diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 23220-0.txt | 991 | ||||
| -rw-r--r-- | 23220-0.zip | bin | 0 -> 19197 bytes | |||
| -rw-r--r-- | 23220-h.zip | bin | 0 -> 20738 bytes | |||
| -rw-r--r-- | 23220-h/23220-h.htm | 1168 | ||||
| -rw-r--r-- | 23220.txt | 990 | ||||
| -rw-r--r-- | 23220.zip | bin | 0 -> 19093 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
9 files changed, 3165 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/23220-0.txt b/23220-0.txt new file mode 100644 index 0000000..a7d9d8b --- /dev/null +++ b/23220-0.txt @@ -0,0 +1,991 @@ +The Project Gutenberg EBook of The Gray Nun, by Nataly Von Eschstruth + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Gray Nun + +Author: Nataly Von Eschstruth + +Translator: Lionel Strachey + +Release Date: October 27, 2007 [EBook #23220] +Last Updated: November 5, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE GRAY NUN *** + + + + +Produced by David Widger + + + + + + +THE GRAY NUN + +By Nataly Von Eschstruth + +Translated from the German by Lionel Strachey + + +When I was a young man I once made a foreign journey, betaking myself to +the royal court of X. on affairs of state. In those days politics would +take strange turns, not of unmixed delight, and so it happened that my +mission was prolonged well into the winter, and kept me at X. until the +carnival season. But at this I did not repine, for to pass a winter in +a beautiful climate and amid the fascinating society of a court seemed a +welcome change to my enthusiastic, pleasure-loving young soul. + +The reigning sovereign had a predilection for masked balls,--a +traditionally favorite amusement at the palace, I was told--and +accordingly several fancy dress festivities were enacted on the royal +premises during the carnival. The first I was unable to participate in +because of an inflamed eye, and therefore awaited the second with all +the keener anticipation. + +In the becoming costume of a Prussian officer in the army of Frederick +the Great, and with the agreeable sensation of being specially well +disguised beneath my mask and safe from recognition, I mingled in the +gay throng of the dancers and enjoyed to the full the charm of the +brilliant and delicious event. An exquisitely graceful little water-nix +had conquered my heart. The champagne was bubbling in my blood, and +in wild spirits I was pursuing the fleeing Undine into an adjacent +apartment. + +Suddenly I stopped as though spellbound, and found myself staring into +a pair of dark eyes, black as night, which were rigidly fixed upon me. +Standing aloof, in a corner of the room, I saw a nun. Her long gray +garment reached to the ground, and lay about her very feet in folds like +a train. Her arms hung straight down, the hands being concealed in the +loose sleeves. White linen bands covered her head and chin, and rendered +even her mouth invisible, while her forehead and the upper part of her +face were protected by a black velvet mask. And the blackness of those +eyes that penetrated me was so intense that scarcely were any whites +discernible. + +An indescribable emotion ran over me as I stood under the ban of an +evil power, as it were, returning the look of that strange figure. I had +forgotten Undine. Drawn by some invisible force, I approached the nun +with mechanical footstep. + +“Why, fair mask,” I accosted her with a bold laugh, “are you alone? +Surely you know that for dancing and love two are needed!” + +Briefly, like a Chinese idol, she nodded her head in assent; a thrill +seemed to pass over her wonderfully slender shape; yet she did not +budge. + +I became more venturesome from a sudden feeling as of fire rushing +through my veins. + +“You may be vowed to seclusion, beautiful bride of Heaven, but to-day +the convent walls have released you, to-day you are of the world and the +flesh, to-day you are mine!” + +Thus I cried aloud, forgetting in my excitement that I was in a country +where my mother tongue was only spoken and understood at the German +legation. + +In a moment it occurred to me: Did the mask know German? + +To my astonishment, she gave an immediate sign of intelligence by +gliding, silently as a shadow, another step in my direction, and her +biasing eyes appeared to kindle with merriment. Had she a veil over her +eyes? It almost looked so and this extraordinary measure of precaution +challenged me the more strongly to overcome her reluctance to being +known. + +“Do you understand me?” I asked. + +She nodded in the same brief, jerky manner as before. + +“Do you know me?” + +Similarly she answered by negative motions of the head. I stepped up +close to her with the question: + +“But will you not know me and love me? Come into my arms, and let us +dance!” + +Then something happened that at the moment I found surprising and +extremely startling, yet which I took for a mere carnival freak, +while later on I could scarce review the occurrence with any degree of +clearness. + +The nun threw her arms about me abruptly and almost desperately, and +whirled me into a frenzied dance. I felt no body between my arms, and +did not hear the rustle of her dress; I only saw those enigmatic +dark eyes, which glowed near, very near, my own. And in mad career, +regardless of the musical time or of the tune played, my curious partner +tore around the room with me faster and faster, and with ever increasing +fury. Her arms gripped me tighter and tighter and I was threatened +with complete loss of breath in the wild race. Of a sudden I received a +violent blow, resembling an electric shock, from each of her hands on +my shoulders, felt myself all at once liberated, and staggered faint +against a pyramid of plants. Boisterous laughter sounded on my ear; some +other masks had surrounded and seized me, exclaiming: + +“Look at the fine gentleman! He is out of his mind, dancing about the +room like a madman, quite alone!” + +I opened my eyes and looked all around. What had become of my partner? + +Not a sign of her was to be seen, although this other room was likewise +very large, just then not well filled with people. + +“Have I been dancing alone?” I gasped, tearing the mask off my burning +face. + +“Quite alone! Did you imagine it was with your sweetheart?” was the +mocking, noisy reply. + +I was deeply annoyed. “Nonsense!” I cried. “You are all in the +conspiracy! Where has the nun gone? It was no lady at all, it was a man +in disguise!” + +They laughed still more, and some whispered behind fans that I must be +drunk. + +Strange sensations invaded me. Had a joke been played at my expense? Had +a member of the German legation dressed in female clothes, and in the +height of his whimsical caprice danced with me in that insane fashion? +Were the guests in the secret, and were they amusing themselves--as the +freedom of the carnival permitted--with teasing a foreigner? Yet surely +the mysterious nun must be discoverable. My knees were trembling from a +weakness I was unable to account for, but I collected myself, and +while various thoughts coursed through my brain for a solution of +this carnival prank, I hastened with feverish speed through rooms and +galleries in quest of the nun. But in vain. I espied neither herself, +nor met anyone who had seen her. The lackeys and doorkeepers assured me +in perfect good faith that they had seen no nun of any sort. + +“The costume is one of which His Majesty does not approve,” I was +informed in the cloak-room. “It is considered irreverent to appear at +balls here in the spiritual garb of a nun or a monk, and therefore it +is not done. It would certainly have been observed by us had any lady or +gentleman transgressed against the prevailing usage.” + +“Then perhaps I may have mistaken for a nun some other mask, who +intended in her gray suit to represent Twilight or Care,” I excused +myself hesitatingly, though I had an accurate eye for dresses, and +could have registered a solemn oath that the mysterious unknown was even +wearing especially authentic claustral attire. No one, however, could +by any effort remember having noticed a costume anything like that +described by me. + +“Are there any secret passages to any of the rooms and galleries which +are the scene of tonight’s festivities?” I asked a doorkeeper. He looked +at me in surprise, and answered: + +“All ways of communication were opened today because of the crowd of +guests, but for safety’s sake guarded and watched more carefully than +usual. Only the tapestried corridor running the length of the great +colonnade to the royal apartments was left unguarded, since in that +place there is no possibility of improper intrusion.” + +A new idea flashed across me. The spot on which I had first set eyes on +my nun was at the entrance to that corridor. Might not a member of the +royal family have elected to make me, as a novice in this foreign court +society, the subject of a merry jest? No doubt the nun was a man in +disguise, and the young princes and dukes were probably capable of +pouncing on the victim and dancing him to death. + +My confusion was perhaps very diverting, and the secrecy of the few +spectators of the joke, who were, of course, initiated, was quite +praiseworthy. + +They asserted not having seen a nun at all, and laughed at me for having +rushed round the room alone, like a lunatic, Obviously there was no +further room for doubt, this explanation and no other was valid. Why had +I not thought of this before! + +So I joined in the hilarity of the others and made the best of my +discomfiture. In any case, the manner in which my partner had dismissed +me betrayed a pair of powerful masculine fists! My shoulders, on which +she had come down so vigorously ached as if they were broken, and I was +still unable to conquer entirely a peculiar sensation of uneasiness. +But while I was pursuing my investigations the clock struck twelve, +the company unmasked, and gaily flocked toward the Supper rooms. I +felt particularly entitled to refreshments, and in the course of my +indulgence in the good things of my selection, my faintness--which was +more astonishing to my robust, muscular young self than any carnival +joke in the world could have been--passed off completely. I was as happy +and lively as before, and enjoyed the remainder of the ball as much as +I had the beginning. I tried to dismiss the episode from my mind. For a +few days I felt a dull pain in my shoulders, which annoyed me at night +also, and disturbed my sleep. The image of the nun haunted me, and the +sombre, penetrating eyes were present to me in my very dreams. This +vexed me, and I mentally abused the royal gentleman in every key who had +pushed his joke rather too far. + +A week passed, and the court chamberlain issued invitations for the +third masked ball at the palace. I purchased a sailor’s dress, and on +the evening of the ball tripped up the marble stairs in the best of +spirits. It had in the meanwhile occurred to me that I had perhaps +imbibed too much, and that the prince in nun’s clothing had perhaps +observed my condition, and made me his victim for that reason. But I +rejected