summaryrefslogtreecommitdiff
path: root/978.txt
diff options
context:
space:
mode:
Diffstat (limited to '978.txt')
-rw-r--r--978.txt1314
1 files changed, 1314 insertions, 0 deletions
diff --git a/978.txt b/978.txt
new file mode 100644
index 0000000..895688c
--- /dev/null
+++ b/978.txt
@@ -0,0 +1,1314 @@
+The Project Gutenberg EBook of The Yates Pride, by Mary E. Wilkins Freeman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Yates Pride
+
+Author: Mary E. Wilkins Freeman
+
+Posting Date: August 10, 2008 [EBook #978]
+Release Date: July, 1997
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE YATES PRIDE ***
+
+
+
+
+Produced by Judith Boss
+
+
+
+
+
+THE YATES PRIDE
+
+A ROMANCE
+
+By Mary E. Wilkins Freeman
+
+
+
+
+PART I
+
+
+Opposite Miss Eudora Yates's old colonial mansion was the perky modern
+Queen Anne residence of Mrs. Joseph Glynn. Mrs. Glynn had a daughter,
+Ethel, and an unmarried sister, Miss Julia Esterbrook. All three were
+fond of talking, and had many callers who liked to hear the feebly
+effervescent news of Wellwood. This afternoon three ladies were there:
+Miss Abby Simson, Mrs. John Bates, and Mrs. Edward Lee. They sat in the
+Glynn sitting-room, which shrilled with treble voices as if a flock of
+sparrows had settled therein.
+
+The Glynn sitting-room was charming, mainly because of the quantity
+of flowering plants. Every window was filled with them, until the room
+seemed like a conservatory. Ivy, too, climbed over the pictures, and the
+mantel-shelf was a cascade of wandering Jew, growing in old china vases.
+
+"Your plants are really wonderful, Mrs. Glynn," said Mrs. Bates, "but I
+don't see how you manage to get a glimpse of anything outside the house,
+your windows are so full of them."
+
+"Maybe she can see and not be seen," said Abby Simson, who had a quick
+wit and a ready tongue.
+
+Mrs. Joseph Glynn flushed a little. "I have not the slightest curiosity
+about my neighbors," she said, "but it is impossible to live just across
+the road from any house without knowing something of what is going on,
+whether one looks or not," said she, with dignity.
+
+"Ma and I never look out of the windows from curiosity," said Ethel
+Glynn, with spirit. Ethel Glynn had a great deal of spirit, which was
+evinced in her personal appearance as well as her tongue. She had an
+eye to the fashions; her sleeves were never out of date, nor was the
+arrangement of her hair.
+
+"For instance," said Ethel, "we never look at the house opposite because
+we are at all prying, but we do know that that old maid has been doing a
+mighty queer thing lately."
+
+"First thing you know you will be an old maid yourself, and then your
+stones will break your own glass house," said Abby Simson.
+
+"Oh, I don't care," retorted Ethel. "Nowadays an old maid isn't an old
+maid except from choice, and everybody knows it. But it must have been
+different in Miss Eudora's time. Why, she is older than you are, Miss
+Abby."
+
+"Just five years," replied Abby, unruffled, "and she had chances, and I
+know it."
+
+"Why didn't she take them, then?"
+
+"Maybe," said Abby, "girls had choice then as much as now, but I never
+could make out why she didn't marry Harry Lawton."
+
+Ethel gave her head a toss. "Maybe," said she, "once in a while, even so
+long ago, a girl wasn't so crazy to get married as folks thought. Maybe
+she didn't want him."
+
+"She did want him," said Abby. "A girl doesn't get so pale and
+peaked-looking for nothing as Eudora Yates did, after she had dismissed
+Harry Lawton and he had gone away, nor haunt the post-office as she used
+to, and, when she didn't get a letter, go away looking as if she would
+die."
+
+"Maybe," said Ethel, "her folks were opposed."
+
+"Nobody ever opposed Eudora Yates except her own self," replied Abby.
+"Her father was dead, and Eudora's ma thought the sun rose and set
+in her. She would never have opposed her if she had wanted to marry a
+foreign duke or the old Harry himself."
+
+"I remember it perfectly," said Mrs. Joseph Glynn.
+
+"So do I," said Julia Esterbrook.
+
+"Don't see why you shouldn't. You were plenty old enough to have your
+memory in good working order if it was ever going to be," said Abby
+Simson.
+
+"Well," said Ethel, "it is the funniest thing I ever heard of. If a girl
+wanted a man enough to go all to pieces over him, and he wanted her, why
+on earth didn't she take him?"
+
+"Maybe they quarreled," ventured Mrs. Edward Lee, who was a mild,
+sickly-looking woman and seldom expressed an opinion.
+
+"Well, that might have been," agreed Abby, "although Eudora always had
+the name of having a beautiful disposition."
+
+"I have always found," said Mrs. Joseph Glynn, with an air of wisdom,
+"that it is the beautiful dispositions which are the most set the minute
+they get a start the wrong way. It is the always-flying-out people who
+are the easiest to get on with in the long run."
