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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:08:07 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:08:07 -0700 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/37495-8.txt b/37495-8.txt new file mode 100644 index 0000000..77ec7a2 --- /dev/null +++ b/37495-8.txt @@ -0,0 +1,1287 @@ +The Project Gutenberg EBook of Text books of art education, v. 2 of 7, by +Hugo B. Froehlich and Bonnie E. Snow + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Text books of art education, v. 2 of 7 + Book II, Second Year + +Author: Hugo B. Froehlich + Bonnie E. Snow + +Release Date: September 21, 2011 [EBook #37495] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TEXT BOOKS OF ART EDUCATION *** + + + + +Produced by Juliet Sutherland, Anna Hall and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +THESE BOOKS WERE PLANNED IN A SERIES OF CONFERENCES AND CONSULTATIONS +WITH LEADING ART TEACHERS AND EDUCATORS, AMONG WHOM WERE THE FOLLOWING: + + MISS BONNIE E. SNOW, FORMERLY DIRECTOR OF ART, PUBLIC SCHOOLS, + MINNEAPOLIS, MINN. + + MISS WILHELMINA SEEGMILLER, DIRECTOR OF ART, PUBLIC SCHOOLS, + INDIANAPOLIS, IND. + + MISS HARRIETTE L. RICE, DIRECTOR OF ART, PUBLIC SCHOOLS, PROVIDENCE, + R. I. + + MR. WALTER SCOTT PERRY, DIRECTOR OF THE ART DEPARTMENT, PRATT + INSTITUTE, BROOKLYN, N. Y. + + MRS. M. E. RILEY, DIRECTOR OF ART, PUBLIC SCHOOLS, ST. LOUIS, MO. + + DR. HUGO MÜNSTERBERG, PROFESSOR OF PSYCHOLOGY, HARVARD UNIVERSITY. + + MRS. ALICE W. COOLEY, DEPARTMENT OF EDUCATION, UNIVERSITY OF NORTH + DAKOTA. + + MR. JOHN S. CLARK, BOSTON, MASS. + + + + + TEXT BOOKS OF + ART EDUCATION + + BOOK II. / / SECOND YEAR + + BY + + HUGO B. FROEHLICH + + FORMERLY INSTRUCTOR IN PRATT INSTITUTE + BROOKLYN, N. Y. + + AND + + BONNIE E. SNOW + + FORMERLY SUPERVISOR OF DRAWING IN THE + PUBLIC SCHOOLS OF MINNEAPOLIS, MINN. + + [Illustration] + + THE PRANG EDUCATIONAL COMPANY + NEW YORK / / BOSTON / / CHICAGO + + + + + COPYRIGHT, 1904, BY + THE PRANG EDUCATIONAL COMPANY. + + + + +Acknowledgment. + + +We are indebted to the publishers, Charles Scribner's Sons, for +permission to use the verses, "At the Seaside" (page 46), the lines from +"Good and Bad Children" (page 13), and the lines from "Singing" (page +36)--all from "A Child's Garden of Verses," by Robert Louis Stevenson; +to the Macmillan Company for the lines by Christina Rossetti (page 16); +to Houghton, Mifflin and Company for the stanza from Longfellow's "The +Fiftieth Birthday of Agassiz" (page 1). + +For the Theory of Color Relations used in these books, special +acknowledgment is due to Dr. Denman W. Ross, of Harvard University. The +lessons in Design are preparatory to the fuller exposition in the upper +books of Dr. Ross's principles of arrangement--Balance, Rhythm and +Harmony. + + "_I took a piece of plastic clay, + And idly fashioned it one day, + And as my fingers pressed it, still + It moved and yielded to my will. + I came again when days were past,-- + The bit of clay was hard at last. + The form I gave it still it bore, + But I could change that form no more._ + + "_I took a piece of living clay, + And gently formed it day by day, + And moulded, with my power and art, + A young child's soft and yielding heart. + I came again, when years were gone,-- + It was a man I looked upon. + He still that early impress bore, + And I could change it nevermore!_" + +[Illustration] + + And Nature, the old nurse, took + The child upon her knee, + Saying; "Here is a story-book + Thy Father has written for thee." + +[Illustration] + +Come out of doors with paint-box and brush! + +Come to a clear little pool in a meadow! + +The world is dressed in blue, yellow and green. + +The green in the distant trees looks blue-green; but the color of the +meadow is yellow-green. + +The pool is the color of the sky. + +Paint the picture and choose a name for it. + +[Illustration] + +Autumn likes bright red and yellow, with orange, violet, and deep, deep +blue. + +See how she has dressed our meadow. + +Look at the trees and the clear little pool. + +What color is the grass? Where is the deep blue? + +Where does the violet look more red than blue? + +Paint an autumn picture of our meadow. + +[Illustration] + +[Illustration] + +[Illustration] + +[Illustration] + +Name each of these four trees. + +Tell how you know them. + +Which tree is like a leafy tent or umbrella? Its arms reach far and wide +to bend over us. + +Which tree looks like a spire? Its arms are raised toward the sky. + +Which tree stands with trunk tall and straight from the root to the +pointed top? + +See "the brave old oak, with broad green crown and fifty arms so +strong." + +Paint a set of shadow pictures (silhouettes) of the trees you like best. + +Study the trunk: its shape; its size; the way it sends out its branches. + +Study the branches: their shapes; their length; the way they stretch +out, or stretch up, or droop. + +Paint the true shape of the whole big tree. + +[Illustration] + +The maple-tree in autumn looks like a great bouquet of reds and yellows +in a dark vase. + +You can tell it from all others by the shape and the color. + +Paint the bright bouquet. + +Drop in clear colors to show the shape of the maple-tree. + +[Illustration] + +When the trees are bare of leaves, we see how beautiful the branches +are. + +No two trees stretch out their arms in just the same way. But the +largest boughs always spring from the big round trunk. + +See how the smaller boughs spring from larger ones and rock the winter +buds in the air. + +Paint a tree as it looks in November. + +[Illustration: + + "There's a ship on the sea + And it's sailing to-night, sailing to-night,-- + And father's aboard, and the moon is all bright. + Dear moon, he'll be sailing for many a night-- + Sailing from mother and me. + O follow the ship with your silvery light, + As father sails over the sea."] + +[Illustration] + +Ship, sky and sea in the soft grays of night! + +Which is darker, the sky or the sea? + +Look at the light in the sky where it seems to meet the sea. + +The ship looks darkest gray. + +We see it against the lighter grays. + +Paint a "ship on the sea, sailing to-night." + +[Illustration] + +Have you seen how sunset light over snow warms the white to a violet +glow? + +Have you seen an evergreen tree against a sunset sky? The green looks +very dark. + +Have you noticed the beautiful shape of Christmas trees? + +Paint a winter sunset, with an evergreen against the sunset sky. + +[Illustration] + +Words make us see pictures. We can paint the same pictures with the +brush. + +Paint what the next lines make you see. + + "A little swerve; a tricky curve,-- + And such a tumble! + A whirl; a stop; the sled on top; + A merry laugh,--yet this is not half + The fun of sliding!" + +[Illustration] + +Here is Susan in the rain again! Now there are sky and trees in the +picture. + +Think how the little girl is placed to show that she is walking on the +ground. + +Which is lightest gray--sky, trees, or ground? + +Draw the picture with pencil, or paint it with brush and ink. + +[Illustration] + + "Happy hearts and happy faces, + Happy play in grassy places." + +Do these lines tell the truth about your field-day picnic? + +Were you in the fields or in the woods? + +Show with brush or pencil the best fun of the day. + +[Illustration] + + Daisies are dancing, dancing, dancing,-- + Daisies are dancing, list to the call + Sung by the Katydid, gay little fiddler + "Come all ye Flowers and dance at the Ball!" + +[Illustration] + +When the dandelion looks up at the sun, it shakes out its golden tresses +from the green flower-cup. + +See the tall, round stem--pale green, with tints of red. + +What colors do you see in the long, narrow, hooked leaves? Do they grow +on the flower-stem? + +Paint your dandelions with their leaves just as you see them. + +[Illustration] + + "Wheat sways heavy, oats are airy, + Barley bows a graceful head." + +Bring stalks of wheat, oats, and other grains. + +Look at the shapes of the heads. + +See how each slender stalk holds its beautiful crown. + +Paint with ink from grasses, grains, or weeds of slender growth. + +[Illustration] + +How do you know this plant without seeing its colors? + +Paint a shadow picture of this flower, or of some other blossom that is +a bunch of many little flowers in one head. + +Does the blossom droop, or nod, or stand erect? + +Show just how each leaf grows on the stem. + +Our pictures must tell the truth. + +[Illustration] + +Look closely at the two pictures of the chrysanthemum. + +See the two ways of painting the same plant. + +Which is easier to paint--this flower, or the dandelion? + +In what ways is this stem not like the flower-stem of the dandelion? + +In what ways are the leaves not like the dandelion leaves? + +Can you see the flower-cup? + +What colors will you use to paint your flower? + +[Illustration] + + "Many fingered maple + Spreads her palms on high." + +Study the shape of your own bright maple leaf. + +Are the leaf stems the same color as the bough? + +What do you see where the stems join the bough? + +Is your bough bent or straight? + +Does it grow smaller toward the end? + +What colors do you see in the leaves? + +Paint this bit of autumn glory. + +[Illustration] + +Plums on their twigs, + +Cherries and figs, + +Peaches, pears, and apples,--growing in the sun. + +Which fruit is shown in the picture? + +Try to find fruit growing. + +Paint a twig with leaves and fruit. Use ink. + +Show how the leaves and the fruit grow on the bough. + +Show true shapes. + +[Illustration: "APPLES! RIPE APPLES! WHO'LL BUY?"] + +[Illustration] + +An apple growing on a twig is as beautiful as a flower. + +See how the leaves hide part of the bough. + +Paint the shape of the apple with water; drop in fresh, clear colors. + +Study the growth and color of the stem. + +Paint what you see. + +[Illustration] + +When you painted pussy-willows last year, you painted them in grays. Now +show them in colors. + +The budding twigs of spring often show colors as bright as those of +flowers. + +Look for color in the stems and buds of bushes, and in the tiny twigs of +many trees. + +For willow catkins spring chooses her daintiest colors: soft silvery +grays; rosy pink; pale green; bits of yellow; and never are two dressed +alike! Paint them as they look now. + +[Illustration] + +Would you like to tell the story of the life of the bean from seed to +fruit? + +You can tell it by shadow pictures. + +Now let us paint its flower and fruit. + +Look closely at the shape of each pod. + +Show by the stem how your bean grows. + +[Illustration] + +This little wild fellow of the woods is very like another flower we +love. The other is a queenly lady in pure, spotless white. Her name is +calla lily. Tell how the two plants are alike; how unlike. + +Paint shadow pictures of both. + +[Illustration] + +[Illustration] + +Alice is glad to find the ground covered with snow this morning. She +wishes to take her new sled to school. + +She sees the bright, blue sky; she sees the snow sparkle in the +sunlight; she sees the soft violet of the far-off trees. + +Paint the little girl and what she sees. + +[Illustration] + +[Illustration] + +[Illustration] + +We have very good times taking care of our goldfish. The beautiful +shapes darting about in the water glow and flash like the brightest of +jewels. They seem to have all the colors of the rainbow. We often paint +them. + +[Illustration] + +[Illustration] + + "Said the rooster, 'I'd have you all know + I am nearly the whole of the show; + Why, the sun every morn + Gets up with the dawn + For the purpose of hearing me crow!'" + +[Illustration: RHINOCEROS HIPPOPOTAMUS] + +Cut pictures to show animals you have seen in a circus parade. + +[Illustration: LION TIGRESS ELEPHANT CAMEL] + +Look at this picture. See how it shows that the little girl is jumping. + +[Illustration] + +Who can jump the rope without tripping? Alice may try it. + +Draw or paint the picture these verses make you see: + + "Over your head, and under your toes, + That is the way the merry rope goes. + Up with this foot, down with that, + Happy heart, go pit-a-pat." + +[Illustration: + + This is the way we wash our clothes, + wash our clothes, wash our clothes; + This is the way we wash our clothes, + on a cold and frosty morning! + + This is the way we dry our clothes, + dry our clothes, dry our clothes; + This is the way we dry our clothes + on a cold and frosty morning!] + +[Illustration: + + This is the way the ladies walk, + ladies walk, ladies walk; + This is the way the ladies walk, + on a cold and frosty morning! + + This is the way the gentlemen walk, + gentlemen walk, gentlemen walk; + This is the way the gentlemen walk, + on a cold and frosty morning.] + +[Illustration] + + The children sing in far Japan, + The children sing in Spain; + The organ with the organ man + Is singing in the rain. + +Show in a Picture: + +1. What you can do to help mother. + +2. A game the girls play at recess. + +3. What the boys play at recess. + +4. What the wind does. + +5. Something that can swim. + +6. Something that can fly. + +7. What you play with at home. + +8. What you do in school. + +9. What the birds do in the spring. + +10. A picnic in the grove. + +[Illustration] + +"Does your little Mary drink tea, Mrs. Brown?" + +"Oh, no, Mrs. Bird! but she likes to drink milk out of these pretty +cups." + +"My little Ruth likes the cups, too. You see I have a new tea-set. It +was my Christmas present. I have a tea-party almost every day." + +[Illustration] + +[Illustration] + + Sing a song of sixpence, + A pocket full of rye; + Four-and-twenty blackbirds + Baked in a pie. + + When the pie was opened, + The birds began to sing; + Was not that a dainty dish + To set before a King? + + The King was in his counting-house + Counting out his money; + The Queen was in the parlor, + Eating bread and honey. + + The maid was in the garden, + Hanging out the clothes; + When up came a blackbird, + And snapt off her nose. + +[Illustration] + +Look over your toys. Choose two you would like to see together in a +picture. + +What would you like with a doll? Why not a drum? Why not a flat-iron and +a whip? + +Why do you like the picture of a tub with a wash-board? + +Place your two toys as they look best. + +Draw their picture as you see them. + +[Illustration] + +What dishes do you use in your play kitchen when you are getting ready +for a tea-party? + +Choose two you would like to see together in a picture. + +Place them as you think they look best. + +Look at them very closely. Be sure to see their true shapes. Draw just +what you see. + +[Illustration] + +Mrs. Marsh was getting ready to take Roy and Grace to spend a week at +Clear Lake. Grace saw the open trunk. + +"Oh, Roy!" said she, "here's our trunk open, ready to be packed. Let's +pack it ourselves and surprise mother." + +"All right! That will be great fun! Then we can take just what we like." + + * * * * * + +Draw the open trunk. + +Draw it after it was packed and closed. + +Guess what they put into it. + +How do you think mother liked to be surprised in this way? + +[Illustration] + + "When I was down beside the sea + A wooden spade they gave to me + To dig the sandy shore." + +[Illustration] + + "In the sunlit garden + Through the glad spring day, + Watch the happy little folk + Turning work to play." + +[Illustration] + +Mould clay to make a sphere. With thread, cut it into two parts of just +the same size. + +You have cut your sphere into two equal parts. Each is called a +hemisphere. + +Mould clay to make half an apple on a square tablet. + +Think how many things shaped like a hemisphere you can mould and draw. + +[Illustration] + +Mould a square prism of clay. Draw it standing on a square face. Draw it +lying on an oblong face. + +Think of things shaped like a square prism: things you see out of doors; +at home; at school; everywhere you go. Tell what you have seen. + +Choose some to draw, mould or paint. + +[Illustration] + +Mould a square prism of clay. + +With thread, cut it into two equal parts like those in the picture. Each +of these two equal parts is a right tri-prism. + +Look at the three oblong faces of your right tri-prism. One face is +wider than either of the others. When a right tri-prism is resting on +its widest oblong face, it looks like a roof. + +What does it look like in other positions? + +Show by drawing or painting. + +[Illustration] + +Draw a circle. Fold and cut it into two equal parts. Each is a +semicircle. + +Place a hemisphere on a book. Raise the book to the level of your eyes. +Draw the shape of the hemisphere. You have drawn a semicircle. + +What plant is shaped like a hemisphere on a round stem? + +Do you see how to draw a row of these shapes, or a border of +semicircles? + +[Illustration] + +These pictures show you how to get a square and an oblong from a square +prism. + +Draw an oblong four inches long and two inches wide. Draw a three-inch +square. + +Draw an oblong table-cloth with a border of squares in a row. + +Lay a row of tablets: first, an oblong; then a square. Draw this border +on a paper towel. + +[Illustration] + +One of the drawings on this page is called a right triangle. Can you +find it? + +Think how you can get a right triangle from a right tri-prism. + +Lay tablets of the same shape to make a border across the ends of a rug. + +Draw a house with a triangle in the roof. + +[Illustration] + +[Illustration: COLOR CHART] + +[Illustration] + +What pleasure to paint a window like this, beautiful in shape, beautiful +in color! + +Draw a two-inch square. On this lay tablets--the inch square in the +center, with semicircles about it. Draw around it. Draw around the +semicircles. + +Paint the shape with water. Drop in the fresh colors and let the water +blend them. + +Finish with the dark edge. + +In the two bright circles of color, point out the six rainbow colors: +yellow, orange, red, violet, blue, green. + +Find in the circles the color that is between yellow and orange. These +two colors are blended in one, named yellow-orange. Find the color +between red and orange. What two colors are blended in red-orange? + +Find the color between red and violet, named red-violet. Why? Find +blue-violet. + +Find blue-green. What two colors blend to make yellow-green? Find it in +the circles. + +How many of these colors are in your stained glass window? Paint another +window, and watch the colors come. + +[Illustration] + +Draw or paint a picture of the animal you know best. + +Draw or paint a row of these shapes, all just alike. + +Take pictures of your animal as it looks when it stands; sits up; lies +down; walks or runs. + +Make rows of these shapes. Which row would you like best for a border on +your book cover? + +[Illustration] + +Look at the shapes on these book covers. + +In the borders you have made, the shapes have always faced the same way. +Do these? + +Place two sweet-peas, daffodils, or other flowers, as the grasses are +placed. + +Choose those that seem to look toward each other. + +Place shapes of animals in the same way. + +Draw or paint them on book covers. + +[Illustration] + +This is a good pattern for a floor of wood, or for oil-cloth to cover a +floor. + +You may draw it for your play house. + +On an eight-inch square of paper draw sixteen two-inch squares. In the +center of each, lay an inch tablet. Draw around it. + +With the pencil, color the squares like the squares in the picture. + +[Illustration] + +Look at bowls at home and in stores. Choose the shape you like best. We +will make one out of clay. + +Does it not seem strange that you can make a lump of moist clay into a +beautiful bowl? + +With the thumbs, press a deep hollow in the lump of clay for the inside +of the bowl. Press and pull up the outside into the shape you wish. If +you need more clay, work in a small lump at a time. + +Let the bowls stand one day to dry. Then wash the inside with a glaze. +When the bowl is very dry, it is ready to be baked in the kiln. + +[Illustration] + +This clay match-safe is not so easy to make as the round bowls we have +made. + +Shape a lump of clay like a square prism. With the thumbs, press the +hollow inside until the bottom is like an oblong tablet. + +Press and pull the walls into good shape. Leave square corners. Work in +the handle. + +Let the match-safe stand one day to dry. Then, with the brush, paint +upon it a row of shapes in red. + +When the match-safe is very dry, it may be fired in a kiln. + +[Illustration] + +[Illustration] + +Look at this pattern for wall-paper. It would be good for a bedroom. + +You may make your own patterns for different rooms in your house. + +Choose your shapes. Think how to place them. + +Choose two colors you like to see together. Color with brush or pencil. + +Choose the best patterns for your rooms. + +[Illustration] + +[Illustration] + +See how this table is made from a box like a cube without a cover. Make +one. + +Look at this stove, and at the one in the play house. We can make such a +stove. + +Make a solid cube of stiff black paper. Cut pieces for doors, covers, +grate, hearth and pipe. Paste them on. The bottom is a very low box with +a little larger face than the cube. Make one. If you like, cut out the +sides to leave wide legs. Paste the bottom of the stove on this base. + +[Illustration] + +Fold, cut, and paste an eight-inch square to make a square prism for the +seat. + +Cut a sheet six inches by eight inches. + +Fold and crease two inches from each short