       *       *       *

THE MYSTERY OF MR. E. DROOD.

AN ADAPTATION.

BY ORPHEUS C. KERR.


[The American Press's Young Gentlemen, when taking their shady literary
walks among the Columns of Interesting Matter, have been known to
remark--with a glibness and grace, by Jove, greatly in excess of their
salaries--that the reason why we don't produce great works of
imagination in this country, as they do in other countries, is because
we haven't the genius, you know. They think--do they?--that the
bran-new localities, post-office addresses, and official titles,
characteristic of the United States of America, are rife with all the
grand old traditional suggestions so useful in helping along the
romantic interest of fiction. They think--do they?--that if an American
writer could write a Novel in the exact style of COLLINS, or TROLLOPE,
or DICKENS: only laying its scenes and having its characters in this
country; the work would be as romantically effective as one by COLLINS,
or TROLLOPE, or DICKENS; and that the possibly necessary incidental
mention of such native places as Schermerhorn Street, Dobb's Ferry, or
Chicago, _wouldn't_ disturb the nicest dramatic illusion of the
imaginative tale. Very well, then! All right! Just look here!--O A.P's
Young Gentlemen, just look here--]




CHAPTER I.


DAWNATION.


A modern American Ritualistic Spire! How can the modern American
Ritualistic Spire be here! The well-known tapering brown Spire, like a
closed umbrella on end? How can that be here? There is no rusty rim of a
shocking bad hat between the eye and that Spire in the real prospect.
What is the rusty rim that now intervenes, and confuses the vision of at
least one eye? It must be an intoxicated hat that wants to see, too. It
is so, for ritualistic choirs strike up, acolytes swing censers
dispensing the heavy odor of punch, and the ritualistic rector and his
gaudily robed assistants in alb, chasuble, maniple and tunicle, intone a
_Nux Vomica_ in gorgeous procession. Then come twenty young clergymen in
stoles and birettas, running after twenty marriageable young ladies of
the congregation who have sent them worked slippers. Then follow ten
thousand black monkies swarming all over everybody and up and down
everything, chattering like fiends. Still the Ritualistic Spire keeps
turning up in impossible places, and still the intervening rusty rim of
a hat inexplicably clouds one eye. There dawns a sensation as of
writhing grim figures of snakes in one's boots, and the intervening
rusty rim of the hat that was not in the original prospect takes a
snake-like--But stay! Is this the rim of my own hat tumbled all awry? I'
mushbe! A few reflective moments, not unrelieved by hiccups, mush be
d'voted to co'shider-ERATION of th' posh'bil'ty.

Nodding excessively to himself with unspeakable gravity, the gentleman
whose diluted mind has thus played the Dickens with him, slowly arises
to an upright position by a series of complicated manoeuvres with both
hands and feet; and, having carefully balanced himself on one leg, and
shaking his aggressive old hat still farther down over his left eye,
proceeds to take a cloudy view of his surroundings. He is in a room
going on one side to a bar, and on the other side to a pair of glass
doors and a window, through the broken panes of which various musty
cloth substitutes for glass ejaculate toward the outer Mulberry Street.
Tilted back in chairs against the wall, in various attitudes of
dislocation of the spine and compound fracture of the neck, are an
Alderman of the ward, an Assistant-Assessor, and the lady who keeps the
hotel. The first two are shapeless with a slumber defying every law of
comfortable anatomy; the last is dreamily attempting to light a stumpy
pipe with the wrong end of a match, and shedding tears, in the dim
morning ghastliness, at her repeated failures.

"Thry another," says this woman, rather thickly, to the gentleman
balanced on one leg, who is gazing at her and winking very much. "Have
another, wid some bitters."

He straightens himself extremely, to an imminent peril of falling over
backward, sways slightly to and fro, and becomes as severe in expression
of countenance as his one uncovered eye will allow.

The woman falls back in her chair again asleep, and he, walking with one
shoulder depressed, and a species of sidewise, running gait, approaches
and poises himself over her.

"What vision can _she_ have?" the man muses, with his hat now fully upon
the bridge of his nose. He smiles unexpectedly; as suddenly frowns with
great intensity; and involuntarily walks backward against the sleeping
Alderman. Him he abstractedly sits down upon, and then listens intently
for any casual remark he may make. But one word comes--
"Wairzernat'chal'zationc'tif'kits."

"Unintelligent!" mutters the man, weariedly; and, rising dejectedly from
the Alderman, lurches, with a crash, upon the Assistant-Assessor. Him he
shakes fiercely for being so bony to fall on, and then hearkens for a
suitable apology.

"Warzwaz-yourwifesincome-lash'--lash'-year?"

A thoughtful pause, partaking of a doze.

"Unintelligent!"

Complicatedly arising from the Assessor, with his hat now almost hanging
by an ear, the gentleman, after various futile but ingenious efforts to
face towards the door by turning his head alone that way, finally
succeeds by walking in a circle until the door is before him. Then, with
his whole countenance charged with almost scowling intensity of purpose,
though finding it difficult to keep his eyes very far open, he balances
himself with the utmost care, throws his shoulders back, steps out
daringly, and goes off at an acute slant toward the Alderman again.
Recovering himself by a tremendous effort of will and a few wild
backward movements, he steps out jauntily once more, and can not stop
himself until he has gone twice around a chair on his extreme left and
reached almost exactly the point from which he started the first time.
He pauses, panting, but with the scowl of determination still more
intense, and concentrated chiefly in his right eye. Very cautiously
extending his dexter hand, that he may not destroy the nicety of his
perpendicular balance, he points with a finger at the knob of the door,
and suffers his stronger eye to fasten firmly upon the same object. A
moment's balancing, to make sure, and then, in three irresistible,
rushing strides, he goes through the glass doors with a burst, without
stopping to turn the latch, strikes an ash-box on the edge of the
sidewalk, rebounds to a lamp-post, and then, with the irresistible rush
still on him, describes a hasty wavy line, marked by irregular
heel-strokes, up the street.

That same afternoon, the modern American Ritualistic Spire rises in
duplicate illusion before the multiplying vision of a traveller recently
off the ferry-boat, who, as though not satisfied with the length of his
journey, makes frequent and unexpected trials of its width. The bells
are ringing for vesper service; and, having fairly made the right door
at last, after repeatedly shooting past and falling short of it, he
reaches his place in the choir and performs voluntaries and
involuntaries upon the organ, in a manner not distinguishable from
almost any fashionable church-music of the period.




CHAPTER II.


A DEAN, AND A CHAP OR TWO ALSO.


Whosoever has noticed a party of those sedate and Germanesquely
philosophical animals, the pigs, scrambling precipitately under a gate
from out a cabbage-patch toward nightfall, may, perhaps, have observed,
that, immediately upon emerging from the sacred vegetable preserve, a
couple of the more elderly and designing of them assumed a sudden air of
abstracted musing, and reduced their progress to a most dignified and
leisurely walk, as though to convince the human beholder that their
recent proximity to the cabbages had been but the trivial accident of a
meditative stroll.

Similarly, service in the church being over, and divers persons of
piggish solemnity of aspect dispersing, two of the latter detach
themselves from the rest and try an easy lounge around toward a side
door of the building, as though willing to be taken by the outer world
for a couple of unimpeachable low-church gentlemen who merely happened
to be in that neighborhood at that hour for an airing.

The day and year are waning, and the setting sun casts a ruddy but not
warming light upon two figures under the arch of the side door; while
one of these figures locks the door, the other, who seems to have a
music book under his arm, comes out, with a strange, screwy motion, as
though through an opening much too narrow for him, and, having poised a
moment to nervously pull some imaginary object from his right boot and
hurl it madly from him, goes unexpectedly off with the precipitancy and
equilibriously concentric manner of a gentleman in his first private
essay on a tight-rope.

"Was that Mr. BUMSTEAD, SMYTHE?"

"It wasn't anybody else, your Reverence."

"Say 'his identity with the person mentioned scarcely comes within the
legitimate domain of doubt,' SMYTHE--to Father Dean, the younger of the
piggish persons softly interposes,

"Is Mr. BUMSTEAD unwell, SMYTHE?"

"He's got 'em bad to-night."

"Say 'incipient cerebral effusion marks him especially for its prey at
this vesper hour.' SMYTHE--to Father DEAN," again softly interposes Mr.
SIMPSON, the Gospeler.

"Mr. SIMPSON," pursues Father DEAN, whose name has been modified, by
various theological stages, from its original form of Paudean, to Pere
DEAN--Father DEAN, "I regret to hear that Mr. BUMSTEAD is so delicate in
health; you may stop at his boarding-house on your way home, and ask him
how he is, with my compliments." _Pax vobiscum_.