+
+"Well," said Abby, "maybe that is so, but folks might get worn all to a
+frazzle by the flying-out ones before the long run. I'd rather take my
+chances with a woman like Eudora. She always seems just so, just as calm
+and sweet. When the Ames's barn, that was next to hers, burned down and
+the wind was her way, she just walked in and out of her house, carrying
+the things she valued most, and she looked like a picture--somehow she
+had got all dressed fit to make calls--and there wasn't a muscle of her
+face that seemed to move. Eudora Yates is to my mind the most beautiful
+woman in this town, old or young, I don't care who she is."
+
+"I suppose," said Julia Esterbrook, "that she has a lot of money."
+
+"I wonder if she has," said Mrs. John Bates.
+
+The others stared at her. "What makes you think she hasn't?" Mrs. Glynn
+inquired, sharply.
+
+"Nothing," said Mrs. Bates, and closed her thin lips. She would say no
+more, but the others had suspicions, because her husband, John Bates,
+was a wealthy business man.
+
+"I can't believe she has lost her money," said Mrs. Glynn. "She wouldn't
+have been such a fool as to do what she has if she hadn't money."
+
+"What has she done?" asked Mrs. Bates, eagerly.
+
+"What has she done?" asked Abby, and Mrs. Lee looked up inquiringly.
+
+The faces of Mrs. Glynn, her daughter, and her sister became important,
+full of sly and triumphant knowledge.
+
+"Haven't you heard?" asked Mrs. Glynn.
+
+"Yes, haven't you?" asked Ethel.
+
+"Haven't any of you heard?" asked Julia Esterbrook.
+
+"No," admitted Abby, rather feebly. "I don't know as I have."
+
+"Do you mean about Eudora's going so often to the Lancaster girls' to
+tea?" asked Mrs. John Bates, with a slight bridle of possible knowledge.
+
+"I heard of that," said Mrs. Lee, not to be outdone.
+
+"Land, no," replied Mrs. Glynn. "Didn't she always go there? It isn't
+that. It is the most unheard-of thing she had done; but no woman, unless
+she had plenty of money to bring it up, would have done it."
+
+"To bring what up?" asked Abby, sharply. Her eyes looked as small and
+bright as needles.
+
+Julia regarded her with intense satisfaction. "What do women generally
+bring up?" said she.
+
+"I don't know of anything they bring up, whether they have it or not,
+except a baby," retorted Abby, sharply.
+
+Julia wilted a little; but her sister, Mrs. Glynn, was not perturbed.
+She launched her thunderbolt of news at once, aware that the critical
+moment had come, when the quarry of suspicion had left the bushes.
+
+"She has adopted a baby," said she, and paused like a woman who had
+fired a gun, half scared herself and shrinking from the report.
+
+Ethel seconded her mother. "Yes," said she, "Miss Eudora has adopted a
+baby, and she has a baby-carriage, and she wheels it out any time she
+takes a notion." Ethel's speech was of the nature of an after-climax.
+The baby-carriage weakened the situation.
+
+The other women seized upon the idea of the carriage to cover their
+surprise and prevent too much gloating on the part of Mrs. Glynn, Ethel,
+and Julia.
+
+"Is it a new carriage?" inquired Mrs. Lee.
+
+"No, it looks like one that came over in the ark," retorted Mrs. Glynn.
+Then she repeated: "She has adopted a baby," but this time there was no
+effect of an explosion. However, the treble chorus rose high, "Where did
+she get the baby? Was it a boy or a girl? Why did she adopt it? Did it
+cry much?" and other queries, none of which Mrs. Glynn, Ethel, and Julia
+could answer very decidedly except the last. They all announced that the
+adopted baby was never heard to cry at all.
+
+"Must be a very good child," said Abby.
+
+"Must be a very healthy child," said Mrs. Lee, who had had experience
+with crying babies.
+
+"Well, she has it, anyhow," said Mrs. Glynn.
+
+Right upon the announcement came proof. The beautiful door of the old
+colonial mansion opposite was thrown open, and clumsy and cautious
+motion was evident. Presently a tall, slender woman came down the path
+between the box borders, pushing a baby-carriage. It was undoubtedly a
+very old carriage. It must have dated back to the fifties, if not
+the forties. It was made of wood, with a leather buggy-top, and was
+evidently very heavy.
+
+Abby eyed it shrewdly. "If I am not mistaken," said she, "that is the
+very carriage Eudora herself was wheeled around in when she was a baby.
+I am almost sure I have seen that identical carriage before. When we
+were girls I used to go to the Yates house sometimes. Of course, it was
+always very formal, a little tea-party for Eudora, with her mother on
+hand, but I feel sure that I saw that carriage there one of those times.
+
+"I suppose it cost a lot of money, in the time of it. The Yateses always
+got the very best for Eudora," said Julia. "And maybe Eudora goes about
+so little she doesn't realize how out of date the carriage is, but I
+should think it would be very heavy to wheel, especially if the baby is
+a good-sized one."
