diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:59:54 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:59:54 -0700 |
| commit | 4e21c54104016802d2dea0559609bffa10f41231 (patch) | |
| tree | c4e62571d1708564eba5c0a484130292ae0b4679 /33628.txt | |
Diffstat (limited to '33628.txt')
| -rw-r--r-- | 33628.txt | 1375 |
1 files changed, 1375 insertions, 0 deletions
diff --git a/33628.txt b/33628.txt new file mode 100644 index 0000000..23b1ea7 --- /dev/null +++ b/33628.txt @@ -0,0 +1,1375 @@ +The Project Gutenberg EBook of Emma Goldman, by Charles A. Madison + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Emma Goldman + Biographical Sketch + +Author: Charles A. Madison + +Release Date: September 4, 2010 [EBook #33628] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK EMMA GOLDMAN *** + + + + +Produced by Fritz Ohrenschall, Martin Mayer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + + + EMMA GOLDMAN + + _Biographical Sketch_ + + By + CHARLES A. MADISON + + _Author of_ + CRITICS AND CRUSADERS + + _Published by_ + LIBERTARIAN BOOK CLUB, INC. + P. O. Box 842 + + General Post Office New York 1, N. Y. + + May 13, 1960 + + + + + + _Reprinted from_ + "CRITICS AND CRUSADERS" + by CHARLES A. MADISON + _with the permission of_ + FREDERICK UNGAR PUBLISHING CO. + + + + + IN MEMORIAM + + The Libertarian Book Club + has published this pamphlet as + a tribute to the memory + of our brave comrade + + EMMA GOLDMAN + + died May 13, 1940 + + to commemorate the twentieth anniversary + of her death + + + +[Illustration: EMMA GOLDMAN 1869 1940] + + + + +EMMA GOLDMAN + +_ANARCHIST REBEL_ + + +The hanging of several anarchists in 1887 as a consequence of the +Haymarket bombing in Chicago caused many Americans to sympathize with +the gibbeted radicals. Youths swathed in bright idealism, men and women +rooted in equalitarian democracy, workers trusting in the rectitude of +their government--all doubted the guilt of the condemned prisoners and +were deeply perturbed by the egregious miscarriage of justice. Many of +them for the first time became aware of the state's ruthless arrogation +of power, and scores upon scores remained to the end of their lives +inimical to government and apprehensive of all forms of authority. + +Emma Goldman was one of these converts. Resentment against the +restraints of authority was no new experience for this spirited girl. As +far back as she could remember she had hated and feared her father, a +quick-tempered and deeply harassed Orthodox Jew who had vented his +emotional and financial vexations on his recalcitrant daughter. Unable +to get from him the love and praise she craved, she had refused to +submit to his strict discipline and had preferred beatings to blind +obedience. Consequently she grew up in an atmosphere of repression and +acrimony. "Since my earliest recollection," she wrote, "home had been +stifling, my father's presence terrifying. My mother, while less violent +with her children, never showed much warmth." + +At the age of thirteen she began to work in a factory in St. Petersburg, +and her life became doubly oppressive. She soon learned of the +revolutionary movement and sympathized with its agitation against +Czarist autocracy. To escape from the tyranny of her father, the +irksomeness of the shop, and the repressive measures of the government, +she fought with all her stubborn strength for the opportunity to +accompany her beloved sister Helene to the United States. Early in 1886 +the two girls arrived in Rochester to live with their married sister, +who had preceded them to this country. + +Like other penniless immigrants, the seventeen-year-old Emma had no +alternative but to follow the common groove to the sweatshop. Paid a +weekly wage of two dollars and a half for sixty-three hours of work, she +naturally resented the social system which permitted such exploitation. +Together with other immigrants she had dreamed of the United States as a +haven of liberty and equality. Instead she found it the home of crass +materialism and cruel disparity. This disillusionment was deepened by +the hysterical accounts of the trial in Chicago. She was quick to +conclude that the accused anarchists were innocent of the charge against +them; and the vilification not only of the prisoners but of all radicals +merely hardened her hatred against the enemies of the working poor. + +It was easy enough for her to believe John Most's claim in _Die +Freiheit_ (which chance had brought her way) that Parsons, Spies, and +the other defendants were to be hanged for nothing more than their +advocacy of anarchism. What this doctrine was she did not quite know, +but she assumed it must have merit since it favored poor workers like +herself. When the jury found the men guilty, she could not accept the +reality of the dread verdict. Her thoughts clung to the condemned +anarchists as if they were her brothers. In her passionate yearning to +do something in their behalf she attended meetings of protest and read +everything she could find on the case; and she sympathetically +experienced the torment of a prisoner awaiting execution. In her +autobiography, _Living My Life_, she wrote that on the day of the +hangings "I was in a stupor; a feeling of numbness came over me, +something too horrible even for tears." The very next day, however, she +became imbued with a surging determination to dedicate herself to the +cause of the martyred men, to devote her life to the ideals for which +they had died. + +In the meantime, discouraged and lonely, she had welcomed a fellow +worker's show of affection. She felt no love for him and, as a result of +an attempted rape at the age of fifteen, she still experienced a +"violent repulsion" in the presence of men, but she had not the strength +to refuse his urgent proposal of marriage. She soon learned to her +dismay that her husband was impotent and not at all as congenial as she +had thought. However, the very suggestion of a separation enraged her +father, who had recently come to Rochester. After months of aggravation +she did go through the then rare and reprehensible rite of Orthodox +divorce, but she had to leave town to avoid social ostracism. When she +returned some months later, her former husband again pursued her, and +his threat of suicide frightened her into remarrying him. + +Emma now felt herself thwarted and trapped. Twenty years old and +yearning to make life meaningful, she chafed at the very thought of her +drab and dreary existence. Her anxiety to elude her father's abuse, to +free herself from a loveless marriage, to escape the dullness of her +oppressive environment, only intensified her longing for freedom and +affection. Consequently she began to nurture her dream of dedicating +herself to the ideal championed by the Chicago