that proposition. In the first place, I had not taken much to +drink; certainly two or three glasses of champagne and lemonade were +not worth mentioning when I remembered what quantities of alcohol I had +frequently absorbed in my university days in Germany. I was a brave boon +companion, and capable of consuming a great deal. So how should a few +paltry little glasses make me so unsteady on my feet as to collapse +in dancing a fast gallop? Absurd! I was sure enough of myself, and +sufficiently well brought up in social customs, to know how much one +may drink at a court ball. No--I was convinced that I had not been +intoxicated, but on this occasion I resolved to exercise special +caution, and to be strictly temperate, in the event of the disguised +perpetrator of pranks again attempting to make the German stranger the +butt of his impudence. This time he should meet his match; I would keep +my head clear and my feet steady enough to venture a dance with him. The +constantly suspicious attitude of my mind, to be sure, interfered with +my pleasure very considerably. I was in a too observant mood to float on +the topmost wave of enjoyment, and besides an extraordinary disquietude +had seized upon me, a contraction about the heart that was quite new to +me, such as sensitive people undergo before a storm or in anticipation +of momentous changes of fortune. I wandered about restlessly. Numerous +though the merry masks that flitted around me, that nun’s indescribable +black eyes did not appear, and no effort was made to involve me again as +the hero of another frolic. Time was dragging heavily. I glanced at my +watch, and wished the supper hour might be near. The finger only pointed +to half past eleven, so that I must still possess my soul in patience +for half an hour. It was a lovely, mild, moonlight night; the doors to +the tapestried passage and the colonnade had been thrown open, and I +concluded to take a breath of the fragrant air and a rapid view of the +illuminated town in its festive brilliancy of a carnival night. + +A female pierrot dances past me with Don Juan, and, with a laugh, +throws a handful of confetti in my face. I retaliate--a few phrases are +exchanged--I look after her for a moment--and then turn to the entrance +of the corridor, to get out into the colonnade. + +I am rooted to the ground! + +Standing aside in a corner, on the very same spot as before, is my nun, +staring at me with the same unfathomable eyes as a week ago! + +Where had she come from? + +Out of the ground? Or had she slipped in through the door during my +banter with the pierrot? + +She had come through the door, of course. + +I am utterly amazed. The same costume. The same joke. How clumsy of the +prince to repeat himself, I am inclined to ignore the impertinent young +gentleman, and pass him proudly by--yet--strange--again I am attracted +irresistibly, as by a supernatural power, held by those black orbs. I +am quite certain of my wits this time: the dress is really the forbidden +costume of a nun, and, so far as I can judge, exact in every particular. +On her breast hangs a large cross, which is especially conspicuous. It +is of dull gold, with emeralds and pearls inlaid, of peculiar shape, +and certainly antique. The pious nun seems to have regaled herself with +excessive haste at some sideboard, since the white collar and the front +of the gray bodice show oblong dark stains, as though some beverage had +been spilt. + +“Well, fair mask,” finally remark in a mocking tone, although my heart +is beating furiously, “you have been waiting for me here, I presume?” + +She nods slowly and solemnly. + +“Do you imagine, by chance, that I wish to dance another hurricane with +you?” + +Again she assents, but more emphatically. + +“Then,” say I, ironically, “see where you can find a new blockhead, my +muscular fairy! My shoulders are not well yet!” + +Her arms move--hands there are none visible in the long, roomy +sleeves--they are stretched out to me as if in mute appeal. A cold +shiver runs down my back, I know not why. + +“If I dance with you again,” I angrily exclaim, “you will not fare quite +so well as last time! I am firmer on my feet to-night than I was last +week!” + +She presses her arms to her breast, something like a tremor agitates the +gray shape, and her head is slightly raised. Her position and demeanor, +though she utters not a word, denote intense longing. + +The blood rushes to my head--I must go a step nearer to her--I must! + +“If I dance with you, it will be only on one condition!” + +With a profound sigh her bosom heaves, her arms fall to her side, her +body is humbly bent forward as if in complete surrender, and as if to +say: Ask what you will! + +“My condition is that you afterward reveal yourself.” + +She nods stiffly, like a marionette. + +“Swear to it!” + +She raises her arm for the oath, but the gray folds still conceal her +hand. + +“Woe betide you if you deceive me!” + +She shakes her head, and repeats the passionate gesture of entreaty. Her +slender form trembles with feverish impatience, and the wonderful eyes +seem to plead, in extreme urgency: Come quickly! + +I put out my arms-- + +Once more does the terrible woman rush at me, once more am I held in +that mad embrace, once more--on the wings of the wind--do we dash round +the room! And once more are all my senses lost in the fiendish whirl! + +I attempt to struggle, would pit the abounding strength of my youth +against the woman and subdue her. In vain! I can think, I can act, no +longer. My whole being is in a swoon, and I am conscious of nothing but +two icy lips pressed upon mine with a vehemence calculated to draw my +very life out of me. + +A shudder seizes me, and the fear of death, and then--again that blow on +my shoulders-- + +I feel as if a pair of iron clamps had been taken off me and I had been +freed, and I sink down upon a sofa. + +A laughing, jeering crowd surrounds me, shouting: + +“The sailor is crazy! He has gone out of his mind!” + +Have I again been dancing alone in public? + +I jump up in a rage, and exclaim, as I toss back my dishevelled hair +from my burning brow: + +“Abominable trickery! Let me pass! Let me get my hands on her, and +unmask her!” + +Something rings on the floor. It has fallen from my hand, hitherto +clenched and just now opened. Triumphantly I snatch it up, exulting: + +“Her cross! Ha! that shall be my clue!” + +On this occasion, too, no trace of the mysterious nun was to be found. +It was at first superciliously assumed, as before, that I must be drunk +or insane, but my serious mood and energetic investigations soon altered +that notion. I might myself have doubted my mental soundness had it not +been for the cross in my hand, which I at once recognized as being that +worn by the nun, and had not a lackey finally confessed to having beheld +the strange figure. He was coming from the colonnade with a tray of +refreshments when he saw me in conversation with her. The mask had +something familiar about her, he said, but he could not remember where +he had seen her before. He had been a servant in the palace for forty +years. + +Nobody thought of a spectre; on the other hand extravagant speculations +became rife of a conspirator being at work. It was rumored the king had +originally intended to wear a sailor costume. + +Of course, it was him the uncanny visitor had designs upon. In view of +the fact that the political horizon was very dark and clouded at that +time, the conjecture was perhaps not altogether phantastical, and for +this reason the report quickly reached the ears of the king and the +royal family. I was promptly summoned before His Majesty, and it gave +me a sort of revengeful pleasure to relate the incident to that august +person. For I was still fully persuaded that some young member of his +family had played this obnoxious trick upon me. + +The king nodded thoughtfully upon my frank declaration that, according +to my researches, the enigmatical female could only have come from the +royal apartments. + +Said his Majesty: + +“May I ask you, my dear Baron, to show me the cross you found?” + +I put it into his hand. + +For a moment the king stared upon it speechless. Then he turned it +over, and ejaculated, roughly almost under the emotion of his violent +surprise: + +“Great God--why--it is--!” + +And he pointed to the small, delicately engraved initials, surmounted by +a crown, in the middle of the cross. Very pale and with heaving breast +he went on: + +“A nun, a gray nun, you say? What would the object of such a joke be? +and how--how should this cross come back among the living? Baron, come +with me, I must request your confidence and secrecy!” + +We passed through several rooms, and then arrived at a narrow gallery +whose walls were hung with portraits of royal personages. The king came +abruptly to a halt, and without himself looking up indicated a certain +picture: + +“Observe that painting! Do you see the same Cross there that you have in +your hand?” + +Involuntarily I uttered the loud cry: + +“Why, that is she! Holy Heavens! It is my nun!” + +“The cross--compare the cross!” urged the king, his slender, white hand +trembling with agitation. + +A frosty current ran through my veins as I compared the pictured cross +with that in my companion’s hand. It was the same--not a doubt of +it--and the eyes, too, were the same, as also the dress and the whole +figure were unmistakably those of the gray nun I had danced with. Yet +in those conspicuously large, deep black eyes lay not an expression of +peacefulness and mild resignation, but a world of passionate feeling. +Having assured the king of the identity of the cross, and he having +informed me that it was an ancient heirloom of which no duplicate +existed, he bade me accompany him further. + +Arrived in the antechamber to his apartments, the king gave an order to +one of the attendants on duty there. He walked up and down the room for +a few moments in visible excitement, and then, stopping before me, and +looking at me searchingly, he asked: + +“Have you ever, in the course of your life, met with a manifestation of +the supernatural?” + +I was so bewildered and nervous that I scarcely could remember enough +French to reply: + +“May it please your Majesty, I have not.” + +“Do you believe in the possibility of the dead returning?” + +“Not in the sense of their coming as apparitions. I always was, still +am, a skeptic on the point of ghost stories in general, nevertheless I +am a Christian, and I believe and know that we continue to live after +death.” + +The king stared at me mechanically: + +“You are a Protestant, and you say you are a skeptic. Curious--only you +saw the apparition--it was revealed to no one else?” + +“Then your Majesty is of the opinion that this is actually a case of a +spectral apparition?” + +“Certainly. It seems much more plausible than open theft. This very +cross I myself--” + +He interrupted his sentence as he turned to the door, through which, +with profound obeisances, entered two ladies in waiting--probably the +queen’s. His Majesty addressed one of them