diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:39:16 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:39:16 -0700 |
| commit | 9658d3d6098974951b4eb886b59df53983582a43 (patch) | |
| tree | d1bfd4688f0cb52fc7a84f655bd815543a68f604 /old | |
Diffstat (limited to 'old')
| -rw-r--r-- | old/12205-h.zip | bin | 0 -> 525600 bytes | |||
| -rw-r--r-- | old/12205-h/022.jpg | bin | 0 -> 67742 bytes | |||
| -rw-r--r-- | old/12205-h/023.jpg | bin | 0 -> 107647 bytes | |||
| -rw-r--r-- | old/12205-h/024.jpg | bin | 0 -> 87012 bytes | |||
| -rw-r--r-- | old/12205-h/025.jpg | bin | 0 -> 113653 bytes | |||
| -rw-r--r-- | old/12205-h/026.jpg | bin | 0 -> 95966 bytes | |||
| -rw-r--r-- | old/12205-h/12205-h.htm | 1244 | ||||
| -rw-r--r-- | old/12205-h/title.jpg | bin | 0 -> 43731 bytes | |||
| -rw-r--r-- | old/12205.txt | 961 | ||||
| -rw-r--r-- | old/12205.zip | bin | 0 -> 17264 bytes |
10 files changed, 2205 insertions, 0 deletions
diff --git a/old/12205-h.zip b/old/12205-h.zip Binary files differnew file mode 100644 index 0000000..5904692 --- /dev/null +++ b/old/12205-h.zip diff --git a/old/12205-h/022.jpg b/old/12205-h/022.jpg Binary files differnew file mode 100644 index 0000000..92dca0a --- /dev/null +++ b/old/12205-h/022.jpg diff --git a/old/12205-h/023.jpg b/old/12205-h/023.jpg Binary files differnew file mode 100644 index 0000000..6614f2a --- /dev/null +++ b/old/12205-h/023.jpg diff --git a/old/12205-h/024.jpg b/old/12205-h/024.jpg Binary files differnew file mode 100644 index 0000000..a338cc0 --- /dev/null +++ b/old/12205-h/024.jpg diff --git a/old/12205-h/025.jpg b/old/12205-h/025.jpg Binary files differnew file mode 100644 index 0000000..5f7cb76 --- /dev/null +++ b/old/12205-h/025.jpg diff --git a/old/12205-h/026.jpg b/old/12205-h/026.jpg Binary files differnew file mode 100644 index 0000000..d1bda32 --- /dev/null +++ b/old/12205-h/026.jpg diff --git a/old/12205-h/12205-h.htm b/old/12205-h/12205-h.htm new file mode 100644 index 0000000..30d47da --- /dev/null +++ b/old/12205-h/12205-h.htm @@ -0,0 +1,1244 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<meta http-equiv="Content-Type" + content="text/html; charset=us-ascii"> +<title>The Project Gutenberg eBook of Odd Craft + By W. W. Jacobs: Part 5 +</title> + +<style type="text/css"> + <!-- + P { text-indent: 1em; + margin: 15%; + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; } + HR { width: 33%; } + PRE { font-family: cursive} + .toc { margin-left: 15%; margin-bottom: 0em;} + CENTER { padding: 10px;} + // --> +</style> + +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of Lawyer Quince, by W.W. Jacobs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Lawyer Quince + Odd Craft, Part 5. + +Author: W.W. Jacobs + +Release Date: April 29, 2004 [EBook #12205] + +Language: English + +Character set encoding: US-ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK LAWYER QUINCE *** + + + + +Produced by David Widger + + + + + +</pre> + + + +<br><br> +<center> +<img alt="title (42K)" src="title.jpg" height="658" width="479" /> +</center> +<br><br> +<br /><br /> +<h2> + 1909 +</h2> + +<center> +<h3>PART 5.</h3> +</center> + +<br /><br /> +<hr> +<br /><br /> + + +<h2>List of Illustrations</h2> + + + + + + + +<p class="toc"><a href="#image-22"> +"Lawyer Quince." +</a></p> +<p class="toc"><a href="#image-23"> +"'Come Down to Have a Look at the Prisoner?' Inquired The +Farmer." +</a></p> +<p class="toc"><a href="#image-24"> +"'None O' Yer Impudence,' Said the Farmer." +</a></p> +<p class="toc"><a href="#image-25"> +"I Thought All Along Lawyer Quince Would Have the Laugh Of +You." +</a></p> +<p class="toc"><a href="#image-26"> +"'How Did You Get in That Shed?' Demanded Her Parent." +</a></p> + + + + + + + +<br /><br /> +<hr> +<br /><br /> + + + + + + + +<a name="2H_4_5"><!-- H2 anchor --></a> +<p> </p> +<p> </p> +<p> </p> +<p> </p> +<h2> + LAWYER QUINCE +</h2> +<p> + Lawyer Quince, so called by his neighbours in Little Haven from his + readiness at all times to place at their disposal the legal lore he had + acquired from a few old books while following his useful occupation of + making boots, sat in a kind of wooden hutch at the side of his cottage + plying his trade. The London coach had gone by in a cloud of dust some + three hours before, and since then the wide village street had slumbered + almost undisturbed in the sunshine. +</p> +<a name="image-22"><!--IMG--></a> +<center> +<img src="022.jpg" height="435" width="577" +alt="'lawyer Quince.' +"> +</center> +<!--IMAGE END--> +<p> + Hearing footsteps and the sound of voices raised in dispute caused him to + look up from his work. Mr. Rose, of Holly Farm, Hogg, the miller, and + one or two neighbours of lesser degree appeared to be in earnest debate + over some point of unusual difficulty. +</p> +<p> + Lawyer Quince took a pinch of snuff and bent to his work again. Mr. Rose + was one of the very few who openly questioned his legal knowledge, and + his gibes concerning it were only too frequent. Moreover, he had a taste + for practical joking, which to a grave man was sometimes offensive. +</p> +<p> + "Well, here he be," said Mr. Hogg to the farmer, as the group halted in + front of the hutch. "Now ask Lawyer Quince and see whether I ain't told + you true. I'm willing to abide by what he says." +</p> +<p> + Mr. Quince put down his hammer and, brushing a little snuff from his + coat, leaned back in his chair and eyed them with grave confidence. +</p> +<p> + "It's like this," said the farmer. "Young Pascoe has been hanging round + after my girl Celia, though I told her she wasn't to have nothing to do + with him. Half an hour ago I was going to put my pony in its stable when + I see a young man sitting there waiting." +</p> +<p> + "Well?" said Mr. Quince, after a pause. +</p> +<p> + "He's there yet," said the farmer. "I locked him in, and Hogg here says + that I've got the right to keep him locked up there as long as I like. I + say it's agin the law, but Hogg he says no. I say his folks would come + and try to break open my stable, but Hogg says if they do I can have the + law of 'em for damaging my property." +</p> +<p> + "So you can," interposed Mr. Hogg, firmly. "You see whether Lawyer + Quince don't say I'm right." +</p> +<p> + Mr. Quince frowned, and in order to think more deeply closed his eyes. + Taking advantage of this three of his auditors, with remarkable + unanimity, each closed one. +</p> +<p> + "It's your stable," said Mr. Quince, opening his eyes and speaking with + great deliberation, "and you have a right to lock it up when you like." +</p> +<p> + "There you are," said Mr. Hogg; "what did I tell you?" +</p> +<p> + "If anybody's there that's got no business there, that's his look-out," + continued Mr. Quince. "You didn't induce him to go