martyrs. One day in +August 1889 she broke relations with her husband and parents and left +for New York with money supplied by her ever-devoted sister Helene. + + * * * * * + +In the metropolis Emma felt herself gloriously free. For the first time +in her life she was completely independent. On the teeming East Side a +new and wonderful world emerged before her, and she embraced it with +passionate abandon. Alexander Berkman, a determined doctrinaire at +eighteen, made her acquaintance the day she arrived and the pair at once +established an intimate comradeship which endured through many +vicissitudes to the day of his death. John Most, the impetuous anarchist +leader, became her lover as well as her mentor and opened new and +fascinating vistas of the mind. "Most became my idol," she wrote. "I +adored him." Under his tutelage she read seminal books and learned about +significant men and ideas. Anarchism assumed definite meaning; the +struggle by the many in want against the few in power, then so +pathetically feeble, became to her a war unto death; the goal of social +freedom appeared tangible and alluringly near. For months her voracious +hunger for knowledge seemed insatiable, her capacity for emotion +inexhaustible. This tremendous release of energy was in truth the +expression of long-pent-up zeal. She threw herself into the radical +movement of the East Side with the enthusiasm of an inspired visionary. + +Her first years in New York were a period of preparation. Along with her +work in sweatshops, which she had to do to earn her living, she found +time to familiarize herself with the latest libertarian literature and +to spend hours on end in intellectual discussion. Nor was she able to +remain a passive onlooker even during her early apprenticeship. With +John Most's helpful guidance she went on her first "tour of agitation" +only a few months after reaching New York. She addressed several +meetings in as many cities on the eight-hour day, then a timely topic, +and discovered that she was able to hold the attention of an audience +and to think quickly while facing its inimical questioning. + +That winter the newly formed Cloakmakers' Union called its first general +strike. Emma immediately "became absorbed in it to the exclusion of +everything else." Her task was to persuade the timid girl workers to +join the strike. With prodigious energy she exhorted them at meetings, +encouraged them at dances and parties, and thus influenced many to +partake in the common effort to improve working conditions in the +sweatshops. The strike leaders were greatly impressed by her dynamic +qualities as an organizer and public speaker. + +Emma's association with John Most became strained to the breaking point +when she perceived that he esteemed her more as a lover than as a fellow +anarchist. His arrogance irritated her and, much as she admired his +impassioned eloquence and incisive mind, she could not accept the +acquiescent role he had assigned her. When his high-handed behavior +resulted in a factional split, she sided with those who rejected his +domination. Some time later, when Most derided Berkman's attempt to kill +Henry C. Frick and disavowed the theory of "propaganda of the deed" of +which he had been the chief exponent, she came to hate him. At the first +opportunity she lashed him with a horsewhip at a public meeting and +denounced him as a renegade. Nor did time bring about a reconciliation. + + * * * * * + +Emma, Alexander Berkman, and a youthful artist were living together in +congenial intimacy. They worked at their menial tasks during the day and +devoted their evenings to agitation. Because the progress of anarchism +in this country was too slow for them, the news of increased +revolutionary activity in Russia filled them with a romantic nostalgia +for their native land. They decided to engage in some business until +they should have saved enough money for the journey back. In the spring +of 1892 chance brought them to Worcester, Massachusetts, where they were +soon operating a successful lunchroom. + +The bloody consequences of the lockout at the Homestead plant of The +Carnegie Steel Company inflamed the minds of these youthful idealists. +The plan to return to Russia was abandoned with little regret. They +agreed it was their duty to go to the aid of the brutally maltreated +workers. Berkman insisted that their great moment was at hand, that they +must give up the lunchroom and leave at once for the scene of the +fighting. "Being internationalists," he argued, "it mattered not to us +where the blow was struck by the workers; we must be with them. We must +bring them our great message and help them see that it was not only for +the moment that they must strike, but for all time, for a free life, for +anarchism. Russia had many heroic men and women, but who was there in +America? Yes, we must go to Homestead, tonight!" Taking with them the +day's receipts and their personal belongings, they left immediately for +New York. Berkman, eager to emulate the Russian nihilists who were then +fighting hangings with assassinations, determined to make Frick, the +dictatorial general manager, pay with his life for the death of those +who had worked for him. Unable to perfect a bomb, he decided to use a +pistol. Emma wanted to accompany him to Pittsburgh, but remained behind +for the lack of railroad fare. A few days later the resolute youth of +twenty-one made his way into Frick's office, discharged three bullets +into his body, and stabbed him several times before being overpowered +and beaten into unconsciousness. + +Prior to the attempt on his life Frick had been severely criticized for +harsh and arbitrary treatment of his employees. His determination to +break their union and his reckless use of Pinkertons had antagonized +even those who normally favored the open shop. Berkman's attack, so +alien and repugnant to our democratic mores, completely changed the +situation. Frick became the hero of the day. Journalists and public men +vied in praise of the victim and execration of the assailant. The fact +that the latter was of Russian birth and an anarchist only served to +strengthen his guilt. Although Frick recovered from his wounds with +extraordinary rapidity and was back at his desk within a fortnight, and +although the law of Pennsylvania limited punishment for the crime to +seven years, the defendant was tried without benefit of legal counsel +and sentenced to twenty-two years' imprisonment. + +The ascetic youth was thoroughly dismayed by the calamitous turn of +events. He regarded Frick as "an enemy of the People," a cruel exploiter +of labor who had to be destroyed as a concrete warning of the oncoming +revolution. He gloried in this opportunity to serve the American workers +in the manner