in French, no doubt to enable +me to participate in the conversation: + +“You were present, Madame M., when Princess A. was laid in her coffin +seventeen years ago?” + +A low curtsey was the affirmative reply. + +“And you also, Madame U.?” + +“I had the honor, your Majesty, of rendering her royal highness the last +earthly services.” + +“You remember perfectly what dress the deceased was buried in?” + +“Quite well, your Majesty. It was the regular dress of the Order of Gray +Sisters, of which her royal highness was a member.” + +“Do you recollect whether she took any ornaments to her last resting +place?” + +“Excepting the golden cross which your Majesty hung round her neck +on the day she took the vow, no jewelry was put on the princess. The +duchess even drew the little sapphire ring from her royal highness’ +finger, to keep it as a remembrance and wear it herself.” + +“You are absolutely certain that the cross went into the coffin? You +could swear to it?” + +“I could do so with fullest conviction, your Majesty.” + +“Would you recognize the cross?” + +“To be sure I should.” + +“Is this it?” + +“Good Heavens--it is! On the back there ought to be the initials of her +royal highness!” + +“Here they are,” said the king, reversing the cross. The old woman +shrank back appalled. + +“Then, your Majesty, the vault has been broken into!” + +“Possibly it has. The matter shall be investigated. I am much obliged to +you, ladies, and earnestly request you will both preserve unconditional +silence as to our present interview.” + +“Well,” said the king to me, after the ladies in waiting had withdrawn, +“how do you account for this cross being here in my hand, considering +it was put into the coffin? You think the vault may have been pillaged? +That, I believe, is out of the question. The object of a carnival freak, +which could have been perpetrated just as easily in any other dress, is +far too slight to make such a horrible offense as the violation of the +dead worth while! But I intend to have the vault examined, and beg, my +dear baron, that you will attend. For the present, good night.” + +I spent a dreadful night, torturing my sleepless brain for a solution +of the riddle, and being forever haunted by the nun’s dark eyes. It was +late when I woke. + +Some hours after, the coffin was opened in the presence of the king, +whose surmise proved correct. The bolts on the coffin were intact. The +gold chain was there, safe round the princess’ neck. But the cross was +gone. There was not the remotest sign of violence. + +How I got out of that vault, I do not know. I remember feeling faint, +and being supported by two court officials. I am unaware of what +happened next. It was the only instance in my life in which my system +had so entirely given way. A serious illness was apprehended, but +my strong constitution won the day. For a long time my mind was in a +precarious state. + +When I had recovered, the king sent for me. + +“Are you still a skeptic?” he asked in a grave voice. + +“No, your Majesty, I am convinced now.” + +Whereupon the king himself deigned to communicate to me the particulars +relating to the golden cross. + +Princess A. was a daughter of one of his cousins, and she was their +fifth child. The duchess, a very pious woman, made a vow before the +birth of her sixth child, that if it was a boy, her youngest daughter +should be dedicated to the service of the church and take the veil. A +son was born, and Princess A. henceforth was educated for the profession +of a nun in becoming retirement and seclusion. Unfortunately, however, +the natural traits of the girl seemed to be entirely in opposition to +that reverend calling. An irrepressible vivacity of spirit, an intense +coveting of worldly joys and pleasures characterized her, and the more +she was separated from the world the more ardent grew her desire to live +in it. Heartrending scenes of resistance and tears were enacted, and +the reigning sovereign felt so much pity for the spirited young creature +that he attempted to save her from her fate of being immured in convent +walls by offering to apply to the pope for a dispensation releasing the +mother from her promise. But the duchess desperately combated this idea. +Her wild laments, that to break her vow would entail her forfeiture of +eternal salvation, her protestations, her tears, her entreaties, at last +prevailed upon the princess to join the Order of the Gray Sisters. For a +short space all seemed to go well. The fervid heart of the royal nun was +apparently beating placidly, in the quiet claustral surroundings. But +during the winter the duchess fell sick, and the young bride of the +church was called to her bedside. Princess A. had remained with her +mother for several weeks, and about that time the carnival season began. +Masked balls were given in the palace, and while the horns and violins +were sounding in the ballroom Princess A. lay on her knees in the throes +of dreadful despair, tearing her hair in furious longing for that lost +paradise. She at last succeeded in bribing a chambermaid to secretly +procure her a fancy dress. If it was to cost her immortal soul, once +she would dance and be young and happy! The plot was betrayed, and the +angriest reproaches were poured out by her parents upon the perjured, +rebellious nun! Princess A. was locked up, and was to be removed to the +convent the next day. However, as the festivities in the palace were +reaching their height that night, the unhappy young nun lay expiring in +her room. She had taken poison, although the report was spread in the +capital that failure of the heart had caused her death. How she came +into possession of the poison no one ever discovered. While she was +writhing in terrible agony her half-crazed mother put a cup of milk to +her lips as an antidote. She dashed it passionately aside and the spilt +milk left stains on her dress. + +How hard it was to die! Again and again she tore her black hair. Again +and again she uttered the bitterest imprecations and the fiercest cries +for a taste of youth and happiness. At length she stood up, straining +her ears for the music in the ballroom. + +And then she screamed aloud: + +“Oh, I must dance once! I must kiss once! Let me be happy once! I cannot +die before I dance! Let me go--let me dance--let me--” + +She drew herself up to her full height, her eyes glowed like live coals, +she took a few steps towards the door-- + +“I must dance--let me dance!” she gasped, and fell stiffly forward on +the floor--dead. + + + + + + +End of the Project Gutenberg EBook of The Gray Nun, by Nataly Von Eschstruth + +*** END OF THIS PROJECT GUTENBERG EBOOK THE GRAY NUN *** + +***** This file should be named 23220-0.txt or 23220-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/2/2/23220/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23220-0.zip b/23220-0.zip Binary files differnew file mode 100644 index 0000000..8402bfe --- /dev/null +++ b/23220-0.zip diff --git a/23220-h.zip b/23220-h.zip Binary files differnew file mode 100644 index 0000000..de72b6b --- /dev/null +++ b/23220-h.zip diff --git a/23220-h/23220-h.htm b/23220-h/23220-h.htm new file mode 100644 index 0000000..f28adf5 --- /dev/null +++ b/23220-h/23220-h.htm @@ -0,0 +1,1168 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + The Gray Nun, by Nataly von Eschstruth + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Gray Nun, by Nataly Von Eschstruth + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Gray Nun + +Author: Nataly Von Eschstruth + +Translator: Lionel Strachey + +Release Date: October 27, 2007 [EBook #23220] +Last Updated: November 5, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE GRAY NUN *** + + + + +Produced by David Widger + + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + THE GRAY NUN + </h1> + <h2> + By Nataly Von Eschstruth + </h2> + <h3> + Translated from the German by Lionel Strachey + </h3> + <p> + <br /> <br /> + </p> + <p> + When I was a young man I once made a foreign journey, betaking myself to + the royal court of X. on affairs of state. In those days politics would + take strange turns, not of unmixed delight, and so it happened that my + mission was prolonged well into the winter, and kept me at X. until the + carnival season. But at this I did not repine, for to pass a winter in a + beautiful climate and amid the fascinating society of a court seemed a + welcome change to my enthusiastic, pleasure-loving young soul. + </p> + <p> + The reigning sovereign had a predilection for masked balls,—a + traditionally favorite amusement at the palace, I was told—and + accordingly several fancy dress festivities were enacted on the royal + premises during the carnival. The first I was unable to participate in + because of an inflamed eye, and therefore awaited the second with all the + keener anticipation. + </p> + <p> + In the becoming costume of a Prussian officer in the army of Frederick the + Great, and with the agreeable sensation of being specially well disguised + beneath my mask and safe from recognition, I mingled in the gay throng of + the dancers and enjoyed to the full the charm of the brilliant and + delicious event. An exquisitely graceful little water-nix had conquered my + heart. The champagne was bubbling in my blood, and in wild spirits I was + pursuing the fleeing Undine into an adjacent apartment. + </p> + <p> + Suddenly I stopped as though spellbound, and found myself staring into a + pair of dark eyes, black as night, which were rigidly fixed upon me. + Standing aloof, in a corner of the room, I saw a nun. Her long gray + garment reached to the ground, and lay about her very feet in folds like a + train. Her arms hung straight down, the hands being concealed in the loose + sleeves. White linen bands covered her head and chin, and rendered even + her mouth invisible, while her forehead and the upper part of her face + were protected by a black velvet mask. And the blackness of those eyes + that penetrated me was so intense that scarcely were any whites + discernible. + </p> + <p> + An indescribable emotion ran over me as I stood under the ban of an evil + power, as it were, returning the look of that strange figure. I had + forgotten Undine. Drawn by some invisible force, I approached the nun with + mechanical footstep. + </p> + <p> + “Why, fair mask,” I accosted her with a bold laugh, “are you alone? Surely + you know that for dancing and love two are needed!” + </p> + <p> + Briefly, like a Chinese idol, she nodded her head in assent; a thrill + seemed to pass over her wonderfully slender shape; yet she did not budge. + </p> + <p> + I became more venturesome from a sudden feeling as of fire rushing through + my veins. + </p> + <p> + “You may be vowed to seclusion, beautiful bride of Heaven, but to-day the + convent walls have released you, to-day you are of the world and the + flesh, to-day you are mine!” + </p> + <p> + Thus I cried aloud, forgetting in my excitement that I was in a country + where my mother tongue was only spoken and understood at the German + legation. + </p> + <p> + In a moment it occurred