diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:15:59 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:15:59 -0700 |
| commit | 73151a99c27717d4b63edca62e51cfeecb374e22 (patch) | |
| tree | 75d5433dc145857ecf30dc3476e46f3f023f6045 /old/dpdua10.txt | |
Diffstat (limited to 'old/dpdua10.txt')
| -rw-r--r-- | old/dpdua10.txt | 5739 |
1 files changed, 5739 insertions, 0 deletions
diff --git a/old/dpdua10.txt b/old/dpdua10.txt new file mode 100644 index 0000000..63cf312 --- /dev/null +++ b/old/dpdua10.txt @@ -0,0 +1,5739 @@ +The Project Gutenberg EBook of The Duchess of Padua, by Oscar Wilde +(#9 in our series by Oscar Wilde) + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: The Duchess of Padua + +Author: Oscar Wilde + +Release Date: April, 1997 [EBook #875] +[This file was first posted on April 9, 1997] +[Most recently updated: September 25, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK, THE DUCHESS OF PADUA *** + + + + +Transcribed from the 1916 Methuen and Co. edition by David Price, +email ccx074@coventry.ac.uk + + + + +THE DUCHESS OF PADUA + + + + +THE PERSONS OF THE PLAY + + +Simone Gesso, Duke of Padua +Beatrice, his Wife +Andreas Pollajuolo, Cardinal of Padua +Maffio Petrucci, } +Jeppo Vitellozzo, } Gentlemen of the Duke's Household +Taddeo Bardi, } +Guido Ferranti, a Young Man +Ascanio Cristofano, his Friend +Count Moranzone, an Old Man +Bernardo Cavalcanti, Lord Justice of Padua +Hugo, the Headsman +Lucy, a Tire woman + +Servants, Citizens, Soldiers, Monks, Falconers with their hawks and +dogs, etc. + +Place: Padua +Time: The latter half of the Sixteenth Century +Style of Architecture: Italian, Gothic and Romanesque. + +THE SCENES OF THE PLAY + + +ACT I. The Market Place of Padua (25 minutes). +ACT II. Room in the Duke's Palace (36 minutes). +ACT III. Corridor in the Duke's Palace (29 minutes). +ACT IV. The Hall of Justice (31 minutes). +ACT V. The Dungeon (25 minutes). + + + +ACT I + + + +SCENE + +The Market Place of Padua at noon; in the background is the great +Cathedral of Padua; the architecture is Romanesque, and wrought in +black and white marbles; a flight of marble steps leads up to the +Cathedral door; at the foot of the steps are two large stone lions; +the houses on each aide of the stage have coloured awnings from +their windows, and are flanked by stone arcades; on the right of +the stage is the public fountain, with a triton in green bronze +blowing from a conch; around the fountain is a stone seat; the bell +of the Cathedral is ringing, and the citizens, men, women and +children, are passing into the Cathedral. + +[Enter GUIDO FERRANTI and ASCANIO CRISTOFANO.] + +ASCANIO + +Now by my life, Guido, I will go no farther; for if I walk another +step I will have no life left to swear by; this wild-goose errand +of yours! + +[Sits down on the step of the fountain.] + +GUIDO + +I think it must be here. [Goes up to passer-by and doffs his cap.] +Pray, sir, is this the market place, and that the church of Santa +Croce? [Citizen bows.] I thank you, sir. + +ASCANIO + +Well? + +GUIDO + +Ay! it is here. + +ASCANIO + +I would it were somewhere else, for I see no wine-shop. + +GUIDO + +[Taking a letter from his pocket and reading it.] 'The hour noon; +the city, Padua; the place, the market; and the day, Saint Philip's +Day.' + +ASCANIO + +And what of the man, how shall we know him? + +GUIDO + +[reading still] 'I will wear a violet cloak with a silver falcon +broidered on the shoulder.' A brave attire, Ascanio. + +ASCANIO + +I'd sooner have my leathern jerkin. And you think he will tell you +of your father? + +GUIDO + +Why, yes! It is a month ago now, you remember; I was in the +vineyard, just at the corner nearest the road, where the goats used +to get in, a man rode up and asked me was my name Guido, and gave +me this letter, signed 'Your Father's Friend,' bidding me be here +to-day if I would know the secret of my birth, and telling me how +to recognise the writer! I had always thought old Pedro was my +uncle, but he told me that he was not, but that I had been left a +child in his charge by some one he had never since seen. + +ASCANIO + +And you don't know who your father is? + +GUIDO + +No. + +ASCANIO + +No recollection of him even? + +GUIDO + +None, Ascanio, none. + +ASCANIO + +[laughing] Then he could never have boxed your ears so often as my +father did mine. + +GUIDO + +[smiling] I am sure you never deserved it. + +ASCANIO + +Never; and that made it worse. I hadn't the consciousness of guilt +to buoy me up. What hour did you say he fixed? + +GUIDO + +Noon. [Clock in the Cathedral strikes.] + +ASCANIO + +It is that now, and your man has not come. I don't believe in him, +Guido. I think it is some wench who has set her eye at you; and, +as I have followed you from Perugia to Padua, I swear you shall +follow me to the nearest tavern. [Rises.] By the great gods of +eating, Guido, I am as hungry as a widow is for a husband, as tired +as a young maid is of good advice, and as dry as a monk's sermon. +Come, Guido, you stand there looking at nothing, like the fool who +tried to look into his own mind; your man will not come. + +GUIDO + +Well, I suppose you are right. Ah! [Just as he is leaving the +stage with ASCANIO, enter LORD MORANZONE in a violet cloak, with a +silver falcon broidered on the shoulder; he passes across to the +Cathedral, and just as he is going in GUIDO runs up and touches +him.] + +MORANZONE + +Guido Ferranti, thou hast come in time. + +GUIDO + +What! Does my father live? + +MORANZONE + +Ay! lives in thee. +Thou art the same in mould and lineament, +Carriage and form, and outward semblances; +I trust thou art in noble mind the same. + +GUIDO + +Oh, tell me of my father; I have lived +But for this moment. + +MORANZONE + +We must be alone. + +GUIDO + +This is my dearest friend, who out of love +Has followed me to Padua; as two brothers, +There is no secret which we do not share. + +MORANZONE + +There is one secret which ye shall not share; +Bid him go hence. + +GUIDO + +[to ASCANIO] Come back within the hour. +He does not know that nothing in this world +Can dim the perfect mirror of our love. +Within the hour come. + +ASCANIO + +Speak not to him, +There is a dreadful terror in his look. + +GUIDO + +[laughing] +Nay, nay, I doubt not that he has come to tell +That I am some great Lord of Italy, +And we will have long days of joy together. +Within the hour, dear Ascanio. +[Exit ASCANIO.] +Now tell me of my father? +[Sits down on a stone seat.] +Stood he tall? +I warrant he looked tall upon his horse. +His hair was black? or perhaps a reddish gold, +Like a red fire of gold? Was his voice low? +The very bravest men have voices sometimes +Full of low music; or a clarion was it +That brake with terror all his enemies? +Did he ride singly? or with many squires +And valiant gentlemen to serve his state? +For oftentimes methinks I feel my veins +Beat with the blood of kings. Was he a king? + +MORANZONE + +Ay, of all men he was the kingliest. + +GUIDO + +[proudly] Then when you saw my noble father last +He was set high above the heads of men? + +MORANZONE + +Ay, he was high above the heads of men, +[Walks over to GUIDO and puts his hand upon his shoulder.] +On a red scaffold, with a butcher's block +Set for his neck. + +GUIDO + +[leaping up] +What dreadful man art thou, +That like a raven, or the midnight owl, +Com'st with this awful message from the grave? + +MORANZONE + +I am known here as the Count Moranzone, +Lord of a barren castle on a rock, +With a few acres of unkindly land +And six not thrifty servants. But I was one +Of Parma's noblest princes; more than that, +I was your father's friend. + +GUIDO + +[clasping his hand] Tell me of him. + +MORANZONE + +You are the son of that great Duke Lorenzo, +He was the Prince of Parma, and the Duke +Of all the fair domains of Lombardy +Down to the gates of Florence; nay, Florence even +Was wont to pay him tribute - + +GUIDO + +Come to his death. + +MORANZONE + +You will hear that soon enough. Being at war - +O noble lion of war, that would not suffer +Injustice done in Italy!--he led +The very flower of chivalry against +That foul adulterous Lord of Rimini, +Giovanni Malatesta--whom God curse! +And was by him in treacherous ambush taken, +And like a villain, or a low-born knave, +Was by him on the public scaffold murdered. + +GUIDO + +[clutching his dagger] Doth Malatesta live? + +MORANZONE + +No, he is dead. + +GUIDO + +Did you say dead? O too swift runner, Death, +Couldst thou not wait for me a little space, +And I had done thy bidding! + +MORANZONE + +[clutching his wrist] Thou canst do it! +The man who sold thy father is alive. + +GUIDO + +Sold! was my father sold? + +MORANZONE + +Ay! trafficked for, +Like a vile chattel, for a price betrayed, +Bartered and bargained for in privy market +By one whom he had held his perfect friend, +One he had trusted, one he had well loved, +One whom by ties of kindness he had bound - + +GUIDO + +And he lives +Who sold my father? + +MORANZONE + +I will bring you to him. + +GUIDO + +So, Judas, thou art living! well, I will make +This world thy field of blood, so buy it straight-way, +For thou must hang there. + +MORANZONE + +Judas said you, boy? +Yes, Judas in his treachery, but still +He was more wise than Judas was, and held +Those thirty silver pieces not enough. + +GUIDO + +What got he for my father's blood? + +MORANZONE + +What got he? +Why cities, fiefs, and principalities, +Vineyards, and lands. + +GUIDO + +Of which he shall but keep +Six feet of ground to rot in. Where is he, +This damned villain, this foul devil? where? +Show me the man, and come he cased in steel, +In complete panoply and pride of war, +Ay, guarded by a thousand men-at-arms, +Yet I shall reach him through their spears, and feel +The last black drop of blood from his black heart +Crawl down my blade. Show me the man, I say, +And I will kill him. + +MORANZONE + +[coldly] +Fool, what revenge is there? +Death is the common heritage of all, +And death comes best when it comes suddenly. +[Goes up close to GUIDO.] +Your father was betrayed, there is your cue; +For you shall sell the seller in his turn. +I will make you of his household, you shall sit +At the same board with him, eat of his bread - + +GUIDO + +O bitter bread! + +MORANZONE + +Thy palate is too nice, +Revenge will make it sweet. Thou shalt o' nights +Pledge him in wine, drink from his cup, and be +His intimate, so he will fawn on thee, +Love thee, and trust thee in all secret things. +If he bid thee be merry thou must laugh, +And if it be his humour to be sad +Thou shalt don sables. Then when the time is ripe - +[GUIDO clutches his sword.] +Nay, nay, I trust thee not; your hot young blood, +Undisciplined nature, and too violent rage +Will never tarry for this great revenge, +But wreck itself on passion. + +GUIDO + +Thou knowest me not. +Tell me the man, and I in everything +Will do thy bidding. + +MORANZONE + +Well, when the time is ripe, +The victim trusting and the occasion sure, +I will by sudden secret messenger +Send thee a sign. + +GUIDO + +How shall I kill him, tell me? + +MORANZONE + +That night thou shalt creep into his private chamber; +But if he sleep see that thou wake him first, +And hold thy hand upon his throat, ay! that way, +Then having told him of what blood thou art, +Sprung from what father, and for what revenge, +Bid him to pray for mercy; when he prays, +Bid him to set a price upon his life, +And when he strips himself of all his gold +Tell him thou needest not gold, and hast not mercy, +And do thy business straight away. Swear to me +Thou wilt not kill him till I bid thee do it, +Or else I go to mine own house, and leave +Thee ignorant, and thy father unavenged. + +GUIDO + +Now by my father's sword - + +MORANZONE + +The common hangman +Brake that in sunder in the public square. + +GUIDO + +Then by my father's grave - + +MORANZONE + +What grave? what grave? +Your noble father lieth in no grave, +I saw his dust strewn on the air, his ashes +Whirled through the windy streets like common straws +To plague a beggar's eyesight, and his head, +That gentle head, set on the prison spike, +For the vile rabble in their insolence +To shoot their tongues at. + +GUIDO + +Was it so indeed? +Then by my father's spotless memory, +And by the shameful manner of his death, +And by the base betrayal by his friend, +For these at least remain, by these I swear +I will not lay my hand upon his life +Until you bid me, then--God help his soul, +For he shall die as never dog died yet. +And now, the sign, what is it? + +MORANZONE + +This dagger, boy; +It was your father's. + +GUIDO + +Oh, let me look at it! +I do remember now my reputed uncle, +That good old husbandman I left at home, +Told me a cloak wrapped round me when a babe +Bare too such yellow leopards wrought in gold; +I like them best in steel, as they are here, +They suit my purpose better. Tell me, sir, +Have you no message from my father to me? + +MORANZONE + +Poor boy, you never saw that noble father, +For when by his false friend he had been sold, +Alone of all his gentlemen I escaped +To bear the news to Parma to the Duchess. + +GUIDO + +Speak to me of my mother. + +MORANZONE + +When thy mother +Heard my black news, she fell into a swoon, +And, being with untimely travail seized - +Bare thee into the world before thy time, +And then her soul went heavenward, to wait +Thy father, at the gates of Paradise. + +GUIDO + +A mother dead, a father sold and bartered! +I seem to stand on some beleaguered wall, +And messenger comes after messenger +With a new tale of terror; give me breath, +Mine ears are tired. + +MORANZONE + +When thy mother died, +Fearing our enemies, I gave it out +Thou wert dead also, and then privily +Conveyed thee to an ancient servitor, +Who by Perugia lived; the rest thou knowest. + +GUIDO + +Saw you my father afterwards? + +MORANZONE + +Ay! once; +In mean attire, like a vineyard dresser, +I stole to Rimini. + +GUIDO + +[taking his hand] +O generous heart! + +MORANZONE + +One can buy everything in Rimini, +And so I bought the gaolers! when your father +Heard that a man child had been born to him, +His noble face lit up beneath his helm +Like a great fire seen far out at sea, +And taking my two hands, he bade me, Guido, +To rear you worthy of him; so I have reared you +To revenge his death upon the friend who sold him. + +GUIDO + +Thou hast done well; I for my father thank thee. +And now his name? + +MORANZONE + +How you remind me of him, +You have each gesture that your father had. + +GUIDO + +The traitor's name? + +MORANZONE + +Thou wilt hear that anon; +The Duke and other nobles at the Court +Are coming hither. + +GUIDO + +What of that? his name? + +MORANZONE + +Do they not seem a valiant company +Of honourable, honest gentlemen? + +GUIDO + +His name, milord? + +[Enter the DUKE OF PADUA with COUNT BARDI, MAFFIO, PETRUCCI, and +other gentlemen of his Court.] + +MORANZONE + +[quickly] +The man to whom I kneel +Is he who sold your father! mark me well. + +GUIDO + +[clutches hit dagger] +The Duke! + +MORANZONE + +Leave off that fingering of thy knife. +Hast thou so soon forgotten? +[Kneels to the DUKE.] +My noble Lord. + +DUKE + +Welcome, Count Moranzone; 'tis some time +Since we have seen you here in Padua. +We hunted near your castle yesterday - +Call you it castle? that bleak house of yours +Wherein you sit a-mumbling o'er your beads, +Telling your vices like a good old man. +[Catches sight of GUIDO and starts back.] +Who is that? + +MORANZONE + +My sister's son, your Grace, +Who being now of age to carry arms, +Would for a season tarry at your Court + +DUKE + +[still looking at GUIDO] +What is his name? + +MORANZONE + +Guido Ferranti, sir. + +DUKE + +His city? + +MORANZONE + +He is Mantuan by