in?" +</p> +<p> + "Certainly not," replied the farmer. +</p> +<p> + "I told him he can keep him there as long as he likes," said the jubilant + Mr. Hogg, "and pass him in bread and water through the winder; it's got + bars to it." +</p> +<p> + "Yes," said Mr. Quince, nodding, "he can do that. As for his folks + knocking the place about, if you like to tie up one or two of them nasty, + savage dogs of yours to the stable, well, it's your stable, and you can + fasten your dogs to it if you like. And you've generally got a man about + the yard." +</p> +<p> + Mr. Hogg smacked his thigh in ecstasy. +</p> +<p> + "But—" began the farmer. +</p> +<p> + "That's the law," said the autocratic Mr. Quince, sharply. "O' course, + if you think you know more about it than I do, I've nothing more to say." +</p> +<p> + "I don't want to do nothing I could get into trouble for," murmured Mr. + Rose. +</p> +<p> + "You can't get into trouble by doing as I tell you," said the shoemaker, + impatiently. "However, to be quite on the safe side, if I was in your + place I should lose the key." +</p> +<p> + "Lose the key?" said the farmer, blankly. +</p> +<p> + "Lose the key," repeated the shoemaker, his eyes watering with intense + appreciation of his own resourcefulness. "You can find it any time you + want to, you know. Keep him there till he promises to give up your + daughter, and tell him that as soon as he does you'll have a hunt for the + key." +</p> +<p> + Mr. Rose regarded him with what the shoemaker easily understood to be + speechless admiration. +</p> +<p> + "I—I'm glad I came to you," said the farmer, at last. +</p> +<p> + "You're welcome," said the shoemaker, loftily. "I'm always ready to give + advice to them as require it." +</p> +<p> + "And good advice it is," said the smiling Mr. Hogg. "Why don't you + behave yourself, Joe Garnham?" he demanded, turning fiercely on a + listener. +</p> +<p> + Mr. Garnham, whose eyes were watering with emotion, attempted to explain, + but, becoming hysterical, thrust a huge red handkerchief to his mouth and + was led away by a friend. Mr. Quince regarded his departure with mild + disdain. +</p> +<p> + "Little things please little minds," he remarked. +</p> +<p> + "So they do," said Mr. Hogg. "I never thought—What's the matter with + you, George Askew?" +</p> +<p> + Mr. Askew, turning his back on him, threw up his hands with a helpless + gesture and followed in the wake of Mr. Garnham. Mr. Hogg appeared to be + about to apologise, and then suddenly altering his mind made a hasty and + unceremonious exit, accompanied by the farmer. +</p> +<p> + Mr. Quince raised his eyebrows and then, after a long and meditative + pinch of snuff, resumed his work. The sun went down and the light faded + slowly; distant voices sounded close on the still evening air, snatches + of hoarse laughter jarred upon his ears. It was clear that the story of + the imprisoned swain was giving pleasure to Little Haven. +</p> +<p> + He rose at last from his chair and, stretching his long, gaunt frame, + removed his leather apron, and after a wash at the pump went into the + house. Supper was laid, and he gazed with approval on the home-made + sausage rolls, the piece of cold pork, and the cheese which awaited his + onslaught. +</p> +<p> + "We won't wait for Ned," said Mrs. Quince, as she brought in a jug of ale + and placed it by her husband's elbow. +</p> +<p> + Mr. Quince nodded and filled his glass. +</p> +<p> + "You've been giving more advice, I hear," said Mrs. Quince. +</p> +<p> + Her husband, who was very busy, nodded again. +</p> +<p> + "It wouldn't make no difference to young Pascoe's chance, anyway," said + Mrs. Quince, thoughtfully. +</p> +<p> + Mr. Quince continued his labours. "Why?" he inquired, at last. +</p> +<p> + His wife smiled and tossed her head. +</p> +<p> + "Young Pascoe's no chance against our Ned," she said, swelling with + maternal pride. +</p> +<p> + "Eh?" said the shoemaker, laying down his knife and fork. "Our Ned?" +</p> +<p> + "They are as fond of each other as they can be," said Mrs. Quince, + "though I don't suppose Farmer Rose'll care for it; not but what our + Ned's as good as he is." +</p> +<p> + "Is Ned up there now?" demanded the shoemaker, turning pale, as the + mirthful face of Mr. Garnham suddenly occurred to him. +</p> +<p> + "Sure to be," tittered his wife. "And to think o' poor young Pascoe shut + up in that stable while he's courting Celia!" +</p> +<p> + Mr. Quince took up his knife and fork again, but his appetite had gone. + Whoever might be paying attention to Miss Rose at that moment he felt + quite certain that it was not Mr. Ned Quince, and he trembled with anger + as he saw the absurd situation into which the humorous Mr. Rose had led + him. For years Little Haven had accepted his decisions as final and + boasted of his sharpness to neighbouring hamlets, and many a cottager had + brought his boots to be mended a whole week before their time for the + sake of an interview. +</p> +<p> + He moved his chair from the table and smoked a pipe. Then he rose, and + putting a couple of formidable law-books under his arm, walked slowly + down the road in the direction of Holly Farm. +</p> +<p> + The road was very quiet and the White Swan, usually full at this hour, + was almost deserted, but if any doubts as to the identity of the prisoner + lingered in his mind they were speedily dissipated by the behaviour of + the few customers who crowded to the door to see him pass. +</p> +<p> + A hum of voices fell on his ear as he approached the farm; half the male + and a goodly proportion of the female population of Little Haven were + leaning against the fence or standing in little knots in the road, while + a few of higher social status stood in the farm-yard itself. +</p> +<p> + "Come down to have a look at the prisoner?" inquired the farmer, who was + standing surrounded by a little group of admirers. +</p> +<a name="image-23"><!--IMG--></a> +<center> +<img src="023.jpg" height="603" width="621" +alt="''come Down to Have a Look at the Prisoner?' Inquired The +Farmer.' +"> +</center> +<!