edge. Shape the sides. Fold +around the seat. Paste. + +[Illustration] + +To make a short book-mark, fold four strips ten inches long into double +five-inch strips. Hold two of them side by side in the left hand, with +the open ends of the outer strip at the top, and the open ends of the +inner strip at the bottom. + +With a third strip in the right hand, pass its two parts around the +outer strip in the left hand. Pass its two ends between the two parts of +the inner strip. + +Then hold the work in the right hand. With the fourth strip in the left +hand, pass it around the outer strip and between the parts of the inner +strip in the right hand. To draw the strips tight, pull the open ends. +Cut two ends. Trim the other ends. (See the picture.) Paste the parts in +place. You have made a pretty gift. + +[Illustration] + +[Illustration] + + "Hi, weavers! Ho, weavers! + Come, and weave with me! + You'll rarely find, go where you will, + A happier band than we!" + +[Illustration] + +Choose, for the body of your rug, carpet yarn of a color you will like +in the room where you will put it. + +What color that looks well with this, will you choose for the stripes? + +String your loom with one long piece of warp. Draw it so it feels firm. +Leave long, free ends. + +Thread your needle or shuttle, and weave from both ends to the middle. + +Lift the rug from the loom when it is woven full. + +Run the ends of the warp strings along the sides of the rug; or, tie +them to the next warp strings. + +Is your rug for a hall, a parlor, a dining-room or a bedroom? + +[Illustration] + + "There is work that is work; + There is play that is play; + There is play that is work; + There is work that is play-- + And one of these four + Is the very best way." + + + Transcriber's note: + _Underscores_ have been used to indicate _italic_ fonts. + + + + + +End of the Project Gutenberg EBook of Text books of art education, v. 2 of 7, by +Hugo B. Froehlich and Bonnie E. 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Froehlich. + </title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} + +ul.plain { + list-style-type: none;} + +.pagenum { /* comment the next line for visible page numbers */ + visibility: hidden; + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + +.blockquote { + margin-left: 5%; + margin-right: 10%; +} + +.center {text-align: center;} + +.big {font-size: 150%;} + +.small {font-size: 80%;} + +.smcap {font-variant: small-caps;} + +.caption {font-weight: bold;} + +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + +.figleft { + float: left; + clear: left; + margin-left: 0; + margin-bottom: 1em; + margin-top: 1em; + margin-right: 1em; + padding: 0; + text-align: center; +} + +.figright { + float: right; + clear: right; + margin-left: 1em; + margin-bottom: + 1em; + margin-top: 1em; + margin-right: 0; + padding: 0; + text-align: center; +} + +/* Poetry */ +.poem { + margin-left:10%; + margin-right:10%; + text-align: left; +} + +.poem br {display: none;} + +.poem .stanza {margin: 1em 0em 1em 0em;} + +.poem span.i0 { + display: block; + margin-left: 0em; + padding-left: 3em; + text-indent: -3em; +} + +.poem span.i2 { + display: block; + margin-left: 2em; + padding-left: 3em; + text-indent: -3em; +} + +.poem span.i4 { + display: block; + margin-left: 4em; + padding-left: 3em; + text-indent: -3em; +} + +hr.invisible {visibility: hidden;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Text books of Art Education, v. 2 of 7, by +Hugo B. Froehlich and Bonnie E. Snow + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Text books of Art Education, v. 2 of 7 + Book II, Second Year + +Author: Hugo B. Froehlich + Bonnie E. Snow + +Release Date: September 21, 2011 [EBook #37495] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TEXT BOOKS OF ART EDUCATION *** + + + + +Produced by Juliet Sutherland, Anna Hall and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + + +<p><span class="smcap">These books were planned in a series of conferences and consultations +with leading art teachers and educators, among whom were the following:</span></p> + +<blockquote><ul class="plain"><li><span class="smcap">Miss Bonnie E. Snow, Formerly Director of Art, Public Schools, +Minneapolis, Minn.</span></li> + +<li><span class="smcap">Miss Wilhelmina Seegmiller, Director of Art, Public Schools, +Indianapolis, Ind.</span></li> + +<li><span class="smcap">Miss Harriette L. Rice, Director of Art, Public Schools, +Providence, R. I.</span></li> + +<li><span class="smcap">Mr. Walter Scott Perry, Director of the Art Department, Pratt +Institute, Brooklyn, N. Y.</span></li> + +<li><span class="smcap">Mrs. M. E. Riley, Director of Art, Public Schools, St. Louis, Mo.</span></li> + +<li><span class="smcap">Dr. Hugo Münsterberg, Professor of Psychology, Harvard University.</span></li> + +<li><span class="smcap">Mrs. Alice W. Cooley, Department of Education, University of North +Dakota.</span></li> + +<li><span class="smcap">Mr. John S. Clark, Boston, Mass.</span></li></ul></blockquote> + + +<h1>TEXT BOOKS OF +ART EDUCATION</h1> + +<h2>BOOK II. / / SECOND YEAR</h2> + +<p class="center">BY</p> + +<p class="big center">HUGO B. FROEHLICH</p> + +<p class="small center">FORMERLY INSTRUCTOR IN PRATT INSTITUTE +BROOKLYN, N. Y.</p> + +<p class="center">AND</p> + +<p class="center">BONNIE E. SNOW</p> + +<p class="small center">FORMERLY SUPERVISOR OF DRAWING IN THE +PUBLIC SCHOOLS OF MINNEAPOLIS, MINN.</p> + +<div class="figcenter" style="width: 100px;"> +<img src="images/illl000.jpg" width="100" height="120" alt="" title="" /> +</div> + +<p class="center">THE PRANG EDUCATIONAL COMPANY<br /> +NEW YORK / / BOSTON / / CHICAGO +</p> + + + +<p class="center"><span class="smcap">Copyright, 1904, By</span><br /> +THE PRANG EDUCATIONAL COMPANY. +</p> + + + +<h2>Acknowledgment.</h2> + + +<p>We are indebted to the publishers, Charles Scribner's Sons, for +permission to use the verses, "At the Seaside" (<a href="#Page_46">page 46</a>), the lines from +"Good and Bad Children" (<a href="#Page_13">page 13</a>), and the lines from "Singing" (<a href="#Page_36">page +36</a>)—all from "A Child's Garden of Verses," by Robert Louis Stevenson; +to the Macmillan Company for the lines by Christina Rossetti (<a href="#Page_16">page 16</a>); +to Houghton, Mifflin and Company for the stanza from Longfellow's "The +Fiftieth Birthday of Agassiz" (<a href="#Page_1">page 1</a>).</p> + +<p>For the Theory of Color Relations used in these books, special +acknowledgment is due to Dr. Denman W. Ross, of Harvard University. The +lessons in Design are preparatory to the fuller exposition in the upper +books of Dr. Ross's principles of arrangement—Balance, Rhythm and +Harmony.</p> + +<hr style="width: 95%;" /> + +<div class="poem"><div class="stanza"> +<span class="i0">"<i>I took a piece of plastic clay,</i><br /></span> +<span class="i0"><i>And idly fashioned it one day,</i><br /></span> +<span class="i0"><i>And as my fingers pressed it, still</i><br /></span> +<span class="i0"><i>It moved and yielded to my will.</i><br /></span> +<span class="i0"><i>I came again when days were past,—</i><br /></span> +<span class="i0"><i>The bit of clay was hard at last.</i><br /></span> +<span class="i0"><i>The form I gave it still it bore,</i><br /></span> +<span class="i0"><i>But I could change that form no more.</i><br /></span> +</div><div class="stanza"> +<span class="i0">"<i>I took a piece of living clay,</i><br /></span> +<span class="i0"><i>And gently formed it day by day,</i><br /></span> +<span class="i0"><i>And moulded, with my power and art,</i><br /></span> +<span class="i0"><i>A young child's soft and yielding heart.</i><br /></span> +<span class="i0"><i>I came again, when years were gone,—</i><br /></span> +<span class="i0"><i>It was a man I looked upon.</i><br /></span> +<span class="i0"><i>He still that early impress bore,</i><br /></span> +<span class="i0"><i>And I could change it nevermore!</i>"<br /></span> +<span class="pagenum"><a name="Page_1" id="Page_1">[Pg 1]</a></span></div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus007.jpg" width="500" height="284" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">And Nature, the old nurse, took<br /></span> +<span class="i0">The child upon her knee,<br /></span> +<span class="i0">Saying; "Here is a story-book<br /></span> +<span class="i0">Thy Father has written for thee."<br /></span> +<span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span></div></div> + + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl002.jpg" width="500" height="344" alt="" title="" /> +</div> + +<p>Come out of doors with paint-box and brush!</p> + +<p>Come to a clear little pool in a meadow!</p> + +<p>The world is dressed in blue, yellow and green.</p> + +<p>The green in the distant trees looks blue-green; but the color of the +meadow is yellow-green.</p> + +<p>The pool is the color of the sky.</p> + +<p>Paint the picture and choose a name for it.<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl003.jpg" width="500" height="339" alt="" title="" /> +</div> + +<p>Autumn likes bright red and yellow, with orange, violet, and deep, +deep blue.</p> + +<p>See how she has dressed our meadow.</p> + +<p>Look at the trees and the clear little pool.</p> + +<p>What color is the grass? Where is the deep blue?</p> + +<p>Where does the violet look more red than blue?</p> + +<p>Paint an autumn picture of our meadow.<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span></p> + +<div class="figleft" style="width: 288px;"> +<img src="images/illl004.jpg" width="288" height="650" alt="" title="" /> +</div> + +<div class="figright" style="width: 288px;"> +<img src="images/illl005.jpg" width="288" height="650" alt="" title="" /> +</div> + +<p>Name each of these four trees.</p> + +<p>Tell how you know them.<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span></p> + +<hr class="invisible" style="width: 95%;" /> + +<p>Which tree is like a leafy tent or umbrella? Its arms reach far and +wide to bend over us.</p> + +<p>Which tree looks like a spire? Its arms are raised toward the sky.</p> + +<p>Which tree stands with trunk tall and straight from the root to the +pointed top?</p> + +<p>See "the brave old oak, with broad green crown and fifty arms so +strong."</p> + +<p>Paint a set of shadow pictures (silhouettes) of the trees you like +best.</p> + +<p>Study the trunk: its shape; its size; the way it sends out its +branches.</p> + +<p>Study the branches: their shapes; their length; the way they +stretch out, or stretch up, or droop.</p> + +<p>Paint the true shape of the whole big tree.<span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p> + +<div class="figright" style="width: 289px;"> +<img src="images/illl006.jpg" width="289" height="650" alt="" title="" /> +</div> + +<p>The maple-tree in autumn looks like a great bouquet of reds and +yellows in a dark vase.