of the Russian nihilists. It pained him therefore to think +that he owed his failure to kill Frick to the interference of the very +workers for whom he was ready to die. The attack upon him by John Most +was distressing enough, but the scornful repudiation by the strikers and +the coolness of labor everywhere cut him to the heart. Suffering the +anguish of a living death in one of the worst prisons in the United +States, he sought comfort in the thought that he was a revolutionist and +not a would-be murderer. "A revolutionist," he later explained, "would +rather perish a thousand times than be guilty of what is ordinarily +called murder. In truth, murder and _Attentat_ are to me opposite terms. +To remove a tyrant is an act of liberation, the giving of life and +opportunity to an oppressed people." Some years afterwards he came to +believe that even such shedding of blood "must be resorted to only as a +last extremity." It was this faith in the ideal for which he was +prepared to die that kept him alive through fourteen years of physical +torture and mental martyrdom. One need only read his _Prison Memoirs of +an Anarchist_, a work of extraordinary acumen and power, to appreciate +the high purpose that had motivated him and the strength of character +that enabled him to turn his prison trials into spiritual triumphs. + +Emma, his lover and accomplice, from the very first defended him with +passionate abandon. To her he was "the idealist whose humanity can +tolerate no injustice and endure no wrong." The excessive punishment +dealt to him by the state struck her as barbarous and cowardly. "The +idealists and visionaries," she asserted years later, "foolish enough to +throw caution to the winds and express their ardor and faith in some +supreme deed, have advanced mankind and have enriched the world." At the +time, however, she grieved to think of her noble companion doomed to +waste the best years of his life in execrable confinement. + +Unable to lighten his suffering, she resolved to double her effort +towards the realization of their common ideal. A physical breakdown, +however, forced her to seek rest and medical care. Her sister Helene +welcomed her back and helped her to regain strength. But the aggravation +of the unemployment crisis in 1893 caused her to disregard the doctor's +warning and to return to her post on the East Side. "Committee sessions, +public meetings, collection of foodstuffs, supervising the feeding of +the homeless and their numerous children, and, finally, the organization +of a mass-meeting on Union Square entirely filled my time." As the main +speaker at this large gathering she excoriated the state for functioning +only as the protector of the rich and for keeping the poor starved and +enslaved, like a giant shorn of his strength. Commenting on Cardinal +Manning's dictum that "necessity knows no law," she continued: "They +will go on robbing you, your children, and your children's children, +unless you wake up, unless you become daring enough to demand your +rights. Well, then, demonstrate before the palaces of the rich; demand +work. If they do not give you work, demand bread. If they deny you both, +take bread. It is your sacred right." For this speech she was arrested, +charged with inciting to riot although the meeting was peaceable, and +sentenced to one year in Blackwell's Island Penitentiary. + +She went to prison in a defiant mood. She was now the avowed enemy of +the corrupt minions of the state and she knew they would stop at nothing +to keep her from agitating for a better world--the world for which she +and Berkman were then in jail. She resolved to fight back and fight +hard. So long as breath remained in her lungs and strength in her body, +she would deliver her message to the oppressed masses! No amount of +torture in prison or persecution outside would deter her in the struggle +against the state and the powerful rich! + +While in prison Emma learned the rudiments of nursing. She liked the +work better than sewing, and upon her release she persuaded several +doctors to recommend her as a practical nurse. Wishing to qualify +herself, she accepted the aid of devoted friends in order to study +nursing in the Vienna Allgemeines Krankenhaus, a hospital of very high +repute. While in Europe she lectured in England and Scotland and met the +leading anarchists in London and on the Continent. She also made +first-hand acquaintance with the contemporary social theater, on which +she was later to lecture and write with penetrating insight. In the +summer of 1896 she returned to this country, qualified as a nurse and +midwife. + + * * * * * + +Once back in New York, she immediately resumed her anarchist activity. +Her first concern was to promote an appeal for Berkman's pardon, and +keen was her sorrow and resentment when it was refused. More than ever +eager to further their common ideal, and greatly moved by the sporadic +attacks upon the more aggressive workers, she undertook her first +continental lecture tour. + + Everywhere workers were slain, everywhere the same butchery!... + The masses were millions, yet how weak! To awaken them from + their stupor, to make them conscious of their power--that is + the great need! Soon, I told myself, I should be able to reach + them throughout America. With a tongue of fire I would rouse + them to a realization of their dependence and indignity! + Glowingly I visioned my first great tour and the opportunities + it would offer me to plead our Cause. + +Her opportunities fell far short of her expectations, but her words of +fire ignited the hearts of many who came to scoff. + +For the next twenty years she devoted most of her time to lecturing. She +spoke wherever there were comrades enough to organize a meeting; and in +scores of cities, from Maine to Oregon, there were libertarians ready to +suffer great inconvenience for their cause. At first most of her talks +were given in Yiddish and German; later, as she attracted more +Americanized audiences, she spoke mainly in English. Her topics ranged +widely in content. She expounded the doctrine of anarchism whenever +possible, but her lectures dealt mainly with current social problems and +the modern European drama. Shortly before World War I she discussed +birth control with a frankness that sent her to jail for a fortnight. +She usually keyed her talks to the intelligence of her auditors, and +always she spoke with clarity and enthusiasm. + +Throughout her years of agitation she exercised extraordinary tact and +exceptional physical courage. No other woman in America ever had to +suffer such persistent persecution. She was arrested innumerable times, +beaten more than once, refused admission to halls where she was to +speak. Often the police dispersed her audience. Intimidated