--IMAGE END--> +<p> + "I came down to see you about that advice I gave you this afternoon," + said Mr. Quince. +</p> +<p> + "Ah!" said the other. +</p> +<p> + "I was busy when you came," continued Mr. Quince, in a voice of easy + unconcern, "and I gave you advice from memory. Looking up the subject + after you'd gone I found that I was wrong." +</p> +<p> + "You don't say so?" said the farmer, uneasily. "If I've done wrong I'm + only doing what you told me I could do." +</p> +<p> + "Mistakes will happen with the best of us," said the shoemaker, loudly, + for the benefit of one or two murmurers. "I've known a man to marry a + woman for her money before now and find out afterward that she hadn't got + any." +</p> +<p> + One unit of the group detached itself and wandered listlessly toward the + gate. +</p> +<p> + "Well, I hope I ain't done nothing wrong," said Mr. Rose, anxiously. + "You gave me the advice; there's men here as can prove it. I don't want + to do nothing agin the law. What had I better do?" +</p> +<p> + "Well, if I was you," said Mr. Quince, concealing his satisfaction with + difficulty, "I should let him out at once and beg his pardon, and say you + hope he'll do nothing about it. I'll put in a word for you if you like + with old Pascoe." +</p> +<p> + Mr. Rose coughed and eyed him queerly. +</p> +<p> + "You're a Briton," he said, warmly. "I'll go and let him out at once." +</p> +<p> + He strode off to the stable, despite the protests of Mr. Hogg, and, + standing by the door, appeared to be deep in thought; then he came back + slowly, feeling in his pockets as he walked. +</p> +<p> + "William," he said, turning toward Mr. Hogg, "I s'pose you didn't happen + to notice where I put that key?" +</p> +<p> + "That I didn't," said Mr. Hogg, his face clearing suddenly. +</p> +<p> + "I had it in my hand not half an hour ago," said the agitated Mr. Rose, + thrusting one hand into his trouser-pocket and groping. "It can't be + far." +</p> +<p> + Mr. Quince attempted to speak, and, failing, blew his nose violently. +</p> +<p> + "My memory ain't what it used to be," said the farmer. "Howsomever, I + dare say it'll turn up in a day or two." +</p> +<p> + "You—you'd better force the door," suggested Mr. Quince, struggling to + preserve an air of judicial calm. +</p> +<p> + "No, no," said Mr. Rose; "I ain't going to damage my property like that. + I can lock my stable-door and unlock it when I like; if people get in + there as have no business there, it's their look-out." +</p> +<p> + "That's law," said Mr. Hogg; "I'll eat my hat if it ain't." +</p> +<p> + "Do you mean to tell me you've really lost the key?" demanded Mr. Quince, + eyeing the farmer sternly. +</p> +<p> + "Seems like it," said Mr. Rose. "However, he won't come to no hurt. + I'll put in some bread and water for him, same as you advised me to." +</p> +<p> + Mr. Quince mastered his wrath by an effort, and with no sign of + discomposure moved away without making any reference to the identity of + the unfortunate in the stable." +</p> +<p> + "Good-night," said the farmer, "and thank you for coming and giving me + the fresh advice. It ain't everybody that 'ud ha' taken the trouble. + If I hadn't lost that key——" +</p> +<p> + The shoemaker scowled, and with the two fat books under his arm passed + the listening neighbours with the air of a thoughtful man out for an + evening stroll. Once inside his house, however, his manner changed, the + attitude of Mrs. Quince demanding, at any rate, a show of concern. +</p> +<p> + "It's no good talking," he said at last. "Ned shouldn't have gone there, + and as for going to law about it, I sha'n't do any such thing; I should + never hear the end of it. I shall just go on as usual, as if nothing had + happened, and when Rose is tired of keeping him there he must let him + out. I'll bide my time." +</p> +<p> + Mrs. Quince subsided into vague mutterings as to what she would do if she + were a man, coupled with sundry aspersions upon the character, looks, and + family connections of Farmer Rose, which somewhat consoled her for being + what she was. +</p> +<p> + "He has always made jokes about your advice," she said at length, "and + now everybody'll think he's right. I sha'n't be able to look anybody in + the face. I should have seen through it at once if it had been me. I'm + going down to give him a bit o' my mind." +</p> +<p> + "You stay where you are," said Mr. Quince, sharply, "and, mind, you are + not to talk about it to anybody. Farmer Rose 'ud like nothing better + than to see us upset about it. I ain't done with him yet. You wait." +</p> +<p> + Mrs. Quince, having no option, waited, but nothing happened. The + following day found Ned Quince still a prisoner, and, considering the + circumstances, remarkably cheerful. He declined point-blank to renounce + his preposterous attentions, and said that, living on the premises, he + felt half like a son-in-law already. He also complimented the farmer + upon the quality of his bread. +</p> +<p> + The next morning found him still unsubdued, and, under interrogation from + the farmer, he admitted that he liked it, and said that the feeling of + being at home was growing upon him. +</p> +<p> + "If you're satisfied, I am," said Mr. Rose, grimly. "I'll keep you here + till you promise; mind that." +</p> +<p> + "It's a nobleman's life," said Ned, peeping through the window, "and I'm + beginning to like you as much as my real father." +</p> +<p> + "I don't want none o' yer impudence," said the farmer, reddening. +</p> +<a name="image-24"><!--IMG--></a> +<center> +<img src="024.jpg" height="599" width="533" +alt="''none O' Yer Impudence,' Said the Farmer.' +"> +</center> +<!--IMAGE END--> +<p> + "You'll like me better when you've had me here a little longer," said + Ned; "I shall grow on you. Why not be reasonable and make up your mind + to it? Celia and I have." +</p> +<p> + "I'm going to send Celia away on Saturday," said Mr. Rose; "make yourself + happy and comfortable in here till then. If you'd like another crust o' + bread or an extra half pint o' water you've only got to mention it. When + she's gone I'll have a hunt for that key, so as you can go back to your + father and help him to understand his law-books better." +</p> +<p> + He strode off with the air of a conqueror, and having occasion to go to + the village looked in at the shoe-maker's window as he passed and smiled + broadly. For years Little Haven had regarded Mr. Quince with awe, as + being far too dangerous a man for the lay mind to tamper with, and at one + stroke the farmer had revealed the hollowness of his pretensions. Only + that morning the wife of a labourer had called and asked him to hurry the + mending of a pair of boots. She was a voluble woman, and having overcome + her preliminary nervousness more than hinted that if he gave less time to + the law and more to his trade it would be better for himself and + everybody else. +</p> +<p> + Miss Rose accepted her lot in a spirit of dutiful resignation, and on + Saturday morning after her father's admonition not to forget that the + coach left the White Swan at two sharp, set off to pay a few farewell + visits. By half-past twelve she had finished, and Lawyer Quince becoming + conscious of a shadow on his work looked up to see her standing before + the window. He replied to a bewitching smile with a short nod and became + intent upon his work again. +</p> +<p> + For a short time Celia lingered, then