to me: Did the mask know German? + </p> + <p> + To my astonishment, she gave an immediate sign of intelligence by gliding, + silently as a shadow, another step in my direction, and her biasing eyes + appeared to kindle with merriment. Had she a veil over her eyes? It almost + looked so and this extraordinary measure of precaution challenged me the + more strongly to overcome her reluctance to being known. + </p> + <p> + “Do you understand me?” I asked. + </p> + <p> + She nodded in the same brief, jerky manner as before. + </p> + <p> + “Do you know me?” + </p> + <p> + Similarly she answered by negative motions of the head. I stepped up close + to her with the question: + </p> + <p> + “But will you not know me and love me? Come into my arms, and let us + dance!” + </p> + <p> + Then something happened that at the moment I found surprising and + extremely startling, yet which I took for a mere carnival freak, while + later on I could scarce review the occurrence with any degree of + clearness. + </p> + <p> + The nun threw her arms about me abruptly and almost desperately, and + whirled me into a frenzied dance. I felt no body between my arms, and did + not hear the rustle of her dress; I only saw those enigmatic dark eyes, + which glowed near, very near, my own. And in mad career, regardless of the + musical time or of the tune played, my curious partner tore around the + room with me faster and faster, and with ever increasing fury. Her arms + gripped me tighter and tighter and I was threatened with complete loss of + breath in the wild race. Of a sudden I received a violent blow, resembling + an electric shock, from each of her hands on my shoulders, felt myself all + at once liberated, and staggered faint against a pyramid of plants. + Boisterous laughter sounded on my ear; some other masks had surrounded and + seized me, exclaiming: + </p> + <p> + “Look at the fine gentleman! He is out of his mind, dancing about the room + like a madman, quite alone!” + </p> + <p> + I opened my eyes and looked all around. What had become of my partner? + </p> + <p> + Not a sign of her was to be seen, although this other room was likewise + very large, just then not well filled with people. + </p> + <p> + “Have I been dancing alone?” I gasped, tearing the mask off my burning + face. + </p> + <p> + “Quite alone! Did you imagine it was with your sweetheart?” was the + mocking, noisy reply. + </p> + <p> + I was deeply annoyed. “Nonsense!” I cried. “You are all in the conspiracy! + Where has the nun gone? It was no lady at all, it was a man in disguise!” + </p> + <p> + They laughed still more, and some whispered behind fans that I must be + drunk. + </p> + <p> + Strange sensations invaded me. Had a joke been played at my expense? Had a + member of the German legation dressed in female clothes, and in the height + of his whimsical caprice danced with me in that insane fashion? Were the + guests in the secret, and were they amusing themselves—as the + freedom of the carnival permitted—with teasing a foreigner? Yet + surely the mysterious nun must be discoverable. My knees were trembling + from a weakness I was unable to account for, but I collected myself, and + while various thoughts coursed through my brain for a solution of this + carnival prank, I hastened with feverish speed through rooms and galleries + in quest of the nun. But in vain. I espied neither herself, nor met anyone + who had seen her. The lackeys and doorkeepers assured me in perfect good + faith that they had seen no nun of any sort. + </p> + <p> + “The costume is one of which His Majesty does not approve,” I was informed + in the cloak-room. “It is considered irreverent to appear at balls here in + the spiritual garb of a nun or a monk, and therefore it is not done. It + would certainly have been observed by us had any lady or gentleman + transgressed against the prevailing usage.” + </p> + <p> + “Then perhaps I may have mistaken for a nun some other mask, who intended + in her gray suit to represent Twilight or Care,” I excused myself + hesitatingly, though I had an accurate eye for dresses, and could have + registered a solemn oath that the mysterious unknown was even wearing + especially authentic claustral attire. No one, however, could by any + effort remember having noticed a costume anything like that described by + me. + </p> + <p> + “Are there any secret passages to any of the rooms and galleries which are + the scene of tonight’s festivities?” I asked a doorkeeper. He looked at me + in surprise, and answered: + </p> + <p> + “All ways of communication were opened today because of the crowd of + guests, but for safety’s sake guarded and watched more carefully than + usual. Only the tapestried corridor running the length of the great + colonnade to the royal apartments was left unguarded, since in that place + there is no possibility of improper intrusion.” + </p> + <p> + A new idea flashed across me. The spot on which I had first set eyes on my + nun was at the entrance to that corridor. Might not a member of the royal + family have elected to make me, as a novice in this foreign court society, + the subject of a merry jest? No doubt the nun was a man in disguise, and + the young princes and dukes were probably capable of pouncing on the + victim and dancing him to death. + </p> + <p> + My confusion was perhaps very diverting, and the secrecy of the few + spectators of the joke, who were, of course, initiated, was quite + praiseworthy. + </p> + <p> + They asserted not having seen a nun at all, and laughed at me for having + rushed round the room alone, like a lunatic, Obviously there was no + further room for doubt, this explanation and no other was valid. Why had I + not thought of this before! + </p> + <p> + So I joined in the hilarity of the others and made the best of my + discomfiture. In any case, the manner in which my partner had dismissed me + betrayed a pair of powerful masculine fists! My shoulders, on which she + had come down so vigorously ached as if they were broken, and I was still + unable to conquer entirely a peculiar sensation of uneasiness. But while I + was pursuing my investigations the clock struck twelve, the company + unmasked, and gaily flocked toward the Supper rooms. I felt particularly + entitled to refreshments, and in the course of my indulgence in the good + things of my selection, my faintness—which was more astonishing to + my robust, muscular young self than any carnival joke in the world could + have been—passed off completely. I was as happy and lively as + before, and enjoyed the remainder of the ball as much as I had the + beginning. I tried to dismiss the episode from my mind. For a few days I + felt a dull pain in my shoulders, which annoyed me at night also, and + disturbed my sleep. The image of the nun haunted me, and the sombre, + penetrating eyes were present to me in my very dreams. This vexed me, and + I mentally abused the royal gentleman in every key who had pushed his joke + rather too far. + </p> + <p> + A week passed, and the court chamberlain issued invitations for the third + masked ball at the palace. I purchased a sailor’s dress, and on the + evening of the ball tripped up the marble stairs in the best of spirits. + It had in the meanwhile occurred to me that I had perhaps imbibed too + much, and that the prince in nun’s clothing had perhaps observed my + condition, and made me his victim for that reason. But I rejected that + proposition. In the first place, I had not taken much to drink; certainly + two or three glasses of champagne and lemonade were not worth mentioning + when I remembered what quantities of alcohol I had frequently absorbed in + my university days in Germany. I was a brave boon companion, and capable + of consuming a great deal. So how should a few paltry little glasses make + me so unsteady on my feet as to collapse in dancing a fast gallop? Absurd! + I was sure enough of myself, and sufficiently well brought up in social + customs, to know how much one may drink at a court ball. No—I was + convinced that I had not been intoxicated, but on this occasion I resolved + to exercise special caution, and to be strictly temperate, in the event of + the disguised perpetrator of pranks again attempting to make the German + stranger the butt of his impudence. This time he should meet his match; I + would keep my head clear and my feet steady enough to venture a dance with + him. The constantly suspicious attitude of my mind, to be sure, interfered + with my pleasure very considerably. I was in a too observant mood to float + on the topmost wave of enjoyment, and besides an extraordinary disquietude + had seized upon me, a contraction about the heart that was quite new to + me, such as sensitive people undergo before a storm or in anticipation of + momentous changes of fortune. I wandered about restlessly. Numerous though + the merry masks that flitted around me, that nun’s indescribable black + eyes did not appear, and no effort was made to involve me again as the + hero of another frolic. Time was dragging heavily. I glanced at my watch, + and wished the supper hour might be near. The finger only pointed to half + past eleven, so that I must still possess my soul in patience for half an + hour. It was a lovely, mild, moonlight night; the doors to the tapestried + passage and the colonnade had been thrown open, and I concluded to take a + breath of the fragrant air and a rapid view of the illuminated town in its + festive brilliancy of a carnival night. + </p> + <p> + A female pierrot dances past me with Don Juan, and, with a laugh, throws a + handful of confetti in my face. I retaliate—a few phrases are + exchanged—I look after her for a moment—and then turn to the + entrance of the corridor, to get out into the colonnade. + </p> + <p> + I am rooted to the ground! + </p> + <p> + Standing aside in a corner, on the very same spot as before, is my nun, + staring at me with the same unfathomable eyes as a week ago! + </p> + <p> + Where had she come from? + </p> + <p> + Out of the ground? Or had she slipped in through the door during my banter + with the pierrot? + </p> + <p> + She had come through the door, of course. + </p> + <p> + I am utterly amazed. The same costume. The same joke. How clumsy of the + prince to repeat himself, I am inclined to ignore the impertinent young + gentleman, and pass him proudly by—yet—strange—again I + am attracted irresistibly, as by a supernatural power, held by those black + orbs. I am quite certain of my wits this time: the dress is really the + forbidden costume of a nun, and, so far as I can judge, exact in every + particular. On her breast hangs a large cross, which is especially + conspicuous. It is of dull gold, with emeralds and pearls inlaid, of + peculiar shape, and certainly antique. The pious nun seems to have regaled + herself with excessive haste at some sideboard, since the white collar and + the front of the gray bodice show oblong dark stains, as though some + beverage had been spilt. + </p> + <p> + “Well, fair mask,” finally remark in a mocking tone, although my heart is + beating