+
+"It looks like a very large baby," said Ethel. "Of course, it is so
+rolled up we can't tell."
+
+"Haven't you gone out and asked to see the baby?" said Abby.
+
+"Would we dare unless Eudora Yates offered to show it?" said Julia, with
+a surprised air; and the others nodded assent. Then they all crowded to
+the front windows and watched from behind the screens of green flowering
+things. It was very early in the spring. Fairly hot days alternated with
+light frosts. The trees were touched with sprays of rose and gold and
+gold-green, but the wind still blew cold from the northern snows, and
+the occupant of Eudora's ancient carriage was presumably wrapped well
+to shelter it from harm. There was, in fact, nothing to be seen in the
+carriage, except a large roll of blue and white, as Eudora emerged from
+the yard and closed the iron gate of the tall fence behind her.
+
+Through this fence pricked the evergreen box, and the deep yard was full
+of soft pastel tints of reluctantly budding trees and bushes. There was
+one deep splash of color from a yellow bush in full bloom.
+
+Eudora paced down the sidewalk with a magnificent, stately gait. There
+was something rather magnificent in her whole appearance. Her skirts of
+old, but rich, black fabric swept about her long, advancing limbs;
+she held her black-bonneted head high, as if crowned. She pushed the
+cumbersome baby-carriage with no apparent effort. An ancient India shawl
+was draped about her sloping shoulders.
+
+Eudora, as she passed the Glynn house, turned her face slightly, so that
+its pure oval was evident. She was now a beauty in late middle life. Her
+hair, of an indeterminate shade, swept in soft shadows over her ears;
+her features were regular; her expression was at once regal and gentle.
+A charm which was neither of youth nor of age reigned in her face;
+her grace had surmounted with triumphant ease the slope of every year.
+Eudora passed out of sight with the baby-carriage, lifting her proud
+lady-head under the soft droop of the spring boughs; and her inspectors,
+whom she had not seen, moved back from the Glynn windows with
+exclamations of astonishment.
+
+"I wonder," said Abby, "whether she will have that baby call her ma or
+aunty."
+
+Meantime Eudora passed down the village street until she reached the
+Lancaster house, about half a mile away on the same side. There dwelt
+the Misses Amelia and Anna Lancaster, who were about Eudora's age, and
+a widowed sister, Mrs. Sophia Willing, who was much older. The Lancaster
+house was also a colonial mansion, much after the fashion of Eudora's,
+but it showed signs of continued opulence. Eudora's, behind her trees
+and leafing vines, was gray for lack of paint. Some of the colonial
+ornamental details about porches and roof were sloughing off or had
+already disappeared. The Lancaster house gleamed behind its grove of
+evergreen trees as white and perfect as in its youth. The windows showed
+rich slants of draperies behind their green glister of old glass.
+
+A gardener, with a boy assistant, was at work in the grounds when Eudora
+entered. He touched his cap. He was an old man who had lived with the
+Lancasters ever since Eudora could remember. He advanced toward her now.
+"Sha'n't Tommy push--the baby-carriage up to the house for you, Miss
+Eudora?" he said, in his cracked old voice.
+
+Eudora flushed slightly, and, as if in response, the old man flushed,
+also. "No, I thank you, Wilson," she said, and moved on.
+
+The boy, who was raking dry leaves, stood gazing at them with a shrewd,
+whimsical expression. He was the old man's grandson.
+
+"Is that a boy or a girl kid, grandpa?" he inquired, when the gardener
+returned.
+
+"Hold your tongue!" replied the old man, irascibly. Suddenly he seized
+the boy by his two thin little shoulders with knotted old hands.
+
+"Look at here, Tommy, whatever you know, you keep your mouth shet, and
+whatever you don't know, you keep your mouth shet, if you know what's
+good for you," he said, in a fierce whisper.
+
+The boy whistled and shrugged his shoulders loose. "You know I ain't
+goin' to tell tales, grandpa," he said, in a curiously manly fashion.
+
+The old man nodded. "All right, Tommy. I don't believe you be, nuther,
+but you may jest as well git it through your head what's goin' to happen
+if you do."
+
+"Ain't goin' to," returned the boy. He whistled charmingly as he raked
+the leaves. His whistle sounded like the carol of a bird.
+
+Eudora pushed the carriage around to the side door, and immediately
+there was a fluttering rush of a slender woman clad in lavender down the
+steps. This woman first kissed Eudora with gentle fervor, then, with a
+sly look around and voice raised intentionally high, she lifted the
+blue and white roll from the carriage with the tenderest care. "Did the
+darling come to see his aunties?" she shrilled.
+
+The old man and the boy in the front yard heard her distinctly. The old
+man's face was imperturbable. The boy grinned.
+
+Two other women, all clad in lavender, appeared in the doorway. They
+also bent over the blue and white bundle. They also said something about
+the darling coming to see his aunties. Then there ensued the softest
+chorus of lady-laughter, as if at some hidden joke.