to his astonishment she opened the + gate and walked past the side of the house into the garden. With growing + astonishment he observed her enter his tool-shed and close the door + behind her. +</p> +<p> + For ten minutes he worked on and then, curiosity getting the better of + him, he walked slowly to the tool-shed and, opening the door a little + way, peeped in. It was a small shed, crowded with agricultural + implements. The floor was occupied by an upturned wheelbarrow, and + sitting on the barrow, with her soft cheek leaning against the wall, sat + Miss Rose fast asleep. Mr. Quince coughed several times, each cough + being louder than the last, and then, treading softly, was about to + return to the workshop when the girl stirred and muttered in her sleep. + At first she was unintelligible, then he distinctly caught the words + "idiot" and "blockhead." +</p> +<p> + "She's dreaming of somebody," said Mr. Quince to himself with conviction. +</p> +<p> + "Wonder who it is?" +</p> +<p> + "Can't see—a thing—under—his—nose," murmured the fair sleeper. +</p> +<p> + "Celia!" said Mr. Quince, sharply. "Celia!" +</p> +<p> + He took a hoe from the wall and prodded her gently with the handle. A + singularly vicious expression marred the soft features, but that was all. +</p> +<p> + "Ce-lia!" said the shoemaker, who feared sun-stroke. +</p> +<p> + "Fancy if he—had—a moment's common sense," murmured Celia, drowsily, + "and locked—the door." +</p> +<p> + Lawyer Quince dropped the hoe with a clatter and stood regarding her + open-mouthed. He was a careful man with his property, and the stout door + boasted a good lock. He sped to the house on tip-toe, and taking the key + from its nail on the kitchen dresser returned to the shed, and after + another puzzled glance at the sleeping girl locked her in. +</p> +<p> + For half an hour he sat in silent enjoyment of the situation—enjoyment + which would have been increased if he could have seen Mr. Rose standing + at the gate of Holly Farm, casting anxious glances up and down the road. + Celia's luggage had gone down to the White Swan, and an excellent cold + luncheon was awaiting her attention in the living-room. +</p> +<p> + Half-past one came and no Celia, and five minutes later two farm + labourers and a boy lumbered off in different directions in search of the + missing girl, with instructions that she was to go straight to the White + Swan to meet the coach. The farmer himself walked down to the inn, + turning over in his mind a heated lecture composed for the occasion, but + the coach came and, after a cheerful bustle and the consumption of sundry + mugs of beer, sped on its way again. +</p> +<p> + He returned home in silent consternation, seeking in vain for a + satisfactory explanation of the mystery. For a robust young woman to + disappear in broad day-light and leave no trace behind her was + extraordinary. Then a sudden sinking sensation in the region of the + waistcoat and an idea occurred simultaneously. +</p> +<p> + He walked down to the village again, the idea growing steadily all the + way. Lawyer Quince was hard at work, as usual, as he passed. He went by + the window three times and gazed wistfully at the cottage. Coming to the + conclusion at last that two heads were better than one in such a + business, he walked on to the mill and sought Mr. Hogg. +</p> +<p> + "That's what it is," said the miller, as he breathed his suspicions. + "I thought all along Lawyer Quince would have the laugh of you. He's + wonderful deep. Now, let's go to work cautious like. Try and look as if + nothing had happened." +</p> +<a name="image-25"><!--IMG--></a> +<center> +<img src="025.jpg" height="623" width="601" +alt="'i Thought All Along Lawyer Quince Would Have the Laugh Of +You.' +"> +</center> +<!--IMAGE END--> +<p> + Mr. Rose tried. +</p> +<p> + "Try agin," said the miller, with some severity. "Get the red out o' + your face and let your eyes go back and don't look as though you're going + to bite somebody." +</p> +<p> + Mr. Rose swallowed an angry retort, and with an attempt at careless ease + sauntered up the road with the miller to the shoemaker's. Lawyer Quince + was still busy, and looked up inquiringly as they passed before him. +</p> +<p> + "I s'pose," said the diplomatic Mr. Hogg, who was well acquainted with + his neighbour's tidy and methodical habits—"I s'pose you couldn't lend + me your barrow for half an hour? The wheel's off mine." +</p> +<p> + Mr. Quince hesitated, and then favoured him with a glance intended to + remind him of his scurvy behaviour three days before. +</p> +<p> + "You can have it," he said at last, rising. +</p> +<p> + Mr. Hogg pinched his friend in his excitement, and both watched Mr. + Quince with bated breath as he took long, slow strides toward the + tool-shed. He tried the door and then went into the house, and even + before his reappearance both gentlemen knew only too well what was about + to happen. Red was all too poor a word to apply to Mr. Rose's + countenance as the shoemaker came toward them, feeling in his waist-coat + pocket with hooked fingers and thumb, while Mr. Hogg's expressive + features were twisted into an appearance of rosy appreciation. +</p> +<p> + "Did you want the barrow very particular?" inquired the shoemaker, in a + regretful voice. +</p> +<p> + "Very particular," said Mr. Hogg. +</p> +<p> + Mr. Quince went through the performance of feeling in all his pockets, + and then stood meditatively rubbing his chin. +</p> +<p> + "The door's locked," he said, slowly, "and what I've done with that there + key——" +</p> +<p> + "You open that door," vociferated Mr. Rose, "else I'll break it in. + You've got my daughter in that shed and I'm going to have her out." +</p> +<p> + "Your daughter?" said Mr. Quince, with an air of faint surprise. "What + should she be doing in my shed?" +</p> +<p> + "You let her out," stormed Mr. Rose, trying to push past him. +</p> +<p> + "Don't trespass on my premises," said Lawyer Quince, interposing his + long, gaunt frame. "If you want that door opened you'll have to wait + till my boy Ned comes home. I expect he knows where to find the key." +</p> +<p> + Mr. Rose's hands fell limply by his side and his tongue, turning prudish, + refused its office. He turned and stared at Mr. Hogg in silent + consternation. +</p> +<p> + "Never known him to be beaten yet," said that admiring weather-cock. +</p> +<p> + "Ned's been away three days," said the shoemaker, "but I expect him home + soon." +</p> +<p> + Mr. Rose made a strange noise in his throat and then, accepting his + defeat, set off at a rapid pace in the direction of home. In a + marvellously short space of time, considering his age and figure, he was + seen returning with Ned Quince, flushed and dishevelled, walking by his + side. +</p> +<p> + "Here he is," said the farmer. "Now where's that key?" +</p> +<p> + Lawyer Quince took his son by the arm and led him into the house, from + whence they almost immediately emerged with Ned waving the key. +</p> +<p> + "I thought it wasn't far," said the sapient Mr. Hogg. +</p> +<p> + Ned put the key in the lock and flinging the door open revealed Celia + Rose, blinking and confused in the sudden sunshine. She drew back as she + saw her father and began to cry with considerable fervour. +</p> +<p> + "How did you get in that shed, miss?" demanded her parent, stamping. +</p> +<a name="image-26"><!