owners +frequently refused to rent her meeting places or cancelled contracts at +the last minute. On various occasions she was met at the train and +compelled by sheer force to proceed to the next stopping place. In 1912 +she and Ben Reitman, at that time her manager and lover, were driven +from San Diego and the latter was tarred and tortured. + +It must be said that the lawbreakers and defilers of liberty were not +Emma Goldman and her harassed followers but the sworn guardians of the +law and leading local citizens. The latter and not the anarchists were +guilty of violating the rights of free speech and free assembly, of +beating their victims without cause and of jailing them without warrant. +It was after one such instance of unprovoked brutality that Emma wrote: + + In no country, Russia not exempt, would the police dare to + exercise such brutal power over the lives of men and women. In + no country would the people stand for such beastliness and + vulgarity. Nor do I know of any people who have so little + regard for their own manhood and self-respect as the average + American citizen, with all his boasted independence. + +The newspapers abetted the police in the lawless treatment of Emma and +her fellow rebels. They sometimes perverted a grain of truth into +columns of muck and made "Red Emma" a symbol of all that was dangerous +and despicable. The rank injustice of this abuse caused the staid New +York _Sun_ to protest on September 30, 1909: "The popular belief is that +she preaches bombs and murder, but she certainly does nothing of the +kind. Bombs are very definite things, and one of the peculiarities of +her doctrine is its vagueness. The wonder is that with a doctrine so +vague she managed to strike terror into the stout hearts of the police." + +Nor were the police and the press the only perpetrators of this modern +witch hunt. President Theodore Roosevelt expressed the attitude of many +persons of privilege and respectability when he blustered: "The +Anarchist is the enemy of humanity, the enemy of all mankind, and his is +the deeper degree of criminality than any other." When William Buwalda, +a soldier in the United States Army and the recipient of a medal for +bravery, shook hands with Emma Goldman at one of her lectures in 1908, +he was courtmartialed and sentenced to five years' imprisonment. It was +only as a consequence of numerous public protests that Buwalda was +pardoned after he had served ten months. The Red Hysteria of 1917-21 +merely climaxed decades of ill-treatment of a militant minority in a +nation founded on the principles of human rights and individual +liberty. + +If this ugly chapter in recent American history was the work of men of +property and of public officers, there were numerous other Americans, +less powerful but of greater probity, who cherished the fundamental +freedoms of our Founding Fathers. These liberals spoke out forcefully +against the violation of rights guaranteed by the Constitution. They +gladly gave of their time and money to the defense of the harassed +radicals. Because Emma Goldman suffered most from police brutality and +because her dynamic personality attracted those who came in contact with +her, she was befriended by scores of Americans in every part of the +country. These Jeffersonian liberals admired her courage and sincerity +and helped her to organize her lecture tours and to finance her +propagandistic and literary ventures. + +Emma reached the nadir of her career during the aftermath of President +McKinley's assassination. With the memory of Alexander Berkman's fate +still festering in her heart, she said: "Leon Czolgosz and other men of +his type ... are drawn to some violent expression, even at the sacrifice +of their own lives, because they cannot supinely witness the misery and +suffering of their fellows." Even before her attitude was known, she was +arrested as an accomplice of Czolgosz and treated with extreme savagery +before being released for lack of evidence. + +Even more painful to her was the obtuseness of those anarchists who +condemned Czolgosz's act as wanton murder. Ironically enough, even +Berkman wrote from prison to disapprove of the shooting and to +differentiate it from his own attack upon Frick; in his opinion the +killing of McKinley was individual terrorism and not a deed motivated by +social necessity. Emma was shocked by this argument, since to her both +acts were inspired by the same high idealism and spirit of +self-sacrifice. Unlike Berkman, who had come to see the futility of +terrorism in a country like the United States, she was more interested +in the incentive than in the effectiveness of an assassination. She was +ostracized for her loyalty to Czolgosz and, as a consequence of his +execution, suffered severe depression. + +Once Emma Goldman had mastered the English language, she was not long in +wishing to establish a periodical that would carry the message of +anarchism to those whom she could not reach in person. Outbreaks of +strikes in this country and increased revolutionary activity in Russia +only made her more eager for a magazine of her own. In 1905 she was +serving as manager and interpreter for Paul Orleneff and Alla Nazimova, +who had come to the United States for a theatrical tour. When Orleneff +learned of Emma's ambition to publish a periodical, he insisted on +giving a special performance for her benefit. Although a pouring rain +kept the audience to a fraction of the expected number, the receipts +sufficed to pay for the first issue of _Mother Earth_. + +The scope and purpose of the new monthly, which began to appear in March +1906, were explained at the outset: + + _Mother Earth_ will endeavor to attract and appeal to all those + who oppose encroachment on public and individual life. It will + appeal to those who strive for something higher, weary of the + commonplace; to those who feel that stagnation is a deadweight + on the firm and elastic step of progress; to those who breathe + freely only in limitless space; to those who long for the + tender shade of a new dawn for a humanity free from the dread + of want, the dread of starvation in the face of mountains of + riches. The Earth free for the free individual. + +Emma Goldman edited the monthly throughout its eleven years of +existence. In all this time it reflected her views, her interests, her +dynamic liveliness. Her fellow editors at one time or another were Max +Baginski, Hippolyte Havel, and Alexander Berkman, but the character of +the periodical underwent no change as a consequence. Each issue +contained at least one poem, brief editorials on the events of the +month, articles on current aspects of anarchism, comments on labor +strikes and radical activities the world over, reports by Emma on topics +of