furiously, “you have been waiting for me here, I presume?” + </p> + <p> + She nods slowly and solemnly. + </p> + <p> + “Do you imagine, by chance, that I wish to dance another hurricane with + you?” + </p> + <p> + Again she assents, but more emphatically. + </p> + <p> + “Then,” say I, ironically, “see where you can find a new blockhead, my + muscular fairy! My shoulders are not well yet!” + </p> + <p> + Her arms move—hands there are none visible in the long, roomy + sleeves—they are stretched out to me as if in mute appeal. A cold + shiver runs down my back, I know not why. + </p> + <p> + “If I dance with you again,” I angrily exclaim, “you will not fare quite + so well as last time! I am firmer on my feet to-night than I was last + week!” + </p> + <p> + She presses her arms to her breast, something like a tremor agitates the + gray shape, and her head is slightly raised. Her position and demeanor, + though she utters not a word, denote intense longing. + </p> + <p> + The blood rushes to my head—I must go a step nearer to her—I + must! + </p> + <p> + “If I dance with you, it will be only on one condition!” + </p> + <p> + With a profound sigh her bosom heaves, her arms fall to her side, her body + is humbly bent forward as if in complete surrender, and as if to say: Ask + what you will! + </p> + <p> + “My condition is that you afterward reveal yourself.” + </p> + <p> + She nods stiffly, like a marionette. + </p> + <p> + “Swear to it!” + </p> + <p> + She raises her arm for the oath, but the gray folds still conceal her + hand. + </p> + <p> + “Woe betide you if you deceive me!” + </p> + <p> + She shakes her head, and repeats the passionate gesture of entreaty. Her + slender form trembles with feverish impatience, and the wonderful eyes + seem to plead, in extreme urgency: Come quickly! + </p> + <p> + I put out my arms— + </p> + <p> + Once more does the terrible woman rush at me, once more am I held in that + mad embrace, once more—on the wings of the wind—do we dash + round the room! And once more are all my senses lost in the fiendish + whirl! + </p> + <p> + I attempt to struggle, would pit the abounding strength of my youth + against the woman and subdue her. In vain! I can think, I can act, no + longer. My whole being is in a swoon, and I am conscious of nothing but + two icy lips pressed upon mine with a vehemence calculated to draw my very + life out of me. + </p> + <p> + A shudder seizes me, and the fear of death, and then—again that blow + on my shoulders— + </p> + <p> + I feel as if a pair of iron clamps had been taken off me and I had been + freed, and I sink down upon a sofa. + </p> + <p> + A laughing, jeering crowd surrounds me, shouting: + </p> + <p> + “The sailor is crazy! He has gone out of his mind!” + </p> + <p> + Have I again been dancing alone in public? + </p> + <p> + I jump up in a rage, and exclaim, as I toss back my dishevelled hair from + my burning brow: + </p> + <p> + “Abominable trickery! Let me pass! Let me get my hands on her, and unmask + her!” + </p> + <p> + Something rings on the floor. It has fallen from my hand, hitherto + clenched and just now opened. Triumphantly I snatch it up, exulting: + </p> + <p> + “Her cross! Ha! that shall be my clue!” + </p> + <p> + On this occasion, too, no trace of the mysterious nun was to be found. It + was at first superciliously assumed, as before, that I must be drunk or + insane, but my serious mood and energetic investigations soon altered that + notion. I might myself have doubted my mental soundness had it not been + for the cross in my hand, which I at once recognized as being that worn by + the nun, and had not a lackey finally confessed to having beheld the + strange figure. He was coming from the colonnade with a tray of + refreshments when he saw me in conversation with her. The mask had + something familiar about her, he said, but he could not remember where he + had seen her before. He had been a servant in the palace for forty years. + </p> + <p> + Nobody thought of a spectre; on the other hand extravagant speculations + became rife of a conspirator being at work. It was rumored the king had + originally intended to wear a sailor costume. + </p> + <p> + Of course, it was him the uncanny visitor had designs upon. In view of the + fact that the political horizon was very dark and clouded at that time, + the conjecture was perhaps not altogether phantastical, and for this + reason the report quickly reached the ears of the king and the royal + family. I was promptly summoned before His Majesty, and it gave me a sort + of revengeful pleasure to relate the incident to that august person. For I + was still fully persuaded that some young member of his family had played + this obnoxious trick upon me. + </p> + <p> + The king nodded thoughtfully upon my frank declaration that, according to + my researches, the enigmatical female could only have come from the royal + apartments. + </p> + <p> + Said his Majesty: + </p> + <p> + “May I ask you, my dear Baron, to show me the cross you found?” + </p> + <p> + I put it into his hand. + </p> + <p> + For a moment the king stared upon it speechless. Then he turned it over, + and ejaculated, roughly almost under the emotion of his violent surprise: + </p> + <p> + “Great God—why—it is—!” + </p> + <p> + And he pointed to the small, delicately engraved initials, surmounted by a + crown, in the middle of the cross. Very pale and with heaving breast he + went on: + </p> + <p> + “A nun, a gray nun, you say? What would the object of such a joke be? and + how—how should this cross come back among the living? Baron, come + with me, I must request your confidence and secrecy!” + </p> + <p> + We passed through several rooms, and then arrived at a narrow gallery + whose walls were hung with portraits of royal personages. The king came + abruptly to a halt, and without himself looking up indicated a certain + picture: + </p> + <p> + “Observe that painting! Do you see the same Cross there that you have in + your hand?” + </p> + <p> + Involuntarily I uttered the loud cry: + </p> + <p> + “Why, that is she! Holy Heavens! It is my nun!” + </p> + <p> + “The cross—compare the cross!” urged the king, his slender, white + hand trembling with agitation. + </p> + <p> + A frosty current ran through my veins as I compared the pictured cross + with that in my companion’s hand. It was the same—not a doubt of it—and + the eyes, too, were the same, as also the dress and the whole figure were + unmistakably those of the gray nun I had danced with. Yet in those + conspicuously large, deep black eyes lay not an expression of peacefulness + and mild resignation, but a world of passionate feeling. Having assured + the king of the identity of the cross, and he having informed me that it + was an ancient heirloom of which no duplicate existed, he bade me + accompany him further. + </p> + <p> + Arrived in the antechamber to his apartments, the king gave an order to + one of the attendants on duty there. He walked up and down the room for a + few moments in visible excitement, and then, stopping before me, and + looking at me searchingly, he asked: + </p> + <p> + “Have you ever, in the course of your life, met with a manifestation of + the supernatural?” + </p> + <p> + I was so bewildered and nervous that I scarcely could remember enough + French to reply: + </p> + <p> + “May it please your Majesty, I have not.” + </p> + <p> + “Do you believe in the possibility of the dead returning?” + </p> + <p> + “Not in the sense of their coming as apparitions. I always was, still am, + a skeptic on the point of ghost stories in general, nevertheless I am a + Christian, and I believe and know that we continue to live after death.” + </p> + <p> + The king stared at me mechanically: + </p> + <p> + “You are a Protestant, and you say you are a skeptic. Curious—only + you saw the apparition—it was revealed to no one else?” + </p> + <p> + “Then your Majesty is of the opinion that this is actually a case of a + spectral apparition?” + </p> + <p> + “Certainly. It seems much more plausible than open theft. This very cross + I myself—” + </p> + <p> + He interrupted his sentence as he turned to the door, through which, with + profound obeisances, entered two ladies in waiting—probably the + queen’s. His Majesty addressed one of them in French, no doubt to enable + me to participate in the conversation: + </p> + <p> + “You were present, Madame M., when Princess A. was laid in her coffin + seventeen years ago?” + </p> + <p> + A low curtsey was the affirmative reply. + </p> + <p> + “And you also, Madame U.?” + </p> + <p> + “I had the honor, your Majesty, of rendering her royal highness the last + earthly services.” + </p> + <p> + “You remember perfectly what dress the deceased was buried in?” + </p> + <p> + “Quite well, your Majesty. It was the regular dress of the Order of Gray + Sisters, of which her royal highness was a member.” + </p> + <p> + “Do you recollect whether she took any ornaments to her last resting + place?” + </p> + <p> + “Excepting the golden cross which your Majesty hung round her neck on the + day she took the vow, no jewelry was put on the princess. The duchess even + drew the little sapphire ring from her royal highness’ finger, to keep it + as a remembrance and wear it herself.” + </p> + <p> + “You are absolutely certain that the cross went into the coffin? You could + swear to it?” + </p> + <p> + “I could do so with fullest conviction, your Majesty.” + </p> + <p> + “Would you recognize the cross?” + </p> + <p> + “To be sure I should.” + </p> + <p> + “Is this it?” + </p> + <p> + “Good Heavens—it is! On the back there ought to be the initials of + her royal highness!” + </p> + <p> + “Here they are,” said the king, reversing the cross. The old woman shrank + back appalled. + </p> + <p> + “Then, your Majesty, the vault has been broken into!” + </p> + <p> + “Possibly it has. The matter shall be investigated. I am much obliged to + you, ladies, and earnestly request you will both preserve unconditional + silence as to our present interview.” + </p> + <p> + “Well,” said the king to me, after the ladies in waiting had withdrawn, + “how do you account for this cross being here in my hand, considering it + was put into the coffin? You think the vault may have been pillaged? That, + I believe, is out of the question. The object of a carnival freak, which + could have been perpetrated just as easily in any other dress, is far too + slight to make such a horrible offense as the violation of the dead worth + while! But I intend to have the vault examined, and beg, my dear baron, + that you will attend. For the present, good night.” + </p> + <p> + I spent a dreadful night, torturing my sleepless brain for a solution of + the riddle, and being forever haunted by the nun’s dark eyes. It was late + when I woke. + </p> + <p> + Some hours after, the coffin was opened in the presence of the king, whose + surmise proved correct. The bolts on the coffin were intact. The gold + chain was there, safe round the princess’ neck. But the cross was gone. + There was not the remotest sign of violence. + </p> + <p> + How