+
+"Come in, Eudora dear," said Amelia Lancaster. "Yes, come in, Eudora
+dear," said Anna Lancaster. "Yes, come in, Eudora dear," said Sophia
+Willing.
+
+Sophia looked much older than her sisters, but with that exception the
+resemblance between all three was startling. They always dressed exactly
+alike, too, in silken fabric of bluish lavender, like myrtle blossoms.
+Some of the poetical souls in the village called the Lancaster sisters
+"The ladies in lavender."
+
+There was an astonishing change in the treatment of the blue and white
+bundle when the sisters and Eudora were in the stately old sitting-room,
+with its heavy mahogany furniture and its white-wainscoted calls. Amelia
+simply tossed the bundle into a corner of the sofa; then the sisters all
+sat in a loving circle around Eudora.
+
+"Are you sure you are not utterly worn out, dear?" asked Amelia,
+tenderly; and the others repeated the question in exactly the same tone.
+The Lancaster sisters were not pretty, but all had charming expressions
+of gentleness and a dignified good-will and loving kindness. Their blue
+eyes beamed love at Eudora, and it was as if she sat encircled in a
+soul-ring of affection.
+
+She responded, and her beautiful face glowed with tenderness and
+pleasure, and something besides, which was as the light of victory.
+
+"I am not in the least tired, thank you, dears," she replied. "Why
+should I be tired? I am very strong."
+
+Amelia murmured something about such hard work.
+
+"I never thought it would be hard work taking care of a baby," replied
+Eudora, "and especially such a very light baby."
+
+Something whimsical crept into Eudora's voice; something whimsical crept
+into the love-light of the other women's eyes. Again a soft ripple of
+mirth swept over them.
+
+"Especially a baby who never cries," said Amelia.
+
+"No, he never does cry," said Eudora, demurely.
+
+They laughed again. Then Amelia rose and left the room to get the
+tea-things. The old serving-woman who had lived with them for many years
+was suffering from rheumatism, and was cared for by her daughter in the
+little cottage across the road from the Lancaster house. Her husband and
+grandson were the man and boy at work in the grounds. The three sisters
+took care of themselves and their house with the elegant ease and lack
+of fluster of gentlewomen born and bred. Miss Amelia, bringing in
+the tea-tray, was an unclassed being, neither maid nor mistress, but
+outranking either. She had tied on a white apron. She bore the
+silver tray with an ease which bespoke either nerve or muscle in her
+lace-draped arms.
+
+She poured the tea, holding the silver pot high and letting the amber
+fluid trickle slowly, and the pearls and diamonds on her thin hands
+shone dully. Sophia passed little china plates and fringed napkins, and
+Anna a silver basket with golden squares of sponge-cake.
+
+The ladies ate and drank, and the blue and white bundle on the sofa
+remained motionless. Eudora, after she had finished her tea, leaned
+back gracefully in her chair, and her dark eyes gleamed with its mild
+stimulus. She remained an hour or more. When she went out, Amelia
+slipped an envelope into her hand and at the same time embraced and
+kissed her. Sophia and Anna followed her example. Eudora opened her
+mouth as if to speak, but smiled instead, a fond, proud smile. During
+the last fifteen minutes of her stay Amelia had slipped out of the
+room with the blue and white bundle. Now she brought it out and laid it
+carefully in the carriage.
+
+"We are always so glad to see you, dearest Eudora," said she, "but you
+understand--"
+
+"Yes," said Sophia, "you understand, Eudora dear, that there is not the
+slightest haste."
+
+Eudora nodded, and her long neck seemed to grow longer.
+
+When she was stepping regally down the path, Amelia said in a hasty
+whisper to Sophia: "Did you tell her?"
+
+Sophia shook her head. "No, sister."
+
+"I didn't know but you might have, while I was out of the room."
+
+"I did not," said Sophia. She looked doubtfully at Amelia, then at Anna,
+and doubt flashed back and forth between the three pairs of blue eyes
+for a second. Then Sophia spoke with authority, because she was the
+only one of them all who had entered the estate of matrimony, and had
+consequently obvious cognizance of such matters.
+
+"I think," said she, "that Eudora should be told that Harry Lawton has
+come back and is boarding at the Wellwood Inn."
+
+"You think," faltered Amelia, "that it is possible she might meet him
+unexpectedly?"
+
+"I certainly do think so. And she might show her feelings in a way which
+she would ever afterward regret."
+
+"You think, then, that she--"
+
+Sophia gave her sister a look. Amelia fled after Eudora and the
+baby-carriage. She overtook her at the gate. She laid her hand on
+Eudora's arm, draped with India shawl.
+
+"Eudora!" she gasped.
+
+Eudora turned her serene face and regarded her questioningly.
+
+"Eudora," said Amelia, "have you heard of anybody's coming to stay at
+the inn lately?"
+
+"No," replied Eudora, calmly. "Why, dear?"
+
+"Nothing, only, Eudora, a dear and old friend of yours, of ours, is
+there, so I hear."