birth. + +DUKE + +[advancing towards GUIDO] +You have the eyes of one I used to know, +But he died childless. Are you honest, boy? +Then be not spendthrift of your honesty, +But keep it to yourself; in Padua +Men think that honesty is ostentatious, so +It is not of the fashion. Look at these lords. + +COUNT BARDI + +[aside] +Here is some bitter arrow for us, sure. + +DUKE + +Why, every man among them has his price, +Although, to do them justice, some of them +Are quite expensive. + +COUNT BARDI + +[aside] +There it comes indeed. + +DUKE + +So be not honest; eccentricity +Is not a thing should ever be encouraged, +Although, in this dull stupid age of ours, +The most eccentric thing a man can do +Is to have brains, then the mob mocks at him; +And for the mob, despise it as I do, +I hold its bubble praise and windy favours +In such account, that popularity +Is the one insult I have never suffered. + +MAFFIO + +[aside] + +He has enough of hate, if he needs that. + +DUKE + +Have prudence; in your dealings with the world +Be not too hasty; act on the second thought, +First impulses are generally good. + +GUIDO + +[aside] +Surely a toad sits on his lips, and spills its venom there. + +DUKE + +See thou hast enemies, +Else will the world think very little of thee; +It is its test of power; yet see thou show'st +A smiling mask of friendship to all men, +Until thou hast them safely in thy grip, +Then thou canst crush them. + +GUIDO + +[aside] +O wise philosopher! +That for thyself dost dig so deep a grave. + +MORANZONE + +[to him] +Dost thou mark his words? + +GUIDO + +Oh, be thou sure I do. + +DUKE + +And be not over-scrupulous; clean hands +With nothing in them make a sorry show. +If you would have the lion's share of life +You must wear the fox's skin. Oh, it will fit you; +It is a coat which fitteth every man. + +GUIDO + +Your Grace, I shall remember. + +DUKE + +That is well, boy, well. +I would not have about me shallow fools, +Who with mean scruples weigh the gold of life, +And faltering, paltering, end by failure; failure, +The only crime which I have not committed: +I would have MEN about me. As for conscience, +Conscience is but the name which cowardice +Fleeing from battle scrawls upon its shield. +You understand me, boy? + +GUIDO + +I do, your Grace, +And will in all things carry out the creed +Which you have taught me. + +MAFFIO + +I never heard your Grace +So much in the vein for preaching; let the Cardinal +Look to his laurels, sir. + +DUKE + +The Cardinal! +Men follow my creed, and they gabble his. +I do not think much of the Cardinal; +Although he is a holy churchman, and +I quite admit his dulness. Well, sir, from now +We count you of our household +[He holds out his hand for GUIDO to kiss. GUIDO starts back in +horror, but at a gesture from COUNT MORANZONE, kneels and kisses +it.] +We will see +That you are furnished with such equipage +As doth befit your honour and our state. + +GUIDO + +I thank your Grace most heartily. + +DUKE + +Tell me again +What is your name? + +GUIDO + +Guido Ferranti, sir. + +DUKE + +And you are Mantuan? Look to your wives, my lords, +When such a gallant comes to Padua. +Thou dost well to laugh, Count Bardi; I have noted +How merry is that husband by whose hearth +Sits an uncomely wife. + +MAFFIO + +May it please your Grace, +The wives of Padua are above suspicion. + +DUKE + +What, are they so ill-favoured! Let us go, +This Cardinal detains our pious Duchess; +His sermon and his beard want cutting both: +Will you come with us, sir, and hear a text +From holy Jerome? + +MORANZONE + +[bowing] +My liege, there are some matters - + +DUKE + +[interrupting] +Thou need'st make no excuse for missing mass. +Come, gentlemen. +[Exit with his suite into Cathedral.] + +GUIDO + +[after a pause] +So the Duke sold my father; +I kissed his hand. + +MORANZONE + +Thou shalt do that many times. + +GUIDO + +Must it be so? + +MORANZONE + +Ay! thou hast sworn an oath. + +GUIDO + +That oath shall make me marble. + +MORANZONE + +Farewell, boy, +Thou wilt not see me till the time is ripe. + +GUIDO + +I pray thou comest quickly. + +MORANZONE + +I will come +When it is time; be ready. + +GUIDO + +Fear me not. + +MORANZONE + +Here is your friend; see that you banish him +Both from your heart and Padua. + +GUIDO + +From Padua, +Not from my heart. + +MORANZONE + +Nay, from thy heart as well, +I will not leave thee till I see thee do it. + +GUIDO + +Can I have no friend? + +MORANZONE + +Revenge shall be thy friend; +Thou need'st no other. + +GUIDO + +Well, then be it so. +[Enter ASCANIO CRISTOFANO.] + +ASCANIO + +Come, Guido, I have been beforehand with you in everything, for I +have drunk a flagon of wine, eaten a pasty, and kissed the maid who +served it. Why, you look as melancholy as a schoolboy who cannot +buy apples, or a politician who cannot sell his vote. What news, +Guido, what news? + +GUIDO + +Why, that we two must part, Ascanio. + +ASCANIO + +That would be news indeed, but it is not true. + +GUIDO + +Too true it is, you must get hence, Ascanio, +And never look upon my face again. + +ASCANIO + +No, no; indeed you do not know me, Guido; +'Tis true I am a common yeoman's son, +Nor versed in fashions of much courtesy; +But, if you are nobly born, cannot I be +Your serving man? I will tend you with more love +Than any hired servant. + +GUIDO + +[clasping his hand] +Ascanio! +[Sees MORANZONE looking at him and drops ASCANIO'S hand.] +It cannot be. + +ASCANIO + +What, is it so with you? +I thought the friendship of the antique world +Was not yet dead, but that the Roman type +Might even in this poor and common age +Find counterparts of love; then by this love +Which beats between us like a summer sea, +Whatever lot has fallen to your hand +May I not share it? + +GUIDO + +Share it? + +ASCANIO + +Ay! + +GUIDO + +No, no. + +ASCANIO + +Have you then come to some inheritance +Of lordly castle, or of stored-up gold? + +GUIDO + +[bitterly] +Ay! I have come to my inheritance. +O bloody legacy! and O murderous dole! +Which, like the thrifty miser, must I hoard, +And to my own self keep; and so, I pray you, +Let us part here. + +ASCANIO + +What, shall we never more +Sit hand in hand, as we were wont to sit, +Over some book of ancient chivalry +Stealing a truant holiday from school, +Follow the huntsmen through the autumn woods, +And watch the falcons burst their tasselled jesses, +When the hare breaks from covert. + +GUIDO + +Never more. + +ASCANIO + +Must I go hence without a word of love? + +GUIDO + +You must go hence, and may love go with you. + +ASCANIO + +You are unknightly, and ungenerous. + +GUIDO + +Unknightly and ungenerous if you will. +Why should we waste more words about the matter +Let us part now. + +ASCANIO + +Have you no message, Guido? + +GUIDO + +None; my whole past was but a schoolboy's dream; +To-day my life begins. Farewell. + +ASCANIO + +Farewell [exit slowly.] + +GUIDO + +Now are you satisfied? Have you not seen +My dearest friend, and my most loved companion, +Thrust from me like a common kitchen knave! +Oh, that I did it! Are you not satisfied? + +MORANZONE + +Ay! I am satisfied. Now I go hence, +Do not forget the sign, your father's dagger, +And do the business when I send it to you. + +GUIDO + +Be sure I shall. [Exit LORD MORANZONE.] + +GUIDO + +O thou eternal heaven! +If there is aught of nature in my soul, +Of gentle pity, or fond kindliness, +Wither it up, blast it, bring it to nothing, +Or if thou wilt not, then will I myself +Cut pity with a sharp knife from my heart +And strangle mercy in her sleep at night +Lest she speak to me. Vengeance there I have it. +Be thou my comrade and my bedfellow, +Sit by my side, ride to the chase with me, +When I am weary sing me pretty songs, +When I am light o' heart, make jest with me, +And when I dream, whisper into my ear +The dreadful secret of a father's murder - +Did I say murder? [Draws his dagger.] +Listen, thou terrible God! +Thou God that punishest all broken oaths, +And bid some angel write this oath in fire, +That from this hour, till my dear father's murder +In blood I have revenged, I do forswear +The noble ties of honourable friendship, +The noble joys of dear companionship, +Affection's bonds, and loyal gratitude, +Ay, more, from this same hour I do forswear +All love of women, and the barren thing +Which men call beauty - +[The organ peals in the Cathedral, and under a canopy of cloth of +silver tissue, borne by four pages in scarlet, the DUCHESS OF PADUA +comes down the steps; as she passes across their eyes meet for a +moment, and as she leaves the stage she looks back at GUIDO, and +the dagger falls from his hand.] +Oh! who is that? + +A CITIZEN + +The Duchess of Padua! + +END OF ACT I. + + + +ACT II + + + +SCENE + +A state room in the Ducal Palace, hung with tapestries representing +the Masque of Venus; a large door in the centre opens into a +corridor of red marble, through which one can see a view of Padua; +a large canopy is set (R.C.) with three thrones, one a little lower +than the others; the ceiling is made of long gilded beams; +furniture of the period, chairs covered with gilt leather, and +buffets set with gold and silver plate, and chests painted with +mythological scenes. A number of the courtiers is out on the +corridor looking from it down into the street below; from the +street comes the roar of a mob and cries of 'Death to the Duke': +after a little interval enter the Duke very calmly; he is leaning +on the arm of Guido Ferranti; with him enters also the Lord +Cardinal; the mob still shouting. + +DUKE + +No, my Lord Cardinal, I weary of her! +Why, she is worse than ugly, she is good. + +MAFFIO + +[excitedly] +Your Grace, there are two thousand people there +Who every moment grow more clamorous. + +DUKE + +Tut, man, they waste their strength upon their lungs! +People who shout so loud, my lords, do nothing; +The only men I fear are silent men. +[A yell from the people.] +You see, Lord Cardinal, how my people love me. +[Another yell.] Go, Petrucci, +And tell the captain of the guard below +To clear the square. Do you not hear me, sir? +Do what I bid you. + +[Exit PETRUCCI.] + +CARDINAL + +I beseech your Grace +To listen to their grievances. + +DUKE + +[sitting on his throne] +Ay! the peaches +Are not so big this year as they were last. +I crave your pardon, my lord Cardinal, +I thought you spake of peaches. +[A cheer from the people.] +What is that? + +GUIDO + +[rushes to the window] +The Duchess has gone forth into the square, +And stands between the people and the guard, +And will not let them shoot. + +DUKE + +The devil take her! + +GUIDO + +[still at the window] +And followed by a dozen of the citizens +Has come into the Palace. + +DUKE + +[starting up] +By Saint James, +Our Duchess waxes bold! + +BARDI + +Here comes the Duchess. + +DUKE + +Shut that door there; this morning air is cold. +[They close the door on the corridor.] +[Enter the Duchess followed by a crowd of meanly dressed Citizens.] + +DUCHESS + +[flinging herself upon her knees] +I do beseech your Grace to give us audience. + +DUKE + +What are these grievances? + +DUCHESS + +Alas, my Lord, +Such common things as neither you nor I, +Nor any of these noble gentlemen, +Have ever need at all to think about; +They say the bread, the very bread they eat, +Is made of sorry chaff. + +FIRST CITIZEN + +Ay! so it is, +Nothing but chaff. + +DUKE + +And very good food too, +I give it to my horses. + +DUCHESS + +[restraining herself] +They say the water, +Set in the public cisterns for their use, +[Has, through the breaking of the aqueduct,] +To stagnant pools and muddy puddles turned. + +DUKE + +They should drink wine; water is quite unwholesome. + +SECOND CITIZEN + +Alack, your Grace, the taxes which the customs +Take at the city gate are grown so high +We cannot buy wine. + +DUKE + +Then you should bless the taxes +Which make you temperate. + +DUCHESS + +Think, while we sit +In gorgeous pomp and state, gaunt poverty +Creeps through their sunless lanes, and with sharp knives +Cuts the warm throats of children stealthily +And no word said. + +THIRD CITIZEN + +Ay! marry, that is true, +My little son died yesternight from hunger; +He was but six years old; I am so poor, +I cannot bury him. + +DUKE + +If you are poor, +Are you not blessed in that? Why, poverty +Is one of the Christian virtues, +[Turns to the CARDINAL.] +Is it not? +I know, Lord Cardinal, you have great revenues, +Rich abbey-lands, and tithes, and large estates +For preaching voluntary poverty. + +DUCHESS + +Nay but, my lord the Duke, be generous; +While we sit here within a noble house +[With shaded porticoes against the sun, +And walls and roofs to keep the winter out], +There are many citizens of Padua +Who in vile tenements live so full of holes, +That the chill rain, the snow, and the rude blast, +Are tenants also with them; others sleep +Under the arches of the public bridges +All through the autumn nights, till the wet mist +Stiffens their limbs, and fevers come, and so - + +DUKE + +And so they go to Abraham's bosom, Madam. +They should thank me for sending them to Heaven, +If they are wretched here. +[To the CARDINAL.] +Is it not said +Somewhere in Holy Writ, that every man +Should be contented with that state of life +God calls him to? Why should I change their state, +Or meddle with an all-wise providence, +Which has apportioned that some men should starve, +And others surfeit? I did not make the world. + +FIRST CITIZEN + +He hath a hard heart. + +SECOND CITIZEN + +Nay, be silent, neighbour; +I think the Cardinal will speak for us. + +CARDINAL + +True, it is Christian to bear misery, +Yet it is Christian also to be kind, +And there seem many evils in this town, +Which in your wisdom might your Grace reform. + +FIRST CITIZEN + +What is that word reform? What does it mean? + +SECOND CITIZEN + +Marry, it means leaving things as they are; I like it not. + +DUKE + +Reform Lord Cardinal, did YOU say reform? +There is a man in Germany called Luther, +Who would reform the Holy Catholic Church. +Have you not made him heretic, and uttered +Anathema, maranatha, against him? + +CARDINAL + +[rising from his seat] +He would have led the sheep out of the fold, +We do but ask of you to feed the sheep. + +DUKE + +When I have shorn their fleeces I may feed them. +As for these rebels - +[DUCHESS entreats him.] + +FIRST CITIZEN + +That is a kind word, +He means to give us something. + +SECOND CITIZEN + +Is that so? + +DUKE + +These ragged knaves who come before us here, +With mouths chock-full of treason. + +THIRD CITIZEN + +Good my Lord, +Fill up our mouths with bread; we'll hold our tongues. + +DUKE + +Ye shall hold your tongues, whether you starve or not. +My lords, this age is so familiar grown, +That the low peasant hardly doffs his hat, +Unless you beat him; and the raw mechanic +Elbows the noble in the public streets. +[To the Citizens.] +Still as our gentle Duchess has so prayed us, +And to refuse so beautiful a beggar +Were to lack both courtesy and love, +Touching your grievances, I promise this - + +FIRST CITIZEN + +Marry, he will lighten the taxes! + +SECOND CITIZEN + +Or a dole of bread, think you, for each man? + +DUKE + +That, on next Sunday, the Lord Cardinal +Shall, after Holy Mass, preach you a sermon +Upon the Beauty of Obedience. +[Citizens murmur.] + +FIRST CITIZEN + +I' faith, that will not fill our stomachs! + +SECOND CITIZEN + +A sermon is but a sorry sauce, when +You have nothing to eat with it. + +DUCHESS + +Poor people, +You see I have no power with the Duke, +But if you go into the court without, +My almoner shall from my private purse, +Divide a hundred ducats 'mongst you all. + +FIRST CITIZEN + +God save the Duchess, say I. + +SECOND CITIZEN + +God save her. + +DUCHESS + +And every Monday morn