I got out of that vault, I do not know. I remember feeling faint, and + being supported by two court officials. I am unaware of what happened + next. It was the only instance in my life in which my system had so + entirely given way. A serious illness was apprehended, but my strong + constitution won the day. For a long time my mind was in a precarious + state. + </p> + <p> + When I had recovered, the king sent for me. + </p> + <p> + “Are you still a skeptic?” he asked in a grave voice. + </p> + <p> + “No, your Majesty, I am convinced now.” + </p> + <p> + Whereupon the king himself deigned to communicate to me the particulars + relating to the golden cross. + </p> + <p> + Princess A. was a daughter of one of his cousins, and she was their fifth + child. The duchess, a very pious woman, made a vow before the birth of her + sixth child, that if it was a boy, her youngest daughter should be + dedicated to the service of the church and take the veil. A son was born, + and Princess A. henceforth was educated for the profession of a nun in + becoming retirement and seclusion. Unfortunately, however, the natural + traits of the girl seemed to be entirely in opposition to that reverend + calling. An irrepressible vivacity of spirit, an intense coveting of + worldly joys and pleasures characterized her, and the more she was + separated from the world the more ardent grew her desire to live in it. + Heartrending scenes of resistance and tears were enacted, and the reigning + sovereign felt so much pity for the spirited young creature that he + attempted to save her from her fate of being immured in convent walls by + offering to apply to the pope for a dispensation releasing the mother from + her promise. But the duchess desperately combated this idea. Her wild + laments, that to break her vow would entail her forfeiture of eternal + salvation, her protestations, her tears, her entreaties, at last prevailed + upon the princess to join the Order of the Gray Sisters. For a short space + all seemed to go well. The fervid heart of the royal nun was apparently + beating placidly, in the quiet claustral surroundings. But during the + winter the duchess fell sick, and the young bride of the church was called + to her bedside. Princess A. had remained with her mother for several + weeks, and about that time the carnival season began. Masked balls were + given in the palace, and while the horns and violins were sounding in the + ballroom Princess A. lay on her knees in the throes of dreadful despair, + tearing her hair in furious longing for that lost paradise. She at last + succeeded in bribing a chambermaid to secretly procure her a fancy dress. + If it was to cost her immortal soul, once she would dance and be young and + happy! The plot was betrayed, and the angriest reproaches were poured out + by her parents upon the perjured, rebellious nun! Princess A. was locked + up, and was to be removed to the convent the next day. However, as the + festivities in the palace were reaching their height that night, the + unhappy young nun lay expiring in her room. She had taken poison, although + the report was spread in the capital that failure of the heart had caused + her death. How she came into possession of the poison no one ever + discovered. While she was writhing in terrible agony her half-crazed + mother put a cup of milk to her lips as an antidote. She dashed it + passionately aside and the spilt milk left stains on her dress. + </p> + <p> + How hard it was to die! Again and again she tore her black hair. Again and + again she uttered the bitterest imprecations and the fiercest cries for a + taste of youth and happiness. At length she stood up, straining her ears + for the music in the ballroom. + </p> + <p> + And then she screamed aloud: + </p> + <p> + “Oh, I must dance once! I must kiss once! Let me be happy once! I cannot + die before I dance! Let me go—let me dance—let me—” + </p> + <p> + She drew herself up to her full height, her eyes glowed like live coals, + she took a few steps towards the door— + </p> + <p> + “I must dance—let me dance!” she gasped, and fell stiffly forward on + the floor—dead. + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Gray Nun, by Nataly Von Eschstruth + +*** END OF THIS PROJECT GUTENBERG EBOOK THE GRAY NUN *** + +***** This file should be named 23220-h.htm or 23220-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/2/2/23220/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/23220.txt b/23220.txt new file mode 100644 index 0000000..4a91018 --- /dev/null +++ b/23220.txt @@ -0,0 +1,990 @@ +The Project Gutenberg EBook of The Gray Nun, by Nataly Von Eschstruth + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Gray Nun + +Author: Nataly Von Eschstruth + +Translator: Lionel Strachey + +Release Date: October 27, 2007 [EBook #23220] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE GRAY NUN *** + + + + +Produced by David Widger + + + + + + +THE GRAY NUN + +By Nataly Von Eschstruth + +Translated from the German by Lionel Strachey + + +When I was a young man I once made a foreign journey, betaking myself to +the royal court of X. on affairs of state. In those days politics would +take strange turns, not of unmixed delight, and so it happened that my +mission was prolonged well into the winter, and kept me at X. until the +carnival season. But at this I did not repine, for to pass a winter in +a beautiful climate and amid the fascinating society of a court seemed a +welcome change to my enthusiastic, pleasure-loving young soul. + +The reigning sovereign had a predilection for masked balls,--a +traditionally favorite amusement at the palace, I was told--and +accordingly several fancy dress festivities were enacted on the royal +premises during the carnival. The first I was unable to participate in +because of an inflamed eye, and therefore awaited the second with all +the keener anticipation. + +In the becoming costume of a Prussian officer in the army of Frederick +the Great, and with the agreeable sensation of being specially well +disguised beneath my mask and safe from recognition, I mingled in the +gay throng of the dancers and enjoyed to the full the charm of the +brilliant and delicious event. An exquisitely graceful little water-nix +had conquered my heart. The champagne was bubbling in my blood, and +in wild spirits I was pursuing the fleeing Undine into an adjacent +apartment. + +Suddenly I stopped as though spellbound, and found myself staring into +a pair of dark eyes, black as night, which were rigidly fixed upon me. +Standing aloof, in a corner of the room, I saw a nun. Her long gray +garment reached to the ground, and lay about her very feet in folds like +a train. Her arms hung straight down, the hands being concealed in the +loose sleeves. White linen bands covered her head and chin, and rendered +even her mouth invisible, while her forehead and the upper part of her +face were protected by a black velvet mask. And the blackness of those +eyes that penetrated me was so intense that scarcely were any whites +discernible. + +An indescribable emotion ran over me as I stood under the ban of an +evil power, as it were, returning the look of that strange figure. I had +forgotten Undine. Drawn by some invisible force, I approached the nun +with mechanical footstep. + +"Why, fair mask," I accosted her with a bold laugh, "are you alone? +Surely you know that for dancing and love two are needed!" + +Briefly, like a Chinese idol, she nodded her head in assent; a thrill +seemed to pass over her wonderfully slender shape; yet she did not +budge. + +I became more venturesome from a sudden feeling as of fire rushing +through my veins. + +"You may be vowed to seclusion, beautiful bride of Heaven, but to-day +the convent walls have released you, to-day you are of the world and the +flesh, to-day you are mine!" + +Thus I cried aloud, forgetting in my excitement that I was in a country +where my mother tongue was only spoken and understood at the German +legation. + +In a moment it occurred to me: Did the mask know German? + +To my astonishment, she gave an immediate sign of intelligence by +gliding, silently as a shadow, another step in my direction, and her +biasing eyes appeared to kindle with merriment. Had she a veil over her +eyes? It almost looked so and this extraordinary measure of precaution +challenged me the more strongly to overcome her reluctance to being +known. + +"Do you understand me?" I asked. + +She nodded in the same brief, jerky manner as before. + +"Do you know me?" + +Similarly she answered by negative motions of the head. I stepped up +close to her with the question: + +"But will you not know me and love me? Come into my arms, and let us +dance!" + +Then something happened that at the moment I found surprising and +extremely startling, yet which I took for a mere carnival freak, +while later on I could scarce review the occurrence with any degree of +clearness. + +The nun threw her arms about me abruptly and almost desperately, and +whirled me into a frenzied dance. I felt no body between my arms, and +did not hear the rustle of her dress; I only saw those enigmatic +dark eyes, which glowed near, very near, my own. And in mad career, +regardless of the musical time or of the tune played, my curious partner +tore around the room with me faster and faster, and with ever increasing +fury. Her arms gripped me tighter and tighter and I was threatened +with complete loss of breath in the wild race. Of a sudden I received a +violent blow, resembling an electric shock, from each of her hands on +my shoulders, felt myself all at once liberated, and staggered faint +against a pyramid of plants. Boisterous laughter sounded on my ear; some +other masks had surrounded and seized me, exclaiming: + +"Look at the fine gentleman! He is out of his mind, dancing about the +room like a madman, quite alone!" + +I opened my eyes and looked all around. What had become of my partner? + +Not a sign of her was to be seen, although this other room was likewise +very large, just then not well filled with people. + +"Have I been dancing alone?" I gasped, tearing the mask off my burning +face. + +"Quite alone! Did you imagine it was with your sweetheart?" was the +mocking, noisy reply. + +I was deeply annoyed. "Nonsense!" I cried. "You are all in the +conspiracy! Where has the nun gone? It was no lady at all, it was a man +in disguise!" + +They laughed still more, and some whispered behind fans that I must be +drunk. + +Strange sensations invaded me. Had a joke been played at my expense? Had +a member of the German legation dressed in female clothes, and in the +height of his whimsical caprice danced with me in that insane fashion? +Were the guests in the secret, and were they amusing themselves--as the +freedom of the carnival permitted--with teasing a foreigner? Yet surely +the mysterious nun must be discoverable. My knees were trembling from a +weakness I was unable to account for, but I collected myself, and +while various thoughts coursed through my brain for a solution of +this carnival prank, I hastened with feverish