Shining so with a sense of his own benignity that the retiring sun gives
up all rivalry at once and instantly sets in despair, Father DEAN
departs to his dinner, and Mr. SIMPSON, the Gospeler, betakes himself
cheerily to the second-floor-back where Mr. BUMSTEAD lives. Mr. BUMSTEAD
is a shady-looking man of about six and twenty, with black hair and
whiskers of the window-brush school, and a face reminding you of the
BOURBONS. As, although lighting his lamp, he has, abstractedly, almost
covered it with his hat, his room is but imperfectly illuminated, and
you can just detect the accordeon on the window-sill, and, above the
mantel, an unfinished sketch of a school-girl. (There is no artistic
merit in this picture; in which, indeed, a simple triangle on end
represents the waist, another and slightly larger triangle the skirts,
and straight-lines with rake-like terminations the arms and hands.)

"Called to ask how you are, and offer Father DEAN'S compliments," says
the Gospeler.

"I'm allright, shir!" says Mr. BUMSTEAD, rising from the rug where he
has been temporarily reposing, and dropping his umbrella. He speaks
almost with ferocity.

"You are awaiting your nephew, EDWIN DROOD?"

"Yeshir." As he answers, Mr. BUMSTEAD leans languidly far across the
table, and seems vaguely amazed at the aspect of the lamp with his hat
upon it.

Mr. SIMPSON retires softly, stops to greet some one at the foot of the
stairs, and, in another moment, a young man fourteen years old enters
the room with his carpet-bag.

"My dear boys! My dear EDWINS!"

Thus speaking, Mr. BUMSTEAD sidles eagerly at the new comer, with open
arms, and, in falling upon his neck, does so too heavily, and bears him
with a crash to the ground.

"Oh, see here! this is played out, you know," ejaculates the nephew,
almost suffocated with travelling-shawl and BUMSTEAD.

Mr. BUMSTEAD rises from him slowly and with dignity.

"Excuse me, dear EDWIN, I thought there were two of you."

EDWIN DROOD regains his feet with alacrity and casts aside his shawl.

"Whatever you thought, uncle, I am still a single man, although your way
of coming down on a chap was enough to make me beside myself. Any grub,
JACK?"

With a check upon his enthusiasm and a sudden gloom of expression
amounting almost to a squint, Mr. BUMSTEAD motions with his whole right
side toward an adjacent room in which a table is spread, and leads the
way thither in a half-circle.

"Ah, this is prime!" cries the young fellow, rubbing his hands; the
while he realizes that Mr. BUMSTEAD'S squint is an attempt to include
both himself and the picture over the mantel in the next room in one
incredibly complicated look.

Not much is said during dinner, as the strength of the boarding-house
butter requires all the nephew's energies for single combat with it, and
the uncle is so absorbed in a dreamy effort to make a salad with his
hash and all the contents of the castor, that he can attend to nothing
else. At length the cloth is drawn, EDWIN produces some peanuts from his
pocket and passes some to Mr. BUMSTEAD, and the latter, with a wet towel
pinned about his head, drinks a great deal of water.

"This is Sissy's birthday, you know, JACK," says the nephew, with a
squint through the door and around the corner of the adjoining apartment
toward the crude picture over the mantel, "and, if our respective
respected parents hadn't bound us by will to marry, I'd be mad after
her."

Crack. On EDWIN DROOD'S part.

Hic. On Mr. BUMSTEAD'S part.

"Nobody's dictated a marriage for you, JACK. _You_ can choose for
yourself. Life for _you_ is still fraught with freedom's intoxicating--"

Mr. BUMSTEAD has suddenly become very pale, and perspires heavily on the
forehead.

"Good Heavens, JACK! I haven't hurt your feelings?"

Mr. BUMSTEAD makes a feeble pass at him with the water-decanter, and
smiles in a very ghastly manner.

"Lem me be a mis'able warning to you, EDWIN," says Mr. BUMSTEAD,
shedding tears.

The scared face of the younger recalls him to himself, and he adds:
"Don't mind me, my dear boys. It's cloves; you may notice them on my
breath. I take them for nerv'shness." Here he rises in a series of
trembles to his feet, and balances, still very pale, on one leg.

"You want cheering up," says EDWIN DROOD, kindly.

"Yesh--cheering up. Let's go and walk in the graveyard," says Mr.
BUMSTEAD.

"By all means. You won't mind my slipping out for half a minute to the
Alms House to leave a few gum-drops for Sissy? Rather spoony, JACK."

Mr. BUMSTEAD almost loses his balance in an imprudent attempt to wink
archly, and says, "Norring-half-sh'-shweet-'n-life." He is very thick
with EDWIN DROOD, for he loves him.

"Well, let's skedaddle, then."

Mr. BUMSTEAD very carefully poises himself on both feet, puts on his hat
over the wet towel, gives a sudden horrified glance downward toward one
of his boots, and leaps frantically over an object.

"Why, that was only my cane," says EDWIN.

Mr. BUMSTEAD breathes hard, and leans heavily on his nephew as they go
out together.

(_To be Continued._)


       *       *       *       *       *


~JUMBLES~


PUNCHINELLO has heard, of course, of the good time coming. It has not
come yet. It won't come till the stars sing together in the morning,
after going home, like festive young men, early. It won't come till
Chicago has got its growth in population, morals and ministers. It won't
come till the women are all angels, and men are all honest and wise; not
until politicians and retailers learn to tell the truth. You may think
the Millennium a long way off. Perhaps so. But mighty revolutions are
sometimes wrought in a mighty fast time. Many a fast man has been known
to turn over a new leaf in a single night, and forever afterwards be
slow. Such a thing is dreadful to contemplate, but it has been. Many a
vain woman has seen the folly of her ways at a glance, and at once gone
back on them. This is _not_ dreadful to contemplate, since to go back on
folly is to go onward in wisdom. The female sex is not often guilty of
this eccentricity, but instances have been known. It is that which fills
the proud bosom of man with hope and consolation, and makes him feel
really that woman is coming; which is all the more evident since she
began her "movement." The good time coming is nowhere definitely named
in the almanacs. The goings and comings of the heavenly bodies, from the
humble star to the huge planet, are calculated with the facility of the
cut of the newest fashion; and the revolutions of dynasties can be fixed
upon with tolerable certainty; but the period of the good time coming is
lost in the mists of doubt and the vapors of uncertainty. It is very
sure in expectancy, like the making of matrimonial matches. Everybody is
looking for it, but nobody sees it. The sharpest of eyes only discern
the bluest and gloomiest objects. But PUNCHINELLO may reasonably expect
to see, feel and know, this good time. The coming will yet be to it the
time come. Perhaps it will be when it visits two hundred thousand
readers weekly, when mothers sigh, children cry, and fathers well-nigh
die for it. At all events, somewhen or other--it may be the former
period, but possibly the latter--the good time _will_ come. And great
will be the coming thereof, with no discount to the biggest or richest
man out.

What a luxury is Hope! It springs eternal in the human breast. Rather an
awkward place for a spring, but as poets know more than other people, no
doubt it is all right. Hope is an institution. What is the White House,
or the Capitol at Washington, to Hope? What is the Central Park, or
Boston Common, or the Big Organ, to Hope? Not much--not anything, like
the man's religion, to speak of. Hope bears up many a man, though it
pays no bills to the grocer, milliner, tailor, or market man. It is the
vertebra which steadies him plumb up to a positive perpendicular. A
hopeless man or woman--how fearful! They very soon become
round-shouldered, limp and weak, and drink little but unsizable sighs,
and feed on all manner of dark and unhealthy things. It is TODD'S
deliberate opinion that if a cent can't be laid up, Hope should. Hope
with empty pockets is rich compared to wealth with "nary a" hope. Hope
is a good thing to have about the house. It always comes handy, and is
acceptable even to company. So believes, and he acts on the faith, does

TIMOTHY TODD.

       *       *       *       *       *


~Capitol Punishment.~


Abolition of the franking privilege.

       *       *       *       *       *

~SKETCH OF ORPHEUS C. KERR.~

[Illustration: RESIDENCE OF THE ADAPTER: BEGAD'S HILL, TICKNOR'S FIELDS,
NEW JERSEY.]

It is now nearly a twelfth of a century since the veracious Historian of
the imperishable Mackerel Brigade first manoeuvred that incomparably
strategical military organization in public, and caused it to illustrate
the fine art of waging heroic war upon a life-insurance principle.
Equally renowned in arms for its feats and legs, and for being always on
hand when any peculiarly daring retrograde movement was on foot, this
limber martial body continually fell back upon victory throughout the
war, and has been coming forward with hand-organs ever since. Its
complete History, by the same gentleman who is now adapting the literary
struggles of MR. E. DROOD to American minds and matters, was
subsequently issued from the press of CARLETON, in more or less volumes,
and at once attracted profound attention from the author's creditors.
One great American journal said of it: "We find the paper upon which
this production is printed of a most amusing quality." Another observed:
"The binding of this tedious military work is the most humorous we ever
saw." A third added: "In typographical details, the volumes now under
consideration are facetious beyond compare."