</p> + +<p>You can tell it from all others by the shape and the color.</p> + +<p>Paint the bright bouquet.</p> + +<p>Drop in clear colors to show the shape of the maple-tree.<span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span></p> + +<hr class="invisible" style="width: 95%;" /> + +<div class="figleft" style="width: 288px;"> +<img src="images/illl007.jpg" width="288" height="650" alt="" title="" /> +</div> + +<p>When the trees are bare of leaves, we see how beautiful the +branches are.</p> + +<p>No two trees stretch out their arms in just the same way. But the +largest boughs always spring from the big round trunk.</p> + +<p>See how the smaller boughs spring from larger ones and rock the +winter buds in the air.</p> + +<p>Paint a tree as it looks in November.<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus014.jpg" width="500" height="651" alt="" title="" /> + +<div class="poem"><div class="stanza"> +<span class="i0">"There's a ship on the sea<br /></span> +<span class="i2">And it's sailing to-night, sailing to-night,—<br /></span> +<span class="i0">And father's aboard, and the moon is all bright.<br /></span> +<span class="i2">Dear moon, he'll be sailing for many a night—<br /></span> +<span class="i0">Sailing from mother and me.<br /></span> +<span class="i2">O follow the ship with your silvery light,<br /></span> +<span class="i0">As father sails over the sea."<br /></span> +</div></div></div> + +<p><span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span></p> + +<div class="figright" style="width: 250px;"> +<img src="images/illl009.jpg" width="250" height="372" alt="" title="" /> +</div> + +<p>Ship, sky and sea in the soft grays of night!</p> + +<p>Which is darker, the sky or the sea?</p> + +<p>Look at the light in the sky where it seems to meet the sea.</p> + +<p>The ship looks darkest gray.</p> + +<p>We see it against the lighter grays.</p> + +<p>Paint a "ship on the sea, sailing to-night."<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl010.jpg" width="500" height="346" alt="" title="" /> +</div> + +<p>Have you seen how sunset light over snow warms the white to a violet +glow?</p> + +<p>Have you seen an evergreen tree against a sunset sky? The green looks +very dark.</p> + +<p>Have you noticed the beautiful shape of Christmas trees?</p> + +<p>Paint a winter sunset, with an evergreen against the sunset sky.<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl011.jpg" width="500" height="360" alt="" title="" /> +</div> + +<p>Words make us see pictures. We can paint the same pictures with the +brush.</p> + +<p>Paint what the next lines make you see.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"A little swerve; a tricky curve,—<br /></span> +<span class="i0">And such a tumble!<br /></span> +<span class="i0">A whirl; a stop; the sled on top;<br /></span> +<span class="i0">A merry laugh,—yet this is not half<br /></span> +<span class="i0">The fun of sliding!"<br /></span> +<span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus018.jpg" width="500" height="355" alt="" title="" /> +</div> + +<p>Here is Susan in the rain again! Now there are sky and trees in the +picture.</p> + +<p>Think how the little girl is placed to show that she is walking on the +ground.</p> + +<p>Which is lightest gray—sky, trees, or ground?</p> + +<p>Draw the picture with pencil, or paint it with brush and ink.<span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus019.jpg" width="500" height="378" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">"Happy hearts and happy faces,<br /></span> +<span class="i0">Happy play in grassy places."<br /></span> +</div></div> + +<p>Do these lines tell the truth about your field-day picnic?</p> + +<p>Were you in the fields or in the woods?</p> + +<p>Show with brush or pencil the best fun of the day.<span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl014.jpg" width="500" height="675" alt="" title="" /> + +<div class="poem"><div class="stanza"> +<span class="i0">Daisies are dancing, dancing, dancing,—<br /></span> +<span class="i2">Daisies are dancing, list to the call<br /></span> +<span class="i0">Sung by the Katydid, gay little fiddler<br /></span> +<span class="i2">"Come all ye Flowers and dance at the Ball!"<br /></span> +<span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span></div></div> +</div> + +<div class="figleft" style="width: 250px;"> +<img src="images/illl015.jpg" width="250" height="660" alt="" title="" /> +</div> + +<p>When the dandelion looks up at the sun, it shakes out its golden tresses +from the green flower-cup.</p> + +<p>See the tall, round stem—pale green, with tints of red.</p> + +<p>What colors do you see in the long, narrow, hooked leaves? Do they grow +on the flower-stem?</p> + +<p>Paint your dandelions with their leaves just as you see them.<span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span></p> + +<hr class="invisible" style="width: 95%;" /> + +<div class="figleft" style="width: 250px;"> +<img src="images/illl016.jpg" width="250" height="605" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">"Wheat sways heavy, oats are airy,<br /></span> +<span class="i0">Barley bows a graceful head."<br /></span> +</div></div> + +<p>Bring stalks of wheat, oats, and other grains.</p> + +<p>Look at the shapes of the heads.</p> + +<p>See how each slender stalk holds its beautiful crown.</p> + +<p>Paint with ink from grasses, grains, or weeds of slender growth.<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span></p> + +<hr class="invisible" style="width: 95%;" /> + +<div class="figright" style="width: 250px;"> +<img src="images/illl017.jpg" width="250" height="491" alt="" title="" /> +</div> + +<p>How do you know this plant without seeing its colors?</p> + +<p>Paint a shadow picture of this flower, or of some other blossom that is +a bunch of many little flowers in one head.</p> + +<p>Does the blossom droop, or nod, or stand erect?</p> + +<p>Show just how each leaf grows on the stem.</p> + +<p>Our pictures must tell the truth.<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span></p> + +<hr class="invisible" style="width: 95%;" /> +<div class="figright" style="width: 250px;"> +<img src="images/illl018.jpg" width="250" height="560" alt="" title="" /> +</div> + +<p>Look closely at the two pictures of the chrysanthemum.</p> + +<p>See the two ways of painting the same plant.</p> + +<p>Which is easier to paint—this flower, or the dandelion?</p> + +<p>In what ways is this stem not like the flower-stem of the dandelion?</p> + +<p>In what ways are the leaves not like the dandelion leaves?</p> + +<p>Can you see the flower-cup?</p> + +<p>What colors will you use to paint your flower?<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span></p> + +<hr class="invisible" style="width: 95%;" /> + +<div class="figleft" style="width: 300px;"> +<img src="images/illl019.jpg" width="300" height="433" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">"Many fingered maple<br /></span> +<span class="i0">Spreads her palms on high."<br /></span> +</div></div> + +<p>Study the shape of your own bright maple leaf.</p> + +<p>Are the leaf stems the same color as the bough?</p> + +<p>What do you see where the stems join the bough?</p> + +<p>Is your bough bent or straight?</p> + +<p>Does it grow smaller toward the end?</p> + +<p>What colors do you see in the leaves?</p> + +<p>Paint this bit of autumn glory.<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl020.jpg" width="500" height="218" alt="" title="" /> +</div> + +<p>Plums on their twigs,</p> + +<p>Cherries and figs,</p> + +<p>Peaches, pears, and apples,—growing in the sun.</p> + +<p>Which fruit is shown in the picture?</p> + +<p>Try to find fruit growing.</p> + +<p>Paint a twig with leaves and fruit. Use ink.</p> + +<p>Show how the leaves and the fruit grow on the bough.</p> + +<p>Show true shapes.<span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl021.jpg" width="500" height="640" alt="" title="" /> +<span class="caption">"APPLES! RIPE APPLES! WHO'LL BUY?"</span> +</div><p><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl022.jpg" width="500" height="390" alt="" title="" /> +</div> + +<p>An apple growing on a twig is as beautiful as a flower.</p> + +<p>See how the leaves hide part of the bough.</p> + +<p>Paint the shape of the apple with water; drop in fresh, clear colors.</p> + +<p>Study the growth and color of the stem.</p> + +<p>Paint what you see.<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span></p> + +<div class="figright" style="width: 250px;"> +<img src="images/illl023.jpg" width="250" height="931" alt="" title="" /> +</div> + +<p>When you painted pussy-willows last year, you painted them in grays. Now +show them in colors.</p> + +<p>The budding twigs of spring often show colors as bright as those of +flowers.</p> + +<p>Look for color in the stems and buds of bushes, and in the tiny twigs of +many trees.</p> + +<p>For willow catkins spring chooses her daintiest colors: soft silvery +grays; rosy pink; pale green; bits of yellow; and never are two dressed +alike! Paint them as they look now.<span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl024.jpg" width="500" height="452" alt="" title="" /> +</div> + +<p>Would you like to tell the story of the life of the bean from seed to +fruit?</p> + +<p>You can tell it by shadow pictures.</p> + +<p>Now let us paint its flower and fruit.</p> + +<p>Look closely at the shape of each pod.</p> + +<p>Show by the stem how your bean grows.<span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span></p> + +<div class="figleft" style="width: 250px;"> +<img src="images/illl025.jpg" width="250" height="553" alt="" title="" /> +</div> + +<p>This little wild fellow of the woods is very like another flower we +love. The other is a queenly lady in pure, spotless white. Her name is +calla lily. Tell how the two plants are alike; how unlike.</p> + +<p>Paint shadow pictures of both.<span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl026.jpg" width="500" height="643" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl027.jpg" width="500" height="362" alt="" title="" /> +</div> + +<p>Alice is glad to find the ground covered with snow this morning. She +wishes to take her new sled to school.</p> + +<p>She sees the bright, blue sky; she sees the snow sparkle in the +sunlight; she sees the soft violet of the far-off trees.</p> + +<p>Paint the little girl and what she sees.