speed through rooms and +galleries in quest of the nun. But in vain. I espied neither herself, +nor met anyone who had seen her. The lackeys and doorkeepers assured me +in perfect good faith that they had seen no nun of any sort. + +"The costume is one of which His Majesty does not approve," I was +informed in the cloak-room. "It is considered irreverent to appear at +balls here in the spiritual garb of a nun or a monk, and therefore it +is not done. It would certainly have been observed by us had any lady or +gentleman transgressed against the prevailing usage." + +"Then perhaps I may have mistaken for a nun some other mask, who +intended in her gray suit to represent Twilight or Care," I excused +myself hesitatingly, though I had an accurate eye for dresses, and +could have registered a solemn oath that the mysterious unknown was even +wearing especially authentic claustral attire. No one, however, could +by any effort remember having noticed a costume anything like that +described by me. + +"Are there any secret passages to any of the rooms and galleries which +are the scene of tonight's festivities?" I asked a doorkeeper. He looked +at me in surprise, and answered: + +"All ways of communication were opened today because of the crowd of +guests, but for safety's sake guarded and watched more carefully than +usual. Only the tapestried corridor running the length of the great +colonnade to the royal apartments was left unguarded, since in that +place there is no possibility of improper intrusion." + +A new idea flashed across me. The spot on which I had first set eyes on +my nun was at the entrance to that corridor. Might not a member of the +royal family have elected to make me, as a novice in this foreign court +society, the subject of a merry jest? No doubt the nun was a man in +disguise, and the young princes and dukes were probably capable of +pouncing on the victim and dancing him to death. + +My confusion was perhaps very diverting, and the secrecy of the few +spectators of the joke, who were, of course, initiated, was quite +praiseworthy. + +They asserted not having seen a nun at all, and laughed at me for having +rushed round the room alone, like a lunatic, Obviously there was no +further room for doubt, this explanation and no other was valid. Why had +I not thought of this before! + +So I joined in the hilarity of the others and made the best of my +discomfiture. In any case, the manner in which my partner had dismissed +me betrayed a pair of powerful masculine fists! My shoulders, on which +she had come down so vigorously ached as if they were broken, and I was +still unable to conquer entirely a peculiar sensation of uneasiness. +But while I was pursuing my investigations the clock struck twelve, +the company unmasked, and gaily flocked toward the Supper rooms. I +felt particularly entitled to refreshments, and in the course of my +indulgence in the good things of my selection, my faintness--which was +more astonishing to my robust, muscular young self than any carnival +joke in the world could have been--passed off completely. I was as happy +and lively as before, and enjoyed the remainder of the ball as much as +I had the beginning. I tried to dismiss the episode from my mind. For a +few days I felt a dull pain in my shoulders, which annoyed me at night +also, and disturbed my sleep. The image of the nun haunted me, and the +sombre, penetrating eyes were present to me in my very dreams. This +vexed me, and I mentally abused the royal gentleman in every key who had +pushed his joke rather too far. + +A week passed, and the court chamberlain issued invitations for the +third masked ball at the palace. I purchased a sailor's dress, and on +the evening of the ball tripped up the marble stairs in the best of +spirits. It had in the meanwhile occurred to me that I had perhaps +imbibed too much, and that the prince in nun's clothing had perhaps +observed my condition, and made me his victim for that reason. But I +rejected that proposition. In the first place, I had not taken much to +drink; certainly two or three glasses of champagne and lemonade were +not worth mentioning when I remembered what quantities of alcohol I had +frequently absorbed in my university days in Germany. I was a brave boon +companion, and capable of consuming a great deal. So how should a few +paltry little glasses make me so unsteady on my feet as to collapse +in dancing a fast gallop? Absurd! I was sure enough of myself, and +sufficiently well brought up in social customs, to know how much one +may drink at a court ball. No--I was convinced that I had not been +intoxicated, but on this occasion I resolved to exercise special +caution, and to be strictly temperate, in the event of the disguised +perpetrator of pranks again attempting to make the German stranger the +butt of his impudence. This time he should meet his match; I would keep +my head clear and my feet steady enough to venture a dance with him. The +constantly suspicious attitude of my mind, to be sure, interfered with +my pleasure very considerably. I was in a too observant mood to float on +the topmost wave of enjoyment, and besides an extraordinary disquietude +had seized upon me, a contraction about the heart that was quite new to +me, such as sensitive people undergo before a storm or in anticipation +of momentous changes of fortune. I wandered about restlessly. Numerous +though the merry masks that flitted around me, that nun's indescribable +black eyes did not appear, and no effort was made to involve me again as +the hero of another frolic. Time was dragging heavily. I glanced at my +watch, and wished the supper hour might be near. The finger only pointed +to half past eleven, so that I must still possess my soul in patience +for half an hour. It was a lovely, mild, moonlight night; the doors to +the tapestried passage and the colonnade had been thrown open, and I +concluded to take a breath of the fragrant air and a rapid view of the +illuminated town in its festive brilliancy of a carnival night. + +A female pierrot dances past me with Don Juan, and, with a laugh, +throws a handful of confetti in my face. I retaliate--a few phrases are +exchanged--I look after her for a moment--and then turn to the entrance +of the corridor, to get out into the colonnade. + +I am rooted to the ground! + +Standing aside in a corner, on the very same spot as before, is my nun, +staring at me with the same unfathomable eyes as a week ago! + +Where had she come from? + +Out of the ground? Or had she slipped in through the door during my +banter with the pierrot? + +She had come through the door, of course. + +I am utterly amazed. The same costume. The same joke. How clumsy of the +prince to repeat himself, I am inclined to ignore the impertinent young +gentleman, and pass him proudly by--yet--strange--again I am attracted +irresistibly, as by a supernatural power, held by those black orbs. I +am quite certain of my wits this time: the dress is really the forbidden +costume of a nun, and, so far as I can judge, exact in every particular. +On her breast hangs a large cross, which is especially conspicuous. It +is of dull gold, with emeralds and pearls inlaid, of peculiar shape, +and certainly antique. The pious nun seems to have regaled herself with +excessive haste at some sideboard, since the white collar and the front +of the gray bodice show oblong dark stains, as though some beverage had +been spilt. + +"Well, fair mask," finally remark in a mocking tone, although my heart +is beating furiously, "you have been waiting for me here, I presume?" + +She nods slowly and solemnly. + +"Do you imagine, by chance, that I wish to dance another hurricane with +you?" + +Again she assents, but more emphatically. + +"Then," say I, ironically, "see where you can find a new blockhead, my +muscular fairy! My shoulders are not well yet!" + +Her arms move--hands there are none visible in the long, roomy +sleeves--they are stretched out to me as if in mute appeal. A cold +shiver runs down my back, I know not why. + +"If I dance with you again," I angrily exclaim, "you will not fare quite +so well as last time! I am firmer on my feet to-night than I was last +week!" + +She presses her arms to her breast, something like a tremor agitates the +gray shape, and her head is slightly raised. Her position and demeanor, +though she utters not a word, denote intense longing. + +The blood rushes to my head--I must go a step nearer to her--I must! + +"If I dance with you, it will be only on one condition!" + +With a profound sigh her bosom heaves, her arms fall to her side, her +body is humbly bent forward as if in complete surrender, and as if to +say: Ask what you will! + +"My condition is that you afterward reveal yourself." + +She nods stiffly, like a marionette. + +"Swear to it!" + +She raises her arm for the oath, but the gray folds still conceal her +hand. + +"Woe betide you if you deceive me!" + +She shakes her head, and repeats the passionate gesture of entreaty. Her +slender form trembles with feverish impatience, and the wonderful eyes +seem to plead, in extreme urgency: Come quickly! + +I put out my arms-- + +Once more does the terrible woman rush at me, once more am I held in +that mad embrace, once more--on the wings of the wind--do we dash round +the room! And once more are all my senses lost in the fiendish whirl! + +I attempt to struggle, would pit the abounding strength of my youth +against the woman and subdue her. In vain! I can think, I can act, no +longer. My whole being is in a swoon, and I am conscious of nothing but +two icy lips pressed upon mine with a vehemence calculated to draw my +very life out of me. + +A shudder seizes me, and the fear of death, and then--again that blow on +my shoulders-- + +I feel as if a pair of iron clamps had been taken off me and I had been +freed, and I sink down upon a sofa. + +A laughing, jeering crowd surrounds me, shouting: + +"The sailor is crazy! He has gone out of his mind!" + +Have I again been dancing alone in public? + +I jump up in a rage, and exclaim, as I toss back my dishevelled hair +from my burning brow: + +"Abominable trickery! Let me pass! Let me get my hands on her, and +unmask her!" + +Something rings on the floor. It has fallen from my hand, hitherto +clenched and just now opened. Triumphantly I snatch it up, exulting: + +"Her cross! Ha! that shall be my clue!" + +On this occasion, too, no trace of the mysterious nun was to be found. +It was at first superciliously assumed, as before, that I must be drunk +or insane, but my serious mood and energetic investigations soon altered +that notion. I might myself have doubted my mental soundness had it not +been for the cross in my hand, which I at once recognized as being that +worn by the nun, and had not a lackey finally confessed to having beheld +the strange figure. He was coming from the colonnade with a tray of +refreshments when he saw me in conversation with her. The mask had +something familiar about her, he said, but he could not remember where +he had seen her before. He had been a servant in the palace for forty +years. + +Nobody thought of a spectre; on the other hand extravagant speculations +became rife of a conspirator being at work. It was rumored the king had +originally intended to wear a sailor costume. + +Of course, it was him the uncanny visitor had designs upon. In view of +the fact that the political horizon was very dark and clouded at that +time, the conjecture was perhaps not altogether phantastical, and for +this reason the report quickly reached the ears of the king and the +royal family. I was promptly summoned before His Majesty, and it gave +me a sort of revengeful pleasure to relate the incident to that august +person. For I was still fully persuaded that some young member of his +family had played this obnoxious trick upon me. + +The king nodded thoughtfully upon my frank declaration that, according +to my researches, the enigmatical female could only have come from the +royal apartments. + +Said his Majesty: + +"May I ask you, my dear Baron, to show me the cross you found?" + +I put it into his hand. + +For a moment the king stared upon it speechless. Then he turned it +over, and ejaculated, roughly almost under the emotion of his violent +surprise: + +"Great God--why--it is--!" + +And he pointed to the small, delicately engraved initials, surmounted by +a crown, in the middle of the cross. Very pale and with heaving breast +he went on: + +"A nun, a gray nun, you say? What would the object of such a joke be? +and how--how should this cross come back among the living? Baron, come +with me, I must request your confidence and secrecy!" + +We passed through several rooms, and then arrived at a narrow gallery +whose walls were hung with portraits of royal personages. The king came +abruptly to a halt, and without himself looking up indicated a certain +picture: + +"Observe that painting! Do you see the same Cross there that you have in +your hand?" + +Involuntarily I uttered the loud cry: + +"Why, that is she! Holy Heavens! It is my nun!" + +"The cross--compare the cross!" urged the king, his slender, white hand +trembling with agitation. + +A frosty current ran through my veins as I compared the pictured cross +with that in my companion's hand. It was the same--not a doubt of +it--and the eyes, too, were the same, as also the dress and the whole +figure were unmistakably those of the gray nun I had danced with. Yet +in those conspicuously large, deep black eyes lay not an expression of +peacefulness and mild resignation, but a world of passionate feeling. +Having assured the king of the identity of the cross, and he having +informed me that it was an ancient heirloom of which no duplicate +existed, he bade me accompany him further. + +Arrived in the antechamber to his apartments, the king gave an order to +one of the attendants on duty there. He walked up and down the room for +a few moments in visible excitement, and then, stopping before me, and +looking at me searchingly, he asked: + +"Have you ever, in the course of your life, met with a manifestation of +the supernatural?" + +I was so bewildered and nervous that I scarcely could remember enough +French to reply: + +"May it please your Majesty, I have not." + +"Do you believe in the possibility of the dead returning?" + +"Not in the sense of their coming as apparitions. I always was, still +am, a skeptic on the point of ghost stories in general, nevertheless I +am a Christian, and I believe and know that we continue to live after +death." + +The king stared at me mechanically: + +"You are a Protestant, and you say you are a skeptic. Curious--only you +saw the apparition--it was revealed to no one else?" + +"Then your Majesty is of the opinion that this is actually a case of a +spectral apparition?" + +"Certainly. It seems much more plausible than open theft. This very +cross I myself--" + +He interrupted his sentence as he turned to the door, through which, +with profound obeisances, entered two ladies in waiting--probably the +queen's. His Majesty addressed one of them in French, no doubt to enable +me to participate in the conversation: + +"You were present, Madame M., when Princess A. was laid in her coffin +seventeen years ago?" + +A low curtsey was the affirmative reply. + +"And you also, Madame U.?" + +"I had the honor, your Majesty, of rendering her royal highness the last +earthly services." + +"You remember perfectly what dress the deceased was buried in?" + +"Quite well, your Majesty. It was the regular dress of the Order of Gray +Sisters, of which her royal highness was a member." + +"Do you recollect whether she took any ornaments to her last resting +place?" + +"Excepting the golden cross which your Majesty hung round her neck +on the day she took the vow, no jewelry was put on the princess. The +duchess even drew the little sapphire ring from her royal highness' +finger, to keep it as a remembrance and wear it herself." + +"You are absolutely certain that the cross went into the coffin? You +could swear to it?" + +"I could do so with fullest conviction, your Majesty." + +"Would you recognize the cross?" + +"To be sure I should." + +"Is this it?" + +"Good Heavens--it is! On the back there ought to be the initials of her +royal highness!" + +"Here they are," said the king, reversing the cross. The old woman +shrank back appalled. + +"Then, your Majesty, the vault has been broken into!" + +"Possibly it has. The matter shall be investigated. I am much obliged to +you, ladies, and earnestly request you will both preserve unconditional +silence as to our present interview." + +"Well," said the king to me, after the ladies in waiting had withdrawn, +"how do you account for this cross being here in my hand, considering +it was put into the coffin? You think the vault may have been pillaged? +That, I believe, is out of the question. The object of a carnival freak, +which could have been perpetrated just as easily in any other dress, is +far too slight to make such a horrible offense as the violation of the +dead worth while! But I intend to have the vault examined, and beg, my +dear baron, that you will attend. For the present, good night." + +I spent a dreadful night, torturing my sleepless brain for a solution +of the riddle, and being forever haunted by the nun's dark eyes. It was +late when I woke. + +Some hours after, the coffin was opened in the presence of the king, +whose surmise proved correct. The bolts on the coffin were intact. The +gold chain was there, safe round the princess' neck. But the cross was +gone. There was not the remotest sign of violence. + +How I got out of that vault, I do not know. I remember feeling faint, +and being supported by two court officials. I am unaware of what +happened next. It was the only instance in my life in which my system +had so entirely given way. A serious illness was apprehended, but +my strong constitution won the day. For a long time my mind was in a +precarious state. + +When I had recovered, the king sent for me. + +"Are you still a skeptic?" he asked in a grave voice. + +"No, your Majesty, I am convinced now." + +Whereupon the king himself deigned to communicate to me the particulars +relating to the golden cross. + +Princess A. was a daughter of one of his cousins, and she was their +fifth child. The duchess, a very pious woman, made a vow before the +birth of her sixth child, that if it was a boy, her youngest daughter +should be dedicated to the service of the church and take the veil. A +son was born, and Princess A. henceforth was educated for the profession +of a nun in becoming retirement and seclusion. Unfortunately, however, +the natural traits of the girl seemed to be entirely in opposition to +that reverend calling. An irrepressible vivacity of spirit, an intense +coveting of worldly joys and pleasures characterized her, and the more +she was separated from the world the more ardent grew her desire to live +in it. Heartrending scenes of resistance and tears were enacted, and +the reigning sovereign felt so much pity for the spirited young creature +that he attempted to save her from her fate of being immured in convent +walls by offering to apply to the pope for a dispensation releasing the +mother from her promise. But the duchess desperately combated this idea. +Her wild laments, that to break her vow would entail her forfeiture of +eternal salvation, her protestations, her tears, her entreaties, at last +prevailed upon the princess to join the Order of the Gray Sisters. For a +short space all seemed to go well. The fervid heart of the royal nun was +apparently beating placidly, in the quiet claustral surroundings. But +during the winter the duchess fell sick, and the young bride of the +church was called to her bedside. Princess A. had remained with her +mother for several weeks, and about that time the carnival season began. +Masked balls were given in the palace, and while the horns and violins +were sounding in the ballroom Princess A. lay on her knees in the throes +of dreadful despair, tearing her hair in furious longing for that lost +paradise. She at last succeeded in bribing a chambermaid to secretly +procure her a fancy dress. If it was to cost her immortal soul, once +she would dance and be young and happy! The plot was betrayed, and the +angriest reproaches were poured out by her parents upon the perjured, +rebellious nun! Princess A. was locked up, and was to be removed to the +convent the next day. However, as the festivities in the palace were +reaching their height that night, the unhappy young nun lay expiring in +her room. She had taken poison, although the report was spread in the +capital that failure of the heart had caused her death. How she came +into possession of the poison no one ever discovered. While she was +writhing in terrible agony her half-crazed mother put a cup of milk to +her lips as an antidote. She dashed it passionately aside and the spilt +milk left stains on her dress. + +How hard it was to die! Again and again she tore her black hair. Again +and again she uttered the bitterest imprecations and the fiercest cries +for a taste of youth and happiness. At length she stood up, straining +her ears for the music in the ballroom. + +And then she screamed aloud: + +"Oh, I must dance once! I must kiss once! Let me be happy once! I cannot +die before I dance! Let me go--let me dance--let me--" + +She drew herself up to her full height, her eyes glowed like live coals, +she took a few steps towards the door-- + +"I must dance--let me dance!" she gasped, and fell stiffly forward on +the floor--dead. + + + + + + +End of the Project Gutenberg EBook of The Gray Nun, by Nataly Von Eschstruth + +*** END OF THIS PROJECT GUTENBERG EBOOK THE GRAY NUN *** + +***** This file should be named 23220.txt or 23220.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/2/2/23220/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23220.zip b/23220.zip Binary files differnew file mode 100644 index 0000000..24593d2 --- /dev/null +++ b/23220.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..da70ec0 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #23220 (https://www.gutenberg.org/ebooks/23220) |