interest to her or on her frequent lecture tours, and finally appeals +for money. Many prominent libertarians contributed essays of a +philosophical or hortatory nature. It emanated a youthful vigor and an +exuberance not found in any other contemporary periodical. Its several +thousand readers were devoted to it and supported it with their limited +means until the postal censor put an end to the monthly shortly after +the declaration of war in 1917. + +_Mother Earth_ was not Emma Goldman's sole publishing activity. A firm +believer in the efficacy of educational propaganda, she printed and sold +a long list of inexpensive tracts. Her table of literature became a +prominent feature at all her meetings. When no commercial publisher +would accept Berkman's _Prison Memoirs of an Anarchist_, she collected +funds and issued the book herself. The volume has since become a classic +in its field, and stands to this day as a living reminder of the +dominance of a keen and determined mind over all physical obstacles. +Emma also brought out her own collection of lectures, _Anarchism and +Other Essays_. She was able, however, to find a publisher for her +impressive volume of lectures on _The Social Significance of the Modern +Drama_, which deals incisively with the European plays that dissect the +common failures and fallacies of bourgeois society. + + * * * * * + +Face to face with an audience, Emma Goldman was a forceful and witty +propagandist. Frequently she lifted her rapt hearers to heights from +which they envisioned a world wholly free and completely delightful. In +cold print, however, her lectures reveal little of her dynamic appeal. +They are primarily the work of a forceful agitator: clear, pointed, +spirited, but without originality or intellectual rigor. + +The faithful disciple of Bakunin and Kropotkin, Emma perceived +civilization as "a continuous struggle of the individual or of groups of +individuals against the State and even against 'society,' that is, +against the majority subdued and hypnotized by the State and State +worship." This conflict, she argued, was bound to last as long as the +state itself, since it was of the very nature of government to be +"conservative, static, intolerant of change and opposed to it," while +the instinct of the individual was to resent restriction, combat +authority, and seek the benefits of innovation. + +Her definition of anarchism first appeared on the masthead of _Mother +Earth_ in the issue of April 1910: "The philosophy of a new social order +based on liberty unrestrained by man-made law; the theory that all forms +of government rest on violence, and are therefore wrong and harmful, as +well as unnecessary." In her oft-repeated lecture on the subject she +warmly described the benefits to ensue from social revolution: + + Anarchism stands for a social order based on the free grouping + of individuals for the purpose of producing real social wealth; + an order that will guarantee to every human being free access + to the earth and full enjoyment of the necessities of life, + according to individual desires, tastes, and inclinations. + +To the end of her life Emma avowed the soundness and practicality of her +doctrine. As late as 1934 she declared in _Harper's Magazine_: "I am +certain that Anarchism is too vital and too close to human nature ever +to die. When the failure of modern dictatorship and authoritarian +philosophies becomes apparent and the realization of failure more +general, Anarchism will be vindicated." It was her belief that sooner or +later the mass of mankind would perceive the futility of begging for +crumbs and would take power into its own hands. Since she scorned +political means, she expounded the validity of direct action. This +method she defined as the "conscious individual or collective effort to +protest against, or remedy, social conditions through the systematic +assertion of the economic power of the workers." Once the state and +capitalism were destroyed, anarchism would assume the form of free +communism, which she described as "a social arrangement based on the +principle: To each according to his needs; from each according to his +ability." It must be stressed that although the wording is common to all +forms of communism, that of Marx and Lenin implies strict centralized +authority, while that of Kropotkin and Emma Goldman envisions complete +decentralization and the supremacy of the individual. + +No man who has pondered the concept of the good life will fail to +appreciate the ideal propounded by the anarchists. And one who has +observed the results of modern dictatorship cannot but sympathize with a +vision of the future in which the individual is the prime beneficiary of +all social activity. Yet life often makes mock of man's noblest dreams. +Emma may have been "the daughter of the dream"; her doctrine remains as +utopian as it is alluring. There is no gainsaying the fact that modern +conditions still favor national and industrial centralization. The +philosophy of anarchism appears less tenable today than ever. + + * * * * * + +Though in no sense a pacifist, Emma Goldman was intensely opposed to +wars between nations. The very idea of human slaughter on the +battlefield appeared to her as barbaric and criminal. And to her the +culprit was the state. Without governments to lead their subjects to +battle wars would be as unthinkable as duels are now. "No war is +justified unless it be for the purpose of overthrowing the Capitalist +system and establishing industrial control for the working class." + +Her first contact with war occurred in 1898, when the United States +attacked Spain. While she abominated the medieval monarchy which +oppressed the Cubans, she did not want our politicians and +industrialists to use the liberation of that island as a pretext for +their imperial aggrandizement. She therefore agitated against the war at +every one of her lectures, and did not cease to expose our imperialist +intentions until the end of the fighting. Fortunately for her, the +liberties of the people were not curbed as a result of the war, and the +police did not consider her lack of patriotism more provoking than her +advocacy of anarchism. + +In 1914, when war broke out in Europe, she immediately perceived its +catastrophic nature and condemned its instigators as monstrous +criminals. Alexander Berkman, who had been enjoying uneasy liberty since +1906 and who worked closely with her despite their intermittent personal +and ideological differences, at once joined her in the attack. Both did +their utmost to rouse the people against our involvement. It was a hard +and increasingly thankless fight against deep-seated prejudices. +Consternation struck their hearts when they learned that Peter Kropotkin +and other eminent