shall bread be set +For those who lack it. +[Citizens applaud and go out.] + +FIRST CITIZEN + +[going out] +Why, God save the Duchess again! + +DUKE + +[calling him back] +Come hither, fellow! what is your name? + +FIRST CITIZEN + +Dominick, sir. + +DUKE + +A good name! Why were you called Dominick? + +FIRST CITIZEN + +[scratching his head] +Marry, because I was born on St. George's day. + +DUKE + +A good reason! here is a ducat for you! +Will you not cry for me God save the Duke? + +FIRST CITIZEN + +[feebly] +God save the Duke. + +DUKE + +Nay! louder, fellow, louder. + +FIRST CITIZEN + +[a little louder] +God save the Duke! + +DUKE + +More lustily, fellow, put more heart in it! +Here is another ducat for you. + +FIRST CITIZEN + +[enthusiastically] +God save the Duke! + +DUKE + +[mockingly] +Why, gentlemen, this simple fellow's love +Touches me much. [To the Citizen, harshly.] +Go! [Exit Citizen, bowing.] +This is the way, my lords, +You can buy popularity nowadays. +Oh, we are nothing if not democratic! +[To the DUCHESS.] +Well, Madam, +You spread rebellion 'midst our citizens. + +DUCHESS + +My Lord, the poor have rights you cannot touch, +The right to pity, and the right to mercy. + +DUKE + +So, so, you argue with me? This is she, +The gentle Duchess for whose hand I yielded +Three of the fairest towns in Italy, +Pisa, and Genoa, and Orvieto. + +DUCHESS + +Promised, my Lord, not yielded: in that matter +Brake you your word as ever. + +DUKE + +You wrong us, Madam, +There were state reasons. + +DUCHESS + +What state reasons are there +For breaking holy promises to a state? + +DUKE + +There are wild boars at Pisa in a forest +Close to the city: when I promised Pisa +Unto your noble and most trusting father, +I had forgotten there was hunting there. +At Genoa they say, +Indeed I doubt them not, that the red mullet +Runs larger in the harbour of that town +Than anywhere in Italy. +[Turning to one of the Court.] +You, my lord, +Whose gluttonous appetite is your only god, +Could satisfy our Duchess on that point. + +DUCHESS + +And Orvieto? + +DUKE + +[yawning] +I cannot now recall +Why I did not surrender Orvieto +According to the word of my contract. +Maybe it was because I did not choose. +[Goes over to the DUCHESS.] +Why look you, Madam, you are here alone; +'Tis many a dusty league to your grey France, +And even there your father barely keeps +A hundred ragged squires for his Court. +What hope have you, I say? Which of these lords +And noble gentlemen of Padua +Stands by your side. + +DUCHESS + +There is not one. + +[GUIDO starts, but restrains himself.] + +DUKE + +Nor shall be, +While I am Duke in Padua: listen, Madam, +Being mine own, you shall do as I will, +And if it be my will you keep the house, +Why then, this palace shall your prison be; +And if it be my will you walk abroad, +Why, you shall take the air from morn to night. + +DUCHESS + +Sir, by what right -? + +DUKE + +Madam, my second Duchess +Asked the same question once: her monument +Lies in the chapel of Bartholomew, +Wrought in red marble; very beautiful. +Guido, your arm. Come, gentlemen, let us go +And spur our falcons for the mid-day chase. +Bethink you, Madam, you are here alone. +[Exit the DUKE leaning on GUIDO, with his Court.] + +DUCHESS + +[looking after them] +The Duke said rightly that I was alone; +Deserted, and dishonoured, and defamed, +Stood ever woman so alone indeed? +Men when they woo us call us pretty children, +Tell us we have not wit to make our lives, +And so they mar them for us. Did I say woo? +We are their chattels, and their common slaves, +Less dear than the poor hound that licks their hand, +Less fondled than the hawk upon their wrist. +Woo, did I say? bought rather, sold and bartered, +Our very bodies being merchandise. +I know it is the general lot of women, +Each miserably mated to some man +Wrecks her own life upon his selfishness: +That it is general makes it not less bitter. +I think I never heard a woman laugh, +Laugh for pure merriment, except one woman, +That was at night time, in the public streets. +Poor soul, she walked with painted lips, and wore +The mask of pleasure: I would not laugh like her; +No, death were better. +[Enter GUIDO behind unobserved; the DUCHESS flings herself down +before a picture of the Madonna.] +O Mary mother, with your sweet pale face +Bending between the little angel heads +That hover round you, have you no help for me? +Mother of God, have you no help for me? + +GUIDO + +I can endure no longer. +This is my love, and I will speak to her. +Lady, am I a stranger to your prayers? + +DUCHESS + +[rising] +None but the wretched needs my prayers, my lord. + +GUIDO + +Then must I need them, lady. + +DUCHESS + +How is that? +Does not the Duke show thee sufficient honour? + +GUIDO + +Your Grace, I lack no favours from the Duke, +Whom my soul loathes as I loathe wickedness, +But come to proffer on my bended knees, +My loyal service to thee unto death. + +DUCHESS + +Alas! I am so fallen in estate +I can but give thee a poor meed of thanks. + +GUIDO + +[seizing her hand] +Hast thou no love to give me? +[The DUCHESS starts, and GUIDO falls at her feet.] +O dear saint, +If I have been too daring, pardon me! +Thy beauty sets my boyish blood aflame, +And, when my reverent lips touch thy white hand, +Each little nerve with such wild passion thrills +That there is nothing which I would not do +To gain thy love. [Leaps up.] +Bid me reach forth and pluck +Perilous honour from the lion's jaws, +And I will wrestle with the Nemean beast +On the bare desert! Fling to the cave of War +A gaud, a ribbon, a dead flower, something +That once has touched thee, and I'll bring it back +Though all the hosts of Christendom were there, +Inviolate again! ay, more than this, +Set me to scale the pallid white-faced cliffs +Of mighty England, and from that arrogant shield +Will I raze out the lilies of your France +Which England, that sea-lion of the sea, +Hath taken from her! +O dear Beatrice, +Drive me not from thy presence! without thee +The heavy minutes crawl with feet of lead, +But, while I look upon thy loveliness, +The hours fly like winged Mercuries +And leave existence golden. + +DUCHESS + +I did not think +I should be ever loved: do you indeed +Love me so much as now you say you do? + +GUIDO + +Ask of the sea-bird if it loves the sea, +Ask of the roses if they love the rain, +Ask of the little lark, that will not sing +Till day break, if it loves to see the day:- +And yet, these are but empty images, +Mere shadows of my love, which is a fire +So great that all the waters of the main +Can not avail to quench it. Will you not speak? + +DUCHESS + +I hardly know what I should say to you. + +GUIDO + +Will you not say you love me? + +DUCHESS + +Is that my lesson? +Must I say all at once? 'Twere a good lesson +If I did love you, sir; but, if I do not, +What shall I say then? + +GUIDO + +If you do not love me, +Say, none the less, you do, for on your tongue +Falsehood for very shame would turn to truth. + +DUCHESS + +What if I do not speak at all? They say +Lovers are happiest when they are in doubt + +GUIDO + +Nay, doubt would kill me, and if I must die, +Why, let me die for joy and not for doubt. +Oh, tell me may I stay, or must I go? + +DUCHESS + +I would not have you either stay or go; +For if you stay you steal my love from me, +And if you go you take my love away. +Guido, though all the morning stars could sing +They could not tell the measure of my love. +I love you, Guido. + +GUIDO + +[stretching out his hands] +Oh, do not cease at all; +I thought the nightingale sang but at night; +Or if thou needst must cease, then let my lips +Touch the sweet lips that can such music make. + +DUCHESS + +To touch my lips is not to touch my heart. + +GUIDO + +Do you close that against me? + +DUCHESS + +Alas! my lord, +I have it not: the first day that I saw you +I let you take my heart away from me; +Unwilling thief, that without meaning it +Did break into my fenced treasury +And filch my jewel from it! O strange theft, +Which made you richer though you knew it not, +And left me poorer, and yet glad of it! + +GUIDO + +[clasping her in his arms] +O love, love, love! Nay, sweet, lift up your head, +Let me unlock those little scarlet doors +That shut in music, let me dive for coral +In your red lips, and I'll bear back a prize +Richer than all the gold the Gryphon guards +In rude Armenia. + +DUCHESS + +You are my lord, +And what I have is yours, and what I have not +Your fancy lends me, like a prodigal +Spending its wealth on what is nothing worth. +[Kisses him.] + +GUIDO + +Methinks I am bold to look upon you thus: +The gentle violet hides beneath its leaf +And is afraid to look at the great sun +For fear of too much splendour, but my eyes, +O daring eyes! are grown so venturous +That like fixed stars they stand, gazing at you, +And surfeit sense with beauty. + +DUCHESS + +Dear love, I would +You could look upon me ever, for your eyes +Are polished mirrors, and when I peer +Into those mirrors I can see myself, +And so I know my image lives in you. + +GUIDO + +[taking her in his arms] +Stand still, thou hurrying orb in the high heavens, +And make this hour immortal! [A pause.] + +DUCHESS + +Sit down here, +A little lower than me: yes, just so, sweet, +That I may run my fingers through your hair, +And see your face turn upwards like a flower +To meet my kiss. +Have you not sometimes noted, +When we unlock some long-disused room +With heavy dust and soiling mildew filled, +Where never foot of man has come for years, +And from the windows take the rusty bar, +And fling the broken shutters to the air, +And let the bright sun in, how the good sun +Turns every grimy particle of dust +Into a little thing of dancing gold? +Guido, my heart is that long-empty room, +But you have let love in, and with its gold +Gilded all life. Do you not think that love +Fills up the sum of life? + +GUIDO + +Ay! without love +Life is no better than the unhewn stone +Which in the quarry lies, before the sculptor +Has set the God within it. Without love +Life is as silent as the common reeds +That through the marshes or by rivers grow, +And have no music in them. + +DUCHESS + +Yet out of these +The singer, who is Love, will make a pipe +And from them he draws music; so I think +Love will bring music out of any life. +Is that not true? + +GUIDO + +Sweet, women make it true. +There are men who paint pictures, and carve statues, +Paul of Verona and the dyer's son, +Or their great rival, who, by the sea at Venice, +Has set God's little maid upon the stair, +White as her own white lily, and as tall, +Or Raphael, whose Madonnas are divine +Because they are mothers merely; yet I think +Women are the best artists of the world, +For they can take the common lives of men +Soiled with the money-getting of our age, +And with love make them beautiful. + +DUCHESS + +Ah, dear, +I wish that you and I were very poor; +The poor, who love each other, are so rich. + +GUIDO + +Tell me again you love me, Beatrice. + +DUCHESS + +[fingering his collar] +How well this collar lies about your throat. +[LORD MORANZONE looks through the door from the corridor outside.] + +GUIDO + +Nay, tell me that you love me. + +DUCHESS + +I remember, +That when I was a child in my dear France, +Being at Court at Fontainebleau, the King +Wore such a collar. + +GUIDO + +Will you not say you love me? + +DUCHESS + +[smiling] +He was a very royal man, King Francis, +Yet he was not royal as you are. +Why need I tell you, Guido, that I love you? +[Takes his head in her hands and turns his face up to her.] +Do you not know that I am yours for ever, +Body and soul? +[Kisses him, and then suddenly catches sight of MORANZONE and leaps +up.] +Oh, what is that? [MORANZONE disappears.] + +GUIDO + +What, love? + +DUCHESS + +Methought I saw a face with eyes of flame +Look at us through the doorway. + +GUIDO + +Nay, 'twas nothing: +The passing shadow of the man on guard. +[The DUCHESS still stands looking at the window.] +'Twas nothing, sweet. + +DUCHESS + +Ay! what can harm us now, +Who are in Love's hand? I do not think I'd care +Though the vile world should with its lackey Slander +Trample and tread upon my life; why should I? +They say the common field-flowers of the field +Have sweeter scent when they are trodden on +Than when they bloom alone, and that some herbs +Which have no perfume, on being bruised die +With all Arabia round them; so it is +With the young lives this dull world seeks to crush, +It does but bring the sweetness out of them, +And makes them lovelier often. And besides, +While we have love we have the best of life: +Is it not so? + +GUIDO + +Dear, shall we play or sing? +I think that I could sing now. + +DUCHESS + +Do not speak, +For there are times when all existences +Seem narrowed to one single ecstasy, +And Passion sets a seal upon the lips. + +GUIDO + +Oh, with mine own lips let me break that seal! +You love me, Beatrice? + +DUCHESS + +Ay! is it not strange +I should so love mine enemy? + +GUIDO + +Who is he? + +DUCHESS + +Why, you: that with your shaft did pierce my heart! +Poor heart, that lived its little lonely life +Until it met your arrow. + +GUIDO + +Ah, dear love, +I am so wounded by that bolt myself +That with untended wounds I lie a-dying, +Unless you cure me, dear Physician. + +DUCHESS + +I would not have you cured; for I am sick +With the same malady. + +GUIDO + +Oh, how I love you! +See, I must steal the cuckoo's voice, and tell +The one tale over. + +DUCHESS + +Tell no other tale! +For, if that is the little cuckoo's song, +The nightingale is hoarse, and the loud lark +Has lost its music. + +GUIDO + +Kiss me, Beatrice! +[She takes his face in her hands and bends down and kisses him; a +loud knocking then comes at the door, and GUIDO leaps up; enter a +Servant.] + +SERVANT + +A package for you, sir. + +GUIDO + +[carelessly] Ah! give it to me. [Servant hands package wrapped in +vermilion silk, and exit; as GUIDO is about to open it the DUCHESS +comes up behind, and in sport takes it from him.] + +DUCHESS + +[laughing] +Now I will wager it is from some girl +Who would have you wear her favour; I am so jealous +I will not give up the least part in you, +But like a miser keep you to myself, +And spoil you perhaps in keeping. + +GUIDO + +It is nothing. + +DUCHESS + +Nay, it is from some girl. + +GUIDO + +You know 'tis not. + +DUCHESS + +[turns her back and opens it] +Now, traitor, tell me what does this sign mean, +A dagger with two leopards wrought in steel? + +GUIDO + +[taking it from her] O God! + +DUCHESS + +I'll from the window look, and try +If I can't see the porter's livery +Who left it at the gate! I will not rest +Till I have learned your secret. +[Runs laughing into the corridor.] + +GUIDO + +Oh, horrible! +Had I so soon forgot my father's death, +Did I so soon let love into my heart, +And must I banish love, and let in murder +That beats and clamours at the outer gate? +Ay, that I must! Have I not sworn an oath? +Yet not to-night; nay, it must be to-night. +Farewell then all the joy and light of life, +All dear recorded memories, farewell, +Farewell all love! Could I with bloody hands +Fondle and paddle with her innocent hands? +Could I with lips fresh from this butchery +Play with her lips? Could I with murderous eyes +Look in those violet eyes, whose purity +Would strike men blind, and make each eyeball reel +In night perpetual? No, murder has set +A barrier between us far too high +For us to kiss across it. + +DUCHESS + +Guido! + +GUIDO + +Beatrice, +You must forget that name, and banish me +Out of your life for ever. + +DUCHESS + +[going towards him] +O dear love! + +GUIDO + +[stepping back] +There lies a barrier between us two +We dare not pass. + +DUCHESS + +I dare do anything +So