[Illustration: THE ADAPTER AS HE APPEARS EVERY SATURDAY.]

The present residence of the successful Historian is Begad's Hill, New
Jersey, and, if not existing in SHAKSPEARE'S time, it certainly looks
old enough to have been built at about that period. Its architecture is
of the no-capital Corinthian order; there are mortgages both front and
back, and hot and cold water at the nearest hotel. From the central
front window, which belongs to the author's library, in which he keeps
his Patent Office Reports, there is a fine view of the top of the porch;
while from the rear casements you get a glimpse of blind-shutters which
won't open. It is reported of this fine old place, that the present
proprietor wished to own it even when a child; never dreaming the
mortgaged halls would yet be his without a hope of re-selling.

Although fully thirty years of age, the owner of Begad's Hill Place
still writes with a pen; and, perhaps, with a finer thoughtfulness as to
not suffusing his fingers with ink than in his more youthful moments of
composition. He is sound and kind in both single and double harness;
would undoubtedly be good to the Pole if he could get there; and,
although living many miles from the city, walks into his breakfast every
morning in the year. Let us, however,

  "No longer seek his virtues to disclose,
  Nor draw his frailties from their dread abode."

but advise PUNCHINELLO'S readers to peruse the "Mystery of Mr. E.
DROOD," for further glimpses of Mr. ORPHEUS C. KERR.

       *       *       *       *       *

~The Fall of Man at the Falls~.

It is a very lamentable fact that the married people of Niagara have not
attained even the dignity and comfort of insanity. A paragraph informs
us that "The Niagara hotels have already forty-seven men trying to look
as if married for years, and who only succeed in resembling imbeciles."
To a Niagara tourist this must be an Eye-aggravating spectacle. But,
fortunately, none of this class of the Double-Blest will shoot anybody.
They don't look as if they had been married long! They are imbecile, not
insane!

       *       *       *       *       *

~Green and Red~.

The _Southern Cell_ proposes that the Fenians shall make a new Ireland
of Winnipeg. Except on the principle of Hibernating, PUNCHINELLO cannot
discover why his Irish fellow-citizens are ambitious to winter in the
Red River country. Wouldn't Greenland do as well, and wear better?

       *       *       *       *       *

~TAKE CARE OF THE WOUNDED~

Though but one of the Fenian leaders was killed in the late Frontier
Fizzle, yet many of them are reported as being badly wounded--as to
their feelings. General O'NEIL'S feelings are dreadfully hurt by the
ignominy of a constable and a cell, which was a bad Cell for a Celt. The
feelings of General GLEASON (and they must be multitudinous, since he is
nearly seven feet high,) were so badly wounded by circumstances over
which he didn't seem to have any control, that he retired from the field
"in disgust." Mental afflictions, in fact, are so numerous among the
Fenians since their Fizzle, as to suggest the advisability of their
Head-Centre founding a Hospital for Wounded Feelings with the surplus of
the funds wrung by him from simple, hard-working BRIDGET.

       *       *       *       *       *

~Interesting to Bathers~

Persons who are drowned while bathing in the surf are said to experience
but little pain. In fact, their Sufferings are short.

       *       *       *       *       *

~Fenian Tactics~.

The first movement of the Fenians on reaching Canadian soil was to
"throw out their skirmishers into a hop field," where the Hops gathered
by them were of the precipitate and retrogressive kind sometimes traced
to Spanish origin.

       *       *       *       *       *

~THE HOLY GRAIL AND OTHER POEMS.~


(This is one of the other Poems.)


BY A HALF-RED DENIZEN OF THE WEST.


  SIR PELLEAS, lord of many a barren isle,
  On his front stoop at eventide, awhile,
  Sat solemn. His mother, on a stuel,
  At the crannied hearth prepared his gruel.

  "Mother!" he cried, "I love!" Said she, "Ah, who?"
  "I know not, mother dear," he said, "Do you?
  I only know I love all maidens fair;
  My special maid, I have not seen, I swear.
  Perhaps she's fair as Arthur's queenly saint;
  And pure as she--and then, perhaps she ain't."

  Turned then his mother from the hearth-stone hot;
  Dropped the black lid upon the gruel-pot.
  "I know'd a Qua-aker feller, as often as tow'd me this:
  'Doan't thou marry for munny, but goa wheer munny is!'
  She's a beauty, thou thinks--wot'a a beauty? the flower as blaws,
  But proputty, proputty sticks, and proputty, proputty graws."

  Then said her son, "If I may make so bold,
  You quote the new-style poem, not the old.
  The Northern Farmer whom you think so sage
  Is not born yet. This is the Middle Age."

  He said no more, and on the next bright day
  To Arthur's court he proudly rode away.
  And on the way a maiden did he meet,
  And laid his heart and fortunes at her feet.
  Smiling on him--ETTARRE was her name--
  "Brave knight," she said, "your love I cannot blame.
  Your hands are strong. I see you have no brains,
  You're just the man for tournaments. Your pains,
  In case for me a battle you shall win,
  Shall be rewarded," and she smiled like sin.

  PELLEAS glistened with a wild delight;
  And good King Arthur soon got up a fight
  And on the flat field, by the shore of Usk,
  SIR PELLEAS smashed the knights from dawn till dusk.

  Then from his spear--at least he thought he did--
  He shook each mangled corpse, and softly glid,
  And crowned ETTARRE Queen of Love and Truth.
  She wore the crown and then bescorned the youth.
  Now to her castle home would she repair;
  And PELLEAS craved that he might see her there.
  "Oh, young man from the country!" then said she,
  "Shoo fly! poor fool, and don't you bother me!"
  She banged her gate behind her, crying "Sold!"
  The noble youth was left out in the cold.

      He shoo-ed the fly from the flower-pots,
    From blackest moss, he shoo-ed them all.
      Shoo-ed them from rusted nails and knots,
    That held the peach to the garden-wall;

      And broken sheds, all sad and strange.
    He shoo-ed them from the clinking latch,
      And from the weeded, ancient thatch,
    Upon the lonely moated grange.

        He only said, "This thing is dreary.
          She cometh not!" he said.
        He said, "I am aweary, aweary,
          I wish these flies were dead."

  So PELLEAS made his moan. And every day,
  Or moist or dry, he shoo-ed the flies away.
  "These be the ways of ladies," PELLEAS saith,
  "To those who love them; trials of our faith."

  But ceaseless shoo-ing made the lady mad,
  And she called out the best three knights she had,
  And charged them, "Charge him! Drive him from the wall!
  If he keeps on, we'll have no flies at all!"
  And out they came. Each did his level best;
  SIR PELLEAS soon killed one and slew the rest.

        A bush of wild marsh-marigold,
          That shines in hollows gray,
        He cut, and smiling to his love,
          He shoo-ed more flies away.

  He clasped his neck with crooked hands;
  In the hot sun in lonely lands,
  For several days he steady stands.
  The wrinkled fly beneath him crawls,
  He watches by the castle walls--
  Like thunder then his bush it falls.

(_To be Continued._)

       *       *       *       *       *

~ASTRONOMICAL CONVERSATIONS.~

[BY A FATHER AND DAUGHTER RESIDING ON THE PLANET VENUS.]

No. IV.

_D._ Oh, Pa, if we only had a Moon! What is life without one?

_F._ Well, my child, we've w'iggled along, so far. It is true, our
Telluric friends may be said to have the advantage of us; but then,
there's no lunacy here! Everything is on the square on this planet!

_D._ I don't care; I want a Moon, square or no square! There's no excuse
for being sentimental here. Who is ever imaginative, right after supper?
And yet Twilight is all the time we have.

_F._ But still, HELENE, I think our young folks are not really deficient
in sentiment. What they would be, with six or seven moons, like those of
SATURN or URANUS, is frightful to think of! Heavens! what poetry would
spring up, like asparagus, in the genial spring-time! We should see
Raptures, I warrant you! And oh, the frensies, the homicidal energies,
the child-roastings! Yes, Moonshine would make it livelier here, no
doubt. A fine time, truly, for Ogres, with their discriminating
scent!--And what a moony sky! How odd, if one had a parlor with six
windows.

_D._ Seven would be odder.

_F._ Well, seven, and a moon looking into each one of 'em! An artist
would perhaps object to the cross-lights, but he needn't paint by them.

_D._ What kind of "lights" were you speaking of?

_F._ Satellites.

_D._ Oh, pshaw! don't tantalize me!