<span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl028.jpg" width="500" height="671" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl029.jpg" width="500" height="590" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span></p> + +<div class="figleft" style="width: 200px;"> +<img src="images/illl030.jpg" width="200" height="168" alt="" title="" /> +</div> + +<p>We have very good times taking care of our goldfish. The beautiful +shapes darting about in the water glow and flash like the brightest of +jewels. They seem to have all the colors of the rainbow. We often paint +them.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl031.jpg" width="500" height="292" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl032.jpg" width="500" height="432" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">"Said the rooster, 'I'd have you all know<br /></span> +<span class="i0">I am nearly the whole of the show;<br /></span> +<span class="i4">Why, the sun every morn<br /></span> +<span class="i4">Gets up with the dawn<br /></span> +<span class="i0">For the purpose of hearing me crow!'"<br /></span> +<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span></div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl033.jpg" width="500" height="659" alt="" title="" /> +<span class="caption">Cut pictures to show animals you have seen in a circus parade.</span> +</div> + +<p><span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span></p> + +<div class="figleft" style="width: 250px;"> +<img src="images/illl034.jpg" width="250" height="528" alt="" title="" /> +</div> + +<p>Look at this picture. See how it shows that the little girl is jumping.</p> + +<p>Who can jump the rope without tripping? Alice may try it.</p> + +<hr class="invisible" style="width: 95%;" /> + +<p>Draw or paint the picture these verses make you see:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"Over your head, and under your toes,<br /></span> +<span class="i0">That is the way the merry rope goes.<br /></span> +<span class="i0">Up with this foot, down with that,<br /></span> +<span class="i0">Happy heart, go pit-a-pat."<br /></span> +<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span></div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl035.jpg" width="500" height="664" alt="" title="" /> +</div><p><span class="caption">This is the way we wash our clothes,<br /> +wash our clothes, wash our clothes;<br /> +This is the way we wash our clothes,<br /> +on a cold and frosty morning!<br /> +<br /> +This is the way we dry our clothes,<br /> +dry our clothes, dry our clothes;<br /> +This is the way we dry our clothes<br /> +on a cold and frosty morning!<br /> +</span></p> +<p><span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl036.jpg" width="500" height="657" alt="" title="" /> +</div><p><span class="caption">This is the way the ladies walk,<br /> + ladies walk, ladies walk;<br /> +This is the way the ladies walk,<br /> +on a cold and frosty morning!<br /> +<br /> +This is the way the gentlemen walk,<br /> + gentlemen walk, gentlemen walk;<br /> +This is the way the gentlemen walk,<br /> +on a cold and frosty morning.<br /> +</span></p> +<p><span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl037.jpg" width="500" height="291" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">The children sing in far Japan,<br /></span> +<span class="i0">The children sing in Spain;<br /></span> +<span class="i0">The organ with the organ man<br /></span> +<span class="i0">Is singing in the rain.<br /></span> +<span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span></div></div> + +<p class="center">Show in a Picture:</p> + +<p>1. What you can do to help mother.</p> + +<p>2. A game the girls play at recess.</p> + +<p>3. What the boys play at recess.</p> + +<p>4. What the wind does.</p> + +<p>5. Something that can swim.</p> + +<p>6. Something that can fly.</p> + +<p>7. What you play with at home.</p> + +<p>8. What you do in school.</p> + +<p>9. What the birds do in the spring.</p> + +<p>10. A picnic in the grove.<span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl039.jpg" width="500" height="406" alt="" title="" /> +</div> + +<p>"Does your little Mary drink tea, Mrs. Brown?"</p> + +<p>"Oh, no, Mrs. Bird! but she likes to drink milk out of these pretty +cups."</p> + +<p>"My little Ruth likes the cups, too. You see I have a new tea-set. It +was my Christmas present. I have a tea-party almost every day."<span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl040.jpg" width="500" height="651" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl041.jpg" width="500" height="655" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span></p> + +<div class="poem"><div class="stanza"> +<span class="i0">Sing a song of sixpence,<br /></span> +<span class="i4">A pocket full of rye;<br /></span> +<span class="i0">Four-and-twenty blackbirds<br /></span> +<span class="i4">Baked in a pie.<br /></span> +</div><div class="stanza"> +<span class="i0">When the pie was opened,<br /></span> +<span class="i4">The birds began to sing;<br /></span> +<span class="i0">Was not that a dainty dish<br /></span> +<span class="i4">To set before a King?<br /></span> +</div><div class="stanza"> +<span class="i0">The King was in his counting-house<br /></span> +<span class="i4">Counting out his money;<br /></span> +<span class="i0">The Queen was in the parlor,<br /></span> +<span class="i4">Eating bread and honey.<br /></span> +</div><div class="stanza"> +<span class="i0">The maid was in the garden,<br /></span> +<span class="i4">Hanging out the clothes;<br /></span> +<span class="i0">When up came a blackbird,<br /></span> +<span class="i4">And snapt off her nose.<br /></span> +<span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span></div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl042.jpg" width="500" height="346" alt="" title="" /> +</div> + +<p>Look over your toys. Choose two you would like to see together in a +picture.</p> + +<p>What would you like with a doll? Why not a drum? Why not a flat-iron and +a whip?</p> + +<p>Why do you like the picture of a tub with a wash-board?</p> + +<p>Place your two toys as they look best.</p> + +<p>Draw their picture as you see them.<span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl043.jpg" width="500" height="318" alt="" title="" /> +</div> + +<p>What dishes do you use in your play kitchen when you are getting ready +for a tea-party?</p> + +<p>Choose two you would like to see together in a picture.</p> + +<p>Place them as you think they look best.</p> + +<p>Look at them very closely. Be sure to see their true shapes. Draw just +what you see.<span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl044.jpg" width="500" height="625" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span></p> + +<p>Mrs. Marsh was getting ready to take Roy and Grace to spend a week at +Clear Lake. Grace saw the open trunk.</p> + +<p>"Oh, Roy!" said she, "here's our trunk open, ready to be packed. Let's +pack it ourselves and surprise mother."</p> + +<p>"All right! That will be great fun! Then we can take just what we like."</p> + +<hr style="width: 45%;" /> + +<p>Draw the open trunk.</p> + +<p>Draw it after it was packed and closed.</p> + +<p>Guess what they put into it.</p> + +<p>How do you think mother liked to be surprised in this way?<span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl045.jpg" width="500" height="509" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">"When I was down beside the sea<br /></span> +<span class="i0">A wooden spade they gave to me<br /></span> +<span class="i0">To dig the sandy shore."<br /></span> +<span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span></div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl046.jpg" width="500" height="396" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">"In the sunlit garden<br /></span> +<span class="i2">Through the glad spring day,<br /></span> +<span class="i0">Watch the happy little folk<br /></span> +<span class="i2">Turning work to play."<br /></span> +<span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span></div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl047.jpg" width="500" height="241" alt="" title="" /> +</div> + +<p>Mould clay to make a sphere. With thread, cut it into two parts of just +the same size.</p> + +<p>You have cut your sphere into two equal parts. Each is called a +hemisphere.</p> + +<p>Mould clay to make half an apple on a square tablet.</p> + +<p>Think how many things shaped like a hemisphere you can mould and draw.<span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl048.jpg" width="500" height="295" alt="" title="" /> +</div> + +<p>Mould a square prism of clay. Draw it standing on a square face. Draw it +lying on an oblong face.</p> + +<p>Think of things shaped like a square prism: things you see out of doors; +at home; at school; everywhere you go. Tell what you have seen.</p> + +<p>Choose some to draw, mould or paint.<span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl049.jpg" width="500" height="244" alt="" title="" /> +</div> + +<p>Mould a square prism of clay.</p> + +<p>With thread, cut it into two equal parts like those in the picture. Each +of these two equal parts is a right tri-prism.</p> + +<p>Look at the three oblong faces of your right tri-prism. One face is +wider than either of the others. When a right tri-prism is resting on +its widest oblong face, it looks like a roof.</p> + +<p>What does it look like in other positions?</p> + +<p>Show by drawing or painting.<span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl050.jpg" width="500" height="278" alt="" title="" /> +</div> + +<p>Draw a circle. Fold and cut it into two equal parts. Each is a +semicircle.</p> + +<p>Place a hemisphere on a book. Raise the book to the level of your eyes. +Draw the shape of the hemisphere. You have drawn a semicircle.</p> + +<p>What plant is shaped like a hemisphere on a round stem?</p> + +<p>Do you see how to draw a row of these shapes, or a border of +semicircles?<span class="pagenum"><a name="Page_52" id="Page_52">[Pg 52]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl051.jpg" width="500" height="381" alt="" title="" /> +</div> + +<p>These pictures show you how to get a square and an oblong from a square +prism.</p> + +<p>Draw an oblong four inches long and two inches wide. Draw a three-inch +square.</p> + +<p>Draw an oblong table-cloth with a border of squares in a row.</p> + +<p>Lay a row of tablets: first, an oblong; then a square. Draw this border +on a paper towel.<span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl052.jpg" width="500" height="342" alt="" title="" /> +</div> + +<p>One of the drawings on this page is called a right triangle. Can you +find it?</p> + +<p>Think how you can get a right triangle from a right tri-prism.</p> + +<p>Lay tablets of the same shape to make a border across the ends of a rug.</p> + +<p>Draw a house with a triangle in the roof.