that you are beside me. + +GUIDO + +Ah! There it is, +I cannot be beside you, cannot breathe +The air you breathe; I cannot any more +Stand face to face with beauty, which unnerves +My shaking heart, and makes my desperate hand +Fail of its purpose. Let me go hence, I pray; +Forget you ever looked upon me. + +DUCHESS + +What! +With your hot kisses fresh upon my lips +Forget the vows of love you made to me? + +GUIDO + +I take them back. + +DUCHESS + +Alas, you cannot, Guido, +For they are part of nature now; the air +Is tremulous with their music, and outside +The little birds sing sweeter for those vows. + +GUIDO + +There lies a barrier between us now, +Which then I knew not, or I had forgot. + +DUCHESS + +There is no barrier, Guido; why, I will go +In poor attire, and will follow you +Over the world. + +GUIDO + +[wildly] +The world's not wide enough +To hold us two! Farewell, farewell for ever. + +DUCHESS + +[calm, and controlling her passion] +Why did you come into my life at all, then, +Or in the desolate garden of my heart +Sow that white flower of love -? + +GUIDO + +O Beatrice! + +DUCHESS + +Which now you would dig up, uproot, tear out, +Though each small fibre doth so hold my heart +That if you break one, my heart breaks with it? +Why did you come into my life? Why open +The secret wells of love I had sealed up? +Why did you open them -? + +GUIDO + +O God! + +DUCHESS + +[clenching her hand] +And let +The floodgates of my passion swell and burst +Till, like the wave when rivers overflow +That sweeps the forest and the farm away, +Love in the splendid avalanche of its might +Swept my life with it? Must I drop by drop +Gather these waters back and seal them up? +Alas! Each drop will be a tear, and so +Will with its saltness make life very bitter. + +GUIDO + +I pray you speak no more, for I must go +Forth from your life and love, and make a way +On which you cannot follow. + +DUCHESS + +I have heard +That sailors dying of thirst upon a raft, +Poor castaways upon a lonely sea, +Dream of green fields and pleasant water-courses, +And then wake up with red thirst in their throats, +And die more miserably because sleep +Has cheated them: so they die cursing sleep +For having sent them dreams: I will not curse you +Though I am cast away upon the sea +Which men call Desolation. + +GUIDO + +O God, God! + +DUCHESS + +But you will stay: listen, I love you, Guido. +[She waits a little.] +Is echo dead, that when I say I love you +There is no answer? + +GUIDO + +Everything is dead, +Save one thing only, which shall die to-night! + +DUCHESS + +If you are going, touch me not, but go. +[Exit GUIDO.] +Barrier! Barrier! +Why did he say there was a barrier? +There is no barrier between us two. +He lied to me, and shall I for that reason +Loathe what I love, and what I worshipped, hate? +I think we women do not love like that. +For if I cut his image from my heart, +My heart would, like a bleeding pilgrim, follow +That image through the world, and call it back +With little cries of love. +[Enter DUKE equipped for the chase, with falconers and hounds.] + +DUKE + +Madam, you keep us waiting; +You keep my dogs waiting. + +DUCHESS + +I will not ride to-day. + +DUKE + +How now, what's this? + +DUCHESS + +My Lord, I cannot go. + +DUKE + +What, pale face, do you dare to stand against me? +Why, I could set you on a sorry jade +And lead you through the town, till the low rabble +You feed toss up their hats and mock at you. + +DUCHESS + +Have you no word of kindness ever for me? + +DUKE + +I hold you in the hollow of my hand +And have no need on you to waste kind words. + +DUCHESS + +Well, I will go. + +DUKE + +[slapping his boot with his whip] +No, I have changed my mind, +You will stay here, and like a faithful wife +Watch from the window for our coming back. +Were it not dreadful if some accident +By chance should happen to your loving Lord? +Come, gentlemen, my hounds begin to chafe, +And I chafe too, having a patient wife. +Where is young Guido? + +MAFFIO + +My liege, I have not seen him +For a full hour past. + +DUKE + +It matters not, +I dare say I shall see him soon enough. +Well, Madam, you will sit at home and spin. +I do protest, sirs, the domestic virtues +Are often very beautiful in others. + +[Exit DUKE with his Court.] + +DUCHESS + +The stars have fought against me, that is all, +And thus to-night when my Lord lieth asleep, +Will I fall upon my dagger, and so cease. +My heart is such a stone nothing can reach it +Except the dagger's edge: let it go there, +To find what name it carries: ay! to-night +Death will divorce the Duke; and yet to-night +He may die also, he is very old. +Why should he not die? Yesterday his hand +Shook with a palsy: men have died from palsy, +And why not he? Are there not fevers also, +Agues and chills, and other maladies +Most incident to old age? +No, no, he will not die, he is too sinful; +Honest men die before their proper time. +Good men will die: men by whose side the Duke +In all the sick pollution of his life +Seems like a leper: women and children die, +But the Duke will not die, he is too sinful. +Oh, can it be +There is some immortality in sin, +Which virtue has not? And does the wicked man +Draw life from what to other men were death, +Like poisonous plants that on corruption live? +No, no, I think God would not suffer that: +Yet the Duke will not die: he is too sinful. +But I will die alone, and on this night +Grim Death shall be my bridegroom, and the tomb +My secret house of pleasure: well, what of that? +The world's a graveyard, and we each, like coffins, +Within us bear a skeleton. +[Enter LORD MORANZONE all in black; he passes across the back of +the stage looking anxiously about.] + +MORANZONE + +Where is Guido? +I cannot find him anywhere. + +DUCHESS + +[catches sight of him] O God! +'Twas thou who took my love away from me. + +MORANZONE + +[with a look of joy] +What, has he left you? + +DUCHESS + +Nay, you know he has. +Oh, give him back to me, give him back, I say, +Or I will tear your body limb from limb, +And to the common gibbet nail your head +Until the carrion crows have stripped it bare. +Better you had crossed a hungry lioness +Before you came between me and my love. +[With more pathos.] +Nay, give him back, you know not how I love him. +Here by this chair he knelt a half hour since; +'Twas there he stood, and there he looked at me; +This is the hand he kissed, and these the ears +Into whose open portals he did pour +A tale of love so musical that all +The birds stopped singing! Oh, give him back to me. + +MORANZONE + +He does not love you, Madam. + +DUCHESS + +May the plague +Wither the tongue that says so! Give him back. + +MORANZONE + +Madam, I tell you you will never see him, +Neither to-night, nor any other night. + +DUCHESS + +What is your name? + +MORANZONE + +My name? Revenge! +[Exit.] + +DUCHESS + +Revenge! +I think I never harmed a little child. +What should Revenge do coming to my door? +It matters not, for Death is there already, +Waiting with his dim torch to light my way. +'Tis true men hate thee, Death, and yet I think +Thou wilt be kinder to me than my lover, +And so dispatch the messengers at once, +Harry the lazy steeds of lingering day, +And let the night, thy sister, come instead, +And drape the world in mourning; let the owl, +Who is thy minister, scream from his tower +And wake the toad with hooting, and the bat, +That is the slave of dim Persephone, +Wheel through the sombre air on wandering wing! +Tear up the shrieking mandrakes from the earth +And bid them make us music, and tell the mole +To dig deep down thy cold and narrow bed, +For I shall lie within thine arms to-night. + +END OF ACT II. + + + +ACT III + + + +SCENE + +A large corridor in the Ducal Palace: a window (L.C.) looks out on +a view of Padua by moonlight: a staircase (R.C.) leads up to a +door with a portiere of crimson velvet, with the Duke's arms +embroidered in gold on it: on the lowest step of the staircase a +figure draped in black is sitting: the hall is lit by an iron +cresset filled with burning tow: thunder and lightning outside: +the time is night. + +[Enter GUIDO through the window.] + +GUIDO + +The wind is rising: how my ladder shook! +I thought that every gust would break the cords! +[Looks out at the city.] +Christ! What a night: +Great thunder in the heavens, and wild lightnings +Striking from pinnacle to pinnacle +Across the city, till the dim houses seem +To shudder and to shake as each new glare +Dashes adown the street. +[Passes across the stage to foot of staircase.] +Ah! who art thou +That sittest on the stair, like unto Death +Waiting a guilty soul? [A pause.] +Canst thou not speak? +Or has this storm laid palsy on thy tongue, +And chilled thy utterance? +[The figure rises and takes off his mask.] + +MORANZONE + +Guido Ferranti, +Thy murdered father laughs for joy to-night. + +GUIDO + +[confusedly] +What, art thou here? + +MORANZONE + +Ay, waiting for your coming. + +GUIDO + +[looking away from him] +I did not think to see you, but am glad, +That you may know the thing I mean to do. + +MORANZONE + +First, I would have you know my well-laid plans; +Listen: I have set horses at the gate +Which leads to Parma: when you have done your business +We will ride hence, and by to-morrow night - + +GUIDO + +It cannot be. + +MORANZONE + +Nay, but it shall. + +GUIDO + +Listen, Lord Moranzone, +I am resolved not to kill this man. + +MORANZONE + +Surely my ears are traitors, speak again: +It cannot be but age has dulled my powers, +I am an old man now: what did you say? +You said that with that dagger in your belt +You would avenge your father's bloody murder; +Did you not say that? + +GUIDO + +No, my lord, I said +I was resolved not to kill the Duke. + +MORANZONE + +You said not that; it is my senses mock me; +Or else this midnight air o'ercharged with storm +Alters your message in the giving it. + +GUIDO + +Nay, you heard rightly; I'll not kill this man. + +MORANZONE + +What of thine oath, thou traitor, what of thine oath? + +GUIDO + +I am resolved not to keep that oath. + +MORANZONE + +What of thy murdered father? + +GUIDO + +Dost thou think +My father would be glad to see me coming, +This old man's blood still hot upon mine hands? + +MORANZONE + +Ay! he would laugh for joy. + +GUIDO + +I do not think so, +There is better knowledge in the other world; +Vengeance is God's, let God himself revenge. + +MORANZONE + +Thou art God's minister of vengeance. + +GUIDO + +No! +God hath no minister but his own hand. +I will not kill this man. + +MORANZONE + +Why are you here, +If not to kill him, then? + +GUIDO + +Lord Moranzone, +I purpose to ascend to the Duke's chamber, +And as he lies asleep lay on his breast +The dagger and this writing; when he awakes +Then he will know who held him in his power +And slew him not: this is the noblest vengeance +Which I can take. + +MORANZONE + +You will not slay him? + +GUIDO + +No. + +MORANZONE + +Ignoble son of a noble father, +Who sufferest this man who sold that father +To live an hour. + +GUIDO + +'Twas thou that hindered me; +I would have killed him in the open square, +The day I saw him first. + +MORANZONE + +It was not yet time; +Now it is time, and, like some green-faced girl, +Thou pratest of forgiveness. + +GUIDO + +No! revenge: +The right revenge my father's son should take. + +MORANZONE + +You are a coward, +Take out the knife, get to the Duke's chamber, +And bring me back his heart upon the blade. +When he is dead, then you can talk to me +Of noble vengeances. + +GUIDO + +Upon thine honour, +And by the love thou bearest my father's name, +Dost thou think my father, that great gentleman, +That generous soldier, that most chivalrous lord, +Would have crept at night-time, like a common thief, +And stabbed an old man sleeping in his bed, +However he had wronged him: tell me that. + +MORANZONE + +[after some hesitation] +You have sworn an oath, see that you keep that oath. +Boy, do you think I do not know your secret, +Your traffic with the Duchess? + +GUIDO + +Silence, liar! +The very moon in heaven is not more chaste. +Nor the white stars so pure. + +MORANZONE + +And yet, you love her; +Weak fool, to let love in upon your life, +Save as a plaything. + +GUIDO + +You do well to talk: +Within your veins, old man, the pulse of youth +Throbs with no ardour. Your eyes full of rheum +Have against Beauty closed their filmy doors, +And your clogged ears, losing their natural sense, +Have shut you from the music of the world. +You talk of love! You know not what it is. + +MORANZONE + +Oh, in my time, boy, have I walked i' the moon, +Swore I would live on kisses and on blisses, +Swore I would die for love, and did not die, +Wrote love bad verses; ay, and sung them badly, +Like all true lovers: Oh, I have done the tricks! +I know the partings and the chamberings; +We are all animals at best, and love +Is merely passion with a holy name. + +GUIDO + +Now then I know you have not loved at all. +Love is the sacrament of life; it sets +Virtue where virtue was not; cleanses men +Of all the vile pollutions of this world; +It is the fire which purges gold from dross, +It is the fan which winnows wheat from chaff, +It is the spring which in some wintry soil +Makes innocence to blossom like a rose. +The days are over when God walked with men, +But Love, which is his image, holds his place. +When a man loves a woman, then he knows +God's secret, and the secret of the world. +There is no house so lowly or so mean, +Which, if their hearts be pure who live in it, +Love will not enter; but if bloody murder +Knock at the Palace gate and is let in, +Love like a wounded thing creeps out and dies. +This is the punishment God sets on sin. +The wicked cannot love. +[A groan comes from the DUKE's chamber.] +Ah! What is that? +Do you not hear? 