_F._ Well, cross-lights.

_D._ Now, pray, what may a cross-light be? An unamiable and inhospitable
light, like that which gleams from the eyes of an astronomer when he is
interrupted in the midst of a calculation?

_F._ No, nor yet the sarcastic sparkle in the eyes of a witty but
selfish and unfilial young lady! Cross-lights are lights whose rays,
coming from opposite quarters, cross each other.

_D._ (Then yours and mine are cross-lights, I guess!) If two American
twenty-five cent pieces were to be placed at a distance from each other,
and you stood between them----

_F._ My child, I could never come between friends who would gladly see
each other after so long an absence!

_D._ I was only trying to realize your idea of "light from opposite
quarters."

_F._ The most of 'em must be far too rusty to reflect light.

_D._ Oh, I dare say their reflections are heavy enough.

_F._ And so will mine be, soon, if you go on in that style.

_D._ Well, pa, I do drivel--that's a fact! Let us turn to something of
more importance.

_F._ Suppose we now attend the Celestial Bull Fight always going on over
there in the sky. On one side you perceive that gamey _matador,_ ORION
(not the "Gold Beater,") with his club and his lion's skin, _a la
Hercules_. You observe how "unreservedly and unconditionally" he pitches
into the Bull, and how superb is the attitude and ardor of his opponent.
It is a splendid set-to, full of alarming possibilities. Every moment
you expect to see those enormous horns engaged with the bowels of ORION,
or, in default of this, to behold that truculent Club come down, Whack!
on that curly pate!

_D._ And yet, they don't!

_F._ True enough,--they don't. It reminds me of one JOHN BULL, and his
familiar _vis-a-vis,_ O'RYAN the Fenian. As the celestial parties have
maintained their portentous attitudes for ages, and nothing has come of
it, so we may look placidly for a similar suspension in the earthly
copy.

_D._ But their very attitudes are startling! Wasn't ORION something of a
boaster?

_F._ Oh, yes; he was in the habit of declaring that there wasn't an
animal on earth that he couldn't whip. He got come up with, however. By
the way, ORION was the original Homoeopathist. His proposed
father-in-law, DON OEROPION, having unfortunately put out his eyes, in a
little operation for misplaced affection, he hit on the now famous
principle, which, if fit for HAHNE-MAN, was fit for ORION. He went to
gazing at the sun. What would have destroyed his vision if he had had
any, now restored it when he didn't have any, and his sight became so
keen that he was able to see through OEROPION--though, I believe, he
reinforced his powers of ocular penetration with a pod-auger.

_D._ (Drivelling again! More Bitters, I guess!) Father, why were the
Pleiades placed in the Head of TAURUS?

_F._ Well, my child, there are various explanations. On the Earth, they
pretend to say it was meant to signify that the English women are the
finest in the universe--the most sensible, the most charming, the most
virtuous. No wonder, if this is so, we find their sign up there! What
said MAGNUS APOLLO to young IULUS,--"Proceed, youngster, you'll get
there eventually!" And MAG. was right.

_D._ Pa, why do they say, "the _Seven_ Pleiades," when there are only
six?

_F._ Well, dear, [_kissing her,_] perhaps there's a vacancy for _you!_ I
expect the Universe will be called in, one of these nights, to admire a
new winking, blinking, and saucy little violet star--the neatest thing
going! But not, I hope, just yet.

_D._ Boo--hoo--hoo--hoo!

_F._ Well, hang the Pleiades! Boo--hoo--hoo--too!

       *       *       *       *       *

~Good for Something Better.~

We like enthusiasm. We are ourselves quite given to the admiration of
great people, as they, in their turn, we have reason to believe, are
given to admiration of their dear PUNCHINELLO. But when an English
adorer says that he considers "MR. CHARLES SUMNER fit for a throne," we
are tempted to inquire what throne there is fit for _him_? The fact is,
thrones have come to be rather more disreputable than three-legged
stools. "Every inch a king" may mean six feet of mad-man, or five feet
of mad-woman. We sincerely hope that there is no intention in England of
making MR. SUMNER the King of Spain--we mean of abducting him for the
purpose; for of course, he would never voluntarily assume the purple.

       *       *       *       *       *

~The Difference.~

Fenian General O'NEILL bore down upon Canada with a martial charge, but
he was sent back in a Marshal's charge.

[Illustration: AWFUL SCARE OF THE BRITISH LION AT THE ADVANCE OF THE
FENIAN HEAD CENTREPEDE.]

       *       *       *       *       *

~Woman's Right to Ballot and Bullet.~

In a speech which sounds like a six-shooter, that deadly woman, Mrs.
F.H.M. BROWN, of San Francisco, gives notice that "when she goes to cast
her ballot, if any man insults her, she will shoot him!" Who will now
dare to question woman's ability to exercise both the franchise and the
franchised? PUNCHINELLO sadly foresees that Shooters for the hands of
women will take the place of Suitors. Nevertheless, he guarantees that
the Constitutional right of women to bear arms shall not be infringed,
and that they shall enjoy the inestimable privilege to shoot and be shot
at. Every woman shall be at perfect liberty to cast her bullet for the
man of her choice!

       *       *       *       *       *

~How to Make Ends Meet.~

Miss BRITTAIN delivers a lecture on the High-caste women of India. She
should supplement it with one on the High-strung women of Indiana, and
thus illustrate the extremes of marriage and divorce.

       *       *       *       *       *

~From the Vermont Border.~

_Voice._ "Has anything been gained by General O'NEIL?"

_Echo._ O Nihil!

       *       *       *       *       *

[Illustration: A CABINET ORNAMENT. THE FISH REPRESENTED IS ONE OF THE
UPPER CRUST-ACEA]

       *       *       *       *       *

~The Dominion of King Whiskey.~

The London _Illustrated News_ calls the new Province of the Dominion,
Manetoda, instead of Manitobah. Perhaps the mistake originated from the
rumor of the Many Tods by which certain members of the Canadian Cabinet
are said to be habitually inspired.

       *       *       *       *       *

~A Blue-grass Reflection.~

Hard, indeed, is the life of the poor trapper of the Plains. Driven by
stress of hunger, he is often obliged to eat rattle-snake; but, as he
cannot eat the head of the reptile, though the tail is good at a pinch,
he fails, you perceive, to make both ends ~Meat.~

       *       *       *       *       *

~A Bright Idea.~

The Hon. JOHN BRIGHT is said to while away the time, in his retirement,
by knitting garters. It seems very strange that such a usurpation of
Woman's Rights should be carried into effect by one of the stoutest
advocates of them.

       *       *       *       *       *

~The Green above the Red, at last.~

One of the narrators of the late Fenian fizzle on the Canadian border
describes General O'NEIL as having invaded the Dominion, "mounted on a
small Red horse."

       *       *       *       *       *

~OUR PORTFOLIO.~

An exchange, after praising our recent Cartoon representing the
"Barnacles on American Commerce," moves to refer us to the House
Committee on Commerce and Manufactures. PUNCHINELLO never did love the
ways of the Washington Circumlocution Office, but if there is one thing
which he dislikes more than anything else, 'tis the idea of being
pigeonholed by the Committee on Commerce. The uses to which valuable
information is put by that august body of traffickers in public
credulity, are not for us. That we might penetrate their benighted minds
with many rays of knowledge is not to be doubted, but that we should be
snubbed in proportion to the value of our opinions is also equally
clear. There are some pretty dark places in this world: the Black Hole
of Calcutta; the _oubliette_ of Chillon Castle, the Torture Chambers of
Nuremberg, and the grottoes of the Mammoth Cave, for instance; but there
is no such utter exclusion of light, such profound oblivion, such
blackness of darkness, as awaits anything which may be committed to the
dungeon of a Congressional Committee. Most decidedly, therefore, we
would rather not be referred.

       *       *       *       *       *

Learned men in Massachusetts are just now confronted with an alarming
possibility. They have been racking their brains to solve the problem
whether population is increasing there faster than the means of
subsistence, and with the expectation of discovering that it is, they
have reached a precisely opposite result. The awful announcement is put
forth, that the supply of babies is diminishing, and the question "What
shall we do to remedy it?" is asked. So persistently is this
interrogatory urged, that young unmarried men perambulating the streets
of Boston, or sauntering leisurely about the Common, are liable at any
moment to be accosted by advanced single ladies with wild, haggard
looks, who stop them face to face, seize them by the shoulders, and
gazing at them with keen, imploring glances, as if they would read their
souls through their eyes, seem to cry "And what have _you_ got to say
about it, O wifeless youth? and why do _you_ let the precious moments
fly when we are willing and ready to be sacrificed? and what are _we_
all coming to, and where are _you_ all going to, and where will Boston
be if this thing goes on?" But these thoughtless and jeering bachelors
will not stop to hear the wail of their challengers; they feel no pity
for their despair; they have no stomach for their agony; but go their
ways, leaving the wretched females rooted, transfixed, the picture of
perfect hopelessness, and greeting them, ere they disappear from sight,
with shouts of scoffing laughter, which the winds catch up and carry
away out of earshot.