+
+Eudora did not inquire who the old friend might be. "Really?" she
+remarked. Then she said, "Goodby, Amelia dear," and resumed her progress
+with the baby-carriage.
+
+
+
+
+PART II
+
+"She never even asked who it was," Amelia reported to her sisters,
+when she had returned to the house. "Because she knew," replied Sophia,
+sagely; "there has never been any old friend but that one old friend to
+come back into Eudora Yates's life."
+
+"Has he come back into her life, I wonder?" said Amelia.
+
+"What did he return to Wellwood for if he didn't come for that? All
+his relatives are gone. He never married. Yes, he has come back to see
+Eudora and marry her, if she will have him. No man who ever loved Eudora
+would ever get over loving her. And he will not be shocked when he sees
+her. She is no more changed than a beautiful old statue."
+
+"HE is changed, though," said Amelia. "I saw him the other day. He
+didn't see me, and I would hardly have known him. He has grown stout,
+and his hair is gray."
+
+"Eudora's hair is gray," said Sophia.
+
+"Yes, but you can see the gold through Eudora's gray. It just looks as
+if a shadow was thrown over it. It doesn't change her. Harry Lawton's
+gray hair does change him."
+
+"If," said Anna, sentimentally, "Eudora thinks Harry's hair turned gray
+for love of her, you can trust her or any woman to see the gold through
+it."
+
+"Harry's hair was never gold--just an ordinary brown," said Amelia.
+"Anyway, the Lawtons turned gray young."
+
+"She won't think of that at all," said Sophia.
+
+"I wonder why Eudora always avoided him so, years ago," said Amelia.
+
+"Why doesn't a girl in a field of daisies stop to pick one, which she
+never forgets?" said Sophia. "Eudora had so many chances, and I don't
+think her heart was fixed when she was very young; at least, I don't
+think it was fixed so she knew it."
+
+"I wonder," said Amelia, "if he will go and call on her."
+
+Amelia privately wished that she lived near enough to know if Harry
+Lawton did call. She, as well as Mrs. Joseph Glynn, would have enjoyed
+watching out and knowing something of the village happenings, but the
+Lancaster house was situated so far from the road, behind its grove of
+trees, that nothing whatever could be seen.
+
+"I doubt if Eudora tells, if he does call--that is, not unless something
+definite happens," said Anna.
+
+"No," remarked Amelia, sadly. "Eudora is a dear, but she is very silent
+with regard to her own affairs."
+
+"She ought to be," said Sophia, with her married authority. She was, to
+her sisters, as one who had passed within the shrine and was dignifiedly
+silent with regard to its intimate mysteries.
+
+"I suppose so," assented Anna, with a soft sigh. Amelia sighed also.
+Then she took the tea-tray out of the room. She had to make some
+biscuits for supper.
+
+Meantime Eudora was pacing homeward with the baby-carriage. Her serene
+face was a little perturbed. Her oval cheeks were flushed, and her mouth
+now and then trembled. She had, if she followed her usual course, to
+pass the Wellwood Inn, but she could diverge, and by taking a side
+street and walking a half-mile farther reach home without coming in
+sight of the inn. She did so to-day.
+
+When she reached the side street she turned rather swiftly and gave a
+little sigh of relief. She was afraid that she might meet Harry Lawton.
+It was a lonely way. There was a brook on one side, bordered thickly
+with bushy willows which were turning gold-green. On the other side
+were undulating pasture-lands on which grazed a few sheep. There were
+no houses until she reached the turn which would lead back to the main
+street, on which her home was located.
+
+Eudora was about midway of this street when she saw a man approaching.
+He was a large man clad in gray, and he was swinging an umbrella.
+Somehow the swing of that umbrella, even from a distance, gave an
+impression of embarrassment and boyish hesitation. Eudora did not know
+him at first. She had expected to see the same Harry Lawton who had gone
+away. She did not expect to see a stout, middle-aged man, but a slim
+youth.
+
+However, as they drew nearer each other, she knew; and curiously enough
+it was that swing of the tightly furled umbrella which gave her the
+clue. She knew Harry because of that. It was a little boyish trick which
+had survived time. It was too late for her to draw back, for he had seen
+her, and Eudora was keenly alive to the indignity of abruptly turning
+and scuttling away with the tail of her black silk swishing, her India
+shawl trailing, and the baby-carriage bumping over the furrows. She
+continued, and Harry Lawton continued, and they met.
+
+Harry Lawton had known Eudora at once. She looked the same to him as
+when she had been a girl, and he looked the same to her when he spoke.
+
+"Hullo, Eudora," said Harry Lawton, in a ludicrously boyish fashion. His
+face flushed, too, like a boy. He extended his hand like a boy. The man,
+seen near at hand, was a boy. In reality he himself had not changed. A
+few layers of flesh and a change of color-cells do not make another man.
+He had always been a simple, sincere, friendly soul, beloved of men and
+women alike, and he was that now. Eudora held out her hand, and her eyes
+fell before the eyes of the man, in an absurd fashion for such a stately
+creature as she. But the man himself acted like a great happy overgrown
+school-boy.