anarchists had embraced the cause of the Allies and +were participating in the propaganda campaign against Germany. Resolved +to retain their sanity in a world gone mad, they repudiated all +"warmongers" regardless of their previous professions and intensified +their efforts to keep the United States out of the European holocaust. + +When events moved us in the direction of belligerency, the government +sought feverishly to regiment the nation for the war struggle. Emma, +Berkman, and numerous other radicals resisted this martial hysteria with +all the force at their command. _Mother Earth_ blasted the proponents of +preparedness in issue after issue and denounced the government for +trampling upon the Bill of Rights in its hypocritical pretence of making +the world safe for democracy. Emma denounced the capitalist basis of war +before crowds of enthusiastic sympathizers. As late as March 1917 she +wrote: + + I for one will speak against war so long as my voice will last, + now and during the war. A thousand times rather would I die + calling to the people of America to refuse to be obedient, to + refuse military service, to refuse to murder their brothers, + than I should ever give my voice in justification of war, + except the one war of all the peoples against their despots and + exploiters--the Social Revolution. + +She and Berkman organized the No-Conscription League for the purpose of +encouraging conscientious objectors to resist induction into the army. +Writing in behalf of the League, Emma explained: "We will resist +conscription by every means in our power, and we will sustain those who, +for similar reasons, refuse to be conscripted." At several mass-meetings +she and Berkman expressed these sentiments, knowing that government +agents were taking notes on their speeches. On June 15, 1917, both were +arrested and charged with "conspiring against the draft." + +The two rebels did not flinch from the ordeal awaiting them. "Tell all +friends," Emma wrote shortly before their trial, "that we will not +waver, that we will not compromise, and that if the worst comes, we +shall go to prison in the proud consciousness that we have remained +faithful to the spirit of internationalism and to the solidarity of all +the people of the world." In court they conducted their own defense with +a facility and frankness that gained the admiration of even their +detractors. They shrewdly used the courtroom as a forum. In addressing +the jury they were eloquently polemical. + + It is organized violence on top [Emma asserted] which creates + individual violence at the bottom. It is the accumulated + indignation against organized wrong, organized crime, organized + injustice, which drives the political offender to his act.... + We are but the atoms in the incessant human struggle towards + the light that shines in the darkness--the ideal of economic, + political, and spiritual liberation of mankind! + +The dramatic trial was in a sense another re-enactment of the age-old +tragedy in which the rebellious idealist is condemned by the gross +guardians of society. The obdurate defendants were each given the +maximum penalty of two years in prison and a fine of ten thousand +dollars. + +Time passed in dreary monotony for Emma in Jefferson City and Berkman in +Atlanta. The war was fought and won, the millions of American soldiers +were back from Europe, and peace again prevailed over the earth. But to +conservatives the specter of Bolshevism had replaced the ogre of +Prussianism as the enemy of established society. In this country +Attorney-General Mitchell Palmer, a Quaker and God-fearing man, led the +manhunt against those who were suspected of sympathy with the Russian +Revolution. Thousands of men and women were made the victims of an +Anti-Red hysteria, and hundreds were deported as undesirable aliens. +When Emma and Berkman were released, they also became subject to +expulsion. Although she had long been a naturalized citizen by virtue of +her marriage to a citizen, the Department of Labor ruled otherwise. On +the night of December 21, 1919, the two rebels together with 247 other +undesirables were hurried aboard the ancient troopship _Buford_ for +passage to Russia. + +Thirty years of struggle and suffering on this side of the Atlantic had +so Americanized Emma and Berkman that they could not think of themselves +as belonging to another country. The ignominy of expulsion and the loss +of their friends wounded them deeply. Yet they were comforted by the +thought of the adventure that lay ahead. As the battered _Buford_ plowed +its billowy way to the shores of Finland they reflected on the ironic +turn of events which had transformed Czarist Russia into a land of +revolution and converted the free United States into a citadel of +reaction. While still in jail they had approved the Bolshevik coup as a +necessary safeguard of the revolution. They believed that Lenin and his +fellow leaders, while Marxists and therefore advocates of a strong +centralized government, were devoted to the principles of freedom and +equality and therefore deserved the support of all workers and +libertarians. Now, outcasts from the capitalist stronghold, they longed +to join their Russian comrades in the defense of the revolution. When +she reached the Soviet border, Emma later wrote, "my heart trembled with +anticipation and fervent hope." + +Dismay darkened their days throughout the twenty months of their sojourn +in Russia. Their official welcome quickly spent itself. They began to +look about for themselves, to speak privately with fellow anarchists, +and to seek explanations of events and practices not to their liking. +The twin demons of inefficiency and stupidity--judged by their American +and anarchist standards respectively--leered at them wherever they went; +the black walls of bureaucracy rose before them at every turn. Perverse +cruelty on the part of the government came to their attention with +distressing frequency. All their early efforts at rationalization failed +to excuse the needless hunger, the mass arrests, the arbitrary +executions. They discussed these events with prominent Bolshevik +leaders, including Trotsky and Lenin, in the hope of persuading them to +mitigate conditions injurious to the revolution. In each instance the +response was either enigmatic or equivocal. Angelica Balabanova, then +secretary of the Third International and later as disaffected an exile +as herself, told Emma that life was "a rock on which the highest hopes +are shattered. Life thwarts the best intentions and breaks the finest +spirits." Alexandra Kollontay, the hard-headed diplomat, chilled her +with the advice to stop "brooding over a few dull gray spots." Even +Lenin impressed her and Berkman as callous and unsympathetic. + +Time only