       *       *       *       *       *

~Something that most People would like a Little Longer.~

Strawberry Short Cake.

       *       *       *       *       *

[Illustration: INTERNATIONAL YACHTING.

JOHN BULL, NETTLED AT THE DEFEAT OF LITTLE ASHBURY, WHO IS SETTING UP A
HOWL ABOUT IT, ORDERS MASTERS DOUGLAS AND BENNETT AWAY WITH THEIR BOATS,
LEST THEY SHOULD "FOSTER MISCHIEVOUS JEALOUSIES."]

       *       *       *       *       *

~CONDENSED CONGRESS.~

SENATE.

[Illustration: 'I'.]

In spite of the obstinate silence of SUMNER, the Senate has been lively.
Its first proceeding was to pass a bill--an interminable and long-drawn
bill--ostensibly to enforce the Fifteenth Amendment. But the title is a
little joke. As no single person can read this bill and live, and as no
person other than a member of the bar of Philadelphia could understand
it, if he survived the reading of it, PUNCHINELLO deemed it his duty to
have the bill read by relays of strong men. What, is the result? Six of
his most valued contributors sleep in the valley. But what are their
lives to the welfare of the universe, for which he exists. The bill
provides,

1. That any person of a darker color than chrome yellow shall hereafter
be entitled to vote to any extent at any election, without reference to
age, sex, or previous condition, anything anywhere to the contrary
notwithstanding.

2. That any person who says that any such person ought not to vote shall
be punishable by fine to the extent of his possessions, and shall be
anathema.

3. That any person who shall, with intent to prevent the voting of any
such person, strike such person upon the nose, eye, mouth, or other
feature, within one mile of any place of voting, within one week of any
day of voting, shall be punishable by fine to the extent of twice his
possessions, and shall be disentitled to vote forever after. Moreover he
shall be anathema.

4. That any person who shall advise any other person to question the
right of any person of the hue hereinbefore specified to vote, or to do
any other act whatsoever, shall be punishable by fine to the extent of
three times his possessions, and shall be anathema.

5. That all the fines collected under this act shall be expended upon
the endowment of "The Society for Securing the Pursuit of Happiness to
American Citizens of African Descent." And if any person shall call in
question the justice of such a disposition of such fines, he shall be
punishable by fine to the extent of four times his possessions, and
shall be anathema.

Mr. WILSON objected to anathema. He said nobody in the Senate but SUMNER
knew what it meant. Besides, it was borrowed from the syllabus of a
degraded superstition. He moved to substitute the simple and
intelligible expression, "Hebedam."

The Senate settled their little dispute about who was entitled to a
medal for coming first to the defence of the Capital. They decided to
give medals to everybody. Mr. CAMERON was satisfied. If the Senate only
medalled enough, that was all he asked. There were about five thousand
wavering voters in his district, whom he thought he could fix, if he
could give them a medal apiece.

Mr. CONKLING said he would like to medal some men. But he did not like
such meddlesome men as CAMERON.

Mr. DRAKE moved to deprive anybody in Missouri who differed from him in
politics of practicing any profession. He said that many of the citizens
of that State were incarnate demons--so much so that when they had an
important law case they would rather intrust it to somebody else than
himself. Was this right? He asked the Senate to protect him as a native
industry.

HOUSE.

Mr. INGERSOLL floated his powerful mind in air-line railroads. He wanted
"that air" line from Washington to New York. This 'ere line didn't suit
him. He appealed to the House to protect its members from the untold
horrors of passing through Philadelphia. He had no doubt that much of
the imbecility which he remarked in his colleagues, and possibly some of
the imbecility they had remarked in him, were due to this dreadful
ordeal. He admitted that good juleps were to be had at he Mint. But
juleps had beguiled even SAMSON, and cut his hair off. His colleague,
LOGAN, might not be as strong as SAMSON, but he would be as entirely
useless and unimpressive an object with his hair off.

Then there was a debate upon the proposition to abolish the mission to
Rome.

Mr. BROOKS said most of his constituents were Roman Catholics. Therefore
there should be a mission to Rome.

Mr. DAWES said that BROOKS used to be a Know-Nothing. Therefore there
should not be a mission to Rome.

Mr. COX said that they used to burn witches in Massachusetts. Therefore
there should be a mission to Rome.

Mr. HOAR said they didn't. Therefore there should not be a mission to
Rome.

Mr. VOORHEES said they burnt a Roman Catholic Asylum in Boston.
Therefore there should be a mission to Rome.

Mr. DAWES said they burnt a Negro Asylum in New York. Therefore there
should not be a mission to Rome.

Mr. VOORHEES said DAWES was another. Therefore there should be a mission
to Rome.

Mr. BINGHAM said POWELL was a much better painter than TITIAN, and
VINNIE REAM a much better sculptor than MICHAEL ANGELO. Therefore there
should not be a mission to Rome.

_Republican Chorus._ You are.

_Democratic Chorus._ We ain't.

_Republican Chorus._ You did.

_Democratic Chorus._ We didn't.

_Solo by the Speaker._ Order.

_Democratic Chorus._ There should be (_da capo_ with gavel
accompaniment.)

_Republican Chorus._ There should not be (ditto, ditto.) After weighing
these arguments, the House adjourned without doing anything about it.

       *       *       *       *       *

~A BAD "ODOR" IN THE WEST.~

"The Coroner's Jury investigating the Missouri Pacific Railroad
slaughter have found that it was all caused by the disobedience and
negligence of WILLIAM ODOR, conductor of the extra freight
train!"--Daily Paper.

This "conductor" is as dangerous as some (of the "lightning" species)
which we have seen dangling disjointed from the roofs and walls of
dwelling-houses in the country. At the first shock, good-bye to you! if
you are anywhere around. Or, rather, he may be compared to the miasma
from ditches and stagnant ponds, inhaled at all times by our rustic
fellow citizens, with the trustfulness (if not relish) of the most
extreme simplicity. And yet, it kills them, all the same. No one out
West would have cared a pin about WILLIAM'S "disobedience" and
"negligence," if these trifling eccentricities hadn't occasioned the
killing or maiming of several car-loads of passengers. It is hard to
shock these Western folks' sense of honor and fidelity; but kill a few
of them, and the rest begin to feel it. We suppose that just now this
BILL can't pass there. But, our word for it, he'll soon be in
circulation again. Perhaps he may yet have the pleasure of Conducting
some of _us_ to that Station from which, etc., etc. Before we take our
contemplated trip to the West, therefore, we fervently desire to have
this ODOR neutralised, even though one should do it with strychnine.

       *       *       *       *       *

~INFORMATION WANTED.~

The correspondent of a Boston paper writes as follows, after having
visited the _Reichstag_:

"You may be sure that that man is BISMARCK; if from time to time he
irons out his face wearily with his hands, as he studies a long
document, or if by chance some unlucky member, attracting his disdain,
calls his mind to the fact that he is in Parliament, then he starts to
his feet like a war-horse, and talks with great grace and ease, always
rapidly, always briefly."

Why is it that BISMARCK irons out his face? Is it because he has just
washed it--or is it to conceal his identity, as the features of the Man
in the Mask were ironed out?

And why does the great Minister start to his feet like a war-horse?
PUNCHINELLO, not having been an Alderman or Member of Congress,
recently, is not very familiar with the getting up of war horses; but
the ordinary equine animal does not assume the upright posture with
great readiness or grace. If PUNCHINELLO were to become a member of the
_Reichstag,_ an event now highly probable, he would like to have every
adversary in debate "start to his feet like a war-horse."

       *       *       *       *       *

[Illustration: ILLUSTRATED LITERATURE.

_Boy (with basket.)_ "WHAT'S THEM PICTERS, JIM?--ANOTHER MURDER, OR A
NEW DIVORCE?"

_Jim._ "NOT MUCH. ONLY AN OLD EXECUTION,--WARMED OVER!"]


~THE ROMAUNT OF THE OYSTER.~

  In the moonlight at Cattawampus
    We sat by the surging sea,
  "And O how I long for an oyster,"
    Said FELICIA FITZ-SNYDER to me.

  Then I said, "Would were mine the power,
    Deep, deep, to the deepmost sea
  I would fly on the wings of an oyster
    To gather a pearl for thee.