--IMG--></a> +<center> +<img src="026.jpg" height="569" width="547" +alt="''how Did You Get in That Shed?' Demanded Her Parent.' +"> +</center> +<!--IMAGE END--> +<p> + Miss Rose trembled. +</p> +<p> + "I—I went there," she sobbed. "I didn't want to go away." +</p> +<p> + "Well, you'd better stay there," shouted the over-wrought Mr. Rose. + "I've done with you. A girl that 'ud turn against her own father I—I—" +</p> +<p> + He drove his right fist into his left palm and stamped out into the road. + Lawyer Quince and Mr. Hogg, after a moment's hesitation, followed. +</p> +<p> + "The laugh's agin you, farmer," said the latter gentleman, taking his + arm. +</p> +<p> + Mr. Rose shook him off. +</p> +<p> + "Better make the best of it," continued the peace-maker. +</p> +<p> + "She's a girl to be proud of," said Lawyer Quince, keeping pace with the + farmer on the other side. "She's got a head that's worth yours and mine + put together, with Hogg's thrown in as a little makeweight." +</p> +<p> + "And here's the White Swan," said Mr. Hogg, who had a hazy idea of a + compliment, "and all of us as dry as a bone. Why not all go in and have + a glass to shut folks' mouths?" +</p> +<p> + "And cry quits," said the shoemaker. +</p> +<p> + "And let bygones be bygones," said Mr. Hogg, taking the farmer's arm + again. +</p> +<p> + Mr. Rose stopped and shook his head obstinately, and then, under the + skilful pilotage of Mr. Hogg, was steered in the direction of the + hospitable doors of the White Swan. He made a last bid for liberty on + the step and then disappeared inside. Lawyer Quince brought up the rear. +</p> + + + + + + + + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Lawyer Quince, by W.W. Jacobs + +*** END OF THIS PROJECT GUTENBERG EBOOK LAWYER QUINCE *** + +***** This file should be named 12205-h.htm or 12205-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/2/2/0/12205/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + + + +</pre> + +</body> +</html> diff --git a/old/12205-h/title.jpg b/old/12205-h/title.jpg Binary files differnew file mode 100644 index 0000000..8c4b3bd --- /dev/null +++ b/old/12205-h/title.jpg diff --git a/old/12205.txt b/old/12205.txt new file mode 100644 index 0000000..d2de1a1 --- /dev/null +++ b/old/12205.txt @@ -0,0 +1,961 @@ +The Project Gutenberg EBook of Lawyer Quince, by W.W. Jacobs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Lawyer Quince + Odd Craft, Part 5. + +Author: W.W. Jacobs + +Release Date: April 29, 2004 [EBook #12205] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK LAWYER QUINCE *** + + + + +Produced by David Widger + + + + +ODD CRAFT + +By W.W. Jacobs + + + +LAWYER QUINCE + +Lawyer Quince, so called by his neighbours in Little Haven from his +readiness at all times to place at their disposal the legal lore he had +acquired from a few old books while following his useful occupation of +making boots, sat in a kind of wooden hutch at the side of his cottage +plying his trade. The London coach had gone by in a cloud of dust some +three hours before, and since then the wide village street had slumbered +almost undisturbed in the sunshine. + +[Illustration: "Lawyer Quince."] + +Hearing footsteps and the sound of voices raised in dispute caused him to +look up from his work. Mr. Rose, of Holly Farm, Hogg, the miller, and +one or two neighbours of lesser degree appeared to be in earnest debate +over some point of unusual difficulty. + +Lawyer Quince took a pinch of snuff and bent to his work again. Mr. Rose +was one of the very few who openly questioned his legal knowledge, and +his gibes concerning it were only too frequent. Moreover, he had a taste +for practical joking, which to a grave man was sometimes offensive. + +"Well, here he be," said Mr. Hogg to the farmer, as the group halted in +front of the hutch. "Now ask Lawyer Quince and see whether I ain't told +you true. I'm willing to abide by what he says." + +Mr. Quince put down his hammer and, brushing a little snuff from his +coat, leaned back in his chair and eyed them with grave confidence. + +"It's like this," said the farmer. "Young Pascoe has been hanging round +after my girl Celia, though I told her she wasn't to have nothing to do +with him. Half an hour ago I was going to put my pony in its stable when +I see a young man sitting there waiting." + +"Well?" said Mr. Quince, after a pause. + +"He's there yet," said the farmer. "I locked him in, and Hogg here says +that I've got the right to keep him locked up there as long as I like. I +say it's agin the law, but Hogg he says no. I say his folks would come +and try to break open my stable, but Hogg says if they do I can have the +law of 'em for damaging my property." + +"So you can," interposed Mr. Hogg, firmly. "You see whether Lawyer +Quince don't say I'm right." + +Mr. Quince frowned, and in order to think more deeply closed his eyes. +Taking advantage of this three of his auditors, with remarkable +unanimity, each closed one. + +"It's your stable," said Mr. Quince, opening his eyes and speaking with +great deliberation, "and you have a right to lock it up when you like." + +"There you are," said Mr. Hogg; "what did I tell you?" + +"If anybody's there that's got no business there, that's his look-out," +continued Mr. Quince. "You didn't induce him to go in?" + +"Certainly not," replied the farmer. + +"I told him he can keep him there as long as he likes," said the jubilant +Mr. Hogg, "and pass him in bread and water through the winder; it's got +bars to it." + +"Yes," said Mr. Quince, nodding, "he can do that. As for his folks +knocking the place about, if you like to tie up one or two of them nasty, +savage dogs of yours to the stable, well, it's your stable, and you can +fasten your dogs to it if you like. And you've generally got a man about +the yard." + +Mr. Hogg smacked his thigh in ecstasy. + +"But--" began the farmer. + +"That's the law," said the autocratic Mr. Quince, sharply. "O' course, +if you think you know more about it than I do, I've nothing more to say." + +"I don't want to do nothing I could get into trouble for," murmured Mr. +Rose. + +"You can't get into trouble