<span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl053.jpg" width="500" height="472" alt="" title="" /> +</div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl054.jpg" width="500" height="528" alt="" title="" /> +<span class="caption">COLOR CHART</span> +</div> + +<p><span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl055.jpg" width="500" height="495" alt="" title="" /> +</div> + +<p>What pleasure to paint a window like this, beautiful in shape, beautiful +in color!</p> + +<p>Draw a two-inch square. On this lay tablets—the inch square in the +center, with semicircles about it. Draw around it. Draw around the +semicircles.</p> + +<p>Paint the shape with water. Drop in the fresh colors and let the water +blend them.</p> + +<p>Finish with the dark edge.<span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span></p> + +<p>In the two bright circles of color, point out the six rainbow colors: +yellow, orange, red, violet, blue, green.</p> + +<p>Find in the circles the color that is between yellow and orange. These +two colors are blended in one, named yellow-orange. Find the color +between red and orange. What two colors are blended in red-orange?</p> + +<p>Find the color between red and violet, named red-violet. Why? Find +blue-violet.</p> + +<p>Find blue-green. What two colors blend to make yellow-green? Find it in +the circles.</p> + +<p>How many of these colors are in your stained glass window? Paint another +window, and watch the colors come.<span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl056.jpg" width="500" height="263" alt="" title="" /> +</div> + +<p>Draw or paint a picture of the animal you know best.</p> + +<p>Draw or paint a row of these shapes, all just alike.</p> + +<p>Take pictures of your animal as it looks when it stands; sits up; lies +down; walks or runs.</p> + +<p>Make rows of these shapes. Which row would you like best for a border on +your book cover?<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl057.jpg" width="500" height="324" alt="" title="" /> +</div> + +<p>Look at the shapes on these book covers.</p> + +<p>In the borders you have made, the shapes have always faced the same way. +Do these?</p> + +<p>Place two sweet-peas, daffodils, or other flowers, as the grasses are +placed.</p> + +<p>Choose those that seem to look toward each other.</p> + +<p>Place shapes of animals in the same way.</p> + +<p>Draw or paint them on book covers.<span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl058.jpg" width="500" height="259" alt="" title="" /> +</div> + +<p>This is a good pattern for a floor of wood, or for oil-cloth to cover a +floor.</p> + +<p>You may draw it for your play house.</p> + +<p>On an eight-inch square of paper draw sixteen two-inch squares. In the +center of each, lay an inch tablet. Draw around it.</p> + +<p>With the pencil, color the squares like the squares in the picture.<span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl059.jpg" width="500" height="267" alt="" title="" /> +</div> + +<p>Look at bowls at home and in stores. Choose the shape you like best. We +will make one out of clay.</p> + +<p>Does it not seem strange that you can make a lump of moist clay into a +beautiful bowl?</p> + +<p>With the thumbs, press a deep hollow in the lump of clay for the inside +of the bowl. Press and pull up the outside into the shape you wish. If +you need more clay, work in a small lump at a time.</p> + +<p>Let the bowls stand one day to dry. Then wash the inside with a glaze. +When the bowl is very dry, it is ready to be baked in the kiln.<span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl060.jpg" width="500" height="332" alt="" title="" /> +</div> + +<p>This clay match-safe is not so easy to make as the round bowls we have +made.</p> + +<p>Shape a lump of clay like a square prism. With the thumbs, press the +hollow inside until the bottom is like an oblong tablet.</p> + +<p>Press and pull the walls into good shape. Leave square corners. Work in +the handle.</p> + +<p>Let the match-safe stand one day to dry. Then, with the brush, paint +upon it a row of shapes in red.</p> + +<p>When the match-safe is very dry, it may be fired in a kiln.<span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl061.jpg" width="500" height="558" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl062.jpg" width="500" height="367" alt="" title="" /> +</div> + +<p>Look at this pattern for wall-paper. It would be good for a bedroom.</p> + +<p>You may make your own patterns for different rooms in your house.</p> + +<p>Choose your shapes. Think how to place them.</p> + +<p>Choose two colors you like to see together. Color with brush or pencil.</p> + +<p>Choose the best patterns for your rooms.<span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl063.jpg" width="500" height="631" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl064.jpg" width="500" height="226" alt="" title="" /> +</div> + +<p>See how this table is made from a box like a cube without a cover. Make +one.</p> + +<p>Look at this stove, and at the one in the play house. We can make such a +stove.</p> + +<p>Make a solid cube of stiff black paper. Cut pieces for doors, covers, +grate, hearth and pipe. Paste them on. The bottom is a very low box with +a little larger face than the cube. Make one. If you like, cut out the +sides to leave wide legs. Paste the bottom of the stove on this base.<span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl065.jpg" width="500" height="410" alt="" title="" /> +</div> + +<p>Fold, cut, and paste an eight-inch square to make a square prism for the +seat.</p> + +<p>Cut a sheet six inches by eight inches.</p> + +<p>Fold and crease two inches from each short edge. Shape the sides. Fold +around the seat. Paste.<span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl066.jpg" width="500" height="645" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span></p> + +<p>To make a short book-mark, fold four strips ten inches long into double +five-inch strips. Hold two of them side by side in the left hand, with +the open ends of the outer strip at the top, and the open ends of the +inner strip at the bottom.</p> + +<p>With a third strip in the right hand, pass its two parts around the +outer strip in the left hand. Pass its two ends between the two parts of +the inner strip.</p> + +<p>Then hold the work in the right hand. With the fourth strip in the left +hand, pass it around the outer strip and between the parts of the inner +strip in the right hand. To draw the strips tight, pull the open ends. +Cut two ends. Trim the other ends. (See the picture.) Paste the parts in +place. You have made a pretty gift.<span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl067.jpg" width="500" height="648" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span></p> + +<div class="figleft" style="width: 200px;"> +<img src="images/illl068.jpg" width="200" height="241" alt="" title="" /> +</div> + +<hr class="invisible" style="width: 95%;" /> + +<div class="poem"><div class="stanza"> +<span class="i0">"Hi, weavers! Ho, weavers!<br /></span> +<span class="i0">Come, and weave with me!<br /></span> +<span class="i0">You'll rarely find, go where you will,<br /></span> +<span class="i0">A happier band than we!"<br /></span> +</div></div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl069.jpg" width="500" height="281" alt="" title="" /> +</div> + +<p><span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span></p> + +<p>Choose, for the body of your rug, carpet yarn of a color you will like +in the room where you will put it.</p> + +<p>What color that looks well with this, will you choose for the stripes?</p> + +<p>String your loom with one long piece of warp. Draw it so it feels firm. +Leave long, free ends.</p> + +<p>Thread your needle or shuttle, and weave from both ends to the middle.</p> + +<p>Lift the rug from the loom when it is woven full.</p> + +<p>Run the ends of the warp strings along the sides of the rug; or, tie +them to the next warp strings.</p> + +<p>Is your rug for a hall, a parlor, a dining-room or a bedroom?<span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illl070.jpg" width="500" height="424" alt="" title="" /> +</div> + +<div class="poem"><div class="stanza"> +<span class="i0">"There is work that is work;<br /></span> +<span class="i2">There is play that is play;<br /></span> +<span class="i0">There is play that is work;<br /></span> +<span class="i2">There is work that is play—<br /></span> +<span class="i0">And one of these four<br /></span> +<span class="i2">Is the very best way."<br /></span> +</div></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Text books of Art Education, v. 2 of 7, by +Hugo B. 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mode 100644 index 0000000..4b826c6 --- /dev/null +++ b/37495-h/images/illus018.jpg diff --git a/37495-h/images/illus019.jpg b/37495-h/images/illus019.jpg Binary files differnew file mode 100644 index 0000000..5c6af6f --- /dev/null +++ b/37495-h/images/illus019.jpg diff --git a/37495.txt b/37495.txt new file mode 100644 index 0000000..25cc626 --- /dev/null +++ b/37495.txt @@ -0,0 +1,1287 @@ +The Project Gutenberg EBook of Text books of Art Education, v. 2 of 7, by +Hugo B. Froehlich and Bonnie E. Snow + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Text books of Art Education, v. 2 of 7 + Book II, Second Year + +Author: Hugo B. Froehlich + Bonnie E. Snow + +Release Date: September 21, 2011 [EBook #37495] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TEXT BOOKS OF ART EDUCATION *** + + + + +Produced by Juliet Sutherland, Anna Hall and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +THESE BOOKS WERE PLANNED IN A SERIES OF CONFERENCES AND CONSULTATIONS +WITH LEADING ART TEACHERS AND EDUCATORS, AMONG WHOM WERE THE FOLLOWING: + + MISS BONNIE E. SNOW, FORMERLY DIRECTOR OF ART, PUBLIC SCHOOLS, + MINNEAPOLIS, MINN. + + MISS WILHELMINA SEEGMILLER, DIRECTOR OF ART, PUBLIC SCHOOLS, + INDIANAPOLIS, IND. + + MISS HARRIETTE L. RICE, DIRECTOR OF ART, PUBLIC SCHOOLS, PROVIDENCE, + R. I. + + MR. WALTER SCOTT PERRY, DIRECTOR OF THE ART DEPARTMENT, PRATT + INSTITUTE, BROOKLYN, N. Y. + + MRS. M. E. RILEY, DIRECTOR OF ART, PUBLIC SCHOOLS, ST. LOUIS, MO. + + DR. HUGO MUENSTERBERG, PROFESSOR OF PSYCHOLOGY, HARVARD UNIVERSITY. + + MRS. ALICE W. COOLEY, DEPARTMENT OF EDUCATION, UNIVERSITY OF NORTH + DAKOTA. + + MR. JOHN S. CLARK, BOSTON, MASS. + + + + + TEXT BOOKS OF + ART EDUCATION + + BOOK II. / / SECOND YEAR + + BY + + HUGO B. FROEHLICH + + FORMERLY INSTRUCTOR IN PRATT INSTITUTE + BROOKLYN, N. Y. + + AND + + BONNIE E. SNOW + + FORMERLY SUPERVISOR OF DRAWING IN THE + PUBLIC SCHOOLS OF MINNEAPOLIS, MINN. + + [Illustration] + + THE PRANG EDUCATIONAL COMPANY + NEW YORK / / BOSTON / / CHICAGO + + + + + COPYRIGHT, 1904, BY + THE PRANG EDUCATIONAL COMPANY. + + + + +Acknowledgment. + + +We are indebted to the publishers, Charles Scribner's Sons, for +permission to use the verses, "At the Seaside" (page 46), the lines from +"Good and Bad Children" (page 13), and the lines from "Singing" (page +36)--all from "A Child's Garden of Verses," by Robert Louis Stevenson; +to the Macmillan Company for the lines by Christina Rossetti (page 16); +to Houghton, Mifflin and Company for the stanza from Longfellow's "The +Fiftieth Birthday of Agassiz" (page 1). + +For the Theory of Color Relations used in these books, special +acknowledgment is due to Dr. Denman W. Ross, of Harvard University. The +lessons in Design are preparatory to the fuller exposition in the upper +books of Dr. Ross's principles of arrangement--Balance, Rhythm and +Harmony. + + "_I took a piece of plastic clay, + And idly fashioned it one day, + And as my fingers pressed it, still + It moved and yielded to my will. + I came again when days were past,-- + The bit of clay was hard at last. + The form I gave it still it bore, + But I could change that form no more._ + + "_I took a piece of living clay, + And gently formed it day by day, + And moulded, with my power and art, + A young child's soft and yielding heart. + I came again, when years were gone,-- + It was a man I looked upon. + He still that early impress bore, + And I could change it nevermore!