  "Where the oysters are roystering together
    In the caves and the grots where they lie,
  And the clams with a musical clamor
    Rejoice when the water is high,"

  "O, there would my spirit conduct thee.
    Till, as waves began to swell,
  Thou shoulds't rise o'er the crest of the billows,
    Like a VENUS upon the half-shell!"

  'Twas enough: for I saw her eye stir,
    And ope like an oyster wide,
  As in accents hysteric she whispered,
    "No, FELIX--I'd like 'em fried!"

  Did she take me, alas! for a friar,
    Or a man of a soul austere,
  That pearl of my heart's Chincoteague?
    Oh, no, she had nothing to fear.

  Then we reached the hotel together
    And partook of two plates of fry,
  And I marvelled to think than an oyster
    Had hoisted her spirits so high.

       *       *       *       *       *

~FOREIGN CORRESPONDENCE.~

(By Atlantic Cable.)

Leaving Rome, I have called next on NAPOLEON, at Paris. He sent word,
through OLLIVIER, that be wanted to see me. He looks _old._ Some medical
man has put forth the idea that he has BRIGHT'S disease. An English
_attache_ just asked me whether that has any reference to JOHN BRIGHT.
As the latter is a Quaker, the first symptom of this disease must have
been shown long ago, when the Emperor said, "The Empire is Peace." I
satisfied my friend, however, that the case was not one of that Kidney.

Well, the Emperor asked me, "What do they say of me in America?"

"Sire, we think you are very wise, to accept the inevitable, and make a
virtue of it."

"Wise, of course. Disinterested, too!"

"_Pardonnez moi._ Not ever _wise, of course._ Mexico was a folly, you
know."

"I know; though if you were not PUNCHINELLO, you should not say it. Will
my son reign in France?"

"Sire, I am not an oracle. But they have a proverb in my country, that
it never rains but it pours."

"_Je n'entends pas._ The _plebiscite_ was rather a neat thing!"

"Worthy of its author. The old story; heads I win, tails you lose. But,
will your Majesty say what you think of the Pope?"

"That old Popinjay! He has been my folly, greater than Mexico. He would
have gone to Gaeta, or to perdition, long ago, but for _Madame!_"

"And the Council?"

"Ha, ha, ha, ha, ha!"

"What do you think of BISMARCK?"

"Monsieur, I detain you too long. You have, I am sure, an engagement.
_Bon jour!_"

_Apropos_ of the Emperor, it is said that, on the suggestion of
England's proposal to take charge of Greece, and clean out the brigands,
if the King and ministers there would resign,--Col. FISK telegraphed on
to NAPOLEON, offering to take charge of the government of France, as a
recreation, among his various engagements. He does not even require the
Emperor to withdraw; be can run the machine about as well with him as
without him.

As to the _Plebisculum,_ they say that EUGENIE asked for masses to be
said in all the churches for its success. NAPOLEON preferred to make his
appeal to the _masses outside_ of the churches.

ITALY.

Bishop VERELLI last week declared, in a sermon, that railroads,
telegraphs, and the press, were all inventions of the devil. A
correspondent of the Tribune at once sent him word that this was a
mistake. HORACE GREELEY had already proved that railroads and telegraphs
were inventions of British Free Trade; and that the press had been
invented by his grandfather, for the promulgation of protection.

Since the telegram came through Florence, of a serious riot at
Filadelfia, in Italy, a tourist from Penn's city of brotherly love
understood it to be that Col. TOM FLORENCE was seriously hurt in a riot
at Philadelphia! I telegraphed for him, to my old friend the Colonel,
and learned, with satisfaction, that not a hair of TOM'S head had been
shortened.

ENGLAND.

In Parliament, an interesting debate occurred the other night. Mr.
DAWSON moved a resolution condemning the raising of large revenue in
India from opium. Mr. WINGFIELD opposed the resolution, arguing that
opium was less hurtful than alcohol. Mr. TITMOUSE, a young member, added
that arsenic is less hurtful than strychnine; also, that this is less
injurious than prussic acid. Mr. GLADSTONE did not see what that had to
do with the case. Neither did I.

Mr. DENNISON hoped that mere sentiment would not be suffered to
interfere with the prosperity of India. Mr. TITMOUSE then suggested the
sending of the volunteer Rifles to take immediate possession of China;
that would not be sentimental, but practical. Mr. HENLEY believed that
to be a more costly affair than he was prepared for; but, whenever the
interest of England required it, he was ready. What are the lives of a
hundred million Chinese to the financial prosperity of England? Mr.
GLADSTONE considered that opium was merely a drug, after all. It was not
worth while to consume the time of the House about it. And so the
resolution was lost.

PRIME.

       *       *       *       *       *

~A Mathematical Problem.~

If one United States Marshal can capture a Fenian General surrounded by
his army, in five minutes, how long would it take him to capture the
army?

       *       *       *       *       *

[Illustration: 'K']

THE PLAYS AND SHOWS.

Kant is admitted to be one of the greatest of the German philosophers.
(That fact has nothing whatever to do with the Plays and Shows, but the
artist insisting upon making K the initial letter of this column, the
writer was obliged to begin with Kant--Kelley being hopelessly
associated in the public mind with pig-iron, and all other metaphorical
quays from which he might have launched his weekly bark being
unreasonably spelled with a Q.)

German philosophy, however, resembles Italian Opera in one particular:
it consists more of sound than of sense. Both have a like effect upon
the undersigned, in that they lead him into the paths of innocence and
peace; in short, they put him to sleep. A few nights since he went to
hear Miss KELLOGG in _Poliuto_. He listened with attention through the
first act, drowsily through the second, and from the shades of dreamland
in the third. Between the acts he lounged in the lobbies and heard the
critics speak with sneering derision of the complimentary notices of the
American Nightingale which they were about to write, while they
expressed, with sardonic smiles, a longing for the day when they would
be "allowed"--such was their singular expression--to "speak the truth
about Miss KELLOGG as a prima donna." And while he sat with closed eyes
during the third act, wondering whether he should believe the critics in
the flesh, or their criticisms in the columns of their respective
journals, he saw rehearsed before him a new operatic perversion of
MACBETH, as unlike the original as even VERDI'S MACBETTO, and quite as
inexplicable to the unsophisticated mind. And this is what he saw:

_Scene, the Dark Cave in fourteenth street. In the middle a Cauldron
boiling. Thunder--and probably small beer--behind the scenes. Enter
three Witches._

_1st Witch_. Thrice the Thomas cat hath yowled.

_2d Witch_. Thrice; and once the hedge-hog howled.

_3d Witch_. All of which is wholly irrelevant to our present purpose,
which is to summon what my friend Sir BULWER LYTTON would call the
Scin-Laeca, or, apparition of each living critic from the nasty deep of
the cauldron, and to interview him in order to hear what he really
thinks of Miss KELLOGG.

_lst Witch_
  "Round about the cauldron go,
  In the poisoned whiskey throw
  Lager, that on coldest stone,
  Days and nights hast thirty one."

_Enter_ MACSTRAKOSCH. "How now, you secret black and midnight hags, what
is't you do?"

_All_ "A deed that under present circumstances it would be superfluous
to name."

_MacStrakosch_. "I conjure you by that which you profess, (how'er you
come to know it,) answer me to what I ask you."

_lst Witch_. "Speak."

_2d Witch_. "Proceed."

_3d Witch_. "Out with it, old boy."

_MacStrakosch_. "What do these fellows really think, whom we compel to
write so sweetly of our own Connecticut _prima donna_?"

_All_
  "Come high or low, come jack or even game,
  We'll answer all your questions just the same."

_Thunder. An apparition of a critic rises._

_MacStrakosch_.

"Tell me, thou unknown power, what thinkest thou Of our own native
nightingale?"

_Apparition_.

  "Her voice is clear and bright, but far too thin
  For a great singer.--Such in truth she's not.
  Dismiss me!" (_Descends_.)

_MacStrakosch_.

  "Dismissed thou shalt be if thy editor
  Will listen to our singer's and MAECENAS' plaint.
  But one word more."

_Thunder. Second apparition of a critic rises.

Apparition_.

  "Her voice is good in quality, but then
  There's not sufficient of it for a queen
  Of the lyric stage. Yet such she claims to be,
  But is not. Now dismiss me." (_Descends_.)

_MacStrakosch_.

  "Yea; and I will unless thy master's ear
  Be deaf to the demand of good society.
  Let me hear more!"

_Thunder. Third apparition of a critic rises.

Apparition_.

  "Her lower notes are bad, her upper notes
  Forced, reedy, and most sadly often flat;
  'Tis folly to compare her with the great
  Full-voiced and plenteous Parepa. Now
  Dismiss me if thou wilt."

_MacStrakosch_.

  "Sacrilegious wretch! I have thy name
  Upon my tablets. Thy official head
  Comes off at once. Call up, ye midnight hags,
  Another of these villains."