by doing as I tell you," said the shoemaker, +impatiently. "However, to be quite on the safe side, if I was in your +place I should lose the key." + +"Lose the key?" said the farmer, blankly. + +"Lose the key," repeated the shoemaker, his eyes watering with intense +appreciation of his own resourcefulness. "You can find it any time you +want to, you know. Keep him there till he promises to give up your +daughter, and tell him that as soon as he does you'll have a hunt for the +key." + +Mr. Rose regarded him with what the shoemaker easily understood to be +speechless admiration. + +"I--I'm glad I came to you," said the farmer, at last. + +"You're welcome," said the shoemaker, loftily. "I'm always ready to give +advice to them as require it." + +"And good advice it is," said the smiling Mr. Hogg. "Why don't you +behave yourself, Joe Garnham?" he demanded, turning fiercely on a +listener. + +Mr. Garnham, whose eyes were watering with emotion, attempted to explain, +but, becoming hysterical, thrust a huge red handkerchief to his mouth and +was led away by a friend. Mr. Quince regarded his departure with mild +disdain. + +"Little things please little minds," he remarked. + +"So they do," said Mr. Hogg. "I never thought--What's the matter with +you, George Askew?" + +Mr. Askew, turning his back on him, threw up his hands with a helpless +gesture and followed in the wake of Mr. Garnham. Mr. Hogg appeared to be +about to apologise, and then suddenly altering his mind made a hasty and +unceremonious exit, accompanied by the farmer. + +Mr. Quince raised his eyebrows and then, after a long and meditative +pinch of snuff, resumed his work. The sun went down and the light faded +slowly; distant voices sounded close on the still evening air, snatches +of hoarse laughter jarred upon his ears. It was clear that the story of +the imprisoned swain was giving pleasure to Little Haven. + +He rose at last from his chair and, stretching his long, gaunt frame, +removed his leather apron, and after a wash at the pump went into the +house. Supper was laid, and he gazed with approval on the home-made +sausage rolls, the piece of cold pork, and the cheese which awaited his +onslaught. + +"We won't wait for Ned," said Mrs. Quince, as she brought in a jug of ale +and placed it by her husband's elbow. + +Mr. Quince nodded and filled his glass. + +"You've been giving more advice, I hear," said Mrs. Quince. + +Her husband, who was very busy, nodded again. + +"It wouldn't make no difference to young Pascoe's chance, anyway," said +Mrs. Quince, thoughtfully. + +Mr. Quince continued his labours. "Why?" he inquired, at last. + +His wife smiled and tossed her head. + +"Young Pascoe's no chance against our Ned," she said, swelling with +maternal pride. + +"Eh?" said the shoemaker, laying down his knife and fork. "Our Ned?" + +"They are as fond of each other as they can be," said Mrs. Quince, +"though I don't suppose Farmer Rose'll care for it; not but what our +Ned's as good as he is." + +"Is Ned up there now?" demanded the shoemaker, turning pale, as the +mirthful face of Mr. Garnham suddenly occurred to him. + +"Sure to be," tittered his wife. "And to think o' poor young Pascoe shut +up in that stable while he's courting Celia!" + +Mr. Quince took up his knife and fork again, but his appetite had gone. +Whoever might be paying attention to Miss Rose at that moment he felt +quite certain that it was not Mr. Ned Quince, and he trembled with anger +as he saw the absurd situation into which the humorous Mr. Rose had led +him. For years Little Haven had accepted his decisions as final and +boasted of his sharpness to neighbouring hamlets, and many a cottager had +brought his boots to be mended a whole week before their time for the +sake of an interview. + +He moved his chair from the table and smoked a pipe. Then he rose, and +putting a couple of formidable law-books under his arm, walked slowly +down the road in the direction of Holly Farm. + +The road was very quiet and the White Swan, usually full at this hour, +was almost deserted, but if any doubts as to the identity of the prisoner +lingered in his mind they were speedily dissipated by the behaviour of +the few customers who crowded to the door to see him pass. + +A hum of voices fell on his ear as he approached the farm; half the male +and a goodly proportion of the female population of Little Haven were +leaning against the fence or standing in little knots in the road, while +a few of higher social status stood in the farm-yard itself. + +"Come down to have a look at the prisoner?" inquired the farmer, who was +standing surrounded by a little group of admirers. + +[Illustration: "'Come down to have a look at the prisoner?' inquired the +farmer."] + +"I came down to see you about that advice I gave you this afternoon," +said Mr. Quince. + +"Ah!" said the other. + +"I was busy when you came," continued Mr. Quince, in a voice of easy +unconcern, "and I gave you advice from memory. Looking up the subject +after you'd gone I found that I was wrong." + +"You don't say so?" said the farmer, uneasily. "If I've done wrong I'm +only doing what you told me I could do." + +"Mistakes will happen with the best of us," said the shoemaker, loudly, +for the benefit of one or two murmurers. "I've known a man to marry a +woman for her money before now and find out afterward that she hadn't got +any." + +One unit of the group detached itself and wandered listlessly toward the +gate. + +"Well, I hope I ain't done nothing wrong," said Mr. Rose, anxiously. +"You gave me the advice; there's men here as can prove it. I don't want +to do nothing agin the law. What had I better do?" + +"Well, if I was you," said Mr. Quince, concealing his satisfaction with +difficulty, "I should let him out at once and beg his pardon, and say you +hope he'll do nothing about it. I'll put in a word for you if you like +with old Pascoe." + +Mr. Rose coughed and eyed him queerly. + +"You're a Briton," he said, warmly. "I'll go and let him out at once." + +He strode off to the stable, despite the protests of Mr. Hogg, and, +standing by the door, appeared to be deep in thought; then he came back +slowly, feeling in his pockets as he walked. + +"William," he said, turning toward Mr. Hogg, "I s'pose you didn't happen +to notice where I put that key?" + +"That I didn't," said Mr. Hogg, his face clearing suddenly. + +"I had it in my hand not half an hour ago," said the agitated Mr. Rose, +thrusting one hand into his trouser-pocket and groping. "It can't be +far." + +Mr. Quince attempted to speak, and, failing, blew his nose violently. + +"My memory ain't what it used to be," said the farmer. "Howsomever, I +dare say it'll turn up in a day or two." + +"You--you'd better force the door," suggested