'Twas nothing. +So I think +That it is woman's mission by their love +To save the souls of men: and loving her, +My Lady, my white Beatrice, I begin +To see a nobler and a holier vengeance +In letting this man live, than doth reside +In bloody deeds o' night, stabs in the dark, +And young hands clutching at a palsied throat. +It was, I think, for love's sake that Lord Christ, +Who was indeed himself incarnate Love, +Bade every man forgive his enemy. + +MORANZONE + +[sneeringly] +That was in Palestine, not Padua; +And said for saints: I have to do with men. + +GUIDO + +It was for all time said. + +MORANZONE + +And your white Duchess, +What will she do to thank you? + +GUIDO + +Alas, I will not see her face again. +'Tis but twelve hours since I parted from her, +So suddenly, and with such violent passion, +That she has shut her heart against me now: +No, I will never see her. + +MORANZONE + +What will you do? + +GUIDO + +After that I have laid the dagger there, +Get hence to-night from Padua. + +MORANZONE + +And then? + +GUIDO + +I will take service with the Doge at Venice, +And bid him pack me straightway to the wars, +And there I will, being now sick of life, +Throw that poor life against some desperate spear. +[A groan from the DUKE'S chamber again.] +Did you not hear a voice? + +MORANZONE + +I always hear, +From the dim confines of some sepulchre, +A voice that cries for vengeance. We waste time, +It will be morning soon; are you resolved +You will not kill the Duke? + +GUIDO + +I am resolved. + +MORANZONE + +O wretched father, lying unavenged. + +GUIDO + +More wretched, were thy son a murderer. + +MORANZONE + +Why, what is life? + +GUIDO + +I do not know, my lord, +I did not give it, and I dare not take it. + +MORANZONE + +I do not thank God often; but I think +I thank him now that I have got no son! +And you, what bastard blood flows in your veins +That when you have your enemy in your grasp +You let him go! I would that I had left you +With the dull hinds that reared you. + +GUIDO + +Better perhaps +That you had done so! May be better still +I'd not been born to this distressful world. + +MORANZONE + +Farewell! + +GUIDO + +Farewell! Some day, Lord Moranzone, +You will understand my vengeance. + +MORANZONE + +Never, boy. +[Gets out of window and exit by rope ladder.] + +GUIDO + +Father, I think thou knowest my resolve, +And with this nobler vengeance art content. +Father, I think in letting this man live +That I am doing what thou wouldst have done. +Father, I know not if a human voice +Can pierce the iron gateway of the dead, +Or if the dead are set in ignorance +Of what we do, or do not, for their sakes. +And yet I feel a presence in the air, +There is a shadow standing at my side, +And ghostly kisses seem to touch my lips, +And leave them holier. [Kneels down.] +O father, if 'tis thou, +Canst thou not burst through the decrees of death, +And if corporeal semblance show thyself, +That I may touch thy hand! +No, there is nothing. [Rises.] +'Tis the night that cheats us with its phantoms, +And, like a puppet-master, makes us think +That things are real which are not. It grows late. +Now must I to my business. +[Pulls out a letter from his doublet and reads it.] +When he wakes, +And sees this letter, and the dagger with it, +Will he not have some loathing for his life, +Repent, perchance, and lead a better life, +Or will he mock because a young man spared +His natural enemy? I do not care. +Father, it is thy bidding that I do, +Thy bidding, and the bidding of my love +Which teaches me to know thee as thou art. +[Ascends staircase stealthily, and just as he reaches out his hand +to draw back the curtain the Duchess appears all in white. GUIDO +starts back.] + +DUCHESS + +Guido! what do you here so late? + +GUIDO + +O white and spotless angel of my life, +Sure thou hast come from Heaven with a message +That mercy is more noble than revenge? + +DUCHESS + +There is no barrier between us now. + +GUIDO + +None, love, nor shall be. + +DUCHESS + +I have seen to that. + +GUIDO + +Tarry here for me. + +DUCHESS + +No, you are not going? +You will not leave me as you did before? + +GUIDO + +I will return within a moment's space, +But first I must repair to the Duke's chamber, +And leave this letter and this dagger there, +That when he wakes - + +DUCHESS + +When who wakes? + +GUIDO + +Why, the Duke. + +DUCHESS + +He will not wake again. + +GUIDO + +What, is he dead? + +DUCHESS + +Ay! he is dead. + +GUIDO + +O God! how wonderful +Are all thy secret ways! Who would have said +That on this very night, when I had yielded +Into thy hands the vengeance that is thine, +Thou with thy finger wouldst have touched the man, +And bade him come before thy judgment seat. + +DUCHESS + +I have just killed him. + +GUIDO + +[in horror] Oh! + +DUCHESS + +He was asleep; +Come closer, love, and I will tell you all. +I had resolved to kill myself to-night. +About an hour ago I waked from sleep, +And took my dagger from beneath my pillow, +Where I had hidden it to serve my need, +And drew it from the sheath, and felt the edge, +And thought of you, and how I loved you, Guido, +And turned to fall upon it, when I marked +The old man sleeping, full of years and sin; +There lay he muttering curses in his sleep, +And as I looked upon his evil face +Suddenly like a flame there flashed across me, +There is the barrier which Guido spoke of: +You said there lay a barrier between us, +What barrier but he? - +I hardly know +What happened, but a steaming mist of blood +Rose up between us two. + +GUIDO + +Oh, horrible! + +DUCHESS + +And then he groaned, +And then he groaned no more! I only heard +The dripping of the blood upon the floor. + +GUIDO + +Enough, enough. + +DUCHESS + +Will you not kiss me now? +Do you remember saying that women's love +Turns men to angels? well, the love of man +Turns women into martyrs; for its sake +We do or suffer anything. + +GUIDO + +O God! + +DUCHESS + +Will you not speak? + +GUIDO + +I cannot speak at all. + +DUCHESS + +Let as not talk of this! Let us go hence: +Is not the barrier broken down between us? +What would you more? Come, it is almost morning. +[Puts her hand on GUIDO'S.] + +GUIDO + +[breaking from her] +O damned saint! O angel fresh from Hell! +What bloody devil tempted thee to this! +That thou hast killed thy husband, that is nothing - +Hell was already gaping for his soul - +But thou hast murdered Love, and in its place +Hast set a horrible and bloodstained thing, +Whose very breath breeds pestilence and plague, +And strangles Love. + +DUCHESS + +[in amazed wonder] +I did it all for you. +I would not have you do it, had you willed it, +For I would keep you without blot or stain, +A thing unblemished, unassailed, untarnished. +Men do not know what women do for love. +Have I not wrecked my soul for your dear sake, +Here and hereafter? + +GUIDO + +No, do not touch me, +Between us lies a thin red stream of blood; +I dare not look across it: when you stabbed him +You stabbed Love with a sharp knife to the heart. +We cannot meet again. + +DUCHESS + +[wringing her hands] +For you! For you! +I did it all for you: have you forgotten? +You said there was a barrier between us; +That barrier lies now i' the upper chamber +Upset, overthrown, beaten, and battered down, +And will not part us ever. + +GUIDO + +No, you mistook: +Sin was the barrier, you have raised it up; +Crime was the barrier, you have set it there. +The barrier was murder, and your hand +Has builded it so high it shuts out heaven, +It shuts out God. + +DUCHESS + +I did it all for you; +You dare not leave me now: nay, Guido, listen. +Get horses ready, we will fly to-night. +The past is a bad dream, we will forget it: +Before us lies the future: shall we not have +Sweet days of love beneath our vines and laugh? - +No, no, we will not laugh, but, when we weep, +Well, we will weep together; I will serve you; +I will be very meek and very gentle: +You do not know me. + +GUIDO + +Nay, I know you now; +Get hence, I say, out of my sight. + +DUCHESS + +[pacing up and down] +O God, +How I have loved this man! + +GUIDO + +You never loved me. +Had it been so, Love would have stayed your hand. +How could we sit together at Love's table? +You have poured poison in the sacred wine, +And Murder dips his fingers in the sop. + +DUCHESS + +[throws herself on her knees] +Then slay me now! I have spilt blood to-night, +You shall spill more, so we go hand in hand +To heaven or to hell. Draw your sword, Guido. +Quick, let your soul go chambering in my heart, +It will but find its master's image there. +Nay, if you will not slay me with your sword, +Bid me to fall upon this reeking knife, +And I will do it. + +GUIDO + +[wresting knife from her] +Give it to me, I say. +O God, your very hands are wet with blood! +This place is Hell, I cannot tarry here. +I pray you let me see your face no more. + +DUCHESS + +Better for me I had not seen your face. +[GUIDO recoils: she seizes his hands as she kneels.] +Nay, Guido, listen for a while: +Until you came to Padua I lived +Wretched indeed, but with no murderous thought, +Very submissive to a cruel Lord, +Very obedient to unjust commands, + +As pure I think as any gentle girl +Who now would turn in horror from my hands - +[Stands up.] +You came: ah! Guido, the first kindly words +I ever heard since I had come from France +Were from your lips: well, well, that is no matter. +You came, and in the passion of your eyes +I read love's meaning; everything you said +Touched my dumb soul to music, so I loved you. +And yet I did not tell you of my love. +'Twas you who sought me out, knelt at my feet +As I kneel now at yours, and with sweet vows, +[Kneels.] +Whose music seems to linger in my ears, +Swore that you loved me, and I trusted you. +I think there are many women in the world +Who would have tempted you to kill the man. +I did not. +Yet I know that had I done so, +I had not been thus humbled in the dust, +[Stands up.] +But you had loved me very faithfully. +[After a pause approaches him timidly.] +I do not think you understand me, Guido: +It was for your sake that I wrought this deed +Whose horror now chills my young blood to ice, +For your sake only. [Stretching out her arm.] +Will you not speak to me? +Love me a little: in my girlish life +I have been starved for love, and kindliness +Has passed me by. + +GUIDO + +I dare not look at you: +You come to me with too pronounced a favour; +Get to your tirewomen. + +DUCHESS + +Ay, there it is! +There speaks the man! yet had you come to me +With any heavy sin upon your soul, +Some murder done for hire, not for love, +Why, I had sat and watched at your bedside +All through the night-time, lest Remorse might come +And pour his poisons in your ear, and so +Keep you from sleeping! Sure it is the guilty, +Who, being very wretched, need love most. + +GUIDO + +There is no love where there is any guilt. + +DUCHESS + +No love where there is any guilt! O God, +How differently do we love from men! +There is many a woman here in Padua, +Some workman's wife, or ruder artisan's, +Whose husband spends the wages of the week +In a coarse revel, or a tavern brawl, +And reeling home late on the Saturday night, +Finds his wife sitting by a fireless hearth, +Trying to hush the child who cries for hunger, +And then sets to and beats his wife because +The child is hungry, and the fire black. +Yet the wife loves him! and will rise next day +With some red bruise across a careworn face, +And sweep the house, and do the common service, +And try and smile, and only be too glad +If he does not beat her a second time +Before her child!--that is how women love. +[A pause: GUIDO says nothing.] +I think you will not drive me from your side. +Where have I got to go if you reject me? - +You for whose sake this hand has murdered life, +You for whose sake my soul has wrecked itself +Beyond all hope of pardon. + +GUIDO + +Get thee gone: +The dead man is a ghost, and our love too, +Flits like a ghost about its desolate tomb, +And wanders through this charnel house, and weeps +That when you slew your lord you slew it also. +Do you not see? + +DUCHESS + +I see when men love women +They give them but a little of their lives, +But women when they love give everything; +I see that, Guido, now. + +GUIDO + +Away, away, +And come not back till you have waked your dead. + +DUCHESS + +I would to God that I could wake the dead, +Put vision in the glazed eves, and give +The tongue its natural utterance, and bid +The heart to beat again: that cannot be: +For what is done, is done: and what is dead +Is dead for ever: the fire cannot warm him: +The winter cannot hurt him with its snows; +Something has gone from him; if you call him now, +He will not answer; if you mock him now, +He will not laugh; and if you stab him now +He will not bleed. +I would that I could wake him! +O God, put back the sun a little space, +And from the roll of time blot out to-night, +And bid it not have been! Put back the sun, +And make me what I was an hour ago! +No, no, time will not stop for anything, +Nor the sun stay its courses, though Repentance +Calling it back grow hoarse; but you, my love, +Have you no word of pity even for me? +O Guido, Guido, will you not kiss me once? +Drive me not to some desperate resolve: +Women grow mad when they are treated thus: +Will you not kiss me once? + +GUIDO + +[holding up knife] +I will not kiss you +Until the blood grows dry upon this knife, +[Wildly] Back to your dead! + +DUCHESS + +[going up the stairs] +Why, then I will be gone! and may you find +More mercy than you showed to me to-night! + +GUIDO + +Let me find mercy when I go at night +And do foul murder. + +DUCHESS + +[coming down a few steps.] +Murder did you say? +Murder is hungry, and still cries for more, +And Death, his brother, is not satisfied, +But walks the house, and will not go away, +Unless he has a comrade! Tarry, Death, +For I will give thee a most faithful lackey +To travel with thee! Murder, call no more, +For thou shalt eat thy fill. +There is a storm +Will break upon this house before the morning, +So horrible, that the white moon already +Turns grey and sick with terror, the low wind +Goes moaning round the house, and the high stars +Run madly through the vaulted firmament, +As though the night wept tears of liquid fire +For what the day shall look upon. Oh, weep, +Thou lamentable heaven! Weep thy fill! +Though sorrow like a cataract drench the fields, +And make the earth one bitter lake of tears, +It would not be enough. [A peal of thunder.] +Do you not hear, +There is artillery in the Heaven to-night. +Vengeance is wakened up, and has unloosed +His dogs upon the world, and in this matter +Which lies between us two, let him who draws +The thunder on his head beware the ruin +Which the forked flame brings after. +[A flash of lightning followed by a peal of thunder.] + +GUIDO + +Away! away! +[Exit the DUCHESS, who as she lifts the crimson curtain looks back +for a moment at GUIDO, but he makes no sign. More thunder.] +Now is life fallen in ashes at my feet +And noble love self-slain; and in its place +Crept murder with its silent bloody feet. +And she who wrought it--Oh! and yet she loved me, +And for my sake did do this dreadful thing. +I have been cruel to her: Beatrice! +Beatrice, I say, come back. +[Begins to ascend staircase, when the noise of Soldiers is heard.] +Ah! what is that? +Torches ablaze, and noise of hurrying feet. +Pray God they have not seized her. +[Noise grows louder.] +Beatrice! +There is yet time to escape. Come down, come out! +[The voice of the DUCHESS outside.] +This way went he, the man who slew my lord. +[Down the staircase comes hurrying a confused body of Soldiers; +GUIDO is not seen at first, till the DUCHESS surrounded by Servants +carrying torches appears at the top of the staircase, and points to +GUIDO, who is seized at once, one of the Soldiers dragging the +knife from his hand and showing it to the Captain of the Guard in +sight of the audience. Tableau.] + +END OF ACT III. + + + +ACT IV + + + +SCENE + +The Court of Justice: the walls are hung with stamped grey velvet: +above the hangings the wall is red, and gilt symbolical figures +bear up the roof, which is made of red beams with grey soffits and +moulding: a canopy of white satin flowered with gold is set for +the Duchess: below it a long bench with red cloth for the Judges: +below that a table for the clerks of the court. Two soldiers stand +on each side of the canopy, and two soldiers guard the door; the +citizens have some of them collected in the Court; others are +coming in greeting one another; two tipstaffs in violet keep order +with long white wands. + +FIRST CITIZEN + +Good morrow, neighbour Anthony. + +SECOND CITIZEN + +Good morrow, neighbour Dominick. + +FIRST CITIZEN + +This is a strange day for Padua, is it not?