_Thunder. Fourth apparition of a critic rises.

Apparition_.

  "Her acting, like her voice, is cold and hard;
  Not thus did GRISI, GAZZANIGA or
  CORTESI act when their warm Southern blood
  Throbbed in the passionate pulse of VIOLETTA,
  NORMA, or the Spanish LEONORE.
  Dismiss me, quick."

_MacStralosch_.

  "Thon diest ere to-morrow's sun shall set,
  Or never more advertisement of mine
  Shall grace the columns of thy journal. Next."

_Thunder. Fifth apparition of a critic rises.

Apparition_.

  "She in the same in everything she sings;
  Her 'Gilda,' her 'Amina,' or her 'Marguerite,'
  Her 'Leonora,' or her 'Daughter of
  The Regiment,' are one and all the same
  Fair lady decked in different stage costumes.
  Better dismiss me, now. I've told the truth,
  And may continue that unseemly practice."

_MacStrakosch_.

  "This is past bearing. Are there any more
  Of these rude fellows waiting to be summoned?"

_Thunder. Eight apparitions of critics rise and pass over the stage,
reciting the following chorus:

Apparitions_.

  "She has a pretty little voice, and uses it
  In pretty little ways. If she would sing
  In pretty little theatres she'd make a hit
  In pretty little parts. That's everything
  That can be said for her. Cease then to claim
  That "KELLOGG" should be writ next GRISI'S name."

_The apparitions vanish. An alarm of drums is heard, and_ MATADOR
_awakes to find that he is still enduring Poliuto, and that a sporadic
drum in the orchestra, which has broken loose from the weak restraints
of the conductor's discipline, is making Verdi unnecessarily hideous._

And as he passed once more and finally through the lobby, he heard a
critic remark, "She is the same in everything she sings;" and another
reply, "Yes, she has a pretty little voice, and uses it nicely, but she
is by no means a great singer." Struck by the similarity of these
remarks to those made by the apparitions in his vision, he began to
doubt whether his dream did not, after all, contain a large alloy of
truth, and the more he thought on the subject the more he was led to
believe that for once he had really heard the critics of the New York
press indulging in an unrestrained expression of honest opinion.

MATADOR

       *       *       *       *       *

~Bingham on Rome.~

"Talk to me at this time of day about Borne being the Mother of Arts!"
cries Mr. BUNCOMBE BINGHAM, M.C. PUNCHINELLO fervently hopes that at no
time of the day will anybody ever talk to BINGHAM about Borne being the
Mother of Arts. The reason therefor is obvious. "Why, sir," says
BINGHAM, "there is more of that genius which makes even the marble itself
wear the divine beauty of life, more of that power to-day in living
America, than was ever dreamed of in Rome, living or dead!" We think we
hear BINGHAM exclaim, with the gladiator-like championship of Art for
which he is renowned--"Bring on your MICHAEL ANGELOS; produce your
CHIAROSCUROS, your MASANIELLOS, your SAVONAROLAS and the rest of
'em--but show me a match for VINNIE REAM!"

       *       *       *       *       *

[Illustration: ~PERSIFLAGE.~

Jenkins (_Chaffing glazier, who is mending basement window_.) "NOW, MY
FRIEND, TRY TO GET OUT THAT WAY. YOU KNOW YOU MUST HAVE BEEN PUT IN FOR
_something_, AND YOU'LL ONLY AGGRAVATE MATTERS IF YOU TRY TO BREAK
JAIL."]

       *       *       *       *       *

~Chinopathy.~

Did the gentleman who threw a brick at a dog on a very hot day (when no
doubt that inoffensive animal was in a stew) imagine that he had hit
upon the whole of the common Chinese _materia medica?_ PUNCHINELLO is
gravely told that a Celestial doctor is about to come to New York, whose
favorite prescriptions, in accordance with Chinese practice, "will be
baked clay-dust, similar to brick-dust and dog-soup." In one of these
remedies the medical acumen of PUNCHINELLO recognizes a homoeopathic
principle. Man having been made out of the dust of the earth, nothing is
so well adapted to cure him as baked clay. Every man's house is now not
only his castle, but his apothecary shop. A brick may be considered a
panacea, and may be carried in the hat. Taken internally, it will go to
the building up of the system. Applied to the head it is good for
fractures. Dog-soup has an evident advantage over the usual
prescriptions of Bark.

       *       *       *       *       *

~Greek Meeting Greek.~

We learn that "a naval architect named DUNKIN claims to have constructed
a new style of vessel, impervious to rams, shell, or shot." Now, then,
where is our friend, Captain ERICSSON? The Captain has a torpedo which
he is anxious to explode, near a strong vessel belonging to somebody
else. He says it will blow up anything. DUNIN says nothing can blow up
his vessel. A contest between these very positive inventors would be a
positive luxury--to those who had nothing to risk. We bet on the
torpedo.

       *       *       *       *       *

~The "New Muscle".~

It was a mere joke, that stuff about the "new muscle in the human body,"
said to have been found by an English anatomist. It simply meant that,
the Oyster Months being past, the "human body" begins to be nourished
with soft-shell clams.

       *       *       *       *       *

~GRAVESTONES FOR SALE.~

Bargains in Immortality

The undersigned offers for sale to the highest bidder, up to Doomsday
next, several choice lots of tombstones. Bidders will state price and
terms of payment, and accepted purchasers will remove the monuments from
their present localities, at their own risk. The lots are:

1st. A gravestone of white marble. It is about 65 feet square at the
base, and is the frustrum of a pyramid, truncated at about 140 feet. It
is filled with a square hole, upon the sides of which are inscriptions
let into various colored marbles, and in the languages of the peoples
who inhabited a great country ages ago. The stone was designed to be put
over the remains of PRO PATRIA, a personage once celebrated for loyalty
and wisdom, but whose teachings are now well nigh forgotten, and whose
name even is fast being obliterated from the memories of radical
improvers of governments and republican institutions. This lot may be
seen south of the mouth of Goose Creek, in a district called Columbia.

2d. A gravestone consisting of a square house of Illinois marble, with a
piece of a smoke-stack protruding from the roof. About one-third of the
estimated cost had been expended, when the persons who were to furnish
the means suddenly concluded that the Little Giant could sleep just as
well in a filthy unmarked hole in the ground, as under a pile of marble.
Besides, being dead, he couldn't get any more offices for his
constituents, so they found out they didn't care a cuss for him. Further
information about this stone can be obtained by applying to any citizen
of Chicago.

3d. A monument which we haven't seen, and so can't describe. It is
supposed to be at Springfield, Illinois, and was intended for a person
once called a railsplitter--a man much homelier than the typical hedge
fence, but as good as homely. He was thought to be a second PRO PATRIA,
MOSES, or some such person, and was sworn by, by millions of people who
would now almost deny ever having heard of him. At the time he went out
everybody wanted to put up a gravestone immediately--almost before he
needed one. Now, everybody isn't altogether enough to provide one. For
further particulars about the Springfield stone, inquire of any red-hot
radical.

There are some other lots, but we will not offer them until we see how
the present ones go off.

GHOUL, _Undertaker._

       *       *       *       *       *

~LATEST ABOUT "LO!"~

The Irrepressible Black having been repressed, here comes the
Irrepressible Red! HIAWATHA is cutting up a great variety of capers as
well as of unfortunate settlers. Should you ask us why this bloodshed,
Why this scalping and this burning, Why this conduct most disgraceful,
Why these crimes of the Piegans, Why this sending forth of soldiers, Why
the perils of the railway, known as and called the way Pacific, (which
it won't be if these actions are allowed to go unpunished,) We should
tell you--whiskey! to say nothing of the indomitable propensity which
rises in the Piegan bosom for scalps. The noble Son of the Forest is an
amateur in scalps; as some of us are all for old books and others for
old coins. But however much we may respect the enthusiasm of the wild
Rover of the Plains, in making these collections of cranial curiosities,
we feel that the red virtuoso is really going too far--at least we
should feel so, we have no doubt, if he were taking off our own private
scalp, which is a very handsome one, and which we hope to be buried in.
No; the Piegan passion for scalps must be suppressed. But how? Some say
by more whiskey. Some say by less. Some say by none at all. We are for
the more instead of the less. There is whiskey and whiskey. Now our idea
would be to send an unlimited supply of the more deadly variety of that
exhilarating fluid, (highly camphened,) to the convivial Piegans. After
an extensive debauch upon this potent tipple, very few Piegans would be
likely to take the field, either this summer or any other. They would be
Dead Reds, every rascal of them.