+
+"Hullo, Eudora," he said again.
+
+"Hullo," said she, falteringly.
+
+It was inconceivable that they should meet in such wise after the years
+of separation and longing which they had both undergone; but each took
+refuge, as it were, in a long-past youth, even childhood, from the
+fierce tension of age. When they were both children they had been
+accustomed to pass each other on the village street with exactly such
+salutation, and now both reverted to it. The tall, regal woman in her
+India shawl and the stout, middle-aged man had both stepped back to
+their vantage-ground of springtime to meet.
+
+However, after a moment, Eudora reasserted herself. "I only heard a
+short time ago that you were here," she said, in her usual even voice.
+The fair oval of her face was as serene and proud toward the man as the
+face of the moon.
+
+The man swung his umbrella, then began prodding the ground with it.
+"Hullo, Eudora," he said again; then he added: "How are you, anyway?
+Fine and well?"
+
+"I am very well, thank you," said Eudora. "So you have come home to
+Wellwood after all this time?"
+
+The man made an effort and recovered himself, although his handsome face
+was burning.
+
+"Yes," he remarked, with considerable ease and dignity, to which he
+had a right, for Harry Lawton had not made a failure of his life, even
+though it had not included Eudora and a fulfilled dream.
+
+"Yes," he continued, "I had some leisure; in fact, I have this spring
+retired from business; and I thought I would have a look at the old
+place. Very little changed I am happy to find it."
+
+"Yes, it is very little changed," assented Eudora; "at least, it seems
+so to me, but it is not for a life-long dweller in any place to judge of
+change. It is for the one who goes and returns after many years."
+
+There was a faint hint of proud sadness in Eudora's voice as she spoke
+the last two words.
+
+"It has been many years," said Lawton, gravely, "and I wonder if it has
+seemed so to you."
+
+Eudora held her head proudly. "Time passes swiftly," said she, tritely.
+
+"But sometimes it may seem long in the passing, however swift," said
+Lawton, "though I suppose it has not to you. You look just the same," he
+added, regarding her admiringly.
+
+Eudora flushed a little. "I must be changed," she murmured.
+
+"Not a bit. I would have known you anywhere. But I--"
+
+"I knew you the minute you spoke."
+
+"Did you?" he asked, eagerly. "I was afraid I had grown so stout you
+would not remember me at all. Queer how a man will grow stout. I am not
+such a big eater, either, and I have worked hard, and--well, I might
+have been worse off, but I must say I have seen men who seemed to me
+happier, though I have made the best of things. I always did despise a
+flunk. But you! I heard you had adopted a baby," he said, with a sudden
+glance at the blue and white bundle in the carriage, "and I thought
+you were mighty sensible. When people grow old they want young people
+growing around them, staffs for old age, you know, and all that sort of
+thing. Don't know but I should have adopted a boy myself if it hadn't
+been for--"
+
+The man stopped, and his face was pink. Eudora turned her face slightly
+away.
+
+"By the way," said the man, in a suddenly hushed voice, "I suppose the
+kid you've got there is asleep. Wouldn't do to wake him?"
+
+"I think I had better not," replied Eudora, in a hesitating voice. She
+began to walk along, and Harry Lawton fell into step beside her.
+
+"I suppose it isn't best to wake up babies; makes them cross, and they
+cry," he said. "Say, Eudora, is he much trouble?"
+
+"Very little," replied Eudora, still in that strange voice.
+
+"Doesn't keep you awake nights?"
+
+"Oh no."
+
+"Because if he does, I really think you should have a nurse. I don't
+think you ought to lose sleep taking care of him."
+
+"I do not."
+
+"Well, I was mighty glad when I heard you had adopted him. I suppose
+you made sure about his parentage, where he hailed from and what sort of
+people?"
+
+"Oh yes." Eudora was very pale.
+
+"That's right. Maybe some time you will tell me all about it. I am
+coming over Thursday to have a look at the youngster. I have to go to
+the city on business to-morrow and can't get back until Thursday. I was
+coming over to-night to call on you, but I have a man coming to the inn
+this evening--he called me up on the telephone just now--one of the men
+who have taken my place in the business; and as long as I have met you
+I will just walk along with you, and come Thursday. I suppose the baby
+won't be likely to wake up just yet, and when he does you'll have to get
+his supper and put him to bed. Is that the way the rule goes?"
+
+Eudora nodded in a shamed, speechless sort of way.
+
+"All right. I'll come Thursday--but say, look here, Eudora. This is a
+quiet road, not a soul in sight, just like an outdoor room to ourselves.
+Why shouldn't I know now just as well as wait? Say, Eudora, you know how
+I used to feel about you. Well, it has lasted all these years. There has
+never been another woman I even cared to look at. You are alone, except
+for that baby, and I am alone. Eudora--"
+
+The man hesitated. His flushed face had paled. Eudora paced silently and
+waveringly at his side.
+
+"Eudora," the man went on, "you know you always used to run away from
+me--never gave me a chance to really ask; and I thought you didn't care.