--the Duke being dead. + +SECOND CITIZEN + +I tell you, neighbour Dominick, I have not known such a day since +the last Duke died. + +FIRST CITIZEN + +They will try him first, and sentence him afterwards, will they +not, neighbour Anthony? + +SECOND CITIZEN + +Nay, for he might 'scape his punishment then; but they will condemn +him first so that he gets his deserts, and give him trial +afterwards so that no injustice is done. + +FIRST CITIZEN + +Well, well, it will go hard with him I doubt not. + +SECOND CITIZEN + +Surely it is a grievous thing to shed a Duke's blood. + +THIRD CITIZEN + +They say a Duke has blue blood. + +SECOND CITIZEN + +I think our Duke's blood was black like his soul. + +FIRST CITIZEN + +Have a watch, neighbour Anthony, the officer is looking at thee. + +SECOND CITIZEN + +I care not if he does but look at me; he cannot whip me with the +lashes of his eye. + +THIRD CITIZEN + +What think you of this young man who stuck the knife into the Duke? + +SECOND CITIZEN + +Why, that he is a well-behaved, and a well-meaning, and a well- +favoured lad, and yet wicked in that he killed the Duke. + +THIRD CITIZEN + +'Twas the first time he did it: may be the law will not be hard on +him, as he did not do it before. + +SECOND CITIZEN + +True. + +TIPSTAFF + +Silence, knave. + +SECOND CITIZEN + +Am I thy looking-glass, Master Tipstaff, that thou callest me +knave? + +FIRST CITIZEN + +Here be one of the household coming. Well, Dame Lucy, thou art of +the Court, how does thy poor mistress the Duchess, with her sweet +face? + +MISTRESS LUCY + +O well-a-day! O miserable day! O day! O misery! Why it is just +nineteen years last June, at Michaelmas, since I was married to my +husband, and it is August now, and here is the Duke murdered; there +is a coincidence for you! + +SECOND CITIZEN + +Why, if it is a coincidence, they may not kill the young man: +there is no law against coincidences. + +FIRST CITIZEN + +But how does the Duchess? + +MISTRESS LUCY + +Well well, I knew some harm would happen to the house: six weeks +ago the cakes were all burned on one side, and last Saint Martin +even as ever was, there flew into the candle a big moth that had +wings, and a'most scared me. + +FIRST CITIZEN + +But come to the Duchess, good gossip: what of her? + +MISTRESS LUCY + +Marry, it is time you should ask after her, poor lady; she is +distraught almost. Why, she has not slept, but paced the chamber +all night long. I prayed her to have a posset, or some aqua-vitae, +and to get to bed and sleep a little for her health's sake, but she +answered me she was afraid she might dream. That was a strange +answer, was it not? + +SECOND CITIZEN + +These great folk have not much sense, so Providence makes it up to +them in fine clothes. + +MISTRESS LUCY + +Well, well, God keep murder from us, I say, as long as we are +alive. + +[Enter LORD MORANZONE hurriedly.] + +MORANZONE + +Is the Duke dead? + +SECOND CITIZEN + +He has a knife in his heart, which they say is not healthy for any +man. + +MORANZONE + +Who is accused of having killed him? + +SECOND CITIZEN + +Why, the prisoner, sir. + +MORANZONE + +But who is the prisoner? + +SECOND CITIZEN + +Why, he that is accused of the Duke's murder. + +MORANZONE + +I mean, what is his name? + +SECOND CITIZEN + +Faith, the same which his godfathers gave him: what else should it +be? + +TIPSTAFF + +Guido Ferranti is his name, my lord. + +MORANZONE + +I almost knew thine answer ere you gave it. +[Aside.] +Yet it is strange he should have killed the Duke, +Seeing he left me in such different mood. +It is most likely when he saw the man, +This devil who had sold his father's life, +That passion from their seat within his heart +Thrust all his boyish theories of love, +And in their place set vengeance; yet I marvel +That he escaped not. +[Turning again to the crowd.] +How was he taken? Tell me. + +THIRD CITIZEN + +Marry, sir, he was taken by the heels. + +MORANZONE + +But who seized him? + +THIRD CITIZEN + +Why, those that did lay hold of him. + +MORANZONE + +How was the alarm given? + +THIRD CITIZEN + +That I cannot tell you, sir. + +MISTRESS LUCY + +It was the Duchess herself who pointed him out. + +MORANZONE + +[aside] +The Duchess! There is something strange in this. + +MISTRESS LUCY + +Ay! And the dagger was in his hand--the Duchess's own dagger. + +MORANZONE + +What did you say? + +MISTRESS LUCY + +Why, marry, that it was with the Duchess's dagger that the Duke was +killed. + +MORANZONE + +[aside] +There is some mystery about this: I cannot understand it. + +SECOND CITIZEN + +They be very long a-coming, + +FIRST CITIZEN + +I warrant they will come soon enough for the prisoner. + +TIPSTAFF + +Silence in the Court! + +FIRST CITIZEN + +Thou dost break silence in bidding us keep it, Master Tipstaff. +[Enter the LORD JUSTICE and the other Judges.] + +SECOND CITIZEN + +Who is he in scarlet? Is he the headsman? + +THIRD CITIZEN + +Nay, he is the Lord Justice. +[Enter GUIDO guarded.] + +SECOND CITIZEN + +There be the prisoner surely. + +THIRD CITIZEN + +He looks honest. + +FIRST CITIZEN + +That be his villany: knaves nowadays do look so honest that honest +folk are forced to look like knaves so as to be different. +[Enter the Headman, who takes his stand behind GUIDO.] + +SECOND CITIZEN + +Yon be the headsman then! O Lord! Is the axe sharp, think you? + +FIRST CITIZEN + +Ay! sharper than thy wits are; but the edge is not towards him, +mark you. + +SECOND CITIZEN + +[scratching his neck] +I' faith, I like it not so near. + +FIRST CITIZEN + +Tut, thou need'st not be afraid; they never cut the heads of common +folk: they do but hang us. +[Trumpets outside.] + +THIRD CITIZEN + +What are the trumpets for? Is the trial over? + +FIRST CITIZEN + +Nay, 'tis for the Duchess. +[Enter the DUCHESS in black velvet; her train of flowered black +velvet is carried by two pages in violet; with her is the CARDINAL +in scarlet, and the gentlemen of the Court in black; she takes her +seat on the throne above the Judges, who rise and take their caps +off as she enters; the CARDINAL sits next to her a little lower; +the Courtiers group themselves about the throne.] + +SECOND CITIZEN + +O poor lady, how pale she is! Will she sit there? + +FIRST CITIZEN + +Ay! she is in the Duke's place now. + +SECOND CITIZEN + +That is a good thing for Padua; the Duchess is a very kind and +merciful Duchess; why, she cured my child of the ague once. + +THIRD CITIZEN + +Ay, and has given us bread: do not forget the bread. + +A SOLDIER + +Stand back, good people. + +SECOND CITIZEN + +If we be good, why should we stand back? + +TIPSTAFF + +Silence in the Court! + +LORD JUSTICE + +May it please your Grace, +Is it your pleasure we proceed to trial +Of the Duke's murder? [DUCHESS bows.] +Set the prisoner forth. +What is thy name? + +GUIDO + +It matters not, my lord. + +LORD JUSTICE + +Guido Ferranti is thy name in Padua. + +GUIDO + +A man may die as well under that name as any other. + +LORD JUSTICE + +Thou art not ignorant +What dreadful charge men lay against thee here, +Namely, the treacherous murder of thy Lord, +Simone Gesso, Duke of Padua; +What dost thou say in answer? + +GUIDO + +I say nothing. + +LORD JUSTICE + +[rising] +Guido Ferranti - + +MORANZONE + +[stepping from the crowd] +Tarry, my Lord Justice. + +LORD JUSTICE + +Who art thou that bid'st justice tarry, sir? + +MORANZONE + +So be it justice it can go its way; +But if it be not justice - + +LORD JUSTICE + +Who is this? + +COUNT BARDI + +A very noble gentleman, and well known +To the late Duke. + +LORD JUSTICE + +Sir, thou art come in time +To see the murder of the Duke avenged. +There stands the man who did this heinous thing. + +MORANZONE + +My lord, +I ask again what proof have ye? + +LORD JUSTICE + +[holding up the dagger] +This dagger, +Which from his blood-stained hands, itself all blood, +Last night the soldiers seized: what further proof +Need we indeed? + +MORANZONE + +[takes the danger and approaches the DUCHESS] +Saw I not such a dagger +Hang from your Grace's girdle yesterday? +[The DUCHESS shudders and makes no answer.] +Ah! my Lord Justice, may I speak a moment +With this young man, who in such peril stands? + +LORD JUSTICE + +Ay, willingly, my lord, and may you turn him +To make a full avowal of his guilt. +[LORD MORANZONE goes over to GUIDO, who stands R. and clutches him +by the hand.] + +MORANZONE + +[in a low voice] +She did it! Nay, I saw it in her eyes. +Boy, dost thou think I'll let thy father's son +Be by this woman butchered to his death? +Her husband sold your father, and the wife +Would sell the son in turn. + +GUIDO + +Lord Moranzone, +I alone did this thing: be satisfied, +My father is avenged. + +LORD JUSTICE + +Doth he confess? + +GUIDO + +My lord, I do confess +That foul unnatural murder has been done. + +FIRST CITIZEN + +Why, look at that: he has a pitiful heart, and does not like +murder; they will let him go for that. + +LORD JUSTICE + +Say you no more? + +GUIDO + +My lord, I say this also, +That to spill human blood is deadly sin. + +SECOND CITIZEN + +Marry, he should tell that to the headsman: 'tis a good sentiment. + +GUIDO + +Lastly, my lord, I do entreat the Court +To give me leave to utter openly +The dreadful secret of this mystery, +And to point out the very guilty one +Who with this dagger last night slew the Duke. + +LORD JUSTICE + +Thou hast leave to speak. + +DUCHESS + +[rising] +I say he shall not speak: +What need have we of further evidence? +Was he not taken in the house at night +In Guilt's own bloody livery? + +LORD JUSTICE + +[showing her the statute] +Your Grace +Can read the law. + +DUCHESS + +[waiving book aside] +Bethink you, my Lord Justice, +Is it not very like that such a one +May, in the presence of the people here, +Utter some slanderous word against my Lord, +Against the city, or the city's honour, +Perchance against myself. + +LORD JUSTICE + +My liege, the law. + +DUCHESS + +He shall not speak, but, with gags in his mouth, +Shall climb the ladder to the bloody block. + +LORD JUSTICE + +The law, my liege. + +DUCHESS + +We are not bound by law, +But with it we bind others. + +MORANZONE + +My Lord Justice, +Thou wilt not suffer this injustice here. + +LORD JUSTICE + +The Court needs not thy voice, Lord Moranzone. +Madam, it were a precedent most evil +To wrest the law from its appointed course, +For, though the cause be just, yet anarchy +Might on this licence touch these golden scales +And unjust causes unjust victories gain. + +COUNT BARDI + +I do not think your Grace can stay the law. + +DUCHESS + +Ay, it is well to preach and prate of law: +Methinks, my haughty lords of Padua, +If ye are hurt in pocket or estate, +So much as makes your monstrous revenues +Less by the value of one ferry toll, +Ye do not wait the tedious law's delay +With such sweet patience as ye counsel me. + +COUNT BARDI + +Madam, I think you wrong our nobles here. + +DUCHESS + +I think I wrong them not. Which of you all +Finding a thief within his house at night, +With some poor chattel thrust into his rags, +Will stop and parley with him? do ye not +Give him unto the officer and his hook +To be dragged gaolwards straightway? +And so now, +Had ye been men, finding this fellow here, +With my Lord's life still hot upon his hands, +Ye would have haled him out into the court, +And struck his head off with an axe. + +GUIDO + +O God! + +DUCHESS + +Speak, my Lord Justice. + +LORD JUSTICE + +Your Grace, it cannot be: +The laws of Padua are most certain here: +And by those laws the common murderer even +May with his own lips plead, and make defence. + +DUCHESS + +This is no common murderer, Lord Justice, +But a great outlaw, and a most vile traitor, +Taken in open arms against the state. +For he who slays the man who rules a state +Slays the state also, widows every wife, +And makes each child an orphan, and no less +Is to be held a public enemy, +Than if he came with mighty ordonnance, +And all the spears of Venice at his back, +To beat and batter at our city gates - +Nay, is more dangerous to our commonwealth, +For walls and gates, bastions and forts, and things +Whose common elements are wood and stone +May be raised up, but who can raise again +The ruined body of my murdered lord, +And bid it live and laugh? + +MAFFIO + +Now by Saint Paul +I do not think that they will let him speak. + +JEPPO VITELLOZZO + +There is much in this, listen. + +DUCHESS + +Wherefore now, +Throw ashes on the head of Padua, +With sable banners hang each silent street, +Let every man be clad in solemn black; +But ere we turn to these sad rites of mourning +Let us bethink us of the desperate hand +Which wrought and brought this ruin on our state, +And straightway pack him to that narrow house, +Where no voice is, but with a little dust +Death fills right up the lying mouths of men. + +GUIDO + +Unhand me, knaves! I tell thee, my Lord Justice, +Thou mightst as well bid the untrammelled ocean, +The winter whirlwind, or the Alpine storm, +Not roar their will, as bid me hold my peace! +Ay! though ye put your knives into my throat, +Each grim and gaping wound shall find a tongue, +And cry against you. + +LORD JUSTICE + +Sir, this violence +Avails you nothing; for save the tribunal +Give thee a lawful right to open speech, +Naught that thou sayest can be credited. +[The DUCHESS smiles and GUIDO falls back with a gesture of +despair.] +Madam, myself, and these wise Justices, +Will with your Grace's sanction now retire +Into another chamber, to decide +Upon this difficult matter of the law, +And search the statutes and the precedents. + +DUCHESS + +Go, my Lord Justice, search the statutes well, +Nor let this brawling traitor have his way. + +MORANZONE + +Go, my Lord Justice, search thy conscience well, +Nor let a man be sent to death unheard. +[Exit the LORD JUSTICE and the Judges.] + +DUCHESS + +Silence, thou evil genius of my life! +Thou com'st between us two a second time; +This time, my lord, I think the turn is mine. + +GUIDO + +I shall not die till I have uttered voice. + +DUCHESS + +Thou shalt die silent, and thy secret with thee. + +GUIDO + +Art thou that Beatrice, Duchess of Padua? + +DUCHESS + +I am what thou hast made me; look at me well, +I am thy handiwork. + +MAFFIO + +See, is she not +Like that white tigress which we saw at Venice, +Sent by some Indian soldan to the Doge? + +JEPPO + +Hush! she may hear thy chatter. + +HEADSMAN + +My young fellow, +I do not know why thou shouldst care to speak, +Seeing my axe is close upon thy neck, +And words of thine will never blunt its edge. +But if thou art so bent upon it, why +Thou mightest plead unto the Churchman yonder: +The common people call him kindly here, +Indeed I know he has a kindly soul. + +GUIDO + +This man, whose trade is death, hath courtesies +More than the others. + +HEADSMAN + +Why, God love you, sir, +I'll do you your last service on this earth. + +GUIDO + +My good Lord Cardinal, in a Christian land, +With Lord Christ's face of mercy looking down +From the high seat of Judgment, shall a man +Die unabsolved, unshrived? And if not so, +May I not tell this dreadful tale of sin, +If any sin there be upon my soul? + +DUCHESS + +Thou dost but waste thy time. + +CARDINAL + +Alack, my son, +I have no power with the secular arm. +My task begins when justice has been done, +To urge the wavering sinner to repent +And to confess to Holy Church's ear +The dreadful secrets of a sinful mind. + +DUCHESS + +Thou mayest speak to the confessional +Until thy lips grow weary of their tale, +But here thou shalt not speak. + +GUIDO + +My reverend father, +You bring me but cold comfort. + +CARDINAL + +Nay, my son, +For the great power of our mother Church, +Ends not with this poor bubble of a world, +Of which we are but dust, as Jerome saith, +For if the sinner doth repentant die, +Our prayers and holy masses much avail +To bring the guilty soul from purgatory. + +DUCHESS + +And when in purgatory thou seest my Lord +With that red star of blood upon his heart, +Tell him I sent thee hither. + +GUIDO + +O dear God! + +MORANZONE + +This is the woman, is it, whom you loved? + +CARDINAL + +Your Grace is very cruel to this man. + +DUCHESS + +No more than he was cruel to her Grace. + +CARDINAL + +Yet mercy is the sovereign right of princes. + +DUCHESS + +I got no mercy, and I give it not. +He hath changed my heart into a heart of stone, +He hath sown rank nettles in a goodly field, +He hath poisoned the wells of pity in my breast, +He hath withered up all kindness at the root; +My life is as some famine murdered land, +Whence all good things have perished utterly: +I am what he hath made me. +[The DUCHESS weeps.] + +JEPPO + +Is it not strange +That she should so have