Mr. Quince, struggling to +preserve an air of judicial calm. + +"No, no," said Mr. Rose; "I ain't going to damage my property like that. +I can lock my stable-door and unlock it when I like; if people get in +there as have no business there, it's their look-out." + +"That's law," said Mr. Hogg; "I'll eat my hat if it ain't." + +"Do you mean to tell me you've really lost the key?" demanded Mr. Quince, +eyeing the farmer sternly. + +"Seems like it," said Mr. Rose. "However, he won't come to no hurt. +I'll put in some bread and water for him, same as you advised me to." + +Mr. Quince mastered his wrath by an effort, and with no sign of +discomposure moved away without making any reference to the identity of +the unfortunate in the stable." + +"Good-night," said the farmer, "and thank you for coming and giving me +the fresh advice. It ain't everybody that 'ud ha' taken the trouble. +If I hadn't lost that key----" + +The shoemaker scowled, and with the two fat books under his arm passed +the listening neighbours with the air of a thoughtful man out for an +evening stroll. Once inside his house, however, his manner changed, the +attitude of Mrs. Quince demanding, at any rate, a show of concern. + +"It's no good talking," he said at last. "Ned shouldn't have gone there, +and as for going to law about it, I sha'n't do any such thing; I should +never hear the end of it. I shall just go on as usual, as if nothing had +happened, and when Rose is tired of keeping him there he must let him +out. I'll bide my time." + +Mrs. Quince subsided into vague mutterings as to what she would do if she +were a man, coupled with sundry aspersions upon the character, looks, and +family connections of Farmer Rose, which somewhat consoled her for being +what she was. + +"He has always made jokes about your advice," she said at length, "and +now everybody'll think he's right. I sha'n't be able to look anybody in +the face. I should have seen through it at once if it had been me. I'm +going down to give him a bit o' my mind." + +"You stay where you are," said Mr. Quince, sharply, "and, mind, you are +not to talk about it to anybody. Farmer Rose 'ud like nothing better +than to see us upset about it. I ain't done with him yet. You wait." + +Mrs. Quince, having no option, waited, but nothing happened. The +following day found Ned Quince still a prisoner, and, considering the +circumstances, remarkably cheerful. He declined point-blank to renounce +his preposterous attentions, and said that, living on the premises, he +felt half like a son-in-law already. He also complimented the farmer +upon the quality of his bread. + +The next morning found him still unsubdued, and, under interrogation from +the farmer, he admitted that he liked it, and said that the feeling of +being at home was growing upon him. + +"If you're satisfied, I am," said Mr. Rose, grimly. "I'll keep you here +till you promise; mind that." + +"It's a nobleman's life," said Ned, peeping through the window, "and I'm +beginning to like you as much as my real father." + +"I don't want none o' yer impudence," said the farmer, reddening. + +[Illustration: "'None o' yer impudence,' said the farmer."] + +"You'll like me better when you've had me here a little longer," said +Ned; "I shall grow on you. Why not be reasonable and make up your mind +to it? Celia and I have." + +"I'm going to send Celia away on Saturday," said Mr. Rose; "make yourself +happy and comfortable in here till then. If you'd like another crust o' +bread or an extra half pint o' water you've only got to mention it. When +she's gone I'll have a hunt for that key, so as you can go back to your +father and help him to understand his law-books better." + +He strode off with the air of a conqueror, and having occasion to go to +the village looked in at the shoe-maker's window as he passed and smiled +broadly. For years Little Haven had regarded Mr. Quince with awe, as +being far too dangerous a man for the lay mind to tamper with, and at one +stroke the farmer had revealed the hollowness of his pretensions. Only +that morning the wife of a labourer had called and asked him to hurry the +mending of a pair of boots. She was a voluble woman, and having overcome +her preliminary nervousness more than hinted that if he gave less time to +the law and more to his trade it would be better for himself and +everybody else. + +Miss Rose accepted her lot in a spirit of dutiful resignation, and on +Saturday morning after her father's admonition not to forget that the +coach left the White Swan at two sharp, set off to pay a few farewell +visits. By half-past twelve she had finished, and Lawyer Quince becoming +conscious of a shadow on his work looked up to see her standing before +the window. He replied to a bewitching smile with a short nod and became +intent upon his work again. + +For a short time Celia lingered, then to his astonishment she opened the +gate and walked past the side of the house into the garden. With growing +astonishment he observed her enter his tool-shed and close the door +behind her. + +For ten minutes he worked on and then, curiosity getting the better of +him, he walked slowly to the tool-shed and, opening the door a little +way, peeped in. It was a small shed, crowded with agricultural +implements. The floor was occupied by an upturned wheelbarrow, and +sitting on the barrow, with her soft cheek leaning against the wall, sat +Miss Rose fast asleep. Mr. Quince coughed several times, each cough +being louder than the last, and then, treading softly, was about to +return to the workshop when the girl stirred and muttered in her sleep. +At first she was unintelligible, then he distinctly caught the words +"idiot" and "blockhead." + +"She's dreaming of somebody," said Mr. Quince to himself with conviction. + +"Wonder who it is?" + +"Can't see--a thing--under--his--nose," murmured the fair sleeper. + +"Celia!" said Mr. Quince, sharply. "Celia!" + +He took a hoe from the wall and prodded her gently with the handle. A +singularly vicious expression marred the soft features, but that was all. + +"Ce-lia!" said the shoemaker, who feared sun-stroke. + +"Fancy if he--had--a moment's common sense," murmured Celia, drowsily, +"and locked--the door." + +Lawyer Quince dropped the hoe with a clatter and stood regarding her +open-mouthed. He was a careful man with his property, and the stout door +boasted a good lock. He sped to the house on tip-toe, and taking the key +from its nail on the kitchen dresser returned to the shed, and after +another puzzled glance at the sleeping girl locked her in. + +For half an hour he sat in silent enjoyment of the situation--enjoyment +which would have been increased if he could have seen Mr. Rose standing +at the gate of Holly Farm, casting anxious glances up