deepened their perturbation. After eight months of life in +Russia, Emma began to doubt the revolution itself. "Its manifestations +were so completely at variance with what I had conceived and propagated +as revolution that I did not know any more which was right. My old +values had been shipwrecked and I myself thrown overboard to sink or +swim." The climax of her quarrel with the Bolsheviki came a year later +during the attack upon the mutinous Kronstadt sailors. That hundreds of +true sons of the revolution should be shot down for sympathizing with +striking workers seemed to her a crime worse than any committed by the +Czarist regime. Neither she nor Berkman could any longer stomach such +ruthless authoritarianism and both left the country as soon as they were +able to obtain visas. + +Once past the Soviet border, the hapless pair became true Ishmaelites, +without either home or country. No government offered them asylum, and +few were willing to provide them with even temporary visas. Devoted +friends had great difficulty in getting Swedish officials to permit the +two refugees a long-enough stay in Stockholm to procure visas for a +sojourn in Germany. + +Their one great mission now became the unmasking of the Bolsheviki, and +their attacks were more virulent and hysterical than those of the most +extreme reactionaries. Berkman's _The Bolshevik Myth_ and Emma's _My +Disillusionment in Russia_ and _My Further Disillusionment in Russia_ +(the book was published in two separate volumes as a result of an +inadvertent misunderstanding) are charged with fanatic hatred. Both +insisted that Lenin and his monstrous crew were perverting the Russian +Revolution to their own sinister purposes and must be destroyed at all +costs. They made no effort to view the situation objectively. + +In 1924 Emma was permitted to make her home in England. At once she +busied herself with plans to rouse the people against the Bolsheviki, +but found herself either snubbed or scorned. The liberals refused to +support her for fear of endangering Soviet Russia's precarious relations +with Great Britain; the radicals insisted on the need of bolstering the +Bolsheviki during the period of revolutionary experimentation. Her +lectures were poorly attended; her audiences failed to be impressed. +After two years of discouragement she decided to leave England +altogether. Shortly before her departure she married James Colton, an +old rebel, for the convenience of British citizenship. + +A vacation in France preceded a lecture tour through Canada. Again on +American soil, she resumed the old pattern of agitation. But the +Dominion did not provide sufficient scope for her seething energy. And +when friends, who had long urged her to write her autobiography, +provided her with funds for that purpose, she returned to France. + +_Living My Life_ appeared in 1932. It is a lively story, palpitating +with strong feeling and epitomizing the blazing years of her anarchist +activity. The writing is vivacious, forceful, exciting. The narrative is +colorful and wholly uninhibited. Emma's strong personality stamps every +page. She was as dynamic in her numerous amours as in her work for human +freedom, and she discusses both with equal zest. Her unrepressed egotism +prompts her to relate personal incidents which have little bearing on +her own development and none on that of anarchism--incidents that +sometimes reveal petty malice and that might better have been left +unrecorded. The final impression, however, is of her generous character, +her profound devotion to the ideal of liberty, her extraordinary energy, +her great courage, and her successful insistence on living her life in +her own way. + +When Emma had completed her long book and was ready to resume her role +as lecturer and agitator, the menace of fascism drove the Bolshevik +betrayal from the forefront of her mind. A tour through Germany and +other parts of Europe convinced her that the Nazis were the greater +threat to freedom and must be fought without let. Late in 1933 she +returned to Canada and addressed large audiences on such topics as +"Hitler and His Cohorts," "Germany's Tragedy," and "The Collapse of +German Culture." With Cassandra-like foresight she argued that England +and Germany's neighbors were blind to the danger confronting them and +that if the Nazis were not ousted from power they would destroy +civilization. + +In January 1934 she was granted permission to visit the United States +for ninety days. Friends arranged for a two-month lecture tour. Her +audiences were large, though a good percentage came more out of +curiosity than to pay homage to her anarchist leadership. Some hotels +refused to admit her, and detectives and policemen were as conspicuous +within the halls as in former times. Communists heckled her, but there +was comparatively little of the excitement and defiance of her previous +"tours of agitation." In truth neither Emma nor her hearers bothered +much about the doctrine of anarchism. The immediate menace had become +not the capitalistic state but fascist authoritarianism (to Emma, +Bolshevism was "only left-wing fascism"); and she attacked it not as the +apostolic anarchist but as the passionate libertarian. The end of April +came all too soon, and again she had to depart from the land in which +she had spent her best years. Nor did the fact that she was an old woman +without roots elsewhere make leavetaking any easier. + +The following year she sojourned in Canada, lecturing, writing, hoping +in vain for readmission to the United States. In the spring of 1935 she +went to France. Berkman was already there, and the two old friends again +saw much of each other. The day after her sixty-seventh birthday their +lifelong intimacy was abruptly ended by his suicide; he had been ill for +some time and characteristically preferred death to a wretched old age. +The tragic event oppressed her grievously. + +The Spanish Civil War, beginning shortly after, provided her with +much-needed distraction. With energies renewed she at once went to +Spain. Her previous friendly association with Spanish anarchists made +her a welcome addition to their ranks. For the next two years she +devoted herself to bolstering the cause of the Loyalists. Since +England's sympathy was of crucial importance, she went to London to work +in behalf of the Spanish government. The callous and undiscerning +attitude of the ruling Tories deprived her of the last atom of hope. She +returned to Spain in 1938, wishing to stand beside her comrades during +their final futile efforts to hold back the fascist inundation. + +Early in 1939, with darkness rapidly enveloping the whole of Europe, +Emma returned to Canada. There she died on May 13, 1940, clinging +tenaciously to the shreds of her