loved the wicked Duke? + +MAFFIO + +It is most strange when women love their lords, +And when they love them not it is most strange. + +JEPPO + +What a philosopher thou art, Petrucci! + +MAFFIO + +Ay! I can bear the ills of other men, +Which is philosophy. + +DUCHESS + +They tarry long, +These greybeards and their council; bid them come; +Bid them come quickly, else I think my heart +Will beat itself to bursting: not indeed, +That I here care to live; God knows my life +Is not so full of joy, yet, for all that, +I would not die companionless, or go +Lonely to Hell. +Look, my Lord Cardinal, +Canst thou not see across my forehead here, +In scarlet letters writ, the word Revenge? +Fetch me some water, I will wash it off: +'Twas branded there last night, but in the day-time +I need not wear it, need I, my Lord Cardinal? +Oh, how it sears and burns into my brain: +Give me a knife; not that one, but another, +And I will cut it out. + +CARDINAL + +It is most natural +To be incensed against the murderous hand +That treacherously stabbed your sleeping lord. + +DUCHESS + +I would, old Cardinal, I could burn that hand; +But it will burn hereafter. + +CARDINAL + +Nay, the Church +Ordains us to forgive our enemies. + +DUCHESS + +Forgiveness? what is that? I never got it. +They come at last: well, my Lord Justice, well. +[Enter the LORD JUSTICE.] + +LORD JUSTICE + +Most gracious Lady, and our sovereign Liege, +We have long pondered on the point at issue, +And much considered of your Grace's wisdom, +And never wisdom spake from fairer lips - + +DUCHESS + +Proceed, sir, without compliment. + +LORD JUSTICE + +We find, +As your own Grace did rightly signify, +That any citizen, who by force or craft +Conspires against the person of the Liege, +Is ipso facto outlaw, void of rights +Such as pertain to other citizens, +Is traitor, and a public enemy, +Who may by any casual sword be slain +Without the slayer's danger; nay, if brought +Into the presence of the tribunal, +Must with dumb lips and silence reverent +Listen unto his well-deserved doom, +Nor has the privilege of open speech. + +DUCHESS + +I thank thee, my Lord Justice, heartily; +I like your law: and now I pray dispatch +This public outlaw to his righteous doom; +What is there more? + +LORD JUSTICE + +Ay, there is more, your Grace. +This man being alien born, not Paduan, +Nor by allegiance bound unto the Duke, +Save such as common nature doth lay down, +Hath, though accused of treasons manifold, +Whose slightest penalty is certain death, +Yet still the right of public utterance +Before the people and the open court; +Nay, shall be much entreated by the Court, +To make some formal pleading for his life, +Lest his own city, righteously incensed, +Should with an unjust trial tax our state, +And wars spring up against the commonwealth: +So merciful are the laws of Padua +Unto the stranger living in her gates. + +DUCHESS + +Being of my Lord's household, is he stranger here? + +LORD JUSTICE + +Ay, until seven years of service spent +He cannot be a Paduan citizen. + +GUIDO + +I thank thee, my Lord Justice, heartily; +I like your law. + +SECOND CITIZEN + +I like no law at all: +Were there no law there'd be no law-breakers, +So all men would be virtuous. + +FIRST CITIZEN + +So they would; +'Tis a wise saying that, and brings you far. + +TIPSTAFF + +Ay! to the gallows, knave. + +DUCHESS + +Is this the law? + +LORD JUSTICE + +It is the law most certainly, my liege. + +DUCHESS + +Show me the book: 'tis written in blood-red. + +JEPPO + +Look at the Duchess. + +DUCHESS + +Thou accursed law, +I would that I could tear thee from the state +As easy as I tear thee from this book. +[Tears out the page.] +Come here, Count Bardi: are you honourable? +Get a horse ready for me at my house, +For I must ride to Venice instantly. + +BARDI + +To Venice, Madam? + +DUCHESS + +Not a word of this, +Go, go at once. [Exit COUNT BARDI.] +A moment, my Lord Justice. +If, as thou sayest it, this is the law - +Nay, nay, I doubt not that thou sayest right, +Though right be wrong in such a case as this - +May I not by the virtue of mine office +Adjourn this court until another day? + +LORD JUSTICE + +Madam, you cannot stay a trial for blood. + +DUCHESS + +I will not tarry then to hear this man +Rail with rude tongue against our sacred person. +Come, gentlemen. + +LORD JUSTICE + +My liege, +You cannot leave this court until the prisoner +Be purged or guilty of this dread offence. + +DUCHESS + +Cannot, Lord Justice? By what right do you +Set barriers in my path where I should go? +Am I not Duchess here in Padua, +And the state's regent? + +LORD JUSTICE + +For that reason, Madam, +Being the fountain-head of life and death +Whence, like a mighty river, justice flows, +Without thy presence justice is dried up +And fails of purpose: thou must tarry here. + +DUCHESS + +What, wilt thou keep me here against my will? + +LORD JUSTICE + +We pray thy will be not against the law. + +DUCHESS + +What if I force my way out of the court? + +LORD JUSTICE + +Thou canst not force the Court to give thee way. + +DUCHESS + +I will not tarry. [Rises from her seat.] + +LORD JUSTICE + +Is the usher here? +Let him stand forth. [Usher comes forward.] +Thou knowest thy business, sir. +[The Usher closes the doors of the court, which are L., and when +the DUCHESS and her retinue approach, kneels down.] + +USHER + +In all humility I beseech your Grace +Turn not my duty to discourtesy, +Nor make my unwelcome office an offence. + +DUCHESS + +Is there no gentleman amongst you all +To prick this prating fellow from our way? + +MAFFIO + +[drawing his sword] +Ay! that will I. + +LORD JUSTICE + +Count Maffio, have a care, +And you, sir. [To JEPPO.] +The first man who draws his sword +Upon the meanest officer of this Court, +Dies before nightfall. + +DUCHESS + +Sirs, put up your swords: +It is most meet that I should hear this man. +[Goes back to throne.] + +MORANZONE + +Now hast thou got thy enemy in thy hand. + +LORD JUSTICE + +[taking the time-glass up] +Guido Ferranti, while the crumbling sand +Falls through this time-glass, thou hast leave to speak. +This and no more. + +GUIDO + +It is enough, my lord. + +LORD JUSTICE + +Thou standest on the extreme verge of death; +See that thou speakest nothing but the truth, +Naught else will serve thee. + +GUIDO + +If I speak it not, +Then give my body to the headsman there. + +LORD JUSTICE + +[turns the time-glass] +Let there be silence while the prisoner speaks. + +TIPSTAFF + +Silence in the Court there. + +GUIDO + +My Lords Justices, +And reverent judges of this worthy court, +I hardly know where to begin my tale, +So strangely dreadful is this history. +First, let me tell you of what birth I am. +I am the son of that good Duke Lorenzo +Who was with damned treachery done to death +By a most wicked villain, lately Duke +Of this good town of Padua. + +LORD JUSTICE + +Have a care, +It will avail thee nought to mock this prince +Who now lies in his coffin. + +MAFFIO + +By Saint James, +This is the Duke of Parma's rightful heir. + +JEPPO + +I always thought him noble. + +GUIDO + +I confess +That with the purport of a just revenge, +A most just vengeance on a man of blood, +I entered the Duke's household, served his will, +Sat at his board, drank of his wine, and was +His intimate: so much I will confess, +And this too, that I waited till he grew +To give the fondest secrets of his life +Into my keeping, till he fawned on me, +And trusted me in every private matter +Even as my noble father trusted him; +That for this thing I waited. +[To the Headsman.] Thou man of blood! +Turn not thine axe on me before the time: +Who knows if it be time for me to die? +Is there no other neck in court but mine? + +LORD JUSTICE + +The sand within the time-glass flows apace. +Come quickly to the murder of the Duke. + +GUIDO + +I will be brief: Last night at twelve o' the clock, +By a strong rope I scaled the palace wall, +With purport to revenge my father's murder - +Ay! with that purport I confess, my lord. +This much I will acknowledge, and this also, +That as with stealthy feet I climbed the stair +Which led unto the chamber of the Duke, +And reached my hand out for the scarlet cloth +Which shook and shivered in the gusty door, +Lo! the white moon that sailed in the great heaven +Flooded with silver light the darkened room, +Night lit her candles for me, and I saw +The man I hated, cursing in his sleep; +And thinking of a most dear father murdered, +Sold to the scaffold, bartered to the block, +I smote the treacherous villain to the heart +With this same dagger, which by chance I found +Within the chamber. + +DUCHESS + +[rising from her seat] +Oh! + +GUIDO + +[hurriedly] +I killed the Duke. +Now, my Lord Justice, if I may crave a boon, +Suffer me not to see another sun +Light up the misery of this loathsome world. + +LORD JUSTICE + +Thy boon is granted, thou shalt die to-night. +Lead him away. Come, Madam +[GUIDO is led off; as he goes the DUCHESS stretches out her arms +and rushes down the stage.] + +DUCHESS + +Guido! Guido! +[Faints.] + +Tableau + +END OF ACT IV. + + + +ACT V + + + +SCENE + +A dungeon in the public prison of Padua; Guido lies asleep on a +pallet (L.C.); a table with a goblet on it is set (L.C.); five +soldiers are drinking and playing dice in the corner on a stone +table; one of them has a lantern hung to his halbert; a torch is +set in the wall over Guido's head. Two grated windows behind, one +on each side of the door which is (C.), look out into the passage; +the stage is rather dark. + +FIRST SOLDIER + +[throws dice] +Sixes again! good Pietro. + +SECOND SOLDIER + +I' faith, lieutenant, I will play with thee no more. I will lose +everything. + +THIRD SOLDIER + +Except thy wits; thou art safe there! + +SECOND SOLDIER + +Ay, ay, he cannot take them from me. + +THIRD SOLDIER + +No; for thou hast no wits to give him. + +THE SOLDIERS + +[loudly] +Ha! ha! ha! + +FIRST SOLDIER + +Silence! You will wake the prisoner; he is asleep. + +SECOND SOLDIER + +What matter? He will get sleep enough when he is buried. I +warrant he'd be glad if we could wake him when he's in the grave. + +THIRD SOLDIER + +Nay! for when he wakes there it will be judgment day. + +SECOND SOLDIER + +Ay, and he has done a grievous thing; for, look you, to murder one +of us who are but flesh and blood is a sin, and to kill a Duke goes +being near against the law. + +FIRST SOLDIER + +Well, well, he was a wicked Duke. + +SECOND SOLDIER + +And so he should not have touched him; if one meddles with wicked +people, one is like to be tainted with their wickedness. + +THIRD SOLDIER + +Ay, that is true. How old is the prisoner? + +SECOND SOLDIER + +Old enough to do wrong, and not old enough to be wise. + +FIRST SOLDIER + +Why, then, he might be any age. + +SECOND SOLDIER + +They say the Duchess wanted to pardon him. + +FIRST SOLDIER + +Is that so? + +SECOND SOLDIER + +Ay, and did much entreat the Lord Justice, but he would not. + +FIRST SOLDIER + +I had thought, Pietro, that the Duchess was omnipotent. + +SECOND SOLDIER + +True, she is well-favoured; I know none so comely. + +THE SOLDIERS + +Ha! ha! ha! + +FIRST SOLDIER + +I meant I had thought our Duchess could do anything. + +SECOND SOLDIER + +Nay, for he is now given over to the Justices, and they will see +that justice be done; they and stout Hugh the headsman; but when +his head is off, why then the Duchess can pardon him if she likes; +there is no law against that. + +FIRST SOLDIER + +I do not think that stout Hugh, as you call him, will do the +business for him after all. This Guido is of gentle birth, and so +by the law can drink poison first, if it so be his pleasure. + +THIRD SOLDIER + +And if he does not drink it? + +FIRST SOLDIER + +Why, then, they will kill him. +[Knocking comes at the door.] + +FIRST SOLDIER + +See who that is. +[Third Soldier goes over and looks through the wicket.] + +THIRD SOLDIER + +It is a woman, sir. + +FIRST SOLDIER + +Is she pretty? + +THIRD SOLDIER + +I can't tell. She is masked, lieutenant. + +FIRST SOLDIER + +It is only very ugly or very beautiful women who ever hide their +faces. Let her in. +[Soldier opens the door, and the DUCHESS masked and cloaked +enters.] + +DUCHESS + +[to Third Soldier] +Are you the officer on guard? + +FIRST SOLDIER + +[coming forward] +I am, madam. + +DUCHESS + +I must see the prisoner alone. + +FIRST SOLDIER + +I am afraid that is impossible. [The DUCHESS hands him a ring, he +looks at and returns it to her with a bow and makes a sign to the +Soldiers.] Stand without there. [Exeunt the Soldiers.] + +DUCHESS + +Officer, your men are somewhat rough. + +FIRST SOLDIER + +They mean no harm. + +DUCHESS + +I shall be going back in a few minutes. As I pass through the +corridor do not let them try and lift my mask. + +FIRST SOLDIER + +You need not be afraid, madam. + +DUCHESS + +I have a particular reason for wishing my face not to be seen. + +FIRST SOLDIER + +Madam, with this ring you can go in and out as you please; it is +the Duchess's own ring. + +DUCHESS + +Leave us. [The Soldier turns to go out.] A moment, sir. For what +hour is . . . + +FIRST SOLDIER + +At twelve o'clock, madam, we have orders to lead him out; but I +dare say he won't wait for us; he's more like to take a drink out +of that poison yonder. Men are afraid of the headsman. + +DUCHESS + +Is that poison? + +FIRST SOLDIER + +Ay, madam, and very sure poison too. + +DUCHESS + +You may go, sir. + +FIRST SOLDIER + +By Saint James, a pretty hand! I wonder who she is. Some woman +who loved him, perhaps. [Exit.] + +DUCHESS + +[taking her mark off] At last! +He can escape now in this cloak and vizard, +We are of a height almost: they will not know him; +As for myself what matter? +So that he does not curse me as he goes, +I care but little: I wonder will he curse me. +He has the right. It is eleven now; +They will not come till twelve. +[Goes over to the table.] +So this is poison. +Is it not strange that in this liquor here +There lies the key to all philosophies? +[Takes the cup up.] +It smells of poppies. I remember well +That, when I was a child in Sicily, +I took the scarlet poppies from the corn, +And made a little wreath, and my grave uncle, +Don John of Naples, laughed: I did not know +That they had power to stay the springs of life, +To make the pulse cease beating, and to chill +The blood in its own vessels, till men come +And with a hook hale the poor body out, +And throw it in a ditch: the body, ay, - +What of the soul? that goes to heaven or hell. +Where will mine go? +[Takes the torch from the wall, and goes over to the bed.] +How peacefully here he sleeps, +Like a young schoolboy tired out with play: +I would that I could sleep so peacefully, +But I have dreams. [Bending over him.] +Poor boy: what if I kissed him? +No, no, my lips would burn him like a fire. +He has had enough of Love. Still that white neck +Will 'scape the headsman: I have seen to that: +He will get hence from Padua to-night, +And that is well. You are very wise, Lord Justices, +And yet you are not half so wise as I am, +And that is well. +O God! how I have loved you, +And what a bloody flower did Love bear! +[Comes back to the table.] +What if I drank these juices, and so ceased? +Were it not better than to wait till Death +Come to my bed with all his serving men, +Remorse, disease, old age, and misery? +I wonder does one suffer much: I think +That I am very young to die like this, +But so it must be. Why, why should I die? +He will escape to-night, and so his blood +Will not be on my head. No, I must die; +I have been guilty, therefore I must die; +He loves me not, and therefore I must die: +I would die happier if he would kiss me, +But he will not do that. I did not know him. +I thought he meant to sell me to the