       *       *       *       *       *

Extraordinary Bargains

In

REAL INDIA, CASHMERE AND SUMMER SHAWLS,

Paris and Domestic Made Silk Cloaks,

_Embroidered Breakfast Jackets, in
all Colors,_

CHILDREN'S & MISSES' SACKS,

Ladies' Spring and Summer Suits in SILK,
POPLIN, PONGEES, SERGES, PIQUE,
SWISS LAWN, LINENS, Colored
and Plain CAMBRICS.

Children's and Misses' White and
Colored Pique Suits.

Ladies', Children's and Infants' Underwear,
&c., in Every Style.

A.T. Stewart & CO.,

Broadway, 4th Avenue, 9th and 10th Sts.

       *       *       *       *       *

A. T. STEWART & CO.

Are offering

an IMMENSE VARIETY OF NOVELTIES in

SILKS, SILK TISSUES, POPLINS,
PLAIN AND BROCHE BAREGES.

_Paris Quality Jaconets, Organdies, Percales,
Piques, Pattern Costumes, Morning
Dresses._

Every Variety of Goods Suitable for Mourning.

HOSIERY.

Alexandre's Celebrated Kid Gloves, In new
Shades of Color, at extremely
attractive prices.

BROADWAY,

4th Avenue, 9th and 10th Streets.

       *       *       *       *       *

A. T. STEWART & CO.

Offer the balance of their stock of

Trimmed Bonnets and Hats,

Paris and Domestic made.

FLOWERS, FEATHERS,

Trimming Ribbons, Sash Ribbons, Neckties,
&c., at greatly Reduced Prices.

Novelties in

Muslin and Lawn Sundowns,

BLACK AND WHITE CHIP HATS, ETC.

The Latest styles.

BROADWAY,

4th Ave., 9th and 10th Sts.

       *       *       *       *       *

SPECIAL

PUNCHINELLO PREMIUMS.

By special arrangement with

L. PRANG & CO.,

we offer the following Elegant Premiums for new Subscribers to
PUNCHINELLO:

"Awakening." (A Litter of Puppies.) Half Chromo, size,
8 3-8 by 11 1-8, price $2.00, and a copy of PUNCHINELLO for
one year, for $4.00.

"Wild Roses." Chromo, 12 1-8 by 9, price $3.00, or any
other $3.00 Chromo, and a copy of the paper for one year for
$5.00.

"The Baby in Trouble." Chromo, 13 by 16 1-4,
price $6.00 or any other at $6.00, or any two Chromos at $3.00,
and a copy of the paper for one year, for $7.00.

"Sunset,--California Scenery," after A. Bierstadt,
18 1-8 by 12, price $10.00, or any other $10.00 Chromo, and
a copy of the paper for one year for $10.00. Or the four Chromos,
and four copies of the paper for one year in one order, for
clubs of FOUR, for $23.00.

We will send to any one a printed list of L. PRANG & CO.'S
Chromos, from which a selection can be made, if the above is not
satisfactory, and are prepared to make special terms for clubs to
any amount, and to agents.

Postage of paper is payable at the office where received, twenty
cents per year, or five cents per quarter in advance; the CHROMOS
will be _mailed free_ on receipt of money.

Remittances should be made in P.O. Orders, Drafts, or Bank
Checks on New-York, or Registered letters. The paper will be
sent from the first number, (April 2d, 1870,) when not otherwise
ordered.

Now is the time to subscribe, as these Premiums will be offered
for a limited time only. On receipt of a postage-stamp we will
send a copy of No. 1 to any one desiring to get up a club.

Address

PUNCHINELLO PUBLISHING CO.,

P. O. BOX 2783. No. 83 Nassau Street, New-York.

       *       *       *       *       *

[Illustration: LOUIS NAPOLEON SMOKES HIS PIPE OF PEACE.]

       *       *       *       *       *

"The Printing House of the United States."

GEO. F. NESBITT & CO.,

General JOB PRINTERS,

BLANK BOOK Manufacturers,
STATIONERS Wholesale and Retail,
LITHOGRAPHIC Engravers and Printers,
COPPER-PLATE Engravers and Printers,
CARD Manufacturers,
ENVELOPE Manufacturers,
FINE CUT and COLOR Printers.

163, 165, 167, and 169 PEARL ST.,
73, 75, 77, and 79 PINE ST., New-York.

ADVANTAGES. All on the same premises, and under immediate
supervision of the proprietors.

       *       *       *       *       *

Bowling Green Savings-Bank,

33 BROADWAY,

NEW-YORK.

Open Every Day from 10 A.M. to 3 P.M.


Deposit of any sum from Ten Cents to Ten
Thousand Dollars, will be received.


Six Per Cent Interest, Free of
Government Tax.


INTEREST ON NEW DEPOSITS

Commences on the first of every month.

HENRY SMITH, _President_.

REEVES E. SELMES, _Secretary_.

WALTER ROCHE,)
EDWARD HOGAN,) _Vice-Presidents_.

       *       *       *       *       *

SARATOGA "A" SPRING WATER.

A POSITIVE CURE FOR HEADACHE!--A GREAT
REMEDY FOR INDIGESTION AND DYSPEPSIA.--

Keeps the blood cool and regulates the stomach. Persons subject to headache
can insure themselves freedom from this malady by drinking it liberally in
the morning before breakfast.

Sold by JOHN F. HENRY, at the U.S. Family Medical Depot, 8 College Place,
New-York.

       *       *       *       *       *

PRANG'S CHROMOS are celebrated for their close resemblance to oil
paintings. Sold in all Art Stores throughout the world.

PRANG'S LATEST CHROMOS: "Four Seasons," by J. M. Hart. Illustrated
catalogues sent free on receipt of stamp by

L. PRANG & CO., Boston.

       *       *       *       *       *

PUNCHINELLO.

With a large and varied experience in the management and publication of a
paper of the class herewith submitted, and with the still more positive
advantage of an Ample Capital to justify the undertaking, the

PUNCHINELLO PUBLISHING CO.

OF THE CITY OF NEW YORK.

Presents to the public for approval, the new

ILLUSTRATED HUMOROUS AND SATIRICAL

WEEKLY PAPER.

PUNCHINELLO,

The first number of which was issue under date of Apr 2.

PUNCHINELLO will be entirely original; humourous and witty without
vulgarity, and a satirical without malice. It will be printed on a superior
tinted paper of sixteen pages size 13 by 9, and will be for sale by all
respectable news-dealers who have the judgment to know a good thing when
they see it, or by subscription from this office.

ORIGINAL ARTICLES,

Suitable for the paper, and Original Designs, or suggestive ideas or
sketches for illustrations, upon the topics of the day, are always
acceptable and will be paid for liberally.

Rejected communications cannot be returned, unless postage stamps are
inclosed.

TERMS:

One copy, per year, in advance                       $4 00
Single copies                                           10
  A specimen copy will be mailed free upon the
receipt of ten cents.
One copy, with the Riverside Magazine, or any other
  magazine or paper, price $2.50, for                 5 50
One copy, with any magazine or paper, price, $4, for  7 00

All communications, remittances, etc., to be addressed to

PUNCHINELLO PUBLISHING CO.,

No. 83 Nassau Street,

P.O. Box, 27383, NEW YORK

       *       *       *       *       *

THE MYSTERY OF MR. E. DROOD.

The New Burlesque Serial,

Written expressly for PUNCHINELLO,

By

ORPHEUS C. KERR,

Commenced in this number, will be continued weekly throughout the year.

A sketch of the eminent author, written by his bosom friend, with superb
illustrations of

1ST. THE AUTHOR'S PALATIAL RESIDENCE AT BEGAD'S HILL, TICKNOR'S FIELDS, NEW
JERSEY.

2D. THE AUTHOR AT THE DOOR OF SAID PALATIAL RESIDENCE, taken as he appears
"Every Saturday." will also be found in this number.

Single Copies, FOR SALE BY ALL NEWSMEN, (OR MAILED FROM THIS OFFICE, FREE,)
Ten Cents.

Subscription for One Year, one copy, with $2 Chromo Premium, $4.

Those desirous of receiving the paper containing this new serial, which
promises to be the best ever written by ORPHEUS C. KERR, should subscribe
now, to insure its regular receipt weekly.

We will send the first Ten Numbers of PUNCHINELLO to any one who wishes to
see them, in view of subscribing, on the receipt of SIXTY CENTS.

Address,

PUNCHINELLO PUBLISHING COMPANY

P.O. Box 2783.  83 Nassau St., New York.

       *       *       *       *       *

Geo. W. Wheat, Printer, No. 8 Spruce Street.










End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 11, June 11,
1870, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, JUNE 11, 1870 ***

***** This file should be named 9545.txt or 9545.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/9/5/4/9545/

Produced by Cornell University, Joshua Hutchinson, Sandra
Brown and PG Distributed Proofreaders


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.