+But somehow I have wondered--perhaps because you never got married--if
+you didn't quite mean it, if you didn't quite know your own mind. You'll
+think I'm a conceited ass, but I'm not a bad sort, Eudora. I would be
+as good to you as I know how, and--we could bring him up together." He
+pointed to the carriage. "I have plenty of money. We could do anything
+we wanted to do for him, and we should not have to live alone. Say,
+Eudora, you may not think it's the thing for a man to own up to, but,
+hang it all! I'm alone, and I don't want to face the rest of my life
+alone. Eudora, do you think you could make up your mind to marry me,
+after all?"
+
+They had reached the turn in the road. Just beyond rose the stately pile
+of the old Yates mansion. Eudora stood still and gave one desperate look
+at her lover. "I will let you know Thursday," she gasped. Then she was
+gone, trundling the baby-carriage with incredible speed.
+
+"But, Eudora--"
+
+"I must go," she called back, faintly. The man stood staring after the
+hurrying figure with its swishing black skirts and its flying points of
+rich India shawl, and he smiled happily and tenderly. That evening
+at the inn his caller, a young fellow just married and beaming with
+happiness, saw an answering beam in the older man's face. He broke off
+in the midst of a sentence and stared at him.
+
+"Don't give me away until I tell you to, Ned," he said, "but I don't
+know but I am going to follow your example."
+
+"My example?"
+
+"Yes, going to get married."
+
+The young man gasped. A look of surprise, of amusement, then of generous
+sympathy came over his face. He grasped Lawton's hand.
+
+"Who is she?"
+
+"Oh, a woman I wanted more than anything in the world when I was about
+your age."
+
+"Then she isn't young?"
+
+"She is better than young."
+
+"Well," agreed the young man, "being young and pretty is not
+everything."
+
+"Pretty!" said Harry Lawton, scornfully, "pretty! She is a great
+beauty."
+
+"And not young?"
+
+"She is a great beauty, and better than young, because time has not
+touched her beauty, and you can see for yourself that it lasts."
+
+The young man laughed. "Oh, well," he said, with a tender inflection, "I
+dare say that my Amy will look like that to me."
+
+"If she doesn't you don't love her," said Lawton. "But my Eudora IS
+that."
+
+"That is a queer-sounding Greek name."
+
+"She is Greek, like her name. Such beauty never grows old. She stands on
+her pedestal, and time only looks at her to love her."
+
+"I thought you were a business man as hard as nails," said the young
+man, wonderingly. Lawton laughed.
+
+When Thursday came, Lawton, carefully dressed and carrying a long
+tissue-paper package, evidently of roses, approached the Yates house. It
+was late in the afternoon. There had been a warm day, and the trees were
+clouds of green and more bushes had blossomed. Eudora had put on a
+green silk dress of her youth. The revolving fashions had made it very
+passable, and the fabric was as beautiful as ever.
+
+When Lawton presented her with the roses she pinned one in the yellowed
+lace which draped her bodice and put the rest in a great china vase on
+the table. The roses were very fragrant, and immediately the whole room
+was possessed by them.
+
+A tiny, insistent cry came from a corner, and Lawton and Eudora turned
+toward it. There stood the old wooden cradle in which Eudora had been
+rocked to sleep, but over the clumsy hood Eudora had tacked a fall of
+rich old lace and a great bow of soft pink satin.
+
+"He is waking up," said the man, in a hushed, almost reverent voice.
+
+Eudora nodded. She went toward the cradle, and the man followed. She
+lifted the curtain of lace, and there became visible little feebly
+waving pink arms and hands, like tentacles of love, and a little
+puckered pink face which was at once ugly and divinely beautiful.
+
+"A fine boy," said the man. The baby made a grimace at him which was
+hideous but lovely.
+
+"I do believe he thinks he knows you," said Eudora, foolishly.
+
+The baby made a little nestling motion, and its creasy eyelids dropped.
+
+"Looks to me as if he was going to sleep again," said Lawton, in a
+whisper. Eudora jogged the cradle gently with her foot, and both were
+still. Then Eudora dropped the lace veil over the cradle again and moved
+softly away.
+
+Lawton followed her. "I haven't my answer yet, Eudora," he whispered,
+leaning over her shoulder as she moved.
+
+"Come into the other room," she murmured, "or we shall wake the baby."
+Her voice was softly excited.
+
+Eudora led the way into the parlor, upon whose walls hung some really
+good portraits and whose furnishings still merited the adjective
+magnificent. There had been opulence in the Yates family; and in this
+room, which had been conserved, there was still undimmed and unfaded
+evidence of it. Eudora drew aside a brocade curtain and sat down on an
+embroidered satin sofa. Lawton sat beside her.
+
+"This room looks every whit as grand as it used to look to me when I was
+a boy," he said.
+
+"It has hardly been opened, except to have it cleaned, since you went
+away," replied Eudora, "and no wear has come upon it."