_" + +[Illustration] + + And Nature, the old nurse, took + The child upon her knee, + Saying; "Here is a story-book + Thy Father has written for thee." + +[Illustration] + +Come out of doors with paint-box and brush! + +Come to a clear little pool in a meadow! + +The world is dressed in blue, yellow and green. + +The green in the distant trees looks blue-green; but the color of the +meadow is yellow-green. + +The pool is the color of the sky. + +Paint the picture and choose a name for it. + +[Illustration] + +Autumn likes bright red and yellow, with orange, violet, and deep, deep +blue. + +See how she has dressed our meadow. + +Look at the trees and the clear little pool. + +What color is the grass? Where is the deep blue? + +Where does the violet look more red than blue? + +Paint an autumn picture of our meadow. + +[Illustration] + +[Illustration] + +[Illustration] + +[Illustration] + +Name each of these four trees. + +Tell how you know them. + +Which tree is like a leafy tent or umbrella? Its arms reach far and wide +to bend over us. + +Which tree looks like a spire? Its arms are raised toward the sky. + +Which tree stands with trunk tall and straight from the root to the +pointed top? + +See "the brave old oak, with broad green crown and fifty arms so +strong." + +Paint a set of shadow pictures (silhouettes) of the trees you like best. + +Study the trunk: its shape; its size; the way it sends out its branches. + +Study the branches: their shapes; their length; the way they stretch +out, or stretch up, or droop. + +Paint the true shape of the whole big tree. + +[Illustration] + +The maple-tree in autumn looks like a great bouquet of reds and yellows +in a dark vase. + +You can tell it from all others by the shape and the color. + +Paint the bright bouquet. + +Drop in clear colors to show the shape of the maple-tree. + +[Illustration] + +When the trees are bare of leaves, we see how beautiful the branches +are. + +No two trees stretch out their arms in just the same way. But the +largest boughs always spring from the big round trunk. + +See how the smaller boughs spring from larger ones and rock the winter +buds in the air. + +Paint a tree as it looks in November. + +[Illustration: + + "There's a ship on the sea + And it's sailing to-night, sailing to-night,-- + And father's aboard, and the moon is all bright. + Dear moon, he'll be sailing for many a night-- + Sailing from mother and me. + O follow the ship with your silvery light, + As father sails over the sea."] + +[Illustration] + +Ship, sky and sea in the soft grays of night! + +Which is darker, the sky or the sea? + +Look at the light in the sky where it seems to meet the sea. + +The ship looks darkest gray. + +We see it against the lighter grays. + +Paint a "ship on the sea, sailing to-night." + +[Illustration] + +Have you seen how sunset light over snow warms the white to a violet +glow? + +Have you seen an evergreen tree against a sunset sky? The green looks +very dark. + +Have you noticed the beautiful shape of Christmas trees? + +Paint a winter sunset, with an evergreen against the sunset sky. + +[Illustration] + +Words make us see pictures. We can paint the same pictures with the +brush. + +Paint what the next lines make you see. + + "A little swerve; a tricky curve,-- + And such a tumble! + A whirl; a stop; the sled on top; + A merry laugh,--yet this is not half + The fun of sliding!" + +[Illustration] + +Here is Susan in the rain again! Now there are sky and trees in the +picture. + +Think how the little girl is placed to show that she is walking on the +ground. + +Which is lightest gray--sky, trees, or ground? + +Draw the picture with pencil, or paint it with brush and ink. + +[Illustration] + + "Happy hearts and happy faces, + Happy play in grassy places." + +Do these lines tell the truth about your field-day picnic? + +Were you in the fields or in the woods? + +Show with brush or pencil the best fun of the day. + +[Illustration] + + Daisies are dancing, dancing, dancing,-- + Daisies are dancing, list to the call + Sung by the Katydid, gay little fiddler + "Come all ye Flowers and dance at the Ball!" + +[Illustration] + +When the dandelion looks up at the sun, it shakes out its golden tresses +from the green flower-cup. + +See the tall, round stem--pale green, with tints of red. + +What colors do you see in the long, narrow, hooked leaves? Do they grow +on the flower-stem? + +Paint your dandelions with their leaves just as you see them. + +[Illustration] + + "Wheat sways heavy, oats are airy, + Barley bows a graceful head." + +Bring stalks of wheat, oats, and other grains. + +Look at the shapes of the heads. + +See how each slender stalk holds its beautiful crown. + +Paint with ink from grasses, grains, or weeds of slender growth. + +[Illustration] + +How do you know this plant without seeing its colors? + +Paint a shadow picture of this flower, or of some other blossom that is +a bunch of many little flowers in one head. + +Does the blossom droop, or nod, or stand erect? + +Show just how each leaf grows on the stem. + +Our pictures must tell the truth. + +[Illustration] + +Look closely at the two pictures of the chrysanthemum. + +See the two ways of painting the same plant. + +Which is easier to paint--this flower, or the dandelion? + +In what ways is this stem not like the flower-stem of the dandelion? + +In what ways are the leaves not like the dandelion leaves? + +Can you see the flower-cup? + +What colors will you use to paint your flower? + +[Illustration] + + "Many fingered maple + Spreads her palms on high." + +Study the shape of your own bright maple leaf. + +Are the leaf stems the same color as the bough? + +What do you see where the stems join the bough? + +Is your bough bent or straight? + +Does it grow smaller toward the end? + +What colors do you see in the leaves? + +Paint this bit of autumn glory. + +[Illustration] + +Plums on their twigs, + +Cherries and figs, + +Peaches, pears, and apples,--growing in the sun. + +Which fruit is shown in the picture? + +Try to find fruit growing. + +Paint a twig with leaves and fruit. Use ink. + +Show how the leaves and the fruit grow on the bough. + +Show true shapes. + +[Illustration: "APPLES! RIPE APPLES! WHO'LL BUY?"] + +[Illustration] + +An apple growing on a twig is as beautiful as a flower. + +See how the leaves hide part of the bough. + +Paint the shape of the apple with water; drop in fresh, clear colors. + +Study the growth and color of the stem. + +Paint what you see. + +[Illustration] + +When you painted pussy-willows last year, you painted them in grays. Now +show them in colors. + +The budding twigs of spring often show colors as bright as those of +flowers. + +Look for color in the stems and buds of bushes, and in the tiny twigs of +many trees. + +For willow catkins spring chooses her daintiest colors: soft silvery +grays; rosy pink; pale green; bits of yellow; and never are two dressed +alike! Paint them as they look now. + +[Illustration] + +Would you like to tell the story of the life of the bean from seed to +fruit? + +You can tell it by shadow pictures. + +Now let us paint its flower and fruit. + +Look closely at the shape of each pod. + +Show by the stem how your bean grows. + +[Illustration] + +This little wild fellow of the woods is very like another flower we +love. The other is a queenly lady in pure, spotless white. Her name is +calla lily. Tell how the two plants are alike; how unlike. + +Paint shadow pictures of both. + +[Illustration] + +[Illustration] + +Alice is glad to find the ground covered with snow this morning. She +wishes to take her new sled to school. + +She sees the bright, blue sky; she sees the snow sparkle in the +sunlight; she sees the soft violet of the far-off trees. + +Paint the little girl and what she sees. + +[Illustration] + +[Illustration] + +[Illustration] + +We have very good times taking care of our goldfish. The beautiful +shapes darting about in the water glow and flash like the brightest of +jewels. They seem to have all the colors of the rainbow. We often paint +them. + +[Illustration] + +[Illustration] + + "Said the rooster, 'I'd have you all know + I am nearly the whole of the show; + Why, the sun every morn + Gets up with the dawn + For the purpose of hearing me crow!'" + +[Illustration: RHINOCEROS HIPPOPOTAMUS] + +Cut pictures to show animals you have seen in a circus parade. + +[Illustration: LION TIGRESS ELEPHANT CAMEL] + +Look at this picture. See how it shows that the little girl is jumping. + +[Illustration] + +Who can jump the rope without tripping? Alice may try it. + +Draw or paint the picture these verses make you see: + + "Over your head, and under your toes, + That is the way the merry rope goes. + Up with this foot, down with that, + Happy heart, go pit-a-pat." + +[Illustration: + + This is the way we wash our clothes, + wash our clothes, wash our clothes; + This is the way we wash our clothes, + on a cold and frosty morning! + + This is the way we dry our clothes, + dry our clothes, dry our clothes; + This is the way we dry our clothes + on a cold and frosty morning!] + +[Illustration: + + This is the way the ladies walk, + ladies walk, ladies walk; + This is the way the ladies walk, + on a cold and frosty morning! + + This is the way the gentlemen walk, + gentlemen walk, gentlemen walk; + This is the way the gentlemen walk, + on a cold and frosty