revolutionary ideal until her last +gasp. + + * * * * * + +Emma Goldman was unquestionably the most active and audacious rebel of +her time. An idealist to the core of her being, cherishing liberty as +the most precious of human possessions, completely dedicated to the full +and free life for all mankind, she early became the object of +concentrated contumely and brutal abuse on the part of the defenders of +the status quo. Her threat to society lay not so much in her +revolutionary doctrine as in her attacks upon the abuses of capitalism. +B. R. Tucker and other individualist anarchists were equally opposed to +authority, but they were not molested so long as they did not concern +themselves with economic exploitation. Emma, however, had made it her +duty to fight against injustice toward the worker and the nonconformist. +Consequently she organized mass-meetings and marches against +unemployment; she became a picket-leader and fund-raiser, and protested +openly and persistently against violations of free speech and against +police brutality. This activity, especially effective because of her +untiring zeal and bold eloquence, gave her pre-eminence as a dangerous +enemy of capitalism and subjected her to persecution by the authorities +until she was driven out of the country. + +Quite a few Americans, however, respected her for her honest idealism +and valued her as a goad stinging the social conscience of our +complacent public. One of them, William Marion Reedy, called her "the +daughter of the dream" after a meeting with her in 1908 and added: "She +threatens all society that is sham, all society that is slavery, all +society that is a mask of greed and lust." Floyd Dell spoke for many in +the blithe year of 1912 when he wrote: "She has a legitimate social +function--that of holding before our eyes the ideals of freedom. She is +licenced to taunt us with our moral cowardice, to plant in our souls the +nettles of remorse at having acquiesced so tamely in the brutal artifice +of present-day society." + +For all her courage and iconoclasm, she was deeply feminine in outlook +and behavior. Her strongest attribute was of an emotional rather than +intellectual nature: she felt first and thought afterwards. She had an +extraordinary capacity for believing whatever suited her ideological or +personal purposes. Rationalization and ratiocination merged in her mind +very readily. Thus in her autobiography she was punctilious in recording +the details of her love affairs, presumably in the belief that +everything she did and felt affected her revolutionary development. Yet +at all times she was ready to sacrifice her own happiness for the good +of anarchism. + +On her fiftieth birthday, while in prison for obstructing the draft, she +took stock of her past. "Fifty years--thirty of them on the firing +line--had they borne fruit or had I merely been repeating Don Quixote's +idle chase? Had my efforts served only to fill my inner void, to find an +outlet for the turbulence of my being? Or was it really the ideal that +had dictated my conscious course?" She had not the slightest doubt, +however, that her life had not been lived in vain. She had fought +valiantly, and was to remain on the firing line for another twenty +years. And while it is in the very nature of an ideal to fail of +achievement, its mere existence gives life its impetus and its reward. +Emma's quotation from Ibsen, made while waiting for deportation in +1919--"that it is the struggle for the ideal that counts, rather than +the attainment of it"--may well be her epitaph. + + + + + ALSO PUBLISHED BY THE LIBERTARIAN BOOK CLUB + + + ANARCHISM + + _Exponents of the Anarchist Philosophy_ + + by + PAUL ELTZBACHER + + _with an appended essay_ + by + RUDOLF ROCKER + + Interpretation of the whole range of the anarchist thought, in one + single volume, by world recognized authorities: William Godwin, Pierre + Joseph Proudhon, Peter Kropotkin, Leo Tolstoy, Benjamin Tucker, Rudolf + Rocker, Michael Bakunin, Max Stirner $6.00 + + + MEN AGAINST THE STATE + + The Expositors of Individualist Anarchism in America, 1827-1908. The + only fully documented history of anarchism in the United States ever + published in this country $3.25 + + + NINETEEN SEVENTEEN + + The Russian Revolution Betrayed + + by VOLINE $3.50 + + + THE UNKNOWN REVOLUTION + + Kronstadt 1921 Ukrain 1918-1921 + + by VOLINE $3.50 + + + _Send your orders to_ + Libertarian Book Club, Inc. + General Post Office Box 842 New York 1, New York + + + + + BOOKS BY RUDOLF ROCKER + + + NATIONALISM AND CULTURE + + _Translated from the German by_ RAY E. CHASE + SECOND PRINTING + + "An important contribution to political philosophy, both on account of + its penetrating and widely informative analysis of many famous writers, + and on account of the brilliant criticism of state-worship, the + prevailing and most noxious superstition of our time. I hope it will be + widely read in all those countries in which disinterested thinking is + not yet illegal."--_Bertrand Russell_ + + "In my opinion the work _Nationalism and Culture_ is deserving of the + highest respect. I have studied it throughout, and I learn that + specialists in this field are also interesting themselves in its + behalf."--_Albert Einstein_ + + 592 pp. with Bibliography and Index $3.50 + + + PIONEERS OF AMERICAN FREEDOM + + _Authorized translation from the German MS by_ ARTHUR E. BRIGGS + + "Here is a volume that sets forth the contributions toward freedom that + are original to our own soil. However, these are given with a proper + setting of a European background that adds illumination to the + brilliance and creativeness of our greatest leaders of progressive + action toward the dawn of a New Age."--_From the Preface by the late Dr. + F. W. Roman, regent of the University of California_ + + 215 + XX pp. with extended Bibliography and Index $3.00 + + + THE SIX + + _Great Characters from World Literature_ + + "_The Six_ seems to me like a great symphony. A short introduction, a + prelude, sets the theme, sad and enigmatic. This theme is repeated in + each of the six stories, which make up the symphony. Each has its own + mood and tempo. At last comes a jubilant, resolving finale. The whole + work effects me like a great orchestral performance."--_From the Preface + by Ray E. Chase_ + + Presentation Copy, 255 pp. green leatherette binding $2.00 + + + LIBERTARIAN BOOK CLUB, _Distributors_ + + + + + +End of the Project Gutenberg EBook of Emma Goldman, by Charles A. Madison + +*** END OF THIS PROJECT GUTENBERG EBOOK EMMA GOLDMAN *** + +***** This file should be named 33628.txt or 33628.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/3/6/2/33628/ + +Produced by Fritz Ohrenschall, Martin Mayer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