+
+"And everything was rather splendid to begin with, and has lasted. And
+so were you, Eudora, and you have lasted. Well, what about my answer,
+dear girl?"
+
+"You have to hear something first."
+
+Lawton laughed. "A confession?"
+
+Eudora held her head proudly. "No, not exactly," said she. "I am not
+sure that I have ever had anything to confess."
+
+"You never were sure, you proud creature."
+
+"I am not now. I never intended to deceive you, but you were deceived. I
+did intend to deceive others, others who had no right to know. I do not
+feel that I owe them any explanation. I do owe you one, although I do
+not feel that I have done anything wrong. Still, I cannot allow you to
+remain deceived."
+
+"Well, what is it, dear?"
+
+Eudora looked at him. "You remember that afternoon when you met me with
+the baby-carriage?"
+
+"Well, I should think so. My memory has not failed me in three days."
+
+"You thought I had a baby in that carriage."
+
+"Of course I did."
+
+"There wasn't a baby in the carriage."
+
+"Well, what on earth was it, then? A cat?"
+
+Eudora, if possible, looked prouder. "It was a package of soiled linen
+from the Lancaster girls."
+
+"Oh, good heavens, Eudora!"
+
+"Yes," said Eudora, proudly. "I lost nearly everything when that
+railroad failed. I had enough left to pay the taxes, and that was all.
+After I had used a small sum in the savings-bank there was nothing. One
+day I went over to the Lancasters', and I--well, I had not had much to
+eat for several days. I was a little faint, and--"
+
+"Eudora, you poor, darling girl!"
+
+"And the Lancaster girls found out," continued Eudora, calmly. "They
+gave me something to eat, and I suppose I ate as if I were famished. I
+was."
+
+"Eudora!"
+
+"And they wanted to give me money, but I would not take it, and they
+had been trying to find a laundress for their finer linen--their old
+serving-woman was ill. They could find one for the heavier things, but
+they are very particular, and I was sure I could manage, and so I begged
+them to let me have the work, and they did, and overpaid me, I fear. And
+I--I knew very well how many spying eyes were about, and I thought of
+my proud father and my proud mother and grandmother, and perhaps I was
+proud, too. You know they talk about the Yates pride. It was not so much
+because I was ashamed of doing honest work as because I did resent those
+prying eyes and tattling tongues, and so I said nothing, but I did go
+back and forth in broad daylight with the linen wrapped up in the old
+blue and white blanket, in my old carriage, and they thought what they
+thought."
+
+Eudora laughed faintly. She had a gentle humor. "It was somewhat
+laughable, too," she observed. "The Lancaster girls and I have had our
+little jests over it, but I felt that I could not deceive you."
+
+Lawton looked bewildered. "But that is a real baby in there," he said,
+jerking an elbow toward the other room.
+
+"Oh yes," replied Eudora. "I adopted him yesterday. I went to the
+Children's Home in Elmfield. Amelia Lancaster went with me. Wilson
+drove us over. I know a nurse there. She took care of mother in her last
+illness. And I adopted this baby; at least, I am going to. He comes of
+respectable people, and his parents are dead. His mother died when he
+was born. He is healthy, and I thought him a beautiful baby."
+
+"Yes, he is," assented Lawton, but he still looked somewhat perplexed.
+"But why did you hurry off so and get him, Eudora?" said he.
+
+"I thought from what you said that day that you would be disappointed
+when you found out I had only the Lancaster linen and not a real baby,"
+said Eudora with her calm, grand air and with no trace of a smile.
+
+"Then that means that you say yes, Eudora?"
+
+For the first time Eudora gave a startled glance at him. "Didn't you
+know?" she gasped.
+
+"How should I? You had not said yes really, dear."
+
+"Do you think," said Eudora Yates, "that I am not too proud to allow you
+to ask me if my answer were not yes?"
+
+"So that is the reason you always ran away from me, years ago, so that I
+never had a chance to ask you?"
+
+"Of course," said Eudora. "No woman of my family ever allows a
+declaration which she does not intend to accept. I was always taught
+that by my mother."
+
+Then a small but insistent cry rent the air. "The baby is awake!" cried
+Eudora, and ran, or, rather, paced swiftly--Eudora had been taught never
+to run--and Lawton followed. It was he who finally quieted the child,
+holding the little thing in his arms.
+
+But the baby, before that, cried so long and lustily that all the women
+in the Glynn house opposite were on the alert, and also some of the
+friends who were calling there. Abby Simson was one.
+
+"Harry Lawton has been there over an hour now," said Abby, while the
+wailing continued, "and I know as well as I want to that there will be a
+wedding."
+
+"I wonder he doesn't object to that adopted baby," said Julia
+Esterbrook.
+
+"I know one thing," said Abby Simson. "It must be a boy baby, it hollers
+so."
+
+
+
+
+
+End of Project Gutenberg's The Yates Pride, by Mary E. Wilkins Freeman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE YATES PRIDE ***
+
+***** This file should be named 978.txt or 978.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/9/7/978/
+
+Produced by Judith Boss
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.