morning.] + +[Illustration] + + The children sing in far Japan, + The children sing in Spain; + The organ with the organ man + Is singing in the rain. + +Show in a Picture: + +1. What you can do to help mother. + +2. A game the girls play at recess. + +3. What the boys play at recess. + +4. What the wind does. + +5. Something that can swim. + +6. Something that can fly. + +7. What you play with at home. + +8. What you do in school. + +9. What the birds do in the spring. + +10. A picnic in the grove. + +[Illustration] + +"Does your little Mary drink tea, Mrs. Brown?" + +"Oh, no, Mrs. Bird! but she likes to drink milk out of these pretty +cups." + +"My little Ruth likes the cups, too. You see I have a new tea-set. It +was my Christmas present. I have a tea-party almost every day." + +[Illustration] + +[Illustration] + + Sing a song of sixpence, + A pocket full of rye; + Four-and-twenty blackbirds + Baked in a pie. + + When the pie was opened, + The birds began to sing; + Was not that a dainty dish + To set before a King? + + The King was in his counting-house + Counting out his money; + The Queen was in the parlor, + Eating bread and honey. + + The maid was in the garden, + Hanging out the clothes; + When up came a blackbird, + And snapt off her nose. + +[Illustration] + +Look over your toys. Choose two you would like to see together in a +picture. + +What would you like with a doll? Why not a drum? Why not a flat-iron and +a whip? + +Why do you like the picture of a tub with a wash-board? + +Place your two toys as they look best. + +Draw their picture as you see them. + +[Illustration] + +What dishes do you use in your play kitchen when you are getting ready +for a tea-party? + +Choose two you would like to see together in a picture. + +Place them as you think they look best. + +Look at them very closely. Be sure to see their true shapes. Draw just +what you see. + +[Illustration] + +Mrs. Marsh was getting ready to take Roy and Grace to spend a week at +Clear Lake. Grace saw the open trunk. + +"Oh, Roy!" said she, "here's our trunk open, ready to be packed. Let's +pack it ourselves and surprise mother." + +"All right! That will be great fun! Then we can take just what we like." + + * * * * * + +Draw the open trunk. + +Draw it after it was packed and closed. + +Guess what they put into it. + +How do you think mother liked to be surprised in this way? + +[Illustration] + + "When I was down beside the sea + A wooden spade they gave to me + To dig the sandy shore." + +[Illustration] + + "In the sunlit garden + Through the glad spring day, + Watch the happy little folk + Turning work to play." + +[Illustration] + +Mould clay to make a sphere. With thread, cut it into two parts of just +the same size. + +You have cut your sphere into two equal parts. Each is called a +hemisphere. + +Mould clay to make half an apple on a square tablet. + +Think how many things shaped like a hemisphere you can mould and draw. + +[Illustration] + +Mould a square prism of clay. Draw it standing on a square face. Draw it +lying on an oblong face. + +Think of things shaped like a square prism: things you see out of doors; +at home; at school; everywhere you go. Tell what you have seen. + +Choose some to draw, mould or paint. + +[Illustration] + +Mould a square prism of clay. + +With thread, cut it into two equal parts like those in the picture. Each +of these two equal parts is a right tri-prism. + +Look at the three oblong faces of your right tri-prism. One face is +wider than either of the others. When a right tri-prism is resting on +its widest oblong face, it looks like a roof. + +What does it look like in other positions? + +Show by drawing or painting. + +[Illustration] + +Draw a circle. Fold and cut it into two equal parts. Each is a +semicircle. + +Place a hemisphere on a book. Raise the book to the level of your eyes. +Draw the shape of the hemisphere. You have drawn a semicircle. + +What plant is shaped like a hemisphere on a round stem? + +Do you see how to draw a row of these shapes, or a border of +semicircles? + +[Illustration] + +These pictures show you how to get a square and an oblong from a square +prism. + +Draw an oblong four inches long and two inches wide. Draw a three-inch +square. + +Draw an oblong table-cloth with a border of squares in a row. + +Lay a row of tablets: first, an oblong; then a square. Draw this border +on a paper towel. + +[Illustration] + +One of the drawings on this page is called a right triangle. Can you +find it? + +Think how you can get a right triangle from a right tri-prism. + +Lay tablets of the same shape to make a border across the ends of a rug. + +Draw a house with a triangle in the roof. + +[Illustration] + +[Illustration: COLOR CHART] + +[Illustration] + +What pleasure to paint a window like this, beautiful in shape, beautiful +in color! + +Draw a two-inch square. On this lay tablets--the inch square in the +center, with semicircles about it. Draw around it. Draw around the +semicircles. + +Paint the shape with water. Drop in the fresh colors and let the water +blend them. + +Finish with the dark edge. + +In the two bright circles of color, point out the six rainbow colors: +yellow, orange, red, violet, blue, green. + +Find in the circles the color that is between yellow and orange. These +two colors are blended in one, named yellow-orange. Find the color +between red and orange. What two colors are blended in red-orange? + +Find the color between red and violet, named red-violet. Why? Find +blue-violet. + +Find blue-green. What two colors blend to make yellow-green? Find it in +the circles. + +How many of these colors are in your stained glass window? Paint another +window, and watch the colors come. + +[Illustration] + +Draw or paint a picture of the animal you know best. + +Draw or paint a row of these shapes, all just alike. + +Take pictures of your animal as it looks when it stands; sits up; lies +down; walks or runs. + +Make rows of these shapes. Which row would you like best for a border on +your book cover? + +[Illustration] + +Look at the shapes on these book covers. + +In the borders you have made, the shapes have always faced the same way. +Do these? + +Place two sweet-peas, daffodils, or other flowers, as the grasses are +placed. + +Choose those that seem to look toward each other. + +Place shapes of animals in the same way. + +Draw or paint them on book covers. + +[Illustration] + +This is a good pattern for a floor of wood, or for oil-cloth to cover a +floor. + +You may draw it for your play house. + +On an eight-inch square of paper draw sixteen two-inch squares. In the +center of each, lay an inch tablet. Draw around it. + +With the pencil, color the squares like the squares in the picture. + +[Illustration] + +Look at bowls at home and in stores. Choose the shape you like best. We +will make one out of clay. + +Does it not seem strange that you can make a lump of moist clay into a +beautiful bowl? + +With the thumbs, press a deep hollow in the lump of clay for the inside +of the bowl. Press and pull up the outside into the shape you wish. If +you need more clay, work in a small lump at a time. + +Let the bowls stand one day to dry. Then wash the inside with a glaze. +When the bowl is very dry, it is ready to be baked in the kiln. + +[Illustration] + +This clay match-safe is not so easy to make as the round bowls we have +made. + +Shape a lump of clay like a square prism. With the thumbs, press the +hollow inside until the bottom is like an oblong tablet. + +Press and pull the walls into good shape. Leave square corners. Work in +the handle. + +Let the match-safe stand one day to dry. Then, with the brush, paint +upon it a row of shapes in red. + +When the match-safe is very dry, it may be fired in a kiln. + +[Illustration] + +[Illustration] + +Look at this pattern for wall-paper. It would be good for a bedroom. + +You may make your own patterns for different rooms in your house. + +Choose your shapes. Think how to place them. + +Choose two colors you like to see together. Color with brush or pencil. + +Choose the best patterns for your rooms. + +[Illustration] + +[Illustration] + +See how this table is made from a box like a cube without a cover. Make +one. + +Look at this stove, and at the one in the play house. We can make such a +stove. + +Make a solid cube of stiff black paper. Cut pieces for doors, covers, +grate, hearth and pipe. Paste them on. The bottom is a very low box with +a little larger face than the cube. Make one. If you like, cut out the +sides to leave wide legs. Paste the bottom of the stove on this base. + +[Illustration] + +Fold, cut, and paste an eight-inch square to make a square prism for the +seat. + +Cut a sheet six inches by eight inches. + +Fold and crease two inches from each short edge. Shape the sides. Fold +around the seat. Paste. + +[Illustration] + +To make a short book-mark, fold four strips ten inches long into double +five-inch strips. Hold two of them side by side in the left hand, with +the open ends of the outer strip at the top, and the open ends of the +inner strip at the bottom. + +With a third strip in the right hand, pass its two parts around the +outer strip in the left hand. Pass its two ends between the two parts of +the inner strip. + +Then hold the work in the right hand. With the fourth strip in the left +hand, pass it around the outer strip and between the parts of the inner +strip in the right hand. To draw the strips tight, pull the open ends. +Cut two ends. Trim the other ends. (See the picture.) Paste the parts in +place. You have made a pretty gift. + +[Illustration] + +[Illustration] + + "Hi, weavers! Ho, weavers! + Come, and weave with me! + You'll rarely find, go where you will, + A happier band than we!" + +[Illustration] + +Choose, for the body of your rug, carpet yarn of a color you will like +in the room where you will put it. + +What color that looks well with this, will you choose for the stripes? + +String your loom with one long piece of warp. Draw it so it feels firm. +Leave long, free ends. + +Thread your needle or shuttle, and weave from both ends to the middle. + +Lift the rug from the loom when it is woven full. + +Run the ends of the warp strings along the sides of the rug; or, tie +them to the next warp strings. + +Is your rug for a hall, a parlor, a dining-room or a bedroom? + +[Illustration] + + "There is work that is work; + There is play that is play; + There is play that is work; + There is work that is play-- + And one of these four + Is the very best way." + + + Transcriber's note: + _Underscores_ have been used to indicate _italic_ fonts. + + + + + +End of the Project Gutenberg EBook of Text books of Art Education, v. 2 of 7, by +Hugo B. Froehlich and Bonnie E. 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