Judge; +That is not strange; we women never know +Our lovers till they leave us. +[Bell begins to toll] +Thou vile bell, +That like a bloodhound from thy brazen throat +Call'st for this man's life, cease! thou shalt not get it. +He stirs--I must be quick: [Takes up cup.] +O Love, Love, Love, +I did not think that I would pledge thee thus! +[Drinks poison, and sets the cup down on the table behind her: the +noise wakens GUIDO, who starts up, and does not see what she has +done. There is silence for a minute, each looking at the other.] +I do not come to ask your pardon now, +Seeing I know I stand beyond all pardon; +Enough of that: I have already, sir, +Confessed my sin to the Lords Justices; +They would not listen to me: and some said +I did invent a tale to save your life; +You have trafficked with me; others said +That women played with pity as with men; +Others that grief for my slain Lord and husband +Had robbed me of my wits: they would not hear me, +And, when I sware it on the holy book, +They bade the doctor cure me. They are ten, +Ten against one, and they possess your life. +They call me Duchess here in Padua. +I do not know, sir; if I be the Duchess, +I wrote your pardon, and they would not take it; +They call it treason, say I taught them that; +Maybe I did. Within an hour, Guido, +They will be here, and drag you from the cell, +And bind your hands behind your back, and bid you +Kneel at the block: I am before them there; +Here is the signet ring of Padua, +'Twill bring you safely through the men on guard; +There is my cloak and vizard; they have orders +Not to be curious: when you pass the gate +Turn to the left, and at the second bridge +You will find horses waiting: by to-morrow +You will be at Venice, safe. [A pause.] +Do you not speak? +Will you not even curse me ere you go? - +You have the right. [A pause.] +You do not understand +There lies between you and the headsman's axe +Hardly so much sand in the hour-glass +As a child's palm could carry: here is the ring: +I have washed my hand: there is no blood upon it: +You need not fear. Will you not take the ring? + +GUIDO + +[takes ring and kisses it] +Ay! gladly, Madam. + +DUCHESS + +And leave Padua. + +GUIDO + +Leave Padua. + +DUCHESS + +But it must be to-night. + +GUIDO + +To-night it shall be. + +DUCHESS + +Oh, thank God for that! + +GUIDO + +So I can live; life never seemed so sweet +As at this moment. + +DUCHESS + +Do not tarry, Guido, +There is my cloak: the horse is at the bridge, +The second bridge below the ferry house: +Why do you tarry? Can your ears not hear +This dreadful bell, whose every ringing stroke +Robs one brief minute from your boyish life. +Go quickly. + +GUIDO + +Ay! he will come soon enough. + +DUCHESS + +Who? + +GUIDO + +[calmly] +Why, the headsman. + +DUCHESS + +No, no. + +GUIDO + +Only he +Can bring me out of Padua. + +DUCHESS + +You dare not! +You dare not burden my o'erburdened soul +With two dead men! I think one is enough. +For when I stand before God, face to face, +I would not have you, with a scarlet thread +Around your white throat, coming up behind +To say I did it. + +GUIDO + +Madam, I wait. + +DUCHESS + +No, no, you cannot: you do not understand, +I have less power in Padua to-night +Than any common woman; they will kill you. +I saw the scaffold as I crossed the square, +Already the low rabble throng about it +With fearful jests, and horrid merriment, +As though it were a morris-dancer's platform, +And not Death's sable throne. O Guido, Guido, +You must escape! + +GUIDO + +Madam, I tarry here. + +DUCHESS + +Guido, you shall not: it would be a thing +So terrible that the amazed stars +Would fall from heaven, and the palsied moon +Be in her sphere eclipsed, and the great sun +Refuse to shine upon the unjust earth +Which saw thee die. + +GUIDO + +Be sure I shall not stir. + +DUCHESS + +[wringing her hands] +Is one sin not enough, but must it breed +A second sin more horrible again +Than was the one that bare it? O God, God, +Seal up sin's teeming womb, and make it barren, +I will not have more blood upon my hand +Than I have now. + +GUIDO + +[seizing her hand] +What! am I fallen so low +That I may not have leave to die for you? + +DUCHESS + +[tearing her hand away] +Die for me?--no, my life is a vile thing, +Thrown to the miry highways of this world; +You shall not die for me, you shall not, Guido; +I am a guilty woman. + +GUIDO + +Guilty?--let those +Who know what a thing temptation is, +Let those who have not walked as we have done, +In the red fire of passion, those whose lives +Are dull and colourless, in a word let those, +If any such there be, who have not loved, +Cast stones against you. As for me - + +DUCHESS + +Alas! + +GUIDO + +[falling at her feet] +You are my lady, and you are my love! +O hair of gold, O crimson lips, O face +Made for the luring and the love of man! +Incarnate image of pure loveliness! +Worshipping thee I do forget the past, +Worshipping thee my soul comes close to thine, +Worshipping thee I seem to be a god, +And though they give my body to the block, +Yet is my love eternal! +[DUCHESS puts her hands over her face: GUIDO draws them down.] +Sweet, lift up +The trailing curtains that overhang your eyes +That I may look into those eyes, and tell you +I love you, never more than now when Death +Thrusts his cold lips between us: Beatrice, +I love you: have you no word left to say? +Oh, I can bear the executioner, +But not this silence: will you not say you love me? +Speak but that word and Death shall lose his sting, +But speak it not, and fifty thousand deaths +Are, in comparison, mercy. Oh, you are cruel, +And do not love me. + +DUCHESS + +Alas! I have no right +For I have stained the innocent hands of love +With spilt-out blood: there is blood on the ground; +I set it there. + +GUIDO + +Sweet, it was not yourself, +It was some devil tempted you. + +DUCHESS + +[rising suddenly] +No, no, +We are each our own devil, and we make +This world our hell. + +GUIDO + +Then let high Paradise +Fall into Tartarus! for I shall make +This world my heaven for a little space. +The sin was mine, if any sin there was. +'Twas I who nurtured murder in my heart, +Sweetened my meats, seasoned my wine with it, +And in my fancy slew the accursed Duke +A hundred times a day. Why, had this man +Died half so often as I wished him to, +Death had been stalking ever through the house, +And murder had not slept. +But you, fond heart, +Whose little eyes grew tender over a whipt hound, +You whom the little children laughed to see +Because you brought the sunlight where you passed, +You the white angel of God's purity, +This which men call your sin, what was it? + +DUCHESS + +Ay! +What was it? There are times it seems a dream, +An evil dream sent by an evil god, +And then I see the dead face in the coffin +And know it is no dream, but that my hand +Is red with blood, and that my desperate soul +Striving to find some haven for its love +From the wild tempest of this raging world, +Has wrecked its bark upon the rocks of sin. +What was it, said you?--murder merely? Nothing +But murder, horrible murder. + +GUIDO + +Nay, nay, nay, +'Twas but the passion-flower of your love +That in one moment leapt to terrible life, +And in one moment bare this gory fruit, +Which I had plucked in thought a thousand times. +My soul was murderous, but my hand refused; +Your hand wrought murder, but your soul was pure. +And so I love you, Beatrice, and let him +Who has no mercy for your stricken head, +Lack mercy up in heaven! Kiss me, sweet. +[Tries to kiss her.] + +DUCHESS + +No, no, your lips are pure, and mine are soiled, +For Guilt has been my paramour, and Sin +Lain in my bed: O Guido, if you love me +Get hence, for every moment is a worm +Which gnaws your life away: nay, sweet, get hence, +And if in after time you think of me, +Think of me as of one who loved you more +Than anything on earth; think of me, Guido, +As of a woman merely, one who tried +To make her life a sacrifice to love, +And slew love in the trial: Oh, what is that? +The bell has stopped from ringing, and I hear +The feet of armed men upon the stair. + +GUIDO + +[aside] +That is the signal for the guard to come. + +DUCHESS + +Why has the bell stopped ringing? + +GUIDO + +If you must know, +That stops my life on this side of the grave, +But on the other we shall meet again. + +DUCHESS + +No, no, 'tis not too late: you must get hence; +The horse is by the bridge, there is still time. +Away, away, you must not tarry here! +[Noise of Soldiers in the passage.] + +A VOICE OUTSIDE + +Room for the Lord Justice of Padua! +[The LORD JUSTICE is seen through the grated window passing down +the corridor preceded by men bearing torches.] + +DUCHESS + +It is too late. + +A VOICE OUTSIDE + +Room for the headsman. + +DUCHESS + +[sinks down] +Oh! +[The Headsman with his axe on his shoulder is seen passing the +corridor, followed by Monks bearing candles.] + +GUIDO + +Farewell, dear love, for I must drink this poison. +I do not fear the headsman, but I would die +Not on the lonely scaffold. +But here, +Here in thine arms, kissing thy mouth: farewell! +[Goes to the table and takes the goblet up.] What, art thou empty? +[Throws it to the ground.] +O thou churlish gaoler, +Even of poisons niggard! + +DUCHESS + +[faintly] +Blame him not. + +GUIDO + +O God! you have not drunk it, Beatrice? +Tell me you have not? + +DUCHESS + +Were I to deny it, +There is a fire eating at my heart +Which would find utterance. + +GUIDO + +O treacherous love, +Why have you not left a drop for me? + +DUCHESS + +No, no, it held but death enough for one. + +GUIDO + +Is there no poison still upon your lips, +That I may draw it from them? + +DUCHESS + +Why should you die? +You have not spilt blood, and so need not die: +I have spilt blood, and therefore I must die. +Was it not said blood should be spilt for blood? +Who said that? I forget. + +GUIDO + +Tarry for me, +Our souls will go together. + +DUCHESS + +Nay, you must live. +There are many other women in the world +Who will love you, and not murder for your sake. + +GUIDO + +I love you only. + +DUCHESS + +You need not die for that. + +GUIDO + +Ah, if we die together, love, why then +Can we not lie together in one grave? + +DUCHESS + +A grave is but a narrow wedding-bed. + +GUIDO + +It is enough for us + +DUCHESS + +And they will strew it +With a stark winding-sheet, and bitter herbs: +I think there are no roses in the grave, +Or if there are, they all are withered now +Since my Lord went there. + +GUIDO + +Ah! dear Beatrice, +Your lips are roses that death cannot wither. + +DUCHESS + +Nay, if we lie together, will not my lips +Fall into dust, and your enamoured eyes +Shrivel to sightless sockets, and the worms, +Which are our groomsmen, eat away your heart? + +GUIDO + +I do not care: Death has no power on love. +And so by Love's immortal sovereignty +I will die with you. + +DUCHESS + +But the grave is black, +And the pit black, so I must go before +To light the candles for your coming hither. +No, no, I will not die, I will not die. +Love, you are strong, and young, and very brave; +Stand between me and the angel of death, +And wrestle with him for me. +[Thrusts GUIDO in front of her with his back to the audience.] +I will kiss you, +When you have thrown him. Oh, have you no cordial, +To stay the workings of this poison in me? +Are there no rivers left in Italy +That you will not fetch me one cup of water +To quench this fire? + +GUIDO + +O God! + +DUCHESS + +You did not tell me +There was a drought in Italy, and no water: +Nothing but fire. + +GUIDO + +O Love! + +DUCHESS + +Send for a leech, +Not him who stanched my husband, but another +We have no time: send for a leech, I say: +There is an antidote against each poison, +And he will sell it if we give him money. +Tell him that I will give him Padua, +For one short hour of life: I will not die. +Oh, I am sick to death; no, do not touch me, +This poison gnaws my heart: I did not know +It was such pain to die: I thought that life +Had taken all the agonies to itself; +It seems it is not so. + +GUIDO + +O damned stars +Quench your vile cresset-lights in tears, and bid +The moon, your mistress, shine no more to-night. + +DUCHESS + +Guido, why are we here? I think this room +Is poorly furnished for a marriage chamber. +Let us get hence at once. Where are the horses? +We should be on our way to Venice now. +How cold the night is! We must ride faster. +[The Monks begin to chant outside.] +Music! It should be merrier; but grief +Is of the fashion now--I know not why. +You must not weep: do we not love each other? - +That is enough. Death, what do you here? +You were not bidden to this table, sir; +Away, we have no need of you: I tell you +It was in wine I pledged you, not in poison. +They lied who told you that I drank your poison. +It was spilt upon the ground, like my Lord's blood; +You came too late. + +GUIDO + +Sweet, there is nothing there: +These things are only unreal shadows. + +DUCHESS + +Death, +Why do you tarry, get to the upper chamber; +The cold meats of my husband's funeral feast +Are set for you; this is a wedding feast. +You are out of place, sir; and, besides, 'tis summer. +We do not need these heavy fires now, +You scorch us. +Oh, I am burned up, +Can you do nothing? Water, give me water, +Or else more poison. No: I feel no pain - +Is it not curious I should feel no pain? - +And Death has gone away, I am glad of that. +I thought he meant to part us. Tell me, Guido, +Are you not sorry that you ever saw me? + +GUIDO + +I swear I would not have lived otherwise. +Why, in this dull and common world of ours +Men have died looking for such moments as this +And have not found them. + +DUCHESS + +Then you are not sorry? +How strange that seems. + +GUIDO + +What, Beatrice, have I not +Stood face to face with beauty? That is enough +For one man's life. Why, love, I could be merry; +I have been often sadder at a feast, +But who were sad at such a feast as this +When Love and Death are both our cup-bearers? +We love and die together. + +DUCHESS + +Oh, I have been +Guilty beyond all women, and indeed +Beyond all women punished. Do you think - +No, that could not be--Oh, do you think that love +Can wipe the bloody stain from off my hands, +Pour balm into my wounds, heal up my hurts, +And wash my scarlet sins as white as snow? - +For I have sinned. + +GUIDO + +They do not sin at all +Who sin for love. + +DUCHESS + +No, I have sinned, and yet +Perchance my sin will be forgiven me. +I have loved much + +[They kiss each other now for the first time in this Act, when +suddenly the DUCHESS leaps up in the dreadful spasm of death, tears +in agony at her dress, and finally, with face twisted and distorted +with pain, falls back dead in a chair. GUIDO seizing her dagger +from her belt, kills himself; and, as he falls across her knees, +clutches at the cloak which is on the back of the chair, and throws +it entirely over her. There is a little pause. Then down the +passage comes the tramp of Soldiers; the door is opened, and the +LORD JUSTICE, the Headsman, and the Guard enter and see this figure +shrouded in black, and GUIDO lying dead across her. The LORD +JUSTICE rushes forward and drags the cloak off the DUCHESS, whose +face is now the marble image of peace, the sign of God's +forgiveness.] + +Tableau + +CURTAIN + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, THE DUCHESS OF PADUA *** + +This file should be named dpdua10.txt or dpdua10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, dpdua11.txt +VERSIONS based on separate sources get new LETTER, dpdua10a.txt + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext04 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04 + +Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* + |