and down the road. +Celia's luggage had gone down to the White Swan, and an excellent cold +luncheon was awaiting her attention in the living-room. + +Half-past one came and no Celia, and five minutes later two farm +labourers and a boy lumbered off in different directions in search of the +missing girl, with instructions that she was to go straight to the White +Swan to meet the coach. The farmer himself walked down to the inn, +turning over in his mind a heated lecture composed for the occasion, but +the coach came and, after a cheerful bustle and the consumption of sundry +mugs of beer, sped on its way again. + +He returned home in silent consternation, seeking in vain for a +satisfactory explanation of the mystery. For a robust young woman to +disappear in broad day-light and leave no trace behind her was +extraordinary. Then a sudden sinking sensation in the region of the +waistcoat and an idea occurred simultaneously. + +He walked down to the village again, the idea growing steadily all the +way. Lawyer Quince was hard at work, as usual, as he passed. He went by +the window three times and gazed wistfully at the cottage. Coming to the +conclusion at last that two heads were better than one in such a +business, he walked on to the mill and sought Mr. Hogg. + +"That's what it is," said the miller, as he breathed his suspicions. +"I thought all along Lawyer Quince would have the laugh of you. He's +wonderful deep. Now, let's go to work cautious like. Try and look as if +nothing had happened." + +[Illustration: "I thought all along Lawyer Quince would have the laugh of +you."] + +Mr. Rose tried. + +"Try agin," said the miller, with some severity. "Get the red out o' +your face and let your eyes go back and don't look as though you're going +to bite somebody." + +Mr. Rose swallowed an angry retort, and with an attempt at careless ease +sauntered up the road with the miller to the shoemaker's. Lawyer Quince +was still busy, and looked up inquiringly as they passed before him. + +"I s'pose," said the diplomatic Mr. Hogg, who was well acquainted with +his neighbour's tidy and methodical habits--"I s'pose you couldn't lend +me your barrow for half an hour? The wheel's off mine." + +Mr. Quince hesitated, and then favoured him with a glance intended to +remind him of his scurvy behaviour three days before. + +"You can have it," he said at last, rising. + +Mr. Hogg pinched his friend in his excitement, and both watched Mr. +Quince with bated breath as he took long, slow strides toward the +tool-shed. He tried the door and then went into the house, and even +before his reappearance both gentlemen knew only too well what was about +to happen. Red was all too poor a word to apply to Mr. Rose's +countenance as the shoemaker came toward them, feeling in his waist-coat +pocket with hooked fingers and thumb, while Mr. Hogg's expressive +features were twisted into an appearance of rosy appreciation. + +"Did you want the barrow very particular?" inquired the shoemaker, in a +regretful voice. + +"Very particular," said Mr. Hogg. + +Mr. Quince went through the performance of feeling in all his pockets, +and then stood meditatively rubbing his chin. + +"The door's locked," he said, slowly, "and what I've done with that there +key----" + +"You open that door," vociferated Mr. Rose, "else I'll break it in. +You've got my daughter in that shed and I'm going to have her out." + +"Your daughter?" said Mr. Quince, with an air of faint surprise. "What +should she be doing in my shed?" + +"You let her out," stormed Mr. Rose, trying to push past him. + +"Don't trespass on my premises," said Lawyer Quince, interposing his +long, gaunt frame. "If you want that door opened you'll have to wait +till my boy Ned comes home. I expect he knows where to find the key." + +Mr. Rose's hands fell limply by his side and his tongue, turning prudish, +refused its office. He turned and stared at Mr. Hogg in silent +consternation. + +"Never known him to be beaten yet," said that admiring weather-cock. + +"Ned's been away three days," said the shoemaker, "but I expect him home +soon." + +Mr. Rose made a strange noise in his throat and then, accepting his +defeat, set off at a rapid pace in the direction of home. In a +marvellously short space of time, considering his age and figure, he was +seen returning with Ned Quince, flushed and dishevelled, walking by his +side. + +"Here he is," said the farmer. "Now where's that key?" + +Lawyer Quince took his son by the arm and led him into the house, from +whence they almost immediately emerged with Ned waving the key. + +"I thought it wasn't far," said the sapient Mr. Hogg. + +Ned put the key in the lock and flinging the door open revealed Celia +Rose, blinking and confused in the sudden sunshine. She drew back as she +saw her father and began to cry with considerable fervour. + +"How did you get in that shed, miss?" demanded her parent, stamping. + +[Illustration: "'How did you get in that shed?' demanded her parent."] + +Miss Rose trembled. + +"I--I went there," she sobbed. "I didn't want to go away." + +"Well, you'd better stay there," shouted the over-wrought Mr. Rose. +"I've done with you. A girl that 'ud turn against her own father I--I--" + +He drove his right fist into his left palm and stamped out into the road. +Lawyer Quince and Mr. Hogg, after a moment's hesitation, followed. + +"The laugh's agin you, farmer," said the latter gentleman, taking his +arm. + +Mr. Rose shook him off. + +"Better make the best of it," continued the peace-maker. + +"She's a girl to be proud of," said Lawyer Quince, keeping pace with the +farmer on the other side. "She's got a head that's worth yours and mine +put together, with Hogg's thrown in as a little makeweight." + +"And here's the White Swan," said Mr. Hogg, who had a hazy idea of a +compliment, "and all of us as dry as a bone. Why not all go in and have +a glass to shut folks' mouths?" + +"And cry quits," said the shoemaker. + +"And let bygones be bygones," said Mr. Hogg, taking the farmer's arm +again. + +Mr. Rose stopped and shook his head obstinately, and then, under the +skilful pilotage of Mr. Hogg, was steered in the direction of the +hospitable doors of the White Swan. He made a last bid for liberty on +the step and then disappeared inside. Lawyer Quince brought up the rear. + + + + + +End of the Project Gutenberg EBook of Lawyer Quince, by W.W. Jacobs + +*** END OF THIS PROJECT GUTENBERG EBOOK LAWYER QUINCE *** + +***** This file should be named 12205.txt or 12205.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/2/2/0/12205/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + diff --git a/old/12205.zip b/old/12205.zip Binary files differnew file mode 100644 index 0000000..40e6906 --- /dev/null +++ b/old/12205.zip |
